Wines of Austria: The tension of opposites

Sunset over Niederösterreich

Life is a series of movements, from pillar to post and decision making often culminates in negative results. Every day there are deliberations, shuttles and bargaining for positivity, all inherently matters of the human condition, experienced through the tension of opposites, simply because choices made more often than not feel diametrically opposed to one another in some unavoidable way. This is one of Carl Jung’s foundational precepts and while it is often a source of frustration and confusion, for grapes and the wines they create it can be the source of greatest joy. A vine planted in poor soils and subjected to the tensity of elements may succeed but it must find a way to suffer through the strain and pressure. Jung noted that in fact it can be a necessary pre-condition (in the case of people) for real transformation to occur. Antithetically speaking grapevines are not human and nature is exceedingly if also impressively resourceful. Roots dig deeper in search of nutrients, the plant stretches and adapts, learns to embrace the tension of opposites and in turn grows stronger. Wine lovers know the feeling, of tasting that which was raised on terroirs where the vine struggle is real, survival is the necessity and the wine results are pure glory.

Godello in Wagram

Which brings us directly to Austria, where incidentally I visited, albeit briefly, back in late November of 2022. It was there that this theory was brought to light. Extreme climate, gradience and geology can lead and convince a vine to beat the odds, case in point examples from near and far. Places such as the Côtes d’Or, Rangen de Thann, Radda in Chianti, The Mosel, Salta, Lanzarote, Camargue, Bekka Valley, Santorini, Aosta Valley, Patagonia, Ahr Valley, Prince Edward County, Hunter Valley, Annapolis Valley, Lamole and Limarí Valley. Just to name a large handful! Let us add Austria to the list, Lower Austria that is (Niederösterreich) and more specifically the Wagram and the Traisental. Three aspects determine the viability for these two growing areas to qualify as those where the experience concerns the tension of opposites. Cool climate, poor soils and windswept ridges. Stand atop any one of these spots in late November, feel the chill drill straight down into your bones and know just what a vine must do to not only survive, but also thrive.

The Loess of Clemens Strobl

Wagram

In the Wagram the vineyards are divided between two distinct zones. The first is north of the Danube, directly to the east of the Kamptal where a vast terrace of land stretches eastwards for approximately 30 kilometres. The second zone runs south of the Danube, home to the small wine villages of the Tulln Basin, as well as the historic wine-growing town of Klosterneuburg which is just a stone’s throw away from Vienna. There are 250 wineries in the wagram, 2,459 hectares under vine and the three principal grape varieties are grüner veltliner, riesling and roter veltliner. The main viticultural villages are Feuersbrunn, Fels, Grossriedenthal, Gösing, Kirchberg, Großweikersdorf and Klosterneuburg.

Kirchberg am Wagram

It’s really all about rich, aromatic wines. The name Wagram is derived from the word Wogenrain, roughly translated as “surfside.” This is because the substratum of alluvial gravels and sedimentary marine deposits is covered by loess,  blown in during the ice ages and has since played a significant role in shaping the landscape. From the 2021 vintage onwards, regionally typical wines can be labelled as Wagram DAC. The top tier of the pyramid is represented by the region’s Riedenwein (single-vineyard wines) and here is where grüner veltliner, riesling and roter veltliner truly shine. Moving down from the Ried there are the Ortsweine or Villages wines that can also include chardonnay, weißburgunder, blauburgunder, and zweigelt. Finally there are the Gebietsweine, monovarietal, as a cuvée blend or Gemischter Satz (field blend)). The above mentiioned grape varieties are joined by frühroter veltliner, grauer burgunder, gelber muskateller, sauvignon blanc and traminer.

Schnitzel in Langenlois

Traisental

The Traisental is the youngest wine-growing region in Austria, only dating back to 1995 in the way we know it today with their corresponding DACs having been cemented in 2006. Of all the Austrian DACs it is one of the smallest with a shade over 800 hectares under vine. Nowhere does grüner veltliner lead as it does in Traisental, relatively speaking, where nearly two-thirds of all vineyards are planted to the signature Austrian white grape variety. Also riesling which holds great importance and perhaps increasingly so. The growing areas are tied to the villages and their signature taverns where these wines flow and also revered. Two such places are Traismauer and Herzogenburg, towns with windows into the past. Smallest of terraces are where vines grow on gravelly and often calcareous soils. Weather can be extreme, especially winds, of Pannonian influences along with cold air from the foothills of the Alps. The nearby Danube River balances temperature and day/night fluctuations. Wine culture dates back to the Romans and modern times place most importance on grüner veltliner and riesling thoughb there are smatterings of other varieties in white and red, namely pinot blanc and noir.

Godello and Traisental Geology

Ten million years ago the Traisen river ran through what is now the Traisental Valley, a growing area so apropos to talk about tension of opposites. The limestone conglomerate and poor soils south of the Danube house a mere 25 producers plus growers and their focus on grüner veltliner and riesling is all about making magic where vines suffer before begetting incredible fruit. The vineyards are planted up to 380m and what was once a four to five kilometre wide river is now just 100-150 metres across at its widest. The build up from 10,000 years of hummus is such that now if you screw up your soil it can takes decades to build it back up again. And so growers like Markus Huber have certified organic but are not content with just the rules, but concern themselves with always being one step ahead. Producers have to be open for things available on the markets, especially preparations, like Trichoderma and other microorganisms used against downy mildew. Huber remarks how herb extracts applied over the last five years have led to very good results.

The Art of Wine – Down to Earth

This two-part expression are but two ways to look at Austrian wine. From Styria, the Burgenland and Vienna in Lower Austria there are 17 DACs from a bit less than 45,000 hectares of planted vineyard. They speak collectively in a typically Austrian vernacular and with a connectivity as real and transparent as any wine producing nation in Europe. Draw a line through the village of Saint Pölten from the Traisental to the Wagram and a most specific association is forged, by geography, geology and climatic patterns. There are recurring characteristics in the grüner veltliner and riesling throughout these two DAC wines and in turn their relatedness to Niederösterreich as a whole is forged through the lands on either side of the Danube.

John Szabo M.S. receives the Bacchus Award from Chris Yorke, Wines of Austria

In November of 2022 our small group of four spent two and a half days wandering these two Lower Austrian wine regions with the chaperone assistance of Matthias and Wines of Austria. We also spent two evenings in Vienna, one at dinner with Zahel’s Alex Zahel and another at the Wiener Rathaus as our colleague John Szabo M.S. received Wines of Austria’s most prestigious International Bacchus Award for his two decades of commitment in writing about and educating on behalf of Austrian wines. Our visits in Wagram and Traisental took us to Domaine Ott, Weinmanufaktur Clemens Strobl, Dockner Tom, Jurtschitsch, Markus Huber, Matthias Warnung and Weinkultur Preiß. Just before flying to Europe John and Roman Horvath MW had delivered a November 9th masterclass in Toronto on Austrian wines and those notes are also included in this report. In total I share 90 tasting notes with you.

Domaine Ott – Feuersbrunn, Wagram

Bernhard Ott is a fourth generation winemaker, at the helm since 1993 for an estate dating back to 1889. Ott farms and bottles from 32 different plots, including three prized premium sites, one in Kamptal (Engabrunner Stein) and two in Wagram (Feuersbrunner Spiegel and Rosenberg). Bernhard’s initial goal was to make use of stainless steel though in 2018 he began working with varying sizes of Stockinger fuders. These traditional Mosel casks literally translate to a “wagonload, cartload; A unit of measure for wine equal to roughly 1000 litres.” In total there are 55 hectares and it was after tasting a 1933 Rosenberg GV that Ott decided to go back to his roots, to what his grandfather would have been doing and moved to basket press. The first to do so with white wine. In the early 2000s Bernhard began composting, with organic cow manure, became certified organic in 2006 and later visited the biodynamic property of Domaine La Romanée Conti in Vosne with Hans Reisetbauer. This was the impetus towards committing to biodynamic viticulture. He formed Respekt in 2007 with Johannes Hirsch, Fred Loimer and a group of like-minded producers, Respekt was formed. The oldest vines in the Rosenberg were planted in 1954 in very deep loess soil. Stein is Gföhler gneiss at the bottom, with red and white sands, a layer of chalk and a little loess on top. At Spiegel the soils are a mix of deep, chalky loess and red gravel, part Rosenberg and part Stein. Most of the production is grüner veltliner with 10 percent riesling.

Bernhard Ott Grüner Veltliner Am Berg 2021, Lower Austria

Frankly as direct and rounded as grüner veltliner will ever get, three parts gathered together, estate fruit, biodynamic growers’ and two hectares from agronomist Hans Reisetbauer’s father’s GV. The dictionary entry, easy to access, wisps of smoke and white pepper, finishing with a tincture’s drops of fine tonic and bitters. Drink 2022-2025.  Tasted November 2022

Bernhard Ott Grüner Veltliner Fass 4 2021, Wagram

The fourth barrel, named for Bernhard Ott’s father, a big brand poured in wine bars all over Europe. All estate fruit (which separates it from the Am Berg) and all the vines used are a minimum 12 years of age. More aromatic presence, fruit substantiality, single-vineyard edginess and concentration. Now some smoulder and layered vim, even into volupté territory. Drink 2022-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Spiegel Feuersbrunn 1ÖTW 2020, Wagram

Seriously smouldering out of the glass, so much so you are surprised to not see some smoke rising. From Ott’s six hectare portion, high in loess, gravel and (15-20 per cent) chalk. A very windy spot, seemingly always, a very exposed place. Almost the highest part of Hengstberg, a cool and understated wine, shy in its early stage yet blessed with grand cru vineyard DNA, beauty and tangible length. Drink 2023-2029.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Stein Engabrunn 1ÖTW 2020, Kamptal

All Kamptal fruit, from a vineyard mentioned in 1427, loess with granite, firestone, gravel and a “fruity” hummus in the top few centimetres of the soil. Bigger fruit expression as compared to Spiegel, also in slide over to Kamptal there is more generosity and up front openness. No paraffin wax or lightning strikes though the back palate is alive, layered and kicking. Though consistently at 13 per cent alcohol like the rest it is felt with more oomph in Stein, thanks to the bigger amount of flesh on the palate. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Gruner Veltliner Ried Rosenberg Feuersbrunn 1ÖTW 2020, Wagram

Ott took over this vineyard from his father in 1993 and decided at this time to focus on the white wines, trading the planted red vineyards for this Rosenberg, planted in 1956. Roots go down 30 metres in pure loess soil with 30-33 per cent free (or active) chalk. Man does this taste like chalk incarnate but with salty, smoky and elemental veins cut through carrying the lifeblood of the soil beneath. Luxe enough to imagine a wine going on with great flesh over a long period of time and more because the chalk will morph, transmigrate and develop a whole new level of smoulder, always connected to that chalk. Drink 2024-2035.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Kirchtal 2020, Wagram

On the east shoulder of Hengstberg with mainly loess but also gravel and some heavy clay. The nose delivers Rhône like or more specifically Châteauneuf-du-Pâpe heady aromas in flowers like roses in oil and a density or booziness. The vineyard was planted in 2010 and 2014 was the first vintage. Seems like a big and gorgeous wine that’s a bit funny on its feet, like a breed still as a puppy with big feet and not having yet grown into itself. Clumsy yet amazing, juicy and excitable, not as focused as the grand crus, nor finessed neither. Look for iterations from 2025 onwards to get there. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Der Ott 2021, Wagram

Combines three Erste Lage (Grand Crus) in one wine. One hundred per cent basket pressed and large cask aged. Approximately 45 percent Spiegel with equal parts Stein and Rosenberg. These pressings are separated from the single-vineyard wines, picked separately (essentially from younger vines). Exciting levels of grand cru, layers and layers to stack, unfold and peel away, perhaps not as linear, focused and precise but worthy of the ideal. Bloody delicious at a high level for the short term and offering a window into all three crus after they age well into the future. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Gmirk 2021, Wagram

Gmirk, from the German, only 500L of juice available, from 30 year-old vineyards demarcating the border to a village (Gösing) that deserves to be on its own as a high level wine. The concentration is rather remarkable, the smokiness thick like fog and the texture palpable. A delicious grüner veltliner that satisfies as much as it impresses. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Brenner 2021, Wagram

Only 1000L of juice available, from a few rows in Spiegel that deserve to be bottled on their own. The intensity is palpable, a chiseled grüner veltliner of finesse, focus and linearity. Also power and drive, horsepower really, full speed ahead that can run both the sprint and the marathon. Drink 2024-2035.  Tasted November 2022

Bernhard Ott Riesling Ried Kirchthal 2021, Wagram

Youthful, stoic and reticent, not really giving away much at this very early stage. Layers of typical riesling necessity, intensity and sprit, needing time, slowly unfolding towards the greatness that awaits, Not quite what is available, possible and probable with grüner veltliner but impressively profound just the same. Drink 2024-2028.  Tasted November 2022

Bernhard Ott Riesling Kabin(O)TT 2021, Lower Austria

Made with some more residual sugar, Kabinett style (obviously) as a wink and a nod towards the Mosel. Green mango and peach, flowers as well, top quality acids and overall a proper if professional balance. Drink away though careful of how easy it disappears. Drink 2022-2024.  Tasted November 2022

Lukas Strobl and John Szabo MS

Weinmanufaktur Clemens Strobl – Kirchberg am Wagram

Clemens Strobl is a second generation family-owned winery started in 2008, led by Clemens and son Lukas. They started with one hectare, “wanting to know what is behind winemaking.” Today there are 15 hectares, mostly terraced above the winery. The 2012 vintage was the first to make use of native yeasts and the beginning of a conversation towards organics. They are self-professed “unbound to tradition” and so there are no appellations on the wines. Experimentation is key, yet also with winemaking ideas in the skin-contact, unfined, unfiltered and minimal sulphuring realm. They may be uncomfortable to be tagged as makers of natural wine but their actions speak for themsleves. For Clemens and Strobl wine is directly connected to soil and this means loess. Metres of loam and loess, tertiary gravel dating back millions of years. Their’s is “the region of the future.” Burgundian conditions, of loess and limestones, expressly Wagram.

Clemens Strobl Donauschotter Grüner Veltliner 2021

Clemens Strobl purchased the property in 2016, renovated the vineyards, built the winery over three years and opened the doors in 2019. The soils are rich loess to create a cuvée of grüner veltliner from grapes excluded from the single block labels. Natural ferment, malolactic as well, stable, round and offering easy access. Bottled in May and always sold out within six months – as in now. There are 20-25k bottles produced of this GV licked by flinty smoulder, flavours imagining a dry lime cordial, salty, light-hearted and with that classic white pepper. Über correct. Drink 2022-2025.  Tasted November 2022

Clemens Strobl Grüner Veltliner Schrek 2019

From the Schrekenberg, abutting the Kamptal, surrounded by forest, filled with wildlife. Vineyards face more east than south, a cooler spot that’s increasingly warming and this being one of those really warm years. Fermented in 100L oak vats. More concentration exaggerated in this 2019, but also that flinty smoulder and malolactic induced mouthfeel. Not a wine concerned with primary flavours and more about impression, in a way that reminds of some aged Domaine Paul Blanck, albeit in grüner veltliner clothing. The clarity is admirable, focus and purity as well. Drink 2022-2026.  Tasted November 2022

Clemens Strobl Lössling Grüner Veltliner 2019

From Weissbrün on heavy Loess soils, “one of our warmest vineyards, especially for grüner veltliner, now quite challenging with warming temperatures and yet we don’t lose acidity.” The warmth is so up front and immediately nurturing, soft and creamier than Schrek from a vintage in requiem of a quicker maceration, less than six hours, working on brown juice, unconcerned with primary fruit flavours. Keeps the pH lower and acids higher, maintaining flow and mouthfeel. The roundness and barrel effect are felt here in that Bourgogne chardonnay way. Apposite to Schrek. Drink 2023-2027.  Tasted November 2022

Lust By Lukas Strobl Lust & Laune 2021, Wagram

“Not a big fan of the term but it is natural wine,” tells Lukas Strobl, son of Clemens. His skin contact blend combines grüner veltliner with chardonnay, unfined, unfiltered and sulphured minimally at bottling. From Clemens Strobl estate fruit and as noted in his and his father’s wines you can expect this subtly orange example to be as clean and crisp as possible. This first vintage is 2,600 bottles. Orange and lemon skin, persimmon and no off-putting funk, just the Mark Ronson and Pharrell Williams kind. Just a dream. Drink 2022-2025.  Tasted November 2022

Clemens Strobl Donauschotter Riesling 2021

The Loess soils are heavy, aka Danube gravel and they can produce overly rich and fruity riesling so this is made in the driest possible style,. High in lime, acids in and around 7 g/L, a bit of boosted alcohol and more than anything a feeling of fullness in the mouth. Tart yellow plum, white peach and lemony finish. Classic dry riesling. Drink 2022-2024.  Tasted November 2022

Clemens Strobl Rosen Riesling 2019

From the Rosenberg, one of the highest (380m) in terms of elevation which is at the height of the Wagram. A place of sunny and warm days through summer plus really cold winter nights. Also one of the rockiest/stoniest vineyards, worked botrytis free, passed through several times during harvest. Again in the arena of dry though clearly elevated in viscous mouthfeel, noticeable alcohol matched by some residual sugar though far less than many counterparts. Elegant and refined, age-able to a mid-term degree. Drink 2022-2025.  Tasted November 2022

Clemens Strobl Riesling Pfaff 2019, Kremstal

From a 40-45 year-old vineyard, having been taken over in 2015, a stony, east facing block almost on a cliff. Drier, more intensity, precision and finesse. This is not about primary fruit at all and more concerned with drive, freshness and the kind of character that can accept great changes over time through the canals of elemental, mineral and gaseous shifts. Has begun and will accede to the secondary before too long. Drink 2022-2027.  Tasted November 2022

Clemens Strobl Donauschotter Rosé 2021

From pinot noir and st. laurent aged in 25 different vessels, including clay amphora. The effect felt here is as much orange as it is Rosé but also a style that is dry, pale, elegantly tart and of a tang that’s also just faintly there. Would not refer to it as serious but certainly refined, akin to the agreeable whites and of a clear, focused and distinct advantageous style. Can really see this alongside braised pork, either belly or guanciale in pasta. Drink 2022-2024.  Tasted November 2022

Clemens Strobl Pinot Noir Hengst 2019, Wagram

Not THAT Hengst but a single vineyard in the Wagram and 2011 being the first vintage. Spends nearly three years in wood and the style is one that wants flinty-smoky reduction from the natural yeasts, clearly spoken from 2019 though the warm vintage speaks right up. While it seems that this is not the past personality exhibited by this deliciously creamy pinot noir it also seems that this will be a big part of its future. Drink 2023-2027.  Tasted November 2022

Lust Lukas Strobl Etretat 2020

Of sauvignon blanc, unfined, unfiltered and nowhere near the vicinity of grassy, green nor blowsy styles. That said there is more fruit than any of the Clemems Strobl wines, and also the orange. There is an immense wealth of fruit, layering character and possibility in this singular sauvignon blanc. It’s bloody delicious. Drink 2022-2026. Tasted November 2022

Lust Lukas Strobl Elafonisi 2020

Made from grüner veltliner, eight days on the skins, 30 per cent whole bunch, approaching orange but not quite at that territory. Natural in any case, by nature of the unfined, unfiltered and minimal sulphuring (at bottling) treatment. Captures the flinty-smoky smoulder though with more viscosity and palate density. Comes away with great stage presence, here as a the second try just after working harvest in the Mosel at Clemens Busch. Drink 2023-2027.  Tasted November 2022

Lust Lukas Strobl Ureki 2019

Only 300L produced from one of the oldest cabernet sauvignon parcels in the Wagram, purchased in 2009 and becoming easier and easier to ripen the grapes. Much better adapted to this climate than it surely was when planted in the 1980s. OK so it’s still cool climate cabernet but this is the warmest of vintages from which ripeness is just about as close to phenolic fruition as it will get for the place. Just carries the feel of the Wagram, in spite of the variety, with a kind of evergreen and as with the whites, a smoky-flinty mineral feel, always present. From land and also winemaking, wanted and relished. Super refined and elegant tannins. Drink 2023-2027.  Tasted November 2022

Ground Control to Dockner Tom

Dockner Tom – Thayern

The winery dates back to 1912 while the house is 580 years old. Dockner is a producer with a large and well-rounded portfolio, bottling regional, village, single-vineyard and 1ÖTW premium vineyard classified wines. The Dockner family have been vintners in Theyern for four generations and Tom credits his father for teaching him a great deal. His pursuit of quality and sustainable cultivation is integral to the family’s estate. Ried Theyerner Berg, Pletzengraben and Hochschopf are the most important sites, especially for grüner veltliner while riesling also thrives at Parapluiberg Mountain.

Dockner Tom Grüner Veltliner Tom 2021, Traisental DAC

Quite a golden rich grüner veltliner of elevated ripeness and sapidity over salinity, über freshness and a drinkable nature that most people can really understand. A high-level entry wine with a top fruit core and no complications. Nor distractions and tangents neither. Drink 2022-2023.  Tasted November 2022

Dockner Tom Grüner Veltliner Nussdorf 2021, Traisental DAC

A village wine from Nussdorf off of loess soils and always a bit creamy yet persistently fresh. Carries the classic white pepper and here with that light buzz, not effervescence but a definite hum. Tart and sapid again, almost blanched nut but not fully and all the while equally salty, direct and again, an easy wine to understand. Clean, crisp and really well made. Drink 2022-2024.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Theyerner Berg 2021, Traisental DAC

From very chalky soil, a cool climate location, intensely taut and so very affected by the soil. Clearly, unequivocally and directly with more salinity than the regional or village examples to be frank and sure. Not an elastic texture or length but so very linear, upright and long. Drink 2023-2028.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Pletzengraben 1ÖTW 2021, Traisental DAC

The Pletzengraben is place abutting a forest and blessed by cool, fresh winds. Here a knowable tonic and cordial character, lime and botanicals, quite taut but still with some give. Work with the wine to allow the chalkiness to come through and the wine carries just a hint of residual sugar. Arrests on its own at 3.5 g/L of RS. Drink 2022-2027.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Hochschopf 1ÖTW 2021, Traisental DAC

East facing hill on terraces, very chalky, with loess and stones. Fermented in large oak casks, just like the past and the result is a creamy, softly textured and downy wine with white chalky salinity though not really intense. An billowy example that drinks with ease. Drier than the Pletzengraben. Drink 2022-2025.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Hochschopf 1ÖTW 2013, Traisental DAC

East facing hill on terraces, very chalky, with loess and stones. Fermented in large oak casks, just like the past. An older example and there is some terpene here, like apple juice, the fruit having been originally a bit bruised. Lemon preserve and decent acidity for sure so not a hot year but just some fruit that likely should have been sorted out. Drink 2022.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Hochschopf 1ÖTW 2010, Traisental DAC

East facing hill on terraces, very chalky, with loess and stones. Fermented in large oak casks, just like the past. An older example (tasted blind) from what feels like a much cooler vintage and the fruit is again apple though tart, green and with a white peppery bite. Good acid crunch here, lovely energy, so very grüner. Turns out to be 2010 and so the coolest vintage of the last 15 where picking lasted all the way into mid-November. Drink 2022-2024.  Tasted November 2022

Dockner Tom Riesling Ried Parapluiberg 2021, Traisental DAC

Parapluiberg as in the hill with the umbrella and a fresh, saline and acid led riesling. Really high acidity manages the 6-7 g/L of RS in a very Germanic style, more Rheinhessen than anything else, lime sharp, juiced and zesty. Good fruit here, vibrancy and really tart. Drink 2022-2025.  Tasted November 2022

Dockner Tom Riesling Ried Pletzengraben 1ÖTW 2021, Traisental DAC

Quite a rich and concentrated riesling, not quite the lime cordial of the Pletzengraben grüner veltliner but there is still this rich viscosity and texture that is very mouth filling. Quite an aromatic beauty and a wine that integrates its parts very well. Drink 2022-2027.  Tasted November 2022

Dockner Tom Riesling Ried Pletzengraben 1ÖTW 2017, Traisental DAC

Again, tasted blind this reminds of an older grüner veltliner, like that green apple, white pepper and sharp 2010. This one snaps and bites, with searing acids and an intensity off the proverbial charts. Drink 2022-2025.  Tasted November 2022

Dockner Tom Riesling Ried Pletzengraben 1ÖTW 2016, Traisental DAC

Really interesting vintage tasted blind, very much in line with the grüner veltliner of 2013, fruit a bit bruised and here in riesling there is saffron, banana and pineapple. Acids are good though the fruit was obviously very ripe. Secondary stage showing petrol and botanicals. Drink 2022-2023.  Tasted November 2022

Dockner Tom Traminer Konglomerat 2021, Traisental DAC

Off-dry gelber muskateller and gewürztraminer, high in sgars but also acids for balance, from a rich vintage with highly tropical fruit like guava and pineapple. Actually a matter of 12 g/L of RS but only 6.5 of acidity, high for traminer. Drink 2022-2027.  Tasted November 2022

Dockner Tom Traminer Konglomerat 20007, Traisental DAC

Off-dry gelber muskateller and gewürztraminer, much older vintage but also one of extreme ripeness because the litchi is full on, as are the roses and blanched nuts. Not quite the richness of the warmest vintage but surely sharp and older at the same time. Drink 2022-2023.  Tasted November 2022

Dockner Tom Gelber Traminer Natur 2021

A natural white from gelber muskateller meets gewürztraminer 10 months on skins. Lemon and quite sweet fruit meets acids in a lovely wine, of no salve or distraction, very clean and fresh. Drink 2022-2025.  Tasted November 2022

Dockner Tom Pinot Noir Konglomerat 2019

Sees 300L barrels for 30 months after a long skin maceration. Light and creamy, tart and with enough tension to match the soft palate. Of a cool climate style where fruit hangs long, develops good phenolics and eerily like Nova Scotia actually. Could be a Lightfoot & Wolfville Ancienne, ostensibly if truly in the way it presents itself. Drink 2022-2025.  Tasted November 2022

Dockner Tom Pinot Noir Konglomerat 2008

Older vintage tasted blind, showing plenty of age, caramel and bitters, warm vintage, a bit astringent. Quite volatile. Drink 2022.  Tasted November 2022

Alwin Jurtschitsch

Jurtschitsch – Langenlois

Alwin Jurtschitsch and Stephanie Hasselbach (formerly of Gunderloch in the Rheinhessen) have been working the vineyards since 2006 and immediately began transforming to organic back then. Their wines are a combination of old style classics and the new natural, loyal to grandparents while simultaneously focused on a new generation of wine drinkers. There are Pét-Nats and bottles made by skin-contact, unfined, unsulphured and unfiltered. There are also 1ÖTW premium site grüner veltliner and riesling in the tradition of modern day Wagram. Some wines are labeled Jurtschitsch while others carry the name of Alwin und Stefanie Jurtschitsch or Weingut Fuchs Und Hase.

Weingut Fuchs Und Hase Pet Nat Vol 3

Simply allowing sugar and yeast to make a second fermentation in the bottle but with high level and quality grüner veltliner. More than a different Pét-Nat but one that is more connected to grape variety and vineyard. How? You can just feel it. Leathery orange, candied fennel and root vegetables, toasty and sweet. Natural as far as the saying and the ideal goes. Far, far away from funkier and all the better for it. Drink 2022-2024.  Tasted November 2022

Jurtschitsch Grüner Veltliner Ried Lamm 1ÖTW 2020, Kamptal

No doubt a reductive style of Kamptal winemaking and after tasting through a half dozen barrels of 2021 and 2022s the stylistic is fully confirmed. A two weeks partial stem maceration gives this Erste Lage so much texture, a wine you can chew, for a while and on from which you can extract all the juice, flavour and tannin. Orange, a tisane, sugar cane, lemon thyme and great length in a fine, thoughtful and uplifting wine. Drink 2022-2026.  Tasted November 2022

Jurtschitsch Grüner Veltliner Ried Kaferberg 1ÖTW 2020, Kamptal

Less reduction than the Lamm though even more extract and tannin, viscosity, unctuousness and a mineral-boozy feeling. Still it is linear, focused and upright. This reduction is linked to lees only, not sulphur, it’s not stinky and in fact completely a matter of fruit. A Burgundian one if you will and very practical for freshness and also longevity. From a southeastern parcel of the Kaferberg where the old vines grow. More filigranite and not just loess, a place of pyre rock. Makes for a most amazing expression of grüner veltliner, on the lee side where prevailing winds cool and instigate this very specific type of smoulder. Drink 2022-2027.  Tasted November 2022

Jurtschitsch Grüner Veltliner Ried Loisenberg 1ÖTW 2021, Kamptal

Loisenberg is the only single-vineyard erste lage bottled ahead of the harvest simply because it had done its work, unlike the Kaferberg and Lamm which were not. In fact the Lamm had not net even gone dry. Another reductive grüner but we’re lessening as we go through the range. Herbals, sweet ones that is, tonics and Limoncello. Searing, sharp, serious tang and the most citrus of any of the grand cru. Drink 2022-2025.  Tasted November 2022

Jurtschitsch Grüner Veltliner Amour Fou Natural Wine Trocken 2020, Kamptal

Full on Ried Loisenberg fruit under Alwin and Stephanie Jurtschitsch’s natural range, skin-contact, unfined, unsulphured and unfiltered. Skin maceration was quick, sent straight to barrel from press. Clearly Kamptal, not an amphora or orange stylistic, just something to distill the place into a transparent example. Nothing crazy about it, knowable, tannins at the top, extract in line, no funk, nor salve on the palate or earthiness at all. So clean and yes like looking in a Kamptal mirror. Drink 2022-2025.  Tasted November 2022

Jurtschitsch Riesling Heligenstein 1ÖTW Alte Reben 2020, Kamptal

Alte Reben, aka old vines, and some say Heligenstein is the most unique reddish, desert sandstone soil not found anywhere else. Just this little hillside, also a very historical place. A great terroir, but not an easy one. Requires compost and hummus and if you get it right there is an entirely new kind of mineral and elemental push run through the vines and into the wines. Truly, that and a botanical density, a viscous herbology and lime intensity. My how this will develop and morph into something new, time after time. Completely dry, a result of vintage and barrel, not cru. Drink 2022-2027.  Tasted November 2022

Jurtschitsch Riesling Quelle 2019

Made from a unique spot aboard the hill that is the Heligenstein where a natural spring exists in one of the driest places in Austria. Bottled natural and unfiltered, no enzymes, yeast and certainly no botrytis. Still buzzing with a minor amount of what feels like CO2 but really just sexy energy. Super juicy, orange distillate, tisane and zest. Crunchy, salty and fine. Drink 2022-2027.  Tasted November 2022

Markus Huber – Reichersdorf, Traisental

The vineyards are cultivated according to organic guidelines and the entire winery is certified according to the “Sustainable Austria” criteria. Markus Huber tries to improve biodiversity by sowing plants that are favourable to vines, keeping bushes, trees and hedges around the vineyards and by using animals and beneficial organisms. All these measures come together to result in better soil quality and increased vine health – and, ultimately, in expressive and authentic wines typical of the region.  The vines are mainly planted on terraces – some of them quite minuscule – comprised of dry and very limy gravel soils. The Traisental valley is the only wine producing region of lower Austria where a most important limestone soil type can be found. Huber is the spearhead for the Österreichischen Traditionsweingüter, and organization of vintners from the Danube areas in Kremstal and Kamptal with the intention to identify and understand the diverse soils, the microclimate of the different vineyards and the impact of these factors on the varieties. The question posed was how do these conditions support quality and character in the wine? Thus in 2010 an attempt was made to classify the classic vineyards objectively. The awareness that great wines only thrive in great vineyards is inherent in this philosophy. The terms Klassifizierte Lage, Erste Lage and Große Erste Lage were thus defined.

Markus Huber

Markus Huber Grüner Veltliner Terassen 2021, Traisental, Niederösterreich, Austria

Esssentially the “estate” grüner veltliner, of 15 parcels from north to south separated by 10 kms harvested between 10 days and two weeks in the Traisental. As precise as it gets for grüner with a little bit of skin contact, zero botrytis, bone dry (with help from a cultured yeast). Big licensee pour so it has to be dry and consistent. White liquid peppery, taut yet not tight and notably sapid, surely an agglomerated grab of conglomerate rock from around the region. Drink 2022-2024.  Tasted November 2022

Markus Huber Grüner Veltliner Nussdorfer Obere Steigen 2021, Traisental, Niederösterreich, Austria

Essentially the “villages” grüner veltliner, from Nussdorfer, of six vineyards, vines in and around 25 years and picked on average 10 days later than the Terrassen. More weight, physiological ripeness and complexity than the Terrassen. Focus and precision as well though still an averaged out or at least layered expression to speak of a more confined sense of Traisental space. Saltier as well though hard not to notice the sapidity too. This just has that balanced posit tug between the two. Drink 2022-2025.  Tasted November 2022

Markus Huber Grùner Veltliner Ried Alte Setzen 1ÖTW 2021, Traisental, Niederösterreich, Austria

Single vineyard from the pressed rock of the name that combines limestone with sand and clay formed by the retreating Traisen River formed 10 million years ago. the soils here are very shallow and roots dig very deep to find nutrients in the water table below. Saltier, slightly lower in pH and conversely not as sapid as the Zwirch. Fermented in large traditional oak casks and the result here speaks to limestone in the most direct, fresh and high spirited way. Chiseled for grüner veltliner. Drink 2023-2028.  Tasted November 2022

Markus Huber Grùner Veltliner Ried Zwirch 1ÖTW 2021, Traisental, Niederösterreich, Austria

Single vineyard from the conglomerate rock of the name that combines limestone with small stones and clay formed by the retreating Traisen River form 10 million years ago. Fermented in large traditional chestnut casks from the 1960s of 10 years minimum for micro-oxidation. Old vines as well, some 70 years of age for a truly sapid expression of grüner veltliner with thanks to this specialized geology that is very high in pH. Power in this wine though the clarity and determinative focus is estimable. The winemaking too. Drink 2023-2027.  Tasted November 2022

Markus Huber Grüner Veltliner Ried Berg 1ÖTW 2021, Traisental, Niederösterreich, Austria

Highest and coolest vineyard of the Traisental Erste Lage because by three or four pm the forest casts shade over the vineyard. Limestone based soil as well, upwards of 380m and the only portion that has iron rich red elements in the earth. Actually finding a richness in this, surely vintage related and that is unexpected but it’s also the most savoury, minty cool, eucalyptus accented, or the like. Curious by comparison to Alte Zetsen and Zwirch, in what is assessed as almost dark, smoky, spicy volcanic-simulate stuff. Brings whole and utter meaning to grüner veltliner at the Grand Cru level. Drink 2023-2028.  Tasted November 2022

Markus Huber Grüner Veltliner Ried Berg 1ÖTW 2016, Traisental, Niederösterreich, Austria

Berg is so bloody apposite to Rotenberg even though they both come from the same geology but here the block is the highest and coolest vineyard of the Erste Lage because by three or four pm the forest casts shade over the vineyard. A cool vintage when quite a bit of selection was necessary where some unusually present botrytis did occur. Definitely moving into a savoury secondary stage though the great factor is the emerging petrol, great for grüner, the white pepper now so liquified and the texture really quite layered yet compressed. Advancing and will drink with lovely sway for another two or three years. Drink 2022-2025.  Tasted November 2022

Markus Huber Grüner Veltliner Ried Berg 1ÖTW 2017, Traisental, Niederösterreich, Austria

A warm summer and cool fall, considered as a very strong vintage, doused in lime, no real petrol and this was in fact the first year where the vines sat under the hail nets so that they received dappled light instead of direct sun. The Berg is a top site and makes grand jour, grand cru wines. This is cracker riesling. Top, top. Drink 2022-2027. Tasted November 2022

Markus Huber Riesling Ried Berg 1ÖTW 2021, Traisental, Niederösterreich, Austria

Berg is so bloody apposite to Rothenberg even though they both come from the same geology but here the block is the highest and coolest vineyard of the Erste Lage because by three or four pm the forest casts shade over the vineyard. And so the focus here is intense, the herbology present and the sapid savour almost flying off the charts. Incredible determination and what has to be as good a vintage for this Grand Cru as there as ever been. Drink 2023-2023.  Tasted November 2022

Markus Huber Getzersdorfer Riesling Engelsberg 2021, Traisental, Niederösterreich, Austria

A villages wine, from Getzersdorf, of vineyards that stretch over two crus, and an example of dry wine with all the varietal characteristics of the area. Like white flowers as opposed to peach and the limestone tightens the palate. Provides the sapidity though the wine is balanced in equanimous behaviour by salinity. Drink 2023-2027.  Tasted November 2022

Markus Huber Riesling Rotenberg 1ÖTW 2021, Traisental, Niederösterreich, Austria

From Dolomite limestone soil, as with the sister riesling Berg, and it is pretty obvious that south facing slopes make for a richer, luxe, viscous and textured style. No skin contact (as opposed to the grüners) but whole bunch pneumatic pressed. The phenols are in fact not eliminated but the precursive petrol notes are encouraged and phenols are pulled from the whole bunch breakdown. Most important the berries are protected from ultra violet light under hail nets and so dappled light improves the aromatics in the grapes while still on the vines. Yet another example of capturing what you want in the vineyard and not in the winemaking. Salty number, taut, finessed, yes rich but also so focused. Drink 2023-2028.  Tasted November 2022

Markus Huber Weissburgunder Rosenweg 2021, Traisental, Niederösterreich, Austria

From a single vineyard Hochschopf which is a grand cru for grüner veltliner and riesling only, a place to deliver high ripeness and the winemaking is a blend of the grüner veltliner and riesling in that the fermentation is done in Acacia barrels after receiving a long skin-contact maceration (69 hours). Definite phenolic presence, grip and circumstance, no botrytis or malo, cool, silky textured and yet crunchy enough to keep our attention. A really smooth drinking weissburgunder. Drink 2022-2024.  Tasted November 2022

Markus Huber Metamorphosis 2021, Traisental, Niederösterreich, Austria

A natural wine made since 2017, always changing, thus the name. Varietal grüner veltliner picked earlier to lessen alcohol, ferments for four months in concrete egg, racked off, sent back in without sulphur for six more months on the gross lees and only sulphured minimally (20 bbm) at bottling. Preserved lemon is the crux and the focus, that being how textured it presents as a varietal wine in the natural vein. Even the tisane and the poached or blanched flavours are yellow citrus with creamed pine nuts or hummus in the mix. Drink 2022-2025.  Tasted November 2022

Markus Huber Pinot Noir Rosenweg 2021, Traisental, Niederösterreich, Austria

Grown on blocks where the grüner veltliner and riesling don’t and yet this is from an Erste Lage site. Harvested on the 30th of October so the phenolic vernacular is one from a long growing season. A mix of 30 percent whole bunch and 70 from separated grapes for a minor carbonic maceration. Maximum two weeks for the whole process and racked off into 500L Bourgogne barrels, left on lees for 10 months. Vines were planted in 2004, 777 (Bourgogne) and one German clone. Waited 10 years before bottling as pinot noir. Quite round and creamy, unfiltered and low by intervention. Finishes with just a fraction of extending tension to keep interest and see the wine age just a few years. Drink 2022-2024.  Tasted November 2022

Matthias Warnung

Matthias Warnung – Kamptal

Welcome to the low intervention winemaking world of Matthias Warnung. Warnung farms 10 hectares in the Kamptal after taking over the winery from his father in 2010. Matthias has worked with other winemakers, including Craig Hawkins, the South African natural winemaker behind the brand Testalonga. He also worked alongside Tom Lubbe of Matassa in the Roussillon. Organically raised grüner veltliner and riesling rest in large old casks for several years, always after wild ferments, extended skin contact and minimal sulphuring.

Matthias Warnung Grüner Veltliner Potato Land 2021

“It is Kartoffelland around here” smiles Matthias Warnung. Potatoes are everywhere and the jest is real though Warnung is anything but a tongue and cheek comic. No, he is a dead serious vine-grower and winemaker, young, precocious and deeply rooted in the tradition of the Ernst Warnung estate. Just calling a spud a spud and this grüner veltliner is an agriculturalists’ way of keeping in touch with 10-plus hectares of vines surrounded by the Kartofel. Perhaps there is a wink-wink suggestion here from a producer who sometimes makes wines unconnected to appellation but in any case the minor skin-contact and playful nature offers plenty of good fun. A joyous and textural grüner, herbal, dry and expertly spoken in layers of loess, clay and chalk. A terrific and affordable cuvée, knowable and yet just a bit different. Cheeky even. Drink 2022-2024.  Tasted November 2022

Matthias Warnung Grüner Veltliner Espere 2020

This step up in grüner veltliner character and texture puts this minimal intervention example into a “Villages” level of expression, first from higher quality and older vines’ fruit but also with thanks to two years spend in large older casks. Tightly wound whilst in that balanced middle zone, above a regional roundness yet still shy of a rich and not quite opened single-vineyard style. In fact it seems that only this level delivers a truly authentic grüner veltliner experience, at least so far as it registers under the guidance of Matthias Warnung. Overall this smoulders lightly and finishes wholly and unequivocally sharp. Drink 2022-2026.  Tasted November 2022

Matthias Warnung Grüner Veltliner Lossling Single Vineyard (Barrel Sample) 2017

Younngest vineyards are bottled after one year. Village wines are two years. The single vineyards minimum five. Aging is done in a cold and humid cellar, barrels cleaned of the nitrates every ten odd years. The grüner veltliner is whole bunch pressed, of a wild ferment and straight to 300L barrel in the 350 year-old cellar. Will be bottled in December after five years, sulphured 15-25 mg at the end. The Jean-Pierre Frick of the Kamptal but this is incredibly clean and pure, far less oxidative and nervous. Now honeyed, paraffin waxy, of lemon preserve with great tension and energy. Acids run the show and texture is lovely. Carefully considered, slowly developed, a process and structured to last. Drink 2022-2030.  Tasted November 2022

Matthias Warnung Riesling Single Vineyard (Barrel Sample) 2017

The oldest part of the grüner veltliner vineyard houses riesling, vines around 40 years of age, made in the same way as the Lossling grüner veltliner. Whole bunch pressed, wild ferment and straight to 300L barrel in the 350 year-old cellar. Will be bottled in December after five years, sulphured 15-25 mg at the end. Noses more like older riesling than the grüner does for that variety but the tension here is greater, the fruit skin scents muskier and more intense. Some evergreen here, pencil shaving and more skin-contact feeling in a Gravner meets Fino kind of way. Green olive, almond skin and lime. Complex and fascinating.  Drink 2022-2029.  Tasted November 2022

Klaus and Viktoria, Weinkultur Preiß

Weinkultur Preiß – Thayern

Fifth generation winemaker Viktoria Preiss and partner Klaus are most concerned with nurturing balanced and healthy soils, healthy vines and grapes. It is what they call “close-to-nature cultivation, certified organic by Austria Bio Garantie and from the 2025 vintage forward they will be officially certified organic. They employ self-produced compost and most importantly diverse cover crops for the purpose of increasing biodiversity, control erosion, provide nutrition, work against soil compaction and produce humus for long term gains. To combat the grape vine moth they use pheromones instead of insecticides. Of great interest has been the decision to use the pruning method of Simonit & Sirch, to increase the overall balance of their vines and to make them more resistant against viral diseases.

Weinkultur Preiß Grüner Veltliner Kammerling 2021, Traisental DAC

From fifth generation winemaker Viktoria Preiss and partner Klaus on a Thayern farm working towards and converting to organic agriculture. A grüner veltliner right up the middle for a regional agglomeration of fruitiness, mineral and acidity – all the proverbial bests. Tart, medium-bodied, middle of the road taken, well made. Sharp value. Drink 2022-2024.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Ried Rosengarten 2021, Traisental DAC

Moving to the most northern vineyard in the valley with a grüner veltliner of notable vintage richness, warmth and clear late harvest concentration. An elevated pH for high sapidity and while the acidity is perfectly fine it is certainly not high or up front, nor centre stage. Classic ripe to ripest tonic finish. Drink 2022-2024.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Ried Rosengarten 2019, Traisental DAC

Retreating back two years and again from the most northern vineyard in the valley with here another warm, if quite a bit warmer vintage. Already showing some secondary character, petrol and saffron, likely due to a touch of botrytis in this vintage. Drink 2022.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Brunndoppel 2021, Traisental DAC

Moving from the most northern vineyard (Rosengarten) to further south where the bedrock of limestone makes it difficult for the vines to burrow down in search of nutrients. Brunndoppel refers to two water sources beneath the vineyard and is a monopole under the framing of the Preiß famly, high in elevation and approximately three hectares total. Still the richness and ripeness but this is very youthful and sharp, working through its edges, tight and stretching. Drier than the previous 2020 and 2017, more focused and well made out of a very good vintage. Drink 2022-2025.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Brunndoppel 2020, Traisental DAC

Southern reaches of the Traisental, where limestone bedrock is hard and vines must burrow to seek nutrients below. The name Brunndoppel makes reference to two water sources beneath the soil, a monopole farmed only by the family Preiß – their three hectare Grüner Veltliner grand cru if you will. Works to converse positivity, here from a very cool vintage. Lovely movement and a good balance between ripeness and tension, fruit and rock, all wrapped up in sweet acidity. Well made here. Drink 2022-2025.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Brunndoppel 2017, Traisental DAC

Showing age and a warmer vintage to create this warm, fuzzy, soft and creamy wine. What grüner veltliner was and still can be, likely some botrytis involved, certainly some residual sugar and tastes like traditional Alsace pinot gris or blanc. Drink 2022.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Berg 2021, Traisental DAC

Highest and coolest vineyard of the Cru because by three or four pm the forest casts shade over the vineyard. Limestone based soil as well, upwards of 380m and the only portion that has iron rich red in the earth. Vines are young, just about 10 years of age at this point and chardonnay was planted here before. With her third vintage in pocket is shows that Viktoria Preiß has this innate understanding of the vineyard better then the others she works with. This grüner veltliner shows more precision and finesse, clarity too. Then again this is Berg. It’s exceptionality is consistent, so long as its custodians don’t mess it up. The connection between richness and tension is justly executed. Drink 2022-2027.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Berg 2020, Traisental DAC

Highest and coolest vineyard of the Cru because by three or four pm the forest casts shade over the vineyard. Limestone based soil as well, upwards of 380m and the only portion that has iron rich red in the earth. Vines are young, just about 10 years of age at this point and chardonnay was planted here before. Again Berg shows its stripes and produces a fine grüner veltliner though really at the maximum ripeness here with some, but not too much residual sugar. Luxe and soft, already moving forward. The winemaking is spot on, that much is clear. Drink 2022-2023.  Tasted November 2022

Weinkultur Preiß Riesling Kammerling 2021, Traisental DAC

Floral riesling, smelling like white roses, lilacs and white peach. Flavour profile is quite similar though with a pretty distinct orange juicing. Like fresh squeezed, a wet stony note and the name Kammer comes from chamber, as in the holes in conglomerate chalky limestone rocks where fossils fit in. Lovely wine, sugars a bit heavier than acids can withstand, but a lovely wine. Drink 2022-2024.  Tasted November 2022

Weinkultur Preiß Riesling Pletzengraben 2021, Traisental DAC

In Viktoria Preiß’s estimation her part of the Pletzengraben is close to the woods and so it benefits from the cooling effect but also from some wind coming down from the alps. That said it’s not a windy block and so hard work has to be done in the vineyard. Her harvest last four weeks, often stretching into the first week of November. Truly sapid riesling, apposite to salty, so mineral either way. Not as much tension as some of the other crus but a really fine wine. Drink 2022-2025.  Tasted November 2022

Weinkultur Preiß Riesling Pletzengraben 2020, Traisental DAC

Relatively soft fruit, mashed peaches and guava, much richer than 2021. Bright and enough freshness maintained though again almost traditionally older-schooled Alsatian, with more residual sugar and elasticity. That said the acidity is also noticed a bit higher in this particular 2020. Drink 2022-2023.  Tasted November 2022

Top, top seminar for @austrianwine with our @winealign own @johnszaboms and Roman Horvath MW of @domanewachau

Toronto Austria Tasting, Nov. 11th, 2022

Zull Grüner Veltliner 2021, Weinviertel DAC

From the first DAC, created in 2002, here made in a classic, 12.5 per cent abv style. The traditional bottle and label indicate classic birthright and heritage housing a grüner veltliner that dutifully follows the line. The grind of white pepper is right there, that influence of Rotundone unavoidable and correct. Fruit of actionability and purpose with the tonic and bitter hints consistently pushed on the palate and back end of the wine. Fennel and green herbs, crisp and fresh. It will be some time before this begins to show any maturity though it does feel as though it has already eased in to a place soft and settled. Yet the good energy persists and the wine sparks in fits and spurts, leaving behind that white pepper fuelled vapour trail. Look back at the final peak of performance in 2025 and likely say still crunchy after all these years. Drink 2023-2025.  Tasted November 2022 and January 2023

Domäne Baumgartner Grüner Veltliner Reserve Kti By Katharina Baumgartner 2021, Weinvertel DAC

In Reserve style the ripeness and by consequence the alcohol raises a point up to 13.5 per cent abv and in this Weinvertel from a winemaker who plays cellar music to her wines in tank and barrel, that being Katharina Baumgartner. The dry factor keeps this clean, fresh and precise and though the alcohol is upwards to generosity this is grüner that stays fine, focused and in balance. No wood but yes some malolactic and an elastic to ever so slightly creamy mouthfeel. Think lime cordial but one dry and satisfying. Drink 2022-2025.  Tasted November 2022

Winzer Krems Grüner Veltliner Reserve Ried Kremser Wachtberg 2021, Kremstal DAC

In Reserve the alcohol will always rise and here with just a point or point and a half of extra residual sugar the result finishes at 14 per cent abv. That said the vintage is very positive and so winemakers could play here and there, as this Krems shows. Feels a touch boozy, like a spirit and a dry mixer, botanical, herbal, green pepper to a degree and a hyperbole of white pepper, yet liquid as opposed to powdery. Quite a punch and pungent single vineyard example. Makes its presence known. Drink 2022-2025.  Tasted November 2022

Jurtschitsch Grüner Veltliner “Belle Naturelle” 2021, Österreich

Newer style, well-known producer and from their natural wine range. Some skin contract and in actuality two full weeks because you’d not really guess that. Dry as the Styrian desert (sic) and seriously taut though not a wine of texture or salve dissolve. Edgy with sound roundness at its edges, middle of the road in natural wine terms. Clean expression, in a post or neo-alternative way. Drink 2022-2024.  Tasted November 2022

Sonnemulde Riesling “Organic” 2021, Burgenland

From Burgenland where there really isn’t much planting of riesling but here from stony sites in the Danube the result is lean, simple and just lovely. Easy of residual sugar (5.3 g/L) and really well balanced, charming even, matched by (6.6) of acidity. Gains flesh and stature with time and offers peach, lime and moderate intensity. Drink 2022-2025.  Tasted November 2022

Rabl Riesling Ried Langenloiser Steinhaus “Rote Erde” 2020, Kamptal DAC Reserve

A bit more alcohol and technically a “dry” wine because under 9 g/L of residual sugar (and here just below that number) the balance is struck with even more total acidity. This is cool climate riesling and so no shock or problem with this elevated stylistic conditioning. There is no lack of tension but the stone fruit generosity is even stronger in a true nectarine meets lime doused green mango flavour profile. Fresh and full which is a really good combination. Drink 2022-2026.  Tasted November 2022

Deim Gerhard Riesling Ried Irbling 2019, Dac Kamptal

Another top site for riesling in Austria, here the intensity is matched by fruit flesh because of a warm vintage and fuller if quicker ripening. Tart in the most readily available implosive way and though there is some noted residual sugar there is also classic acid balancing and finishing tonic. Incredibly well made wine. Drink 2022-2027.  Tasted November 2022

Domäne Wachau Riesling Smaragd Ried Achleiten 2021, Wachau

One of the top sites for riesling in Austria and with the great if dry vintage on record there is a magnificent presence but also balance accorded this riesling. Certainly more phenolic with thanks to a combination of cool fermentation and also extended skin contact while aromatics are at peak because of this pitch-perfect capture. The length is just amazing. Controlled power and grace run throughout. Drink 2022-2027.  Tasted November 2022

Ziniel NV Weinland Muskatteler “Muskat”

Fun with muscat, lively, juicy, 11 per cent low, no musk or funk, just summertime beauty. Imagine certain modern beers or ciders that are just dry enough and sparked for glory. Made from the yellow muscat variety and simply glou-glou. Essentially natural but not the matter at the end of the day when you just want a quench of thirst. Drink 2022-2023.  Tasted November 2022

Zahel Wiener Gemischter Satz Grosslage Nussberg 2021, Vienna

From the category where something like 27 grape varieties are permitted and in a field blend drawn out of beneficial ecosystems, regenerative agriculture and maybe most importantly – bio-diversity. A truly flesh-centric and stone fruit notable GS, just ever so slightly sweet and a ripe example from Vienna vineyards on the north side of the city. Drink 2022-2027.  Tasted November 2022

Muster Gamlitz Sauvignon Blanc Ried Grubthal 2021, Südsteiermark DAC

Not only a dry, stoic and pragmatic example of sauvignon blanc but an intense one in the most expressive way possible. But not only this. The impression left on one’s mind and palate is both profound and imagination will go to the crazy steep Syrian slopes in this part of Austria. Hard not to notice this wine that was almost certainly a challenge to produce. Needs time to digest the 28 months of lees aging in wood. There is gravitas, density and texture in ways others would appreciate like those from Graves. Drink 2023-2026.  Tasted November 2022

George Toifl Weissburgunder Ried Seeleiten “Ge.Org” 2021, Niederösterreich

Quite amazing how pinot blanc will always express as itself, regardless of place. This could be from Alsace, southern Germany, the Okanagan Valley and also here from Austria. The fruit is all stone orchard, the texture almost glycerin, the nut notes both sweet and fleshy. Aged in new large casks which is almost incredible to believe because the assimilation is just ideal. Drink 2022-2024.  Tasted November 2022

Taferner Zweigelt Ried Bärnreiser 1ÖTW 2019, Carnuntum DAC

From a predominantly red wine area though in Carnuntum there are only 900 hectares (in total) planted. Exuberant fruitiness, soft and sweet tannins, quite Burgundian in a regional to good Villages example kind of way. Light, fresh and really elegant with good extraction, some oak influence and as you work with it the flesh from maceration becomes apparent. Dry, of healthy alcohol, ripe and ultimately serious. Drink 2022-2025.  Tasted November 2022

Johanneshof Reinisch St. Laurent Thermenregion 2019

Quite a heavy example of st. laurent from a highly emblematic producer and their look at a variety related to pinot noir. The connection feels relatable to that cooler part of Bourgogne near Vézelay where some wild, rustic, reductive and musky animale is both distinctive and knowable. Chewy, leathery and for those who don’t know or haven’t had the pleasure, surely an acquired taste. Needs a year (or preferably two) to settle and integrate. Drink 2023-2027.  Tasted November 2022

Groszer Wein Blaufränkisch “Tiroler” Österreich 2020

Clear example of a grape variety that knows how to express terroir and here from the Burgenland the case is open and shut. Chalky from clay and schist, hematic, less fruity in style, heavy but not dense, textural, just beginning to begin the slow dissolve. Leathery and savoury, a varietal soul stew of blue and red fruit with impressive structure. A hit of bretty volatility comes late and explains the need to lay this down for two years plus. Drink 2024-2028.  Tasted November 2022

MAD Blaufränkisch Ried Marienthal 2018, Leithaberg DAC

A lighter and fruitier style yet that is relative because there is also some peppery reduction, tension and structure in this blaufränkisch. Botanicals and earthy scrub plus foliage mix with the damson plum, red to black currants and really textural, wood influenced in an almost creamy palate way. Really long and less reductive but also volatile as time works wonders on the wine. Drink 2023-2027.  Tasted November 2022

Good to go!

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WineAlign

Godello’s 24-hour Nova Scotia revival

Lightfoot & Wolfville estate vines overlooking the Minas Basin

Neither travel fatigue nor Ida on a wet and grey last day of August and first of September could hardly dampen the spirit nor get in the way of a most rewarding and highly educational visit to Nova Scotia wine country. On Thursday the skies looked like an unripe olive as photographed through gauze yet the fabric gifted a palpable feeling of optimism. As Friday progressed the resolute mood took on a confidence in airs. An exchange of ideas and a refreshed positivism rang from Newport to Wolfville, the Blomidon Peninsula, Gaspereau Valley and through permeate points dotting the Minas Basin. Looking back one month later, a persistent study in reflection wonders if the blood of Nova Scotia wines are closer to seawater than its bones are to soil. Considering the growing of grapes so proximate to the immense tidal sways of the Bay of Fundy can weaken or perhaps even profane the recurring thought, as if in fact in the whole of the Annapolis Valley there may be more earth than sea. If that is the answer then what is the question? Ponder this. Can you taste Nova Scotia terroir in the wine?

A rebirth with new blood. Caitlyn McNamara, Erin Carroll, Cat Taylor. Three new faces of Nova Scotia winemaking. Innovators, bringers of new, fresh and forward-thinking ideas to an industry well past the cusp, fully cognizant of and cementing its command of greatness. Arbiters of viticulture and viniculture who have joined the ranks of teams already entrenched and with positions of leadership occupied; Louis Coutinho, Jean-Benoit Deslauriers, Bruce Ewart, Harold Gaudy, Gina Haverstock, Josh Horton, Rachel Lightfoot, Mike Mainguy, Alex Morozov, Simon Rafuse, Jürg Stutz and Ben Swetnam. There are others of course and yet on my most recent east coast swing to the Annapolis Valley there were six visits in total plus two remarkable if isolated wine experiences and meals; first at Heather Rankin’s Obladee Wine Bar in Halifax and then at Chef Geoffrey Hopgood’s Juniper in Wolfville. Add to that an ocean submerging of 300 bottles of sparkling wine and some after the fact assessments of more Nova Scotia bottles. Funny how a 24 hour jaunty through Nova Scotia wine country is the stuff of bagatelles, dear and near to a naturalist’s heartstrings, familiar as family and yet wrought with equalizing, objective professionalism. Please read on for a 2021 update to winery profiles and tasting notes for 40 wines from Nova Scotia.

Related – Consider the Gaspereau Valley

Winemaker Ben Swetnam, Avondale Sky Winery

Avondale Sky Winery, Newport

Andrew and Mary Bennet first planted the vineyard in 1987, in one of the hotter provincial zones. It would have been an old dairy farm, with an original schoolhouse, six old dug wells and the same number of split properties/buildinAvila,gs on the farm. In 2008 they realized the 12.5 acres was a bit much so put it up for sale. They were picky about the buyer and keen to keep it going. Winemaker Ben Swetnam was at Petite Rivière on the South Shore at the time and was hired by Chef Ray Bear, then Avondale sold five months later to Lorraine Vassalo who kept Ben on. They relocated an old hay barn from down the road without water and doors but that first harvest went through beautifully. The Coutinho family bought Avondale Sky Winery and Restaurant at the tail end of November 2019. They lost 95 per cent of their crop to the 2018 frosts. As an example l’acdie’s primary, secondary and tertiary buds all come out at the same time, not exactly frost protection and all hybrids were lost. The original 12.5 acres have turned into 25 which now includes an acre of pinot noir and this coming Spring the plan is to add more, along with pinot gris (as far as cleared land) with a possible five cares uncleared that could be used in the future. Up to 5,000-5,500 total cases at this point. Vineyard manager is Pete Smits and has been at Avondale for five years. The family are all involved; Louis (vineyard), Avila (finance), Sean (hospitality), Karl (CEO) and Jamie (Social Media).

Avondale Sky Winery

Avondale Sky Winery Gamay Pet Nat 2019, Nova Scotia ($50)

From a grower (Andre Dant’emont) in Mahoney Bay who has a small amount (he sold winemaker Ben Swetnam 96 kilos) with the intention of making a red from whole cluster and a gentle mash. Swetnam instead decided to “let this happen” because it just smelled clean. An as it happens sparkling pet-nat with just the right amount of lees, and a quick three day riddle so that it wouldn’t explode as Rosé P-N is want to be a little jumpy. Bloody delicious, as juicy and forthright as could possibly be. Bottled on November 18th, 2019, only 23 bottles made, from grapes brought in November 2nd and 3rd. Showing with vigour, intendment and kept determination. Drink 2021-2023.  Tasted August 2021

Avondale Sky Winery Méthode Traditionelle Blanc De Noir 2013, Nova Scotia ($75)

While Ben Swetnam had wanted to dabble in sparkling going back to 2009 he can thank everyone in the Nova Scotia industry for showing him the ropes. That includes Gina Haverstock at Gaspereau, Bruce Ewart at L’Acadie, Simon Rafuse at Blomidon, Jean-Benoit Deslauriers at Benjamin Bridge and others. The 2011 would have been the first vintage of pinot noir production with the intent of making sparkling wine, of hot to cool years and all others in between. Dijon clones and a warmer edge of a ’13 season, a riper style but brought in at classic sparkling numbers, acids 11-12.5 and brix 17-19, picking in the third week of October. An early vintage. Intensity meets richness halfway there, fruit flavours are exceptional, just shy of eight years on lees, disgorged three months ago. “For the pinot I always wanted to do a minimum five years and the acidity was always there,” tells Ben. “The tertiary qualities were not out yet so the pause every six months kept the decisions at bay.” Got this apricot chanterelle fungi character, mousse and bubble are really in tact, dosage is 7.5 g/L almost fully hidden by that Nova Scotia acidity. There is something about this sight that maintains higher acidity levels while sugars rise but as an example perhaps it’s the gypsum based soil underneath the whole vineyard, or the tidal rivers and the specific diurnal fluctuations, cooler at night and “it’s something we can always rely on, in every year, that backbone of acidity.” So very Nova Scotia. Usually 500 bottles produced per year. Drink 2021-2027.  Tasted August 2021

Avondale Sky Winery Méthode Traditionelle L’Acadie 2015, Nova Scotia ($55)

A first attempt at l’acadie (with 86 per cent estate) and because there was no pinot noir available at the time there is instead some frontenac blanc by a grower in Truro (grown in a gravel parking lot). It lends some (lol) acidity (21 g/L) but it’s almost all tartaric, meaning you can lose much of it during cold stabilization, which incidentally may have been lacking (hard to believe) while the fruit essentially came in at 19-21 brix. L’Acadie comes in around 18-18.5 brix with acid 10-10.5, so much less bracing than what reputation may proceed it. In fact it can be flabby if harvested late and happens to act the part of texture grape for Tidal Bay. May be revelatory to think this way but it is the least of the bunch. About five years on lees, disgorged this winter, 10.5 g/L of RS, mineral push, now out of the searing and into developing secondary moments, petrol to mild caramelization. Only 300 bottles disgorged, more citrus, a touch of pith, fine bitters, botanical, orange scrape, length, striking. Hair raising though never a scare. Drink 2021-2025.  Tasted August 2021

Avondale Sky Benediction 2017, Nova Scotia ($35)

“Our cheap and cheerful bubble as you will find here,” targeting 18 months on lees, with the idea being geisenheim fruit and higher dosage (20 g/L) to balance out geisenheim’s acidity. Smells like geisenheim alright, star fruit to the edge of elderflower, picked 17-18 brix, before the cabbage and burnt orange but with the fresh citrus well intact. The bliss (stalled ferment geisenheim) is employed for more green apple and grapey notes. More dried herbs here, fennel and a touch of anise. All works really well together. Surely one of the more consistent sparkling wines and ’17 may be a more linear, shall we say “classic,” unmeshed, non messed with or plussed vintage. So drinkable with great and sweet acids. Drink 2021-2023.  Tasted August 2021

Avondale Sky Winery Riesling Small Lot NV, Nova Scotia ($25)

“A rescue wine,” blending re-fermented 2018 fruit with 2019 and “the wine is better as a blend than either one would have been on their own.” Super biased towards the Mosel (Ben Swetnam worked at St. Urbans-Hof in 2005) and so a riesling to prove that terroir does indeed exist. A child of stalled ferments, sugar kept naturally. Almost entirely Warner Vineyards fruit, down in the valley, been working with them since 2012. The sugar level is higher than imagined, upwards of 26 g/L (the ’18 fruit was at 38 and the ’19 part 40 and part fully dry). A better methodology to keep aromatics and shy away from vinous qualities. Also in avoidance of dilution, here the concentration and texture are in upright rise and uprising. Citrus prominence and at the lower end of the phenolic spectrum. Terrific work. Drink 2022-2026.  Tasted August 2021

Avondale Sky Tidal Bay 2020, Nova Scotia ($23)

A blend of l’acadie, vidal, frontenac blanc, geisenheim and muscat. The plan is “don’t screw it up, stick to your guns” and stay consistent. Even in frost destroying 2018 there was no non-Nova Scotia grapes allowed. Each winery has their own style and Avondale Sky’s is on the sweeter, stalled ferment part of the spectrum, keeping balance with the searing acids, finishing at 16-17 g/L of residual sugar, centring around fruit. So citrus, with plenty of juiced orange. Sweet and sassy, tart with a faux botrytis sauvignon character managed by riesling like acidity. Quite complex for Tidal Bay, sweet yet classy. Look beyond seafood for this, in particular hot and spicy. Hot wings and south asian dhosa, as examples. First made in 2010, first official vintage was 2011. Drink 2021-2023. Tasted August 2021

JB and Morozov, Benjamin Bridge

Related – Crush on Benjamin Bridge

Benjamin Bridge, Wolfville

From the name of the bridge that crosses the Gaspereau Valley and pays tribute to the Benjamin family who dammed up the river to become the first industrialists here. Sparkling wine specialist, unquestioned leader and now moving into uncharted territory but also deep waters. Watch these videos to learn more about the 2011 Blanc de Noirs that was “dunked into the sea to age and drift with the tides to test the effects of underwater ageing on sparkling.”

Each bottle has been carefully wrapped so as not to disturb the Bryozoa and sediments. The project was inspired by recovered Champagne on shipwrecks on the ocean floor and the fun daydreaming ways through the inquiring minds of Alex Morozov and Maxime Daigle. After a year at sea, though ice and snow, this wine is finally surfacing. But there’s more in the works at Benjamin Bridge, including newest member of the winemaking team Erin Carroll’s “Gamay Col Fondo,” a hybrid concept in ancient meets futuristic sparkling wine. The fun never ends at the Bridge, nor does the excitement.

Benjamin Bridge Méthode Classique Brut Rosé 2017, Nova Scotia ($49.95)

One of the first wines to come to the surface with Pascal Agrapart’s involvement with winemakers Jean-Benoit Deslauriers and Alex Morozov. When tasted the sentiment was that this particular vintage of this very particular sparkling wine was not yet there yet in terms of readiness or rather publicizing but truth be told, never have texture and acids come together as one in a BB Rosé. Crunch and chew, riff and rise, bellow and beauty, all despite the spiralling zeitgeist that underscores its urgency. Drink 2022-2027.  Tasted August 2021

Benjamin Bridge Gamay Col Fondo Handcrafted Small Lot 2020, Nova Scotia ($49.95)

A hybrid concept, between Ancestrale and Traditional Method sparkling wine, driven by experimentation, constant reassessment of a varietal progression and the new injection of intelligence through the focused lens of assistant winemaker Erin Carroll. Though the term is normally associated with Prosecco there is really no reference point as such, not with gamay and certainly not the way the BB team approaches their work. Such gamay-ness glaring, vivid and concentrated never graced a glass, not before nor likely any time soon. Refosco meets Lambrusco and a quasi Valpolicella rifermermentato in bottiglia futuristic sentimentality. Despite the Nova Scotia acid structure that hangs in the balance it should be considered that Carroll’s Col Fondo is not likely to allow objectivity to nudge itself off of the pillar of its own perspective. Drink 2021-2024.  Tasted August 2021

Benjamin Bridge Méthode Classique Brut 2016, Nova Scotia ($45.00)

Perfect conditions, “an Olympic year.” The most tightly wound toast, the year that acidity through the roof while in control will bring the dosage down, from 8.5 to 2.6 g/L. At the most. And so Brut Reserve will be Brut zero. The epiphany, or at least the latest epiphany is upon Alex Morozov and Jean-Benoit Deslauriers. No longer the project incarnate, defined, teachable house style. Now the realization of a prophecy from words spoken three years ago by Deslauriers, then echoing in your head, now coming to idealistic fruition. “With the possibility of absolute transcendency.” Back then it was a matter of eventuality. Today it is the truth. This may not turn out to be the finest Brut made by the team in the new era but it sets a course for a neoteric sparkling wizardry shore, where climate, acids, vines, sugars and controlled emotion all meet to advocate in realization of their necessary dynamic. Drink 2022-2027.  Tasted August 2021

Winemaker Simon Rafuse, Blomidon Estate

Blomidon Estate Winery, Canning

Blomidon Estate Winery is set on the western pastoral shelf of a shore overlooking the the Minas Basin in Nova Scotia’s Annapolis Valley. Perhaps the most intimate of all the seaside settings there is a sense of singularity in the milieu and atmospheric conditions on this side of the basin’s shores edging northerly up the Blomidon Peninsula. Surely a sparkling wine specialist but also a champion of chardonnay both in still and sparkling forms. Co-owner Tim Ramey purchased the property in 2007 and Simon Rafuse is the Winemaker alongside Harold Gaudy, the viticulturist.

Blomidon Estate Winery Crémant NV, Nova Scotia ($28)

Disgorged March of 2021, based on the 2019 harvest, bottled in early 2020. Three grapes, approx 60-20-20, seyval blanc, l’acadie and chardonnay. Moving up in pressure and therefore a new sweet spot, up to 5.5 bars of pressure, at 14-16 g/L RS, with more texture. This is the balanced spot, with seyval’s acidity equalizing into citrus and tree (peach) fruit. Tart and full on tang, fulsome and a healthy dose of fruit, so late in ripening, old school Nova Scotia. If too old school so be it because longevity and slow development is everything. Easy to drink and yet pointed, poignant even. Drink 2021-2025.  Tasted August 2021

Blomidon Estate Winery Cuvée L’Acadie Brut Méthode Traditionelle, Nova Scotia ($39.95)

A 100 per cent estate l’acadie disgorged in March 2020, approx. 65-70 per cent 2017 with 2016 and a splash of 2015, 2,500 bottles caged in August 2018. Dosage is 6 g/L, very Brut, dry as the desert and not just because of a concept in which l’acadie is an acid king, because in fact it can be quite the opposite. A phenolic sparkler, picked early (first in fact) and therefore a self-starter, enthusiastic, cranking and varietally zealous. There will be 24 cases coming to VINTAGES in mid-September. Drink 2021-2025.  Tasted August 2021

Charcuterie, Obladee Wine Bar, Halifax

Blomidon Estate Winery Brut Réserve Méthode Traditionelle 2014, Nova Scotia ($45.00)

A 100 per cent estate chardonnay picked relatively early (21st of October), having seen no malolactic fermentation and six years on the lees. Feels like this has moved into both secondary and tertiary character, that and so much deeper engagement with structure. Disgorged in the spring of 2020 then held for eight months before release. This to get new reactions past dosage (that was 6.5 g/L). The mushroom notes and other evolutionary gains are vintage driven and the lemon crème brûlée meets Nova Scotia finish is bridged by orchard fruits as creamy as they are striking. Toasty dichotomous bubbles of the extraordinary kind. Drink 2021-2025.  Tasted August 2021

Blomidon Estate Winery Méthode Traditionelle Woodside Road Vineyard 2015, Nova Scotia ($45.00)

The second iteration, disgorged on August 31st, no malo, 7 g/L dosage, picked on the 20th of October. Made from 70 per cent chardonnay, (20) pinot noir, (5) meunier and splashes of pinot gris plus blanc. Base wines were bottled late summer 2016 and so now five years and a bit of lees aging. The pinot brings much ado in small quantity. The aromatics are temporarily not quite integrated, the gas is working the room and in due course all will come back together. Complex, graphing a new Minas course, small lot, 50 cases or so. Drink 2022-2027.  Tasted August 2021

Shrimp Cocktail at Juniper, Wolfville

Blomidon Estate Winery Méthode Traditionelle Blanc De Noirs 2016, Nova Scotia ($45.00)

Give or take 76 per cent pinot noir and 24 meunier, a similar vintage to 2015 (though a touch warmer) and here picked on the 17th of November. Almost all from Woodside Vineyard and some meunier off of the Blomidon estate vines, no longer here. Disgorged today, yes today and my oh my the potential here elevates to a very high ceiling. Just under 6 g/L RS so exactly extra brut, really primary but with the dosage that will arrive before you know it. The pinot delivers more fruit than the chardonnay, perhaps a counterintuitive concept but that’s Nova Scotia. And every vintage will flip the head and make you think again. Small lot, 50 cases or so. Searing succulence, a structural richness and transformative beyond the complex, curious and interesting. Assiduous if conceited blanc de noirs, pejorative to chardonnay, entangled inside enigma, mystery and riddle. Literally. Drink 2022-2027.  Tasted August 2021

Jürg Stutz, Winemaker at Domaine de Grand Pré

Related – East coast swing 2015: Time, tides and wine

Domaine De Grand Pré, Grand Pré

Domaine De Grand Pré has recently celebrated 20 years of erudite work leading the Nova Scotia wine industry. As for riesling, well the work of Jürg Stutz speaks for itself and now in sparkling the game is on. A visit is well worth the tasting, local knowledge and great gastronomy of Chef Jason Lynch.

Domaine De Grand Pré Riesling Extra Dry Traditional Method NV, Nova Scotia ($44.50)

A blend of 2019 and (more) 2018 fruit reviewed by the traditional method and 12 months of lees aging, finishing at 18 g/L dosage of RS. Just released one month ago, the first such sparkling wine at Grand Pré. The ’18 juices at low pH and high acidity was adjusted by the ’19s, then sent back to bottle for an additional 12 months. Sometimes not acting with pragmatic immediacy turns into something special and complex. A matter of adjustments and not the ripest ’18 grapes but here the combination of autolysis and phenolics goes beyond acidity. Three thousand bottles of great energy in the wine, green apple bite and that phenolic rush. Very singular, even for Nova Scotia sparkling. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Riesling 2020, Nova Scotia ($22.50)

Harvested Oct. 23rd at 18.3 brix, a pH of 3.05, with total acidity at 10.4, no malo and 18 g/L of RS. Picking can be the first week of November but 2020 saw picking towards the later stages of October. A wine without changes, a Grand Pré way stuck to, given extra care, in vinifera extra work put in, with cluster thinning and battling all the disease pressure grapes are likely to meet in this climate. Vinous riesling, fermented through with adding back sugar in a complex, layered and Mosel like riesling. Really balanced and perfect with subtly spiced cuisine. Will improve with two to three years of age. Drink 2021-2024.  Tasted September 2021

Domaine De Grand Pré Tidal Bay 2020, Nova Scotia ($22.00)

In 2020 a blend of mainly l’acadie (44 per cent), with vidal (20), ortega (16), muscat (12) and seyval (8). TA is 8.6 g/L; RS 12 g/L; 11 per cent alc./vol. Certainly one of the most aromatic of all Tidal Bays, fruit spread across yellow, white and green spectrums, flowers too. Really pushes the appellative concept, ties the room together, bedroom, living space and community. Plums and oranges, apricots, peached and green apples. All the fruits, all in full regale and blossoms in bloom. The most fruit adjustment of all. The next (2021) will be labelled Annapolis Valley. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Chardonnay 2020, Annapolis Valley, Nova Scotia ($35.00)

Second vintage from young Melanson Vineyard vines (planted in 2017), low yielding, definitely a work in progress. Harvested Oct. 16t at 20 brix, barrel fermented in new French oak, passed through malo and remained there for nine months altogether. Only two barrels were gained of this flinty, sulphide felt, clearly reductive style but also one that is explicitly Nova Scotia. The pH is 3.11, the tA 9.4. Some of this fruit will go to sparkling and it’s really quite a special vineyard (Melanson) that sits across the river in the Gaspereau Valley across from L’Acadie Vineyards. This will morph and flesh, placate the over-cumbersome wood at present and then settle in. Work in progress as mentioned. The vineyard is also planted to some pinot noir and cabernet franc. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Millot 2017, Nova Scotia ($28.50)

One hundred per cent Leon Millot in American oak for two years. Was already planted when the Stutz family arrived, along with Marechal Foch. A lighter red here, lending itself to barrel aging, green when fresh and urged on to fleshy substance with two or three years of barrel put behind. A warm vintage and a remarkable brightness having emerged with gamay-like tang and circumstance. Very cherry, almost black but short of that darker hue-flavour profile. The least musky and foxy of hybrid reds. Really well made. Drink 2021-2024.  Tasted September 2021

Domaine De Grand Pré 20 By Domaine De Grand Pré, Nova Scotia ($28.50)

A one-off, three part blend of cabernet foch (40 per cent) with equal (30) parts marquette and marechal foch, released to celebrate the winery’s 20th anniversary. Mainly from the hot 2016 vintage (70 per cent) with some warm 2017 mixed in. Again in American oak, most for two years, some even longer. Layered with some further musk this time, skins of dark red fruits and a forest floor component. A bit of tar and so much tang. More chalky texture and chew but still good balance. Was recently pulled off the shelf because only 20 cases remained. Drink 2021-2023.  Tasted September 2021

Bruce Ewart, L’Acadie Vineyards

L’Acadie Vineyards, Wolfville

Bruce Ewart hired a viticultural manager and performed a three year terroir study on his vineyards in collaboration with three other wineries (Benjamin Bridge, Domaine de Grand Pré and Lightfoot & Wolfville). The study was assembled by the department of agriculture, or rather it was part of a program informally known as “farm extension,” services provided by Perennia on behalf of the Nova Scotia Department of Agriculture. The idea was to get a good representation of the Nova Scotia wine industry. Rodrigo Layette who is Directeur Général de trois domaines (a Bordeaux viticultural consultant) dug test holes to look at the schist and sandstone. They found roots were three feet deep and like children and if you give them everything they want (like soft clay and loam) they will stay near the surface where the water is. If they have to work for the nutrients they will dig deeper and find the trace elements and minerals. Ewart also converted to Clover and Timothy employed as ground cover, part of the organic practice and to till only occasionally. The use of compost and horsetail teas, humus, etc. Caitlin McNamara is the vineyard manager and she did her degree at the university (Acadia), of which Bruce is half the faculty. “We used to employ organic chicken manure and the study determined this was no longer necessary. L’Acadie wanted to find a non-biodynamic organization.” They found Biocyclic Vegan (from Germany) whose concept is farming without any form of animal or animal product, opposite or rather apposite to biodynamism. This year (2021) they will become certified and from 2021 onwards their bottles will wear the certification. L’Acadie Vineyards will be the first in North America to gain this status.

L’Acadie Vineyards Pétillant Naturel Méthode Ancestrale 2020, Nova Scotia ($29.00)

This is the story of Saccharomyces paradoxus. Wild yeast present in the vineyard, naturally, like pre-packaged enzymatic magic ready and prepared to give a Pétillant Naturel its head start. Bruce Ewart explains they know this from analyses of the lees and his Pet-Nat acts as a conduit for microbial terroir, with no inputs showing itself off. Whole cluster pressed with no skin contact, a light disgorgement, no residual sugar, bottled just at dryness. Subtly orange, lithely citric, a marriage of acidities, tremendous flavour development and amazingly so considering the grapes are picked at sparkling time, four weeks ahead of when the l’acadie is picked for the still bottling. Drink 2021-2024.  Tasted September 2021

L’Acadie Vineyards Prestige Brut Estate Méthode Traditionelle 2014, Nova Scotia ($50.00)

Was embargoed until September 9th after having just received the Lieutenant Governor Award. Has evolved into a seriously toasted arena, gone long with lees contact, looking for peaceful co-existence between yeast autolysis and the fruit of the wine. “You don’t want conflict, you want that harmony, tells Bruce Ewart.” Disgorged January 2021 and so spent more than the minimum five years on lees. An insignificant dosage (more than most of these wines). Bruce’s program goes at it in terms of two and five year aging and he believes that while Nova Scotia can do ten or more there is only a minor incremental increase in complexity by doing so. This at six-plus has hit such a sweet spot, still in retention of currant and white/red berry fruit but also low and slow golden, tanned and long as an August afternoon Gaspereau shadow. Drink 2021-2026.  Tasted September 2021

Tuna, Obladee Wine Bar, Halifax

L’Acadie Vineyards Joie De Vivre Charmat Method 2019, Nova Scotia ($28.00)

From a project that began three years ago, with vessels from Northern Italy, wines rested in tank during the pandemic, made from l’acadie (85 per cent) and (15) seyval blanc. “An earlier release, fruity sparkling for the market.” Held at 0-2 degrees celsius. The tanks arrived in early May and this was bottled last week. From the later picked l’acadie, fuller of tree fruit and lower in acidity. Low dosage for the style at 8 g/L and lithe at 11.1 per cent alcohol. Peach and apricot in a moscato d’asti vein, albeit higher of alcohol, mingling with yeasty col fondo, though crystal clean. Simple and satisfying. Delightful. Drink 2021-2023.  Tasted September 2021

L’Acadie Vineyards Vintage Cuvée Méthode Traditionelle 2018, Nova Scotia ($35.00)

From the frost year (June 5th), a blend of l’acadie and seyval blanc in a sparkling wine that shows the formers’s resilience, having raced out to meet bloom, veraison and harvest dates. In a 30 per cent crop but vines that bounced back the following year for a full yield out of harvest. A wine that meets the LV twain, somewhere between the fruit first sparklers and those of the longest tirage. The length of this is more than surprisingly impressive from a wine that looks for a new slate in every vintage. A wine of trials, investigations and experiments. Not at the toast ceiling but consistently malolactic and in that 8-12 g/L dosage. Truly a Brut style and middle of the road in the most complimentary way. Drink 2022-2026.  Tasted September 2021

L’Acadie Vineyards Tidal Bay 2020, Nova Scotia ($24.00)

Bruce Ewart’s first Tidal Bay, now being a part of the committee that holds a new standard to protect Nova Scotia wines from artificial carbonation. Here a combination of the two grape varieties where the hat is hung upon, they being l’acadie and seyval blanc. “My take on Tidal Bay is dry, even at five or ten g/L of RS it is not really our market.” Many are going dry and while there is stone fruit and white citrus this is truly a TB of mineral push and salty Fundy air. Just tastes like the vineyard so clearly showing off as a terroir based wine. Nova Scotia, part of a common thread but pretty specific to here. Drink 2021-2022.  Tasted September 2021

Cat Taylor, Rachel Lightfoot and Godello

Related – The future is now for Lightfoot and Wolfville Vineyards

Lightfoot & Wolfville Vineyards, Wolfville

When I first arrived on the shores of the Minas Basin in 2013 to begin a near decade long (by now) immersion into the Nova Scotia wine industry it was Mike Lightfoot that I first came to know. With thanks to consulting oenologist Peter Gamble I spent a great chunk of time with the Lightfoots and their exciting new Wolfville project. My how things have changed, evolved, progressed and come to this astonishing point.

There is the home vineyard, Raven Hill across the road and what may just be the valley’s most important knoll in a vineyard at Avonport. Along with the most precocious work being executed by winemaker Josh Horton, Rachel Lightfoot and now with the addition of Assistant Winemaker Cat Taylor. Cat came from Toronto in logistics (Unilever) for 10 years, went to New York, then to wine school in France. She staged with Zind-Humbrecht alongside Biodynamic guru Olivier Humbrecht in 2016, worked at Tawse in Ontario with Paul Pender in 2017, then arrived here to Lightfoot & Wolfville in 2018. A biodynamic journey and now she is responsible for implementing the biodynamic aspect of the farming. “Using what’s on the farm around you,” Taylor notes, “seeing what the books say and what your farm says. It took me a while to get used to Nova Scotia acidity, I’m now much more comfortable with it.” Cat also brought in foudres from Alsace with thanks to Olivier Humbrecht. If around the time Cat Taylor arrived in Wolfville coincided with The future being now for Lightfoot and Wolfville Vineyards, well then that future is now the present.

The tasting line-up at Lightfoot & Wolfville

Lightfoot & Wolfville Blanc De Blancs Extra Brut 2014, Nova Scotia ($75.00)

From a specific lower-cropped section of the home farm vineyard and an early 2019 disgorgement so an additional year on its lees, rounding it out just a hair further. Still the ripeness and added creamy character, engaging a new complexity by way of fruit fleshiness and crisp exterior crunches. This is the window, open, acclimatized and staid through a holding pattern of complex energies.  Last tasted September 2021

Disgorged just now. Looking for a late spring release. Built on 100 per cent clone 95 and 96 estate fruit, on its lees almost 50 months. This carries the most texture meeting energy piqued by pungency. The story is now beginning to truly set in with formative consistency. The lemon curd is swirled with bits of zest for a salty citrus intensity not yet known from this chardonnay. Was picked a bit riper and that’s quite obvious, plus some new play time with malo. Needs nine or ten more months of integration for the moving parts of tension and density to come together. Yet another Nova Scotia sparkling wine to inform us all. This must be the place and the sky is the limit. Drink 2019-2026.  Tasted October 2018

Lobster Gnocchi at Juniper, Wolfville

Lightfoot & Wolfville Blanc De Blanc Brut 2015, Annapolis Valley ($45.00)

From all three blocks of the home vineyard, 100 per cent chardonnay, classic line, part tank and part barrel, an extra year in barrel. Disgorged in February 2020, still only at 15 per cent malolactic, soon to become near 100 per cent in 2017. In these early-ish sparkling wine program days there was worry about how high to go with malic conversions and with so much acidity to play with these things were not yet known. Less tension, more cream, 15 g/L in RS as compared to 4 g/L in the Extra Brut. Still a toasted element and at 50-plus months of lees contact this is just shy of that perfect window. Some tropical fruit joins tree peach and pure yellow citrus, all following the brushy herbs. Drink 2021-2024.  Tasted September 2021

Lightfoot & Wolfville Brut Rosé 2019, Annapolis Valley ($45.00)

Made from 100 per cent pinot noir off of the certified organic, third year Raven Hill Vineyard fruit across the road from the winery. Full malolactic fermentation and a wine that needed a few more months of time before disgorgement. Also to step away and allow the wine to say what it wants to say. After all it’s a wine made with red fruit, of more pulp and circumstance, fruit substance in waves and surely a great season following and in spite of the challenging 2018. Who would not be wooed, pleased and gainfully satisfied by a glass of this class, craft and equanimous Rosé? Methinks no one paying any attention. A gorgeous wine that shows off the L & W ability for shortening the wait times on enjoyment for their ever maturing, evolving and appetizing sparkling wines. Drink 2021-2026.  Tasted September 2021

Lightfoot & Wolfville Small Lots Oak Island Vineyard Sparkling Chenin Blanc 2016, Annapolis Valley ($55.00)

In 2016 the one acre Oak Island Vineyard crop was split between this sparkling wine and the (still) barrel-fermented chenin blanc. The wine has progressed with slow haste, still tense and exited while in exemplary control. Driving forward with rhythmic dance step, forward and sideways but also times always gaining.  Last tasted September 2021

I tasted this unfinished wine in the Oak Island Vineyard back in November 2018 and I remember at the time Mike Lightfoot saying “out goes the muscat, in goes the chardonnay.” Truth is, in goes the chenin blanc as well. To say the grape variety is suitable to Nova Scotia sparkling would be a gross understatement. What it delivers is the expected tight and bracing local acidity but with longer hang time also the potential to accept a lees-aging development for downy to fluffy texture. Mousse without compromise to emotion and ardor. As with the L & W Blanc De Blanc Brut there is some white lightning by direct sunlight extended and mixed into weeks of cloud cover for a full east coast sparkling wine experience. Phenolics, acidities and specificity of flavours. Ideal now with a foreshadowing towards the memorable, three to four years ahead. Drink 2021-2025.  Tasted February 2021

Lightfoot & Wolfville Ancienne Oak Island Vineyard Chenin Blanc 2017, Annapolis Valley ($39.00)

In a most interesting phase, not dumb but reserved, needing some coaxing. Shows off the 2017 structure, long-lasting and ever-bearing. Or vice versa. Spent 18 months in neutral French oak (three barrels full) and a vintage meant for still wines, not necessarily for sparkling. Hung really long, picked in early November and finishing at a remarkable 23-plus brix. Tough mudder this variety (on California rootstock) set into Nova Scotia soils. An Avonport, Oak Island child, one acre in an open place to the elements and elements there almost always are. Richness, fulsome character and textural gains are possible, even if there could have been no way to know it. A beautiful fall, especially October led to the hang, develop and creation of minutia facets of this wine. A one off perhaps but also the future.  Last tasted September 2021

The Oak Island hill in Avonport is Nova Scotia’s “mini Corton,” a vineyard unlike any other in surround of The Bay of Fundy’s Minas Basin. Lightfoot & Wolfville planted many engaging varieties on that convex mound through the course of the last decade and chenin blanc is just now coming into fruition. It was October of 2018 when I last walked it with winemaker Josh Horton, Mike and Rachel Lightfoot. The purpose that day was to sample the chenin projects, still and sparkling, while also tasting grapes just a couple of weeks away from picking. While still from young vines this 2017 shows great charm, a curious varietal precociousness and calling it a quick study speaks to the land and the choice of plantation. Aromatically sits in a tirage de liqueur place, prominent and demanding. Acids are Oak Knoll special, lifted and crunchy. High ceiling relationship between varietal and place is in the books, this being just the new beginning. Drink 2021-2024.  Tasted February 2021

Lightfoot & Wolfville Gamay Noir Terroir Series 2020, Annapolis Valley ($30)

From a block just now coming into its own, on the far end of the Oak Island, Avonport Vineyard, planted in 2013 and 2014. The first vintage was 2018 though this is the fullest of the three and the question begs, is gamay perfect for Nova Scotia? Some neutral oak was incorporated because of increased ripeness, though just for a few months. Freshness of course but also a marine funk that speaks to food pairing possibilities. Lovely musk that talks of the grape and also other fruit skins. Very primary, delightful, floral and as Rachel Lightfoot says, “weirdly popular.” As it should be. Drink 2021-2023.  Tasted September 2021

Lightfoot & Wolfville Ancienne Wild Ferment Pinot Noir 2018, Annapolis Valley ($45)

Despite the early frost of 2018 (June 5th) the pinot noir was unaffected, even at the Oak Island site where other (earlier developing) varieties were hit. The rest of the season was beautiful and with today being a spice day (or earth if you prefer) the sandalwood, fenugreek, cinnamon and cardamom all come through. Such a seep of tea, red tea that is, not quite rooibos but more floral, into hibiscus without any doubt. A wine of oscillations and grooves, sensitive, emotive, ever changing. That said the mood is more than good at this stage, an intuitive and responsive, paying attention and ranging to so many edges, corners and plateaus. Already secondary, perhaps empathetic in speaking about other vines’ suffering and expressive of beauty for all. Almost as if the pinot noir is saying I’ll take all the attention right now while the rest of you get healthy. 3,000 bottles made, approximately. Drink 2022-2027.  Tasted September 2021

Lightfoot & Wolfville Kékfrankos 2018, Annapolis Valley ($30)

A near-finished product but still needing the final touches after nine months in mostly older wood. Well hello there Kék, welcome to the world. Structured like nothing that came previous and floral off the charts. Still so youthful in exuberance and yet to settle in, the richness and caky barrel notes still very much in charge. Oh my the sweetness of fruit, so ripe, full on tang, tannins a bit lowered but so much richesse. Vinous and primary, expressive and working through the gears of its journey. Drink 2022-2025.  Tasted September 2021

Rachel Lightfoot and Cat Taylor

Lightfoot & Wolfville Ancienne Chardonnay 2018, Annapolis Valley ($56.95)

Frost year for the valley but again an escape by the vines at Lightfoot & Wolfville with thanks to the tidal influence to keep the chardonnay vines happy, healthy and secure. So much fruit and warm summer sunshine, a glade bathed in light and a luminescence rarely found in chardonnay. Consistent L & W elévage, increasingly into puncheons and away from 225L barriques. You can never forget and not remember what chardonnay has done for L & W, while now the richness and restraint work in optimized tandem. Less reductive than previous incantations, with new and improved connotations, consistencies and harmonic sway. Also a matter of vintage and cooperage. Stability is the key to being great. Drink 2022-2026.  Tasted September 2021

Lightfoot & Wolfville Riesling 2020, Annapolis Valley ($30)

A not quite finished wine but so very close, raised in foudres, lighter in oak impact as compared to what might happen in smaller barrel. Hard not to imagine an Alsace-Zind Humbrecht idealistic connection, long-pressed and slowly done, a 10-12 hour cycle without compromising the pH. That’s because you get plenty before it trickles in at the end of the cycle. Full malo as well, a few grams of sugar and definitely a lemon curd, perhaps but not in a Windsbuhl manner. Just enough crunch but to be fair the texture is more emulsified than in any other way. Gonna be a stunner. Drink 2022-2027.  Tasted September 2021

Lightfoot & Wolfville Tidal Bay 2020, Annapolis Valley ($30)

Tidal Bay’s mix in 2020 is 50 per cent l’acadie with an almost equal amount of geisenheim and chardonnay. In a tree fruit moment, in apples and pears with citrus in the background. Sugar in the 12 g/L area and trying for drier, with higher toned fruit due to the pressing on l’acadie’s skins. Over time the sugars are less important, especially as compared to the wine in its extreme youth. This is the Tidal Bay for all and all will love what it brings to the appellative table. Drink 2021-2023.  Tasted September 2021

Lightfoot & Wolfville Terroir Series Scheurebe 2020, Annapolis Valley ($30)

Skipped in 2018 due to the hurricane’s fall effect and now here back in 2020. Not merely a classic varietal vintage but an exaggerated one, in harmony and open to any and all benefactors. A benevolent and philanthropic scheurebe, a touch drier than before, toned back in the range of 10-12 g/L of sugar, along with the matching decreased acidity. Stays focused and balanced throughout. So much stone orchard fruit unrelenting and with feeling. Passion fruit as well, open-knit, expressive and very giving. Drink 2022-2027.  Tasted September 2021

Luckett Vineyards, Wolfville

While I did not visit with winemaker Mike Mainguy on this trip I did have the pleasure of tasting through some of his essentials. These are three that stand out as wholly representative of Luckett’s increasingly focused varietal persona.

Luckett Vineyards Rosetta Rosé 2019 ($20)

The plan has been to get back to Nova Scotia and get a bottle of Luckett winemaker Mike Mainguy’s Rosé. Took two years to do so and Rosetta is the one, perhaps (if only in this fantasy) a reference to Lennon’s only utterance ahead of McCartney’s final crooning upon a London rooftop. Also a vidal, riesling and leon millet chorus of Nova Scotia phenolics, soft-pressed sentimentality and faintly funky-earthy Fundy salt. Consistently reeking of red berry and citrus, sweetly herbal and coaxing out (or in) stone fruit. Drinking well more than a year in. Crushable delicasse. Optimization and individuality meet upon a plain where all can enjoy this satisfying Rosé. Drink 2021-2022.  Tasted September 2021

Luckett Vineyards Tidal Bay 2020 ($20)

Confirms the billing of 100 per cent Nova Scotia, as per the Tidal Bay manifesto and in Luckett’s view (which incidentally is a spectacular one) screams local, parochial and beneficially biased. The l’acadie, seyval blanc, chardonnay and ortega all conspire to speak the language or even more so the spirited vernacular of Tidal Bay. This package may have once been a searing machine but the ripenesses reached besides maintaining early enough picked acidity is a miracle of climate change and wine-growing intelligence. This new era is coming out clean, obvious and beautiful with new phenolic frontiers gained. Yes the lemon incarnate zests, juices and zings throughout this 2020 but so do orange, jasmine, lemongrass and honeyed herbals. Dry as it seems to get for the category yet opulent in its very own light alcohol, marine breezes, oyster shell way. Hello Santorini assyrtiko and Muscadet Sèvre et Maine melon de Bourgogne. Meet the new Tidal Bay. Drink 2021-2023.  Tasted September 2021

Luckett Vineyards Chardonnay 2020 ($25)

Grapes are grown in Avonport, one of Nova Scotia’s wildcard if tiny micro zones in Kings County. The land is graced by flats, rolls of hills and well-positioned knobs or hillocks set between the mouths of the Avon and Gaspereau Rivers. No other Nova Scotia terroir offers up the kind of varietal-vinifera playground as Avonport and Luckett’s unoaked beauty takes on the marine air, silty saltiness and Fundy-proximate sway. Lean and characterful, herbaceous in an ox-eye daisy way, nearly chamomile and no woody parts denoted. Quite a precise chardonnay with snap-back green apple bite and positive energy. Drink early and on repeat. Drink 2020-2021.  Tasted September 2021

Good to go!

godello

Lightfoot & Wolfville estate vines overlooking the Minas Basin

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WineAlign

Godello’s Ontario wines playlist

Writing about Canadian wines has been intrinsically inspired by music because quite frankly, one is always connected to the other. The wines of Ontario have always been at the head of this coupling and the relationship is borne more or less of its own accord. Music came first of course because before wine there was this gangly Toronto teenager every Saturday morning at 8:59 am sitting on the curb in front of Vortex Records at Dundas and Mutual Streets waiting for Bert Myers to open his shop so that kid could be the first in. The 1,600 vinyl record collection still gets plenty of spin time, as does Spotify and Google Music. The CDs? Not so much. Invariably a glass of wine is in hand, more often than not with an Ontario VQA designation in tow.

Canadian music has been great for as long as I have been listening. When did Ontario wine get here too, or the question begs, how? Not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and powerful Ontario wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. Today the contigious embracing of cool climate idiosyncrasy, fringe exceptionality and a unique Somewhereness makes Ontario the envy of the developing wine world.

Niagara-on-the-Lake, Ontario

My writing about wine an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. Often I like my music to be the same in a Genesis-Frank Zappa-Pat Metheny like continuum but that too is changing. The young pop meeting hip-hop stars that my children listen to are growing on me. As are the unknown, the indie and the tireless players. And they need our help. The wineries too. Just ask Neko Case. “For every piece of music you stream/use for free today, please pay for one if you can. Music and art seem as effortless and breathable as air because an army of humans lovingly make it and propel it for the good of all.” Support local and order your next case of wine from an Ontario winery.

Compiling any wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances. Music is different, timeless, often repetitive and can always be given a second chance.

Music and wine can work magic when paired together. Sometimes it’s just a matter of breaking wine down to the base, choosing grapes from places where they are made in straightforward and simply powerful ways. Likewise, clicking an uncomplicated, three-chord arrangement on YouTube or Spotify can really change the outlook of a day. With a glass of wine in hand there’s a familiar internal silence when sublime music plays, is performed, gifted. The following wines combine lyricism with melody. They write the songs.

Sparkling Wine

Ontario’s sparkling wine oeuvre has transformed into something unstoppable, immoveable and utterly impressive. Truly. Examples tend to be sharp, of lean and intense fruit, with more toast and edges than other Canadian counterparts. The climate is ideal for making bubbles of all ilk; traditional method, cuvée close, ancestral, charmat and pétillant naturel, a.k.a. pét-nat. For every occasion and at all times, especially with music blaring, or soothing softly, as you wish. There are no wrong pairings for Ontario sparkling wine.

Hinterland Lacus Pétillant Naturel 2017, VQA Ontario ($24.00)

Hinterland’s Lacus is gamay noir made in a fully accumulated yeasty style, re-fermented in bottle and yet wholly antithetical to the Jonas Newman’s sweeter Ancestral. Lacus could mean “lake” or “cistern,” perhaps in nod to all the meandering, surrounding and irregularly patterned water in the County, or perhaps it might mean “award,” as should be what we all get in tasting this delightful sparkling wine. Different and comforting, textural and exceptional in varietal, land and stylistic usage. Utterly versatile and electric as need be. Elevates pétillant naturel wine into the real world for many to enjoy. Drink 2019-2023.  Tasted June 2019

Pairs with The Tragically Hip’s My Music at Work

Why? The opening lines say it all, for what’s happening today.

Everything is bleak
It’s the middle of the night
You’re all alone and
The dummies might be right
You feel like a jerk
My music at work
My music at work

 

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2014, Traditional Method, VQA Short Hills Bench, Niagara Escarpment (315200, $44.95)

The vintage tension is felt right from the aromatic get go and there can be no doubt that you are nosing Niagara’s most accomplished sparkling wine. Lime and wet concrete, fennel pollen and Baked Alaska. All tolled a terrific entry and no downturn into ginger and savoury crème brûlée followed by a moment of silence and contemplation. Use this for all, whenever and wherever. It will work for everyone, including those who will appreciate the faint sweetness to balance the year’s anxieties. Drink 2019-2026.  Tasted November 2019

Pairs with Alessia Cara’s Scars to Your Beautiful

Why? H of P’s Cuvée Catharine is also a wine of hope, youth and beauty. A wine from our very own backyard, just like the the singer from Brampton. The first line helps.

But there’s a hope that’s waiting for you in the dark

Riesling

It seems that in Ontario riesling is perpetually on the rise and the reasons why are as varied as the artistry it’s equipped to display. It has been 40 years since the Pennachetti family of Cave Spring Vineyard and German vintner Herman Weis planted riesling in St. Urban Vineyard on what is now Vineland Estates. My how things have changed. The trending line ascends as the general public comes around and warms to the versatile grape so popularity is not just in the hands of geeks, oenophiles and connoisseurs. Ask your favourite sommelier, product consultant or wine writer. Riesling’s neighbourhood is beginning to gentrify in a big way but it’s also expanding experimental and ancestral horizons. Varietal power, finesse and omniscient existentialism for a signature and singular Ontario purpose is perpetual and unwavering. Versatility goes with eccentric, electric and eclectic tunes so get your funk, funky and funkadelic groove on.

Adamo Estate Riesling Wismer Foxcroft Vineyard 2017, VQA Twenty Mile Bench (11236, $19.95)

Grower’s Series as in purchased fruit raised by serious Ontario grape farmers, in this case the Wismers and their expansive and generous Twenty Mile Bench-Foxcroft Vineyard. In Shauna White’s hands this Wismer fruit is ripe, developed and open-knit for skies the limit flavour potential. Cut your teeth on this juicy somnambulist riesling of citrus, peach, yellow plum and wide-eyed excitement. Drink 2020-2024.  Tasted March 2020

Pairs with The Weeknd’s Blinding Lights

Why? The song is new but timeless, retro, thrown back to the mid 1980s with synth rhythms like Take on Me by A-Ha. Adamo’s riesling sleep walks, blinds us by its light and connects rieslings going back through time to today.

Oh, when I’m like this, you’re the one I trust
Hey, hey, hey

Cave Spring Riesling Adam Steps 2017, VQA Beamsville Bench ($24.95)

Adam Steps is the riesling positioned up the middle lane, with more sugar than the Estate and near equal to CSV, with acidity higher than the former and similar to the latter. It’s the fatter, juicier, more generous one and in many ways much like the Feinherb’s of Germany. This is a very forward vintage with elevated levels of all its typical character, including tropical notes of guava and pineapple. May not be the longest age worthy AS but it is a most pleasing one. Drink 2019-2022.  Tasted February 2019

Pairs with Drake’s Passion Fruit

Why? You might think this would pair better with sauvignon blanc but Adam’s Steps smells just as tropical and well, the first line.

Ayy, y’all get some more drinks goin’ on, I’ll sound a whole lot better

Ravine Vineyard Riesling Patricia’s Block 2018, VQA St David’s Bench ($35.00)

From the botrytis block and you can feel, sense, and taste it very much so in this vintage. This in spite of a 30 per cent number out of a year when humidity and brix did not quite jive in terms of penultimate timing. Tart, leesy and so bloody sensorial. Drink 2019-2021.  Tasted September 2019

Pairs with DJ Shub’s Indomitable

Why? The indigenous electronic music of PowWowStep is so riesling, so Ravine and so Patricia. “I want Canadians to see that pow wow culture is beautiful in both imagery and spirit,” explains DJ Shub. “I also want young Native kids to know that they can find support and happiness in their lives, even if they can’t see it right in front of them.”

Chardonnay

In Ontario, raising chardonnay is about growing grapes and making wines in places previously discounted. There is no secret that Ontario winemakers have worked tirelessly to develop the ability and the acumen to make world-class chardonnay. Always reinventing itself and potential fulfilled, chardonnay, the slow train coming. Few ideals or notions are hotter these days than those relating to cool climate viticulture and the selvage regions from where such wines are produced. As for music and chardonnay? The great singer-songwriters and bands of course; the classics, icons and archetypes.

Westcott Vineyards Estate Chardonnay 2017, VQA Vinemount Ridge (424507, $27.95)

This 2017 from Westcott is really just what you might imagine were you to close your eyes and draw a triangle in your mind from the Vinemount Ridge, to judiciously oaked chardonnay and through to Westcotts’s manifesto. Niagara chardonnay should be about farming and this most certainly is, but also a microcosm of place, again of truth, but like all good, great and ethereal chardonnay must be. The florals are high for the place and the texture like organza, filament and lace. The obtuse vintage be damned it is this team that has found the right path and the way to varietal understanding. This teaches us about the ridges and benches but also about cool climate chardonnay. Thanks for this. Drink 2019-2025.  Tasted October 2019

Pairs with Bruce Cockburn’s Wondering Where the Lions Are

Why? Like the song everyone always wants to hear him play, timeless, so Canadian and one that teaches so much about being us. The dictionary and playlist wrapped into one with a chardonnay that speaks to all of us in a cool climate vernacular.

Sun’s up, mm-hmm, looks okay
The world survives into another day
And I’m thinking ’bout eternity
Some kinda ecstasy got a hold on me

Hidden Bench Estate Chardonnay 2017, VQA Beamsville Bench, Niagara Escarpment (68817, $29.95)

You may consider this 2017 (estate) chardonnay from Hidden Bench the transition, meaning it demarcates the passing of the varietal torch, from Marelize Beyers to Jay Johnston. And indeed there is a little bit of each winemaker’s finesse, grace and cumulative style. Perhaps a step away from richesse with a step forward in structure. That means the linearity and subtlety speaks ahead of the developed flavours and so a longer primary period will allow this to drink consistently for nearly five years. After that it will develop more flint and smoulder, if less golden sunshine richness. These are of course details in minutia and shadows to discover. Drink 2020-2027.  Tasted February 2020

Pairs with Leonard Cohen’s Everybody Knows

Why? Everything about Cohen’s music lives in shadows and everybody knows that a Hidden Bench chardonnay does the same. Even if the plague is coming fast, from one great to another, everybody knows.

Everybody knows,
Everybody knows,
That’s how it goes,
Everybody knows

Le Clos Jordanne Le Grand Clos Chardonnay 2017, VQA Niagara Peninsula ($44.95)

Welcome back, to that grand vineyard place that we’ve talked about. Down on the farm near the water where chardonnay was purposed grown and put in the hands of a young Thomas Bachelder. The results were dramatic and now that unparalleled fruit is back in the monk’s world, he wiser and more experienced than ever. The transition is spooky seamless and the awe in hand providing breathtaking posits in moments more than fleeting. Behold the presence of orchards and their just ripened glow of fruit with sheen so fine. Let your glass allow the ease of the aromas and flavours to fall in and emit with conscious movement, without conscience or effort. That’s the 2017 Grand Clos. Chardonnay that is. Drink 2019-2026.  Tasted November 2019

Pairs with Rush’s Limelight

Why? Le Clos Jordanne is back in the limelight and on a literal level, the return of this iconic Ontario chardonnay by Thomas Bachelder is about living as a performer, on a stage, with all eyes upon them. A wine with a higher purpose.

Get on with the fascination
The real relation
The underlying theme

Rosé

Who needs only light, southern French styled Rosé when you can also have full fruit, plenty of colour and a healthy dose of personality? In many cases the nearly pale and vin gris examples still persist and excite but there are those bled and rendered, heavily hued and teeming with fruit. Ontario made Rosé is more diverse, complex and multifarious than ever before. In terms of working for the consumer that means more choice and that’s a beautiful thing. Whether you are making yours to be a crowd pleaser with a heathy dose of residual sugar or dry as the desert, the unequivocal voice of necessary conscience will always whisper “balance in Rosé is key.” Like Canadian music which also pairs well with bottles of blush.

Leaning Post Rosé 2018, VQA Niagara Peninsula ($20.95)

Hmmm…salty. Lovely lithe and spirited Rosé here from the LP boys, redolent of fresh-picked strawberry, Maldon sprinkled and just herbaceous enough to care for signature red grape varieties ideal for the quick, calm and easy blush bleed. The sour edge just adds to the mystique and the by the boatload charm. Just right. Drink 2019-2021.  Tasted February 2019

Pairs with Shawn Mendes’ Stitches

Why? Don’t want to get too serious with Rosé so a little pop music with a slightly salty and bitter sound seems like just the plan.

And now that I’m without your kisses
I’ll be needing stitches

Malivoire Rosé Moira 2019, VQA Beamsville Bench ($24.95)

Production is “as much as I can get from that site,” tells Shiraz Mottiar, so maximum 800 cases. As always the aridity and the salinity continue to rise, the acids, minerality, near brininess and ultimate stoic balance so secure at the top of the game. Such a high acid vintage for everything but certainly that includes Rosé, yet still the least amount of skin-contact of the three Malivoire blush. Acids just don’t correlate to hue and flesh. Thank pH for the needle’s movement in how this translates from vintage to vintage. Drink 2020-2024.  Tasted January 2020

Pairs with Justin Bieber’s Intentions

Why? Moira just gets to me and a glass always leads to creativity. The Ontario Rosé muse unparalleled.

Shout out to your mom and dad for making you
Standing ovation, they did a great job raising you
When I create, you’re my muse
The kind of smile that makes the news

Gamay

Not that there is ever a bad time to partake in the wonders of gamay, but with the mercury rising, spring is the right time to be with the gamay you love. If you’ve never experienced the nuanced pleasure of great gamay, whether it be from Beaujolais in Bourgogne’s southern reaches or from Ontario’s cool-climate hinterlands, its prime time you did. The gamay produced in Ontario can run the gamut from light, fruity and joyful to dark, serious and structured. Winemakers are on their gamay game and the quality has never been better. The kind of songs to match gamay need to exhibit intrinsic purity and also variance so be picky and intentional here.

Château Des Charmes St. David’s Bench Vineyard Gamay Noir Droit 2017, VQA St. David’s Bench, Niagara On The Lake (346742, $19.95)

Quite a reductive and structured gamay with healthy extraction and great vintage fruit. Resides in the black raspberry realm with a balancing sheet of strawberry roll-up. Nothing shy about this, in a ripest of St. David’s Bench vein and so much could be taught about Ontario gamay through the work of this maker. Drink 2019-2023.  Tasted October 2018 and March 2020

Pairs with Neil Young’s Homegrown

Why? Both Château Des Charmes and gamay strike me as the epitome of homegrown and the St. David’s Bench estate is simply the Neil Young of Ontario.

Homegrown’s
All right with me
Homegrown
Is the way it should be
Homegrown
Is a good thing
Plant that bell
And let it ring

Stratus Gamay 2017, VQA Niagara On The Lake ($29.20)

Gamay gets neither more ripe nor extracted in Ontario and yet there’s a step back dance grace about this singular ’17. If ever the word Cru might come to mind when nosing and tasting local gamay this would be one, specific to a time and a place. Wild cherry, black cherry and concentrated cherry syrup are the big, bigger and biggest attributes, all cut through by a knife’s edge acidity. Wild gamay of grip, with very good length. Drink 2019-2023.  Tasted February 2019

Pairs with Robbie Robertson’s I Hear You Paint Houses

Why? To be honest lyrically this song has nothing to do with Stratus or gamay but it features Van Morrison and that’s pretty much the reason. Robbie and Van together is like Stratus and gamay.

I hear you paint houses
Right down to the wire

Pinot Noir

Thoughts about pinot noir always articulate an opinion. Smells like cherries, shows earth and mineral notes of/from clay and limestone. Texture is specific to the village where it is grown. In Ontario there are pinot noir crus few would ague against the probability that in most vintages quality will be a guarantee. Crus like Lowrey Vineyard on the St. David’s Bench, top blocks in Prince Edward County, several vineyards up on the Beamsville Bench, Wismer-Foxcroft, much of the Twenty Mile Bench and Four Mile Creek. The naysayers who continue to doubt whether pinot noir is a viable signature grape in this province are not paying close enough attention to the signs, portents and in conclusion, the results. As for the songs it plays and sings? Gotta be both old and new, retro and still avant-garde, crooning while ambient, poppy yet just a bit unusual and always stuck in your head.

Inniskillin Montague Vineyard Pinot Noir 2017, VQA Four Mile Creek, Niagara Peninsula ($30.95)

From a vintage both turned on and stood on its head with cool and wet summer conditions followed by unprecedented heat in September. The resulting look at pinot noir means strawberry like you’ve never noted before and Montague’s certainly jamming with concentration. Sweet fruit carries just enough varietal tension and depth to keep it grounded in the clay-earthy realities of Niagara. Not like Montague’s past perhaps but great fun nonetheless. Drink 2019-2023.  Tasted November 2019

Pairs with City and Colour’s Hope for Now

Why? Dallas Green’s voice, of sweet tension, like Ontario pinot noir and Montague’s clay-earthy reality.

What will it take to live as if I would not another day?
To live without despair, and to be without disdain
How can I instill such hope, but be left with none of my own?
What if I could sing just one song and it might save somebody’s life?

Rosehall Run JCR Pinot Noir 2017, VQA Prince Edward County ($39.00)

A bit high-toned, magically spirited and rebelliously volatile. Earthy and lithe in fruit though quite raspberry-pomegranate and exciting for those who like it not only lightning searing, but intensely meaningful. Hard not quiver with impatience at the thought of this treat before me and what such a singular pinot noir will become when it matures. Drink 2019-2023.  Tasted blind at NWAC19, June 2019

Pairs with Joni Mitchell’s A Case of You

Why? PEC pinot noir, this vineyard and that winemaker. Musically structured like a song from Blue, chord and tempo changes, magically spirited and intensely meaningful. Thank you Dan Sullivan.

You taste so bitter
And so sweet, oh
I could drink a case of you darling, and I would
Still be on my feet

Congrats to Cliff and Colin @stannerswines for their The Narrow Rows Pinot Noir 2017 Gold Medal performance @judgement.of.kingston 2019. We the judges deliberated long and with great care to come to this well-deserved conclusion.

Stanners Vineyard Pinot Noir The Narrow Rows 2017, VQA Prince Edward County

A super-saturated, honed and zeroed in upon place in a vineyard ripeness with a touch foxiness. Reality from limestone bled into fruit wavering on a spectrum where berry fruit

sits on one end and earthy beetroot all the way over on the other. Touches both and then properly meets in the middle. Cherries are red, herbs are green and tension stretches a wire between two poles. Tomato water and tomato leaf with fresh basil. That’s just matter of fact and a good struck balance in combination. You almost feel it’s at once too ripe and then a bit green but those moments are fleeting and so the summation in accumulation is the thing; must, seeds, stems and the work of kind, nurturing and gentle hands add up to great delicacy. It’s local and it’s so bloody good. Delicious even. Unlike any pinot noir ever made previously in Ontario. Drink 2019-2023.  Tasted blind at the Judgement of Kingston, November 2019

Pairs with Ron Sexsmith’s Gold in Them Hills

Why? Pinot is a song of hope, crooned by a Canadian treasure. Colin Stanners may as well be the Ron Sexsmith of Prince Edward County, shy and brilliant, reserved and funny.

But maybe it’s the perfect day
Even though the bills are piling

There’s gold in them hills
There’s gold in them hills
So don’t lose heart
Give the day a chance to start

Cabernet Franc

At the brazen and confident right of Ontario’s most important varietal reds is cabernet franc, a Bordelais grape that paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. Transparently honest and forthright by nature, brassy and highly energetic, righteously indignant like a young band with a big sound and no shortage of swagger. Frank Ontario red, frankly speaking.

Tawse Natural Wine Cabernet Franc Redfoot Vineyard 2018, VQA Lincoln Lakeshore, Niagara Peninsula ($28.95)

There’s a symmetry in this cabernet franc and as it is the natural one in the Tawse stable, it’s actually the connection between vineyard and varietal that brings about the a ha moment. Redfoot has to date been the gamay block for natural executions and cabernet franc has been a Laundry Vineyard affair. The dots are connected through the Lincoln Lakeshore lexicon from one to the next, first in grape and then in winemaking, or lack thereof. This Vin Nature is both the least “natural” of all the Tawse tries while at the same time most like the Laundrys of past vintages, though it’s really somewhere in the circulative middle of a stylistic that includes the Grower’s Blend. In fact there’s no great departure from those cabernet francs so why not make them all this way? If the results are same dark fruit, same blushing acidity, same piquancy, same herbal undertones and nearly the same clarity of structure, why not risk it across the board? Could drink this with abandon. Drink 2019-2022.  Tasted September 2019

Pairs with The Arkells Knocking at the Door

Why? “There’s a fearlessness to it that I think a lot of sports fans and teams want to feel,” said frontman Max Kerman. The song has been anthemic at hockey games and women’s marches. Paul Pender’s natural wines do something eerily similar and reach a very large audience.

That’s me, I’m knockin’ at the door
I’m thirsty
For more, for more, for more
That’s me, I’m knockin’ at the door
I’m knockin’ at the door
I’m knockin’ at the door
That’s me

Southbrook Saunders Vineyard Cabernet Franc 2018, Beamsville Bench, Niagara Peninsula ($28.95)

Nothing if not classic Bench-raised cabernet franc with crunchy fruit, dark red and savoury plus that unmistakeable current of dark currant and capsicum. There’s no mistaking the origin or the execution, nor the varietal expressiveness. Transparent, honest, real and blessed of so much purposeful character. May not charm everyone from the word go but a couple of years will sort them out. Drink 2020-2024.  Tasted December 2019

Pairs with Arcade Fire’s The Suburbs

Why? The bounce in this song reminds of cabernet franc’s varietal dance, crunchy, savoury and honest. That’s just how Ann Sperling interprets fruit from Saunders Vineyard, tripping over piano keys and a background of strings making ambient sounds, rising to a crescendo.

Sometimes I can’t believe it
I’m moving past the feeling
Sometimes I can’t believe it
I’m moving past the feeling again

Good to go!

godello

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