A Canadian preoccupation with White Blends

as seen on WineAlign – Red Blends, White Blends and Sauvignon Blanc – Medal Winners from NWAC 2019

The catchall collection funnelled into flights titled “White Blend” continue their ascent upwards into the essential echelon of categories at the National Wine Awards of Canada. These compound varietal meet and greets do so with increasing calm, cool and collected demeanour, a.k.a balance to offer up some of this country’s most pleasing and in very special cases, most age-worthy white wines. Another year later the judges are finding the quality of the wines to be at their best yet, perceptible and discernible beyond reproach from coast to coast.

The 52 strong medal count from the 2019 awards is a testament to the masters of assemblage known as winemakers in British Columbia, Ontario, Quebec and Nova Scotia. In fact five of the medals were awarded to Tidal Bay, the maritime appellative blend creation so apt-scripted and terroir specific to vineyards and estates in Nova Scotia. Tidal Bay is a model of consistency, progress and marketing genius. It hasn’t happened yet but the day will come when Ontario and British Columbia will become woke to the economic success of the great East Coast appellative party.

Dinner at Rosehall Run

Where do Canadian winemakers look for inspiration when it comes to designing their white blends? The obvious pioneers are unequivocally Bordeaux and the Rhône Valley, the former being a matter of a sauvignon blanc-sémillon coupling and the latter a relationship between grape varieties that include grenache blanc, marsanne, roussanne and viognier. Other and lesser varieties employed are ugni blanc, clairette, bourboulenc, picpoul and rolle (vermentino). Many are grown and matched up in Canada but in 2019 it is Nk’mip Cellars White Meritage Merriym 2017 that we find standing alone at the peak of white blend success. The Bordeaux inspiration is an antithetical one at that with a two to one ratio of sémillon to sauvignon blanc and what one judge sees as a blend of “power and accuracy.”

Last year we noted that the white blends made with sauvignon blanc from out of the Okanagan Valley relied on higher percentages of sémillon than their sistren and brethren in Ontario. B.C.’s vineyards are not subjugated to the same winter kill that Ontario’s winters are often wont to inflict and so the vulnerable sémillon is planted and used to much greater quantity and effect out west. Ripeness and style are also great reasons why B.C.’s über rich and fat sauvignon blanc loves for sémillon to help out. The varietal mitigation and third party injection from barrel aging often leads to examples of flinty-smoky-mineral white blends of freshness, pizzazz, texture and style.

The Mission Hill Terroir Collection Sauvignon Blanc Sémillon 2018 is such an animal, taken from Jagged Rock Vineyard nearing 400m in elevation and the sém portion is 40 percent. Tightrope Sauvignon Blanc Semillon 2018 is another though it may just be one of closest Bordeaux ringers made anywhere in Canada. The Pentâge Roussanne Marsanne Viognier 2013 is the most singular Gold Medal winner in 2019, first because it does the Rhône varietal two-step and second because of its age. That it caught the palates of so many judges is a testament to its balance and also its structure.

The 2018 Tidal Bays from Lightfoot & Wolfville, Jost Vineyards, Planters Ridge and Gaspereau Vineyards were Nova Scotia’s one Silver plus three Bronze category medallists. These Bay of Fundy/Minas Basin east coast wonders are true Canadian wines of quality and efficiency. Tidal Bay pioneers Peter Gamble and Benjamin Bridge Vineyards tell us that In 2010 Nova Scotia launched this wine appellation with a purpose “to showcase a vibrant and refreshing white wine compatible with our coastal terroir along the Bay of Fundy, a vast expanse of seawater that is home to the highest tides in the world. An independent technical committee ensures that only the wines displaying the region’s distinct characteristics and meeting a rigorous set of standards are approved to wear the appellation seal.” The blends are most often filled with the likes of l’acadie, geisenheim, chardonnay, riesling and vidal.

Two Ontario white blends joined the 11 B.C. Silver winners. In terms of Bronze, six from Ontario and one each out of Nova Scotia and Quebec were winners alongside 23 from B.C. Yes it is increasingly true that appellative blends are more than a going concern, in fact they have become some of our Canadian winemaker’s greatest preoccupations. At this rate we can certainly imagine a future filled with bright white lights and structured blends to rival some of the world’s best.

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

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Crush on Benjamin Bridge

Benjamin Bridge Vineyards

It’s late October and I’m walking the vineyard with viticulturalist Scott Savoy who gestures below our feet into the genius loci where multiple layers of loam and sandy loam are mixed with river stones. In the vested interest of micro-climate orientation he points out the modest mountain ridges to the north and south, the stretch of valley to the east and west, to the big Bay of Fundy beyond and back down to the earth. He notes the fault line running diagonally away from the crush pad and tasting room, through the vineyard and down the slope to the river below. Today the namesake belongs to the winery but Benjamin Bridge is first and foremost a place. We all want to know about its history because there is something very special here. In this valley the apples are different and the vines grow berries smaller and unique. It’s a place that pulls on the heartstrings of innate curiosity.

Related – Consider the Gaspereau Valley

It comes from the name of the bridge that crosses the Gaspereau Valley and pays tribute to the Benjamin family who dammed up the river to become the first industrialists here. The name is a historical one, not one of fashion, trends, aggrandizement or narcissism. The ownership and the management of Benjamin Bridge Vineyards are fully cognizant of their place within a King’s County pantheon, of the past and for the future. Who among them wouldn’t pay a king’s ransom to protect it? They fully recognize how the tenets of farming, progression, life, struggle and ethos came before them and will continue long after they are gone. Just in case their work in making sparkling wines headed up by chief winemaker Jean-Benoit Deslauriers is not legacy defining enough they recently supplied a bottle of Benjamin Bridge Méthode Classique Brut Reserve 2012 to christen the first Irving Shipyard built Arctic patrol vessel. Sophie Trudeau used the bottle to christen the Harry DeWolf during an October ceremony on the Halifax waterfront. An interesting and poignant aside, this gesture.

Frost damage at Benjamin Bridge

The 2018 Nova Scotia harvest will live in infamy and perhaps not for the reasons everyone involved will want to remember. Frosts, rain, grape growing pressures and more frosts reduced quantities so drastically that emergency fruit was transported across two provincial borders from Ontario, a fact not lost as a notion that is pathetically-monopoly ironic. Annapolis Valley Vineyards were looking at losses of at least 50 per cent following a late Sunday frost overnight and into the morning of June 4th. Temperatures plummeted from the high 20s just two days earlier to minus three degrees celsius. There were some miraculous exceptions to the rule, like Avonport’s Oak Knoll Isle but damage ran from 20 to 100 per cent. Frost that settled in the lowest sections of valley vineyards were hardest hit.

All that happened to Nova Scotia’s wine industry plus more in, outs and twists than a Coen brothers comedy-drama and yet the greatest things happened anyway. The community of growers and producers banded together, traded grapes, shared experience and pulled each other through. This is a place where everyone understands that making wine is not about one vintage, individual accomplishments or accolades. Turning grape water into wine is a life-long partnership with the land, with the weather, the Bay of Fundy and each other. Success is wrought with challenges, adversity and responses to the contretemps of the day. Such tremendous odds give credence to Nietzsche saying “that which doesn’t kill you makes you stronger,” leading to an alignment with a maritime band of brothers and sisters. The year 2018 is the vintage during which the Nova Scotia wine producers in and around the Annapolis Valley were forced into a situation of needing one another and to become les retrouvailles, the reunited.

#lookoff in Canning, Nova Scotia

At the fore of this happenstance is Benjamin Bridge Vineyards, both in terms of being the helped and the helper. The Gaspereau Valley sparkling wine specialist is the unquestioned leader of their cottage wine industry and for so many reasons. Decisions made more than a decade ago to invest everything into this stretch of land south of the Bay carved through two micro-climate catalyst ridges for the purpose of creating the newest and most important innovative sparkling wine on the planet is nothing short of historical. The speed bumps may be serious but mark my words (and by many who have stated this before me), Nova Scotia is second only to Champagne for making the kind of sparkling wine we should and will want to drink. No disrespect intended to Franciacorta, Alta Lange, Prosecco, Crèmant de Loire, Bourgogne, Jura or d’Alsace. No ill will meant towards Sonoma County, Ontario, British Columbia, Tasmania, England or Roberston’s Méthod Cap Classique. I love you all but Nova Scotia can raise grapes for traditional method sparkling wine in ways and with results that blow everything else out of the proverbial water.

Not sure you need the banger. Jacket should scare them off!

Case in point, time and again, with variations on the theme, measurable and of a ceiling reckonable through infinite possibility. In this part of Canada vinifera varietals like chardonnay, pinot noir and pinot meunier can linger well in the autumn months, reach brix levels ideal for sparkling wine and still maintain acidities at levels all other regions can only dream of. The effect of the Bay of Fundy creates a unique environment, plain, simple and complex. Imagine adding up the flow of all the rivers in the world and asking that accumulation to submit to the power of one body of water’s tides that lower and rise as much as 17 metres every day. The Bay is like an air pump that moderates climate. Frosts be damned the picking in the Gaspereau of grapes just ripe enough for making wine is the latest anywhere. In Franciacorta for example picking of chardonnay happens in early August, just to keep natural acidity. In California it’s July and in the dead of night. We have begun to taste Nova Scotia bubbles at eight, nine and ten years on their lees. The results are astonishing with a combination of texture and acidity never seen before. As I said, the ceiling is boundless.

Crush at Benjamin Bridge: Chris Campbelll, Godello and Jean-Benoit Deslauriers

The charge at Benjamin Bridge is led by founder Gerry McConnell who purchased the property with his late wife Dara Gordon in the Gaspereau Valley in 1999. McConnell worked with Canadian oenological consultant Peter Gamble and Sparkling Wine Consultant/Champagne specialist Raphaël Brisbois to establish vineyards, a protocol and a long-term strategy for making world-class bubbles. Within three years of launching the project they knew it would work.

Sunday morning, #Kingsport Nova Scotia

The unfortunate passing of Raphaël Brisbois left a huge hole in the hearts and the ethos of the BB project but great timing, fortune and intellect came to the company in the extraordinary ethic and cerebral meanderings of head winemaker Deslauriers. Originally from Québec, J-B joined in 2008 and for 10 years has explored, extrapolated and elevated the game. No combination of diversity and focus is more apparent than it is now at Benjamin Bridge.

Winemakers at work, Jean-Benoit Deslauriers, Alex Morozov and Chris Campbell

The team on the ground and in the cellars is led by Head Viticulturist Scott Savoy and Chris Campbell who aides, abets and manages the trilogy of harvest, cellar and production operations. Alex Morozov is Assistant Winemaker to Deslauriers. Gerry’s twin daughters Devon and Ashley McConnell-Gordon have run the daily operations of the winery since early 2010, Keltie MacNeill manages the BB Club and Gillian Mainguy is the face of the place. Some of you may remember Gillian at Wines of Nova Scotia but now she is marketing, public relations and tireless world traveller on behalf the BB brand.

Racking chardonnay with head winemaker Jean-Benoit Deslauriers

In the third week of October I spent 48 hours with the gang at Benjamin Bridge. Crushing, talking, pressing, tasting, pumping, discussing, racking, ruminating, walking and speculating. There is a foundation of land, people and spirit you can’t know until you come here to really know.

The base is the matter and what matters comes from the great base

The discussion with Gerry and Jean-Benoit is now woven into the fabric of relationship with Pascal Agrapart who has been making wines at Champagne Agrapart & Fils since 1983. BB is keen on keeping a lineage with Champgane, a connection, to pursue more richness, texture and wines structurally rounder and fuller. Says Deslauriers, “we’re looking for the growers taking a Burgundian approach to winemaking, in the vineyard first. Pascal’s wines have always had that compelling textural quality.” Has anyone in Canada ever taken a grower’s approach to sparkling wine is the question. Here in Nova Scotia these are the wines with a stamp, of an equation in confluence from estate plus local vineyards and growing environments. The wines are not in jeopardy by adding this richness. “We still recognize the parcels we have selected through the wines we have made. There is still an inherent Benjamin-ness to the wines, ” adds Chris Campbell. I tasted the following wines off the record, some unfinished and others still who are the children of experimentation but even more so as matters of conceptual links to the reasons why Benjamin Bridge even exists at all.

Minas Friday morning

Brut 2016

Part estate and part Kingsport chardonnay fruit, with effervescence not the thing but it should tell a story. Already showing off its richness, density and concentration, even herein the “entry level,” the first full vintage for and from Pascal’s influence and tutelage. Cool stuff in here, decoupement particulare, this taking of different parcels for micro-vinifications.

Brut Reserve 2016

Of chardonnay and pinot noir, from the oldest estate blocks. There is so much more complexity, legit and from the word go. The terpenes are exceptional ones, and that is something they can be, built on acidity. Even without bubbles you can fully relate to it as the wine it knows it is. Grapefruit and tangerine, dry and sumptuous. The base is the matter and what matters comes from the great base. Perspective comes at you in solicitation of your emotions and opinions in many ways. You don’t always need CO2 to make contact with sparkling wines.

The future

Blanc de Noirs 2016

Now into pinot noir this new perspective makes you want to admit that it may be that chardonnay and pinot noir come together with a higher ceiling as a sum of their parts. Here it’s the antithetical aromatics of lemon rosewater and an amaro-herbal-red currant thing. Also oranges with spirit and a linger that reminds of the best athlete, with the greatest potential, but not the flashy star who scores early and often. 

Brut 2017

The secondary fermentation is only a few weeks old and it’s a very primary notation, with the bubble still on the way up. The rise is lime as a slow crawl along a coaster’s upward track, welling with tension and a coursing flow of anticipation. By way of comparison there is a tonic phenolic uprising either not noted or now having dissipated from the 2016.

Peculiar samples

Brut Reserve 2017

Once again the youth and the young phenols of very early fermentation but also a course led by the most unusual of vintages, cold and wet all summer long followed by 30-plus degrees in September and October. That’s 30-plus higher than right now in 2018. The contact here is unlike ’16, almost agitating and certainly unsettled. It would prefer not to be bothered at this time.

Brut NV

A non-vintage ’16, tirage in ’17. Could be vintage-dated but isn’t and won’t be. Higher acidity and more of the tonic phenolic-ness that the young ‘17s are showing. So I conclude that the NV is less structured and as an acumen-accumulated base wine it’s like a Blanc de Noirs or a reserve when younger. The translation states they are not only on to something and a real pattern is forming but they really know what they are doing, in separating micro cuvées and the outstanding wheat from the excellent chaff.

Kingsport cabernet franc

While I tasted these unfinished wines and other tank samples I also assessed 10 new wines from the portfolio. Here are my notes. The prices are all Nova Scotia retail from the winery.

Benjamin Bridge Méthode Classique Brut 2013, Nova Scotia, Canada (Agent, $45.00, WineAlign)

Disgorged June of 2018, now four plus months in bottle. Right from the beginning it is energy, spirit and tension. It’s mostly chardonnay but suggests richness marked by toast and flint. Quite a smokiness, not from oak, but an autolytic one. A true wine of secondary fermentation, naked and smouldering. Richness comes naturally, in second term existential notability, followed by density and length. The linger turns to mineral and salinity and you really want more right away, to layer upon what’s still left lingering behind. This is the Benjamin Bridge project incarnate, defined, teachable house style. The words of Jean-Benoit Deslauriers echo in your head, “with the possibility of absolute transcendency.” Eventually. Drink 2018-2028.   Tasted October 2018  benjaminbridge  liffordgram  @Benjamin_Bridge  @LiffordON  @benjaminbridgevineyards  @liffordwineandspirits

Benjamin Bridge Méthode Classique Brut Reserve 2012, Nova Scotia, Canada (275396, $74.95, WineAlign)

Now into a real vinous notion, with extra concentration that reminds you how Reserve wines have to be perfectly exceptional as still wine. The bubbles bring an added dimension but they are not the be all, end all. The richness here is taken to another level, still of course with a toasty edge but it’s the 2002 blocks of estate chardonnay and pinot noir (then 10 years old) that deal in this endearing fruit and enduring length. The sip expands and increases, with knowledge that it is that fruit, very apple orchard but a variety not fully known that drives this wealth. It’s also knife-edged and able to keep this youthful tension cut and fissured through the mouth. Not a sprinter but a climber able to amble and scramble up to heights for a decade plus. Drink 2018-2029.  Tasted October 2018

The following two wines were tasted in 2017 and a few months earlier at #i4c 2018, Ontario’s Cool Climate Chardonnay Conference in Niagara.

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia, Canada (Agent, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2012, Nova Scotia, Canada (Agent, $119.50, WineAlign)

The vintage 2012 marks the beginning of the Benjamin Bridge oak program, here with some purchased fruit from friends and neighbours Lightfoot & Wolfville. This January 2018 disgorged bottle spent 66 months on its very, very fine lees and represents the inaugural departure away from reductive chardonnay in traditional method housing. Its acidity is striking, ripping and amazingly shot straight up to light and ignite the olfactory nerve. That is seems another six months to a year will only lead to textural and mouthfeel home improvements tells us there is seemingly no ceiling for how long on lees these south Fundy shore valley sparkling wines can go. The research is still one in progress but this much we know. The house of Nova Scotia is built on acidity. It’s a commodity much of the rest of the wine-growing planet will want to pay anything to use. Drink 2018-2024.  Tasted July 2018

Now back to October 2018.

Benjamin Bridge Riesling 2016, Nova Scotia, Canada (Agent, $24.95, WineAlign)

With time rieslings change drastically, much more so than traditional method sparkling, completely disconnected from their youth. So where is this going? Energy, tension, Nova Scotia. This is a Bay of Fundy riesling, ocean-wise, saline, poignant, direct. There are herbs and fennel but already this onset of glück and proverbial riesling stamp. Lemon-lime, tart angling, green to ripe apricot. Mostly fruit from grower John Warner, it’s not too edgy, a dry, albeit 15 g/L RS style. The Mosel frame is obvious and the ceiling for potential great but this strikes me as being three to four years away from really moving into another gear. Drink 2020-2027.  Tasted October 2018

Benjamin Bridge Riesling 2013, Nova Scotia, Canada (Agent, $24.95, WineAlign)

There is something I can’t simply put a nose or a finger on. It’s floral but also aerified, stratified, stratospheric, atmospheric. It’s sugary honeyed and very beeswaxy but not in a sticky way. The balance is a roundabout one where you have to travel the entire circumference in order to tie the whole room together. Something umami meets intangible allows you to imagine where 2016 will travel but it’s just an inkling coupled with a hunch. The wax is lit or rather unlit, snuffed, smouldering and beautiful. So worth this five years forward visit. Drink 2018-2022.  Tasted October 2018

Benjamin Bridge Sauvignon Blanc 2017, Nova Scotia, Canada (Agent, Approx. $47.95, WineAlign)

The 2013 was the inaugural release and so here the fifth marks the man, the myth, the legend. Should sauvignon blanc be a Nova Scotia something, grown here is this tiny stretch of narrow valley? The answer is no but taste the impossible results and then try to say it with a straight face. A man who loves Sancerre and has the vision to stick with this project through unsurmountable odds and adversity deserves to drink his very own, very excellent sauvignon blanc. This 2017 strings forward a great moment of continuity although in less tropical, more saline and increased tension ways. There is an infiltration by tonic, lemon and lime and yet still explosively aromatic with citrus peel that connects the two vintages by way of this unequivocal substance and emotion. Let’s wait on this buffering streamer. Drink 2020-2027.  Tasted October 2018

Benjamin Bridge Sauvignon Blanc 2016, Nova Scotia, Canada (Agent, $47.95, WineAlign)

The difference between this and the previous vintage is turbidity, having it and not. It’s a negotiable varietal that doesn’t really prepare for winter and it’s not a match made in heaven with the climate. That said the adversity makes for wines of great interest. Not driven by rational motivation but by passion and love, from 0.75 tonnes of yield per acre. Explosive from the concentration delivered to each privileged berry. Dry extract is through the roof. The passion fruit on this ’16 is uncanny, almost tropical in fact it really is and yet in the end there is a revival of salt, tonic and lime. Drink 2018-2022.  Tasted October 2018

Benjamin Bridge Nova 7 Sparkling 2017, Charmat Method, Nova Scotia, Canada (256289, $24.95, WineAlign)

You’ll be pleased to know that Nova 7 is a child of wild ferment and made in 15,000 cases. It’s not tied to any real natural winemaking processes, but considering all that is in the balance it was decided not to add any sulphur in the winemaking process, only before bottling. Hard line indeed. No messing with the aromatic spectrum, not the terpenes nor the esters or anything else, so that the wine has developed its full aromatic possibility. Just the greatest lithe hint of effervescence, the crushable one, better than mega purple sweet confections for people who want to drink flavour. Peach, strawberry and juicy fruit for the people, for everyman, woman and non gender specific imbiber, for people in the sticks who don’t, won’t and can’t drink grower’s Champagne. Aromatic backbone is New York Muscat, plus ortega, seyval blanc, l’acadie, vidal, riesling, chardonnay (and no perle). “It’s all a lot of oyster and no pearlA, perfect for this long December. And no need to swirl, so you get a kick from the natural CO2. Drink 2018-2020.  Tasted October 2018

Benjamin Bridge Cabernet Franc Rosé Small Lot 2017, Nova Scotia, Canada (Winery, $26.95, WineAlign)

“We knew in this season we wouldn’t have enough for a full-on commercial Rosé,” tells Jean-Benoit Deslauriers. This was harvested same day, red or pink, November 10th, whole cluster pressed for a few hours and then after débourbage transferred into concrete egg. There is remained for nearly six months and in March it was highly turbid at ferments’ end. No fining, no filtration, never a sulphur addition with thanks to natural acidities that protect. It’s a perfectly lovely oxidative note with creaminess brought by the egg, never to be stripped away. It emulates the Kingsport vineyard and the varietal. Orange skin, salinity and integrated variability, with good tonic bitters. Even a bit of firmness of tannin that says its come into its own now and will be a cerebral bit of fun for two or three more years. This is Rosé very much meant to be. There were in and around 200 cases made, this essentially estate exclusive, with a few exceptions. Drink 2018-2021. Tasted October 2018

Benjamin Bridge Cabernet Franc Small Lot 2016, Nova Scotia, Canada (Winery, $57.95, WineAlign)

Still from the Kingsport farm fruit, a whole cluster ferment, no messing with stems, fully oxygenated, no carbonic maceration, 30-40 per cent whole bunch. Total output is “a barrel and a bit.” An infused aromatic ferment, green spice and a char of tobacco, utter intensity, compelling and a phenolic reality. “A myth buster incarnate,” says JB, ripened beyond the sensory borders, miles away from other territories, with generosity and juicy ripe legs. From a warm vintage, nine months in neutral oak plus nine in the bottle. Then a decant and oh how the florals open up, furthered, blooming and intoxicating. More than just a fun little experiment so please wake up and smell the Gaspereau Valley. So lively, a wee salty and all energy. Drink 2018-2024.  Tasted October 2018

And one final tank sample.

Cabernet Franc 2017

A good portion of, as in 100 per cent whole berry, whole cluster fruit ferment. Heavily oxygenated, non-carbonic, from four barrels, to be bottled in December and then released next fall, so nine plus nine. There’s the floral rising from the glass, so pronounced. Strawberry, mint, cherry and liquorice, amaro, spice and tobacco. Green and pyrazine are looked for and not found. It’s the sand layer under the strat of mixed recent glacial run off rocks that mitigate the bubbling water beneath the soil and give this a tannic structure unheard of in Nova Scotia reds, Also remembering the urgency at the hands of the whole cluster ferment.  There are 900L available. Grab ’em by the growlers.

crush #interloper standing with harvest giants

Good to go!

Twitter: @mgodello

Instagram: mgodello

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Pop goes VQA

Having just spent a full experiential week crushing vendemmia 2017 sangiovese grapes between fingers and teeth in the heart of Chianti Classico it’s more than exciting to be home in Ontario in the throes of wine country Ontario’s own ’17 raccolto. Every grape harvest has its challenges, intricacies, twists and turns but the antithetical coming about that has happened in both regions is nothing short of a set of miracles.

In Chianti Classico one of the longest droughts in recorded history threatened to suffocate and desiccate what tiny berries there may have been but an early September deluge filled the sangiovese with hope and a recharge towards quality and even quantity. The opposite happened in Ontario. A full summer of rain and mild temperatures has given way to an unprecedented warm Septenmber and now into October, the continued spell of gorgeous weather means that all parties should be celebrating. A glorious September has done more than save a vintage, it has elevated the quality and stretched the quantity so that winemakers can and will process their grapes into a wide range of exciting 2017 wines.

At a time when wine promotions are happening around the province with great intent and public positivity, the VQA-LCBO pot is simultaneously stirred, a recurring theme it seems in the world we call Ontario wine. The provincial board recently announced that “Ontario wines take centre stage at the LCBO ahead of Thanksgiving. The LCBO celebrates and savours the taste of Ontario. Local favourites featured online and in-store.” The four wines featured are a drop in the bucket of what is both capable and impressive about Ontario wine production so it is the LCBO’s “Taste Local Pop-up Experience” that digs a little deeper.

From Friday September 22nd through Sunday October 15th you can drop by 600 King St. West in downtown Toronto for a joint LCBO-VQA pop-up with an ongoing discovery tasting bar, flight tastings, classes (including life-drawing and chocolate bark making) and tutored events led by sommeliers, product consultants and local winemakers. You can also shop for your favourite VQA wines in the LCBO’s retail and digital store. In fact it was last night only that the irreducible Peter Boyd could be found working the first floor of The Spoke Club with a talk on “how to order wine in restaurants.” VQA wine, that is.

Back in March of 2017 while reporting on the VQA wines Taste of Ontario event I remarked how “new assessments are so important to understanding and gaining new perspective on not just how our (Ontario) wines age but also how they are affected by early reductive environment shock and their ability to change (for the better) after a mere six to 12 months in bottle. The first snapshots are not always the clearest.” The same attitude might apply to what happens when wines are presented to a VQA tasting panel. Only the most experienced palates, best winemakers and a select few Ontario wine cognoscenti can forecast evolution and are therefore capable of making immediate, correct decisions. Left to less experienced hands there are sure to be feathers ruffled.

Related – Fifty ways to Taste Ontario

On the heels of a summer during which VQA Ontario wines were celebrated at the 7th annual Cool Chardonnay conference with unprecedented zeal something is amiss, once again, but this time for curious reasons. An article published in the National Post last week goes on the all frontal attack, in short to the LCBO and long against VQA, the Vintner’s Quality Alliance of Ontario. The story contends that the best wines produced in Ontario do not make it to LCBO shelves. It states “all wine made in Ontario needs to pass through the VQA’s tasting panel if it is to be sold at Wine Rack and the LCBO.” The blame is placed squarely on the VQA tasting panel. The equation is simple. Fail VQA and no LCBO for you. Sounds correct but it’s not that simple. The two problems are only connected for the sake of argumentative convenience. As an Ontario wine producer, even if your wine passes VQA it may never be purchased to be sold at the LCBO. Such an equation takes liberties without substantiation. And, as John Szabo M.S. correctly points out, “there’s no law preventing the LCBO or Wine Rack from selling non-VQA wines. In fact, many wines at Wine Rack are offshore blends.” But even this diverges from the point.

Related – How can i4c the future through cool chardonnay?

More important are the questions of taxation in the discrepancy between VQA and non-VQA approved wines and whether or not a wine industry can grow and flourish when many of its makers feel stymied, both economically and philosophically, by a regulatory board they contend tells them what styles of wine they can make. They argue against a panel that carries the authority to send them to the highest level of appeal before granting approval, all the while bottling, labelling and delivery schedules may be compromised along the way. The bureaucracy is hardest on the smallest fries. Some are vocal about wanting to do away with the VQA establishment, or at least the tasting panel and to ask that they just concentrate on regional policing and labelling. Still others would like to see the end of that arm as well. Australia has gone that route, so why not Ontario? There is much talk about this golden era in which foreign wine writers and sommeliers around the world are raving about and drinking wines from Ontario’s great fringe terroir. Ontario is hot and the fear is that if more is not done to discourage mediocre wines that pass with ease and instead encourage risk-taking styles the mojo will be lost and the region be passed up for the next cool climate producer. Is this a fear based in reality?

This story is as old as Ontario wines time immemorial. There isn’t a local writer worth his or her words in salt that has not touched on the subject of the LCBO and VQA. I’ve read the most eloquently rendered articles of sophistication by David Lawrason, John Szabo M.S., Rick VanSickle, Christopher Waters, Tony Aspler, Beppi Crosariol and countless other excellent scribes about what’s right, wrong, fine and inexplicably deplorable about our monopoly and regulatory provincial systems. Even Godello has touched, broached and breached the subjects. A recent, arguably superficial National Post article by a young writer has caused a minor stir in wine circles though not surprisingly has fallen on deaf consumers ears. There is no new revelation here but I really have to thank the NP writer for her take because for one thing she is a very good writer. She should not feel unwanted if the comments sections remain quiet, nor should the winemakers who feel their plight is falling on deaf ears. I’ve made a living off of being ignored. I’m also not a fan of attacking writers and their work. It takes a great deal of dedication, passion and hard determination to produce such a story. Editors on the other hand are not what they used to be. My editor while I was at Canada.com was an expert in the art of knowing what to print and how to make adjustments for the greater good of the story. The National Posts’s editor was flat-out lazy and yet while the writer’s tirade in crusade against VQA is rife with errors and fact checking inconsistencies (like contending that VQA pumps “inordinate sums of money into promoting Ontario wines”) the provocation has provided me personally with a quick period of genuflection and ultimately, an epiphany.

The average wine drinker in Ontario is not privy to the inner circle of goings on with respect to what is typical and acceptable and how the Vintner’s Quality Alliance of Ontario screens the wines submitted for approval, thus deciding the financial fate and economic viability of selling said wines. There was a minor trickle of comment chiming to the article. Ontario Wine Chat’s Shawn McCormick noted “there’s a few facts wrong in the article, but they hit the key point that unless you regularly visit Ontario wine regions, you have a very narrow view on Ontario wine.” Ottawa’s Dr. Janet Dorozynski, Canadian Wine, Beer and Spirits, Foreign Affairs and International Trade Canada noted, “pprovocative title and interesting perspective by a new-to-wine writer but as there are many factual errors NP editor would be wise to fact check before publication. And Ontario is not really so unknown anymore.”

André Proulx pulls no punches. Proulx writes “another lazy criticism of VQA. Cites 2 wineries issues failing to mention most wineries pass sans problem. Fault doesn’t make a wine daring…The VQA has its faults… but I’m sick of hearing the same two stories about Norm and PMs wines failing ” Hidden Bench winemakers states “this article makes it appear that the only artisanal wineries producing terroir driven wines are those who have had wines rejected by VQA.”

It is WineAlign’s John Szabo that really picks apart the article. On the idea that “many of the world’s greatest wines have naturally occurring faults, which are the result of the soils and wild fermentation processes,” he replies “ridiculous statement. Stay away from subjects you don’t understand.” In response to “in other words, some of France’s best wines would not pass VQA certification because their high reductive notes would be considered faulty,” he answers “more extrapolated nonsense.” Reacting to “many smaller Ontario wineries have begun experimenting with naturally occurring faults by fermenting their wines with wild yeast,” he says “you insult many smaller Ontario winemakers, and some yeasts, too. Nobody strives for faults.” And finally, when the story notes “adding conventional yeast to grape juice is a bit like buying insurance.… it can also stifle the terroir of a particular vintage,” he retorts, “countless top winemakers around the world disagree. Faulty tastes homogenize wine a helluva lot more than any yeast.”

One of our most esteemed and leading winemakers Norman Hardie had this to say. “It’s great someone has had the guts to take on the VQA…have great difficulty with the quote from the VQA claiming “one of our strengths of our model is our ability to flexible and responsive to be both winemaking and consumer trends”. .this couldn’t be further from the truth..it is a factual error given directly from.the VQA..says alot about our governing body.” I followed up by having a lengthy conversation with Norm. He contends that his statement is indeed one grounded in fact and I listened.

Winemakers feel they should not be told how to practice their craft or be penalized for pushing boundaries. Anyone who thinks this just isn’t so is not paying close enough attention and likely drinking boring wine. It is also a progressive imperative that winemakers seek ways to break from tradition, rules and etiquette, to challenge norms and traditions, but does a wine have to be a bad boy to be considered the most important expression of a local terror? And what fun or excitement is there is a governing board saying “yes “and “of course” in response to every submission? The financial ramifications can certainly be damaging but what’s so special about being accepted at every turn? Would William S. Burroughs, Andy Warhol, Frank Zappa, John Coltrane, Henry Miller, Robert Mapplethorpe and Jean-Michel Basquiat been half as interesting if their art did nothing to challenge or subvert? Immediate commercial acceptance comes at a price and much harder to those who choose to make a difference. Just as vines have to stress to produce exceptional grapes, so must a winemaker face adversity and suffer for his or her art. You can’t have it both ways. You can’t have your grapes and drink them too.

In 2011 David Leyonhjelm wrote in Business Spectator, “some believe that Australia’s policy of exporting fault-free but relatively bland wines has done more harm to Australia’s wine reputation than anything that might have been sold without Wine Australia’s approval…The market is a very efficient mechanism for sorting out these sorts of things. It is most definitely anti-entrepreneurial.” Hard to argue against this but a devil’s advocate position would say that undrinkable and or grossly faulted wines made by less than experienced producers can get lumped in with quality bottles in shared categories. What if the consumer was unable to remember one from the other or which was which? Would it not be better to rid the market of the shite before it makes it there in the first place?

After Wine Australia squashed their export vetting panel, wine journalist Max Allen wrote “anybody assessing whether a wine is ‘sound and merchantable’ need to be exposed to the incredible diversity of styles out there: from big, black, overoaked, over-alcholic shiraz to cloudy, orange, amphora-fermented sauvignon blanc, almost anything goes out there in the modern wine scene.” Indeed this is what we want to see, allow and encourage, though in Ontario, can it be done without some form of compromise? It must suck to make a great wine, have it applauded, reviewed with great scores and requested by international sommeliers, only to see it stalled before being accepted by a local tribunal. Something is obviously missing in such an equation but is the full-out scrapping of the tasting panel the solution? Doing so would mean eliminating an identity consumers have come to trust. Ontario wine not only needs VQA, it is VQA. In this part of the world you have to seek diplomacy.

The article in question notes “this is a situation unique to Ontario,” that wines must pass a tasting panel, when in point of fact most appellations make use tasting a panel. VQA continues to carry the function it was built for, just like its AOC, DOCG and VDP European equivalents, with a standard to protect for the greater good of the wine region it has been entrusted to promote. Is it perfect? Far from it. Has eliminating it helped Australia? Sure. Is the free for all system working in South Africa? You could say yes. But Ontario is not a form of the wild west. It’s diplomatically Canadian to a fault and inextricably linked in political and cultural fashions to Europe more than most would like to admit. Bureaucracy is part of the reason so many moving parts manage to get along. The system fails some and more often than not benefits the largest players even while it saves countless others from getting sick, though continued discussion and journalistic discourse will render said governance continuously relevant or perhaps moot, eventually in time.

If as a winemaker you want to forge your own path and make unusual, risk-taking, anti-establishment wines with character and personality you have to be prepared to suffer the financial casualty of making such products within the parameters of an organized and civilized society. VQA should seek a clearer picture so that wines either pass or fail, not string them along if they are just going to pass them in the end. Neither side benefits when good wines are held hostage. That said, when the system weeds out others which are neither curiously subversive nor special then the consumer will benefit. As for ground-breaking winemaking it can take years, sometimes a lifetime and in Bukowski-like cases, a posthumous party for great art to truly be recognized. The system can only change so fast. It’s not realistic, very frustrating and counterintuitive to creativity and productivity to think otherwise.

The VQA system is certainly flawed. So are the AOC and DOCGs in France and Italy. Even Ontario wine industry peeps who have to support VQA’s function and back its credibility could not argue against that statement. The panelists who decide the fate of submitted wines may not always be best equipped to deal with every fleeting snapshot placed in front of them. Even the best make mistakes. Only the most experienced referees and umpires get to work the NHL, NBA, NFL and MLB postseason. Same in World Cup, Champions League and Premier League Football. Why not in wine? At major wine competitions around the world only the most qualified judges get the nod. The same goes for the WineAlign National Wine Awards of Canada and Intervin and the latter includes some of Ontario’s finest winemakers as judges. Who’s better to make these decisions then they? Anyone who thinks that VQA’s processes don’t need any tweaking is hiding under a rock.

Illustrious panel @TerroirTalk ready to rock #orangewine @winecouncilont #vqaontario #vqa #skinfermentedwhite #faultsandall #terroir2017

So let’s talk a bit about progress and picking battles. Back in May of 2017 the annual Terroir Symposium was held and the first of three masterclass wine sessions focused on VQA’s new category of Skin-Contact Whites. That it took somewhere between 12 months and two years for VQA to get this far is not surprising nor should it be called out for taking so long. It’s a step. Italy would still be working on it. The hottest trend to grip the wine world in the last five years is indeed a style that has been the focus of winemakers in Europe for centuries but as a PDO (wines of protected origin) it is most certainly a relatively new ideal. You can’t just snap your fingers and expect everyone involved to know what’s going on.

The standards development committee has decided that 10 days is the minimum time needed on skins. Again, it’s a step and after review may soon be adjusted. This sub-committee of VQA made up of winemakers, educators, etc. arrived at “how long it would take to attract the typical characteristics of a skin fermented wine.” The number 10 was decided upon as a “good starting point, but it’s a living document and not carved in stone.” Vineland Estates winemaker Brian Schmidt added “the characteristics of orange wine require fermentation, as opposed to cold soak.”

As the distinction needs to be for skin-contact white wines, John Szabo asks and Brent Rowland of Pearl Morissette answers his question. “What is the fundamental core character? Fundamentally they are about complexity and structure, about the tactile components of wine’s phenolic compounds and tannins. Heat and alcohol rip out aggressive tannins, so whole berry fermentation improves texture and structure. A cold soak gives you the salty component but not the structure you get from fermentation.”

Writer Fionna Beckett adds, “Orange wine is not an in between wine, but skin-contact wine is just that, without texture and structure. You need the minimum 10 days to get to that point.” Or do you? But the argument agrees that the extended use of stems and seeds will lead you down that textured road. Just keeping it to stems and seeds you will be shortchanged in certain years because they may remain green, bitter and unpleasant. So more flexibility is needed. Are we just adding a category of trendy wine or are we adding a category of value?”

“A small but significant number of consumers are excited by it” admits Beckett. “As an outsider I say why not. It’s a white wine that behaves like a red. A wine made from white grapes but made like a red.” Are they always oxidative? She says they are “white wine but with more structure?” Kind of seems counterintuitive because many whites are laden with texture and structure. So, Szabo asks if skin-contact wine enhances or hinders distinct regional character and what wines would you like to see excluded from this category?” The answer is dominant traits that make wine one-dimensional; but we haven’t set those parameters yet. “We’re looking to weed out flaws, like excessive sulphur, just as with any wine,” says Schmidt and adds Rowland “when you skin ferment white wine they produce glutamate, a precursor to umami. And there is a predisposition to enjoying umami, or not.” Ay, there’s the rub. There is also a predisposition to passing wines through VQA, or not.

Here are my notes on the skin-contact white wines tasted at Terroir in May 2017. After all, what would a post by Godello be without some tasting notes. Let’s not take ourselves too seriously, after all.

Does skin-contact wine enhance or hinder distinct regional character? @terroirtalk #vqaontario #terroir2017

Norman Hardie “Tornado” 2016, VQA Ontario (WineryWineAlign)

Tasted blind this strikes with immediacy in that it presents as so very much like chardonnay of high acidity, not to mention tannin and a Savennières meets somewhere in Alsace like texture and tang. So as varietal pinot gris it does confound and yet this really fine calcareous notion can’t be denied, so there is knowledge in that it would be there regardless. Not technically orange with its (maximum, if even) 12 hours on skins but under the rules of the appellation it more than qualifies as a skin-contact white. With more pronounced and less oxidative fruit than most, without a doubt speaks of its place. Drink 2017-2019. Tasted May 2017  normanhardiewinery  @normhardie  @NormanHardieWinery

Southbrook Vineyards Vidal Skin Fermented White, Small Lot Natural Wine 2016, VQA Ontario (Winery, $29.95, WineAlign)

The first time I tasted this blind (at Terroir Symposium) I noted it to be “vidal-like,” a touch oxidative, of this elegant paste or salve, with notes of green plum and just a touch of grapefruit. The second pass confirms it to be a fine vidal orange wine, with more texture than should or would be expected. It delivers lemon and tannin, plus a calculated layering of ample and enough acidity to carry it along. A fine example. Really mouth coating and so tannic. Takes what was learned from 2014 and 2015 experiments and with VQA category approval in its back pocket, begins the true journey forward. Drink 2017-2020. Tasted blind at NWAC17, June 2017  southbrookvineyards  @SouthbrookWine  @SouthbrookWine

Sperling Vineyards Natural Amber Pinot Gris 2015, VQA Okanagan Valley, British Columbia (Winery, $30.00, WineAlign)

So much beeswax and honey wine attribution. Porcine, delicate and quite elegant for the statement. Plenty of acidity and even more relish. Why not give a little Grauburgunder love to the winemaker for giving the style a shot, and succeeding. Tasted blind at #NWAC16, June 2016  sperlingvineyards  @AnnSperling  @SperlingVyds  @SperlingVineyards

From my earlier note of January 2016:

Ann Sperling is not merely fussing about with natural ferments, skin-contact macerations and non-sulphured, self-preservations. She is learning about winemaking, opening doors to perception and interested in doing things in different ways. Her second go ’round with a natural Amber Pinot Gris furthers the non-plussed discussion and the understanding. While pouring the inaugural 2014 from keg on tap last year at Vancouver’s Belgard Kitchen, it was Sommelier David Stansfield who so succinctly noted “this wine is a raw expression of vineyard, grape, and time.” This gets right to the heart and the crux of the Orange matter, especially within the context of a North American account. Sperling has many supporters in her corner, including husband-winemaker-consultant Peter Gamble, the folks at the Casorso-Sperling Kelowna Farm and Bill Redelmeier at Southbrook Vineyards in Niagara. This 2015 is a veritable pink cloud, anti-orange, still so very musty, funky, tanky, with great Sperling acidity and pierce. There is so much exuviation to evanescence and back again flavour. There is feigned sweetness that purposes towards and with gearing second wind into length. How much pleasure is this from and for Pinot Gris? Drink 2016-2017

Cos Rami Sicilia 2014, Sicily, Italy (Agent, SAQ, 12461525, $31.50, WineAlign)

The ornate “orangeness” of the Raimi is patterned and woven across a flat and linear map, introducing itself in a way no other wine can or will be willing to do. Still equipped with this fine acidity but it is the flavours and the texture that cause and solicit so much more sensory approbation, first savoury, then sapid and finally umami. A melted salve of orange skin, bergamot-scented and hazelnut-essential oil secreted beeswax. You gotta get into it to get in to it. Drink 2017-2027.  Tasted May 2017  #cosvittoria  #aziendaagricolacos  thelivingvine     @TheLivingVine  @cosvittoria  The Living Vine inc.

Domaine Viret Dolia Paradis Ambré 2015, Vin De France (Agent, $65.95, WineAlign)

Philippe Viret’s orange wine resides in a cosmoculture world, class and category of its own. Cosmotelluric principles, magnetic fields, homeopathic applications, natural preparations and ancient architectural rules destine this so very naturally flat, rusty and rustic wine into a nether world. The coppery blend of muscat petit grain, bourboulenc, clairette rose, roussanne, vermentino and grenache blanc spent 60 days on the skins and with transparent clarity leaves nothing behind. It does leave much to the imagination and requires some metaphysical fortitude, especially because it lingers, long after it has left the glass and the room. As for amber wine it’s as close to paradise as you are going to find. Drink 2017-2025.  Tasted May 2017  #domaineviret  nicholaspearcewines  @CosmocultureFR  @Nicholaspearce_  @ledomaineviret  Philippe Viret (Domaine Viret)  Nicholas Pearce

Norman Hardie Pinot Gris “Ponton” 2016, VQA Ontario, Canada (Winery, $39.00, WineAlign)

Unlike the Tornado, Hardie’s Ponton is the most Rosé like in this newly created skin-contact category. It’s pink and rosey, of great acidity, salinity, regional limestone and even liquid dusty. In its quantifiable sapidity and wispy lime-zippy personality it could actually pass for riesling and having spent up to and only 10 days on skins this continues to state such a case. The number is actually nine days in cold soak and then it began fermenting, so really just one day of fermentation to confound the category, then put into barrel. The natural fermentation and zero adjustments add up to this, neither white nor red, but comfortably in the land settled between. A clear and focused SCW in the natural world. Drink 2017-2019.  Tasted May 2017

Pyramid Valley Vineyards Growers Collection Kerner Orange White 2015, New Zealand (Winery, WineAlign)

This Kiwi skin-contact blend almost smells like Icewine what with its tropical, exaggerated fruity nose but conversely and impossibly bone dry despite that aromatic sweetness. Kerner is the vineyard and its actually a one month on skins ferment of pinot gris, gewürztraminer and riesling. Tres cool. Drink 2017-2020. Tasted May 2017  pyramidvalleyvineyards  @pyramidvalleynz  @PyramidValleyVineyards

Pearl Morissette Cuvée Blu 2015, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

The amphora (qveri) fermented Cuvée Blu makes use of 100 per cent whole cluster chardonnay in blend with pinot gris, riesling and (in 2016, sauvignon blanc). This singular, go it alone fantasy spent three and a half months on skins pressed and aged in foudres. It may just dance with the funkiest R & B gait of them all and to the semi-trained noggin can only be Pearl Morissette. The risk taken here is done without fear, into sheep’s milk, unwashed rind, saline, earth-crusted, stoned immaculate. The accumulation of glutamate-umami-polyphenolic-brettanomyces and volatile acidity takes it to great lengths and yet all this might disappear around the next aromatic corner. So much interest and so playfully dirty at the same time is this geekiest of them all, whole bunch, aged in 60 year-old (Alsatian) oak vats SCW. The numbers show 14 per cent abv, though it’s not yet in bottle. Drink 2017-2024.  Tasted May 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Vineland Estates Chardonnay Musqué Skin Fermented White 2016, VQA Twenty Mile Bench, Ontario (Winery, $30.00, WineAlign)

Though Brian Schmidt’s floral chardonnay “experiment” might be considered the simplest and easiest of Ontario’s “orange” wines that is only because it’s so bloody delicious to consume. The character is rusty and textured and in a way tastes just like warm iced tea and all the tannic variations that come from such a profile of flavour. This chardonnay musqué spent 55 days on skins and in turn developed its tannic backbone though it seems to have lost its intrinsic chardonnay character. That said it soaked up its Bench terroir so if something is lost much has been gained. Drink 2017-2019.  Tasted May 2017  vinelandestates  benchwineguy  @VinelandEstates  @benchwineguy  @winery.vinelandestates  Brian Schmidt

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

The future is now for Lightfoot and Wolfville Vineyards

In the throes of judging 1,700 plus Canadian wines at the WineAlign National Wine Awards of Canada I slipped away to reconnect with Mike Lightfoot at his property in Wolfville, Nova Scotia. The last time I paid the family a visit, Mike, Jocelyn, Rachel and winemaker Josh Horton were planning, scheming and on the cusp of breaking new ground, figuratively and literally speaking. The new Lightfoot & Wolfville winery facility was beginning to take cerebral, engineered, augurate and anticipatory shape. It’s now well into the building phase, in fact, at some point this summer L & W’s unprecedented facility will open to the public. When it does it will change the wine landscapes that include more than just Wolfville, the Gaspereau, Annapolis Valleys and Nova Scotia. It will reset the needle, compass and artfully strategized standard for Canadian wineries everywhere.

Related – Consider the Gaspereau Valley

Mike and Jocelyn have taken a once thriving apple farm and turned its rolling hills into Nova Scotia’s most progressive organic and biodynamic winery while also perpetuating the raising of animals in the heritage meets modern agriculturist way. In 2014 I made the following ambitious statement. “Lightfoot & Wolfville will take everything anyone has ever thought about the Nova Scotia wine industry and turn it on its head. Hybrids and local varieties will continue to be a part of the stratagem. In the unpredictable climate of Nova Scotia’s wine growing regions that is a necessity but it’s what chardonnay and pinot noir will do that will put the province on the map and the world’s stage.” Mean it.

Cellar dining space at Lightfoot & Wolfville

Related – Great Chardonnay and Pinot Noir from Nova Scotia?

The external vineyard planted near Avonport called “Oak Island” is perched on a hill with a view of the Minas Basin at the head of the Gaspereau Valley. “Le Corton,” as it is known, or as I like to call it,  “Oak Isle Knoll” is where consulting oenologist Peter Gamble has placed 100 per cent certainty in the future success of Vinifera grapes. Vigorous vines will increase the possibilities for chardonnay, sparkling plus a host of expected and eclectic varieties, like riesling, sauvignon blanc, gewürztraminer, chenin blanc, chasselas and scheurebe.

Mike and winemaker Josh Horton ushered me through a tour of the new facility. A state of the art retail shop, quick production kitchen, al fresco pizza oven and a subterranean cellar, private dining facility and commercial kitchen to make iron chefs drool. The mammoth-sized, reemployed beams alone are pieces of reclaimed and refashioned wood to send one into a state of awe. It felt as though I were walking through the massive hull and underbelly of a great romantic period ship.

Al Fresco Pizza Oven

Mike Lightfoot has spent the past 15 years watching Nova Scotia’s wine industry transform from an unknown cottage entity to a destination that attracts thousands of visitors, heavily weighted to the summer months. He is drawing on experience but also careful to avoid repeating the mistakes some of his peers have made in trying to build and develop wine tourism at their nearby facilities. He is also grateful for what they have accomplished and how they have opened the door for the possibility of L & W’s imminent operation. Mike points out how in July and August the trail of cars moving along the Evangeline Trail is endless, cars that travel right past his property. Truly a case of “if you build it they will come.”

I sat down with Mike and Josh to taste 10 wines, some new and some revisits, for perspective and to expound on some personal theories of L & W relativity. Josh Horton is coming into his own as a winemaker and just in the nick of time. The nigh fact of this property’s history and ineluctable expansion will weigh on the ancienne ideology but Horton’s de facto ability and unaffected personality equip him with the tools to face the challenge head on. The future is now for Lightfoot and Wolfville Vineyards.

Sparkling wine you need to know @lwwines Blanc de Blanc Extra Brut 2013, from the shores of the #minasbasin #annapolisvalley #novascotia

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada ($45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Ancienne 2014, Nova Scotia, Canada ($40.00, WineAlign)

Pinot Noir Ancienne is a product of a wild ferment and here in 2014 is possessive of a larger percentage of estate fruit, but still with a significant portion skimmed from (Al) McIntyre’s Blomidon vineyard. The typical Nova Scotia growing season means this was harvested during the last week of October and at approximately 20.5-21.5 brix, but of a lower crop level. Like the inaugural 2013 this still carries the elegant, highly cool climate provincial stamp, not skinny or lean by any means but certainly lithe and helped calmly and curatively along by 3rd and 4th fill neutral oak. The ’15 will be bottled in July, which will be 100 per cent estate fruit. Here is the second image of Nova Scotia pinot, built upon a well-designed foundation and an architectural struggle in search of structure. Ancienne is old-school, traditional, hand-made, artisanal. It is a wine that others will not yet know what to do with but the launching point is precise, progressive, poignant and teeming with wonder meets possibility. The fruit purity and transparency speaks to the honesty delivered. Drink 2017-2020.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Ancienne 2013, Nova Scotia, Canada ($40.00, WineAlign)

Retrospection, reflection and what we know now places this so obviously in the exact spot where it began. So now we establish a minimum five years going forward to reach the sweetest of sweet spots. This now gives perspective and a reference point for where ’14 is and will be going forward. This 2013 is less immediate, a wonder of first time luck, pomp and circumstance. It is nothing short of remarkable. Last tasted June 2017.

If de novo for Pinot Noir is to be found in Nova Scotia then count me in because the inaugural release from Lightfoot & Wolfville is the trailblazer for and from the extrinsic frontier. Tasting the painstakingly measured yet barely handled 2013 for the first time (from bottle) is like falling into a glass of Nova Scotia cherries. Somehow there is this simultaneous and virtual voyage abroad to imagine a comparison with Nuits-Saint-Georges, in its earth crusted, sanguine, welled up tension that begs questions and belies answers. A year yonder the taste from barrel and what can be said? Pinot Noir adjudicated, into a cortex of recognizable consciousness and thus into the natural Nova Scotia mystic. Ignore and forgive the dope of first returns, for no one could have imagined such ripeness and immediate gratification. Future releases will dial back in the name of structure. That said, in 2013 there is a red citrus, ferric debate that will send this to an exordium seven years down the road. Impossible inaugural release. Approximately 50 cases made. Drink 2015-2022.  Tasted July 2015

Experiments are for more than sharing #perspective #teachingmoment #progress @lwwines #unfiltered

Lightfoot & Wolfville Chardonnay Ancienne 2014, Nova Scotia, Canada ($40.00, WineAlign)

The name Ancienne and the proximate irony appraised is not lost for its translation as endemic or indigenous for wines made from Burgundian grape varieties raised on Nova Scotia soil. The sophomore chardonnay speaks in a vernacular a year to the wiser but at the expense of excitement, which is actually a good thing. A step back taken will result in two going forward, as I shall explain. The same regime exercised mimics the ’13, of 20 per cent new, 18 months in barrel, but a slight course altered with some reductive play in ’14, as an experiment but also as a plan. There seems to be more lees richness and spice notes that flit like direct darts on the palate. Different clones are harvested at different times, so now the vinifications are staggered and layered, which really shows on the stratified and almost germinating palate. Another year older allows these vines to bring diversified variegation, more Nova Scotia and as a consequence, less winemaking. The growth here is fascinating and enlightening. In the interim it may compromise the flavour profile and the wow factor but in the long run it is structure, longevity and impressibility that will give the green light to estate grown, Minas Basin success. Drink 2017-2021.  Tasted June 2017

Lightfoot & Wolfville Chardonnay Ancienne 2013, Nova Scotia, Canada ($40.00, WineAlign)

The ’13 seems to at first have really softened but that’s only relative to tasting it side by side with the 2014. It’s also leaner when considered side by each though still carries weight and creaminess on the palate. Winemaker Josh Horton also pours an unfiltered experimental bottle. It is so clean, almost indiscernible to the filtered ’13, except perhaps with more bite on the palate and yet less creaminess than the ’14.  Lasted Tasted June 2017.

Welcome to the new Chardonnay ethos, an east coast compages for la belle nouvelle écosse, the new borderland for Canadian vinifera. The respite found in Lightfoot & Wolfville’s first release is like breathing for the first time. As I noted a year ago while tasting through (mostly older) barrel trials, I have unearthed a Canadian winery animated in the architectural rendering of Premier Cru Chablis. Full textured, creamy aromatics, layers of lace and luxe, popping acidity and with length stretched to service now and later. Approximately 135 cases made. Drink 2015-2019.  Tasted July 2015

Lightfoot & Wolfville Chardonnay Ancienne Reserve 2013, Nova Scotia, Canada ($56.00, WineAlign)

The Chardonnay was planted in 2009 in a block that sits on the crest of the hill on the Wolfville vineyard site and the Ancienne Reserve is a barrel selection more than anything. It sees an additional six (to 24) months and because one of the barrels was new, it’s therefore 50 per cent new. Now tasting this for the second time a year later (the first time being at i4c 2016), the wood is melting and dissolving so all is coming together, but the unmistakeable L & W acidity meets Nova Scotia vines spice and bite is all over the palate. There is length here to last a decade. Never ending. Nothing if not a coup for new world/cold climate/NS chardonnay. You will not understand unless you taste it. Consulting oenologist Peter Gamble and his protégés Josh Horton and Rachel Lightfoot have allowed the fruit to speak without encumbrance. This chardonnay is neither stark nor beyond ripe and oak has been used with terrific restraint. I am not sure how Gamble could have known it would work but to a veteran of decades of Canadian harvests, it must be an absolute revelation. Drink 2017-2023.  Tasted June 2017

Lightfoot & Wolfville Tidal Bay 2016, Nova Scotia, Canada ($22.00, WineAlign)

The blend is l’acadie, geisenheim, chardonnay and riesling plus a smidgen of vidal. Just a great year, the l’acadie coming from rocky soil and the difference maker in the use of riesling. There is some residual sulphur, still activated citrus tablet and its aromas are propitiously fresh, from lean to piercing. The palate carries terrific texture and flesh, great citrus and a bit of unction. It even suggests fleshy citrus and stone fruit, with just that minor note of peach to make this so drinkable. The vinifera provides the structure while l’acadie is the back bone and this has plenty of it. The reams of citrus are simply striking. The better to best yet, a no doubter and without argument. For Tidal Bay it’s almost perfect. Drink 2017-2019.  Tasted twice, at L & W and blind at NWAC17, June 2017

Lightfoot & Wolfville Schuerebe 2016, Nova Scotia, Canada (WineAlign)

The schuerebe comes from up on the Oak Isle in Avonport, now just past the stage of baby vines, this the introduction as far as a style is concerned. That style combines elevated sugar and acidity. It’s highly floral and of incredible acidity, from vines that ripen later than riesling, though the plants are young of just a few years. Schuerebe is a wine that can beat its own sibling chardonnay in a wine competition, with some fat and flamboyance, alcohol near 9.5 per cent and those sugars (whose actual number is pointless) will track across some complex notions and age three to six years with ease. Drink 2017-2021.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Rosé 2016, Nova Scotia, Canada ($28.00, WineAlign)

The Rosé from pinot noir is 100 per cent estate varietal fruit destined for this purpose and not from a bleed, or as one. At $28 it doesn’t hit the same $20 Rosé crowd, here dry, saline, south of France ringing and as a ringer. The notes are distinctly lime and grapefruit, floral but not quite meunier floral. “When pinot noir can give you structure you keep making it this way,” notes winemaker Josh Horton. Good plan. Drink 2017-2019.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Rosé 2015, Nova Scotia, Canada ($28.00, WineAlign)

L & W’s will surely appear, perform and consummate as the lightest of all Rosés in any Canadian flight and as pinot noir it suffices to say all that needs in terms of rusty, rustic and taut. There is good salinity, perhaps one or two elevated blowsy notes of sulphur but all is forgiven in consideration of fine precision, presence and lightness of being. The minor leesy and lactic fromage melts into acidity and tasted blind it could be the closest of Moira cousins, à la Malivoire. Lemon and lime finish and very long. Drink 2017-2019.  Tasted June 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Reading of the last whites (and reds)

It were so simple #caprese

It were so simple #caprese

It’s that time of summer when transitions begin to set in, in paradoxical slow surges and breezes, sonic wallows and fond, rueful, ironic gaps. It also brings the unofficial last one of the season (gasp), the upcoming VINTAGES August 20th release. The limits of probability, possibility and potentiality are great, delineated and distilled to 17 wines tasted, reviewed and laid out right here.

Calamus Steely Chardonnay 2013, VQA Niagara Peninsula, Ontario (210062, $14.95, WineAlign)

The barrel need not be employed to gain success for chardonnay from the excellent Niagara 2013 vintage. Calamus has done right by the no-wood approach, allowing the slow-ripened fruit to shine solo and brightly. Steely chardonnay for steamy days. Drink 2016-2017.  Tasted August 2016  @calamuswinery

Val De Vid Verdejo 2015, Do Rueda, Spain (452086, $14.95, WineAlign)

Quite a racy Rueda with lemon and lime juiced and cooling the warm stone aspect. Were the acidity a touch more in tune this would really plug in the senses. But it is delicious and worthy of some seafood tapas. Drink 2016-2018.  Tasted August 2016  @DORueda  @rogcowines

Schloss

Schloss Schönborn Riesling 2011, Qualitätswein, Rheingau, Germany (653535, $16.95, WineAlign)

Schloss Schönborn’s basic, entry-level, come and get it Qualitätswein is seemingly riesling from out of a designate void and no strings attached. It’s actually highly specified riesling but without label verbiage and from a most excellent vintage. The oscillation runs the gamut from propellant to scintillant, with pumped in air and rising cool temperature behaviour. There is a balanced, posit tug between acidity and sweetness, over the line and back again. The cumulative flavours recall long lasting pastilles, of gin, tonic and agave. Drink 2017-2025.  Tasted August 2016     

Contini Pariglia Vermentino Di Sardegna 2014, Doc Sardinia, Italy (455238, $18.95, WineAlign)

Stoic and aerified vermentino emanating like semillon or riesling, with a vapour trail and simply terrific mineral feel. You might imagine riesling from calcareous soils or semillon off of dry, arid plains, but this vermentino is striking on its own accord and illuminates as a developing experiment. The next big thing perhaps for geeks and mineral freaks in search of a profound, axiomatic, aromatic experience? More than perhaps and Sardegna beckons. Terrific tonic and beneficial bitters mark the rather lengthy finish. Drink 2016-2020.  Tasted August 2016  @WineOfSardinia  @vinosardegna

Nova

Quinta Nova De Nossa Senhora Do Carmo Colheita Tinto 2011, Doc Douro, Portugal (452748, $19.95, WineAlign)

A blend of four endemic varieties, two from touriga and two by tinto. The label tells us it’s “unoaked.” Brilliant. Such knowledge is power and usually an exclusive bit reserved for whites, especially chardonnay. Why not tell us your red wine spent no time in barrel? This is nothing short of awesome for the consumer. And so we have pure fruit, excellent extraction, very little in the way of masking or shrouding (if any) and a simple, unadulterated experience. Terrific summer red when procured with a chill that will serve and protect your palate and your will. At five years of age it has held up beautifully, a testament to hands off and trustworthy winemaking. Drink 2016-2018.  Tasted August 2016  @LeSommelierWine  @winesportugalCA

Lighthall

Lighthall Progression Sparkling 2014, Ontario (468090, $20.00, WineAlign)

Charmat or otherwise, grapes grown on Lighthall’s beautifully stark, wind-swept and electrifying property destined for sparkling wine does so with profound meaning. This is lit with the finest Ontario spark of vidal, also known as “Ward 5 Brut.” Unparalleled in its treatment to effect continuum, Progression is possessive of real intent and fine-grained precision. It’s simply meant to be. Their are notes of green apple and grapefruit, sweetness from extract, wild and wooly texture. This and fresh summer basil pesto would work every time. Just imagine the possibilities when Glenn Symons adds further lees and traditional method applications to his sparkling fruit. Just you wait and see what it does to elevate the category in Ontario. Drink 2016-2019.  Tasted July 2016  @lighthallvyard

Thörle Feinherb Riesling 2015, Qualitätswein, Rheinhessen, Germany (420091, $20.95, WineAlign)

Tart, waxy, off-dry, herbal and very sapid. Tremendous appeal on the scales of sweet, sour and racy. Great acidity and a fine pesto of herbs. Balance is spot on. Really well made. Drink 2016-2021.  Tasted August 2016  @thoerle  @UNIVINS  

Campo

Campopazzo Chianti Classico 2012, Docg Tuscany, Italy (454512, $20.95, WineAlign)

From Radda in Chianti on the Monterinaldi Estate, here the prevalent liqueur of intuitive and naturally occurring sangiovese wafts like ripe, red fruit warming in compote with wildflower honey. While this may seem a touch raisined (and even slightly volatile) it is in fact both those things. But it’s beautifully bitter and richly old-school. A certain kind of CC and a style that is slowly dying out but there is something to be said in support of drying sangiovese fruit once steeped and macerated in its own narcissistic liqueur. I for one am happy to spend time with this and like my grandfather, would know to miss him when he’s gone. His old and drying tannins really grow on you. Great deal in old-school Chianti Classico. Drink 2017-2021.  Tasted August 2016  @monterinaldi  @chianticlassico

Brocard

Jean Marc Brocard Domaine Sainte Claire Chablis 2014, Ac Burgundy, France (356634, $23.95, WineAlign)

In a year for acidity and total, utter freshness the Saint Claire rushes and wells with excitement. Beautifully green apple tart and crunchy. The saline temperature is measured in an ooze running through and with the lees. Cracker vintage keeps the deep salinity intense, vital, searing and so naked to the world. Pure Chablis with length that stretches away from richness and into a lean lingering. Drink 2016-2019.  Tasted twice, July 2016  @chablisbrocard  @BIVBChablis  @purechablis

Montagny

André Goichot Les Guignottes Montagny 2014, Ac Burgundy, France (455139, $26.95, WineAlign)

As in the case of Chablis, 2014 is a stellar vintage from the ever-increasingly excellent Côte Chalonnaise subregion from which chardonnay fervently shines. André Goichot’s fruit is rich, ripe and beautifully pressed, expressed and plays with the determination of the mineral obsessed. Oh the vitality and the range this displays, with balance and exceptional layering. Breath is actually taken slightly away on the acidity’s back side and the airy, elemental finish. Simply wow Montagny. Drink 2016-2022. Tasted August 2016  @vinsdebourgogne  @BourgogneWines

Dutschke Jackson Cabernet/Shiraz 2012, Lyndoch, Barossa Valley, South Australia, Australia (447037, $27.95, WineAlign)

This marriage of shiraz (60 per cent) and cabernet sauvignon is a deep well filled to overflowing with Barossa berry and Lyndoch savour. The smell of ripening pomegranate and red berry is in the air but the blend is grounded by a lactic-limestone like liquid chalkiness. This is seamless stuff, pretty and modern but also following down a very direct line. The dualistic varietal speak is a thing of seamless, duet, two-part harmony. Will pair and compliment anything you throw at it over the following five years. Drink 2016-2021.  Tasted August 2016  @DutschkeWines  @Wine_Australia  @TFBrands

Closson

Closson Chase Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (148866, $29.00, WineAlign)

Keith Tyers’ follow-up to the tour de force that was the hypnotizing 2013 is a step forward in the vineyard’s progression out of a vintage that takes a step back from buttressed substance. Taking into account that 2014 was cooler than the year before, the barrel swaddle needed to also scale back, but just a bit. This CCV chardonnay takes a clean and lean precise line, drawing up PEC mineral with mining acumen and wrapping perfectly phenolic ripe fruit coiled like gelid citrus around a gemstone wire popsicle stick. The palate does provide an orchard meets stone fruit creamy respite from the rocks of entry and exit but it is the mineral County notes that make the biggest impression. Terrific balance is struck, on flint and over the course of so many levels. Leave this a year to stretch and flex while you enjoy every waking moment with the ’13. Drink 2017-2023.  Tasted May 2016  @ClossonChase

Mazzei

Mazzei Fonterutoli Chianti Classico 2013, Docg Tuscany, Italy (977629, $29.95, WineAlign)

Fonterutoli’s “second wine” pays exceptional attention to fruit quality, drawing from five different limestone sites and bringing them all together with balance. The minor tonic is an asset to the major fruit and a tie of acidity. Classic Castellina in Chianti richness and sun-driven excellence. Few CC’s are as firm and structured within the arena of such exceptional fruit. This is so modern and bright you might have to wear shades but the stylistic is achieved with grace, class and culture. Never forget where you are from. Mazzei. Fonterutoli. Castellina. Chianti Classico. Drink 2018-2024.  Tasted August 2016  @MarchesiMazzei  @chianticlassico  @ProfileWineGrp

Collett

Jean Collet & Fils Montée De Tonnerre Chablis 1er Cru 2014, Ac Burgundy, France (405720, $37.95, WineAlign)

Just amazing pitch and imploding vitality from a climat that demands traditional winemaking (in 100 per cent old wood) so as not to detract from a classic flinty, steely Chablis direction. No bells and whistles, just rocks and stones and straight ahead chardonnay. Takes what the vintage gives and tackles the rest. Drink 2018-2024.  Tasted August 2016  @BIVBChablis  @purechablis

Losi

Losi Millennium Gran Selezione Chianti Classico 2010, Docg Tuscany (459735, $38.95, WineAlign)

Every great wine dissolves a genre or creates a new one and in the context of Gran Selezione, Pietro Losi and Giorgio Baldi’s Millenium 2010 concludes the latter. In a category where so much changes and yet nothing at all, the choice to pick individual plants, specific vines and particular bunches of grapes as destined for a vision of greatness defines the ideal that wine is indeed made in the vineyard. This Chianti Classico Riserva sees 36 months in 10hL barrels and it is a wine that has essentially been made since since 1997. It went to market again in 1999 and then it was 2000 that prescribed the Millenium, followed by 2001, 2003, 2005, 2007 and 2009. Subsequent top quality vintages are 2011, 2012 and 2015. The selected vines and particular bunches produce on average and approximately 4800 bottles. Take note of the most perfume and yet not the most savour, forest or truffle but there are hints, with some fennochio and the most grip to lead a sangiovese (with five per cent each canaiolo and malvasia nera) structure. The finest tannic grain runs through, lifted by tang meets sour over tart so round and specific to Gran Selezione. This wine is a highly accomplished specimen and a portal in ode to a great grandfather who started his day with wine and cheese, for energy. He imbibed for everyday consumption, just as water would nourish as it should be with this wine for food and contemplation. A wine with a finish minutes long. Drink 2018-2028.  Tasted May 2016  @Valerialosi  @chianticlassico

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Norman Hardie County Unfiltered Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)

A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027.  Tasted August 2016.

In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most.  Tasted April 2016  @normhardie

Drouhin

 

Domaine Drouhin Pinot Noir 2013, Dundee Hills, Oregon (961284, $52.95, WineAlign)

Beautifully firm Dundee Hills pinot noir requesting some patience before it will submit and offer near instant gratification. The fruit is wonderfully, naturally sweet with an underlying saline current and so much ripe yet tart currant fruit. This gift wraps French Beaune soul and Oregon soil in one exemplary pinot noir package. Will develop righteously for up to ten years. A stroke of balanced genius from winemaker Arron Bell. Drink 2018-2023.  Tasted August 2016  @DrouhinOregon  @FWMCan

Good to go!

Twitter: @mgodello

Instagram: mgodello

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In VINTAGES May 14th

Villa di Geggiano, Castelnuovo Berardenga, Siena, Italy, http://www.villadigeggiano.com

Villa di Geggiano, Castelnuovo Berardenga, Siena, Italy, http://www.villadigeggiano.com

Current travels in Chianti Classico leave almost no time to scribble out more than paragraph let alone 10 but there is a VINTAGES release coming Saturday. The New Zealand Wine Fair rolls through Toronto today (which I will sadly miss) and I have some recommendations of excellence from that country. Canada (Ontario), France, Germany and Hungary round out my picks.

See you next week…Godello

Te Pā Sauvignon Blanc 2015, Marlborough, New Zealand (450668, $19.95, WineAlign)

After tasting the winery’s Pinot Gris and Sauvignon Blanc back in 2014 I wrote “If Te Pa can find a way to get their wines into VINTAGES stores, I will buy them by the case and hand them out on Halloween as adult treats.” The day has come with the release of this rocks off Sauvignon Blanc. The open G tuning is perfect for balance with the cumulative notes it plays, deep cuts of bluesy rock ’n roll from Marlborough soils. We’ve seen so many SB’s come through these parts but so few at this price deliver such a deft hook with exile on main street flavours. Singular, unctuous stuff and well worth finding a way to bring a deferent side of Marlborough and Sauvignon Blanc back into your heart. Drink 2016-2020.  Tasted April 2016  @tePaWines  @FWMCan  @nzwine

Villa Maria and Te Pa

Villa Maria Southern Clays Single Vineyard Sauvignon Blanc 2014, Marlborough, New Zealand (447474, $29.95, WineAlign)

The single-vineyard Villa Maria Sauvignon Blanc is a highly concentrated, aroma-centric, splendored thing with inherent vegetal notes both smoky and subtle. The flavours are all white berry dusted with white pepper. The bite, the lees and the tart accents layer like a savoury dessert. This is formidable Sauvignon Blanc with high aspirations. I for one would like to see it settle and develop a secondary level of show. Drink 2017-2021.  Tasted April 2016  @villamaria_wine  @Dandurandwines

Crawford

Kim Crawford Small Parcels Rise & Shine Pinot Noir 2013, Central Otago, South Island, New Zealand (35337, $29.95, WineAlign)

This is a characterful, high-toned and slightly rustic Pinot Noir from Kim Crawford’s Small Parcels program in Central Otago. It’s all strawberry on the nose and black raspberry (with a lash of liquorice) on the palate. There is great grit and true breadth of texture, not to mention sweetness, forgiven with so much else going on. Love the tart finish and bitters linger. Tells me its best is just around the bend. Drink 2017-2021.  Tasted April 2016  @kimcrawfordwine  @CBrandsCareers

The Stopper White Blend 2014, VQA Ontario (452235, $14.95, WineAlign)

Fun blend of Riesling and Vidal, put to good use in a variation of theme on the Ontario white appellative blend. The Riesling dominates with that atomic push and arid, saline sensibility. The vidal adds a squeeze of citrus (white grapefruit) and skin contact au naturale feel. A bit of unoaked Chardonnay or even some Musqué might not be such a stretch to fill in with some cool-climate tempering and hole filling assistance. A follow-up bit of research finds five per cent, along with Gewürztraminer. Depending on the vintage, it would be nice to see the Chardonnay increased.  Easy and tangy on the palate. Drink 2016-2018.  Tasted April 2016  @AdamoEstateWine  @JohnPaulAdamo  @ProfileWineGrp

Tuzko

Tuzko Cabernet Franc 2012, Tolna, Hungary (438291, $14.95, WineAlign)

True cool climate cabernet franc from Hungary, savoury, full of leather, cedar and spice. A veritable forest of wild berries in a glass. Really unique find and very Lincoln Lakeshore for you that understand and prefer to compare within the context of an Ontario vernacular. Drink 2016-2022.  Tasted May 2016  @ImportWineMAFWM  @MarkAnthonyWine  @WinesofHungary  @WineofHungary

Fielding

Fielding Rosé 2015, VQA Niagara Peninsula, Ontario (53421, $15.95, WineAlign)

The Rosé category can be fascinating and also slightly repellant. Whether it be the choice of varieties or the uncontrolled bleed hot off the press, it’s really hard to say, some Rosé just rubs the wrong way. At first sniff and sip you just know this Fielding ’15 is not one of those. It’s coolness is graced with restraint and it is nothing but a pleasure to drink. There certainly is candy floss and cut strawberry in the air. There is sweetness on the edge and cream floating around the rim. Separately pressed and vinified Gamay and Cabernet Franc are the key fixings though a minor sense of white percentages (like Riesling, Viognier and Vidal) would not be out of the supporting question. Sugar meets acid in equal and opposing fashion. Balance and humility are cut from the same cloth as pride. Nothing dominates and all components work seamlessly together. In its fresh and spritely youth this is one of the most pleasurable Rosés from Ontario. Drink it young. Drink 2016-2017. Tasted March and May 2016  @FieldingWinery  @RichieWine

Bressades

Mas Des Bressades Cuvée Tradition Blanc 2015, Ap Costières De Nîmes, France (701094, $17.95, WineAlign)

Really floral white blend from the Costières de Nîmes in which tropical blossoming Viognier really tends to gardening at night scents to lift the mistral rhythms of Grenache Blanc, Marssanne and Roussanne. Unctuous and the most ethereal character this wine has ever shown. Really special vintage from Mr. Marès. Drink 2016-2020.  Tasted May 2016    @Vinexxperts  

Thorle

Thorle Riesling Trocken 2014, Rheinhesen, Germany (445817, $19.95, WineAlign)

From the Thörle brothers Johannes and Christoph, a dry, vivid Riesling with a vitality of spirit and a presence that comes from the heart. Lime juice and zest mark the territory, skin contact leaves its trace in hue and a natural ferment keeps it more than real. A minor residual (Co2) spritz still tickles on the palate while grape tannin strikes a dagger into the finish. Exemplary modern take on Trocken Riesling in a style that should appeal to a wide ranging audience. Drink 2015-2019. Tasted three times, May and November 2015, April 2016  @thoerle  @UNIVINS  @germanwineca  @gen_riesling

Bailly

Bailly Lapierre Réserve Brut Crémant De Bourgogne, Méthode Traditionnelle, Ac Burgundy, France (991562, $19.95, WineAlign)

This 100 per cent Pinot Noir may initiate with simple and eager fruit, of lemon and pink grapefruit but its subtle ability and mineral wager is a condition of its commitment. It will not shock, dream in multi-dimensional preoccupation or revamp the traditional methodology but it is nothing if not lovely. It takes you on a holiday. Lemon repeats in many ways, acidity survives without kindle or foment and the flavours linger like a haunting refrain. “Like the bubbles in a glass of Champagne, you go to my head.” Drink 2015-2019.  Tasted blind at WWAC15, August 2015 and April 2016  @bourgognespress  @BourgogneWines  @Vinexxperts

Nyarai Cellars Cadence 2011, VQ Niagara Peninsula, Ontario (451781, $21.95, WineAlign)

Steve Byfield’s crimson blend of Cabernet Franc (42 per cent), Merlot (33), Cabernet Sauvignon (20) and Syrah (5) is at once so very Niagara while acting out anomalously in the 2011 vintage. Ripe, extracted fruit appears warm-vintage drawn, with its coated layers of primer, brushstroke and plummy stone fruit. The warmth is tempered by savour, oranges, figs and psalms. Its ability to find cadence and cascade keeps it “cool in the shade.” The varietal combining is delineated in balance, “sliding mystify, on the wine of the tide.” This effort, with its new name, could become one of the king’s amongst Ontario blends.  Tasted January 2015  @NyaraiCellars

viewpointe

Viewpointe Focal Pointe Cabernet Franc 2010, VQA Lake Erie North Shore, Ontario (450916, $24.95, WineAlign)

Wine Country Ontario’s Lake Erie North Shore appellation flashes onto the radar here with Viewpointe’s very youthful and soulful 2010 Cabernet Franc. It’s not spicy but there is a veritable pantry sprinkled into a simmering reduction sauce, breathing and exuding aromatics, of juniper, liquorice, Montreal smoked meat spices, cassia, star anise and chicory. It is utterly Cabernet Franc with righteously integrated barrel notes swirling in that demi-glace. The tannin and acidity persist strong and complimentary with nary a moment of raisin treason. So very well done. A huge accomplishment. Drink 2016-2019.  Tasted April 2016  @viewpointewines  @WineCountryOnt

Pouilly

Ernest Meurgey Perron Pouilly Fuissé 2012, Ac Burgundy, France (448852, $31.95, WineAlign)

Rich and buttery Chardonnay that is the membrane holding and supporting the coolest contents, in limbo and needing two years to flesh, burst and break through. The tart, tight and angled shfits are the drive and the direction for the short term development. In 2018 this will be a humdinger to pour alongside butter-seared and caramelized scallops. Drink 2018-2023.  Tasted April 2016  @BourgogneWines  @BourgogneWines

Good to go!

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15 Canadian wines that rocked in 2015

15 in 2015

In the past 12 months I have tasted Canadian wines. Somewhere between hundreds and a thousand of them. Aside from day-to-day assessments at home, in the LCBO sensory lab, at the WineAlign office and at events in Ontario, I’ve also been a part of judging panels. In 2015 I sat in at the Ontario Wine Awards, WineAlign National Wine Awards of Canada, WineAlign World Wine Awards of Canada and Gold Medal Plates.

Flight 3, code red #pinotnoir redux. Right proper #NWAC15 picks & pours @FortessaCanada stems @winealign staff rock!

Flight 3, code red #pinotnoir redux. Right proper #NWAC15 picks & pours @FortessaCanada stems @winealign staff rock!

In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth leads to 15 in 2015.

Related – 14 Canadian wines that rocked in 2014

The Legend, the Sommelier and the Godello #geddy #yyz #gmp2015 #goldmedalplates #rush

The Legend, the Sommelier and the Godello #geddy #yyz #gmp2015 #goldmedalplates #rush

Canadian wine is growing with exponential force, gaining ground in markets at home and abroad. Brits dig us. I know, they told me. British Columbia is a desert oasis of variable climates to fascinating degrees. Oh the Syrah, Riesling and Gamay that rocks forth. Ontario stood up to two straight brutal winters and screamed, “we still made great fucking wine.” Take that mother nature.

Related – 13 Canadian wines that rocked in 2013

And I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.”

Riesling at the Carriage House, Vineland Estates Winery - March 7, 2015

Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015

So I did. In 2015 I visited Niagara for Icewine Fest, discovered exceptional cider (with percentages of Pinot Noir and Riesling) made by Angela Kasimos at Small Talk Vineyards and have been pouring it on tap at Barque Smokehouse and Barque Butcher Bar ever since.

The pioneer for #vqa #wineontap feel good recognition from @winecountryont Thank you from @barquebbq #ontariowineweek #ontwine #drinkontario #pourontario

The pioneer for #vqa #wineontap feel good recognition from @winecountryont Thank you from @barquebbq #ontariowineweek #ontwine #drinkontario #pourontario

The taps at the two restaurants poured a record number of wines in 2015, from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. In March we travelled with CAPS Ontario for an eight-hour intense immersion into Niagara Riesling and Cabernet Franc.

Smiles with hops. Beer fridge @Niagara_College @mkaiserwine @chefmolson @drjamiegoode #niagarateachingbrewery #notwine #greatbeer

Smiles with hops. Beer fridge @Niagara_College @mkaiserwine @chefmolson @drjamiegoode #niagarateachingbrewery #notwine #greatbeer

Another visit with Ilya and Nadia Senchuk at Leaning Post Wines in Winona, Ontario shed new lights, especially for Syrah from the Lincoln Lakeshore. In June I toured the facilities at Niagara College with Dr. Jamie Goode, Magdalena Kaiser and our host Chef Michael Olson. Jamie and I tasted through an impossible number to count Domaine Queylus wines with Thomas Bachelder. On that I will report really soon. Really soon…

Cool Chardonnay at Ridley College

Cool Chardonnay at Ridley College

The Cool Chardonnay conference in July was in fact, the coolest yet. I spent three more glorious Annapolis-Gaspereau Valley days with Mike and Jocelyn Lightfoot in Wolfville, Nova Scotia. Visits to Domaine de Grand Pre, L’Acadie Vineyards and Benjamin Bridge filled out the east coast foray.

Comity in the County godello.ca #PECwine #princeedwardcounty #cherryvalley #clossonridge #danforthridge #greerroad #laceyestates #hubbscreekvineyard #hinterlandwine #lighthallvineyards #clossonchase #adamoestatewinery #northshoreproject

Comity in the County godello.ca #PECwine #princeedwardcounty #cherryvalley #clossonridge #danforthridge #greerroad #laceyestates #hubbscreekvineyard #hinterlandwine #lighthallvineyards #clossonchase #adamoestatewinery #northshoreproject

In the fall I made pilgrimage to Prince Edward County to get a grip on the eskers, ridges and aspects of what makes wine so special in that part of Ontario.

As always there are wines that should have, would have and could have made the cut were there more time, space and yet another, better headline to write. Some were knocked off the shortlist because they may not have been quite as exciting though were this list one of “most important,” then perhaps they would have stayed put. These four are perfect examples of that condition.

Château Des Charmes Old Vines Riesling 2008, VQA Niagara On The Lake, Ontario (277228, $16.95, WineAlign) Perhaps the assessment seven years later creates an unfair advantage but come now, a great wine is a great wine from its humble beginnings. At $16.95, in 2008 or 2015, in Niagara-on-the-Lake, on the Peninsula, this type of emerging propensity is more than gold or platinum, it’s money.

The Good Wine Cabernet Franc 2012, VQA Lincoln Lakeshore, Ontario (350751, $20.95, WineAlign) from winemaker Ross Wise and The Good Earth Wine Company’s Nicolette Novak is a necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made.

Creekside Estate Winery Pinot Noir Queenston Road Vineyard 2013, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign) is what winemaker Rob Power refers to as a lay lady lay style. Still the Kama Sutra Pinot Noir of inviting behaviour.

Hubbs Creek

Hubbs Creek Vineyard Pinot Noir Unfiltered 2010, VQA Prince Edward County, Ontario (Winery, $28.95, WineAlign). The HCV Danforth Ridge is clearly a top Pinot site in the County (along with slopes on the Greer and Closson roads). Planted to high density the results are proven in wines like this 2010

The year that was 2015 seemed to bring out the adventurous winemaker, the risk-taker and the progressive thinker. While these five wines were not so much exciting as much as they were cerebral, they need to be mentioned. Whenever the envelope is pushed and the emotions of geeks are sequestered, well then a wine has achieved something special. These five really opened some doors.

Bergstrom and Hillebrand

Hillebrand Showcase Series Wild Ferment Chardonnay 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (199273, $36.20, WineAlign) speaks the treble language of the vintage, predicated on bold ideas looking forward towards a bright future. Ultimately it is yeast and vintage, non partisan to site, that elaborate the Wild Ferment.

Southbrook Vidal Orange Wine 2014

Southbrook Vidal Orange Wine 2014

Southbrook Vineyards Whimsy! Orange Wine 2014, Niagara On The Lake, Ontario (Winery, $34.95, WineAlign). The technique and the practice is ancient and has been kept alive. The only questions need asking are “is it good, is it well-made and would I like to drink it?”

In bottle @Tawse_Winery #quarryroad 2014 #natural soon to tap @barquebbq #chardonnay #naturalwine #unfiltered #paulpender #vinemountridge #niagarapeninsula #vqa #ontwine

In bottle @Tawse_Winery #quarryroad 2014 #natural soon to tap @barquebbq #chardonnay #naturalwine #unfiltered #paulpender #vinemountridge #niagarapeninsula #vqa #ontwine

Tawse Chardonnay Quarry Road Natural 2014, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $35.95, WineAlign). It’s one thing to make a natural wine in Ontario and a world away to do so with Chardonnay. “The law was never passed, but somehow all men feel they’re truly free at last. Have we really gone this far through space and time?”

The latest rendition of Vin de Curé, the “Parish Priest’s,” and the Jura’s Vin de Paille (Straw Wine) of Burning Kiln Stick Shaker Savagnin 2013, VQA Ontario (367144, $24.95, WineAlign) is a white elixir in search of roast pork, braised belly and cured bacon. Not to be missed.

Inniskillin Discovery Series Botrytis Affected Viognier 2013, VQA Niagara Peninsula (375ml), Ontario (405027, $39.95, WineAlign) though not a common Viognier practice can be imagined with Vendanges Tardives simulation.

Filtering Nova Scotia #peggyscove #eastcoastswing15

Filtering Nova Scotia #peggyscove #eastcoastswing15

I try to concentrate on new releases, unless something old (read: Riesling) jumps out and bites me in the ass. The 15 Canadian wines tasted in 2015 that wooed, wowed and whetted the appetite are the fingers, toes and tongues of their creator’s ideals, hopes and dreams. They are also quintessentially representative of their time and place.

And the winners are...

And the winners are…

Charles Baker Riesling Ivan Vineyard 2014, VQA Niagara Escarpment, Ontario (Winery, $27.00, WineAlign)

From the rich limestone and sandstone beneath the clay, 1.1 acre Misek vineyard, a southerly ledge up from Highway 8 and an easterly hill down from Cherry Avenue. A very linear Ivan combs the catacombs of the Escarpment’s underpinning. A retaining wall of vintage attenuated rocks and stones, a vineyard’s low yields and the voices in Charles’ head have produced a striking Riesling. In 2014 adolescence has entered adulthood. Now before us is a grown up Ivan, mature Ivan, maybe even wise Ivan. Texture is in manifest control in this loyal, stay at home Baker, not yet running wild like free-spirited Picone. Ivan has presence, sometimes a great notion and is Baker’s longest bit of prose to date. The next great Riesling vintage will make it iconic. Drink 2016-2020.  Tasted April 2015  @cbriesling

Swan Song- @ClossonChase Chardonnay CCV 2013 #clossonchasewinery #deborahpaskus #pecwine #pec #winecountryontario

Swan Song- @ClossonChase Chardonnay CCV 2013 #clossonchasewinery #deborahpaskus #pecwine #pec #winecountryontario

Closson Chase Chardonnay Closson Chase Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $27.95, WineAlign)

This CCV Chardonnay is one of departed winemaker Deborah Paskus’ final acts at Closson Chase. It will forever be noted as a legacy-cementing, swan song of career excellence. Crafted by Paskus and bottled by the next one, current winemaker Keith Tyers, the 2013 CCV is simply a tour de force. No such combination of richness, tropicality and pure grape tannin has ever infiltrated this Chardonnay, from this vineyard. I’m not sure there is a comparison in Ontario, at this level of excellence and at this price. A wine of pure impression, with Montrachet-like structure and Folatières-like precision. Seemingly capacious, its facile legerity is hypnotizing, quantitatively escalating in assembly of aromas, flavours, through texture and finally to longevity. The wine spent 16 months in a mere (17.25 per cent new) oak. That it notes 12.5 per cent alcohol on the label is next to impossible. The substance is just too buttressed to be so tender and effete. Impeccable balance, refinement and mineral finish. This is Chardonnay to confuse the world’s fine white collectors, to wreak havoc at international tastings for five to 10 years. Only 712 cases are available and at $27.95, is down $2 in price from the 2012. Best ever, hands down. Drink 2017-2023.  Tasted March 2015  @ClossonChase

"There's no work in walking in to fuel the talk." @MalivoireWine Melon & @PearlMorissette Gamay #NWAC15 Parting of the Sensory #CuvéeMonUnique #shirazmottiar #treadwells #winealign #winecountryontario

“There’s no work in walking in to fuel the talk.” @MalivoireWine Melon & @PearlMorissette Gamay #NWAC15 Parting of the Sensory #CuvéeMonUnique #shirazmottiar #treadwells #winealign #winecountryontario

Pearl Morissette Gamay Cuvée Mon Unique 2014, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (Winery, $29.00, WineAlign)

In December of 2014 I counted the ’13 CMU Gamay as one of my mind-blowing wines of the year. Once again we are witness to the authentic, raw and natural impossibility of the wine, from 100 per cent whole clusters sent to cement fermenters. The hue is just impossible, the wine sulphur-free. That ’13 Gamay did not last. I tasted again this winter and it failed me. It may return. This ’14 will never leave. It is natural to the 14th degree and yet its rich, smokey chocolate  centre and structure of pure physical stature will not let it slide, into a dumb phase or oblivion. This Gamay will strut. It already does. Drink 2015-2020. Tasted June 2015  @PearlMorissette

Cave Spring Csv Riesling 2013, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025.  Tasted April 2015  @CaveSpring

Malivoire Mottiar Chardonnay 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

Any Chardonnay from a vineyard discovered on a bicycle just has to be the bomb. Winemaker Shiraz Mottiar has had many an adventure on his bicycle and it all began here in a plot of perfectly planted Chardonnay. A block that became his home vineyard. The fodder for this most balanced Chardonnay and its abilities transcend all that has come before. You would never know a barrel was ever involved and yet the silken sheaths of texture are well compressed and expertly ingrained. Nothing falls out of place. Everything remains in its right place. The radio is dialled in, from the top and outward in waves. “There are two colors in my head,” Everything in its right place. Drink 2016-2024.  Tasted November 2015  @MalivoireWine  @ShirazMottiar

Thirty Bench Small Lot Steel Post Vineyard Riesling 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Riesling Masterclass

Riesling Masterclass at Terroir 2015

Balance is and therefore always was struck. The match percusses flint for a mere nano-second, with just a brush on cymbal, the rock bleeds but is quickly clotted because the fruit shines still, like around the clock light. The steely aspect is a posterior one, antithetical and yet purposed, from this vineyard. Youth tells common sense to think 2011. The Riesling behaviour seems to play that part, of a chalky, piercing acidity, so typical of that vintage and so distinctly Thirty Bench. That the wine is older is not a big surprise because 2009 is the bomb. It may just be the best Riesling vintage, from on that Bench, in the last 10. Drink 2015-2025.  Tasted May 2015  @ThirtyBench

C.C. Jentsch Syrah 2013, BC VQA Okanagan Valley, British Columbia, Canada (Winery, $34.95, WineAlign)

Oh so beautifully nasty Syrah, spicy, saucy and wicked. Resin, somewhere between myrrh and mastic, redacts reductively and tension stretches the savoury aspects in all directions. Blood orange and anise blend into the aromatic grain, repeating again through flavour mettle. Fruit, acidity and tannin are interwoven, circulating and on edge, in pitch perfect darkness. Syrah in the big time with the stuffing to age. Drink 2016-2022.  Tasted blind at WWAC15, August 2015  @CCJentschCellar

Three Pinot Noirs of Leaning Post

Three Pinot Noirs of Leaning Post

Leaning Post Wines Pinot Noir McNally Vineyard 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

“I want you to see the difference between vineyards. That’s terroir.” This the crux and the impetus to abide and acquiesce fruit from McNally, a cooler, higher site of younger vines. For Ilya, this is “truffle hunting, eating roasted pig, at the base of an oak tree.” The forest floor and the catalytic funk come across more in flavour than smell, following cherries in the dead of an aromatic night. Modernity be damned, this strikes ripe, layered and nearly indelicate. The wine’s got some real chew to it, along with crispy flowers, like nasturtium and lavender. “I think this is the best Pinot that I’ve made,” boasts Senchuk, from 15 year-old vines at Peninsula Ridge. Ilya’s muse came from the 2010 made by winemaker Jamie Evans, along with the Voyageur ’10 made by Ross Wise at Keint-He. Wines that spoke in a vernacular that Senchuk could understand and relate to on a deeper level. Prime ripeness defines 2012. Though it teases of grandiose terroir, its complexities reign in the power with each sip, every time. Drink 2016-2022.  Tasted June 2015  @LeaningPostWine

Potatoes, not wine #pei @normhardie

Potatoes, not wine #pei @normhardie

Norman Hardie County Unfiltered Pinot Noir 2013, VQA Prince Edward County, Ontario (125310, $39.00, WineAlign)

Procuring depth in County Pinot Noir is a tough task within the constraints of resisting a temptation to reach for sugars, alcohol and dark berry fruit. Norm Hardie’s 2013 unfiltered (at 10.9 per cent) and lambent exegesis succeeds because it offers the best of all available worlds. Roots for vines that burrow to limestone develop a structure that while may have at one time been inconsistent, have crossed the threshold in ’13 to establish a guarantee. A Hardie PEC Pinot Noir can be bright and accessible. It can also be tough, tart and tannic, as it is here, again, but not without its foil. The work is now innate, the transitions seamless, the crossroads left in the dust. This wine will please two camps; those who can afford and demand immediate gratification and those who are willing to wait for secondary (two to three years) and tertiary (four to seven) character development. Drink 2017-2022. Tasted April  and September 2015  @normhardie

Culmina Hypothesis 2013, BC VQA Okanagan Valley, British Columbia, Canada (Winery, $39, WineAlign)

In 2013 the blend is not listed on the label though it strikes as a return to Cabernet Franc, albeit with a layer of lush not yet perceived. The 2013 combines the best of worlds put forth by the two previous vintages; ripe fruit, earthy-mineral tang, proper acidity and ripe, tonic tannin. The composition here is the most, accomplished, distinguished and relished. In 2013 the enjoyment can be right now or up to 10 years on. All this with thanks to exceptional balance. Drink 2015-2023. This wine has not yet been released. Tasted November 2015  @CulminaWinery

Sparkling wines by Hinterland

Sparkling wines by Hinterland

Hinterland Les Etoiles 2012, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)

An axial split between Pinot Noir and Chardonnay balances this traditional method Sparkling wine, specific to and what can only, obviously be from Prince Edward County. Acidity defines its existence in every facet of its being. A rich star to be sure, from a warm vintage, free from frost and more importantly, immune to mould. Jonas Newman talks of the methodology, in growing low to the ground. As the sun goes down, the canopy shades the fruit, slowing down the ripening, extending the season, developing the sugars, the complexities and preserving the acidity. At 6 g/L RS, with limestone communication and that sassy acidity, Les Etoiles in ’12 is pure County Sparkling. It exudes untamed apple and unnamed acidity. The Hinterland acidity. It strikes early and often. Just add warmth, stir and voila. Terrific year. Drink 2015-2021.  Tasted October 2015  @hinterlandwine

Ancienne Chardonnay and Pinot Noir 2013 with a glass of soon to be released Rose

Ancienne Chardonnay and Pinot Noir 2013 with a glass of soon to be released Rose

Lightfoot & Wolfville Pinot Noir Ancienne 2013, Nova Scotia (Winery, $40, WineAlign)

If de novo for Pinot Noir is to be found in Nova Scotia then count me in because the inaugural release from Lightfoot & Wolfville is the trailblazer for and from the extrinsic frontier. Tasting the painstakingly measured yet barely handled 2013 for the first time (from bottle) is like falling into a glass of Nova Scotia cherries. Somehow there is this simultaneous and virtual voyage abroad to imagine a comparison with Nuits-Saint-Georges, in its earth crusted, sanguine, welled up tension that begs questions and belies answers. A year yonder the taste from barrel and what can be said? Pinot Noir adjudicated, into a cortex of recognizable consciousness and thus into the natural Nova Scotia mystic. Ignore and forgive the dope of first returns, for no one could have imagined such ripeness and immediate gratification. Future releases will dial back in the name of structure. That said, in 2013 there is a red citrus, ferric debate that will send this to an exordium seven years down the road. Impossible inaugural release. Approximately 50 cases made. Drink 2015-2022.  Tasted July 2015  @lwwines  @rachel_hope

Stratus assemblage and varietals

Stratus assemblage and varietals

Stratus Tannat 2012, VQA Niagara On The Lake, Ontario (Winery, $42.00, WineAlign)

“To me this is one of the most successful new varieties we are planting,” exclaims J-L Groux. In similar ways with Stratus varietal cousin Petit Verdot, acidity rules the roost. Smells like a just sliced open bag of organic earth, freshly neutral, funkless and emptying into a (first use) terra cotta pot. A rich, looking straight ahead expression. What it hides in fruit is lost to the brilliance of balance though plum is the operative hidden flesh and it will make a clearer impression when it steps clear of the tar and the tannin. This is pitchy sagacity, with poise and length. Drink 2016-2022.  Tasted June 2015  @StratusWines

Tasting The Old Third at White Oaks

Tasting The Old Third at White Oaks

The Old Third Sparkling Pinot Noir à la Volée 2011, VQA Prince Edward County, Ontario (Winery, $59, WineAlign)

“On the fly” is not exactly what comes to mind from this 100 per cent Pinot Noir, first Sparkling wine made by Bruno Francois. Calculated, attention to detail and intensity of ideation more like it. Three years on the lees, no dosage and from a vintage to speak in more than whispered voices, of acidity that announces its arrival with immediacy and a summons to contest. The nose does yeast, toast, citrus and ginger. A first release revelation as ever graced Ontario’s waves, as dry as the desert and lingering with switch back traces of its yeasty, toasty self. A single vineyard can be this way, equally and in opposition of natural and oxidative, with a hue less than Pinot Noir, though unrequited as a triumph when you get a ripe white from such Pinot. The production of 1200 bottles is relatively house high in a stunner that needs no sugar to draw up its flavours. Drink 2015-2023.  Tasted twice, July and October 2015

asting across the @Benjamin_Bridge Vero, '08's, '04, Sparkling & Cab Franc Rosé. Thanks JB, Scott & Mike

asting across the @Benjamin_Bridge Vero, ’08’s, ’04, Sparkling & Cab Franc Rosé. Thanks JB, Scott & Mike

Benjamin Bridge Brut Reserve Methode Classique 2004, Annapolis Valley, Nova Scotia (275396, $95.00, WineAlign)

The ’04 is hanging in beautifully, on a wire of impossible balance, at 11 years old not yet really transitioning. There is simply too much brightness for it to give up its youth. You have to strain your ears, nose and throat to assuage just a hint at oxygen, life affirming breaths and then a keener sense of toast and yeast. Still behold the grapefruit, a sign of remarkable adolescence, the hang time amplified and in mass hyperbole here, in this current appraisal, address and time. How can richness act and display with such alpha freshness? How can an aging body not shed baby weight, turn lanky, lean and awkward? How is it neither the bitter pill of juvenility or senility has been swallowed? That is not the case here in a Blanc de Blancs which still has five to seven years of very active life ahead. Drink 2015-2021.  Tasted July 2015  @Benjamin_Bridge  @jbdeslauriers

Good to go!

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