Chardonnay is never too cool for school

Flight #1 at the 2024 School of Cool
(c) i4C

Will fully admit to having seriously considered not using the word “cool” in the title for this latest exposé on i4C, Niagara’s annual International Cool Climate Chardonnay Conference. Then good conscience and reality set in because the original dub for Canada’s most important and successful wine congress will always be too good to dismiss. They coined it, built it and people have most certainly come. To foresee and then to consummate this collective pursuit of excellence inscribes Cool Chardonnay into the lexicon of wine forever. Hard to predict just how many more of these joyous to potentially annual profound (four-day) weekends there will be, but were this the last then hundreds upon hundreds of producers, winemakers, media, influencers and consumers over the years will have walked away happy, better for it and with memories to last a lifetime. The extraordinary 2024 edition of i4C went deeper still, to deliver the coolest quality and finest balance between information, socialization, revelry, society and of course, chardonnay. Cool as ever, gotta be cool, relax and never too cool for school.

Three panels of i4C School of Cool 2024

The School of Cool gets into sessions with wise and wily words from Past Chair Suzanne Janke, a lifer for the cool climate cause, public face of Stratus Vineyards and light of the room. Janke’s input, along with the i4C Board, Concierge Kim Auty and Event Director Trisha Molokach shows a highest level of intuition for what can only be judged as a cracker choice for keynote speaker at the 2024 School of Cool. That would be the affable character, next level intelligence and dry as the desert humour of Austrian-born, London-living Master of Wine Stefan Neumann. Mr. Neumann peeks out from behind his little boy grin to invoke the legend that is Laura Catena, to introduce his intentions as it pertains to cool climate chardonnay. “She slapped me on the brain and said there is no such thing as good warm climate chardonnay.” The wheels are turning, theories circulate and then from his own powers of reasoning Stefan announces, “I really think the world needs to know more about Canada and cool climate chardonnay, because it’s really important.” Not that he is late to the party, but the choir nods silently and knowingly, all smiling wryly. You can hear the collective internal dialogue working. “We like this guy.” Then he speaks to they who are not in the room. “Every cool chardonnay has a cool admirer out there,” he insists, “just as every pot has a lid.” The analogy might have got lost in translation from within the history of some ironic Viennese dialect. Note to self: Send Ernst Molden a note to ask for clarification. In any case Neumann comes from a place of hospitality. “As a guest you need someone who can help you,” he explains. “As a sommelier, if I’m going to explain cool climate chardonnay to a guest I’m not going to start with the Winkler classification.” Truer words never spoken.

School of Cool
(c) i4C

South Africa’s Anthony Hamilton Russell leads the first session where things turn immediately laugh out loud funny, if simply because Hamilton Russell is an Afrikaans lekker of off-the-charts intellect, dry wit and a brand of self-deprecating meets sweet roasting and toasting humour that is by all accounts infectious. “The only constant is change,” he begins with an address that may or may not attempt to tackle climate change. “All the hard rains and frosts are just noise in the background and it’s about how we are going to deal with it.” Anthony wisely chooses to order the chardonnay tasting from north to south. His first notation is to explain “how important it is to precipitate proper dormancy in chardonnay.” Then he poses the question, “what is the worst climate problem?“ He is answered by (Nova Scotia’s) Blomidon Estate winemaker Simon Rafuse. “Depending on when you ask me, the answer will be about what just happened.” For Adamo’s Vanessa McKean “it’s a big catch up in the spring to get ahead of things, remove the (geo-thermal) blankets as late as possible before the weeds get out of hand and also late frosts compounded by the textiles still in surround of the vines.” Westcott’s Casey Kulczyk notes that bud break occurs earlier, growing seasons are warmer and ripening is quicker, while also more uneven. Are you sensing a (lack of) discernible Canadian patterning? Even in winemaking, from west to east Canada is comprised of many different vine-growing countries.

Sparkling Flight led by Peter Rod
(c) i4C

Session two is led by Peter Rod, he of chivalrous and consortable character, a prodigy and mentor for Niagara educator royalty and if the audience thinks Neumann’s humour is dry, they are then treated to Rod’s mix of dead-pan, amusement and bemusement. Fine decision to put Peter at the fore for the Sparkling wine flight because nowhere does that category receive more attention, research and investigation than that at his seat of higher learning. Peter Rod is surrounded by bubbles at Brock University’s CCOVI where fizz is considered on a daily basis. An effervescent panel delves deep into discourse for what Peter dubs as “Bubbles on the Rise.” Then the third set of eight pours, this time returning to still waters, holds title for “Chardonnay Unbound,” a varietal discovery with different faces, from different countries. Stefan Neumann returns and keeps the room engaged. Then Suzanne Janke is back at the podium and tells the audience her outfit blends seamlessly into the drapes, as if no one had noticed. Janke’s words are sing-song, showing the skills of a melodist with a sweeping sense of purpose. All she says focuses on the patrons, panelists and chardonnay, but never the I. Piano-woman, “quick with a joke or to light up your smoke….Oh, la, la-la, di-dee-da. La-la, di-dee-da, da-dum.”

With Katie Dickieson, Emma Garner and Ben Minaker – Andrew Peller Ltd.

In the end these are three memorable panel experiences at the 2024 i4C Cool Chardonnay School of Cool. Three expertly moderated sessions by Anthony Hamilton Russell, Peter Rod and keynote speaker Stefan Neumann MS. Intel of the highest order from 21 Chardonnay winemakers. In 12 years of attending this conference there has never been a better organized, finer seamless set of transitions or more to learn. Bravo to Concierge Kim Auty, Event Director Trisha Molokach, Past Chair Suzanne Janke, the producers and entire team of volunteers. Friday night we tasted Friday Night Flights with the producers at Cherry Lane Farms in Vineland. On Saturday night we returned for Chardonnay in the Vineyard World Tour Tasting and Dinner at The Riverbend Inn, Niagara-on-the-Lake. And there were visits orchestrated by the Wine Marketing Association of Ontario’s Andrea Peters. To Chef Ryan Crawford’s Bar Ruffino with J-L Groux, Dean Stokya and Suzanne Janke of Stratus Vineyards. To Dobbin Estate with Wade Dobbin, Peter Gamble and Ann Sperling. To Flat Rock Cellars with Ed Madronich. To Le Clos Jordanne with Thomas Bachelder, Phillip Brown, Kerri Crawford and tasty treats from Chef Crawford. Finally, an i4C lunch at Westcott Vineyards’ Butlers’ Grant Vineyard with Grant Westcott, Carolyn Hurst, Casey Kulczyk and magnificence from Chef Tim Mackiddie. Alas, here are 83 tasting notes, 63 for chardonnay and 20 others. 

Three panel blinds

Blomidon Estate Winery Chardonnay 2021, Nova Scotia

“We have been growing chardonnay since the 1990s,” tells winemaker Simon Rafuse. “We can definitely ripen and picking is weeks ahead of the past, but we have experienced more extreme climate events in the last decade, whether it be frost, flash flooding, polar vortexes, hurricanes and disease pressure.” His ’21 is made in a clean style, whole cluster pressed, on lees for 12 months. Sharp yet rich, intense while full, apropos, meaningful and direct. Top vintage without a shadow of a doubt. Drink 2024-2027. Tasted at i4C, July 2024

Adamo Estate Chardonnay Musqué 2022, VQA Ontario

From an emerging Ontario region – Hockley Valley. Does not quite feel like 100 percent chardonnay musqué but more like an interplanting or layering with some linear, vertical and incisive Burgundian chardonnay. Less fruit from this bottle replaced by mineral salts yet with no compromise to the flowers by musqué. Producers and consumers of fleshy to buttery chardonnay will find holes but the rest will relish in this outcome all the same. “We farm in an area not great for growing grapes” says winemaker Vanessa McKean. ”We don’t have a large body of water to mitigate extreme temperatures so we cover out our entire 18 acres with geo-textile blankets.” Air flow through the vineyard is essential and being at the top of the hill is helpful. Barrel fermented in neutral wood with the musqué portion delivering more floral notes than most Ontario chardonnay. There is a tinned orchard fruit character that invites more than it distracts and the sharpness of this palate journeying acidity is really quite special. Drink 2024-2026.  Tasted twice at i4C, July 2024

The winemakers are alright – Westcott Vineyards

Westcott Vineyards Chardonnay Block 76 2021, VQA Vinemount Ridge

From the home farm of 26 acres and the lowest elevation, teardrop block on shales and gravels, facing east. Earlier ripening, acid retentive and sees 10 months in barriques, followed by six months in puncheon filled with the previous vintages’ clean lees. Like connective tissue that links the past to the present to prepare the chardonnay for a longer future. Texture is mineral, set below tannin, in command of the palate from a chardonnay built to celebrate and also abide by it’s double-barrelled shotgun approach. Fires, attacks and conquers the palate from above and below so that there is no escape. Spirit of ’76 all the way with more vibrancy than ever. Impressive like few others. Will age really well. Made for seafood dishes poached, bathed and sautéed in butter. Drink 2024-2028.  Tasted at i4C, July 2024

Greg Yemen – The Organized Crime

The Organized Crime Winery Inc. Chardonnay Sacred Series Cuvée Krystyna 2020, VQA Beamsville Bench

As implosive and protected as any Niagara chardonnay to speak of a year older example that acts and feels as young as any on recent record. Terrific sweetness of fruit and a testament to a full and in this case also long ripening season. Crisp and biting, orchard fruit crunch and no sign of breaking down. Gambles with nature, shows off precision winemaking and confidence exudes from a chardonnay constantly reopening and one you can do so much with. There are savoury elements that suggest food pairing with be a most fun and rewarding exercise.  Last tasted twice at i4C, July 2024

Powerful, reductive and in charge chardonnay, assuming the risk and in delivery of the reward. Platinum gold hue and attitude, serious, grippy and über conscious of its abilities. Top notch with vanilla and cereals that swirl into the full fruit complement of a chardonnay you just bloody want to drink. Consume away, with abandon because it asks this of you. Abide and oblige. Drink 2022-2026.  Tasted blind at NWAC2022, June 2022

Kellerei Bozen Chardonnay Riserva Stegher 2020, Alto Adige, Italy

From a vineyard at 650m with picking happening at least a week earlier than just 10 years ago and a dolomitic mountain air that breathes great life into this special sort of cool climate chardonnay. A yellow apple just short of ripe, with acidity sweeter than the drupe itself and a classic northerly sharpness that speaks to place as well as any European chardonnay. Drink 2024-2026.  Tasted at i4C, July 2024

Planeta Chardonnay 2022, Sicilia DOC 

Production began in 1995 while the vines are now nearly 45 years of age. In the southwest part of Sicily, in the Ulmo area around the village of Menfi where a corridor of wind, “our favourite friend,” tells Santi Planeta, blowing through between the lake and the sea. Through vines growing between 100 and 450m, breathing cool life, especially in the summer. The 2022 vintage saw plenty of rain though not concentrated at any particular time and so the constant events of moderation were something remarkable considering how often extreme climate events are increasingly more prevalent. The coming vintage of 2023 and 2024 will be affected by them, mostly because there was no rain. This chardonnay is impeccably balanced between fruit and acidity, acidity and texture, texture and tannin. The progression is seamless, the result precise and anyone who does not the recognize the experience and continued work put in may not be paying close attention. That’s fine but know just how special a (relatively) large production, semi-cool climate chardonnay this truly is. Planeta’s year-to-year consistency is truly impressive. Drink 2024-2028.  Tasted at i4C, July 2024

Hamilton Russell Vineyards Chardonnay 2023, WO Hemel En Aarde Valley, South Africa

The spirited intensity is unrelenting and speaks to how the HRV chardonnay tastes more profoundly serious than any other of its ilk. “Young and primary,” insists Anthony Hamilton Russell. “I like the complexity that our chardonnay develops with time in the bottle.” Well said but truth be told the wine already exhibits an electric variegate character and so what’s to come may just blow the mind.  Last tasted at i4C, July 2024

Freshness and abundance incarnate for Hemel-en-Aarde Valley chardonnay from the HR team that simply gets this grape from this place. A citrus vintage, less reductive than some whilst bursting with energy. Delight in lemon custard, all the zest, crunchy, mellifluously honeyed and never over-arching above and beyond the target. A scintillant of fruit through variety, to ache with love and to please, simply and unequivocally by design. Peak performance, summarily in the best of ways.  Drink 2024-2029. Tasted July 2024

The Foreign Affair Blanc de Blancs 2021, Methode Traditionelle VQA Vinemount Ridge

Light toast, easy goes, no long lees but a good signed lease to hang around for a few years time. True as chardonnay blanc de blanc, apples part terpene and part mashed. Smells like baked and cooled apple pie. Palate spirit yet agin those apples are all over, all consuming and all in. Some wood aging, Brut in style, somewhere between six and 10 g/L of dosage laid over 24 months leased lees aging. The second iteration of this sparkling wine.  Last tasted blind at i4C, July 2024

The bottle lists Vinemount Ridge as the fruit source though the website writes Lincoln Lakeshore so lets go with the bottle! Regardless we are looking at 100 percent chardonnay crafted in the dry, intense, citric, high energy style. This shows real energy and a couple of sips nearly take your breath away. The elucidations are green apple, piques of white pepper and the flavour profile slash texture much like sabayon extended by a few shots of limoncello. So much interest here. Drink 2023-2026.  Tasted November 2023

Stonebridge Blanc De Blanc Brut Nature 2020, VQA Four Mile Creek

More autolytic than some and even more than that, mellow, malolactified and softening quickly. Botanical flavours and fine bitters, creamy style, easy and ready. From chardonnay first made off of the estate in 2017 and looking forward to seeing what can be learned from the idylls of experience towards trying this first sparkling wine made at Stonebridge. Old puncheons and stainless steel combine for a punchiness that come out of several cuvées to try and abide by site, structure and ultimately consumer appeal. Richness of the site begets texture and in turn that appeal. The flavours persist though this is ready to drink sooner than many. Drink 2024-2025.  Tasted blind at i4C, July 2024

Kew Vineyards Blanc de Blanc 2017, VQA Beamsville Bench

Golden toast, truly brioche style, equipped with fruit a plenty marked by a note that reminds of good and plenty. Stage presence, persistence and length. A dosage of 5.9 g/L of residual sugar which may be the highest in a flight of eight but still very low for sparkling that is essentially dry. Made by Phillip Dowell with chardonnay that would have been planted on the property back in 1980. As concentrated as it gets for chardonnay sparkling wine but the vintage was acid driven and so the sugar extends the flesh.  Last tasted blind at i4C, July 2024

High energy, raging acidity, captivating and intense Blanc de Noirs right here. Eye-opening, olfactory shocking and palate enervating in every which way but loose. Taut, tight and demanding. Party wine. Drink 2020-2023.  Tasted October 2020

Leaning Post Traditional Method Sparkling Blanc de Blancs 2018, VQA Beamsville Bench

From Hemeris Vineyard on the Beamsville Bench, primary fermentation for six months in barrel, another six with lees and then the full lees aging of 36 months. An emotive sparkling wine that elicits and solicits emotion. Could this be a unicorn wine in its own special way? Evocative of what it makes you feel and what you would like a bubble to taste like? The long lees aging is clearly appropriate and leads the autolysis to a place of warmth, beauty and comfort. Oxidative and yet searing, a blanc be blancs no doubter that mans serious chardonnay business. Complex and curious, crafty and creative.The acidity here is special and in charge. An ideal mix of 9.2 g/L of total acidity and 3 g/L of residual sugar. “The vineyard was asking to become this kind of wine” explains Ilya Senchuk. “The purpose is a single vineyard expression.” Here’s to hoping the 2019 will add a few more months on lees to take that next step upwards.  Last tasted blind at i4C, July 2024

Single vineyard block called Hemeris (an old term for garden, or “something like that,” from the Greek). Of chardonnay, location between (Hidden Bench’s) Rosomel Vineyard and Cave Spring, picked late September and sometimes early October, for sparkling. Base wine is barrel fermented and aged in oak for six months. Spent 36 months on lees in bottle, finished at 2 g/L dosage (so essentially bone dry) and is now about to be released. This was the wine Nadia Senchuk pushed her husband for and this is the chardonnay tract that was needed to create it. Listen to the vineyard says Ilya, “because it’s basically growing bubbles.” Rich and exciting in the same breath, essential through autolytic response elicited and the breath stolen, literally taken away, every move made for the connection between I and it. An auspicious debut and were it not for the prophetic mind and ravishing palate of the winemaker’s better half, well then access to supply might not be so limited. Drink 2022-2026.  Tasted June 2022

Blue Mountain Vineyard and Cellars Brut Reserve R.D. 2014, VQA Okanagan Valley

Aromatic complexity, a chardonnay and pinot noir (55-45) sear of raging citrus but never lean because there is flesh all over the palate. The lemon segments are ripe and delicious, the red fruit character compliments with added spice, the persistence endless and the winemaking clearly coming from a place of experience and respect to place.  Last tasted blind at i4C, July 2024

Always pleased to welcome the BR R.D. into a glass and here is an old but a proverbial goody, that being 2014 and consumers must be reminded just how special this research and development is to determine the excellence of Blue Moutnain’s indagative sparkling wine. A blend of chardonnay and pinot noir, the first 10 percent more than the last with some of the most restrained, reserved and demure aromatics in the Okanagan Valley. All ways to say this is lovely, quietly generous and so settled to gift pleasure above all else. A most complex game of citrus and orchard fruit, distillate by nature, expertly seasoned with fine sea salt, white pepper and lemongrass powder. Such a gift nine years after vintage at a ridiculously reasonable price. Drink 2023-2027.  Tasted November 2023

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blancs 2017, Traditional Method, VQA Short Hills Bench, Niagara Escarpment

Stoic, reserved, full scenting, flavoured and expressive. Tons of fruit here in what could only be 100 percent chardonnay. From a vineyard planted in the 1990s to Clone 95 chardonnay and a place of incredible consistency, “one of the most I’ve ever worked with,” tells winemaker Lawrence Buhler. Sees 54 months on its lees and while it may be difficult four to five years ahead to know what will happen – this is Ontario’s benchmark sparkling wine that always comes through. Not merely a matter of replication but more like intuition conjoined with persistence.  Last tasted blind at i4C, July 2024

Consistently crafted as a Blanc de Blancs that sees 60 months on the lees from estate grown chardonnay. From a varietal growing season so ideally destined for sparkling wine because a cool and wet spring plus summer emerged in late August to hot days and cool nights through October. In the middle of that spell is the chardonnay pick for sparkling and as good, complex and riveting as this arch-classic Ontario bubble may have been before – well bring on 2017 for next level complexities. Tasty, piquant and toothsome, of toasty brioche like never before and this swirl of creamy fruits and exotic seasonings. Feels like aged Growers’ Champagne and the fact that it is from Niagara makes it all that much more satisfying. Plenty of crunch, succulence and acid-driven energy from a meticulous bubble. The benchmark for local. Drink 2023-2027.  Tasted November 2023

Jacques Viljoen – Boschendal

Boschendal Cap Classique Jean Le Long Prestige Cuvée Blanc De Blancs 2012, WO Elgin

Presented by cellar master Jacques Viljoen for a sparkling wine coming from one of South Africa’s coolest climate area. The first vintage was 2007 and these are vines planted south-facing (i.e. cooler in the southern hemisphere) and facing the sea. A place where grapes can hang long and develop phenolic ripeness even while coming in at a brix number just above 19. Lower dosage now and so the autolytic notes (if not globally classic in their expression) and also excitement are increased. As much toast, autolytic and oxidative notes as any in a blind flight of eight. Pushes the envelope to see what can be done with sparkling wine, malolactic fermentation, wood aging, near dry dosage and lees aging. Not so much the classic brioche or baked bread representation but there are complex notions perceived from that aforementioned style clearly chosen, conceived, attempted and for the greater part, succeeded. Drink 2024-2027. Tasted blind at i4C, July 2024

Kyle Loney and Whitney Collins – Advini and Domaine Laroche

Domaine Laroche Chablis Les Vaudevey Premier Cru 2022, Bourgogne AOC, France

The word precise is often used to describe Chablis and many other global chardonnays, sometimes gratuitously but here perfectly applies to the Laroche Vaudeyey. Les VdV ’22 is focused to a virtue with its equality, equanimity and equilibrium from start to finish. A lexical entry to figure out the crux and relationship between cru and village.  Tasted a second time, July 2024

The immediate feeling perceived would be of a chardonnay bottled with lees, of a certain level of autolysis though neither by brioche or with respect to the sparkling kind. More like washed cheese rind, preserved lemon and that kind of texture that skin contact whites also deliver. The sort that settles on the tongue like a dissolving salve but here the subtlety suggest lees in the bottle more than light “orange.” In fact this is essential Chablis and does it not just feel like Ontario winemakers (in particular) are trying to emulate such a style by keeping lees in their bottles? Drink 2024-2028.  Tasted blind i4C, July 2024

Deux Roches Pouilly-Fuissé Vieilles Vignes Deux Roches 2022, Bourgogne AOC, France

Also a bottled with lees style of chardonnay with a level of richness so rightly and righteously older/traditional schooled, but so bloody clean and expertly made. Express and expert tang, layers of citrus, more grapefruit than many, fine tonics and also sweet bitters. There is some fat here but also acidity and verticality, in other words tension, more so than many of the appellation. Recommended by Export Manager Romain Bourgeois and also Stefan Neumann M.S. to pair with The Little Sparrow, a.k.a. La Vie En Rose, the one and only Édith Piaf. Drink 2024-2027.  Tasted blind at i4C, July 2024

Bachelder Chardonnay Grimsby Hillside Vineyard Frontier Block 2021, VQA Lincoln Lakeshore

So much to digest, first with knowledge of chardonnay in the hands of one monkified human that shall be named Bachelder and second of so much to take in and absorb from the label on the bottle. Niagara Cru (there are many), Single Vineyard (there are more), Grimsby Hillside Vineyard (current status Grand Cru, in progress) and Frontier Block (one of two within the great new frontier, inclusive of Red Clay Barn). Two-toned, of bites and textural chew, sexy chardonnay, clean and focused. Highest level aromatics at the peak of what is possible out of Ontario, positively spicy, white peppery even. Cleanest lees usage for a chardonnay of clarity and relatively speaking, also substance.  Last tasted blind at i4C, July 2024

Vintage number three from Grimsby Hillside Vineyard and now more specific by way of a split, with the Frontier Block as the plot within the larger plot, along with that of Red Clay Barn. Drilling down into this historical vineyard that has risen as fast as any New World terroir, just about anywhere these sorts of things are measured. Here named for the final frontier, that being the “last terroir” in Niagara and who knows, maybe it will soon be the first rolling off of everyone’s lips. GHV-FB 2021 is a force, that much is clear from the first look. Or nose, for what matters. Cool and stony style from a wide open space where limestone, shale and gravels conspire to create something new and with absolute potential. It’s already arrived thank you very much and while words like luxe and opulent do not come to the tip, others like succulent and scintillating do. Just something so real and right at your doorstep, vivid beyond chardonnay compare, a stealth fish swimming in clear waters. Truly complex for chardonnay and it must be noted, unlike any other in the world though at the same time feeling like something you’ve known your whole life. Make an exception to delve into this exception because when it comes to chardonnay, this is what we need. Remarkable clarity and distinction, precision extraordinaire and a wine to cast nets far and wide to secure as many bottles that could be found. Drink 2024-2032.  Tasted December 2023

Thirty Bench Chardonnay Small Lot Extended Lees Aging 2021, VQA Beamsville Bench

Spent 22 months in barrel, in other words space was not needed for new juice after 10, nor did Emma Garner feel the need to remove this lot and so 22 months it was. For good reason, great measure and bonafide success. You know the extra wood melt is there and integration is so complete. No compromise to fruit from a vintage aboard the Beamsville Bench that gave of itself selflessly to mingle in cahoots with the cohorts of those barrels and nuances at every turn. Acumen begets probability which in turn generates prospect. Conclusions drawn are expressed with silent nods, a twinkle and smile. This will age gracefully for 10 years.  Tasted a second time, July 2024

Maximum ripeness, warm vintage no doubt, captured and locked into what feels like a reserve style of chardonnay. Full and fine, fleshy and yet sturdy, chiseled musculature, riveting and attention so locked in. As is ours because we simply can’t turn away. Not an easy vintage tells Emma Garner because there was some rot, botrytis and less than desirable grapes. But there was also plenty of great fruit once the chaff was culled, the wheat came in and in turn a terrific chardonnay was made. The length is outstanding.   Tasted blind at i4C, July 2024

Stratus Vineyards Chardonnay Amphora 2021, VQA Niagara-on-the-Lake

Several factors are here at play, namely lees but also vessel so that the mineral aspect exhumed and manifested as texture makes us think about place. Spices run amok and that housing continues to occupy the impression that is distinctly Ontario chardonnay. Bottled with lees would be the reason behind the feeling and also the fact that it has been aged in amphora. First edition, fermented and aged in the clay vessels, influenced by Rene Barbier Jr. says winemaker Dean Stoyka. “It really respects the fruit and causes some restraint in the wine,” he explains. “Giving some salinity and richness on the mid palate.” A unique way to make chardonnay indeed.  Last tasted blind at i4C, July 2024

Along with cabernet franc this chardonnay was also tucked into and raised in amphora, no surprise because these have been two varieties suited up for experimental tests. Very late harvested (November 4th) from the 2021 vintage and specs are not very elevated for this wine. Moderate across the board and yet it is the clay that defines what we nose, taste and feel. Wet clay, a preserve with notable vegetal and savoury elements, banana esters, soft wool and ultimately a new set of varietal parameters imagined. One assumes this is bottled with a similar amount of lees as the R & D Stratus OG chardonnay but the clarity and transparency of the AC suggests something other, or wise. All in all a conundrum frankly, jury still out, much left to figure, pilot, trial, error and decide. Drink 2023-2025.  Tasted September 2023

Maenad Wine Company’s Yvonne Irvine

Maenad Wine Co. Chardonnay Skin Contact 2021, VQA St. David’s Bench

Orange chardonnay is a thing and this leads by example. Cloudy, hazy and yet much cleaner than the visuals might suggest. From Yvonne Irvine’s virtual wine project, made at Creekside and sold through the retail license at Marynissen Estates. Breaks down regular conventions like busy beavers taking apart wood and making their dens. To be honest skin contact wines don’t get much more delicious than this, especially from chardonnay, fruit having been “borrowed” from the vineyard owned and farmed at Niagara College. Full malolactic, lees stirring, older French wood for seven months. The richness, roundness and cozy-fuzzy feeling on the palate shows just how well this turned out. Should be so interesting to see how this ages – can’t hep but think it will go through the process with ease. Drink 2024-2027.  Tasted blind at i4C, July 2024

Stefan Neumann MS

Dobbin Estate Vineyard & Winery Chardonnay 2020, VQA Twenty Mile Bench

As full, rich and riveting a style of Niagara chardonnay as there has ever been. Ripeness at peak, wood in full glory, generously yet judiciously used and the overall effect is something usually reserved for what many will think of as a story written over centuries by Beaune chardonnay. There is delicacy here and if this chardonnay were a book it would be a page turner, which says this vintage in particular should likely appeal to a great and wide audience. Make no mistake though because a wine like this is comfortably affordable to the haves. That it turns out to be a Peter Gamble and Ann Sperling made chardonnay from a top warmth vintage comes as little surprise. Drink 2024-2027.  Tasted blind at i4C, July 2024

Morgan Juniper – 16 Mile Cellar

16 Mile Vineyard Chardonnay Civility 2018, VQA Beamsville Bench

Just carries and emits the feel of classic chardonnay winemaking, without hesitation or equivocation to result in something so knowably Niagara. The wood is on the weighty side and maturity has begun to see this wine acting its age. “I really think it’s important to honour the process of patience in winemaking,” says winemaker Morgan Juniper. The opportunity is not always available to do that but the ripeness here presented the proposition on a platter. “This wine is like waiting for a child to actualize their full potential,” she adds. “I wanted to push the boundaries to see this actualize at a later date.” As it has and the window is fully open with another year or two of enjoying this light lees-affected, barrel-aged and now of a chardonnay at this all in butterscotch stage. Drink 2024-2026.  Tasted blind at i4C, July 2024

Not labeled as such but essentially a Reserve wine taken from a single barrel housing all estate fruit. High level of concentration and richness in the face of a vintage considered cool and challenging, but when you take a smallest of small lot wines like this that just does not apply. Everything about this is classic, basket pressed, natural ferment, full natural malolactic, 22 months maximum for oak aging, Burgundian obviously and medium of toast. “We come to barrel turbid – we like density,” notes Peter Gamble. (Peter) and Ann Sperling really liked this one particular barrel and decided to put it to magnums only. From late September and early October picks, finished at 14.5 percent alcohol and ultimately mouthfeel that rivals some pretty warm wine growing regions. A chardonnay that moves beyond Bourgogne to offer up its very own definition of Niagara’s Twenty Mile Bench.  Last tasted July 2024

Friday, Saturday and Media room tastings

Trius Chardonnay Showcase Wild Ferment 2021, VQA Lincoln Lakeshore

A matter of factor decided by two essential aspects, the first being this chardonnay’s wild ferment and the second surely vintage. Turbidity endured and yeasty ebullition understood are how Wild Ferment ’21 co-opt and conjoin for aromas dedicated and unique to the Trius distinction. Scents of tropical fruit bathing in opaque waters cleansed by energy and movement to result in seriously complex chardonnay. Some spice tipping the tongue and tripping the palate fantastic for machinations of dreams and fantasy. Curious 2021, wild and woolly of texture with the confusion in delivery of a great part of the fun. The back label reminds that the fruit source continues to be Watching Tree Vineyard. Drink 2024-2027.  Tasted July 2024

Rosehall Run Chardonnay JCR Rosehall Vineyard 2021, VQA Prince Edward County

More of a restrained, stoic and while not reductive as chardonnay per se there is a wall erected between aromatics and early joy. A JCR dictated by its extract and structure, a compound butter in hard shell, surely not one in delivery of early returns. The crispiest, crunchiest, saltiest and most savoury of all the Dan Sullivan draws from the oh so important PEC Rosehall Vineyard. Try not to blink for many chardonnay that change straight away but with Rosehall that is far from the case. Twenty minutes in a glass and plus ça change, as they say. Immovably youthful chardonnay, stark and as a contrast, so sown, sworn, authoritative and stone cold of its own accord. There are 2021s from Ontario what will last comfortably in states of fickle freshness for 15-plus years. This could very well be one of them. Drink 2025-2031.  Tasted July 2024

Domaine Queylus Chardonnay Tradition 2022, VQA Niagara Peninsula

Warm and inviting, textural like silk, some glycerol and running soothingly smooth from start to finish shows a different look and separates itself from other vintages. Kelly Mason’s ability to change it up while still maintaining an always high level is a chardonnay testament to a team that ranks with the hardest working makers in Niagara Peninsula show business. There are clean yeasty notes, like sourdough in the proofing stage and subtle baking spice with texture truly divining the directive for high quality “classico” Niagara chardonnay. Never gives up or in, never too hot or cold, a great vintage in Mason’s estimation, but then again, “anything was better than ’21.” Drink 2024-2027.  Tasted July 2024

Taylor Emerson and Jonathan McLean – Black Bank Hill

Black Bank Hill Chardonnay Runway 2023, VQA Lincoln Lakeshore

Gotta be the first chardonnay out of the gates from the 2023 vintage and if this cracker example is any indication of what’s coming then hold on to your senses. Recently bottled and even with an early (September) pick this saw less than 10 months of aging, but the mix of indelible lees and high voltage (8.5 g/L) total acidity put this in scintillant, dare it be said Blanc de Blancs styled territory. So very different to the Runway White (blend) because of its intensity but also warmth at 13.8 alcohol, not quite torridity, but a white peppery scorch nonetheless. Wild and exciting shift from vintner Taylor Emerson and winemaker Jonathan McLean. Will be hard to wait and anticipate what the next level chardonnay turns out to be. Drink 2024-2026.  Tasted at i4C, July 2024

Alex Baines – Hidden Bench

Hidden Bench Chardonnay Unfiltered 2022, VQA Beamsville Bench

Say 10 months in French barrel, a warm vintage to coax out full concentration though “bunch weight and tonnage were actually lower than 2021,” tells winemaker Alex Baines. “More on the average” and yet this Estate level is all that 2022 could be and more, of fruit so silkily rendered, starred gastronomy plated and proffered as if by sous vide and reverse seared white meat, asparagus, salsify and yucca for one of HB’s most sweetly vegetal and succulently situated chardonnays. Gentle spice, firm grasp of the Beamsville Bench, extract accumulated at the peak of the proverbial chart and elastic tannin. All fine, refined and stylish.  Last tasted blind at i4C, July 2024

Full and wholly substantial chardonnay wth fruit juiciness, acidity and intensity. Never relents, takes a break or falls away. Keeps a straight line and follows the progression to a vanishing point. The perspective here is focused and linear. Top “Villages” example. Drink 2024-2027.  Tasted blind at NWACs24, June 2024

Dancing Swallows Chardonnay “Composite Number” Unfiltered 2019, VQA Ontario

Maturing, acetic and yet quite complex aromatics offer more than curious intrigue. Über cool climate, variegate ripenesses in the fruit and the acetone incites the proverbial shower curtain comment. All that said there is promise and even pleasure to be had.  Tasted July 2024

Hidden Bench Estate Winery Chardonnay Felseck Vineyard 2021, VQA Beamsville Bench

My goodness this is special chardonnay, coming as no surprise and if your thoughts and emotions for 2021 Niagara chardonnay need buoying than begin the bob right here. Precise aromas, immediate and echoing, more fruit than frankly necessity should expect as the mother of invention because mineral and saltness demand our utmost attention. Yet the fruit stands firm and even pulpy in the face of the crushed stone infiltrate from a vineyard stop on the grandest of Niagara cru tours. Exemplary to speak on behalf of a vintage that separates wheat from chaff, pinpointed location from just anywhere and adults from the gambling trials of youth. Drink 2024-2028.  Tasted July 2024

Kelly Mason and Brooke Husband – Domaine Queylus

Domaine Queylus Chardonnay Réserve du Domaine 2022, VQA Niagara Peninsula

Kelly Mason has hit the proverbial nail on the chardonnay head with her focused and balanced work with 2022 fruit to create what will forever exists as a quintessential Réserve du Domaine. The sort that will linger for years and be compared with when subsequent vintages are produced over the next 10-15 years. Remember the 2022 they will say. Ideal posit tug and a correct split between ripe fruit and stony goodness, also considered as mineral wealth to equip the wine with structure and subsequently longevity. All this despite a slight miss on acidity, which really turns out to be a thing of vintage. Brava team Mason. Sometimes there are misses when we taste blind.  Tasted July 2024

Oak all over, toasty notes in the orchard fruit aromas, mid-palate texture and no glissade but instead a settling on the palate. A bit heavy though just a year’s time will integrate the cloud. Lacks the right kind of acidity to really make it sing. Drink 2024-2026.  Tasted blind at #NWACS24, June 2024

With Alphonse Potel – Domaine de Bellene

Maison Roche De Bellene Vieilles Vignes Bourgogne Chardonnay 2022, AC Bourgogne

A vieilles vignes at Bourgogne AOC level that proves the ’22 point just how universal these wines should be admired and can be your friend. Bellene’s is luxe, focused and balanced.  Last tasted at i4C, July 2024

Sharp chardonnay from Nicolas Potel’s Maison Roche de Bellene out of 2022, lightly reductive, tightly wound and beaming with energetic light. Got a buzz and a vitality about it, with old vines concentration keeping pace and developing texture as we speak. This has been a good sku in the past but Potel has hit the proverbial varietal nail on the head this time around. Drink 2024-2026.  Tasted July 2024

Nadia and Ilya Senchuk – Leaning Post

Leaning Post The Fifty Chardonnay 2022, VQA Niagara Peninsula

What was once a true matter of 50-50 barrel to steel raising has morphed and is now another matter. A concrete matter for today’s 50, full of fruit and fuller after its cementing, a posit tug still, even though wood and steel no longer play the push-pull game. More about fruit versus lees, tension so tight the rope never seems to budge, but it sways and slings within inches of itself. A bloody poignant vintage in spite of warmth, contiguous from its wild ferment and winemaking truth. Drink 2024-2026.  Tasted at i4C, July 2024

Matthias Messner – Kellerei Bolzen

Kellerei Bozen Chardonnay Bolzano 2022, Südtirol Alto Adige DOC

Really hot year tells Matthias Messner for a steel only raised chardonnay on lees from vines at 550-600m of elevation. Close to the south of Balzano, “a windy area” with cooling temperatures at nigt. Straight as a marksman’s arrow, cracker sharp and the sort of chardonnay to pierce your heart. Quenching, satisfying and Südtirol perfumed. So drinkable.  Last tasted at i4C, July 2024

Has been three vintages since getting back to tasting this archetypal Südtirol-Alto Adige chardonnay from top quality and quantity cooperative producer Bolzano. Can’t go wrong with the style or the effect, of no oaks given and the most lemony sunshine one could arrive hoping to find. This is a terrific vintage for a chardonnay we could all afford to drink a boatload of. Drink 2024-2026.  Tasted July 2024

Boschendal Chardonnay Appellation Series 2021, WO Elgin

“It’s easy to make quality chardonnay,” says cellar master Jacques Viljoen, “but hard to make sellable quality. Also scaleable but Boschendal seems to have accomplished all three with their high level tiered Appellation Series Chardonnay. What could be called a 2021 of dramatic restraint, of tension but never nervous, of grip but no abuse of power. Brilliant chardonnay and Ontario consumers should be happy to know it will become available in the upcoming VINTAGES September Classics. Drink 2025-2028.  Tasted at i4C, July 2024

Lydia Tomek – Ravine Vineyard

Ravine Vineyard Chardonnay 2021, VQA Niagara-on-the Lake

All Niagara-on-the-Lake fruit, from three vineyards and with just a wee bit of musqué inclusion to give Ravine’s chardonnay that gentle spirit and floral lift. Just that subtle hint of jasmine flower, oxalic acid lemony scent of purslane and faint anise of chervil. Spends 18 months in a majority of old wood which does develop texture to find this somewhere comfortably between pillowy and elastic tension. You may not always have you’re best stuff but you can still contribute admirably to the team. Though 2021 is not the recent vintage to set Niagara chardonnay up for its greatest balance, “you take everything you’re given and make the best of it,” reassures winemaker Lydia Tomek. Which she clearly does to deliver a chardonnay to keep the dream alive and the streak unbroken. Drink 2024-2026.  Tasted at i4C, July 2024

Thirty Bench Small Lot Chardonnay 2021, VQA Beamsville Bench

True to Bench chardonnay sprit and energy, standing upright, demanding to be noticed and in turn we are paying attention. A harvest of demand forces the team to focus and pay extra attention, to do everything possible for greater returns. Picking and sorting strategies finds the best available fruit to create something cool, gelid, succulent and shockingly Chablis like. Should age longer than first anticipated.  Last tasted at i4C, July 2024

Small Lot just has to be the ownver of the lowest of low alcohol number as it pertains to the Beamsville Bench and at 12.6 percent the conversion rate falls under the categorical auspices of magic. This is not a light chardonnay but it is a lithe, elastic and effusive one. Aromatically demure yet soft and almost caressing, without peppery (and sharp apple) bites or jolting in any way. The palate runs a similar course, gracing with soft and round flavours that are easy and stretched. Lovely and amenable 2021 here from Emma Garner and one to savour slowly, in a calm and tranquil setting. Drink 2023-2025.  Tasted July 2023

Katie Dickieson – Peller Estates

Peller Estates Private Reserve Chardonnay 2022, VQA Niagara Peninsula

A factor of chardonnay and also musqué interplanting, unique for Niagara and smartly put to a 50-50 ferment between steel and oak. What follows is 12 months in barrel and mostly no malolactic fermentation though says Katie Dickieson, “some might happen.” Clear, clean, precise, pristine and from an ideal vintage to make this style of direct, ready to rock chardonnay. Beautiful. Drink 2024-2025.  Tasted at i4C, July 2024

Westcott Chardonnay Estate 2022, VQA Niagara Escarpment

Wild ferment and malolactic happenstance, “and if it occurs simultaneously,” says winemaker Casey Kulczyk, “it’s fine, I want this.” Barrel fermented, super turbid going in and also desired. Welcome to 2022, a vintage for which its maker forgets and leaves everything behind because adversity and challenges always puts one on their toes. Cold snap in winter, vine damage and a 60-plus percent loss of buds (on chardonnay). Great quality nonetheless, a new or different estate mix to result in a more linear, tight, bright and for Westcott, extreme iteration. Yet this arrives brilliantly, very young, not itinerantly fruity, but sharp and hyper real. Drink 2025-2029.  Tasted at i4C, July 2024

Tawse Chardonnay Quarry Road Vineyard 2021, VQA Vinemount Ridge

No shock or surprise that Quarry Road ’21 is a mineral bomb, coming away on that rocky side of the 50-50 fruit to stone compendium. Forget everything you’ve heard or read about this arch-cool Vinemount Ridge chardonnay, but also ignore all the noise about unmitigated disaster by vintage. Niagara winemakers should always make quality cool chardonnay these days and Tawse holds more water and responsibility than most. Jessica Otting is ten times equal to the task with a Quarry so precise and focused it may just make a tooth or two feel the mineral pain. A chardonnay chillingly representative of its vineyard yet, rewriting the jazz because of the shall not be named vintage. The naysayers can run away and hide in their holes because history will be kind to these wines, especially when they shine on in tastings ten years forward. No crutch or apology, sorry not sorry. Remember 2011 and 2013. Now forget them and only speak of 2021. Just great chardonnay. Drink 2025-2030.  Tasted at i4C, July 2024

Cave Spring Estate Blanc De Blancs, VQA Beamsville Bench

Classic, sharp, intense and ideal. A ripper, “and I love that” says Stephen Gash. Dry as the desert in such a plainfully proverbial way. Scintillant extraordinaire.  Last tasted at i4C, July 2024

For the first time in quite some time the next look at the Cave Spring Estate Blanc De Blancs is bang on one year later and so yes, freshness is the thing. Crisp and crunchy, stylistically so consistent and really set up to act as the dictionary entry for chardonnay as sparkling wine out of Niagara. It’s just so spot on, high in energy and exacting for style, place and estate.  Tasted November 2023

Domaine Des Deux Roches Saint Veran Vieilles Vignes 2022, Bourgogne AC

From the estate’s flagship old vines holdings in the village of Saint-Véran on the slopes set below the famous two rock faces (Deux Roches). They happen to be the largest holder of hectarage and as such this is one of six cuvées in the Véran. As crunchy as any in the Bourgogne Mâconnais, or will ever be, with crisp bites and never dissipating tension. Sharp, representative of great value with several Premier Cru coming to mind and a vintage quality to solidify and formalize the overall trenchant intention, consolidation and voice. Drink 2024-2028.  Tasted at i4C, July 2024

Violette Bachelder and Mary Delaney – Bachelder Vineyards

Bachelder Wismer Wingfield Chardonnay 2021, VQA Twenty Mile Bench

By this time Wismer-Wingfield is the standard Bachelder chardonnay, the one of great acumen and knowledge accrued, the most middle of the road of the Toussaint releases. This is said with greatest of compliment because there is no substitute for experience and Thomas has long since figured out how to make this most high level and consistent chardonnay. No lack for all this and more from 2021, of a wine where fruit and wood share equal space but both exist on the same footing. As always the presence of waxy, aerosol and resinous notes that chardonnay for Wismer-Wingfiled always displays. There is something to be said for the same old. Drink 2023-2026.  Tasted December 2023 and at i4C July 2024

Leaning Post Chardonnay Senchuk Vineyard 2021, VQA Lincoln Lakeshore

“I fought the grapes…and the grapes almost won,” quips Ilya Senchuk. We should note that the the temps are/were five to six degrees cooler in Grimsby/Senchuk Vineyard and so he and Nadia feel quite strong about their success for cool climate chardonnay out of the adversarial vintage. A “war of attrition” perhaps and some losses but in the end more wins, but you have to buy and taste these wines to find out. Ilya agrees that sometimes “you have to get out of the fruit zone,” and not just with respect to pinot noir. The mineral aptitude and stony goodness of this cracker ’21 Senchuk chardonnay will not be denied. Not to mention at 12.5 percent alcohol we need to look past lean and consider magical conversion rates. See for yourself. Drink 2025-2029.  Tasted July 2024

Cloudsley Chardonnay Twenty Mile Bench 2022, VQA Twenty Mile Bench

Always a mix of Wismer fruit, of Wingfield and Foxcroft, same bat fermentation and same bat channel. Wild ferment that is, followed by 18 months in French wood with one-quarter or so being new barrels. Balance of the old and new, the buttery and the grippy, the soft and the profound. A recurring fruit theme for 2022 with less tension and tightening as compared to say ’19 and ’21. Getable as chardonnay though persistent in its inherent cool climate origins. Still it will attract more and more consumers who hold preconceived notions about the idea of chardonnay. Drink 2024-2027.  Tasted July 2024

John Szabo M.S., Godello and Malivoire’s Shiraz Mottiar

Malivoire Chardonnay Mottiar 2020, VQA Beamsville Bench

In a state of grace resolve on course to deliver its best at every step of development. In the heart of the matter now, primary yet moving forward with finespun caramel right ahead. So well conceived and made to honour its origins.  Last tasted at i4C, July 2024

Sure there is a full and subtly opulent quality to the Mottiar 2020 but from the beginning there is confidence and balance. Always this way but ’20 is special in that regard, comfortable in its skin and so sure of what it brings to the chardonnay table. Beamsville Bench beauty and bounty, acidity so sweet and developed it feels like it has not yet acted just like this before. A hint of paraffin and beeswax, a lilt and a rise in beats here and there but most of all freshness and that aforementioned surety of conviction. Drink 2023-2027.  Tasted July 2023

Blomidon Brut Réserve NV, Annapolis Valley, Nova Scotia

Put to bottle in 2019 and so five years on lees ain’t nothing to develop complexities, eccentricities and potential variability. This pour comes out of sound and vision, disgorged in March of 2024, set to be released in the early Fall. Makes great use of 2016 and 2017 fruit, plus a small amount of the frost vintage 2018. Youthful, appropriately Blomidon Peninsula/Annapolis Valley tightly wound and in a way very chardonnay, though not glaringly so. “For us this is the future for non-vintage,” explains Simon Rafuse, “and to save the cooler vintages for Blanc de Blancs.” It’s a reverse engineering kind of approach. Simply put, in cooler vintages you can’t push wines through malolactic and so chardonnay is best purposed for sparkling when acids are high and pH levels are low.” Like 2011, but not 2010 and Rafuse adds that “the problem is you have to wait many years to see the results. But it’s worth it because they are really good.” True that. Drink 2024-2028.  Tasted at i4C, July 2024

Dean Stoyka and J-L Groux – Stratus Vineyards

And there were visits

Stratus Vineyards at Bar Ruffino

Stratus Brut Nature Zero Dosage 2013, VQA Niagara-on-the-Lake

J-L Groux explains that the main factor for making this kind of sparkling wine is PH, “because the aromatics will be built upon six to seven years of lees aging time.” J-L feels this ’13 is going to be the winner now, and for 20 years. Not far off it would seem because of the “partial disgorgement” method, well within VQA rules and thus you arrive at a toasty smoulder unlike any other sparkling wine. The lees are the thing, in fact they are everything. They prevent the aromas and the wine from oxidizing. Amazing.  Last tasted July 2024

Comes across a bit cloudy, at least as compared to the B de B with thanks to the natural, lees left intact style. The citrus component is so pronounced, as is the taut, direct, lean and intense manifold destiny of what is truly a singular Sparkling wine. That being a living, breathing, inhaling and exhaling wine, slowly releasing proteins, acids and realizing its B de B Nature dream. Just amazing what lees can do for sparkling wine.  Tasted July 2021

Released side by each with the Stratus Blanc de Blanc 2013 and while vintage and grape are the same, the similarities almost seemingly, ostensibly and allegedly end there. Yes in fact this 100 per cent chardonnay is a child of the most excellent varietal vintage and like the B de B spent six years on the lees. Comparisons cast aside it is the very fact that because much of the lees were transferred to bottle by a minimalist’s disgorging that this cloudy bubble with a Canadian artist’s series set of labels can’t help but elicit another memory. The Lilies of Monet and their clouds represent neither the horizon, nor the top or the bottom. Nor does a bottle of this Zéro Dosage Brut. The elements of water, air, sky and earth become intertwined in a composition without perspective, or so it goes in this hazy, opaque and dry as the desert sparkling wine. So many layers of lemon can be peeled, juiced and scraped away. If a Stratus wine could be a a riddle, wrapped in a mystery, inside an enigma then here it is. The texture here is palpable and the intrigue factor surely high, so it should be imagined that longevity will be this wine’s calling card. It’s more austere than the Blanc de Blanc but I think in fact it will. Drink 2022-2029.  Tasted November 2020

Stratus Chardonnay Reserve 2002, VQA Niagara-on-the-Lake

Harvested between October 4th and 6th which for J-L Groux was early, akin to harvesting in early September in the Stratus world of today. Barrel fermented for 350 days in a mix of new, second and third fill French wood. Low(ish) acid and high pH vintage from the vineyard purchased just two years prior. The team went about immediately reducing yields from eight to two tonnes per hectare, “direct to concentration,” says J-L, who at the time partnered with Peter Gamble to make this rare iteration labeled as a Reserve wine. They selected barrels for this premium chardonnay and truth can feel counterintuitive because many years after having tasted the (Non-Reserve) 2002 it is this ultra varietal bottle that shows impossible freshness. Persistent in reserve, laden with grapefruit and as much texture as wood is want to impart. Well, actually a bit less than expected but as a chardonnay expression with the same fruit the special barrels chosen have come about with such a different result. Less preserved lemon, wax, late bitters and oxidation. Therefore sharper and fruitier while in the end likely just what Peter and Jean-Laurent were looking for. Drink 2024-2026.  Tasted July 2024

Stratus Vineyards Retrospective at Bar Ruffino

Stratus Chardonnay 2009, VQA Niagara-on-the-Lake

Late pick (November 10th), high acid, smoky and smouldering chardonnay, connecting it to a course of action for those that are made today. A precursor and one that the winemakers surely look back at and draw upon for current preoccupations. Especially Dean Stoyka who stirred some lees and learned how to get his chardonnay through malo during his Niagara College educational days. Looking at 2009 helps to consider the sparkling wine program because the specs and style of this wine are clearly inspirational towards that end.  Last tasted July 2024

Comes off like a white blend, aka Stratus White but this is the outright, unchaste vintage talking. Winemaker J-L Groux crafted three wines with viticulturist Paul Hobbs. Here they split the project 50/50 with Hobbs including wild yeast fermentation and whole bunch pressing and J-L adding short skin contact, controlled yeasts and no whole bunch pressing. From extreme low yields, this one puts on a show after only 10 months in barrel. High on aroma, brazen in texture, ambient in flavour bites. Very Niagara if inexactly Chardonnay.  Tasted March 2014

Stratus Chardonnay Bottled with Lees 2015, VQA Niagara-on-the-Lake

Medium acid and low pH year, picked across September which is early (and necessary because acids would have waned) but what matters most are the lees kept in bottle. To develop aromas over time and ward off oxidation. So unlike the 2009 tasted side by each, here from a “winter damage year” tells Dean Stoyka. Small crop, somewhere between 88 and 91 tonnes (the number changes form time to time), average heat and precipitation. Serious chardonnay concentration, fruit persistent, in great shape and a better wine today than it showed as seven years ago.  Last tasted July 2024

The 2014 vintage was essentially the first year when barrel lees would be left in the bottle and my how conservative this ’15 really was as compared to an evolution that culminates (currently) with the full on lees filled chardonnay vintage. Quite the opulent vintage mixed with aromatics still morphing, developing lees, brash and blushing by 40 per cent new oak, complimented by generous acidity. Showing with controlled drama and though the yields were low (only 88 tonnes) there is something quite special about this emotionally charged, vivid, scarce and remarkable chardonnay.  Last tasted July 2021

Stratus Amphora Chardonnay 2022, VQA Niagara-on-the-Lake

“Slightly, maybe three times more oxidative than a barrel,” explains Dean Stoyka as it pertains to amphorae. Kind of surprising but then again there needs to be a good reason for choosing these tight-grained Tava Amphora baked at higher temperatures, especially as compared to Georgian Qvevri. More oxidation means more lees and more lees means kept freshness plus the ability for aromas to develop into complexities over time. As for a a second kick at the chardonnay in amphora can by Stratus well then assessment out of expectation also triples and the learning curve realized by Stoyka becomes three times the fun. Where is the reference point? Who cares because the nurturing of this fruit and palate caress conspire to create a feeling, as if you have known this wine your whole life. A matter of great positivity and understanding. Dios mio, man. Longevity should never be questioned and reasons why never argued. Keep at it, keep on keeping on. Drink 2024-2030.  Tasted July 2024

Hillebrand Trius Barrel Fermented Chardonnay 2000, VQA Niagara Peninsula

Nutty, flor oxidative and 24 years of age. From a very cool year and J-L Groux’s roots as a Niagara winemaker. Reluctantly fresh and honestly a good showing at this ripe old age easily into a time when the ideas and thoughts of mortality and finality can’t help but creep in. Though the wine would not shine to the dispassionate it does cause a stir of interest to a group of writers, influencers and sommeliers, all happy to drink one glass. Kudos to the Stratus team for offering up this cool piece of chardonnay history.  Tasted July 2024

Dobbin Estate Vineyard & Winery

Dobbin Estate Vineyard & Winery Chardonnay 2019, VQA Twenty Mile Bench

This may be just the first stages of Dobbin’s tenure making high end wines from the Twenty Mile Bench but auspicious does not begin to describe the level of sophistication marking these beginnings. The erudite oenological consulting team of Ann Sperling and Peter Gamble have taken chardonnay into territory they are quite familiar with but always keep in mind that top terroir, vineyard conditioning and uncompromising preparation are what collectively set this up for success. This 2019 is from a cool climate vintage out of a cool climate place and recent history tells us that these are chardonnay that live good, long and healthy varietal lives. Luxe yet still crunchy, high quality wood used generously if judiciously and in the end this kind of rocks the world. In a chardonnay way. Drink 2024-2028.  Tasted April 2024

The Tower at Dobbin Estate

Dobbin Estate Vineyard & Winery Cabernet Blend 2019, VQA Twenty Mile Bench

From a cool vintage, long one though and cabernets cropped at the lowest of the low – less than one tonne per acre. ”A drinkable style,” says Peter Gamble and “I like the ‘19s from Niagara for that reason.” Pretty much a 50-50 final blend, almost too easy if by design and immensely popular with those who know, but also those who do not necessarily know the how or why. This is not a Caymus drinker’s red but it will inform and in turn impress they who should do better than their muscle memory habits of consuming over ripened, elevated alcohol, sugary reds. The ’19 is not particularly structured as a cabernet squared though the modelo drinking window is a good one.  Last tasted July 2024

First release for the new, high-end estate found on the Twenty Mile Bench with this stylish, Right Bank in make-up cabernet franc (inclusive of 15 percent merlot) having been sourced from a mix of the Homefront along with Creek Shores and Four Mile Creek. Oenologists Ann Sperling and Peter Gamble have consulted from the beginning and this is what would be considered a “Peninsula” wine because the fruit is drawn from three very different micro-climates. Sure seems like single site iterations are the future once each have been trialled and understood but for now the mix makes for a treat of layering and integration. Chic, full, substantial and generously oaky in the classic Sperling-Gamble style for full-bodied but never over the top Bordeaux reds for Niagara. The wood lends sweetness, fine chocolate ganache and a smoothness that is a hallmark of their wines. They did not go for structured broke in this inaugural bottle but the result is dreamy and leaves an impression, without seemingly trying to be impressive. No doubt a Napa Valley feel here which is always a compliment as it pertains to Niagara reds. The only qualm is the lack of franc-ness but that feels somewhat intentional. Drink 2024-2026.  Tasted April 2024

Tasting at Dobbin Estate

Dobbin Estate Vineyard & Winery Riesling 2019, VQA Twenty Mile Bench

Classic and balanced, concentration meeting at the intersection where a righteous mix of sugars and acidities form layers from. Vineyard blocks are what define the intention and i turn the results of this riesling. Nothing overt, neither by salinity or sapidity, though their are hints, shadows and subtleties indicated by both. And so the requiem for this riesling’s success lies in its ability to please without speaking loud or acting with any sort of impunity or demand. This is why people who know nothing about riesling will gravitate to enjoying this as a glass of a special white wine. And those who get it will be hard pressed to label or pigeon-hole it as Ontario. The inclusion of some botrytized grapes has something to do with this. Drink 2024-2028.  Tasted July 2024

Dobbin Estate Vineyard & Winery Riesling 2020, VQA Twenty Mile Bench

A much warmer vintage for all of Niagara and with riesling the difference between 2019 and 2020 is truly the proverbial might and day. Almost an about face style with the ripest and juiciest ripe fruit, lower sugar and (less botrytis) but truth be told there is more richness and flesh in 2020. Intensity by implosion and higher sugar number (15-16 g/L) as compared top 10.5 fro 2019. Unrelenting flavours and a profile more Germanic than that more chiseled and muscular ’19. Drink 2024-2028.  Tasted July 2024

Ed Madronich holding court at Flat Rock Cellars

Flat Rock Cellars

Flat Rock Cellars Pinot Noir Foundation Series 2022, VQA Niagara Peninsula

The separation between Foundation and Gravity is essentially barrel selection with the winemaking being the same. So specific to this place, rusty and busy tart fruit, a mix of plum and cranberry, always curious, always complete. Gently and fluidly volatile, crunchy at its peaks and low rumbles in the valleys. A 5,000 case production (on average) as compared to 1,000 of Gravity. Never a question that this is and represents Flat Rock.  Last tasted at i4C, July 2024

No questioning the ripeness on all fronts, to the edge and precariously so with maturity and also a glycerol meets acetic set of circumstances. As such there is a raw cookie dough note, also potpourri and natural medicinals. A very specific tang carries the flavours and the sensation of style is duly noted. Gets chalky and the acidity takes over on the backside of this distinguishable pinot noir. Drink 2024-2025.  Tasted July 2024

Flat Rock Cellars Pinot Noir Gravity 2020, Twenty Mile Bench VQA

Warm vintage and about as high-toned that Gravity as pinot noir will ever be. A tight and to be frank also austere iteration that still remains and persists in this state of the unforgiven. If a Gravity has ever needed for time than this 2020 is certainly up for debate. Muscular, concentrated, broad shouldered, full of texture and buzz in its extremities. There is plenty of substance and so when the wine settles in it will do what intention asked it to do.  Last tasted July 2024

Jury’s still out on the season’s relationship between pinot noir, Niagara and especially the tattooed effect painted by the Escarpment’s benches. Gravity ’20 is still showing some early earthy, fermentative aromatic volatility by way of bread dough, tar, strawberry red fruit and coniferous-evergreen energy. Some stem inclusion surely, an early pick on acidity in a warm year, strength in maceration and equally pressed so that the Ontario greens also come through on the flexed rope of tannins. Like hastily hand-stretched pizza dough popping holes, or pulling liquorice too fast and causing cracks. Gravity is meant to fall softly downwards, gracefully and gently. The sour accents speak another language, a bit unfamiliar and yet the track record of this wine deserves respect and time. Jury will be hung and a new one will come back in two years for next assessment. Drink 2024-2027.  Tasted October 2022

Flat Rock Cellars Pinot Noir Gravity 2010, VQA Twenty Mile Bench

Really warm vintage, one of those in that time that ripened fruit to the max and so pinot noir went where it so boldly wished to go. One of those substantial examples that has surprisingly lasted deeper into its tenure than assessment of that vintage would have predicted. Good showing today and some duck prosciutto would work really well alongside.  Last tasted July 2024

Reels in Twenty Mile Bench fruit in a warm vintage as well if not better than any of its peers. Founder Ed Madronich is clearly slope and soil obsessed and this Pinot Noir is a study in topography and geology. To paraphrase Madronich, it’s ”more Pommard than Volnay, in a deeper and more masculine way than the Estate bottling.” Pinot barrels most representative of the Gravity style were chosen for the final blend, in this case noted by woodsy black cherry and spiced root vegetable. “Get a little savagery in your life.”  Tasted twice, April and December 2013

Flat Rock Cellars Chardonnay Foundation 2021, VQA Twenty Mile Bench

Middle road traveled, taken and projected for chardonnay definitive of a 25-year study by Flat Rock makers to arrive at this time. Lovely, juicy, prolific and in its Flat Rock way also a quintessential Twenty Mile Bench example of chardonnay What more needs to be said?  Last tasted July 2024

Foundation Series: Our Classics redefines the Flat Rock entry to market and gateway for their chardonnay. If you’ve been tasting these wines for a decade or more you’ll recognize these aromas from a 2021 that resonates of the house style. Inviting, somewhere between vanilla crème frâiche and lemon crème brûlée, soft and demure. Creamy palate texture, a swirl of butterscotch ripple curd and easy drinking all the way through. Many will find this soft but it’s best considered as a comfort food kind of chardonnay. Drink 2023-2024.  Tasted October 2023

Flat Rock Cellars Chardonnay The Rusty Shed 2021, VQA Twenty Mile Bench

If the Foundation delivers a quintessential Flat Rock chardonnay experience than The Rusty Shed takes it further. More substantial fruit and aromatic muskiness if less immediate joy and juiciness. No shock because RS is a wine that can and will age with this being one of those vintages that fit the bill. Reminds of 2011 or 2013, or maybe a combination of the two with the modern world of love and varietal development taking chardonnay from FR to new heights. Will hit the zone sometime later this year or early next. Drink 2024-2027.  Tasted July 2024

Flat Rock Cellars Chardonnay The Rusty Shed 2013, VQA Twenty Mile Bench

A more than appropriate vintage to pour side by each with 2021 because they share that Flat Rock Rusty Shed affinity of chardonnay needing some time to open up before delivering the juicy, gelid and fleshy character they will almost always eventually do. The ’21 will get to this place and few Niagara or Bench chards can go light years ahead into such a place of beauty. Just knew 2013 would get there and what a joy to be here with it.  Last tasted July 2024

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016

Flat Rock Cellars Riesling Nadja’s Vineyard 2021, VQA Twenty Mile Bench

A savoury, mineral and waxy Nadja as riesling, citrus as high and spritzed with energy as it will ever be. Not a vintage of concentration but rather one that is structured and so bloody specific to the vineyard higher up upon the estate’s step of the Niagara Escarpment. Flat Rock is perhaps the only estate with this level of elevation change, as much as a 10 story building from the this top vineyard to the (pinot noir) bottom. A place of air flow, equidistant to the lake and to the top of the Escarpment. Crisp, crunchy, tart and high level intensity, even for Najda. Need to wait a few years to see what next steps it will take. Drink 2025-2029.  Tasted July 2024

Flat Rock Cellars Riesling Nadja’s Vineyard 2006, VQA Twenty Mile Bench

Tough vintage but are they not the ones that find the magic of aging to deliver a wine like this? Phenolic and mineral as the saltiest of Nadja rieslings, ultra aromatic and a bit yeasty but the vintage had much to do with this. The rest is soil and location, up on the Twenty Mile bench on a second step up towards the crest of the Niagara Escarpment. Crunchy in every way, citrus as always but accentuated here (as it will repeat 15 years forward with 2021) and as Nadja, so very recognizable. Drink 2024-2026.  Tasted July 2024

Chey Ryan Crawford’s Fried Zucchini Blossoms

Le Clos Jordanne

Le Clos Jordanne Pinot Noir Villages 2021, VQA Niagara Peninsula

A few more red fleshed drops of fruit after only three months further in bottle. Fine impression gained from these Jordan Bench blocks acceding a seamless layering and all is right in this Villages world.  Last tasted July 2024

Off the top a more structured pinot noir vintage for Le Clos Jordanne and the aromatics are not shy to announce their swaggered arrival. Bigger bones and flesh hanging tightly, tannins very much apart of the mix, holding firm, lightly chalky in constitution and a notable wine meant for aging, surely be design. Very different to the 2019 and 2020 LCJ pinots which is both curious and effective. Drink 2025-2028.  Tasted April 2024

Le Clos Jordanne Pinot Noir Claystone Terrace 2021, VQA Twenty Mile Bench

This is a first kiss with and assessment of Claystone Terrace aboard the Twenty Mile Bench which Thomas Bachelder sets the record straight for how it is a contiguous tract connected with the terroir of the Jordan Bench. What it shares with Le Grand Clos Vineyard is a west to east gradation that moves from the structured to the blowsy. In other words every block acts differently but also incrementally and when their individual barrels are assembled they are done so to make the best and most balanced wine with nuts, bits, bolts and pieces drawn out of each gradation. From 2021 the softer aspects shine on because austerity and tension just don’t hold court as strong as they might in some cooler and also much warmer vintages. More middle road (for Claystone specifically) and the beneficiaries of such a pinot noir are all of us. Still another year will soften the last of the tannins and gripping tension. Drink 2025-2029.  Tasted July 2024

Le Clos Jordanne Pinot Noir Le Grand Clos 2021, VQA Twenty Mile Bench

As with Claystone Terrace the Grand Clos Vineyard blocks running from west to east move through this fruit gradation from structured and austere through to soft and amenable. For 2021 the middle ground is duly noted with a signature and arch classic Jordan/Twenty Mile Bench pinot noir that sings in youthful life as early as it ever has. The team (Thomas Bachelder, Kerri Crawford and Phillip Brown) have coaxed out the sweetest natural fruit. While it flows with ease it’s also equipped to slow down, reflect, and then re-emerge a few years thereafter, post pause and not atypical varietal dumb phase. Th3 2021 is found to be chic, suave and stylish as ever, fruit in a dark red cherry state and acidity meeting texture for mouthfeel of a most finessed kind. Drink 2025-2031.  Tasted July 2024

Chey Ryan Crawford’s Salmon Sack

Le Clos Jordanne Chardonnay Villages 2021, VQA Niagara Peninsula

Something about the Goldilocks vintage for chardonnay brings the three LCJ wines closer together. Villages may lack the complexities of Claystone Terrace and Le Grand Clos but its juiciness, open aromas, flavours and texture are all there. When you consider price there is no debate in how much value this offers and the gentle spice masala on all parts of the palate are really special. The attack of CT and le roi cru block LGC are there, albeit here less grippy and weighty, but Villages gives all that you want and need. Drink 2024-2026.  Tasted July 2024

Kerri Crawford – Le Clos Jordanne

Le Clos Jordanne Chardonnay Claystone Terrace 2021, VQA Niagara Peninsula

The Claystone Terrace attacks direct into vision, up the olfactory and drilling into the cerebral cortex, no holds barred, nor does it wait to express anything it needs to say. Like a blast of sunlight straight out of the west on a late July afternoon, not blinding but warm and inviting, though not what would be considered subtle. This speaks from the vineyard in a more substantial way than Villages and also Le Grand Clos, if not quite at the level of aromatic and textural complexity of the highest tier, signature chardonnay. CT scans your senses and takes hold of them. It is anything but tripping the light but it is quite fantastic. Captain Claystone fantastic. The bomb for 2021 as a Le Clos Jordanne chardonnay. Drink 2024-2027.  Tasted July 2024

Le Clos Jordanne Chardonnay Le Grand Clos 2021, VQA Niagara Peninsula

Feels like a bit more easterly block fruit from barrels chosen for the 2021 Le Grand Clos because there is a softness (though far from blowsiness) about the mouthfeel and mellow flavours. The Claystone exhibits more drama and while complexities are on par it is this LCJ that should actually be consumed sooner rather than later. Thinking however that more folks would love and appreciate this style from this vintage.  Last tasted July 2024.

A bit sweet it needs saying straight away from wood aging that mixes with fruit quite ripe though not seductively so. Surely cool climate and well judged but the barrels do lend some oily texture and weight to this otherwise fine chardonnay. Solid mid-weight example. Drink 2024-2026.  Tasted blind at #NWACS24, June 2024

Westcott Vineyards

Westcott Vineyards Chardonnay Reserve 2022, VQA Vinemount Ridge

Like Block 76, also from the home farm of 26 acres on the Vinemount Ridge. Warmer parameters for richer and well-developed chardonnay cut through with fine chiseling because of the limestone bedrock beneath the slim soils for what can be best described as Westcott salinity. Reverberations and consequences are a mix of quantifiable component and marbling, also with thanks to the mix of 95 and 96 clones. Reserve always comes from the same rows of two blocks and while it may have once been a barrel selection, over time it has come to abide by the strictest regimen of only those rows. A retro Reserve if you will with a return to fully celebrating specific fruit no matter the vintage or circumstances. What separates this chardonnay is more than concentration, but rather the underlying salinity that is more pronounced that that of the Block 76.  Drink 2024-2027. Tasted July 2024

Westcott Vineyards Chardonnay Estate 2016, VQA Vinemount Ridge

Amazing how age can be a graceful and beautiful thing and the ideal truly applies to Westcott’s Estate chardonnay. The ’16 was made by then winemaker Arthur Harder and subsequently blended and bottled by Casey Kulzyck. Now in a pretty good place, fine and refined, Still some linger of primary fruit.  Last tasted July 2024

This is one of the first near-premium chardonnays to hit the market from 2016 and so a decision needs to be quickly made if the style is more vintage or house in origin. There really isn’t any estate precedence for this superabundance of fruit on the “normale,” like Christmas coming early or Niagara peaches appearing in June. The ripeness goes beyond freestone fruit and into the tropical realms occupied by mango and pineapple. There is no denying the nectarous and appetizing nature so I’d like to think it’s really a seasonal somewhereness that drives the druthers. Drink this young and with some poached seafood. It will satisfy the pairing. Drink 2017-2019.  Tasted July 2017

Chef Tim Mackiddie’s Scallops, Cavatelli and Chardonnay – At Butlers’ Grant, Wetscott Vineyards

Westcott Vineyards Chardonnay Butlers’ Grant Old Vines 2022, VQA Twenty Mile Bench

Old Vines refers to the 1989 planting of Clone 76 on a 5.08 acre block on the northwest side of the 43 acre Vineland Bench property. The long and rectangular chardonnay block culminates on the southeastern side at Butlers’ Workshops and is paramount for a site that was a grower’s vineyard up until the Westcotts purchased the land that immediately abuts the Bruce Trail. So many c’s are apt descriptors for this chardonnay; copacetic, coalescing, conditioned and commendable. From a recalcitrant vintage in some ways, adversarial and short of crop but the chosen fruit seemed eager to please and access feels easy. Concentration is impressive and immediate gratification is on offer. Extract and tannin take this to another level and so the probabilities are positive for a chardonnay you may choose to age. Drink 2024-2028.  Tasted July 2024

Westcott Vineyards Pinot Noir Butler’s Grant Carolyn’s Block 2020, VQA Twenty Mile Bench

From the block closest to the house planted to the 667 clone. Youth still the understatement, vintage accessibility be recognized and quickly cast aside. A mix of flintiness and delicacy when rich and fat could have been this pinot noir’s everything. Not in this case.  Last tasted July 2024

From riesling to chardonnay and now pinot noir, all planted in 1988 under the name of Butler’s Grant and here the pinot is dedicated to Westcott proprietor Carolyn Hurst. A clone first iteration, or at least one owning as much as site itself because vinous, resinous and intense is what oozes from this Twenty Mile Bench wine. Hard to find this much varietal expression so reminiscent of some Beaune counterparts because austerity, intensity and implosive behaviour are all compounded with tough love, seriousness and respect. The vintage gives and is in turn captured for a wine that will command your undivided attention, in part because some suspected whole bunch fermentation just seemed like recssecity is the mother of invention. Need is the primary driving force behind Carolyn’s strong-willed pinot noir. Drink 2024-2028.  Tasted August 2023

Westcott Vineyards Pinot Noir Butler’s Grant Carolyn’s Block 2019, VQA Twenty Mile Bench

The 2020 Carolyn’s Block is something joyous but get a scent of (a now well-aged) 2019 and the aromatic world changes dramatically. A vintage advantage and clearly a pinot noir in need of time to set it aromas straight. From eccentricity to complexity, wildly spiced and now entrancing. An affinity with Cuesta the the south and Hanck to the north yet perfectly idiosyncratic in between. Some sweet seduction, ripe acidity and organza texture.  Tasted July 2024

Westcott Vineyards Pinot Noir Butlers’ Grant Old Vines 2019, Twenty Mile Bench

The 2020 Carolyn’s Block is something joyous but get a scent of (a now well-aged) 2019 and the aromatic world changes dramatically. A vintage advantage and clearly a pinot noir in need of time to set it aromas straight. From eccentricity to complexity, wildly spiced and now entrancing. An affinity with Cuesta the the south and Hanck to the north yet perfectly idiosyncratic in between. Some sweet seduction, ripe acidity and organza texture.  Last tasted July 2024

Funny aroma to begin, paint or something metallic but also tomato purée. Verdant as well, chalky and chewy, ready to rock and roll. Something amiss or at least distracting but there is this great palate presence and structural appeal. Silkiness and wood define the finish. Drink 2022-2025.  Tasted blind at NWAC2021, October 2021

Westcott Vineyards Pinot Noir Butlers’ Grant Old Vines 2020, VQA Twenty Mile Bench

Elevated concentration, of course, but an immediate burst of energy and immediacy really command attention. Spice and potpourri, full and up front, unabashed, without hesitation, standing vertical to be noticed. Clone is 828 planted in 1988 on the southwest corner of the Vineland Bench property. Explicit varietal assemblage curving to the substantial to decide the outcome for pinot noir designed to please. The gratification is underscored by a mineral underlay to say that tine is on side. Two more great years and two to for more with positive secondary characteristics.  Last tasted July 2024

Dark fruit, ambitious and tannic. Bold and structured pinot noir from a hot summer clime. Drink 2024-2026.  Tasted blind at #NWACS24, June 2024.

Westcott Vineyards Pinot Noir Butlers’ Grant Old Vines 2019, VQA Twenty Mile Bench

The second harvest of this block foreshadows what will be concluded as a dramatic difference between the ’20 and this ’19 residing in the arena of the vivid. A level of chalkiness and therefore structure now explain why tasting this early would have been confusing to deduce how clone and place will conspire for great pronouncement. This Twenty Mile (or Vineland) Bench geology directs the show and old vines concentration does the rest. Who knows, maybe Carolyn’s Block will act like this 28 years from now. For now Butlers’ Grant Old Vines is the one in command.  Last tasted July 2024

Funny aroma to begin, paint or something metallic but also tomato purée. Verdant as well, chalky and chewy, ready to rock and roll. Something amiss or at least distracting but there is this great palate presence and structural appeal. Silkiness and wood define the finish. Drink 2022-2025.  Tasted blind at NWAC2021, October 2021

Westcott Vineyards Brilliant Traditional Method Blanc De Blancs, VQA Vinemount Ridge

Winemaker Casey Kulczyk explains how chardonnay is always picked at a minimum 19 brix which not only influences but extends flavours and also exaggerates texture. Plenty of acidity mind you though the complex profile wins over all else. Sees 30 months on lees and makes every iota of their use to accentuate and autolyze for increased extensibility, plasticity and the aforementioned flavour. Yes this shows smoother texture and strengthened chains of mousse. Westcott’s sparkling processes are at the head of the game. Drink 2024-2027.  Tasted July 2024

Westcott Vineyards Brilliant Traditional Method Blanc De Noirs, VQA Vinemount Ridge

As with the Blanc de Blancs the pick is done at a minimum 19 brix and lees aging time is 30 months. The mix of chardonnay, pinot noir and meunier shows off ample freshness and sharp acidity, leading to boundless energy tethered with creamy flavours. Red fruit prominent but the truth lies in mellifluous textures ruling the day. Drink 2024-2026.  Tasted July 2024

Good to go!

godello

Flight #1 at the 2024 School of Cool
(c) i4C

Twitter: @mgodello

Instagram: mgodello

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Meyer-Näkel, Ahr Valley, March 2017

The village of Dernau, Ahr Valley

The Ahr Valley is one of Germany’s furthest northern wine regions (out of 13), more so than the Mosel. The total area is 150 hectares (of 100,000 total in Germany). Meyer Näkel is a young winery by Ahr standards, now at the fifth generation, with sisters Meike and Dörte Näkel at the helm. Before that there was a winery (Meyer) and a restaurant (Näkel). When the grandparents (Paula Meyer and Willibald Näkel) married the entities merged. In 1982 Meike’s father and mother (Werner and Claudia) took the winery and her uncle the restaurant. Started with 1.5, now there are 15 hectares under vines. Meike interned at the Dr. Heger winery in Baden and later with Weingut Fürst in Franken.

With Meike Näkel, Ahr Valley March 2017

The slopes are ridiculously steep. So difficult to work. Dangerously steep inclines, contours, weathered (in some cases blue) slate and greywacke define the grape-growing. “In our case it is both the shape and stone of the valley,” tells Meike. The Ahr runs west to east as a deep valley, creating canyon like topography. Just the southern part is planted to vines. Dark slate warms and conserves heat, returning it to the air very slowly. It’s a glass house in essence. The focus of the tasting was the varied ways in which Meyer Näkel makes use of spätburgunder, in sparkling, rosé and pinot noir varietal wine. I visited with Meike Näkel after attending the Prowein wine fair in March 2017. These were the nine wines she poured and my notes.

Meyer Näkel Rosé 2016

A 100 per cent pinot noir, one of two Rosés allowed under German law, no longer called weissaste, in which you need to use 100 per cent of that variety to say it on the label. Despite the old-school reputation (like the old aunt drinking sweet sherry) so the word Rosé gives credibility towards dictating quality. Intensely floral and full of strawberry essence there is also something very stony and certainly some sweetness. Summer refreshing with such capable acidity. Flavours promise citrus and candied flowers. It’s also just a bit crunchy. Success is not predicated on a stark and dry expression. The acidity sees to the balance and the energy. Just bottled too weeks ago. De-stemmed, crushed and two hours skin contact. Only stainless steel. RS 7.9 g/L ABV 12.5 TA 7.0. Drink 2017-2019.  Tasted March 2017

Meyer Näkel Spätburgunder Blanc De Noir “Illusion” 2016

Spätburgunder Blanc de Noir “Illusion” is obviously not Rosé like, but just a hint though not even Vin Gris. Half is made saignée, then 10-15 per cent is removed. The second half is crushed bunches of pinot noir. If just saignée the lack of tannins would lead to a tannin-less, potentially dull wine. Ten per cent in new barriques. Bottled two weeks ago. It just smells viscous, beyond berries and into peaches. You can imagine toasty and creamy notes on the palate, even if those notes are not yet present. Just an illusion, “looking over your shoulder.” Just hints at effervescence but it’s more like an analgesic tingle on the tongue. The citrus is like pure lime with acidity inward and intense. Very long and should really develop with two years of concentrating, fleshing time. The lack of bitters when you consider how much pure lime and tight acidity is a factor of the dual process, two connecting systems, blending acumen. An illusion because it had to be sold as table wine for eight years, but today it’s fine to call it and sell it as Blanc de Noir. A perfectly cleaner version of a Jean-Pierre Frick. 7 g/L RS and TA. 13 ABV. Drink 2018-2022.  Tasted March 2017

Ahr Valley slope

Meyer Näkel Spätburgunder Ahr Valley 2015, Deutscher Qualitätswein

The entry-level pinot noir was bottled in the summer of 2016, after a hot season and dry elsewhere but in the Ahr it rained and it was cool overall. Picking was actually late and the aromatics show off the long, cool, floral temper. De-stemming and fermentation is immediately initialized but the maximum fermentation is 10 and usually six days. The pips are just a quick doo-wop to keep both green and bitter away. A focus on fruit, an absence of tannin and a pure varietal expression. Red trumps green, large wooden casks (15-20 years) also impart no tannin so the finality is simply cherry. That said, this carries some almond pit and green strawberry on the palate. It’s really what basic German spätburgunder is and expected to be. Nicely balanced and in at 13 per cent alcohol. Drink 2017-2019.  Tasted March 2017

Steep grade of Ahr Valley vineyards

Meyer Näkel Spätburgunder Blauschiefer 2015

Spätburgunder Blauschiefer is from blue slate, from the steepest slopes with highest percentage of slate in the earth, to get it in the glass. A collection of all the blue slate sites in the two villages, this and the sister neighbour. “The stale gives us the specific micro-climate to grow grapes up here,” tells Meike Mayer, at 50 degrees of latitude, but also in the Rheingau and parts of the Mosel and the Nahe. “In our case it is both the shape and stone of the valley.” The Ahr runs west to east as a deep valley, creating canyon like topography. Just the southern part is planted to vines. Dark slate warms and conserves heat, returning it to the air very slowly. It’s a glass house in essence. Glass Houses. Billy Joel. Needs to be on the label. As a thank you and to tell the people. A niche wine locale and yes, there is this metal feel on the nose and even more so on the palate. It’s an intense impression, deep and mined. Vinified by a de-stem, followed by three days of cold soak, then heat and 18 days skin contact. Just new barriques, two to four years old. The tannins are long and indeed elegant with the stones imparting a constant warming blanket across the palate. This goes cool and warm then back again. Idiosyncratic and highly drinkable pinot noir. Drink 2018-2022.  Tasted March 2017

The weathered slate and greywacke of Ahr strata

Meyer Näkel Spätburgunder “S” 2015

The good problem to have is that as you grow and buy up land the accumulated hectarage become disparate, spread apart and generally all over the Ahr. Small pieces of land owned by older growers who stopped farming. The holdings are not contiguous. These small parcels need to be gathered and made in cuvées or blends. The plots are just too small for single-vineyards but the “S” is made from those tiny disparate plots. Also from some fruit “stolen” or bled from the three single-vinyard GG blocks, especially from fruit taken from younger vines. Small barriques and 40 per cent new oak after 21 days skin-contact maceration. You can’t write Selection on the label so you use the letter “S”. The nose shows tonic and cherry and a beautiful inhalant/liqueur. The fruit is made darker and more unctuous by the barrel but that fruit was clearly classified to begin with. The first pinot noir with true tang is here in this “S” so this and the wise Ahr bitters design the structure with long lasting intent. Drink 2018-2024.  Tasted March 2017

Meyer Näkel Spätburgunder Sonnenberg GG 2013

The VDO follows the Bourgogne cru system, looking for the climats of highest quality. Ostensibly Granc Cru, known as GG (Grosses Gewächs). Sonnenberg is a single vineyard from the “sunny mountain,” in the lower part of the Ahr Valley. From steep slopes though not the most, the underbelly is rock, with loess-loam aboard. That top layer of earth brings the fruit to mix with the minerality. Ice age, glacial pinot noir, fertile and for the first time, a Burgundian presence, if only because of the sweet extract concentration. Five to seven days of cold maceration, followed by a slow warming for seven days and 23 days maceration. Barriques, 75 per cent new oak. It carries that barrel with remarkable ease, like the vintage, ripe, easy phenolic development ensured and by picking. Drink this at your whimsy. Drink 2017-2021.  Tasted March 2017

The cemetary in Dernau

Meyer Näkel Spätburgunder Pfarrwingert GG 2013

From the high part of the valley, on Grauwacke slate, a highly decomposed slate (in the area known as Fabrigatte) easier to crush so the soil is filled with fine pieces of this stone. There is so much break down that the soil becomes loose, like sand. A crunchy, crispy and fragmented pinot noir, in acidity at least. Means “church vineyard,” of the local dialect in origin. Once belonged to the Catholic church. More mineral, less fruit, a touch more oak then the Sonnenberg, spice but less so with thanks to the quicksand soil work in the development of this wine. Once again the sweetness created by extract from a top quality vineyard is impressive. Drink 2019-2024.  Tasted March 2017

Meyer Näkel Spätburgunder Kraüterberg 2013

Kraüterberg meaning “herbal mountain,” going back to the Romans who created the terraces and began the wine making processes. The thought is that the reference is in to gardens where herbs were planted along with vines. In the upper Ahr, very steep old terraces, this seems a combination of the first two but more body, with thanks to an increase of clay to go along with the stones. Complexity is a step above, as is fleshy, ripe and elegant character. There is a medicinal quality which is the herbs speaking and a texture as silky as the Ahr is long. It’s a beautiful wine, from 80 per cent new oak but I really do think that the terroir will speak louder with a bit less oak. Drink 2019-2025.  Tasted March 2017

Meyer Näkel Spätburgunder “SR” 2013

A “Selection Reserve” made from one selected barrique, not made in every vintage. Looking for plants which suffer blossom loss, plants that only produce small bunches of the smallest berries. Mostly skin, small pips and very little juice. Not possible every year and the concentration is really noted on the nose. Again it can’t be called Selection Reserve so “SR” is the moniker. The first vintage was 2009, then 2012 and now here in ’13. Sees 24 months in a new barrel, a total of three years aging and now just released. Very creamy, pretty ambitious and likely costs double to make what it sells for. This shows oak way more (and in the tannin it delivers) because there just isn’t the juice to support it. It’s certainly ripe though the wood makes it seem so sweet. Drink 2018-2022.  Tasted March 2017

Good to go!

godello

The village of Dernau, Ahr Valley

Twitter: @mgodello

Instagram: mgodello

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Gateway to Achaia, from Roditis to Mavrodaphne

Gate to Achaia Clauss Winery, Achaia

Gate to Achaia Clauss Winery, Achaia

A week of immersion on the ground running in Achaia drafts a new set of varietal tasting parameters. What is new to me are anent varieties of old. Roditis, Sideritis, Mavrodaphne and Mavro Kalavryta may be the grapes of ancients but obscurity be sprinkled, their resurrection blows forth in full paroxysmal scatter. The appeal is symptomatic of the new search for greatness in far away places.

Related – Till I reach Achaia ground

In  the second week of July I tasted through Patras and Achaia in the Greek Peloponnese. Here are 55 reviews from 10 producers.

Tetramythos

8ο kil. Pounta-Kalavrita, Ano Diakopto, 25003, Greece, 2691097500 The most modern facility in all of Achaia, re-built after a fire destroyed the property more than 10 years ago. Owned and operated by the brothers Aristos and Stathis Spanos.

Panyiotis Panagianopoulos, Tetramythos Winery

Panyiotis Panagianopoulos, Tetramythos Winery

Oenologist since 1999 is Panayiotis Papagiannopoulos, a winemaker who may just have been separated from twin Frank Zappa at birth. Located at Ano Diakopto of Egialia, on the slopes of Mount Chelmos, the 14 hectares of vineyards (450-1,000m) are farmed organically (and have been since 1997). Bush vines make up 80 per cent and endemic varieties (85 per cent) cultivated (plus some expatriates) are Roditis, Malagousia, Sauvignon Blanc, Mavro Kalavryta, Agiorgitiko, Cabernet Sauvignon and Merlot. The total production is 13,000 cases with export to foreign markets (80 per cent) that exceeds peers by a wide margin.

Tetramythos Winery

Tetramythos Winery

Tetramythos Roditis 2014, PDO Patras, Greece (SAQ 12484575, $15.75, WineAlign)

Pulled from four vineyards at 650-850m of altitude and from vines 19-42 years old. No skin contact though it shows a light, slight tinge of colour. Nearly platinum in its yellow hue, perhaps attributed to organics says Papagiannopoulos, Eighty per cent was achieved through natural ferment (with zero malolactic) plus “one tank for security.” Roditis can go clean or develop anti-austerity, texture, viscosity in the direction of a dirty projector. The Tetramythos glides “forward through the clover and the bergamot.” I can see what she’s seeing. Tasting like a leesy ripe peach, this is the best “basic” Roditis tasted in Achaia. Serious match of Aleria Restaurant‘s Sea Bass Tartare. Drink 2015-2020.  Tasted July 2015

Tetramythos Roditis 2014, PGI Peloponnese, Greece (WineAlign)

Here speaks the truth in endemic Roditis, raised in unconscious, wild ferment, unfiltered, forsaken to fining and treated to minimal sulphur. From 47 year-old vines, this most natural Peloponnese is made for the French market (that includes Quebec) with elevated acidity, deeper mineral, higher tang, pomp, circumstance and attitude. Latin, really, striking actually. Drink 2015-2018.  Tasted July 2015

Tetramythos Roditis 2014, PGI Achaia, Greece (WineAlign)

Roditis is here designated as the traditional Retsina, subjugated to wild yeasts in clay amphora and no sulphur during alcoholic fermentation. From 25 year-old vines out of a single vineyard and pine resin collected from trees on the edge of the vineyard. Post low and slow fermentation the wine rests on its lees for two months.  Such a wild and sauvage display of terroir; pine resin, beeswax, sealants and amphora. Like pure pine distillate without excessive herbaceousness and in subtlety of its own complacency. The palate follows the other roditis renditions and the pine again returns on the finish. 14,000 bottles made. Drink 2015-2019.  Tasted July 2015

Tetramythos Malagoussia 2014, PGI Achaia, Greece (WineAlign)

A single vineyard at an altitude of 750m guided by 30 hours of skin contact, for mouthfeel, to saddle the cool climate herbiage, needed for structure and for distance. Exudes poise, presence, precision, not oily but somehow creamy, glistening, this glow of malagousia. Expresses the longest hang time in the mouth, lingering like no roditis can or is willing to. Thanks to early picking to preserve acidity, the alcohol is low (12.4 per cent) and that acidity (7.2 g/L) above and beyond. Only here does malagousia keep this kind of flinty bite, in kind to a mid-September pick, keeping on the right side of soft and hot. I think this will live longer than you think.  Drink 2015-2020.  Tasted July 2015

Tetramythos Roditis 2008, PDO Patras, Greece (WineAlign)

A wine to fulfill the promise of my own personal vindication. I had asked Angelos Rouvalis about laying Roditis down for three to five years or more, to see where it may go and he said, “why?” Here is why. Has fan vaulted to the skies, urged by petrol and a symphony of mythology. Akin and within aromatic mineral reach of sémillon or riesling, with just a basal drip of ambrosial, gaseous honey. The green notes (of pea and nettle) are exaggerated but that is attributed to 2008 fruit that may have never been fully ripe. Drink 2015-2017.  Tasted July 2015

Tetramythos Roditis 2014 and Muscat Sec Blanc Nature 2014

Tetramythos Roditis 2014 and Muscat Sec Blanc Nature 2014

Tetramythos Muscat Sec 2014, PGI Peloponnese, Greece (WineAlign)

A slightly carbonic, reductive character – its natural protection, to keep the oxygen at bay, as if nouveau white Beaujolais. Combines bay laurel and beatific citrus, namely grapefruit after the banana blows off through the shutters of the cabana. Quite silky for muscat, of keys and zests citrus (major) and resin (minor). It may be sorry to leave you high and dry though there is no reason to feel a need to be weened off its charms. Far-out, groovy and compelling vin nature. Drink 2015-2018.  Tasted July 2015

Tetramythos Muscat Sec Blanc Nature 2014, PGI Peloponnese, Greece (WineAlign)

Nothing short of lucent, this friable, direct and crunchy raw muscat. Effusive of individual vowels and consonants, typically Achaian, extrapolated to Greek in its lambent and inventive simplicity. More glade than wax, it coats with orange and the spirit of lime. So different and yet so familiar, inevitably dry and straight as an arrow. Drink 2015-2018.  Tasted July 2015

Tetramythos Sauvignon Blanc Milia White 2014, PGI Achaia, Greece (WineAlign)

Not so many places are out there where sauvignon blanc grows at 1000m of altitude, so its got that going for it, which is nice. Add to that four months in new oak. What results is such a melon, citrus and high acidity tropical fruit mess. Wow is this piercing, almost over the top. Like sémillon this struts, in nod to the Hunter Valley. With time there is a varietal emergence. Eventually. Will age a spell. Drink 2015-2019. Tasted July 2015

Tetramythos Mavro Kalavryta 2014 (SAQ 11885457WineAlign)

A terrific example for a grape saved from extinction, Tetramythos owns 1.9 of a total four hectares of MK. Kudos for the effort especially considering the variety is thin skinned, slow to mature and difficult to cultivate. Saw nearly 20 days of skin contact because “the variety dictates the practice,” notes Konstantinos Lazarakis M.W. The fruit and bitters express a push-pull of terroir. One of two wineries making dry wines from the endemic variety, here the fresh red grape, the food friendly marker. Here confidently struts modern Achaian winemaking, from the ashes of naturalism and antiquity, the way Gamay or Loire Cabernet Franc are wont to do. Vibrant, with verve and a necessary natural funk. Herbal and with a rub of tomato skin, creamy, cool yet resinous, followed through from aroma to texture. Drink 2015-2018.  Tasted July 2015

Kotrotsos Moschofilero Erasmios 2014 and Tetramythos Mavro Kalavryta 2014

Kotrotsos Moschofilero Erasmios 2014 and Tetramythos Mavro Kalavryta 2014

Tetramythos Agiorgitiko 2013, PGI Peleponnese (SAQ 12178957WineAlign)

Raised in old oak barrels, it carries the wooden ship scent on the sea. Possessive of a world up in the wind, roofless, like an August cathedral and yet a grounding sense to burrow into earth. In all that sense it drafts like Nebbiolo indenture. Ferric and tannic, with end spice. Drink 2015-2018.  Tasted July 2015

Tetramythos Milia Red 2012, PGI Peloponnese, Greece (WineAlign)

A kaleidoscopic, cosmopolitan blend of merlot (66 per cent), cabernet sauvignon (20) and mavro (black) kalavrita (14) aged in 2nd, 3rd and 4th fill barrels. Here, again the use of Bordeaux varietals that cloud the vision of what the land wants to say. Sure it will speak in a language that resembles Terra Alta or some IGT but it has a nowhere man feel, a lack of somewheress and surely no word from the mouth of Papagiannopoulos. Very Mediterranean in feel, with a tapenade of black olive and caper. Drink 2015-2018.  Tasted July 2015

Tetramythos Cabernet Sauvignon 2011, PGI Aegialia Slopes (WineAlign)

A new Bordeaux language is created, in natural wild ferment, unfiltered and housed for 30 months in 2nd and 3rd fill barrels. A highly savoury cabernet sauvignon, with a lean and mean green streak. Tannic and very tight. Coated by a veneer and seething in teeth chattering acidity. Not for the faint of cabernet sauvignon heart and in need of double bottle time, in minimum two to one ratio of what it saw in wood. Much appreciation for the vision and the effort. Drink 2018-2021.  Tasted July 2015

Tetramythos Mavrodaphne Vin Naturellement Doux, Peleponnese, Greece (WineAlign)

As with so many of the Tetramythos line-up, this regional blend is the same but different. First it’s non vintage and second it is out of zone so not considered for PDO Mavrodaphne of Patras status. At 16 per cent alcohol and 58 g/L the sweet elixir spent nearly three years spent spinning in the excruciatingly slow centrifuge of natural fermentation. Traditional method adherence with the addition of organic, sun-dried raisins, “to increase the sugar levels.” The house quotient is three kilos of dried Black Corinth Raisin for every 100 L of must, in purport to increase the alcohol by one per cent. Here sweeps clean, sweet Mavro,  its port sensibility an aged, natural, dried fruit, nut and caramel melange. Pure beauty. Drink 2015-2025.  Tasted July 2015

Domaine Mega Spileo (Cavino)

The domain is set within a dramatically oriented steppe of an amphitheatre, in a bowl beneath the shadow of a 940m rock that houses the great Greek Orthodox monastery of Mega Spileo (Grand Cave). Nowhere else in the Chelmos mountains does monk viticulture resonate as it does here. The great vineyard (Megali Ambelos) perches above the Vouraikos Canyon at 800m of height. The winemaker for the wines of Cavino and Mega Spileo is Stelios Tsiris. Varieties grown since re-planting in 1999 include Mavrodafne, Mavro Kalavritino, Cabernet Sauvignon, Merlot, Syrah, Lagorthi, Assyrtiko, Malagousia and Riesling.

Mega Spileo Monastery

Mega Spileo Monastery

Roditis 2014, PDO Patras, Greece

A textured Roditis, its constant refrain one of herbiage, mineral, savoury bite and a direct pinch of austerity. Radiates fashioned with poise and meaning. Drink 2015-2017.  Tasted July 2015

Malagousia 2014, PGI Achaia, Greece

From a blend of three vineyards at 800m in altitude, this is a creamier, riper, more tropical take on the categorical grape. It’s tropical even, leaving peach to ascertain mango. Like a comfortable broth of warm emotions, this Malagousia belongs to the generality of varietal Greek persistence. Drink 2015-2018.  Tasted July 2015

Moschato 2014, PGI Achaia, Greece

Nearly bone dry (4 g/L RS) and well-nigh nicked by acidity (6.2 g/L TA) this is really a true expression of the Muscat Blanc à Petits Grains, an elegant cold pour into a glass on a breezy, sunny day. Until now Muscat in Achaia “could never look me in the eye” but the flurry of aromatics sing like a songstress in white lace. Its gaze is like lemon and olive oil and its tongue like the sweet wax on the rind. Here the Moschato path has been properly and soulfully taken. Rich in gold, like the kingdom of Agamemnon at Mycenae. Drink 2015-2017.  Tasted July 2015

Deus NV, Peloponnese, Greece

A blend of Moschato (80-90 per cent) and Sideritis, with a prodigious dosage to leave this sparkling wine larboard in the realm of 55 g/L of residual sugar. Translates to a tropical, custardy, sticky and waxy bubble that will repeatedly get you back in Achaia life again. Take a few sips “and I’ll drink and dance with one hand free.” You could really get stoned on this fizz. Drink 2015-2018.  Tasted July 2015

Deus Rosato NV, Peloponnese, Greece

Made from 100 per cent Syrah and slightly sweeter than the Muscat, here at 60 g/L RS. The lees, cheese and funk from Syrah turned to sparkling distracts from the sweetness, sending this to parts of southern France in meditative, Mediterranean, savoire savour faire. Raspberry and cranberry vie for sweet and sour supremacy and the wine actually, seemingly turns dry on the peppery, fizzy, tanky and spirited back side. Never backs down and the last conceit is one of tannin. So much more successful than the Moschato. Drink 2015-2019.  Tasted July 2015

Mega Spileo Moschato 2014 Deus and Deus Rose

Mega Spileo Moschato 2014 Deus and Deus Rose

Domaine Mega Spileo Grand Cave 2009, PGI Achaia

A dry vinified blend of Mavrodaphne (60 per cent) and Mavro (black of) Kalavritino that slumbers for 18-24 months (depending on who is offering the dissertation) in “squeaky clean” French oak. A pioneering bottle leading the charging trend to make dry wines from Mavrodaphne. Here so very layered, rich, ferric and in that vein, so very IGT. The oak is judged with a direct gaze into the eyes and density is furthered by demanding Daphne tannin, while flesh and elasticity is the work of the Kalavritino. Like a missile of tannic Syrah with Tuscan like cure in its veins and clotted plasma hanging on its dangling hook. Formidable to be sure. Drink 2017-2022.  Tasted July 2015

Domaine Mega Spileo Cabernet Sauvignon 2008, Peloponnese, Greece

An internationally stylized red that invokes the highest thoughts of all in, all out hedonism, more so than just about any varietal Bordeaux outside of Napa, Sonoma or the original mother land.

Thirty-two “boom shaka-laka-laka boom shaka-laka-laka” months in new French and american oak will do that, shouting “I want to take you Achaia” and in retort you should plead don’t leave me Achaia dry.

Looking back, in making decisions to make a wine like this, the thought would be “it’s the best thing that you ever had, the best thing you ever, ever had.” Fruit showtime is now fruit showing its age while oak is determined to suspend structure in purgatory. “Ain’t no valley low enough” so this style must have been tempting to have a go at the time, but times are changing. Ain’t no mountain Achaia enough? Not these days. Drink 2017-2022.  Tasted July 2015

Cavino Mavrodafne Reserve 2000 (Winery)

“We are about to experience one of the best underdogs of Greece,” says Konstantinos Lazarakis M.W. by way of introduction. The world had to wait 18 months plus seven years years for this to appear. A Port-style fortified red, fashioned from the 27 best judged oak barrels and finished in October of 2000. The mix is Mavrodaphne (70 per cent) and Black Corinth (30), expertly amassed and positioned at a time when using the 49 percent maximum allowance of dried raisin was the norm. Ahead of its time in that regards but also because of its rangy acidity, incredible acidity actually, something that gives this dessert wine the essence and spirit of raisin radio. That and a beautiful oxidation and it succeeds in wooing palates, not to mention fulfilling the promise laid bare by Mr. Lazarakis. Drink 2015-2020.  Tasted July 2015

Parparoussis

Achilleos str., 264 42 Proastio, Patras, Greece, 30 2610 420334, info@parparoussis.com

Antanassis Parparoussis and Moschato Vines, Domaine Parparoussis

Athanassios Parparoussis and Moschato Vines, Domaine Parparoussis

Founded in 1974 by oenologist Athanassios Parparoussis who works as winemaker while daughters   Erifili and Dimitra support on the business and marketing side. The winery is located in Patras and the property includes 10 hectares at Movri Achaias. Grapes are farmed organically and Parparoussis is one of only two vintners ion the region making wines from the rare and indigenous Sideritis. Parparoussis farms organically in principal but is not certified, nor is Athanassios concerned with the designation. It’s a matter of being devoutly pragmatic. “The soil is alive, so why kill it.”

Parparoussis Sideritis Dons De Dionysos 2014, Peloponnese, Greece (SAQ 11900995, $21.00, WineAlign)

The 2014 “gift of Dionysus” is herbal, arid, directly unassuming and fixed with a very savoury, nearly resinous pastel palate. The wind blows rosemary and lavender and truthfully it’s like a naturally cured red feeling in a white package. All lemon citrus at the tail. Drink 2015-2016.  Tasted July 2015

Parparoussis Rosé “Petite Fleur” 2014, PGI Achaia, Peloponnese, Greece

Just under 300 cases are made of this pale, lithe and prodigiously lithe blush wine, like the Dionysus, made from 100 per cent Sideritis. Skin maceration was performed overnight, “a one night stand,” while indigenous yeast was employed for a natural, dry vinification. The light and rust-directed antiquity of caste excess has caused an exaggerated herbal, namely oregano aroma. The overall feel is suppositious and may just be one of the great Rosé stories ever told. Drink 2015-2016.  Tasted July 2015

Parparoussis Sideritis Gift of Dionysus 2014 and Agiorgitiko Reserve 2010

Parparoussis Sideritis Gift of Dionysus 2014 and Agiorgitiko Reserve 2010

Parparoussis Les Dons de Dionysus 2010, PGI Achaia, Greece

Barrel Fermented blend of Assyrtiko (75 per cent) and Althorn (25). The first bottle is “not exactly as it should be,” oxidized and unpropitious, while the second pour much less so. In fact it tethers and teeters beautifully near that edge, on that razor the small creature walks, in a Dylan “what’s a sweetheart like you” way. So much more gumptive, anti-preemptive of depth, perception and possibility. Striking in its layering, stinging pierce of Assyrtiko with a suction of Althiri authority. Climbs upon itself and lingers in the air. “It’s done with a flick of the wrist.” Drink 2015-2020.  Tasted July 2015

Parparoussis Reserve Epilegmenos Oenos 2010, PDO Nemea, Greece

Further afield south in the Peloponnese comes this 100 per cent Agiorgitiko. The first bottle has a lactic-cheesy flaw, as if acetate of a mercaptan. One man’s flaw is another man’s history so the question does beg, was this meant to be? A winemaker’s intention? Apparently not. The second bottle, while still blessed of of a definite funk but one that is cleaner, unturned, a washed rind. So very dry. Drink 2015-2018.  Tasted July 2015

Parparoussis Rose Petite Fleur 2014 and Taos 2010

Parparoussis Rose Petite Fleur 2014 and Taos 2010

Parparoussis Taos 2010, PGI Achaia, Greece

A barrel fermented, dry vinified, 100 per cent Mavrodaphne. Naturally pitchy, high in acidity and purposed in tannin. A rare zero dilution at the hands of Black Corinthian Raisin and therefore not so high in alcohol, despite the richness of hue. Actually has a modern next tier level of complexity, complexion and aromatic intensity. Purple flowers and plum swirl in its circuitous, cycloid multiplicity. The savoury, resinous black bay laurel and chalky, cooked lentil, the grill and its smouldering charcoal are all in. Further resinous of bay oil on the back bitters and a very Tentura finish. Wild, sauvage, beautiful and built for the ling haul. Drink 2018-2025.  Tasted July 2015

Paparoussis Mavrodaphne of Patras Reserve 2003, PDO Patras, Greece

Vin Doux Nature poured from a 500 mL bottle, at 19 per cent, this is intensely nutty, of crème caramel and Cassis together as one. A marriage of godly sanctified vin santo cordial, with quite the balance from a brilliant vintage. There is heat that never burns, and a piquancy that offers no needed warning, Mavrodaphne of an aged, expertly developed expression. Such bitters at the finish end with wow. Drink 2015-2023.  Tasted July 2015

Paparoussis Muscat of Rio 2010, PDO Rio Patra

The sugar here is a strapping 160 g/L and the cost 15 euros for a 500 mL bottle. A vin de paille with so much more delicacy, structure and elegance and at only 13.5 per cent, a remarkable wine. Spice and relish is so smothered, coddled and pampered. The length is incredible. This is remarkable dessert wine with all tempos in balanace. Drink 2015-2030.  Tasted July 2015

Oenoforos (Rouvalis)

Selinous, 25100 – Aiyion, Greece, 30 2691029415, info@rouvaliswinery.gr.

Aneglos Rouvalis and WineAlign's DJ Kearney

Aneglos Rouvalis and WineAlign’s DJ Kearney

Eonologist is Angelos Rouvalis, a winemaker with an encyclopedic knowledge of every hill and slope in the mountains above Patras and where each variety grows best. Established in 1990 by Rouvalis, a Bordeaux-trained winemaker, recognized internationally as a pioneer in the renaissance that has taken place in the Greek wine industry in recent years. In 1994 Yannis Karabatsos, an agricultural engineer and expert in Greek viticulture joined the winery. “The Oenoforos winery consists of five levels on the slopes of Aigialeia in the village of Selinous. It combines monastic simplicity with state-of-the-art technology.”

Oeneforos Roditis ‘Asprolithi’ 2014, PDO Patras, Greece (SAQ 978197, $16.50, WineAlign)

The “white stone” could be considered the Pinot Grigio of Greece though the pink-skinned variety grown here between 800-1000m is such a bleed of high altitude calcaire. An amalgamated, aromatic accumulation is all about citrus without the airs of pierce and secondary sandarac meets kedros that reminds of clementine. At 11.5 per cent alcohol and low pH it might confuse for Trocken Riesling if not for its classic herbiage and austerity. Drink 2015-2018.  Tasted July 2015

Oenoforos Chardonnay Ianos 2009, Peloponnese, Greece

So buttered and creamy, in condition of its two years in oak. Age has delivered corn to popcorn. It’s both unambiguous and atypically Peloponnese, if certainly symptomatic of Chardonnay in a diaspora that veers from its regional path. Like the oak of all clothed Chardonnays, expect the excepted and drink up. Drink 2015-2016. Tasted July 2015

Oenoforos Cabernet Sauvignon Ianos 2004, Peloponnese, Greece (SAQ 11607342, $22.95, WineAlign)

A current release, all in Cabernet Sauvignon 10 plus years down its road after two years in French oak. A bold and state-of-the art for its time cool-climate take, with a clear and ad hoc Sonoma-like intention, with attitude out of altitude despite ’04’s nothing but average growing season. Herbaceous and currant direct Cabernet with plenty of fruit that has remained true and in the bottle. Sweet scents, floral and red citrus and expressly, naturally Greek. Red fruit from red soil. Has a natural, slightly oxidative cure that has emerged out of that oak shell. Strikes as a wine that needed this extended held-back time to get to this place. The palate’s fruit is dried and saline now, with tannin insistent in persistence. Rich but not nearly so, a gently rolling and evolving Cabernet with life in it yet, though the raisin character suggests now is better than tomorrow. Not so much mythologically invented, as it is internationally purposed, so it’s more a matter of higher and lower. The wine’s universe is a flat disc with hills, touched at its rims by the vast dome of the heavens. Drink 2015-2016.  Tasted July 2015

Oeneforos Rosé Mikros Vorias 2014, Peloponnese, Greece

Syrah with Viognier and Roditis. A layer upon layer blush combing of dry extract over full extract. Another example of the region’s ability to achieve Rosé excellence and the practice should both be encouraged and expanded upon. Drink 2015-2016.  Tasted July 2015

Oeneforos Chardonnay-Sauvignon Blanc Mikros Vorias 2014, Peloponnese, Greece

The white blend representation for the house line of fresh and direct wines translates to “small northern wind,” and here the SB sticks out like an Achaian thumb, dominating the nose with grass and capsicum. It’s toasty and almost Pouilly-Fumé smokey mixed with a pinch of Fuissé. The identity quandary brings Galician Albariño to mind, seen in the spirited almost effervescent tinniness. Very lime palate and fast forwards to stage right, running all the way. Drink 2015-2016.  Tasted July 2015

Oenoforos Merlot-Cabernet Sauvignon Mikros Vorias 2014, Peloponnese, Greece

Rusty and cured, just not quite ripe red plum, from a 60-40 combo, with a healthy level of veneer. Has gumption, pierce and a citrus red bleed. Drink 2015-2018.  Tasted July 2015

Oenoforos Asprolithi 'White Stones' 2014 and Syrah Ianos 2007

Oenoforos Asprolithi ‘White Stones’ 2014 and Syrah Ianos 2007

Oenoforos Syrah Ianos 2007, Peloponnese, Greece

Ferric, volatile, bretty but believe me when I say, all in a good way. The lingering meaty chew and porcine Mulligatwany is the expatriate Syrah equivalent of high gastronomy. A wild and wooly match to the Beef Stifado at To Katafygio. Drink 2015-2016.  Tasted July 2015

Antonopoulos Vineyards

25008 Vassiliko Chalandritsas, Patra, 30 2694061447, info@antonopoulosvineyards.com

The winery was founded by the late visionary winemaker, Constantinos Antonopoulos near the city of Patras in the northwestern of Peloponnese. Constantinos saw the vast, untapped potential of this diverse landscape, especially the mountainous region of Achaia and the unique winemaking opportunities it presented. A new up to-date winery has been built recently at Vasiliko, Achaia, where the majority of the winery’s vineyards are. Indigenous Greek varieties are the focus. All three Antonopoulos wines tasted at the winery Achaia Clauss were clearly achieved through very serious work. Though clean beyond the pale, they all exhibit slightly to more than leesy and all finish with so much salinity and limestone inflection. The only thing missing is the crustaceous accent.

Antonopoulos Vineyards

Antonopoulos Vineyards

Antonopoulos Moschofilero 2014, PGI Arkadia, Greece

A rich, striking, citrus Moschofilero with a beautifully severe tannic tang and many layers, scraped from a stone’s bleed and a gaze into the rock’s mirror. A wine akin to a creation of a true alphabet, made complex like the dactylic hexameter in poetry or a rhythmic scheme. Drink 2015-2018.  Tasted July 2015

Antonopoulos Adholi This White 2014, PGI Achaia, Greece

Essential and pedigreed blend of Lohorthi 65 per cent), Chardonnay (20) and Roditis (15) that expresses increased aromatics much like Viognier. Nearly profoundly tropical but so very dry, like Assyrtiko in its cracking open but with the feel of wild yeast and the feign of barrel. Chalk it up to 800-900m clay-limestone speak and no more than that, creasing to a crisp effervescence without bubble, yet it does tingle of the tongue. Like it’s working all the while, then on to citrus on the end, in lemon and lime torque as if by Riesling. The Moschofilero might be Mycenaean Linear B and this the other, later Greek alphabet. Drink 2015-2018.  Tasted July 2015

Antonopoulos Malagousia 2014, PGI Achaia, Greece

From sand and clay vineyards in the region of Aghios-Athanasios at a height of 600-900m. Picked late near the end of September to early october and cocrete and thought the ferment is a stainless one, this Malgousia exhibits a natural yeasty funk commingling with moving texture and savour that incorporates grasses. The sting of nettle wins over the softness and spumes a hay fever of grass. A warming, adult of a wine, with some power to age. Drink 2016-2021.  Tasted July 2015

Acheon Winery

Korinthou 121, Aigio, Greece, 30 26910 28062, info@acheonwinery.gr.

Sosanna Katsikosta is Oenologist and General Manager while Katerina heads up business and marketing operations. The sisters are carrying on a winemaking tradition passed on to them from their late father. Konstantinos Katsikostas carried the torch from his father Luke who founded the winery in 1946 in the area of Palaiokamares of Aegio. Annual production of 2,000 cases. Katsikosta is desperately, passionately practicing, experimenting, trying to stir up vinous ghosts and find their way back to ancestry, to ways of elders, to bring to light what used to be and to establish an identity for the world to see.

Acheon Roditis 2014, PDO Patras, Greece

A quintessential “Fox” Roditis, from low yields (40 hL/L), 900 m above sea level, in organic balance at 12 per cent alcohol. A distinct stone tang, push, pierce and a slight tingle or fizz on the tip of the tongue. Highly concentrated out of an elevated dry extract, with mineral and lemon. One of the more expressive push-pull of fruit and mineral. For everyday consumption with a bit of honey in its two to three year future. Drink 2015-2018.  Tasted July 2015

Acheon Sideritis 2014, PGI Achaia, Greece

The nearly extant one, a rare variety, being revived, planted at low altitudes, with yields 70-75 hL/L. Aromatic and misunderstood, with a Savagnin character, a funky, musky skin, like leather but not as deep, yet something oddly tropical, like jackfruit, or gummy bear, dusty ginger, and resin, like thyme. Another variety being worked with to see what it can be and to link back to what once was. Really good acidity. Drink 2015-2016.  Tasted July 2015

Acheon Sideritis 2014 and Rose Fairytale 2014

Acheon Sideritis 2014 and Rose Fairytale 2014

Acheon Moschato 2014, PGI Achaia, Greece

A banana and metal White Muscat, with plenty of herbal qualities, terrific saline and stony acidity dominating the palate. A medicinal grapefruit chew, not of pith, but of skin. Arid as a grove in wind and finishing with good length. Very interesting. Drink 2015-2017.  Tasted July 2015

Acheon Laura Nera 2012, PGI Eigialia Slopes

Mavrodaphe and nothing but, vinified dry, subjected to no aging. The smell of bay laurel (thus the varietal name) and fashioned for freshness. Still in command of a musty emmision this one, a strange cure, like some cool-climate, winter hardy hybrids, like Maréchal Foch and Frontenac. Perhaps a touch warmer, like opening the doors to Pinotage without the toast and the oak to fill and sweeten the green, reductive gaps. Has the roadhouse blues so “Keep your eyes on the road, your hands upon the wheel.” Drink 2015-2017.  Tasted July 2015

Acheon Rosé Fairytale, Peloponnese, Greece

A semi-sweet Rosé composed from 90 per cent Muscat co-fermented with 10 per cent Mavrodaphne. Dessert of blush hue and sappy, leesy, medicinal bitters. Very orange rind and chlorite, somewhat port-esque but so much more a tisane of pekoe and cough elixir. Totally off the charts different. Really like nothing tasted before. Drink 2015-2016.  Tasted July 2015

Wines of Parparoussis, Loukatos and Kontrotsos, Parparoussis Winery, Patras

Wines of Parparoussis, Loukatos and Kontrotsos, Parparoussis Winery, Patras

Kotrotsos

Vassiliko Achaias TK. 25008, 30 26940 61 900, vinko@otenet.gr. Winemaker is Giannis Kotrotsos.

Kotrotsos Erasmios Moschofilero 2014, Peloponnese, Greece

An unctuous, ambrosial Moschofilero, highly aromatic, of citrus and orange grove. A 12.5 appealing alcohol per cent and surround sound of acidity, good length and a bitter ending that follows a twinge of steely crick. Drink 2015-2018.  Tasted July 2015

Kotrotsos Muscat NV, PDO Muscat of Rio Patras

Also based on the 2013 vintage and c charging in at 15 per cent alcohol, here there is more rust, funk and metal, certainly not as fruit forward as expected. Sweetness is elongated, stretched and elastic, then snaps back to linear and upright. Drink 2016-2022.  Tasted July 2015

Kotrotsos Mavrodaphne NV, PDO Mavrodaphne of Patras, Greece The standard 15 per cent alcohol and in this plugged in, short fuse sweet wine is highly intense and lit caper green, dried fruit and a serious pasticcio of botanicals, distilled into a major excitative and concentrated sweetness.  The second bottle tasted has so much more life and character. Much more sweet floral attractiveness and the sweetness is less pronounced as a result. Goes from spice and piquancy to sweetness with the right transitory methodology, culminating in a great LBV Port finish. Nutty and spicy. Tremendous fruit forward expression.  Drink 2016-2024.  Tasted July 2015

Kotrotsos Chardonnay Oinos Aekos 2014, PGI Achaia, Greece

Combinbes barrel and resin for a full on savoury effect and so much noticeable, piercing grape tannin. Fierce, uncompromising, non-integrating invaluable invalid of tannin. So very cool climate savoury Chardonnay. Striking actually and a very acquired taste. Drink 2015-2016.  Tasted July 2015

Kotrotsos Agiorgitiko Erasmios 2012, Nemea, Greece An intoxicating perfume, of violets and charcuterie, floral and cure, vegetative and saline. Lactic, talcy, opaque and dusty, like Cabernet Franc from the coolest locale. Finishes saline again, chewy even. Drink 2015-2018.  Tasted July 2015

Karelas Winery

Georgios J. Karellas A.V.E.E, 41-43, Skagiopouliou Str., Patras, 262 22, 30 2610 321 000, karelas7@hotmail.com

Karelas Winery was founded in 1936 by Georgios Karelas. Using the native ‘Mavrodaphne’ grape, the company is renowned for it’s sweet, dessert style Mavrodaphne wine.

Karelas Pelagos 2013, PGI Achaia, Greece

Merlot and Mavrodaphne share the cure and the veneer of a strange bedfellow blend, the old and the new, the rust and the dust, the red and the black, the visitor and the been there done that. Tough acidity and tannin over red citrus fruit. Not shy. Drink 2016-2020.  Tasted July 2015

Karelas Achais 2013, PGI Achaia, Greece

Cabernet Sauvignon and Mavrodaphne smothered in more  obvious oak, though less tension and demand. A softer wine in using Cabernet over Merlot, ripened easier, better, with a second gear and then  into acidity mode. Again the cool climate veneer with a warm, savoury, minty middle. Drink 2015-2019.  Tasted July 2015

Mega Spileo Mavrodaphne and Karelas Mavrodaphe Reserve 2009

Mega Spileo Mavrodaphne and Karelas Mavrodaphe Reserve 2009

Karelas Mavrodaphne Reserve 2009, PDO Mavrodaphne of Patras, Greece

The only Mavrodaphne aged in highly seasoned toasted new French barrels. The standard weight bearing 15 per cent alcohol and a similar feeling as with previous kicks at the sweet Mavrodaphne can, but more red fruit and brighter raisins in the sun. The spice and liqueur here seem less spirited and combine for a more mature, seasoned, reasoned, direct and ultimately cleaner expression. Captain Jack (or George) will get you Achaia tonight “and take you to your special island.” Drink 2015-2022.  Tasted July 2015

Loukatos

Loukatos Bros, Β 3 & ΟΤ 24, Industrial Zone Patra 25018 Achaia / Patra, Greece, 30 2610 647588,  info@loukatos.com.gr

Perhaps most famous for their local production of spirits, namely Tentura and Mastic, Loukatos does a bang up job with dessert wines, especially in their handling of Muscat from Patras.

Loukatos Mavrodaphne NV, PDO Mavrodaphne of Patras, Greece

Vin de liqueur clocking in at 15 per cent alcohol. The dried roses and red flowers in liqueur link it to the likes of a Late Bottle Vintage Port. Wakes with a start, in sting and presence. Really lingers, tasting of blanched nuts and Halls mentholyptus. This batch was blended with 47 percent corinithian grape. The finish is so Manischevitz. Drink 2015-2023.  Tasted July 2015

Loukatos Muscat of Patras and Mavrodaphne of Patras

Loukatos Muscat of Patras and Mavrodaphne of Patras

Loukatos Muscat NV, PDO Muscat of Patras (WineAlign)

A 15 per cent abv Vin de Liqueur largely based on the 2013 vintage. Very clementine and apricot nosed, impeccably balanced from viscous to intensity in grape, with nothing musty or musky about it, though there is a musk melon sense, a botrytis that is very clean. Another excellent, natural sweet Patras example of what Muscat can do, again at super low cost, with high flavour and here, more fruit forward than the Kotrotos. Drink 2015-2021.  Tasted July 2015

Hahalis (Chahalis) Mavrodaphne 2011, PDO Mavrodaphne of Patras, Greece

Spent one year in barrel, the Tentura Castro “The Castle” is raisined and resinous with so much heavy artillery and coats of armour. The macro intent so black and porous, oxidative but alive, heavy and warm in alcohol but spirited and shooting cupid’s arrows. Sweet and Amarone trophy in a sense, with licorice and spice unlike anything else. Idiosyncratic to the nth degree. Drink 2015-2021.  Tasted July 2015

Achaia Clauss Mavrodaphne NV, PDO Mavrodaphne of Patras, Greece

From a lot penned Bin 601 at the standard 15 per cent alcohol and acting like it came from a 100 year-old barrel, of sitting bull wisdom and Bavarian history. Much like port, like brandy spirits and liquorice melting into cinnamon and clove. Not so idiosyncratic but resinous, sappy and piquant. Once you come to know these wines they speak this very direct language. Drink 2015-2025.  Tasted July 2015

Patraiki Mavrodpahe NV, PDO Mavrodaphne of Patras, Greece

A direct, rich, full-bodied leathery red of fruit the same that soaks in simple, sweet liqueur. The most accessible, commercial macro-intention of the black laurel lot. Drink 2015-2020.  Tasted July 2015

Crisis? No one’s gonna bring Greece down, nor me neither, ’till I again reach Achaia ground.

Good to go!

http://www.winealign.com/profile/2058-mjg

Till I reach Achaia ground

View of the mountains of Achaia from Tetramythos Winery and Homestay, Ano Diakopto of Aegialia, on the slopes of Mount Chelmos, Peloponnese

View of the mountains of Achaia from Tetramythos Winery and Homestay, Ano Diakopto of Aegialia, on the slopes of Mount Chelmos, Peloponnese

as seen on WineAlign

Man I wish I was there right now. Have you recently pondered or are you considering a visit to Greece? Have the sensational media reports of the last month cast a shadow of doubt on your travel plans? Are you worried about economic crises, ATM line-ups, looting and civil unrest? Don’t be. Do not fall victim as prey to dictum on what you or those who are telling you really do not know. You should go. Greece is just fine thank you very much. She welcomes visitors with open arms. This is what she wants and what she needs.

Crisis, what crisis? 

I am no John Maynard Keynes, have never rooted with Milton Friedman and can’t confidently say that my economic stars align with Paul Krugman, but on my recent trip to Athens and Achaia I saw nary a sign of unparalleled and utter economic disaster, of panic, anarchy or civil disobedience. I had many a conversation about government, taxes and the Euro. I learned that no is the new yes, “but whatever…” and that Greek wine aligns with the functions of the European union.

Write your problems down in detail Take them to a higher place

I am inclined to say, with indubitable and unequivocal doubt that Greece is the safest, most affordable and stupidly beautiful place on the planet. There is adventure, breathtaking vistas and scarcely, if commensurately discovered antiquity at every turn. And there is wine. Exceptional wine. Singular wine. Mythological wine. I can tell you five things I learned about the 21st century state of things Greece.

  1. Athens is a busy, hot, labyrinthian metropolis that somehow feels like an ancient village. It may just be the most unassailable and secure Gotham I have ever encountered. It did not leave me tired, on the contrary, it fuelled invigoration.
  2. Encounters with beautiful, nurtured and erudite folks along the course of a given day affords an equipotentiality to reaffirm faith in humans. Doors are always open.
  3. Bad governance may lead to civil jeremiad and global media strategies built upon the inevitable crumbling foundations of sensationalism and hyperbole, but Greece’s main concern is just that. Bad governance. Business carries on as usual, albeit with a noticeable reduction in smoking and petrol usage, but restaurants, cafes, coffee shops and shopping are not on hold. Centuries have seen such woe and yet Greece persists, remains and progresses. “Believe only half of what you see and nothing that you hear.” America may have long ago entered its Last Great American Whale period but Greece? Not even close. “They say things are done for the majority” and in the case of Greece, that just may be true. In a time of crisis, there are many business opportunists. Hard times? Grow better grapes. Can’t sell them at home? Export more than before and make better money.
  4. The combination of mountains, ocean, beaches and the symbiotic proximity of the appositeness is nothing short of mind-altering, awe-inspiring and soul-asservating.
  5. Forget the idea that Greek wine offers up some of the best values, anywhere. Consider that sort of posturing a given and or inconsequential in consideration of the adage that good wine is good wine, period, regardless of price. The wine producing regions of Santorini (Aegean), Thessaloniki/Naoussa (Macedonia) and Nemea (Peloponnese) have made wide inroads on the global scene. Yet how many of you have ever heard of Achaia and Patras in the northern Peloponnese? It is on the verge of breaking out. Obscurity no longer. Uncertainty be gone.

At the pass

Greece has been mired in waiting, or depending on your level of positivity and how to spin, poised to break out. The Greek wine industry is securely fastened in a place somewhere between the relic glow of early period brilliance and the cusp of legacy defining, career opus penning compositions. It is a work in process and the best is yet to come. The wines of Achaia are entirely indicative of this intellection. Antiquity is an amazing tourist attraction and in Achaia, as in the entirety of Greece, you can’t blink without stumbling upon a metaphorical doric this or an allegorical ionic that. Cradles of civilization just have a certain den xéro̱ ti and Greece is the world super-power. The question begs. How does this apply to wine?

Like so many wine producing nations not called France, Germany or Italy, Greece is poised for modern greatness but it has one distinct advantage. It lays ownership to some absolute conditions that easily separate it from emerging and developing, New World regions, but also from European peers. The first is obvious and that of course is a centuries old tradition of making wine. The second may come as a surprise, especially as it relates to wine. Mythology covets a paradigmatic relationship with Greek culture, however intangible it can be quantified. A visit to Achaia offers tantamount proof of such a notion. This from New Wines of Greece: “The fascinating archaeological sites with the notable museums and the grape-growing and wine-making history directly tied to the myth of Hercules are just some of the attributes that will appeal to those who indulge in wine tourism in the Peloponnese.”

Then there is the confluence from the slopes of Egialia, said to form the centre of the triangle of Ancient DelfiOlympia and Epidavros. It was not long ago that I connected the divine and the allegorical with Greek wine. I quote myself. “Me, I’ll concentrate on the divine mythology of Greek wine, of its place in the fractal world, how it can beautify and simplify, through recursion in dynamic systems, the bleak chaos of wine landscapes. Like the Morai, Greek wines are thread with motherly nurturing. For mere mortals, they direct fate from the birth of their drinking days to death. They are a highly independent bunch, unobstructed and driven by necessity.” It would be obtuse to ignore the hyper-reality of all these extraordinary things, to discount the divined revelation through profound symbols of religious myth. To see the analogy and pertinency with the mathematics of wine; pH, sugar, acidity and alcohol. Not exactly Pythagorean, certainly not Orphic, but mysterious somehow.

The Achaia advantage: From PGI to PDO and endemic varietals

The Peloponnese is located in the southernmost section of continental (western) Greece, its western and northern borders lining the Ionian Sea and the Corinthian Gulf. Homer called it Ampeloessa, meaning “full of vines.” The Achaian advantage is more than just a matter of slope and soil. The Nazi attrocities committed at Kalavryta will always be remembered as the darkest of Peloponnese days but neither war nor Phylloxera has truly interrupted centuries of growth and tradition.

Achaia is one of Greece’s largest wine regions and its 31 wineries accounts for approximately 10 per cent of the national wine output. The mesoclimate of Achaia is determined by a combination of mountain and sea. Erymanthos, Panachaikos and Chelmos range for vines at up to 850m though in Egialia grapes grow as high as 1050m. There are slopes here with a northern aspect, a factor which is not lost on the winemaker in search of cool-climate viticulture. The mountain man of Eigalia Angelos Rouvalis points to the hills and talks of  “a rare terroir, where facing north can achieve a significant drop in temperatures, creating specific vine balances, which is difficult to achieve in other places.” It is also here that the waters of the gulfs (Patras and Corinth) cool and temper the climate. Stronger winds ward off the warmer streams blowing up from Africa, creating a much cooler viticultural area than Patras.

The northern Peloponnese vineyards are divided into four distinct viticultural locales. In the east, in the areas of Egialia (Aegialia) and Kalavryta, the PGI Egialia wines are produced. Egialia’s temperate climate and northerly orientation on (250 to 850m) slopes are protected by the cool summer sea breezes of the Gulf of Korinthos (Corinth). Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the times of Hadrian, Antoninus Pius and Marcus Aurelius. He referred to the villages of Egialia as ideal for cultivating vines. Egialia soils vary from white calcareous to fertile sandy loam with good drainage.

It is in Egialia that the endemic white (blush) and highly aromatic variety Roditis ripens ever so gently. The varietal take in the lower (450 to 500m), yet similar climate for the vineyards of Patras makes for wines of fuller body. Lower Patras slopes are positioned for another indigenous grape, the red varietal Mavrodaphne. Traditionally purposed for desert wine, modern usage of the “black” Daphne is happening for dry table wine, as is the black of Kalavryta (Mavro Kalavryta), from grapes grown on slopes close to the tourist town of Kalavryta. The coastal flatlands between Patras and Rio to the east are dominated by the white Muscat. The varietal watch is on for Mavro Kalavryta, a grape that performs like Gamay or perhaps Cabernet Franc. In the hands of a winemaker like Panayiotis Papagiannopoulos it will be a wine to help mark the act of Achaia’s second renaissance. Konstantinos Lazarakis M.W. sees it as “the best Gamay that is not Gamay.” This is a man who knows his audience. 😉 This is a grape that will define fresh and further down the Peloponnese road for red wines and begin to separate from itself from other red attempts. It’s future will see the establishment of plots into crus, to make simple fruity reds to drink and also more serious wines, to experiment and to use some older barrels and to envision the future when it has been given some age.

Konstantinos Lazarakis M.W. and Sofia Perpera, New Wines of Greece at the Sailing Club Restaurant, Patras

Konstantinos Lazarakis M.W. and Sofia Perpera, New Wines of Greece at the Sailing Club Restaurant, Patras

The four officially recognized PDO‘s are Muscat of Patras, Muscat of Rio Patras, Mavrodaphne of Patras and Patras. The first three are produced in the central and western section of Achaia. The local Muscat is known to the world as Muscat Blanc à Petits Grains and in Achaia as Moschidi. Under the regulations of both Muscat PDOs the wines may be vin naturellement douxvin doux or vin doux naturel. PDO Patras is made from 100 per cent Roditis, though there are several clones of this variety. Specific clones are generally chosen based on altitude, as each variant has been proven to work on particular slopes. The top wines are produced from a red Roditis, also known as Alepou. The PDO Mavrodaphne of Patras (Fortified, Vin De Liqueur) can be fashioned with up to 49 per cent dried and rehydrated Corinthian Raisin (Black Currant) in the mix.

Black Corinth Grapes

Black Corinth Grapes

Despite the fact that the predominant amount (almost 99 per cent) of Black Corinth ends up in a pouch full of currants, its agricultural significance continues to play a role in the sweet red Mavrodaphne of Patras. Top quality vineyards have historically been cultivated with the Black Corinth because they fetch as much as 300 per cent more money than wine grapes. The bizarre terroir-varietal-trade flow chart is changing for the better but the raisins remain a long way from extinction. Slopes that face the sun perpetuate the propagation. Then there is the unusual scenario of the earthquake factor. “In Patras we are either raisining or shaking,” quips Lazarakis.

Kalavryta Mountain Tea

Kalavryta Mountain Tea

Other white varieties grown in the region include the extremely rare Sideritis (only two producers for the variety that shares a name in common with a flowering plant known as Greek Mountain Tea), Malagousia, Lagorthi, Chardonnay and Sauvignon Blanc. Other red grapes cultivated include Agiorgitiko, Xinomavro, Merlot, Cabernet Sauvignon and Syrah. The wines of Achaia are built upon an alcohol premise that keeps them stable, in balance and immune from oxidation. Their attitude fights the life work of Louis Pasteur and Jean-Antoine Claude Chaptal. If the wines lost some footing due to the trending towards bacteria and sugar mien, now, with the world peeling back from manipulated wines, the Achaian style is poised to grab their market share.

Accidental tourists at the Archaeological Museum of Patras

Accidental tourists at the Archaeological Museum of Patras

 

Tetramythos

8ο kil. Pounta-Kalavrita, Ano Diakopto, 25003, Greece, 2691097500 The most modern facility in all of Achaia, re-built after a fire destroyed the property more than 10 years ago. Owned and operated by the brothers Aristos and Stathis Spanos.

Panayiotis Papagiannopoulos, Tetramythos Winery

Panayiotis Papagiannopoulos, Tetramythos Winery

Oenologist since 1999 is Panayiotis Papagiannopoulos, a winemaker who may just have been separated from twin Frank Zappa at birth. Located at Ano Diakopto of Egialia, on the slopes of Mount Chelmos, the 14 hectares of vineyards (450-1,000m) are farmed organically (and have been since 1997). Bush vines make up 80 per cent and endemic varieties (85 per cent) cultivated (plus some expatriates) are Roditis, Malagousia, Sauvignon Blanc, Mavro Kalavryta, Agiorgitiko, Cabernet Sauvignon and Merlot. The total production is 13,000 cases with export to foreign markets (80 per cent) that exceeds peers by a wide margin.

Ano Diakopto of Egialia

Tetramythos Winery, Ano Diakopto of Egialia

Tetramythos Roditis 2014, PDO Patras, Greece (SAQ 12484575, $15.75, WineAlign)

Pulled from four vineyards at 650-850m of altitude and from vines 19-42 years old. No skin contact though it shows a light, slight tinge of colour. Nearly platinum in its yellow hue, perhaps attributed to organics says Papagiannopoulos, Eighty per cent was achieved through natural ferment (with zero malolactic) plus “one tank for security.” Roditis can go clean or develop anti-austerity, texture, viscosity in the direction of a dirty projector. The Tetramythos glides “forward through the clover and the bergamot.” I can see what she’s seeing. Tasting like a leesy ripe peach, this is the best “basic” Roditis tasted in Achaia. Serious match of Aleria Restaurant‘s Sea Bass Tartare. Drink 2015-2020.  Tasted July 2015

Tetramythos Roditis 2008, PDO Patras, Greece

A wine to fulfill the promise of my own personal vindication. I had asked Angelos Rouvalis about laying Roditis down for three to five years or more, to see where it may go and he said, “why?” Here is why. Has fan vaulted to the skies, urged by petrol and a symphony of mythology. Akin and within aromatic mineral reach of Sémillon or Riesling, with just a basal drip of ambrosial, gaseous honey. The green notes (of pea and nettle) are exaggerated but that is attributed to 2008 fruit that may have never been fully ripe. Drink 2015-2017.  Tasted July 2015

Tetramythos Roditis 2014 and Muscat Sec Blanc Nature 2014

Tetramythos Roditis 2014 and Muscat Sec Blanc Nature 2014

Tetramythos Muscat Sec Blanc Nature 2014, PGI Peloponnese, Greece

Nothing short of lucent, this friable, direct and crunchy raw Muscat. Effusive of individual vowels and consonants, typically Achaian, extrapolated to Greek in its lambent and inventive simplicity. More glade than wax, it coats with orange and the spirit of lime. So different and yet so familiar, inevitably dry and straight as an arrow. Drink 2015-2018.  Tasted July 2015

Tetramythos Mavro Kalavryta 2014 (SAQ 11885457WineAlign)

A terrific example for a grape saved from extinction, Tetramythos owns 1.9 of a total four hectares of MK. Kudos for the effort especially considering the variety is thin skinned, slow to mature and difficult to cultivate. Saw nearly 20 days of skin contact because “the variety dictates the practice,” notes Konstantinos Lazarakis M.W. The fruit and bitters express a push-pull of terroir. One of two wineries making dry wines from the endemic variety, here the fresh red grape, the food friendly marker. Here confidently struts modern Achaian winemaking, from the ashes of naturalism and antiquity, the way Gamay or Loire Cabernet Franc are wont to do. Vibrant, with verve and a necessary natural funk. Herbal and with a rub of tomato skin, creamy, cool yet resinous, followed through from aroma to texture. Drink 2015-2018.  Tasted July 2015

Kotrotsos Moschofilero Erasmios 2014 and Tetramythos Mavro Kalavryta 2014

Kotrotsos Moschofilero Erasmios 2014 and Tetramythos Mavro Kalavryta 2014

Domaine Mega Spileo (Cavino)

The domain is set within a dramatically oriented steppe of an amphitheatre, in a bowl beneath the shadow of a 940m rock that houses the great Greek Orthodox monastery of Mega Spileo (Grand Cave). Nowhere else in the Chelmos mountains does monk viticulture resonate as it does here. The great vineyard (Megali Ambelos) perches above the Vouraikos Canyon at 800m of height. The winemaker for the wines of Cavino and Mega Spileo is Stelios Tsiris. Varieties grown since re-planting in 1999 include Mavrodafne, Mavro Kalavritino, Cabernet Sauvignon, Merlot, Syrah, Lagorthi, Assyrtiko, Malagousia and Riesling.

Mega Spileo Monastery

Mega Spileo Monastery

Moschato 2014, PGI Achaia, Greece

Nearly bone dry (4 g/L RS) and well-nigh nicked by acidity (6.2 g/L TA) this is really a true expression of the Muscat Blanc à Petits Grains, an elegant cold pour into a glass on a breezy, sunny day. Until now Muscat in Achaia “could never look me in the eye” but the flurry of aromatics sing like a songstress in white lace. Its gaze is like lemon and olive oil and its tongue like the sweet wax on the rind. Here the Moschato path has been properly and soulfully taken. Rich in gold, like the kingdom of Agamemnon at Mycenae. Drink 2015-2017.  Tasted July 2015

Deus Rosato NV, Peloponnese, Greece

Made from 100 per cent Syrah and slightly sweeter than the Muscat, here at 60 g/L RS. The lees, cheese and funk from Syrah turned to sparkling distracts from the sweetness, sending this to parts of southern France in meditative, Mediterranean, savoire savour faire. Raspberry and cranberry vie for sweet and sour supremacy and the wine actually, seemingly turns dry on the peppery, fizzy, tanky and spirited back side. Never backs down and the last conceit is one of tannin. So much more successful than the Moschato. Drink 2015-2019.  Tasted July 2015

Mega Spileo Moschato 2014 Deus and Deus Rose

Mega Spileo Moschato 2014 Deus and Deus Rose

Cavino Mavrodafne Reserve 2000 (Winery)

“We are about to experience one of the best underdogs of Greece,” says Konstantinos Lazarakis M.W. by way of introduction. The world had to wait 18 months plus seven years years for this to appear. A Port-style fortified red, fashioned from the 27 best judged oak barrels and finished in October of 2000. The mix is Mavrodaphne (70 per cent) and Black Corinth (30), expertly amassed and positioned at a time when using the 49 percent maximum allowance of dried raisin was the norm. Ahead of its time in that regards but also because of its rangy acidity, incredible acidity actually, something that gives this dessert wine the essence and spirit of raisin radio. That and a beautiful oxidation and it succeeds in wooing palates, not to mention fulfilling the promise laid bare by Mr. Lazarakis. Drink 2015-2020.  Tasted July 2015

Parparoussis

Achilleos str., 264 42 Proastio, Patras, Greece, 30 2610 420334, info@parparoussis.com

Antanassis Parparoussis and Moschato Vines, Domaine Parparoussis

Athanassios Parparoussis and Moschato Vines, Domaine Parparoussis

Founded in 1974 by oenologist Athanassios Parparoussis who works as winemaker while daughters Erifili and Dimitra support on the business and marketing side. The winery is located in Patras and the property includes 10 hectares at Movri Achaias. Grapes are farmed organically and Parparoussis is one of only two vintners ion the region making wines from the rare and indigenous Sideritis. Parparoussis farms organically in principal but is not certified, nor is Athanassios concerned with the designation. It’s a matter of being devoutly pragmatic. “The soil is alive, so why kill it.”

Parparoussis Sideritis Dons De Dionysos 2014, Peloponnese, Greece (SAQ 11900995, $21.00, WineAlign)

The 2014 “gift of Dionysus” is herbal, arid, directly unassuming and fixed with a very savoury, nearly resinous pastel palate. The wind blows rosemary and lavender and truthfully it’s like a naturally cured red feeling in a white package. All lemon citrus at the tail. Drink 2015-2016.  Tasted July 2015

Parparoussis Rosé “Petite Fleur” 2014, PGI Achaia, Peloponnese, Greece

Just under 300 cases are made of this pale, lithe and prodigiously lithe blush wine, like the Dionysus, made from 100 per cent Sideritis. Skin maceration was performed overnight, “a one night stand,” while indigenous yeast was employed for a natural, dry vinification. The light and rust-directed antiquity of caste excess has caused an exaggerated herbal, namely oregano aroma. The overall feel is suppositious and may just be one of the great Rosé stories ever told. Drink 2015-2016.  Tasted July 2015

Parparoussis Sideritis Gift of Dionysus 2014 and Agiorgitiko Reserve 2010

Parparoussis Sideritis Gift of Dionysus 2014 and Agiorgitiko Reserve 2010

Parparoussis Taos 2010, PGI Achaia, Greece

A barrel fermented, dry vinified, 100 per cent Mavrodaphne. Naturally pitchy, high in acidity and purposed in tannin. A rare zero dilution at the hands of Black Corinthian Raisin and therefore not so high in alcohol, despite the richness of hue. Actually has a modern next tier level of complexity, complexion and aromatic intensity. Purple flowers and plum swirl in its circuitous, cycloid multiplicity. The savoury, resinous black bay laurel and chalky, cooked lentil, the grill and its smouldering charcoal are all in. Further resinous of bay oil on the back bitters and a very Tentura finish. Wild, sauvage, beautiful and built for the ling haul. Drink 2018-2025.  Tasted July 2015

Oenoforos (Rouvalis)

Selinous, 25100 – Aiyion, Greece, 30 2691029415, info@rouvaliswinery.gr.

Aneglos Rouvalis and WineAlign's DJ Kearney

Aneglos Rouvalis and WineAlign’s DJ Kearney

Eonologist is Angelos Rouvalis, a winemaker with an encyclopedic knowledge of every hill and slope in the mountains above Patras and where each variety grows best. Established in 1990 by Rouvalis, a Bordeaux-trained winemaker, recognized internationally as a pioneer in the renaissance that has taken place in the Greek wine industry in recent years. In 1994 Yannis Karabatsos, an agricultural engineer and expert in Greek viticulture joined the winery. “The Oenoforos winery consists of five levels on the slopes of Aigialeia in the village of Selinous. It combines monastic simplicity with state-of-the-art technology.”

Oeneforos Roditis ‘Asprolithi’ 2014, PDO Patras, Greece (SAQ 978197, $16.50, WineAlign)

The “white stone” could be considered the Pinot Grigio of Greece though the pink-skinned variety grown here between 800-1000m is such a bleed of high altitude calcaire. An amalgamated, aromatic accumulation is all about citrus without the airs of pierce and secondary sandarac meets kedros that reminds of clementine. At 11.5 per cent alcohol and low pH it might confuse for Trocken Riesling if not for its classic herbiage and austerity. Drink 2015-2018.  Tasted July 2015

Antonopoulos Vineyards

25008 Vassiliko Chalandritsas, Patra, 30 2694061447, info@antonopoulosvineyards.com

The winery was founded by the late visionary winemaker, Constantinos Antonopoulos near the city of Patras in the northwestern of Peloponnese. Constantinos saw the vast, untapped potential of this diverse landscape, especially the mountainous region of Achaia and the unique winemaking opportunities it presented. A new up to-date winery has been built recently at Vasiliko, Achaia, where the majority of the winery’s vineyards are. Indigenous Greek varieties are the focus. All three Antonopoulos wines tasted at the winery Achaia Clauss were clearly achieved through very serious work. Though clean beyond the pale, they all exhibit slightly to more than leesy and all finish with so much salinity and limestone inflection. The only thing missing is the crustaceous accent.

Antonopoulos Vineyards

Antonopoulos Vineyards

Antonopoulos Adholi This White 2014, PGI Achaia, Greece

Essential and pedigreed blend of Lohorthi 65 per cent), Chardonnay (20) and Roditis (15) that expresses increased aromatics much like Viognier. Nearly profoundly tropical but so very dry, like Assyrtiko in its cracking open but with the feel of wild yeast and the feign of barrel. Chalk it up to 800-900m clay-limestone speak and no more than that, creasing to a crisp effervescence without bubble, yet it does tingle of the tongue. Like it’s working all the while, then on to citrus on the end, in lemon and lime torque as if by Riesling. The Moschofilero might be Mycenaean Linear B and this the other, later Greek alphabet. Drink 2015-2018.  Tasted July 2015

Acheon Winery

Korinthou 121, Aigio, Greece, 30 26910 28062, info@acheonwinery.gr.

Sosanna Katsikosta is Oenologist and General Manager while Katerina heads up business and marketing operations. The sisters are carrying on a winemaking tradition passed on to them from their late father. Konstantinos Katsikostas carried the torch from his father Luke who founded the winery in 1946 in the area of Palaiokamares of Aegio. Annual production of 2,000 cases. Katsikosta is desperately, passionately practicing, experimenting, trying to stir up vinous ghosts and find their way back to ancestry, to ways of elders, to bring to light what used to be and to establish an identity for the world to see.

Acheon Sideritis 2014, PGI Achaia, Greece

The nearly extant one, a rare variety, being revived, planted at low altitudes, with yields 70-75 hL/L. Aromatic and misunderstood, with a Savagnin character, a funky, musky skin, like leather but not as deep, yet something oddly tropical, like jackfruit, or gummy bear, dusty ginger, and resin, like thyme. Another variety being worked with to see what it can be and to link back to what once was. Really good acidity. Drink 2015-2016.  Tasted July 2015

Kotrotsos

Vassiliko Achaias TK. 25008, 30 26940 61 900, vinko@otenet.gr. Winemaker is Giannis Kotrotsos.

Kotrotsos Mavrodaphne NV, PDO Mavrodaphne of Patras, Greece The standard 15 per cent alcohol and in this plugged in, short fuse sweet wine is highly intense and lit caper green, dried fruit and a serious pasticcio of botanicals, distilled into a major excitative and concentrated sweetness.  The second bottle tasted has so much more life and character. Much more sweet floral attractiveness and the sweetness is less pronounced as a result. Goes from spice and piquancy to sweetness with the right transitory methodology, culminating in a great LBV Port finish. Nutty and spicy. Tremendous fruit forward expression.  Drink 2016-2024.  Tasted July 2015

Karelas Winery

Georgios J. Karellas A.V.E.E, 41-43, Skagiopouliou Str., Patras, 262 22, 30 2610 321 000, karelas7@hotmail.com

Karelas Winery was founded in 1936 by Georgios Karelas. Using the native ‘Mavrodaphne’ grape, the company is renowned for it’s sweet, dessert style Mavrodaphne wine.

Mega Spileo Mavrodaphne and Karelas Mavrodaphe Reserve 2009

Mega Spileo Mavrodaphne and Karelas Mavrodaphe Reserve 2009

Karelas Mavrodaphne Reserve 2009, PDO Mavrodaphne of Patras, Greece

The only Mavrodaphne aged in highly seasoned toasted new French barrels. The standard weight bearing 15 per cent alcohol and a similar feeling as with previous kicks at the sweet Mavrodaphne can, but more red fruit and brighter raisins in the sun. The spice and liqueur here seem less spirited and combine for a more mature, seasoned, reasoned, direct and ultimately cleaner expression. Captain Jack (or George) will get you Achaia tonight “and take you to your special island.” Drink 2015-2022.  Tasted July 2015

Loukatos

Loukatos Bros, Β 3 & ΟΤ 24, Industrial Zone Patra 25018 Achaia / Patra, Greece, 30 2610 647588,  info@loukatos.com.gr

Perhaps most famous for their local production of spirits, namely Tentura and Mastic, Loukatos does a bang up job with dessert wines, especially in their handling of Muscat from Patras.

Loukatos Muscat of Patras and Mavrodaphne of Patras

Loukatos Muscat of Patras and Mavrodaphne of Patras

Loukatos Muscat NV, PDO Muscat of Patras (WineAlign)

A 15 per cent abv Vin de Liqueur largely based on the 2013 vintage. Very clementine and apricot nosed, impeccably balanced from viscous to intensity in grape, with nothing musty or musky about it, though there is a musk melon sense, a botrytis that is very clean. Another excellent, natural sweet Patras example of what Muscat can do, again at super low cost, with high flavour and here, more fruit forward than the Kotrotos. Drink 2015-2021.  Tasted July 2015

Old cask and young DJ Kearney at Achaia Clauss, Aigialia, Achaia

Old cask and young DJ Kearney at Achaia Clauss, Egialia, Achaia

Crisis? No one’s gonna bring Greece down, nor me neither, ’till I again reach Achaia ground.

Good to go!

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