October 31st is a date empowered. Each year I fall victim to its commercial holiday, Soma-coma induced temptations. I eat candy on Halloween (I never eat candy) and I write about what to drink with in compliment and in conjunction with its tasting menu confection. It’s all so very wrong on so many levels and yet I’m drawn to it like a moth to a flame? Why? What is it about this impossibly sappy and gagged up day that sucks me into its vortex of plastic, vinyl, crinkle and excess?
I blame it on childhood, on a time when innocence, naiveté and gullibility ruled my universe. When running with friends and getting sick on candy was both joyous and an exercise in self-flaggelent stupid. When two hours meant freedom, rebellion and independence. Halloween is a kids’ version of travelling through Europe with a back pack. It’s like quitting a job, like going to Vegas on a stag (I hate the idea of going to Vegas on a stag).
Well, that explains it. As adults, we try to justify the ingenuousness, callousness and asinine holiday, to make sure our kids find happiness in its bent farcicality. We try to grin and bear it. We attempt to embrace its forced beauty and its urban chaos. And we drink wine.
Looking back at those lists from 2012-2014 and the thirty reasons given for drinking wine on Halloween, the best ten can be culled and reformatted into the following quaternary list:
- Because sometimes adults need travelling sippy cups too
- The polyphenols in red wine can help offset the horrible effects of eating a pound of refined white sugar
- Who doesn’t drop their pants for a Ghostly White Wine Spritzer?
- Wine makes you forget Halloween ever happened
- A person with a candy bag full of vodka is an alcoholic. A person with a candy bag full of wine is classy
- To reduce the chances of having a heart attack or stroke at the sudden comeuppance of the neighbour’s $10,000 Halloween movie set
- Why should this night be different from any other?
- The doorbell rings every few seconds and beer takes much longer to pour
- It rhymes with Frankenstein
For the sake of keeping things new, I’ll add the final new reason to the list:
10. A few glasses of Pinot Noir will make you smile as you remember how much money you saved by staying true to fun-sized candy
Be the life of the neighbourhood and fill those travellers with any of these 10 Halloween wines, subject to budget and chosen from the VINTAGES October 31st release. I promise not to suggest any candy pairings.
The Richie Roberts take on Riesling brings Beamsville to the populace, combining the natural acidity of the variety with the micro-saddle-plot-climat ipseity that the sub-appellation provides. This early to market ’14 is quite tropical, offering an en primeur portal into what invariably will follow. Fresh, juicy, accessible and in near-perfect balance. Slate, calcareous bleed and fruit generosity make for one tidy, markedly gratifying Riesling. Tasted March 2015 @ @
Carries with it the efforts and old barrel trials of generations in its classic aromas. Cedar, dried plum, bitumen, dried anise, wood soaking in natural sugar syrup. Really seamless, flourless and austere in a running wild kind of way. Possessive of length and deserving of that oddest of wine descriptions; supple. This will age for 10-12 years with ease. A great wine for the money, right up there with the Montecillo 1991, but cleaner, juicier and with more sex appeal. A red head, a ginger, Rita Hayworth, Julianne Moore, Emma Stone. Tasted March 2015 @ @
The richest, wealthiest and most lush Laura’s red to date. Constructed in high tones, big fruit and the most oak it has absorbed. Structurally speaking this climbs to play at the top of the Creekside regime game, with tannins formidable to demanding and a texture filled with spirited matter. Behind the scene and to a certain extent the veil there is Niagara, painted and dressed. Laura’s ’12 bites chocolate and picks at buds with impunity. This much plum and berry fruit will find a way to improve then strut in tastings years from now. Drink 2016-2020. Tasted twice, June and July 2015 @ @
Here’s a well-organized, thought out and structured bit of tidy Merlot from the house of Dourthe. Bits of Cabernet Sauvignon, Cabernet Franc and Malbec reinforce the pretty, dusty, deep blue fruit from between Bordeaux and St. Emilion. I wouldn’t call it rustic or old-school but I would mention its wise charm and traditional handling. Just a bit of astringency in the tannic composition will take this five years down the road. Drink 2016-2020. Tasted October 2015 @ @
Prodigious Cabernet of and for protein. Melds flavours of salted caramel and real hot chocolate with melting berries like Churros filled with oozing centres, without sweetness. Has expansiveness and connectivity, with acids and direct displays of tannin. The real deal down in the depths of warm climate Cabernet Sauvignon. Drink 2016-2022. Tasted blind at WWAC15, August 2015 @
Rich and very perfumed Vacqueyras composed of Grenache (50 per cent), Syrah (40) and Mourvedre (10). A wine with every intention to seek out a standing rib roast or duck confit to meet its every move. Charges that mix depth of fruit with grain of wood. Stratagem that marks violets moved to red berry fruit and reasonable acidity melded into a fine grain of tannin. There is just enough restraint in the process to consider this a finessed wine of gastronomy. It’s chewy but easy to digest, crusted and built of simple pleasures. Really well-made. No pretension, no attention drawn to itself and just plain affordable. Drink 2015-2019. Tasted October 2015 @ @ @
Flat Rock’s ever involving vines (on 33 hectares planted in 2001 and 2002) enter a new phase with indicators blinking and refreshing in this 2013 Gravity Pinot Noir. Youthful adolescence and gregarious fruit expression initiated in 2010 and carried through the 2012 vintage. Those years saw to a world of astringency and tension relegated to mites in the rear-view mirror. The wine is now in a nexus cross-roaded with exigency holding pattern. To understand its confusion and survey fast forward to its future is not easy. Gravity is a bit large right now, seemingly advanced, but to me the fight is between that fruit abundant state and the return of, though eased by meditative Jedi tension. Gravity just needs a parachute to bring it back down to earth. That lifeline may not materialize in this 2013 but that does not take anything away from its discriminating and diagnostic tones. Brightness, astatic inflection and succulence. This vintage may suffer from some level of snafu but it will age, evolve and breath. That much fruit has to have some level of expectation. The follow up ’14 and ’15 will win the hearts of horses and men. Drink 2016-2021. Tasted October 2015 @ @ @
Showing reduction and barrel youth in its veins, pores, gutters and buffers. Smells just like a young Chardonnay after spending 12-18 months in a combination of toasts and forests should smell. A changeling constantly shifting, grooving, picking up steps and notes. Spice, prick and pierce with the gems of proper acidity. Of emeralds and pepper grinds. The piquant nature begs for time. A stab in the Chardonnay dark says Okanagan as distant cousin to Beamsville Bench or Vinemount Ridge. In the end winemaking steals the show. Drink 2017-2020. Tasted blind at NWAC, June 2015 @ @
A highly perfumed Pinot Noir from winemaker Kevin Panagapka in 2012, complete with an exotic spice box of aromatics; potpourri, roses, cassia, clove and aamchur. The profile hydrates to a mulled simmer as the wine is once again warmed by the vineyard’s ability to ripen, exaggerated in ’12 but with more grace, bringing its personality in line with its modest (13 per cent) alcohol. The cherry flavour veers black with a paste of tar and charcoal, but again, the psyche is smooth and elongated. Long finish to this Queenston which should see it sing to 2018 and beyond. Drink 2015-2020. Tasted August 2014 @
Showing a twinge of age at seven years, in rim and out of the natural whiffing forest aromas escaping with ease. The absolute right kind of earthy and barrel-influenced funk emanates, like experienced Bordeaux should, as would Rioja in similar approach to climacteric transition. A bit of leather, licquorice and aged beef join the gritty fray, mixed with aromatic citrus and grainy tannin to seal the destined way. This is ready to drink and yet two more years would not hurt its cause. Drink 2015-2019. Tasted October 2015 @
Good to go!
WineAlign: Michael Godel