Judging Rosé at the 2021 WineAligjn National Wine Awards of Canada – Photo (c) WineAlign
Back in the first week of October a special anniversary took place in Penticton, British Columbia. Special because it was the 20th running of Canada’s greatest wine show on wheels, now and for the past 10 years known as the WineAlign National Wine Awards of Canada. Remarkable because the week of judging Canada’s finest wines and ciders brought together a group of erudite and beautiful people for the first time in nearly 28 months. It was in June of 2019 the last time a 50-plus strong NWAC gaggle assembled, of back room volunteers, behind the scenes technical wizards, scoring junkies and FOH judging professionals. The 2021 results are beginning to roll out, including the first four categories last week; Sparkling, Gamay, Pinot Gris and Rosé. Today you can read up on chardonnay and pinot noir. I was entrusted the Rosé category write-up and you can view it here:
A record-setting number of wines were entered from coast to coast. The two-decade journey has been worth every moment for this most respected and important Canadian wine competition. I have been at these judging tables since 2013, to capture this most essential snapshot of Canadian wine and by now have witnessed a great change and evolution, as have mentors Anthony Gismondi and David Lawrason over two decades. The inaugural competition in 2001 drew 528 wines from 71 wineries and in 2021, 26 judges tasted 2,075 entries from more than 260 wineries.
Backroom at NWAC2021, photo (c) WineAlign
I have now published more than 270 wines tasted at the competition that can be viewed on WineAlign. Most have only been tasted the one time, that being during blind varietal and stylistic flights in Penticton and those reviews have only been edited for spelling, grammar, syntax and in a few instances musical reference fact checking. No information, estate history, principals’ stories or winemaking data have been added to those notes. In cases where wines had been previously reviewed or tasted in Kelowna just prior to the awards then the blind notes are added in.
Day one judging @winealign #NWAC2021 ~ With the inimitable @trevering and @bryantmao ~ Only 2,000 more to go ~ #canadianwine #winejudging #thenationals #wineawards
Upon arrival in the Okanagan on the eve of day one at the awards we were privileged to be guests at a walk-around tasting hosted by Anthony Von Mandl’s Iconic Wineries of British Columbia at Checkmate Artisanal Winery in Oliver. All seven estates were present and pouring some of their top tier bottles; CedarCreek Estate Winery (Kelowna), Checkmate (Oliver), Liquidity Wines (Okanagan Falls), Martin’s Lane Winery (Kelowna), Mission Hill Family Estate Winery (West Kelowna), Red Barn Winery (Oliver) and Road 13 Vineyards (Oliver). The following 19 tasting notes are from the bottles poured by all seven members of the IWBC.
From the Kelowna home vineyard and the oldest block of riesling vines at 30 years of age. A wild ferment, kept on the skins for 12 hours and aged half in stainless, half in German oak (not to be confused with the 1970s prog. rock/psychedelic band). “It’s very easy to make lime juice from this block,” is a reminder from winemaker Taylor Whelan to take great care, find focus and another gear. “We’re aiming for GG (Grosses Gewächs) numbers,” here emerging at 8 g/L RS, but the intensity and grip make the wine seem much drier. No detention or detection of wood whatsoever in a currently bracing riesling but one set up for a readied future of full embrace. Drink 2022-2028. Tasted October 2021
A 100 per cent wild and in barrel though with truncated malolactic fermentation, “because we’re CedarCreek, not Checkmate,” quips winemaker Taylor Whelan. Some banana emits in this moment of estimable youth and we both admit the wine is “not yet quite ready.” From the vineyard down in the valley below Checkmate Winery, a contributor to the freshness in a chardonnay straddling the line between reduction and flesh, flintiness and splendored expression. Tropical fruit hints, nary a creamy plasticity and zero gratuity, but plenty of gravitas. To say they are on to something would be a gross understatement in this a vintage readying to unroll later on in 2022. Drink 2022-2026. Tasted October 2021
Dark as a syrah night, pressed, full on violet to balsamic, rich beyond the pinot pale and fully into a film noir genre. A bit Wagner north, with gritty tannins and hidden greens. Last tasted blind at NWAC2021, October 2021
Approximately 55 per cent (Clone 115) whole bunch concrete fermentation. A crunchy red in the guise of Beaujolais and the reference point is not such a stretch. Recently planted gamay vines will do the same or take the torch when they come to their fruition. Some pretty serious pitch and tannin, a cru on steroids, wild man, far from reductive and big. Drink 2022-2027. Tasted October 2021
From the unknown 1975 planted clone, same one used by Mission Hill going back to 1994 with a musqué intonation. The Vineyard is called Dekleva, coolish spot on the Golden Mile Bench. Lower slope soils are patch sandy, with fragmented rocks aboard a fluvial fan. The 2018 is a preview of what the vintage can be for chardonnay or perhaps better described in prologue as to what it has already shown to be. Layers upon layers, alternating chew and crunch, great freshness matching the buttery croissant and if you drop your guard this chardonnay will crush you. It has the game. Drink 2021-2027. Tasted October 2021
From the Osoyoos Bench with 100 per cent merlot, a wild ferment and 21 months in new wood. Truly, ostensibly varietal Okanagan realism. Could be nothing but and anything at all, a merlot so cured, verdantly specialized and toasty because the growth cycle and viticultural handling all lead down a path where grape and place walk cane and shoot. Bramble, fully loaded spice masala, a modicum of intensity fleshing out the layers of brush, underbrush and ultimately a silken merlot style. Structured but not overtly so, best in the mid term though it will linger well into the latter stages of the decade. Drink 2022-2027. Tasted October 2021
Poured by winemaker Amy Paynter, a Reserve chardonnay so aptly named as it submits to the ease with which assets of fruit and structural security are converted into ready to drink pleasure, without affecting cost, value or age worthiness. No searching for richness, nor unction neither, not to mention mille-feuille layering. Chewy enough, fleshy for certain and textural throughout, but always this ease of transitions, conversions and fluidity. Drink 2021-2025. Tasted October 2021
Golden hue, ripeness at the top, surely only B.C. can effect. Not nearly as unctuous as expected yet there is some sweetness and spice to be sure. Spicy too, tart, tincture of tang and all the while circumstantially evident. Last tasted blind at NWAC2021, October 2021
Part estate with fruit from Oliver and Osoyoos. Very apricot in a chanterelle way so it’s scents is like the idea of a mushroom that smells like the memory of a ripe apricot. What else does one need. Drink 2021-2024. Tasted October 2021
Made with one hundred per cent Okanagan Falls fruit, picked in lots, each small batch fermented, 14-15 months in (25 per cent new) wood. The decision as to what qualifies as Reserve is made at the time of bottling. A true OK Falls Liquidity Reserve in such regard, much in the way sangiovese is dealt with in Chianti Classico or Montalcino. But this is pinot noir, an animal all to itself, fickle and choosy, hard to get and yet Liquidity has their fruit down with proof right in this glass. Smooth, supple, strong and sure, a confident if simply delicious pinot noir of balance, harmony and grace. Tasted with incumbent winemaker Amy Paynter who’s first full vintage will be 2021 and look for her work ethic (and measured risks) to take this wine to a whole new level. Drink 2021-2023. Tasted October 2021
Shane Munn’s riesling from the volcanic, clay and white quarts Fritzi’s Vineyard continues to get better, all the while with a wine he seems to do less and less to try and control. Must be the place and the fruit from this 21 year-old block (as of this 2018 vintage) seeks a 48 hour skin-contact for oxidatively handled juice. Pressed once, lightly and so softly treated, then transferred to German casks where it stays for up to eight months. Just bloody delicious, hard to not conjure a frothie for this freshest of phenolic rieslings, which incidentally was only sulphured once, four months into the trek. Walks about from grippy to lovely and back again, with silk stops along the way. Will shine brightest two years from now. Drink 2023-2029. Tasted October 2021
Fritzi’s Vineyard on Mission Hill Road is a volcanic block on dry yet rich clay, with white quartz below, planted in 1997. The winemaking is consistent from year to year and as time passes forward what’s done to this wine “is very little, less and less” tells Shane Munn. Such a phenolic riesling and irrefutably circulating in a floating balloon of immaculate freshness. Yes there is some creamy richness but it can’t hold a candle to the level of “frische und enger” in a riesling interfacing the land at the base of Boucherie. Fritzbox and very cool cat. Drink 2022-2028. Tasted October 2021
Some changes in 2018, nothing earth shattering but alterations nonetheless. This time around a 70 per cent whole bunch natural ferment for 42 days (and nearly Piedmontese cappello sommerso as such). No punch-downs nor pump-overs neither, instead a “semi-délestage,” notes winemaker Shane Munn, a fanning over the cap two or three times a day, to polymerize the tannins. Call this the Munn manifesto, unique to pinot noir, Fritzi’s Vineyard and the Okanagan, an infusion rather than a maceration. Fanning acts out so very gently, allowing for an elegant transfer of fruit through structure all the while in retention of some of the noble elements found in the skins. Surely an old-school reference point, a consciousness at the very least and a way to make a big but not dense wine, fulsome yet far from heavy, with great finesse and emotive wakefulness. Munn’s pinot noir is alert and at the ready, as should we all be, from the get go and with the slow moving current that will see aging take place over a six to eight year period. Drink 2024-2029. Tasted October 2021
Tasted with winemaker Shane Munn, a 50 per cent whole bunch natural fermentation in concrete for 32 days, in this vintage quicker to resolve (five to seven days earlier) than the average. Polymers culminated, “melted” and melded with the richness of tannic volcanic thrush. The optimum if classic Fritzi’s pinot noir fruit at first precipitously gliding down so easy but the stem inclusion thankfully graduates the incline and slows the consumption process down to a much necessitated trickle. Also keeps the wine from lunging or lurching into its immediate future, ahead of promise and proper compulsion for brilliance. No comeuppance or envy here, only pinot mercy and possibility. Log life ahead, breezes in sails, drifts and finally, sandy shores. Drink 2022-2028. Tasted October 2021
Top of the flinty pops, super reductive and oh so tight, taut and implosive. The fruit rolls on through, states a territorial claim and give thanks for all the right reasons. The includes a high level of quality salt, pepper and wood seasoning, which it submits to and willfully accepts. Fine work in chardonnay all around. Drink 2021-2025. Tasted October 2021
Tasted with Graham Nordin, General Manager for Iconic Wineries of B.C. and a man passionate for cabernet franc, especially this fifth vintage of Vista’s Edge for Mission Hill. A wine that began in 2015 after winemaker Darryl Brooker took over from John Simes and the first full vintage for Aussie Ben Bryant who in 2018 succeeded Brooker as chief winemaker. The vineyard can be seen looking out from Checkmate Winery and just past Phantom Creek. The 2019 cabernet franc was fermented in concrete and then aged in Bourgogne wood. My this packs a punch, of fruit so primary, succulent acids secondary and bones tertiary, the latter only because so much flesh and antioxidant donation hangs upon the very backbone of the wine. A cabernet construct like this is neither common nor fully understood in such youth. Will exude charm and captivate to the fullest in two to three years time. Drink 2023-2028. Tasted October 2021
Red Barn is the newest Black Sage Bench project for Anthony Von Mandl’s Iconic Wineries of British Columbia (IWBC). The seventh member joins Mission Hill, Cedar Creek, CheckMate, Road 13, Liquidity and Martin’s Lane. The winery should be ready to open its doors in 2022. The sèmillon is raised in both stainless steel and concrete, coming across with esteemed richness of fruit so very tropical, nearing a stylistic that usually comes from Okanagan viognier. Viscous with a lovely salt line running through, keeping the varietal faith and boding well for future renditions of this wine. Drink 2021-2023. Tasted October 2021
The newest kid on the Black Sage Bench for the Iconic Wineries of B.C. is Red Barn and this cabernet franc from Jagged Rock Vineyard of 30 per cent whole bunch fermentation was aged in concrete. Only 165 cases were produced for an all in, full varietal monty of great transparency, wonderful red fruit and perfect simplicity. A terrific entry point for vineyard and new order outfit. “I know, you know, we believe in a land of love,” that being this institution of an Okanagan bench, a pleasure zone for fun, ripe fruit and the sun’s perfect kiss. All the distractions are kept at bay in a cabernet franc well on its way. Drink 2021-2024. Tasted October 2021
Lots of fun here, funk too, western richness, sunshine and fulsome palate flavours and texture. Lots of lees and layers. Last tasted blind at NWAC2021, October 2021
From some of the oldest chenin planting in the Okanagan (1968) and North America for that matter, used exclusively for the sparkling wine program. Vinous yet sleek, rich and intense. Mineral fascination in bubble form, loaded with character. Spent 36 months on the secondary lees. Drink 2021-2025. Tasted October 2021
Spent eight years on the lees, still now vibrant and acting as a solemn totem to what distance and time can do for chenin blanc in sparkling significance. Now a wine of fully developed character at the peak of complexities possible. Will linger in this lovely suspended state for a few more years. Drink 2021-2024. Tasted October 2021
The intensity of blue fruit is something to behold, with imminent proposal and one’s imagination trends towards a high percentage of petit verdot (when in fact the number is only in the three to five range). Winemaker Barclay Robinson smiles a wry smile because he knows he’s onto something great and perhaps he too imagines a jackpot at the end of this rainbow. The merlot and malbec offer up interwoven waves of red and black fruit, all the while bespoken to chocolate and goji berry. Then the perfume hits, violet and hibiscus, followed by a return of that beautiful blue fruit. Onto something indeed. Drink 2022-2026. Tasted October 2021
Good to go!
godello
Judging Rosé at the 2021 WineAligjn National Wine Awards of Canada
Year-end lists and greatest hits have always elicited a personal introspective fascination, not any lists mind you but mostly those involving music. Always curious to find out if someone else thought the same songs or albums aligned with your own. Such lists are met with growing skepticism and so the words “top” or “best” should be taken with a grain of salt, scrutinized with impunity, viewed with subjective prejudice. Music and wine need not be considered as ranked, top or best but instead contemplated with dead reckoning, as if throwing a buoyant opinion overboard to determine the speed of the mind’s emotion relative to thought, which was assumed to be dead in the waters of judgement. The feeling of being moved, stirred up in sentiment, excited and reaching deeper into understanding, these are the reasons to tally a culminating register. Neither for enumeration nor for classification, but for the indexing, of harbingers and that which makes us feel.
(c) @tiny.wild.world and @WineAlign
What transpired over the previous 12 months has not left the arena of the unfathomable and the absurd, but with respect to Canadian wine there can be no doubt that a next level of greatness was reached. Holiday time will be somewhat solitary as 2020 winds down and while the sharing of bottles will surely mean more repeated sips for the few involved, they will be sweet ones and are not to be taken for granted. As for the exercise of creating a rocking roster of Canadian made wine, well here on Godello this so happens to be the eighth annual for an instalment that first appeared in 2013. Now adding up to seven more entries than the first and acting as natural segue, a transition and salvo towards crossing over the threshold where 2021 awaits.
Twenty. Not an arbitrary number but rather an arbiter of perpetual and developmental prowess of a nation’s wine-producing ability and surely while knowing that no fewer than 20 others could of, would of, should of made the grade. The quote is a timeless one and will be employed once again. This curated list is “biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada. The winemakers in this country are in full command of their acumen, craft and future. They own it.”
In 2020 Canadian wine came to my tasting table in ways no other year made it happen. There were no excursions to British Columbia, Nova Scotia or Quebec, save for a 36-hour round-trip drive to Halifax in delivery of precious human cargo. No Cuvée or i4c. No VQA Oyster competition, Somewhereness or Terroir Symposium. No walk-around tastings. Despite going nowhere the opportunities to sample Canadian wines were of a number higher than ever before. Safely distanced tastings at WineAlign headquarters, at the welcome emptiness of Barque Smokehouse and in our homes brought Canada’s finest bottles to us. Though we were unable to convene in June at the WineAlign National Wine Awards of Canada, a prodigious alternative became surrogate in the guise of the Guide to Canada’s Best Wines, a.k.a WineAlign’s GCBW. Over the course of six weeks we tasted through 860 samples and not just any mind you but truly Canada’s best. We were sad to miss Tony Aspler’s Ontario Wine Awards and David Lawrason’s Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates. Here’s to hoping 2021 will usher in a return to assessing and celebrating together.
The numbers chosen to cant, recant and decant excellence in Canadian wine continue to march ahead, as promised by the annual billing. In 2018 the list counted 18. In 2017 there were 17 and in 2016, 16 noted. In 2015 that meant 15 and 14 for 2014, just as in 2013 the filtered list showed 13. Last year? You would be correct if you guessed 19. There is no red carpet for 2020, it just doesn’t feel appropriate or right but keeping on is essential. “Whence comes the sense of wonder we perceive when we encounter certain bottles of art?” Here are 20 most exciting Canadian wines of 2020. Twenty Canadian wines that rocked.
Calculated, figured and reasoned, a 51 per cent roussanne, (36) viognier and (13) marsanne organized, Rhône motivated blend that just fits right. A kiss of new wood and a 35 per cent wood campaign, slightly more in steel and then the other freshener, that being a fifth of this exceptional vintage fruit having seen time in concrete tank. Yes the aromas are wildly fresh, far away tropical and cumulatively enticing. A white blend of rhythm and soul, actionable in every part of its drift and coil, democratic, of no accident, come up to please and at the same time, foil. Offers this and that, high tempo acids opposite fully ripened fruit and all tolled, wrapped up with a tailored bow. Drink 2020-2024. Tasted October 2020
Cave Spring’s is Ontario riesling and along with three or four others the CSV has been the benchmark for decades. CSV is one of the reasons to believe in riesling, versatile, brutally honest, speaker of the mind, telling us like it is. As for 2018, frosts in late ’17 reduced the upcoming vintage’s yield potential. Long, hot and dry was ’18’s summer and so doubling down occurred. Less yet highly concentred fruit was pretty much assured before September turned wet and humid. CSV embraces and stands firm in its dealings with nature so while there is more flesh and flavour intensity there too is the tried and true structural backbone. Surely a highly phenolic riesling but every aspect is elevated in this game. A hyperbole of itself, gangster riesling, the jumbo package, age-worthy and stone-faced beyond compare. Best ever, perhaps no but perchance something new, riveting, magnified, extravagant and well, fine. Drink 2022-2032. Tasted October 2020
The concept behind Baker’s single-vineyard riesling is for the top tier one to be possessive in the matters of majestic and dignified, which quite honestly it is. Funny vintage that ’17 was and yet in riesling there can be this slow melt, tide and release of intricacy and intimacy, which this Picone does. Like taking a picture with the slowest shutter speed, allowing the sensor a full allotment of time in its exposure to light. This is the dramatic and hyper-effect and how Baker captured the highest riesling resolution imaginable. The succulence in the acids over top juicy, juicy fruit and this great entanglement is majestic and dignified. My goodness Charles, I think you’ve done it. Drink 2021-2032. Tasted April and October 2020
First tasted at the winery in 2018 after only one year in bottle. A cooler vintage and less residual sugar (4 g/L vs. 6 in 2015) and also one reaching for its phenolics. The Alsace Clone (49) planted in 2008 is coming into the zone with this textured ’16 from one of three single vineyards on granite in East Kelowna. There is that minor number of sugar but there are acidities and reminiscences to the motherland that supersede and infiltrate the nooks and crannies of the fruit. Who in the Okanagan neighbourhood would not be envious of the clean clarity that this riesling achieves. Very focused, tightly wound and surely able to unravel ever so slowly, developing beeswax, honey and gasses as it will, over a ten year period. Drink 2020-2026. Tasted April 2020
Wound tight like a coil around a winch with precise threading and pinpoint spacing for chardonnay that wins the vintage. Reductive style to be sure but only truly noted because of the freshest vibes this side of Motown. Got rhythm and blues, not to mention funk and soul. Clean beats, in step, three-part backing vocals and a purity of sound. Taste relays all these things and more, of succulence and in satiation guaranteed. In other words timeless and the willingness to pour on repeat will be a continuous thing of perpetual satisfaction. Last tasted October 2020. There is no secret that 2016 can align itself with the best of them in Niagara and chardonnay is clearly right in the middle of the discussion. Knowing that, how could the iconic triad of varietal, producer and vineyard not rise like fresh summer fruit cream to the top of the discourse? The years of Pender and Bourgogne barrel studies have come to this; spot on in blending Quarry fruit from wood and associated forests, staves and toasts, here the crux of sonic, sonar, and olfactory waves are met in optimum phenolic crash. The crush of chardonnay, the cryogenic liquid wait and the ultimate goal is achieved. Balance is struck at 12.5 degrees alcohol and all the perfectly seasoned grape tannin you could want. Drink 2020-2027. Tasted May 2020
Set apart from the Bench wineries and while still beneath the Niagara Escarpment Senchuk Vineyard sits on more of a plain that gently slides down the Lincoln Lakeshore and into Lake Ontario. Perhaps it will become Ontario’s next sub-appellation. Sandy soil is maculated by largish stones three to four feet down. This atop a bed of grey clay so the low vigour of the sandy soil will be offer up a flip-side, a foil to the heavy clay of nearby locales like the Beamsville Bench. This third chardonnay from the home vineyard comes off of vines planted in 2011 so now this seven-year old fruit is starting to really mean something. And Ilya Senchuk is a winemaker who studies, concentrates and plans his work around clones. It’s not just about where to plant which varietals but which clone will work best and where within the greater where. Vineyard, vintage and variance. Senchuk truly believes that greatness is determined by varietal variegation, from vineyard to vineyard and from year to year. From 2018: 64 per cent Clone 548 and (36) Clone 96. Listen further. Warm season so picked on September 18. The grapes were gently whole cluster pressed (separated by Clone), allowed to settle in chilled tanks over night. The juice was then racked into barrels; Clone 548 – one puncheon and three barriques, Clone 96 – three barriques, where they underwent spontaneous alcoholic and malolactic fermentation. The lees were not stirred and it was allowed to age for 16 months. Power, body, tons of fruit, definite barrel influence, a southern Bourgogne kind of vintage, so maybe Pouilly-Fuisée or Maconnais Village with a specific Climat. For the time being we call the Village Lincoln Lakeshore and Senchuk Vineyard the geographical designation. The lemon curd and the acidity are there in a great tangle so yes, this is trés cool chardonnay. I think we can safely say already that the Pinot Noir and the Chardonnay grown in Ilya and Nadia’s home vineyard is on its own, one of a kind and makes wines that don’t taste like anywhere else. This 2018 cements the notion and opens the next stage of the discussion. Drink 2021-2027. Tasted July 2020
Exceptionalities worthy of hyperboles are befitting this chardonnay of concentration, textural satisfaction and immediate gratification. Apple distillate to nose, a walk through a perennial garden on Fundy shores in late summer bloom and then citrus in so many ways, incarnate and teeming with briny, zesty flavour. If your are counting at home, this Lightfoot family wine by way of Peter Gamble and in the hands of winemaker Josh Horton is now six years into its tenure. As the crow flies, qualitatively and quantitatively speaking refinement has never ceased to improve. Has arrived at its new Minas Basin tidal heights, crisp and salivating, finishing on the highest of notes. Chardonnay god of ocean tides, “all night long, writing poems to” Nova Scotia. Drink 2020-2024. Tasted October 2020
Dichotomy in chardonnay, grand and graceful, powerful and elegant. Reductive and not acting this way but rather in what is now descried as the post modern style of chardonnay, from Australia to New Zealand, Bourgogne to B.C. Huge fruit concentration, wood equalizing yet in check, acids controlling yet relenting, structured assured though not overly complicating. Orchards combed and fruit brought in to make the composition sing with flavour while the work put in shaves down the rough edges and pieces fit snugly together. Top vintage for this label. Drink 2021-2026. Tasted October 2020
The entirety of a sparkling wine oeuvre is modified and transmogrified, designed and decreed of a new morphology where l’Acadie is concerned. It must be conceded that the Nova Scotia varietal speciality is destined to create cracker, lightning rod, back beats and bites in Nova Scotia sparkling wine. This from Blomidon adds spice, apple skin, orange zest and stony moments throughout. It’s amazing. Drink 2020-2025. Tasted October 2020
As always 100 per cent chardonnay and 2015 is perhaps the vintage of the most golden toast, as if made by agemono, with the most lemon and lees ever assembled in a Cuvée Catharine, vintage-dated Sparkling wine. An intensity of aromas swirl around in citrus centrifuge into which the gross cells don’t seem to want to go. On the palate is where they rest, layered and leesy, textured with a sense of weightlessness and wonder. Henry of Pelham channelling an inner Japanese cooking technique. Feels like some time is warranted to pull all this together. Drink 2021-2025. Tasted October 2020
The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026. Tasted November 2020
At a Somewhereness gathering a few years back Thomas Bachelder poured me his first gamay and while I remember the light, I could not have known what complex cru notions the maniacal monk had up his sleeve. Who knew that Twenty Mile Bench gamay would gain standing in “Villages,” “Naturaliste,” and two Wismer-Foxcroft iterations. And so here we are with the more intense of the two whole cluster siblings and the one chosen to celebrate its 52 per cent wild bunch inclusion. The fermentation technique transposed seems almost “alla vinificazione Piedmontese a cappello sommerso,” though by way of sangiovese in Chianti Classico what with a glycerin feel and a formative fabric so tactile to the mouth’s touch. Stemmy? Not a chance. Herbal? Nope. More like a Côte de Brouilly to the Wismer-22’s Brouilly, not quite Morgon but savour and structure are serious, righteous and very much here. That I did not buy cases of this stuff is a real concern. Drink 2020-2027. Tasted November 2020
What Courtney brings to the table in gamay is what we’ve come to expect from Ontario, that is structurally contracted and age-worthy wine. Now understood to be a Cru designate, carved from a decade of research and well-defined. You could build an entire cellar by way of Malivoire’s multi-varietal work and the many tiers they fashion from drink now, through mid-term aging and up to here in a gamay that will go long. I’ve tasted a few older Malivoires lately and have been blown away by their longevity and also tasted this Courtney from barrel last winter. The whole bunch strategy has come to this, a knowable, beautifully swarthy, fruit protected and into the future protracted guarantee of fortitude and change. Reminds me of Michael Schmelzer’s Montebernardi Panzano sangiovese. Grande. Drink 2021-2028. Tasted October 2020
Fortuitous time and place are the combined recipient of the primary assist for Rosehall’s JCR Vineyard pinot noir, a varietal stunner that seduces from the word go. A drinking vintage, early, ethereal, not lacking but easing in and out of structure, ready to please in the proverbial vein of immediate gratification. Then the County tones, reverb and static mosey on in like a Telecaster’s light jing-a-ling. Rises to an interlude crescendo and explodes into rock ‘n roll bands. In the County the poets make these things happen, then “sit back and let it all be. Tonight, in Jungleland.” Drink 2022-2026. Tasted July and October 2020
Block “2” is genuine and fine pinot noir, a pinpointed example multi-faceted in its origins. An exclusive block and also a dedicated clone to make this what it is; ripe stem earthy in phenolics ripe and ready plus a natural and wild fruit sweetness that can’t be replicated by anything but what happens on and from the vine. Anytime pinot noir is experienced as a wine at one with site, clone and vine you know it, feel it and intuit the connection. The forging is a bond unbreakable, as here with Block number two. Drink 2020-2025. Tasted October 2020
Culmina Hypothesis 2014, Golden Mile Bench, BC VQA Okanagan Valley (414243, $49.95, Arterra Wines Canada Inc.)
The Triggs original, Hypothesis is an Okanagan Valley flagship red that celebrates the upper benches in what has become the great Golden Mile. This district is no longer a matter of new fashion, it is in fact a place to make serious Bordeaux-varietal red wine. Whether cabernet franc or merlot take the lead there is always cabernet sauvignon to tie the room of lit luminescence together. Culmina’s is bright-eyed on a face of dark fruit, chewy like liquorice and sweetly herbal, naturally sweetened by dessert warmth ripening. You smell, feel, sense and taste the land in this wine. That’s what makes it so special. Drink 2021-2028. Tasted June 2020
Methinks winemaker Ross Wise is giddy (and that’s a stretch for the stoic man of leisure) in what he must know will be the great eventuality of the Nota Bene 2018. By way of reminder this is one of Canada’s most accomplished and massive reds of great notoriety. The flagship of Black Hills in Bordeaux blend apparel, master of ceremonies and lead singer for B.C. Climat, Somewhereness and terroir. The maestro blend to speak of mystery, riddle and enigma. This ’18 is smooth and I mean smooth, ganache silky and focused. In youth you chew the mouthful, later on you’ll draw and imbibe. Further on down the road you will sip and savour. Quietly luxurious, rampantly delicious and pridefully profound. Top. Grande. Drink 2023-2031. Tasted June 2020
Ah, finally! This is the aromatic profile of a reserve style Ontario cabernet franc, well, not “the” but “a” godly one. Concentrated and layered, like phyllo or puff pastry folded again and again upon itself. May seem dense and without air at this time but with time the folds will expand and stack with weightlessness. The variegated red fruit in betweens are juicy, sumptuous and so packed with flavour they will burst when bitten into, or in this case, explode in the mouth. Texture too is all pleasure, as will be the eventuality of exceptionality created by a triangle that includes complete and fine tannin. One of the finest and from a vintage that holds the cards for cabernet franc excellence. Drink 2022-2029. Tasted October 2020
Niagara’s most premium solo cabernet franc is turned upside in 2017 and does everything that needed doing to make what is quite possibly the best solo effort in that vintage. Of fruit so dark yet pure and allowed to act, move and speak as varietal in place. Walks that Beamsville Bench walk and talks that cabernet franc talk. World-beating, wholly and truly. Drink 2020-2023. Tasted October 2020
From a La Brunante year to speak of truths and there is no doubt the team was excited about the prospects of this formidable Beamsville Bench blend. The triad is merlot (43 per cent), malbec (35) and cabernet franc (22). I’d say it was the warm climate and long season that lead to then winemaker Marlize Beyer’s decisions of assemblage. You could pour this blind with red blends from Bordeaux and Australia with nary a taster being able to truly separate one from many others. And yet there is a singularity about these aromatics that are so hard to define, like spices in their simmering infancy ahead of what brand of togetherness they will assign. As for texture and length, balance is exemplary and longevity guaranteed. Drink 2022-2030. Tasted May 2020
Some producers may be riding red blends all the way to the bank while others, including many winemakers simply love making them. Hearing about or looking at the broad term “red blends” causes many of us to think about wines that are big in every respect. Broad shouldered, big-bodied, long-legged, tannic and age-worthy. As for how these wines are made we imagine a barrel room of oak casks filled with deep, rich and dark liquids made by winemakers and their science flasks layered by endless combinations of samples in varying percentages. This is in fact how most red blends are made. Barrel and tank samples of different grape varieties are pulled and with a conditional maximum amount of each kept in mind, the constituent samples are mixed and matched until the blend just feels to come out right. Add in a bit of chemistry for scientific balance and Red’s your uncle.
Red blends is employed as that highly scientific wine-speak term used to define one of the largest, broadest and most undefined categories in wine. There are blends established in the Old World emulated and mimicked from Argentina to South Africa, Australia, New Zealand, Canada and everywhere vinifera is grown. Bordeaux’s Left and Right Bank are most commonly copied but so too is the Southern Rhône. The triumvirate of cabernet sauvignon, cabernet franc and merlot lead the way while grenache, syrah and mourvèdre are the source of much imitation. Blending does not stop at such multi-varietal exactitude because the Australians (namely) decided that syrah/shiraz goes with everything and why not. The concept of admixture or fusion is becoming increasingly relevant and the norm for red blends made in Canada, especially in British Columbia and to a lesser extent in Ontario too.
Chef Albert Ponzo’s Gnocchi with Morels
Basically anything made with two or more grape varieties qualifies and in some cases a kitchen sink is amalgamated from literally dozens of locally planted options. To be honest the methodology categorically removes said wines from every other varietal class or division, in competition or otherwise. So the question begs. How do judges at the National Wine Awards of Canada assess, rate and ultimately dole out medals when the comparisons are all apples to oranges? How do we as a team decide which blends are most deserving in a sea of peers comprised of wholly different, antithetical and multifarious combinations?
The answer is complex but in the end not exactly rocket science. Truth be told the necessity of knowing the percentages in the blend is the mother of invention. This is because each wine is a sum of its combinative parts while success is predicated on the communal effort and seamlessness of the gathering. But more than anything and it’s certainly cliché to say, wines as blends must achieve balance and those that do will reap the most reward. News flash to corroborate that theory. Most varietal wines are blends too, made up of vineyard slash vessel percentages picked, mixed and matched by the winemaker. What really is the great difference?
Is there any wonder why Canadian winemakers love the category of Red Blends? At this year’s Nationals there are 105 medals awarded to a group of wines that in their collective make-up include just about every red (plus a white or two) grape varieties grown in Canada. Read that number again: 105! Three out of four Platinum winners are from British Columbia and 12 of 14 Silvers as well. As for Bronze, 60 are from B.C., 24 from Ontario and three are from Nova Scotia.
While it would be a joyous exercise to break down all the medal winning wines it would also be one that just might put you to sleep. So for the purposes of analytical brevity and for the fact that we have an unprecedented four Platinum winners in 2019, let’s stick to these exceptional wines. The Hatch Dynasty Red 2016 is syrah and malbec from the Hans Estate Vineyard in Osoyoos raised in all new French oak for 18 months. Yes, ALL new French oak. Noble Ridge Reserve Meritage 2016 from Okanagan Falls is essentially classic Left Bank Bordeaux led by merlot with cabernet sauvignon with minor amounts of cabernet franc plus malbec. Hester Creek Syrah Viognier 2017 from the Okanagan Valley is a stunner and steal for the price though truth be told could have very easily been awarded a similar accolade in the straight varietal category. Niagara’s Tawse Meritage 2015 is a three-pronged Bordeaux varietal mix of merlot, cabernet sauvignon and cabernet franc “with so much going on you might not understand what it’s trying to say.” It’s like Glossolalia but will surely live on through epochs of Canadian Meritage notability and infamy.
OK I lied. Some mentions and some love for the Golds as well. Out of Niagara the judges jumped for the merlot, cabernet franc and cabernet sauvignon in Marynissen Heritage Collection Red 2015 and the kitchen sink blend only Stratus Red 2016 can gift; cabernet franc, merlot, cabernet sauvignon, syrah, malbec, tannat and petit verdot. The hits keep on coming from B.C., especially strong in this category demarcated by grip, grit and strength. The following 12 began their journeys with a plethora of varietal combinations, spoke with great ability to reach the judges palates and all ended up Gold.
If you don’t see a clear and obvious pattern in these Red Blends be neither confused nor discouraged because this is how things function and in turn offer up so much possibility in fresher frontiers. In today’s garden of climate change affected vineyards it is Canadian winemakers who are the beneficiaries of a wild west, anything goes environment where mates can be made across varietal lines both renewed and re-invented. Embrace the diversity and let it ride.
We finish we a special red blend tasted with Maggie Granger in Prince Edward County.
Grange Of Prince Edward Bunny Wine 2016, VQA Prince Edward County ($65.00, 1500ml, WineAlign)
Bunny Wine is nothing if not playful, a field blend that tugs on conceptual heartstrings and has been doing so for 18 months. It has come into kairos, whether unexpectedly, by chance or by the intuition of the moment, it matters little. Bunny is an extension of three plus years of furry flirtations, in cuvées that have come before, of gamay and pinot noir, of passe-tout-grains. I’ve tasted barrel samples and now here we are at the real thing, “the milk of the gamay bunny, drinkers of spillage by tipsy monks. Even if you know little or care less about bunnies and monks it’s the truth even if it didn’t happen, based on memories and perception, just as a look back at that taste and this note will be. Seamless weaving here, between Bourgogne cousins, north and south, grippy and supple. Hard to tell one from the other and isn’t that the point? From the Victoria Block, four rows of pinot next to four of gamay, picked, fermented and crushed together. All thanks to fruit of exemplary patience. Drink 2019-2023. Tasted June 2019
The inaugural year-end summary of Canadian wine excitement posted to godello.ca was in 2013 and this sixth instalment naturally includes five more than the first. The necessity begs of the process to expand because five years later even the paltry number 18 is but a fraction of what could or should be noted, publicized and celebrated. This exercise is one of the most arduous writing assignments of the calendar year, difficult to pin down, even harder to leave wonder out in omission. As I’ve said before “it’s biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada, to tell the insolent they are not welcome here anyway. The winemakers in this country are in full command of their acumen, craft and future. They own it.”
Another year of tasting Canadian wine, another year of thousands of examples shared my way. Even more international travel made it difficult to keep up the pace but I’m sure I tasted more than 1000 wines once again. We are relentless in our attention paid to Canadian wines at the WineAlign office. The WineAlign National Wine Awards of Canada convened in June at the convention centre in Penticton B.C. and judging Ontario wines happened with David Lawrason at The Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates.
Over the past 12 months my partner Scott Zebarth and I have upped our little négoce game with the fine folks at Ravine Vineyard Estate Winery. With the help of Marty Werner, Ben Minaker and Eden Garry we managed to crush, ferment, blend and bottle three new wines. In April there were 594 magnums of Aldé Rosé 2017, a 100 per cent VQA Niagara-on-the-Lake cabernet franc. Then in September we released the second vintage of Interloper Cabernet Franc 2017, VQA Niagara-on-the-Lake and our newest wine, As Is Field Blend 2017, VQA Niagara Lakeshore.
As Is Field Blend 2017, VQA Niagara Lakeshore, Ontario ($19.95)
In 2016 there were 16 wines noted. In 2015 I counted 15 on the filtered list. In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. Last year you are correct, the list held 17 spots. Roll out the 2018 red carpet. Here are the 18 most exciting Canadian wines of 2018.
Back up the truck, glug glug Gamay Rosé Flipping the Bird by @hatchwines and where’s J-do?
The Hatch Wines Gobsmacked Flipping The Bird Pink 2017, Okanagan Valley, British Columbia (Winery, $21.99, WineAlign)
We pulled this Rosé from the ice and were utterly astonished and astounded at this particular bird. It was Jason Parkes, “he named you the bird. It’s how you were generally referred. We never really understood, never really thought about much.” So we tasted again and we raised a brow, got excited and then were utterly gobsmacked. Sometimes, there’s a wine. And I’m talkin’ about the Bird here. Sometimes, there’s a wine, well, he’s the Rosé for his time and place. Mostly go gamay go with some cabernet sauvignon, utterly fresh at the peak of perfect natural volatility, red berries and grapefruit. No salve texture nor trans fat feeling left in mouth behind neither. Crushable by any amount desired. A portion of the profits from the sale of this wine are donated to Parrot Island, a non-profit sanctuary for abandoned and abused exotic birds in Peachland BC. “With time, it only made more sense, As time went by, it just made more sense. You are the bird. You are the bird.” Thank you Jason, thank you Dude. Thank you Gord. Drink 2018-2019. Tasted June 2018 hatchwines@HatchWines@hatchwines
Two years in a row. Well-deserved and just because.
Malivoire’s most important and benchmark Ontario Rosé is one of the first to the table from the 2017 vintage and why not because its quick soak and lightness of being takes no time at all to get ready. This is the antithetical beauty of Rosé and how it must be approached for best results. Malivoire does not take a step forward from the most perfect ’15 and ’16 wines but there is more fruit in this ’17. You can actually nose and taste strawberry plus a hint of tart raspberry. This will appeal to more of the general Rosé loving populace without any compromise for the provincial, provençal geeks everywhere else. It’s ostensibly a better wine in 2017 because it will attract that growing audience without having made any concessions or dis to authenticity. Drink 2018-2021. Tasted February 2018 malivoirenoble_estates@MalivoireWine@Noble_Estates Malivoire Wine Noble Estates Wine & Spirits
Fitzpatrick Fitz Rosé 2014, Okanagan Valley, British Columbia (Winery, $48.98, WineAlign)
Long lasting flavours of impression. Candied ginger, dried strawberry, every fruit shade of red, for redheads everywhere. Last tasted December 2018 fitzwine@FitzWine@FitzWine
This pinot noir is lovely, quiet and mild, a lemon-strawberry aromatic blush of the faintest noir. Fine spun, wild yeasty, truly wound tight, so focused and persistent. Drink 2018-2022. Tasted blind at NWAC18, June 2018
In 2016 the next wrinkle is a wild ferment (as opposed to the inoculated ’15), unfined and unfiltered, because as time progressed “I liked it more and more,” says winemaker Mackenzie Brisbois. No coarse filtration means some minor sediment will settle in the bottle. Smashed layers of tote-filled grapes are brought to the crushpad, in lieu of the crusher, to extract from the skins and stems, making use of the punchdown tool, while waiting before pressing. Recently bottled in December 2017 the BFR is something completely other and if 2015 was considered not, this follow-up is markedly fruity now, because it always was, all the way through during just more than a year in really old barrels. It’s a blonde riesling as per M. Gustave, if you will. “Why blonde? Because they all were.” This is the wisest of Mack Brisbois’ rieslings, calm, confident, collected and shining brightly from the word go. You don’t have to wait on this one, it’s riper, it’s unfiltered, made with a lot less sulphur than the skin contacts and those “dirty” 15s. “I like to see how little (sulphur) I can get away with,” notes Brisbois. The most accomplished riesling that she has made to date, the 16’s balance is spot on now and you will not have to wait for it to come into its cinematic stage. Drink it now and keep it longer. Drink 2018-2024. Tasted April 2018 trailestatewinemackbrisbois@TrailEstateWine@MackBrisboisTrail Estate WineryMackenzie Brisbois
Hard not to put the 1991 Cave Spring on the list but is there any good reason to not place the CSV on the list every single year?
Cave Spring CSV Riesling 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Escarpment, Ontario (566026, $29.95, WineAlign)
The CSV from a warm 2016 really expresses the vintage on the nose with a heavy dose of wet stone and every part of a ripe peach. You have to get past the early sulphur but once you do you take a good bite into the flesh of this riesling and the juices will run with accents and angles fit by tonic, pith, tangy, nervy acidity and a hidden sweetness. The sugars are surely more elevated than realized or will ever be felt because the combination of acidity and pith are covers that will never peel back. Size matters and this CSV is built with great Escarpment architecture, stepping out of the paradigmatic 2015 shadow and into another age. This 2016 begins an epoch of structural expressionism and should easily carry its construct through to the next decade. That consequently, is when this CSV will really be ready to rock and roll for a full decade more. Drink 2020-2030. Tasted March 2018 cavespringcellarsthevineagency@CaveSpring@TheVine_RobGrohCave Spring CellarsThe Vine
Godello and Paul Pender of Tawse PHOTO: Steven Elphick & Associates
Tawse South Bay Vineyard Chardonnay 2015, VQA Prince Edward County, Ontario (Winery, $35.15, WineAlign)
The South Bay Prince Edward County fruit from Huff Estates lands is simply exceptional produce, from where winds blow-dry leaning vines perched aboard a passel of solid limestone sliding into Lake Ontario. Tawse has always coveted this fruit and when Paul Pender is allowed to play with it he does so with great mindfulness in search of greater apogee. Methinks Pender both picked a few days to a week earlier and also worked the most mineral meets Ceres toast his barrels can afford. There is a deep, sonorous and resounding regard about this chardonnay. It’s both sumptuous and serious, with a flinty-mineral meets toasted hazelnut interplay. It is perhaps an Ontario nod to Les Caillerets, or just a far away coincidence, but regardless you just have to know that it’s a very special wine. Drink 2019-2026. Tasted December 2018 tawsewinery@Tawse_Winery@tawsewines
Still in the vein of the Queylus chardonnay tradition where a winemaker is always on the watch, meaning you never take your eyes off the child or the prize. The Réserve is a matter gathered from the best barrel selections but says Kelly Mason “the treatment and the worry are the same.” Slides easily away from the tropical and sidles up the the rocky places from whence it came. Chardonnay is often round and liked that way but Queylus is direct, linear, angled and also far from angular. When the Escarpment rule is followed and traced along the lines of a malolactic ruler marked by clones (in this case 76 as opposed to 95) then structure is assured. The ambition is real, the intention serious and there is no roaming far to the west or the east. All that and richness is found through every bright sip. Drink 2018-2024. Tasted July 2018 queylus@QueylusDomaine Queylus Winery
Hidden Bench Chardonnay Tête De Cuvée 2011, VQA Beamsville Bench, Ontario (278812, $45.20, WineAlign)
Tête De Cuvée by Hidden Bench, like a Champagne best of the best abstraction, makes an appeal to self-esteem and esteem for others, to consumers who have come to recognize Niagara and even more specifically, the Beamsville Bench for head of the class, cool climate Chardonnay. That mouthful congregates and works in congruence with the quality in the Tête’s composition; full-on freshness, density, weeping cerate texture, toasted and popping kernel, fine-grained localization, utterly integrated barrel. There was scant quantity (32.5 hL/h) from some very old and wise vines, pronounced like others but louder than most, from the bullhorn of a stentorian vintage. What is felt and spoken about the quality inherent from out of the finest parcels in the Locust Lane and Rosomel Vineyards Chardonnay fruit is more than a patent observation. The ability to take on toast cuts to the nougat and the synoptic rises to the ethereal ozone. Not to mention gross minerality. On the shortlist for best Niagara Chardonnay to date. Drink now and beyond 2025. Tasted twice, September and October 2014
Roche Wines Pinot Noir 2016, Okanagan Valley, British Columbia (Winery, $24.90, WineAlign)
The 2016 is purchased pinot noir fruit by Dylan and Pénélope Roche from Kozier organic vineyard on the Naramata Bench. Hand harvested and fermented in stainless steel tanks with regular pumping over and pressed after three weeks on skins. The press wine was separated from the free run and aged for 10 months in stainless steel and neutral French oak. Knowing what I know after the first blind assessment it now turns this love of love into inspiration, away from the soulless, blind pinot noir love and to something real. If there is a more honest and crushable one I’d be shocked. So exciting and new. Also tasted at Bench 1775, June 2018 rochewines@RocheWines@rochewines
Really ripe, I mean really ripe, a hematic liqueur that few others in the flight can match. From a warm site to be sure, full and thick as pinot nor thieves. Not as structured but so very, bloody and reasonably drinkable. Drink 2018-2021. Tasted blind at NWAC18, June 2018
Rosehall Run Pinot Noir JCR Rosehall Vineyard 2016, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
Though statements of monadical hyperbole should very much be avoided, a taste of Dan Sullivan’s ’16 JCR makes one think it has all come to this. The glycerin fruit endowed with so much natural sweetness and magnificently low alcohol feels like an impossibility. In a way it is but it’s also a County reality. This may just be the least astringent PEC pinot noir ever produced and at the same time seems entirely void of tension. Yet there is structure and cohesion, two functors so very necessary to see it drink well for 10 years, with great charm and further curiosity for five more after that. Drink 2018-2028. Last tasted July 2018 rosehall_runsullywineprofilewinegroup@Rosehall_Run@sullywine@ProfileWineGrp@RosehallRunDan Sullivan@ProfileWineGroup
Bright, red raspberry, light and effusive with a simple, liquid chalky feel. Really drinkable. The tart is part of a delight in composition. A good chew. Tasted blind at NWAC18, June 2018
Driest year on record with nary a moment of disease pressure. Spent 18 months in older French oak, less one barrel. This is the richest Ancienne and Nova Scotian pinot noir to date, with firm grip, structure and outright intensity. Welcome to the pinnacle of the first L & W pinot wave, the culmination of the first epoch, after which nothing will be the same and so much learning will have been achieved. Begs the question of what happens next? The vines get better is what, in fact I walked the 2018 pinot noir vines today. Their maturity and contiguous consistency will be the answer to future questions and debate. They will speak for and on behalf of themselves. Drink 2019-2026. Tasted October 2018 lwwinesrachhlightfootjhortonnskorilightfoot@rachel_hope@lwwines@lightfootandwolfvillewinesRachel Lightfoot
Two Sisters Cabernet Franc 2014, VQA Niagara River, Ontario (Winery, $54.80, WineAlign)
Released on Monday July 16th and now a Platinum Award winner at NWAC18. “This has everything that ’13 had but just a bit more weight, structure and complexity, plus volume, those last three meaning on the palate,” explains winemaker Adam Pearce. Down in volumes (30 per cent), beautifully aromatic, low-cropped, (1.25 tonnes per acre), 15 per cent new wood, 32 months in barrel, in bottle for an additional 10 months. The focus, presence and confidence of this wine stand apart, all worked specific to place and the uniqueness of the appellation. Benefits from a double-lake effect and different soils. Chalk and river stone liquidity running as a river of its own right through. Drives the point of patience, to allow a vineyard the chance to speak of its singular phraseology. The 2014 Niagara River cabernet franc may still be a ways from reaching its full potential but it has certainly hit its stride. Drink 2019-2027. Tasted July 2018 twosisters_vineyardsapearcevino@TwoSisters_wine@apearcevinoTwo Sisters VineyardsAdam Pearce
Benjamin Bridge Cabernet Franc Small Lot 2016, Nova Scotia, Canada (Winery, $57.95, WineAlign)
Still from the Kingsport farm fruit, a whole cluster ferment, no messing with stems, fully oxygenated, no carbonic maceration, 30-40 per cent whole bunch. Total output is “a barrel and a bit.” An infused aromatic ferment, green spice and a char of tobacco, utter intensity, compelling and a phenolic reality. “A myth buster incarnate,” says Jean-Benoit Deslauriers, ripened beyond the sensory borders, miles away from other territories, with generosity and juicy ripe legs. From a warm vintage, nine months in neutral oak plus nine in the bottle. Then a decant and oh how the florals open up, furthered, blooming and intoxicating. More than just a fun little experiment so please wake up and smell the Gaspereau Valley. So lively, a wee salty and all energy. Drink 2018-2024. Tasted October 2018 benjaminbridgecaveman__jonesscott.savoy@Benjamin_Bridge@benjaminbridgevineyardsJean-Benoit DeslauriersScott Savoy
Winemaker Brian Schmidt’s investigations into cabernet franc border on obsession but truth be told it’s not rocket science that makes so many fine varietal tiers. There are the six growers combed from six Niagara sub-appellations that add up to one entry-level, over-delivering cabernet franc. Then there is Bo Teek, the large estate vineyard planted in 1996 to clone 327 in the south and in 2006, to clone 214 in the north. Not to be forgotten in the cabernet franc make-up is the limestone substratum, highly significant for the trace mineral, elemental push up into these vines ensuring that no over-the top make up is required for varietal elevation, explanation and consummation. Vineland’s Reserve spends 16 months in barrel, none of which are any newer than from 2009. Fermentation, barrel, bottle, repeat. That’s it. No racking. This Reserve is the marriage of north and south, 60 and 40 per cent respectively, a combinative attack both phenolic and aromatic. The northern fruit sings some blues with crooning volatility whilst in delivery of sweet blackberry fruit. The south is all about stretched, nimble and elastic tones, elegant, more fragrance, black to red berries and less brooding. As one it’s a deeper and more intense wine than Bo Teek or Elevation, bottled in November, with higher acidity. The corollary variegation expands above what Bo Teek seems capable of executing solo. The structure here tells us it will not switch gears as early and live longer. Look for some secondary notes in the vein of black truffle, sweet balsam and dried lavender to show up after the turn of the decade. Drink 2020-2027. Tasted April 2018 vinelanestatesbenchwineguy@VinelandEstates@benchwineguy@winery.vinelandestatesBrian Schmidt
Mission Hill Terroir Series Vista’s Edge Cabernet Franc 2015, Okanagan Valley, British Columbia (Winery, $50,00, WineAlign)
You have to wonder why Mission Hill had not kicked at the can before because the Vista’s Edge is one of British Columbia’s brightest cabernet francs. It’s an important and exciting first effort from East Osoyoos fruit pulled from one of the Okanagan Valley’s farthest southern plantings. It’s a top three per cent single-vineyard, special terroir series edition that smells, tastes, feels and acts like cabernet franc. Nothing about this, not by barrel nor like varietal reminds of cabernet sauvignon. There are currant and peppery reductive meets pyrazine notes as red, bright and fresh as you’d hope they would be. The pitchy darkness of structure and hue falls because night must always follow the day and that’s what happens when cabernet franc is made this way. A long life ahead is conformed by the diphthong finish. Drink 2019-2026. Tasted June 2018 missionhillwinery@MissionHillWine@MissionHillWine
Leaning Post Syrah Keczan Vineyard 2016, VQA Lincoln Lakeshore, Ontario (Agent, $45.00, WineAlign)
The eureka moment for syrah, Lincoln Lakeshore, Keczan and Leaning Post came years ago, for it, that, they, them and I. Not together mind you but passion knows no limits and opens doors to transcend time and space. This pinpointed farm on that flat expanse so perfectly proximate to the lake is where syrah can express itself without hindrance or opposition. Here the lake is like the Mediterranean and the river like the Rhône. Together they address the clay, create a moisture gathering effect, ship out the cold fronts and usher in the warm. They make syrah like this, rich in humus, hummus and hubris, olive tapenade and sweet brine. Fruit is fruit, also sweet, but savoury, acidulated and fine. Acidity is perfect in this vintage. Length is exceptional. A new benchmark, bred from passion with the intendment to inspire commitment. One of Ontario’s best red wines. Drink 2020-2032. Tasted September 2018 leaningpostwinenicholaspearcewines@LeaningPostWine@Nicholaspearce_Leaning Post WinesNicholas Pearce
It’s about time we get something straight. Kacaba knows Syrah, in fact they should receive serious consideration for the title of Ontario’s top Syrah specialist. Two vineyards (with plantings that date back to 1997) provide fruit for several tiers, including the syrah from Terrace and Silver Bridge Vineyards and the highest quality chosen, hand-harvested fruit for this Signature Series Reserve. An escarpment’s dolomite limestone effect plays into these hands from fruit that arrives into glass through the body of arguably Ontario’s finest current syrah. The aromatic waft of a warm pastry crust is laden with red and blue berries that also fill the cool flavour centre of a pastille. The savoury candy gives way to a peppery kick before featuring a cure of salumi and a return full circle to that serious fruit. The apposite and complimentary smells and tastes are only intensified with a bottle’s decant so just imagine the possibilities that age will bestow. This is special work from Michael Kacaba with winemakers John Tummon and Vadim Chelekhov. Last tasted February 2018 kacabavineyardsvadimwineguy@KacabaVineyardsKacaba Vineyards and WineryVadim Chelekhov
Oh what a beautiful peppery syrah, ripe and floral, all of its aspects, angles and components agreed upon, all in. When Canadian (and in this case, somewhere in Ontario) syrah gets down to business, gets straight to the meaty and smoky point it does so tart, tight and coiled around your tongue and finger. This, right here just nails it. It is the best of times. This is the man. Drink 2019-2027. Tasted blind at #NWAC17, June 2017
Stratus Vineyards Sémillon Botrytis Affected 2016, VQA Niagara On The Lake, Ontario (Winery, $38.00, WineAlign)
One of the most unique dessert wines in Ontario this is neither late-harvest nor Icewine in origin. Only the third time it has been made, the 2016 sémillon launches with a smoky beginning, as expected and yet, is always appreciated. Some of the fruit is harvested early, but other bunches in the same vineyard are some of the last to be harvested. This low alcohol anti-sticky is from the warm vintage and from the same spot in the vineyard, vintage in vintage out. Most interesting is how these pristine botrytis affected grapes are picked ahead of the rest of the clean fruit used for the dry sémillon. It’s a very vinous sém with distinct apricot and longan notes. Great acids in 2016. Has still retained some waxiness and found some tropical fruit despite the early pick. All of the counterintuitive ideals tell us that the warm vintages can make for top quality dessert wine. This is the masquerade party wine made by the Way Outs band. “That’s where the fun is, way out, WAY OUT!” Drink 2019-2028. Tasted October 2018 stratuswines@StratusWines@StratusWines
As you all know I am one of the five principle critics for WineAlign in Ontario. This is a position I am extremely proud of and very fortunate to hold. That I am able to work alongside Ontario’s most notable experts is something I say thanks for and appreciate every single day. David Lawrason, John Szabo M.S., Sara d’Amato and Steve Thurlow are my friends and colleagues. I could not ask for association with a finer group of writers.
Which brings me to why you need to know that I am making some changes at godello.ca. Since February of 2012 I have been posting VINTAGES release recommendations and notes on this website. Though in March of 2014 I eliminated scores on Godello I have continued to publish full tasting notes. Every single one of my VINTAGES release picks has been simultaneously published on WineAlign (with scores), along with dozens more on wines that don’t make the shortlist.
I will no longer be publishing my current VINTAGES release tasting notes on Godello. You can still read them on WineAlign though there is a paywall behind which only premium paying subscribers are able to see the most recent reviews in the first 30 days. This is necessary and I hope you will all understand why I feel so strong about the time being right to effect such a change. WineAlign is the most important, comprehensive and trusted source in Ontario for critical review of VINTAGES wine releases. I fully support and endorse our protocol and hope that you will visit the website for your Ontario wine purchasing needs.
For those of you who wish to read my full tastings notes, I would highly encourage you to pay the WineAlign $35 yearly subscription fee (or $9.95 per quarter) to read the reviews and get the scores as they are published, to the second, in real time. You can still access my bi-weekly list of picks and to do so all you have to do is sign up as a non-paying member. I have a link called “Michael’s Mix” and my VINTAGES recommendations are assembled there.
As for now, here is my list for November 26th, if only as a teaser so that I don’t leave you all high and dry.
Some folks in Ontario know quite a lot about the B.C. wine industry but they are few and far between. Wine professionals with decades of experience and those who have travelled extensively to the Okanagan Valley and Vancouver Island have their fingers pointed in the right western direction. But most of us living and imbibing here in Ontario are clueless as to the breadth of B.C.’s wine culture. It’s not our fault. Our government is keeping us in the dark.
Ontario still refuses to agree that it should not be illegal to carry or ship wine for personal use across provincial borders. That issue is at the forefront of what keeps Canada’s wine regions isolated from one another. The Canadian Vintners Association (CVA) recently met for their annual AGM in Kelowna, B.C. The CVA is the industry’s governing board that deals with national regulatory issues, standards and policies. The idea of direct to consumer interprovincial shipping was again tabled and discussed with five MP’s from Ontario and B.C. in attendance. WineAlign’s David Lawrason was there.
“The politicians and CVA members were most vocal about getting Canadian wine moving freely and directly across all provincial boundaries in Canada. Alas, there was no breakthrough to announce in terms of more provinces dropping their opposition, but I was surprised by how loud, frequent and public the CVA and its members, as well as the politicians, have become – insisting that action be taken sooner rather than later. There was a mood in the room.” Still Ontario consumers continue to be ignorant about the wines of British Columbia. It remains to be seen if the recent CVA meeting will help constitute a step forward.
Back in June we took the WineAlign National Wine Awards of Canada on the road and hunkered down in Penticton, British Columbia to assess and pick winners from over 1,500 Canadian produced wines. And we did so much more. First we paid a visit with The Wines of British Columbia for the Judgement of B.C. The second annual cage match was hosted by the B.C. Wine Institute and took place on Tuesday, June 21, pitting 12 B.C. Wines against 12 acknowledged global benchmarks. Riesling and Pinot Noir squared off, curated by DJ Kearney and judged by a who’s who of Canadian wine writers, critics and educators, along with international WineAlign Awards judges Dr. Jamie Goode and Elaine Chukan Brown.
Max Ferd. Richter Graacher Himmelreich Riesling Kabinett 2013 from the Mosel Valley, Germany placed first in the Riesling category, followed by two B.C. entries, CedarCreek Platinum Block 3 Riesling 2014 BC VQA,Okanagan Valley, B.C. and Wild Goose Stoney Slope Riesling 2013 BC VQA,Okanagan Falls, B.C. Three international Pinot Noirs medalled, Bouchard Père Premier Cru Beaune Clos de la Mousse Monopole 2012, Burgundy, France, Bachelder Oregon Pinot Noir 2012,Willamette Valley AVA Oregon, USA and Felton Road Bannockburn Pinot Noir 2014, Central Otago, New Zealand. B.C. Pinot Noir took the fourth, fifth, sixth, seventh and (tied for) eighth spots. “What was really interesting when I tasted through those 12 wines blind, I couldn’t pick out the BC Wines which tells me they belong in their peer group which is a ringing endorsement for BC Wine that we’re on the right track,” noted Dr. Jamie Goode.
Faultless evening @OKCrushPad above reproach and the wines beyond #nwac16
As the week progressed, the WineAlign judges paid visits to Okanagan Crush Pad Winery in Summerland, Culmina Family Estate Winery in Oliver, Tantalus Vineyards in Kelowna, Rustic Roots Winery with the Similkameen Wineries Association and Deep Roots Winery on the Naramata Bench. I tasted more than 100 wines over the course of the five days from the appellations of Okanagan Valley, Okanagan Falls, Oliver-Osoyoos, Golden Mile, Similkameen Valley and Naramata Bench. Whatever I thought I knew and understood about wines coming from B.C.’s diverse and variegated landscapes has been tossed out the window and diapason replaced with an entirely renewed subset of thought. It is even clearer to me now, from an Ontario perspective with limited access to B.C. wines and an even smaller vocabulary that here in this province we really don’t know shit about B.C. wines.
Exceptional eats @CulminaWinery in adroit by @Quintoquorto and @hooydonk_van
In talking and reflecting recently with Elaine Brown she told me how “Canada’s Provincial restrictions around wine have created what are essentially isolated sovereignties of wine. There is a lot of good wine made throughout Canada but speaking with wine lovers across the country I am impressed with how little access they have to wines from other provinces.” Brown hits the proverbial screwcap right on the head. In a country where distance makes community so difficult, the only way to seek unity is to tear down trade barriers and that is something our provincial government has outright refused to docket. As a result, the consumer in Ontario has little access to the diversity that the B.C. wine industry has to offer.
So much @WineBCdotcom amour in the @tantaluswine cellar last night #nwac16
One of the great B.C. revelations on the June trip was all about riesling. In his recent WineAlign column, Rhys Pender wrote the following. “It feels to me that the last few years have seen a really strong focus towards quality in BC. Not that good wines weren’t made, but most of the riesling seemed to be aimed at being a low price, broad crowd pleaser. More and more wines are a little pricier but a lot more intense and quality focused. This was evident in the recent judging of the National Wine Awards of Canada. To be honest, Ontario riesling has pretty much always been superior to BC in these competitions and while there were still many great Ontario wines, this year things were different and many of the best rieslings I personally tasted in my flights were from BC. Less simple, fruity wines and more serious, intense and concentrated examples. Seven of the top ten riesling overall were from BC this year including the Gray Monk 2013 Riesling which won a Platinum medal. An impressive showing.”
Another adumbrate scoop came outlined in out-of-the-box white varietals, with very interesting results by albariño, grüner veltliner, muscat ottonel and trebbiano. The same quality of wines made from these grape varieties can’t be found in Ontario, nor can the success of red blends from the Similkameen Valley and from single varietal reds in the Okanagan Valley as a whole. When B.C. winemakers begin to dial back the oak and take full advantage of ripe, fresh fruit, the world won’t know what hit them. In his National Wine Awards of Canada report, David Lawrason noted that “two B.C. wineries, Moon Cursor and Stag’s Hollow, are worth watching for their medal winning experiments with grapes like tempranillo, grenache and petit verdot.” Another nod to experimentation.
I liken the Okanagan to South Africa, a varietal playground where just about anything can achieve phenolic ripeness in almost any given vintage. B.C. has one distinct advantage and that is a cooler climate. It should be exploited to the fullest, in the name of balance and quality. Though I tasted many more, in the name of 5,000 words or (slightly more) brevity, here are notes on 40 wines tasted and reviewed in June.
Bartier Bros. Cabernet Franc Cerqueira Vineyard 2013, Okanagan Valley, British Columbia (Winery, $30.00, WineAlign)
A rich, savoury mess of red fruits comes clean if surreptitiously divided by barrel on the nose on this gently intended cabernet franc from the gentle Cerqueira slope. More than a modicum of concentration of dusty raspberry and some new leather jacket. Silky smooth mouthfeel and the condensed tangy extraction really pops up on the finish. Another crunchy, chewy, smoky, serious cabernet franc turning bitter and tough with alcohol and bramble on the finish. More freshness would be ideal so let it rest for two years instead. Drink 2018-2022. Tasted June 2016 @bartierbros
Bench 1775 Semillon 2015, BC VQA Okanagan Valley, British Columbia (Winery, $19.90, WineAlign)
A virtually bone-dry, stainless steel raised semillon that is quintessentially fresh and varietally correct though even more attentive to the Okanagan Valley. There is an abundance of fruit in the green mango/citrus realm and a je ne sais quoi spirit. All in all quite amenable and no reason to seek a future dripping with honey. The sense of anti-austerity, fruit over mineral reaction means drink it young. Drink 2016-2019. Tasted June 2016 @bench1775
Black Hills Viognier 2014, BC VQA, British Columbia (Winery, $25.00, WineAlign)
A very impressive viognier from a mother nature conspired vintage to make it shine. This is so very viognier as much as it is B.C. which is a great thing. White floral, viscous and split between honey suckle and white pepper-edged, green apple bite. Against all odds in a way and certainly a top example for the region. Drink 2016-2019. Tasted June 2016 @BlackHillsWine
Black Hills Nota Bene 2014, BC VQA, British Columbia (Winery, $52.09, WineAlign)
This Nota Bene can be espied as of the Okanagan Valley’s most ambitious reds filled with good notes, in winemaking conditioned real tones, as opposed to pure, simple acoustic ones. The Black Sage Bench blend of cabernet sauvignon (52 per cent), merlot (33) and cabernet franc (15) is pulled from two vineyards, Double Black and Sharp Rock. The proprietary junction is criss-crossed where rich chocolate takes up address at a certain genre of Napa ideology. Black Hills’ premium wine is big and full of brawn, backbone and guts. The three real tones played together express pronounced dissonances between many of their harmonics. Dissonance is related to (barrel developed) spice so I would think that a minimum of five years will be needed to connect and make seamless the overlapping harmonics. Drink 2019-2025. Tasted June 2016
Bordertown Living Desert Red 2013, Okanagan Valley, British Columbia (Winery, $25.00, WineAlign)
The first vintage of Mohan Gill’s 600 case merlot and cabernet franc blend is one of the more curious and engaging Osoyoos reds that is really worth some study. The 18 months spent in all new French wood should ring the alarms but instead it seems a combination of vaguely engaged and greatly spectatorial. Reduction and volatility strike an accord with the wood and the result is a rich, meaty, full on expression from which fruit emerges virtually unscathed. “It’s the first vintage,” shrugs Gill, “what else could I do?” More of the same Mohan. Drink 2017-2020. Tasted June 2016 @BordertownWine
CedarCreek Amphora Wine Project Desert Ridge Meritage 2014, Okanagan Valley, British Columbia (Winery, $60.00, WineAlign)
Winemaker Alexis Moore inherited the (Chianti sourced) clay amphora from former winemaker Daryl Brooker and this (second vintage) meritage is her first kick at the urn. The co-fermented, all natural, don’t even think about peeking and sneaking a taste blend is cabernet sauvignon (54 per cent), cabernet franc (35) and malbec (11). The hallmark desert notes of rich, caky and dusty are necessarily present but it is the preservation of red earth savour that gives this formidable flagon of magic juice its inimitable personality. Mature rows of fruit are to blame and thank for the just desert reward. Transferred to amphora the fruit is preserved in such a way no B.C. reds have ever really seen and the new territory is not so simple for making quick, on the spot judgements. I have thought about this wine for quite some time and the conclusion is positive for two important reasons. Spice and tannin. Together they combine for an infinite finish. Here is the crux of the vessel’s power, to preserve fruit and slowly release its charms within the structure provided. Drink 2018-2024. Tasted June 2016 @CedarCreekWine
CedarCreek Platinum Series “The Last Word” 2013, Okanagan Valley, British Columbia (Winery, $77.99, WineAlign)
The “Last Word” is at the pinnacle of CedarCreek’s Platinum Series, single-vineyard wines and only made in “nature conspired,” exceptional vintages. The biggest and baddest red is a “wine that leaves nothing left to say,” thus the moniker. The blend is cabernet sauvignon (34 per cent), merlot (32), cabernet franc (24) and malbec (10) in true Meritage style. Talk about big reds, talk about the passion. Plan on getting extra hours of REM sleep after a glass, after the punch, the ripest fruit, tempered chocolate, grip and after the heavy hitting acidity. Every crevice is filled in with a jangle of notes and few winemakers can find balance with such a wealth of material. There is simply no way not to make a bold, tannic statement. “Not everyone can carry the weight of the world” but CedarCreek has managed to grin and bear it. Drink 2018-2026. Tasted June 2016
Church & State Coyote Bowl Series Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)
Reductive, dark, stormy raging and off the charts spicy syrah but there is terrific ripe fruit and cool, cool savour. Edgy but tannic within range. After the violets come sweet purple palate fruit but it’s a feigning sweetness. Long drifts of acidity and tannin but again, like so many Okanagan peers the finish dusts with espresso and not the mocha. The spice lingers well after all else has resolved. Drink 2016-2020. Tasted June 2016 @ChurchStateWine
Clos Du Soleil Estate Reserve Red 2012, Similkameen Valley, British Columbia (Winery, $58.90, WineAlign)
The apropos named winery, the “Vineyard of the Sun,” describes British Columbia-Okanagan-Similkameen so well. That and what can happen when Bordeaux varietals are the recipients of proper sun-worshipping phenolic journeys is the crux to understanding and enjoying such a proper and righteous red. Tasting this Michael Clark characteristic fruit handling facture with Spencer Massie sheds enlightened light on the Clos du Soleil passion project and the red ability of the Similkameen Valley. Taken from the Estate Vineyard on the Upper Bench of the Similkameen Valley, the prettiest and most inviting nose pops up here, led by cabernet sauvignon and in usage of all five Bordeaux varietals. The best red fruit, the hint of mineral and sage, the aridity of the land, the restraint from wood. It’s all correct and truth be told. Solid red blend. Drink 2016-2022. Tasted June 2016 @ClosduSoleil@spencemassie
Corcelettes Menhir 2014, Similkameen Valley, British Columbia (Winery, $31.90, WineAlign)
It’s hard not be endeared into the red blend culture of the Similkemeen Valley and the variegation various positions occupy on the slopes of its benches. This ode in OZ style of cabernet Sauvignon (62 per cent) and syrah (38) is pulled from vines set on the rocky soils of the Corcelletes Middle Bench Vineyard. Though the herbal, savoury, currant and tobacco laced cabernet should dominate it does not with witness thanks to a more than peppery edge and black fruit ooze of the syrah. Only the Similkameen can bring such shared duality and find common ground like this in the overall B.C. genre. Like Beamsville in Ontario and with grace in wood usage, here the two varieties co-exist with copacetic simpatico. The ancient monolith believed to date back 2741-2488 BC on the Baessler family farm off the shores of Lac de Neuchatel, Switzerland gives this blend its name. This wine is no monolith, nor does it strike as ancient or antediluvian, but it does stand out as singular for the Similkameen and for B.C. Drink 2016-2021. Tasted June 2016 @corcelettes
Culmina Dilemma 2014, VQA Okanagan Valley, British Columbia (Winery, $35.65, WineAlign)
The road taken for this chardonnay should have led to rich, buttery and fat because the approach mimics a throwback west coast style. Alcohol, pH, new barrel usage are all generous but so is acidity. So this could have emerged huge but it’s impossibly restrained. The cool-climate metal factor sings with austerity and the gemstone crunch folds with richness. The Margaret’s Bench land speaks and gives so all tolled Culmina’s signature chardonnay is a study in heutagogical learning because it teaches knowledge sharing. This is chardonnay and in many ways, this is Burgundy. Chances taken have landed reward, if a bit unexpected, but certainly appreciated. Drink 2016-2019. Tasted June 2016 @CulminaWinery@CulminaSara
Culmina Merlot 2013, VQA Okanagan Valley, British Columbia (Winery, $31.00, WineAlign)
Red over green merlot to substantiate a vintage called better on the Golden Mile (Arise) Bench. Here is bone-dry, full malolactic, high acidity merlot, so very vacuous, inward, implosive and wild. The wood blankets with purpose in lieu of reckless abandon and because the fruit is just ripe enough to defend itself the return is an effusive one. Would love to taste this merlot in a best vintage with 20-25 per cent less new oak and a number close to this healthy 6.4 g/L of acidity. Now we’re talking, in tones red over green. Drink 2017-2021. Tasted June 2016
Culmina Unicus 2014, VQA Okanagan Valley, British Columbia (Winery, $31.05, WineAlign)
B.C. is a playground for experimentation, a place not unlike South Africa where phenolic ripeness is almost always accomplished yet it has a distinct advantage. Cooler sites and the availability, if embraced, of equally ripe acidity. So grüner veltliner, along with trebbiano, muscat ottonel, auxerrois, sylvaner and others should be investigated. Culmina’s work with grüner is fought properly, in a combination of concrete amphora, egg and steel, allowing varietal to share equal ground with terroir. A sense of some white-ish rhubarb here is noted in the most complimentary vegetal sense, along with white flowers and a dash or two of white pepper. This is a gustatory and gastronomic grüner with intensity and vitality that good slope Marlborough sauvignon blanc will similarly give. The difference here is the absence of searing citrus which is a good thing, all things considered. Drink 2016-2018. Tasted June 2016
Deep Roots Syrah 2014, Naramata, British Columbia (Winery, $34.00, WineAlign)
Tasted twice, first blind at #NWAC16 and then at the winery, this is syrah with a dual northern intent, more Naramata than Rhone though the bent is a soulful repent in the church of St. Joseph. Beautifully savoury and smoky, like a big meat and smoulder sandwich with great fruit and a silken texture. The peppery bite is a sure tell sign of well-made syrah. Drink 2016-2020. Tasted June 2016 @DeepRootsWine
Gehringer Auxerrois 2015, BC VQA Okanagan Valley, British Columbia (Winery, $13.29, WineAlign)
Despite the off-dry (11 g/L RS) directive because that is what auxerrois always wants to do and though the vintage brings much warmth, this persists as a delicate and fresh wine. Auxerrois as a grape variety is set in an imprecise past, shaded by myth, carried forward and planted decades ago in B.C. These old vines could tell stories but today its fruit expresses itself simply, with richness and with plenitude. I wouldn’t tie a cellophane bag around one and leave it in the cellar to revisit in 30 years. I’d rather hook some trout, pan roast it and work in some acidity. The auxerrois will compliment such a move just fine. Drink 2016-2018. Tasted June 2016 @GB_Wines
Haywire Chardonnay Canyonview Vineyard 2013, BC VQA Okanagan Valley, British Columbia (Winery, $22.90, WineAlign)
From the Summerland vineyard, raised in concrete and emerged with a semi-unoaked feel. There is a certain sort of sweet condense as if a tank and a barrel had merged. Clearly managed in the slow, micro-oxygenated way, with notes of curd, cream and whey. A chardonnay smoothie with many beneficial enzymes running wild, the yeasts working and munching away. Still retains a cool-climate feel regardless of the vat influence with top notch acidity and tannin to lengthen the chain. Drink 2016-2019. Tasted June 2016 @Haywirewine@OKCrushPad@brixandmortar
Haywire Pinot Noir 2014, BC VQA Okanagan Valley, British Columbia (Winery, $27.00, WineAlign)
From the steep limestone and granite Waters & Banks Vineyard, this is a limber, lissome and rusty pinot noir, gently pressed, caressed and left to find its own singular way. Reminds me of the salinity graced Willamette Valley, set upright and alert on the bright side of life. Their is a musky lime aroma and a lithe tartness that belies its mineral gifting. Well done. Don’t envision this losing its charm any time soon. Drink 2016-2020. Tasted June 2016
Hester Creek Trebbiano Old Vines Block 16 2015, BC VQA Okanagan Valley, British Columbia (Winery, $22.95, WineAlign)
From vines planted in 1968 which in itself is a wild and mind-blowing proposition. Trebbiano has well-adapted to the Okanagan Valley, or at least these two acres have and only fools would not try to get their hands on one of the 1100 cases produced. No it’s not Emidio Pepe nor is it your nonno’s trebbiano but it is a singular expression for B.C. Terrific acidity layers over rich and viscous stone-orchard fruit. Something creamy evolves, not like similar styled Okanagan viognier but in another realm. It’s a derivative sensation, like the way children look like their mothers, so the connection to Abruzzo is really there. This is a special proprietary moment and good on Hester Creek for brokering the proviso. I will agree to abide. Drink 2016-2020. Tasted June 2016 @HesterCreek
Hillside Muscat Ottonel 2015, BC VQA Okanagan Valley, British Columbia (Winery, $24.99, WineAlign)
Floral, as expected, but in contrast to the globally spoken style, this does orange blossom and mineral mining with equal and opposing ease. Acidity rings round, not overtly meaningful but nonetheless wild. From 30-plus year-old vines (circa 1982), to not find fun, joy and pleasure would be to miss every pertinent point. Hillside presents a provincial comic flick of a muscat phrase and does so with lighthearted resourcefulness and ingenuity. Drink 2016-2018. Tasted June 2016 @hillsidewines
La Stella Fortissimo 2014, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)
In 2014 Fortissimo is mostly merlot with sangiovese playing a vital role along with a splash of cabernet sauvignon. This is found to be softer, more amenable and structured with bungalow sprawl. Bright, maximum juiced red berry fruit resemblance is anti-savoury, friendly, and ready to roll but still with some smoky spice. The 21 per cent sangiovese is significant (up seven points from 2013) so the Classico factor runs high. This is the alternative world case of Fortissimo where in some years you make Chianti Classico and in others, Gran Selezione. Though she may not consider 2014 to be her most accomplished Fortissimo, winemaker Severine Pinte will have to accept that she has procured a very elegant red blend. A Classico. Drink 2016-2020. Tasted June 2016 @LaStellaWinery
Laughing Stock Portfolio 2007, Naramata Bench, British Columbia (Winery, $52.95, WineAlign)
Poured from Magnum the LSV ’07 has resolved from cool vintage and micro-oxidation into cool-climate meets right bank stylistic personality. Soy, Chinese five-spice, cassia, balsamic, fig and a caramelization that lists to part vegetal and part demerara sugar. The palate is expressly vital still, carrying a torch that for a cabernet-merlot Okanagan blend is fun to reason with. Magnum is obviously a major plus for this nine-year advancement. Sweet with no noticeable heat finish. Drink 2016-2018. Tasted June 2016 @lfngwine
Maverick Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)
Winemaker Bertus Albertyn bottled a meagre 200 cases of this Golden Mile Bench sourced syrah after 18 months in three to four year-old French Oak. If you are a fan of fresh, well-spoken, confident and blessedly transparent syrah then look for the next vintage of this sold out beauty. So gauzy gossamer textured, peppery but of scant bite and driven by a northern, smoky beat. The cure and depth in its make-up nearly adds up to beefy but its form of athleticism is built upon the quiet politesse of its maker’s execution. The comparison must be made to septentrional Rhône and the lack of new oak is so appreciated. This is a wine to watch for. Drink 2016-2020. Tasted June 2016 @MaverickWinery
Moraine Gewürztraminer 2015, Okanagan Valley, British Columbia (Winery, $17.90, WineAlign)
Classic Okanagan Valley gewürztraminer with a touch of mute reserve relative to more forward peers. The aromatics pause at traditional exoticism then veer to pear and apricot. The palate concentrates the off-dry varietal tendency with a furthered spin out of the seed orchard and into the pit. Not necessarily a gewürztraminer with extended play acidity but highly pleasurable nonetheless. Drink 2016-2018. Tasted June 2016 @MoraineWinery
Moraine Riesling 2015, Okanagan Valley, British Columbia (Winery, $19.90, WineAlign)
Slightly airy and hyper-opiated riesling up to here, of burgeoning talent, suggesting what is yet to come from Moraine with respect to the great varietal Okanagan potential. On the off-dry scale this falls somewhere in the middle, going at it with heavy Mosel fuel. Quite intense with acidity to match. Hip riesling, “addicted to approval, addicted to the air. It was see if you like it or see you up there.” Drink 2016-2020. Tasted June 2016
Moraine Pinot Noir 2013, Okanagan Valley, British Columbia (Winery, $25.95, WineAlign)
Moraine’s Okanagan Falls pinot noir is lambent with great rust and conversely vapid in desert dust. The entire red fruit spectrum is seemingly sung and stung with range and breadth; cranberry-cherry-pomegranate-strawberry-raspberry, from tart all the way to sweet. Taut, tight and bracing. This will work with pairing pride for short to mid-term enjoyment. Drink 2016-2020. Tasted June 2016
Quails’ Gate Chenin Blanc 2015, BC VQA Okanagan Valley (Winery, $18.95, WineAlign)
The fruit hails from both Quails’ Gate Estate and Osoyoos vineyards. Tasted just three months after bottling, the sweet (whole bunch pressed) serenity of chenin blanc has already settled in with equal and opposing acidity in tact. An angle of bitters works the lush fruit (thickened by a small percentage of older wood) and weaves the two as one in this eager and enthusiastic young (albeit early sulphur persistent) white. A splash or two of sauvignon blanc helps in the ushering. Drink 2016-2020. Tasted June 2016 @Quails_Gate@@hobbsandco
Quails’ Gate Connemara 2014, BC VQA Okanagan Valley (Winery, $64.00, WineAlign)
The inaugural vintage and first ever Quails’ Gate Bordeaux-style blend is winemaker Nikki Callaway’s ode to her stage/cellar hand/winemaking time spent in Bordeaux. The cumulative of merlot (55 per cent), cabernet sauvignon (30) and cabernet franc (15) is formidable in its perplexing youth, taut, rigid and so very tannic. The minor’s current approach is virtually unapproachable but look for something to grab for, like perfectly ripe fruit or structure. The beatitude is easily found in these two essential components. You’ll then think “if you were another pretender, oh I’d pass you by,” but in the case of the Connemara, put in the effort and the time. The reward will come later. Drink 2018-2028. Tasted August 2016
Quails’ Gate The Boswell Syrah 2014, Okanagan Valley, British Columbia (Winery, $61.05, WineAlign)
Named in ode to grandparents, The Boswell is a deep, brooding and extreme-bodied syrah that is actually quite floral. Smoky, meaty, chewy fruit mixes with tar and roses in a heightened, variegated state. Rich and piqued by peppery spice and then the chocolate warmth settles in on the finish. Sip again and note that every pass circles back to the beginning. Though it nods to the northern Rhône and wells up like Barossa, you can’t take the Okanagan out of the Boswell. It wins every time. Would prefer to see this again in three years. Drink 2019-2025. Tasted June 2016
Stoneboat Vineyards Pinot Noir 2013, VQA Okanagan Valley, British Columbia (429332, $29.95, WineAlign)
I tasted this blind at #NWAC16 and with Larry Martiniuk that same week and both times was struck by the electric pinosity, density and beneficial volatility. The pre-integration period is apparent so I’d hazard a guess that 18 months more are needed to assimilate the 18 months spent in (20 per cent new) French oak. To whiff it’s like peat moss mixed with a cassia-cassis cocktail. Black cherry sweetish on the palate and quite spicy. This neon pinot is quite volatile and yet closed, but it carries a downy pilosity texture. Very west coast. Though I return to thinking it out of whack, still feeling the alcohol and wondering why it has to be so loud, the texture and the complexity always bring me back. The raindrops are alive. Drink 2018-2022. Tasted June 2016 @stoneboat@Noble_Estates
Synchromesh Riesling Storm Haven Vineyard 2015, BC VQA Okanagan Valley, British Columbia (Winery, $31.90, WineAlign)
If this riesling is sweet I couldn’t say. That is the first thought that comes to mind. From Alan Dickinson’s home property, this is his baby, an Okanagan Falls derived riesling that lives an entirely holistic existence. No spraying, none, nada, niente. Not ever. The wine could not get any cleaner. Purity is its cognomen. The vineyard is subject to the highest diurnal temperature swing than just about anywhere in the valley. That might explain the risk-reward probability factor. The technical specs are a triumvirate of implausibility; 46 g/L RS, 11.5 g/L TA and pH below three. What? This is the most impossible wine made in B.C. In its concentrated velocity it wheezes like something ancient. We could almost be drinking Greek debina or 20 year-old Alsatian auxerrois. Dickinson makes three passes over each of the two blocks so even if the hands are off, the meticulous picking breeds asepsis. Citrus such as found in the Storm Haven fruit does not happen very often, if rarely. It’s like citrus soma. Citrus unknowable out of determination unthinkable. Direct misunderstanding by indirect whimsy. And so the vintage offers good fun but not greatness. Imagine the possibilities. Drink 2018-2027. Tasted June 2015 @SynchromeshWine
Synchromesh Riesling For Shadows Vineyard 2015, BC VQA Naramata Bench , British Columbia (Winery, $23.00, WineAlign)
Like its brethren Storm Haven Vineyard, this Synchromesh draws blood from stone in holistic ways that few Canadian riesling seem to do. The Four Shadows is different in that it chooses wisdom over risk. A clear, clean and precise nose reveals lemon drop and a honey drip. Though the sugar is more noticeable than the SHV, the older world (Germanic) impression is filled with a sense of tradition. The vineyard is in fact of very high elevation on an extremely steep slope (think Mosel) of gravel and clay layered over fractured bedrock and granite. The sugar is also elevated (50.93 g/L) and the acidity lower (8.4 g/L) so what you get may seem to lower the impossibility factor. Don’t be fooled into thinking this a riesling of privilege and lassitude. It does not drip with sleep but rather rages with life. The stones seem to speak. And the riesling listens. Drink 2016-2022. Like its brethren Storm Haven Vineyard, this Synchromesh draws blood from stone in holistic ways that few Canadian riesling seem to do. The Four Shadows is different in that it chooses wisdom over risk. A clear, clean and precise nose reveals lemon drop and a honey drip. Though the sugar is more noticeable than the SHV, the older world (Germanic) impression is filled with a sense of tradition. The vineyard is in fact of very high elevation on an extremely steep slope (think Mosel) of gravel and clay layered over fractured bedrock and granite. The sugar is also elevated (50.93 g/L) and the acidity lower (8.4 g/L) so what you get may seem to lower the impossibility factor. Don’t be fooled into thinking this a riesling of privilege and lassitude. It does not drip with sleep but rather rages with life. The stones seem to speak. And the riesling listens. Drink 2016-2022. Tasted June 2016.Tasted June 2016
Tantalus Blanc De Noir 2013, Okanagan Valley, British Columbia (Winery, $31.90, WineAlign)
Winemaker David Paterson “squeezes it like Champagne” and lets it rest for six months in chardonnay barrels. Two years of triage and boom! Freaking elegant Blanc de Noir. Rusty, rosy, the absolute spot on ripe vernacular spoken, the right tart exposed. It’s curious and foreshadowed thinking to know that 100 cases have been set aside for a five to seven year disgorgement. D’ya think Paterson is high on the vintage? Tasted June 2016 @tantaluswine
A single block of Clone 93 pinot noir planted in 1985 is responsible for this breath of fresh Okanagan Valley Blanc de Noir. Fashioned with the omnipresent Tantalus acidity, this rages out with aridity, salinity and palpable tension. Only pinot noir can act like this, with layers of sous bois and fraises du bois. The age of the vines, the early-picked necessity and the allowance for needful and natural expression has resulted in a wine simply stressed as terroir and boîte. Carries the acidity and the tension across and through the palate. Finishes as dry as it started. Drink 2016-2020. Tasted April 2016
Tantalus Pinot Noir 2013, Okanagan Valley, British Columbia (Winery, $29.90, WineAlign)
The vintage was not shy to gift dark, optimum-achievement in phenolic fruit and along with that ripeness comes even deeper tonal intent. Red hyperbole is elevated by striking acidity, setting this Pinot Noir up for really high expectations. The palate does not disappoint. Flavours range from black cherry to charred meat making for a highly gustatory experience. Chewy and enjoyable describes the time spent with this wine. It will offer great pleasure in the short term. Drink 2016-2018. Tasted April and June 2016
Tantalus Riesling 2015, Okanagan Valley, British Columbia (Winery, $23.00, WineAlign)
Two months later things have changed and yet not at all. There are more tricks and inducements (as compared to 2010) but don’t be fooled because with a difficult (sweltering) vintage the wine makes you think you can get close. But you can’t. You are further away than you think mostly due to incredible citrus and wild rhythms swimming through raging riesling waters. Change of plans. Drink 2018-2024. Tasted June 2016
Well with the arena of aridity, salinity and sheer marketability, here is a showy Tantalus with super searing lemon flavours emerging out of great atmosphere and aromatic intensity. Some Riesling taketh away and some are mouth watering, like this. The stone fruit goodness attacks and sticks to the tongue like sap, then glides effortlessly down. Tantalus might make me think of things that are out of reach, “standing in water, but dying of thirst, this is my thanks and this is my curse.” Yet this early to market 2015 Riesling offers an antithetical view, ready, willing and able to please. Drink 2016-2019. Tasted April 2016
Tantalus Riesling 2010, Okanagan Valley, British Columbia (Winery, $22.90, WineAlign)
I’m thinking that no other B.C. riesling tries, trips and tricks with intense tribulation like the Tantalus, especially with a look back at this 2010 ripper. Though just now emerging from out of its saline crusted shell, the liquid stone injection will always render this a tantalizing wine so while it seems to open a door a part of it will always remain just out of reach. This 2010 can retrospectively be looked at as a genre defining riesling at the hands of an engaging young winemaker to be. Tasted June 2016
Tinhorn Creek Oldfield Series 2bench Red 2012, BC VQA Okanagan Valley, British Columbia (Winery, $29.99, WineAlign)
Naturally south Okanagan crunchy, chewy, spicy and taut red blend. From two benches, the Golden Mile (Tinhorn Creek Vineyard) and the Black Sage Bench (Diamondback Vineyard). This is quite a ripper in that magical $30 middle ground with power to impress as much as many peers two times the price. That said it certainly retains its tangy, two-step, red fruit freshness, with cool savour, like two mints in one. Kind of reminds me of Coonawarra, especially the Penfolds Bin 169, so perhaps when brought together there is a Bench similarity with the Terra Rosso soil. Or perhaps just a stab at clouds. Either way this 2012 takes over from the vital 2011 and runs with the baton. Drink 2016-2021. Tasted June 2016 @TinhornCreek@Andrew_Tinhorn@SandraOldfield
Upper Bench Zweigelt 2014, BC VQA Okanagan Valley, British Columbia (Winery, $25.00, WineAlign)
I’ve not had the opportunity to taste the go between 2013 but progression and evolution are found in the bright red fruit of this 2014 zweigelt from Upper Bench. The aromatics travel east and west, as if coast to coast and on a global trek. I get the foraged berries, baking scents and the felled evergreen mixed with fresh cocoa. I also sense garrigue, as well as jasmine in the early evening. Though the sugar is elevated (an insignificant 0.6 g/L up to 2.9) the wine was picked at lower brix (23.5 as opposed to 24.2) and so the acidity is given the chance to feign higher. The alcohol is hefty (14.4 per cent) but the overall balance is improved. Dialled back a bit but another notch or two would really do justice to the grape. Early consumption is still the order and fresher remains the promise. We’ll see what the warm 2015 vintage will bring. Drink 2016-2018. Tasted June 2016 @upperbench
Wild Goose Pinot Blanc Mystic River 2015, Okanagan Valley, British Columbia (Winery, $19.00, WineAlign)
A few clicks north of Oliver comes this maximum juice master of a pinot blanc, like a tart gooseberry cake with a warm, yeasty crust. It’s like autolytic sparkling wine without the bubble, foiled by a sauvignon blanc faux botrytis thing going on. The acidity is well suited to match the exuberant fruit. Roland Kruger points a finger to the vineyard (right along the south Okanagan River) to explain the aromatics. The addendum of 20 per cent barrel fermentation is the key that turns the textural screws. As far as pinot blanc goes, “it’s open mike, punk rock, (it’s natural), red, white and blue.” This Wild Goose. Drink 2016-2019. Tasted June 2016 @wildgoosewines
Wild Goose Gewürztraminer Mystic River 2015, Okanagan Valley, British Columbia (Winery, $19.00, WineAlign)
Wild Goose is proving to be a gewürztraminer leader in the Okanagan Valley not just for its adherence to rose petal and lychee varietal correctness but also for aromatic elegance. Terrific texture marks the ’15’s territory (a trademark of Wild Goose whites) and here you get drying wax still pliable and malleable. The aura is distinct and the wine so very amenable. Really well made Mystic River output. Drink 2016-2020. Tasted June 2016
Good night and many thanks @tantaluswine #kelowna #nwac16
Godello 