September has its share of excellence being revealed, particularly this coming weekend with the VINTAGES September 13, 2014 release. This is a perfect time to investigate the wares from this province. The weekend also marks the launch of the #LCBOtastelocal initiative, in conjunction with Wine Country Ontario. Then on October 2nd, Wine Country is coming to the Royal Ontario Museum. There will be 255 wines poured by 55 producers at Taste Ontario.
For years now the fine wine and premium spirits division of the LCBO, known benevolently to Wineontarians as VINTAGES, has been rolling out releases every two weeks. There are always somewhere between five and ten wines on each listing that, were I independently wealthy and helplessly wine obsessed in reckless abandon, would always buy. There are also upwards of 100 or more that I would not. Were I presented a glass half full, to most of them I would offer my thanks and sip away. There are also five to ten not worth the price of admission. As a member of the wine writer’s commonwealth of Ontario it is my trusted duty to help make sense of the bi-weekly barrage and to separate the wheat from the chaff.
Wine critics can be fussy people, tough mudders with palates sheathed by caparison. They can go from saying things like “not as good as the last shipment” to “I’m tired of tasting shit.” Even the most curmudgeonly of critics must play his part to promote the happiness, health, and wine safety of all of the people of a community. It is an honour to be trusted with a duty to taste, consider and then discard what is simply not right. The expectation and the responsibility is to find the most natural and honest wines made available, however fleeting and rare the opportunities may be.
Here are four from across the pond and 10 Ontario wines being unpacked onto LCBO shelves as we speak. Get out there and #LCBOGoLocal.
From left to right: Flat Rock Riesling 2013, Château Saint Estève Corbières 2011, Palazzo Maffei Ripasso Valpolicella Superiore 2011, Rosehall Run Cuvée County Chardonnay 2011, Peller Estates Private Reserve Cabernet Franc 2011, Southbrook Triomphe Cabernet Franc 2012, Thirty Bench Red 2012 Photos: Jason Dziver, Photographer (http://www.jasondziver.com/)
The FR Riesling cover girl gets a swift kick in the backside by gas blanketed, dehydrated pear and a sprinkle of rock sugar. Citrus peel, candied again, with medicinal silt. Rocky Riesling spread liberally across a horizontal canvas. From my earlier April 2014 note: “Just bottled a few weeks ago so the note to self is to expect a subtraction of preoccupation. Anything but. Though not as frantic as the Nadja’s sampled from tank back in February, the preview to the ’13 Estate is in show of so much zest, premature acidity and an overly enthusiastic outpouring of juicy emotion. The scraped zest is present in every respect, along with green mango, Himalayan salt and a squeeze of lime. There is attitude and altitude from this precocious Riesling and there’s no doubt it and the ’13 Nadja will be better than anticipated out of tank. Forget the infancy, wow is it showing well.” Last tasted August 2014 @Winemakersboots@brightlighter1@UnfilteredEd
Château Saint Estève Corbières 2011, Ap, Languedoc-Roussillon, France (377218, $17.95, WineAlign)
Corbieres excellence. Nothing funky going on here. A minor amount sees the inside of the fûts but how great it is to find such a clean, fruit forward, straight from the tank example. Made from (40 per cent) Grenache, (30) Syrah, (20) Carignan and (10) Mourvèdre. Certainly showing modern fruit but the low yield (35hl/ha) altruism and cleanliness is next to Midi-ness. A touch of chalk and milky chocolate with some vanilla and lavender too. Simple, effective (if a touch soapy) French red. Tasted August 2014
This is a massive Valpolicella, fully enriched by chocolate in countless ways, on many levels and in dry ice dreams. It’s a baby Amarone incarnate and if you are going that route, try this on instead for a mere pittance at $18. Huge wine, with exaggerated mannerisms in oak and high alcohol, though not volatile, even if the structure is value-driven pedestrian. Will work for a welcoming, big-hair crowd. Tasted August 2014 @HHDImports_Wine
Rosehall Run Cuvée County Chardonnay 2011, VQA Prince Edward County (132928, $21.95, WineAlign)
Today Dan Sullivan’s Chardonnay concentrates on its excellence while compressing in reduction. Beyond the encapsulating abstraction there are the rocks beneath the earth and by extension, the vines of hard-working fruit. Fruit surrounded by the spice of barrel. Tasted extensively over a 24 hour period I found this walks the line, takes on all comers, hovers over and has the guts to merely sigh at the distractions. Give this Chardonnay years, more than most, perhaps even 10 plus. In 2011, Chablis trumps barrel. Tasted August 2014 @Rosehall_Run@sullywine
Peller Estates Private Reserve Cabernet Franc 2011, VQA Four Mile Creek, Ontario (598078, $21.95, WineAlign)
A touch of reduction but the thought goes straight to serious wine and attentive winemaking. The barrel is not king, the fruit big and boisterous. It’s a bit hyper-fruity, steroidal even but it is anything but thin and certainly not encumbered by process or wood. A hint of soap is a detractor admittedly, but the acumen and level of higher learning is evident and commendable. This will be a wine to look at for years to come. Tasted August 2014 @PellerVQA
Southbrook Triomphe Cabernet Franc 2012, VQA Niagara On The Lake, Ontario (275958, $21.95, WineAlign)
The 2012 Triomphe Cabernet Franc receives a meld of mellow, blending support from 12.4 per cent Merlot and the marriage is quietly non-contentious. That blending decision by winemaker Ann Sperling, along with the praiseworthy choice to forego obtrusive oak is as good as a golpe on the Niagara Cab Franc oeuvre. The use of large format (80 hectolitre), no splinters allowed oak vats over wood spice and milkshake imparting barrels is an easy swallow for sore palates. The ’12 Triomphe is an elongated and elastic Cab Franc, with nary a foray into the tobacco, bell pepper and cloying currant currency of so many predecessors. The co-fermenting of disparate, north and south, estate blocks in those vats has done wonders on the preservation of a warm vintage’s, judiciously picked (21.8 per cent brix at harvest) fresh fruit. Terrific decisions all in for a highly accessible, brand and varietal ambassador for Niagara. Tasted August 2014 @SouthbrookWine
Big red machine, really ahead of the class, especially in this price range, with this much stuffing. A full complement of fruit, bushy and falling just as it’s picked from the trees, not to mention quality, quality, sweet earth. This is jazzy, boozy and sparked, from ‘round midnight, smoky, exotic and global. Has the discipline of a monk to groove low and low, the stuffing and Thelonious tannin to boot. Wait for it, let the band play then give way. The solo will be fantastic. Tasted August 2014 @ThirtyBench
From left to right: Tawse Pinot Noir Growers Blend 2010, Tenuta dell’Ornellaia Le Volte Dell’ornellaia 2012, Dominio De Tares Cepas Viejas Mencia 2009, Château Des Charmes Merlot St. David’s Bench Vineyard 2012, Domaine Queylus Tradition Pinot Noir 2011, Charles Baker Wines Riesling ‘Picone Vineyard’ 2011, Norman Hardie Unfiltered Niagara Pinot Noir 2011 Photos: Jason Dziver, Photographer (http://www.jasondziver.com/)
Where at one time the GB Pinot Noir fought among its moving parts it now sits in permanent cease-fire mode. A position that realizes warm fruit, settled wood spice and linear acidity. Needs no more scaling or ropy ascension. It has reached the planing platform and going forward will glide effortlessly back down to ground. Where it began. From my earlier October 2013, April and May 2014 notes. “Though it’s a blend of several sites, this Tawse Pinot stands alone and of itself as a grower; it grows on you after multiple tastings. The first go ’round seems simple, vintage warm and tight. Taste again and the sappy wood seeps mineral, the phenolic red cherry ripeness turns black and the tempering is led by a sweet earth kind. Earth that smoulders in a rising Zeppelin kept afloat by tobacco and the swirling spores of pungent mushroom. Pinot Noir truth and value from a Niagara house of the holy kind. “You know-whoa, that’s right.” The univocal Pender perfume permeates the Tawse stable of Pinot Noir and seems only magnified in the multiple site Grower‘s Blend. Vintage related warmth and inferable incrassation of fruit. Delves into a deep connection to disparate lands possessive of a common goal. As if making wine is “your taste combined with all the years of wasting time.” Graceful Pinot Noir with moments touched by hot rocks, toasted red rice, a gentle smoulder and delicate grains of sand.” Last Tasted August 2014 @Tawse_Winery@Paul_Pender
Tenuta dell’Ornellaia Le Volte Dell’ornellaia 2012, Igt Toscana (964221, $26.95,WineAlign)
What can you say about Le Volte? Is she the most immediately rewarding, fruit forward and accessible Super Tuscan ever put on offer? Does this cuvée of Merlot (50 per cent), Sangiovese (30) and Cabernet Sauvignon (20) offer a portal through which to peer into the future of the Ornellaia grande? From a warm but not excessively hot season, the fruit teases, like a kiss that leaves a lipstick stain on the cheek, a taste that makes you crazy and dreaming of more. Time spent in barrels once used by the matron first wine equates to a morning of chocolate, Nutella and cappuccino in the piazza. Full on, with much more texture than ever before. She is beautiful, but is her beauty fleeting? Drink over the next two to four years. Tasted August 2014 @Ornellaia@AuthenticWineON
Fruit for this Bierzo is from old vines and is aged in a combination of French and American oak. An industrious rolling stone and two steps up example above and beyond for what usually passes as basic and simple Mencia. The Dominio de Tares is exactly the reason to ante up. Bierzo as a region produces exceptional quality wines at this price point but suffers a stenosis in the lower ranges. Here the intoxicating and delicious fumes are resonant of just caramelizing brown sugared fruits, formidable though sweet tannins and an enveloping that’s “all right now, in fact, it’s a gas” Displays and prances about with an incredible amount of energy and jumping jack flash. “It’s a gas, gas, gas.” Tasted August 2014 @oenophilia1
Château Des Charmes Merlot St. David’s Bench Vineyard 2012, VQA St. David’s Bench, Ontario (453431, $29.95, WineAlign)
The vintage does Merlot a wondrous gifting and coupled with what strikes as an unusual salinity, this is a most unique take on the Merlot perspective. In the middle vacuum what is expected takes a turn; shaken, crushed berries with chocolate shavings and brushstrokes made by a weighty utensil but in the end it returns to the vintage specific layering. Well made with caveat to and from Merlot. Tasted August 2014 @MBosc
The passion from the Thomas Bachelder Niagara project has shifted into Domaine Queylus. With no disrespect to Thomas’ eponymous bottling from vineyards so nearby, the quality time has now been granted the Tradition. Here lies Mountainview and Le Petite Colline earth, here crushes Niagara cherries in hand, juice running down a clay caked forearm. Fresh and bright yet streaked by chalk and enveloping brush stroke. Sour? For a flash but in neither malic nor astringent form. This is a must buy. From my earlier June 2014 note: “Reverberates with the unmistakable calling card character of the storied Neudorf family La Petite vineyard with equal and opposite amounts of attraction and new life breathed in by the Lincoln Lakeshore fruit. Ethereally sifted earth of old meets cherries of new. Enriching Pinot Noir, a bit gangling like a primitive young giraffe but near to finding its legs. Hard working red, insistent, confident and having already paid some dirty fingernail dues. Excellent length.” Last tasted August 2014 @QueylusVin
You can take Riesling from out of the Vinemount Ridge but you can’t take Vinemount Ridge out from a Charles Baker Picone. The layers of tectonic shale and the slowly espressed fruit that swim within the waves of those layers make for the total oscillating package. Has moved nowhere, not sideways even, since last tasted, though today, from this bottle, there’s an awkward, shy adolescence. From my earlier May 2014 note: “Some sweetness now, but not in a flirting way. This will be a September VINTAGES release (with pink on the label as part of an LCBO/Princess Margaret fundraiser). Has not so much evolved but rather “come groovin’ up slowly,” since last tasted. Still got “joo joo eyeballs,” still tough in tension. Years left before it will come together, yeah.” From my earlier, October 2013 note: “does not so much pick up where cracking ’09 left off (with no offence meant to the soothing and tuneful ’10) but rather re-writes the Baker book. From the almost famous windswept vineyard atop the Vinemount Ridge, this Picone, from older Riesling plantings is crazy lively. That ’10 is now imbued with rich, oily glück. The ’11 will realize such a future, but much further along and in combination with its inborn tension. Right up there with Baker’s “perfect vintage” 2006. Last tasted August 2014 @cbriesling@StratusWines
This County ’12 by Norman Hardie needs fresh air, County air and time. Leave the wine alone in bottle counted out in five years time. There is pure intensity in aerified flight. Shows length, persistence, purity, phenolic ripeness and in time will show its ability to wade across raging rivers. From my earlier April 2014 note: “Hardie’s 2012 County Pinot Noir is a beacon, a flashing light on the shore, an invitation to copycats because this is what making red wine from limestone foundations is all about. To taste this ’12 is to experience Hardie’s purest berry maceration and distillation to date. It’s as if there was no alcohol present and in fact, at 11.5 per cent it is a modest and transparent pronouncement. Longevity may not bless the ’12 as in other vintages but this is certainly the most groomed and coiffed County Pinot Noir.” From my earlier October 2013 note: “Cuts a rug with immense, stepping out juicy behaviour. It’s both turntable old-school, astatic in smooth groove rotation, but also digitally forward thinking towards a perdurable future. The nose is Norm’s most intense floral burst to date, with incredible brightness and sparkling acidity in the key of fresh plum. This brings to mind indelible Burgundy, enveloped in PEC’s warm ’12 blanket. Hardie’s measure of consistency abides in a Pinot of parity and undemanding polish.” Last tasted August 2014 @normhardie
Grange of Prince Edward Trumpour’s Mill Gamay Noir 2012, Southbrook Triomphe Cabernet Franc 2012, Norman Hardie Unfiltered Niagara Pinot Noir 2011, Stoney Ridge Estate Excellence Pinot Gris 2010
If you ask Heather MacGregor or Lisa Murray, the two responsible for leading the LCBO’s media relations and communications department, they will tell you this. “For the last 23 years LCBO has been a steadfast and proud supporter of locally produced Ontario VQA wine.” That is certainly true.
Three things would add measurable weight to that statement. Private VQA wine stores, increased shelf space in current LCBO stores and a lifting of the embargo for “typicity” qualifying standards of locally and exceptionally produced wine. Not to mention speaking out publicly on the necessity of developing a Canadian wine culture by allowing the importing of VQA wine into Ontario that is made in other Canadian provinces. Oh, but I seriously digress.
In fiscal 2013-14, sales of Ontario wine at LCBO were $396 million, 4.1per cent higher than the year before. VQA sales ended the year at $123 million, growth of nearly 2.1 per cent over fiscal 2012-13. Year-to-date 2014-15, VQA wines are up an impressive 5.8 per cent and significantly outpacing imports. Give credit where it is due. With their backs to the proverbial sandbox wall, the LCBO is working feverishly to put Niagara, Prince Edward County and Lake Erie North Shore on the monopoly map. They can thank Wine Country Ontario for the support, the expertise and the professional lead.
The LCBO WINES category offers 526 Ontario- produced wines, including 330 VQA wines. What makes up the other 196 might be questioned and that category could be improved were it to include, let us say, for the purposes of argumentation, a Pearl Morisstte Riesling. That said, 330 is a highly significant number. Good on you LCBO.
Our Wine Country Boutiques
Three stores in St.Catharines, Niagara Falls, and Windsor boast excellent local wine selections. The sommelier and restaurant community in Toronto has embraced Ontario wines. Their presence at events like Cool Chardonnay and the Ontario Technical Sparkling Wine Symposium are proof of the phenomenon. So are dozens of wine lists city-wide. The question is why does an Our Wine Country Boutique not exist in a flagship store such as Queen’s Quay or Bayview Village? The Toronto consumer requires chiding and the flock will submit if shown the righteous path. Bring OWCB’s to the city.
The LCBO is doing yeomans work to help small wineries in their own parochial scene and the bigger picture is taken care of through VINTAGES releases. The work has just begun. Change and progress are necessary. A good first step is an event such as was held on Thursday August 14th: Taste Local, Love Local. The match was to pie, kitschy yet effective. There were 21 wines on hand. These were the best three.
Grange of Prince Edward County Gamay Noir 2012, VQA Prince Edward County, Ontario (615062, $14.95, WineAlign)
As Gamay continues to gain traction, it is examples such as this ’12 from Grange that will help to solidify its position as a go to variety for versatile food matching and pure, simple quaffing pleasure. Though this ’12 and its warm vintage baggage render it beefy, spicy and veering to black cherry, it holds freshness and juicy acidity in retainer. The ripe tree fruit sensation never really relents so the style is heady but it shows the strength and excellent value to be found in Gamay. Tasted August 2014 @grangewinery
Southbrook Triomphe Cabernet Franc 2012, VQA Niagara On The Lake, Ontario (275958, $21.95, WineAlign)
The 2012 Triomphe Cabernet Franc receives a meld of mellow, blending support from 12.4 per cent Merlot and the marriage is quietly non-contentious. That blending decision by winemaker Ann Sperling, along with the praiseworthy choice to forgo obtrusive oak is as good as a golpe on the Niagara Cab Franc oeuvre. The use of large format (80 hectolitre), no splinters allowed oak vats over wood spice and milkshake imparting barrels is an easy swallow for sore palates. The ’12 Triomphe is an elongated and elastic Cab Franc, with nary a foray into the tobacco, bell pepper and cloying currant currency of so many predecessors. The co-fermenting of disparate, north and south, estate blocks in those vats has done wonders on the preservation of a warm vintage’s, judiciously-picked (21.8 per cent brix at harvest) fresh fruit. Terrific decisions all in for a highly accessible, brand and varietal ambassador for Niagara. Tasted August 2014 @SouthbrookWine
Hardie’s 2011 Pinot Noir comes out of deep clay, 20 Mile Bench soil, an impart not lost in the rich though dusty character of the wine. The flesh is both corporeal and marbled and a chalky grain runs through, with thanks to what feels like smithereens of limestone blasted through. “It was long ago, seems like yesterday,” that Norm’s Niagara Pinot carried an unwieldy level of anxiety but here the tannins have settled, the volatility has relented and there is a curious combination now, of blood and roses. Though meaty, the ’11 Pinot’s juices are concentrated, contained, not running out. The aromas are floral, heightened and intoxicating. Once again, classic comes by way of low alcohol and minimalist intervention. Tasted August 2014 @normhardie
Meanwhile, back at the WineAlign ranch, yet another local standout is available for tasting. This Pinot Gris was a most excellent surprise.
From the deep soil of the Twenty Mile Bench sub-appellation, this is certainly made in a honeyed, Pinot Gris, noble bitter excellence style, conjuring up a Pierre Frick Pfaffenheim reminiscence. The golden hue and blanched nut aroma indicate a slight yet subtle advanced oxidation but the low (3.4) pH and necessary fortifying (5.8 g/L) acidity round-up and subdue the sugar (4.5 g/L) and alcohol (13.3 per cent), whose specs are nothing to cause any real concern in the first place. The intensity is only overshadowed by the natural sweetness which comes across the palate by way of texture and tannin. A mineral underlay is noted with props to a limestone and shale drip from the Bench down through soil towards the Niagara Lakeshore. This 2010 found symmetry in moving parts to reach its current peak and to propel the Excellence towards a 10 year future of graceful decline. Tasted August 2014 @stoneyridgewine
Good things come in threes and once in a calendar blue moon the LCBO’s VINTAGES wine release cycle rolls out that magic number. There can be no better month than August for the cosmic confluence to occur, particularly when the 31-day stretch hovers and encompasses two Canadian long weekends.
The fundamental postulate of accepting abetment to be ushered down a path of vinous enlightenment and the subsequent pleasure derived from having matched recommended bottles to the meals of summer is a priceless thing indeed. Make the connection enough times and behold the sense of empowerment. The beneficiary then becomes the facilitator. A torch is passed and the gift pays forward. Say what you will but no other wine program offers this type of retail-critic-consumer relationship. This is the beauty of the VINTAGES program. Bordeaux futures don’t count. That’s a racket.
The three August releases of the 2nd, 16th and 30th, though encumbered by a sea of suffusion, are also filled with excellence. Here are nine wines to consider for the final (gasp) summer long weekend of 2014.
Clockwise, from left to right: The Royal Old Vine Steen Chenin Blanc 2013, Creekside Backyard Block Sauvignon Blanc 2013, Redstone Limestone Vineyard South Riesling 2012, Château Des Charmes Estate Bottled Old Vines Pinot Noir 2010, Nyarai Cellars Viognier 2012, Robert Mondavi Fumé Blanc 2012, Greywacke Sauvignon Blanc 2013, Huff Estates South Bay Chardonnay 2010, Le Clos Jordanne Village Reserve Pinot Noir 2011, Norman Hardie Niagara Unfiltered Chardonnay 2012, (c) Jason Dziver, http://www.winealign.com
The Royal Old Vine Steen Chenin Blanc 2013, Wo Swartland, South Africa (376871, $13.95, WineAlign) From the VINTAGES August 2, 2014 Release
While other expat varieties ride in to town, “see the glory, of the royal scam” and dupe new consumers into thinking greatness has immigrated here, Chenin Blanc in South Africa, like Malbec in Argentina, is the real deal. That an example like this Steen old vines can offer ten degrees of advanced proficiency in steely, dan-like refrain is a testament to the necessity of its promotion. Chenin Blanc is the grape for Swartland, for Stellenbosch, for the Western Cape, for South Africa. It comes equipped with energy, “wearing coats that shined, both red and green, colors from their sunny island, from their boats of iron.” It works many sides of the wine pairing practicum, for protein fleshy and flaky, for vegetables prepared in many ways. The Royal is textured and even if the tale is told with quick and efficient pluck, at $14 per play, what more is there to say. Tasted August 2014 @oenophilia1@kysela
Creekside Backyard Block Sauvignon Blanc 2013, VQA Creek Shores, Niagara Peninsula, Ontario (341792, $17.95, WineAlign) From the VINTAGES August 30, 2014 Release
A Creek Shores SB that bridges the gap between spring and summer fruit. From a year in which the choice was made to not blend off into the estate bottling. Recognizable Creekside aromatics stand out in a more than obvious mineral deposit and grapefruit zest way. Here the band plays across The Great Divide so “just grab your hat, and take that ride.” Will be a VINTAGES August 30 release. Tasted February 2014 @CreeksideWine
Château Des Charmes Estate Bottled Old Vines Pinot Noir 2010, VQA Niagara On The Lake, Ontario (256834, $17.95, WineAlign) From the VINTAGES August 30, 2014 Release
The CdC Pinot schematic is never predicated on pectin or reduction but rather the pungent molasses of earth. What better vintage (until the 2012 comes our way) can there be to accentuate the warmth of the St. David’s Bench (within a Pinot Noir plat) and to elevate sylvan fruit for complex results? The raisining is within reason and concentrates botany, not plums or figs. The somewhat elevated (7.0 g/L) residual comes across in tannin and texture so forgiveness is granted. Bigmouth (critic) strikes again, “oh…sweetness, sweetness,” but “I was only joking.” The Old Vines Pinot brings about smithy balance, of brix, treacle, iron, acidity, rusticty and mortar. It should be considered as good a value at $18 as any basic Bourgogne rouge. Tasted August 2014 @MBosc
Redstone Limestone Vineyard South Riesling 2012, VQA Twenty Mile Bench, Ontario (381251, $21.95, WineAlign) From the VINTAGES August 16, 2014 Release
This inaugural Riesling foray from atop the Twenty Mile Bench out of the Limestone Vineyard is a sister to the Tawse exploration from same. The comparisons end right there. Paul Pender’s take is kinetic, frenetic and electric. Redstone winemaker Rene Van Ede tends to and lends from a reconnaissance that heralds Mosel. His first, fixed take is off-dry (in obvious ubiquity) with circular acidity. The co-agitation is early picked at low brix, with realized high residual sugar (36.4 g/L) and low alcohol (10 per cent). Toothsome, with a ying/yang, lemon/lime, push/pull. The case load is formidable for a first go ’round (1000 plus) yet paddled through limestone acreage with effortless strokes. Tasted May 2014 @RedstoneWines
Nyarai Cellars Viognier 2012, VQA Niagara Peninsula, Ontario (378414, $21.95, WineAlign) From the VINTAGES August 2, 2014 Release
Look, I get it. Wine is made from grapes so why command a host of other fruits to offer context for aromas and tastes? Just have a moment with Steve Byfield’s “virtual” Viognier 2012. Virtual tree meets stone fruit. Smells just like a ripe peach. The flavour bears an uncanny resemblance to apricots. Virtual my Equus africanus asinus. The winery is virtual, the Viognier anything but. Speaks a Condrieu varietal truth by way of Niagara’s Redfoot vineyard. Carries a soil-driven, mineral-flecked, microscopically-oxidized metal tang so essential to invigorating Viognier. Blessed stuff from a Shona’s humble hands. Tasted twice, March and June 2014 @NyaraiCellars
Robert Mondavi Fumé Blanc 2012, Napa Valley, California (221887, $23.95, WineAlign) From the VINTAGES August 2, 2014 Release
A nod to the typical White Bordeaux blend with 87 per cent Sauvignon Blanc and 13 Semillon. Another vintage that shows the direction taken by the winery is a righteous one. Drawn in chromatic patina, characterized by an oxidized style and with extreme arid prejudice. Though it’s a storied expression of warm Napa Valley it bears an uncanny resemblance to a wild yeast affected, cool climate Sauvignon Blanc style, with extended lees contact. There is ripe pear and some chalk, excellent tang, faux sugars and stretched out length. Served well chilled is a plus, accentuating the zest and mineral components. Very good showing and vintage for this iconic wine. Tasted April 2014 @CBrandsCareers
Greywacke Sauvignon Blanc 2013, Marlborough, New Zealand (164228, $24.95, WineAlign) From the VINTAGES August 2, 2014 Release
With caution to what is likely a captain obvious comment, the suggestion here is that this (former Cloudy Bay winemaker) Kevin Judd Sauvignon Blanc makes perfect use of the over thruster to travel back in time. A time in the late 90’s/early 2000’s when Marlborough SB was the white bomb. Might it be more than obvious to ask for some briny Pacific oysters to accompany and match the elegance in salinity of this Woodbourne, Renwick and Rapaura fruit amalgamation? Potent, if distilled Marlborough delivering excellence here, with a notion of sweetness, not of a suffering palate, but in aromatics. The late summer garden by the sea, in a stiff mineral breeze and in ripening, southern hemisphere tree fruit. The grasses are somewhere else, there are no speed limits and no undesirable tang. The Greywacke is refined, perhaps to a fault, but prime and worth every bit of its dime. Tasted August 2014 @greywacker
Huff Estates South Bay Chardonnay 2010, VQA Prince Edward County, Ontario (88955, $29.95, WineAlign) From the VINTAGES August 2, 2014 Release
The oak repeal in decreased new barrel impact allows the County to speak in the clearest of voice. As it should, from a South Bay landscape and terroir as rugged and dramatic that can be found anywhere Chardonnay is made in Ontario. There is a honeyed unctuous and viscous feel to the South Bay ’10, no doubt a result of its middle filled in by a meritorious and pure lees. Limestone wraps up the fruit in a clean, crisp and pure package. Tasted April 2014 @HuffEstatesWine
Le Clos Jordanne Village Reserve Pinot Noir 2011, VQA Niagara Peninsula, Ontario (33894, $33.00, WineAlign) From the VINTAGES August 2, 2014 Release
Something’s missing, or rather something is happening here. The LCJ omnipresent warm Pinot coat of harm is conspicuous in its absence, or has it been reigned in? This 2011 is so much more friendly, more soft-spoken, expertly judged and picked ripe fruit richer than before. Plenty of tang and tannin but the pronouncement is in a savoury basil/chervil kind of way. Not just another high made by just another crazy guy. A most excellent, bright, roxy Village Reserve, full of atmosphere and ambient music. Tasted February 2014 @LeClosJordanne
Norman Hardie Niagara Unfiltered Chardonnay 2012, VQA Niagara Peninsula, Ontario (184432, $39.20, WineAlign) From the VINTAGES August 30, 2014 Release
Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay. Tasted May 2014 @normhardie
I arrived at Brock University for the Cool Chardonnay conference on Friday and we began tasting the first of 117 sometime around 11:00 am. On Friday night we convened under the stars st 13th Street Winery for the Barrels and Bonfires event. On Saturday I taxied up the Cave Spring Road runway for an afternoon in the Cave Spring vineyard with the Pennachettis and on Saturday bussed over to Vineland Research and Innovation Centre for the grand Cool Chardonnay dinner.
On Sunday we wrapped up at Ravine Vineyard. In between events, we tasted Chardonnay in the Media Room at White Oaks Resort and Spa. All of this not would not have been possible without the efforts of Wine Country Ontario. I posted 20 or so tasting notes in Monday’s column, scribbles apropos to the events associated with the presented wines.
Here are 50 more tasting notes in 5,000 Godello words, add or subtract a few hundred. If you follow doctor’s orders and take one Chardonnay every hour for 50 hours, this is the result.
I’ve fallen and I can’t get up. @mikedicaro channelling his inner MacGyver to save #i4c14
The long hanging fruit left to develop sugar and richness, the new oak, the eight months rest on the lees. These are all winemaker favourite things, stylistic choices that contribute to a viscous mess of a Chardonnay. A full take has been liberally advantaged from the hot vintage. The alcohol is listed at 13.5 per cent but the wine sweats higher, in a sun-caramelized toast, leaning to oxidative, even bruised and battered orchard fruit territory. As a consequence and in retreat, the acidity dot does follow. The new wood has melded well and good so in terms of texture, the old vines feel right. Tasted July 2014
The Mountainview, despite being a value offering as compared to the Old Vines just seems to be in better temper. There is more mineral on the palate, too. Angles here are less extreme, fruit not as languid or encumbered. The persistence in length seems greater, thanks in most part to freshness, even if the fruit is not quite as fleshy as the OV. Tasted July 2014
Has Wismer found a cruising altitude? Has this Grand Cru vineyard from a most perplexing 2011 vintage entered the telephone booth in civilian clothes, only to soon emerge as a super hero? Will it sing, “I am, I am Superman and I can do anything?” Wismer has rounded out a bit, at present in a grounded form, but we know it will fly to greater heights and at faster speeds. From my earlier, February 2014 note: “Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice.” Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with it’s touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?” Last Tasted July 2014
Blue Mountain Chardonnay 2012, Okanagan Valley, British Columbia (350108, $23.95, WineAlign)
Juicy and immediately perceived as existing in unwavering balance. The juxtaposition of the stainless steel and (three year-old oak for seven months) barrel aging intertwines fresh and reductive aromas to a common meld. More orchard fruit than I remember, more linear acidity, more expression. Raises the bar and the score. From my earlier, April 2014 note: “Half barrel-aged, this Chardonnay has a silky mouth feel and as much nip as can be assimilated in a single mouthful. Green apple, blanched nuts and a metallic tickle give the sensation of chewing on crumbling stones. There is considerable girth and texture here, spicy folds and tangible tension. The alloy trumps the fruit so consider drinking up now and for another year or two.” Last tasted July 2014
Blue Mountain Chardonnay 2011, Okanagan Valley, British Columbia (350108, $23.95, WineAlign)
A thick, rich and medicated goo this ’11 Blue Mountain Chardonnay. “Mother Nature just brewed it and there’s nothing really to it I know.” A traffic of oak waves in not so much woody but more so simply tannic. The palate is clenched, those tannins angular and ever so slightly bitter, intense and want to be bigger than the fruit would be willing to allow. This is Chardonnay with personality and ability, if just a bit big for its own head. Tasted July 2014
Cave Spring wines
Cave Spring Blanc De Blancs Brut, VQA Niagara Escarpment, Ontario (213983, $29.95, WineAlign)
Today a fine misty Blancs, looking very much the coppery, crisp slice of apple it need be. Slate stone tone directive, grapefruit very much in play. A slice of tart key lime pie. From my earlier May 2014 note: “The freshest style of the #ONfizz B de B flight. Fruit, escarpment bench stone layering, richesse, biscuits and toast are all in. Acidity meets complexity.” From my earlier, December 2012 note: “Sees no malolactic fermentation and sits at the top end of dry (12-14 dosage). Most of the fruit is 2008, despite the NV designation. A soda fountain of argon and nitrogen bunsens forth through clean lines and carries an entire cider house orchard of Spartan apple. This one certainly hints at Champagne-like characteristics, of brioche and toast. The apples never relent.” Last tasted July 2014
The Dolomite is the eponymous CS Chardonnay via 86 per cent Beamsville Bench (Cave Spring Vineyard) and 14 per cent Lincoln Lakeshore . Driven to the licensee market, this is 25 years of winemaking in a nut (or limestone) shell. Made in a fresh, clean, juicy and oh so approachable style, the Dolomite finishes with a slight bitter pith, very obvious citrus zest slant. Remains clean and pure throughout, thanks in large part to the 26 percent more aromatic and very presentable portion of Chardonnay Musqué. Tasted July 2014
Never get out of the bus. On the road to @CaveSpring for Vistas and Vintages and, wait for it…Chardonnay. #i4c14
Cave Spring Estate Bottled Chardonnay Musqué 2011, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (246579, $15.95, WineAlign)
Musqué is slowly creeping into the Niagara consciousness and into the hearts of winemakers across the peninsula. The aptitude with which it accedes to perfumed heights and respectable complexity without needing excessive coercion makes it both necessary and inviting, especially when a vigneron like Cave Spring is attempting to produce so many levels of quality juice. Chardonnay made easy and without compromise, exemplified here, though the CS take heads straight to the mandarin-clementine stage. Dry, direct, linear, fine and knowing Musqué, not unlike basic yet effective Gruner Veltliner. Tasted July 2014
Cave Spring Estate Chardonnay 2012, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (256552, $18.95, WineAlign)
The vine age on the Estate runs between 18 and 35 years, a wisdom not to be ignored. Usage of older Hungarian oak lends spice to Chardonnay on-line and always climbing the right and proper varietal tower. From my earlier, May 2014 note: “Terrific balance to the warm and inviting fruit, certainly orchard driven and kissed by the Spring’s obvious mineral slate. Clean, open-knit, ready, willing and able.” Last tasted July 2014
Though currently subtle and reserved, if the Csv were once in a wonky phase, the doors to a new perception are now open. Soaked orchard fruit, the underlay of stone and a surround sound of chalky tenderness leads to length, for time is what this Chardonnay has got. From my earlier, May 2014 note: “Here is a vibrant and wild at heart expression of Bench Grand Cru terroir, the Cave Spring Vineyard. While the first impression may be a warm one it seems (for the vintage) that is because it’s big, boisterous and a bit clumsy in wood right now. The acidity seems buried at times and at others on top. It is also a touch reductive so this will need more years to settle and to play nice. The aromas indicate green apple meets metal pipe, the flavours orchard and salinity by way of limestone minerality. The length is more than admiral and admirable.” Last tasted July 2014
Clois du Bois Calcaire Chardonnay 2011, Russian River Valley, California, USA (421941, $28, WineAlign)
Inserting the calcaire nomenclature into your RRV label is to announce that your Chardonnay is influenced by calcium carbonate and the ancient, long ago decomposed bones of coral and foraminifera. A heady designation for sure and Clos Du Bois backs it up with its sedimentary and chalky textured ’11. There is a fine stone-ground spice and floral lilt, not to mention a demurred wave, like an under water coral and vegetative scene in slow motion. Clean, pure, lively fruit, picked just in time and left to develop low and slow. I can see this Calcaire gaining complexity for 10 plus years and always living up to its name. Tasted July 2014
Creation Chardonnay 2012, WO Walker Bay, South Africa (379297, $29, WineAlign)
A macadam drafts from the Creation drawn from what might provocatively be a pair of gravel pits at the base of the Hemel En Aarde Valley. A soul 2012 brother to the Sumaridge though grounded and layered by the lower slopes. That said it does the heavy lifting, offers up more green apple driven fruit and less tannic mineral activity. A bigger wine but by no means a serf to its wood liege. Another stellar ’12. Tasted July 2014
Creation Chardonnay 2013, WO Walker Bay, South Africa (378554, $32, WineAlign)
Creation brightens in 2013, lifts up to more intense rose flower and potpourri aromas. The intensity follows on the very viscous palate, bringing an increased ocean breeze salinity and scraped rock sensibility. There is a granitic feel that reminds of Rangen Riesling in its own tannic way. In the end the elegance factor takes over and the wine perseveres for a spell. Tasted July 2014
Decelle Villa Savigny Les Beaune Blanc 2012, Ac Burgundy, France (378208, $40.95, WineAlign)
From low-yielding (20 hL/l) vines, like all of Burgundy (wink, wink, nudge, nudge), as opposed to the 40-45 quotient that might be expected from much of ‘lighter’ Savigny Les Beaune, especially for Chardonnay. Aged for 12 months in two year-old, 500l barrels, there is an alluring and rich feel here, though the wine is fresh, inviting and immediately integrated. A more than approachable White Burgundy to relish now and for a quick tour of the village. Tasted July 2014
Decelle Saint Aubin 2012
Decelle Villa Saint Aubin 1er Cru Sur Gamay 2012, Saint Aubin, Burgundy, France (377713, $69, WineAlign)
From the partnership of Olivier Decelle, Pierre-Jean Villa and the confidence of winemaker Jean Lupatelli. The town is Gamay, the variety Chardonnay. Only five barrels (125 cases) were produced by a trio of men with zero interest in speculating over land, fruit or success. Barrel fermentation is key, natural yeast a must and a kinship with Puligny uncanny. Not surprising considering the famed locale is but three kilometres away. This cooler fruit spent 15 months in two year-old barrels and though only bottled five weeks prior to tasting there is nary a shocky note. Such a well-adjusted Gamay. Entrancing and engaging Chardonnay. Tasted July 2014
Domaine Dublère Savigny-Lès-Beaune Aux Vergelesses 1er Cru 2011, AC Burgundy, France (376095, $58.95, WineAlign)
Unusual nose that begins with white candy floss, transforms to gun powder and finishes into the toasty mystic. Unexpectedly warm, buttery and tingling on the tongue, though that is just a faint and fleeting notion. A taste brings out apple-butter terpenes, though once again, that’s just for an instant. While looking for richness their instead ticks intelligence but everything is in foreign tongue shorthand. Balance is key and that it has but ultimately there lacks a certain level of depth. Tasted July 2014
Domaine Dublère Les Terres Blanches Nuits-St.-Georges 1er Cru 2011, AC Burgundy, France (376079, $105, WineAlign)
Big, boisterous and highly terpenic, so steroidal in apples. MdC “Donut wines…a hole in the middle.” A tang as well that just doesn’t sit right, a dog that bites. Bitter, tight, bracing, non repentant for its sins. Don’t really get it. Tasted July 2014
Gérard Bertrand Domaine De L’Aigle Limoux Chardonnay 2012, AC Midi, France (377671, $33.00, WineAlign)
Rich, honeyed and seemingly sweet, not from sugar (3 g/L) but rather the pressing, squeezing and juicing of stones. That limestone tannin is a trick only grape must and its parent vines know, wondrous and inexplicable. Great body and mouthfeel come from this baby Aigle, a Chardonnay with locally incomparable structure, if not quite the elastic length and girth of the Bertrand Royal. Exceptional quality from the Midi. Tasted July 2014
Gérard Bertrand Aigle Royal Chardonnay 2012, AP Limoux, Midi, France (377689, $75.00)
Anxiety in high caste mineral, in ingot and in southern French platinum rock. Full textured beauty of attitude and high-slope altitude, with formidable weight, smouldering, perfumed toast and exceptional texture. Full in every way, taking every liberty in the name of equality, and quality. A who knew such bounds could be leaped by the warmth of the place. Tasted July 2014
Yet rigid in its youth, the wood is not yet settled. Bottled in September of 2012, the ’12 will need every day of its first year to be ready, willing and able to please upon release. From my earlier, May 2014 note: “Always aromatically embossed and texturally creamy, the Estate Chardonnay finds a way to elevate its game with each passing vintage. The uplifting elegance factor acquiesces the poise needed to battle the effects of ultra-ripe fruit out of a warm vintage. In ’12 the middle ground exchanges more pleasantries though the finale speaks in terse, toasted nut and piquant daikon terms. Not harshly or witchy, mind you, but effectively and within reason of the season. When you look in the window at Harald (proprietor Thiel) and Marlize’s (winemaker Beyers) Chardonnay, “you’ve got to pick up every stitch.” Last tasted July 2014
Bottled in March of 2014, the Felseck draws fruit from vines planted in 1988. Proprietor Harald Thiel notes a three-pronged picking regimen, early, mid and late, vinified separately and brought together to bring layering and tapestry out of this extraordinary vineyard and into the finished wine. The many folds and clay-silt soil provide a tannic structure dichotomously “champlant” in style, pastoral even, subdued and ethereal. The nerve in this Chardonnay comes by way of the active limestone, highest in Felseck as compared to any other HB block. This may be the most direct Chardonnay in all of Niagara, the house of permanent cards, the as of yet not witnessed balance achieved. This is the check that affirms a stand and a step towards a legacy. Tasted twice, July 2014
Godello and Jeremy Dineen of Josef Chromy Wines
Josef Chromy Chardonnay ‘Pepik’ 2012, Tasmania, Australia (378240, $22)
Chardonnay of stainless steel from Chromy’s estate vineyard at Relbia in northern Tasmania, cool, savoury green, spirited and grinding in tight, sharp angles. From what winemaker Jeremy Dineen describes as “a pungent must,” the Pepik is entry-level and anything but. There is a gentle, stable and clarified zesty personality in ‘er, fragrant, snappy and poignant. Versatile for a walkabout with many a pre-dinner flavour. Tasted July 2014
Josef Chromy Chardonnay 2013, Tasmania, Australia (378232, $32, WineAlign)
In a world where 30+ degrees celsius is a veritable anomaly and the maritime winds spray salt to and fro, there can be little argument against the celebration of (winemaker) Jeremy Dineen’s Chardonnay at a cool climate conference. Sulphured early and housed in one-third new French oak, his lees were stirred often and always. Highly textured, he is succinctly clean, cutting and crunchy with an underlying chalky rationale and smokey, tonic toast. The Chromy ’13 is a demanding croon that must creep up to get a hold of you. Though you tell him “you treat me badly, I love you madly,” there is a miracle in his non-malolactic ways. Tasted July 2014
Kistler Les Noisetiers 2012, Sonoma Coast, California (251223, $80, WineAlign)
Long distance runner built for endurance, a cool customer able to withstand the heat from a season’s relentless, though moderate, gentle sun, from start to finish. No shortage of ripe fruit and certainly not wanting for the micro-oxygenated slow release of a prized barrel. This might be the two-bit Kistler bottling but it offers up exemplary Sonoma fruit with the temperament and conceit of high caste Burgundy. The style is culled from two poles and pulls in two directions. At once sharp and piquant, then golden and in mirth. All in all it’s exactly what should be wanted for the buyer who wants what it has to give. Tasted three times, July 2014
Kistler Stone Flat Vineyard 2012, Carneros, California (agent, $80, WineAlign)
The Carneros vineyard of Tuscan clay is filled with giant river stones. It consequently offers up more of a stone groove, but also an everglade humidity, a lemony spray and a rub of savoury, evergreen. The palate brings a crisp, cool, mountain morning, a rushing stream of fresh water and the cool mountain air. There is a piercing bite on the mid-palate, a peppery spice that lingers than releases for a full wash, a cleanse in mineral. Amazing balance in tightrope tension and length to a horizon out of sight. Great wine. Finds its elegance and its cool without any effort, like the power lift of a ballet dancer. Tasted three times, July 2014
Kistler Vine Hill Vineyard 2011, Sonoma Coast, California (agent, $89.95, WineAlign)
This is from the vineyard in surround of Kistler’s home base and from soil anything but flattering to the host vines. Sandy, deficient in nutrients, “like beach sand,” says Geoff Labitzke, MW, that seemingly has no bottom. Irrigational tubing is employed and perhaps some nitrogen in mid-summer but as per the Kistler stratagem, the VH is dry-farmed. This has the most golden sunshine of the three Chardonnays tasted at #i4C14. It’s brighter, with linear acidity and a very toasty, nutty feel. Sitting with it a while is necessary to appreciate its charm and gathering power. Tasted July 2014
Derek Barnett, Lailey Vineyard at 13th Street Winery
From a vineyard planted in 2004 on the east end of the Lailey property, right next to the river. The red clay soil, the cooler nights and the longer growing season produced just 70 cases of this highly singular and stupidly inexpensive Niagara Chardonnay. This is a vineyard transformed over 10 years from a brickyard and cherry tree farm, now rich yet elegant in simultaneous motion, not to mention seamless in transition, within and without. Brother Derek Barnett is generously giving this rare, small lot Chardonnay away, all the while “talking, about the space between us all…and life flows on,” along the Niagara River. Tasted July 2014
Lailey Vineyard Chardonnay Old Vines 2012, VQA Niagara River, Niagara Peninsula (Winery, $40.20, WineAlign)
The old Vines were planted between 1974 and 1978, ancient by Niagara standards. Only gnarly old, gristle veteran dudes like these could handle the beastly burden of 16 months in 50 per cent new French oak, not to mention all the while sitting on top of the lees heap. It may ask you “am I hard enough, am I rough enough, am I rich enough?” You may tell it “you’re tropical, you’re subtle, you’re sweet yet cool in mouthfeel, you’re elegant and you’re “not too blind to see,” but you carry that oak with ease. Tasted July 2014
Essentially bone-dry, kissed by a minor peck of new oak and consistently established, here from fruit out of Estate, Moira and (10 per cent) Vinemount Ridge vineyards. The latter adds flinty complexity by way of an intangible, aeriform note, magnified by the warmth of the vintage. The humidity is very minor, thanks to prudent early (September 1 to 12) picking of Beamsville Bench grapes in ever-present rooted stability. Here is hospitable Chardonnay gaining traction and interest with each passing vintage, showcasing the work of winemaker Shiraz Mottiar and as a portal to the investigations of Small Lot, Moira, Mottiar and Cat on the Bench. Tasted July 2014
In admiral control this summer, rich in stone-churned butter and in residence of a right honourable place. From my earlier, April 2014 note: “Gamay may be winemaker Shiraz Mottiar’s decisive resource but Chardonnay is his thing. The Moira’s ranks as one of Niagara’s best, vintage in, vintage out and this Mottiar, from the winemaker’s home vineyard is the trump card. This Malivoire special agent is set in 2 – 5 year old 300 L French oak hogsheads and aged on the lees in barrel for 10 months. The result? Texture. With the use, or lack thereof in new oak, Mottiar’s Chardonnay becomes a study in compages, with strong abilities and the accents of green orchard fruit and a faint sensation of blanched nut. Nothing toasty mind you because it’s all about density and girth; a Shiraz thing. I find his Chardonnay is all about texture.” Last tasted July 2014
Manciat-Poncet Crémant de Bourgogne Brut NV, Burgundy, France (378653, $28)
A tragically gingered peach, a candied rhinestone, a ready to bake hip cake for the easy oven. Safe bubbles here, “pale as a light bulb hanging on a wire, sucking up to someone just to stoke the fire,” from a distance, with simplicity and caution. Like getting caught in New Orleans with a sinking feeling. Tasted July 2014
Marie-Pierre Manciat Les Morizottes Mâcon 2012, Burgundy, France (376137, $27, WineAlign)
There are some unhinged and unusual aromas in this Mâcon, of carbon copies, a stainless tank and Musa. Pears too, pinballing and ready for poaching. Faux or perhaps near-mineral texture, slightly saline, with flint and slate. The complexities are boundless and confounding. Highly expressive but the expressions are not all created equal. Tasted July 2014
Marie-Pierre Manciat Les Petites Bruyères Pouilly-Fuissé 2012, Burgundy, France (376129, $39, WineAlign)
There is a deep rust, faded jeans vine wisdom in the Pouilly-Fuissé. It steps out with more richness and tension than the Mâcon. Balanced energy and stretched length. Tasted July 2014
Marimar Estate La Masía Don Miguel Vineyard Chardonnay 2010, Russian River Valley, Sonoma, (331918, $49, WineAlign)
First notes are high in the hills of the tropics, in pineapple, mango and papaya. A veritable smoothie of very ripe, creamy fruit and though it carries a 14 per cent mark in alcohol there rests a jury of acceptable behaviour. Finesse has won the argument, leaving bits of white pepper, reduction and vineyard funk behind. There is a persistence that belies the price on this judiciously-oaked Chardonnay, complete with its avocation of high-powered notations in an expensive suit. Tasted July 2014
The Chardonnay of #i4c14
Maycas Del Limarì Sumaq Chardonnay 2013, Limari Valley, Chile (Agent, $15.00, WineAlign)
This unoaked Chilean is fresh yet herbal, though mildly so and lime-accented, but certainly not spiked in any Tequila or other southern hemisphere distilled spirit from a large seeping plant kind of way. Fine and subtle actually, so not overtly cool or lifted by altitude influenced climatic acidity. Peacefully, Pacifically tempered Chardonnay. Tasted July 2014
Maycas Del Limarí Reserva Especial Chardonnay 2010, Limarí Valley, Chile (162040, $20.00, WineAlign)
This unoaked Chilean is fresh yet herbal, though mildly so and lime-accented, but certainly not spiked in any Tequila or other southern hemisphere distilled spirit from a large seeping plant kind of way. Fine and subtle actually, so not overtly cool or lifted by altitude influenced climatic acidity. Peacefully, Pacifically tempered Chardonnay. Tasted July 2014
Maycas Del Limarì Quebrada Seca Chardonnay 2011, Limari Valley, Chile
Known as the “dry cliff” this is from a southern parcel (Pinot Noir comes from the north), a calcium carbonate plot that leads to this stone-driven Chardonnay. Nearly 200 metres above sea level, the altitude brings more cool to this bottling, more ventilated salinity, an almost wet-air, asthmatic sense of breathing. Really defined by oyster shell, this has more fruit than the value-based offerings, increased density, more citrus, both dried and condensed. A lot going on here, quite unique and worth a good look. Tasted July 2014
Niagara College Teaching Winery Balance Barrel Fermented Chardonnay Donald Ziraldo Vineyard 2011, VQA Niagara Peninsula, Ontario ($19.15, WineAlign)
From the St. David’s Bench, this avant-garde label saw 11 months in French and American barriques, along with regular lees stirring. Certainly hovering and circulating in wide-ranging textural graces. A whole lotta love and learning is in this bottle; it’s round and golden with a high-spirited tang. At once typical and contrived, it’s also reeking and soaking like a sponge. Many an orchard makes an aromatic class audit. A high-toned citrus exam demands attention and focus. The wood is obvious but it too will learn. All in all this is cool Chardonnay, well-made and ready for the world. Tasted July 2014
Winemaker Martin Werner’s 2012 may just be the hardest working Chardonnay in showbiz and in Niagara. Winnowed from Estate (St. David’s Bench) and (Niagara) river fruit, there lurks within, a 20-30 percent perfumed compression of Chardonnay Musqué. The additive is a tonic fanned from the wine’s olfactic communicative nerve centre, adding tree fruit notes no more serious than should be gathered. Werner picked real early, like five weeks ahead (first of September) and the resulting noisome perfume makes for some funk. “It’s these little things, they can pull you under,” but they blow away and settle into a rich, viscous Chardonnay for the palate to collect, contain and command. “Oh, oh, but sweetness follows.” This Ravine works automatically, of the people, for the people. Tasted July 2014
From 100 per cent hillside Estate fruit, a limestone and slate parcel in St. David’s on the Niagara Escarpment. This is fruit from low yields that spent 24 months of unabashed pleasure in French oak. Though highly concentrated and bent in an oxygenated stratosphere, the reduction is in elevated citrus aromas and piercing mineral flavours. Bigger than many, than your head, than a yottabyte. The complex notations are elevated in so many ways. Strung tighter than a leer kite, the heterocyclic aromatic organic compounds are years away from settling so put this Ravine away. Come back next decade to see where it’s at. Tasted July 2014
Rex Hill Dijon Clone Chardonnay 2011, Willamette Valley, Oregon (378455, $46.00, WineAlign)
Palate cleansing Chardonnay, an attribute that can’t be stressed or praised enough when tasting 117 renditions in a span of 50 hours. The Rex Hill is lithe, crisp and pure, a wine with a sense of wisdom. He is a subtle act of wine generosity. He smells like clove-scented, fine-casted ingot and is full of health increasing salinity and minerality. A wine of direct discovery, simple professionalism, restraint and impeccable balance. There is a green apple flavour, gently pressed and juiced. There is a texture from quarry rocks, the creamed kind, slightly piquant, merely dusted. The Rex is a very fine, calm representative with a sure sense of place. Tasted July 2014
Southbrook Vineyards Whimsy! “Richness” Chardonnay 2012, VQA Niagara On The Lake, Ontario (winery, $34.95, WineAlign)
This special, specific and idiosyncratic batch by winemaker Ann Sperling is a whirlwind of terpene, wood and lees, all in a whorl. Though all three demanding notions make a play to bully the fruit, this is no ordinary fruit and touched by no passive hands. Complex and textured like angelic cake, there is a distinct aroma coming from the righteous barrel, a high octane, tropical nuance, in smouldering pineapple, creamy mango and mangosteen. This Chardonnay spits the vintage heat out through the gap in its front teeth, goes all tense and nervous, does not relax. There is chalk and stone, like slate, like Calcaire Riesling, all in at 14.3 per cent abv. An all out intense effort, a wow bit of Niagara, but what exactly is this monster? The amazing thing is that there is just a ton of fruit so you can let this settle down for 10 years or more. As BMS notes, “it’s raw and unleashed.” Tasted July 2014
Has integrated nicely though certainly persists as a big, lush Chardonnay. If there were splinters or sinewy bits they have melted away. From my earlier, May 2014 note: “The Poetica underwhelms at the present time, or perhaps hides in her youth. She’s a calm, buttery, mildly toasted, supportive softie and more accessible than her Sperling west coast sistren. Like a cool Chardonnay soffit hiding beneath a warm bench, the Poetica speaks not for the vintage but more for the current vineyard, a warm and hip spot in the Four Mile Creek appellation. The site remains (at least to me) understood but the unctuous aspect in texture and gathering sweetness with time in the glass will realize a richesse yet unseen. Poetica’s refrain is like “wind on the weathervane,” her tragically subdued fruit quiet, but able to travel long. Time will be the reveal, so be patient.” Last tasted July 2014
Sumaridge Chardonnay 2012, Wo Upper Hemel En Aarde Valley, South Africa (378760, $35, WineAlign)
In direct antithesis to what was a more than commendable 2011, this follow-up takes the Sumaridge illustrious Cru torch and raises the Hemel En Arde bar to the most complex portion of the ridge. Proprietor Holly Bellingham notes the near perfect vintage, with rain falling gracefully and slowly throughout, unlike the heavy shelling just before the 2011 harvest. Here the seamless connections of ocean winds, granite give and beatific vines mean this ’12 is super bad. Sunshine intensity, cool godfather of soul moves and dancing nerve are all as one. This is like a mineral sponge, sopping up fresh fruit and the slightest notion of toasted nuts. “Gimme, gimme, gimme, gimme, gimme, gimme, gimme. Heeeeey, (scream). Uh, come on!” How will Sumaridge top this? Tasted July 2014
Sumaridge Chardonnay 2011, Wo Upper Hemel En Aarde Valley, South Africa (378760, $35, WineAlign)
Though it lacks the elegance of the astonishing 2012, there is a freshness and a vigor that still defines the Valley. The aromatics create an expectation despite the heavy rains at harvest, a deluge that had a thinning effect on the fruit. The kick or punch in the pith caused neither dilution nor disease and this ’11 rebounded to carry the fire. From my earlier, May 2014 note: “Though it would be naïve to think every Chardonnay produced out of the Hemel En Aarde Valley is the stuff of grand cru, recent examples have done nothing but impress. Sumaridge joins Hamilton Russell and Creation on the Walker Bay dream team. Ocean breeze-cooled slopes and deprived soils of decomposed granite loam with quartzite manage rich fruit with cool ease. In this 2011 a most excellent trifecta of dryness (1.7 g/L), acidity (6.9 g/L) and PH (3.45) brings together texture and tannin. Though seemingly sweet it is anything but a cloying example. Buttery but mild in toast, quite piercing yet tempered by an herbal quality, not warm or balmy, but inexorably herbal. Schematically waxy, splashed by lemon and piqued by zest.” Last tasted July 2014
Talley Vineyards Chardonnay 2012, Arroyo Grande Valley, California, USA (agent, $41.95, WineAlign)
Tasted with proprietor Brian Talley at Cave Spring Vineyard in a setting to do justice for a wine with an irrigated gully of heart. Barrel fermented, using wild yeasts and aged for 10 months in French oak, 20 per cent of it new. Pours thick, rich and viscous into the glass with a reality that is pure, light and elegant. This is so much cooler in direction than could be perceived or believed. “I want to make wine that tastes like our grapes and not someone else’s barrels,” insists Talley. That philosophy equates to a pansophy of orange citrus and the misty spray of its scored skin, so aromatic, so in blossom, so floral. Not sure there has been nosed such succulence in restraint from Arroyo, from California or from anywhere Chardonnay grows in warm climes. Tasted July 2014
Talley Vineyards Rincon Vineyard Chardonnay 2012, Arroyo Grande Valley, California, USA (winery, $61.95, WineAlign)
The Rincon Block was planted in 1984, the “home” vineyard next to the winery. Tight, bracing, savoury and bound by a tannic, mineral extraction. Only 17 barrels (just under 500 cases) were produced of this 100 per cent (14 months in 20 per cent new oak) barrel fermented Chardonnay marked by wow intensity. “Jump back, what’s that sound, here she comes, full blast and top down.” Wailin’ Halen Chardonnay trampled underfoot, what can you say, like chanting “Panama ah-oh-oh-oh-oh.” Talley’s Rincon ’12 never relents, stays on the throttle, puts the pedal to the metal and speeds the van towards a persistent, consistent finish. Bring on the Digby, Nova Scotia scallops, from coast to coast. Tasted July 2014
Tantalus Chardonnay 2012, VQA Okanagan Valley, British Columbia (VINTAGES 378821, $42, BC VQA, 114884, $29.90, WineAlign)
The immediacy of this Chardonnay is felt, in perfumed poise, in palate roundness, in a velvet wrap of texture. A finely balanced and over-achieving elegance from out of a single vineyard, specifically “block 6,” which sits above a gravel bed, on an eastern aspect in South East Kelowna. A mild toast, a blanch of nuts and creamy citrus coagulate to create a transcendent B.C. Chardonnay experience, one that seems like it could be eaten with a spoon. “It peels off and ties that bind me,” and after tasting I saw the light. Chardonnay with an unconscious redirection of feelings, a transference unique and welcome. Tasted July 2014
Thelema Mountain Blanc de Blancs 1994, WO Stellenbosch, South Africa (376111, $28)
Méthode Cap Classique fine bubbles still motivated and in blender motion that if fading can be excused with a thousand pardons. With no more than 2 g/L of residual sugar it’s an Extra Brut style that has survived two decades. Far eastern spices and orange melon that remain cool, juicy and unfermented give it youthful aromas. One of those hard to believe 20 year-old success stories that will continue to give to 25. Wild yeast and grated wasabi square off the peg in this Stellenbosch ringer for vintage Champagne. Buy one now at VINTAGES Shop Online, bring it to a party, be the coolest Chardonnay cat around. Tasted July 2014
A selection of international and Ontario sparkling wines on ice. Photo (c) Steven Elphick & Associates
Tinhorn Creek Chardonnay 2012, Okanagan Valley, British Columbia (20431, $23, WineAlign)
Fruit divides time and space from the (sandy, Black Sage) Diamondback Vineyard and the (sandy gravel, Golden Mile) Tinhorn Creek Vineyard. So what? So let’s dance to Andrew Moon and Sandra Oldfield’s fresh recognisance mission, to offer up a slight oak and stirred lees textural sui generis, but mostly the intent to keep things crisp and real. The sugar and PH are low, the acids medium to high. Overall there generates a cool orchard fruit blooming breeze and a south-west feeling of ease. Bring it on. Tasted July 2014
Ribs meet Turkey, rubs by Barque Smokehouse PHOTO: Michael Godel
The last four times the calendar’s folklorique confluence brought a Friday and the 13th of a month together occurred in December and September of 2013, July and April of 2012. On that April Friday the arbitrariness shared a birthday with the sinking of the titanic. That kind of anti-kismet “does not bode well for the superstitious kind.” So once again, if you are one of the many inflicted with paraskevidekatriaphobia then tomorrow may not be your favourite day. If you also suffer from oenophobia, I feel for you.
Here are thirteen things that make me think of the number thirteen.
Nice list. Of even greater importance is choosing some wine for the fitful 13th day of June and for Father’s Day on the weekend that follows. Thirteen wines ‘ere Friday the 13th, for and with dad.
From left to right: Château Des Charmes Gamay Noir 2012, Volcanes De Chile Pomerape Limited Edition Sauvignon Blanc 2011, Villa Ponciago Beaujolais Villages 2012, Château Des Charmes Chardonnay Musqué 2012, Chakana Maipe Reserve Bonarda 2011, Gruhier Extra Brut Crémant De Bourgogne 2010, Malivoire Pinot Gris 2012
Château Des Charmes Gamay Noir 2012, VQA Niagara On The Lake, Ontario (57349, $12.95, WineAlign) LCBO General List
Give this vibrant crush of boyish red fruit a slight chill and with this pinnacle ideal vintage, at this ridiculously right price, go hither and convince a world of Gamay naysayers to get on board. Never mind the many years of “uninspired, drenched and tired” Gamay beach songs and tired voyages. Never mind the bad rap and out of tune harmonies thrust upon the world by dull vintages and bulk fruit. This CdC Gamay continues to breach the value quotient. Here is fresh, pure, unadulterated adult’s juice. It cruises from harbour with a clove-studded orange spritz and sets out past a rocky jetty to open seas. “Sail on, sail on sailor.” Tasted June 2014 @MBosc
Volcanes De Chile Pomerape Limited Edition Sauvignon Blanc 2011, Leyda Valley, Chile (371138, $14.95, WineAlign) VINTAGES June 7, 2014 release
So very peppery and Ají Cristal notes come from this warm weathered Chilean Sauvignon Blanc, indicating a Leyda Valley specificity that can’t be denied. So much unctuous character swallows whole the herbiage and schmaltz, as does the rapid fire acidity. Powerful SB, not subtle, not understated. There is no shortage of fruit, with nettles and a volcano in current eruption. It’s as if it would plead, “spider got eight legs and I got two. This guitar got six strings, what about you, well, what do you got?” So much going on, with more palate tingling white pepper, bending notes and angles. Jacks from ballad to wailing guitar, from rhapsodic to metallic. A Sauvignon Blanc with fly farm blues. I think it has an appeal to a red wine drinker who wants to drink a big white and I think it will age quite well, something like five to seven more years. Tasted May 2014 @WoodmanWS
Villa Ponciago Beaujolais Villages 2012, Ac, Beaujolais, France (325134, $15.30, WineAlign) LCBO General List
When this Villages Millésime was mentioned for the purpose of offering a contrast to Ponciago’s La Réserve, it was honestly assessed as having “paint and tar notes.” When considered on its own merit it’s all about softness, perfume and poise. Pure red berry fruit just seems encased in a web of gossamer texture, it’s that pleasant to drink. Though it may lack the stuffing of La Réserve and Les Hauts Du Py, at $15 and change this is the real deal in Beaujolais. Even more impressive in consideration to the challenges of the vintage. Tasted June 2014 @WoodmanWS
Château Des Charmes Chardonnay Musqué 2012, VQA Niagara On The Lake, Ontario (640516, $16.95, WineAlign)
Clone 809 strikes again. The pioneering Bosc family tells the usual oak suspects to stay clear of their pure St. David’s Bench meets Seven and Seven Vineyard fruit so the intensity of flowers and blanketing minerality can speak with utmost clarity. Never mind all that, this ’12 is the most tropical Chardonnay Musqué yet made by CdC. Its heart is a drum, “free as a driving wheel, circling around your iron will.” OK, so that Seven and Seven soil makes for alloy heaven. Just ring this clone and she will be at your beck and call. Tasted May 2014 @MBosc
Chakana Maipe Reserve Bonarda 2011, Mendoza, Argentina (361212, $18.95, WineAlign) VINTAGES May 24, 2014 release
Bonarda is on the rise and threatening to challenge Malbec in Mendoza, especially when it poses with such an obvious, rich and cakey Andean attitude. This example is clearly culled from a state of the art production facility because despite the slightly funky, gritty, tense and nervous layering and radio fuzz, it shows such a polished quality. Picked & mixed by real humans, this is varietal desert euphoria paradise, full of plum drive and chocolate coating. Tasted May 2014 @Oenophilia1
Gruhier Extra Brut Crémant De Bourgogne 2010, Burgundy, France (375428, $18.95, WineAlign) VINTAGES June 21, 2014 release
The Grahier is an exhilarating, extremely arid, purposed blend of Pinot Noir (60 per cent) and Chardonnay (40). Though technically Extra Brut (less than 6 g/L residual sugar) this highly stylish Crémant teases with a perceived ripe orchard fruit sweetness. Versatility comes across in every spice and toast-driven bubble, for a cocktail pour, to blend into a cocktail or to match a wide range of dinner flavours. So useful and so smart. Offers up unparalleled value in Bourgogne sparkling. Tasted June 2014 @Oenophilia1
Malivoire presents a Pinot Gris in good temper, better balance and even greater controlled anxiety to add grit on top of the sweet, spicy pepper and lightly pickled palate. Really approachable, workable and elastic in extended length. Tasted May 2014 @MalivoireWine
From left to right: Creekside Estates Laura’s Red 2010, Nyarai Cellars Viognier 2012, William Fèvre Champs Royaux Chablis 2012, Thirty Bench Red 2011, Smith Madrone Chardonnay 2011, Brokenwood Maxwell Vineyard Semillon 2007
Creekside Estates Laura’s Red 2010, Queenston Road Vineyard, VQA St. David’s Bench, Niagara Peninsula, Ontario (117906, $19.95, WineAlign) VINTAGES June 7, 2014 release
Wonderfully balanced blend with a bit of wood spice, plenty of good character and tannin. Tense fruit, layered and tight. Tighter than I last tasted it. Must be the accumulation. From my earlier, February 2014 note: It’s funny, more than any other wine tasted, this Laura has that Niagara varnish other Creekside reds seem not to possess. “Stock up in the big years” suggests Matt Loney, and “consolidate in the tougher ones.” It could be argued that you can make more interesting wines in the lean years but this blend of Cabernet Sauvignon, Merlot, Syrah, Malbec and Petit Verdot lays a claim to seriousness, if needing at least three years to settle down. There is much cassis, sweet oak, iodine and a milk/dark chocolate swirl. Complexity for sure if just a bit huge within its own skin. Last tasted May 2014 @CreeksideWine
Nyarai Cellars Viognier 2012, VQA Niagara Peninsula, Ontario (Winery, $21.95, WineAlign) On the card at Barque Smokehouse @barquebbq
Look, I get it. Wine is made from grapes so why command a host of other fruits to offer context for aromas and tastes? Just have a moment with Steve Byfield’s “virtual” Viognier 2012. Virtual tree meets stone fruit. Smells just like a ripe peach. The flavour bears an uncanny resemblance to apricots. Virtual my Equus africanus asinus. The winery is virtual, the Viognier anything but. Speaks a Condrieu varietal truth by way of Niagara’s Redfoot vineyard. Carries a soil-driven, mineral-flecked, microscopically-oxidized metal tang so essential to invigorating Viognier. Blessed stuff from a Shona’s humble hands. Tasted twice, March and June 2014 @NyaraiCellars
William Fèvre Champs Royaux Chablis 2012, Burgundy, France (276436, $22.05, WineAlign) LCBO General List
The Champs Royaux from mainly purchased fruit may be the runt of the Fèvre litter but it’s no austere duck soup and this despite the challenging vintage. Chalk another win for organic viticulture, here again worked to great effect. The practice encourages acidity levels to consistent ends aligned with ripe fruit and year in, year out betterment of the wines. The ’12 Champs Royaux exudes the idea of classic unoaked and flinty Chablis, as well as seawater and the smell of a lit halogen bulb. Elemental without being metallic, it blinks from a citrus flash before finishing balmy and warm. Tasted June 2014 @BourgogneWines
The consistency and subtlety in red wine of the earth in this perennially approachable Bench wine can’t be overestimated. Really high quality red purity is ascertained from this blend, its spicy, tangy, moving parts coming together to unionize the fruit. Just enough tension to keep traffic moving, with Merlot really doing its yeoman’s work, Cabernet Franc as sweet and expressive as it can be without going over to the shaken, splintered and mocha chocolate dark side. This is always red and red-fruited. Ready, willing and will offer pleasure for five to seven years. Tasted May 2014 @ThirtyBench
Smith Madrone Chardonnay 2011, Spring Mountain District, Napa Valley, California, USA (363556, $39.95, WineAlign) VINTAGES June 7, 2014 release
Holy reductive toast Napa man. Aromas of buttered toast, glade, duck fat and pencil graphite, which I must say is one stellar note. Flavours of ripe Mutsu (specifically) apple and a resinous chew of late autumn sweet forest needles. Yes the toast is high but so is the quality. Don’t blame the barrel, he’s just the messenger. A great Chardonnay for shellfish and molluscs of the briny kind. Linger on in your golden yellow eyes. Tasted May 2014 @SmithMadrone
Brokenwood Maxwell Vineyard Semillon 2007, Hunter Valley, New South Wales, Australia (371484, $47.95, WineAlign) VINTAGES June 7, 2014 release
A lifelong search for great Sémillon is fraught with peaks and valleys. Finding greatness is so rare it’s blue. The Hunter Valley in New South Wales beckons for a rush to strike gold. Many roads lead nowhere and others, like the dusty lane up to Brokenwood’s Maxwell Vineyard, lead to OZ. This young one has barely broken bread, or even a sweat. Sémillon of primary concern, like a tank sample. Varietal beauty as a cryogenically frozen specimen inundated by the table, the whole periodic table and nothing but the table. Guided by a laser beam of focus, great intent and expectations. Bob’s your uncle this David to the world’s white wine Goliaths. Son of racing studs and mares. Wow Sémillon. Not a faint moment about or in it. Tasted May 2014 @Brokenwood
The wines of Stratus Vineyards and the cuisine of Momofuku Toronto. On Monday, May 26th and for the second straight year they conspired together in a beautiful collision of mutual beneficence. The single varietal mad science of winemaker J-L Groux and the singular, multifarious snacks of Momofuku Daishō. The food and wine play leaves wine writers satiated, thankful and speechless.
Stratus Single Varietal Tasting at Momofuku Daisho
This 2014 media lunch dubbed Stratus, the right to free assemblage forged yet another treat of the highest order, once again with the necessity in participation of Charles Baker, Suzanne Janke and Sarah Walker of Stratus, along with Momofuku Beverage Director Jonathan Gosenhauser, Service Director Steve De Sousa, Assistant FOH Manager Nicholas Papadatos and the Daishō team.
An introduction by Charles Baker of Stratus Wines
Wildass Rosé 2013, Niagara On The Lake, Ontario (Winery, $16.95, WineAlign)
At 13.9 per cent the kitchen sink blend is unwittingly light on its feet, with uplifting floral and stony scents. The patronage seems as though it could be a shot (or more) of an aromatic white addition like Viognier. This ’13 is a new approach to the Wildass Rosé, a metallic meets orange and berry citrus flavour explosion. Will be an August VINTAGES release at this modest and honest tag, certainly more accessible than in years past.
Stratus at Momofuku Daisho
The single varietals
Sauvignon Blanc 2011, Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)
Technically Niagara Lakeshore but labeled Niagara on the Lake, winemaker J-L Groux insists this is the anti-New Zealand Sauvignon Blanc, a truism to get behind in this ’11’s more tropical style. “Depending on the year we adapt to the climate,” so here J-L’s classic boxwood seeking stands out. The combination of picking time and barrel aging on the lees has everything to do with style. The Stratus hangs (picked October 11th) and hangs out (641 days in French oak). Shows off the most metal mineral that Niagara can give to the variety, from a season with a totally rainy spring and fall but a torrid summer in between. “On whites it was certainly a better year to work with,” though the lack of acidity is due to a wet fall. It’s high-octane, “I’m not running after alcohol. I’m picking on aromatics. If I’m making barrel aged Sauvignon, I have to be patient, otherwise it’s not worth putting in barrel.” Nutty, toasty and full. The middle reaches for the end in an elastic and stretched full chain and connection. Rounder as opposed to acidic, it’s character comes by way of a periodic, numbers game in aromas. Zero hay, high phenols, very ripe.
Chardonnay 2012, Niagara On The Lake, Ontario, (Winery, $48.00, WineAlign)
A change in direction is duly noted with J-L Groux’s 2012 Chardonnay, from fruit picked six weeks earlier than in 2010. The program is scaled back and the wine is more “typical” of the region, in weight, in barrel effect and in alcohol. Still quite defined by natural yeasts that “sometimes go a bit wild, but I’m getting better at it,” concedes the clinician of vinous letters. Those feisty microbes are difficult to work with, like dealing with a wine that lacks natural clarity. “You have to shut down the bacteria, teach the yeast to stop stealing the lees. In 2013 I really got it.” The ’12’s altered course is welcome and encouraged and the world should wait with bated breath for what ’13 will bring. Here the complexity of aromatics is matched only by the intensity of tropical fruit. Has balance and a soft, round feel. Again, more texture and aromatics than natural acidity. Classic J-L style. “It’s not about trying to imitate anyone. It’s about making the most interesting and most complex Chardonnay in Niagara.”
Sémillon 2011, VQA Niagara On The Lake, Ontario, (Winery, $32.00, WineAlign)
The warmth of those July and August days has brought a combination of grapefruit and honey to the 2011 Sémillon, a highly aromatic vintage. Typically you don’t have very high acidity with this variety and though this was a difficult vintage to work with, here it teases late harvest, straight from the hip. The in-glass progression scales back and walks the wire with semi-high (6.9) acidity. “With illusions of someday, cast in a golden light,” the ’11 Sémillon will need time to marshal the erudition of (627 days) in barrel. At present the tragically declared fact that 24.6 brix equates to 11.6 per cent alcohol might just be lauded as another conversion rate, ahead by a century.
Sangiovese 2010, Niagara On The Lake, Ontario, (Winery, $42.00, WineAlign)
A variety that can be picked much earlier than others, like Cabernet Sauvignon and Cabernet Franc. Do the aromatics do Sangiovese? Yes, but in a mutated, concentrated and highly floral, expressive way. Clean, clear and embossed by surprising freshness and purity. The notes of typicity involve red fruits and a scorch of the earth. Handsome Sangiovese actually, anything but rustic and of a middle fleshing that threshes to mulct a citrus note on the end. This effort shows the most promise of the three expatriates (along with Tempranillo and Tannat) vying for J-L Groux’s new slang, varietal attention.
Tempranillo 2010, Niagara On The Lake, Ontario, (Winery, $42.00, WineAlign)
Were Rioja to come and take over Niagara this introduction would succeed in fulfilling expectations but not necessarily dreams. I will confess that it functions in ways California (where it’s simply too warm in places like Paso Robles and Santa Barbara) does not. Likewise Australian takes (“cool” Victoria and New South Wales) have yet to convince. Niagara’s climate is not such a stretch (though in most vintages too wet), but in 2010 the conditions were ripe for this experiment. The wine is admittedly lumbering, backward and chunky. It has that dusty, nearly funky nose, but it should be extolled in the name of character. High on vineyard aromatics and the density of wood, in ways so much more defined than the Sangiovese. Strangely Riojan and tasted blind would make for a curious ringer. Not huge by any stretch and blessed with good acidity and persistence.
Tannat 2010, Niagara On The Lake, Ontario, (Winery, $42.00, WineAlign)
The wooden slumber (555 days) in 50 per cent new oak is just what the dark-skinned grape doctor ordered for the Niagara debut. You know it will be pitchy and tannic but the goal is to be looking for some striking acidity and balance of concentration. Violets are prominent in the highly floral aromatics. There is certain density and fine structure and so while Tannat is an integral Stratus assemblage variety it shows here that it can be very expressive and long on its own. Perhaps the equal of Malbec for Niagara and with great potential.
Malbec 2011, Niagara On The Lake, Ontario, (Winery, $42.00, WineAlign)
If the Stratus 2010 Malbec’s blue note belted out Philly Soul, the delicacy and structure of the ’11 plays a softer sound, a Stax, Memphis Soul. Stylish, funky and uptown without conceding to pop. Active but with less brawn and higher acidity than previous years. An and now aromatic session of so much tobacco and even more cigar box, in wafts, waves, puffs, billows and club clouds of smoke. A soul jam of black fruit, Booker T. finger roll acidity and tannin.
Cabernet Franc 2010, Niagara On The Lake, Ontario, (Winery, $42.00, WineAlign)
Some white pepper dust, not too much mind you, works with the sun “and that’s what makes Cabernet Franc find its ripeness.” That it has in spades here in ’10, giving it fullness without raisins, density without being plugged in. A rich and near berry chalk sample but finely judged. This is one of the best SV’s J-L has made. Incredible aromatics. From my earlier April 2014 note: “Patient as ever with the cool-climate, slow and low ripening Cabernet Franc, winemaker J-L Groux stuck with belief, regardless of the warm 2010 vintage. The Stratus single varietal space and time continuum of let it hang (though not to December), 20ish months of aging, nearly half in French oak barrels, has brought forth the most dense and luxe Cabernet Franc to date. “It’s never old school, all brand new,” with Groux so this red swells in wholly pure black currant fruit and is as big as it gets for J-L, which is saying something. This beastie boy will age over a 20-year period. Style is the thing, and yes, the aromatics.”
Cabernet Sauvignon 2010, Niagara On The Lake, Ontario, (Winery, $55.00, WineAlign)
The declared alcohol on this is 14.6 per cent but to all of me, that is really hard to believe. Really elegant, 100 per cent Cabernet Sauvignon, perfectly unabridged in phenolic ripeness but in such fine rhythm and blues. Were it a score it would be euphonious without encumbrance and void of splinters. The most subtle and gentle J-L Groux crafted red wine I’ve yet to encounter, with a back palate combination of mushroom and citrus to follow pure red fruit. Resoundingly circular with curves, no hard edges and “perfect imperfections.” This Cabernet goes at it with Graves character and poise. It will be a Niagara legend.
Gewürztraminer 2012, Niagara On The Lake, Ontario, (Winery, $29.95, WineAlign)
Early harvested and vinified with the least amount of winemaker intervention, this is Gewürztraminer left to find its own way. In 2012 the natural sugars speak in clear and clean tones without needing too much attention. Has the most off-dry sensibility yet. It’s very floral, nearly medicinal and tacking. A zigging and zagging Gewürz, wavering, weaving, oscillating between its personalities, on one hand new and progressive, on the other, a nod to Alsace. There is really nothing dry about it. Dense on the palate, this Stratus single white varietal is textured and quickly making friends.
The 2010 was the first and only one made at the time. When asked if he would make one again, J-L Groux replied “perhaps.” Well, three years later the 2013 enters considerably drier than that ’10 but full of stone tree fruit. The profile here is so different, now Gewürztraminer (78 per cent) dominated, with less residual assistance from Riesling (17) and Sémillon (5). The aromatics are medicinal and ashen before the attack turns so palate sweet, in marmalade and with a finish of noble bitterness.
Mystery Pour
Botrytis Affected Sémillon Late Harvest 2012, Niagara On The Lake, Ontario
Tasted blind this non-clarified sticky is high on grapefruit for sure, smells (for a fleeting moment) a bit like cat pee, is decidedly smoky and once again, is grapefruit all in. Stony sauternes, Niagara style. This can be used to great advantage. With 70 plus g/L of residual sugar and 7.9 of total acidity the sugar-acid continuum is expertly lucky. The grapes were picked on December 14th, causing another exclamation of WTF? Really delicious. Really.
Botrytis Affected Sémillon Late Harvest 2012
Following the single-varietal tasting, Momofuku Daisho rolled out eight signature dishes.
Spring Radish Salad, sherry vinegar, chive, crispy yuba
Spring Radish Salad, sherry vinegar, chive, crispy yuba
Snap Pea Salad, horseradish, jowl bacon, lily bulbs
Stratus White 2010, VQA Niagara On The Lake, Niagara Peninsula, Ontario, (660704, $44.00, WineAlign)
From my September 2013 note: “Sends me immediately towards Bordeaux, in neo-marmalade, but also buoyed in perfume and body by 25 percent Viognier. “This variety worked so well in the vineyard in 2010,” notes Groux. Niagara honey and near-botrytis via Semillon and Sauvignon Blanc void of grass, full of vigor. A sharp note, neither metallic nor mineral, but a combination of the two is present in this so very concentrated ’10. Of a warm vintage (self-explanatory) fully picked by October 23. Though loaded with early Spring maple sap, foie gras and appley terpines, its sharp and framed by “tannic” tang and protracted length.” Last tasted May 2014
Stratus Red 2010, VQA Niagara On The Lake, Niagara Peninsula, Ontario, (131037, $44.00, WineAlign)
Tasted again, I do declare this to be the reigning bomb of Ontario red blends. Showing even better than I judged it two weeks ago. Intense ruby meets claret in every facet of its make-up. Rouge tomate, fresh and racy at the same time, with just enough chalk to lengthen the chain. You can actually imagine the hum in the clang and rhythm of its magic. Fleet of foot, mac-nanimously rendered red blend. “Chain keep us together, running in the shadow.” From my earlier note: “A study in restrained, gilt-edged use of only 15 per cent new oak during assemblage, especially with Cabernet Sauvignon in the lead and so prudent considering the extreme warmth of the vintage. Cabernet Franc imparts simple but intense spice. Red talented, fresh finesse, the oak in support as a James Dean, cherry stained leather jacket. De facto fresh, with just enough trenchant acidity.” Last tasted May 2014
History may one day remember them as the group of twelve, or perhaps, “The Ontario School.” They are the 12 wineries who have banded together to ensconce a strange but beautiful word on the tongue, in the dictionary and out in the world. Somewhereness.
They are purveyors of the land from which their grapes grow and ferment into wine. Facilitators of terroir, working a canvas forged by millions of years of geological and climatic evolution. Their assembly is based on both exigency and on Moira; destiny, share, fate.
Like that other famous group, “collectively they agree.” Ontario’s cool-climate wine regions need to qualify and certify a distinctive winemaking style. In juxtaposition to old world, European tradition, the intensity of Somewhereness needs to reflect an increasingly Ontario-centric partiality.
These are the members. 13th Street, Bachelder, Cave Spring, Flat Rock, Hidden Bench, Hinterland, Malivoire, Charles Baker, Norman Hardie, Southbrook, Stratus and Tawse. Matt Kramer of Wine Spectator used the term and now it defines an enterprise. “As a group of 12 wineries growing small lots of site-specific vines in Ontario’s ancient glacial soils, we’ve invoked Somewhereness as a word enabling us to articulate in one collective voice.”
How do you get to Somewhereness? As related to wine that is like asking, Who am I? Why do we exist? What is the meaning of life? The Somewhereness movement, the notion, comes to light through this statement. “Somewhereness is revealed in the mysterious time capsules we know as bottles of wine. As ethereal gifts of a carefully tended location and a moment in time, each is imprinted with a vineyard’s sense of place,
its soil, climate, seasons, vintage variations — and its maker’s methods.”
In 2013 I wrote about Somewhereness over the Canadian wine rainbow. “Above all else, the rainbow’s fulcrum is the “somewhereness” of Canada’s wine regions. Terroir is the great catch word for wine. A vine’s home determines its potential, its structure, its sense of place. Micro-climates, soil, geology, altitude, slope and vegetation all contribute to the make-up of a wine forged from that specific parcel, lot or locale.”
In Come together, over wine I continued the discussion. “Intensity is in the air. The artists are at work, blessed with a geographical, geological and climatic canvas unique to the planet. They share arts and letters, compare and contrast methods, style and results. The sense of community is palpable, obvious and quite frankly awesome. They are Ontario winemakers and they are coming together. Right now.”
At the end of last year my column 13 Canadian wines that rocked in 2013 reviewed what Canadian winemakers do best. “That is producing unique, cutting edge and brilliant takes on cool climate grapes. They also match beautifully with the songs referenced in their tasting notes. When the wines are assessed and considered in part or as a whole, who would dare to say there are no great wines being produced?”
On Wednesday April 9th, Somewhereness brought the band to St. James Cathedral for a full-on tasting that is rapidly being recognized as a must not miss Ontario event. Here are notes on some of the wines I sampled.
From left to right: Malivoire M2 Small Lot Gamay 2012, Flat Rock Nadja’s Vineyard Riesling 2012, 13th Street Sandstone Old Vines Gamay Noir 2012, Southbrook Whimsy! Cabernet Sauvignon 2009, Tawse Laundry Vineyard Cabernet Franc 2011, Charles Baker Picone Vineyard Riesling 2008 and Norman Hardie County Unfiltered Pinot Noir 2012
13th Street Pinot Gris 2012, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)
Here you have an honest, 100 per cent stainless steel treated Pinot Gris from an estate vineyard located adjacent the market on Fourth Avenue in the Creek Shores appellation. So very dry and really fine fruit, crisp, neoteric, rising and falling in waves of tempered acidity. Made in a comfortable, country-twanged, folk-rock style, like a Cowboy Junkie. Juicy, mouth-watering work and very easy to fall for. An angel mine, this 13th Street, “and I know that your skin is as warm and as real as that smile in your eyes.” This effort by Jean-Pierre Colas is as good as it gets, a tally for Creek Shores and its kinship with the variety.
Malivoire M2 Small Lot Gamay 2012, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)
A six-month lay in French oak for 60 per cent of the Gamay fruit sourced exclusively from Malivoire’s Beamsville Bench estate vineyard is just what the go doctor ordered. Only Malivoire’s Gamay smells specifically like this; of tart and savoury capers, of small, earthy gemstones, of peppery currants, of meaty braising Bouille. A striking wine from a fortuitous Gamay vintage and great value that puts me in mind of how special the Courtney will be. Though the soils may differ, proximity wise they are close cousins.
Just add three months and witness a new evolution, a density, from a honeyed thing. Entering a pre-adolescence with a new bounce in its step. From my earlier, January 2014 note: “A champion cyclone of forces combined to elevate the already incumbent position of this Twenty Mile Bench Riesling. An ideal growing season magnified transmission upon a paradigmatic two and a half-acre block. This southern-most and highest altitude section of Flat Rock’s vineyard rests aboard a solid bed of limestone and wake me up if that rock was not drawn up into the vines in this stellar Riesling vintage. Sure its warm and nearly off-dry but such an effortless squeeze of lemon hydrates and elevates orchard fruit and honey out of the year of the lemon. After each sip its “every time you kiss me, lemon crush.” Love this prince of a Twenty Mile white in 2012, the dynamism smiling on the tart, succulent fruit. The length is one of outright bravado. This will develop for 20 years, of that I am convinced. There is just so much fruit. A Nadja for the ages.”
Part Beamsville Bench (70 per cent), part Twenty Mile Bench (30), this best of both worlds Pinot is full of calcium magnesium carbonate, Jurassic bark. Playful as opposed to angry, this is not so much Snoop Dogg’s Dolomite but more like an animated Futurama. Seduces with a sweet red berry entry and bound by a really fine acid/tannin/fruit balance. Admittedly not overly complex but for the price it shows good structure. As far as Pinot goes, this one is a made for beef or rack of veal.
The most versatile fizz in the Hinterland portfolio, what winemaker Jonas Newman refers to as his “chameleon.” As aromatically floral as this Charmat method bubbles (secondary fermentation in tank) ever gets, the ’13 brings out the garden under the mist of a sprinkler, late on a summer evening. It’s not so much about fruit as it is about texture, pollen and wet rocks. Try it at Barque.
This binary vineyard symbiosis will be bottled as the Niagara Pinot. Just filtered a few days ago it strides out with the utmost confidence in swagger, with a purity of fruit is spite of Thomas’ shock, awe and reductive apology. A bright sway of terroir gives rapture to a peaking raspberry bush imagined forward into a cooled pie. A renewed elegance abides with an absence of humidity and with a fully ameliorated knowing that a fleshing will happen. Really fine.
Gamay may be winemaker Shiraz Mottiar’s decisive resource but Chardonnay is his thing. The Moira’s ranks as one of Niagara’s best, vintage in, vintage out and this Mottiar, from the winemaker’s home vineyard is the trump card. This Malivoire special agent is set in 2 – 5 year old 300 L French oak hogsheads and aged on the lees in barrel for 10 months. The result? Texture. With the use, or lack thereof in new oak, Mottiar’s Chardonnay becomes a study in compages, with strong abilities and the accents of green orchard fruit and a faint sensation of blanched nut. Nothing toasty mind you because it’s all about density and girth; a Shiraz thing. I find his Chardonnay is all about texture.
13th Street Sandstone Old Vines Gamay Noir 2012, VQA Four Mile Creek, Niagara Peninsula, Ontario (130195, $29.95, WineAlign)
If roses were stones they would produce an aroma that only 13th Street’s Sandstone Gamay would recall. Some previous vintages have pushed the boundary to sky-high excess and a subterranean ferrous burrowing but in 2012 the perfume is both grounded and ethereal. The sandy tuff rock is so in that glass, like the smell of a rugged beach, mist and salinity spraying and rising off the rocks. The ’12 now knows “I don’t have to sell my soul.” Wholly singular Gamay and with hopes it will always be this going forward. Where as before it said “I want to be adored,” it now confirms “you adore me.”
Tawse Laundry Vineyard Cabernet Franc 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (130997, $34.95, WineAlign)
A lean Laundry with as much finesse as winemaker Paul Pender has ever shown in his poignant Cabernet Franc realm. When a vintage deals you calm and scale you sit back and relax. The Lincoln Lakeshore advancing in years vines bring yet unseen front end red berry, licorice and red currant softness in 2011. There is elegance but also a refusal to yield its back-end bite. A level of enveloping grain and chalk is unique to this bottle and should be seen as a very good effort with the possibility ahead for movement and a gaining of flesh. A graceful, gently pressed Laundry.
Southbrook Whimsy! Cabernet Sauvignon 2009, VQA Niagara On The Lake, Niagara Peninsula, Ontario (260281, $34.95, WineAlign)
A 100 per cent Cabernet Sauvignon whose barrel aging specs are integral to discussing its unfolding. This Whimsy is a seven barrel (172 case) lot of which 86 per cent was aged for 13 months in (71 per cent) French oak. Plain and simple, a wood-heavy decision that has provided allied excellence five years after that demanding vintage. The agglomeration is one of steroidal currants, rocket red berries and an assiduous savoury edge. Just now are the beginnings of a caramel oozing from out of the centre of a dark chocolate house. Really quite an amazing, rich cake example from the vintage. Showing so right and so strong now, in its territory and wheelhouse.
Norman Hardie County Unfiltered Pinot Noir 2012, VQA Prince Edward County, Ontario (125310, $35.20, WineAlign)
Hardie’s 2012 County Pinot Noir is a beacon, a flashing light on the shore, an invitation to copycats because this is what making red wine from limestone foundations is all about. To taste this ’12 is to experience Hardie’s purest berry maceration and distillation to date. It’s as if there was no alcohol present and in fact, at 11.5 per cent it is a modest and transparent pronouncement. Longevity may not bless the ’12 as in other vintages but this is certainly the most groomed and coiffed County Pinot Noir.
Tasted at Somewhereness 2014 as part of a vertical retrospective going back to 2007. The Vinemount Ridge’s now famous Picone Vineyard is set within a 10-acre estate on the Niagara Escarpment. Planted to the Weis 21 clone, the Riesling grown here digs in for complexity from sectional moieties of clay and sandy soil atop a unique base of limestone bedrock. Charles Baker began working with these grapes in 2005 and it is this 2008 where the learning curve took a turn for the Riesling stratosphere. The ’06 found luck in the stars but this vintage lays the framework and foundation for a master plan. At this stage in the ’08 evolution there is a prodigious and viscous honeyed textured. Ripening tree fruit juices run like maple sap in spring and the run off is beginning to think syrup. A cutting ridge of acidity arrests the sugaring, allowing citrus and flinty rock to recall the wine’s first, fresh steps. Baker’s Riesling time travels in circles with no real beginning and no real end. From my earlier, September 2012 note: ““Whoo-ahhh” Mojito, green apple skin scent of a Riesling. Seductive to sip, a bodacious body of influence, then back-end bite. A wolf pack in sheep’s clothing.”
No other Niagara red and for sure no alternative Peninsula Bordeaux blend exists in such a vacuum of dichotomous behaviour. Act one is an out-and-out boastful, opulent show of Rococo. Act two a gnawing and gnashing by beasts. The pitch and pull of the Terroir Caché 2010 optates and culls the extraordinary through the practice of extended délestage, what Hidden Bench notes as “a traditional method of gently draining the wine and returning it to tank with its skins during fermentation.” The ’10 is about as huge as it gets, highly ferric and tannic. Still chemically reactive, you can almost imagine its once small molecules fitfully growing into long chains. Berries of the darkest night and he who should not be named black fruit are confounded by minerals forcing the juice into a cold sweat. Will require a minimum of 10 years to soften its all-powerful grip. From my earlier March 2013 note: “has rich, voluptuous Napa Valley written all over it. Sister Merlot dominant, Beamsville Bench sledge monster. Plumbago, mineral, blackberry and coffee in a wine that will be the ringer in a blind tasting 10 years on. Harald may be saying “this is our family jewel.” Mr. Thiel, you make good wine”
Patient as ever with the cool-climate, slow and low ripening Cabernet Franc, winemaker J-L Groux stuck with belief, regardless of the warm 2010 vintage. The Stratus single varietal space and time continuum of let it hang (though not to December), 20ish months of aging, nearly half in French oak barrels, has brought forth the most dense and luxe Cabernet Franc to date. “It’s never old school, all brand new,” with Groux so this red swells in wholly pure black currant fruit and is as big as it gets for J-L, which is saying something. This beastie boy will age over a 20-year period. Style is the thing, and yes, the aromatics.
The Locust Lane Vineyard, originally planted in 1998, was Hidden Bench’s first acquisition, in 2003. It has a unique perpendicular cross-slope effect, undulating in all four directions, gathering sun hours in its own special way. The vineyard produces the richest and warmest Pinot Noir with fruit flavours more akin to ripe plum and black cherry than almost anywhere on the Beamsville Bench, certainly as any from the Hidden Bench stable. While the ’11 is not the biggest beast nor the Bordeaux bully of the Terroir Caché, it is surprisingly tannic and strong. It’s anything but hot, though it attacks with fervor. Big berry fruit, macerated strawberry, rich pie notes and spice. A great Locust vintage.
Doesn’t every local wine writer’s pilgrimage begin this way? There’s 130 kilometres to Niagara Falls, we’ve got a full tank of gas, half a pack of cigarettes (not really – the only thing we smoke is BBQ), it’s blinding winter morning light out and we’re wearing sunglasses. Well, one of us is.
With Jake riding shotgun to Elwood we hit the QEW, pause for bench land visits to Flat Rock, Zooma Zooma and Creekside Estates, then make the frozen Falls by dusk. Two slackers we are, Bill and Ted, ponces submissive to wine, travelling through Niagara assembling a library of tasting notes to condign for memory in lieu of history missed and as practice for futures to come.
PHOTO: Michael Godel Canadian Food and Wine Institute at Niagara College Salmon and Scallops
Niagara’s annual Cuvée rolls out the red carpet for a black-tie gala at Fallsview Casino’s Grand Ballroom. Touted as a celebration of excellence in Ontario winemaking, the event gathers more than 50 wineries and asks that they pour their winemakers’ favourite wines alongside a room full of esculent Niagara eats. Local chefs set lavish food stations and guests are treated to comestible ruminations composed by students from the Canadian Food and Wine Institute at Niagara College. The Sun Media Après Cuvée party features Icewine, sparkling wine and craft beer bars, not to mention a repeat performance by the impolitic, patent, I want you to be moved sound of Jonesy.
PHOTO: Michael Godel Zagat and Spotlight Toronto’s Suresh Doss and Wine Country Ontario’s Magdalena KaiserSmit
Proceeds from the Cuvée Weekend go to the Niagara Community Foundation. Created in 2000, the Niagara Community Foundation has raised more than $23 million in endowment funds and has granted in excess of $5.5 million to charities working in the arts, heritage, environment, social services, health, education and community development. In 2015, the event will leave the very capable hands of the NCF and fall into the most capable hands of Brock University.
The word cuvée can mean many things in the world of wine. The Champagne tradition carries the most recognizable weight, the practice dictating that the best grapes be used and gently pressed to ultimately produce a sparkling wine of superior quality. In the end any cuvée is a blend no matter how you slice, interpret or break it down. It really comes down to the question of quality. Did Cuvée 2014 put its best foot forward? Were the ace grapes on display?
PHOTO: Michael Godel Pulling candy from sugar, Canadian Food and Wine Institute at Niagara College
The Cuvée gala, at one time an awards showcase ceremony, has welled to the point of a brimming kitchen sink, perhaps in danger of overflowing. Those who know and have been there agree the change in structure has been for the better. Growing pains are natural, inevitable side effects of growth. It’s more party than oenophile wine think tank, a cultural mosaic and for some, a melting pot. Speeches, awards, thank yous and acknowledgements are barely audible above the revelling din.
PHOTO: Dan Trcka/grapeselections.com VQA Promoter Award At Large winner Shawn McCormick and Michael Godel
In 2013, to a wine, the pours were best of the best. My take was put into these words. Top juice flows at Cuvée 25th anniversary. In 2014 many vintners poured either their best (Domaine Queylus, Five Rows, Coyote’s Run, Rennie Estate, Stratus, Thirty Bench) or their most unique (Peninsula Ridge, Trius, Southbrook, Riverview, 13th Street, Malivoire). The event and the following morning’s Expert’s Tasting would not be diluted by a few more shots of Prince Edward County and Lake Erie North Shore in the arm.
The real adventure lies in the attempt to taste everything in the room. Time and excessive schmoozing gets in the way so getting to more than half is a win, win. Here are notes on 10 wines tasted at Cuvée 2014 and the reasons for singling them out as separating themselves from their peers.
A creamy, corpulent expression with a stinging enzymatic yogurt texture. Would swear there was extended lees contact. Furthest thing from the truth says winemaker Angela Kasimos. That striking salve gives way to a vacuous aridity without conceding to nuts and residual sugar. Well-made and without interference. Thanks to Riverview, Gewürztraminer has found a home in the pliable, silty loam of Niagara River. 88 Tasted February 2014 @RiverviewWinery
PHOTO: Michael Godel Peninsula Ridge Sauvignon Blanc Wismer 2013
Winemaker Jamie Evans and Sauvignon Blanc share a kinesis. When kissed by the wise and wistful fruit that Wismer cedes, compounded by the vintage, this Peninsula Sauvignon Blanc inclines to aeaeae. All parts contribute to a stretched length, from fresh beginning to mouth-watering end. In between there is lees-stirred spice, dry and toasty points but the grass is never overgrown and the berries are golden. A kickstarter sour note propels the wine forward for an even longer taxi onward. What a vineyard, what a wine. 90 Tasted February 2014 @PeninsulaRidge
From vineyards planted in 2005, this new kid on the Jordan block spent 12 months in oak, half of it new. To a taster, you would never know it. In clone cousin to Le Clos Jordanne’s Chardonnay, this special project is the nephew of a set aside, four-barrel selection. Winemaker Arthur Harder (Calamus) has fashioned a head-turning clean, pure and most mineral-driven Chardonnay from impossibly young Vinemount Ridge vines. A quartz chord runs through it and with just two or three more years of vine age the fruit and adjoining texture will catch up to the rock. That integrated, subtle oak impart is of a Granny Smith apple kind, crisp and taut. Such a memorable inauguration with so much promise that lays ahead. 90 Tasted February 2014
Trius Sauvignon Blanc Wild Ferment 2012, VQA Niagara On The Lake (Winery, $32.00, WineAlign)
Less than 300 cases were produced of this, you guessed it, natural grape skin, wild yeast fermented unique Sauvignon Blanc. Cold bunch pressed and 11 months on the lees lend a fruit/wood spice and gregarious character that is impossible to miss. Winemaker Craig MacDonald shows a savvy Savvy love in his carefully considered treatment of this wine. This ’12 WF steals the show at Cuvée in the category of most compelling and thought-provoking. 91 Tasted February 2014 @TriusWines
Five months more in bottle has come to this, a Bench perfumed state of mind. On a red raspberry road to absolution. The international coat has now begun to surrender to the maturity and wisdom of the local vine’s intellect, its maker and overseer acting as artificers in planned execution. Earlier note: Deeper, earthier, decreased propriety and more pelage than the previous two vintages. I sense longer hang time, more redress and slower slumber. In Hidden Bench I thought I knew and would always associate with a specific Pinot Noir feel but this ’11 confounds. In a way, that is a large compliment. Fruit reminiscent of a top Central Otago in that it grips my Pinot interest if not my Ontario heart. 91 Tasted October 2013 and February 2014 @HiddenBench
PHOTO: Michael Godel Southbrook Vineyards Whimsy! Winemaker’s White 2011
While the triple W represents neither traditional alchemy nor screaming value it begs to be considered for sheer shock and awe. A co-fermented, low brix, who varietal blend of 58 per cent Chardonnay, 27 Semillon and 15 Muscat, winemaker Ann Sperling’s capricious fancy white and nerdy captures the vintage to alight and delight effect. Spice, texture, florality and acidity really work the room. Though the varieties seem to sing ”we don’t move in any ‘ticular direction and we don’t make no collections,” they somehow join together. White wine of whimsy, not shallow, like a Wes Anderson film. 88 Tasted February 2014 @SouthbrookWine
Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice. Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with its a touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?” 91 Tasted November 2013 and twice February 2014 @Bachelder_wines
Five Rows Craft Wine Pinot Noir 2010, VQA St. David’s Bench, Niagara Peninsula, Ontario (winery, $50, WineAlign)
Gimme soft and sage treatment of a vineyard’s wondrous, pure fruit transcends most previous notions of Niagara Pinot Noir. That Lowrey vineyard in the hands of its first family drives spice into red fruit direct from soil and vine. Winemaker Wes Lowrey handles his family vineyard fruit like it were a baby and from this comes a promiscuous perfume. The ’10 is so youthful but coming into the springtime of his voodoo, having now been in bottle for a year. Though thoughts were that “he was going to show me spring,” the wine should clearly be left to flesh for a few more seasons. 92 Tasted February 2014
Thirty Bench Small Lot Benchmark Red 2010, VQA Beamsville Bench, Niagara Peninsula (winery, $60)
Indoctrinated Right Bank agglomerate built on 62 per cent Merlot, supported by equal parts Cabernet Franc and Sauvignon. Impressively warm and dusty, large, bursting berry dominated with a peppering dredge all around. So much flavour abounds, blanketed by a shaker full of vanilla spice, like “an endless ocean landing on an endless desert.” Still the Benchmark is modest, oaked (18 months) but not overly soaked, pure and in balance. The berry concentration renders it as a resident of the dark centre of the Niagara red blend universe. 92 Tasted February 2014 @ThirtyBench
PHOTO: Michael Godel Queylus Pinot Noir Reserve Du Domaine 2011
The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Twenty Mile Bench (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and Mountainview vineyard were scrutinized to determine the final blend.Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used. 92 Tasted March 2014 @QueylusVin
The Expert’s Tasting is more than just a study on Niagara wine. It eulogizes what came before, reflects back on what is lost and ultimately asks the questions, “Where do we go from here? Which is the way that’s clear?” Grow grapes, make wine. Rock on.
In 2015, the annual Cuvée gala weekend, one of the most prestigious celebrations of Ontario wine and food, will now be organized by Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI). The theme will be a look forward to Ontario’s significant wine styles and emerging varieties. Props to that.
The #CCOVI event continued the task of celebrating the annual VQA Promoters awards, handed out to the individuals who supported and promoted the industry through media, the LCBO, at large and over the course of a lifetime. The 2014 awards were handed out to William Mancini, Lloyd Schmidt, Erik Peacock, Shawn McCormick, David Lawrason and posthumously, care of his wife Rose Lamas-Churchill, to David Churchill.
PHOTO: Michael Godel #CCOVI Expert’s Tasting Pinot Noir Flight
At the Expert’s Tasting wines were poured blind. The third and fourth flights (Pinot Noir and Red blends respectively) showcased just how far Niagara has travelled in fashioning quality reds. The Pinot Flight was all about balance and elegance. Bench Pinot stands out like a beacon on the Escarpment’s shelves. Blends centred around Merlot, Cabernet Sauvignon and Cabernet Franc are excelling with each passing vintage, in kind to the ever-increasing wine acumen of the growers and winemakers. That and the macro-intense studies of Niagara’s micro-terroirs.
This final flight of five wines (in order, Chardonnay, Pinot Noir, Syrah, Riesling and Cabernet Sauvignon-based blend) made for a less confounding competitive round, which was not the case in 2013. I clearly found vicarious fortune through the mates at my table. It’s not just who you know, but who’s palate you draft behind.
Here are my notes on the final 19 wines poured at the Expert’s Tasting 2014.
FLIGHT #3 – YOU’VE BEEN PINOT’D!!
From left: Devil’s Corner Pinot Noir 2012, Flat Rock Gravity Pinot Noir 2012, Inniskillin Pinot Noir Reserve 2011, 13th Street Essence Pinot Noir 2010, and Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010
Presented by Dr. Belinda Kemp, CCOVI Scientist, Oenology. “There is nothing funny about Pinot Noir,” she complains in deadpan humour, “it’s the unfunny grape. Fascinating, but nothing to laugh at. It’s not funny at all.”
Devil’s Corner Pinot Noir 2012, Tamar Ridge, Tasmania, Australia (317966, $23.95, WineAlign) From the VINTAGES March 1, 2014 Release
A good fresh start to the flight. At first earthless, weightless, cran-raspberry scented. Feminine, warm, inviting and then turning temperamental, difficult, evolving. Ultimately maternal, clay-influenced, brought down to mother earth. Vanilla ringer. 87 Tasted March 2014 @BrownBrothers
Un bon nouveau départ à la (troisième de l’expert de dégustation) vol. Au début Earthless, en apesanteur, cran-framboise parfumée. Féminine, chaleureuse, accueillante et puis, se tournant capricieux, difficile, en constante évolution. En fin de compte maternelle, argile influencé, ramené à la terre mère. Vanille sonnerie. Dégusté Mars 2014
In a vintage potentially muddled by warmth and a humidor of radio frequency, duplicating berry phenolics, Flat Rock’s Gravity remains a definitive, signature house Pinot Noir. In 2011, the head of the FR class from its most expressive barrels shared the limelight (and top juice) with the Pond, Bruce and Summit one-offs. In ’12, Gravity’s sandbox was its own. The style is surely dark, extracted, black cherry bent, as per the vintage. Yet only the Rock’s soil does earth in this variegate, borne and elevated by the barrel’s grain. There are no fake plastic trees in a Flat Rock Pinot. “Gravity always wins.” 90 Tasted March 2014 @Brighlighter1
Dans un millésime potentiellement confus par la chaleur et une cave de la fréquence de la radio, la duplication des composés phénoliques des baies, la gravité de Flat Rock reste un définitif, maison de signature Pinot Noir. En 2011, la tête de la classe FR de ses barils les plus expressifs partage la vedette (et le jus dessus) avec les mesures ponctuelles Pond, Bruce et Summit. En ’12, bac à sable de gravité était son propre. Le style est certainement foncé, extrait, pliée de cerise noire, selon le millésime. Pourtant, seulement le sol de la roche ne terre dans ce variegata, porté et élevé par le grain du baril. Il n’y a pas d’arbres en plastique faux dans un Flat Rock Pinot. “Gravity gagne toujours.” Dégusté Mars 2014
A by-product of a rain-heat-rain, cold soak-warm ferment-16 month French barrel childhood. The ’11 Reserve Pinot is impressively floral while simultaneously brooding and serious. The middle palate binds citrus and savoury, gilded, dulcet rose, Langhe-like. Breakdown happens late, in syrupy alcohol and charred pulp. “In that case I’ll have a rum and coca-cola.” Complex Pinot for the common people. 88 Tasted March 2014 @InniskillinWine
Un sous-produit d’une pluie-chaleur-pluie, le froid tremper-chaud ferment-16 mois baril français enfance. Le ’11 Réserve Pinot est alors impressionnante floral simultanément couvaison et grave. Le milieu de bouche se lie d’agrumes et salé, doré, rose suave, Langhe-comme. Répartition arrive en retard, dans l’alcool sirupeux et pâte carbonisée. “Dans ce cas, je vais avoir un rhum et de coca-cola.” Pinot complexe pour les gens ordinaires. Dégusté Mars 2014
The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Twenty Mile Bench (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and Mountainview vineyard were scrutinized to determine the final blend. Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used. 92 Tasted March 2014 @QueylusVin
Le Thomas Bachelder mentor, l’assemblage de deux vignoble Grande Réserve Pinot Noir broie poivre craqué plus que ses prédécesseurs. Chaque baril de Lincoln Lakeshore (anciennement Le Clos Jordanne de, Neudorf famille La Petite Colline Vineyard) et le Twenty Mile Bench (Mountainview) appellations ont été examinées attentivement afin de déterminer l’assemblage final. Bachelder voit fruits noirs dans le début de la vie et pourtant, malgré l’assaisonnement bouillante, les gènes de la LGR sont intrinsèquement féminin. Rouge cerise, tellus la fertilité et la force de la mère détiennent la famille des enfants de baril ensemble. Il s’agit d’un Pinot Noir ambitieux et difficile à lire. Jugement réservé pendant cinq ans avant le mot classique sera utilisé. Dégusté Mars 2014
Five months have aged the Essence with more bronzing minerality and core strength. Imagine the old-world chemistry it will enumerate after five more years. Previous note: “Only the second coming of The Essence. Lucid, willing and able Pinot Noir from an assemblage of fruit sourced across the region. Atypical in that sense, speaking to a broader range of terroir and to a wider audience. Breadth and depth much like a Côte de Beaune, earthy of serious dirt layered over top a cherry core. Attention now and for five plus years is needed because though to taste it’s currently confounding, time will see more complexity, development and emerging emotion. It will then solicit a cry of ”baby, sweet baby, you’re my drug. Come on and let me taste your stuff.” 91 Tasted October 2013 and March 2014 @13thStreetWines
Cinq mois ont vieilli l’essence avec plus de minéralité de bronzage et la force de base. Imaginez la chimie du vieux monde, il va énumérer après cinq années de plus. Note précédente:… “Seule la seconde venue de l’Essence Lucid, désireux et capables Pinot Noir à partir d’un assemblage de fruits provenant de toute la région atypique en ce sens, parler à un plus large éventail de terroir et à un public plus large étendue et la profondeur un peu comme un Côte de Beaune, terreuse de terre grave posés sur le dessus une cerise noyau. attention maintenant et pour cinq ans et est nécessaire parce que le goûter est actuellement confondre, le temps voir plus de complexité, le développement et l’émotion émergents. Elle sera ensuite solliciter un cri de “bébé, bébé doux, tu es ma drogue. Venez et laissez-moi goûter vos trucs.” Testé Octobre 2013 et Mars 2014
Though a recent phenomenon, a Bench area winemaker’s keen interest in the Lincoln Lakeshore as a unicorn Pinot growing locale has come out of the forest’s shadows. From dual-vineyard plots and specific barrel choosing, the JRF expressly microwaves its agminate gathering, that is, 14 months on lees in barrel, a warm vintage and virtually unfiltered ferment. Completely free of its closet, there is coffee, toffee and strong tea overtop rufescent fruit close to its earthly roots. An austere, tough and gritty Pinot Noir, from the Burgundy side of the pond, echoing the presenter’s choice of words. “It’s fascinating but nothing to laugh about.” 89 Tasted March 2014 @RichieWine
Bien que d’un phénomène récent, le vif intérêt d’un vigneron de la zone du Banc de la Lincoln Lakeshore comme un Pinot locale croissante licorne est sorti de l’ombre de la forêt. Des parcelles à double vignoble et choix de canon spécifique, la JRF tout micro-ondes expressément sa collecte de agminate, soit 14 mois sur lies en barriques, un millésime chaud et ferment pratiquement non filtré. Complètement libre de son placard, il ya du café, caramel et thé fort overtop Rufescent fruit proche de ses racines terrestres. Un austère, dur et graveleux Pinot Noir, du côté de l’étang de Bourgogne, en écho le choix du présentateur de mots. «C’est fascinant, mais pas de quoi rire.” Dégusté Mars 2014
An ambitious and in retrospect streetwise project now in the golden age of its life. From fruit grown both on the estate’s Crispino Vineyard and at the Vineland Research Centre. Then winemaker Ilya Senchuk dried 40% of the grapes which subsequently spent 15 months in French and Hungarian oak. The modest 13.1 per cent alcohol has realized a resolved, gentle and effortless balance of figgy/raisin-driven fruit and clear spirit. The beaver is not so different from a Tawny meets Reserve Port, Pinot-style. Appassimento, you’ve been Pinot’d. ‘Ciao’ for hello and goodbye because now is the time to drink. 88 Tasted March 2014 @wineaffair
Un projet ambitieux et débrouillard, rétrospectivement, maintenant dans l’âge d’or de sa vie. De fruits cultivés à la fois sur Crispino Vignoble de la succession et au Centre de recherche de Vineland. Puis vigneron Ilya Senchuk séché 40% des raisins qui a ensuite passé 15 mois en fûts de chêne français et hongrois. Le modeste alcool 13.1 pour cent a réalisé une résolu, équilibre doux et sans effort de figgy / fruités raisins secs et l’esprit clair. Le castor n’est pas si différent d’un Tawny Port répond Réserve Pinot style. Appassimento, vous avez été Pinot’d. «Ciao» pour bonjour et au revoir parce que c’est maintenant le temps de boire. Dégusté Mars 2014
FLIGHT #4 – RED ROAD TEST – ARE WE ON THE RIGHT TRACK?
From left: Konzelmann Estate Winery Heritage Reserve 2012, Hillebrand Trius Red 2011, Fielding Estate Winery Cabernet Merlot 2010, Trius Grand Red 2010, Stratus Red 2007, Creekside Estates Reserve Meritage 2004, and Henry Of Pelham Estate Cabernet/Merlot 2002
Presented by Trius Winery at Hillebrand winemaker Craig McDonald. McDonald makes one of Niagara’s now flagship red blends, the Trius Grand Red. He brings red blend experience to the table in spades and hearts, particularly from his work at Penfolds in the Barossa Valley, but McDonald is an ardent voice for the relationship between varietal and land. He wants you to decide for yourself, are red wines working and excelling in Niagara? In this flight, Craig’s advice is “I want you to think about the dominant varietal.” Not as easy as you might think.
A Merlot-based blend with support from Cabernet Sauvignon and Cabernet Franc. The dominant varietal is the blend’s soft presence, lifting up an otherwise ground espresso, black pepper, currant and verdigris paste in its 14 per cent frame. Yet so young and unsettled, with Franz drive, chalky extract and hard bite. In this Heritage’s “edges and lines your engine’s alive,” so as a first red road-test, it sets a solid course. 88 Tasted March 2014 @KonzelmannWines
Un mélange à base de Merlot avec le soutien de Cabernet Sauvignon et Cabernet Franc. Le cépage dominant est la présence douce du mélange, soulevant un espresso moulu contraire, de poivre noir, de cassis et vert de gris coller dans son cadre de 14 pour cent. Pourtant, si jeune et instable, avec Franz entraînement, extrait calcaire et morsure dur. Dans ce patrimoine “des bords et des lignes en vie, de votre moteur” de manière un premier rouge route-test, il établit un plan solide. Dégusté Mars 2014
Most of the 47 per cent Merlot, 40 Cabernet Franc and 13 Cabernet Sauvignon fruit was sourced from the Clark and Carlton Vineyards in Four Mile Creek. From the outset age is the focus point. Is this already showing wear and tear or is the sinewy, cassis, toffee, sweet balsamic and emulous acidity congregation preparing a long road ahead for this Niagara exhibit? Crisis? What crisis? It’s just a normal day and this Meritage will say, “maybe I’ll find my way.” 87 Tasted March 2014 @TriusWines
La plupart des 47 pour cent Merlot, Cabernet Franc 40 et 13 Cabernet Sauvignon fruits provenait de les Clark et Carlton Vignobles à Four Mile Creek. Dès l’âge de départ est le point de mise au point. Est-ce montre déjà l’usure ou est le nerveux, de cassis, de caramel, balsamique doux et jaloux acidité congrégation prépare un long chemin à parcourir pour cette exposition Niagara? Crise? Quelle crise? C’est juste une journée normale et ce Meritage dira, «peut-être que je vais trouver mon chemin.” Dégusté Mars 2014
Does anybody really know what wine this is? Does anybody really care? The experts do, as do I. Chosen for back-to-back Expert’s Tastings by a panel of Niagara’s finest palates? AYFKM? What does that say? Today Richie Robert’s CF (42), Merlot (33) and CS (25) master stroke from Lincoln Lakeshore (warm), Beamsville Bench (warmer) and St. David’s (Lowrey Vineyard – warmest) is singing. Charred cherries, animale game and soft funk like top IGT. Raises its own bar. Previous note: “Alights in lithe tendrils before adding coffee, meritage mid-weight. Currants, nasturtium and red fruit compote buoy this cooler Niagara blend that combines fruit from the Lincoln Lakeshore, St. David’s and Beamsville Benches. A good dancer with “the kind of body that would shame Adonis.” Expertly balanced with the spine to age.” 90 Tasted March 2013 and 2014 @FieldingWinery
Quelqu’un sait-il vraiment ce vin ce que c’est? Est-ce que quelqu’un se soucie vraiment? Les experts font, comme moi Chosen pour Dégustations Expertises dos-à-dos par un panel des meilleurs palais du Niagara? AYFKM? Qu’est-ce que cela veut dire? Aujourd’hui Richie FC Robert (42), Merlot (33) et CS (25) coup de maître de Lincoln Lakeshore (chaud), Beamsville (plus chaud) et Saint-David (Lowrey Vineyard – le plus chaud) chante. Cerises carbonisés, jeu animale et funk doux comme haut IGT. Déclenche son propre bar. Note précédente: “. Descend en vrilles agiles avant d’ajouter le café, meritage mi-poids Groseilles, capucine et compote de fruits rouges bouée ce refroidisseur mélange Niagara qui combine les fruits de la Lincoln Lakeshore, Saint-David et Beamsville Bancs Un bon danseur.” L’ type de corps qui honte Adonis. “experte en balance avec la colonne vertébrale de l’âge.” Dégusté Mars 2013 et 2014
Trius Grand Red 2010, VQA Niagara Peninsula (winery, $55.00, WineAlign)
Roll out the best barrels from the same Four Mile Creek Clark and Carlton Vineyards. Gravity drip freshly-pressed juice directly into barrel, wait 18 months and voilà, the flagship red from winemaker Craig McDonald. The 45/33/22 Merlot/Cabernet Franc/Cabernet Sauvignon blend radiates of everything under the sun. It’s rich and lush, marked by huge extract and yet it’s also graced by sweet, limber tannins. The middle ground gives faint notes of soy and dill though it can be imagined they will be smothered as the chain lengthens and the flesh becomes more pliable. I’ve one put aside for a visit in 2018. 89 Tasted March 2014
Etaler les meilleurs fûts de les mêmes Four Mile Creek Clark et Carlton Vineyards. goutte à goutte par gravité jus de fruits fraîchement pressés directement dans le cylindre, attendre 18 mois et voilà, le rouge phare de vigneron Craig McDonald. Le 45/33/22 Merlot / Cabernet Franc / Cabernet Sauvignon mélange rayonne de tout sous le soleil. Il est riche et luxuriante, marqué par d’énormes extrait et encore il est également honoré par des tanins doux et souple. Le terrain d’entente donne des notes faibles de soja et aneth si on peut imaginer qu’ils seront étouffées comme la chaîne s’allonge et la chair devient plus souple. J’ai un mets de côté pour une visite en 2018. Dégusté Mars 2014
Stratus Red 2007, VQA Niagara On The Lake, Niagara Peninsula (winery, $44.20, WineAlign)
On a day like today, the 2007 Stratus Red’s long, long sleep (644 days in mostly new French Oak) seems particularly magnified. Today the moody tincture is a cocktail shaker filled with peat, clay, iodine, strawberry compote, sangria and divaricated tannin. No other red blend today is as complex, shows more road rage or tries to speed off the track. Previous note: “Puts a twinkle in Groux’s eye. “Still very enjoyable, agreeable and ageable,” he smiles and I note it’s not candied like it may have once been perceived. A healthy and high 88 per cent dose of new oak but it’s not the encumbrance you might expect. Still quite tight, eking strawberry and plum, and indubitably a unique amalgamation. Will offer up five more years of pleasure.” 91 Tasted September 2013 and March 2014 @Stratuswines
En un jour comme aujourd’hui, long, long sommeil de 2007 Stratus Rouge (644 jours dans la plupart neufs de chêne français) semble particulièrement agrandie. Aujourd’hui, la teinture de mauvaise humeur est un shaker rempli de tourbe, de l’argile, de l’iode, compote de fraises, sangria et les tannins divaricated. Aucune autre mélange de rouge aujourd’hui est aussi complexe, montre plus de rage au volant ou tente d’accélérer la piste. Note précédente: “. Met une étincelle dans l’oeil de Groux” Toujours très agréable, agréable et gérable “, il sourit et je constate que ce n’est pas confits comme il peut avoir été une fois perçu une saine et haute 88 par dose cent de chêne neuf, mais il est. pas la charge que vous pourriez vous attendre. toujours très serré, eking fraise et de prune, et sans aucun doute une fusion unique. offrira jusqu’à cinq années de plaisir “. Dégusté Septembre 2013 et Mars 2014
A straight up self-starter, 55/45 Cabernet Sauvignon/Merlot, Left Bank galvanized blend. Craig McDonald noted that he and Rob Power “had no idea what we were doing.” What they had was a four year-old vineyard on the Queenston Road, St. David’s Bench in Four Mile Creek. They made this Bordeaux in a challenging vintage when there might not have been a sound mind around (who was paying them any attention) for guidance or encouragement. Though it has crossed the threshold into resinous mannerisms and elements of an armamentarium, the two mad scientists found a way to take 12 per cent alcohol and real fruit on a 10-year journey to the museum. Shows what potential there has always been and where the distinction of the 2014 Niagara reds will be in 2024. 89 Tasted March 2014 @CreeksideWine
A vous auto-démarreur droite, 55/45 Cabernet Sauvignon / Merlot, Rive Gauche galvanisé mélange. Craig McDonald admis que lui et Rob Power “n’avait aucune idée de ce que nous faisions.” Ce qu’ils ont trouvé un vignoble de quatre ans sur la route de Queenston, la Cour du Banc de Saint-David à Four Mile Creek. Ils ont fait ce Bordeaux dans un millésime difficile quand il pourrait ne pas avoir été un esprit sain autour (qui les paie aucune attention) pour obtenir des conseils ou des encouragements. Bien qu’il a franchi le seuil de tics et éléments d’un arsenal résineux, les deux savants fous ont trouvé un moyen de prendre 12 pour cent d’alcool et de vrais fruits sur un voyage de 10 ans pour le musée. Montre ce potentiel, il a toujours été et où la distinction de 2014 rouges Niagara sera en 2024. Dégusté Mars 2014
Henry Of Pelham Estate Cabernet/Merlot 2002, VQA Short Hills Bench, Niagara Peninsula (winery, $34.95)
A Cabernet Sauvignon and Merlot split with 12 per cent support from Cabernet Franc. Right up there with other classic H of P blends, in ’98, ’05 and ’07. All three levels, the basic Cab/Merlot, this Reserve and the Speck Family Reserve have stood the test of time, perhaps better than any other Bordeaux blends from the region. You can tell this was an enormous wine at one time. Has gently and slowly evolved into its comfortable skin yet the tannin and grit are still in working order. He’s a crooner this CM2, with a soulful Roy Orbison voice. There aren’t many like him. “That’s why I sigh and sip my lonely wine.” If anything has been learned and if anyone had been paying attention to Ron Giesbrecht while he made his wines, there should be many more to come. 91 Tasted March 2014 @HenryofPelham
FLIGHT #5 – WINE OPTIONS
From left: Stratus Chardonnay 2009, Rosewood Estates Pinot Noir 2011, North Shore Project Syrah 2012, and The Foreign Affair ‘The Conspiracy’ 2012
Presented by Peter Bodnar Rod Sommelier and member of the Brock WSET Team. After four serious and wind-sapping flights, the ice was again broken by the jocose Bodnar Rod when he made comment to the hand coverings of a wine pourer. “Maybe Jamie and I can go out tonight with black latex gloves?” Not a word in response from Mr. Drummond but if I were a betting man I’d say he just might join in that fun.
Comes off like a white blend, aka Stratus White but this is the outright, unchaste vintage talking. Winemaker J-L Groux crafted three wines with viticulturist Paul Hobbs. Here they split the project 50/50 with Hobbs including wild yeast fermentation and whole bunch pressing and J-L adding short skin contact, controlled yeasts and no whole bunch pressing. From extreme low yields, this one puts on a show after only 10 months in barrel. High on aroma, brazen in texture, ambient in flavour bites. Very Niagara if inexactly Chardonnay. Tasted March 2014 91 Tasted March 2014
Se détache comme un mélange blanc, aka Stratus Blanc mais c’est la pure et simple, parler cru impudique. Oenologue JL Groux conçu trois vins viticulteur avec Paul Hobbs. Ici, ils partagent le projet 50/50 avec Hobbs y compris sauvage fermentation de la levure et le groupe entier urgent et JL ajoutant un bref contact de la peau, des levures contrôlées et pas toute la bande de pressage. De rendements extrêmement faibles, celui-ci met sur un spectacle après seulement 10 mois en barrique. Haute sur l’arôme, la texture d’airain, ambiant dans les piqûres de saveur. Très Niagara si inexacte Chardonnay. Dégusté Mars 2014
What an arid specimen, tasted blind so distinctly Bench Pinot though the earthy, cranberry and cherry dust had me leaning Short Hills. The Rosewood reveal reminds of “little lonely eyes open and radiant,” berries from acidity victorious Wismer blocks on the Twenty Mile Bench. Previous note: “…and her libidinous solid core of red fruit habituated by a fencing of skin-tight acidity will see prolonging returns. Will run on like a Dave Matthews jam, in wine years scads longer than the temperate Rosewood ’10. An Escarpment’s native flint rocky note whispers “hey little dreamer’s eyes open and staring up at me…wait until I come I’ll take your soul.” Halloween wine indeed.” 89 Tasted September 2013 and March 2014 @RosewoodWine
Quel spécimen aride, dégustés à l’aveugle Banc si distinctement Pinot bien terrestre, la canneberge et de cerise poussière m’avait appuyé Short Hills. Le Rosewood révéler rappelle “petits yeux solitaires ouverts et rayonnants,” baies de l’acidité victorieux blocs Wismer sur le banc Twenty Mile. Note précédente: “… et son noyau solide libidineux de fruits rouges habitués par une clôture de l’acidité de la peau étanche verront rendements prolongeant sera exécuté sur une confiture comme Dave Matthews, dans les années à vin scads plus long que le tempéré Rosewood ’10.. silex natif notes rocheux chuchotements d’un escarpement “hey les yeux du petit rêveur ouverte et les yeux fixés sur moi … attendre jusqu’à ce que je viens je vais prendre votre âme.” vin de Halloween en effet. ” Dégusté Septembre 2013 et Mars 2014
North Shore Project Syrah 2012, VQA Lake Erie North Shore (sold out, $22)
A project part Will Predhomme (off the charts Sommelier), Hinterland Wine Company (head of the class Sparkling Wine producer) and Colio Estates (top of the heap Lake Erie North Shore red wine maker). More than impressive first outing with a burst of pretty flowers, varietal perspicuity and articulation. As Predomme notes, this is “pure, naked Syrah.” Farmed at Colio, crushed in LENS and fermented at Hinterland. There is a hint (what can best be described as) carbonic maceration in banana sweetness but it does not linger and the lightness of being meets intensity shows adventure and promise. 87 Tasted March 2014 @northshoreproj
Was not so easy to return to Riesling 25 wines and three hours later but thanks goodness it was this old (35 years give or take) vines CSV. From the east Bench where limestone rules and rocks, there are apples upon apples in this vintage in waves of luxurious fruit. While Bench Riesling can be so tragically austere, racy and piercing, often in a state of hip “melancholy wine-soaked tenderness,” this CSV ’10 is bathed in luxury and pure pleasure. It’s so much more Germanic in an off-dry way and never forgets its limestone roots. Not necessarily classic Beamsville but not to be missed. 90 Tasted March 2014 @CaveSpring
N’était pas si facile de revenir à 25 Riesling vins et trois heures plus tard, mais Dieu merci, c’était ce vieux (35 ans donner ou prendre) vignes CSV. De la magistrature est, où les règles et les roches calcaires, il ya des pommes sur les pommes dans ce millésime dans les vagues de fruits de luxe. Bien Banc Riesling peut être si tragiquement austère, racé et perçant, souvent dans un état de hanche “mélancolique tendresse de vin trempé,” ce CSV ’10 est baigné dans le luxe et le plaisir pur. C’est tellement plus germanique de manière demi-sec et n’oublie jamais ses racines de calcaire. Pas nécessairement classique Beamsville mais à ne pas manquer. Dégusté Mars 2014
The Foreign Affair ‘The Conspiracy’ 2012, VQA Niagara Peninsula (149237, $19.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release
Young, huge, rich and oozing in oak soaked spice. Currants, pepper, whole grain, berries and chalk. All in for $20. Previous Note: Quickly reminiscent of its 2011 predecessor but also different, in a basking, vintage-related warmth and reductive currency. This could not have been an easy wine to temper in 2012 considering the ripasso methodology. Just softened plum is painted all over its sheen with the poaching aromas steaming away. Grilled, melting licorice, caramelizing and disapparating before your eyes. Not to mention a French vanilla creamy garagiste waft, like nuts and bolts ice cream. But I will admit the tang, acidity and tenacity increases with each sip and swirl. Such a unique bottling to Ontario. Is there anything else like it not from Lake Erie North Shore? 89@wineaffair Tasted February and March 2014
Jeune, grand, riche et suintant en chêne imbibé d’épices. Groseilles, poivre, grains entiers, fruits et craie. All-in pour 20 $. Note précédente:. “Vite rappelle de son prédécesseur 2011, mais également différente, dans un pèlerin, de la chaleur vintage liés et monnaie réductrice Cela n’aurait pas été un vin facile à tempérament en 2012 compte tenu de la méthodologie de ripasso prune juste ramolli est peint partout. son lustre avec les arômes de braconnage vapeur loin. grillé, fondant réglisse, caraméliser et disapparating devant vos yeux. Sans oublier une vanille française crémeuse garagiste bouffée, comme les écrous et boulons de la crème glacée. Mais je vais admettre la saveur, l’acidité et la ténacité augmente avec chaque gorgée et remous. telle une bouteille unique à l’Ontario. Y at-il quelque chose de semblable pas du lac Érié Côte-Nord? ” Dégusté Février et Mars 2014
The experts broke down 33 wines in five flights, progressing through Riesling, Chardonnay, Pinot Noir, Red Blends and culminating in a friendly blind tasting competition round, each table of seven for themselves. Photo: Jeanne Provost/Fotolia.com
With frozen Pond Inlet at Brock University as the backdrop to the 25th anniversary of the Cuvée 2014 Expert’s Tasting, 160 industry professionals gathered to break wine together. The original congress in 1989 might have heard the whisper, “si tu id aeficas, ei venient.” Fast forward to 2014 and Dr. Linda Bramble references Phil Alden Robinson’s declaration in Field of Dreams, “if you build it they will come.” Come they have, for 25 years running.
Dr. David Bergen spoke about the history of Niagara wines meeting the world and the movement towards what would eventually become VQA. He complemented Niagara’s true sense of community as an industry. Dr. Bergen was himself a vinous pioneer, having been a part of a group of other wine geeks back in the 1980’s tagged the PDU or, the Port Dalhousie Underground.
On the après, après, après Cuvée foggy (not the weather) morning of Saturday, March 1st there was ’89esque Steel Wheels Tour electricity in the air, waiting for the band to come on stage. The feeling was palpable, on a Bodhi guide to parochial wine enlightenment, through an aggregate of palate harmony and a caucus of local knowledge. Glass (a VQA Promoters Award decanter to be specific) was even broken, as if a Semitic bride and groom had spoken their vows to signal the reception’s begin. They had come from Niagara near, they had travelled from Ontario, Quebec, New York and beyond far. All for the purpose of tasting a covey of blindly, though anything but randomly chosen flights that have helped to define and will see to advance the future of Niagara’s viticulture industry.
PHOTO: Michael Godel CCOVI Brock U Expert’s Tasting 2014
PHOTO: Michael Godel Riesling Flight CCOVI Brock U Expert’s Tasting 2014
The experts broke down 33 wines in five flights, progressing through Riesling, Chardonnay, Pinot Noir, Red Blends and culminating in a friendly blind tasting competition round, each table of seven for themselves.
Studying wine in a setting and with a structure like the Expert’s Tasting presents a constructible universe in infinitary logics. In the bubble of a cozy room like the Pond Inlet “every set will arise in the construction process…. In infinitary logic, there are far more than only countably many formulas, and one can cook up a formula to define a specific set, by using the formulas that define its elements.” There are limitless boundaries and infinite possibilities allowed when attempting to identify, describe and define the wines at such a blind tasting. The latitude afforded, the manifest humility and the cooperation leading to revelation combines for an exhale of the most relaxed kind.
The #CCOVI event also celebrates the year’s VQA Promoters and lives that were lived. The 2014 awards were handed out to William Mancini, Lloyd Schmidt, Erik Peacock, Shawn McCormick, David Lawrason and posthumously, care of his wife Rose Lamas-Churchill, to David Churchill. Charles Baker of Stratus Vineyards had the difficult task of reminding the Niagara community of friends lost in 2013, Gerry Ginsberg & Barbara Ritchie. Baker then spoke about Churchill, the long time VINTAGES writer and LCBO lab tasting room director. It was David who granted me entrance into the lab in 2012. I will always be grateful.
Here are notes on the first two flights at the Expert’s Tasting.
FLIGHT #1 – ARE YOU EXPERIENCED
Clockwise from left: Charles Baker Riesling Picone Vineyard 2012, Rosewood Estates Riesling 2011, Ravines Wine Cellars Riesling Argetsinger Vineyard 2011, The Foreign Affair Riesling 2010, Charles Baker Riesling Picone Vineyard 2009, Charles Baker Riesling Picone Vineyard 2006, and Cave Spring Cellars Riesling CSV 2003
Presented by writer Rick VanSickle, winesinniagara.com with an ode to Jimi Hendrix and also, curiously to Taylor Swift. The absurdity of the duet mirrored the .429 (three for seven) batting average of Charles Baker Picones being passed into the flight by the CCOVI panel. That and a comedic pathos to soften the cumulative, piercing acidity of the Riesling gathering. An auspicious beginning. Not to be ignored were Rick’s improbable choice of kitsch props. Ice broken. Rick’s apocalyptic take? “I love the smell of Riesling in the morning. Riesling is the bomb.”
Baker’s iconic child yet breathes in unsettled, spumous emission from out of a warm vintage. So primary and such a hard act to follow. Vanguard Vinemount Ridge, arid as the desert and citrus, carbonic tight. Treated with cool, cooler and colder methods to seek result and strike balance in an opulent, lees-appertained, tangy finish. A Picone that says I don’t live today, so it is told and canvassed, “uh, get experienced, are you experienced?” 91 Tasted March 2014 @cbriesling
Enfant emblématique de Baker respire encore en suspens, l’émission spumeux de l’extérieur d’un millésime chaud. Alors primaire et un acte difficile à suivre. Vanguard Vinemount Ridge, aride comme le désert et les agrumes, serré carbonique. Traités à l’aide des méthodes les plus froids et les plus froids frais de rechercher résultat et bilan de la grève dans un, lies-appartenu, finition piquante opulent. Un Picone qui dit que je ne vis pas aujourd’hui, il est dit, et avait prospecté, “euh, se connu, Are You Experienced?” Dégusté Mars 2014
Single (21 Street) Vineyard, clone-focused, superior Twenty Mile Bench fruit steals its way into the flight. Seltzer dry, austere and asking, can you see me? Pumps up its volume with an off-dry request, in pineapple, white flowers and a bite of yellow plum. Tied together by a thumping, Noel Redding bass line. Definitive, affordable stuff. For the Bench, “you can see in the future of a thousand years.” 88 Tasted March 2014 @Rosewoodwine
Simple (21 rue) Vignoble, clone axé, supérieure Twenty Mile Bench fruit vole sa place dans le vol. Seltzer sec, austère et demander, pouvez-vous me voir? Pompes son volume avec une demande de demi-sec, de l’ananas, de fleurs blanches et un morceau de prune jaune. Attachés ensemble par un bruit sourd, Noel Redding ligne de basse. Définitive, trucs abordable. Pour la Chambre, “vous pouvez voir dans le futur de mille ans.” Dégusté Mars 2014
Ravines Wine Cellars Riesling Argetsinger Vineyard 2011, Finger Lakes, New York (winery, $24.95)
The Ravines ringer that dwells high above the shore of Seneca Lake is conspicuous for being of the oldest Riesling vineyards in New York’s Finger Lakes. The limestone soils on one hand apply swift, lean minerality and prickling flower aromas, on the other a drix sense of verboten. Did Argetsinger come to add love or confusion? “Would I be truthful, yeah, in, uh, in choosin’ you as the one for me?” The winemaker would ask to wait 10 years to reel in this Riesling’s wonders. In its current stark, dry as a bone (three g/L residual) state, it’s all lime and minerals. Though they tell each other “we are never getting back together again,” perhaps time will tell if the Jimi and the Taylor in this Riesling can coexist. 89 Tasted March 2014 @ravineswine
Older, bolder, warmer, darker. In 2010 this retrofits 10% NP dried grapes in the Venetian appassimento method. The rubric sees to an early showing of secondary notes, pushed along by 20 g/L of residual sugar. Wholly unique Riesling with “strange beautiful grass of green, with your majestic silver seas.” The most hydrated in the flight (ironic, no?) and this in spite of a third stone from the sun vintage. Up on the Vinemount Ridge. 87 Tasted March 2014 @wineaffair
Plus ancien, plus audacieux, plus chaud, plus sombre. En 2010, ce rétrofit 10% de raisins secs NP dans la méthode de appassimento vénitien. La rubrique voit un indice précoce de notes secondaires, poussés le long de 20 g / L de sucre résiduel. Riesling tout à fait unique avec des “étrange belle herbe de vert, avec vos majestueux mers argent.” Le plus hydratée dans le vol (ironique, non?) Et ce en dépit d’une troisième pierre à partir du millésime de soleil. Sur la Vinemount Ridge. Dégusté Mars 2014
In a struck match state of mind, crazy enough to set a guitar on fire, onstage. The burning smell is infectious and dangerous but the palate heads to higher notes, in honey and at the 22nd fret of top E, string bent. Notable that this tough, economically not-viable vintage was stopped at a natural residual sugar of 21 g/L, 50 per cent higher than in 2012. In that sense this is old-school Baker, closer to mother Germany and not yet the current incarnation of the winemaker’s Vinemount Ridge oeuvre. Alright, in 2009 “I have only one burning desire” Picone, “let me stand next to your fire.” 90 Tasted March 2014
Dans un état de concordance frappé d’esprit, assez fou pour mettre une guitare sur le feu, sur scène. L’odeur de brûlé est contagieux et dangereux, mais les têtes de palais à des notes plus élevées, dans le miel et à la case 22 de haut E, chaîne pliée. À noter que ce millésime difficile, économiquement pas viable a été arrêté à un sucre résiduel naturel de 21 g / L, 50 pour cent de plus qu’en 2012. Dans ce sens, c’est la vieille école Baker, plus proche de la mère et de l’Allemagne n’est pas encore l’incarnation actuelle de Vinemount Ridge l’œuvre du vigneron. Bon, en 2009: «Je n’ai qu’un seul désir brûlant” Picone, “laissez-moi me tiens à côté de votre feu.” Dégusté Mars 2014
Only Charles can follow Charles, as only Jimi could follow Jimi. Just ask Peter Townshend. The combined forces of vintage, off-dry level of residual sugar (23.9 g/L) and age have ushered this Picone into a realm of adipose, butyraceous, chewy texture. The ’06 is emblematic of its time, stunning, psychedelic, experienced. It speaks clearly and with conceit. Tasting it eight years on you can hear Baker’s 2006 voice saying “if you can just get your mind together uh-then come on across to me.” We have and continue to follow Charles, and we are paying close attention to every vintage along the ride. 93 Tasted March 2014
Seulement Charles peut suivre Charles, comme Jimi ne pourrait suivre Jimi. Il suffit de demander Peter Townshend. Les forces combinées de cru, le niveau de sucre résiduel (23,9 g / L) et l’âge-sec ont inauguré ce Picone dans un royaume de tissu adipeux, butyraceous, texture moelleuse. Le ’06 est emblématique de son temps, à l’étourdissement, psychédélique, connu. Il parle clairement et avec orgueil. Goûter huit ans, vous pouvez entendre la voix de 2006 Baker disant «si vous ne pouvez obtenir votre esprit ainsi uh-alors venir sur vers moi.” Nous avons et continuons de suivre Charles, et nous prêtons attention à chaque millésime le long de la promenade. Dégusté Mars 2014
Mind bending to taste a piece of recent history, a Riesling rooted in the rocks, blues and pop of the limestone, sandstone and shale Bench, but a wine also futuristic, distorted and soulful. From 25 plus year-old vines, this foxy lady has entered into true, secondary territory. She’s softened and her perfume is cast in vanilla butterscotch so much so she might mess with tasters’ minds in a flight of oaked Chardonnay. She’s “a cute little heartbreaker.” 92 Tasted March 2014@CaveSpring
Esprit de flexion de déguster un morceau de l’histoire récente, un Riesling enracinée dans les roches, de blues et pop de la pierre calcaire, grès et schiste Banc, mais un vin aussi futuriste, déformée et soulful. De 25 plus ans vignes, cette dame rusée a conclu vrai, territoire secondaire. Elle s’adoucit et son parfum est coulé dans la vanille caramel tellement qu’elle pourrait salir avec les esprits de dégustateurs dans un vol de Chardonnay boisé. Elle est «un peu crève-coeur mignon.” Dégusté Mars 2014
FLIGHT #2 – THE NEW ABC – APPEALING BALANCED CHARDONNAY
Clockwise from left: Flat Rock Cellars Chardonnay 2012, Fielding Estate Chardonnay Estate 2012, G. Marquis Chardonnay The Silver Line 2011, Kittling Ridge Chardonnay Barrel Fermented 2012, Cave Spring CSV Estate Bottled Chardonnay 2010, Rosewood Estates Chardonnay Reserve 2009, and Stratus Chardonnay 2010
Presented by James Treadwell, Sommelier, Treadwell Farm-To-Table Cuisine. Treadwell so astutely refers to Chardonnay as the “polarizing varietal,” the one so many love to love, and love to hate. What turned out to be so striking was the newer to older, first to last ascendency of glycerin and extract. In just a few short years, Niagara Chardonnay has undergone a rapid change and increasingly speaks in a cool climate vernacular.
Has spent some quality time and knows its way around a barrel but its attitude is young, fresh and alive. From 12 and 13 year-old estate vines and kissed by only 15 per cent new oak. “But here’s a funky fact that I know is real.” Flat Rock’s Chardonnays are red-hot and this fresh-faced ’12 has “baby appeal.” Blatant, colorable value on the Twenty. 89 Tasted March 2014 @Winemakersboots
A passé du temps de qualité et connaît son chemin autour d’un baril, mais son attitude est jeune, fraîche et vivante. De 12 et 13 ans vignes du domaine et embrassé par seulement 15 pour cent de chêne neuf. “Mais voici un fait génial que je sais, c’est vrai.” Les chardonnays de Flat Rock sont d’un rouge ardent et cette ’12 frais face a “appel de bébé.” Flagrante, valeur colorable sur la vingt. Dégusté Mars 2014
Heavy lees and a charitable, warm temperature barrel ferment have imparted greenhouse humidity into this soft, lush Chardonnay, outgoing in personality. Effortless and easy to love if not perceptibly cerebral, though a mineral streak channels equality and “a delicate balance.” To some this may just feel like spinning plates but take the time to get to know Richie Robert’s wine and music on the radio your head will find. 89 Tasted March 2014 @FieldingWinery
Lies lourdes et un organisme de bienfaisance, chaude température baril ferment ont conféré humidité de la serre en cela, Chardonnay luxuriant doux, sortant de la personnalité. Sans effort et facile d’aimer si pas sensiblement cérébrale, mais une égalité de chaînes minérale à balayage et “un équilibre délicat.” Pour certains, cela peut tout simplement envie de tourner les plaques, mais prendre le temps d’apprendre à connaître le vin et la musique de Richie Robert sur la radio de votre tête trouverez. Dégusté Mars 2014
G. Marquis Chardonnay The Silver Line 2011, Single Vineyard Niagara Stone Road, VQA Niagara On The Lake (258681, $17.95, WineAlign)
Big, big wine in bold expression. Enveloped by well-judged oak. Might lack just a bit of cohesion, layering and synchronicity. Otherwise really fine effort from the Magnotta world. From earlier notes: “Some extra credit is awarded for a wine that knows its place, in this case the watershed of the Niagara Stone Road. Though faint, the impart of minute shells and rock fragments from an ancient sea-washed down from the escarpment has found its way into the Silver Line. The reality is that the dominant aroma is that of popcorn butter drizzled over top Niagara River stones. Opulent and tropical while at the same time like chewing on pomaded pop rocks. Works the wet and acidified vintage well with a healthy dose of the barrel.” From my previous note: “Streaks across and plays a lick on atomic 16 rails at breakneck speed, all the while jonesing for of a slice of custard pie. “It’s sweet and nice” with lead, nuts and spice. The G. might stand for grateful or great, as in value.” 88 Tasted October 2012, February and March 2014 @GMarquisWines
Grand, grand vin dans l’expression audacieuse. Enveloppé par un boisé bien jugé. Pourrait manquer un peu de cohésion, la superposition et la synchronicité. Sinon effort vraiment beau du monde Magnotta. De précédentes notes: “Certaines cartes de crédit supplémentaire est accordé pour un vin qui sait sa place, dans ce cas, le bassin versant de la Stone Road Niagara Bien que faible, l’confèrent des coquilles minute et de fragments de roche à partir d’une ancienne mer arrosés de l’escarpement a. trouvé sa place dans la ligne d’argent. La réalité est que l’arôme dominant est celui de pop-corn au beurre arrosé sur les pierres supérieures de la rivière Niagara. tout Opulent et tropical dans le même temps comme mâcher sur les rochers de la pop pommadés. Travaux du millésime humide et acidifié bien avec une bonne dose de canon “. De ma note précédente: “. Séries partout et joue un coup sur atomiques 16 rails à une vitesse vertigineuse, tout en jonesing pour d’une part de tarte à la crème” Il est doux et gentil “avec plomb, de noix et d’épices Le G. pourrait se tenir. pour reconnaissant ou grande, comme la valeur “. Dégusté Octobre 2012, Février et Mars 2014
From many miles away within a single vineyard along the Merrit Road, this KRC is akin to a mini-Lenko, in high-tone toast and micro-Pender like by way of a comparison to his treatment of Daniel’s fruit in 2011. Wild, piercing ray of unbroken Beamsville laser vision hits a wall of lees within the barrel to settle quietly upon the can’s floor. Buttered niblets are the warm and comfortable conclusion. 87 Tasted March 2014
De nombreux miles de distance dans un seul vignoble le long de la route de Merrit, ce KRC s’apparente à un mini-Lenko, en haut ton pain et micro-Pender comme par le biais d’une comparaison à son traitement de fruits de Daniel en 2011. Sauvage, rayons perçant ininterrompue vision laser Beamsville frappe un mur de lies dans le canon de régler tranquillement sur le plancher de la boîte. Niblets beurre sont la conclusion chaleureux et confortable. Dégusté Mars 2014
Citrus meet butter. From oldest (36-40 year-old), lowest-yielding vines on Cave Spring’s stony, limestone, rich clay, overlying shale and sandstone soils, this CSV sashays out in depeche mode. The oak, lees, malolactic, batonage and assemblage is nothing short of mad science meets high fashion. “Don’t take this way, don’t take that way. Straight down the middle until next Thursday. Push to the left, back to the right, twist and turn ’til you’ve got it right.” Builds up slowly, scales back in restraint and with only 60-65 per cent barrel ferment in 2010, it set out to get the balance right and succeeded. The definitive CSVC study. 91 Tasted March 2014
Citrus répondent beurre. Du plus ancien (36-40 ans), les vignes sur la pierre de Cave Spring, le calcaire, l’argile riche, recouvrant schiste et de grès sols plus bas rendement, ce CSV flâne dans depeche mode. Le chêne, lies, fermentation malolactique, bâtonnage et assemblage n’est rien de la science folle rencontre la haute couture. “Ne prenez pas de cette façon, ne prenez pas de cette façon. Droite au milieu jusqu’à jeudi prochain. Poussez vers la gauche, vers la droite, tourner et tourner jusqu’à ce que tu as raison.” S’accumule lentement, échelles de retour en retenue et avec seulement 60-65 pour cent baril ferment en 2010, il a entrepris de trouver le bon équilibre et réussi. L’étude CSVC définitif. Dégusté Mars 2014
One of then winemaker Natalie Spytkowsky’s under the radar and unsung oeuvres out of the estate’s Renaceau Vineyard. A wild ferment, full-out malolactic and French oak barrel thang, beginning to show some age, like a well-made, dirty martini for a hard living brat pack. Sappy, herbal resin leads this ’09 into anointed autumn ripeness. It was and is a 14 per cent, 4.2 g/L, small lot (125 cases) piece of Beamsville history. 88 Tasted March 2014
Un de puis vigneron Natalie Spytkowsky de sous le radar et d’œuvre méconnus de Renaceau Vignoble de la succession. Un ferment sauvage, pleine à malolactique et français fût de chêne thang, commence à montrer des signes d’usure, comme un bien-fait, dirty martini pour un paquet de gosse dur vivant. Séveux, résine à base de plantes conduit ce ’09 en oint maturité en automne. Il a été et est un 14 pour cent, 4,2 g / L, petit terrain (125 cas) morceau de l’histoire Beamsville. Dégusté Mars 2014
Stratus Chardonnay 2010, VQA Niagara On The Lake (Winery, $55.00, WineAlign)
Can’t help but think about buttered popcorn; the best that money can buy in heritage kernels. A magnanimous effort, in a state of equatorial weave with cajoling, candied aromatics. Previous note: “From natural yeast, full batch (bunch) pressing and heeded by Paul’s (Hobbs) call to full malolactic fermentation, this fruit was picked on November 15th, a day “you had to go run and pick fast.” Groux is not trying to make California or Burgundy but make the best in Niagara. Clarity and sun drenched hue, tropical fruit dominance, sweetness, malo-butterscotch obviousness. Some tart orchard fruit late but certainly warm vintage wine. Not the most arid Chardonnay but blessed with great length.” 91 Tasted March 2013 and 2014 @Stratuswines
Vous ne pouvez pas m’empêcher de penser à maïs soufflé au beurre, le meilleur que l’argent peut acheter dans les noyaux du patrimoine. Un effort magnanime, dans un état de équatoriale tisser avec cajoler, aromatiques confits. Note précédente:. “De la levure naturelle, pleine lot (groupe) en appuyant et en tiennent compte (Hobbs) l’appel de Paul à la fermentation malolactique complète, ce fruit a été sélectionné le 15 Novembre, un jour” il fallait aller courir et prendre rapidement “Groux est ne cherche pas à faire de la Californie ou de Bourgogne, mais faire le meilleur à Niagara. Clarté et baignée de soleil teinte, la dominance de fruits tropicaux, de la douceur, malo-caramel évidence. Certains tarte de fruits du verger en retard, mais millésime certainement chaud. Pas le Chardonnay plus aride mais béni avec grande longueur. ” Dégusté Mars 2013 et Mars 2014
Godello 