16 mind-blowing wines of 2016

this-may-or-may-not-have-happened-raveneau-memory-monteedetonnerre

This may or may not have happened #raveneau #memory #monteedetonnerre

It has never been this difficult to narrow it down. This frenetic, fast and forward moving blur of a year has blistered the patterns of thought so much so that I seriously considered throwing the whole 16 in 16 down the drain and laying it all out there. “Here are the 42 mind-blowing wines of 2016…” and then this wave of clarity came over me like a cloudless afternoon in Chablis. I mean I tasted 50-plus Grand Cru Chablis this year. They could all be on this list.

I meant this just the way I wrote it. The simplicity of wine is a beautiful thing. A vine grows and produces grapes. That fruit is picked and ferments itself with help from yeast it just happens to carry in its luggage. Time passes and wine is made. No one had to invent it. The most basic example of shit happens.

Related – 15 Mind blowing wines of 2015

As if to presumptuously bookend 2016 before it even began, that first post was apropos. New year, 16 new VINTAGES releases were not mind-blowing by any stretch of the waxing rhapsodic imagination but white space was filled. Like growing grapes in warm climates where just about anything can complete a phenolic journey, the possibilities are endless. So that I may feel comfortable quoting Godello again and again, multeity is the name of the game.

Related – Around the Cape in 50 wines

South Africa continued to occupy Godello for the early part of 2016 and that will never cease and desist. Hosting Andrea Mullineux at Barque Butcher Bar was one of the true highlights of the year. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned in previous articles, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.

A new riesling on my radar was released in February. Creekside Estate Riesling Marianne Hill Vineyard 2014, Beamsville Bench, Ontario (443572, $19.95, WineAlign) and it paired beautifully with more foreshadowing than I’d like to admit.

Such a showing of 12 from Langton's does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory

Such a showing of 12 from Langton’s does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory

The Langton’s Classification: Excellent, outstanding, exceptional could have, would have placed 16 wines on this best of list were the rest of the planet not so adept at making wine. Like Wynns Coonawarra Estate John Riddoch Cabernet Sauvignon Limited Release 2010, Coonawarra, South Australia (466748, $99.95, WineAlign). Such a gathering of Australian wine delivers the preponderance of form, with the incantatory capacity of narrative to bring truth to light and fulness out of pleasure. The mantra repeated with Savouring the new Australia.

The #napavalley mustard is something else @CalifWines_CA #napa #califwine

The #napavalley mustard is something else @CalifWines_CA #napa #califwine

California stars showed up in droves and like any high quality engrossing preoccupation, the trip to Napa and Sonoma this year changed everything. Whatever I thought I knew or felt about the California wine industry now needs to be rewritten. First, Napa Valley: Where ripeness happens, then Napa Valley two: A question of ageNapa Valley: The next generationChardonnay in the Napa luxurySonoma gaps and single vineyardsSeven Grothic tales and Old vines for the Zin.

Vintage to vintage nuance and the common thread of %22grothiness,%22 or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon

Vintage to vintage nuance and the common thread of grothiness, or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon

The most pertinent question now in my mind is this. Can European wine keep up with the fictionality of North American reality? Even these wines could not make this list, however great and exceptional they are. Anakota Helena Montana Vineyard Cabernet Sauvignon 2013, California (181131, $158.95, WineAlign), Forman Cabernet Sauvignon 2012, Napa Valley, California (143925, $160.00, WineAlign) and Groth Cabernet Sauvignon Reserve 1997, Oakville, Napa Valley, California (Agent, $179.95, WineAlign). Sometimes the answer still persists. All in the Primum Familiae Vini. And by the way, The LCBO keeps Kosher.

lunch-champagnelallier-azureau

Much of what I taste is in a lab with no windows. That is because VINTAGES is a mimetic project, which is a few projects too many. We wine trackers and writers are akin to Cricetinae, perpetually running in a wheel or like Sisyphus, forced to roll an immense boulder up a hill, only to watch it roll back down. We read the bi-weekly catalogue, pre-taste the newest offerings, make our lists and check them twice. In every batch there are 10-15 wines that stand out, as much about bell curve positioning as absence of singularity. That is why attending varietal-centric events like The dawning of the age of Austrian wine and travelling the world is so important. Not too mention in my dining room In the Campania of Vini Alois.

ca-la-bionda

To name a few excursions, I visited California in February, Vinho Verde in March, Chianti Classico in May, Chablis in July and Valpolicella in September. November in Paris I re-connected with Earth and sky. The take aways were extraordinary and flush with the relish of new discoveries and brand new days. Who can forget Ca’ La Bionda Vigneti Di Ravazzol Amarone Della Valpolicella Classico 1997? Italy in the fall reminded me that Franciacorta is the best kept sparkling secret on the planet. November is a sublime time to visit the province of Brescia and the cellars of Franciacorta. Meraviglioso! Meanwhile, Champagne has to be on the list, right? Lallier Cuvée Millésime Grand Cru Brut Champagne 2008, Champagne, France (Agent, $95.00, WineAlign) should be but again, space restrictions and there was this old bubble from the New World. Decisions, decisions.

Related – March of the Canadians

Which brings me back to Canadian and more parochioally, Ontario wine. The Canadian wine renaissance is attributed to high-end, artisan winemakers like Norman Hardie and Thomas Bachelder. That’s the cool factor. The truth of the matter is that Canadian winemakers have realized and capitalized on the significance and exceptionality of their terroirs in regions such as Niagara, Prince Edward County and the Okanagan Valley. Journalists and buyers from around the globe know it and have begun to spread the Canadian gospel.

And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre

And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre

And so I asked Where does the taste of Ontario go from here? At Cuvée, where was the Cabernet Franc? Where was the rest of Ontario’s Go Gamay Go arsenal? Varietal lampoonery I tell ya. Over the highway and across the hills, No County for old wines and then, “a celebrated indictment of suburban surrender,” Too late for May Two-Four.

Related – 16 Canadian wines that rocked in 2016

This 16-strong list has much to do with the beg, Drink now or save it for later? I have spent the last 30 years considering wine in some respect. The last 15 much more so. The tries, trials, errors, tricks, and tribulations have taught me one thing. I prefer and receive much more instant gratification from drinking wines young but nothing compares to the insight and the exhilaration of partaking in older wines.

You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet

You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet

The year’s greatest distraction came at the hands of Chablis and fair warning, twenty thousand words are coming soon. In 2016 I published three times, Chablis from Dauvissat to VocoretLooking for Chablis in Ontario?Enlightened Chablis of Château De Béru and Paradox in Chablis. Chablis as a varietal concept, as opposed to and unlike anywhere else in the world, seemingly unrelated to chardonnay. How could these extraordinary Chablis not make the list? Domaine Laroche Chablis Grand Cru Les Blanchots Réserve De L’obédience 2014, Ac Burgundy, France (AgentWineAlign) and Domaine William Fèvre Chablis Grand Cru Bougros Côte Bouguerots 2014, Ac Burgundy, France (AgentWineAlign). Perhaps because I will soon publish Grand Cru hyperbole next month? That must be it.

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

For the first time, I think ever, I gave some love to Rosé in the Days of wine and Rosés. I also fell for new dessert wines and these two tried hard but came up just a wee bit short for the list. Domaine Cauhapé Jurançon Symphonie De Novembre 2012, Southwest, France (470344, $38.95, WineAlign), Losi Querciavalle Vin Santo Del Chianti Classico 2000, Docg Tuscany, Italy (Agent, $95.00, WineAlign).

grahams_port-insanity-via-abnermallity-onceinalifetime-piratesonapicnic-piratesv4point0-sharingiscaring-1948-finestreserve

@grahams_port insanity via @abnermallity #onceinalifetime #piratesonapicnic #piratesv4point0 #sharingiscaring #1948 #finestreserve

Graham’s Vintage Port Finest Reserve 1948 (with thanks to Peter Boyd) granted the year’s moment of providable history. Love in droves. Holiday season for the VINTAGES releases were split and categorized, from December 10th in VINTAGES: Canada through December 10th in VINTAGES: Old World and into December 10th in VINTAGES: New World.

Singolarità, qualità, diversità. Grazie di tutto @chianticlassico

Singolarità, qualità, diversità. Grazie di tutto @chianticlassico

In 2016, two words. Chianti Classico. The wines have embarked upon an ascension into their contemporary golden age. Image, perception and finalmente, reality, these are the truths all who feel the soul of Chianti Classico are in search of today. Today and moving forward, explaining to the world that Chianti Classico is not what you thought or think it to be. Colle Bereto Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (Agent, $67.50, WineAlign) was a side-revelation, as were so many others in Three days, eight estates, Chianti Classico and Gran Selezione, The most important red wine from Italy. And in a year when CC is all that seems to matter, Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign) and Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent$100.00WineAlign) are but mere mentions in addendum.

DavidPpelletier, 'Le Sommelier Fou' and friends in Vinho Verde

David Pelletier, ‘Le Sommelier Fou’ and friends in Vinho Verde

It may seem irrelevant now but Changes to VINTAGES release recommendations and notes on Godello will translate to a revolution at WineAlign in 2017. Wait for it. Most of all, 2016 will remind me that I will always raise my glass of Vinho Verde to Le Sommelier Fou. Here are Godello’s 16 mind-blowing wines of 2016.

200-yr-old-vines-1300m-above-sea-level-vignerietna-somesmartsomm-rosato-vinudilice-2008-tastethelava-volcanic

200 yr old vines. 1300m above sea level @vignerietna @somesmartsomm #rosato #vinudilice 2008 #tastethelava #volcanic

I Vigneri Di Salvo Foti Vinudilice 2008, Igt Sicilia Rosè, Sicily, Italy (WineAlign)

So much about this introduction to volcanic Rosato falls under the category and melts into the realm of the impossible. Begin with Vigna Bosco planted to 10,000, (up to) 200 year-old bush-trained (Etnean alberello) vines per hectare in Bronte, Northern Etna. Consider the party goers, endemic alicante, grecanico, minnella and other minor if wholly obscure native varietals. Locate the vineyard at 1,300m above sea level. Tell me it’s not the highest in all of Europe. Go on, tell me. Tended by hand with the help of Ciccio the mule. No refrigeration, yeasts or filtration. Decanting and bottling follow the phases of the moon. Blush has never acted like this, suspended as if put into bottle yesterday, beautifully minutia funky, every detail in laser calm focus. There really is no reference point, not in the south of France or anywhere in Italy to prepare for such an intellection. Vinudilice is nestled in a wood filled with holly oak (quercus ilex or in Sicily, ilice) but in respect for its singularity I would hesitate to categorize or compartmentalize. In fact I would not use the term Rosé, or Orange or natural to realize a need for reason. I would simply taste the lava. Thank you SomeSmartSomm. Drink 2016-2018.  Tasted April 2016  @ivigneri  @somesmartsomm  @WinesOfSicily

not-members-of-blasted-mechanism-with-magnuspim-and-vasco-croft-aphroswines-vinhoverde

Not members Blasted Mechanism. With Chris Wilton and Vasco Croft, Aphros Wines, Vinho Verde

Aphros Phanus Pet-Nat 2015, Sub-Região Lima, Doc Vinho Verde, Portugal (Agent, $34.95, WineAlign)

Loureiro of a fashion so rare for Portugal and this region, from a concrete pétillant-naturel style, vinified in stainless steel with wild yeasts and initially no additional sugar, then bottled with 20 grams of natural residual sugar, to alight the single fermentation conclusion. An 11 per cent contrariety of méthode ancestrale dialectic, like a lime-grapefruit cordial housing a dissolving lemon tablet. A bowie cut, boning and dressing of loureiro. This here the whole new way to take the grape, to send it sky-high and bring it down to the rustic roots of glam, sparkling funk. “Like to take a cement fix, be a standing cinema. Dress my friends up just for show, see them as they really are.” Vasco (Andy) Croft walking and his hunky dory pet-nat spinning an original tale of a time and a place, or perhaps a myth, like the rustic deity of the forest riding shotgun to Dionysus and his native war. Drink 2016-2018.  Tasted March 2016    @LeSommelierWine

Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo

Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo

Cirillo 1850 Ancestor Sémillon 2011, Barossa Valley, South Australia (Agent, $36.00, WineAlign)

A sémillon revelation is found in this Barossa Valley ancient, a wine procured from vines dating back more than 150 years. To discount that prodigious bit of calculated fortuity would be wrong on so many levels. The Cirillo family are guardians of what may be the oldest continuously producing grenache and sémillon vineyards in Australia and by logical extension, the world. Here the combination of dry extract, mineral depth and straight-lined (unsalted) salinity is beyond special. While the Hunter Valley garners the most attention for aging immortal sémillon, this Barossan will likewise escape, somehow, to live another more complicated and mysterious life. I would wait three years for some extract meets tannic sweetness to begin its development and then take it slow for another six to 10. Incredible find here in Ontario from Marco Cirillo. Drink 2019-2029.  Tasted May 2016  @Cirillo1850wine  @bokkewines  @BarossaDirt

Brash Higgins Nero D’avola Amphorae Project 2015, McLaren Vale, South Australia (Winery, $55.00, WineAlign)

The renegade triumvirate of coagulation denotes the shock and awe of this outlier; McLaren Vale, Nero d’Avola and Amphora. Winemaker Brad Hickey and his nickname have taken the troika and created a beautiful monster. A non-oxidative, crunchy, spicy, toasty, chewy and tannic NdA in versicolour, mottled and florid in flavour. There is black and white pepper, cinnamon, zesty orange spritz and a clay influence (plus amphora) to waft one for the ages. The palate flaunts a tapenade of painfully brilliant chalky black olive. The swirl is chocolate and vanilla, mediterranean and meganesian. There should be zero attention paid to the unusual in its concept. This is both a pleasure to taste now and will evolve into something wholly other given enough time. At least 10 years to be sure. Drink 2016-2025.  Tasted May 2016  @BrashHiggins  @mclaren_vale  @TheLivingVine

what-is-rockpile-time-in-and-time-out-the-fun-stuff-keith-moon-of-zinfandel-mauritsonwinery-sonomacounty-jameswood

Rockpile Zinfandel Cemetery Vineyard 2013, Rockpile AVA, Sonoma County, California (Winery, US $47, WineAlign)

Look towards the other arm of Lake Sonoma and let your mind’s eye rest 250 feet higher than Jack’s Cabin Vineyard. The Cemetery plantation is a jagged, craggy outcropping with “a face uneven as a river jag and asperous as the mullein’s flannel.”  The Mauritsons are Los Campesinos of Cemetery Vineyard in Rockpile. The rocks below resemble giant headstones along the Rogers Creek fault and you just have to believe all this immensity of geology impacts the vines. It does but don’t ask how or why, just settle into the cimmerian depth of zinfandel touched by black fruit, spice and the akimbo savour of glutamate and amino acid. Three further months in barrel (85 French plus 15 American) accentuates the spice, smoulder and espresso con crema texture. Ripeness of fruit, tannin and acidity are simply stellar out of this dramatic place. “You know us by the way we crawl and you know us by our cemetery gaits.” Drink 2017-2025.  Tasted February 2016  @mauritsonwinery  @sonomavintners

weinbach

Domaine Weinbach Gewürztraminer Cuvée Laurence 2013, Alsace, France (581975, $64.00, WineAlign)

Though it may long ago have been considered the quintessential one, there may be no other Alsatian gewürztraminer more important than Weinbach’s Cuvée Laurence. The reasons are manyfold but begin and end with memory and legacy. This was daughter and sister Laurence Faller’s prized wine, the wine she put her name to, that defined her gracious winemaking in echo of the estate she worked. Her family has carried the torch and yet her touch is all over this wine. Calm, composed, balanced and ethereal. Laurence is a clear expression of the marly limestone soil beneath the lieu-dit of Altenbourg, located at the base of the great Grand Cru Furstentum vineyard. Where else do you find gewürztraminer of such delicasse, from which classic aromas (rose petal, creamy to boozy-syrupy tropical fruit) and impossible unction combine without ukase? Nowhere. The acidity does not act with impulse. No, it rings, supports and lingers. The extract is intense but out of mind. Exceptional vintage. Drink 2018-2033.  Tasted October 2016    @AlsaceWines  @drinkAlsace  @ACT_Alsace  @VinsAlsace

alessandro-your-grandfather-was-a-very-good-winemaker-luiluiano-chianticlassico-fattoriadiluiano-chianticlassicoriserva-1979-sangiovese-alessandropalombo-antoniopalombo-luiano

Luiano Chianti Classico 1979, Tuscany, Italy (WineAlign)

Alessandro Palombo is skeptical at first, one eyebrow raised but with the look of possibility on his face. Takes me very little time to acknowledge that this ’79 is very much alive, fruit not predominant (and surely some prune) but neither cooked nor bruised. The brown nose (earth and spice) purports a full concentration of anthocyanins, acidity still full in, dried fraises de bois, black liquorice, dirty leather and worth repeating, still very good acidity. Truffle, forest floor and then black olive tapenade on the palate. This is 70-80 per cent sangiovese with colorino and canaiolo and for 1979 it’s quite incredible. It should not have lasted this long.  Antonio says that up to 10 per cent could have been malvasia blanca and trebbiano because at the time it was a field blend, co-planted with the sangiovese, which could explain some of the variegation in the colour. This is a Chianti Classico to lend credence to the idea of using multiple fruit, vegetal and animale descriptors when assessing an old wine. It’s also the reason why you put them away and open them with friends who’s eyes are wide open. Thank you Alessandro for the opportunity and for the connection to your grandfather Alberto. He was a very good winemaker. Drink 2016.  Tasted May 2016  @LuiLuiano  @chianticlassico

thoroughly-enamoured-with-the-purechablis-made-by-athenais-at-chateau-de-beru-chablis-monopoleleclosberu

Château De Béru Chablis Clos Béru Monopole 2012, Ac Burgundy, France (Agent, $87.95, WineAlign)

In 2012, less density and iodine matchstick is on display in performance for the historic, south facing vineyard beyond the Château’s walls. From this her eighth vintage in the resurrection of the family’s estate wines, Athénaïs de Béru has assembled fruit from Kimmeridgian limestone in rapport with a vintage of portent and intent towards elegance. The acidity is much more linear (than 2013) and the limestone sensations less metallic. Here the feeling is more of a liquid chalk and the balance is much improved. Also less evolved, bright and a much more amenable of a bitter pith, more citrus (lemon and lime) and not as earthy. Longer finish too. What 2013 lacks this ’12 gains and vice versa. The comparative literature and parenthetical study is duly noted as apples to oranges so the wines are exempt of one another. Neither answer all the questions asked and both express their terroir from their time spent on it. This ’12 story will become clearer in another year or two. Drink 2017-2023.  Tasted July 2016       

remelluri

Granja Remelluri Rioja Gran Reserva 2009, Rioja, Spain (Agent, $89.99, WineAlign)

“What is Rioja?” asks Telmo Rodríguez. He notes that Lopez-Heredia still manages small vineyards, Grand Cru and Premier Cru plots, but most Rioja houses are industrial. Their wines age in barrels in 100-150 year old wineries but have no sense of place, of origins, of an amazing vineyard. “I want to be radical. I believe it (Rioja) can be one of the most beautiful places in the world but I told my brothers it needed to go in a very particular direction. My brothers agreed.” So costs went up 35 per cent. They bought no grapes. “If you want to work properly in Spain, you have to be a hero.” You have to work the most difficult vineyards, where production costs are five times that of Grand Vin Bordeaux but the price sells for 10 times less. And so Telmo Rodríguez produces this Gran Reserva, a wine that adheres to a Rioja systematic but does so from a blind-eye turned, high density field-blend planting of tempranillo, garnacha, graciano, muscatel, viura and malvasia. A field blend, unlike Bordeaux but a local village farmed gathering of the best fruit. The 2009 is showing no age but the difference between 2010 Reserva and 2009 Gran Reserva is night and day. This makes the ’10 seem fresh, alive, open, almost simple. Here the variegation is distilled down to laser focus, as if the varieties all become one and most people would simply say tempranillo, but who has ever tasted and been dealt such a tempranillo? This is oozing of a liqueur like no other, rich, viscous, natural and dry-extract sweet. An expression of the best microclimates and their vineyard kin. Wait another five years to allow it to remember and tell its tale. Drink 2022-2034.  Tasted September 2016    @TelmoRodriguez_  @Noble_Estates

dominus

Dominus 1998, Napa Valley, California (212381, $176.95, WineAlign)

When I tasted the 1990 in 2012, hanging on to every thread of oscillation from death to life and back again was exhausting. The 2008 tasted that same year could not have been more life affirming. This ’98 is such a zoetic Dominus beast with an embarrassment of resplendent riches. It is everything 1990 wished it could have been and yet the light-hearted George Hrab geological funk reminds me of that wine. The 1998 trips on a trebuchet and I weep at its aromatic reverie. It is hypnopompic, a state immediately preceding waking up, whiffing the most beautiful Brett there ever was or could ever imagined to be. Volatility in a bubble, circumstantial, lost in a dream. Get lost in the butcher shop, the natural cure here, there, everywhere, curative and comforting. Porcine and rapturous, fruit perfect and entitled, structure supprting every note. If 1998 was both a curious and concerning vintage this wine lays those worries to rest. The fretting may have swayed feelings and been difficult to glide fingers across but the harmonics extend with ease. Finishes with staccato calm, a palpable exhale of breath and silence. Five more years will be like this and five more without threat. Drink 2016-2026.  Tasted October 2016     @rogcowines  

its-ok-it-was-a-half-bottle-ridgevineyards-montebello-noguilt-rogcowines-2010-draperperfume-balance-structure-beautiful

Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)

From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030.  Tasted May 2016  @RidgeVineyards  @rogcowines  @CalifWines_CA

Fino, Don P.X. '86 and '62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain

Fino, Don P.X. ’86 and ’62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain

Bodegas Toro Albalá Don P.X. Selección 1967, Do Montilla Moriles, Spain (491647, $199.95, WineAlign)

You know it’s a good month when you are afforded the opportunity to taste two Montilla-Moriles Pedro Ximenez oldies, first the Alvear Solera 1927 in Paris and now this Selección 1967 bottled in November of 2016. The vintage-dated PX are produced from sun-dried grapes fermented for two months to eight or nine per cent alcohol, at which point a distillate made from the same PX pressings is added to bring the wine up to 17 per cent. First in concrete vats and then a transfer into 50-150 year old American oak barrels. Only 630 bottles were filled in a PX of awakening and hope that finished at an indiscernible 17 per cent alcohol. Some dessert wines can be cloying Popskull but Bodegas Toro Albalá delivers yet another impossible and crazy dessert wine of heavy fuel, impeccable balance in the face of Lugduname breaching sweetness and aromas sin fronteras. The gamut glides through roasted nuts and dried fruits, from almonds and Van Gogh Museum memories of their abundant flowers plus pomegranate, apricot, peach, nectarine, damson plum and pistachio. So much pistachio!! In between there is orange marmalade, quince jelly and prune preserve. Plenty of acidity extends and narrows into a sharp, pointed tang. No matter how many times you try to empty the glass there is always more wine. Always another sip. Is it viscosity, a truco del ojo or trampantojo? Is there some kind of wizardry at play? Then finally, well, actually never, a finish with no end, or a pause in a never-ending 49 year-old (and counting) story. So where is the beginning? 1967. Drink 2016-2040.  Tasted November 2016  @toroalbala  @sorgatoBTA  @MontillaMoriles  @LeSommelierWine

schram

Schramsberg Sparkling J. Schram 50th Anniversary Late disgorged 1999, Napa Valley, California (Winery $175 US, WineAlign)

In celebration of Schramsberg’s golden anniversary, 50 years after Jack and Jamie Davies revived the historic Schramsberg estate for the purpose of making the nation’s first chardonnay and pinot noir based, bottle-fermented sparkling wines. A North Coast (57 per cent Napa, 25 Mendocino, 15 Monterey and 13 Sonoma) blend of 74 per cent chardonnay and 26 pinot noir. Seventeen years have come to ginger, cumin, coriander and galangal in laminous, oxidative ingenuity, wholly arid in kicking up the aromatic dust. Flavours of pressed lemon, bitter brioche and then tannin, yes tannin. From a protracted year, picked as late as October 19th, disgorged in August of 2014 at a dosage of (very necessary) 11.5 g/L RS. Blessed with high natural acidity of 9.8 tA. How can I not concur with Hugh Davies. “What we’re really showing here is Napa Valley Chardonnay.” Drink 2016-2031.  Tasted February 2016  @Schramsberg  @TheVine_RobGroh

Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful

Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful

Domaine François Raveneau Chablis Grand Cru Blanchot 2009, Burgundy, France (WineAlign)

It would be misleading to address Raveneau’s Blanchot as chardonnay even as we know it as such because Raveneau produces wines as unique as door keys. They are so inimitable and each will only open the gate to its own unique perception. Blanchot is the southernmost of the seven Chablis Grand Cru climats and blankets the southeastern side of Les Clos. The Raveneau narration does not convey the notion of manifest feeling but instead splits the axiomatic atom of the climat. A sip and you are inside the Blanchot, gliding and passing through rock as if you are the ethereal and the wine is the solid foundation of thought, pathos and avowal. There are aromas that combine citrus and umami with a sweetness that can’t be denied or defined. The wine is just a child, complex, shy and yet unable to express both its meaning and power. But you try to get inside its head, stumbling over kimmeridgian rock replete with the smithereen-crushed shells of ancient fossils. This is a calm young Blanchot and you melt away while under its spell. Three more years should render its hidden meaning. Drink 2019-2034.  Tasted July 2016

A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis

A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis

Domaine René et Vincent Dauvissat Chablis Grand Cru Les Clos 2001, Burgundy, France (WineAlign)

Tasted from a bottle opened five days prior which is nothing really for a wine that can age easily for 30 years. It resides in a perfect state. Vincent concedes “over 20 there is nothing to be gained” and yet the still terrifically raging acidity would suggest this 15 year-old specimen is only halfway there. The texture is nothing if not persuasive. In 1931 Vincent’s father began this journey. Here 70 years later is a wine so perfectly intact, the lemon-waxy aspect almost on the edge of the hive. But not quite because of the taut bracing and tight embracing. There is a chew to this and Dauvissat shrugs. “What’s to say?” Nothing but a great piece of his history and his father’s legacy. If this wine is a sentimental tribute to a childhood village, it is never uncomplicated. Drink 2016-2031.  Tasted July 2016

2016-12-28_19-42-19

Catena Adrianna Vineyard Mundus Bacillus Terrae Malbec 2011, Mendoza, Argentina (Agent, $325.00, WineAlign)

In this extremely specific malbec from a diagnosed block of the Adrianna Vineyard we are graced with the micro-science of wine. And if you feel that using the name of an aerobic bacteria in the nomenclature is an odd choice, consider the mind of Dr. Laura Catena and her biological approach to viticulture. If we can understand and differentiate the microbes in the soil we can make better wine. It’s as simple as that. When wine is broken down to the biological level it becomes something entirely different and this is the road travelled by the Mundus Bacillus. Catena’s usage of 70 parcel pits per hectare has unearthed this single parcel within the vineyard, again completely different and the pinpointed microbial discussion initiates right here. The soil stakes a claim for this malbec only, certainly not in any way that tends to funk but surely as an impresario of soil. Talk about eugenics in the MBT because that science is compelling and can be related to in this wine. It can offer keys towards improving genetic quality of the vinous population. Here we are faced with rich and dusty, a mean streak of malbec intensity made elegant by earthly microbes. This section draws parallels to the (chardonnay) White Bones soil from which there transfers an excess of dry extract and tannin. Patience please for a malbec that will be long lived. Drink 2019-2027.  Tasted November 2016

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

The Italian cometh

They diverge and divulge so much @FattoriaBarbi @Noble_Estates @mrkcstr Raffaela Guidi Federzoni #brunellodimontalcino #2004 #vignadelfiore #riserva

They diverge and divulge so much @FattoriaBarbi @Noble_Estates @mrkcstr Raffaela Guidi Federzoni #brunellodimontalcino #2004 #vignadelfiore #riserva

As we head into the March break, here is a little something to think about in advance of next weekend’s VINTAGES March 19th Italian themed release. The offer is substantial and it comes on the heels of last week’s brilliant display of Sangiovese Grosso at the Art Gallery of Ontario for the recent coming of Benvenuto Brunello 2016.

Two of my favourite actors (Lee Marvin and Jeff Bridges) played pivotal roles in John Frankenheimer’s adaptation of Eugene O’Neill’s famous play. The Iceman Cometh is set in 1912 America with hard characters who live a pipe dream in their collective search for political and religious salvation. In one way or another they seek the sentimental reminiscences of their glory days and form a covenant to return to them tomorrow. The Iceman represents a sort of messiah meets grim reaper, killing the fantasy of the “tomorrow movement,” offering not salvation, but death.

So what does this have anything to do with Italian wine? Pretty much absolutely nothing, except for the plain and simple analysis about the Italians on offer for March 19. I recommend some beauties so don’t think that the death or the apocalypse of Italian wine is upon us. In fact, the greater category is booming, selling more product in Ontario and Canada as a whole then it ever has. Last month’s Vancouver International Wine Festival laid testament to the fact.

No, it’s just that so many of the reds and whites in the themed release walk a straight, boring and predictable path right down the middle of the road. Italy’s vast pool of talent would love to send us the best of the best, at $15, $50 and $150, if only the monopoly would receive. And so my friends, today I choose to consider the LCBO as the Iceman, all in good fun, of course. Who takes me seriously anyway? Certainly not me, fool as I am.

Here we have six stars from the VINTAGES release and six ethereal Brunelli still ringing in my ears and singing in my mouth. Sangiovese with the uncanny and impossible ability to linger for four days. There were many more worth mentioning because when you are holed up in a room full of Brunello, life is perfectly grand.

Where for art thou Brunello?

La Fiorita Brunello di Montalcino

La Fiorita Brunello di Montalcino

La Fiorita Brunello Di Montalcino 2009, Tuscany, Italy (Agent$65.00WineAlign)

La Fiorita’s 2009 normale is a special bottle of Brunello from a best of all worlds vintage. It exhibits the charms and shares the gifts of a posit tug between firmness and elegance. At this seven-year stage it evidences the first signs of secondary character, with spices dissolved in mulled liqueur and a new fathom of depth perceived. The measure of intensity is not one of dank, darkness or even pitch but rather profundity. The translation reads as both Sangiovese chapter and verse. Excellent 2009 example just beginning to drink as it should. Drink 2016-2023.  Tasted March 2016  @vadoapiedi

Col D’orcia Poggio Al Vento Brunello Di Montalcino Riserva 2008, Tuscany, Italy (0965525, $129.00WineAlign)

Only 8,000 bottles were made of Col D’Orcia’s always formidable and classically structured Brunello. Elegance offers a glimpse of hopeful emergence even while its firmness is still fully intact. The added determination and epic struggles of the vintage translate to a singular Sangiovese type of funk from a vineyard, like so many other south-facing Montalcino slopes, of what may just be the greatest physical involuntariness in the world. The fruit and texture are delicate, of a veritable Tuscan gastronomy, pure vernacular and of a leathery lightness of brogan being. The youth in this Brunello is palpable, nearly awkward but certainly not backward. It is progressing as it should, lentamente, lentamente. Three more years minimum is needed to coax it out of its coriaceous hide. Drink 2019-2028.  Tasted March 2016

Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent$100.00WineAlign)

The Riserva contains no single vineyard (Vigna del Fiore) fruit and is composed of a selection dictated by different vineyard qualities, not necessarily all on equal footing and all brought in to be vinified separately. As per the directive, an average of three years is spent in oak, followed by a transfer into stainless tank. The aim is a traditional, classic, typical, true masculine expression of Sangiovese Grosso. With the firm intent kept in mind, the 2004 is unstirring, closed, macho and fist clenched, even after all these years. An hour later it extends an outstretched finger or two of kept fruit and bred in the bone funk in your direction, but no more. This Riserva is gripped by a fine dust and even finer, senescent and patrician grains of tannin equal in quantity to the stars in the sky. If 2004 is not one of Barbi’s better to greater vintages for Riserva the constellations will have to be re-drawn. To me this represents a foregone conclusion to purchase, further cellar briefly and open when the skies are blue. Drink 2018-2029.  Tasted March 2016  @FattoriaBarbi  @Noble_Estates

Fattoria Dei Barbi Brunello Di Montalcino Vigna del Fiore 2004, Tuscany, Italy (Agent 93609$100.00WineAlign)

The Vigna del Fiore single-vineyard designate Sangiovese tells an engraved, emblematic and heraldic Montalcino story. First made in 1981, the infamous Barbi Grosso was originally crafted as a celebration for Francesca Colombini’s 50th birthday. Previous to that inaugural release the grapes from the most southeastern part of the property were used in the blend of the Brunello Riserva. Inferential importance exists within the context of familial connectivity in this Blue label Barbi. Ancestral lineage matters, as does the nurturing femininity of the undertaking. Spends its first, early developing year in older French barriques, followed by two years in traditional, regionally employed (700L) traditional Slavonian oak. If the 2004 (or subsequent vintages) are perceived as expressive of an international style, chalk that up to effete but so much vineyard and next stage, secondary through tertiary evolution agrees to confound. The ’04 lays in soft exude with the wise smell of its original, naturally curated state, of cherries, roses and earth. Today the texture floats in the optimum buoyant air above a contiguously circled round globe, begs for and speaks of aged Tuscan cheese, like Brillo Pecorino DiVino or Toscano Stagionato. The next few years will be the best. Drink 2016-2020.  Tasted March 2016

La Mannella Brunello Di Montalcino 2010, Docg Tuscany, Italy (279083, $47.95, WineAlign)

Tasted alongside La Mannella’s 2010 Riserva this seems tame, elegant and baby-faced in comparison but it is no shrinking Sangiovese Grosso violet. No, sir. Assessed on its own it is in itself a wholly complex and beastly thing. The tonality is stratospheric, with a distant, amplified and magnified set of cherry to leather parameters. Very floral and blessed by holy drops of liquor. All that said, this 2010 Brunello of basic and modest means can be approached in the here and now provided a good decanting is strictly followed. Drink 2016-2022.  Tasted March 2016  @LaMannella  @Nicholaspearce_

Oh #brunello where art thou? You are here @PodereLeRipi listening to the vines @agotoronto #benvenutobrunello #brunellodimontalcino #50thanniversary #italiantradeagency

Oh #brunello where art thou? You are here @PodereLeRipi listening to the vines @agotoronto #benvenutobrunello #brunellodimontalcino #50thanniversary #italiantradeagency

Podere Le Ripe Lupie Sirene Brunello Di Montalcino Riserva 2009, Tuscany, Italy

A classy and classic, traditionally-styled, pure and ripe Sangiovese. Cherries, leather, sweet liqueur and anise confer in perfume. What a revelation, with late spice and a chocolate-laced finish. Lovely and really fine. The right stuff and though on the sweet side, that should dissipate with five to eight years in bottle. Drink 2017-2024.  Tasted March 2016  @PodereLeRIpi

The Italians cometh

Jerzu

Jerzu Chuèrra Riserva Cannonau Di Sardegna 2011, Doc Sardinia, Italy (270272, $17.95, WineAlign)

Lovely dry, dusty, musty and prickling Sardignian, properly Grenache rustic and approaching a level of divine. Cannonau of chew, leather, carbon fruit sketch, arid and rehydrated in residual freshness endowment. Get behind all $18 of this honest weighted red and put your char on. Drink 2016-2020.  Tasted March 2016  @AntichiPoderi

Greco di Tufo

Terredora Di Paolo Loggia Della Serra Greco Di Tufo 2014, Docg Campania, Italy (983197, $19.95, WineAlign)

Herbal is the understatement, saline the connecting cable, texture the conduit for extreme unction. Cumulatively intellectual qualities that endow this Greco di Tufo with more sumptuousness than it had achieved in recent times. Aromatic wealth comes by way of citrus preserved, pressed and layered. The overall impression is warmth, stress without breakdown and excessive personality. Still somehow its strikes as endemic, ancient, weird and wonderful. Drink 2016-2019. Tasted March 2016  @Terredorawines  @HalpernWine  @Reg_Campania

Il Molino Di Grace Il Margone Chianti Classico Gran Selezione 2010, Tuscany, Italy (435115, $39.95, WineAlign)

In a VINTAGES feature of more MOR Italy then should be rolled out in one media tasting, at least here we have multiple semblance of personality. Not quite sure we’ll call to celebration $40 of dynamism but there are inherent deep invested Sangiovese characteristics nonetheless. Tight angles, rigid corners and a Brunello-Sangiovese-like liqueur. Grosso in as much as CCR can be, with some dedicated rusticity and tannins still in action. Dries out nicely on the finish. Put some away for a 2020 rainy day. Drink 2018-2024.  Tasted March 2016  @Ilmolinodigrace  @chianticlassico

Donatella Cinelli Colombini

Donatella Cinelli Colombini Brunello Di Montalcino

Donatella Cinelli Colombini Brunello Di Montalcino 2008, Brunello Di Montalcino, Tuscany, Italy (431718, $56.95, WineAlign)

A vintage perceived as tough, difficult, demanding and volatile is just now entering the zone of changing perceptions. It has taken all this time to realize its abilities. Longevity for one. Beauty behind the mask, the other. Concentration is not so much ripeness and richness but of deeper meaning than that. Nothing here sits on the surface. Peel away a layer of orange, spice bark and bulb husk to taste from the inner fruit. From the core. “There is fire, there is life, there is passion, fever and fury.” That is Brunello. The tannins persist with near nastiness but there is so much to look forward too. Wait two more years. Drink 2018-2028.  Tasted March 2016  @news_donatella  @ConsBrunello  @LeSommelierWine

Giuseppe Quintarelli Rosso Ca’ Del Merlo 2007, Igt Veneto, Italy (722470, $99.95, WineAlign)

Rich Ca’ del Merlo from Quintarelli heeded with volatility and consumption. Veneto of war and peace, light, bracing, angular, seeping, steeping, macerated, tea leave studded and tannic for further thought. In this 2007 it is hard to not get caught up in the amalgamation’s bright sweep. Corvina, Corvinone, Rondinella, Cabernet Sauvignon, Nebbiolo, Croatina and Sangiovese, like reading Tolstoy, all together “alive, and very much so.” Will live for quite some time, but wait two years before embarking on the journey. Drink 2018-2030.  Tasted March 2016  @RegioneVeneto  @LiffordON

Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign)

Takes the purity of 2011, furthers the integration and mimics the precision, then pumps up the volume. Takes a breath and then, with soluble efficiency it refines the intricately woven lines a few steps furtrher, if that is even possible. I will say that the tannins are a bit tougher in ’12, with a tight string wound depressively around the fruit’s long and elegant tendrils. Fruit is the determinate factor, pure, blossoming and fragrant. It adds up to a consensus of one thought, that this vintage is yet another legend in the making, a fine and linear Ornellaia that should travel 30 plus years, perhaps longer. What liqueur, such botanicals and endless valleys passing through fertile hills. Drink 2019-2045.  Tasted November 2015  @Ornellaia  @AuthenticWineON  @AuthenticWine

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign: Michael Godel

Facebook

Ten prodigal suspects

Donatella Cinelli Colombini Brunello Di Montalcino 2010

Donatella Cinelli Colombini Brunello Di Montalcino 2010

Expensive wine surrounds us all year-long but in the 30 plus days leading up to Christmas the concentration multiplies.  As the shopping days tick down, it seems as though we are inundated by an omnipresent $50-plus crowd. Do these wines have any effect on your life? Do you consider forking out half a yard or two, on yourself or for someone you (sort of) love? Are the jet-setting, usual suspects really worth considering?

In certain cases the answer is yes, but just because some wines are expensive, for a complex variety of reasons, does not make them either good or bad in a decidedly black or white sense. Many outrageously expensive wines are simply awesome bottles of fermented grapes while others are nothing special. High prices can be a reflection of designer labelling and marketing, while others are the summation of genius created by greatness and art. Sometimes it’s just a matter of economics.

I’m going to borrow a hypothesis from my WineAlign colleague John Szabo to illustrate the point. You go to a juice bar. The smoothie or vegan fruit and grass concoction cost not much more than a few dimes to produce. The expertise required came as a result of a half hour’s worth of learning and training. The machine costs a few hundred bucks. And you paid $8.95 for the beverage.

Wine grapes grow on vines that might be as old as 100 years, tended by a farmer far away who was paid a dollar or two for a kilo of his fruit. The vigneron spent perhaps the first 30 days slaving over the initial maceration and fermentation of that fruit and followed that up with at least a year (and in some cases five) to nurture the wine into becoming something special. The bottle and the cork cost another dollar or two and the shipping charges add at least another two again. Then there were the middle men involved; negociants, wholesalers, distributors, agents, retailers and monopolies. That wine might sell for anywhere from $9 to $20 in the Canadian market. And you don’t want to pay $20 for a decent bottle of wine?

Now imagine the fruit coming from some of the most expensive real estate on the planet and processed by the best equipment that money can buy for making wine. Then it is handled by experts in the transportation, selling and marketing fields. You can see how $20 quickly becomes $50 and so on. Don’t misunderstand me. Many wines are ridiculously overpriced. Many are the by-products of marketing juggernauts. It is important to understand, however, that many high-priced wines are deserving of their tags. The margins are not as inflated as you might want to believe.

Iconic wines are always a good buy for someone, but vintages determine when their purchase is the way to go for others. Varied and direct opinion of conceit is rarely witnessed with such certainty as there is found in the world of wine. “I speak therefore it is,” or “I think therefore I am” are two truisms that ring with pomp and circumstance in the world of winemakers, sommeliers and writers. Being sure about everything goes a long way towards determining careers and fortunes.

So, for the first time in this sketch of wine stuff I am offering up a list of high-priced wines that I may or may not be recommending. They are all household names in the world of iconic wine. Some are “best of” vintages while others are head scratches as to why anyone would spend such money on their wood or their contrivance. You are the one to judge. Here are 10 expensive releases from VINTAGES for November 28th, as usual, prodigal in their return in time for the holidays.

 

Donatella Cinelli Colombini Brunello Di Montalcino 2010

Donatella Cinelli Colombini Brunello Di Montalcino 2010, Brunello Di Montalcino, Tuscany, Italy (431718, $56.95, WineAlign)

The fruit in 2010 is jam-packed, sealed in freshness and blessed with the unmistakeable Colombini soil funk. I first tasted this ’10 alongside 2007 and 2008. The dew, bloom and vigor hangs on a line threaded through each vintage. The 2010 stands alone for its poetic perfume. The flowers of Montalcino, along with the burst buds of herbs on the hills. This vintage pours a generous cup of Montalcino mountain tea. Smoky, opaque and of a proprietary liqueur thick and distilled, the level of animale is right there too. With so much aromatic potpourri the wine’s trotters scramble and ascend with a juggernaut of complexity. Beautiful Brunello with so much tradition running through its fast forward veins. It must of course be laid aside for a few years to really get it. Drink 2017-2022.  Tasted April and November 2015  @news_donatella  @ConsBrunello  @LeSommelierWine

Château De Beaucastel Châteauneuf Du Pape 2013

Château De Beaucastel Châteauneuf Du Pape 2013, Ac Rhone, France (711317, $89.95, WineAlign)

Quite a mouthful of Beaucastel with more warm, figgy fruit than memory generally serves. The surfeited structure can’t be denied but the advanced, occupied territory reminds of 1988. This ’13 may be viewed as acting with similar haste when it will have reached the age of 25, in earth-crusted caramel and sweet fruit scooped from a forest floor. Up until five years before then it will always have ripe red berries, spice accents, anise and the veritable design of garrigue. Drink 2018-2028.  Tasted November 2015  @Beaucastel  @VINSRHONE  @RhoneWine  @ChartonHobbs
Kistler Les Noisetiers Chardonnay 2013

Kistler Les Noisetiers Chardonnay 2013, Sonoma Coast, California (251223, $99.95, WineAlign)

A tremendous vintage for Les Noisetiers, cared for, tendered and placated by a clarity in hands-off winemaking. Deeply ingrained from juice maximized out of overloaded sensory sunshine and the choice to let sleeping fruit dogs lie. Possessive of an almond bitter bar not bitten into before and overlaid by lacy organza, a mild sheath overtop of purposed, wild fermented fruit, a lightly toasted barrel slumber and richness beyond the horizon. All in style of west coast Chardonnay, though simply prepared with the freshest local ingredients, with stony lactic lees texture and subtle spice. Drink 2015-2022.  Tasted November 2015  @TheVine_RobGroh  @sonomavintners

Antinori Guado Al Tasso 2012

Antinori Guado Al Tasso 2012, Doc Bolgheri Superiore, Tuscany, Italy (986380, $104.95, WineAlign)

Deep, dark, rich and handsome, a thick red duke of aggressive, conceited, unctuous behaviour. Such tannin and aggression is not so much rarely seen as not always a factor provided by expatriate Cabernet Sauvignon. The dense and massive ferric monster exercises in many, thorough magnanimous machinations. Such a beast. It’s big and it’s good. Drink 2018-2028.  Tasted November 2015  @AntinoriFamily  @HalpernWine

Quintarelli Valpolicella Classico Superiore 2007

Quintarelli Valpolicella Classico Superiore 2007, Doc Valpolicella, Veneto, Italy (986117, $104.95, WineAlign)

Here Quintarelli takes it to a new level, away from rusticity and into modernity, though it remembers every step along the historical way. Liquid caramel and red fruit meld into such sweet earth it feels as though the vineyard is right here and now. Some tobacco but just a puff, so much impression, cure without aridity and natural feel without an orange juicing. Intensity and acidity to take it 30 years. Amongst the best ever? No question it must be considered. Impossible to know. Drink 2015-2047.  Tasted November 2015  @LiffordON

Luce Della Vite Luce 2012

Luce Della Vite Luce 2012, Igt Toscana, Italy (685263, $114.95, WineAlign)

There can be no denying the density and wealth of flavour. Equally so the solid foundation and unwavering structure is the result of a winemaker’s ability to construct such a formidable pillar of strength. It can be imagined that this Luce will go ten years before budging into evolution even a single iota. It is a beast of fruit, barrel and tannin but more than anything else, oak. As shaken as a creamy, milky, anglaise cappuccino as there ever was or will be. Lots of spice from that oak. A designer label wine made with the finest materials. It really doesn’t matter when it is opened, now or in 15 years. It will take that long before it will begin to change. That is because the sum of its parts happen to be over the top. Drink 2015-2030.  Tasted November 2015  @FrescobaldiVini  @AuthenticWineON  @AuthenticWine

Sassicaia 2012

Sassicaia 2012, Doc Bolgheri, Tuscany, Italy (480533, $199.95, WineAlign)

Every once in a while an iconic leader of Tuscan wine feudalism takes a step back from its military rule and offers to feed both the army and its people. In 2012 Sassicaia is restrained, giving, generous and empathetic. The fruit is certainly ripe, as are the tannins and structurally speaking this has the layers, the soft libido and the desire to please like never before. Sassicaia for the people, like it may have once been, a king of the classes and for the masses. Not in price mind you, but you can’t have everything. Drink 2018-2038.  Tasted November 2015  @Smarent

Ornellaia 2012

Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign)

Takes the purity of 2011, furthers the integration and mimics the precision, then pumps up the volume. Takes a breath and then, with soluble efficiency it refines the intricately woven lines a few steps furtrher, if that is even possible. I will say that the tannins are a bit tougher in ’12, with a tight string wound depressively around the fruit’s long and elegant tendrils. Fruit is the determinate factor, pure, blossoming and fragrant. It adds up to a consensus of one thought, that this vintage is yet another legend in the making, a fine and linear Ornellaia that should travel 30 plus years, perhaps longer. What liqueur, such botanicals and endless valleys passing through fertile hills. Drink 2019-2045.  Tasted November 2015  @Ornellaia  @AuthenticWineON  @AuthenticWine

Antinori Solaia 2011

Antinori Solaia 2011, Igt Toscana, Italy (987586, $249.95, WineAlign)

Shows off the typically cured and seemingly advanced notes that Solaia always seems to display, whether the vintage purposed days of heat or nights of cold. A wine that seems immune from vintage variation, with fresh and dried fruit shacking up together. In 2011 Solaia is extremely rich, aggressive with acidity and yet with moderate tannins for five years of development, but not much more. Drink 2017-2020.  Tasted November 2015  @AntinoriFamily  @HalpernWine

Joseph Phelps Insignia 2012

Joseph Phelps Insignia 2012, Napa Valley, California (710400, $299.95, WineAlign)

The 2012 Insignia had me at first whiff. At first sip I could not be reached. Massive aromatics blast from this formidable Insignia, clearly noted with immediate clarity as a proprietary blend for the ages. The current torrent is so plugged in and highly climatic, like a visibly sparking conduit, storm and fire all wrapped into one electric happening. The peaks, valleys, waves and intonations are bred of perfectly ripe fruit sets traveling as one in perfect syncopation. The ripe, chain-link tannins will take this very, very far. This is as fine a California wine as I have ever tasted. Drink 2018-2045.  Tasted November 2015  @josephphelps  @LiffordON  @NapaVintners

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign: Michael Godel

Facebook

Mind blowing wines of 2014

Bouteilles de la collection Méquillet de Kientzheim, Confrérie Saint-Etienne

Bouteilles de la collection Méquillet de Kientzheim, Confrérie Saint-Etienne

In January it began with A resolution to drink honest wine, “juice that conveys the salient facts of a grape’s life.” It continued with New year. Try new wines, where the goal was “the resolve to drink outside the comfort zone.” If the issue was Feeling under the weather? Drink wine, success was had. “Wine is your friend. When approached, integrated and embraced in the right way it can help to promote a healthy lifestyle. The defence rests.”

January was a busy month, complete with Deep freeze: Controversies, polar vortex and ice wine, not to mention Super Bowl XLVIII wine odds. In February the opined focus zeroed inwards, to Ontario. What’s in a wine vintage? asked to reach out and touch Ontario’s 2012 whites, the best wines made to date. Harsh words were spoken against Rosé, but only because of the obviousness of it all when said, You can kiss my sweet pink wine, Valentine. Thomas Bachelder showed us Synchronicity in three terrors and he will do so again this coming Sunday when we break wine together down on the Peninsula. Calming influences saved days, having once more expounded on the music immersion, in and with wine, from Three-chord wines, hold the rants. The month concluded with more healthy advice and the question Are you getting your daily serving of wine?

Is the rating simply a tool understood within the context of marketing? Photo: Maria Vazquez/Fotolia.com

Is the rating simply a tool understood within the context of marketing?
Photo: Maria Vazquez/Fotolia.com

In March the annual pilgrimage to Niagara produced more tasting notes and verbiage than was previously thought possible, in a three-part series. Godello’s excellent Cuvée adventureWhen experts break wine together and Wine experts Brock and roll, Brock on were also joined by a visit to Flat Rock Cellars in Bottles, barrels, tanks and a vertical. A two-year impassioned body of submissions to canada.com culminated with the final column, The death of wine scores?

Scores were subsequently dropped from godello.ca but continue to be sidled up to the notes at winealign.com. In April I found out what happens When Sangiovese comes to townBurgundy will always be royal and that it’s always Go Gamay go time. In the name of Somewhereness, The group of twelve was once again called to assembly. In May there was the omnipresent Kalon of MomPaul Pender’s Tawse and effect and a fascinating look at cooperage in Every barrel tells a story. Prince Edward County again proved its mettle in ’14 and consumers were encouraged to Take them home, County wines. VQA stood under scrutiny in The pearls of Morissette’s wisdom and another chapter was written in The Stratus-Momofuku continuum.

Godello with Zoltan Szabo, Tony Aspler, Mike Di Caro, Ben Macphee-Sigurdson and Nicholas Pearce,  Photo (c) Steven Elphick & Associates

Godello with Zoltan Szabo, Tony Aspler, Mike Di Caro, Ben Macphee-Sigurdson and Nicholas Pearce,
Photo (c) Steven Elphick & Associates

Sparkling wine bubbled over in New fizz on the Brock, was Talkin’ ’bout my Generation Riesling and a trip to Alsace in June put me In a Grand Cru state of mind. I was Down on the Ornellaia and found out first hand, on a boat trolling across Lake Erie that The South Coast is clear. I offered up The froth on Crémant d’Alsace and in July told you that Chardonnay is cool. The eponymous conference yielded in excess of 10,000 words in August with 50 cool Chardonnay in 5,000 words or more and The meaning of Chardonnay: You’ve gotta be cool to be kind. I branded Olivier Zind-Humbrecht The cru chief of Alsace and felt what it was like to be Walking an Alsace mile in their Riesling shoes.

Tide's Out, Big Cove, New Brunswick

Tide’s Out, Big Cove, New Brunswick

A 5500 km trek to the tip of Cape Breton and back yielding poetic and prophetic expression in The tides that bind: East Coast swing. “The tractive is a thing to and of itself. The pauses to gather at points along the process remember lobsters roasting over an open fire, a cottage visit with new-found friends, a hike into the cavern of a waterfall and a swim in a tidal river. Memories are made in rites of passage, though in the end, like the photographs, they too will be demurred by time. Indelible stamps they are, cemented in commitment to reaching and by necessity, descending summits. A  road trip to the eastern part of Canada realizes the bigger plan. The key is making it safely home, before the tide rolls in.”

WineAlign World Wine Awards of Canada 2014

WineAlign World Wine Awards of Canada 2014

In September I tasted history with Taylor made Port and insisted on Giving Grand Cru Pinot Noir d’Alsace its due. I ignored a publishing embargo to announce how The LCBO and WineAlign go local and went Rocking out with the 2014 WineAlign World Wine Awards of Canada by judging the best of the best. A recall to Consider the Gaspereau Valley brought me back to Benjamin Bridge, a visit with Peter Gamble and the declaration that “I have seen & tasted the future of vinifera in Nova Scotia and its name is Lightfoot & Wolfville Vineyards.” Gamble’s work with partner Ann Sperling in Argentina is simply and skillfully The artfully applied science of Versado Malbec.

My report, Taste Ontario’s polarity of personality was met with lukewarm avoidance then rebounded, thanks to the tunes, From VINTAGES for Thanksgiving, in wine and with songA hip of wine from Hidden Bench gave way to Fourteen wines that should be on your restaurant list, in which I insisted “if your job title includes choosing what wine is poured at your restaurant, you should never dial it in.” I enjoyed some Wine on company time and Americans take note when Sonoma peaks from out of the fog.  For the third consecutive year I gave Yet another 10 reasons to pour a glass of wine on Halloween.

Local wines, notably Niagara delivers everbearing quality in November releases and in direct contrast, I went Off the beaten Italian path to discover endemic varietals. The Bloody vivid 2011 Vintage Ports had me reeling. “The 2011 Vintage Ports have balance, well, the best do, but they are, and I speak in very general terms, collectively over the top. Though it may seem an oxymoron to put Vintage Port and elegance in the same sentence, what is a great wine without a sense of humility and restraint?”

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

Two exposés on Alsatian wine, A Blanck slate in Alsace and It was Josmeyer’s imagination covered two distinct theories, of tabula rasa and wayfinding. On Sparkling wine I gave you Godello’s guide to holiday effervescence and Eleven 11th hour holiday bubbles. If value is your thing, I hope you read The final 14 bargains of 2014 and if great Canadian wine and cuisine float your gastronomic boat, my judging experience was captured at Gold Medal Plates Toronto 2014.

This is the third in the trilogy of best of reports for 2014. The first, 14 Canadian wines that rocked in 2014 was about “wines that are extensions of their maker’s personality, philosophy and temperament. Wines that are indicative of their terroir.” The second, Top 15 under-$25 wines of 2014 was meant to to “create the sociological, world of wine equivalent of splitting the atom. To celebrate the triumph of laic heterodoxy and the arrogance of modernity.  To seek purity from beneath the massacre caused by an avalanche of contrived wines.” The third instalment is meant purely to celebrate and to thank those who shared their bottles with me. Here are 16 wines tasted in 2014 that simply blew me away.

Tasting with Philippe Blanck, Domaine Paul Blanck

Tasting with Philippe Blanck, Domaine Paul Blanck

Domaine Paul Blanck et Fils Muscat d’Alsace Réserve Spéciale 1983, Alsace, France (From A Blanck slate in Alsace, December 1, 2014)

From Altenbourg, a lieu-dit located at the base of the Furstentum vineyard. Here is Blanck’s “fairy tale,” a wine you would have always heard about but never had a chance to taste or likely ever seen. The terroir is limestone mixed with clay and you will have to excuse my Alsatian, but a single sniff and taste releases the expression, “are you fucking kidding me?” This 31-year old Muscat is an impossibility, a first time feeling, a never before nosed perfume. Speaks in a limestone vernacular, of grapes given every chance to survive long after their innocence had been lost. A forest herb, tree sap, evergreen resin, lemongrass and bitter orange coagulation rises from its viscous mist. The acidity has lost nothing on the fruit, acts in perfect foil and leaves you with a sense of loneliness that is just beautiful.  Tasted June 2014  @DomaineBlanck

Pearl Morissette Gamay Cuvée Mon Unique 2013, VQA Twenty Mile Bench, Ontario (Winery) From The pearls of Morissette’s wisdom, May 26, 2014

In July 2013 Francois Morissette made this statement. “If we can’t make Gamay in a Cru Beaujolais Style, I’m not interested.” In May 2014 his ’13 Gamay causes Bill Zacharkiw to comment with blatant honesty, “just line up at the tank. Forget the bottle.” From 100 per cent whole clusters sent to cement fermenters. Once again the hue is just impossible. Sulphur-free, this walks a fine and perfect line of Cru banana Gamay. Pushes the Gamay envelope in that it’s gulpable but with a duress to remind you not to overdo it. A Gamay with a chamber of 32 doors. In it “I’d rather trust a man who doesn’t shout what he’s found.” François Morissette.   Tasted May 2014  @PearlMorissette  @3050imports

Laughing Stock Vineyards Amphora VRM 2013, VQA Okanagan Valley, British Columbia (agent, $30.00, WineAlign) From A day in WineAlign life: 15 new releases from Ontario and B.C., August 8, 2014

Here blends one-third each Viognier, Rousanne and Marsanne, a veritable Rhône orgy in wild fermentation, aged on the skins in terra-cotta and amphorae. While I would not go so far as to call it an “orange wine,” I will use the “N” word to describe its agrarian ways. As natural as anything you are likely to taste out of B.C., this is a most untamed experiment and should not be missed. It verges on oxidation but refuses to climb over the edge. It’s floral, spicy and crowded. The texture is chalky and so full of rusty, clay rubbed streaks. Everything about this is unkempt and exotic, including the never cease and desist fermenting lychee and longan feel. Hard not to be wowed by this blend’s presence.  Tasted August 2014  @lfngwine  @liffordretail

Charles Baker Riesling Picone Vineyard 2006, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign) From When experts break wine together, March 4, 2014

Only Charles can follow Charles, as only Jimi could follow Jimi. Just ask Peter Townshend. The combined forces of vintage, off-dry level of residual sugar (23.9 g/L) and age have ushered this Picone into a realm of adipose, butyraceous, chewy texture. The ’06 is emblematic of its time, stunning, psychedelic, experienced. It speaks clearly and with conceit. Tasting it eight years on you can hear Baker’s 2006 voice saying “if you can just get your mind together uh-then come on across to me.” We have and continue to follow Charles, and we are paying close attention to every vintage along the ride.  Tasted March 2014  @cbriesling  @StratusWines

Brokenwood Maxwell Vineyard Sémillon 2007, Hunter Valley, New South Wales, Australia (371484, $47.95, WineAlign) From Thirteen wines ‘ere Friday the 13th, June 12, 2014

A lifelong search for great Sémillon is fraught with peaks and valleys. Finding greatness is so rare it’s blue. The Hunter Valley in New South Wales beckons for a rush to strike gold. Many roads lead nowhere and others, like the dusty lane up to Brokenwood’s Maxwell Vineyard, lead to OZ. This young one has barely broken bread, or even a sweat. Sémillon of primary concern, like a tank sample. Varietal beauty as a cryogenically frozen specimen inundated by the table, the whole periodic table and nothing but the table. Guided by a laser beam of focus, great intent and expectations. Bob’s your uncle this David to the world’s white wine Goliaths. Son of racing studs and mares. Wow Sémillon. Not a faint moment about or in it.  Tasted May 2014  @Brokenwood

The Hess Collection Cabernet Sauvignon 1990, Mount Veeder, Napa Valley, California, USA (662015, $59.00, WineAlign) From The death of wine scores?, March 26, 2014

A seminal bottling from a game-changing year, for two all important reasons. One, it was a great vintage for Napa reds and two, the Mount Veeder sub-appellation was established. While only 24 years ago, a mere five wineries existed there at the time, including Mayacamas, Mt. Veeder and Hess. No hyperbole to say this is tasting a piece of history. Despite my “shouting all about love,” this splendidly aged Cabernet is not so much about resilience as it is persistence and infinite wisdom. All those years ago there were Napa reds made at a mere 12.5 per cent alcohol, with finesse and a sense of George-like calm. With little aeration there is fig, prune and toffee gently weeping but with air the aged fruit is swept away by a wave of gob stopping Cassis before its time. Preconceived notions of banausic, early days Cabernet are smothered by the magic dust of this Hess religion, a Dharma of licorice, ash and enlightenment. A wine to make you forget where you are. Depth, length and up to a half decade yet of reserved life lay ahead.  Tasted March 2014  @HessCollection   @liffordretail

Domaine William Fèvre Chablis Les Clos Grand Cru 2012, Burgundy, France ($143.00, WineAlign) From Burgundy will always be royal, April 22, 2014

The Fèvre take on Les Clos is the cradle of all the domain’s wines, in every respect. Intensely concentrated, this is Chardonnay expressive in every facet of its surroundings. The impart from compressed white limestone, ancient fossils and Jurassic minerals in distillate may seem abstract in description but how else can the feeling of a mouth full of rocks be conveyed? The remarkably complex Les Clos and its structured palate that goes on forever has come out of its Chablis vineyard cradle and will live on as one of the best ever. “It’s not a place, it’s a yearning. It’s not a race, it’s a journey.” There is no rush to drink it up. It will offer immense pleasure for 20-25 years.  @WoodmanWS  @BourgogneWines

Col D’orcia Brunello Di Montalcino 1997, Tuscany, Italy (LCBO 0961714 $145.00, WineAlign) From When Sangiovese comes to town, April 7, 2014

From a golden vintage, this ’97 is crazy good. A fixed, double-edged blade fighting knife dipped into a warm pool of developed liqueur-like sweetness. Seventeen years of languorous modulation and wood-fruit integration had resulted in a gracious Brunello, intrinsically delicious and living large in senescence. Life for the Col D’orcia ’97 is a bowl of cherries. Open one now and for the next three to five years and you’ll know exactly what you’re going to get. Me, “I’ll stick with you baby for a thousand years. Nothing’s gonna touch you in these golden years.”  Tasted April 2014  @Coldorcia  @ConsBrunello

Tenuta dell’Ornellaia Ornellaia 2001, Doc Bolgheri Superiore (Agent, $189.95, WineAlign) From Down on the Ornellaia, June 24, 2014

The blend of the 2001 Rosso Superiore is Cabernet Sauvignon (65 per cent), Merlot (30) and Cabernet Franc (5). Though strange to say and admittedly a retrospective comment, the minute quantity of Cabernet Franc and not yet inclusion of Petit Verdot result in a more straightforward and not as heavily layered Ornellaia. The structure is more linear and understandable, the fruit not as variegated. Complexity and Tuscan spiritualism are not compromised by the Cabernet Sauvignon and Merlot dominant line, in fact, assessing the evolution at 13 years on reveals the Bolgheri terroir in ways the magnanimous and opulent more recent vintages just don’t reach. There is a refreshing acidity in this young and developing ’01 in a streak that again, the baby Superiore do not seem to possess. This is a striking Ornellaia, a wine that would work with exceptional cuisine of varied cultures. It can be enjoyed now and will respond with grace and thanks for 30 plus years more.  Tasted June 2014  @Ornellaia  @AuthenticWineON  @sherry_naylor

Château Léoville Las Cases 1995, Ac St Julien, Bordeaux, Left Bank, France (402529, $599.00, WineAlign) From A Bordeaux family of wines, September 29, 2014

This 2nd Growth, Grand Vin is a product of nurturing and environment, a study in 12 superb soil subsets, from sand to clay to stone. From mature, edified vines split between Cabernet Sauvignon (70 per cent), Cabernet Franc (16) and Merlot (14). The LLC ’95 is grounded and centered on its highly confident axis while swirling within a centrifuge of inwardly concentrated, ripe but not ripest fruit. Merlot here is the anchor, Cabernet Sauvignon the mast. This is a relationship of pure linear fruit meets acidity. The full and fresh attack is refined with soft-pedaled tannins. It’s neither St. Julien nor Paulliac. It is Las Cases. No other Bordeaux is such an island, a distinctly personal expression, an event of its own. This is a window to the greatest vintages, a portal to extend to the benchmarks of 1996, 2000, 2005 and 2009, but also to step into the history of physiological cortex, to gain insight into previous legendary vintages, like 90, 89 and 82. The ’95 is silky, caressing, rapturous enveloping in a reverse osmosis of fruit and acidity, acidity and tannin. Another sip notices the layering, the grain left in tannin, the lingering richness of the fruit. The absolute sweet caress.  Tasted September 2014  @Noble_Estates

Tenuta San Guido Sassicaia 1977 at Splendido Restaurant, September 2014

Tenuta San Guido Sassicaia 1977 at Splendido Restaurant, September 2014

Tenuta San Guido Sassicaia 1977, Doc Bolgheri, Tuscany, Italy

Though the vintage was reported to be less than exceptional, the chance to taste this 37 years in/on and the longevity it displays combines for full, blow me away effect. The first vintage of Sassicaia was 1968 and this 10th try hits the mark of experience. A blend of Cabernet Sauvignon (85 per cent) and (15) Cabernet Franc, the fruit came from vines over top soils of clay and limestone. The wine spent 20 months in Yugoslavian oak barrels (half of it being new, and half used once or twice before), while for the remaining 60 per cent, French oak was used (2/3 new and 1/3 used once or twice before. Tasted blind, the swirling and searching thoughts of Genesis retrospection assimilate aromas of truffle and mushroom, but at first there is no reply at all. Landing on a plot of excellence somewhere between Bordeaux and Piedmont, Tuscany rises from its hills. A silent conversation ask the Sassicaia “I get the feelin’ you’re tryin’ to tell me;
Is there somethin’ that I should know?” Its condition is near perfect, its body full, its nature pristine and finally, so obviously in balance. After 30 minutes it begins to slide, to no surprise, but you can’t believe the expression it gives and the impression it leaves. And so, it is confirmed. 1977 was a fine vintage for Sassicaia.  Tasted September 2014  @Smarent  @Splendido_TO

Contino

Bodega Viñedos del Contino Rioja Reserva 1974 at XocoCava, with Chef Chris McDonald and Rob Groh of the Vine Agency, October 2014

Bodega Viñedos del Contino Rioja Reserva 1974, Rioja, Spain (Agent)

An impossibly youthful 40 year-old Tempranillo, even surpassing the more evolved ’80 in that regard, with aniseed, coconut and beeswax in its current aromatic state. Less gamy and animal funky, yet persistent in earthy beats. The vegetal scents act as conduit to the light bulb shining brightly of circuitous flavours and resolved textures. Lingers in mouth feel, its layers of time slowly peeling back, revealing in length, a slide show of the wine’s life. With many year’s still ahead, this is a Tempranillo revelation and from one going back this far that gained no support from Graciano (because it was planted in 1979). Its apostle following instead comes by way of the white Viura. Pair with Chef Chris McDonald’s Foie Gras and Partridge Croquetas.  Tasted September 2014  @TheVine_RobGroh  @Cvne

Decanted Château Margaux 1989, The National Club, Toronto, May 1, 2014 PHOTO: Michael Godel

Decanted Château Margaux 1989, The National Club, Toronto, May 1, 2014
PHOTO: Michael Godel

Château Margaux 1989, Ac Bordeaux, France (176057, $1,645.00, WineAlign) From Château Margaux hits the road, May 5, 2014

The 1989 Château Margaux wears the response to a mondo Bordeaux axiom on its sleeve. Are First Growth wines made for people who want darts of instant pleasure?” Twenty years earlier and now like the 2009, here is a quintessential and exemplary vintage, from day one of bud break to the last day of harvest. Its appraisal as anything but incredible is to assassinate it as if it were the Franz Ferdinand of Bordeaux. The examination 25 years later sees a mellow funk meet a peerless and sublime perfume. A wine cast in utmost density, complexity and length. It noses strength, warmth verging on heat but only for a fleeting moment, to gain attention. The iconic wine has reached the first major peak, up a ways from base camp. In this second phase of young adulthood it looks with conceit to the top of the mountain, seeing 25 to 50 more years on the climb. Mr. Pontallier regrets he won’t be around to taste this wine at full maturity. Moi aussi. The fruit lingers in its full, original state, from the moment it passes lips and for minutes onward. Violets trump roses. Château Margaux 1989 is from a vintage that offers the blessing of ethereal balance. Hear her sing, “Ich heisse Superfantastisch!”  Tasted April 2014  @Noble_Estates

Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009

Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009

Domaine Zind-Humbrecht Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009 (From The cru chief of Alsace: Zind Humbrecht, August 5, 2014)

A south-facing, very steep slope of grey marls and gypsum. A vineyard that yielded a miniscule 10 hl/H. A stratospheric residual sugar quotient (in the realm of 500 g/L) and incredulous acidity to prevent the development of the yeasts. A fermentation that finally finished in the late winter of 2012. A wine aged in demi-guid. Selection of grapes of a botrytis so pure and dry. These are the specs of a wine I may never taste again. Olivier concedes he “really tries not to obtain the highest sugar concentration possible” but this 2009 is a “monster of a wine.” It will take forever to assimilate and digest the sugar. Unctuous, lush, rich and gorgeous does not do it justice. Pure distillation of fruit and stone, accented by spice, wild herbs and flowers. Like an injection of pure, Pinot Gris adrenaline. All this from dry extract, slowly rehydrated with magic pixie dust and the wonders of the natural world.  Will live for a century and then some.  Tasted June 2014  @olivier_dzh  @TrialtoON

Schlumberger

Domaines Schlumberger Riesling Grand Cru Kitterlé 1945

Domaines Schlumberger Riesling Grand Cru Kitterlé 1945 (From In a Grand Cru state of mind, June 18, 2014)

From an area of sandstone soil that predates the appellation. “This is an old story,” says Sommelière Caroline Furstoss by way of introduction at a Millésime master class. “This is a wine of God,” in allusion to the success of a vintage immediately following the end of World War Two. So emotional to taste, of a Riesling with 20-25 g/L of residual sugar and a recondite, balancing level of acidity. Complete and clean, persistent in its power and vitality. There is orange peel and spice, cinnamon and spike. Must have been a warm yet somehow perfect vintage. Sixty-nine years on there is the slightest hint of toffee and nougat with a whispered promise to age for at least 30 more effortless and graceful years. The length lasts for minutes. The heart and the hearth. Just the thought of producing this wine at that time is unfathomable and mystifying. There are no superlatives to do it justice.  Tasted June 2014  @VinexxWine

Taylor Fladgate Single Harvest Porto 1863

Taylor Fladgate Single Harvest Porto 1863

Taylor Fladgate Single Harvest Porto 1863, Douro, Portugal (Agent, $3,995.00, WineAlign) From Taylor made Port, September 2, 2014

The two casks of 1863 reached the Taylor family in pristine condition, from one of the last great pre-Phylloxera vintages of the 20th century. This wine came from the cool and damp Port lodges of Oporto, “the cathedrals of wine.” This was a once in a lifetime chance to taste a piece of history, a most natural and organic fluid encased for 151 years in its integument of time. The year 1863 was significant in many respects, including being the birth year of Henry Ford and Franz Ferdinand. This is Port that creates the future and yet dwells on the past. The hue is both progressive and fathomless in subterranean fantasy. Its many shades of warm, advancing colours resemble the faux brown rings of Mars. The aromas are built around toffee and with accents of many mints; spearmint, chocolate and pepper. You can smell the 1863 from rooms and world’s away. It conjures up many songs. “When you’re half way from a dream, is it hard to work out what is real?” That is its love illumination. It has the strange advance “of killing time and dreams.” The flavours are extreme and exotic, with South-Asian spices highlighting its deep, late night humidity. The finish is endless. Is this brilliance or a stroke of incredible luck? It is certainly pristine and wondrous. It has to be considered a perfect wine, for its niche and genre, by its makers, David Guimaraens and Adrian Bridge. Having let the days of 151 years go by, this is not a wine to compare with others, it is not the same as it ever was. In the end, “you may ask yourself, well…how did I get here?” Thanks to Stephen Marentette of Sylvestre Wines and Spirits.  Tasted August 2014  @TaylorsPortWine  @Smarent

Good to go!

https://twitter.com/mgodello

Wine on company time

Algonquin Park, October 2014

Algonquin Park, October 2014

From the Middle English octobre and the Latin October, meaning “eight,” just how the month of October became the Julian and Gregorian 10th is a matter of bad juju. The corporate bumbling by way of the insertion of January and February into the Roman calendar screwed up all available etymological kismet. Perhaps in abbreviation or acronym, October, shortened to OCT, means “On Company Time.” That might explain its delay and parlay to 10th month status.

October has made its sad and beautiful way into song, rarely in joy or rebirth, almost always in tragedy and death. What’s up with that? With leaves turning to every shade of a Tom Thomson watercolour amid Ontario’s landscape that is all pan and even more orama, why the long faces? James Mercer writes, “to hell again and back,” and Amy Winehouse “today my bird flew away.” The lyrics in these songs are anything but uplifting but the tunes themselves are scrappy.

Then there is the October as envisioned by U2, well, there’s an entire album of oppression, repression and depression. “And the trees are stripped bare, of all they wear, What do I care.” 

The good news, through tough times and innocence lost, is the availability of wine. VINTAGES is our facilitator and we are the benefactors, to concentrate on seeking solace in the living, breathing and most complex organism that genies into great bottles of grape ferment. This coming weekend one of my favourite releases on the perennial calender rolls out more value and less plonk than usual. On the heels of anything will sell for Thanksgiving and predating the shelves emptying free for all that is Christmas, October 25th is ideal and satiating. Here are 16 new releases, guaranteed to restore faith in this most troubled month.

From left to right: Andreza Reserva 2011, Flat Rock Unplugged Chardonnay 2013, Morandé Gran Reserva Cabernet Sauvignon 2011, Château Rigaud 2012, Loimer Grüner Veltliner 2013

From left to right: Andreza Reserva 2011, Flat Rock Unplugged Chardonnay 2013, Morandé Gran Reserva Cabernet Sauvignon 2011, Château Rigaud 2012, Loimer Grüner Veltliner 2013

Andreza Reserva 2011, Do Douro, Portugal (385849, $16.95, WineAlign)

This blend of Touriga Nacional, Touriga Franca and Tinta Roriz (Aragonez) from Lua Cheia em Vinhas Velhas is certainly funky and vineyard driven so that’s a bit of all right, isn’t it? Its phrasing is indelicate and slightly hot but its message is quite clear. Former winemaker for Offley Port and Technical Director for all the Sogrape Vineyards in Portugal João Silva e Sousa and consultant winemaker Francisco Baptista bring forth honest Douro red fruit, along with some mineral and righteous wood spice. Dark, deep and with a wonderful level of anxiety and tension. Gives purpose to modernity.  Tasted October 2014  @FreeHouseWine  @wines_portugal

Flat Rock Unplugged Chardonnay 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (68015, $16.95, WineAlign)

A stoic and fruit aplenty Unplugged, less aromatic than some, equally magnanimous as others. Juicy, orchard fruit that is ripe and then elongated, with just enough acidity to keep it honest through the middle acts of savoury balm. Late tonic pungency lines the output. A very good, if not the finest ever unoaked Chardonnay at the hands of Jay Johnston and Ed Madronich. Then again, the ’07 tasted in February 2014 was a revelation. Who knows what the future may hold for this aloof ’13.  Tasted October 2014  @brightlighter1  @Winemakersboots

Morandé Gran Reserva Cabernet Sauvignon 2011, Maipo Valley, Chile (389254, $17.00, WineAlign)

Despite the 14.5 per cent alcohol this is beautifully bright, fresh, red cherry fruity and with nary a sign of abstruse chocolate or coffee. The southern hemisphere pulsates in here like a chromosphere of massive, meaty fruit. There is a funk per se but in earth, not wood. Good grain, honest grain, de facto grain. Spice from wood but just as an accent. A romantic one. Admittedly more Maipo than Cabernet but well thought on with the texture of haptic contours. Will satisfy a hunt for October reds to drink right now.  Tasted October 2014  @MajesticWineInc

Château Rigaud 2012, Ap Faugères, Languedoc-Roussillon, France (393561, $17.95, WineAlign)

A bold and beautiful southern French rapport of 55 per cent Syrah, 26 Mourvèdre and 19 Grenache, so very modern and explicitly floral. A veritable Midi garden salad lives in the glass; chicory, acacia, iris, black cherry and lemon. Brassy blend from Languedoc-Roussillon, tangy and of the earth in cohorts for simple, if semi-hedonistic pleasure. Nothing about this screams oak and if the shed was open for a lay down it kept its splintered mits buried within the pockets of its staves. The ’12 Rigaud is meant for near-term luxury, alone or with sundry kinds of protein.  Tasted October 2014  @oenophilia1  @VinsAOPFaugeres

Loimer Grüner Veltliner 2013, Dac Kamptal, Austria (142240, $19.95, WineAlign)

Can any entry level (used with latitude) Grüner speak more clearly of varietal truth than Fred Loimer’s Kamptal? Saline, herbal, juicy and mineral all roll off the golden carpeted tongue. A ripe merging to oxidative line is straddled but acidity keeps reeling in the fruit so no harm, no foul. Flavours of citrus and white peach. Heads medicinally sweet on the finish and lasts longer than could ever be expected. From my earlier April 2014 note: “Increased hang time has put this Kamptal in a deeper state of focus and understanding concerning the intricacies of Langenlois Grüner Veltliner. Continues the pure, clean and crisp axiom of the basic Lois but here the aromatics are spoken in acroamatic terms, obvious to disciples and yet available for all to comprehend. Though five per cent big wood barrel aging does not seem significant, that practice along with four months of aging on the fine lees has had a textural impact. The added weight is a questionable thing, though arguably just splitting hairs. Will help carry this vintage through five to seven years of graceful settling. Last tasted October 2014  @FredLoimer  @LeSommelierWine

From left to right: Bordón Gran Reserva 2005, Dog Point Vineyard Sauvignon Blanc 2013, Domaine Hamelin Beauroy Chablis 1er Cru 2011, Giacosa Fratelli Bussia Barolo 2009, Giacosa Fratelli Bussia Barolo 2009, Le Clos Jordanne Claystone Terrace Chardonnay 2011, Le Clos Jordanne Claystone Terrace Pinot Noir 2011

From left to right: Bordón Gran Reserva 2005, Dog Point Vineyard Sauvignon Blanc 2013, Domaine Hamelin Beauroy Chablis 1er Cru 2011, Giacosa Fratelli Bussia Barolo 2009, Giacosa Fratelli Bussia Barolo 2009, Le Clos Jordanne Claystone Terrace Chardonnay 2011, Le Clos Jordanne Claystone Terrace Pinot Noir 2011

Bordón Gran Reserva 2005, Doca Rioja, Spain (114454, $22.95, WineAlign)

If it were so because of cryogenic preserved must or an accidental tipping and topping up into an unused barrel by recent vintage juice I would not be left hanging with mouth fully agape. Considering the amount of time this flat out delicious Gran Reserva saw in barrel, the mystery must somehow be explained, how it came to be so surprisingly modern and bright (for its age), especially at $23. But it has been seen many times before, with no greater example than the Montecillo 1991 GR that drank fortuitously well into the last years of the previous decade. This is the magic of Rioja. That said, there is some sinew and some raw character here as well – that’s the old school treatment and style talking. Red cherry fruit. Ripe fruit roasted, rested and now sliced, showing its perfectly cooked rare cut. Juicy and with sanguine notes still running through its grain. Wonderful old school yet bright Rioja. Riotous red wine with a calming aura of quietude.  Tasted October 2014  @RiojaBordon  @Eurovintage  @RiojaWine

Dog Point Vineyard Sauvignon Blanc 2013, Marlborough, South Island, New Zealand (677450, $24.95, WineAlign)

Dog Point’s principals Ivan Sutherland and James Healy know the innuendo of that ever present Marlborough SB subtlety by allowing the vineyard to show up in the glass. That sussuration is the hallmark of this most righteous bottle. The VINTAGES October 25th release indicates a 2014 debut when in fact it is the ’13 that was presented for tasting and likely that vintage will show up on shelves. This ’13 bring elegance, less weight and more fruit. Round and rippling, spiced but in spicy check. Not the finest but persistent in class and crowing achievement for the stomping ground.  Tasted October 2014  @DogPointWines  @TrialtoON

Domaine Hamelin Beauroy Chablis 1er Cru 2011, Burgundy, France (391805, $29.95, WineAlign)

Thierry Hamelin and his son Charles (no, not the Olympic Speed Skating gold medalist) are eighth generation family winemakers and their 2011 Beauroy, one of the most underrated vineyards in Chablis, or anywhere Chardonnay is made, is both an ode to tradition and an immaculately clean look at the future. Prototypical steely Chablis in every nook of its lithified being and befitting of a 1er Cru designation. Fruit comes by way of some pretty wizened vines (30-plus years) and steep, south-facing slopes. The exposition is both fresh and flinty, the logic sound and spotless. If a creamy, leesy note is felt it’s just a case of genes. In every other respect this is Chablis as both a child of the present and the future. Quality vineyard, vines and fruit given the gift of no mask. This will drink well for five plus years.  Tasted October 2014  @BIVBChablis

Giacosa Fratelli Bussia Barolo 2009, Piedmont, Italy (344721, $39.95, WineAlign)

From the hills of Monforte d’Alba in Piemonte, Bussia is laid out like an amphitheater, the soil is all clay and the Nebbiolo is rich and often austere. Now, here is what temperance and a reliability in attention to classicism is all about. Cherries and ferric earth. Roses and funky beet beats. Tannins stuck on 10, winding and unwinding, but mostly winding. Wild herbs, sweet candied flowers, tight angles, tough and beautiful. Needs many years to wind down. Exceptional value for the real deal in Nebbiolo.  Tasted October 2014  @stradadelbarolo

Le Clos Jordanne Claystone Terrace Chardonnay 2011, VQA Twenty Mile Bench, Ontario (56929, $40.00, WineAlign)

The Claystone 2005 made by Thomas Bachelder was the single-vineyard ringer that shocked the Chardonnay world when it trumped international competitors in a Montreal grand tasting. The 2011 made by Sébastien Jacquey recently won a Silver Medal at the Decanter World Wine Awards. This Jordan, Ontario vineyard is a key clay-limestone foundation for both the Claystone and Village Reserve botttlings. Yet another exemplary ’11 Chardonnay with the omnipresent Jacquey handling for aromatic freshness and layering; candied flower, fresh morning glade and lemon drop, amplified to 11 in ’11. Moreover there is a level of honey not previously witnessed. It smells like natural sugars and like a bloom of sunflower lollipops. Very little (15 per cent new) oak was used so the texture is fluid and palpable, with just a touch of stone/toast/wood spice, but ultimately it’s the top quality fruit allowed to speak its own language.  Tasted October 2014  @LeClosJordanne  @20ValleyWine

Le Clos Jordanne Claystone Terrace Pinot Noir 2011, VQA Niagara Peninsula, VQA Twenty Mile Bench, Ontario (33951, $40.00, WineAlign)

Oh so pretty Claystone. Like a butterfly, delicate and gossamer. How can you not mark the change in direction to a most inviting and positive way for the Pinot program with Sébastien at the helm? The paint fumes are dissipating with each passing vintage. These vines belong in Jacquey’s hands – they were made for his touch. He understands them and they are now speaking so clearly, sweetly, with texture that underscores their elegance. When fruit is this subtle, acidity magnified and tannins feigning dry in the early stages of development, a wine can confound and sometimes even seem to be failing. In my view, it is the obtuse that are perhaps guilty of being under appreciative of the Pinot Noir paradox. Like the rest of the ’11’s in the LCJ stable, this is a terrific Claystone with 10 years ahead in sublimity.  Tasted October 2014

From left to right: Ramey Chardonnay Sonoma Coast 2012, Besserat De Bellefon Cuvée Des Moines Brut Champagne, Jean Gagnerot Meursault 2011, Château Cantenac Brown 2010, Ornellaia 2011

From left to right: Ramey Chardonnay Sonoma Coast 2012, Besserat De Bellefon Cuvée Des Moines Brut Champagne, Jean Gagnerot Meursault 2011, Château Cantenac Brown 2010, Ornellaia 2011

Ramey Chardonnay Sonoma Coast 2012, Sonoma County, California (288035, $45.95, WineAlign)

Buttered toast and lemon meringue are clear and concise in this inner-coastal, altitudinous Chardonnay. You just know there is a pent up, wound intensity lurking. Somewhat slow to start, it not being a jump to the front of the pack, first furlong leader. Then it gathers horsepower from texture and power from acidity. While the fruit remains unreleased beneath the moving parts, it’s the spice, lime tang and bitters that propel this Sonoman from sheer wildness in complexity. Impeccable equine balance. Likes the longer track to make the most out of its endurance. Will show its best down the stretch, at the end of the decade.  Tasted twice, October 2014  @RameyWineCellar  @BarrelSelect

Besserat De Bellefon Cuvée Des Moines Brut Champagne, France (724955, $54.95, WineAlign)

This Cuvée Des Moines Brut is fashioned in a decidedly aerified yet grappling crémant style, of firm jaw and air of tragic nobility. Low pressure and dosage in this Chardonnay (35 per cent) , Pinot Noir (20) and Pinot Meunier (45) mix make cause for a new Champagne slang. More than a pinch of ginger burrows into the waft of baking apple scones, marked by sody saleratus and more (two and a half years) leesy tang than you can dip a canoe paddle into. The flavours continue with something akin to pickled apples and sweet pork, if there were such a souse. Really tangy and overtly complex, with a long, long finish, if just a shade on the oxidative side of town.  Tasted October 2014  @BesseratB  @DionysusWines

Jean Gagnerot Meursault 2011, Burgundy, France (390369, $57.95, WineAlign)

Gorgeous and subtle yet clearly spoken aromatics; just a hint of tonic piques some ripe orchard fruit, along with a crisp spike of very little citrus. Round, moving, enveloping and circling, parts unified and oscillating. Great round acidity as a membrane to a full, fleshy Chardonnay that returns again and again, to strength and from strength. The length goes on and snaps back to the beginning. Most excellent Meursault.  Tasted October 2014  @grapewines  @BourgogneWines

Château Cantenac Brown 2010, Ac Margaux, 3e Cru, Bordeaux, France (259424, $89.00, WineAlign)

Whether or not you have left the modern Bordeaux market, attention needs to be paid when an incredible wine at a fair price is made available. Not to be found for any less cash south of the border or across seas, the 2010, 3rd Growth, Margaux Cantenac Brown is the best $50-100 Bordeaux buy of the vintage. Composed of 66 per cent Cabernet Sauvignon and 34 per cent Merlot, the wine saw its fair share soak in 60 percent new oak. This classic beauty is the epitome of lush and welcoming Bordeaux from a vintage with more sun than 2005. It will make you stop to smell the adjectives. Rich red and black fruit, so very floral and void of any harsh moments about it. I don’t imagine this is to be the longest lived because of its inviting immediacy but it is no shrinking violet. The fruit is in charge and will give it five to 10 years of that parsimonious pleasure. Great late spice and line dancing energy.  Tasted October 2014  @Cantenac_Brown

Tenuta dell’Ornellaia Ornellaia 2011, Doc Bolgheri Superiore, Tuscany, Italy (722470, $189.95, WineAlign)

Hasn’t lost a moment of time through six months in bottle. This should give an indication as to its near-unprecedented longevity. Six years will cast a moment’s advancement, sixteen a fortnight. Not saying it can go 60 but half of that is in the realm of the serious and for certain. Candied yet tempered violets, rocks crushed and sprinkled on cryogenic frozen and restored heirloom berries of yesteryear. Huge tannins. From my earlier, June 2014 note: “The blend of the 2011 Rosso Superiore is Cabernet Sauvignon (51 per cent), Merlot (32), Cabernet Franc (11) and Petit Verdot (6). From a near-sweltering vintage, tempered by a cooling spell in June and July. The late August heat spike brought on early ripening which explains the intense aromatic waft that fills the AGO’s tasting room air. Though following the same (post 12-month) assemblage and return to barriques for a further six months, the richesse in fruit quality and 70 per cent new oak envelopes this ’11 with so many structured layers there remains many years to see where it will go. The rose petal meets violet florality can elicit no parochial parallel, the anxiety in hematological ooze neither. A consideration of the phenolic exceptionality follows suit. Chalky tannins follow chains in a world spinning ’round in lush circles. This is the reference point for such assemblage in Bolgheri. The breakdown will not begin for a minimum 10 years and evolution will continue comfortably, gently and effortlessly for 15-30 after that.”  Last tasted October 2014  @Ornellaia  @sherry_naylor

Good to go!

https://twitter.com/mgodello

A common weal of September VINTAGES best buys

Innisfiil Sunflowers

Innisfiil Sunflowers

September has its share of excellence being revealed, particularly this coming weekend with the VINTAGES September 13, 2014 release. This is a perfect time to investigate the wares from this province. The weekend also marks the launch of the  initiative, in conjunction with Wine Country Ontario. Then on October 2nd, Wine Country is coming to the Royal Ontario Museum. There will be 255 wines poured by 55 producers at Taste Ontario.

Related – The LCBO and WineAlign go local

For years now the fine wine and premium spirits division of the LCBO, known benevolently to Wineontarians as VINTAGES, has been rolling out releases every two weeks. There are always somewhere between five and ten wines on each listing that, were I independently wealthy and helplessly wine obsessed in reckless abandon, would always buy. There are also upwards of 100 or more that I would not. Were I presented a glass half full, to most of them I would offer my thanks and sip away. There are also five to ten not worth the price of admission. As a member of the wine writer’s commonwealth of Ontario it is my trusted duty to help make sense of the bi-weekly barrage and to separate the wheat from the chaff.

Wine critics can be fussy people, tough mudders with palates sheathed by caparison. They can go from saying things like “not as good as the last shipment” to “I’m tired of tasting shit.” Even the most curmudgeonly of critics must play his part to promote the happiness, health, and wine safety of all of the people of a community. It is an honour to be trusted with a duty to taste, consider and then discard what is simply not right. The expectation and the responsibility is to find the most natural and honest wines made available, however fleeting and rare the opportunities may be.

Here are four from across the pond and 10 Ontario wines being unpacked onto LCBO shelves as we speak. Get out there and #LCBOGoLocal.

From left to right: Flat Rock Riesling 2013, Château Saint Estève Corbières 2011, Palazzo Maffei Ripasso Valpolicella Superiore 2011, Rosehall Run Cuvée County Chardonnay 2011, Peller Estates Private Reserve Cabernet Franc 2011, Southbrook Triomphe Cabernet Franc 2012, Thirty Bench Red 2012                                      Photos: Jason Dziver

From left to right: Flat Rock Riesling 2013, Château Saint Estève Corbières 2011, Palazzo Maffei Ripasso Valpolicella Superiore 2011, Rosehall Run Cuvée County Chardonnay 2011, Peller Estates Private Reserve Cabernet Franc 2011, Southbrook Triomphe Cabernet Franc 2012, Thirty Bench Red 2012 Photos: Jason Dziver, Photographer (http://www.jasondziver.com/)

Flat Rock Riesling 2013, VQA Twenty Mile Bench, Ontario (43281, $16.95, WineAlign)

The FR Riesling cover girl gets a swift kick in the backside by gas blanketed, dehydrated pear and a sprinkle of rock sugar. Citrus peel, candied again, with medicinal silt. Rocky Riesling spread liberally across a horizontal canvas. From my earlier April 2014 note: “Just bottled a few weeks ago so the note to self is to expect a subtraction of preoccupation. Anything but. Though not as frantic as the Nadja’s sampled from tank back in February, the preview to the ’13 Estate is in show of so much zest, premature acidity and an overly enthusiastic outpouring of juicy emotion. The scraped zest is present in every respect, along with green mango, Himalayan salt and a squeeze of lime. There is attitude and altitude from this precocious Riesling and there’s no doubt it and the ’13 Nadja will be better than anticipated out of tank. Forget the infancy, wow is it showing well.”  Last tasted August 2014  @Winemakersboots  @brightlighter1  @UnfilteredEd

Château Saint Estève Corbières 2011, Ap, Languedoc-Roussillon, France (377218, $17.95, WineAlign)

Corbieres excellence. Nothing funky going on here. A minor amount sees the inside of the fûts but how great it is to find such a clean, fruit forward, straight from the tank example. Made from (40 per cent) Grenache, (30) Syrah, (20) Carignan and (10) Mourvèdre. Certainly showing modern fruit but the low yield (35hl/ha) altruism and cleanliness is next to Midi-ness. A touch of chalk and milky chocolate with some vanilla and lavender too. Simple, effective (if a touch soapy) French red.  Tasted August 2014

Palazzo Maffei Ripasso Valpolicella Superiore 2011, Doc (338913, $17.95, WineAlign)

This is a massive Valpolicella, fully enriched by chocolate in countless ways, on many levels and in dry ice dreams. It’s a baby Amarone incarnate and if you are going that route, try this on instead for a mere pittance at $18. Huge wine, with exaggerated mannerisms in oak and high alcohol, though not volatile, even if the structure is value-driven pedestrian. Will work for a welcoming, big-hair crowd.  Tasted August 2014  @HHDImports_Wine

Rosehall Run Cuvée County Chardonnay 2011, VQA Prince Edward County (132928, $21.95, WineAlign)

Today Dan Sullivan’s Chardonnay concentrates on its excellence while compressing in reduction. Beyond the encapsulating abstraction there are the rocks beneath the earth and by extension, the vines of hard-working fruit. Fruit surrounded by the spice of barrel. Tasted extensively over a 24 hour period I found this walks the line, takes on all comers, hovers over and has the guts to merely sigh at the distractions. Give this Chardonnay years, more than most, perhaps even 10 plus. In 2011, Chablis trumps barrel.  Tasted August 2014  @Rosehall_Run  @sullywine

Peller Estates Private Reserve Cabernet Franc 2011, VQA Four Mile Creek, Ontario (598078, $21.95, WineAlign)

A touch of reduction but the thought goes straight to serious wine and attentive winemaking. The barrel is not king, the fruit big and boisterous. It’s a bit hyper-fruity, steroidal even but it is anything but thin and certainly not encumbered by process or wood. A hint of soap is a detractor admittedly, but the acumen and level of higher learning is evident and commendable. This will be a wine to look at for years to come.  Tasted August 2014  @PellerVQA

Southbrook Triomphe Cabernet Franc 2012, VQA Niagara On The Lake, Ontario (275958, $21.95, WineAlign)

The 2012 Triomphe Cabernet Franc receives a meld of mellow, blending support from 12.4 per cent Merlot and the marriage is quietly non-contentious. That blending decision by winemaker Ann Sperling, along with the praiseworthy choice to forego obtrusive oak is as good as a golpe on the Niagara Cab Franc oeuvre. The use of large format (80 hectolitre), no splinters allowed oak vats over wood spice and milkshake imparting barrels is an easy swallow for sore palates. The ’12 Triomphe is an elongated and elastic Cab Franc, with nary a foray into the tobacco, bell pepper and cloying currant currency of so many predecessors. The co-fermenting of disparate, north and south, estate blocks in those vats has done wonders on the preservation of a warm vintage’s, judiciously picked (21.8 per cent brix at harvest) fresh fruit. Terrific decisions all in for a highly accessible, brand and varietal ambassador for Niagara.  Tasted August 2014  @SouthbrookWine

Thirty Bench Red 2012, VQA Beamsville Bench, Ontario (320986, $24.00, WineAlign)

Big red machine, really ahead of the class, especially in this price range, with this much stuffing. A full complement of fruit, bushy and falling just as it’s picked from the trees, not to mention quality, quality, sweet earth. This is jazzy, boozy and sparked, from ‘round midnight, smoky, exotic and global. Has the discipline of a monk to groove low and low, the stuffing and Thelonious tannin to boot. Wait for it, let the band play then give way. The solo will be fantastic.  Tasted August 2014  @ThirtyBench

Norman Hardie Unfiltered Niagara Pinot Noir 2011, VQA Niagara Peninsula

From left to right: Tawse Pinot Noir Growers Blend 2010, Tenuta dell’Ornellaia Le Volte Dell’ornellaia 2012, Dominio De Tares Cepas Viejas Mencia 2009, Château Des Charmes Merlot St. David’s Bench Vineyard 2012, Domaine Queylus Tradition Pinot Noir 2011, Charles Baker Wines Riesling ‘Picone Vineyard’ 2011, Norman Hardie Unfiltered Niagara Pinot Noir 2011 Photos: Jason Dziver, Photographer (http://www.jasondziver.com/)

Tawse Pinot Noir Growers Blend 2010, VQA Niagara Peninsula, Ontario (284570, $26.95, WineAlign)

Where at one time the GB Pinot Noir fought among its moving parts it now sits in permanent cease-fire mode. A position that realizes warm fruit, settled wood spice and linear acidity. Needs no more scaling or ropy ascension. It has reached the planing platform and going forward will glide effortlessly back down to ground. Where it began. From my earlier October 2013, April and May 2014 notes. “Though it’s a blend of several sites, this Tawse Pinot stands alone and of itself as a grower; it grows on you after multiple tastings. The first go ’round seems simple, vintage warm and tight. Taste again and the sappy wood seeps mineral, the phenolic red cherry ripeness turns black and the tempering is led by a sweet earth kind. Earth that smoulders in a rising Zeppelin kept afloat by tobacco and the swirling spores of pungent mushroom. Pinot Noir truth and value from a Niagara house of the holy kind. “You know-whoa, that’s right.” The univocal Pender perfume permeates the Tawse stable of Pinot Noir and seems only magnified in the multiple site Grower‘s Blend. Vintage related warmth and inferable incrassation of fruit. Delves into a deep connection to disparate lands possessive of a common goal.  As if making wine is “your taste combined with all the years of wasting time.” Graceful Pinot Noir with moments touched by hot rocks, toasted red rice, a gentle smoulder and delicate grains of sand.”  Last Tasted August 2014  @Tawse_Winery  @Paul_Pender

Tenuta dell’Ornellaia Le Volte Dell’ornellaia 2012, Igt Toscana (964221, $26.95,WineAlign)

What can you say about Le Volte? Is she the most immediately rewarding, fruit forward and accessible Super Tuscan ever put on offer? Does this cuvée  of Merlot (50 per cent), Sangiovese (30) and Cabernet Sauvignon (20) offer a portal through which to peer into the future of the Ornellaia grande? From a warm but not excessively hot season, the fruit teases, like a kiss that leaves a lipstick stain on the cheek, a taste that makes you crazy and dreaming of more. Time spent in barrels once used by the matron first wine equates to a morning of chocolate, Nutella and cappuccino in the piazza. Full on, with much more texture than ever before. She is beautiful, but is her beauty fleeting? Drink over the next two to four years.  Tasted August 2014  @Ornellaia  @AuthenticWineON

Dominio De Tares Cepas Viejas Mencia 2009, Bierzo, Spain (379891, $26.95, WineAlign)

Fruit for this Bierzo is from old vines and is aged in a combination of French and American oak. An industrious rolling stone and two steps up example above and beyond for what usually passes as basic and simple Mencia. The Dominio de Tares is exactly the reason to ante up. Bierzo as a region produces exceptional quality wines at this price point but suffers a stenosis in the lower ranges. Here the intoxicating and delicious fumes are resonant of just caramelizing brown sugared fruits, formidable though sweet tannins and an enveloping that’s “all right now, in fact, it’s a gas” Displays and prances about with an incredible amount of energy and jumping jack flash. “It’s a gas, gas, gas.”  Tasted August 2014  @oenophilia1

Château Des Charmes Merlot St. David’s Bench Vineyard 2012, VQA St. David’s Bench, Ontario (453431, $29.95, WineAlign)

The vintage does Merlot a wondrous gifting and coupled with what strikes as an unusual salinity, this is a most unique take on the Merlot perspective. In the middle vacuum what is expected takes a turn; shaken, crushed berries with chocolate shavings and brushstrokes made by a weighty utensil but in the end it returns to the vintage specific layering. Well made with caveat to and from Merlot.  Tasted August 2014  @MBosc

Domaine Queylus Tradition Pinot Noir 2011, VQA Niagara Peninsula, Ontario (392738, $29.95, WineAlign)

The passion from the Thomas Bachelder Niagara project has shifted into Domaine Queylus. With no disrespect to Thomas’ eponymous bottling from vineyards so nearby, the quality time has now been granted the Tradition. Here lies Mountainview and Le Petite Colline earth, here crushes Niagara cherries in hand, juice running down a clay caked forearm. Fresh and bright yet streaked by chalk and enveloping brush stroke. Sour? For a flash but in neither malic nor astringent form. This is a must buy. From my earlier June 2014 note: “Reverberates with the unmistakable calling card character of the storied Neudorf family La Petite vineyard with equal and opposite amounts of attraction and new life breathed in by the Lincoln Lakeshore fruit. Ethereally sifted earth of old meets cherries of new. Enriching Pinot Noir, a bit gangling like a primitive young giraffe but near to finding its legs. Hard working red, insistent, confident and having already paid some dirty fingernail dues. Excellent length.”  Last tasted August 2014  @QueylusVin

Charles Baker Wines Riesling ‘Picone Vineyard’ 2011, VQA Vinemount Ridge, Ontario (241182, $35.20, WineAlign)

You can take Riesling from out of the Vinemount Ridge but you can’t take Vinemount Ridge out from a Charles Baker Picone. The layers of tectonic shale and the slowly espressed fruit that swim within the waves of those layers make for the total oscillating package. Has moved nowhere, not sideways even, since last tasted, though today, from this bottle, there’s an awkward, shy adolescence. From my earlier May 2014 note: “Some sweetness now, but not in a flirting way. This will be a September VINTAGES release (with pink on the label as part of an LCBO/Princess Margaret fundraiser). Has not so much evolved but rather “come groovin’ up slowly,” since last tasted. Still got “joo joo eyeballs,” still tough in tension. Years left before it will come together, yeah.” From my earlier, October 2013 note: “does not so much pick up where cracking ’09 left off (with no offence meant to the soothing and tuneful ’10) but rather re-writes the Baker book. From the almost famous windswept vineyard atop the Vinemount Ridge, this Picone, from older Riesling plantings is crazy lively. That ’10 is now imbued with rich, oily glück. The ’11 will realize such a future, but much further along and in combination with its inborn tension. Right up there with Baker’s “perfect vintage” 2006.  Last tasted August 2014  @cbriesling  @StratusWines

Norman Hardie Unfiltered Niagara Pinot Noir 2012, VQA Niagara Peninsula, Ontario (125310, $39.00, WineAlign)

This County ’12 by Norman Hardie needs fresh air, County air and time. Leave the wine alone in bottle counted out in five years time. There is pure intensity in aerified flight. Shows length, persistence, purity, phenolic ripeness and in time will show its ability to wade across raging rivers. From my earlier April 2014 note: “Hardie’s 2012 County Pinot Noir is a beacon, a flashing light on the shore, an invitation to copycats because this is what making red wine from limestone foundations is all about. To taste this ’12 is to experience Hardie’s purest berry maceration and distillation to date. It’s as if there was no alcohol present and in fact, at 11.5 per cent it is a modest and transparent pronouncement. Longevity may not bless the ’12 as in other vintages but this is certainly the most groomed and coiffed County Pinot Noir.” From my earlier October 2013 note: “Cuts a rug with immense, stepping out juicy behaviour. It’s both turntable old-school, astatic in smooth groove rotation, but also digitally forward thinking towards a perdurable future. The nose is Norm’s most intense floral burst to date, with incredible brightness and sparkling acidity in the key of fresh plum. This brings to mind indelible Burgundy, enveloped in PEC’s warm ’12 blanket. Hardie’s measure of consistency abides in a Pinot of parity and undemanding polish.”  Last tasted August 2014  @normhardie

Good to go!

https://twitter.com/mgodello

Down on the Ornellaia

Ornellaia 2011 PHOTO: http://www.ornellaia.com/

Ornellaia 2011
PHOTO: http://www.ornellaia.com/

It’s no secret the heart’s soft spot will gladly make room for fine and expensive wine, but not all will walk through that open door. Much Bordeaux intimidation vicariously hectors by way of outlandish collusion in en primeur dictation and so hardens the arteries. Though less so, the Burgundy intimidation relegates the lesser earthling to hide, cower and tense up in circulatory distress. Champagne can be quite kind. Even more so is the Bolgheri.

Tenuta Dell’ornellaia is the benchmark for Super Tuscan solicitude. It pours with pleasure. It reminds us of what was once good and approachable in the pretentious and obnoxious world of expensive wine. It resembles its patriarch, a man who comes to Toronto as a patron of the arts and as a steward of his wine’s goodness.

After tasting through mind-altering back vintages of Ornellaia I am typing away on my laptop in the Art Gallery of Ontario where the Marchesi de’ Frescobaldi and winemaker Axel Heinz are generously sharing their wares with a group of journalists, sommeliers and restaurateurs. Ferdinando leans over on a knee, like Brando in the garden of the grand film and smiles at me. “Perché non mangi?” he asks. “Si accende, anche una piastra. Si prega, si mangia.” I may as well be in his home, in Tuscany, in his kitchen, snacking on formaggi. But I am in Toronto and contemplating $1000 worth of exceptional red wine.

One of the softest spots is for Ornellaia. It’s a gorgeously perfumed principessa. Both the previously tasted and reviewed 2010 and 2009 perpetuate the notion.

Related – Holiday wine gems hit November shelves and The Best Wine Releases of 2012

Facilitated by Authentic Wines and Spirits and Sherry Naylor and Associates, the Marchese Ferdinando Frescobaldi and Mr. Giovanni Geddes da Filicaja came to represent Ornellaia for a vertical tasting presented by Axel Heinz. The visit coincided with the 2011 vintage and its association with “Vendemmia d’Artista.” Beginning with the 2006 vintage, the Estate launched the special art project, purposed to celebrate the unique character of each new vintage matched by an artist’s interpretation of that vintage.

Vendemmia d'Artista

Vendemmia d’Artista

For 2011, the “Infinity” character or “L’Infinito” was interpreted by Canadian born artist Rodney Graham. Graham created a work of art and a series of exclusive labels for large format bottles. Each one individually signed and numbered and adorned 100 3-litre Double Magnums, 10 6-litre Imperials and a unique 9-litre Salmanazar. An auction was held at the AGO and raised $126,000 for the institution.

There are vertical tastings and then there are vertical tastings that bring you up. One such as this makes just cause to say I am down on Ornellaia. “People come from all around to watch the magic boy…Bring a nickel, tap your feet.” Here are my notes on the Ornellaia wines tasted at the AGO.

Ornellaia Vertical

Ornellaia Vertical

Le Serre Nuove Dell’ornellaia 2011, Doc Bolgheri Rosso, Tuscany, Italy (606194, $59.95, WineAlign)

Produced since the 1997 vintage, from younger vines and with the intent to produce a ripe and approachable wine. Agefd in barriques (25 per cent new and 75 per cent one year-old). Left for 15 months though assembled after 12 and returned for the last three. The practice induces settling and approachability. Cleary focused with an Ornellaia intent, with the goings on of deep, dark fruit and dusty hedonistic, mulberry fruit. Not quite the Da Vinci muscled cherub that is the big brother renaissance wine, but still the Serre Nuove can’t help show an uncanny resemblance as a younger sibling to Ornellaia. Rich, vanilla mocha, thick and mildly tannic. A three to five-year full-on gamut of pleasure awaits.  Tasted twice, October 2013 and June 2014

Ornellaia 2011, Doc Bolgheri Superiore, Tuscany, Italy (SAQ, 11973238, $189.25, LCBO, 722470 (2010), $189.95, WineAlign)

The blend of the 2011 Rosso Superiore is Cabernet Sauvignon (51 per cent), Merlot (32), Cabernet Franc (11) and Petit Verdot (6). From a near-sweltering vintage, tempered by a cooling spell in June and July. The late August heat spike brought on early ripening which explains the intense aromatic waft that fills the AGO’s tasting room air. Though following the same (post 12-month) assemblage and return to barriques for a further six months, the richesse in fruit quality and 70 per cent new oak envelopes this ’11 with so many structured layers there remains many years to see where it will go. The rose petal meets violet florality can elicit no parochial parallel, the anxiety in hematological ooze neither. A consideration of the phenolic exceptionality follows suit. Chalky tannins follow chains in a world spinning ’round in lush circles. This is the reference point for such assemblage in Bolgheri. The breakdown will not begin for a minimum 10 years and evolution will continue comfortably, gently and effortlessly for 15-30 after that.  Tasted June 2014

Ornellaia 2006, Doc Bolgheri Superiore (722470, $189.95, WineAlign)

The blend of the 2006 Rosso Superiore is Cabernet Sauvignon (56 per cent), Merlot (27), Cabernet Franc (12) and Petit Verdot (5). Tasting its not yet developed charms, what is most clear is its strength and vigor. A different Ornellaia, with perfect conditions to ripen Merlot and Cabernet Franc so that their characters have combined to speak their peace. Rolling huge but cool, mint-spiked, black currant and stone emotions come across the aromatic profile. Those right side of the river brain varieties and the Cabernet Sauvignon dominant fruit were clearly all picked at such levels of ripeness as to put the ’06 at harmonious level of sugar, alcohol and rich fruit likely never before seen from this grand vin. The ’06 was fashioned with each vineyard block fermented separately, for a total of 66 different base wines. “So stealthy, so animal quiet,” give this Ornellaia 15 more years of time and it will come to your emotional rescue. It will whisper in a falsetto voice, “I’ll be your savior, steadfast and true.”  Tasted June 2014

Ornellaia 2001, Doc Bolgheri Superiore (Agent, $189.95, WineAlign)

The blend of the 2001 Rosso Superiore is Cabernet Sauvignon (65 per cent), Merlot (30) and Cabernet Franc (5). Though strange to say and admittedly a retrospective comment, the minute quantity of Cabernet Franc and not yet inclusion of Petit Verdot result in a more straightforward and not as heavily layered Ornellaia. The structure is more linear and understandable, the fruit not as variegated. Complexity and Tuscan spiritualism are not compromised by the Cabernet Sauvignon and Merlot dominant line, in fact, assessing the evolution at 13 years on reveals the Bolgheri terroir in ways the magnanimous and opulent more recent vintages just don’t reach. There is a refreshing acidity in this young and developing ’01 in a streak that again, the baby Superiore do not seem to possess. This is a striking Ornellaia, a wine that would work with exceptional cuisine of varied cultures. It can be enjoyed now and will respond with grace and thanks for 30 plus years more. Tasted June 2014

Good to Go!

https://twitter.com/mgodello