Tag Archives: Food and Wine

The group of twelve

History may one day remember them as the group of twelve, or perhaps, “The Ontario School.” They are the 12 wineries who have banded together to ensconce a strange but beautiful word on the tongue, in the dictionary and out in the world. Somewhereness.

They are purveyors of the land from which their grapes grow and ferment into wine. Facilitators of terroir, working a canvas forged by millions of years of geological and climatic evolution. Their assembly is based on both exigency and on Moira; destiny, share, fate.

Like that other famous group, “collectively they agree.” Ontario’s cool-climate wine regions need to qualify and certify a distinctive winemaking style. In juxtaposition to old world, European tradition, the intensity of Somewhereness needs to reflect an increasingly Ontario-centric partiality.

These are the members. 13th Street, Bachelder, Cave Spring, Flat Rock, Hidden Bench, Hinterland, Malivoire, Charles Baker, Norman Hardie, Southbrook, Stratus and Tawse. Matt Kramer of Wine Spectator used the term and now it defines an enterprise. “As a group of 12 wineries growing small lots of site-specific vines in Ontario’s ancient glacial soils, we’ve invoked Somewhereness as a word enabling us to articulate in one collective voice.”

How do you get to Somewhereness? As related to wine that is like asking, Who am I? Why do we exist? What is the meaning of life? The Somewhereness movement, the notion, comes to light through this statement. “Somewhereness is revealed in the mysterious time capsules we know as bottles of wine. As ethereal gifts of a carefully tended location and a moment in time, each is imprinted with a vineyard’s sense of place,
its soil, climate, seasons, vintage variations — and its maker’s methods.”

In 2013 I wrote about Somewhereness over the Canadian wine rainbow. “Above all else, the rainbow’s fulcrum is the “somewhereness” of Canada’s wine regions. Terroir is the great catch word for wine. A vine’s home determines its potential, its structure, its sense of place. Micro-climates, soil, geology, altitude, slope and vegetation all contribute to the make-up of a wine forged from that specific parcel, lot or locale.”

In Come together, over wine I continued the discussion. “Intensity is in the air. The artists are at work, blessed with a geographical, geological and climatic canvas unique to the planet. They share arts and letters, compare and contrast methods, style and results. The sense of community is palpable, obvious and quite frankly awesome. They are Ontario winemakers and they are coming together. Right now.”

At the end of last year my column 13 Canadian wines that rocked in 2013 reviewed what Canadian winemakers do best. “That is producing unique, cutting edge and brilliant takes on cool climate grapes. They also match beautifully with the songs referenced in their tasting notes. When the wines are assessed and considered in part or as a whole, who would dare to say there are no great wines being produced?”

On Wednesday April 9th, Somewhereness brought the band to St. James Cathedral for a full-on tasting that is rapidly being recognized as a must not miss Ontario event. Here are notes on some of the wines I sampled.

From left to right:

From left to right: Malivoire M2 Small Lot Gamay 2012, Flat Rock Nadja’s Vineyard Riesling 2012, 13th Street Sandstone Old Vines Gamay Noir 2012, Southbrook Whimsy! Cabernet Sauvignon 2009, Tawse Laundry Vineyard Cabernet Franc 2011, Charles Baker Picone Vineyard Riesling 2008 and Norman Hardie County Unfiltered Pinot Noir 2012

13th Street Pinot Gris 2012, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

Here you have an honest, 100 per cent stainless steel treated Pinot Gris from an estate vineyard located adjacent the market on Fourth Avenue in the Creek Shores appellation. So very dry and really fine fruit, crisp, neoteric, rising and falling in waves of tempered acidity. Made in a comfortable, country-twanged, folk-rock style, like a Cowboy Junkie. Juicy, mouth-watering work and very easy to fall for. An angel mine, this 13th Street, “and I know that your skin is as warm and as real as that smile in your eyes.” This effort by Jean-Pierre Colas is as good as it gets, a tally for Creek Shores and its kinship with the variety.

Malivoire M2 Small Lot Gamay 2012, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

A six-month lay in French oak for 60 per cent of the Gamay fruit sourced exclusively from Malivoire’s Beamsville Bench estate vineyard is just what the go doctor ordered. Only Malivoire’s Gamay smells specifically like this; of tart and savoury capers, of small, earthy gemstones, of peppery currants, of meaty braising Bouille. A striking wine from a fortuitous Gamay vintage and great value that puts me in mind of how special the Courtney will be. Though the soils may differ, proximity wise they are close cousins.

Flat Rock Nadja’s Vineyard Riesling 2012, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $19.95, WineAlign)

Just add three months and witness a new evolution, a density, from a honeyed thing. Entering a pre-adolescence with a new bounce in its step. From my earlier, January 2014 note: “A champion cyclone of forces combined to elevate the already incumbent position of this Twenty Mile Bench Riesling. An ideal growing season magnified transmission upon a paradigmatic two and a half-acre block. This southern-most and highest altitude section of Flat Rock’s vineyard rests aboard a solid bed of limestone and wake me up if that rock was not drawn up into the vines in this stellar Riesling vintage. Sure its warm and nearly off-dry but such an effortless squeeze of lemon hydrates and elevates orchard fruit and honey out of the year of the lemon. After each sip its “every time you kiss me, lemon crush.” Love this prince of a Twenty Mile white in 2012, the dynamism smiling on the tart, succulent fruit. The length is one of outright bravado. This will develop for 20 years, of that I am convinced. There is just so much fruit. A Nadja for the ages.”

Cave Spring Dolomite Pinot Noir 2011, VQA Niagara Escarpment, Niagara Peninsula, Ontario (winery, $21.95, WineAlign)

Part Beamsville Bench (70 per cent), part Twenty Mile Bench (30), this best of both worlds Pinot is full of calcium magnesium carbonate, Jurassic bark. Playful as opposed to angry, this is not so much Snoop Dogg’s Dolomite but more like an animated Futurama. Seduces with a sweet red berry entry and bound by a really fine acid/tannin/fruit balance. Admittedly not overly complex but for the price it shows good structure. As far as Pinot goes, this one is a made for beef or rack of veal.

Hinterland Whitecap 2013, VQA Ontario, Charmat Method, Ontario (332809, $22.00, WineAlign)

The most versatile fizz in the Hinterland portfolio, what winemaker Jonas Newman refers to as his “chameleon.” As aromatically floral as this Charmat method bubbles (secondary fermentation in tank) ever gets, the ’13 brings out the garden under the mist of a sprinkler, late on a summer evening. It’s not so much about fruit as it is about texture, pollen and wet rocks. Try it at Barque.

Bachelder Niagara Pinot Noir Wismer Park/Lowrey (Tank Sample) 2013, Niagara Peninsula, Ontario (146985, $29.95, WineAlign)

This binary vineyard symbiosis will be bottled as the Niagara Pinot. Just filtered a few days ago it strides out with the utmost confidence in swagger, with a purity of fruit is spite of Thomas’ shock, awe and reductive apology. A bright sway of terroir gives rapture to a peaking raspberry bush imagined forward into a cooled pie. A renewed elegance abides with an absence of humidity and with a fully ameliorated knowing that a fleshing will happen. Really fine.

Malivoire Mottiar Chardonnay 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario (146985, $29.95, WineAlign)

Gamay may be winemaker Shiraz Mottiar’s decisive resource but Chardonnay is his thing. The Moira’s ranks as one of Niagara’s best, vintage in, vintage out and this Mottiar, from the winemaker’s home vineyard is the trump card. This Malivoire special agent is set in 2 – 5 year old 300 L French oak hogsheads and aged on the lees in barrel for 10 months. The result? Texture. With the use, or lack thereof in new oak, Mottiar’s Chardonnay becomes a study in compages, with strong abilities and the accents of green orchard fruit and a faint sensation of blanched nut. Nothing toasty mind you because it’s all about density and girth; a Shiraz thing. I find his Chardonnay is all about texture.

13th Street Sandstone Old Vines Gamay Noir 2012, VQA Four Mile Creek, Niagara Peninsula, Ontario (130195, $29.95, WineAlign)

If roses were stones they would produce an aroma that only 13th Street’s Sandstone Gamay would recall. Some previous vintages have pushed the boundary to sky-high excess and a subterranean ferrous burrowing but in 2012 the perfume is both grounded and ethereal. The sandy tuff rock is so in that glass, like the smell of a rugged beach, mist and salinity spraying and rising off the rocks. The ’12 now knows “I don’t have to sell my soul.” Wholly singular Gamay and with hopes it will always be this going forward. Where as before it said “I want to be adored,” it now confirms “you adore me.”

Tawse Laundry Vineyard Cabernet Franc 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (130997, $34.95, WineAlign)

A lean Laundry with as much finesse as winemaker Paul Pender has ever shown in his poignant Cabernet Franc realm. When a vintage deals you calm and scale you sit back and relax. The Lincoln Lakeshore advancing in years vines bring yet unseen front end red berry, licorice and red currant softness in 2011. There is elegance but also a refusal to yield its back-end bite. A level of enveloping grain and chalk is unique to this bottle and should be seen as a very good effort with the possibility ahead for movement and a gaining of flesh. A graceful, gently pressed Laundry.

Southbrook Whimsy! Cabernet Sauvignon 2009, VQA Niagara On The Lake, Niagara Peninsula, Ontario (260281, $34.95, WineAlign)

A 100 per cent Cabernet Sauvignon whose barrel aging specs are integral to discussing its unfolding. This Whimsy is a seven barrel (172 case) lot of which 86 per cent was aged for 13 months in (71 per cent) French oak. Plain and simple, a wood-heavy decision that has provided allied excellence five years after that demanding vintage. The agglomeration is one of steroidal currants, rocket red berries and an assiduous savoury edge. Just now are the beginnings of a caramel oozing from out of the centre of a dark chocolate house. Really quite an amazing, rich cake example from the vintage. Showing so right and so strong now, in its territory and wheelhouse.

Norman Hardie County Unfiltered Pinot Noir 2012, VQA Prince Edward County, Ontario (125310, $35.20, WineAlign)

Hardie’s 2012 County Pinot Noir is a beacon, a flashing light on the shore, an invitation to copycats because this is what making red wine from limestone foundations is all about. To taste this ’12 is to experience Hardie’s purest berry maceration and distillation to date. It’s as if there was no alcohol present and in fact, at 11.5 per cent it is a modest and transparent pronouncement. Longevity may not bless the ’12 as in other vintages but this is certainly the most groomed and coiffed County Pinot Noir.

Charles Baker Picone Vineyard Riesling 2008, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

Tasted at Somewhereness 2014 as part of a vertical retrospective going back to 2007. The Vinemount Ridge’s now famous Picone Vineyard is set within a 10-acre estate on the Niagara Escarpment. Planted to the Weis 21 clone, the Riesling grown here digs in for complexity from sectional moieties of clay and sandy soil atop a unique base of limestone bedrock. Charles Baker began working with these grapes in 2005 and it is this 2008 where the learning curve took a turn for the Riesling stratosphere. The ’06 found luck in the stars but this vintage lays the framework and foundation for a master plan. At this stage in the ’08 evolution there is a prodigious and viscous honeyed textured. Ripening tree fruit juices run like maple sap in spring and the run off is beginning to think syrup. A cutting ridge of acidity arrests the sugaring, allowing citrus and flinty rock to recall the wine’s first, fresh steps. Baker’s Riesling time travels in circles with no real beginning and no real end. From my earlier, September 2012 note: ““Whoo-ahhh” Mojito, green apple skin scent of a Riesling. Seductive to sip, a bodacious body of influence, then back-end bite. A wolf pack in sheep’s clothing.”

Hidden Bench Terroir Caché 2010, VQA Beamsville Bench, Niagara Peninsula, Ontario (505610, $38.20, WineAlign)

No other Niagara red and for sure no alternative Peninsula Bordeaux blend exists in such a vacuum of dichotomous behaviour. Act one is an out-and-out boastful, opulent show of Rococo. Act two a gnawing and gnashing by beasts. The pitch and pull of the Terroir Caché 2010 optates and culls the extraordinary through the practice of extended délestage, what Hidden Bench notes as “a traditional method of gently draining the wine and returning it to tank with its skins during fermentation.” The ’10 is about as huge as it gets, highly ferric and tannic. Still chemically reactive, you can almost imagine its once small molecules fitfully growing into long chains. Berries of the darkest night and he who should not be named black fruit are confounded by minerals forcing the juice into a cold sweat. Will require a minimum of 10 years to soften its all-powerful grip. From my earlier March 2013 note: “has rich, voluptuous Napa Valley written all over it. Sister Merlot dominant, Beamsville Bench sledge monster. Plumbago, mineral, blackberry and coffee in a wine that will be the ringer in a blind tasting 10 years on. Harald may be saying “this is our family jewel.” Mr. Thiel, you make good wine”

Stratus Cabernet Franc 2010, VQA Niagara Peninsula, Ontario (winery, $38.20, WineAlign)

Patient as ever with the cool-climate, slow and low ripening Cabernet Franc, winemaker J-L Groux stuck with belief, regardless of the warm 2010 vintage. The Stratus single varietal space and time continuum of let it hang (though not to December), 20ish months of aging, nearly half in French oak barrels, has brought forth the most dense and luxe Cabernet Franc to date. “It’s never old school, all brand new,” with Groux so this red swells in wholly pure black currant fruit and is as big as it gets for J-L, which is saying something. This beastie boy will age over a 20-year period. Style is the thing, and yes, the aromatics.

Hidden Bench Locust Lane Vineyard Pinot Noir 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario (winery, $48.00, WineAlign)

The Locust Lane Vineyard, originally planted in 1998, was Hidden Bench’s first acquisition, in 2003. It has a unique perpendicular cross-slope effect, undulating in all four directions, gathering sun hours in its own special way. The vineyard produces the richest and warmest Pinot Noir with fruit flavours more akin to ripe plum and black cherry than almost anywhere on the Beamsville Bench, certainly as any from the Hidden Bench stable. While the ’11 is not the biggest beast nor the Bordeaux bully of the Terroir Caché, it is surprisingly tannic and strong. It’s anything but hot, though it attacks with fervor. Big berry fruit, macerated strawberry, rich pie notes and spice. A great Locust vintage.

Good to go!

 

It’s go Gamay go time

First wild leeks of the season with grilled rib-eye steaks and burgers PHOTO: Michael Godel

First wild leeks of the season with grilled rib-eye steaks and burgers
PHOTO: Michael Godel

Not that there is ever a bad time to partake in the wonders of Gamay, but with the mercury rising, spring is the right time to be with the Gamay you love. If you’ve never experienced the nuanced pleasure of great Gamay, whether it be from Beaujolais in Burgundy’s southern reaches or from Ontario’s cool-climate hinterlands, its prime time you did.

Dr. Janet Dorozynski coined the hashtag #GoGamayGo and it’s a good thing she did. Sometimes a little catch is all you need to get a ball rolling. Rhys Pender MW has written two prime articles on the subject, Gamay – The Grapes of Wrath and Gamay in British Columbia. Canadian winemakers are expanding production so the Gamay train is puling into wine stations across the country.

Related – Go Gamay Go

In May of 2013 this column noted “I wait for the #GoGamayGo network to convince our councils, marketing boards and vintners to establish a Canadian Cru system, or at least a comprehensive tasting of Canadian Gamay.” A varietal togetherness has yet to materialize but the appreciation is growing. Ilya Senchuk of Leaning Post Wines will be releasing his first Gamay go round from Wismer Vineyard 2013 fruit. “Gamay costs half of what Pinot Noir and Syrah do,” he notes. Conclusion? A small operation like Ilya’s can make an “entry-level” and consumer affordable wine for less money and without compromising their winemakeing oeuvre.

Gamay from Beaujolais in east-central France is thin-skinned, low in tannin and (more often than not), in acidity too. It is extremely versatile in its chameleon-like abilities and matches to more types of foods that you can likely prepare with any sense of range or flair. It makes much better wine than you think and it can outsmart you. Dismissing Gamay as in any way inferior is short-sighted and lazy.

Recent Gamay sightings and tasting are the impetus for these tasting notes. Ontario renditions were on display at Somewhereness and at County in the City. Woodman Wines and Spirits presented the Fleurie of Villa Ponciago at a recent Burgundy tasting. This spring, it’s go Gamay go time.

Villa Ponciago La Réserve Fleurie 2012

From left to right: Manoir Du Carra Fleurie 2010, Villa Ponciago La Réserve Fleurie 2012, Malivoire M2 Small Lot Gamay 2012, Villa Ponciago Cuvée Les Hauts Du Py 2012, 13th Street Sandstone Old Vines Gamay Noir 2012, Villa Ponciago Cuvée La Roche Muriers 2011

Malivoire M2 Small Lot Gamay 2012, Niagara Escarpment, Ontario (Winery, $19.95, WineAlign)

A six-month lay in French oak for 60 per cent of the Gamay fruit sourced exclusively from Malivoire’s Beamsville Bench estate vineyard is just what the go doctor ordered. Only Malivoire’s Gamay smells specifically like this; of tart and savoury capers, of small, earthy gemstones, of peppery currants, of meaty braising Bouille. A striking wine from a fortuitous Gamay vintage and great value that puts me in mind of how special the Courtney will be. Though the soils may differ, proximity wise they are close cousins.  Tasted at @Somewhereness, April 2014

Huff Estates Gamay 2012, Prince Edward County, Ontario (winery, $25, WineAlign)

If $25 seems a premium to pay for Ontario Gamay, consider all that is on offer in winemaker Frédéric Picard’s take on the friendly French grape. Picard caddies for 13th Street (Niagara) fruit, vinifies it bone-dry with the minimalist edge of 14 months in 15 per cent new French oak.  The fruit is so very ripe, in raspberry and gritless, creamy blueberry. Like savoury adult ice cream, silky smooth and with nary a hint of chalky grain. Well-designed and consumer-friendly as any Gamay has ever graced the Ontario consciousness. So you’ve “got that going for you, which is nice.” Shack up with Huff’s Gamay treat.  Tasted at County in the City, April 2014

Leaning Post Wines Gamay 2013 (Tank Sample, Projected Release Price $25)

Guiltless and virtuous straight out of stainless, the meaty side of Gamay game boldly goes where few from the Bench have gone before. Like a rare venison steak sitting in a silky pool of lavender-scented demi-glace. Floral like Fleurie and despite zero new oak, vanilla joins the gravy. A Senchuk steal of quality Wismer fruit sets this Gamay up for easy sell success.  Tasted @LeaningPostWine, April 2014

Manoir Du Carra Fleurie 2010, Ac, Beaujolais, France (364992, $24.95, WineAlign)

When the Gamay from Fleurie is spot on, the smells of meat and of flowers work both aromatic ends of the Beaujolais spectrum. Add some age to a solid core of black cherry fruit and voilà, get a nose of this Manoir Du Carra.  Clearly humid and drifting into a soft decline, the claymation action here weighs down and grounds this Gamay in an earthy impression. Would benefit by the company of some serious salty, savoury and roasted fare. In the name of balance. Fun to drink now, improvement with time is not in the Carra cards.  Tasted April 2014

13th Street Sandstone Old Vines Gamay Noir 2012, VQA Four Mile Creek, Niagara Peninsula (130195, $29.95, WineAlign)

If roses were stones they would produce an aroma that only 13th Street’s Sandstone Gamay would recall. Some previous vintages have pushed the boundary to sky-high excess and a subterranean ferrous burrowing but in 2012 the perfume is both grounded and ethereal. The sandy tuff rock is so in that glass, like the smell of a rugged beach, mist and salinity spraying and rising off the rocks. The ’12 now knows “I don’t have to sell my soul.” Wholly singular Gamay and with hopes it will always be this going forward. Where as before it said “I want to be adored,” it now confirms “you adore me.”  Tasted at @Somewhereness, April 2014

Villa Ponciago La Réserve Fleurie 2012, Ac, Beaujolais, France (Agent Only, $30.00, WineAlign)

Slow ripening from up to 30 year-old vines on altitudinous slopes atop pink, granitic crystalline rock leads to increased elegance for La Réserve, beyond the paint and tar notes of the Millésime bottling. Cran-raspberry fruit gains density and vibrancy from the mineral-rich earth, transcending towards ripe strawberry. The lack of anxiety and tension is welcome and necessary for the simple pleasures given generously by this exemplary Gamay.  For the short-term, to 2016.  Tasted @WoodmanWines Burgundy event March 2014

Villa Ponciago Cuvée Les Hauts Du Py 2012, Ac Fleurie, Beaujolais, France (Agent Only, $37.00, WineAlign)

From a critical high ranging and angling vineyard of granite bedrock with a vein of quartz running through it. Les Hauts Du Puy suffered  during the 2012 season, with gloomy wet weather, storms and hail. Thanks to a September anticyclone return, the fruit was able to dry and then slowly mature, thus avoiding being blinded by the light. This single vineyard uses that white crystal like a thread of silk, allowing the coats of harder aromas to hang but never clamber aboard. More angst than La Réserve in the form of tannin and structure, something that can be attributed to the terroir of the Puy. Pure Gamay with a spring in its step, resolutely defined and with a cooler, blue fruit feel, tight, mineral-fed and charred on the finish.  Tasted @WoodmanWines Burgundy event March 2014

Villa Ponciago Cuvée La Roche Muriers 2011, Fleurie, Beaujolais, France (Agent Only, $60.00, WineAlign)

The harshest of the domain’s climatic and soil conditions lay a lashing of demand on this Gamay as much as any on the planet. It is nothing short of remarkable that it can maintain such a level of refinement and elegance so the fruit purity of this vineyard’s Gamay is noted and obvious. The most Burgundian of any Gamay out there today. Gone is the cranberry and tar of lesser locales, replaced by deeper tones and longer, elastic chains of tannin. A Gamay that nods knowingly and with impact.  Tasted @WoodmanWines Burgundy event March 2014

Good to go!

 

Reds for a blood moon

Reds for a blood moon

From left to right: Concha Y Toro Marques De Casa Concha Carmenère 2008, Jim Barry The Cover Drive Cabernet Sauvignon 2010, L’ecole No. 41 Red Wine 2011, Blue Mountain Reserve Pinot Noir 2011, Michele Castellani Colle Cristi Collezione Ca’ Del Pipa Amarone Della Valpolicella Classico 2008, Domaine Des Martinelles Hermitage 2009, Painted Rock Red Icon 2011

That the ‘Blood Moon” tetrad of 2014-2015 fall on Passover and Sukkot should come as no surprise. That it’s snowing again on April 15th while the Moon meets the Earth’s shadow for a total lunar eclipse is a cosmic connection that requires red wine. Big reds.

Last weekend’s VINTAGES April 12th release had some beauties and a recent tasting at WineAlign of B.C. wines showed that power and finesse can co-exist on the Left Coast. Who knew they would come in handy with the mercury again dipping below zero and people everywhere howling at a moon they can’t see. Crazy times.

Thanks to Dave Dickinson, the lunar phenomenon is broken down into laymen’s terms, in shades of red. “Does the eclipsed Moon appear reddish to you? What you’re seeing is the sunlight of a thousand sunsets worldwide, streaming through the Earth’s atmosphere into the shadow. This color can vary considerably from eclipse to eclipse, causing it to appear anywhere from a dark tea-stained color to a bright cherry red. This variation is due to the amount of dust currently in the Earth’s atmosphere, and is measured on what is known as the Danjon scale.”

Here are seven immense red wines, from three continents, each with their own unique style, to match with a blood moon.

Concha Y Toro Marques De Casa Concha Carmenère 2008, Peumo Vineyard, Rapel Valley, Chile (169862, $19.95, WineAlign)

A trifecta of regard makes this worth looking at, the least of which, at first thought, is the effect of some age. The Concha y Toro Carmenère examination, in Carmín de Peumo, in Terrunyo and in Marques de Casa Concha is the Chilean reference point for the variety. The impart of deep, clay soils and the expectation of gentle tannins make for a curiosity call when considering an ’08 specimen. Tough and gritty, on one hand, on the other soapy, sandalwood and waxy. The third hand has smouldering wood, berries and tannins. Very much like its Cab and Merlot brethren, the fruit is just starting to be outrun. Try it now and see what Carmenère can bring.  Tasted March 2014  @conchaytoro

Jim Barry The Cover Drive Cabernet Sauvignon 2010, Coonawarra, South Australia (677476, $26.95, WineAlign)

Young-ish vines on the site of the old Coonawarra Penola cricket ground receive perpetual hydro-mineral support from porous limestone under rich terra rossa soil. That fruit is then blended with extract from estate vineyards in the Clare Valley. Smashes the cover off the grapes towards a full on gain of flavour. Charred peppers and lush black berries are smothered and splintered by a 50/50 split of French and American oak in no less than a crush of conceit. Tannin, grit, joy, flesh, full on deep fruit and mineral. Obviously over-swung and with too much club (switching sports), like using Driver used when a long iron would have sufficed. But you drive for show and this Barry can putt for dough.  Tasted March 2014  @Jimbarrywines

L’ecole No. 41 Red Wine 2011, Columbia Valley, Washington, USA (366237, $29.95, WineAlign)

A really good, high-octane red blend if blatantly massive. Like the smell of a shiny, varnished, fresh wood cabin glazed by highly aromatic and resinous epoxy extract. That’s the simple tasting note. The more complex version includes a perfume potpourri of Bougainvillea, violet, orange peel, cinnamon, dark chocolate and a lumber factory. The electric, fully plugged in blend is Syrah, Merlot, Cabernet Sauvignon, Malbec, Cabernet Franc and Grenache (38, 36, 15, 6, 4 and 1). The quotient seeks learned Nirvana and with a little luck, some power chords, a bit of screaming and historical, retro-cult exoneration, it may just get there. Right now it just feels like High School. Impulsive and uncomfortable. Wouldn’t you believe it, it’s just my luck. No recess.”  Tasted March 2014  @lecole41

Blue Mountain Reserve Pinot Noir 2011, Okanagan Valley, British Columbia, Canada (Winery, $36.00, WineAlign)

The Reserve Pinot is intoxicating to say the list. Some whole clusters in the fermentation process add mouth feel, cure and needed grit but how this can not be viewed overall in the shiniest west coast light would be confounding. The reserve ’11 is both “sky as I kite, sticky as lips” and “as licky as trips.” If there was ever an Okanagan Pinot Noir to get you high, this would be the one. What a boisterous effort out of a less than scorching vintage and considering the modest to riches price, no shame in visiting with flavourful fare, imbued with spice, any day of the week.  Tasted April 2014  @BlueMtnWinery

Michele Castellani Colle Cristi Collezione Ca’ Del Pipa Amarone Della Valpolicella Classico 2008, Veneto, Italy (222109, $45.95, WineAlign)

The magic of age is a friend to Amarone and funk trumps fruit. In a nutshell the axiom describes the old-school Colle Cristi. A brooding Amarone, cut by zest that’s citrus-like and savoury/earthy in pine needles, juniper and a Venetian forest in autumn. Inviatura and Chiaroscuro. Caravaggio meets Giorgione. The most complex Valpolicella in the April 12th VINTAGES line-up.  Tasted March 2014

Domaine Des Martinelles Hermitage 2009, Rhone, France (112268, $54.95, WineAlign)

Clearly modern and style-heavy though not out-of-place in the world of Hermitage. From steep slopes of stony brown sand, a high level of grit might be expected but this Syrah is refined, lush and smooth as silk. At 14.5 percent it’s no shrinking violet, honest and futuristically traditional. At $55 it’s a mandatory, appellative Northern Rhone steal. Matter-of-fact acidity, verve and mineral content are all in, with elegance and balance. Really fine Syrah with a five to ten-year fruit-tannin power struggle ahead.  Tasted March 2014  @LeSommelierWine

Painted Rock Red Icon 2011, VQA Okanagan Valley, British Columbia, Canada (Agent, $55.00, WineAlign)

Painted Rock’s red icon could be considered more black than red, as exemplified by the layering of grapes, their pitchy extracts and the fruit associated with their gathering. If the man should ask, “tell him what we said ’bout ‘Paint It Black.’ Rock ‘n Roll is here to stay.” Yes, the Icon will be a big star someday and perhaps this ’11, despite the cooler vintage, will be the first. Might have to wait 13 years or more to find out because the tannic structure is in beast mode and will remain so for likely that much time. The wine plays memorable chords and its song lingers on the brain.  Tasted April 2014  @liffordwine  @PaintedRockJohn

Good to go!

 

Release the wines, catch an Ontario phrase

 

Pinot Noir from the Mountainview Road on the Beamsville Bench. Photo: William Roman, http://www.rosewoodwine.com/

Pinot Noir from the Mountainview Road Vineyard on the Beamsville Bench.
Photo: William Roman, http://www.rosewoodwine.com/

In the past 10 days there have been opportunities to taste the Ontario wine industry’s state of the union. Tawse Winery rolled out the red carpet, the Key Keg and a must check ’em out set of new wines in a sister brand known as Redstone Wines. County in the City presented a major introspective of Prince Edward County at the Berkeley Church and Somewhereness, the definitive Ontario goût de terroir on display April 9th at St. James Cathedral has the local wine community abuzz with new catch phrases.

Full reports on those three events will be coming out over the next couple of weeks. In the meantime, Ontario wines and winemakers are well represented in this week’s VINTAGES April 12th release. That and a mess of catch phrases, idioms, colloquialisms and overall word play.

A sundry type of tasting note composition can theoretically make cause to “burn one’s boats” though the phrase “crossing the Rubicon” holds more water and instills greater confidence. Before feeling the need to act on a Mr. Bursian attack and screaming “release the hounds,” it is highly recommended to read between the lines, click on the pop culture references but refrain from and “don’t look the gift-horse in the mouth.”

Ontario wines have come so far and in such a short period of time. Sure there are some outfits that might be considered a “flash in the pan” and specific examples weighted down by “feet of clay.” Who does not hope that as a group, wines from Niagara, Prince Edward County and Lake Erie North Shore avoid a “hoist with one’s own petard’ or go “sailing under false colours.” There should be no fear. Ontario wines are no longer merely improving. They are “throwing down the gauntlet.” There is no reason to reject the idea of spending $38 on an Ontario red or white. Quality is officially and incontestably in the bottle.

Here are six wines in stores now, five from Ontario, the other made by an Ontario winemaker, to have a go at this weekend.

From left to right:

From left to right: Pondview Riesling 2012, Fielding Estate Sauvignon Blanc 2013, 13th Street June’s Vineyard Riesling 2011, 13th Street June’s Vineyard Riesling 2012, Bachelder Oregon Chardonnay 2011, Rosewood Estates Reserve Pinot Noir 2010

Pondview Riesling 2012, VQA Four Mile Creek, Niagara Peninsula, Ontario (271148, $15.95, WineAlign)

While winemaker Fred di Profio’s ’12 remains true to the Pondview idea of mineral-driven Riesling, the vintage dictates the course and this one simply carries four miles of juicy fruit, accented by green herbs and a spread of lime jam. It’s dry, vinous and cidery with a slight sour aftertaste. A lamb Riesling, lambic, iambic and pedantic. Good value. Tasted March 2014  @Pondviewwinery

Fielding Estate Sauvignon Blanc 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (131235, $18.95, WineAlign)

Ever orchard fruit bearing, omnipresent juicy Sauvignon Blanc. Pliable and informal, typical in itself and for the local marl. Kept on its toes by a wailing, sharp green peppercorn cut by caper line that runs through, then gracefully descends towards a grassy, song of freedom refrain. Tang is the final act of its redemption. Well-structured and proper. Does a Fielding wine ever not abide and chant “we forward in this generation, triumphantly?” Tasted March 2014  @FieldingWinery

13th Street June’s Vineyard Riesling 2011, VQA Creek Shores, Niagara Peninsula, Ontario (147512, $19.95, WineAlign)

June’s vineyard, now in its (correct me if I’m wrong) 12th year is both nascent and senescent, increasingly producing a blatant expression of Creek Shores Riesling. Today’s fleeting study faces a direct, anti-diminutive aridity and more dried herbs. In 2011, the austere vineyard speaks but the Riesling realizes atonement through a corpulence of flesh and bone down by the sheltered shores. A much tougher assignment than the gilded platinum hand dealt to vineyards upon the upper reaches of the Escarpment.  Tasted September 2013  @13thStreetWines

From my September 2013 note: “from Niagara’s Creek Shores and built of the classic Alsatian Clone 49 inordinately defines place and time in an agglomerated manner. Maximum floral intensity, zero petrol tolerance and an arid accumulation speak volumes about the appellation. To taste you will note it just barely believes it’s off-dry. Unique and unambiguous, plosive Riesling.”  Tasted March 2014

Tawse Sketches Of Niagara Cabernet/Merlot 2011, VQA Niagara Peninsula, Ontario (130252, $20.95, WineAlign)

Call it whatever you like; house red, Bistro red, un verre de vin rouge maison. All phrases to describe a refreshing and wholly compatible glass of red wine. The Tawse is crafted for such purpose, combining Cabernet Sauvignon, Cabernet Franc and Merlot in a Médoc state of mind. Aromatically it spews tobacco, tea, currants and white pepper, all wrapped in a tight, food-friendly package and demanding to be paired this way. Solid red.  Tasted March 2014  @Tawse_Winery

Bachelder Oregon Chardonnay 2011, Willamette Valley, Oregon (273334, $29.95, WineAlign)

The citrus stands out today. If the base and necessary oak treatment is your kryptonite, by all means, walk away from the Oregon Bachelder Project. But that decision deprives that part of your brain that processes progress and reason. This is not the oak-driven Chardonnay of your 1985. This is the future. Embrace the angles, the quotients and the variables. Fruit as function, rock as relation and barrel as the algebraic cauldron that allows the wine to come to conclusion. Sure there’s oak but it drives the equation. Deal with it. Tasted April 2014  @Bachelder_wines

From my earlier February 2014 note: “Yet another three months later re-taste to show Bachelder’s Oregon terroir may be the most difficult to assess in its infancy. This short slumber has changed everything. Oregon distinction, smell it, commit it to memory and you’ll never forget it. “Picture yourself staring at a loved one in a restaurant,” says Thomas. “Would you be able to pick this out as Chardonnay?” Some ciderish activity, from sedimentary and volcanic soils that used to mingle with ocean waters, give this a sea salt and fossilized lava stillness. More buttery (dare I say, popcorn) goodness than the rest. And restrained tang. And length. Wow.

From my earlier November 2013 note: “While Burgundian in hopes and dreams, this is very much a $29 Oregon white. No mask, no hidden altruism, simply the right Chardonnay for the right price. Bone dry, orchard driven, high acid, void of harmful terpenes. There is a salinity and piquancy not influenced by PH, perhaps by the ocean, by sandstone, but regardless it’s unique to place, unlike Niagara, Prince Edward County, or for that matter Burgundy.”

Rosewood Estates Reserve Pinot Noir 2010, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (318345, $39.95, WineAlign)

Prettier in 2010 the Rosewood is, the aromas a precise glowing arcade of earthy, warm, peppery fire. April redolent of a burgeoning, sweet cranberry marsh. Present, accounted for though not tough tannins. Glazed by an unobtrusive candy shell. A fine, inviting, sweet and soft Rosewood Pinot, true to vintage and neighborhood. “Then I’ll dig a tunnel, from my window to yours.”  Tasted March 2014  @Rosewoodwine

Good to Go!

 

Super Bowl XLVIII wine odds

Denver Broncos quarterback Peyton Manning

Denver Broncos quarterback Peyton Manning
Photo: AP Photo

as seen on canada.com

As a Super Bowl libation of choice do you consider wine a foray into the arena of the absurd? If so, you may be right, but you may be wrong. The Super Bowl is absurd. So, what are the odds that wine figures into your Super Bowl gathering? You might just be surprised.

I have participated in the same season-long NFL pool for the past 27 years. It was a “fax” pool in the 90′s and persists as an early days of the internet, send your picks in by e-mail endeavour. I’m still waiting for our administrator to make use of a free internet betting site but then again, there is a certain kind of comfort in the naiveté of low stakes, old-school pool participation. Meanwhile, I wouldn’t watch a single snap without something riding on the games. With apologies to my Peyton Manning-worshipping son, the NFL is just not that interesting and it’s a brutal sport.

Think about it. The game itself is a barbaric testosterone display of gladiator proportions, a war waged by freak of nature behemoths intent on killing one another between the blow of every whistle. Watch an NFL game and you’ll see that a player remains down and hurting after almost every play from scrimmage. When an elite athlete stays down, trust me, he’s hurt. Something has pulled, torn or broken nearly every time you see it.

Then there are the costs; production, hosting, advertising and tickets. According to the Philadelphia Business Journal, “At $4M for Super Bowl ad, it’s ‘almost impossible’ to see return on investment.” The cost to Jersey City for hosting “is a tax on our resources to some degree,” said Mayor Steve Fulop. According to NewJersey.com, “the police presence alone will cost city taxpayers several hundred thousand dollars.” The market for ticket prices opened at $4,000 but now they are just giving them away, with $3,088 being the current average price as of Tuesday afternoon, this according to the Bleacher Report. If you think the prices are too high, you have no business going to the Super Bowl. In 2013 Beyoncé was not paid for performing at the halftime show, though she was awarded $600,000 for “production costs.”

Is this shaping up to be the saddest Super Bowl ever? Joshua M. Brown sure thinks so. “This Sunday, Super Bowl XLVIII (48) will be played in an open-air stadium, built atop a New Jersey swamp, in 2 degree weather, while pretending it’s actually taking place in New York.” So, now does it seem like such a far-fetched idea to drink wine while watching the Super Bowl? Sure, 99 per cent of the American Football hypnotized viewers will have a beer or 12 on Sunday. Hopefully a few thousand will be creative enough to get up from the couch and source something local and craft-related. I will be bringing fine-ish wine to the grid iron festivities. There are well thought out, dedicated and purposed reasons for my choices.

The original elite athletes on this planet were from ancient Greece. Though they may not have tossed around or beat each other silly over an oblong-shaped ball covered in pigskin, they personify the term ‘forbearer’ for real sport. Besides, real men drink Greek red wine.

Wine produced in a region defined by its volcano is also a must. Nowhere does the vinous world bequeath an emphatic lava flow of energy and verve like Etna. Football is a mob mentality game of raw and pure emotion, much like the terroir-driven Nerello Mascalese and Nerello Cappuccio from Sicily.

Zinfandel is a natural for the Super Bowl. Bold, deep, dark, rich and striking. The brambly flavours scream rough and tough. Zinfandel always lives on the edge. It will also stand up to and support the fatty, greasy and cheesy gamut of flavours on the SB coffee table.

A classic Cabernet-Merlot blend is a must for all the red meat that will be consumed on Sunday. Don’t bother with the modernity or overpricing of soft, voluptuous and velvety Bordeaux or Napa.  This game and your aged beef require some grit. If you live in Canada, go local, as in Okanagan Valley or Niagara Peninsula.

For the sensitive and cerebral man, the Peyton Manning armchair quarterback if you will, look for a well-aged and thoughtful white wine. Hunter Valley Semillon comes to mind. The last time the Seattle Seahawks played in the Super Bowl was 2006. That strikes me as a good vintage to help settle the score.

Here are my five wine picks for Super Bowl 2014 and some music to match.

From left: NICOSIA FONDO FILARA ETNA ROSSO 2010, THYMIOPOULOS VINEYARDS YN KAI OUPAVÓS XINOMAVRO 2010, MCWILLIAM'S MOUNT PLEASANT ELIZABETH SEMILLON 2006, RAVENSWOOD OLD VINE ZINFANDEL 2010, and MALIVOIRE 'STOUCK' CABERNET/MERLOT 2010

From left: NICOSIA FONDO FILARA ETNA ROSSO 2010, THYMIOPOULOS VINEYARDS YN KAI OUPAVÓS XINOMAVRO 2010, MCWILLIAM’S MOUNT PLEASANT ELIZABETH SEMILLON 2006, RAVENSWOOD OLD VINE ZINFANDEL 2010, and MALIVOIRE ‘STOUCK’ CABERNET/MERLOT 2010

NICOSIA FONDO FILARA ETNA ROSSO 2010, Sicily, Italy (362129, $19.95, WineAlign)

Wines from Sicily’s Mt. Etna region and the indigenous variety known as Nerello Cappuccio may seem like a space oddity to many but those who have opened their hearts and minds to the volcanic wonders float “in a most peculiar way.” This Rosso carves a bowie-knife line of lava mineral and Mediterranean salinity right through with bang on acidity and vitality of red fruit. A minor detractor in that it’s a bit saturated, muddled and earthy for Etna, but it brings the mountain down to the tasting room. Licorice, cirasu, plum and the dried grape feeling of zibbibbu. Contagious in spirit.  90  Tasted January 2014

THYMIOPOULOS VINEYARDS YN KAI OUPAVÓS XINOMAVRO 2010, Unfiltered, Naoussa, Greece (360750, $19.95, WineAlign)

Magnificent Macedonian, built upon the unheralded yet stalwart variety Xinomavro. Pure, sweet-smelling gardenia and the refuse of ancient rolling stones express every bit of sun and wind-swept, low bush vines goodness. Purposefully and thankfully unfiltered, so that all the delicious sweet and sour cherry and great biting but sweet tannin are left in. Purity, good sugar/alcohol heights without oak corruption. Earth possessive of mythic undercurrent, sage, wealth of  knowledge, sweet anise and hyssop. Scents of game on the grill. Amazing complexity and length. While tasting this Xinomavro it made me “feel so hypnotized, can’t describe the scene.” Get your rocks off to the Greek.  91  Tasted January 2014  @thymiopoulosvin

MCWILLIAM’S MOUNT PLEASANT ELIZABETH SEMILLON 2006, Hunter Valley, New South Wales, Australia  (724492, $19.95, WineAlign)

Such a rare occasion to peer into the portal of aged Hunter Valley Semillon so expectations run high along the lines of gain the ridge and peer out over the great expanse. Emerging classic secondary notes, in tropical low-bush, caramelizing tangy fruit meets sweet hive sticky fashion but, and I take care to be sure, the fruit suffers under a yoke of petrol and a scraping of rocks. The lemon is faint, the fruit disappointingly fading. Listen closely to her voice, “I can’t sing, I ain’t pretty and my legs are thin.” Sure, acidity steals the show but at what cost? Still, a study in Semillon is always a positive so the cellar aging and delayed release must be appreciated. Oh, well.  89  Tasted January 2014   @McWilliamsWines

RAVENSWOOD OLD VINE ZINFANDEL 2010, Sonoma County, California, U.S.A. (673798, $21.95, WineAlign)

Consistency thy name is Ravenswood in the key of Zinfandel. From typically gnarly old vines scattered around Sonoma County and so young at heart. As solid as a wine can be when blending from so many sites. Vanilla is its calling card, flavouring the pool of berry syrup along with a tobacco-like smokey accent. Good tartness balances the rich fruit. At only 5g/L of residual sugar, this Zinfandel reaches sugar mountain with natural sweetness so, “ain’t it funny how you feel when you’re finding out it’s real.” Bring on the big game chili and beef stew.  89  Tasted January 2014

MALIVOIRE ’STOUCK’ CABERNET/MERLOT 2010, VQA Lincoln Lakeshore, Ontario (321836, was $29.95, now $24.25, WineAlign)

This Niagara Bordeaux-inspired blend comes from a legendary vineyard in the making. Cabernet Sauvignon, Cabernet Franc and Merlot all ripen and develop phenolic pitch with Findhorn-like, remarkable quality. How and why it ended up on the VINTAGES Bin-End list is beyond explanation. It was a must buy before, now it’s a steal. From A long and ‘wine-ding’ tasting road:  ”From down on the Lincoln Lakeshore is a pitchy rendition with a pronounced roasted espresso note. Seems to me the motherly, Cabernet Franc’s genes have imparted their wisdom into this (63%) Cabernet Sauvignon dominant beauty with big Cassis fruit. Chic, juicy, with a filled in mid-palate and stiff structure. Grab a glass, “leave your cares behind, these are the good times.”  91  Tasted March 2013  @MalivoireWine

Good to go!

Deep freeze: Controversies, polar vortex and icewine

Extreme Lows, Niagara Peninsula, December 2013 and January 2014

Extreme Lows, Niagara Peninsula, December 2013 and January 2014
Photo: Weather INnovations Consulting LP (WIN)

as seen on canada.com

The physiological and emotional roller coaster heaped upon grapes and growers these past 55 days has been nothing short of exhilarating, frightening and exhausting. First this monster climatic Dementor known as the Polar Vortex. Along with the demonic weather came the devastation of an ice storm, followed by record low temperatures. More recently, thaw and re-freeze. Consequences and challenges have abounded. Also, a silver lining. Freezing temperatures can kill grape buds on vines unprepared and left to fend for themselves. Those little vine kinder can also just be unlucky enough to grow up in the wrong place at the wrong time. Some Niagara growers are reporting heavy losses to Riesling, Cabernet Franc and Chardonnay vines. Here are the numbers as reported by Wines In Niagara’s Rick VanSickle.

I spoke with winemaker Paul Pender of Tawse Winery in Vineland, Ontario yesterday. Paul is both unconcerned and not yet ready to make any sort of call on damage to his crops. “It’s still too early to tell,” he notes, “I won’t really head out to assess any potential damage until early March.” While Beamsville vineyards are reportedly hard hit, Pender is confident that his team’s strident and prudent vineyard management will see the vines through.

Balanced pruning means leaving a specific number of buds during the winter on a dormant cane for this year’s crop, the number based on the amount the vine grew the previous season. Tawse’s canes are cut back to two feet, the dead wood removed before winter’s freeze can hit. Buds this season were thinned from 12 to six, giving those tender bits a fighter’s chance to survive. And while Pender will not enter into an unequivocal conversation with respect to the heartiness of his vineyards as a consequence of 100 per cent organic and biodynamic farming, I can hear the surety in his voice and imagine the twinkle in his eye at the thought.

Other growers concern themselves with what may happen inside the many parts of the vine when there are freezes, thaws and re-freezes. Again, Pender is not concerned. Proper pruning should prepare a vine for a harsh winter, whether or not they are protected by a warm blanket of snow. In New York’s Finger Lakes region, Lenn Thompson is reporting “some minor bud damage to vinifera vines, but little to no vine death.” Steve Shaw of Shaw Vineyards on Seneca Lake had this to say. “Yes, this winter is definitely presenting itself in a rather volatile manner. As far as I can tell from checking a number of varieties and many buds, there does not seem to be any catastrophic primary bud kill. There is damage, but not too bad so far. I do not think that with things being this wacky that we can really rest easy until most of the winter has passed.” Brock University’s Cool Climate and Viticulture Institute in St. Catherines helps local growers with much needed information and infrastructure to deal with damaging weather. Their VineAlert program helps protect vineyards during frigid temperatures.

Icewine Hours 2013

PHOTO: Weather INnovations Consulting LP (WIN)
Icewine Hours 2013

The news is not all bad. According to many icewine makers in Niagara, 2013 will shape up to be what many are forecasting the best ever vintage for the province. Temperatures dipped to the requiem in late December and most picked their shriveled, sugary berries before the new year. That is unprecedented, allowing this season’s icewine to remain high in necessary balancing acidity and well ahead of the fermentation arresting challenges from most years. Wine Country Ontario reported that “early icewine harvest in Wine Country Ontario starts the festival fever.” Look for the most balanced icewines out of 2013. Not to mention the Grape Grower’s of Ontario reporting the province’s grape growers gathered a record 79,756 tonnes of grapes in 2013 valued at nearly $100 million.

The Niagara Icewine Festival encompasses three weekends in January dedicated to the region’s beloved ambrosial elixir, wines that have become the calling card beyond the broader confines of Canadian borders. Icewine has been made since 1981 and in that short span of 33 years, Ontario and B.C. winemakers have challenged, and in many cases lapped their counterparts in Germany and Austria. Canadian icewine is globally renowned, even if it is not the most important wine resource bequeathed upon the rest of the world.

Icewine 101. Simply put, made from grapes that have been left to freeze naturally on the vine. Ontario’s stringent Bolshevik Initial Decrees-like laws insist that icewine must be made from approved grape varieties; the most popular are Vidal Blanc, Riesling and Cabernet Franc. Some small lots include Gewürztraminer, Chardonnay and Cabernet Sauvignon.  Grapes are left on the vine until a sustained temperature of -8°C or lower is reached and then picked from those vines encapsulated in nets to protect them from birds possessive of a sweet tooth.

A national icewine debate is ongoing, inflamed by a recent Macleans Magazine article discussing the ideological differences between the VQA law preventing vine and grape separation before pressing and the Quebec practice of letting the grapes freeze in nets. Quebec growers do this out of necessity for fear of their fruit being smothered by excessive snowfall. Ontario’s old guard vehemently oppose the practice. The irony of VQA Ontario’s website low volume statistic, “with average yields of 500 litres for each acre netted,” is not lost on the curious. Two questions arise. How many grapes in Ontario nets end up in bottles of VQA labelled icewine and how can a culture of Canadian icewine be brought together without some form of compromise and collaboration? Yet again, is togetherness integral to the success of Canadian icewine, or more specifically, Ontario’s industry?

According to Klaus W. Reif of Reif Estate, apparently there are 3,750 berries needed for one bottle of 375ml icewine. Just consider the concentration for a moment, the hand-picked (though not all) labour involved and the specificity of the practice. The sweetest wine known to Canadians can indeed be re-worked as a palindrome for Niagara Ice Wine Festival.

A wet vial is fine nice agar

PHOTO: Michael Godel
Rick James Ice Sculpture, Niagara Icewine Festival

On Friday, January 10th, 2014 I was a most elated guest at the Xerox Icewine Gala: A Bacchus Evening of Icewine and Revelry. For a list of continuing events this weekend and next, here is a link to the festival site. More information here. With kind thanks to Magdalena KaiserSmit and Wine Country Ontario, I had the good fortune to taste a host of Niagara’s finest renditions, along with some very special bottles of sparkling and still wines. Here are notes on six wines sampled at the Fallsview Casino Grand Ballroom last Friday night.
From left: PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010, RAVINE VINEYARD RESERVE RED 2008, PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, and VINELAND ESTATES RIESLING VIDAL ICEWINE 2012

From left: PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010, RAVINE VINEYARD RESERVE RED 2008, PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, and VINELAND ESTATES RIESLING VIDAL ICEWINE 2012

PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, VQA Niagara Peninsula, Onatrio (284547, $31.95, WineAlign)

This is Peller’s most versatile fizz, a blend of traditional method Chardonnay and Pinot Noir sweetened by a dosage of Vidal icewine post disgorgement of its lees. The lees has been left to linger in the bottle, in spirit. Sapid, savoury bubbles tingle the senses to the bone and will offer the most comforting and proper pleasures to those discriminating and otherwise. Appealing to a large common denominator, this Peller Sparkling can really do no wrong.  90  Tasted January 2014  @PellerVQA

CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010 (202127, $39.95, WineAlign)

The floral lift from three to four percent Viognier gives notice to bend the brawny, savoury black olive and blistered Ancho fruit into balance. Syrah in a sunshine state but not from concentrate. Would accept a glass of this Brokenpress at any beck and call. “Grab your wine, take me where you been, with the violin time and the moon gettin’ thin.” From my earlier note: “Offers up gorgeous pine and pepper-laced correctness and so much juicy, fresh warmth from a terrific Syrah vintage in Ontario and even more parochial so on the St. David’s Bench. This Queenston Road Vineyard red is winemaker Rob Power’s secret weapon, absolutely freakin’ delicious stuff and the epitome of what Syrah should be like from Niagara. Verve, rigor and yet also flirtatious with expertly judged wood and tannin to re-fresh its spirit and lengthen its life. Love it.”  91  Tasted twice, October 2013 and January 2014  @CreeksideWine

PILLITTERI ESTATES MERLOT FAMILY RESERVE 2002, VQA Niagara Peninsula, Ontario (71753, $39.95, WineAlign)

Served from Jeroboam, one of 23 produced and a testament to the precocious, facile touch of then winemaker Sue-Ann Staff. The extreme five litre format has certainly been kind to the hermetic 11-year slumber of this Merlot, as has the above average red Niagara growing season. Charlie pulled out this rare behemoth “for the special occasion” and despite and with thanks to the perfect vintage meets size storm, it has held up with dramatic fortitude. Unmistakably predicated Pillitteri chocolate perfume, brushed violet, mulberry and oven-warmed baking spice. Holding in sustained concentration, the toffee, caramel and umami of wizened, oxidized fruit not yet a twinkle in its soapy sandalwood eye. How could Sun-Ann have known what time-cheating lengths her Merlot would see to?  93  Tasted January 2014  @Pillitteriwines

RAVINE VINEYARD RESERVE RED 2008, St Davids Bench, Niagara Peninsula (20483, $55.00, WineAlign)

This Bordeaux style blend (40 per cent Merlot, 33.3 Cabernet Sauvignon and 26.7 Cabernet Franc) is clothed in a coat of arms all about texture. A drawn and raised relief of dried, candied bramble fruit and charcoal lines of savoury, earthy hickory and herbs. Hearty warmth from a cool vintage, meat on a stick in a glass, charred, roasted and smoking. A spit of gamey goodness. Holding strong but drink now.  90  Tasted January 2014  @RavineVineyard

PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, Niagara On The Lake (46557, 375 ml, $60.00, WineAlign)

A most unique and striking rendition, wearer of many hats, confounding and curious. There is a funk about him that stands apart from the rest. Like a really well-aged, superb piece of washed rind cheese, then turning unabashedly sweet, with verve and symphonic tone. An orange sky of an icewine, anti-bittersweet, accented by mace and anise, carob even. “Here is what I know now brother. Here is what I know now sister.” Cabernet Sauvignon, in a vintage equipped with striking acidity, can turn into something to look forward to. One of the more interesting icewines to date.  91  Tasted January 2014  @Pillitteriwines

VINELAND ESTATES RIESLING VIDAL ICEWINE 2012, VQA Niagara Peninsula, Ontario (163018, 375 mL, $60.00, WineAlign)

This represents the icewine revolution, for the first time adding 15 percent Vidal juice into the Riesling mix. In 2012, the normally stand alone Riesling needed a shot in the arm, provided by the Vidal, a dose of icewine magic by winemaker Brian Schmidt. Lifted tree fruit blossom and added weight are the result, without hyper-sweet flavours. Riesling is the rock, Vidal the roll as this RV crashes into me. The pit orchard fruit is reduced and recognizable to taste, yet reserved and in phonic harmony. “Sweet like candy to my soul, sweet you rock and sweet you roll.” Brotherly love icewine, full of Schmidt wisdom.  93  Tasted January 2014  @benchwineguy

Good to go!

Ten more reasons to pour a glass of wine on Halloween

Top 10 reasons to pour a glass of wine on Halloween
PHOTO: QUAYSIDE/OTOLIA.COM

as seen on canada.com

If you missed or would like to be reminded of last year’s top ten list, care to tempt a fate of Sisyphean dread or comedic retribution, then click here:

Related – Top ten reasons to pour a glass of wine on Halloween

Halloween candidly breaks down continence as the most pagan, gluttonous and sickly-sweet, over indulgent night of the year. Sure, self-restraint takes a baseless plunge into holiday abysses; Christmas, Eid al-Fitr, Easter, Thanksgiving, Hanukkah, Hari Raya Puasa, Sukkot and the list goes on around the world. But a night of candy? Don’t kid yourself. Your not the only one. One Mars bar for the cute seven year-old in the Smurfette costume, two Oh Henry’s for you.

PHOTO: Michael Godel
Cute seven year-old in a Smurfette costume

A few weeks post liminal to the Halloween hangover of 2012 I penned the entry, A toast to the endangered Twinkie. This Twinkie posturing was not only met with cries of “WTF?” but lambasted in the outright anger of many a hipster and political cognoscente who felt insulted and damaged by the hideous notion. The raillery between the lines in my faux ode to the extinct snack was clearly lost, despite a reference to the “Twinkieapocalypse.” So, I swear on the vinocratic oath and please, no wine and peanut butter cup pairings this year. No bubbles and sour candies, no port and milk chocolate bars. If it were available, I might however, have recommended this wine:

I’m no stranger in being an advocate as to the health benefits that can be enjoyed from a glass or two of wine. My column, A wine prescription for cold and flu was met with much love and even more sniggering. Yet the fact remains that a balanced meal and a glass or two of good quality (read: non-chaptalized, honest, light-handed) wine is good for the mind, body and soul.

My suggestion? Eat that early meal, pour yourself and your better half a glass and keep that bottle open for the neighbours and their begging to be topped up travellers.  Do be careful what you wish for – you might be the popular, go to house. Just don’t forget to stock up on extra treats. Here are another top 10 reasons to pour a glass of wine and the three bottles I plan to open and dole out on Halloween.

  1. So you will consider the phrase “trick or treat, smell my feet” as a compliment
  2. To build up immunity to better brave the cold and show off your sexy Halloween costume.
  3. So you have a proper excuse to turn down a creepy Blood Hemorrhage or Martha Stewart Blood Orange cocktail
  4. To help forget about traffic infuriating October construction, Ford more years, Miley Cyrus, Senate cheques and work for at least for one night
  5. To reduce the chances of having a heart attack or stroke at the sudden comeuppance of the neighbour’s $10,000 Halloween movie set
  6. Nothing says “thank you neighbour” like a good glass of wine on Halloween
  7. If you are not already, you just might become more tolerable of gay and lesbian rights and of children dressed up as Kathleen Wynne
  8. A person with a candy bag full of vodka is an alcoholic. A person with a candy bag full of wine is classy
  9. A good man can make the hot witch costume you are wearing make you feel sexy, wanted, desired…oh, wait… that’s a bottle of wine
  10. Nothing like a glass of wine on Halloween puts you in the mood to have another glass of wine on Halloween

From left: Château Des Charmes Old Vines Cabernet/Merlot 2010, Rosewood Estates Pinot Noir 2011, and Bodegas La Val Orballo Albariño 2011

Château Des Charmes Old Vines Cabernet/Merlot 2010 (222372, $19.95) from two Cabs and Merlot picked out of select estate vineyards, is aged for nine months in French oak. Sanguine, sweat and sweet-smelling, racing, pulsating red. Liquid adult candy, chewy licorice, a walk in the dark weald. Hallow wine, a thriller, “for no mere mortal can resist.”  88  @Mbosc

Rosewood Estates Pinot Noir 2011 (winery, $20) and her libidinous solid core of red fruit habituated by a fencing of skin-tight acidity will see prolonging returns. Will run on like a Dave Matthews jam, in wine years scads longer than the temperate Rosewood ’10 . An Escarpment’s native flint rocky note whispers “hey little dreamer’s eyes open and staring up at me…wait until I come I’ll take your soul.” Halloween wine indeed.  89  @RosewoodWine

Bodegas La Val Orballo Albariño 2011 (Profile Wine Group, $19.95) from the estate’s Pexegueiro vineyard in Spain’s Rías Baixas region is a brazenly, stony straight, sharpshooting white. Rock star sniper with a retinue of advising. aromatic angles, including citrus and green, tropical tree fruit . “Cold dry stone” granitic smile, nearly discernible effervescence and long, salivating freshness. Albariño in chains. On the card at Barque.  89  @BodegaslaVal  @ProfileWineGrp

Good to go!

Momofuku meet Henriot

Momofuku Daishō’s Roasted Rice Cakes
PHOTO: GABRIELE STABILE

as seen on canada.com

A Stratus pairing last Spring defined modernity incarnate. Dinner at David Chang’s Má Pêche in NYC’s Chambers Hotel introduced me to “dishes as colourful canvasses, never over-painted nor as monochromatic abstractions.” Supper at Toronto’s Daishō this past September acquainted me with chef’s meticulous small plates and the finest crab dip the city has ever seen.

A 200 year-old Champagne house tasting was my fourth Momofuku experience and though it flashed before my eyes, it may have left the deepest impression. The Daishō kitchen and team, most notably Beverage Director Jonathan Gosenhauser and Front of House Manager Steve Sousa popped and poured five renditions of Henriot Champagne in expedient time. With out missing the beat of a room full of writers’ bleeding hearts, the gang then delivered six sublime courses in 15 minutes flat. Impossible. No.

The group was in a hurry to travel 20 minutes north on foot to the Royal Ontario Museum for the Napa Vintners Association seminar and tasting. With no disrespect intended, I would have been quite content to spend some further quality time with cellar master Laurent Fresnet of Henriot, our hosts Russell, Jason and Rachel Woodman, Mr. Gosenhauser and the all-day textures of Daishō’s plates. Another time.

PHOTO: champagne-henriot.com
Champagne Henriot

The wines of Champagne Henriot are a relatively new addition to the Ontario market. Founded in 1808, under Apolline Henriot, this is one of the last independent and family-owned houses in Champagne. Chardonnay is Henriot’s muse and each of the five wines at the Momofuku tasting stood singularly in contrast to one another. If I had to consider one to define the Henriot style, it would have to be the assemblage of their Blanc de Blancs. First, the plates.

PHOTO: Michael Godel
Momofuku Daishō’s Falafel Bun, sesame, turnip, yogurt

Kimchi, napa cabbage
Falafel Bun, sesame, turnip, yogurt
Roasted Rice Cakes, pork sausage, Chinese broccoli, tofu
Hanger Steak, (McGee farms ON), kimchi, onions, bibb lettuce
Whole Speckled Trout, (kolapore ON), shrimp, tomato, smoked milk
Brussels Sprouts, fish sauce, puffed rice, mint
Crack Pie

PHOTO: Michael Godel
Momofuku Daishō’s Whole Speckled Trout, (kolapore ON), shrimp, tomato, smoked milk

Champagne Henriot Tasting, presented by Woodman Wines and Spirits

Momofuku Daishō – Monday, October 21, 2013

From left: Brut Souverain NV, Blanc De Blancs NV, Brut Millésimé 2005, and Cuvée Des Enchanteleurs 1998

Brut Rosé NV (Consignment) from 15 blended crus, contains a smidgen of Pinot Meunier along with a shade less than 15 per cent Pinot Noir to mantle the Chardonnay in bronze patina. Though not intended as a “visual wine,” Fresnet noted “We blend rosé in dark glasses so we’re influenced only by nose & taste, not by colour.” The quip that followed: “Perhaps everyone should blend in dark glasses.” Limitless aromatics, pear, ginger and the ticking kicker, the freshest peach. An alluvial toast, citrus emergence and a bull’s-eye of atomic probing all wrap this blush into one consumer-friendly basket of bubbles. Boundless beyond base.   92

Brut Souverain NV (959643, Nov. 9th, $59.95) from upwards of 25 crus hunts house parity in Chardonnay and Pinot Noir. Looking back in retrospect of the tasting, the Souverain is a brutally honest vampire in binding a consistency of the stable’s house style. So much so, “you found you’ve walked along these halls.” Faux-fumé, in a way, with toasted nuts, spice, grapefruit citrus and charcoal. An arid arrow through my Champagne heart, perfect for weekend sipping.  89

Blanc De Blancs NV (Private Order) is an assemblage of Chardonnay grapes mainly from the Côte des Blancs and village crus: Mesnil sur Oger, Avize, Chouilly, Vertus, Montgueux, Trépail, Epernay and the Vitry region. Though a blend of vintages, this B de B sulks and broods in adolescence. Red, skinless apple and citrus pith are its card of youthful exuberance. Gorgeous in reserve juice with a brioche waft on the back end. In a phase of careful consideration, this NV fizz will be held in kind hands for a good, long time.  91

Brut Millésimé 2005 (Private Order) is a du pareil au même complex union of Chardonnay and Pinot Noir from 15 crus, mainly Côte des Blancs and Montagne de Reims; Mesnil sur Oger, Avize, Chouilly, Mareuil-surAÿ, Avenay, Verzy and Verzenay. In light of its own accord and magnificence from increased toast and an exotic level of perceived sweetness. The most ethereal of the line-up.  92

Cuvée Des Enchanteleurs 1998 (83774, VINTAGES Classics) is a mother of pearl, equipoise of Chardonnay and Pinot Noir from six Grand Crus: Mailly Champagne, Verzy, Verzenay on Montagne de Reims, Mesnil-sur-Oger, Avize and Chouilly on Côte des Blancs. Shows plenty of lively, savoury goods; caper berry, herbal sauvage, marmite jam, baking orchard fruit, aromatic bitters. The elaboration is confounding and a lesson in 15 year-old Champagne humility. The deciduous, Crazy Mary of the line-up. One Champagne lover’s edulcoration is another one’s bitter pill. “Take a bottle, drink it down, pass it around.”  90

Cuvée Des Enchanteleurs 1990 (Private Order, from magnum) from 15 crus, including the most prestigious: Mesnil-sur-Oger, Avize, Chouilly, Mareuil-surAÿ, Oger, Verzy, Verzenay, Ay and Vertus. Showing more youth than that bottle of blooming ’98. Spoons out more segmented grapefruit, more saveur, more washed Langres rind. Blithesome like an evergreen forest after rain. Wild fennel and citrus in the most parched way. Linear nobility and mobility that appeals to my mathematical mind. Speaks as if to say, “I want to change your mind, said I want to set it right this time.”  Moving Champagne.  94

Good to go!

He spits, he scores: World Wine Awards of Canada results

Fresh off the presses, here are the results from World Wine Awards of Canada 2013, presented by WineAlign
Photo: kotoyamagami/Fotolia.com

as seen on canada.com

Drinking, by definition, includes consuming and that would obviously be counterproductive to the wine evaluation process. So, wine writers and critics spit for their living. Why would anyone buy a wine on the recommendation from someone who spit it into a bucket? Good question.

Consider another question. How many wine critics does it take to change a light bulb? If the answer were 10, that would be because it would take one to hold the bulb and nine to spin the room. Or the answer might be three. One to decant, taste and spit, and two to take him to the hospital before he bleeds to death. Is the joke and are these responses indicative of how the general public feels about wine criticism? If yes, then the wine consumer’s attitude towards the relevance of wine competitions and the doling out of awards may not exactly be positive and indiscriminate.

A bit of insight for you into the modus vivendi of those who judge wine. Chew over this. A wine is submitted to a concours, tasted several times by a minimum of three critics, all of whom are kept blind as to the clues regarding producer, appellation, region and country. These wine professionals are chosen by and with their peers to judge, sniff, sip, spit and repeat. They consider, contemplate and formulate on the spot tasting notes and then discuss the attributes with a panel before passing final judgement. Seems like a perfectly and indisputably sound and reasonable approach, don’t you think? But what about the spitting part?

Whatever you might think about the use of such an exercise to determine the merit of a bottle of wine, competitions, when run and operated with unbiased integrity, do in fact empower justice to the entrants. Poke fun at the wine critic if you must, felicity knows they can take it, but know their modus operandi is just the same as yours. To seek out the most worthy and best value wines available in their market. The wine critic is self-taught, to internalize the intricacies and idiosyncrasies of a wine without swallowing it. It takes focus and years of practice to figure it out.

WineAlign World Wine Awards of Canada 2013

PHOTO: WineAlign.com
WineAlign World Wine Awards of Canada 2013

The WineAlign World Wine Awards of Canada (WWAC) held in September featured a week-long evaluation process for nearly 1,000 wines (996 to be exact) from around the world. Assembled and organized by an army of volunteers, the Herculean task was orchestrated by one of North America’s most respected wine critics and WineAlign Partner Anthony Gismondi, aka The Spitter. The Vancouver Sun columnist was also responsible for the immeasurable and exacting task of overseeing the pouring and the critical timing of delivery to the judges. Not to mention piles upon piles of tasting notes and scores.

WineAlign WWAC13 Wine Room

WineAlign WWAC13 Wine Room

The WWAC is open to both imported and domestic wines for sale in Canada, provided the wine sells for less than $50 somewhere in the country.  This affords an unparalleled opportunity for all wines sold in Canada to show that they can compete in quality and value with wines from anywhere in the world.  Wines are tasted in three price categories based on the lowest selling price in Canada. Less than $15, from $15 to $25 and from $25 to $50. As a consequence WWAC is really three competitions in one with wines being tasted alongside their peers by price and with awards given by price category.

I was invited to join the other 17 judges for the preliminary rounds. If I were to measure my prosperity by the company I keep, I would indeed be a pecunious wine scribe. I was joined in Mississauga, Ontario by David Lawrason, John Szabo, MS, Steve Thurlow, Sara d’Amato, Bill Zacharkiw, Janet Dorozynski, Rémy Charest, Marc Chapleau, Rhys Pender, MW, Ben Macphee-Sigurdson, DJ Kearney, Treve Ring, Brad Royale, Julian Hitner, Evan Saviolidis, Anne Martin and Zinta Steprans.

WineAlign WWAC13 judges John Szabo, Julian Hitner and Sara d'Amato

WineAlign WWAC13 judges John Szabo, Julian Hitner and Sara d’Amato

Judges sit three or four together at a table, taste solo through flights of like varieties, procure notes and assign individual scores. Each flight of (three to 12) wines is then discussed, argued, debated and an ultimate meeting of the vinous minds either pushes a wine through to the next round or relegates it to the discard heap. This method of awarding by committee ensures that good wines receive their due blessings and flawed specimens are put in their rightful place.Here’s the kicker. Aside from knowing the price range and specific variety or varieties in a blend, the judges taste all the wines blind. Continent, country, region, appellation and vineyard are not part of the equation. This ensures the most equitable results.

So, fresh off today’s presses, here are the results from WWAC13, presented by WineAlign. Special thanks go out to Head Wineaux, Bryan McCaw, along with Steve Thurlow, Carol Ann Jessiman and Sarah Goddard.

2013 World Wine Awards of Canada Results

Each judge was asked to write reviews on a specific cross-section of wines they were a part of assessing during the competition. Here are my notes on my 28 of them, across a wide range of categories.

From left: Gustave Lorentz Cuvee Amethyste Riesling 2011, Caliterra Sauvignon Blanc Reserva 2013, Yealands Sauvignon Blanc 2012, and De Vine Vineyards Vrm 2011

Riesling $0-15

Gustave Lorentz Cuvee Amethyste Riesling 2011, Alsace, France $14.95

WWAC 2013 Judges’ Choice WWAC 2013 Best of Variety Under $15

Peppery, perspiring, basal, nasal fruit. Propellant driven with a bite of crisp golden delicious apple and green goddess acidity. At under $15 this achieves Trocken success. Unshakable, abecedarian if not the most formidable Riesling.  88  @AmethystWineInc  @drinkAlsace

Loosen Bros. Dr. L Riesling 2012, Qualitätswein Mosel, Germany $13.95

Pressed and packed with tropical fruit, as if a roll-up, in liquid form. Thoughts head east and south but the textural, angular and vertical intensity peels back that inclination. The extended play and fruit replay is a study in delineated Riesling depth. There must be some history behind the bottle.  87  @drloosenwines  @Select_Wines

Jackson Triggs Reserve Riesling 2012, Niagara Peninsula, Ontario, Canada, $13.99

Drawn to the off-dry resonance which is both tropical and florid in citrus maxima. That pomello repeats to taste but it falls under a balmy and herbal spell, in a relaxed way. A valley’s elongated attitude, at the foot of a mountain and architecturally sound. Re-mastered, utilitarian Riesling.  85  @Jackson_Triggs

Chardonnay Oaked $15-25

Robert Mondavi Private Selection Chardonnay 2012, California, USA $16.95

Deft, lissome touch of oak. Subtle, determined orchard fruit, namely pear, barely kissed by a rose and the barrel. Exiguous yet meaningful and pragmatic aromatics. Bright Chardonnay so “a light hits the gloom on the grey.” Seals the deal astir with tang on the snappy finish.  88

PHOTO: Michael Godel White wine flight at the WineAlign WWAC13

Sauvignon Blanc $15-25

Caliterra Sauvignon Blanc Reserva 2013, Casablanca Valley, Chile $9.95

WWAC 2013 Judges’ Choice

Great show savvy, really great show. Outright fast flint, white pepper, citrus and fresh herbs. Luscious texture, convincing up the middle and goes deeper than many. Grapey and succulent. Clean, concise winemaking.  90  @Caliterra  @imbibersreport

Yealands Sauvignon Blanc 2012, Marlborough, South Island, New Zealand $15.95

WWAC 2013 Judges’ Choice

Equatorial and profuse but not over the top. Quick, painless slice of jalapeno, a sweet heat capsicum moment. Sauvignon Blanc with a drop of Sriracha, spritz of lime and pinch of salt on ripe tree fruit, like papaya and mango. Add in golden pineapple and kumquat for good salad measure. Nearly great value, if only it were graced with a bit more finesse.  88  @yealands  @TrialtoON

The Ned Sauvignon Blanc 2013, Marlborough, New Zealand $15.99

Stoic initially, with acute notes of gooseberry, grass and blanched legume. Turns tropical and balmy with a sense of orange marmalade. Confounding in that it could be South Island or Sancerre, but being subjected to such toe tipping is this Sauvignon Blanc’s calling card.  88  @MariscoWine

Kim Crawford Sauvignon Blanc 2013, Marlborough, South Island, New Zealand $18.95

Commodious Sauvignon Blanc, candid, candied and calcified. Tropical from what must be an intense vintage, whiffing dewy teak gold plum and prickly pear. Full-bodied and blessed with a long aftertaste. A slice of southern hemisphere confiture on toast.  88  @kimcrawfordwine

White Blends $15-25

De Vine Vineyards Vrm 2011, Okanagan Valley, British Columbia, Canada, $23.00

WWAC 2013 Judges’ Choice WWAC 2013 Best of Variety $15 – $25

A Rhône-ish boy with a tithe of Marsanne in support of equal 45′s of Roussane and Viognier. Mutters in rhyme, beating the drum slowly, in a subtle white flower, pretty print dress. Nothing muddy about the waters this graceful swimmer treads. Sidled by just enough rigor to replay in refrain, “I’m a natural born lovers” wine. Egalitarian revolutions per minute.  90  @deVineVineyards

Road 13 Honest John’s White 2012, BC VQA Okanagan Valley, British Columbia, Canada $25.95

A group of seven grapes, riding on a carousel. A who’s who of white varieties going “round and round and round and round with you. Up, down, up, down, up, down, too.” Elegant and in control, like the stationary horses, this endearing and human blend. Nectarine and longan make appearances in the by committee, ensemble performance.  88  @Road13Vineyards

Pfaffenheim Tete A Tete Pinot Gris Riesling 2012, Alsace, France $15.49

A 50/50 split of Riesling and Pinot Gris, please do not adjust your set, go head to head, mano a mano to duke it out, agree to disagree and ultimately settle to blend and accept the results. Together they procure Époisses and worn socks. On the bright side there is orange zest and fresh squeezed grapefruit. “So they’ve got that going for them, which is nice.” Tangy and pithy finish. Abbreviated and horizontal.  85  @AlsaceWines

From left: Jackson Triggs Merlot Gold Series 2008, Road 13 Syrah Malbec 2011, Creation Syrah Grenache 2011, and Cassiano Amarone Della Valpolicella 2008

Syrah $0-15

Fifth Leg Old Dog New Tricks Shiraz 2011, Western Australia, Australia, $15.95

Less calamitous fruit compression in relation to the rest of the flight. Blueberry pie and a concord of baking spices predominate, along with unsettling though bracketing elevated levels of tannin and acidity. Wild and whacking lack of overall integration but possessive of many positive moving parts.  87

Mission Hill Reserve Shiraz 2011, VQA Okanagan Valley, British Columbia, Canada, $19.60

A convection of raspberry jam and forest floor verdant wildness. Notable in not being nearly as wood-driven in relation to peers in adjacent stemware. An inelasticity and diaphanous texture suggests Syrah. Simpatico Shiraz.  87  @MissionHillWine

Red Blends $0-15

Hardys Stamp Series Shiraz/Cabernet 2012, South Eastern Australia, Australia $10.05

Initial thoughts lean towards flattery, in finesse and generosity. Rhône-like rocks and stones trot out the red fruit, spiked by citrus (ripe orange, juiced and reduced). Structured in oxymoronic astringent elegance. Decent to medium length.  87

Sumac Ridge Cabernet Merlot Private Reserve 2011, BC VQA Okanagan Valley, British Columbia, Canada, $14.99

Stands apart from the under $15 Red Blend flight as an axiomatic, soft conifer in a forest of hardwoods. I was admittedly fooled into thinking Niagara when it really calls the Okanagan Valley home. Semi-hemi-ripe, red stone fruit soused in halogen, spiced by Ween’s seventh album and Korean red pepper. “Even If you don’t” like the alternative character you will be charmed by its friendly production and likable wine/musicianship.  87  @SumacRidgeWine

Louis Bernard Côtes Du Rhône Rouge 2012, Rhone, France $13.00

A copacetic Grenache and Syrah Côtes du Rhône blend that just seems to exist in an Iberian state of mind. It’s the modernity speaking, in deep mauve, lilaceous essence and a palate clotted with poached tomato. Stops adroitly short of cooked or stewed fruit character. Juicy fruit from presumably young vines. Quick yet resplendent.  87  @LouisBernard84  @AuthenticWine

Masi Tupungato Passo Doble Malbec Corvina 2011, Mendoza, Argentina $13.95

Malbec and Venetian Corvina in Ripasso’s Argentinian hands. Raising, hair-triggering, eye-opening aromas in acerbic Daikon intensity. Black bean paste and cedar, earth and char. The flavours echo and further Ripasso’s absorptive ability. Tack on a  snippet of sour mix and an elevated, grizzly bear, altitudinous attitude. This one leaves me “frozen in my tracks.” Certainly not gun-shy.  85 

Merlot $15-25

Jackson Triggs Merlot Gold Series 2008, BC VQA Okanagan Valley, British Columbia, Canada, $23.99 WWAC 2013 Judges’ Choice

Like a wine lover’s dessert, this JT Merlot spoons gobs of sun-dried fruit, anise and dried raisin over a compressed and chalky cake of balmy green tea. Youth purloined by developed character, marked by the sauce, not unlike some manic red advance cassettes from Italy’s Mezzogiorno. Now long in the tooth, “how you wound me so tight,” with your unique style, so “don’t say that I’ve lost you.” Its heft will carry it through.  88  @JacksonTriggsBC

Michael Godel, Zinta Steprans and David Lawrason at the WineAlign WWAC13

Red Blends $15-25

Musella Valpolicella Superiore Ripasso 2009, Verona, Veneto, Italy, $15.95

Soaked and sappy, with braised tree fruit flavours, concentrated and passed over upon itself. Certainly trying very hard to entice and invite hedonistic pleasure. Like an upside down plum and fig cake, dripping in macerated syrup but with enough mineral tension to prorogue another day. Good rehydrated example.  88  @3050Imports

La Fiole Cotes Du Rhone 2010, Rhone, France $15.05

Simultaneously juicy and brooding. Tension from the get go. A depth of dried, fruit leathery plum, soaking in spiked Kefir grain. Bound tight but aching to race free. In Rhône ranger territory, or a Rhône acting on a Hollywood set. Tannic, oaky, manly yes, but I like it too. Admirable length.  88

California Square Paso Robles Red Bland 2012, California, USA $18.95

Downy soft, delicate, cheerful red blend. Pastel watercolour, flower-patterned print as perfume. Warm climate red licorice, plum permeate and cherry saturate, well-integrated acidity and some iron astriction. Would gain weight alongside rich foods.  86  @TrialtoBC

Vignoble Rancourt Meritage 2007, VQA Niagara Peninsula, Ontario, Canada $19.80

Chalk dust followed by quality, perceptive, frank and just red fruit. Understated, not overly expressive and walking softly down the road.  85

The Cloof Cellar Blend 2009, Wo Darling, South Africa $20.00

Leaps from the glass with earth expanding aromas. Strapping Pinotage java component shows accommodating restraint in advance of a Turkish viscidity. Red fruit is bright, adhesive and enervetic. Overall a bouncy, tannic and splintered affair.  85  @Cloofwines_ZA

Red Blends $25-50

Road 13 Syrah Malbec 2011, BC VQA Okanagan Valley, British Columbia, Canada, $25.00

A count five psychedelic strawberry and savoury rhubarb aromatic behemoth. Crazy cherries too. Then, a mind-altering, animal hide moment, not exactly gamey, but something other, enough to cause a psychotic reaction. “(Shouted) And it feels like this!”  90  @Road13Vineyards

Creation Syrah Grenache 2011, Walker Bay, South Africa $32.50

A requiem for an exaggerated swirl, or at least the respect of a decant. Quite a head-smacking whack of mineral-iron-metal, with the tempering lift of a citrus-scented candle. Kirsch, vanillin oak “and my time is a piece of wax fallin’ on a termite, who’s chokin’ on the splinters.” I am the loser, the wine is the winner. Very berry, big and beautiful.  90  @gradwellwines

Cassiano Amarone Della Valpolicella 2008, DocVeneto, Italy $35.25

Quite the animal, this plum juicy and high-octane alcohol, cloying acetone and chocolate-dipped red licorice Venetian red blend. Sounds ridiculously Ripasso and near-Amarone delicious and were it endowed with the balance and structure to walk with the giants I’d sing its praises. Even so, I really believe it’s a “soul who’s intentions are good” so please don’t let it be misunderstood.  87

Masi Costasera Amarone 2008, Veneto, Italy $39.95

A stew of red fruit, prune and fig. Cauterized, steroidal, excessive, welling sensory overload. Leaking car fluids. Certainly a problematic, off-bottle from a reliable, age worthy brand.  80

Pinot Noir $25-50

Leyda Lot 21 Pinot Noir 2012, Leyda Valley, Chile $45.00

Beaucoup de terre, or more likely, mucho suelo. An extreme example of Pinot Noir, a flamboyant king, ostentatious, peacockish and wired by a constriction of spices. There is perhaps too much earthly, saftig body. Though my first impression was admittedly old world, there is no way that theory will hold. A glass in and the thrill is gone, “And now that it’s over, all I can do is wish you well.”  87  @BadDogWine  @WinesofChile

Good to go!