Colmar and the volcano: Domaine Schoffit

Selection de Grain Nobles of Domaine Schoffit

Like so many Alsace winemakers, the Schoffits were and continue to be torch bearers who made wine to remember generations. Though their history traces back more than four hundred years, the modernity of their oeuvre is a case of futuristic pioneering. That path is laid crystal clear by a tasting and a learning about their wines in discourse through the precocious young lens of Alexandre Schoffit.

The volcanic terroir of Rangen, Alsace as told through the precocious & intelligent young mind of Alexandre Schoffit pic.twitter.com/x4IVQP7cou

— Michael Godel (@mgodello) June 20, 2014

During a week in Alsace we tasted many wines 25 years and older. At that age there can be no guessing. At Schoffit we were presented wines that fell into the four to fourteen range. No longer primary and not yet secondary, the assessments of adolescence can be difficult, confusing, beyond comprehension. The relationship between many wine’s character with its aromatics and flavours is usually that of gristle and fat on the bone of meaning. But not Domaine Schoffit. There is no gap between the structure and the wine.

The Harth Lieu-dit is the Alsace home vineyard and grounded muse for the varietal wines of Domaine Schoffit. Eleven hectares of Pinot Gris, Riesling, Gewürztraminer, Pinot Blanc, Sylvaner, Chasselas and Pinot Noir make up the core of the domain’s 100,000 bottle production. The alluvium, permeable pebble soils in Colmar and France’s most generous amount of sunshine provide the sustenance. Robert, Bernard and now Alexandre Schoffit are the facilitators of clockwork winemaking, on time, always with a shine.

If Harth is the guts, the glory comes from the volcanic sharp hillsides of the Grand Cru Rangen de Thann, acquired by Bernard in 1986. This is the only siliceous rocks and lava base in all of Alsace. It is here by the monopole and medieval church Clos St. Théobald that the foundation of the Schofitt legend lives. Rangen might borrow from the German, meaning “row.” Legend has it Saint Théobald brought the finger of the Archbishop from Bubbio, Italy because the ring was promised to the monks. The saint fell asleep in the vineyard and passed on. Another story tells of Hercules having been the one to sleep in the vineyard because the Rangen wine was so strong. His mace graces the label on the Schoffit coat of arms. Today the church and the monopole memorialize St. Théobald and his name.

From as far back as 1041 records discuss the 3rd incarnation of the monks who worked the vineyards on the treacherous slopes. Rangen Riesling and Pinot Gris need cellar time, to pay hommage to the provider’s history and to create one of its own. Grand Cru from these vines lives a life of its own. Notes Alexandre Schoffit, “in the Rangen we are not avoiding malolactic fermentation, but if it happens we are not bothered by it.” The monks knew of the connection between the Thur River’s dark waters and what happens to these wines after long rests in the cellar. “If you know the Rangen, you can tell it by the colour.”

Schoffit’s other Grand Cru is located in the Sommerberg, between the towns of Niedermorschwihr and Katzenthal. The granite hillsides are the proviso for mineral moxie and the resolution to provide what Riesling demands. Only le roi of Alsace grape varieties is made in Sommerberg. The crumbling granitic bedrock is ideally suited for the racy wines it begets.

Riesling is royalty in Alsace and at Domaine Schoffit, it is king. When he introduces his family’s Pinot Gris, Alexandre Schoffit explains, “the wines are a little more simple; full-bodied, concentrated.” This attitude is prevalent across the region though some winemakers seem to love all of their children equally. Others, like Alexandre and like Jean Boxler (Domaine Albert Boxler) clearly put Riesling on the throne.

Pinot Gris is a different sort of child to raise. As a rule in Alsace and especially on the volcanic or granitic steep slopes, it must go deeper than Riesling, must burrow even further into the fissures of rock for nutrients. In Pinot Gris the mineral extraction and grape tannin suppress any thoughts of cloying or insipid sweetness.

In June of 2014 I sat down with Alexandre Schoffit at the winery in Colmar to taste 14 of his wines, along with Montreal’s Fred Fortin, Sommelier au Restaurant Laurea and New York’s Jonathan Ross, Sommelier at #ElevenMadisonPark. A tour of the facility showed us the stark minimalism and puritanical cleanliness that defines the three generations of winemakers at the domain. The wines echo their attention to detail, their storied history and a focus on keeping up with advancements of the times. Here are the notes from Domaine Schoffit.

Domaine Schoffit, Colmar

Chasselas Vieilles Vignes 2012 (Agent, $25.00, WineAlign)

Cropped at 40-50 hL/l because they are careful not to let it get out of control. According to Alexandre Schoffit this number is like 20 hL/L for any other grape variety. Chasselas here for easy drinking, with mildly sweet (4.7 g/L) flavours that express green herbs and vegetables. Round (12.8 per cent abv) and sound Chasselas, helped by the balance of the vintage. Though not exceptional in acidity (4.4 g/L) this is not the hallmark of the grape. A wine that is almost entirely exported to foreign markets.

Riesling Lieu-Dit Harth Tradition 2012,

From the winery’s home Colmar vineyard composed of gravel and sandstone, this has open-knit fruit of early morning flowers. An apricot tang, ripeness and just a few shades away from bone-dry (7 g/L RS) and yet in a balanced (7.2 g/L TA) dry style. To taste this is as traditional as Alsace Riesling can be. Proper, as expected.

Sommerberg (c) Cassidy Havens, http://teuwen.com/

Riesling Grand Cru Sommerberg 2011

From granitic soil, the first reaction is to the beguiling strike of a match, the split to fissure of rock, the firing of a gun. The impression that begins is not just one of smell, but deeper, as if a deafening sound. This and the brisk surround of near-extreme acidity (7.7 g/L). Only 800 bottles a year are produced of this startling Riesling, a rare production for a wine of so much stone and that searing, direct energy. Clean as Riesling can and ought to be.

Riesling Grand Cru Sommerberg 2005

During a week in which many 2005’s are laid out on tasting tables, here is another spot on example. “The vintage makes the wine,” insists Alexandre and this Sommerberg drives the point. The age has had very little evolutionary effect on the aromatics. The lapidarian has perhaps had its stone face suffused by a fleshy permeate, Jacked by a temporary balladeering smother, though it will undoubtedly re-emerge hard-core lithic further on down the road. Typical, it seems, of granite-based Alsatian Riesling. Begins in matchstick, enters lanolin, beeswax and wooly sphericity at eight to ten years of age, then returns to flint later in life. Acidity is the catalyst in this development. “And if we are fools in love, then a happy fool I would rather be, and I’ll be glad to learn from you,” though I know Sommerberg has nothing to learn from me. Racy Riesling, seemingly understood but never really known. “Well that’s the magical kind cause its flowing all the time.”

Riesling Grand Cru Rangen De Thann Clos St. Théobald 2012 (Agent, $60.00, WineAlign)

Here the volcanic axiom. Not the one that includes magnetic reversals, dinosaur populations and the stock market, but yes, the one concerning global rhythms. The 2012 global and Alsace vintage heat sees Rangen yield at just under 40 hL/L, with soaring aromatics in a wine that will lack the stuffing for longevity. Simpler and so lifted in florals while herbiage balms and bombs the (“Schistes” label-designated aridity) in salinity and fruit driven to immediate assets. The Clos St. Théo’s young acidity is so much rounder than ’10 and ’07, though still very disciplined. Purely and effortlessly representative Rangen to enjoy while the others sleep.

Riesling Grand Cru Rangen De Thann Clos St. Théobald 2010 (Agent, $60.00, WineAlign)

The label is also known as the “Schistes,” indicating a new de facto dry style and another example to speak about the Schoffit purity, clarity and precision. A whiff of smoke pursues the ethereal in this terrific and exemplary 2010, like the 2000’s of a decade earlier, balanced and elevated by a low and slow evolution. The schist soil impart brings a lime acidity in piercing precision. The near-optimum vintage is taken full advantage of, perfect to show off the Schoffit style. The only imperfection is the lack of economics, a result of the yields (under 30 hL/L). Never mind the wash, this has aridity and salinity in frozen waves, immense like a raging river’s falls suspended in animation. Rangen Riesling is as dramatic an expression as any in the world and this ’10 perches amongst the top of the class. Drink 2018-2030.

Riesling Grand Cru Rangen De Thann Clos St. Théobald 2007 (Agent, $60.00, WineAlign)

The ’07 Rangen is not showing age with the same advancement as the Sommerberg but the idea is just the same in that the roundness or richness has stepped in to soften the volcanic salinity and mineral mouthfeel. The rigid attributes persist but currently reside in a purgatorial state of temporary stoicism. The dry finish is the locus point to indicate (five more years) time is needed to see past the salty breakwater and to reach the true meaning in its character. Also, because this ’07 has been through malolactic, unlike the Sommerberg, yet the consequences are not a question of compromise for balance. Drink this from 2019-2027.

Quelques grappes du futur Pinot Gris Grand Cru Rangen Clos Saint-Théobald 2013
(c) https-::www.facebook.com:schoffit:

Pinot Gris Tradition 2011

Here the Schoffit proclivity towards the potency of Pinot Gris as a straightforward and heady white. The sugar (13.1 g/L) is felt and yet its strength is conveyed by elasticity, bespoken towards needing to give this a few years to settle. Propellant wound acidity (5 g/L) keeps the proportion in flavours of peach, pear and the appendix of savour. Drink this paradigmatic Pinot Gris from 2016-2020.

Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald 2010

In this volcanic soil plussed Pinot Gris the anxiety is palpable. The sugars are derived from orchard fruit at a ripeness pulled by acerbity (9.5 g/L) in clairvoyance of that volcanic mind, skewed and eschewed through utter dramatic density. A good bitterness prevails over the tension with a finish in citrus intensity. Moments of delicacy give a peek to where this will go, that and the incredulous observation on how remarkable 37 g/L of residual sugar is tempered along. Drink from 2018-2025.

Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald 2000

So here is what 14 years provides from the depths of a steep volcanic slope high atop the Rangen. Like a burning candle meets crème brûlée, the wax smouldering, the sugars caramelizing, the symbiotic augmentation crystallizing in natural sweetness, in seamless fusion. This represents the reason we take time to look at and see what happens to Pinot Gris, from altitude-afflicted vines with volcanic interruption and through the neurasthenia of originally-picked unsullied, purest fruit. The cleanest botrytis. Rapturous PG. Drink now through 2025.

Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald Vendanges Tardives 2010

Quite clean and lean for VT out of that exaggerated hyperbole of a terroir-driven vintage. The richness and fullness is on the palate at this early stage in its development. Very full (approximately 50-60 per cent) botrytis affected grapes in a repeat recording for hygienic, pellucid and precise. The aromas are from white fruit, flowers and tender apricot. The acidity (5.8 g/L) is unexceptional, observed in relation to a lower block’s fruit (on the middle slope) which is naturally lower in acidity and less concentrating (128 g/L) to the grapes. While the verve may have wandered away in marronage, the delicacy here stands apart. Drink sooner rather than later.

Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald Sélection de Grains Nobles 2007

From a vintage of concentration for SGN. A very smokey note bristles with the highlight of lit beeswax intensity. Telescoped and rapt aromas of peach and apricot turn syrupy on the palate. This SGN is extremely young at heart and bounds about like a whelp of limitless innocence and energy. If the highest pinot in volcanic absorption could be measured in Alsace, this Rangen might top the bimetal thermometer. Fills the fullness and complexity kettle yet somehow, miraculously remains light on its feet. With “hair of gold and lips like cherry it’s good to touch the green, green grass of home.” This is oozing (265 g/L) dessert wine, sticky, infiltrating the pores of fingers the moment it leaves the glass. The finish is marked by citrus (9.5 g/L) and the classic Schoffit lit wick. From George Jones to a Scony Mack kind of SGN, like the back of a woman’s knee.

Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald Sélection de Grains Nobles “Larme de Lave” 2007

A mere 500 plus bottles (with sugar at 510 g/L) are produced of this SGN which I believe will live forever. “This bottle is made to show what can be done,” says Alexandre Schoffit. “It’s more than a dessert wine. It’s a meditative wine.” When it pours into the glass it takes a moment to settle into itself. That’s how viscous it is. Moves beyond pure apricot, into the essence of a multitude of fruits. Picked hand by hand, seeking only the botrytis-affected berries. The unadulterated soul of natural grape sugar. Few words can express the need to ceremonialize its incredulity. With alcohol at 4.9 per cent and a potential of 37.2, the Lave will live more than 100 years, of that we can be sure.

Gewürztraminer Grand Cru Rangen De Thann Clos St. Théobald Sélection de Grains Nobles 2006

Richer, with an early increase in caramel, colour and in warm concentration. There is licorice (no, really) on the nose and also pine. “A really complicated vintage,” explains Alexandre. This has a drier sensibility as compared to the Pinot Gris, with dried fruit flavours of mango and apricot. An oily, petrol note adds to the confusion and a hard-pressed, on the spot ability to pick this out blind as Gewürztraminer would certainly be a reality. Orange peel and slate fall in late. The residual momentum (162 g/L), acidity (8 g/L) and alcohol (11.7 per cent) may be misfit bedfellows but messing with what the vintage and the slope gives would be a bite upon the hand that feeds. It is what it is, you can’t change it. This is the fragmentary varietal character of the Rangen.

Good to go!

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Value the first wine of spring

Mar18

Lake not yet defrosted, March 18, 2015

The lake remains frozen though stepping foot upon its precarious ice flow would not be recommended. By this time next week the waves will concuss the gelid islands and slowly deliquesce them down into the frigid water. As of this Saturday spring will have officially come to southern Ontario and with it a whole new outlook on life.

If you ask my colleague Rick VanSickle, the spring of 2015 will mean the boot up to overhaul the future of wine and craft beer sales in Ontario. According to VanSickle, “there is a brave new world coming for the retailing beer and wine in Ontario. These are heady times. Behind closed doors a lot of discussion is happening, a lot of debate and planning is going on in advance of the day Wynne’s Liberal government utters those words many of us have longed to hear for so long: An end to the LCBO and Beer Store monopolies on wine and beer in Ontario.”

For Rick’s full report on his site WinesInNiagara, please click here:

Brave New World: How the new model for beer and wine retailing in Ontario could look

I read Rick VanSickle’s work on a regular basis and I know him to be as pragmatic and as skeptical as they come. I doubt very much that Rick would get ahead of himself on an issue with so much on the line. Using his ins to gain sagacity from insiders who possess relevant information, VanSickle writes with confidence that Kathleen Wynne has given Ed Clark and his privatization panel carte blanche to effect real change. The consequences of what Rick is predicting are enormous. For consumers, for industry professionals and for writers. We would all have to reconsider and recalibrate the way we approach wine and beer in Ontario.

That is why I remain ever the conspiracy theorist. I remain unconvinced. I see the smoke and mirrors of the entire charade. Even when new licenses are granted, I imagine grocery retailers only selling the largest and most heavily marketed brands. I don’t see VQA wine stores and specialty shops tailored to the demographics of neighbourhoods. I see the LCBO and the Beer Store continuing to exercise their powers of monopoly and controlling how all the changes are implemented. I just do not see the revolution as being imminent and around the corner.

My apologies to you Rick. Your report is thorough and covers everything we need to know. Were these great advances to happen we would all be the beneficiaries but your words sound more like wishes than predictions. Ontario is not Alberta. It never has been and isn’t likely to happen any time soon. I hope I am dead wrong. I will owe you a sit down over a craft beer and a never before seen in Ontario stores bottle of wine if I am. If the revolution is upon us, I will happily count my blessings over one with you.

So, back to the business of reporting on the VINTAGES releases at the LCBO. With spring coming this Saturday so too does an entire new set of wines on shelves. Last week I talked up Riesling and iconic wines.

Related – I shall be Riesling

Related – March 21 big guns

Almost spring out on the lake

The rest of the March 21st release is expressed in value, in wines that offer serious compensation for what you spend. Wines in generosity of backbone, psyche and enthusiasm. Wines that are simply good, regardless of their cost. Here are notes on nine.

Marqués De Cáceres Antea 2013, Barrel Fermented, Doca Rioja, Spain (518985, $15.95, WineAlign)

Here barrel fermented Rioja brings a buffet of culinary impressions to the aromatic and gustatory table. Soft scrambled egg and cream in Tortilla Española, Serrano ham, buttery puff pastry, natillas. All would pair well with the hickory stick barrel spice and the slightly volatile tang. Accents of orange juice and rind work the angles, along with the calcified acidity. This Rioja is not shy but it represents good complexity and value for the price. Tasted March 2015 @Marques_Caceres @RiojaWine @DionysusWines

Castello Di Ama Chianti Classico Riserva 2009, Docg (375ml), Tuscany, Italy (403824, $16.95, WineAlign)

Kudos must be afforded Castello di Ama for putting CCR in half-bottles. It’s like listening to Green River on vinyl. The layers of texture, nuance, and groove are amplified. The expedited evolution and compact formula make cause for a bottled up compression, a concentration, not a reduction. More winemakers should bottle in the 375 mL container. There are so many reasons for it. Space, quality, half the cost and best of all, nothing left at the end of the night, just the empty bottle. This 2009 has seen its fair share of evolution, with notes of forest floor, truffle, mushroom and compost tea but in certain respects the aromas are old-school Brunello. The antiquity of the composition is nothing but endearing, a romantic comfort zone to give this Ama a sense of place. The wood, bite into sinew and gristle tannins add to the archaic mystique. Most modern imbibers would like more fruit but at this paltry price the complexity is more than enough reward. “Well, take me back down where cool water flow, yeh. Let me remember things I love.” Drink now. Tasted March 2015 @CastellodiAma @chianticlassico @HalpernWine

Boutari Grande Reserve Naoussa 2008, Naoussa, Greece (140111, $17.95, WineAlign)

In this Xinomavro there is beauty and bog consistence, like wild calla palustris. Imagine a wine thick as consonants, dense and defined by solid rock bubbling like stew, from out of a marsh. Wood adds intricate layers and a mothering of leather hiding and protecting dried cherries. Game, spice, liquorice, funk and things that heal flavour the wine’s liqueur. Silky smooth with a run of grain and the salinity of ancient longing. Racy acidity intrudes, puts in a charge and takes care to see six to eight years more life will be a guarantee. Easily and possibly 10 will pass before it sheds the chalky loops. Terrific vintage with impressive depth and range of flavour. Tasted February 2015 @boutari @KolonakiGroup @DrinkGreekWine @winesofnaoussa

Wolfberger Signature Pinot Gris 2013, Ac Alsace, France (398172, $18.95, WineAlign)

The resident oenologist at Wolfberger is Bertrand Praz, in charge of the cooperative located in Eguisheim, south of Colmar. As far as a ‘basic’ union Pinot Gris is concerned, this one hits the right marks and preserves proper tradition. It’s both saline and full of pith, with lemon is scrapes and ladles, yet it could very well be thought of as Riesling were it tasted blind. Good ripeness, nothing serious and quite righteous with an intent to carry an Alsace torch of dry, finely crafted Pinot Gris. What’s most important is the statement it makes for what will follow out of the 2013 vintage. Tasted March 2015 @wolfberger_fr @Smarent

Domaine J. Laurens Le Moulin Brut Blanquette De Limoux, Méthode Traditionnelle, Ac, France (180323, $18.95, WineAlign)

The pause of oxidation. The evidence concrete and stratified, the bite pure and hollow petrified, like into bone and the interval below the organic soil. Crisp cut above the normal. Mouth-filling and expansive. Perfectly bitter. Much lemon, ginger and further spice. Length too.

From my earlier note of April 2014: A southern French (Pyrenean foothills, just south of Carcassonne) blend dominated by the traditional grape variety of Limoux, Mauzac (90 per cent), with support from Chardonnay. The lees is very direct and in your face on this Limoux, the baking aromas strong and the texture quite dense. Citrus and white grapefruit crawl up the middle and aridity mixed with horseradish salt comes through on the finish. Claims territory in viridity of complexity, an acumen for dewiness and is blessed with a marked appeal to hipster fizzters. @DneJLaurens @LanguedocWines @oenophilia1

Last tasted March 2015

The Tragically Hip Fully Completely Grand Reserve Red 2012, VQA Niagara Peninsula, Ontario (411595, $24.95, WineAlign)

Twenty three years ago this October the Hip’s third record changed the course of Canadian Pop and Rock music. While this Jeff Hundertmark, Kingston-bred band and Bordeaux blend will not have a similar effect on the Ontario wine industry, it’s certainly not a tragically vinified red. It’s looking for a place to happen, has the wherewithal to age with some grace and the courage to represent Stoney Ridge with power. The wall of sound, smell and taste is achieved through forest compost, bruised berries, melted liquorice, plum flavour and glycerin texture. Hung “long out in the sun,” the pencil graphite and hard acidity is a scratch and a flaw but also a calling card to see this age in the classic Niagara red style. “Either it’ll move me or it’ll move right through me; fully, completely.” Tasted March 2015 @stoneyridgewine @WeirRidgeYnmakr @thehipdotcom @ImportWineMAFWM

Domaine Queylus Tradition Pinot Noir 2011, VQA Niagara Peninsula, Ontario (392738, $29.95, WineAlign)

The passion from the Thomas Bachelder Niagara project has shifted into Domaine Queylus. With no disrespect to Thomas’ eponymous bottling from vineyards so nearby, the quality time has now been granted the Tradition. Here lies Mountainview and Le Petite Colline earth, here crushes Niagara cherries in hand, juice running down a clay caked forearm. Fresh and bright yet streaked by chalk and enveloping brushstroke. Sour? For a flash but in neither malic nor astringent form. This is a must buy.

From my earlier June 2014 note: Reverberates with the unmistakable calling card character of the storied Neudorf family La Petite vineyard with equal and opposite amounts of attraction and new life breathed in by the Lincoln Lakeshore fruit. Ethereally sifted earth of old meets cherries of new. Enriching Pinot Noir, a bit gangling like a primitive young giraffe but near to finding its legs. Hard working red, insistent, confident and having already paid some dirty fingernail dues. Excellent length.

Last tasted August 2014 @QueylusVin @Bachelder_wines

Gundlach Bundschu Estate Vineyard Chardonnay 2012, Sonoma Coast, California (400051, $34.95, WineAlign)

An intimately affordable Chardonnay from Sonoma Coast fashioned by a family in its 157th year of production is a rarity. Even more so from a cool-climate region oft-marred by the misperception that its Chardonnay are fat, buttery, over-oaked fruit bombs. From fruit grown on the Rhinefarm Estate Vineyard on southwest slopes of the Mayacamas Mountains, eight miles north of San Pablo Bay. Consider the antonymous solecism of zero per cent malolactic fermentation and you will see where this (20 per cent new) barrel fermented Chardonnay has come from and where it is going. Weekly battonage compresses and stirs up texture. Fog plays its part on the cool slopes of Huichica clay loam soils mixed in with gravel deposits. Acidity is preserved, hitting a classic number on top of healthy (14 plus per cent) alcohol. This is not a small Chardonnay. It stretches its legs and walks like a giant but not in 80’s or 90’s acid washed jeans or big hair ways. This is Chardonnay that leads in style and confidence of a most modern vernacular and fashion. It’s also a steal. Tasted October 2014 @gunbunwine @LeSommelierWine

Good to go!

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Take a bottle, leave a bottle

Mar17

Wines of the week

Lately I’ve noticed a whole bunch of take a book, leave a book mini libraries popping up on front lawns in many Toronto neighbourhoods. The concept is right on so many levels and it occurs to me that the same could be done with wine. Open a few bottles and have a taste of each then exchange them with a friend or colleague so that each of you can sample new wines the following night without having to open anything new.

Last week the practice was put to good use and it allowed me to taste upwards of 40 wines without the benefit of a trade or media tasting. I traded wines with friends and colleagues over the course of three days and two nights. Yes, you can trust your friends to keep the provenance of a bottle so that your experience is just as fulfilling as theirs. Yesterday’s post covered the notes on 12 wines from the boot.

Related – Italian wines of the week

Here are nine more tasting notes from a wider global range, with a focus on Victoria, McLaren Vale and Langhorne Creek in Australia along with samples from the Mosel, Penedès, the Columbia Valley and the southern Rhône.

Urban Riesling 2014, Mosel, Germany (Agent, $15.95, WineAlign)

Grapes from neighbouring vineyards in the Mosel are brought to St. Urbans Hof Winery and vinified in the Nik Weis way. This stresses the Weis notion where “cool climate vines develop flavours, not simply sugars.” Though straightforward and quite traditional, the Urban is clean and shy on flint but there is a slate’s medicinal bleed and piercing acidity. Lime and more lime. Quite dry and in moderate (9.5 per cent) alcohol. This represents quintessential entry-level Qualitätswein. Tasted March 2015 @TheVine_RobGroh @WinesofGermany

Taltarni ‘T’ Series Shiraz 2013, Pyrenees, Victoria, Australia (Agent, $16.95, WineAlign)

A warm, highly perfumed entry with a hot stone streak runs forward and uphill through waves of lush berries. A wrinkle of vim is but a moment of abstruse behaviour. The macerated fruit careens in sweetness above the subtleties of savour but the spice directed oak takes over, along with a scaleable wall of tannin. This woven textile of a Shiraz needs a few years to soften. Drink 2017-2020. Tasted March 2015 @Taltarni @TheVine_RobGroh

Heartland Spice Trader Shiraz Cabernet Sauvignon 2013, Langhorne Creek, Australia (Agent, $16.95, WineAlign)

Langhorne Creek is the source for winemaker Ben Glaetzer’s blend, an Australian curated combination that has secured its rightful ownership within the assemblage vernacular. The star anise on the label is apropos considering the red braised pork belly and Phở tái aromatic suggestiveness. That and red plums, poached and in a sweet bun’s paste. Add to them the steam from hot rocks and warm raspberry compote. Certainly on the syrupy side of texture but the palate is equally savoury as it is sweet. Lots of character here and a finish with extension. Tasted March 2015 @heartlandwines @langhornecreek @TheVine_RobGroh

Domaine du Séminaire Côtes du Rhône 2013, Rhône Valley, France (Agent, $14.95)

A rustic must is the truth serum here, the corollary of proper old school CdR winemaking. An affinity is sensed to both an Albert Mann Pinot Noir and a Baden Spätburgunder with porcine aromatics and an antediluvian aridity. Very cherry, dusty and plainspoken like a trending linear regression. Such a welcome step up from so many over the top sunshine dramatized Rhônes of excessive residual and alcohol. Though this clocks in at 14 per cent you would never know to read it on the spirit hydrometer. Direct energy and pulse would make this a very keg worthy red. Tasted March 2015 @VINSRHONE @RhoneWine @HospiceduRhone @TheLivingVine

Tapestry Bg & V Shiraz 2012, McLaren Vale, South Australia (247155, $19.95, WineAlign) From the VINTAGES March 7, 2015 release

A regional vigneron’s blend from two vineyards, BG and V: The Baker’s Gully (old Lloyd Light Vineyards) at the base of the Southern Mt. Lofty Ranges and Oliver’s Road (the continuation of Field Street) near to the Vale Township. Really elegant and refined in spite of a big, bold and juicy character. Ripe, sunny and warmer categorical climate expression. Quite tightly wound with a metallic iron post or fist in your face, layered and initializing the baking effect. Needs three or four years to fully integrate at which time the pie will be ready. Tasted March 2015 @mclaren_vale

L’école No 41 Semillon 2013, Columbia Valley, Washington (SAQ 10707077, $22.25, WineAlign)

Sauvignon Blanc (13 per cent) adds buoyancy to the main attraction in this vanguard and reputable Columbia Valley pioneer. Quite toasty and marked by early nose-hair splitting and splintering barrel notes. Dare say reductive but not in a rubber sap run way. More like Sémillon-dominated Bordeaux, of big bones, cut through soluble rock, created a sinkhole that swallows up flavours, only to release them in geyser like fashion in later years. So with patience and age-time in mind, this Sem will have better years ahead, when the heavy (14.5 per cent) alcohol integrates and the lemon drop-butterscotch flavours mellow. Generous pH (3.2) and high Brix (24.2) were the product of a very warm vintage. Rounded by concentric circles of acidity and bitter pith tannin, this is very tropical, like Gewürztraminer, but more in mango than lychee. Needs five years minimum because the oak is overdone. Tasted March 2015 @lecole41 @WINESofWA

La Vida Al Camp Cava Brut Rosé, Penedès, Spain (Agent, $25.95, WineAlign)

Blush Cava blend of Macabeu, Xarel-Lo and Trepat. Aromas scale the neck of the bottle with immediate desperation even before the cork has fully disengaged. The wine just looks savoury with its bronzing salmon patina. Possessive of an ultra-fine mousse, aridity in immediate initialization and very much the sum total of base elements. Sweeter than expected to taste, seemingly oxymoronic to the nose and in conjunction with a low to moderate 11.5 per cent alcohol. The overall package is one of those beautifully impossible pH/rS/aBV agglomerations. Flavours lean to strawberry and ginger. The Trepat gives it a Costers del Segre angle of anxiety. This has moments of Pinot Noir-esque kinship with some finer Crémant d’Alsace Rosé (like Louis Sipp) in such a refined way. Tasted March 2015 @lavidaalcamp @TheVine_RobGroh

Taltarni Pyrenees Estate Cabernet Sauvignon 2010, Pyrenees, Victoria, Australia (Agent, $27.95, WineAlign)

Bottled in 2012, this Taltarni is showing some age, in a positive way, in dried fruit and Cassis less sweet. Baking fruit and warm spice are grounded by earth and a chalky, citrus, lactic underlay. Has fully integrated components that some time ago included a grit of acidity and tannin, at this juncture no longer in control, but fully primed for peak time. In fact this Victorian has reached the secondary stage of its life. The raisining of fruit means drink it now and for another year. Tasted March 2015 @Taltarni @TheVine_RobGroh

Jamsheed Harem La Syrah 2013, Yarra Valley and Pyrenees, Victoria, Australia (Agent,$29.95)

Only 900 cases were made of this blend of Upper Goulurn (80 per cent) and Yarra Valley (20) fruit. Indigenous yeasts were used and 80 per cent was fermented as whole bunches then aged in new and older 500L puncheons. So very fresh, the Harem (Harum…) was bottled with out fining or filtering eight months after picking. “Amidst a sea of wheat,” in a world of jammy Shiraz, say hello to this 13.2 per cent alcohol Victorian Syrah. This is fully exposed and in exposition of its naked beauty. Were more of Victoria produced in this progressive rock, singer/songwriter style, the throngs would applaud. Pure, smokey, opaque and sultry, not exceedingly complex but built on whole bunch bravery. Lyrical, harmonious and eminently listenable. Quite rightly so, shines on brightly, a good album side. Tasted March 2015

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Italian wines of the week

Mar16

Wines of the week

Fear not dear reader. This is not a top ten list or a call to promote the best of the worst. It is not, most thankfully, a post on what wines are being released at the LCBO through VINTAGES. No, a one or two-day break is being granted, mercifully, to explore some wines over at the SAQ in Quebec and others available, by the case, in consignment by way of Ontario agents.

WineAlign is ever so surely becoming the tasting office of choice. It offers the opportunity to explore that critic’s dream realm of “so many wines and so little time.” The home office checks in a close second, with samples ready and carefully kept under temperature control. I tasted and scribbled with much verve last week and over the weekend. There will be more to follow, but for now, the Italian notes.

Torraccia Di Presura Leneo 2013, Chianti, Tuscany, Italy (Ontario Agent, $18.95, WineAlign)

Leneo is 100 per cent Sangiovese, half of which is matured in small oak French barrels for approximately six months. From vineyards near Greve in Chianti, this is the epitome of fresh. The strawberry and raspberry aromas are so very height of summer, the tension having long left the ferment. Fruit and buoyant acidity remain to lift and cut spirit. A late flavour of rosemary and olive adds a nice Mediterranean touch. Tasted March 2015 @TorracciaPresur @TheVine_RobGroh

Capoverso Cortona Syrah 2013, Tuscany, Italy (Ontario Agent, $18.95, WineAlign)

There is noticeable volatility in this Syrah though it strikes a congenial balance between fruit and alcohol. The wine is not hot but is currently unsettled. That comes through in the sooty sinew and tree sap aromas. Black raspberry fruit abounds, as does liquorice and black tea. The overall accord works the parts but some time will be required for reconciliation. Sweet and sour is accented by a savoury, though moderately lengthened finish. Tasted March 2015 @TheVine_RobGroh

Cantina Roccafiore Rosato 2014, Umbria, Italy (Ontario Agent, $20.95, WineAlign)

A Sangiovese blush made from organic grapes, arid as the Corso Vannucci is long, linear and direct as la strada centrale leads to the Fontana Maggiore. Has a savoury flex and a salinity that central Italian Rosé almost always displays, a pull from two seas not hard to reach heading either east or west. The glycerin texture and tangy, just this side shy of reductive aromas are a propriety of pure yet driven fruit. Has the slant of Sangiovese, even in the absence of its sour edge and devitalizing tannin. A very fine example of Umbrian Rosé. Tasted March 2015 @roccafiorewines @TheVine_RobGroh

Cantina Roccafiore Fiordaliso Grechetto 2014, Umbria, Italy (Ontario Agent, $20.95, WineAlign)

Fashioned from organic (and specialized clones of) Grechetto di Todi and Trebbiano Spoletino. The ordinary is abutted with prejudice in this Roccafiore take, in full mineral action out of Umbria. This one speaks to me, never mind the current reductive accent. The organic vines exude healthy fruit and this fleur-de-lis is regal, royal and full of life. Wet stones, not flinty but certainly crouching on the rocky forefront. The balance between orchard fruit, the rocks and the load carrying acidity is spot on. This is an expertly crafted, intelligent and gratifying white. Tasted March 2015 @roccafiorewines @TheVine_RobGroh

Cantina Roccafiore ‘Melograno’ 2013, IGT Umbria, Italy (Ontario Agent, $20.95, WineAlign)

Sangiovese and Montepulciano combine forces in this organic Umbrian, the punica granatum or pomegranate. Like the uniquely variegated, sour, sweet and highly mineral fruit, this red mimics the savoury pleasures. It’s dry, possessive of natural salts and fruity, but not in a sugary way. The acids are citrusy, much like pomegranate, but void of true citrus. Very pure, penitent, clean and crisp, with mild tannins and a ferric touch. Very Umbrian, regal, Franciscan, Friars Minor to bigger, bolder Sangiovese. Tasted March 2015 @roccafiorewines @TheVine_RobGroh

Brancaia Il Bianco 2013, Tuscany, Italy (SAQ 11797174,$21.35, WineAlign)

Sauvignon Blanc stands soprattutto to Viognier, Gewürztraminer and Sémillon in this tannic white wine from Castellina in Chianti, in the far south-east corner of Chianti Classico. Five months on yeasts has not only built breadth but also compensated for no oak or malolactic. The repercussion is a curtailment and a feigning of qualitative casting, as if from sea stones and ancient feelings. Pretty pleasures are a supraliminal by-product of the effect, in a leavening of lime and rock. This reminds me of a young, petite Stratus White, in which a mélange of grape varieties combine and effectively cancel one another out, with nary a dominant, alpha varietal limelight steal. This Bianco would create even more buzz with a 10-20 per cent barrel influence. Tasted March 2015 Brancaia

Capoverso Rosso Di Montepulciano 2012, Montepulciano, Tuscany, Italy (Ontario Agent, $22.95, WineAlign)

Here is Prugnolo Gentile with a swagger and quite the attitude. Don’t be fooled by the new adventist-adventurist, retro-romantic label. This Rosso has a mean streak. Funky aromas of the barn and the compost heap may be secondary to red fruit but they are definitely there. High iron content, less so in botany and rich like a long braise of dark veal shank ragu. Complexity is in, basics are out and there is much to dwell on in this Rosso, event if its intent is to induce simple pleasures. This needs salty protein, like the aforementioned idea of ragu. Tasted March 2015 @TheVine_RobGroh

Argiano Non Confunditur 2012, IGT Toscana, Tuscany, Italy (Ontario Agent 72397, $24.95, WineAlign)

The Argiano NC-IGT must be awarded points and applause for the sheer felicity it affords the discerning drinker who knows when they have been pleased. This is juicy stuff from a terrific vintage. A latin lover of voluptuous body and luscious-laden lips. A flirtatious Tuscan ragazza, outgoing, friendly, hand-holding and demonstrative. Liquid freshness, with layers of red fruit and circulating acidity. Very modern, in an Aussie Rhône-blend way, with liquorice, cocktail beginnings and Tawny Port ends. Quite a swirl of flavours and pulsations. Drink now and for another two years. Tasted March 2015 @Argianowinery @TrialtoON

Fontanafredda Barolo 2010, Piedmont, Italy (Ontario Agent 20214, $30.00, WineAlign)

Traditional Nebbiolo that is neither austere nor of such a hard shell to crack. Roses and street cover in summer give sweet and fume aromas. Has an elemental scent, like a science lab but with experiments that broadcast harmony, synthesis and balance. Glycerin and tannin revolve around in the Nebbiolo oscillator. Some late funk creeps in, indicating some time (five years) needed to see a proper fruition. Represents very good value at $30. Tasted March 2015 @Fontanafredda_ @Noble_Estates

Tolaini Al Passo 2011, Tuscany, Italy (Ontario Agent $37.99, SAQ 11794344, $28.40, Manitoba Banville and Jones $34.99, WineAlign)

This IGT from Castelnuovo Berardenga blends Merlot into Sangiovese, a push and pull varietal relationship if ever there was one. The Sangiovese is Mary while the Merlot whispers. The sacred and the profane. The ancient and the modern. “Uh-will the wind ever remember the (Tuscan wine) names it has blown in the past?” A red house of aromas, a gypsy’s soul and balance are found in this whirling, flavour-filled glass of noise. This is wild Tuscan magic, if a bit disjointed and occupied by strange, though harmonious bedfellows. Rippling red wine, tannic and in need of a few years to soften. “After all the jacks are in their boxes and the clowns have all gone to bed.” Tasted March 2015 @TolainiWines @BanvilleJones @bwwines

Capoverso Vino Nobile Di Montepulciano 2011, Montepulciano, Tuscany, Italy (Ontario Agent, $39.95, WineAlign)

In antithesis to the angular ’12 Rosso, this ’11 Vino Nobile is Prugnolo Gentile at its liquor-like most. This is a painted Sangiovese, with impasto, with style that is strong of colour and meaning. With very plush, oak-managed Caciotti brush stroke and thick creamy flavours. Intensely glycerin, polished and agreeable, especially considering the often tannic and ferric side of Vino Nobile. This will not be a 20-year Tuscan as it already exhibits signs of age, in dried fruit, velutinous toffee and baking blackberry pie. Oh but it will go beautifully with a rare slice of roast and a side of truffled spuds. Tasted March 2015 @TheVine_RobGroh

Tolaini Valdisanti Tenuta S. Giovanni 2009, Tuscany, Italy (Ontario Agent 137786, $49.00, Manitoba Banville and Jones $54.99, WineAlign)

The opposite, the antithesis, the polar paradox of to egregious IGT Tuscan blending is here in this delightful blend of Cabernet Sauvignon, Sangiovese and Cabernet Franc. Oak plays a prominent, spicy and sandalwood barmy role, as does the (mere five per cent) CF, giving currant energy and savoury plug-in to the softer CS. The middle notes and flavours are all Sangiovese, which is a good thing and a wise winemaking decision. The request begs for more Cabernet Franc in Tuscan composites, please. The Castelnuovo Bereardenga and Tuscan climate as a whole agrees with the variety, fleshes it, embraces it, encourages it to support Sangiovese and the less animale Cabernet Sauvignon and Merlot. Here squares off a total package, in substance and in familiarity. Tasted March 2015 TolainiWines @BanvilleJones @bwwines

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March 21 big guns

Mar13

From left to right: Ridge Three Valleys 2012, Amisfield Pinot Noir 2011, Brezza Barolo 2010, Antinori Pian Delle Vigne Brunello Di Montalcino 2009, Ridge Estate Cabernet Sauvignon 2011, Château Clerc Milon 2011, Cade Cabernet Sauvignon 2011 and Dominus 2011

The first day of spring strikes me as a strange time to roll out a VINTAGES release full of big guns, from Cabernet Sauvignon passing by Pinot Noir to Zinfandel and from Nebbiolo to Sangiovese Grosso. A bold group in large numbers is usually reserved for the November and December offers leading up to wallet emptying Christmas shopping days. If the March 21st release is any indication, the powers that be at the LCBO must feel pretty good about the current state of Ontario’s economy.

Related – I shall be Riesling

How else to explain the laying out of the fine red wine carpet in purchasing timeline purgatory? The other alibi in justification is a concern of surplus and overcrowded warehouse shelving, caused by a back log of unsold Bordeaux futures and a consumer shift to less vivid, decreased drama and all around #GoGamayGo sentiment.

For all my reviews from the March 21, 2015 VINTAGES release, see them @WineAlign

I tasted through most of the bad boys on this release and while many are more overpriced than a $20 bucket of bullfrogs in an Algonquin Park bog, these six wines stood tall and shook their value obvious money-maker amongst a slouching and gouging crowd. Forceful wines, all meant to spend at least some slumbering time in the cellar.

Ridge Three Valleys 2012, Sonoma County, California (652875, $35.95, WineAlign)

This Sonoma County Zinfandel melting pot was first produced in 2001 and the 12th vintage contains grapes from seven different Sonoma vineyards. Many of Ridge’s wines bull the intent of single-vineyard, terroir-driven expression. The TV is more about bear assemblage, the search for differential balance and winemaking. Zinfandel (79 per cent) is joined by Carignane (12), Petite Sirah (8) and Alicante Bouchet. Approximately one fifth of the American oak is new, with the wood waft leaning to spices directed by clove, cocoa kernel and faint coconut that infiltrates the Draper perfume. The rich red fruits combine for a brawny voice, bold, peppery and so very ripe. Though not hesitant or introverted, this Zinfandel avoids excessive character and exemplifies the fine art of blending. Tasted March 2015 @RidgeVineyards @rogcowines

Amisfield Pinot Noir 2011, Central Otago, South Island, New Zealand (179754, $41.95, WineAlign)

The agglomeration of Central Otago wild vegetative conglomerate is in this Pinot Noir. Strawberries and their leaves, dug up clay, saturated syrup with dark cherries and braising meat make for big aromatics. This is a very meaty, terrifically cimmerian Pinot, with a replay in flavour of loamy and corpulent stock, like a reduction of mire poix and beef bones. Finishes with dried fruits, marigold, a kick of cinnamon spice and pine needles. A bit of wow from the hinterland of Central Otago. Tasted March 2015 @Amisfield @COPinotNoirLtd @CentralOtago_NZ @HalpernWine

Brezza Barolo 2010, Piedmont, Italy (711788, $46.95, WineAlign)

The gusto and earnestness of antiquity is right upfront in this Nebbiolo, the silliness of modernity left to the practices of more fickle and irresolute houses. A faint and impertinent percussion of volatility beats the near term olfaction into temporary submission, but the wine is bright and the acidity chants with proper diction. The tannic grain is sweet and savoury, well-structured and you can certainly smell the roses. The taste of Nebbiolo is succinct and the overall design is a seven to year plan, with nothing but pleasure on the next decade’s horizon. Tasted March 2015 @NaturalVines @jcmeli

Antinori Pian Delle Vigne Brunello Di Montalcino 2009, Docg, Tuscany, Italy (651141, $59.95, WineAlign)

Here flatters definitions of Sangiovese Grosso, of rusty and rustic pasts, big, bold beginnings and distant, slowly etched futures. A faint tease of soy in feign of premature corrosion is the product of the terroir’s liquor. This is so far from its secondary times. It’s as though it teases with an aroma and flavour of melted caramel but the mirage is tantalizing and unreal. The lack of sweetness confirms the notion and instead this Brunello offers dried flowers in dreams and fresh ones placed in vessels not yet tangible, nor yet set upon the table. Wild sauvage, sage and garriga are transubstantiated into liquorice, game and distilled amari. This is perhaps the finest Pian Delle Vigne of the (post 1990) modern age. Very exciting wine. Drink 2019 – 2029. Tasted March 2015 @AntinoriFamily @HalpernWine @ConsBrunello

Ridge Estate Cabernet Sauvignon 2011, Monte Bello Vineyard, Santa Cruz Mountains, California (89284, $61.95, WineAlign)

A perennial three plus one quarter blend of Cabernet Sauvignon and Merlot, give or take a few points, that always punches well above its weight and cost. Not just in relation to similarly priced Cabernets but when looked at alone and on its own merit. There is a searing red intensity in 2011, with steroidal currants and a whiff of lodge smoke, plenty of creamy vanilla and lavender. An injection of liquid chalk, circulating acidity and in the end, some bold coffee notes. No bell pepper. None. Well made, of course and despite the cold and the wet, the omnipresent Draper perfume and very good length. My only cavil would be a degree of over-employed new oak in a vintage where less would ironically be more. Tasted March 2015 @RidgeVineyards @rogcowines

Château Clerc Milon 2011, Ac Pauillac, 5e Cru, Bordeaux, France (301119, $89.95, WineAlign)

The principals at Clerc Milon consider 2011 “to be ranked among the finer, or perhaps even the finest” of Bordeaux vintages. The better news is that despite that declaration the price on this classic, structured and flat-out enjoyable Médoc is relatively affordable, especially considering the astronomy of pricing since 2000. This early picked (finished by September 28th) blend of Cabernet Sauvignon (54 per cent), Merlot (37), Cabernet Franc (7), Petit Verdot and Carmenère has vintage steal written all over its painted berry face. Terrific wood spice, more fruit from plum and rapturous acidity travel great lengths to pleasure. The coffee component is in but with just a light alcohol spike. This is really fine Paulliac, elegant, refined and not outrageously priced. Tasted March 2015 @Noble_Estates

Cade Cabernet Sauvignon 2011, Napa Valley, California (325027, $112.95, WineAlign) LCBO Inventory

Though prepped by notions of a cooler and later ripening vintage, there is even more savoury, tobacco and cool clime (altitude) aromatics than might have been imagined. This Cade is so very bright in a cherry-plum-pomegranate continuum yet in contrast to a (negatively impacting) sweet-sour-tang drupe. Tends to angles more akin to Tuscan summer savour, like lavender, rosemary, sage, and vanilla. The overall impression to palate is that of a chew of the toffee that might be made by the aromatic combination, or a pull of syrupy tea. In the end there is nothing simple about this thoughtfully crafted Cade. Tasted October 2014 @CADEWinery @TheVine_RobGroh

Dominus 2011, Napa Valley, California (212381, $176.95, WineAlign)

In 2011 the breakdown is Cabernet Sauvignon (86 per cent), Petit Verdot (9) and Cabernet Franc (5). From an antithetical Napa growing season, wet, cold and in requiem of acumen to deal with what the winemaker in Bordeaux faces in every vintage not hailed as best of the century. The ’11 Dominus has been in the market for just a shade under a year, just the right amount of time for a poured glass to reveal its charms. The new barrel count is approximately 40 percent, a substantial but not egregious number. We want to know what fruit the vintage gives, regardless of the conditions and in ’11 that drupe is savoury, more sage than nettle, and saliferous. That minerality is cute and key because the expression remains huge, so the cure helps to leave an indelible mark. The attributes of massive fruit, (no small feat considering the weather), smoke and phite makes for a mess of aromatic intensity. The flavours are accessible and the texture quite full. Though not the thickest Dominus to date (due to the oak not overwhelming the fruit) this will offer up seven to 10 staid years of development, followed by another five to 10 of minor decline. Tasted March 2015 @rogcowines

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I shall be Riesling

Mar12

13th Street June’s Vineyard Riesling 2013 – VINTAGES March 21, 2015 release

Last weekend, in a packed Carriage House at Vineland Estates Winery I tasted through 19 Rieslings from the Escarpment, Vinemount Ridge and Twenty Mile Bench sub-appellations of the Niagara Peninsula. It got me thinking, again. Thinking about Riesling. Thinking about drinking more Riesling. Thinking about how my life is not complete, without Riesling.

Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015

More about that #CAPSCAN15 and Wine Country Ontario tasting at a later date. For now the delve need be into the history of Riesling and how it has had a profound effect on the world of fine wine. I have written about Riesling as much or more than on any other grape variety. In March of 2013 my column, 100 kilometre wine for spring stated firmly “can there be a more versatile white grape? From natural, mineral spring, bone-dry to concentrated, candied sweet, this grape runs the diversity gamut like no other.” In Niagara, “‘The Bench’ is home to a mineral wealth of local Riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.”

I see my light come shining
From the west unto the east.
Any day now, any day now,
I shall be released.

In June of 2013 Are you wine experienced? was a post written about the Brock University Cool Climate Oenology and Viticulture Institute’s Riesling Experience 2013, an international celebration of style, structure and purity. At that time Mike Di Caro and I talked about Ontario Riesling and we agreed that sugar levels are both arbitrary and unpredictable so Niagara’s best is and should be of the dry variety.

In June of 2014 I wrote about Germany in Talkin’ ’bout my Generation Riesling. The theme of the show was the ever elusive Trocken Riesling and how “the new German wine label no longer feels the need to inform the consumer of every aspect contained within the wine’s birth certificate.” In August of that same year I penned Walking an Alsace mile in their Riesling shoes, a full-on summary of a June visit to Alsace with 31 tasting notes on, wait for it, Riesling.

So, with the VINTAGES March 21st, 2015 release just over a week away, I shall be Riesling.

From left to right: Dr. Hermann Erdener Treppchen Riesling Kabinett 2010, Fielding Estate Riesling 2014, Flat Rock Cellars Nadja’s Vineyard Riesling 2013, 13th Street June’s Vineyard Riesling 2013, Vineland Estates Elevation St. Urban Vineyard Riesling 2012 and Trimbach Riesling 2012

Dr. Hermann Erdener Treppchen Riesling Kabinett 2010, Pradikätswein, Mosel, Germany (402420, $17.95, WineAlign)

Here the wild, out there, cosmic side of Mosel Riesling is on display, amplifying peach and lemon notes through aromatic grunge filters, like a medicative tonic. The palate is sweet and spritzy, even oxidative and this is textured with heavy, monumental levels of pure Riesling noise. The acidity is marked by citrus in every incantation. Though this may be the kind of Mosel you’ve “just never tried, it’s still the place.” Not so much a dinosaur but a junior, a wild Kabinett for very little cost and from an increasingly endearing vintage. Tasted March 2015 @WinesofGermany

Fielding Estate Riesling 2014, Estate Bottled, VQA Beamsville Bench, Niagara Peninsula, Ontario (251439, $18.95, WineAlign)

The Richie Roberts take on Riesling brings Beamsville to the populace, combining the natural acidity of the variety with the micro-saddle-plot-climat ipseity that the sub-appellation provides. This early to market ’14 is quite tropical, offering an en primeur portal into what invariably will follow. Fresh, juicy, accessible and in near-perfect balance. Slate, calcareous bleed and fruit generosity make for one tidy, markedly gratifying Riesling. Tasted March 2015 @FieldingWinery @RichieWine

Niagara Riesling Royalty at the LCBO Lab – March 6, 2015

Flat Rock Cellars Nadja’s Vineyard Riesling 2013, VQA Twenty Mile Bench, Niagara Peninsula (578625, $19.95, WineAlign)

A year has turned a once frantic Nadja into a yet excited but in control Twenty Mile bencher. Acidity has circled the flock of juices; the sweet and the stony, to graze together. While ’12 expressed a texture to see it grace ages, here the up front verve makes for a more direct impression. There is no immediate hurry but the ginger on the lime indicates can earlier finality.

From my earlier note of February 2014: From a sample just pulled from the tank. Jay Johnston’s concept for Nadja is to create many fermentations together, using 2000L tanks and some barrels. The ferments are arrested when they achieve balance and then blended. Nadja still has her young fizz on and she’s exaggerated in Metallica meets a wondrous kind of sour. Already showing an unfurling of (mostly citrus) fruit but also spice and hurried depth. Frantic Riesling, will she “stop to warm at karmas burning, or look ahead, but keep on turning?”

Lasted tasted March 2015 @Winemakersboots @UnfilteredEd @brightlighter1

13th Street June’s Vineyard Riesling 2013, VQA Creek Shores, Niagara Peninsula, Ontario (147512, $19.95, WineAlign)

Continues to throw its weight about and has now engaged a phase of typical J-P Colas redolence and pungency. Strict adherence to Creek Shores citrus minerality injects the June for future time-lapse release, an internal ooze that will take years to push its way upwards to the surface.

From my earlier note of December 2014: 2013 was a perfect follow-up for Niagara Riesling, after a vintage where so many exceptional wines were made. The ’12 June’s by Jean-Pierre Colas was his best and with this repeat performance in ’13, the consistency of June’s vineyard is further cemented. Once again, the citrus injection is a Creek Shores thing, a vehemence not matched by other sub appellations. Where ’13 differs is its weight. There is a textural density improved upon and at the same time dragging on the freshness of the fruit. The trade-off will mean less immediate gratification in lieu of more flesh and bone for a longer period of aging. Given at least five years rest, the 2013 June’s Riesling will discover a Ribeauvillé like future. @13thStreetWines

Last tasted March 2015

Vineland Estates Elevation St. Urban Vineyard Riesling 2012, VQA Niagara Peninsula, Ontario (38117, $19.95, WineAlign)

The layering is nothing short of remarkable, like the rings that tell the history of a tree. In its youth the upper vertex where effluvium and concentration meet is painfully obvious but when it comes to Riesling, breath is meant to be taken away. The prose is already written, running on adrenaline, unparalleled, if not yet understood.

From my earlier note of November 2014: Who has not waited for Elevation to hit out of the 2012 vintage? Straight up it must be noted that this will rank over and above the best from the St. Urban Vineyard. The ’12 Elevation will not only find long-term success among the great values in Bench Riesling, it will go down as one of the best ever, at any price. The vintage impart is a natural for this wine. At the moment it is the most primary of all because of the layers that texture bring. The Elevation will go thirty years and climb higher and higher into the stratosphere, gaining flesh and personality. The already seamless gathering of fruit and mineral is palpable. And still a reminder, the price is $20. This is a Schmidt gift to Ontario, for anyone and everyone to be one of the lucky ones. To purchase in increments any less than a case may be considered a crime against Riesling. @VinelandEstates @benchwineguy

Last tasted March 2015

Trimbach Riesling 2012, Ac Alsace, France (734517, $21.95, WineAlign)

To Jean and Anne Trimbach and most Alsatians, this Riesling from their ‘Classic’ range may represent the best that basic can be but when it travels oversees it gains a stature well beyond its humble roots. Here is another one of the those dictionary entry wines meant to depict and define. Quite simply emblematic Alsace. Built with acidity to envelop sweetness, marked by herbiage that is alive and fresh. Weight and density draw from Ribeauvillé rocks. Parity is realized in osmosis by fruit and mineral. As always, there is the tannic underlay, the length and the purposed bitter finish. Tasted March 2015 @trimbach @WoodmanWS

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Tasting with Power

Mar9

The wines of Creekside Estates at Barque Smokehouse, March 2015

Power, Rob Power. Niagara man of mystery, winemaker, barrel blender, junkie of dangerous varietal liaisons, license to chill. Power has been making the wines at Creekside Estate Winery for more than a decade. He is both the face and the enigma. Creekside is not a Peninsula vintner that rests on winemaking or marketing laurels. They change with and for the times.

Related – Up on Creekside Estates

I sat down with Rob Power and Rich Gaskin of Hobbs and Company last week at Barque Smokehouse to re-visit some wines tasted in the winter and fall of 2014, along with a couple of new issues. Here the notes, some updated and others in first time put to paper.

Creekside Estates The Trad Reserve 2011, VQA St. David’s Bench, Niagara Peninsula, Ontario (390336, $28.95, WineAlign)

From a taste five months further along in bottle and just shy of the 36 months on lees (37.5 to be precise) 2nd bottling about to be disgorged. Has chill thickened and fattened in the middle with a texture and a truffled funk like foie gras, heading backwards and upwards, like a video shot in reverse. Rises from an ocean of spume up to a slivered taste of a grapefruit moon. “Transmission’s on and up we go.” Cool and angular on the beautifully licensed, bitter finish.

From my earlier note of October 2014: The Trad ’11 has a classic toast and yeast aromatic waft and so it goes that everything that follows is embraced with curiosity and an open mind. Ginger, citrus, bronze and the sweet scents of the inside of a candy machine, its candy long gone. Creekside’s winemaker Rob Power will never be accused of dialing this sparkler in. Tasting trials help determine the necessary, final blend. The single, Queenston Road Vineyard puts 56 per cent Pinot Noir and (44) Chardonnay, aged 2 years in bottle, together for a highly effective, expansive but not explosive fizz. At 8.7 g/L of residual its dry but not quite falling off the bone. The sweetness is tempered by elevated (9.98 g/L) acidity and tension. Spent 24 months on the lees and was bottled back in February. There is balance and pleasure and a good, stretchy finish. No band-aid. Clean, precise, fizz of the day.

Last tasted March 2015

Sauvignon Blanc ‘Iconoclast’ 2013, VQA Niagara Peninsula, Ontario (Winery, $17.95, WineAlign)

The licensee SB jimmies from fruit out of a good (right at the winery) site, caught red-handed at peak ripeness on a very specific picking date and crushed immediately to coax maximum freshness. Readily identifiable as Sauvignon Blanc, perhaps more so than any other from the Niagara Peninsula. The fruit was oxidized a hair to the left, flipping this more Loire than New Zealand. A dichotomous activity from large juice tray oxygenation meeting reduction under screwcap causes initial confusion but when the hounds of Blanc are released the wine buffets into clear, crisp feelings. This is not “mean, green and pristine,” just simply clean. This one’s got “a license to chill and I believe I will.” Tasted March 2015

Laura’s White 2012, VQA Niagara Peninsula, Ontario (121764, $18.95, WineAlign)

Winemaker Rob Power corrects previously provided information and tells me Laura’s composition is 55 per cent Sauvignon Blanc and that there is some Viognier in here, an inclusion that justifies the back-end bite (in conjunction with Gewürztraminer) of noble bitterness. They and the rest of the varieties combine to imitate Sémillon because Power is “going for white Bordeaux” in this pole to pole, here ’till Sunday blend. This has the grab, tempered by the warmth of the vintage, so look for ’13 to nail it with a hook.

From my earlier, May 2014 note: With a tilt of the head to 90 degrees the bottle is assessed and the glass contemplated. She’s a flirt, a gregarious girl this Laura, so orchard driven and with a perfumed attraction.

From my earlier, February 2014 note: Laura’s White combines Sauvignon Blanc, Pinot Gris, Chardonnay, Riesling and Gewürztraminer in a kitchen sink blend that sees a bit of oak. What’s notable about the ’12 is the omission of two highly aromatic components, the previously employed stalwarts Viognier and Chardonnay Musqué. The adage is justified in that you take what the vintage gives you. If it gives you lemons, (shift tangents) you let the busy aromatics of more flavourful grapes (like Chardonnay) do the floral work. Laura’s ’12 will be a standout for the concept, a revivalist blend to help bring back some religion to the region’s renditions. Coming to VINTAGES in June.

Last Tasted March 2015

Viognier Estate Reserve 2012, VQA Niagara Peninsula, Ontario (22058, $29.95, WineAlign)

Here free run juice gets just a little help from the press. Consistent with a very recent taste, with a density in concoction and blessed tonic on the finish.

From my earlier note of January 2015: Creekside’s small production Viognier (maximum 80 cases) from the warmer micro-climate of the Queenston Road Vineyard heads back to near-boozy and a bit hot in the sudorific vintage. Oh the viscous humanity of it all, especially when the (all French, two year-old, nine months time) ferment was performed on 100 per cent of the six barrel juice. While it may not flirt with the dangers of say, a dirty peach martini, there is plenty of seasoning, rich, spicy and opulent fruit to at least declare a cocktail of some shaken kind. The ’12 Viognier drips and sweats of a humidity as much as any cool climate rendition can (at least in the context of the Niagara Peninsula). It may not be the ideal vintage but it just may be the one with the most excess.

Last tasted March 2015

Cabernet-Merlot 2013, VQA Niagara Peninsula, Ontario (Tank Sample)

The blend is (very approximate) 35 per cent of each Cabernet (Sauvignon and Franc) with 20 per cent Merlot. “Basically a baby Laura,” says Power. Currently smelling very tanky but fresh and bullish. Sniffing past the must is not so hard to do, especially with the waft of spices coming through with thanks to the good barrel. The Franc here comes from Virgil, “no man’s land,” from Frank Serluka’s vineyard. The lack of any discernible volatile acidity speaks volumes about the clean winemaking and the gregarious personality of that Four Mile Creek Cabernet Franc fruit. This will excel out of keg in late Spring. Tasted March 2015

Creekside Estate Winery Pinot Noir Queenston Road Vineyard 2013, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

Still the Kama Sutra Pinot Noir of inviting behaviour. Positions in aroma, taste and texture are all elastic and of an aphorism held together in intimacy. Virtuous and gracious Pinot Noir for the purpose of interaction and pleasure.

From my earlier note of January 2015: “The first made since the 2008 because of a new directional decision to hold onto and no longer forsake these exceptional Queenston Road Vineyard grapes. A wine that folds back the skyline skin of time and reveals a cloning from intimate belongings. Pinot blessed of a Dylan-esque drawl, from a comfortable and crooning time in its life. Penetrates into the QRV earth and draws out subtleties, slow food assuagement and makes no BS about its ease. Though posolutely whiffing and tasting of black cherry, it balances itself with an acerbic wit. This is what winemaker Rob Power refers to as a lay lady lay style. Partners in crime Yvonne Irving and Matt Loney concur. One sip and your partner may just lay across your “big brass bed.” You can always go back to Nashville.

Last tasted March 2015

Laura’s Red 2011, Queenston Road Vineyard, VQA St. David’s Bench, Niagara Peninsula, Ontario (117906, $19.95, WineAlign)

A combination of young and older Queenston Road Vineyard vine fruit meshes to creamy raspberry, spoken most upfront, in the absence of Franc, by the Sauvignon. Waiting for this to improve would be a calculated error so drink up by the end of the year.

From my earlier note of September 2014: The most dead red Laura to date, juicy and earthy, like a licorice, plum and pomegranate demi-glace. Really expressive of earth and fruit. Traditional house blend of Cabernet Sauvignon, Merlot, Syrah, Malbec and Petit Verdot. A no coat unfastened Niagara, consumer-friendly but also swelling with stuffing. “The light is red. The camera’s on,” the strokes are rich in energy though the tannins dry out a touch. Drink now and for two more years.

Last tasted March 2015

Creekside Estates Broken Press Syrah Queenston Road Vineyard 2011, VQA St. David’s Bench, Niagara Peninsula (202127, $39.00, WineAlign)

At its spiciest best, alkaline and lifted by Viognier, though as the tannins mellow, the Viognier will slowly disappear. Continues the Rhône-ish tradition laid before by 2004, 2006, 2008 and 2010, yet in ’12, for the first time, in addition to the Broken Press, there will be one made from seven rows of the same block Syrah, picked about a week later, a 100 per cent Unbroken Press. From vintage to vintage, a Viognier lifted BP is the correct application but in ’12, to Power and his team, both made perfect sense.

From my earlier note of October 2014: Only Creekside Syrah smells like this, like bending down to smell black raspberries on the shores of a briny capsicum lake in the middle of a pine forest. The 2011 Syrah has fruit residing on the edge of impossibly ripe, factored inside a pipeline, while piping lavender and plum pastry cream float atop rare duck breasts. If Syrah were to ooze or drip without sticking to surfaces along the way, this would be it. If Syrah came forth from the maw of the beast it would speak in these demanding tones. Creekside’s BP talks the tense, nervous and twitching talk. It’s smeared with a coat of epoxy spread over fine grain in wood. It sweats an air of metallic cordiality. If given five years to come together it will vape and realize togetherness.

Last tasted March 2015

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March 7th seven blazon party

Mar6

Home spun Barque Smokehouse brisket sandwich

As VINTAGES rolls out another army of bottles in proclamations of blatant multiplicity and, as I mentioned yesterday, in duplicity, it is time to settle into the recommendations encampment. Trudging through the trenches of Sparkling, White, Red and Dessert the divisions are laid, dispatches ordered and strategies finalized. Staffers go here, front liners there and commanders bring up the rear.

A little bit of everything, as always, defines the March 7th release. Tidy little sippers work the hardest and make sacrifices for the rest. In this release Kosher wines prepare to tackle Passover but that we will save for next week, or perhaps the week after. Italy is the focus, bellowing commands from the bull horn, making decrees like colosseum commentators at Hunger Games. “We have wines that are just too goddamn vivid!” “We have wines with language that is fairly formal and sometimes flowery!” “Occasionally we stop to smell the adjectives!”

Tuscan wines always seem to possess what has heretofore been referred to as collectively having “a firm jaw and an air of tragic nobility.” As a group they are confident, steeped in tradition and now, as much as any wine-producing region, captured within the heart of the state of the art. The sea is murky because the obvious separations between varietal and blend are hard to discern but one aspect is not under dispute. Overall quality has never been higher. Tuscan wines are just plain fun to drink.

The seven blazon party from March 7th attacks with Chardonnay, Yellow Muscat, Cabernet Franc, Sauvignon Blanc, Zinfandel and two rounds of Sangiovese. The notes, here, now.

From left to right: Fielding Unoaked Chardonnay 2013, Puklus Pincészet Tokaji Yellow Muscat 2013, The Good Earth Cabernet Franc 2012, Castelli del Grevepesa Panzano Chianti Classico 2008, Rocca Di Castagnoli Poggio A’frati Riserva Chianti Classico 2010, Château De Cruzeau Blanc 2009, Chateau Montelena Estate Zinafandel 2012

Fielding Unoaked Chardonnay 2013, VQA Niagara Peninsula, Ontario (164491, $14.95, WineAlign)

One of the best deals going in oak-less Chardonnay, a glug, glug, line up at the jug kind of guiltless white. Pure, cool-climate variegate, with the cool of the Peninsula overridden by the vacuous warmth in the saddle abutting the Escarpment. Very pear, all in slate, exit to daylight acidity for a Chardonnay that hit the switch. Spot on in 2013 with an even keel of personality, warm but never far from cool. Tasted March 2015 @FieldingWinery @RichieWine

Puklus Pincészet Tokaji Yellow Muscat 2013, Tokaj Hegyalja, Hungary (46508, $15.95, WineAlign)

From Tokaj Hegyalja in Bodrogkeresztúr found tucked into the northeastern corner of Hungary. One could imagine the air thick as sweet cool soup in summer, perfumed by basil and lemon verbena. Designated “semi-sweet” the varietal is so much more than pedestrian when handled with this kind of poise and concern. Highly aromatic, viscous and wildflower floral. Honey and honeysuckle, fresh lemon, beeswax and citrus pith. Sweetness begins, abides, subsides and melts in the mouth. Buckley‘s medicinal to a fundamental degree but not to a fault. Delicate and delightful. Muscat of a grace that makes you feel and wish, “my kingdom for a kiss upon her shoulder.” Tasted March 2015 @WineofHungary

The Good Earth Cabernet Franc 2012, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (164491, $20.95, WineAlign)

While wood plays a prominent role it does not saturate to distraction. The barrel extract adds warmth and spice in contribution to balance. A high-toned syrup on the nose gives way to an evenly weighted palate. A scraped bean flavoured creamy toddy texture is topped with chocolate shavings, a dry of bell pepper and tobacco smoulder from out of the chamber. Nicely judged fruit, acidity and texture with admirable length. A necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made. Tasted March 2015 @goodearthtweets @EpicW_S

Castelli del Grevepesa Panzano Chianti Classico 2008, Docg, Tuscany, Italy (972695, $23.95, WineAlign)

A very honest take on Sangiovese and Chianti Classico. When it appeared from the 2006 vintage it had been a while since this Panzano came to market, having been a stalwart presence in late 1990’s vintages. Modern now, very much a child of 21st century winemaking but in retention of loyalties to red, sour cherry and dusty 90’s Sangiovese. Remains slightly austere, angular and tension-filled, as if a scraping noise could be heard as the fruit, acidity and tannins fight for purchase on the floor. Chalky lactic and really juicy. Drink now and for three to five further on. Tasted March 2015 @chianticlassico @ProfileWineGrp Castelli del Grevepesa

Rocca Di Castagnoli Poggio A’frati Riserva Chianti Classico 2010, Docg, Tuscany, Italy (350751, $29.95, WineAlign)

Very expressive aromatics in dried flowers, earthy red perfumed fruits, orange peel, clove and a full crumble of cinnamon fill the air. Rampant but not relegating (at this early, five-year juncture) acidity drives the engine, running on vineyard funk, a hint of game and fruit ripened to optimum clarity. This is faultless Sangiovese of guts and guile, really well-made, classic yet modern CCR. Dances like Sangiovese should, “well, you wiggle to the left, you wiggle to the right, you do the ooby dooby with all your might.” No factory made CCR here, nor from out of the cosmos. Just simply down to earth. Were $30 all that I had to spend and a Chianti Classico Riserva the only choice, this would have to make the shortlist. Tasted March 2015 @chianticlassico @ProfileWineGrp

Château De Cruzeau Blanc 2009, Ac Pessac Léognan, Bordeaux, France (966010, $31.95, WineAlign)

That VINTAGES was able to secure another sku of this Bordeaux Blanc is both fortuitous and a gift. For the cost of an I-Tunes song you can have a peak into the generosity of the 2009 Bordeaux vintage through the senses of a top-value producer. From Les Vignobles André Lurton comes this white beauty. Though slightly musty upon entry this shows immediate yet perfectly evolved poise. Ready to strike with much persistent verve and density in 100 per cent Sauvignon Blanc singularity. Wood is very involved (10 months in 35 per cent new oak barrels on full lees with bâtonnage) by adding precious layers of necessity. Very layered indeed, honeyed, anti-hackneyed, buttressed, really fine and generous. Most excellent work by oenologists Denis Dubourdieu and Valérie Lavigne. Tasted March 2015 @AndreLurton @KirkwoodDiamond

Château Montelena Estate Zinfandel 2012, Calistoga, Napa Valley, California (69633, $49.95, WineAlign)

A rare, in the neighbourhood of elegant and exquisitely refined Zinfandel gives all red fruit with just a faint raise of raisining. Quite pure, with heaps of liquorice, smouldering cedar bough, brushed and bushy, big but shy of the peak. The English punk of Zinfandel but with melody and charm. Says to the world we have “our own raison d’etre we can’t see?” The quality is in, raising the Zin bar to a level not oft seen, with restraint and complexity. Never mind the bullocks, Montelena offers a buzzcock of a Zinfandel. Here lies a Zinaison d’être. Tasted March 2015 @ChMontelena @rogcowines

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Why it matters to taste wines again

Mar5

Dumplings

It would be foolish to think that a single taste or a brief assessment can ascertain everything that a wine will bring to the table. So many factors play into that moment in time; how that bottle came to arrive at this place, how long it had been open, its current temperature and certainly the temperament and mood of the taster.

The only true and valid important bits of information that we can cull from a fleeting meeting with a bottle of wine is whether or not it is marred by a fault, or faults. Is the wine tainted with TCA (trichloroanisole)? Does it contain high levels of Brettanomyces? Is it raging with volatile acidity? It is oxidized or reductive? Has lady bug taint found its way into the bottle? And so on and so forth. Quality can be guessed at with high probability but time is so essential to knowledge. This is why tasting for a second and third time matters.

Wines should always be afforded the opportunity to be reconsidered, especially after some bottle settling time. The fascination with seeing evolution from organic ferments is real. Wine changes, often for the better, that much we know. Wines deserve second chances, re-dos and re-tastes.

Writing updated notes is the essential by-product of re-tasting and the catalyst that acts as the chaperone to get to know a particular bottle and by extension, a winemaker’s portfolio. Here are seven new releases, coming into VINTAGES on March 7th. They are actually re-releases, having been previously made public by the winery or through the LCBO. I tried them all once again and can say with confidence, by way of the tasting note, that all seven have confirmed their quality and improved with time. These are the seven new notes for seven March 7th VINTAGES re-releases.

From left to right: Tawse Sketches Of Niagara Riesling 2013, Keint He Voyageur Pinot Noir 2012, Gray Monk Pinot Gris 2013, 13th Street Gamay Noir 2012, Sterling Vineyards Pinot Noir 2012, Bachelder Wismer Vineyard-Wingfield Block Chardonnay 2011 and Bachelder Pernand Vergelesses Premier Cru Creux De La Net 2011

Tawse Sketches Of Niagara Riesling 2013, VQA Niagara Peninsula, Ontario (89029, $17.95, WineAlign)

Juicy, spirited and eminently approachable. Citrus and peach fruit beg to be gulped by the key keg load.

From my earlier, June 2014 note: “The gateway of the Tawse Riesling portfolio and first to be released is an omnipresent beacon for what is to come from the single-vineyard sistren. Built fruit forward from an orange zest, stone rose and lemon glade guide, this is the Sketches most juicy sensation yet. Incredible vacuum of citrus acidity waterfalling into a great white hole. Though surrounded by so many a Riesling with site specific personality, “she’ll carry on through it all.” Intensity in dry Riesling.”

Last tasted March 2015 @Tawse_Winery

Keint He Voyageur Pinot Noir 2012, VQA Niagara Peninsula, Ontario (373407, $18.00, WineAlign)

Carries the weight of the Peninsula within the bright frame of clarity that is the PEC oeuvre. In ’12 the warmth and the weight can’t help but break down to burrow into earth. Fine, grainy tannins and an increased structure will give this three more years of development but do not hesitate to enjoy it now.

From my earlier April 2014 note: “Tasted a second time, the floral lift is clearer than before, as is the understated earthiness. Also showing more body and verve so it appears the Voyageur is starting to come into its own. From my earlier February 2014 note: “Fruit here comes from two Niagara vineyards, Queenston and Malivoire. An earthy Pinot that positions itself in isolation away from its suave and handsome Portage and Benway brethren with a waft of merde. Taste brightens as a sweet cranberry, chalky, root beer float. Kudos deserved as it’s clearly recognizable as Pinot with a medium finish and a pinch of horseradish salt on a lithe 12.5 per cent frame.”

Last tasted March 2015 @KeintheWinery

Gray Monk Pinot Gris 2013, BC VQA Okanagan Valley, British Columbia (118638, $19.95, WineAlign)

Brilliant hue, like a ceiling fresco of gold-scrolled tiers. Has that feel of lemon peel shrivelling to scent. Was a Category Champion at the 2014 World Wine Awards of Canada.

From my earlier September 2014 note: “Pinot Gris with pears and more pears. A no hold barred, straight up, bring it with orchard fruit example. A spoonful of sweet lemon curd indicates a just post ripe picking and now oxidation, if not necessarily the intention. Off-dry with acidity that joins but does not round the shining fruit into absolute form.”

Last Tasted March 2015 @GrayMonkWinery

13th Street Gamay Noir 2012, VQA Niagara Peninsula, Ontario (177824, $19.95, WineAlign)

This is spot on, both as 13th Street and as Niagara Peninsula Gamay. Very ripe, to the edge of extracted distraction and less funky than previous vintages. Really defines the genre, acts the act, walks the walk, executes the execution. Drives the point, carves the cliché, go Gamay go.

From my earlier note when tasted at Gold Medal Plates Toronto, November 2014: “Spice and rich fruit head straight to Gamay welkin derived direct from the soil’s core, of Sandstone, Schwenker and the winery’s home vineyard at Fourth Avenue. Swirl away the gathered must and moss to reveal more Cru fruit than you can shake a stirring rod at. Such verve, said grit, such persistence. The thing about Gamay is, “if you want inside of her, well boy you better make her a raspberry swirl.” 13th Street has certainly made the raspberry sing in the ’12 Gamay so “raspberry swirl, mmm let’s go.”

Last tasted March 2015 @13thStreetWines

Sterling Vineyards Pinot Noir 2012, Napa Valley, California (396150, $29.95, WineAlign)

There are so many reasons not to find a thrill in this regional blend of Pinot Noir fruit but none of them stick. Sweetness, simple syrup silky fruit, brown sugar, every red and purple berry in all varieties of fields (plus ripe plums) and warm to temperate alcohol (14.5 per cent declared) all combine for full California sunshine effect. All this and I just can’t turn away. With all the excess fruit, texture and multiplicity in good times, how can I? I ask this Pinot, “how come you, how come you dance so good?” The answer lies in the feel and the ability to turn a Noir trick or two. Not to mention a rolling of barrels and Napa Valley stones through its very core. Well done. Tasted January 2015 @sterlingwines @Diageo_News

Bachelder Wismer Vineyard-Wingfield Block Chardonnay 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (345819, $44.95, WineAlign)

A new release, mindful of micro-plot. From out of a Bachelder barrel, the great mystery of wood is not that it smoulders, but that it rests on water, or in this case, on grape juice. To label this Wismer as Wingfield is to give this Chardonnay a scientific specificity, a concentration of fruit so capable of inducing the ethereal, to hover as if in suspension. This is Wismer-Wingfield. The Chardonnay that floats, like hope.

From my earlier July 2014 note: ‘Has Wismer found a cruising altitude? Has this Grand Cru vineyard from a most perplexing 2011 vintage entered the telephone booth in civilian clothes, only to soon emerge as a super hero? Will it sing, “I am, I am Superman and I can do anything?” Wismer has rounded out a bit, at present in a grounded form, but we know it will fly to greater heights and at faster speeds. From my earlier, February 2014 note: “Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice.” Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with it’s touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”

Last Tasted March 2015 @Bachelder_wines

Bachelder Pernand Vergelesses 1er Cru ‘La Creux De La Net’ 2011, Burgundy, France (LCBO 403485, $47.95, SAQ 12089524, $38.50, WineAlign)

Purity abounds, florals leap and the heart fills with an arrow of red fruit. So linear, so direct. Wears the crux of Bachelder integrity on its sleeve. The pinpoint accuracy of plot, the ubiquity of gypsy soul, the bandwidth of frequency. Yet another Bachelder “ere the bonnie boat was won, as we sailed into the mystic.” Acidity rears and rails right through. Tannin trails like a burning star. Ten more years will see this to a moondance of quietude.

From my earlier February 2014 note: A metallurgical slant this time around and iodine, though sweet, like a geologist’s preferred cocktail. The palette is Rothko maroon and in cohorts with what is ascertained by the palate, scheme fruits and hearts both red and black.

From my earlier note of November 2013: Has the sense to be subtle, effortless and akin to Chambolle. Not so much openly ripe fruit but more the flowers that come before. Cherries dabbed by a citrus fragrance, or the spritz of squeezed zest and an unusually smoky musk. Insinuates new world (think Oregon) though it tells a rubble tale of its limestone slope climat.

Last tasted March 2015

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Pirates on a picnic

Feb26

Chef Victor Barry’s Salmon Amuse

The privacy, intimacy and relaxed atmosphere of a subterranean hashery is something we should all experience at least once in a gustatory lifetime. We should also be afforded the opportunity of a salubrious 12-course tasting menu designed by a reluctant superstar. Why ought we not be handled with extreme Sommelier care by the caress of a total professional? Give me a reason to not spend three hours locked in a room with eight others, all of generous wine and spirit?

The location was Splendido‘s downstairs dining room. The chef was Victor Barry. The Sommelier was Ellen Jakobsmeier. The company a group of friends and friends of friends with a common goal. Eat, drink and be merry. Maybe trash talk a little. Trade a few thousand e-mails ahead of time to fire the vinous juices. Get down to business. Taste fourteen wines blind, poured from paper bags, discuss and be humbled by knowing everything and yet nothing at all.

Chef Barry’s selections and his staff’s execution were beyond flawless, culled from trial, error and perfection, bobbing up into the ethereal. Ms. Jakobsmeier had less than 20 minutes to receive, prepare and pour in order, with timely precision, the agglomerated and cumulative progression of the wines. Like Euro rail time. Not a hair out-of-place. Big props Ellen.

One dinner companion said this. “Thank you so much for inviting me to join your Pirate festivities! The food was incredible, thanks for hosting us Victor. The wines were exciting, generous and delicious! Thanks to all of you for sharing the gems from your cellars. And thank you Ellen for doing such a great job pairing all the wines. A feast worthy of Pirates!”

Victor added his own words. “Thanks everyone. I had a blast. I really enjoyed sitting down stairs it made it much more enjoyable for me. Looking forward to the next event. PS that Tokai was fucking delicious. And the Premier Cru from that “Niagara appellation.”

I wrote this to the group. “Laid in bed last night thinking about every course. Too many details to comprehend. And then it was morning and my kids wanted their lunches packed. Good thing there was this pumpkin in my wine sleeve…generosity in wine just amazing. All thoughtful and just fucking generous. Fortunate to have met new faces. Looking forward to this again, and again. Great work JB and Victor, stars all around.”

And to you JB, you sure do know how to throw a party.

Champagne begins the pirates on a picnic dinner in the downstairs private dining space at Splendido Toronto

Champagne begins the pirates on a picnic dinner in the downstairs private dining vineyard at Splendido Toronto

Champagne Larmandier-Bernier Rosé de Saignée Premier Cru NV, Champagne, France

Just a wee coppery this rusty blush, savoury to solecism and uprooted by a tremendous fault that forces metamorphic salinity, no check that, bleeds from rock into the bottle. If Champagne could commandeer the senses to stop and take note, this LB is the one. Stoic, purposed, frank and blushing like a winter Olympic athlete after a gruelling race. This Rosé is as confident and masculine as can be for the genre. It opens the eyes, pores and heart for a long haul ahead of pulls, in corks, sips and gulps. @LarmandierB

Larmandier-Bernier Champagne Rosé de Saignée Premier Cru NV and Domaine Dauvissat Chablis Premier Cru “Séchet” 2009

Vincent Dauvissat Chablis Premier Cru “Séchet” 2009, Burgundy, France

To be blinded by rocks is to taste such a wine without knowing what it is, slicing like Silex, cutting with a jagged edge of mineral take, yet gripping of aridity that must come from singular Chablis. Something whips like paraffin but again, the missing wood, the fennel talc, the absolute purity just says Chardonnay. With levity requested, gotta borrow from Burghound on this one because he was spot on, “way beyond the shadow of a doubt, yeah.” After 30 minutes the Sechet left the quarry to enter a sweat lodge of smoke and toast with an eventual pause at the charred Shishito capsicum station. The coarse wail is the young Dauvissat crooning but with fear set aside, the wine will soften in time, like the fashion poet, the prince of thieves. This Séchet, mythological in name, is Chablis brightly lit and accepts another sung substitute for yes. “Oh it cuts like a knife , yeah but it feels so right.” @BIVBChablis

Oysters, popcorn, scallop dust

Popcorn dusted with dehydrated scallop dust? Damn straight.

Trout roe, maple, ice cream cone

“I have some ice cream, I have some ice cream, and I’m gonna eat it all, I’m gonna eat it all…”

Salmon, skin, consommé

Nikolaihof Im Weingebirge Grüner Veltliner Smaragd 2007, Wachau, Austria (Agent, WineAlign)

Something grand is brewing, of that there is no doubt, despite the skinny, indehiscent first moments. A petrol that comes with age, a suckling piggy with melifluous honeycomb in its mouth roasting away, tinned fruit cup of a jellied, agar-agar mandarin orange type; these are the bold scents of what must be Austria, possibly Riesling, certainly Wachau. Tannin and stone drip Alsace Grand Cru, of Riesling again, like Rangen, but the reveal of Grüner Veltliner makes so much sense. Crazy, mind-blowing example, as good as it gets, a bench and high-water mark from which a free fall off the high springboard makes a perfect splash into the glass. Ninety minutes later only a word is needed to stem the waves of petulant emotion. Unbelievable. @TheLivingVine @AustrianWine

Nikolaihof Im Weingebirge Grüner Veltliner Smaragd 2007 and Henry of Pelham Reserve Chardonnay 2007

Henry of Pelham Reserve Chardonnay 2007, VQA Niagara Peninsula (2013 268342, WineAlign)

French oak kicks at the door, feeling young, dirty and fine though synchronicity is absent in most respects. This is certainly not Chassagne, definitely not Meursault, not even St. Aubin. Yet it is delicate and delectable despite its unkempt ways, selfless and if left to be, might settle into a relationship. To discover it’s the hot vintage of 2007 version of today’s Estate Chardonnay is nothing short of astounding and at the same time, disappointing, at odds, disassembled. After 20 minutes it falls apart, “in little pieces on the floor, too wild to keep together.” The wine’s inclusion was necessary, gave perspective and bent to receive the Uni, “and now the end has come.” The 2012 and 2013 will offer much more pleasure. @HenryofPelham @SpeckBros

Sea urchin, toast, squid ink, lobster

Domaine Valette Pouilly-Fuissé ‘Clos de Monsieur Noly’ 2002, Mâconnais, Burgundy, France

May as well be Josko Gravner Ribollo Gialla, or Ann Sperling’s Whimsy! Orange and yet in contempt of the oxidized and underripe cantaloupe be damned, Jura should be the call. But then there is the question of messing with the man acidity and a trippy delicacy as per the cook’s butcher. It is certainly not faulty, nor should it be faulted for developing au natural, on top of the sheets, on the bare side of the beach. OK, so really old Chenin Blanc and a very natural Outback white blend would make for good conversation, or not. Like mushrooms for toffee. Like mulled apples for cider done wrong. Dirty in the most righteous 12 year-old Sherry way. Love it with Lobster on a rock, octopus and some kind of sea cucumber.

Domaine Valette Pouilly-Fuissé ‘Clos de Monsieur Noly’ 2002 and Louis Latour Corton-Charlemagne Grand Cru 2009

Louis Latour Corton-Charlemagne Grand Cru 2009, Côte de Beaune, France (Agent, WineAlign)

Can anything really be known from a fleeting moment spent with this? Classic, viscous, rich Burgundy and nothing but, with more mineral than should be gained from just a pass. The maker had the unconscious intent of remembering generations. When told that hey, it’s a Latour, in Beaune, of Corton Charlemagne, by Grand Cru, it’s hard to gather your inner we’re not worthy but focus and intent need be the outward act. You can really taste the limestone, imagine walking the Corton hillside, feeling the maximum exposure of the sun. When you know what it is you know to take a slice of humble pie and remember the soil, the soil, the soil. In Burgundy since 1797. @LouisLatour1797 @LouisLatourInc

Equipo Navazos La Bota de Manzanilla Pasada 2011 nº 30 Capataz Rivas

Equipo Navazos La Bota de Manzanilla Pasada 2011, nº 30 Capataz Rivas, D.O. Manzanilla Sanlúcar de Barrameda, Spain

Tasted blind this pours as a glass of briny capers, sea peas, vetches and liquid basalt. It speaks a language that contains the ancient loneliness of ruins. Thoughts easily lean Manzanilla or Old Fino. Great nuts, bitters, horseradish, dry tang, daikon and like a dirty martini. Not to mention orange rind and lime rind, zest and akin to a Vin Doux. It’s origins are at the hands of capataz master Rafael Rivas, from juice originally preserved to add kick to more commercial releases but the decision instead was made to “touch” the 15 solera butts with “testimonial sacas” of only four or five arrobas (roughly 5 x 16 = 80 litres), to make a wine such as this. This is old school Manzanilla, the third saca, with a reductive flor, uniquely oxidative and an average age of around 15 years. @EquipoNavazos @SherryWines @JerezXrsSherry

Pop can seafood

Intermezzo of smoked oyster and foam…

Splendido’s Five-hour carrot

“Friends – ridiculous dinner last night, in the best way. Great wines with great friends is my favourite way to spend a night. Already looking forward to the next one – at which I will bring more than one wine.”

Hamachi collar, black bean paste

Podere Rocche dei Manzoni Barolo Vigna Cappella Santo Stefano 1997, Piedmont, Italy

Here the soprano sings, in bold, rich, deep tones, with a sense of entitlement and a swagger. It’s a royal, goodfella, masculine depth. The notes are sung, even danced in bourrée, crescendo, sostenuto and ritardando. The luscious bing cherry richesse gives it youth, intimating Sangiovese but true hematic Toscana can’t be this dark. The modernity of Nebbiolo it must be. Seamless, tireless and impossibly rose petal delicate with the omnipresent tar. Would be willing to go back to 1999 but for the black forest layering, though to find out it’s ’97 shatters myths, confidence and legend. Still dusty and tannic, with more years needed to shed the grains of sand chain. After 20 minutes it goes to candied flowers, oranges and Alba truffles. Bring on the soft scrambled eggs.

Podere Rocche dei Manzoni Barolo Vigna Cappella Santo Stefano 1997 and Marchesi di Barolo Sarmassa 1997

Marchesi di Barolo Sarmassa 1997, Piedmont, Italy

Smells like spirited, youthful, though decidedly modern Nebbiolo. Rich, chalky, dense, viscous, unctuous and yet the opposite of the Manzoni grit. More feminine, of more voices, in fugue, at times in tarantella, then into arpeggio. The notes play from a radio in my head. “In the deepest ocean, the bottom of the sea, your eyes, they turn me.” That it’s my contribution, this weird fish of a Nebbiolo, makes me amazed at the complex world of Piemonte and the absurdity of knowledge. Sensory appreciation rocks, spoken through this Sarmassa, like a chant from an ancient tribe, sitting cross-legged upon the clays of Lugagnano. It seems there may be 20 years left on the Marchesi’s Nebbiolo. I can’t believe how well it showed.

Venison loin, heart, mushroom, beet, pig’s blood chocolate sauce

“Amazing night! Everything was spot on, from the food to the wines to the company. Thanks to all, looking forward to the next one.”

Tenuta San Guido Sassicaia 1977

Tenuta San Guido Sassicaia 1977, Doc Bolgheri, Tuscany, Italy (2011 480533, WineAlign)

Though the vintage was reported to be less than exceptional, the chance to taste this 37 years in/on and the longevity it displays combines for full, blow me away effect. The first vintage of Sassicaia was 1968 and this 10th try hits the mark of experience. A blend of Cabernet Sauvignon (85 per cent) and (15) Cabernet Franc, the fruit came from vines over top soils of clay and limestone. The wine spent 20 months in Yugoslavian oak barrels (half of it being new, and half used once or twice before), while for the remaining 60 per cent, French oak was used (2/3 new and 1/3 used once or twice before. Tasted blind, the swirling and searching thoughts of Genesis retrospection assimilate aromas of truffle and mushroom, but at first there is no reply at all. Landing on a plot of excellence somewhere between Bordeaux and Piedmont, Tuscany rises from its hills. A silent conversation ask the Sassicaia “I get the feelin’ you’re tryin’ to tell me; Is there somethin’ that I should know?” Its condition is near perfect, its body full, its nature pristine and finally, so obviously in balance. After 30 minutes it begins to slide, to no surprise, but you can’t believe the expression it gives and the impression it leaves. And so, it is confirmed. 1977 was a fine vintage for Sassicaia. @Smarent

Pumpkin in a pumpkin

Marchesi Antinori Solaia Toscana IGT 2003, Tuscany, Italy (2010 987586, WineAlign)

The crowd leans modern, young, New World Cabernet Franc or Bordeaux blend. Can’t help but concur. Turns out to be a blend, of Cabernet Sauvignon (75 per cent), Sangiovese (20) and Cabernet Franc (5). First produced in 1978, the Sangiovese was only introduced to Solaia in 1980. In 2003, the weather could be described with a single word. Hot. Limited rainfall and a record total of 2400° in daytime heat summation has brought this Solaia to its full on gain, 12 years in evolution. The vintage caused a full draw from stony calcareous soil of marl and friable albarese rock. The collective soul can appreciate its charms but the heavy aspect ratio can’t be denied. We sipped and “the punches came fast and hard.” Warm smacks to the face, rushes of heat and an ensanguined rush of chocolate fruit through the system. For now there is no caramel, no brûlée, no denoument. In the present there are caverns of tannin, the ‘sunny one’ playing the crowd, on a sunset strip. Soon and in the end, times fades away. @AntinoriFamily @HalpernWine

Marchesi Antinori Solaia Toscana IGT 2003 and Royal Tokaji Aszú 5 Puttonyos 1993

Royal Tokaji Aszú 5 Puttonyos 1993, Tokaj-Hegyalja, Hungary (2008 972836,, WineAlign)

Here the caramel unctuousness and apricot in chains of liquid gold is the work of a legendary purveyor, the Royal Tokaji company. With sweetness upwards of 150 g/L and acidity pushing the 10 g/L mark, this is no shrinking violet of a dessert wine. With 12 years of road under its belt, the blend of predominantly Furmint and Hárslevelú grape varieties (with a small percentage of Muscat) is firing on all cylinders. Racy and intense, this captures the essence of the 1st growth Nyulászó vineyard and brings it to the world. Bullies the desserts a bit, but all is forgiven considering the range of flavours within and complimented from without. @Royal_Tokaji @HHDImports_Wine

Then one more dessert course…”Milk and Cereal,” chamomile and maple tea gel, buttermilk quenelle, flaxseed granola.

Final treats

Good to go!

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