Barbera d’Asti Del Monferrato E Nizza Monferrato

This report first appeared on WineAlign. Here it is expanded to include all the wines reviewed in July of 2017; 27 Barbera d’Asti and 44 Barbera d’Asti Nizza from 29 producers.

  • Consorzio Barbera d’Asti E Vini Del Monferrato
  • Cascina Gilli Di Vergnano Giovanni
  • Cascina Galarin
  • Bersano
  • Pico Maccario
  • Azienda Agricola Ivaldi Dario
  • Az. Agr. Garrone Evasio & Figlio
  • Michele Chiarlo
  • Castello Di Gabiano Marchesi Cattaneo Adorno Giustiniani Srl
  • Rovero
  • Coppo
  • Tenuta Il Falchetto
  • Az. Agr. Franco Roero
  • Viticoltori Associati Vinchio e Vaglio Serra
  • Marchesi Incisa Della Rocchetta
  • Marco Bonfante
  • Erede Di Chiappone
  • Gozzelino
  • Moretti Adimari
  • Berta Paolo
  • Borgo Isolabella Delle Croce
  • Il Botolo
  • Cascina Garitina
  • Villa Giada
  • Bava
  • La Gironda
  • Tenuta Olim Bauda
  • Cantina Tre Secoli
  • L’Armangia

Back in July of 2017 I hopped aboard the Collisioni Progetto Vino train in advance of four seminar-saturated days in Barolo, to immerse myself in everything the great red hope known as barbera holds in the territory of Monferrato. Here in Ontario we possess a pretty good idea about the nature and the competency of Barbera d’Alba, mainly because of its association with the Piemontese region’s more famous grape variety nebbiolo in production of the noble and regal Barolo and Barbaresco wines. The successes enjoyed by Barbera d’Alba are ensured, not solely because of but certainly by its proximate association. But what about Barbera d’Asti?

Collisioni Festival’s Ian D’Agata recently stated “it is undoubtedly in Piedmont where the grape performs best. To put barbera’s popularity in perspective, consider that 33 per cent of Piedmont’s 45,000 hectares under vine are planted to barbera.” Try throwing this statistic in the face of Monferrato, Nizza Monferrato and so many other Asti barbera growers. So the question begs as to why so many DOC’s exist is such a close proximate place? The answer is quite simple. I am “insert commune name here” and I am this DOC, around my village, with my own very special terroir. Yours may only be five kilometres away from me but I am special and my land and grapes are not like yours. It must be noted that in Piemonte there are as many native grapes then there are in all of France. This is the second and more important reason nearly 50, or almost 10 per cent of all registered Italian grapes are found in Piemonte.

The Barbera DOCGs via somesmartsomm.com

The consortium for Barbera d’Asti and Monferrato wines was founded in 1946 with distinctive labelling and while only seven members were originally on board, today more than 200 band together for the good of the grape and especially the agricultural practices of the territory. I will touch on other Piemontese denominations such as Ruchè di Castagnole Monferrato, Freisa d’Asti and Grignolino d’Asti in a follow-up report but now is the time to discuss, analyze and celebrate all things Barbera d’Asti E Vini Monferrato.

Barbera d’Asti is a DOCG with upwards of 3,900 hectares under vine with nearly 2,500 producers, 30 of which are cooperatives. The wines can be fresh reds made in stainless steel or receive some oak aging while the bigger Barbera d’Asti Superiore, made from selected grapes are required by DOCG law to be aged for at least six months in wood. Both the Barbera d’asti Superiore and Barbera del Monferrato Superiore DOCGs were awarded in 2008, both have maximum yield allowances of nine tonnes per hectare but Monferrato’s minimum alcohol requirement is a half a point higher at 13 per cent by volume. The Vigna (single-vineyard) Monferrato yields are lower, at eight tonnes per hectare. Aging for both is 14 months from November 1st the year after harvest. In Monferrato 85 per cent must be barbera with the remainder allowing dolcetto, grigolino and freisa while Barbera d’Asti Superiore requires 90 per cent barbera.

Barbera vineyards in Costigiole d’Asti

The rich limestone, clay and calcium hills of the Nizza wine zone is one of three Barbera d’Asti sub-zones (that also include Tinella and Colli Astigiani). Nizza’s terroir is a result of marine sediment and with proof supplied by a walk-around tasting and dinner during which wines dating back to 2001 were poured, it is indeed the zone where the most ageworthy and arguably the best barbera d’Asti is made. In 2014 the DOCG was created and the artist formerly known as “Barbera d’Asti Superiore Nizza” has now been abbreviated to simply, Nizza. Like Prince. Power and balance are married in Nizza and many perform well past the 10 year mark after vintage. Wines from Nizza must be 100 per cent barbera, the yields are capped at seven tonnes per hectare and the age requirement is 18 months (six in oak) from January 1st the year after harvest. Reserva is 30 months (12 in oak) and Vigna (single-vineyard) releases must have yields no higher than 6.3 with a minimum of 13.5 per cent alcohol.  The first Nizza DOCG wines were released in July of 2016.

Still today the barbera wines of Monferrato and Nizza are virtually ignored worldwide. Many consumers simply think of the name Asti and sweet sparkling wines come to mind. Many others know not of Asti and still countless more associate the grape with Alba. The Consorzio Barbera d’Asti e Vini del Monferrato is working tirelessly to change public perception, first with its proud public speaking president Filippo Mobrici, by enlisting the association with the Collisioni Festival and through the work of ambassadors like Michele Longo. The Collisioni Progetto Vino brings groups of journalists and sommeliers from around the globe to taste, educate and indulge in the multiplicity of barbera.

A compassionate barbera d’asti sky in the dimmet of a piemonte evening.

The following tasting notes of Barbera d’Asti and Nizza wines were executed in the consorzio headquarters in Costigiole and at the Enoteca Regionale di Nizza in July of 2017. The first tasting focused on Barbera d’Asti and Barbera d’Asti Superiore from the 2014, 2015 and 2016 vintages with the emphasis placed on four sub-zones and their differing soils. The second (walk-around) tasting allowed producers to pour at their whimsy so this included portfolios with varietal wines such as grignolino and freisa. The gathering of the Associazione Produttori del Nizza focused beautifully on a comparison of only wines from the 2014 vintage, by way of introduction, followed by two brilliant tastings in which verticals of their wines were offered, first at a (way too fast) high-speed walkabout and then later during a (beautifully slow) dinner at Locanda Del Boscogrande. My full report covers more than 75 reviews of Monferrato barbera from both the Asti and Nizza categories.

Barbera d’Asti DOCG

Consorzio Barbera d’Asti E Vini Del Monferrato Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Every year one wine is chosen through a series of blind tastings from a selection of producers, to be bottled and labeled under the “taken as a while” entity Consorzio Barbera D’asti E Vini Del Monferrato Barbera D’asti. Only the producer and the President (Filippo Mobrici) know who’s wine is chosen, along with wink, wink, everyone else. This 2015 is quite the firm and brambly barbera, as it should be, with an omnipresent blanketing European vintage depth of character, from warmth, quality, quantity and length. This is typically barbera pressed, full on for fruit, specific to a Monferrato territorial claim and nary a moment of intrusive tannin. Drink 2017-2019.  Tasted July 2017  barberadasti  @barberadasti  @barberadasti

Cascina Gilli Di Vergnano Giovanni Barbera d’Asti DOCG Le More 2016, Piedmont, Italy (Agent, WineAlign)

From the silty marl of Monferrato in Castelnuovo Don Bosco, here the traditionally rustic is acquiesced. Of dark berry, dusty, mulberry, a rich mid-palate, leathery, textured, solid if not profound structure. Only stainless steel and possessive of appropriate length. Drink 2017-2019.  Tasted July 2017  cascinagilli  @cascinagilli  @cascinagilli

Cascina Galarin Barbera d’Asti DOCG Le Querce 2016, Piedmont, Italy (Agent, WineAlign)

Out of the silty marl comes this stainless raised barbera, of such a similar profile to Le More, less floral and also less obvious fruity berry. Made with five per cent freisa, here there is more caramel and dried plum, also more VA and a bit of residual CO2. The bitter finish blend into acidity so very tart. Drink 2017-2018.  Tasted July 2017  #cascinagalarin  Cascina Galarin

Bersano Barbera d’Asti DOCG Costalunga 2015, Piedmont, Italy (Agent, 348680, $13.75, WineAlign)

Bersano’s, like so many of its peers making barbera in and around Monferrato comes from a terroir of silty marl. It spends one year in (large) botti and is a most most floral and perfumed barbera, notably of violets, even a touch of liquorice or fennel. Fills in with more mid-palate and structure than many at this “posto che si chiama” entry level, with bitters as tonics well integrated into the mix. Drink 2017-2020.  Tasted July 2017  bersano1907  profilewinegroup  @BERSANO1907  @ProfileWineGrp  @Bersanowine  Profile Wine Group

Pico Maccario Barbera d’Asti DOCG Lavignone 2016, Piedmont, Italy (Agent, WineAlign)

Quite the deep, dark and handsome barbera with a current of black currant and a pure stainless steel raising. Plums and chocolate mark the second half profile for the rich red, no oak lover in you. This pervasive barbera represents just about half of the house’s total (400,000 bottle) production. It’s truly a matter of fresh fruit and the already conscious awareness of its sharp, tart, fugacious youth. Solicits a knowing nod of the head when tasted at the source not long after a moment with the ’14 less than a year before. Drink 2017-2019.  Tasted July 2017  picomaccario  @PicoMaccario  @PicoMaccario

Pico Maccario Barbera d’Asti Superiore DOCG Epico 2014, Piedmont, Italy (Agent, WineAlign)

Epico is the top selection from the oldest (60 year-old) vines developed 14 months in barrel. In its current state the oak is alpha dominant and the volatility quite pronounced. There is something of a jammy quality, not so much a viscous or pejorative, pectin-laced presence on the palate but more like a reduction as barbera syrup or liqueur. The epitome of modern and produced. Drink 2017-2020.  Tasted July 2017

Pico Maccario Barbera d’Asti DOCG Tre Rovere 2015, Piedmont, Italy (Winery WineAlign)

The “three oaks” saw to six months in barrel and along with an expressly coffee aroma there too is this sugary scent. Candied plums bring fruit depth and richness and the wine sings the high notes of volatility. It’s quite a tart treat, from liquid clay to blackberry in a combined and distilled affair. A moment of cotton candy is fleeting because the heavy clays and ferric accent take over, stirring up some bitters to mix with the sugars. A deferential and adjustable barbera that condones the ups and downs of the oeuvre. Drink 2017-2020.  Tasted July 2017

Azienda Agricola Ivaldi Dario Barbera d’Asti DOC 2015, Piedmont, Italy (Winery, WineAlign)

In the pantheon of red wine made from the barbera grape in Asti lands it is Andrea Ivaldi’s that stands out, like a beacon or a lighthouse, lit up to help mariners find the shore. In this case a summoning light set in a white limestone vineyard and it is the youngest member of the Ivaldi family who resides as the current superintendent of this special barbera. At a locally low 14 per cent alcohol and a hue so Monthelie transparent this is classic, innate, intense liquid stone, bled from the pietra bianca at 300 masl. The blessedly honest red fruit raised in cement tanks for one year is hypo-reductive and only 4,000-5,000 bottles are produced. So balanced, melting, oozing and brisk, structured even. Drink 2017-2021.  Tasted July 2017

Az. Agr. Garrone Evasio & Figlio Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Garrone’s barbera climbs out of the silty marl and exhibits more VA than the others but in a good way. If perhaps it acts a bit acetic, it thus so hides its florals, though there is more texture and integration, gliding silky across the palate and finishing long. More complexity and interest here. Drink 2018-2021.  Tasted July 2017  @vinigarrone

Michele Chiarlo Barbera d’Asti DOCG Le Orme 2015, Piedmont, Italy (265413, $13.95, WineAlign)

Le Orme or “the footsteps” spent 16 months in stainless steel, taken from variegated terroir; sandy, marly and coarser soils. It sheds developed florals and high yet stretched and creeping acidity and in turn length. The acumen and experience comes through, leading to more refinement and almost a creamy (though unwooded) texture on bright, juicy fruit. Drink 2017-2019.  Tasted July 2017  michelechiarlo  univinscanada  @michelechiarlo  @UNIVINS  Michele Chiarlo  @UnivinsCanada

Castello Di Gabiano Marchesi Cattaneo Adorno Giustiniani Srl Barbera d’Asti DOCG La Braja 2015, Piedmont, Italy (Winery, WineAlign)

Gabiano’s stands apart in a barbera tasting of 13 wines because of its naturally wild personality. Run free off sandy soils it saw 16 months in a combination of botti and barriques. Beyond barbera it also contains some grignolino and freisa, more tannin, certainly reductive (which easily blows off) and I’d even call it righteously and properly stinky. More developed and even wise, this has that acidity that travels up and down the sides of the mouth. Drink 2018-2021.  Tasted July 2017  castellodigabiano  @CastelloGabiano  Gazzola Katia (Castello di Gabiano)

#risotto #ristorantelabarbera #costiglioledasti @costiglioleat

Rovero Barbera d’Asti DOCG Superiore Rouvé (Bio) 2014, Piedmont, Italy (Winery, WineAlign)

Rovero’s wafts with the most perfume by a long shot, by a soaking up and in from 24 months in barrique. The waves of vanilla infiltrate the purple berries, much like Rioja and its wood perfume but in barbera it comes with so much acidity. Like chewing on a stick of wood dynamite overcompensating for fruit that didn’t stack up, though it would have been honest and pure to allow the fruit to talk anyway, in whatever voice it may have chosen. Drink 2018-2020.  Tasted July 2017

Luigi Coppo

Coppo Barbera d’Asti DOCG Pomorosso 2014, Piedmont, Italy (Agent, $74.95, WineAlign)

From the house that Piero Coppo built, now in the forward thinking acumen-saturated hands, heart and mind of Luigi Coppo, comes a barbera most ambitious and in 2014, likely to be misunderstood in the throes of its youth. Pomorosso carries the baggage and the experience of 125 years of history in pocket, is only produced in the best vintages and spends 14 months in French oak. A fair to challenging vintage makes cause and pause to consider it a case of over-oak usage because it still overwhelms the terroir while simultaneously in disavow and disallow for the vintage to speak. The big but factor is spoken with a simple term. Balance. Even while the wood is very much in charge the craft behind the scene fills the screen, like a sepia toned vintage movie reel, in which hard at work agriculturalists, agronomists and oenologists move in fast frame motion, tending to their barbera. Beautiful fruit defends itself, because and for the land, reeks through the wood, integrates acidity and lingers, long after the wood perfume has dissipated. Fast forward to the end of the film and enjoy in retrospective view, somewhere mid next decade, while the credits roll. Drink 2020-2028.  Tasted July 2017  coppo1892  maitredechai_ca  @COPPO1892  @maitredechai  @COPPO1892  Le Maître de Chai

Tenuta Il Falchetto Barbera d’Asti DOCG Pian Scorrone 2016, Piedmont, Italy (Winery, WineAlign)

Sees some stainless steel and six months in acacia wood. From a mix of soils in the Piemontese tertiary basin, characterized by sedimentary rocks known as “Marnoso Arenacea,” deposited from a marine environment 30-35 million years ago. A lovely barbera in purity of fruit, perfume and balance. Varietal honesty and bright personality bring dark plum, great acidity and ultimately just a pleasure to drink. 2017-2019.  Tasted July 2017  tenutailfalchetto  @ilfalchettovini  @tenutailfalchetto

Az. Agr. Franco Roero Barbera d’Asti DOCG Carbune 2016, Piedmont, Italy (Winery, WineAlign)

Roero’s is another stainless specimen but this time off of mixed soils cut across two sub-zones. The fruit here is rich, darker, spicy and the acidity less pronounced, rendered, melted in. It too is a pleasure to drink but not as bright as some, to be sure. Just a bit pressed, quite solid and hefty at 15.4 per cent alcohol. Drink 2017-2019.  Tasted July 2017  franco_roero_winery  @FrancoRoeroVini  @franco.roero

Az. Agr. Franco Roero Barbera d’Asti Superiore Docg Mappale 213 2015, Piedmont, Italy (Winery, WineAlign)

From Montegrosso d’Asti Roero’s Mappale takes a heat index step back from Carbuné and from 2016. In 2015 the single vineyard, single (213) block is vinified separately from the others (including Siché and Cellarino) and spends 18 months in large barrels. Still it’s a dark, hematic bruiser with Cassis and dark chocolate, plus the omnipresent energy of acidity. Also ropey, tart and glazed, almost to the point of deep caramel. Then again it always comes back to how young it is. Drink 2018-2023.  Tasted July 2017

Viticoltori Associati Vinchio e Vaglio Serra Barbera d’Asti DOCG Vigne Vecchie 2011, Piedmont, Italy (Winery, WineAlign)

The use of generous oak on these old vines rings and scents into secondary notes, of creosote, graphite, vanilla, clove and dried fruit from strawberry to prune. This will soon be turning to figs, chocolate and balsamic when in a year or two the fruit is no longer willing to sing and the acidity will step back into a phase otherwise quiet. From vineyards in Montegrosso, with caramel, more vanilla, creaminess and Amarone like character in alcohol and a perception of sweetness. Drake 2017-2019.  Tasted July 2017  vinchiovaglioserra  @vinchiovaglio  @VinchioVaglioSerra

Marchesi Incisa Della Rocchetta Barbera d’Asti Superiore DOCG Sant’Emiliano 2015, Piedmont, Italy (SAQ, 12278202, $29.45, WineAlign)

Marchesi Incisa Della Rocchetta is from Sassiccaia fame and also a family with a long Piemontese tradition. Their barbera is aged 18 months in French barrels and hails from near (southeast) of Asti. It’s certainly posied and appointed though I can’t help but notice the five-spice, caramel and balsamic aspect. A highly refined if tart style, seriously structured and wholesome though balanced within that formidable framework. As it fleshes and expands it reveals more charm, with some grace and elegance, kept warm and safe from the elements with an expensive scarf to be sure. Drink 2018-2023.  Tasted July 2017  #marchesiincisadellarocchetta  vins.balthazard  #marchesiincisadellarocchetta  @vinsbalthazard  #marchesiincisadellarocchetta  @VinsBalthazard

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2011, Piedmont, Italy (Winery, WineAlign)

Marco Bonfante’s barbera d’asti made from fruit all over the hill is called Menego, the nickname and in honour of his and Micaela’s father Domenico who passed away in 2000. At the top of Domenico’s hill is Il Bricco and it is this one and a half hectares of south-exposed fruit that separates this barbera from the broad expression that is Menego. The calcareous terroir defines this wine and though the journey here is a high octane, jammy developing one through 14 months in barriques, this is the (relatively speaking) elegant vintage. It stills clocks in at a minimum 15 per cent alcohol and delivers a firm, confident and authoritative message but its elasticity and length allow it to breathe. Still it does not merely wave but punches and is more of a shout than a whisper. At six years the window of pleasure is open, if only just the first crack. Drink 2017-2023.  Tasted July 2017  marcobonfantewinery  @MarcoBonfante70  @MarcoBonfanteWinery

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2012, Piedmont, Italy (Winery, WineAlign)

What a difference a vintage makes, here in 2012 out of warmth and into the highest of alcohol level with intensely ripe fruit. Marco Bonfante does not mess around, stretching the elevations of brix and alcohol while maintaining the natural acidity of barbera and waiting it out so the phenolic ripeness can fall, or rather climb to the high line. That he finds a way to work some magic so that balance is achieved is nothing short of remarkable. The most grip, power and brooding comes out of the 2012, like Madiran tannat, Cahors malbec, Napa Valley Petit Sirah and northern Rhône syrah all rolled into one. But this is the genesis of the new barbera d’asti and only Bonfante pushes such limits and scores in the end. This 2012 is the striker every great football club somehow finds, at most times blending in but always the silent assassin. This Menego is coursing with chocolate, Cassis, espresso and black cherry. It’s just a huge wine, easily at the 16 per cent mark and structured to go a decade before any withering or wuthering. Tension builds all the way until the end. Wot Gorilla. Drink 2019-2027.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2009, Piedmont, Italy (Winery, WineAlign)

In 2009 the hill supplied fruit ready to kill so at eight years Menego has entered its secondary phase. It will not be expected that either 2011 or 2012 will travel this far, this fast though the (more elegant) former will certainly get there quicker then (the massive) latter. A new complexity has emerged with the developing 2009, from out of and with a nod to the southwest facing calcareous vineyard. Cinnamon, orange and subtler spices now grace the aromatics, things the young and powerful Menego do not release. The accents make the eyebrows rise and when noted integrating into the chocolate coated palate there is a tickling sensation. Yet another immensely impressive moment with a Marco Bonfante bruiser is had but with some age the time spent is relenting and ultimately offering some relief. Drink 2017-2021.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti DOCG Brentura 2013, Piedmont, Italy (Winery, WineAlign)

From Daniele Chiappone and a 100 per cent stainless steel upbringing at four years old the Chiappone retains remarkable freshness, with not a moment of reduction or careless redirection. Some dried fruit on the nose is curious so changes are in the air but the Brentura’s structure outside of the wood realm is more solid than most. So too is the warmer, rounder and more breathable acidity, now so integrated. Marvellous example of what barbera d’sati can be. Drink 2017-2019. Tasted July 2017  erededi  @erededi  Erede Di Chiappone Armando

Gozzelino Barbera d’Asti Superiore DOCG Ciabot d’la Mandorla 2012, Piedmont, Italy (Winery, WineAlign)

The underworld of gariga and earthy fox holes are accessed through Gozzelino’s well-aged 2012, a barbera that saw its biased share of barrel by way of a 24 months full soaking in (3000L) Grande Botti. It has emerged vinous and boxy, foxy and full of heavy set moxy, like dried fruit and jerky absorbing like sponges in a pool of campari and aperol. The rusticity is palpable, the figs and the chocolate baking with spice. The alcohol persists while the wine acts fading but it’s certainly persistent. Old-school, traditional, out there in the antediluvian void. Drink 2017-2018.  Tasted July 2017  Azienda Agricola Gozzelino Sergio

Moretti Adimari Barbera d’Asti Superiore DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Moretti’s Superiore takes barbera further, out of a stainless steel world and into barriques for eight months. Perfume and acidity are barbera hallmarks, here now merged nicely together, but it is texture that elevates the game. The chalkiness gained from sandy, Franco (white) limestone soils make for a rover of a barbera, through liquid mineral and made creamy by barrel. Moretti as a producer experiments with riesling, chardonnay and sauvignon blanc so there is no surprise this barbera travels hither and thither. And it works. Drink 2018-2022.  Tasted July 2017  morettiadimariwines    @morettiadimariwines

Montalbera Barbera d’Asti Superiore DOCG Nuda 2013, Piedmont, Italy (Winery, WineAlign)

Montalbera’s calcareous soils are the catalyst to keeping this barbera scaled back, with teeth still shining white after 20 months in barriques. The unfiltered, oak driven wine is astonishingly divine and elegantly integrated with so much dripping, oozing and glazing chocolate. It’s rich and fine if for certain a mess in a mouthful. Drink 2018-2021.  Tasted July 2017  montalbera  @Montalbera  @montalbera

Berta Paolo Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

From vineyards located between the areas of Monferrato and Langa, Berta Paolo’s barbera is a ceremoniously traditional one, possessive of a walk the line beauty specific to the area, at once sonsy in pure red fruit and then volatile to just the right degree. Here is the sort of barbera that exemplifies the natural while unbeknownst to just how raw an affair it really is. Honesty oozes from one that succeeds in being real without even trying. Drink 2017-2019.  Tasted July 2017 vinifamigliaberta  @wineBerta  @viniberta

Borgo Isolabella Delle Croce Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Were that is were so simple for all barbera to take one road or the other, as does Isolabella’s on the darker, full-tempered side. This is so perfectly solid, structured, architecturally sound barbera, with classically styled columns and porticos, tart and with a wealth of 2015 fruit. It’s dark but health-tempered, ever so slightly tannic and streaming with fine natural acidity. So well made. Drink 2017-2020.  Tasted July 2017  isolabelladellacroce2001  @ISOLABELLA_D_C_  @isolabelladellecroce

The history of @ilNizza began long ago. Prepare for its storied future. Exceptional tasting, stellar wines #barberadasti #100percent #100percentapproval #piemonte #progettovino #collision

Nizza DOCG and DOC

Bersano Barbera d’Asti Riserva Nizza DOCG Generala 2014, Piedmont, Italy (Agent, WineAlign)

Suave, refined, silky smooth barbera, of a warmth to express and make accessible the sense of its strength, power and alcohol. It is the exceptionality of texture that really shines. Bersano’s Nizza (Riserva) has already done its 30 months of aging time so it can be released 12 days from now. A true case of catching a wine at its potential best. As they say, timing is everything. Like on the stage so on a lighter, theatrical note this is perhaps an ode to 20th century Italian drama, to Signora Ignazia. “Dear, dear Signora! Hail to our great Generala! To our patron saint!” And yet we could do without the theatre, as long as we have barbera. Drink 2018-2024.  Tasted July 2017  bersano1907  profilewinegroup  @BERSANO1907  @ProfileWineGrp  @Bersanowine  Profile Wine Group

Bersano Barbera d’Asti Nizza DOC Generala 2013, Piedmont, Italy (Agent, WineAlign)

Something about the 2013 vintage speaks with such great clarity as it does here in Roberto Morosinotto’s barbera from Nizza fruit that spent six months in tonneaux. The chocolate swirl has palpably settled on the palate but it’s just so silky smooth, tempered and demonstrative. Acidity surely runs high, it is barbera after all, but it also drifts into and with the waves of plum, wood spice and just spice in generala. Drink 2017-2020.  Tasted July 2017

Bersano Barbera d’Asti Nizza DOC Generala 2010, Piedmont, Italy (Agent, WineAlign)

The summer of extreme heat (though perhaps holding no candle compared to 2017) has delivered a warm to warmest Bersano barbera with a calming effect achieved by cooling time spent in big barrels that date back to 1970. This ’10 is possessive of that sort of delicious perception of sweetness that puts it up there with the richest of the Nizza barbera. The élevage is half and half tonneaux/barriques and texture is full of this Mediterranean liquorice/black olive/gariga/briny tang. Nicely structured to last in this state for another three years. Drink 2017-2020.  Tasted July 2017

Bersano Barbera d’Asti Nizza DOC Generala 2008, Piedmont, Italy (Agent, WineAlign)

Another excellent vintage for the Generala is found to be sound and generous at the nine year mark though the fully developed secondary character is duly noted. Helps to prepare and deduce a clear impression of where 2010 will go over the next two to three years. This ’08 has not quite reached the denouement stage though it has peaked, reeking resinous of fruit and wood clasped in a lover’s humid embrace, with notes of dried orange, apricot, fig jam, tar and roses. The acidity still rages quite assiduously while the briny and ecoregion earthy brush have now faded and disappeared from the fragrance trail. Drink 2017-2019.  Tasted July 2017

Il Botolo Barbera d’Asti Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

From soils with quite a bit of sediment, in the northeast part of Nizza. Quite the silky feel following on the heels of refinement and freshness. A liquid liqueur that is close to syrup but more of a natural feel, without tonic or medicine, but just pure limestone liquid fruit. The sort of tart that is elongated, elastic and stretched with ease. Drink early because it’s quite a glassful of immediate pleasure. Grows on you too. Drink 2017-2019.  Tasted July 2017

Cascina Garitina Barbera d’Asti Superiore “900” Neuvsent CEC Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Why 900? Because Giancarlo Morino’s momma began working here in the 1900s but the local dialect was spoken so quickly so it was just, “900.” The vineyard “CEC” is pronounced “check,” or short for Francesca, who used to own the vineyard. From the (Castel Boglione) southern part of Nizza with higher acidity and alcohol, here at 15 per cent. Aged 12 months in barrel, there is some deep organic clay and (three) old vineyard (1924, 1949 and 1954) induced layering, astringency and brooding, of a seriousness about it that makes it dense and a bit tempered, finishing with dark chocolate. A minty, savoury and sapid streak runs through, likely with thanks to the cooling Mediterranean “Marin” winds that blow through the vineyards from spring to autumn. Well done but needs as much as five to seven years to show as silky and refined as some of the others. Drink 2019-2024.  Tasted July 2017  cascinagaritina  @gianlucamorino  Gianluca Morino (Vignaiolo indipendente)

I’ve got 900 reasons to drink these @gianlucamorino #cascinagaritina #nizza but need only one #nizzamonferrato #progettovino #collisionimonferrato #cec #neuvsent #barberadasti

Cascina Garitina Barbera d’Asti Superiore “900” Neuvsent Nizza DOC 2010, Piedmont, Italy (Winery, WineAlign)

Having tasted Gianluca Morino’s 2014 earlier in the day it makes this follow up, retrospective look at his 2010 such a satisfying confirmation of his work. That ’14 was way too young to make lifelong friends with but this ’10, well this is something other. While still a seriously brooding, hematic, ganache spread of fine chocolate barbera, the components have filled the kettle to overflowing, but time has worked to now emit a floral and spice perfume. The richness of oak has also rendered a touch of complexity, of caramel and baking spice but even further, into secondary beginnings. The tones are aromatic, musical and textural, of sweet, salty and faintly sour by a fineness of acidity. One more year will bring it all together. Drink 2017-2020.  Tasted July 2017

Michele Chiarlo Barbera d’Asti Superiore Nizza DOCG Cipressi 2014, Piedmont, Italy (Winery, WineAlign)

From a loamy locale, aged in large oak barrels, there is a rusticity about it along with its really dark cherry fruit. Some Bretty volatility too, complexity, character, oomph and reason for living. Quite high in acidity and structure is provided by that ideal with addendum by the gentle touch afforded by the higher oxygen exchange, large format wood. Drink 2018-2022.  Tasted July 2017  michelechiarlo  univinscanada  @michelechiarlo  @UNIVINS  Michele Chiarlo  @UnivinsCanada

Michele Chiarlo Barbera d’Asti Superiore Nizza DOCG La Court 2013, Piedmont, Italy (Winery, WineAlign)

Chiarlo’s La Court is actually one of the only Nizza barbera with a hard to get, slightly reserved character. It’s aromas are a bit muted though you get the sense that it’s quite floral behind the veil. Patience and air reveal dark fruits, of plum and black raspberry, then dusty earth and liquorice, with a silky patterning on the palate. Would love to get some wood spice but that too is currently in limbo so time is required to reveal such charm. The acidity is less than barbera raging, something that falls into line with the sneaky structure. Quite singular Nizza cru work right here. Drink 2018-2023.  Tasted July 2017

Viticoltori Associati Vinchio Vaglio Serra Barbera d’Asti Superiore Nizza DOCG Laudana 2014, Piedmont, Italy (Winery, WineAlign)

From the hill known as “Bricco Laudana” this is one of two barberas produced from its clay and sandy marls, a barbera d’asti DOC and this extraordinary Nizza DOCG. The Nizza is aged one year in large oak barrels, thus mixing grace, elegance and full on liqueur with high, nearing acetic acidity. Very long but with angular bits and spikes in and out of the morello cherry fruit. Needs a year to settle in and amongst its sharp, moving parts. The cru is farmed by five or six producers and certainly one to watch, explore and anticipate the subsequent glory that near-future vintages will bring. Drink 2018-2024.  Tasted July 2017  vinchiovaglioserra  @vinchiovaglio  @VinchioVaglioSerra

Viticoltori Associati Vinchio Vaglio Serra Barbera d’Asti Superiore Nizza DOC Laudana 2012, Piedmont, Italy (Winery, WineAlign)

Laudana is a warm and inviting barbera, dark with an ambling, rusty variegate, almost traditionally rustic but with a silky texture. Its notes play sweet and sour red fruits, namely raspberry and its constitution is right proper Nizza with the sort of traditional feel to demand not just attention but a raison d’être that says,”grant us our own DOCG.” It’s a dusty and vinous affair, like fully realized merlot with elevated alcohol, acidity and good phenolic ripeness. A solid, unafraid and unabashed barbera to represent the denomination with confidence and poise. Drink 2017-2019.  Tasted July 2017

Azienda Agricola Ivaldi Dario Barbera d’Asti Superiore Nizza DOCG “1613” 2014, Piedmont, Italy (Winery, WineAlign)

Ivaldi Dario’s barbera captures the honesty, clarity and purity of Nizza Monferrato, from grapes grown on clay-limestone soils and from vines 50 years of age. This perfectly suited barbera was aged in large Slavonian oak barrels and in 2014 turned out lithe and beautiful at 13.5 per cent. It’s tart as it should be, recounting a brief bit of tradition, earthiness and volatility. This is the most decent and convivial barbera of the lot, from longer, slower maceration with less pump overs and no unnecessary barriques aging. The lighter hue is vintage related but also house-curated, not to (re) mention classic styling. Picked early? Perhaps. Most important is that it is progressively hands-off, proper and most appreciated winemaking to celebrate a white limestone terroir. Drink 2018-2023.  Tasted July 2017  andrea.ivaldi  @ivaldidario  @vinidelmonferrato

Azienda Agricola Ivaldi Dario Barbera d’Asti Superiore Nizza DOC “1613” 2012, Piedmont, Italy (Winery, WineAlign)

Few persuasions in the schemes of wine assessments are more fascinating to study than vintage variation, always great signs and portents from the fringe growing regions of the world. Monferrato is one such place, affected by swings in climatic conditions from year to year, raised here in magnification through the lens of Andrea Ivaldi’s multi-faceted barbera. The depth and structure in this ’12 is so contrary to the bright eyed ’14, now richer and almost brooding, even for Nizza. Ivaldi is a house with a self-predicated idiosyncrasy but here it speaks with Nizza style, perhaps antithetically reflexive but still with fruit that echoes from its manifest gaze into a mirror. Andrea makes exactly what the vintage gives, with blacker than red fruit bruised with a variegated hematoma and yet layered with a mineral underlap from that white limestone hill. As an arrangement it’s bigger than even he would likely have wanted to fashion but he’s a pragmatic winemaker who had to pick his fruit by September 20th. Do the math and see the forest for the trees. Drink 2017-2022.  Tasted July 2017

Berta Paolo Barbera d’Asti Superiore Nizza DOCG La Berta 2014, Piedmont, Italy (Winery, WineAlign)

The Berta family wine estate dates back to 1842 with vineyards located between the areas of Monferrato and Langa. Their Nizza barbera d’asti is aged in large 500L oak barrels, lending a perfume that lingers long after this textured wine has stretched into the long aftertaste. Berta’s is quite a warm, rich, welling and dense example, fine liquid grainy, weighty and youthfully cumbersome. Having been afforded the opportunity to taste some older examples later the same day really put this one into perspective and provided a deeper understanding of Nizza structure. Drink 2018-2022.  Tasted July 2017  vinifamigliaberta  @wineBerta  @viniberta

Berta Paolo Barbera d’Asti Superiore Nizza DOC La Berta 2011, Piedmont, Italy (Winery, WineAlign)

The Nizza DOCG was added to Asti’s barbera portfolio in 2014 so this predates the appellative status, though for real intents and purposes this ’11 serves the same purpose. From a hotter than hot summer though the aromatics hide the thought and so you would never know just how warm it was. The palate speaks a different story with a deep-seated liqueur distilled from the top of the Berta Paolo terroir, a 40-70 year old set of plantings at Il Bricco, “The kettle” vineyard, 270 meters above sea level. The veins of this plot stretched over the hill of San Michele at Nizza Monferrato are the reason for Berta Paola’s distinct barbera texture. In 2011 this translates to a creamy, dreamy, suave and fine leathery parochial wine. Another example to set up one’s mind to realize what later vintages will turn out to be. Drink 2017-2022.  Tasted July 2017

If 2014 is anything like 2008 the future will shine on #famigliaberta #barberadasti @ilnizza Riserva #progettovino #collisionimonferrato

Berta Paolo Barbera d’Asti Superiore Nizza DOC La Berta 2008, Piedmont, Italy (Winery, WineAlign)

More traditional than ever, partly and certainly because of age but also in an era that predates the level of current Nizza Monferrato understanding. This travels into a secondary, present state savour with the still flowing liqueur of the San Michele terroir. Speaks an older school, barrel-influenced vernacular, of a chocolate and vanilla vocabulary with an edge of Brett and volatility. Character from another time and quite persistent in voice. Drink 2017-2018.  Tasted July 2017

Villa Giada Barbera d’Asti Superiore Nizza DOCG Bricco Dani 2014, Piedmont, Italy (Winery, WineAlign)

Here from Andrea Faccio struts with great confidence the dark, hematic, ferric and brooding barbera. A very serious Nizza, mercury rising, full on chocolate, espresso and an oily tar, imagining a nebbiolo-like modernity that places this in a stylistic and über-specific category. High acidity, some grainy tannin and sharp finishings so this needs some time. More than any other thus far in the Nizza DOCG flights. Drink 2019-2024.  Tasted July 2017  villagiadawine  Andrea Faccio

Bava Barbera d’Asti Superiore Nizza DOCG Pianoalto 2014, Piedmont, Italy (Winery, WineAlign)

A large (500L) barrel aging, this is highly, beautifully perfumed, restrained and deliciously tart. Savoury, herbal and tomato leaf herbal, from a hill with a crest, “the high plain,” or plateau. A current of currants, bell pepper and really ripe acidity. This is the most proper use of barrels, generous but exceptional. The most energy of all, modern and yet somehow classic, even traditional. Drink 2018-2025.  Tasted July 2017  bavawinery  @bavawinery  @bava.winery

Bava Barbera d’Asti Superiore Nizza DOC Pianoalto 2007, Piedmont, Italy (Winery, WineAlign)

Barbera’s secondary moments are upon the 10 year-old Pianoalto though the wine still slides across the palate with creamy barrel texture. Notes of fig and prune are a case of a hot and dry vintage with very low yields. The nose has matured into a perfume only lifted now by the persistence of barbera’s elevated acidity so this continues to fly at a decent altitude. It’s quite perfect at the ripe old age. Drink 2017-2020.  Tasted July 2017

Bava Barbera d’Asti Superiore Nizza DOC Pianoalto 2001, Piedmont, Italy (Winery, WineAlign)

Certainly showing its age at 16 and perhaps not as long-lasting due to what was at the time a middle of the road sort of vintage. It was a low and slow, no real heat to speak of, natural and organically rendered season so the wine has in turn done the same in kind. Now into the tertiary it has little to no bite or reason to put up a fight. What does persist is a chocolate, espresso and spice sprinkling, then down towards a slightly sharp, tart and done with it finish. Tannins are now only woody but all in all it’s a curious and worthy look back at turn of the century Nizza. Drink 2017-2018.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOCG Le Nicchie 2014, Piedmont, Italy (Winery, WineAlign)

A barbera return to dark fruit, glycerin into texture across a silky smooth palate. From old vines, many exceeding 50 years. Real concentration and developed fruit with an underlay of stone and clay. It’s rich and intense but not dense, warm but not searing. Everything rising but cresting, on a plateau where it can be handled. Structure is clear and obvious. Take this one deep into the cellar. Drink 2018-2025.  Tasted July 2017  la_gironda  @LaGironda  Susanna Galandrino

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2011, Piedmont, Italy (Winery, WineAlign)

The vintage for Le Nicchie is deep, dark and handsome, with fruit woven into texture rich and thick, with lots of wood and lit-scented herbs. Smells like rosemary and thyme stalks thrown on an open flame. It’s also almost impossibly silky and smooth while in management of quite refined acidity and tannin. Very polished Nizza barbera. Drink 2019-2023.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2007, Piedmont, Italy (Winery, WineAlign)

La Gironda’s is yet another 2007 that exhibits very high acidity. It was in fact a hot vintage that concentrated fruit but also that omniscient barbera acidity. Seems very young, almost impulsively so. The flavours are of an extreme Nizza variety, like a slice of Cru cake (in this case Le Nicchie) swimming in a syrupy pool of its own deeply reduced demi-glacé. For fans of barbera density with haute couture style and this is how this house does what they do best. Drink 2017-2020.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2003, Piedmont, Italy (Winery, WineAlign)

As hot as a vintage like 2007 might have been it held no fingertip burning candle to the likes of the scorcher of 2003. In the case of La Gironda and its Le Nicchie Cru the heat played right into the hands of the house style. This is quite a remarkable specimen because despite the warmth and the time elapsed this barbera is just in the early throes of secondary life, so the level of structure is quite astounding. The heavy wood aspect fully renders in chocolate tones piqued with spice. The combinative use of barriques and tonneaux has struck an accord and this still clings to viable life even if it’s quite the molten chocolate bomb. Drink 2017-2019.  Tasted July 2017

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Few barbera from Nizza’s recently appointed DOCG are as polished as Gianni Bertolino’s ’14, a long developed piemontese that spent two years in large barrels. The fruit is really ripe, pushed to the limit of the vintage but just cresting at the edge of dried fruit and the tawny, figgy spectrum. Wild strawberry keeps it fruity and earthy, acidity is round and still in charge, thankfully, for the building and beguiling effect of great structure. Drink 2018-2022.  Tasted July 2017  tenuta_olimbauda hobbsandcompany  @tenutaolimbauda  @hobbsandco  @tenutaolimbauda.it  hobbsandcompany

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza Doc 2011, Piedmont, Italy (SAQ 11383570, $37.50, WineAlign)

From a hot vintage, especially in summer but the warmth was managed by enough cool nights. Gianni Bertolino tells me about picking on acidity, not sugar, in mid-September. Here is the generous, extremely fresh, tart and silky barbera. A seriously classy, chic, racy and almost perfectly modern wine, very much an acumen-acquiesced and benchmark leader for the Nizza appellation. Drink 2017-2023.  Tasted July 2017

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza Doc 2010, Piedmont, Italy (SAQ 11383570, $37.50, WineAlign)

Earlier in the day it was Gianni Bertolino who commented on barbera from Nizza being a six-year wine. His 2010 must have hit its stride at just about exactly the six year mark because here in its seventh just the beginnings of secondary character are showing their tell tale signs. It’s in cantilever mode, stretching out over the barbera abyss, unfurling its wings and truly opening to reveal its charms. Though the acidity still burns, churns and plays devil’s advocate to the depth of fruit and territory, the wood has melted enough to reign in that sapidity and balance is coming into order. It may come as a surprise to find the acidity warm but no longer sharpening its stone but where chocolate, dried fruit (namely plum) and spice are concerned this will be the result. Yet so much life persists in this ubiquitously defined cru of a Nizza. Drink 2017-2022.  Tasted July 2017

Cantina Tre Secoli Barbera d’Asti Superiore Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Cooperative rendered barbera, aged for one year in small barrels. Soil is equally spread across several vineyards, from a rock, sand and loam accrue. Amenable, approachable, warm and vibrant acidity, dark fruit and negligible tannin. Some sweetness, black cherry, berry and fig. Drink 2017-2020.  Tasted July 2017  #cantinatresecoli  @TRESECOLI  @tresecoli1887

Cantina Tre Secoli Barbera d’Asti Superiore Nizza DOCG 2011, Piedmont, Italy (Winery, WineAlign)

It takes but a sip of the Tre Secoli 2011 to gain an understanding in comparison as to where the afore-tasted 2014 is heading. Few Nizza barbera swim with such full on chocolate and dried fruit depth and while the kinship resemblance between the two wines is uncanny, the heat of this ’11 vintage has brought on some fully realized evolution. The richness is all in, drying out and truffles are just around the next bend. Drink 2017-2019.  Tasted July 2017

A quadrato of big, bold and balanced @MarcoBonfante70 #barberadasti @ilNizza Bricco Bonfante #progettovino #collisionimonferrato

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOCG Bricco Bonfante 2014, Piedmont, Italy (Winery, WineAlign)

In the hills of Nizza and Val di Sacca, Bonfante takes a deferential approach with some drying of the grapes for a handful of days, but unlike the three to four months as in Amarone. His fruit is aged in a combination of small and large oak barrels for 20 months. The extra concentration leads to higher sugar content and therefore elevated (15-16 per cent) alcohol but the wine is vinified dry. Sourced from the Bricco, top of the hill on calcareous clay marl. In the end this is a thick, viscous, shaken but certainly refined and balanced barbera in its large format, unabashed and even braggart style. Drink 2019-2026. Tasted July 2017  marcobonfantewinery  @MarcoBonfante70  @MarcoBonfanteWinery

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2012, Piedmont, Italy (Winery, WineAlign)

Bricco Bonfante is the one and a half hectare family vineyard though it’s not necessary to label the wine “vigna.” Bricco works just fine. Now the comparison (to the barbera d’asti Superiore) becomes clear because the silk and elegance is noted in clean and pure Nizza. The 5,500 density of vines producing 4,000 bottles works out mathematically to 800 grams of fruit per plant, a number nothing short of ridiculous economics. With necessity the mother of invention the quality must run high and so 24 months in new barriques is bequeathed the precious fruit. The bricco exalted is the origin of the barbera that delivers prescience, presence and a preciseness of being. The hill is the thing, the vineyard its totem, the hot vintage adding heat early and on repeat, at 15.5 degrees alcohol (declared) so ripe, so big and with structure so in control. Drink 2019-2027.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2011, Piedmont, Italy (Winery, WineAlign)

The vintage is in fact not so completely unlike the 2012 if perhaps a step taken back, away from power, terribilita and the heat. The palate has already begun to relent into a Nizza meets Bricco Bonfante sweetness and the tannins have resolved one notch down to a point closer to understanding. As a result there is more polish to Marco’s 2011 and a finer layer of silk. Here for the first time there is this purity of dark cherries mixed into the finest chocolate and a touch of secondary character development in balsamic. Should be good to go this time next year. Drink 2018-2024.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2010, Piedmont, Italy (Winery, WineAlign)

Travelling in reverse down along a Marco Bonfante vertical is a most interesting exercise and makes so much sense. The 2010 is so similar to 2011, even more than how that ’11 compares with 2012. The fruit in ’10 is less pitchy, in delivery of red to black berries (or black raspberry to be precise) and yet the silky thread runs through the red. The same 24 months in new barriques sends this reeling into the plum chocolate pudding as a veritable bomb of a Nizza barbera. There are some who might find the stylistic overbearing, weighty and dense. They would not be wrong but they would be missing the Bricco point, of a matter that comes from the top of the hill with lowest of the low yields out of a rarity of rarities vineyard. There is no denying the acumen and the ambition but also, mostly the necessity. Drink 2017-2021.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2009, Piedmont, Italy (Winery, WineAlign)

It was beginning to look like no matter how far back you travel in a Bricco Bonfante Nizza vertical there would be no signs of evolution, that is until you hit this 2009. Here the first to begin an inkling into secondary notes, if only the etchings of spice symbols and wood derived pericopes. There is also a faint, around the corner idea of tar and candied roses, or perhaps they’ve already begun to join the scented party. I find this 2009 quite cru Barolo-like and it’s interesting to note that this was Marco’s first Nizza Bricco. It also happens to be the one with the most apparent fruit, or perhaps time is the factor needed for such a reveal. It travels from red to black and back. Really quite amazing. Drink 2017-2021.  Tasted July 2017

Godello, Michele Longo, Michaela Morris and Dr. Michael Apstein

L’Armangia Barbera d’Asti Superiore Nizza DOC Titon 2013, Piedmont, Italy (Winery, WineAlign)

Titon is a blend of three estate vineyards planted between 1934 and 1990. The plots are also a mix of exposures; southeast, east and west, with warm temperatures abundant throughout. This barbera runs a fever of acidity, doles out plenty of chocolate, has yet to fully integrate its wood and is truly well made Nizza. Drink 2017-2019.  Tasted July 2017  armangia.giuly  @LARMANGIA

L’Armangia Barbera d’Asti Superiore Nizza DOC Vignali 2011, Piedmont, Italy (Winery, WineAlign)

Vignali is the single-vineyard barbera from the estate vineyard planted in 1934. An approximate 24 months of barrel aging is performed before it then ages in bottle for a further 24 months. At first there are the new 300L oak casks, then small 130L barrels for 12 months and finally large casks for 10-12 months more. Well, all this to say that Vignali is fully involved in its secondary stage of life. It is a most mature barbera, with the three holy trinity tenets of chocolate, balsamic and high level acidity all working as one. The soil and barbera tang is fully felt. Drink 2017-2019.  Tasted July 2017

L’Armangia Barbera d’Asti Superiore Nizza DOC Vignali 2010, Piedmont, Italy (Winery, WineAlign)

A later harvest developed riper fruit with higher phenolics and with seven years under its belt that fruit is drying nicely. Chocolate as always with figs, raisins, apricots and as expected balsamic, though here with a shot of dark espresso. All of the above on repeat and that big barbera acidity. Drink 2017-2018.  Tasted July 2017

Going back to @ilNizza for a lesson in what tomorrow will bring @Coppo1892 Grazie Luigi #barbera #barberadasti #riservadellafamiglia

Coppo Barbera d’Asti Nizza Superiore DOC Riserva di Famiglia 2009, Piedmont, Italy (Agent, $74.95, WineAlign)

From a small cru located in Castelnuovo Calcea, born in 1998, “a project, not only a wine,” explains Luigi Coppo. Only produced in the best vintages, the previous being 2007 and the next will be 2010, though this ’09 is undoubtedly the finest. “It’s not a wine of economics,” continues Coppo, but a single-vineyard expression for people to think outside the barbera box. It shares less history than Pomorosso and thus the reason why it is only selected from very specific vintages, “to work on the craft.” Few if any Barbera d’Asti carry such precision and presence. It’s adult candy, wise and layered, the key to making great barbera right here, in this texture. Expertly woven are fruit, wood and acidity so that all are blended, with no ego, nothing taken for granted, all in balance. Drink 2017-2027.  Tasted July 2017  coppo1892  maitredechai_ca  @COPPO1892  @maitredechai  @COPPO1892  Le Maître de Chai

Coppo Barbera d’Asti Nizza Superiore DOC Riserva di Famiglia 2007, Piedmont, Italy (AgentWineAlign)

Higher acidity in 2007 and alcohol pushing at 15.3 per cent (as opposed to 14.7 in 2009) don’t mean the world has come to end but it does make for an electric Nizza barbera. Even then Coppo could be pragmatic when it was called for so the wood use in this barbera was increased, to soak up some of that fantasy and see if the components could strike a balance in accord. You can really sense the fineness of silk on the palate. Still so beautifully managed, or rather you can intuit looking ahead 10 years from signsin this 2007 how in future vintages the winemaker will know how to manage the realities of vintage variable acidities, through the adjustments in wood and how that will determine the levels of tannin. Drink 2017-2019.  Tasted July 2017.

Borgo Isolabella Delle Croce Barbera d’Asti Superiore Nizza Doc Augusta 2009, Piedmont, Italy (Winery, WineAlign)

All the Isolabella wines receive a girl’s name, in this instance Augusta, a vineyard selection from a couple of sites on each side of the village limits and named after the proprietor’s sister. The estate produces only 90,000 bottles, each highly specialized and this barbera comes out of the highly prized vintage. In retrospect and with the fortune to taste several 2009s in one walkabout it is now obvious that the season bequeathed the gift of age on its wines. Great because of an extra fineness of acidity from a grape that always gives this way but in Isolabella’s 2009 there is this cool, savoury, reserved character, not unusual but balanced in equal opposition to the strength of perfume and body. A delicato is expressed in what may be referred to as an ultra-über special 2009. Drink 2017-2025.  Tasted July 2017  isolabelladellacroce2001  @ISOLABELLA_D_C_  @isolabelladellecroce

A deep #eredichiappone vertical delve with Daniele for perspective and a release of endorphins @ilNizza possibilities #progrettovini #collisionimonferrato

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2011, Piedmont, Italy (Winery, WineAlign)

Daniele Chiappone’s 2011 is his richest, warmest, most wood affected barbera replete with an armament of spice. While still in the care of its 16 per cent alcohol frame it is a most underdeveloped specimen but because it’s so big and burly it can’t help but reek, ooze and sweat out the aching masala of aromatics. In talking with Daniele he fully admits this to be the vintage of great demand and pressure so he simply made the wine it asked for. I liken this to Amarone from vintages like 2010 and 2011, unavoidable and so a great winemaker will simply do what must be done and try to seek out balance in a bold and crazy world. With fine acidity void of spikes, peaks and valleys Chappione puts this barbera in a state of equilibrium however high the plain may be. Give this two years minimum to integrate and match it with some lean venison over a bed of tangy polenta. Drink 2019-2027.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2010, Piedmont, Italy (Winery, WineAlign)

Chappione’s 2010 is barbera of a powerful maturation and its polyphenolics are quite different than those from 2011. The hard skins, noted by Daniele as pelli durissime might lead to a personality ostinata impermeabilità but a longer maceration broke them down, turned the opposite around to make them flexible and permeable. Though still tightly wound and not yet pliant this precise and very present 2010 of intrinsic structural value will make use of another year in bottle to soften its pertinacious fibres. When it opens up it will bloom, but ever so slowly, over a 15-20 year plan. Its crazy legs, choice acidities and quality tannins will all conspire towards longevity of the indiction degree. Drink 2019-2027.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2006, Piedmont, Italy (Winery, WineAlign)

RU by Daniele Chiappone is this, at first something altogether inexplicable but when tasted alongside his 2005, 2010 and 2011 it makes such perfect sense. Sense in where this fits in his evolution and to speak on behalf of the age-worthy ability of Nizza barbera. In a world where barbera perfume so often performs with perfunctory brevity this goes on and on. It is a unique combination of fennel frond, incense, hibiscus and violet to create an intoxicant and an anaesthetic. Yet another exceptional vintage is revealed, traditional and so alive, spun from earth crusting over cherry and then this smooth leather. The portal backwards 10 years allows for looks forward 10 more, especially into what’s coming from 2015 and 2016. To say the match with a prodigiously spiced in aromatic ragu over linguine was agreeable would be the understatement of the Monferrato century. Perfectly timed acidity seals the deal. This is barbera folks, of wit, age and history. Drink 2017-2021.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2005, Piedmont, Italy (Winery, WineAlign)

The vintage was a tough one with some hail and difficult to get the grapes into a state of full maturity. It’s amazing how winemakers remember every painful moment of a vintage like 2005 and Daniele Chiappone recalls picking in the first week of October. While that may not be wholly unusual for the RU cru it is quite a late Piemonte harvest. This RU carries deep, dark depth in currant fruit, in a realm where cabernet franc hooks up with nebbiolo and sires a love child. Side by side with 2010 it is really just the quality of tannins that truly sets the two apart and here the chemical reactions in the natural world bring about spice; cinnamon, star anise and then this eminence of Chiappone acidity. In Nizza it is this speciality that is both singular and distinct that creates such a structured feeling of éclat, or in the case of Chiappone, fulgore. Drink 2017-2022.  Tasted July 2017

Il contingente canadese @Collisioni #nizza #barberalovers #represent #progettovino #piemonte

Thanks for reading up on the wines of Barbera d’Asti and Nizza Monferrato. Let’s all hope we begin to see more options in both categories made available here in Ontario. A special thanks to Ian D’Agata, Michele Longo, Michaela Morris, Giulia Corino and the entire Collisioni crew.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Fontodi’s one hundred per cent sangiovese

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

I have spent quite a bit of time in Chianti Classico over the past two years, most recently during the last week of September. The occupation of study and discovery and the investigation into the intricacies and multiplicities of the region’s sangiovese prepossess a lifelong infatuation. If the cumulative is a factor of compulsive obsession so be it and while decades of learning are left to attack, an essential visit can now be crossed off the bucket list. With Giovanni Manetti at Fontodi.

Fontodi is a certified organic estate which extends over 130 hectares of which approximately 70 are planted to vines. When you break down the name into two parts, first fonte or “source” and odi, “hate” you paint an image in etymology that couldn’t be further from the truth. Take a walk through the estate’s vineyards set in Panzano’s Conca d’Oro and the exact opposite unfolds. Fontodi’s estate vines are as described (and for the effects on health and happiness) prescribed as a place of “high altitude, calcaire-clay-schist soil, lots of light, and a fantastic micro-climate – warm and dry with a marked difference in day and night-time temperatures.” Lots of light is really key, “un sacco di luce,” or as it could be construed, “a source of love.” Spend three hours with Fontodi’s proprietor Giovanni Manetti and you’ll get the picture. Fontodi as Fonte di amore.

Related – All in with Chianti Classico

Giovanni Manetti showing the sangiovese of the 2017 harvest

Today is September the 23rd. First we take a drive down into the Conca d’Oro and walk in the vines. The sangiovese blocks with the finest exposure and the most sun have just recently been picked. Others are coming in as we speak. The rest will be harvested by the end of the week. It has been a most unusual vintage in Chianti Classico. One of the warmest and driest winters on record is interrupted by a near-devastating spring frost then followed by scorching summer temperatures and no rain. The grapes dry up and desiccate to nearly nothing with the danger of an empty harvest looming. Then a miracle happens and the rains fall during one crazy week in early September.

There are producers who make a fateful mistake. They pick their sangiovese ahead of the rains. Sugar and alcohol are high in the shrivelled berries but phenolic ripeness lags well behind. The stems and seeds in these preemptively harvested sangiovese are green, underdeveloped and bitter. The tannins will follow suit. Though these wines will be jammy and flavourful in the first year or two, the hollow feeling on their mid-palate and the astringency on their finish will expose their weakness. Giovanni Manetti makes no such mistake. He allows the grapes to swell with the much-needed watering and then watches them develop their phenolics over the following weeks of warm weather. His sangiovese are beautiful, lower in yield, with many of the bunches and their berries smaller in size, but ripe nonetheless. It may not turn out to be a great year for Chianti Classico and Flaccianello economics but the 2017 wines will shine.

Have not seen a prettier cow than the #chianina raised for @dariocecchinimacellaio on the @fontodi organic farm in Panzano

We move on down to visit the Chianina. The Chianina are an ancient and very large Italian breed of cattle raised mainly for beef. The beautiful, regal and majestic cows are famous for producing the meat for Toscana’s bistecca alla fiorentina. Giovanni’s herd are nurtured for one specific purpose, to supply the most famous butcher in Italy Dario Cecchini with his meat. Says Cecchini, “The Officina della Bistecca is our convivial way of answering the difficult question of the perfect way of cooking Her Majesty the Bistecca alla Fiorentina and Her Sisters the Costata and the Panzanese steak.” The farm to table relationship between Fontodi and Antica Macelleria Cecchini is witnessed right here, first hand.

Pinot Nero in Amphora at Fontodi

Back in the winery Manetti is fully cognizant of a group of seasoned journalists and sommeliers having visited more than their share of estates so we skip past the stainless steel tanks, barrel cellars and bottling lines to get down to what is really right. Along with John Szabo M.S. (WineAlign partner and author of Volcanic Wines), Brad Royale (WineAlign judge, Wine Director of Rocky Mountain Resorts and most interesting man in Canada) and Steven Robinson (First Ontario Ambassador of Chianti Classico and Sommelier at Atelier Restaurant in Ottawa) we talk amphora with Giovanni. Much experimentation is taking place at Fontodi even while much of the world may not associate their iconic sangiovese with this sort of side work. Along with decades of producing tiles, the hand-made wine Amphoras manufactured by Manetti Gusmano & Figli are the result of eight generations of experience in the production of Cotto and high quality handmade terracotta.

What makes the Manetti Amphorae special is the uniqueness of the clay; the abundant presence of Galestro in the terroir of  Chianti Classico, the salts and the calcium carbonates confer the right microporosity, enabling the wine to breathe correctly. This feature, the antioxidant and antibacterial action and the high thermal insulation capacity make the terracotta Amphora  an ideal tool for the production of great natural wines. Fontodi and natural wines. Another partnership so worth exploring.

Fontodi vineyards in the Conco d’oro, Panzano

After the amphora we sit down to taste through the wines of Fontodi. There are good solid sessions and then there is the kind of catechetical research afforded with a proud and humble man of Giovanni Manetti’s stature. First the presentation and sangiovese appetite whetting pour of Meriggio, a sauvignon blanc from the Colli Toscana Centrale, a rest in the shade, “and as for compensation, there’s little he would ask.” Then the Chianti Classico from Fontodi and neighbouring Lamole in Greve in Chianti, for perspective and contrast. Manetti gets down to the greatest of Chianti Classico/Toscana IGT contrastive verticals with eight vintages of Vigna del Sorbo (now labeled as Gran Selezione) and Flaccianello della Pieve. When asked what he thinks of the Chianti Classico Gran Selezione category moving to 100 per cent sangiovese he laughs. “What do I think of the idea? It’s my idea!” The notes will explain the rest.

Fontodi Meriggio 2016, Colli Toscana Centrale IGT, Italy (WineAlign)

Meriggio is 100 per cent La Rota vineyard sauvignon blanc, whole cluster pressed with native yeasts, 75 per cent stainless steel ferment, no malo, 15 per cent in amphora and 10 per cent in French barriques. That said, without temperature control some malo, like it, happens. To go to Meriggio means to go and have a rest in the shade, from the verb meriggiare in reference to the (not Tuscan) poet Eugenio Montale, “merrigiare pallidio e assorto.” Empty is the literal translation but it’s more a case of the unoccupied mind at rest. Sauvignon should always be so calm and yet spirited, here with little to no oxidative character but rather metallurgy, saltiness and pure tang. The leesy reductive environment and Panzano acidity conspire with calcaire for a demonstrative locution. Bloody delicious sauvignon blanc for the man in me. Drink 2017-2022.  Tasted September 2017

Sangiovese of Fontodi

Fontodi Chianti Classico 2014, Tuscany, Italy (933317, $36.95, WineAlign)

No surprise here from stalwart Fontodi, to take a difficult vintage, push vanity aside and select the best fruit for a pure expression of sangiovese, natural and organically made, with precision and clarity. The red Panzano fruit spikes with cran-pom-rasp-currant bursting freshness. It’s just the right amount of tart and sapid, carefully rippling in acidity. So well made. Drink 2018-2022.  Tasted February and September 2017  #Fontodi  rogersandcompanywines    @rogcowines  Az. Agr. Fontodi  #fontodi

Fontodi Chianti Classico Filetta Di Lamole 2014, Tuscany, Italy (Agent, $35.95, WineAlign)

The old Lamole winery is owned by Giovanni Manetti’s cousins, where the grandfather made important wines until he passed away in the 80s and the grapes were then sold to bulk. Then Giovanni began working with the family in the 2000s and this first vintage was ready because the finesse of 2014 spoke to him, to begin the new journey. This has seriously improved, settled, come together, developed its excellence with seven months added in time to bottle. Its characters of amaro, earth and texture are now as one, inseparable and fully vested in the calm. Drink 2017-2023.  Last tasted September 2017

From the “forgotten corner of Chianti Classico,” Lamole of Greve in Chianti is perched in a natural amphitheatre between Volpaia to the south and Panzano to the west. Some of the vineyard’s older vines are still pruned in the alberello (bush) style. This is Giovanni Manetti’s inaugural vintage of the Filetta in cohorts with his cousin. So, decidedly a diffident partner and opposing force to the Fontodi Annata because the earthy-subterranean dwelling aromatics brood beneath the red, verging to riper and darker fruit. There is a liquor, aperitif amaro-ness to the Lamole. The clay must be darker and more compressed. The balance is struck though on deeper, more brooding and warmer alcohol-felt lines and in 2014, as if it were a Riserva. It’s an oak “vessel’ aged 100 per cent sangiovese, as opposed to other the estate’s usual use of barriques. It is perhaps counterintuitive but this acts more evolved than the “normale.” Neither better or worse but enjoyment time is now.  Tasted February 2017

Father and son- Giovanni and Bernardo Manetti @fontodi #panzano #chianticlassico

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2014, Tuscany, Italy (Agent, $83.95, WineAlign)

The older vines are between 52 and 54 years old, the first vintage being 1985 and until 2011, contained some cabernet sauvignon, vines that have since been pulled out. The now site-specific, 100 per cent sangiovese Vigna del Sorbo may have been muscular in 2012 but no such hyperbole exists in 2014. The vintage determined this and despite the deep black cherry chalkiness the true spirit and stripped down honesty of sangiovese is in display. Purity has returned, floral like an artistically-rendered natural, realist and perpetual field of flowers in bloom, in installation, of violet light and rose-scented glass. I can imagine drinking this for decades, with its albarese-galestro saltiness and effortless concentration. Sometimes sangiovese never relents and at the same time never tires. Meraviglioso. Drink 2020-2038.  Tasted September 2017

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2013, Tuscany, Italy (Agent, $81.00, WineAlign)

Fontodi Chianti Classico Gran Selezione Vigna del Sorbo 2013. (Takes deep breath). Just imagine a box filled with all things sangiovese, in all its incarnations and permutations, each aspect teaching something about what you need to know. History, legacy and tradition. Risk taking, forward thinking and progress. What is learned (in retrospect) from two poles; heat and power (2012) and cool savour and elegance (2014). The ’13 is not a matter of being in between but rather an exceptionality, a sangiovese of energy, precision, clarity, purity and a pure reflection in the window of honesty. Everything this vineyard can offer is in the 2013; florals, herbs, fruit, acidity and fine, fine tannin. All in, together, as one. Perhaps its best years will end sooner than 2014 but the time spent will be unparalleled. Drink 2019-2035.  Tasted September 2017

Fontodi Chianti Classico Vigna Del Sorbo 1986, Tuscany, Italy (AgentWineAlign)

Fontodi’s Vigna del Sorbo was obviously not a Gran Selezione designated Chianti Classico in 1986 but it was at the top of the pyramid. A sangiovese in which the acids and fine pear bitters stir in the tray, with a fruit from the (Sorbo) tree that was used to mix with grapes for Vin Santo. Not any more. In 2017 the freshness is impossible, implausible, perpetuated in the most floral and fine acidity combination of any older sangiovese ever experienced. This is like sucking on the most perfect lozenge of fruit, salt, mineral and Panzano mystery. This is Panzano sapidity perfectly realized, preserved and expressed. There is a touch of Cassis, less pyrazine but you can detect the cabernet sauvignon character, even in 10 per cent but combined with sangiovese it’s this frutta di bosco feeling. Just fantastic. Drink 2017-2023.  Tasted September 2017

#nebuchadnezzar @fontodi #flaccianello

Fontodi Flaccianello della Pieve 2014, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, WineAlign)

Flaccianello comes off of a different slope, aspect and exposition than Vigna del Sorbo, here facing straight south, collecting all the sun it can in the golden glow of the Conca d’Oro. The richness celebrates the legacy of this 100 per cent sangiovese, once so atypical and untraditional back in 1981, now the most legacy defining there may just be for varietal Panzano and for the territory in the sense of the greater good. Pure, nonpartisan just, unadulterated and perfectly powerful sangiovese with length from Firenze to Siena and back. Drink 2021-2036.  Tasted September 2017

Fontodi Flaccianello della Pieve 2013, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, BCLDB 55392, $109.99, WineAlign)

The Flaccianello is the Fontodi expression of uva nostrala, “our grape,” explains Giovanni Manneti, the most important local variety owned by Chianti Classico, protected and exalted by Fontodi. Sangiovese the solo act that must define Gran Selezione, to explain what is Chianti Classico in its purest form and to separate how it grows and what wine it produces, particularly when you are to compare it from commune to commune. This Flaccianello separates itself from the Vigna del Sorbo vineyard and Gran Selezione category, even from itself, with another bonafide elegant layer of Conca d’Oro stratified limestone richness and this ultra-savoury umami level of minty-herbal intensity. What else is there to say? Drink 2020-2034.  Tasted September 2017

Fontodi Flaccianello della Pieve 2006, Tuscany, Italy (WineAlign)

Tell it to the vintage perhaps but 2006 is so very floral, more than any Flaccianello in the memory bank and expressly sangiovese in temper. It’s a year with massive tannins and extreme acidity. For these reasons there is a tightness of being and even at 10-plus years it’s silly young to work with but the concentration impresses. Fruit at a premium indicates some citrus, in orange and lemon with compound interest calculated in further variegated acidity. The most sapid Flaccianello of them all has 15 years more initial development ahead before true secondary character will take over. It’s amazing when you stop to think about sangiovese of such structure. Drink 2019-2031.  Tasted April 2017

Fontodi Flaccianello della Pieve 2005, Tuscany, Italy (WineAlign)

“This is the vintage I open when I host a party or an important dinner, because no one asks me to open it.” The words are Giovanni Manetti’s and for him none truer are spoken, with a smile. The younger vines and super-selection from the “Bricco” part of the top of the hill in the exceptional vineyard make for a sangiovese of fine-grained tannin plus what the smallest berries of the smallest bunches gift. Their integration with wood has become a matter of balance, in terms of delicasse, even while supported by such structure. Secondary character is happening, in herbal, balmy and savoury, slightly pulsed and edging into balsamico. But it’s such a gentle and slow-sliding slope, years yet away from tertiary. Drink 2017-2026.  Tasted September 2017

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Rewriting history at Meerlust back to 1984, one vintage at a time

Not just #meerlust more like major lust. Thank you for the sexy time travel @meerlustwine Laurel Keenan and The South African Wine Society.

It was on September 12th, 2017 that a once in a lifetime South African vertical tasting happened. The South African Wine Society managed to acquire 10 Meerlust wines from nine vintages gathered over 15 years. In Toronto. At The University of Toronto Faculty Club. It’s not that I want to invoke the dystopian dread of George Orwell nor do I equate the master’s writing with the wines of Meerlust but tasting 1984 through to 2010 has provoked the linguistic drama in me to invoke some wordsmith parallels. “Who controls the past controls the future. Who controls the present controls the past.” Winemaker Chris Williams may not totally disagree.

Few Cabernet Sauvignon vertical tastings are capable of determining such a clear picture in style, patterning and evolution, save for perhaps for obvious reasons what is possible out of Bordeaux. This focused collection from Meerlust connected past to present and with no real South African presence in the room. A 25-minute video presentation by Williams and the wines were all the 75 guests in attendance had to go on. By the time the winemaker had sped-tasted and rapid-dissected the nine vintages most of the four-ounce pours in the room were drained. It was a quick to state of bliss happy bunch.

Meerlust dates back to 1693, the house that is “love or pleasure of the sea.” Less than five kms south from the Atlantic Ocean, the property was purchased in 1756 and to this day remains family owned, now in its eighth generation with 260 years of continuity. On the 3rd July 1693, the Governor of the Cape, Simon van der Stel, granted the land to Henning Hüsing, who named the farm Meerlust, describing the sense of pleasure he obtained from the sea breezes that blew inland from False Bay. Johannes Albertus Myburgh bought Meerlust in January 1757. His ownership marked the foundation of the Myburgh Dynasty.

Hannes Myburgh, eighth generation owner of Meerlust, graduated from the University of Stellenbosch with a Bachelor of Arts degree majoring in French and English in 1982, before studying winemaking at Geisenheim in Germany. Hannes worked at Chateau Lafite in France and von Oetinger in Germany. Chris Williams was appointed Cellar Master at Meerlust in 2004 but has worked as Assistant Winemaker for the farm since 1995. He studied Oenology at Elsenberg and gained international experience in France while working for Michel Rolland. He is assisted by Wilson Waterboer and the cellar team.

Remarkable history and longevity through 10 back vintages of @meerlustwine #rubicon with the South African Wine Society. Thank you LK for the generous treat.

Rubicon is Meerlust’s flagship wine and considered one of South Africa’s premier Bordeaux Blend reds, first made in 1980. This vertical of nine vintages included 1996, 2001, 2003, 2004, 2005, 2006, 2007, 2008  and 2009. I’ve added 2010, tasted recently through Ontario’s VINTAGES release program. In addition, we tasted cabernet sauvignon 2004, infrequently made, the previous time in 1993. This is the prime ingredient to the Bordeaux blend, usually making up around 60 per cent of the wine, with merlot, cabernet franc (and from 2008 on), petit verdot added. Thank you to Laurel Keenan of Wines of South Africa Canada, for having me and to Eleanor Cosman of the South African Wine Society, for hosting. Here are the notes.

Meerlust Rubicon 2010, Wo Stellenbosch, South Africa (64329, $37.95, WineAlign)

Meerrlust’s iconic blend is a Stellenbosch essential, of the ripest fruit and fully-rendered barrel. I’m quite amazed at its uncanny ability to appeal, even at this seven year mark, a show of generosity and gregarious character almost unparalleled for a wine of its Western Cape ilk. The geology runs deep, neither reductive, sap-flowing or bouncy, but the mineral sear and streak is certainly there. This Rubicion trades fecundity for earthy chocolate, uncompromising and unapologetic in its frosting. Beef is a must, preferably rare and dark from high heat char. Dry-aged and or Wagyu would pair even better. The blend is 62 per cent cabernet sauvignon, (24) merlot, (12) cabernet franc and (2) petit verdot. Drink 2017-2021.  Tasted February 2017

Meerlust Rubicon 2009, Wo Stellenbosch, South Africa (WineAlign)

Winemaker Chris Williams forged the people’s Rubicon in 2009, a Bordeaux blend as recognizable in name and style as much as any produced in not only South Africa, but worldwide. Everything is attractive in 2009, beginning with these quite lovely liquid dusty, rich mulberry and deep plum notes. To a crowd of 75 it can’t help but be the standout of general consensus for its sheer restrained hedonism and unabashed beauty. Youth has so much to do with how this shows but believe me 2009 is just a baby, so much more so than 2008 and they are only a year apart. The blend is 70 per cent cabernet sauvignon, (20) merlot, (9) cabernet franc and (1) petit verdot. Drink 2019-2027.  Tasted September 2017

Meerlust Rubicon 2008, Wo Stellenbosch, South Africa (WineAlign)

The 2008 is the first vintage with some petit verdot in the mix though it’s just a start, with one per cent to go along in a blend of (71) cabernet sauvignon, (19) merlot and (9) cabernet franc. Shows some volatility and also more wood in the context of an espresso-chocolate continuum. Here a deeply hematic and iron schisty Rubicon, intense, brooding, mineral well dug deep into the terroir. This goes strong and powerful up the sides of the tongue with that fine but intense acidity. Unquestioned as a fine wine with lots of wood derived chocolate flavours but the spice is all fruit and the tannin from off of that fruit. Massive structure and age possibility will go well into the twenties. Drink 2017-2027.  Last tasted September 2017.

Rubber dust, road macadam and strawberry jam. Fierce Bordeaux Blend home from a hot climate. This has gritty obduracy and doggedness. Like a red blend with a gun, walking the mean streets. Acidity shot through the roof. Bordeaux meets South Africa in every shared, resplendent and promising way. Rasping tannins contain bursting dark fruit, the grain running in multiple directions. Respect. Wait two more years on this and drink comfortably past 2020. Tasted November 2014

Meerlust Rubicon 2007, Wo Stellenbosch, South Africa (WineAlign)

Rubicon 2007 is the last to be made without any petit verdot (74 per cent cabernet sauvignon, (15) merlot and (11) cabernet franc) and is actually not too dissimilar to ’06 though truly lighter and with more high bright intensity. It is also possessive of that collective ropey, red dusty cured and dried fruit character, like what can happen with traditionally adhered to sangiovese and tempranillo. So really when you think about it this shares a style, at least in part with more than its Bordeaux cousins. Yet go and ask winemaker Chris Williams and he’ll tell you “I dont think this wine could be made anywhere else because of terroir and history.” Fair enough. Surely the winemaker knows. Drink 2017-2026.  Tasted September 2017

Meerlust Rubicon 2006, Wo Stellenbosch, South Africa (WineAlign)

Rubicon is one of the original South African Bordeaux blends, here in 2006 with merlot and cabernet franc to satisfy the blended needs of cabernet sauvignon. The blend is 74 per cent cabernet sauvignon, (8) merlot and (18) cabernet franc. This ’06 is a bit shy, reserved, not giving much away from its usual floral heights. There is a layering of palate density before then deriving its complexity through the alleys of acidity, tannin and structure. Still so far from coming around but this reminds me of that salty, saline and mineral 1996. Drink 2017-2022.  Tasted September 2017

Meerlust Rubicon 2005, Wo Stellenbosch, South Africa (WineAlign)

In 2005 the blend (69 per cent cabernet sauvignon, (15) merlot and (16) cabernet franc) saw an increase of cabernet franc, likely because of heat units and a vintage-driven jamminess exhibited by the cabernet sauvignon. The result is a cooler, increased savoury blend with a rising of steroidal currants so very sapid in a pool of high acidity. It’s the most lucent Rubicon, almost luminescent though not quite transparent, still so vital, pulsating and nearly raging in its wild, twitchy edgy energy, even beastly and in the end, just a bit out of balance. Like a Steve Vai riff in Zappa mode. Then again, the, Rubicon ’05, anything but a flex able leftover or quaint little wine might tell me, “I’m the beast of love and you just got in my way.” Drink 2017-2025.  Tasted September 2017

Meerlust Rubicon 2004, Wo Stellenbosch, South Africa (WineAlign)

Rubicon 2004 is a completely different animal, with animale musk and a deep, dark and brooding constitution. The blend is 63 per cent cabernet sauvignon, (27) merlot and (10) cabernet franc. Shows 13 years on as the young (Chris Williams) winemaker’s ambitious first solo effort, while the wood was once so obviously in power of demand, it’s now ameliorated and integrated. This must have taken some time to come around, perhaps as recent as a year or two ago. Rubicon has been produced since 1980, was previuosly a matter of cabernet sauvignon, now here with more cabernet franc than before. Drink 2017-2025.  Tasted September 2017

Meerlust Rubicon 2003, Wo Stellenbosch, South Africa (WineAlign)

Rubicon 2003 was made by Chris Williams’ predecessor Giorgio Dalla Cia and from ’04 on they are made by Williams. The blend is 69 per cent cabernet sauvignon, (19) merlot and (12) cabernet franc. From a long hot dry sumer, a classic Rubicon, again with some lovely complexity out of the shadow of volatility, more savour here and cedar, plus pencil lead and graphite. In the freshest of ways this is closer to the present stylistic of Rubicon and Stellenbosh and further away than 1996. It’s the transition from old to new, with concentrated black currant, Cassis and wine gum. Not quite tertiary bit meaty char, balsamic, fennel and mushroom are just around the corner. Drink 2017-2020.  Tasted September 2017

Meerlust Rubicon 2001, Wo Stellenbosch, South Africa (WineAlign)

2001, a warmer vintage is the assumption, with its wood still in play and tannins truly continuing their assertion. Giorgio dalla Cia fashioned a truly proportioned blend, of 70 per cent cabernet sauvignon with equal parts merlot and cabernet franc. While it can’t hide from its ocean salinity and omnipresent terroir it is a stand out vintage because of new world opulence. I’m not sure there will be another Rubicon in this tasting or at any opportunistic time that will make one dream so vividly of Bordeaux (i.e Château Pichon Longueville Baron) but also Napa Valley (i.e. Opus One). The structure in this Rubicon is purely Stellenbosch and with its merlot/cabernet franc proportion it’s quite intriguing, especially because of the warmth and how dramatically this foreshadows how franc will become more important in the blend as the years progress by. A fantastic wine Drink 2017-2021.  Tasted September 2017

Meerlust Rubicon 1996, Wo Stellenbosch, South Africa (WineAlign)

In 1996 Chris Williams was a junior winemaker (to Giorgio della Cia) at the time but he remembers the vintage well. The blend is 70 per cent cabernet sauvignon, (20) merlot and (10) cabernet franc, from a cool vintage, here still dishing some Brettanomyces. It’s in check and so kind, gentle and helps to fixate towards thinking it a a sleeper vintage sort of personality There is much savour, still fruit (mulberry and plum), lots of acidity in quite a sour patch candy way but really dry and intense.Plenty of sediment! Very much alive with the silty, salty, but not fine pearly tannin. This falls into the saline-savoury style with wood just a dream from long ago, though admittedly a bit too pungent and earthy. Drink 2017-2019.  Tasted September 2017

Meerlust Rubicon 1984, Wo Stellenbosch, South Africa (WineAlign)

Meerlust dates back to 1693, the house that is “love or pleasure of the sea.” Less than five kms south from the Atlantic Ocean, the property was purchased in 1756 and to this day remains family owned, now in its eighth generation with 260 years of continuity. Rubicon 1984 is poured (with brilliant decision making) from magnum and is therefore fresher than the 1996 with an incredibly controlled level of fineness in tannin, from acidity and at the threshold of understood volatility. “Perhaps one did not want to be loved so much as to be understood,” like this early Rubicon. The future of Meerlust is foretold with Orwellian transparency, bold honesty and expert ability. “Who controls the past controls the future.” Drink 2017-2019.  Tasted September 2017

Meerlust Cabernet Sauvignon 2004, Wo Stellenbosch, South Africa (283390, $29.95, WineAlign)

Meerlust’s solo cabernet sauvignon ’04 is not merely very much alive it’s still full of bright fruit, though the wood is more noticeable than on the Rubicon. It is the lack of cabernet franc more than anything that seems to be the reason. The ganache component is highly significant, a chocolate factor magnified but still the Meerlust acidity drives the machine. Ripe and ripping with tannins still very much in charge, this wouldn’t be harmed by the generous and patient affording of more time so that it may further evolve to become the pleasing red it knows it will be. Drink 2017-2024.  Tasted September 2017

Not just #meerlust more like major lust. Thank you for the sexy time travel @meerlustwine Laurel Keenan and The South African Wine Society.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

50 years of Vino Nobile di Montepulciano

Missed it by that much. #oldwine #vinonobile #sangiovese #vinonobiledimontepulciano #cantineriunite

During the eight-day locomotive migration through Anteprime Toscane in February 2017 there were nearly 1000 wines to try, mostly sangiovese in all its various genetic, clonal and stylistic fluctuations.  The aberration was in San Gimignano, a stop on the tour that I regrettably missed due to a deeper delve into Chianti Classico’s (even in) February verdant hills. One checkpoint and more specifically one tasting stood out from the rest. Fifty years of Vino Nobile di Montepulciano.

That the powers that be at the Consorzio del Vino Nobile di Montepulciano thought to amass ten wines spanning four decades and launching with that fateful year of 1967 was more than a stroke of regional genius. It was both a major risk to take and a gift of great generosity. There was no way of knowing how those early virgin wines of DOC origin would show or if in fact that life would still be left in them. Perhaps another shortlisted vintage or two was waiting in the wings just in case a 1967 or a 1975 failed to survive but regardless, some serious props, high-fives and sincerest thanks go out to the producers and decision makers of this most storied consorzio.

While some examples expressed themselves with more spirit and vitality than others, any doubt cast on the structure of the Montepulciano sangiovese has been vehemently cast aside. The prugnolo gentile and other (increasingly employed) varietal variants cultivated in the Valdichiana and Val d’ Orcia are more than a 50-year-old project. “The oldest documented reference to the wine of Montepulciano is from 789 in which the cleric Arnipert offered the church of San Silvestro or San Salvatore at Lanciniano on Mt Amiata, a plot of land cultivated with vineyards in the estate of the castle of Policiano. Later, Repetti mentions a document in 1350 (in his “Historical and Geographical dictionary of Tuscany”) which drew up the terms for trade and exportation of Vino Nobile di Montepulciano.”

“The Sixties brought a reawakening in winegrowing geared principally towards the production of Vino Nobile rather than Chianti. State and EU funds used by the wineries to convert their vineyards into conformity with the requirements of the DOC (1966), enabled new wineries to enter the market. Recognition of DOCG status came in 1980 and Vino Nobile began a new life.”

In advance of the 50-year seminar the Annata 2014 and Riserva 2013 vintages were presented. The challenge of the growing season showed the fortitude and the persistence of Montepulciano’s producers. You can throw a difficult set of weather patterns at the Vino Nobile but you can’t break their spirit. The ’14s are different, that much is clear, but more than enough quality, firm grip and structure is available to send these wines well into the next decade. They are a grounded bunch. The 2013 Riserva are more of an elegant crew, for the most part and as representatives of the multiplicity of sangiovese they are as falling snow, like the endless repetition of winter’s everyday miracle. They are also wines that do not swing their arms, an indication of a secretiveness of character. Which smarts into contradiction a connection to the ten 50 years of Vino Nobile wines. It explains how exciting it is to spend time with them in 2017.

Post Anteprima Vino Nobile we paid a visit to Avignonesi. Two extraordinary vertical tastings were held with proprietor Virginie Saverys, Max Zarobe and winemaker Ashleigh Seymour; Vino Nobile di Montepulciano 2014-2010 and Desiderio Merlot 2013-2010-2001-1998. “When I purchased Avignonesi in 2009 it was Mars, or Venus,” began Virginie, “it was not planet earth.” Today it is a model of Montepulciano consistency. Here are my notes on those Avignonesi vintages along with some Anteprima prugnolo and those 50 years of Vino Nobile di Montepulciano.

50 years of #vinonobile @consorzionobile #50anni #sangiovese #vinonobiledimontepulciano

Contucci Vino Nobile Di Montepulciano 1967, Vino Nobile Di Montepulciano, Tuscany, Italy (486068, Agent, WineAlign)

Contucci’s Vino Nobile di Montepulciano ’67 was produced during a significant year in world history. The first heart transplant, the Six-Day War, the Monterey Pop Festival, The World Exposition in Montreal, The first Super Bowl and the release of the Beatles’ Sgt. Peppers Lonely Heart Club Band. It was also the year Celtic beat Internazionale in the European Cup Final. Contucci’s Vino Nobile is from a time when there were maximum seven producers in Montepulciano and only the second vintage as a denominazione wine. A primitive wine from a primitive stage in the history of the area. If it’s not totally oxidized, it’s certainly most of the way there. Smells like a nearly petrified orange, fermenting lemons and toasted meringue. Certainly many white grape varieties in here. Old and chestnut barrels were used for a seven to eight month period of aging. Much more life shows on the palate, with lemon, orange, caramel and lanolin or paraffin. Lingers for a bit. More than interesting. Drink 2017.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  andreacontucci  #contucciwinery  kylixwines  #cantinacontucci  @KylixWines  Contucci  Andrea Contucci  @KylixWines

Tramps like us. @consorzionobile #borntorun #1975 #vinonobile #fanneti #sangiovese #vinonobiledimontepulciano #toscana

Fanetti Vino Nobile Di Montepulciano 1975, Tuscany, Italy (WineAlign)

Fanetti’s Vino Nobile di Montepulciano almost defies 40 plus years having passed since 1975. The higher acidity may not exactly scream at this time but you can imagine it having done so for a long time in its harkening back to having been raised at a higher elevation. Fruit is completely gone (of course) but we’re still in forest floor, faint mushroom and compost. The acidity still kind of rages, incredibly and this smells like lemon wood polish but also musty leather. Twenty years ago would have been really nice. I like the mouthfeel, like old Rioja, really old, with a creamy and silken texture. Quite alive, despite the off-putting nose. This was worth the visit. Drink 2017.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  #fanetti

Boscarelli Vino Nobile Di Montepulciano Riserva 1982, Tuscany, Italy (AgentWineAlign)

The Boscarelli acts like a much younger Nobile, from an exceptional vintage and a producer way ahead of its time. The key is to decide which side of the evolutionary fence we’re on, closer to that 1967 from Contucci or to what is happening today. This may actually be the turning point for Vino Nobile because it really has one foot entrenched in each world. Very much in the mushroom and truffle aromatic atmosphere, where sangiovese should feel free and comfortable to travel in the twilight of its golden years. This is beautiful, with some dark fruit persisting and acidity still in charge. You can imagine the old tannins but they no longer make any demands. Drink 2017-2020.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  #PoderiBoscarelli  lucadeferrarildf  artisanal_wine_imports  #poderiboscarelli  Nicolò De Ferrari   Luca De Ferrari  @artisanalwineimports

Avignonesi Vino Nobile Di Montepulciano DOCG 1988, Tuscany, Italy (Agent, 943670, WineAlign)

Avignonesi’s Vino Nobile di Montepulciano 1988 picks up where its most excellent peers left off but also leads back into a quality level of parity tasted after Boscarelli’s 1982. This nearly 30 year-old sangiovese is not alone in its walk through the woods, leading to the autumnal mushrooms, unearthing the truffles and yet its trudge though the forest floor is even more prevalent. And then the intense pungency of porcini comes flying out of the glass. Good acidity still travels up and down the tongue and then it retreats so very drying on the finish. Wonderful look back. Drink 2017-2019. Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  avignonesi  rogersandcompanywines  mdzbtz  @avignonesi  @rogcowines  @mdzbtz  @avignonesi  @rogcowines 

Poliziano Vino Nobile Di Montepulciano “Vigneto La Caggiole” 1988, Tuscany, Italy (AgentWineAlign)

Back in 1988 Poliziano’s Riserva style Vino Nobile di Montepulciano came from this single vineyard, the “Vigneto La Caggiole.” Named after an ancient farm and/or St. Mustiola’s “Caggiole” Parish, it comes from Cagio, a word in the middle ages meaning “a forest or a bounded area by forests.” When tasted side by side by each with the ’82 Boscarelli and the ’88 Avignonesi this Poliziano is much more reserved and muted aromatically so I’ll hedge a bet that the tannins are still in charge. Indeed this is the case but they are sweet and copacetic to fruit that persists, though only reveals its fleshy charms on the palate. A Vino Nobile yet very drinkable to date. Drink 2017-2020.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  polizianowinery  noble_estates  @PolizianoAzAgr  @Noble_Estates  @PolizianoAz.Agr  @NobleEstates

Carpineto Vino Nobile Di Montepulciano 1988, Tuscany, Italy (AgentWineAlign)

Carpineto’s Nobile dating back 29 years is now wholly and totally volatile, of the vinyl curtain as carpeting on the forest’s floor. Some mushroom and lots of wood on the palate. Smoky and smouldering to a tart and still persistent, tannic finish. Still waiting for the settling though after three decades if it hasn’t happened yet it’s not ever going to. Would have offered serious and substantial pleasure when the fruit was still active but that finest moment was in the last decade. Drink 2017.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  @CarpinetoWines  @UNIVINS  Carpineto Wines  @agence.UNIVINS  carpinetowines  univinscanada

Tenuta Di Gracciano Della Seta Vino Nobile Di Montepulciano 1995, Tuscany, Italy (Agent, 487074, WineAlign)

The Della Seta ’95 hosts and boasts an aromatic combination of forest earthy and floral pretty and so is this most interesting 22 year-old Vino Nobile, with dried wild strawberry (fragaria vesca = fragola di bosco), fruit, leaves, mulch and all. Quite tart and with some real texture, more structure and remarkable considering this was produced at the beginning of the house’s history. Well preserved and if it holds no candle to Chianti Classico or Sienese/Florentine Hills IGT sangiovese from the same excellent vintage, it surely lives to tell a similar tale. Drink 2017-2020.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  tenutadigraccianodellaseta  @GradellaSeta  @GraccianodellaSeta

Salcheto Vino Nobile Di Montepulciano 1995, Docg Tuscany, Italy (Agent, 685180, WineAlign)

The volatility and Bretty quality is there but I don’t imagine it so much more aggressive than it may have been at the start. Dried fruit is full on and in with very little in the way of mushroom and truffle. The small French oak barriques have certainly given this some preserve so that the fruit can turn to preserves on the palate. Good acidity persists as does so much residual spice from the wood. Drink 2017-2018.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017   #salchetowinery  hobbsandcompany  @SalchetoWinery  @AMH_hobbsandco  @Salcheto  @HobbsandCo

Bindella Vino Nobile Di Montepulciano 1999, Docg Tuscany, Italy (WineAlign)

The wood used at the time is clearly in full view though in a settled, creamy and gently spicy aromatic way. This has evolved quite quickly and efficiently, now into a sangiovese turned to balsamic, five spice and soy wax. Was and still is a rich wine though I would bet that 1998 has fared better. The acidity is still quite prevalent, the tannins not so much. Two shots of doppio espresso mark the tail and it lingers long enough to suggest a couple of more years at this stage. Melts away like chocolate on the tongue. Drink 2017-2018.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  #bindella  #tenutavallocaia    @bindellavallocaia

Tenuta Valdipiatta “Vigna d’Alfiero” Vino Nobile Di Montepulciano 1999, Docg Tuscany, Italy (AgentWineAlign)

Valdipiatta’s Vigna d’Alfiero is not quite as evolved a 1999 as the Bindella with some more presentable and viable fruit life available, though the wood is very sheathing and in full couverture. Balance is better though because the acidity is finer and still persistent. Tannic and drying, this is exactly what I would expect for 18 year-old Vino Nobile. Drink 2017-2020.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  #tenutavaldipiatta   rogersandcompanywines  @TenValdipiatta  @rogcowines  @TenutaValdipiatta  @rogcowines

Poderi Boscarelli

Boscarelli Prugnolo Rosso De Montepulciano DOC 2015, Tuscany, Italy (Agent, $27.95, WineAlign)

Boscarelli’s use of varietal alias for the local sangiovese is both obvious and modern in approach. Their’s is a fresh and vibrant Rosso, lithe and unencumbered. Fragrant, sweet smelling roses lift the spirit and second the motion for needing no ornamentation. This completely self-adorned prugnolo is gentile but just firm enough a foil for the antipasti. Drink 2017-20219.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Boscarelli Vino Nobile De Montepulciano DOCG 2014, Tuscany, Italy (Agent, $51.00, WineAlign)

A firm ’14, not so unusual in itself and yet just ripe enough, with fragrant roses as indicated in the prugnolo ’15. Yet here the flowers also deliver a dried and saline line while everything seems to soften and emancipate on the palate. Notes of a future with tar and tabby developed red fruit comes dreamy yet clear with spice notes by barrel and varietal keeping the youthful spirit alive.  Drink 2018-2022.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Boscarelli Vino Nobile De Montepulciano Riserva DOCG 2012, Tuscany, Italy (Agent, $63.95, WineAlign)

In accord of time under its belt and meltable structure afforded by the barrel it is the Riserva that strikes a now balance between ripe fruit and the firm grip of Vino Nobile tannin. I Boscarelli reference the least amount of volatility but the particular acidity is quite fastening as it works in cohorts with the tannin. These are musical wines of ligature and kedging anchors. While the Annata 2014 may have more bob in its sailing drift the Riserva is the stable schooner. It’s just a question of approach. Drink 2018-2024.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Boscarelli Vino Nobile De Montepulciano Riserva Sotto Casa DOCG 2012, Tuscany, Italy (Agent, $86.95, WineAlign)

Sotto Casa is a single-vineyard prugnolo from “beneath or below the home,” as the nomenclature suggests and is the house Vino Nobile paved with 15 per cent cabernet sauvignon and five merlot. I don’t take huge stock in the need to discuss Bordeaux varietal addendum versus the endemic though in this case the floral lift and forgiving nature is worth a word or two. The 20 per cent expatriate accents make for a prugnolo of inclusion, in this case bringing the best out of that local sangiovese. Richness goes above and beyond, with nary a shrinking or chocolate shaken moment. The freshness here in such Riserva clothing is to be lauded. Really fine. Drink 2018-2024.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Boscarelli Vino Nobile De Montepulciano Riserva Il Nocio DOCG 2012, Tuscany, Italy (Agent, $148.95, WineAlign)

With some variegation in the alluvial soil to include sand and clay this 100 per cent sangiovese is drawn from the east side of the estate. The four hectare, 280 to 350 metres of altitude Vigna del Nocio has been owned by Poderi Boscarelli since 1988. It is here where terroir, aspect and existential vine placement changes everything. More than four and less than 5,000 bottles of the vineyard’s finest produce are gifted in this wine, “the nuts,” but also the bolts of Boscarelli’s noble fruit. Yes there is this bifurcate character about it, at once roasted nuts meets frutta seca and then this depth, seriousness and structure. The forked Vino Nobile is both blessed by that Boscarelli grip and lifted into noble elegance. Three years will pass and little will change. I’d expect it to linger for 15 more. Drink 2019-2027.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Tenuta Valdipiatta

Tenuta Valdipiatta Pinot Nero Rosso Di Montepulciano IGT 2008, Tuscany, Italy (AgentWineAlign)

This small lot production is one of the most unique wines made in the Montepulciano hills, from just half a hectare on sand and clay. The vineyard was planted in 2000 to what must have been some whispers, giggles and closet envy, at the base of the hill beneath the winery. Dark berries, red ropey, ruby yet firm pinot nero fruit leads a wine of amazing toughness and grit. This must have really been something to behold in its first two or three years. All terroir and the hardest of nuts to crack. It has now softened somewhat but I wonder if in 2000 they could have known what might happen. The vines should hit their elegant stride beginning with perhaps the 2015 vintage, would be my best guess. Drink 2017-2019.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Tenuta Valdipiatta Rosso Di Montepulciano DOC 2015, Tuscany, Italy (AgentWineAlign)

Valdipiatta’s Rosso was just recently bottled, with 10 per cent mamaiolo and canaiolo in support of the prugnolo. It spent only three months in (20 per cent) used barriques and like the pinot nero is truly a terroir driven wine. While certainly dusty, firm, deeply clay fruit deepened its musicality plays anything but an astringent tune. Drink 2017-2019.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Tenuta Valdipiatta Vino Nobile Di Montepulciano DOCG 2014, Tuscany, Italy (AgentWineAlign)

A multi-barrel slumber of six months in small barriques and 12 months in 500L Slavonian casks has ushered this firm sangiovese (with five per cent canaiolo) through the world of the traditional and the historically noble. In spite of its old school charm in upbringing it’s quite the amenable one with a wide reaching, outstretched arm of generosity marked by a salty-sweetness of candied-savoury accents. It’s quite the minty cool and fruit prosperous Vino Nobile that while tending to grippy is almost always open for business. Drink 2018-2022.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Tenuta Valdipiatta Vino Nobile Di Montepulciano DOCG 2013, Tuscany, Italy (AgentWineAlign)

The 2013 Vino Nobile is a softer, understated in grip version of the ’14, still terroir-driven but from a less demanding albeit singular vintage. What’s different, aside from an extra year beneath its legs is the presence of sweeter and finer-grained tannins but also a wider, open door of invitation and possibility. The Valdipiatta acidity is quite consistent, as is the traditional way of styling. A pattern is forming, of the ideal out of which an intrinsic understanding is able to cogitate the links in these wines of place. Strong genes run through the lineage of the Valdipiatta family. Drink 2018-2023.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Tenuta Valdipiatta Vino Nobile Di Montepulciano Riserva DOCG 2013, Tuscany, Italy (AgentWineAlign)

Unlike the allure into a smiling reception offered up by the Annata 2013 the Riserva is conversely closed and not yet in a forgiving mood. The firmness of fruit, tart shrill of acidity and fineness of tannin all combine in procurement of one seriously intense Vino Nobile. The orotund voice and dramatic attitude follow the company line and in the Riserva do so with great hyperbole. It’s quiet remarkable actually. Unmistakable Valdipiatta. Drink 2019-2025. Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017

Avignonesi’s Virginie Saverys with Wine & Spirits Magazine’s Stephanie Johnson, on her right and The Reverse Wine Snob Jon Thorsen, on her left

Avignonesi

Avignonesi Vino Nobile Di Montepulciano DOCG 2014, Tuscany, Italy (Agent, 943670, $41.95, WineAlign)

Quite relaxed for sangiovese from the demanding coincidences of implausibility that arose out of the 2014 vintage, clearly directed as such to drink well while others have to wait. Tannins are certainly ripe and whatever agitative spearing or sparking that seems to be going on is given a healthy and humid oak bathing. Not so much found in the elegant oasis occupied by either or both ’12 or ’13 but a very grounded and centred Vino Nobile nonetheless. Drink 2017-2021.  Tasted at Avignonesi February 2017

Avignonesi Vino Nobile Di Montepulciano DOCG 2013, Tuscany, Italy (Agent, 943670, $41.95, WineAlign)

Like so many 2013s the fruit is quite plussed, pure and distinctly raw, dusty, cured and naturally craft sangiovese. The wood also seems to be in a diminutive position and so distinguishes the fruit though when all is said and done this equivocation can only be from Avignonesi. Terrific spice elements rub in and out of every crevice. Long like 2012, elegant in of itself and it’s quite possible the better or best is yet to come. The elusiveness of development means that we can’t yet really know. Drink 2019-2024.  Tasted at Avignonesi February 2017

Avignonesi Vino Nobile Di Montepulciano DOCG 2012, Tuscany, Italy (Agent, 943670, WineAlign)

The vintage is the one with the reductive “lamentala,” but merely just a fraction of that idea and is quick to blow off into the Val di Chiana. “We have to be careful with sangiovese,” cautions owner Virginie Saverys, “it has a very thick skin.” Extraction must be a delicate process and so a gentle délestage is performed, plus from the bottom up, “not a very physical pump over from the top.” This leads to big fruit, well endowed by barriques and tonneaux towards and always elegant result. Drink 2018-2023.  Tasted at Avignonesi February 2017

Avignonesi Vino Nobile Di Montepulciano DOCG 2011, Tuscany, Italy (Agent, 943670, WineAlign)

The 2011 was augmented by late August into September warmth so late phenolic ripeness made for an adjustment to picking and a new wine was born. Though less floral and perhaps not quite as elegant as 2010 the slower developed will and power were a perfect fit for an Aussie winemaker’s roots. You can’t help but note the shiraz-like attitude in this ’11 but balance is afforded by a more extreme acidity. With thanks to prudent picking passes the greens were avoided and all was gifted by the reds and the blacks in one massive but now mellowing coexistence. Drink 2017-2021.  Tasted at Avignonesi February 2017

Avignonesi Vino Nobile Di Montepulciano DOCG 2010, Tuscany, Italy (Agent, 943670, WineAlign)

This first year production under the transfer of full ownership to Virginie Saverys was marked by a long, cool growing season and as a result, a lovely, long-developed ripeness. The 2010 Vino Nobile is one of alcoholic meets polyphenolic balance. Though quite young yet there is a triumvirate fineness of fruit, acidity and tannin in a sangiovese where richness and elegance meet at the intersection of texture. This is a wine of shoulders lowered, at ease and at peace. Ripeness is the virtue on a road that flows like a river. Drink 2017-2021. Tasted at Avignonesi February 2017

Avignonesi Desiderio Merlot Toscana IGT 2013, Tuscany, Italy (Agent, SAQ 10993456, $72.00, WineAlign)

Desiderio is Avignonesi’s wine of “desire,” an IGT usually made with 15 per cent cabernet sauvignon though it’s as much a varietal wine as any sangiovese, or perhaps better as a comparison to Napa Valley merlot. From the Val di Chiana, a wine looking for Chianina beef. Proprietor Virginie Saverys explains the terroir is “the southern most limit of making a decent merlot in Tuscany.” Any further south and “you can lose your whole crop to the heat over the course of three days.” Concentration due to clay rich soils and a consumption of oak by healthy fruit like there is no tomorrow. It’s quite remarkable how little heat spiked spice is found on the nose. Smells as merlot should with just a touch less than obvious jamminess, a dusty and complex emulsion of fruit and herbs. The bite, spice and concentration well up on the palate. Desiderio is intense and implosive merlot. Drink 2019-2031.  Tasted at Avignonesi February 2017

Avignonesi Desiderio Merlot Toscana IGT 2010, Tuscany, Italy (AgentWineAlign)

From a selection off of 32 hectares of merlot with 15 per cent cabernet sauvignon, the 2010 Desiderio is not unlike ’13 but with more elegance, softness and demure. The spice is again hidden and here in ’10 it’s really a full case of fruit and what seems at first like nothing else. Time and the effects of that vintage have already conspired to soften a bring about this creamy mouthfeel and texture. Vanilla, chocolate ganache and a restrained sense of power. It’s quite pretty, ready to drink and yet there is this feeling that it’s not quintessential Desiderio. It’s beautiful nonetheless. Drink 2019-2031.  Tasted at Avignonesi February 2017

Avignonesi Desiderio Merlot Toscana IGT 2001, Tuscany, Italy (AgentWineAlign)

From a classic, important and proven Tuscan vintage and for merlot, very good, if not wholly and unequivocally exceptional. The wood on 2001 carries more weight and massive couverture and at 16 years of age the rendered effect is dripping in chocolate and fine espresso. There is this sense of exotic spice in airy accents, like five-spice and liquorice, but then a swirling descent into demi-glacé. Tannin and acidity are both a bit lower here, a reminder of time and evolution, not the most lashing in any shape or form. Paolo Trappolini was the winemaker for this 2001, a powerful merlot with plenty of glory. Drink 2017-2023.  Tasted at Avignonesi February 2017

Avignonesi Desiderio Merlot Toscana IGT 1989, Tuscany, Italy (AgentWineAlign)

Proof is in the varietal pudding that merlot is much more forgiving than sangiovese and also more adaptive in its longevity. This ’89 is from a time when the winemaker could not have truly known what would happen or have the varietal expertise to provide the tools for making exceptional merlot. That was Ettore, one of the two brothers (along with Alberto Falvo) who procured a merlot of structure and this passive commitment to time. It’s more welled up with chocolate but there is this tension that obviously never wavered nor has oxidation really crept in. Incredible really. Drink 2017-2021.  Tasted at Avignonesi February 2017

The Valdichiana from the terrace of the Enoliteca del Consorzio del Vino Nobile di Montepulciano

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Flights in and out of Niagara, ere Terroir

The Niagara crew getting a load of #BallsFalls in Jordan

In May of 2017 the 12th annual Terroir Symposium brought many magnificent folk to Ontario. They were dreamers, disruptors, international luminaries, thought leaders, visionaries, creative influencers, innovators, chefs, hoteliers, drink experts, writers and business leaders. With VQA Wines of Ontario and the Wine Marketing Association of Ontario as chaperone, a dozen of these invitees flew from Billy Bishop Airport to Niagara District Airport for an ante-Terroir Talk Sunday fun day in wine country immersion. I joined Robert Gilvesy, Fiona Beckett, Jeremy Bonia, Magdalena Kaiser, Jamie Drummond, Nikki Bayley, Dick Snyder, Ursula Heinzelmann, Christoph Thörle and Jim Poris for the excursion. In between return nine-seater shuttles we ran through flights at Flat Rock Cellars and Henry of Pelham Estate Winery. Who amongst us was not taken by these VQA wines and their unselfconscious excellence?

First a hot air balloon and now this!!!

After a quick first pit stop at Ball’s Falls to show off Niagara’s famous escarpment limestone to the international contingent, we settled in at Flat Rock to taste six wines with Cellarmaster Allison Findlay. Next it was a dozen at Henry of Pelham Estate Winery with proprietor Daniel Speck, Ryan Corrigan of Rosewood Estates and Suzanne Janke of Stratus Vineyards. A blow your mind lunch was prepared on site by Wellington Court Chefs Erik Peacock and Cait Bermuhler. Here are the notes on the 18 wines.

Revisits with @Winemakersboots and a seven-year Crowned epiphany

At Flat Rock Cellars

Flat Rock Cellars Riddled Sparkling 2010, Méthode Traditionnelle, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (383315, $29.95, WineAlign)

Time makes a difference so here the extended lees age (six months further, to 60) takes Riddled to another level. Considering the cost and attention to time, in the broad realm of traditional method sparkling wine there are some that are given away. Riddled. A whole lot of biscuit warmth, sody saleratus, gingersnap, tart Ida Red apple, breadth and a smile-inducing creamy palate. There is more wisdom and calm from 2010 so do not come around demanding tension and over-exciteability. Think Grower’s Champagne with Ontario heart and soul, dedication and purpose. The extended arm of Madronich-Johnston love is here, this year. It won’t get much better than this. Great length. Drink 2016-2025.  Tasted October 2016, March and May 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

Flat Rock Cellars Crowned Sparkling Brut 2009, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (Winery, $45.20, WineAlign)

Crowned ’09 was disgorged this spring after seven years on the lees, sealed under crown cap and sent to market with a crowning achievement in mind. Feather gingery, faintly oxidative, this Blanc de Blancs wafts in copper-veined breezes and fennel frond ahead of its palate piercing chardonnay intensity. It delivers a cooler climate interaction than the Riddled, with preserved lemon and please concentrate if you will on it as a wine of heavy forethoughts. What with it resting on its lees, in limbo this long out of practice, necessity and as a result, now fortuitous and of great luck. The animal was created early on and now anything less might be difficult to justify and accept. Plus the bar is raised for the entire Sparkling community. Here the perfect example of low, slow and minute by minute evolution. Only 500 bottles (plus one) were made. Drink 2017-2023.  Tasted May 2017

Flat Rock Cellarmaster Allison Findlay

Flat Rock Cellars Gravity Pinot Noir 2013, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1560, $30.25, WineAlign)

Flat Rock’s ever involving vines (on 33 hectares planted in 2001 and 2002) enter a new phase with indicators blinking and refreshing in this 2013 Gravity Pinot Noir. Youthful adolescence and gregarious fruit expression initiated in 2010 and carried through the 2012 vintage. Those years saw to a world of astringency and tension relegated to mites in the rear-view mirror. The wine is now in a nexus cross-roaded with exigency holding pattern. To understand its confusion and survey fast forward to its future is not easy. Gravity is a bit large right now, seemingly advanced, but to me the fight is between that fruit abundant state and the return of, though eased by meditative Jedi tension. Gravity just needs a parachute to bring it back down to earth. That lifeline may not materialize in this 2013 but that does not take anything away from its discriminating and diagnostic tones. Brightness, astatic inflection and succulence. This vintage may suffer from some level of snafu but it will age, evolve and breath. That much fruit has to have some level of expectation. The follow up ’14 and ’15 will win the hearts of horses and men. Drink 2016-2021.  Tasted October 2015 and May 2017

Flat Rock Cellars Gravity Pinot Noir 2012, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1560, $29.95, WineAlign)

Seven months have softened and mothered Gravity’s adolescence in ways to now see it as the most feminine, certainly of the last four vintages. Pretty dabs, perfumes of natural conditioning, warm days and warm nights in the bottle. More accessible than previous takes and of a new modernity perceived. Sweet dreams and sweet fragrances, roses and cinnamon, nothing fancy here mind you, with no bite and no gathering moss. Cherries and vanilla, lavender and simple pleasures. Straight up Gravity, no pull down, no drag and no excess weight. At $30 and from the best barrels, this trumps $40-50 most locales not called Lowery, La Petite Vineyard, Central Otago, Hengst or Pfinstberg. From my earlier, March 2014 note: “In a vintage potentially muddled by warmth and a humidor of radio frequency, duplicating berry phenolics, Flat Rock’s Gravity remains a definitive, signature house Pinot Noir. In 2011, the head of the FR class from its most expressive barrels shared the limelight (and top juice) with the Pond, Bruce and Summit one-offs. In ’12, Gravity’s sandbox was its own. The style is surely dark, extracted, black cherry bent, as per the vintage. Yet only the Rock’s soil does earth in this variegate, borne and elevated by the barrel’s grain. There are no fake plastic trees in a Flat Rock Pinot. “Gravity always wins.”  Last tasted October 2014 and May 2017

Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1552, $24.95, WineAlign)

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016 and May 2017.

Flat Rock Cellars Nadja’s Vineyard Riesling 2015, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $24.95, WineAlign)

This is an outlier for the Nadja’s Vineyard riesling, with deeper concentration and compression than before. More Mosel and less Twenty Mile in 2015, of light alcohol and an increase in off-dry, extract meets acidity. There have been Nadja’s with more air and exhale but I can’t recall one with such density in vitality. A great Nadja to be sure but of a deferential sort of character. Two or three years should bring it back into its self-imposed and created line. Drink 2018-2024.  Tasted May 2016 and May 2017

VQA wines at Henry of Pelham Estate Winery, May 2017

At Henry of Pelham Estate Winery

Rosewood Estates Gamay Rosé Emerald Shore Vineyard 2016, VQA Creek Shores, Ontario (Winery, $15.95, WineAlign)

The inaugural gamay Rosé is from fourth leaf vines in the spot where the famous sémillon once lived. It delivers essential gamay aromas; strawberry modified with a tisane into raspberry and cherry, salinity clarified and fined. It’s lactic tonal, nicely tart and with a Beamsville mineral, very specific and just this emerald side of intense. Finished dry, but was allowed to go through three quarters malo to bring the cream and the layers. Finished by the incumbent winemaker Ryan Corrigan who once “lived out of a backpack and chased grapes,” committing in fleeting methodology, to northern and southern hemisphere harvests. In 2017 Niagara is all his. Drink 2017-2018.  Tasted May 2017  rosewood wine  @Rosewoodwine  @rosewoodwine

Welcome to @rosewoodwine Ryan Corrigan. Gamay and Cabernet Franc are in fine hands.

Henry Of Pelham Speck Family Reserve Chardonnay 2015, VQA Short Hills Bench, Niagara Peninsula, Ontario (616466, $29.95, WineAlign)

Spice and toast more than anything else come to define the early life of the SPR ’15 chardonnay. Not overtly or overly fruit forward at this (nearing) two-year mark, but green apple, pear and the unusual tangy bite of south asian palm (Salak) snake fruit are just around the corner. This speaks to the phenolic grab and go, the hang time and then that barrel exploit comes through. The palate delivers sappy moments and then the weight of the wine is felt. If texture were quantifiable in aromatics, it would be the SFR that would provide such intellectual fodder to describe what that might feel like. The perfume is layered, chewy, unctuous and viscous. Another year should inflate the fruit and integrate the wood. Drink 2018-2021.  Tasted twice, May and September 2017  henryofpelham  @HenryofPelham  @SpeckBros  @henryofpelham

Wellington Court Chef Erik Peacock and Cait Bermuhler’s appetizer trio

Rosewood Estates Chardonnay Origin 2014, VQA Niagara Peninsula, Ontario (Winery, $28.95, WineAlign)

Rosewood’s Origin 2014 is highly representative of Beamsville chardonnay, pacing a bridge that connects the cool of the climate and the nook in the escarpment’s abutting warmth of the overall Bench. The skins matter, as per the departing winemaking Ross Wise expertise, if only and alt-heightened in elevating texture, but even more so the rusty, soil tart, intensely wound and taut orchard fruit speciality. Drink 2017-2020.  Tasted May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s salt grass point oyster, beet mignonette, cucumber gel, horseradish foam

Stratus Vineyards Stratus White 2013, VQA Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

There can be little doubt that anticipation would haver to run high for the aromatic, elongated and coolest of Niagara white wine vintages, especially for the chardonnay, but also for the iconic, four-varietal (with sauvignon blanc, sémillon and viognier) blend. The five sensory tenets are solicited and provided for; salty, sour, sweet, briny and umami. The last is exotic and punchy, so this White does it all, speaks for it all and completes it all. It is the most designed and seamless their’s can be.  Last tasted May 2017  stratuswines  @StratusWines  @StratusWines

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022.  Tasted November 2016

Rosewood Estates Riesling Origin 2014, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

Smells like Bench riesling spirit. The energy comes from the über vineyard’s way of emission, gasseous and vital, linear, introspective and direct. This may just be the most aridity and brine ever teased from a Mima’s riesling, acidity coveting sugar notwithstanding, startling from beginning to end, with spirited shots of lime. Underrated and honest, the consistency of this riesling is possessive of great triggers and so beautifully defines the mineral Bench. Early suffocations blow off with ease and in the denoument there are crunchy stones, forever and always something to like. Mima’s never really needed an abundance of sugar for balance and kudos to that. Drink 2017-2022.  Tasted March and May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s simcoe asparagus, ramp aioli, sous vide hen’s egg, puffed wild rice

Stratus Gamay 2014, VQA Niagara-on-the-Lake, Ontario (Winery, $29.20, WineAlign)

When asked about his approach to gamay winemaker J-L Groux responds with “continuously with changes.” This is what takes place in 2014 with the barrel time cut back by a full year, now only nine months, if nothing else for to place ultimate emphasis on fruit. Sounds simple but it’s anything but in a Groux universe. His gamay now gifts fresh strawberry and raspberry, a slight 13 per cent alcohol spine and the uplifting effect of zero-noticeable steaminess, steminess, aggression or grass. In contrast to many overly and overtly ambitious Ontario gamay here Stratus enters the antithetical to harsh realm and instead occupies the amenable-ethereal void. Less pressing means smoother transitions and weightless chimera. This captures varietal and place with its coax of maximum fruit. The plantings are from 1992 and 2001 (with an imperfect memory that includes the possibility of 1985 too). Drink 2017-2020.  Tasted twice, May 2017

Thanks for hosting Daniel. Cab-Merlot ’12 SFR @HenryofPelham is one for the ages @WineCouncilOnt @winecountryont

Henry Of Pelham Pinot Noir Speck Family Reserve 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (Winery, $34.95, WineAlign)

Always the elder, wise and delicate if elegant statesman for Ontario pinot noir. There is real demure and reserve, Speck family style and this dried red berry savour to both aromatics and flavour. Tart is an undercurrant and red currants run above. Right in its wheelhouse now, for a spell and then the slow fade will come. Drink 2017-2021.  Tasted May 2017

Henry Of Pelham Speck Family Reserve Baco Noir 2015, VQA Ontario (Winery, $24.95, WineAlign)

From vines planted in 1984, a more than significant fact of experience, wisdom and acumen from this baco noir. Couple that with what is arguably the finest varietal vintage in many years makes this the collector bottle for the baco fanatic. The rubbery reductiveness is so nicely offset by the flowers, the red fruit and the delicious appeal. Easily the finest ever, by anyone and especially this most prominent house. Great ripe acidity and fine, fine tannin. Drink 2017-2024. Tasted May and June 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s confit lake huron pickerel, fingerling potatoes, chorizo vinaigrette, celery, capers

Rosewood Origin Cabernet Franc 2014, VQA Beamsville Bench, Ontario (Winery, $29.95, WineAlign)

It’s a deep, dark fruit, rich currant, pyrazine and savoury vintage for the Origin. It’s cabernet franc that brings strawberry, raspberry and ripe rhubarb to the table. It’s tart and layered, rich and even a touch hematic. Quite pure, red fruit driven and of finely tuned acidity. Never tries too hard, refuses to hide the naturally green character, does nothing to sheath or blanket and leaves the fruit to shine red, bright and vital. Drink 2017-2020.  Tasted May 2017

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s earl grey friand, poached rhubarb, vanilla mascarpone mousse

Henry Of Pelham Speck Family Reserve Cabernet Sauvignon/Merlot 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (616433, $39.95, WineAlign)

The warm 2012 is an ideal vintage for this very specific cabernets and merlot blend, a wine as deliberate and iconic to the Niagara effort as any that have come before or currently exist. The vintage falls into a line that remembers 1998 and 2002 (with a half wink for 2007 and three-quarters nod to 2010). The brightness of red fruit and the dusty grounding of that fruit into earth integrates quietly and when acidity joins, the balance is pitch perfect. The fineness of that acidity will allow the mild astringency and dark chocolate by barrel to melt with slow dripping ooze into proper and educated tannin. Is this Cabernet-Merlot Speck Family Reserve one for the ages? In a word yes and likely to rival that 1998 for a 15 year run through excellence. Drink 2017-2027.  Tasted May 2017

Run any machine on the harnessed marmalade energy of this @StratusWines Riesling Icewine #specialstuff #niagaraonthelake

Stratus Riesling Icewine 2015, VQA Niagara On The Lake (56671, $30.25, 200ml, WineAlign)

The Stratus Riesling Icewine 2015 simulates a true orange and apricot marmalade with a preserved lemon note and a bitter pitch edge. It actually goes into grapefruit a touch, develops unction as it fleshes in the mouth and never fattens or sweetens too much. A show off in triumvirate display of quality, beauty and rhythm. Drink 2019-2030.  Tasted May 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Thörle Riesling, Truly Rheinhessen

Some of Germany’s finest #riesling coming to @TerroirTalk May 29th #thorle #Terroir2017 #christophthorle #saulheim #rheinhessen #terroirsymposium #holle #agotoronto

I first met Christoph Thörle when Wines of Germany rolled their Next Generation Germany roadshow through Toronto in May of 2014. I know that he knew based on my reactions to his Rheinhessen rieslings that we would need to rekindle the relationship at a later date. That opportunity came again in May of 2015, albeit briefly but it was this past March of 2017 that the true immersion took place. Even then it was too quick and too short. But that’s OK because Christoph and his brother Johannes have really only just begun their lifelong journey of winemaking and understanding in Saulheim.

Related – Godello’s March through Prowein, The Ahr Valley and The Rheinhessen

On day three of ProWein I jumped on the großer Magie Bus with 17 international journalists and headed for the Ahr Valley, followed by the Rheinhessen. We stopped in for a visit with Christoph Thörle at Weingut Thörle in Saulheim, the most progressive winery he started with his brother in 2006 after taking over from their parents. Thörle concentrates on natural ferments and they farm organically without certification. The vineyards are planted to 50 per cent riesling, 25 pinot noir and 25 mixed varietals; including silvaner and pinot blanc. The estate structures are narrow and long, mimicked in the vineyards, a leftover from Napoleonic times. This history must be kept in mind because there are so many different terroirs that all need to be kept separate. Fossilized oysters and mussel shells are found in the limestone, plus there is clay, iron-oxide, loam and yellow sands. The blocks roll out on wave-like, hilly landscapes over land that was once submerged beneath an ocean.

Godello with Christoph Thörle at Ball’s Falls, Ontario

The Thörle brothers make full use of their mixed vines ages and variegated terroir qualities to craft a range of riesling from Villages through Premier Cru and into Grand Cru level wines; Trocken, Feinherb, Kabinett, Spätlese and single-vineyard GGs from Hölle and Schlossberg. Their bottles of Weissburgunder and Spätburgunder are anything but afterthoughts and with climate change gaining speed, pinot noir will only increase in importance, not just at Thörle but across the Rheinhessen.

Two class @terroirtalk #riesling fellas, @RavineVineyard Sultan of St. David’s @marty_werner and the Rheinhessen’s Souverän of Saulheim #christophthorle #terroir2017 #terroirsymposium

Christoph came back to Ontario this past May as a special guest speaker of the Terroir Talk Symposium. In advance of that Monday congress we spent a day in Niagara tasting at Flat Rock Cellars with cellar master Allison Findlay and then at Henry of Pelham with Daniel Speck, Ryan Corrigan of Rosewood Estates and Suzanne Janke of Stratus Vineyards. Terroir afforded the opportunity to revisit two of Christoph’s rieslings, the Kabinett and the Schlossberg GG. Back in March I tasted 11 wines at Thörle. Here are the notes.

The mythology of #thorle #riesling in Beerenauslese and Trockenbetenauslese #weingutthörle #gabsheim #rheinhessen #holle

Thörle Riesling Feinherb 2016, Rheinhessen, Germany (420091, Agent, $18.95, WineAlign)

Off-dry riesling does not always have to be bottled as such but in the Rheinhessen and at Thörle the category of Feinherb is anything but an afterthought. This started as a side fermentation in its first years but is now an important wine in the estate’s multi-tiered processes. The cuvée is gathered from younger vines plus one barrel of premier cru Saulheim fruit. A slight skin maceration (12-18 hours) is employed which helps to temper the tartaric acid though this will be swapped for whole bunch fermentation in warmer years. Hides some of its sugar, especially on the nose which is quite floral, of white flowers and honeysuckle. Honey and wax with sweet herbs bring all into playful light to taste, with plenty of sweet lime and lik-a-maid sour touches. For every Indian Food list in the world. Drink 2017-2020.  Tasted March 2017  thorle_c  thorleestatewinery  univinscanada  @thoerle  @UNIVINS  @germanwineca  @gen_riesling  

Thörle Riesling Saulheim 2015, Rheinhessen, Germany (WineAlign)

The Trocken and Feinherb bottles aside, this riesling denoted as Saulheim is the signature Thörle product and with succinct style represents this corner of the Rheinhessen, a renaissance region in west-central Germany, due south of Rheingau and southwest of Frankfurt. The fruit sources are several parcels and soils around the village, from vines 28-37 years old and an élèvage in 50 per cent old oak barrels. The avoidance of oaked flavours is part of the ultimate goal, that and balance in a riesling seemingly quite dry. A slight petrol aroma (perceived, or not, towards its future) submits to pure, crisp orchard fruit. Some glycerin and a mineral saltiness will aid in developing these notes over time. As opposed to other regions in Germany and their four levels of quality definitions, the Saulheim here sits between a villages and a Premier Cru, as it is written on the label and as it is defined by its soils. Drink 2017-2020.  Tasted March 2017

Thörle Weissburgunder Saulheim 2015, Rheinhessen, Germany (WineAlign)

Weissburgunder from Saulheim is dubious here as a very dry pinot blanc, presented in that between villages and cru level. The Thörle oeuvre is all about combing and combining soils, “to show the other grapes of Germany,” and expressly important for Rheinhessen. The ’15 went into 500L French Beaune (Allier) Tonneaux. A hot summer so clearly lifts ripeness but says Christoph, “we left it a little bit shorter under the flame.” The oak is 30 per cent new and it really hides it, despite the lower acidity but the wood helps to usher it along and replace the tannins not always originally there. The net function is one third naturally unforced malolactic and good crisp orchard fruit with crunch and persistence. Drink 2017-2019.  Tasted March 2017

Thörle Riesling Hölle 2015, Rheinhessen, Germany (WineAlign)

Hölle is a single-vineyard of high limestone at 35 degree steepness and housing 42 year-old vines, planted by Christoph’s grandfather. Minimal air flow in this valley during the day makes for a warm, still place. So dried fruit results; peach, apricot and plum. I find this streaking in liquid limestone chalk, glistening in glycerin consistency, nearly bone dry and popping in pearls of fine acidity. So focused and precise. This shows precocious acumen, wisdom and patience. Both the fruit and the mineral are never shadowed or will one defeat the other. Let it rest a year or two because the secondary notes will blow you away. Drink 2018-2026.  Tasted March 2017

Thörle Riesling Schlossberg 2013, Rheinhessen, Germany (WineAlign)

Schlossberg is a vineyard in the north of the (Saulheim) village, closer to the Rhine, on clay, iron-oxide and further down, limestone. With converse effect (in relation to Hölle) this higher and cooler spot carries with it more wind and airflow. This and the tenet of a cool 2013 vintage results in quite the floral riesling but it’s also noted by the hint of smoke, flint and therefore, great potential development. The nose is full of flowers to suggest glycerin and petrol even if it’s not quite yet in tune. The body is graced by more structure and variegated soil tang. It’s not dry but it acts dry without austerity or unnecessary intensity. More roundness, body and soul. Drink 2019-2028.  Tasted March 2017

Thörle Spätburgunder Saulheim 2015, Rheinhessen, Germany (WineAlign)

Spätburgunder Saulheim is villages level, aged in 20 per cent (225L) barriques and 80 per cent old barrels for 12 months. It’s a blend of three vineyards, 30 year old and 15 year old vines. Typical for northern Rheinhessen pinot noir, with no stem inclusion, done in open top fermenters and with no added yeast. It’s a palpable mouthful of glycerin fruit, morello cherry, raspberry and a touch of sweet orange. Made in a reductive style, in avoidance of volatile acidity. Quite silky with a liquid limestone, dusty chalk feel. Much prettier and brighter than most and just enough fine grain tannin to make it last five plus years. Drink 2018-2022.  Tasted March 2017

Thörle Spätburgunder Hölle 2014, Rheinhessen, Germany (WineAlign)

Hölle is pinot noir at the Grand Cru (Grosses Gewächs, Großes Gewächs, or GG) level, from the middle part of the slope where plantings owe their history to the 1971 German clone. The élèvage is 20 months in 50 per cent new barrels, similar to the Saulheim but fortified by an extra year in respect to the single vineyard. The cherries and the raspberry repeat but in a deeper liqueur with bigger grains of tannin. Though a comparison is fruitless this is the most NSG of the German pinot noir. Smoky, meaty, and blessed with full on density in structure that will allow it to travel long. Drink 2019-2025.  Tasted March 2017

Thörle Riesling Kabinett 2015, Rheinhessen, Germany (WineAlign)

Thörle’s estate level Riesling Kabinett 2015 comes from young vineyards and is harvested at the beginning of October. It’s a matter of natural fermentation in the cold cellar (at a maximum 22 degrees) and takes 8-10 weeks, then cooled further at seven to eight per cent alcohol. Green tinged, green citrus, crisp and fresh like a bite out of both a green apple and a ripe peach. Pure and refreshing Kabinett to drink by the bucketful, on the beach or wherever works, from now through its 10th birthday. Drink 2018-2024.  Tasted March 2017

Thörle Riesling Spätlese 2015, Rheinhessen, Germany (WineAlign)

The Spätlese was harvested two to three weeks after the Kabinett and with no botrytis, in other worlds, fully healthy grapes. Looking at it now it shines lucent in a yellow-orange hue. The aromatics and flavours repeat what the colour tells them to. A bit less gregarious than the Kabinett, the nose hints at stone fruit and also a smoky, flinty note. More citrus to taste than you’d expect but this added complexity goes along with ripe peach, apricot, passion fruit and even methinks some guava. So focused, of clean lines, pure, precise, linear and inwardly intense. Drink 2019-2027.  Tasted March 2017

Thörle Riesling Beerenauslese Hölle 2011, Rheinhessen, Germany (WineAlign)

Only 350 bottles were produced of the 2011 Riesling Hölle BA (Beerenauslese), an intense Rheinhessen late harvest with “not only a little botrytis but the perfect weather for sweet wine.” Rain in September and the intangible brought on the botrytis and then warm weather persisted through the harvest. The residual number 150 is the minus for sugar but this reached 186 g/L. So much stone fruit with good acidity. Apricot, longan and mangosteen but also this sweet basil note. A wine of clarity, the freshest botrytis, so juicy and as clean a BA as you are ever going to taste. A bit of spice at the end shows further complexity. I’d like to see three years of development so that these notes all contrive to morph and begin anew. Drink 2020-2036.  Tasted March 2017

Thörle Riesling Trockenbeerenauslese Hölle 2011, Rheinhessen, Germany (WineAlign)

The Hölle TBA 2011 is a minuscule 180 bottle single-vineyard production and the vintage was simply perfect for the effort. The process involved the collection of a few berries at a time over the course of three weeks, started in the fridge and was then pressed when the amount of approximately 100L could be obtained. “This is the king’s discipline for creating such a riesling” explains Christoph Thörle. Thick like honey, full of unctuousness and viscosity. It is expressly noticed how the colour and the development have not advanced considering the six year mean. The exoticism is what separates this, with fruits far east, creamy and perfectly easy to assimilate, in flavour, consistency and understanding. Sweet herbology, of thai basil and thyme and candied mandarin rind. Here, a piece of history and legacy from Christoph and Johannes. Drink 2021-2041.  Tasted March 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Twenty white and sparkling wines of the Veneto

Ponte Pietra, Verona

My trip to Verona and its surrounding hills in September of 2016 was clearly destined to reveal the charms and intricacies of Valpolicella, Ripasso and Amarone. That much I made clear in a report published last week and though it included 64 tasting notes, I’ve yet to make public those on Amarone, in part because a July Masterclass in Barolo at Collisioni will need to join the party. Sooner rather than later all of those reviews are sure to follow.

Related – Valpolicella, Ripasso Valpolicella

I had been travelling with a Canadian contingent tighter than Spoon the Band and a 2014 Chablis Grand Cru. We were a group on the same page, collectively in knowledge and agreement of where we stood on the 100-plus wines we tasted and in how we viewed the 18 producers who poured them. Six of those Valpolicella wineries also presented some white and sparkling wines because they hold estate plots, farm or purchase grapes from Venezia, Soave and Prosecco area vineyards. Some grow garganega and chardonnay on Valpolicella lands. These are the twenty wines tasted.

Sparkling wines

Ca’ Rugate Fulvio Beo Spumante Metodo Classico, Italy (Winery, WineAlign)

Fulvio Beo Spumante Metodo Classico opens the portal to sparkling enriched by Brognoligo di Monteforte d’Alpone volcanic soils and the magic intendment clause it backs with second fermentation in bottle. Beo’s 100 per cent garganega spends 24 months on its lees, developing mid-range texture that will not use ego to steal from the flighty and haute-citrus aromatics. That said the broad palate welcomes plenty of acidity, seemingly equal and opposing to the (6-7 g/L) of sugar. Drink 2016-2019.  Tasted September 2017  carugatevini  oeno2   @oenophilia1  @carugate.aziendaagricola  @ConnexionOenophilia

Ca’ Rugate Amedeo Lessini Durello Riserva Doc Spumante Metodo Classico Pas Dosè, Italy (Winery, WineAlign)

The near solo 90 per cent durello particular sparkling takes on 10 per cent garganega for grounding. The elevated acidity (more than 9 g/L TA) can’t help but deliver this searing lemon nose, reminiscent of an early-picked Franciacorta Blanc de Blancs or generally speaking of a northern Italian chardonnay pierce. A patient 42 months on the lees makes for quite an extraordinary palate, yeasty and plush with plenty of fleshy texture. This is bubble tart and so very to the volcanic point replete with a green streak of mineral-herbal business. Very busy, wound tight and immediately satisfying. It may be taut but its amassed parts mean that it’s ultimately not overly acidic. Drink 2016-2020.  Tasted September 2017

Emilio Fidora

Fidora Tenuta Civranetta Prosecco Spumante Brut, Veneto, Italy (Agent, $19.95, WineAlign)

Fidora’s Tenuta Civranetta Spumante Brut comes from the estate close to Venezia and is composed of one hundred per cent glera. The base wine spends its time in stainless steel, followed by the addition of fresh must and (the 9 g/L RS) collects no extra sugar in dosage. Longer fermentation (six to eight weeks) is completed for a finer pelage, starting out at a low alcohol and then brought up to 11 per cent. The richness is an ulterior one, fruit-driven, must-augmented, double-juiced if you will. A mix of vines of many ages are used, up to 30 and as young as just a few years. Flavours are complex enough to pause at pears and delve into peach, even mango. It’s not creamy and the acidity has a directness to it. Quaffable but also for under $20 Prosecco, a step taken forward. Drink 2016-2017.  Tasted September 2016

Fidora Tenuta Civranetta Prosecco Spumante Extra Dry, Veneto, Italy (Agent, $18.95, WineAlign)

From the Venezia estate known as Tenuta Civranetta the Prosecco qualified as Extra Dry holds 14 g/L of RS but comes across as quite arid despite the healthy must dosage and curiously less aromatic than the Brut. Returns to straight pear and wet concrete, ginger, salinity and pinpoint accurate Prosecco rendering. There is more drinkablilty if less flavour compound complexity and this because the acidity is more direct and directed. A conundrum for sure if you can’t decide, so why not choose both? Drink 2016-2019.  Tasted September 2016  fidorawines  thelivingvine  @eugeniatorelli    @TheLivingVine  @fidorawines  The Living Vine inc.

Sneak label preview of Camilla’s @massimago pét-nat sparkling. Così grande, così perfetto

Massimago Zurlie, IGT Verona, Italy (Agent, $21.95, WineAlign)

Zurlie is Massimago’s newest product, a 100 per cent confondere corvina made in the sur lie Vino Rifermentato In Bottiglia style. The fruit is 100 per cent 2015 and until now, no one in Valpolicella has tried to make sparkling wine in this confounding style. Passes through secondary fermentation with sugar added into the bottle and then a seal under crown cap. Extreme acidity abounds because it’s accomplished sur lie, a wine to clean your mouth at the end of a wine tasting. Delicately raises a perfume almost after the fact from an easy drinking picnic wine stolen straight from the fridge. So much fun and just extreme freshness, in a way cider does but also cannot do. This speaks at the highest level of simple brillance. A four year dream in the making. Drink 2016-2018.   Tasted September 2016  massimago  @Massimago  Massimago

Magò Brut Rosé

Massimago Spumante Brut Rosé Millésime Magò 2014, Veneto, Italy (Agent, $34.95, WineAlign)

Magò is Camilla Rossi Chauvenet’s Charmat Method, 100 per cent corvina blush sparkler and another Massimago wine born of dreams and initiative. We climb to the top of the exposed white limestone ridge to sample this unmitigated refreshing fizz, light, aromatic and ethereal. To say it does wonders for grape, method and place would be the correct way to explain the situation. Magò sees 10 hours of maceration and eight months of lees aging. Though intentionally sweet (10.4 g/L RS) it is expertly balanced by acidity and even more so by exceptionally dry, limestone-conditioned extract. This is the key and the kicker, that and elevation, on a windswept, exposed geological place of wonder. The setting and presentation notwithstanding this is an impressive effort from the simplest of technologies at the hands of the soft-spoken and the kind. So yes, do enjoy this with “an elegant dress, the magic of waiting and the taste of freedom.” Or whatever romantic notion you prefer to call your own. Drink 2016-2019.  Tasted September 2016

Pasqua Prosecco Doc Treviso Brut Romeo & Juliet, Veneto, Italy (Agent, WineAlign)

Pasqua’s Prosecco is made with 100 per cent glera, from the hills around Conegliano and dosed with approximately 10 g/L of sugar. It’s semi-sweet and fresh tanky, of pears quite ripe, basic as basic gets. Some citrus slips in to taste and a pastry note pipes commercial grade. Would likely retail in Ontario at $14-15. Drink 2016.  Tasted September 2016  pasquawines #ChartonHobbs  @PasquaWinery  @ChartonHobbs  @pasquawinesitaly

Pasqua Prosecco Superiore Conegliano Valdobbiadene Brut Millesimato 2015, Veneto, Italy (Agent, WineAlign)

Like the Romeo and Juliet, this is again 100 per cent glera and much more substantial, with lees contributing to aroma and texture, some yeast into the citrus, much greater persistence and presence. A slice of lemon meringue pie with some positive bitterness. Just a hair less at 9 g/L RS dosage. Should gain a biscuity flavour or two as time passes. Drink 2016-2018.  Tasted September 2016

Tenuta Ca’ Bolani Prosecco, Veneto, Italy (Winery, WineAlign)

A Zonin property, from an estate with 600 hectares of vines, much of it planted to glera for Prosecco, while here there is the inclusion of must from other producers. Very frothy, airy, light and made round by acidity. Dry and just a touch concrete-earthy. Technically sound. Drink 2016-2017.  Tasted September 2016  zonin1821  @Zonin_USA  @zonin

Antica Osteria Paverno

Whites

Ca’ Rugate San Michele Soave Classico 2015, Doc Veneto, Italy (Winery, WineAlign)

The tender young vines take on great responsibility for this 100 per cent garganega, wines from all over the hills, Brognolino and Monte Forte, all Classico, all hillsides. Soave fresh, crisp, crunchy white and yellow fleshed, of really corporeal fruit. The clean, gulpable, cool and minty Soave with a firm finish. Drink 2016-2017.  Tasted September 2016

Ca’ Rugate Soave Classico Monte Fiorentine 2015, Doc Veneto, Italy (Winery, SAQ 12469375 $20.85, WineAlign)

Monte Fiorentine Soave is fully and completely a single cru garganega that was picked over three days late in September (22-24), off of black basalt volcanic soils. It’s rich and mouth filling, variegated in all sorts of lemon; curd spooned atop and with meringue, fleshy and zesty, without pith. Quite amenable and ready to please though by nature it will likely develop some sémillon like honey and gaseous character with a few years. May not be as long lived as some of its more recent vintages so let’s say five plus years to be safe. Drink 2017-2022.  Tasted September 2016

Ca’ Rugate Soave Classico Monte Alto 2014, Doc Veneto, Italy (Winery, SAQ 10775061 $25.85, WineAlign)

Monte Alto is the barrel aged volcanic garganega, subtle in aromatics but much more pronounced on the palate. Spent eight to ten months in big barrels (60 per cent) plus first, second and third fill barriques (40). Even more striking than the wood impart is the flinty, gassy, basalt interference, a static electric push-pull into wood out of soil with a whack of acid on the fruit. It was a very good year 2014. Finishes with another lightning strike. Drink 2017-2024.  Tasted September 2016

Ca’ Rugate Soave Classico Monte Alto 2015, Doc Veneto, Italy (Winery, SAQ 10775061 $25.85, WineAlign)

In a year that saw fruit ripen and develop with both abundance and ease the Monte Alto needed to be less the barrel aged volcanic garganega and more the incredibly fresh, fleshy step up Soave. The scent of scratched peach skin and the multi-vitamin flavours of many a stone fruit abound. Less subtle in aromatics but equally pronounced on the palate, the big barrels and barriques weigh in and reduce the effect of flint, basalt and acidity on the fruit. It was a very warm year so look for flesh in the fantasy. Drink 2016-2024.  Tasted September 2016

Fidora Pinot Grigio Tenuta Civranetta 2015, Doc Venezia, Italy (Agent, $17.95, WineAlign)

This estate’s (near Venezia) organic, mildly (and would hazard a guess nearly unsulphured) pinot grigio is actually dosed at 40 mg/L. A mineral direct articulation and posit tug by association transcends from a second calcareous layer of soil below the fertility line. This layer is replete with sea creature and shell fossilized dirt, appearing in this wine in terms of salinity and funky muscadet-like mustiness. Yet its clean and of a purity borne out of an order delivered by a Venice moment in pinot grigio. Timeless, of clarity and via precision.  Drink 2016-2017.  Tasted September 2016

Fidora Pinot Grigio Tenuta Civranetta 2015, Doc Venezia, Italy

The Tenuta Civranetta experimentation changes gears with pinot grigio and increases the sulphur dose to 90 mg/L. Nothing is lost in terms of salty-mineral-calcareous-fossil shell notes but here we are involved in a game played more alive, an increase of flint and without any noticeable oxidative properties.  Might live to drink fresher one year longer. Drink 2016-2019.  Tasted September 2016

Fidora Pinot Grigio Tenuta Civranetta 2014, Doc Venezia, Italy (Agent, $17.95, WineAlign)

Already a touch oxidative and losing flesh but the mineral is as strong as ever. Lemon and herbs on the back drop of the tart oyster shell and waning moon of acidity. Drink 2016-2017.  Tasted September 2016

Pasqua Pinot Grigio Delle Venezie 2015, Veneto, Italy (213496, $11.95, WineAlign)

Similitude never had it so easy in what is the most generic and unassuming white wine there can be. Fresh as it can and needs to be, kind of terpenic, non-descript multi-apples juice with determined acidity major and sulphur minor. The choice to grow pinot grigio on expensive Valpolicella land is curious but the market demands more so the economy of scale makes the plantings worth the while. Drink 2016-2017.  Tasted September 2016

Tenuta Santa Maria Soave Lepia 2015, Doc Verona, Italy (WineryWineAlign)

Lepia is 100 per cent garganega Soave from the Illasi Valley, rich but with an important mineral influx, not so much a streak but more like a cloud. Leesy, akin to chenin aromatics, almost flinty, with 150 years of Bertani Soave experience behind it, at least in spirit and from 40-45 year old vines. Still acts reductive so shake it up, listen to the Cars and nod in agreement. “Don’t let nobody pick your fun,” step outside the volcano and see how limestone can also perform for Soave, as such a garganega will abide. Drink 2016-2020.  Tasted September 2016  tenutasantamaria  @TenutaPieve  @tenutapieve

Tenuta Santa Maria Chardonnay Torrepieve 2013, Veronese, Italy (WineryWineAlign)

Cool, savoury, flinty and like the garganega, reductive as per the house style and for chardonnay in Italy. Immediately noted as an exceptionality. There is barrel used to great effect and considering there is some age here it is strikinglky youthful and not yet unhinged. Certainly caramel and vanilla aromas and flavours but plenty of lime and spice. The first vintage for the TSM di Gaetano Bertani chardonnay was 2004. Drink 2017-2021.  Tasted September 2016

Zonin Garganega De Gambellara 2015, Veneto, Italy (WineryWineAlign)

Estate grown, from a vineyard 150m above the church in the Classico area (of Prosecco). Though simple and straightforward, the terroir of basalt volcanic delivers a distinct mineral edge. Strikes as chenin like, really chenin like, full of major citrus and minor lees. Perfect vintage, with notes of yellow plum, glade, a touch balmy but plenty of acidity boiling down to sapidity. Hard not to like this a lot with thank you to the dry extract. Keep it chilled and drink to sooth and quench. Drink 2016-2017.  Tasted September 2016

Fall at Fidora

Good to go!

Godello

Twitter: @mgodello

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WineAlign

Valpolicella, Ripasso Valpolicella

#rondinella #valpolicella #novaia

In September of 2016 seven Ontario friends, colleagues and I paid visits to 18 Valpolicella estates over four days. We stayed at the perfectly situated Hotel Villa Moron in Negrar. We were formally introduced to the Veronese gastronomy and a set of Valpolicella wines at Locanda ‘800, a Negrar Valley institution. I expect some of you will know it. We visited the following estates. Buglioni, Pasqua, Santa Sofia, Ca’ La Bionda, Novaia, Sartori di Verona, Nicolis, Tenute Salvaterra, Valentina Cubi, Fidora, Cantina Valpolicella di Negrar, Ettore Righetti, Tenuta Santa Maria Alla Pieve, Massimago, Corte Adami, Bertani, Zonin and Ca’ Rugate. Dinners were also taken at Osteria Numero 1 in Fumane, Antica Osteria Paverno in Marano and Ristorante Nicolis in Verona. It is my pleasure and, indeed, my privilege to tell you this Valpolicella story. Such as it is.

Valpolicella 101 for i canadese #locanda800 @C_Valpolicella

The permutations are many but well-defined. Valpolicella, a style of wine as much as anything though qualified as a set of possibilities all capable of being labeled as a DOC; Valpolicella, Valpolicella Superiore and Valpolicella Classico Superiore. Ripasso, a next level stylistic, a traditional technique that promotes a second fermentation through the basic Valpolicella’s contact with warm dried grape skins from which Amarone has been pressed. This practice slightly decreases the acidity and increases the alcoholic content and enriches the wine with a greater concentration of sugar, glycerine, dry extract, polyphenolic substances and aromas. Ripasso intends to promote a heavier structure and longevity.

Amarone knowingly set aside, at least outside the terms of this report, tradition looks to Ripasso as the top of the pyramid for Valpolicella wines but when we talk of terroir, of marl, clay and limestone, of 11 valleys and all the hills, what represents the truest expression of Valpolicella? Authenticity must be borne out of spontaneity, in a product that shows itself in different ways, in every year. It should never act the same way twice. Valpolicella must remember the primaries; geology, geography and climate but also colours, uncontrollable forces and natural tendencies. Memories are only built on that which is not forced. “The importance of little details,” with thanks to Camilla Rossi Chauvenet.

Lavoro stradinario da cuoco Diego Donatelli #locanda800 #negrar #valpolicella

It’s all about the valleys. Do the grapes grow in the Valpolicella Classica or not? Corvina is king, corvinone and rondinella (often for colour) support while molinara may or may not bring up the rear. Sometimes there is croatina and oseleta. Pergola or Pergoletta Veronese is perpetuated as the training system of record, at times in double Pergoletta style. Guyot and high density planting continues to creep into consciousness. The Burgundy ideal will always play into the minds of all.

Valpolicella hails from the hills north and east from Verona. To the immediate west is Lago Garda and further to the east, Venezia. The Valpolicella extends from Sant’Ambrogio di Valpolicella to Val Tramigna in three sub zones, Valpolicella DOC Classico, Valpolicella DOC Valpantena and the eastern or extended Valpolicella DOC. The valleys; Fumane, Marano, Negrar (Valpolicella Classica), Quinzano and Avesa (Valpolicella), Vaplantena (independent), Squaranto, Marcelisse, Mezzane, Illasi and Tramigna (Eastern Valpolicella). The area is 80,000 hectares of which 7,600 are planted under vine. The Classico area is 45 per cent of the total. More than 60,000,000 bottles are produced annually, 45 per cent of which are Ripasso and (32) Valpolicella. For an in-depth analysis of the appellation production zone and a proposal for the delimitation of the principal viticultural areas of the hillsides seek out the map of Valpolicella Crus by Alessandro Masnaghetti.

Masnaghetti contends “however vast and variegated it might be, the Valpolicella is rather easy to sum up and describe.” Geographically speaking, that much is true. From a quality standpoint, there can be much debate. Tradition, even if spoken in terms of dry red wines, is hard to break and in Valpolicella the collective style is virtually unparalleled anywhere, considering the breadth and quantity of wine produced. Over the past 20 years the area of vineyards has doubled in the Valpolicella and the 60M bottles produced put it highest for any Italian PDO. The consistency of homogeneity is clearly a harbinger of sales and quality but sustaining such growth without a compromise to quality is surely the tallest of orders. Those producers attempting to challenge the current order are necessary for diversity and to preserve the perpetual health of Valpolicella.

When the light is just right #verona

A trip to Valpolicella is a most intense, concentrated and often repetitive exercise, much like and in mimic of the wines produced throughout the vast area and so pit stops in and out of Verona are both obvious and necessary. Verona may be most famous as the setting for Shakespeare’s Romeo and Juliet but it is truly one of the unconscionably beautiful cities of this world. It is a place that brings characters and events to you. With eyes open wide and faculties able to maintain focus you will continuously look and carefully listen, so that the stories come to you. Verona repeatedly delivers moments of awe. At dusk overlooking the Adige from the Ponte Pietra. At night in the busy Piazza delle Erbe. Musing over several hundred varieties of Gin at the Frz Lab Bar. Sipping on Champagne outside of Osteria Alcova del Frate and Patrick Piuze Chablis at Antica Bottega del Vini.

Via Marconi, #verona #frzlab #ginbar

I’ve included some examples of IGT Verona at the end of this report to expound on two polar bookends of the 21st century ideal. Winemakers make use of the designation to fashion Super Veronese, wines of local meets expatriate varietals bathed in oak. Still others make Valpolicella doppelgängers with traditional varieties that can sometimes act more like Valpolicella than so many legal examples approved under the DOC. The IGTs with international grape varieties blended in and subjected to new oak need time to develop and will age into their bubbles welling with balsamic, chocolate, espresso and even truffle. There is no disputing the modernity and mimicry of other Italian brethren and sistren. Recent changes to labelling say that a wine exceeding 80 per cent of a local variety (like corvina) could in fact now be called a Classico Superiore though if the methodology of winemaking (and/or growing) messes with the plan there are some that don’t resemble one in any shape or form.

More pertinent to this investigation is in holding hope that wines produced under the auspices of rogue decisions will soon find their way out of the scrap heap piled high due to discriminatory DOC penalties. Things like bottling under screwcap, omitting sulphites and exploring “the terroir and grape varieties to the fullest by pushing all boundaries.” Valpolicella is and can be even more progressive, not just to increase market presence, Amarone sales and the bottom line of all Valpolicella wines riding the skins of their provider, but also to lead with innovation.

This report is due with great respect and thanks to Olga Bussinello, Director of the Valpolicella Consorzio Tutela Vini. Also to John Szabo M.S. and Federica Shir. The trip and subsequent 8,500 words would not be possible without the company of esteemed, stupid smart and even funnier colleagues; Julie Garton, Joshua Corea, Annette Bruley, Lauren Hall, José Luis Fernández and Nick Chajoglou. Last but certainly at the top of the list are the Valpolicella wineries, their proprietors, winemakers, export and marketing folks who received us. Tiziano Accordini, Roberta Speronello of Bertani, Mariano Buglioni, Alessandro Castelanni of Ca’ La Bionda, Giorgia Lanciai of Ca’ Rugate, Valentina Cubi, Gabriele Righetti (and the whole family) of Ettore, Eugenia Torelli and Emilio Fidora, Camilla Rossi Chauvenet of Massimago, Luca Bissoli of Cantina Valpolicella Negrar, Martina Fornaser and Giuseppe Nicolis, Marcello Vaona of Novaia, Chiara Pinamonte of Pasqua, Gianpiero Rotini of Salvaterra, Alex Guardini, Elisa Biasolo and Giancarlo Begnoni of Santa Sofia, Carmen Stirn and Andrea Sartori, Gaetano Bertani of Tenuta Santa Maria and Francesco Zonin.

I give you 64 reviews; Valpolicella, Ripasso Valpolicella and IGT.

Great old table, Villa Mosconi Bertani

Valpolicella

Bertani Valpolicella DOC 2015, Veneto, Italy (Agent, WineAlign)

Bertani’s Valpolicella is not classified Classico because the grapes come from Valpantena and Valpolicella Classica, 80 per cent corvina and 20 rondinella. Fermented in stainless and aged one year in concrete. Basic, commercial, effective, red cherry and tanky leather, seamless and untouchable. Commercially corrected and correctly traditional Valpolicella. Low in alcohol, acidity and complex capability. Drink 2016-2017.  Tasted September 2016  cantine_bertani  churchillcellars  @CantineBertani  @imbibersreport  @cantine.bertani  @imbibersreport

Cantina Di Negrar Valpolicella DOC 2015, Veneto, Italy  (467936, $11.95, WineAlign)

It gets neither more obvious or direct in a perfectly commercial Valpolicella package, one that is highly fruity with a sidle over to the funky cherry side and would always benefit from a slight chill. A leathery note more suede than new strop distracts but only for a moment because of the omnipresent acidity. Drink 2016-2017.  Tasted June 2016  cantina_valpolicella_negrar  noble_estates  @CantinaNegrar  @Noble_Estates  @CantinaValpolicellaNegrar  @NobleEstates

Ca’ Rugate Valpolicella DOC Rio Albo 2015, Veneto, Italy (Agent, SAQ 10706736, $18.00, WineAlign)

Rio Albo is drawn from vineyards in the hilly area of Montecchia di Crosara and is a blend of corvino (45), corvinone (40) and rondinella (15). Fresh fruity, very tangy, viscous, liquorice and plum Valpolicella. Firm but very juicy, with quite a bit of concentration. Very modern and forward but not overly extracted or pressed. Just up there with the ambitious, confident and in balance. Drink 2016-2019.  Tasted September 2016  carugatevini  @carugate.aziendaagricola

Tasting at Fidora

Fidora Valpolicella DOC Monte Tabor 2015, Veneto, Italy (Agent, $24.95, WineAlign)

Monte Tabor is the name of the Sant’Ambrogio estate and this is pure delight from the purest, cleanest and most honest red fruit found anywhere in Valpolicella. Fermented and aged in only stainless steel, to push the fruit borne in requiem of a proper selection, even in the giving 2015 vintage, but pushed by higher learning from the challenge of the previous one. Establishes a base, like a song in celebration tells Emilio Fidora. “We are very good farmers, even if we are not super with making wines.” Joking aside there is no cheating here, just honesty and back to basics ethics. The notes talk of cherries at peak but then there is this calcari and marbling as per the mimic of the terroir. Drink 2017-2020.  Tasted September 2016 and July 2017  fidorawines  thelivingvine  @eugeniatorelli    @TheLivingVine  @fidorawines  The Living Vine inc.

Fidora Valpolicella DOC Monte Tabor 2014, Veneto, Italy (Agent, $24.95, WineAlign)

From the Illasi Valley, composed of 50 per cent corvina, (30) corvinone and (20) rondinella, another singular effort in its inaugaural vintage, rusty and rustic, not exactly light in spite of its transparency. Great visceral soil tang, in line with a top notch bardolino and while firm there is a brightness about it. A moment of tonic. Could drink this often and with thanks to some good length in its persistence. Excellent for the vintage with 5 g/L of RS and also richer than you think. Drink 2016-2018.  Tasted September 2016

“I gotta have some of your attention, give it to me.” @massimago #special #brassinpocket

Massimago Valpolicella 2014, Veneto, Italy (Agent, $29.95, WineAlign)

Few reference points can prepare you for Massimago’s style of Valpolicella so simply use this as the ingress. Plucked from vines in the Mezzane Valley in the east part of Verona province, rising from the village of Vago towards Mezzane di Sotto. Camilla Rossi Chauvenet’s precocious blend is the crisp, crunchy, pure as driven white limestone portal into the soils laid out in amphitheatre vineyard grid. Camilla uses only stainless steel tanks here to accentuate a basal clarity brush stroke on her Valpolicella canvas. This from a selection of the grapes that will not enter the Amarone process, the second and third pass harvested bunches. Cherry and silty saline mingle at the interces of limestone. How can you miss the white stone in the naked Valpolicella? You can’t. It’s without make-up, transparent, naked to the world. The wine speaks a natural vernacular and the land is spoken for. If villages-level Bourgogne were made like this all would be well in the world. Lithe, delicate and perfumed. Drink 2016-2019.  Tasted September 2016

Marcello Vaona of Novaia

Novaia Valpolicella DOC Vino Biologico 2015, Veneto, Italy (Winery, WineAlign)

Family history matters. It begins with Paolo Vaona, then Bruno, followed by two sons, Gianpaolo and Cesare. Today it is Marcello (Gianpaolo’s son) and Cristina (Cesare’s daughter) who have transformed Novaia, or “new courtyard” into the organic farm it is but also to the new age for Valpolicella, predicated on experimentation, mistakes, triumphs and changing the way the region will think about its storied wines. Because, as Marcello reminds us, “in the beginning there was only Recioto. So getting to this moment was a long journey and Novaia’s Valpolicella named Vino Biologico can’t be labled Classico because it’s under screwcap. That will change. It’s fresh, spicy and of no oak. It’s natural ease and yeasty feel mesh with saline, terroir-drawn variegate and it’s so very specific and focused. Love the cherries and the lithe 12 per cent frame. Drink 2016-2018.  Tasted September 2016  bwwines  @NovaiaAgricola  @bwwines  Marcello Vaona (Novaia)  @bwwines

The last tasting with The Master and the Canadian apostles at #fumane

Valentina Cubi Valpolicella DOC Iperico 2014, Veneto, Italy (Winery, WineAlign)

Iperico (St John’s Wort) is made of corvina (65 per cent), rondinella (25) and molinara (10), a wine confidently in purport of the ’14 intel., with an early note of musty, damp forest floor, currants and flower compost. All of the earthy components are exaggerated by the vintage with nothing to cover it up, but the palate is silky in a transparent way and acidity that softens, like a saline streak, as an ancient underground river would impart, as if by Willamette Valley pinot noir. This is singular stuff in Valpolicella. As before, raised only in steel. Drink 2016-2021.  Tasted September 2016

Valentina Cubi Valpolicella DOC Iperico 2013, Veneto, Italy (Winery, WineAlign)

Iperico is a blend of corvina (65 per cent), rondinella (25) and molinara (10), similar in character to 2014 but with a compressed reduction to the compost and yet a striking come about from an increase to the sharpness. The acetic push is a key factor in the linear definition. Torched marshmallow skin, bitter herbs, umami savour, the flowers still fresh, the fruit vibrant and all tolled, a beautiful vitality. An intense wine, again like pinot but also like Trentino-Alto Adige/Südtirol teroldego or Piemonte alter-ego varieties, specifically grignolino. As with Sin Cero, raised only in steel. Drink 2016-2019.  Tasted September 2016  #valentinacubi  @valentina_cubi  Valentina Cubi

Good times in #valpolicella with @johnszabo

Valpolicella Classico

Buglioni Valpolicella Classico DOC 2015, Veneto, Italy (Winery, WineAlign)

In 2014 the entire crop was sold off to bulk wine because the quality was not considered up to standard. The Valpolicella Classico 2015 is composed of corvina, rondinella and 18 per cent croatina, with no oak and a flash raised three months in stainless steel. An increase in quality might arise from training by Guyot (2-4 but generally 3 kilos) says Mariano Buglioni, but this Valpo is from vines trained by pergola to yield quantity (3.5 to five kilos per vine). Certainly some warmth on the nose and the result here is both floral and acetic, fully crushed, simple, firm and fruity, though not too firm nor infirm. The vintage is promising across the range and here this lingers quite long, clean, crisp and a bit chewy. Drink 2016-2018. Tasted September 2016  buglioni_azienda_agricola  marianobuglioni    @cantine.buglioni.9

A sense of wonder beneath the pergola, Vigneti di Ettore

Vigneti Di Ettore Valpolicella Classico DOC 2015, Veneto, Italy (Winery, WineAlign)

From the Righetti family, from grandfather Ettore to grandson Gabriele, Vigneti di Ettore’s Valpolicella Classico may just be possessive of the most quaffability of any Classico, all red fruit and in the optimum bring it on zone. The acidity and whatever momentary firmness accorded is functiional and better still, beautiful. As basic and categorical as life in Valpolicella grapes should be and only made more complex because it pleases so. Drink 2016-2018.  Tasted September 2016 vigneti_di_ettore     @vignetidiettore

Vigneti Di Ettore Valpolicella Classico DOC 2014, Veneto, Italy (Winery, WineAlign)

Stylistically this Ettore Valpolicella Superiore ’14 is a departure, or perhaps it is ’15 that changes course. I get the feeling there is more grandfather Ettore inherent here and grandson Gabriele drives the ship next season. Or perhaps it’s just a case of vintage. Nature versus nurture arguments aside this ’14 takes a step deeper and away from simple red fruits into a more variegated gathering that includes blue (berry) and black (currant). Still quiet and quite restrained, elegant even, said despite the creative license employed with that word. Greater acidity balances the more developed and deeper fruit and so balance is fully realized. More pleasure in a slightly adjusted bell-curve way. I’d drink up some ’15s for a couple more months while waiting for the more awkward 14s to come around. Drink 2016-2020.  Tasted September 2016

Cantina Santa Sofia

Santa Sofia Valpolicella Classico DOC 2014, Veneto, Italy (Agent, WineAlign)

So simply pure, clear, concise and precise. Ripe cherry, brightness, transparency and unadulterated. Every day Valpolicella, the way it was and the way it needs to be encouraged to remain. Drink 2016-2018.  Tasted September 2016  santa_sofiawines  @SANTASOFIAwines  @SantaSofiaWines

Tasting and lunch at Tenute Salvaterra

Tenute Salvaterra Valpolicella Classico DOC 2014, Veneto, Italy (Winery, WineAlign)

A post oxidative must has made transference to personality lifted by a reductive odour within and expressive of ripe, firm fruit without. Dark but not exactly black cherry, with little to no oak but certainly cariries the characteristics of a wine that has had a cup of coffee with wood. The collection is ultimately reductive, smoky and dangerous. The caramel finish is a sign of a wine not unlike some new world takes on old world grapes. Drink 2016-2018.  Tasted September 2016  tenute_salvaterra  tre.amici.imports  @vinosalvaterra  @treamiciwines  @tenutesalvaterra  

Buongiorno from @sartori_verona @C_Valpolicella

Sartori Valpolicella Classico DOC 2015, Veneto, Italy (378109, $12.95, WineAlign)

This silly inexpensive blend of 45 per cent corvina, (30) corvinone, (20) rondinella and (five) croatina spent five months housed in the big barrels. Valpolicella of stronger, deeper, traditionalist methodology. Firm and low tonal, baritone Classico, mahogany and leather, naugahyde and deep black cherry. Clean and balanced. Old school with a great understanding of things done right. Drink 2016-2018.  Tasted September 2016  sartoriverona  fwmcan  @Sartori_Verona  @FWMCan  @SartoriVerona  @FWMCan

Zonin Valpolicella Classico DOC 2015, Veneto, Italy (475145, $13.10, WineAlign)

Zonin’s Valpolicella Classico 2015 is corvina with some molinara and rondinella, aged in 2nd and 3rd passage large barrels but no barriques. Clean red fruit and despite some tonneaux time really quite fresh. Sour cherry, textbook, elevating, commercial, technically sound. Clean as a whistle. Drink 2016-2018.  Tasted September 2016  zonin1821  @Zonin_USA  @zonin

Ponte Di Castelvecchio

Valpolicella Superiore

Massimago Valpolicella Superiore DOC Profasio 2012, Veneto, Italy (Agent, $54.95, WineAlign)

Profasio establishes new territory for Valpolicella Superiore from Mezzane Valley fruit in a wine over dinner “that lets you talk.” A careful and specific selection of Corvina, Corvinone and Rondinella (65/30/5) is subjected to “un leggero appassimento,” or a “slight withering” from one month of drying and the rest kept thankfully and respectfully fresh. The child is raised in stainless steel for five months plus one year in 2nd and 3rd passage barrels. This is Valpolicella meant to partner up with dinner for two, replete with secret recipes and crossing glances. “We feel the appassimento method is about levels of aromatics,” tells Camilla Rossi Chauvenet. In such a contrary to Superiore belief we find freshness and anti-jam the goal and as a result, the wine is allowed to tell a story. A script written cursively, crisp and pure, crunchy like the normale with an addendum of aromatic profiling; cherry, leather and red citrus. Profasio is a wine of good temper and vision (and could mean profezia, or prophecy, or perhaps a surname in reference to Dante and the Veronese ebraico’s Almanacco Perpetuo), a Valpolicella into a second level of contemplation, but not too much. The wine causes no worries, no anxiety and shoes are left at the bottom of the mountain. Profasio with its hint of dried momentum is a wine of communication and a new way of communicating. Drink 2016-2021.  Tasted September 2016  massimago  @Massimago  Massimago

Valpolicella Classico Superiore

Buglioni Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

Mariano Buglioni’s Valpolicella Superiore 2013 sees a blend of French and Slavonian oak, aged for two years, the first 18 in Inox plus six months in the barrels. The blend is nearly the same as the Valpolicella Classico 2015 but with eight to 10 per cent croatina. A well-balanced split between fresh and dried fruit comes through on the nose, with some fennel, tar and rosemary. Firm and mildly tannic, black cherry and bokser to the palate, chewy again, of texture, with structure and the slightest tingling fizz. Not so much a fizz as much as an electric current tang. Drink 2016-2018.  Tasted September 2016

Good morning @C_Valpolicella from @accordinilgino

Stefano Accordini Valpolicella Classico Superiore DOC ‘Acinatico’ 2015, Veneto, Italy (Agent, WineAlign)

From the Fumane Valley, an airy, aerified, soft and blowsy, carbonic felt Valpolicella, at once to a whole bunch sensory response and then for thoughts to big hose pumpovers. Saline, from vineyards stretching up the hillside from 350 up to 500 plus metres high. Classic red fruit and nettle meets impartial red limestone, citrus with as much salty sting as their can be. Many Valpolicella turn out this way but few are as blatant and obvious as this. Drink 2016-2018.  Tasted September 2016  accordini_stefano  majesticwinesinc  @AccordiniIgino  @MajesticWineIn  @accordini  @majesticwinecellars

Once you go Casal Vegri you can never go back, Eh @lesommelierwine ?? #calabionda

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2015, Veneto, Italy (Agent, $32.95, WineAlign)

In 2015 the blend is 70 per cent corvina, with 20 corvinone, rondinella and molinara. Some producers decide not to produce this level in Valpolicella but Alessandro stresses its importance. It allows him to make a selection for the other categories and the young vines can better service this wine. Only in stainless, bottled in February, this is beautifully natural. Molinara has less colour but brings salinity (a.k.a minerality). Here plays the opening card for the cellar. Fresh cherries, inviting acidity, such freshness, bright, effusive, so drinkable. Began the harvest on September 2nd. Must have been the first in town. The acidity is that special. As a footnote, no Amarone is made from this vineyard. Drink 2016-2020.  Tasted September 2016  #calabionda  lesommelierwine    @LeSommelierWine  Azienda Agricola Cà La Bionda  @LeSommelierWine

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2014, Veneto, Italy (Agent, $32.95, WineAlign)

In the world of Valpolicella Classico Superiore 2014 was a difficult vintage with lots of rain, some development of botrytis and as a result many bunches were dropped, reducing the output from 120,000 to 80,000 bottles. It was also (and concurrently) not a great vintage for Amarone so some of the vineyards that would feed the big wine were diverted to the Superiore. Aged 18 months in oak barrels, averaging 20 years (16-25) from Casa Vegri vineyard, the wood is by now integrated, the vintage compendium resolved with kept freshness and ripe tannins. Very young, alive, in and out of biting but never sharp. Drink 2016-2020.  Tasted September 2016

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2012, Veneto, Italy (Agent, $32.95, WineAlign)

It was a warm vintage, similar to 2009, here at four years with a stand up and be counted, noticed and no questions asked applauded level of maintained freshness, despite the heat of the moment. I say this because there is a slight elevation in volatility, a hyperbole as compared to 2014, but also more compression and mineral tonic. With eyes shut tight I get to this point with such properly rendered corvina, corvinone et al swirling in my mouth and my senses acute to the variegated fruit character. And I know this is more serious and of a Campo Casal Vegri structure to let it age another seven to eight, at the least. How does this apply to later vintages? Only time will tell. Drink 2016-2024.  Tasted September 2016

Dry, baby dry. Corvina at #calabionda

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2010, Veneto, Italy (Agent, $32.95, WineAlign)

Alessandro Castelanni comments how “it’s nice to taste old vintages because we have to stop and note the things we need to do. To figure out how to get acidity, freshness, lesss quantity, more quality.” Looking forward to 2016 Campo Casal Vegri will be the first vineyard of full organic certification and looking back 2002 was the last year using selected yeasts. And 2010? “One of my favouritre, classic vintages,” smiles Alesandro, “cool, with some rain but not too much.” A season of the enervating diurnal shifts in temperature and with “the colour of corvina.” Late September harvest, now here, suddenly, the magical Classico Superiore impossibility, shy but real, the moment of volatility anything but, the plum-cherry-strawberry current running through with live wire elegance. Natural wonder of corvina and subsidiaries, with secondary character just beginning though they were always there, fennel, the territory occupied by he who may not be named, but fresher, cleaner, more precise. Again, not a baby Amarone and not giving the market what it ignorantly thinks it wants. This wine can establish or re-establish the market, to bring back (or bring the contiguous and contagious style from out of the dark and into the mind of tasters that need to be directed. Drink 2016-2023.  Tasted September 2016

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2008, Veneto, Italy (Agent, $32.95, WineAlign)

A little bit more rustic than the foward ’10 and ’12 vintages, more liqueure and from a smaller production, more bretty volatility, certainly concentrated, with colour and yet the acidity is still buzzing. “Too rustic for my tastes,” insists Alessandro and here greener than the younger vintages. The linger is quicker and the drying tannin a force more blunt than the forward years. Drink 2016-2017.  Tasted September 2016

Generations of Ca’ La Bionda

Corte Adami Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

When the vintage offers great fruit ambition often follows and so the strength, volatility and power comes with little surprise. A really dense and equally tart Superiore has this citrus streak running through. After an hour in the glass it’s all chocolate and the perception of heat units increases though 13.5 per cent alcohol is a reasonable frame on which to cling. Give it a year to come together and see it seduce with some secondary notes, including balsamic, dried fruit and spices. Drink 2017-2020.  Tasted September 2016  corte_adami  coliowinery    @ColioWinery  @CorteAdami  @coliowinery

#lastsupper #nicolis #verona

Nicolis Valpolicella Classico Superiore DOC 2015, Veneto, Italy (Agent, WineAlign)

The traditional wines of Nicolis are mostly from the Valpolicella Classica region which are night and day different than those from Valpantena (central Valpolicella and eastern Valpolicella “alla garta,” the stertched boundary. Their Classico shows high acid, cherries, past red before black fruit, liquid pomegranate, red ruby chalk. Reduction keeps talking, a bit hot methinks but with some air it cools off and just acts simple, amenable and what it needs to be, which is fruity. Drink 2016-2018.  Tasted September 2016  nicoliswinery  #thevineagency  @NicolisWinery  @TheVine_RobGroh  @NicolisWinery  The Vine – Robert Groh Agency

Novaia Valpolicella Classico Superiore DOC 2012, Veneto, Italy (Winery, WineAlign)

This Valpolicella is ahead of the Ripasso in terms of quality because it is a particular Superiore, from a volcanic soil and single vineyard, “I Cantoni” at 400m. The wine submitted to a 10 per cent loss during the one month drying process plus 18 months in wood in a combination of barriques but also 1000L and 1500L larger barrels. An expanded, airy, moussy, floating fresh Superiore. There is spice in its step and so it dances on the tongue. Not so much floral as ambrosial in its rich and thick aromatics. Definite bitter chcolate and cimmerian dried fruit but the palate is not heavy or cloying. Some mushroom and truffle demi-glace, savoury, umami initialization in in the stages of the begin. But it can still improve. Drink 2017-2024.  Tasted September 2016

Vero @SantaSofiawines @C_Valpolicella

Santa Sofia Valpolicella Classico Superiore DOC Montegradella 2013, Veneto, Italy (Agent, WineAlign)

Montegradella is 70 per cent corvina and corvinone plus 30 rondinella that saw 40-45 days of drying. The grapes come from the Valpolicella classica region, from vineyards planted on loamy marl in the hilly countryside of Fumane, San Pietro in Cariano and Marano. A special multi-vineyard designate Valpo aged for two years in 70 per cent large oak and 30 per cent small barriques. Some of the terse corners receive the smooth couverture of the amalgamation of barrels, the amore and aroma deeper into black cherry and beginning to hint at chocolate melting into espresso. Structure forms like the first sculpted clay to practice and prepare before switching more permanently to work with the marble of it to receive its first chisled stroke. Persistent and concentrated, Montegradella is a full cupboard of slow-developed spice. Drink 2017-2021.  Tasted September 2016

Valentina Cubi Valpolicella Classico Superiore DOC Il Tabarro 2014, Veneto, Italy (Winery, WineAlign)

Il Tabarro (The Cloak) is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on Didier Gold’s play La houppelande. Il Tabbaro the Valpolicella is a house-consistent blend of corvina (65 per cent), rondinella (25) and molinara (10) plus some wood aging after the steel. The use of selected yeasts, temperature control and some sulphite addition separate it from Iperico though the Guyot, Pergola doppia and Pergola semplice growing methods are the same. A selection is completed both in the vineyard and in the winery to pick the right grapes for this classification. Deeper and richer but still pure red fruit, wild cherries and because of the treatment, an extra level of refinement. I would still drink this any day over a high percentage of the region’s Classico Superiore. Bright and alive palate with nothing but fruit and spice. And length. Plenty of length. Drink 2016-2020.  Tasted September 2016

A #verona right of passage #getinthere

Ripasso Valpolicella

Bertani Ripasso Valpolicella DOC 2014, Veneto, Italy (395087, $17.95, WineAlign)

Just released, also a combination of Classica and Valpantena fruit, 85 per cent corvina, 10 merlot and 5 rondinella. Not much distinction from the Valpolicella, of a similar fruit profile, cherry and leather, here restained in alcohol and in avoidance of seeling itself with sugar. Some firm grip, a step towards liqueur but very clean, celar and precise for Ripasso. Quite dry especially in relation to many other regional takes. Aged in Slavonian oak barrels. Drink 2016-2019.  Tasted September 2016

Fidora Ripasso Valpolicella DOC Monte Tabor 2014, Veneto, Italy (Agent, WineAlign)

Certainly carries the torch forward from the Valoplicella but with some pomace addendum, without the concentration and with a mere tacky furthering from the barrels. Older ones (225L) and for just six months. Same on the verge but quite shy of oxidative so that the fruit stands out and the rusty quality remains bright. Plums are fresh with that variegated purple skin/red fleshiness and then plenty of spice. The sugar level is 6.5 g/L RS but it’s negligible considering the style. Drink 2016-2020.  Tasted September 2016

Massimago Ripasso Valpolicella DOC Marchesi Mariabella 2014, Veneto, Italy (Agent, $40.95, WineAlign)

Yet another new launching point, this time for the much maligned Ripasso category, acquiesced through the fresh urgency of the whimsical Marchesi MariaBella. The fruit is borne of a a much earlier ripening vineyard outside of Massimago, perched only at an insignificant 100m on Argileux soil. This a Ripasso I will wager large you have never tasted before. La Bella Poesia, “is different because its literary destiny has followed a strange path.” To say that a feminine disposition, temperament and engagement fills not just the aromatics but also the texture would be a Valpolicella understatent of this early century. There is virtually no dried fruit on the nose; there is more tension than the two classic Valpolicellas which is both counter-intuitive to terroir and to methodology. Ripasso needs to carry both weight and tension. It needs to have some elegance. It requires acidity and freshness. This walks that very line and it will age gracefully and with beauty. Incidentally to answer the query of whimsy each character on the label represents the democracy of the proletariat. Drink 2016-2022.  Tasted September 2016

Novaia Ripasso Valpolicella DOC 2014, Veneto, Italy (Winery, WineAlign)

From a not very good to certainly difficult vintage, the alt-Ripasso is made in the following manner because Macrello Vaona explains that “it’s a strange way to make wine but we do it to improve the body and the structure.” No drying, just the use of the wet skins towards the second fermentation. This has a very elegant, smooth, controlled, cool (13.5 abv) temper. Sees one-year in barriques and larger tonneaux, very little new to gain the calming Ripasso. Black cherry though light and fresh but on the flip side firm and direct. “What I want to produce is a drinkable wine, without thinking too much because the wine is too strong and has destroyed the food.” Well done Marcello. Drink 2016-2021.  Tasted September 2016

Novaia Ripasso Valpolicella DOC 2013, Veneto, Italy (Winery, WineAlign)

The vintage in Novaia’s hands is antithetical in terms of Ripasso, with more acetic notes but also elevated florals, more fresh than potpourri. It’s quite spiced but in deep, masala ways, into the umami of mushroom and a roasted forest wood smoulder. Plenty of tea and then a clearing of the skies with brightness at the finish. One of the more variegated Ripasso studies to ever come across. Drink 2016-2018.  Tasted June 2016

Post i canadesi light lunch carnage @PasquaWinery

Valpolicella Ripasso Superiore

Pasqua Valpolicella Ripasso Superiore DOC Romeo & Juliet 2014, Veneto, Italy (476903, $18.95, WineAlign)

In the realm of Ripasso this busy label Romeo and Juliet love letter of a Venetian is markedly more Valpolicella Superiore in style. No Ripsasso ever breathes so fresh and light and the Pasqua-made red is therefore part deception and part delight. I for one am pleased with the result, all fruit and little to less hydration and rehydration. There is a simplicity to it that leans nouveau but again, the simple and pure act of red fruit love is a laudable attribute. Just a bit of white peppery spice late reminds that fruit was once passed over some Amarone lees and that barrels parts were in the leavening mix. Chill this for best results. Many a consumer will enjoy the platitude. Drink 2017-2018.  Tasted twice, September 2016 and February 2017  pasquawines  #ChartonHobbs  @PasquaWinery  @ChartonHobbs  @pasquawinesitaly  

Hey #rossettadimontagna endemic grapes drying museum #cantinadinegrar #valpolicella #totallycool

Valpolicella Ripasso Classico Superiore

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2014, Veneto, Italy (85159, $19.25, WineAlign)

An inviting initial feigned freshness but then a posit tug of structure in the difficult vintage. Plum fruit and the same balsamic tone afforded the Classico but here the darkness begins to cover the fruit, with the classic but modern secondary fermentation passage over the Amarone skins. One year in French oak plus some large Slavonian oak. Already showing some secondary mushroom and truffle. High acidity, stark and driven, like a Doors Texas back beat. The smokiness heads straight to the back of the brain. Drink 2016-2018.  Tasted September 2016

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2010, Veneto, Italy (Agent, $19.95, WineAlign)

Quite similar and consistent to the ’14 though with more personality and further resolved into the secondary character traits; mushroom, truffle, forest floor, savoury herbs, tart berries, juniper, tonic and nearly umami. Pretty much what would be expected. Some affirming vitality reappears at the end. Nice Ripasso. Drink 2016-2018.  Tasted September 2016

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2009, Veneto, Italy (Agent, $19.95, WineAlign)

Quite evolved, deeper into the boletus and digging into a spongy, mid-autumn forest. Composted pine and some limestone here with more chcolate than either of the two younger (’11 and ’14) were showing. Seems to be more oak impart in 2009, either because the barrels were newer or because the vintage made the request or showed some intrinsic accord with it. Acidity is still quite solid, tannins nearly past. Drink 2016-2017.  Tasted September 2016

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2008, Veneto, Italy (Agent, $19.95, WineAlign)

More acetic vintage and not as much oak as expected, especially as compared to 2009. A consistency of secondary aromas is noted, from the woods and the boletus that appears every fall, depending on the vintage, in 2008 not quite as pronounced. Good persistence, very classic, totally in the zone. Drink 2016-2017.  Tasted September 2016

Buglioni Ripasso Valpolicella Classico Superiore DOC ‘Bugiardo’ 2013, Veneto, Italy (Winery, WineAlign)

Fermented on skins from the Amarone, Buglioni’s Ripasso went with four weeks of drying grapes, blended as 75 per cent with 25 per cent. Nicknamed “Bugiardo,” the liar, because this is what the wine is. Another electric Valpo but here with some salumi, quite a bit of salumi actually and some liquid cherry smoke. Also earthy with a truffled note and then more smoke, smoulder, in the chamber beside the fire. Quite an even keeled Ripasso, in between concentrations, acidity and tannin. Clocks in at a very reasonable 14 per cent. Drink 2017-2021.  Tasted September 2016

Ca’ Rugate Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (Winery, WineAlign)

Here we are again fully entrenched in 2014, from whence it was nearly impossible to make a really fine, elegant and getable Ripasso. Again 45, 45 and 15 (corvina-corvinone-rondinella), the holes filled in with more extract and careful selection than many. The green current and tobacco are not instigators but rather spectators to the fruit. Perhaps a lower percentage of skins here and more fresh fruit. This has the liquid red ruby citrus-grapefruit and orange play and then some grain in the tart, quite tannic structure. Modernity again and a success for 2014. Drink 2016-2020.  Tasted September 2016

Ca’ Rugate Ripasso Valpolicella Classico Superiore DOC 2015, Veneto, Italy (Winery, WineAlign)

Produced in the traditional way where the pomace from the dried Amarone grapes are left to referment in a Valpolicella wine from the same vintage. The wine is aged half and half in tonneaux and stainless steel for approximately eight months. The gravel and limestone estate vineyards are located in the hills around Montecchia di Crosara. This 2015 perpetuates the house blend of (45 per cent) corvina, (40) corvinone and (15) rondinella, consistent and familial similar to ’14 but carrying more freshness, bite and intensity. It will require a year more settling to bring the Ripasso vigour and rigour into real time Valpolicella by way of Amarone connectivity. Drink 2018-2022.  Tasted September 2016

Cantina Di Negrar Ripasso Valpolicella Classico Superiore DOC Le Roselle 2014, Veneto, Italy (620831, $17.95, WineAlign)

Le Roselle is a woman’s name, the diminutive of Rosa but in Valpolicella terms her character is both rich and acetic, fully consumed from Amarone skins and pressed to the maximum for colour and potential. Her name should see her as feminine from head to toe, but here in Ripasso she is highly permeable to the atmosphere of wherever she happens to be. She can repeat herself too, like the bird or parrot, so that her consistent nature will translate wherever she is consumed. In 2014 the results are quite intense, with full-on acidity wrapping up the optimum concentrated fruit in a Ripasso package so global, so far and wide reaching. Drink 2016-2018.  Tasted September 2016

Cantina Di Negrar Ripasso Valpolicella Classico Superiore DOC Domìni Veneti Vigneti Di Torbe 2014, Veneto, Italy (Agent, $19.95, WineAlign)

Domìni Veneti Vigneti Di Torbe Ripasso is made with the skins of Recioto (as opposed to Amarone), drawing uopn the sweet-bleeding for refermentation towards a developing potential, with heavy fuel, dense compression and brooding character. Another Cantine Negrar cooperative stylistic to make the biggest wine possible from a variegated collection of Classica grapes. Full bore plum fruit, a rage of acidity and some Amaro tannin. Even bigger of an expreession than the already glycerin-listed Le Roselle. Drink 2016-2019.  Tasted September 2016

Cantina Di Negrar Ripasso Valpolicella Classico Superiore DOC Domìni Veneti Vigneti Di Torbe 2013, Veneto, Italy (Agent, $19.95, WineAlign)

This is the third of three Negrar Ripassi tasted side by side by each from a much better vintage without the necessity to over do, not from pressing, not for extract nor to dish hyperbole of concentration and last but so very important, accomplished without heavy oaking. The fruit is a bit baked but not without charm, the sun-ripened and passed over skins sets of berries turned to dehydrated plum and piqued by a contiguous found balance from major wood spice. The equilibrium here is quite improved and born that way. Drink 2016-2019.  Tasted September 2016

Vigneti Di Ettore Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (Winery, WineAlign)

Ettore’s Ripasso comes from 20 year-old vines, of four grapes, corvina (45 per cent), corvinone (30), rondinella (15) and croatina (10). Needs air because of a minor reduction and a whiff of SO2. The first vintage was 2008 (as with all the Ettore labels) and here the small portion of dried grapes melds into passed over Recioto skins for a (5 hL) tonneaux experienced Ripasso of great spice and cool savour. This is arid and tense Ripasso with linear drive and vital spirit. Ripasso of clarity and direct connectivity, to the 40 million year old friable rock soil, the calcaire and the basalt. Well-made in a very difficult vintage. Drink 2016-2019.  Tasted September 2016

Vigneti Di Ettore Ripasso Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

The aromatic tones are quite high and even acetic (especially as compared to the bookend vintages) but this Ettore is as floral as they come. It’s a veritable potpourri flower bowl and then meaty, in dried charcuterie and splashed by balsamic. Deep flavours dip into chocolate and then a back bite into char-crusted, rare roast beef. Acidity pierces into the finish, with an injection of pure vanilla and finally some sour cherry. A satisfyingly gastronomic wine. Drink 2016-2019.  Tasted June 2016.

Lunch at Ettore Righetti

Vigneti Di Ettore Ripasso Valpolicella Classico Superiore DOC 2012, Veneto, Italy (Winery, WineAlign)

Assuming Ettore’s Ripasso Valpolicella Superiore ’12 grape make-up is the same as in 2014 the benefit is beautifully obvious from a most excellent vintage that is a gift (especially in comparison to ’14). The real purport to avoid the “sumo-warrior” Valpolicella shows in this bottle of finesse and one that you can finish. These are pure plum notes, in aroma and flavour, with balancing acidity and really fine tannins. This wine is so young still, spicy and spirited, jumping from the glass. What Ripasso can be. Drink 2016-2020.  Tasted September 2016

Nicolis Ripasso Valpolicella Classico Superiore Seccal DOC 2013, Veneto, Italy (Agent, $29.95  WineAlign)

Seccal is a single-vineyard Ripasso, 70 per cent corvina, (20) rondinella, plus five each molinara and croatina. It spends 16 months in big Slavonian oak barrels and takes the stylistic reigns from the fruit juicy Classico. With a firm grip it adds low and slow big wood time lapse release to develop breadth and slightly bretty volatility. Reductive again (a recurring Ripasso theme) dry and tangy, very soil-driven to supersede the volatility and so it really reminds of cooler climate grenache (top part of the southern Rhône Valley) or even salty, marine cannonau. I find this really terroir driven with the fruit less prominent but acids are high and tannin low. A very specific, old-school, the way it used to be Valpolicella but with a tie to the vineyard that is undeniable. Though the grapes comes from a single vineyard because Amarone grape skins are used for the second fermentation its single-vineyard status is changed. Drink 2016-2020.  Tasted September 2016

The @garton_jules and #godello at such a nice place #tenutasalvaterra

Tenute Salvaterra Ripasso Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

The closest of cousins to the Valpolicella Classico, from a different vintage but similar in styling. Reductive and silky in texture, with the dried grapes addition adding layers of impression and compression. Acidity is neither tough nor linear and while it is present, its support is a lift, not a distraction. Drink 2016-2018.  Tasted September 2016

Santa Sofia Ripasso Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Agent, $27.95, WineAlign)

The Ripasso 2013 is 70 per cent corvina and corvinone plus (30) rondinella, of no dried grapes, only secondary fermentation with amarone grape skins, simply and originally Ripasso. “Many Ripasso are like the small brother of Amarone,” explains proprietor Giancarlo Begnoni, “but in our case Ripasso is the big brother of Valpolicella Superiore.” Something added, augmented, not taken away. Aged only in old (up to 30 years) old (Slavonian) oak barrels. This is completely new and yet so very old, modern but ancient. The great dichotomy built through slow evolved structure. Tense, terse, direct, liquid yellow tufo rock with red citrus, pomegranate and the most refined tonic. More structure than so many but less freshness than some for sure. Superiore speaks only to the appellative minimum content plus context and speaks nothing to structure. That changes in the stylistic hand of Novaia. Drink 2017-2020.  Tasted September 2016

Andrea Sartori and our Lauren Hall

Sartori Ripasso Valpolicella Classico Superiore DOC Valdimezzo 2014, Veneto, Italy (Agent, $17.95, WineAlign)

Sartori’s Ripasso Valdimezzo is a blend of corvina (60 per cent), corvinone (20), rondinella (15) and croatina (five) in a mix of medium and large format oak casks. The deep mahogany wainscotting and black cherry notation is recognized for aligning house style clarity though the acidity and the vital tonality are elevated. The purple to black plum fruit controls the depth. Really high acidity. Drink 2016-2019.  Tasted September 2016

Old school indeed @dobianchi @tenutapieve #gaetanobertani #classico

Tenuta Santa Maria Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (WineryWineAlign)

Some vibrant bright red fruit bridging fresh to dried, right on that line. The kind of Ripasso that feigns fortified when it really isn’t that way at all. Lots of spice and once again the liqueur like old school, old barrel aged tempranillo or sangiovese but here on the fresher side. Plush texture and tannin. Very solid for a 2014 and not so dry, with 8 g/L RS. Drink 2016-2020.  Tasted September 2016

Valentina Cubi Ripasso Valpolicella Classico Superiore DOC Arusnatico 2013, Veneto, Italy (Winery, WineAlign)

Arusnatico is dedicated to one of the few underground groups that refused to submit to the Romans. This is hard to be believed as Ripasso, light, cool, crisp, very citrus (orange) directed and a bite into chocolate that might be white or dark I couldn’t really say. The nose does not speak to Ripasso (nor does the hue or the construct) but the palate does more so. Richness is observed and permitted with grace throughout and and as more than just an impression. Hard to believe that Amarone pomace is used and in fact it will be impossible to know what churns this Ripasso until we return and the similarly vintage-dated Amarone is tasted. Once again in a league of its own. Drink 2016-2020.  Tasted September 2016

Zonin Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (170142, $16.40, WineAlign)

Very similar, in fact impossibly consistent with the Classico, of red fruit first, freshness second and commerciality in confident control. Clean, crisp, here smoky and with just those slight notes of earth, forest floor, savour, tobacco, umami. The additions are the smokiness and the 2014 challenges unable to find their clear. Drink 2016-2017.  Tasted September 2016

Zonin Ripasso Valpolicella Classico Superiore DOC 2005, Veneto, Italy (AgentWineAlign)

A test of time for this Ripasso is an all well and incredible Superiore certainty, now all mushroom and truffle, earthy forest, umeboshi plum, darkening soy sauce and bubbling brown sugar. The acidity is clearly alive, then tempered chocolate, dried and slightly torched espresso bean, ground and pressed. Very alive. One punch and a knockout, short finish. Drink 2016-2017.  Tasted September 2016

Valentina Cubi

IGT Rosso Verona, Veneto and Venezia

Valentina Cubi Sin Cero IGT Rosso Verona 2015, Italy (Winery, WineAlign)

The truthful or sincere one is the third vintage after 2012 and 2013 (there was no 2014), a blend of corvina (75 per cent) and rondinella (25), of zero sulphites and possessive of the naturalische, straight from the soil and a breath of fresh air. There too is a bready, yeasty, enzymatic air and this is IGT you are pleased to put in your mouth. Spontaneous fermentation and microbes no other Valpolicella varietal IGT (or approved) has thus far granted. Is it typical? No. Could it be labled Classico Superiore? Stylistically speaking why not. But it’s bloody atypical, potentially consumer confusing but there is every reason to drink it. It’s beautifully dirty and with a cereal quality, like sugar crisp but not the commercial, fructose glazed crap, but more like the bulk bags of slightly earthy, whole foodies stuff. Fermented and aged only in steel. Drink 2016-2020.  Tasted September 2016

Bertani Secco-Bertani IGT Rosso Verona 2013, Italy (Agent, WineAlign)

Secco Bertani is an IGT Verona composed from corvina (80 per cent), sangiovese grosso (10) plus equal parts merlot and cabernet sauvignon. Aged in (cherry and chestnut) Veronese barrels, this is IGT of high tones, red and black fruit and dry-aged beef bresaola. Travels through an acidity fire and comes out smouldering with tobacco and chocolate. Cimmerian IGT of high acidity and big, sweet tannins. Needs two years to settle down before beginning to age into balsamic and truffle territory. Drink 2018-2024.  Tasted September 2016

Vigneti Di Ettore Rosso Veronese IGT Arsi 2011, Italy (Winery, WineAlign)

Arsi is from 15 year year-old vines at 400m in volcanic soil. No malolactic and higher acidity bleed lava from corvina veronese (30 per cent), corvinone (30), croatina (30) and pelara (10). A different wine for Valpolicella and for IGT, the wine is highly saline, from grapes dried for 50 days, of lovely red fruit with the saline streak that is not found in the other wines. A wine I feel many winemakers, especially from the larger houses and cooperatives would not understand. Though there is some emptiness on the palate this highly distinctive, salty umami Rosso is in a world of its own and that world is one I am delighted to visit. Drink 2016-2021.  Tasted September 2016

Nicolis Rosso Verona IGT Testal 2012, Italy (Agent, WineAlign)

Testa, “the head,” from grapes at the head of the vine, left to hang for two or three weeks longer than usual. The Ripasso aspect is the short drying time on the vine. A late harvest IGT from Corvina (90) and 10 per cent other (not named) varieties. This alters the house style and does something other, something Classico Superiore but it can’t be this because it exceeds the DOC Corvina maximum of 80 per cent. The large casks have added more sheathing than you might expect. This is highly wooded and toasty with quite a bit of vanilla, lavender and clove. Certainly made for a crowd that loves this style. Changes to labelling mean you can’t call this Rosso del Veronese anymore but now this wine could in fact be a Classico Superiore. Though it doesn’t resemble one in any shape or form. Drink 2016-2021.  Tasted September 2016

Pasqua Passimento 2014, IGT Veneto, Italy (141952, $13.95, WineAlign)

Passimento is “Passione Sentimento,” part of the Romeo & Juliet line, composed of merlot (40 per cent), corvina (30), and croatina (30). It’s somewhat experimental and yet traditional, from grapes partially dried for one month, half way between Valpolicella Superiore and Amarone, in weight and alcohol. Four months in barriques has given this lean and green red a decidedly merlot bent, with memories of stems and herbal dill plus some balancing corrected sweetness. At 14 per cent alcohol and extra body it represents market driven wine in a nutshell. Drink 2016-2018.  Tasted September 2016

Tenuta Salvaterra Rosso Delle Venezie Igt Lazzarone 2011, Italy (WineryWineAlign)

The word Lazzarone comes from Campania, from the men who hung around the church either begging money or looking for a day’s work. Just a small portion of grapes are dried (30-40 per cent) and for a shorter period than Amarone, between five to seven weeks. A baby Amarone this one, maybe with a bit more umami or certainly a different one, wooly and weedy, herbal and crazy. Some teroldego is added in here with the corvina and rondinella. Some freshness and palate softness but still, it’s the modern house style. The soft back side is filled with plump raisins, fresh figs and a shave of truffle. Oh will people eat this up, for breakfast, lunch and dinner. Drink 2016-2019.  Tasted September 2016

Elisa Biasolo and Giancarlo Begnoni of Santa Sofia

Santa Sofia Igt Rosso Del Veronese Arlèo 2011, Italy (Agent, WineAlign)

Arléo is 85 per cent corvina, the wine Giancarlo Begnoni is proud to have invented, from a longer (60 day) dry-aging, more like Amarone, plus 15 per cent of (not dried) merlot and cabernet sauvignon. Two years in large Botti plus one year in barriques, for body, complexity and variegated intensity. Bretty volatility delivers in the great and righteous stylistic success that walks up to the threshold, teases to climb over, turns, grins and perches at the precipice. This shares a commonality with sangiovese, either Brunello or Gran Selezione, in more ways than you would imagine or think it should. But this is structure, traditional risk and wisely decided upon confident decision making, calculated and successful. The right grapes are essntial to pull it off and the winemaker musty have known otherwise or would not have moved them or this wine in this direction. Drink 2017-2021.  Tasted September 2016

Tenuta Santa Maria Igt Rosso Veronese Pràgal 2013, Italy (WineryWineAlign)

Pràgal is corvina (50 per cent), syrah (25) and merlot (25), all estate fruit and admittedly kind of foxy and boxy. Dried red fruit, fresh figs and grape must. Rustic and oxidative. Then an old Rioja or Chianti liqueur, so in some ways this walks the line. Quite the smouldering, bretty, lit up experience with a note of pickling brine and wet horse. Drink 2016-2017.  Tasted September 2016

The Verona gang, Ponte Di Castelvecchio

Good to go!

Godello

Twitter: @mgodello

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Benvenuto Brunello 2017 report: Rethinking Rosso and disciplined Brunello

#benvenutobrunello 2017 @consBrunello #montalcino #brunellodimontalcino #rossodimontalcino

It was a milestone edition of Benvenuto Brunello and also a gathering of symmetrical proportions. Looking back a half century, just after recognition of the D.O.C., it was in 1967 that the consortium was set up as an association of producers, “as a free association between winemakers bent on safeguarding their wine and on accentuating its qualities.” Twenty five years later the Benvenuto concept was conceived and now fifty years later this 2017 and 25th Benvenuto Brunello presented a preview of Annata 2015 Rosso di Montalcino, Annata 2012 Brunello di Montalcino, Riserva 2011, Moscadello and Sant’Antimo. Every year in February the Consorzio del Vino Brunello di Montalcino organizes Benvenuto Brunello and by my count in 2017 there were 133 producers and 379 wines on hand to taste and evaluate, grouped together on February 17th and 18th in the Chiostro Museo Montalcino.

The vintages on hand offered up a study in contrasts beyond the obvious connotations served by the youth of Rosso Annata contrastive to aged Brunello. So many Mediterranean wine regions reaped huge benefits from the 2015 growing season but I’ve not personally seen such an across the board level of quality from a group of structured wines as I saw in the Rosso Annata. You would have to go back to 2010 to find a vintage with a near-chivalrous level of generosity and as far back as 2001 for its equal. That said I would suggest with extreme prejudice that 2015 Rosso di Montalcino is the vintage to change your mind about its quality and its ability to stand alone. As an entity, the Rosso are produced from grapes farmed explicitly for a purpose and it is this ’15 vintage that can be used to back up that very proposition. Rosso are fashioned to make a young sangiovese distinctive and antithetical to Brunello, but with the resolution to forge ahead with an intrinsic and personal level of structure.

The Brunello vintage at the 2017 Anteprima is the one that growers, producers, marketers and critics will chime in with a wide variance of opinion. There are many ways to look at the 2012 growing season. It is prescribed as a five-star vintage by the Consorzio, putting it on par with the best of the last 20 years, including 2010, 2007, 2006, 2004 and 1997.  Critics remain skeptical and producers seem content to say “we’ll see,” knowing that structure is a guarantee but that fruit may peak early. There is little doubt that fruit quality is prodigious to say the least and that to a wine, these are fine and refined sangiovese. The producers who resisted temptation to make huge wines and the ones who took a step away from the machine will likely be the ones who found the best balance and in turn will have forged the longest aged Brunelli. I for one see 2012 as closer to 2008 and 1998, firm, a little misunderstood in the early days and capable of improving dramatically with five to seven years of age. The fruit just seems to speak this truth.

Buongiorno #montalcino La Fortezza di Montalcino

Montalcino is one of the most iconic Tuscan hilltop villages, a high density designed labyrinth of winding streets with the medieval La Fortezza di Montalcino at the peak and heart of the city. La Fortezza is a monument rich in history and a symbol of the last glorious defence of the Sienese Republic in 1555 against Spanish-Florentine troops. Begun in 1361 to improve the fortifications of the city, the fortress became a symbol of the then dominant Sienese power, however, counterbalanced by the opportunity that was offered to the residents of Montalcino to have Sienese citizenship while delocalised. It was precisely this fact that led to important political, economic and administrative relations between the inhabitants of the two cities. By the time the 16th century came to a close the fortress had lost its military significance. La Fortezza Wine Shop and Wine Bar founded in 1980 by Mario Pianigiani and Marzio Giannelli sits inside the main tower of the fortress.

Montalcino rests at 564 meters above sea level between the valleys of three rivers; Ombre, Asso and Orcia. This island city has for centuries been cut off from major transit roads and subsequently avoided or missed out on the typical economic practices of the surrounding region. So it developed wine and olive oil as its primary industry. The world and Montalcino are all the richer for this fortuitous destiny.

#montalcino

Brunello di Montalcino is referred to as “a very modern and ingenious intuition,” a phrase that so aptly depicts how it has separated itself from other sangiovese producing neighbours, namely Chianti Classico and Vino Nobile di Montepulciano. Only the Brunelli are possessive of a very certain and special sort of sangiovese aromatic liqueur, an amalgamation of deep, dark cherry, fresh leather, earth and flowers that differs from the others. Brunello also carries its own unique type of acidity and a fineness of tannin that speaks to how the grapes develop on the slopes and in the valleys below.

Only 15 per cent of a surface area totalling 24,000 hectares is planted to vines, just under 60 per cent to Brunello, approximately 15 to each Rosso and Sant’Antimo, 1.5 to Moscadello and 10 per cent to other grape varieties. The vineyards are set in a charmed square amphitheatre of geology, with the 1,740m high Mount Amiata to the south acting as protector and climate mitigator. Soils vary but at its most beautiful the decomposition of quatenary rock gives way to marl and albarese. The area is blessed with a Mediterranean climate, thankfully free of frost, great temperature fluctuations, the disease combative frequent presence of wind, mild and full days and in the end long, phenolic developing growing cycles.

Benvenuto Brunello gala dinner

Brunello’s rules call for maximum yields of eight tons per hectare and an obligatory ageing period in wood of two years in oak casks. A further four months (six for Riserva) is required in bottle. Bottling must take place in the production area and the wines can be made available for sale on the first of January in the fifth year following the harvest (sixth for Riserva). Only Bordeaux style bottles are permitted.

Rosso’s rules call for maximum yields of nine tons per hectare, bottling must take place in the production area and the wines can be made available for sale on the first of September of the year following the vintage. Like big brother Brunello, Rosso can only be housed in Bordeaux style bottles.

Moscadello’s yields climb to 10 tons per hectare for both natural and bubbly (five for Late Harvest) made from moscato bianco. The wines may be made available for sale on the first of January of the second year after the harvest, for the Late Harvest type. Sant’Antimo’s yields are set at nine tons per hectare for the Bianco and Rosso and eight for the other reds. It can be produced from all grape varieties recommended and authorized in the province of Siena, with specific limitations for the types with a variety name and for the Vin Santo. Bottling must take place in the province of Siena.

Sommelier service at Benvenuto Brunello

The Cooperative Cellars Biondi-Sant & Co are mentioned in the volume “Vini Tipici Senesi,” published by the chair of agronomy at the Università di Siena in 1933. The cooperative winery Biondi Santi & Co. was established in Montalcino in 1926 by a group of enthusiastic land owners who were also wine producers. They understood the necessity and importance of promoting two of Tuscany’s classic wines, Brunello and  Moscadello from Montalcino. The Brunello di Montalcino style did not emerge until the 1870s, soon after Il Risorgimento (the unification of the Italian regions into a single state). Its evolution was expressly due to the efforts of Ferruccio Biondi-Santi. A soldier in Garibaldi’s army, Biondi-Santi returned home from the campaigns to manage the Fattoria del Greppo estate belonging to his grandfather Clemente Santi. It was here that he developed some state-of-the-art winemaking techniques which would revolutionize wine production in Montalcino and greater Tuscany.

The word we know as Brunello translates loosely to “little dark one”, in reference to the local vernacular name for sangiovese grosso, “fat sangiovese,” the large-berried form of sangiovese which grows in the area. While Brunello di Montalcino and the clonal sangiovese grosso have been symbiotically synonymous for decades, in today’s modern Brunello lexicon it is simply sangiovese that speaks to the grape of the famous wines.

Vancouver’s Michaela Morris, Godello and our amazing sommelier Leia

Montalcino’s reason for breathing, loving and living is to celebrate the wines of its immediate territory and the most noble locally-produced sangiovese has made the history of Brunello while the younger Rosso have taken up the challenge to become the protagonists of the new market.

This report is due and with great thanks to the producers from Montalcino, Patrizio Cencioni, Chairman and President of The Consorzio del Vino Brunello di Montalcino and Vice Presidents Tommaso Cortonesi, Andrea Machetti and Riccardo Talenti. Benvenuto Brunello is the culminating visit for the larger, week long roadshow of Anteprime di Toscana and so thanks is also afforded to Regione Toscana, Tuscany Wine Consortiums, PromoFirenze and the entire Anteprime di Toscana team. My 88 reviews in total cover 22 Rosso Annata 2015 and 2014, 26 Brunello 2012, 34 Brunello Vigna 2012 and six earlier vintage Vigna and Riserva.

Rosso Di Montalcino 2015

Fattoria Dei Barbi Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, WineAlign)

Quite delicate and elegant in Rosso from Barbi so perfectly executed to suit the effects of the vintage. A poster child actually, with brightness belied by red fruit and then enough grip to solidify the future. This will drink perfectly consistent from now and to the end of these ‘10s.  Drink 2017-2020.  Tasted February 2017  @FattoriaBarbi  @Noble_Estates  fattoriadeibarbi  noble_estates  @FattoriadeiBarbi  @NobleEstates

Podere Brizio Rosso Di Montalcino 2015, Doc Tuscany, Italy (Winery, WineAlign)

From warmest of warm southwest sandstone and marl Montalcino vineyards of solid rock and altitude. Marks the old school/new school twain as an undisguised expression and honestly prepares you for more structured Brunello without ever abandoning what Rosso must be. Red fruit, chalky liquidity and some fine tannins. Drink 2017-2021.  Tasted February 2017  @PodereBrizio  poderebrizio  @poderebrizio

Capanna Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, WineAlign)

Capanna’s is a drink as fast as you can sort of Rosso with red tinging to black raspberry red fruit. There is a plum pudding space from the short barrel and such an inflection gifts true blue baby Brunello character. Enjoy this while the older siblings develop some of that formidable 2012 charm. Drink 2017-2019.  Tasted February 2017    @capannamontalcino  #capanna

Castello Romitorio Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, $28.99, WineAlign)

As young, fresh, beautifully whole-bunch startling and come get me by the trunkful as Rosso di Montalcino can really be. Strawberries soaking in their own macerating juices and straight out of the vat lithe tartness and beauty. For every day and just a hint of what tannin will want to be in the bigger, slowly rendered wood-spiced Brunello. Drink 2017-2019.  Tasted February 2017    @WineLoversAgncy  castelloromitorio  wineloversagency   Castello Romitorio  @wineloversagency

Collemattoni Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, $28.99, WineAlign)

Firmer than some other Rosso but not in sacrifice of charm or elegance. Depth of berries and even a hint of plum both in aroma and on a silky, pleasurable and meaningful palate. Grown-up is one way of naming it but I prefer to think of Collemattoni’s Rosso as in a category of its own, neither Rosso nor Brunello but something to take pleasure without needing any supply from either or. Rosso for next year and five after that. Drink 2018-2023.  Tasted February 2017  @collemattoni  @StemWineGroup  collemattoni  stemwinegroup  Collemattoni Brunello  @stemwine

Cortonesi La Mannella Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, $29.95, WineAlign)

The advance is a young winemaker’s approach, using fruit from the youngest vines but from the same vineyards used for Brunello production. Clonal selection permits early success from the fourth to fifth leaf for precocious wines off vines so young. Others may use vineyards dedicated to Rosso, so farmed with ulterior motive and expectation, neither better nor worse, but different. The old way was simply a matter in selection of grapes, something young winemakers are abandoning for now one or the other ways of making Rosso. Tommaso Cortonesi’s is luminous and bright within a frame of ascension in reference to the darker cherry sangiovese point spectrum, with three levels of variegated hue and aromatic profile. Char, fennel and fruit. Great structure, agreeable and yes, drinkable now Rosso. Drink 2017-2021.  Tasted February 2017  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Donatella Cinelli Colombini Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, $29.95, WineAlign)

Donatella’s is a beacon at the shore, up on the fortress and statuesque at the central piazza, standing sentinel to draw attention to the 2015 vintage. Rarely will you find this combination of bright and firm, lithe and intense, ripe and in charge. All the attributes of Montalcino sangiovese are ingrained, albeit with a feminine hand, into its bricks and mortar. Perfectly sculpted and executed, with grace and humility.  Drink 2018-2023.  Tasted February 2017  @news_donatella  @LeSommelierWine  donatellacinellicolombini  lesommelierwine  Donatella Cinelli Colombini  @LeSommelierWine

Fattoi Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, WineAlign)

Relatively reserved as far as Rosso is concerned, with a darker berry, heavier clay and expressly extracted into juicy palate. Bigger expression that take full advantage of the generous vintage to be sure. Drink 2018-2022.  Tasted February 2017    @BrunelloImports  #fattoi  brunelloimports  Lucia Fattoi  Brunello Imports Inc.

Gianni Brunelli Rosso Di Montalcino Le Chiuse Di Sotto 2015, Doc Tuscany, Italy (Agent, $34.00, WineAlign)

Le Chiuse Di Sotto, “the closed below,” is beautiful, full and yet not so generous on the nose (above) in sangiovese pure and simply wanting to give Rosso expressly to the palate. The mouthfeel graces better than most, not wanting for anything more than what it knows and has. Nothing astringent about this firm grip and of a concentration yet elegant in tension. Drink 2018-2023.  Tasted February 2017  @Noble_Estates  giannibrunelli  noble_estates  @NobleEstates

Il Poggione Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, SAQ 12921974, $25.15, WineAlign)

Refined and expertly executed if on the side where acidity really makes a play for queen in this Rosso. In a matter for when fruit so red, smoky and ripe is up to the balancing task. Another Rosso that just kills it for the vintage. Drink 2017-2020.  Tasted February 2017  @IlPoggioneWines  @LiffordON  ilpoggione  liffordgram  @villailpoggione  @liffordwineandspirits

La Fiorita Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, WineAlign)

Simpler and straightforward for Rosso, with the feel of quickly pressed fruit with little extra time spent waiting for its response. There is this herbal note on the palate and a chalky feel that is floral, like a candied pansy and/or exchanged for/mixed with something dairy, even enzymatic. A bit unusual that needs time to settle in. Drink 2018-2020. Tasted February 2017   @NatalieLFiorita  @natalie_lafiorita  @TWCimports  TheWineCoaches  La Fiorita Wines (Natalie Oliveros)

La Leccaia Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, WineAlign)

Resides on the roses and ethereal side of Rosso, of lithe and bright fruit, red all the way to the end. The palate is less expressive and somewhat carbonic, pulsating and pushing its way to the back. Deferential in ways not tasted yet. Drink 2017-2019.  Tasted February 2017  @TWCimports  TheWineCoaches

La Togata Rosso Di Montalcino Carillon 2015, Doc Tuscany, Italy (Winery, WineAlign)

If an imagining of the 2015 Brunello vintage can be foretold in the eyes, nose and mouth of a Rosso, La Torgata’s Carillon, “a group of small bells,” may just be the oracle. Sweet fruit in red cherry, ripe plum and then the dusting of fennel pollen will turn this to flow fluidly over river stones. So bright, light and pleasant. Could drink this with my pasta every night, no matter the preparation. Rosso like this is perfect, come questo è perfetto, for right now. Drink 2017-2020.  Tasted February 2017    #latogata  Brunello La Togata

La Togata Rosso Di Montalcino La Togata 2015, Doc Tuscany, Italy (Winery, WineAlign)

La Togata is firmer than the estate’s Carillon and quite certainly taken from lower, deeper and heavier clay. La Torgata also confirms a pleasing vintage to come for Brunello. Fruit is just that much darker and with more grip and welling tension. Deep earthy charity all over the palate leads to great tang on the finish where the tannin thankfully arrests and relents. Drink 2017-2019.  Tasted February 2017    #latogata  Brunello La Togata

Lazzeretti Rosso Di Montalcino 2015, Doc Tuscany, Italy (Agent, WineAlign)

Very modern and expressive. Unexpected but bright and wonderfully fanciful. Fantasy Rosso to imagine ways you had not before. A bit of a wild, natural child. Would look forward to watching this develop over the course of an hour or two. Drink 2018-2022.  Tasted February 2017  @ViniLazzeretti  @ViniLazzeretti

Maté Rosso Di Montalcino 2015, Doc Tuscany, Italy (WineryWineAlign)

Maté’s is darker, richer and more productive on track with dead aim to please. Got graphite in the pencil and plenty of savour.  Spice is at the top in between and down below. Sultry really, hot and bothered. Good long finish. Drink 2017-2019.   Tasted February 2017  @MateWinery  mate_winery  Candace Máté  @MateWine

Scopetone Rosso Di Montalcino 2015, Doc Tuscany, Italy (WineAlign)

Scopetone’s Rosso is quite perfumed, nimble and of a nose that thinks potpourri. Here Rosso again needs the palate to flesh and firm up the overall package. Turns just a hair musty and dusty in that respect but does proper work, for the house and for ’15. Drink 2017-2019.  Tasted February 2017    #scopetone

Tiezzi Rosso Di Montalcino Poggio Cerrino 2015, Doc Tuscany, Italy (Winery, WineAlign)

Poggio Cerrino certainly acts on the nose more like the reputedly bigger Brunello so this is the provider of such a style. As a Rosso this is the most liqueur focussed and so defines their corner of the 2015 market, of which the school is older and the tone slightly volatile, not to mention deep in extraction. Deeply entrenched in tradition with plenty of tannin, including some verdant strands. Drink 2018-2022.  Tasted February 2017  @BrunelloTiezzi  brunellotiezzi  Brunello Tiezzi

Ventolaio Rosso Di Montalcino 2015, Doc Tuscany, Italy (Winery, WineAlign)

More than just rustic and charming, here carefully considered to present a modern expression of sangiovese and what it amounts to is a refined, purposed and most excellent expression. There is this anaerobic, aerified inhalant impression that really takes away from expression so think about waiting a year to let the two fronts come together for a more perfect storm. Nothing precious about such a Rosso, only the sort of pure sangiovese roots laid down for success. Drink 2019-2024.  Tasted February 2017    #ventolaio  @Ventolaio

Rosso ’15 highlights from #benvenutobrunello 2017 @consBrunello #latogata #carillon #castellodiromitorio #collemattoni #giannibrunelli #donatellacinellicolombini #ventolaio

Rosso Di Montalcino 2014

Le Ragnaie Rosso Di Montalcino V. V. 2014, Doc Tuscany, Italy (Agent, WineAlign)

A more than beautiful rendition from 2014, regal and rewarding. Elegant and firm to nose, not so perfumed and holding back a touch, with thanks to the Montalcino old vines compression. Firm is the operative, elongation the plan. A mineral-focused sangiovese with years of persistence lay ahead. Drink 2018-2023.  Tasted February 2017    @KylixWines  #laragnaie  kylixwines  @leragnaie  @KylixWines

Le Ragnaie Rosso Di Montalcino Petroso 2014, Doc Tuscany, Italy (Agent, WineAlign)

Petroso is much more beautiful and even on the edge of ethereal as compared to the old vines Rosso. This has bright red fruit and a lightness of Rosso character. Really perfumed, not so much, exactly or specifically fruit but also the mineral, wood and plenty of spices. Love the cross-section of firm, tangy and grippy. This just goes, flows and keeps flowing. Very long and definitive, of vintage and certainly, ostensible, place. Drink 2018-2024. Tasted February 2017    @KylixWines  #laragnaie  kylixwines  @leragnaie  @KylixWines

Il Marroneto Rosso Di Montalcino 2014, Doc Tuscany, Italy (Winery, WineAlign)

It is a pleasure to discover the beautifully rendered combination and complimentary connection between the bright and the structured in a best of both colliding worlds Rosso. Some weight also lends credible Brunello regional character, followed by a mouthfeel silky, fluid and in the end, full of tension and grip. It’s a veritable roller-coaster sangiovese ride, slowly climbing the hill to the crest and pausing, as if in a dream, without going over the edge. Fantasy and edging in Rosso di Montalcino. Drink 2019-2025.  Tasted February 2017  @IlMarroneto  #ilMarroneto  @BrunelloIlMarroneto

Eyes on annata 2012 @consBrunello #brunellodimontalcino #benvenutobrunello 2017 #montalcino #toscana

Brunello Di Montalcino 2012

Argiano Brunello Di Montalcino 2012, Docg Tuscany, Italy (154609, $54.00, WineAlign)

A solidified crust of earth and red fruit intertwine in Argiano’s 2012, a Brunello that resides on the firmer as opposed to brighter side of the 2012 vintage. Argiano will always deliver the goods, in quality fruit, from important terroir and with the building blocks to carry it for 10 to 15 years. The palate brings viscosity, unctuousness and more than enough finishing chocolate ganache. Drink 2019-2027.  Tasted February 2017  @Argianowinery  @Noble_Estates  cantina_argiano  noble_estates  @argiano  @NobleEstates

Fattoria Dei Barbi Brunello Di Montalcino 2012, Docg Tuscany, Italy (928028, $53.95, WineAlign)

Barbi accomplishes an Annata Brunello just haste in 2012, taking expressly written sangiovese red fruit and pushing it to the limits of its natural tendencies, in hue and expression. I would have to say that consistency from this house is an absolute guarantee and that its style trumps vintage as much as any other. This is simply more Barbi than 2-12. That’s all there is to it. Tannins are firm, acidity is strong and fruit is up to the 15 year task. Nothing time sensitive about it and its timeless structure cements the absolution. Drink 2019-2027.  Tasted February 2017  @FattoriaBarbi  @Noble_Estates  fattoriadeibarbi  noble_estates  @FattoriadeiBarbi  @NobleEstates

Podere Brizio Brunello Di Montalcino 2012, Docg Tuscany, Italy (WineryWineAlign)

Brizio’s is quite fresh for Brunello in a style that won’t knock you down, from marl and galestro soils expressive of plum fruit and non-quelling oak. The warm southwest Montalcino corner rolls out a convection of buterred savoury pastry as though this were like Champagne in a sangiovese, Brunello style. Red velvet brioche and gingery exoticism from Montalcino with the fineness of tannin. Drink 2018-2026.  Tasted February 2017  @PodereBrizio  poderebrizio  @poderebrizio

Castello Romitorio Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, 236356, $69.99, WineAlign)

Take a deep breath and take this beautiful 2012 Castello Romitorio in, full of the purest sangiovese, florals and a moist crust of the earth. Seamless, already full of clean and open window clarity and ultimately beautiful. There are no astringent moments of heavy, barrel chested wood huffs or puffs. This Brunello is traditionally pure while at the same time clean as a whistling sangiovese. Nothing finer or more enjoyable to drink, without any cure or a care. Drink 2018-2026.  Tasted February 2017    @WineLoversAgncy  castelloromitorio  wineloversagency   Castello Romitorio  @wineloversagency

Castiglion del Bosco Brunello Di Montalcino 2012, Docg Tuscany, Italy (956391, $59.95, WineAlign)

This is the press train to get to the 2012 station, of the right and correct fruit but with the sense to pull in on time. You do not have to wait for Bosco to fight its way through the Brunello crowd. The journey is already complete so if you need a drink me now Brunello this is your train. The fruit darkens and fleshes just in the time it travels from glass to mouth, with temporal, juicy acidity and easy tannin. Finishes with a shot of fine espresso.  Drink 2017-2021. Tasted February 2017    @LiffordON  castigliondelbosco  liffordgram  @castigliondelbosco  @liffordwineandspirits

Cava d’Onice Brunello Di Montalcino 2012, Docg Tuscany, Italy (WineAlign)

Brunello 2012 in the hands of Cava d’Onice is blessed of a most heady and pretty perfume in a decidly gregarious expression, though with no danger of inching over the strada. Really tests the limits of fruit and wood and comes out clean and fresh, with much liquid ruby, chalky and spiced addendum. It’s the sangiovese equivalent of old school charm in modernist, retro clothing. Drink 2018-2024.  Tasted February 2017  @cavadonice  azienda_cavadonice  @cavadonice

Col D’orcia Brunello Di Montalcino 2012, Docg Tuscany, Italy (306852, $49.95, WineAlign)

Typically Col D’orcia for Brunello, firm, grippy and designed with angles, lines and box vector precision. Fruit is not at once ready and willing to tell a story because tannins are on top and suppress the basket down. I will admit that the vintage is more relenting than many, not quite 2007 mind you but certainly not a factor of 2008. This normale will need three years to open up before it really begins to celebrate its fruit and then offer evolving subtleties for five to seven after that. Drink 2020-2027.  Tasted February 2017  @Coldorcia  @DionysusWines  coldorcia  dionysuswines  @coldorcia.brunello  Dionysus Wines & Spirits Ltd

Collemattoni Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, $61.99, WineAlign)

Gorgeous red fruit as generous and dare it be said, magnanimous as it gets. Collemattoni is a fruit machine, but also a mineral maker and a long-distance, slow-evolutionary walker. The calcareous-clay impression (from San Angelo in Colle on the southern hill of Montalcino) leaves a lasting imprint on your Brunello soul. This carries fine millefoglie layers of fruit, woven in lattice and with alternative material from that fruit, of ground stone, acidity and sweet, fine-grainy tannin. No shards, no cruising and no need for rehydration. Carries it all in one bag, or bottle. Drink 2020-2032.  Tasted February 2017  @collemattoni  @StemWineGroup  collemattoni  stemwinegroup  Collemattoni Brunello  @stemwine

Cortonesi La Mannella Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, $70.95, WineAlign)

La Mannella, meaning the manna from heaven is a five hectare, five block vineyard in surround of the winery at the centre of the Cortonesi universe. A vineyard that is used exclusively for the production of the estate’s Rosso and La Mannella Brunelli. La Mannella (as opposed to I Poggiarelli) is a single block Brunello but not a “single-vineyard,” planted in 1985 and 1998 in a relative Montalcino colder northern clime. This emits and represents the epitome for floral sangiovese, a bouquet that speaks to violets and elegant, light purple fruit. The penetrability and explicability of purlieu is an act of focus and the cynosure of assessment. Brunello should be exacting, something you get and it must define itself in clear sangiovese-speak. Large slavonian oak for 36 months maintains and celebrates the perfume. The wood shows up late, in white peppery spice and that just have to lay on your tongue and swallow with sublime delight, liquid chalky finish. Drink 2019-2027.  Tasted February 2017  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Donatella Cinelli Colombini Brunello Di Montalcino 2012, Docg Tuscany, Italy (431718, $58.00, WineAlign)

Donatella Cinelli Colombini’s ’12 presents a step up in character provided by the soil in her most masculine expression, if there is indeed such thing from this house. More density, seemingly lower-slope and deeper soil inflection comes replete with a handsome terroir-funky feeling. The fruit is currently secondary and not the most obvious for 2012 as a whole, though it is for the house. The palate is typically rendered by Donatella, creamy and fluid, liquid mineral ruby and carried by a fineness of tannin all the way to the finish. Drink 2019-2025.  Tasted February 2017  @news_donatella  @LeSommelierWine  donatellacinellicolombini  lesommelierwine  Donatella Cinelli Colombini  @LeSommelierWine

Fuligni Brunello Di Montalcino 2012, Docg Tuscany, Italy (245225, $61.95, WineAlign)

Fuligni’s is a fine and refined sangiovese and quite perfect for and from the 2012 vintage. Quite an inhalant at first, savoury, strong and then turning tannic, properly rigid and wood-tough on the chalky and chocolatey palate. It’s not quite how it once in delivery a more traditional statement, now more streamlined, internationally understandable, bigger, grander and in search of suits around the table at a steakhouse. Will work for Tomahawks. Drink 2019-2026.  Tasted February 2017     @HalpernWine  Fuligni  halpernwine  @halpernwine

Gianni Brunelli Brunello Di Montalcino Le Chiuse Di Sotto 2012, Docg Tuscany, Italy (Agent, $70.00, WineAlign)

The Brunello from Chiuse Di Sotto is lovely in that it enters with that classic sangiovese purity, namely fruit but with the vineyard stowed comfortably in its iron-rich pocket. This strikes as perhaps schisty (or the Montalcino equivalent) Brunello, with a slight hematic and ferric aromatic complement. Really full, rich and acidity-laced palate is followed by a grand finale from which you wished you’d have been afforded an additional four years to make the assessment. Alas, that’s not how this works. Drink 2020-2027.  Tasted February 2017.  @Noble_Estates  giannibrunelli  noble_estates  @NobleEstates

Il Grappolo Brunello Di Montalcino Sassocheto 2012, Docg Tuscany, Italy (WineAlign)

The 2012 Brunello vintage is taken to an extreme side in Sassocheto’s Il Grappolo, with very firm and vacuumed aromatics shut and locked in so very tight. The depths are occupied by cherries drying, losing their body weight and settling into a floor of forest leaves and a future occupied by mushroom and truffle. The old-school, fine leathery and old barrel tonic bequeathes much hope for the mouthfeel and it gives every reason to confirm the possibilities. The world as we have known it here in Brunello sits right in this glass. It’s both comforting and filled with ancient wonder. Drink 2019-2027.  Tasted February 2017  @GrappoloFortius   #ilgrappolo  @IlGrappoloFortiusMontalcino

Il Marroneto Brunello Di Montalcino 2012, Docg Tuscany, Italy (Winery, WineAlign)

High on the red liqueur but not equally so with high-octane tones, this is more accessible than you might think. It’s really big on its fruit, both on the nose and the palate. Quite classic in every respect and wholly respectful to the vintage. Bright and firm, direct and down to earth. Plenty of new wood will send this deep into the next decade. Drink 2018-2028.  Tasted February 2017  @IlMarroneto  #ilMarroneto  @BrunelloIlMarroneto

Il Poggione Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, $62.50, WineAlign)

Like the 2015 Rosso the house style really concentrates fruit and soil, here into a solidly constructed, carefully considered architectural Brunello from the ground’s foundation all the way up. Aromas and texture act argilo-calcaire in origin, deep, humid and alive. The mouthfeel is fuller than many in 2012, tasted here in 2017, full of liquid chalk, 80 per cent cacao and really fine if currently intrusive tannin. Will need time, this grippy 2012. Drink 2020-2028.  Tasted February 2017  @IlPoggioneWines  @LiffordON  ilpoggione  liffordgram  @villailpoggione  @liffordwineandspirits

Fattoria La Leccaia Brunello Di Montalcino 2012, Docg Tuscany, Italy (121905, $57.95, WineAlign)

La Lecciaia’s 2012 continues the house roll with a fourth straight proverbial, essential and impressive Brunello. As much as any this is a true, red-blooded 2012 and after tasting near 100 samples it really stands out as exemplary and respectful to the vintage. There is this rustic but very pure curative quality in the way such wines remember everything that came before without pausing to crawl forward into the future. This drinks as it always will, with clean and fiery temper alongside flesh and freshness. Lovely example of 2012 that will age really well. Drink 2019-2030.  Tasted February 2017  @TWCimports  TheWineCoaches

Le Ragnaie Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, $50.00, WineAlign)

Le Ragnaie’s ’12 is reductive and terroir-driven, the combative combination rendering this Brunello reserved and shy. There is a modicum of freshness from the fruit but also some dried character, likely a cause and effect created by its aggressive tannins. I like the way it switches gears to the palate with no break or change of pace and how it reaches deep into the well for more fruit and tannin. Several years will be needed to scale the wall, pry open the cracks and spill out the charm. Three at least. Drink 2020-2028.  Tasted February 2017    @KylixWines  #laragnaie  kylixwines  @leragnaie  @KylixWines

Mocali Brunello Di Montalcino 2012, Docg Tuscany, Italy (64956, $44.95, WineAlign)

Highly aromatic but also warm, the alcohol on this Mocali seems elevated to the higher end of the 2012 scale. For this reason the fruit succumbs to it and the tannin. There is plenty of stuffing and modern styling to keep Mocali’s sangiovese afloat so that it may glide well into the next century and reveal a Brunello charm from Montalcino roots. Drink 2019-2026.  Tasted February 2017    @LiffordON  #mocaliwine  liffordgram  Mocali Azienda Mocali  @liffordwineandspirits

Pian Delle Vigne Brunello Di Montalcino 2012, Docg Tuscany, Italy (651141, $62.95, WineAlign)

A perfectly perfumed Pian Delle Vigne from 2012 is vintage-relegated and vintage-captured. You need to appreciate how the Antinori team has kept the handling and the sheathing to a comfortable minimum, allowing fruit and collection of place to shine. Well made Brunello for 10 years easy. Drink 2018-2027.  Tasted February 2017  @AntinoriFamily  @HalpernWine  #piandellevigne  halpernwine  @MarchesiAntinori  @halpernwine

Poggio Antico Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, $70.00, WineAlign)

Warm and in full dispensation of all that 2012 has on offer, the fruit is at once bright and then deepens, in hue and aroma, by extraction. There is this fennel to liquorice scent that isn’t so very 2012 but that extra bit of personality is Poggio Antico’s calling card. The mouthfeel is one of the better in this Benvenuto Brunello line-up, cool, sapid and elastic. Wild cherries are all over the tannic finish. Drink 2019-2027.  Tasted February 2017  @poggioantico  @HalpernWine  tenutadelpoggioantico halpernwine  @tenutadelpoggioantico  @halpernwine

Poggio Antico Brunello Di Montalcino Altero 2012, Docg Tuscany, Italy (SAQ 11300367, $90.50, WineAlign)

Altero might be considered in all of its possible meanings; elevato, nobile, dignitato. Lofty, noble and dignified. It provides a step up in extraction, firm tannic grip and a blessedly variegated aromatic personality built on pure sangiovese perfume. This really is a clean and fine, structured and clearly alterarsi (alternative) Poggio Antico expression, if more than obviously transparently defined Brunello di Montalcino. The level of refinement is felt in shivers, palpable and loaded with contentment gifted Brunello terms. Modernity is not so much a stylistic choice as much as it is necessity. Drink this comfortably for 20 years but not into the next dark ages. Drink 2018-2035.  Tasted February 2017  @poggioantico  @HalpernWine  tenutadelpoggioantico halpernwine  @tenutadelpoggioantico  @halpernwine

Poggio Di Sotto Brunello Di Montalcino 2012, Docg Tuscany, Italy (337774, $180.00, WineAlign)

The present and the future are only bright coming from the heady and purposeful red fruit in the Poggio di Sotto glass. This is pure, clear and distinctly 2012, so very well made and quite elegant. I’m not sure what more you could ask from the vintage in a Brunello prepped to drink beginning of next year and for five equally lustrous more. Drink 2018-2023.  Tasted February 2017    #poggiodisotto  Poggio di Sotto

Rodolfo Cosimi Brunello Di Montalcino Il Poggiolo 2012, Docg Tuscany, Italy (WineAlign)

The “little knolls” comes with a whiff of old hides, barrel cellar walls and already a note of forest mushroom so the first thought is certainly placed back into another time. The palate is so welling with liqueur, acidity, tannin and endless possibility. There is grip but not too much and while this lingers it does so with waning grit and grip. So in the end, modernity is part of the plan and in what is ostensibly a big, sumptuous mouthful of sangiovese. Drink 2018-2025.  Tasted February 2017  @ilmioBrunello  il_poggiolo  @ilpoggiolomontalcino

Rodolfo Cosimi Brunello Di Montalcino Il Poggiolo Bionsega “Lifestyle” 2012, Docg Tuscany, Italy (WineAlign)

Il Poggiolo’s Bionsega is a very amenable sangiovese, ready to drink in the short term while the others bide their developing and softening time. The “Lifestyle” moniker will clearly be written in Brunello stone for a group of imbibers who want the label without the anxiety. This will indeed offer them immediate pleasure and gratification if they can afford the money and the necessary if unavoidable cerebral time. But to be honest at the end of the glass the good and sincere Bionsega is not so out there so drink up and enjoy. Drink 2017-2020.  Tasted February 2017  @ilmioBrunello  il_poggiolo  @ilpoggiolomontalcino

Rodolfo Cosimi Brunello Di Montalcino Il Poggiolo Terra Rossa 2012, Docg Tuscany, Italy (WineAlign)

Terra Rossa soil is a fascinating thread, connecting disparate wine regions by soil, from Coonawarra to Chianti Classico and here into Montalcino. The territory’s red soil sangiovese delivers distinct purity and clarity earlier than the “normale” from Il Poggiolo. This Brunello is bright, cheery and full of ripe red cherry. Just a touch of grippy tannin comes swift but the impression is more tang from that soil and how the wine must be made from there. An earlier drinking Brunello to be sure and quite progressive in style. Drink 2018-2022.  Tasted February 2017  @ilmioBrunello  il_poggiolo  @ilpoggiolomontalcino

Scopetone Brunello Di Montalcino 2012, Docg Tuscany, Italy (WineAlign)

Scopetone is higher in tone and alcohol warmth but balanced by top quality and the clarity of fruit. Though the vintage does not necessarily bring such a fractive sort of behaviour the Scopetone sections itself into fruit, acidity and tannin, after it has stopped acting so bloody reductive. The hematic and ferric aspects mix with burgeoning acidity and a return of that exceptional fruit. This will live so very long and as such it’s deferential attitude to the vintage is easily forgiven. Drink 2020-2032.  Tasted February 2017    #scopetone

Brunello Di Montalcino 2012 (Vigna)

Altesino Brunello Di Montalcino Montosoli 2012, Docg Tuscany, Italy (SAQ 10221683, $104.50, WineAlign)

In its present state Montesoli is a beast. There, I’ve said it. Shut tight, chains securely in place, reduction the retaining wall to keep predators out and so good luck on unearthing any early secrets. You know there is classic and earthy red fruit hiding but you can’t quite feel it. The palate is chewy, crunchy, propitiously and indubitibly enriched. This is a massive Brunello with underlying elegance and charm but ultimately all-powerful. Drink 2021-2037.  Tasted February 2017    @rogcowines  #altesino  rogersandcompanywines  Winery/Vineyard  @rogcowines

Castello Banfi Brunello Di Montalcino Poggio Alle Mura 2012, Docg Tuscany, Italy (Agent, $69.95, WineAlign)

As expected a rich, preserved and developed liqueur from Poggio Alle Mura but what is exceptional is the lesser or lack of barrel on both the nose and the palate at such a young stage. This is the most red-fruit reasoned PAM I have ever tasted and I can only say that Banfi has listened to the vintage and the land with great exception and care. The chocolate and the viscosity are left behind so that purity and traditional (or is it forward-thinking) tenets of sangiovese can take centre stage. Bravo. Drink 2019-2028.  Tasted February 2017  @CastelloBanfi  @AuthenticWineON  castellobanfi_ilborgo  awsmwest  @CastelloBanfi  @awsmon

Fattoria Dei Barbi Brunello Di Montalcino Vigna Del Fiore 2012, Docg Tuscany, Italy (SAQ 10217300, $64.75, WineAlign)

Barbi has also listened to the wind and vintage ear worms sung from their iconic, 16th century vineyard known as Vigna del Fiore. Red fruit of clarity and purity reigns while acidity is at its finest for the house. The rusticity of cherry, leather and roasted beets combine for full gastronomic effect and lead into a rather sumptuous and mouth coating texture for the palate. This scales the wall and retreats again to stay in the game in which you can play now (well, soon), then repeatedly, at consistent increments, later and later. VdeF from Barbi is a best of both worlds Brunello for both consumer and collector. Drink 2019-2031.  Tasted February 2017  @FattoriaBarbi  @Noble_Estates  fattoriadeibarbi  noble_estates  @FattoriadeiBarbi  @NobleEstates

Bellaria Brunello Di Montalcino Assunto 2012, Docg Tuscany, Italy (206854, $36.95, WineAlign)

Bellaria’s Assunto is funky and truffle earthy, etched and forged from and for the past. Red citrus concentrate and wild thyme are further scents gotten and then such tart compression on the palate. Hard acidity and desperate tannin take this straight down the line. Drink 2018-2022.  Tasted February 2017

Camigliano Brunello Di Montalcino Paesaggio Inatteso 2012, Docg Tuscany, Italy (WineAlign)

Camigliano’s sangiovese is rather reductive and ornery at this stage, perhaps specific to the Paesaggio Inatteso Vigna bottling. It is a wine that will not give up easy. The dusty rustic fruit and heady to woodsy aromas are surely meant to spread some kind of traditional word but it’s hard to get past the fortress gates. Quite out of touch with fruit it’s hard to imagine that this will not develop much more charm anytime soon. The barrel is very strong on the flavours so added up you get what you got. Drink 2018-2021. Tasted February 2017

Caparzo Brunello Di Montalcino La Casa 2012, Docg Tuscany, Italy (Agent, $69.95, WineAlign)

Caparzo’s Vigna La Casa is quite rich and more approachable than many at such an early stage with the home vineyard ready to provide both the beauty and the stuffing almost before you realize you can sit down with a bottle to enjoy. It is refreshing to take a Vigna-designate bottle and be offered the immediacy of fruit though La Casa is more than capable with structure to take it through a five year primary stage. Some interest will develop after that but these early years will be the best. Drink 2017-2022.  Tasted February 2017  @CaparzoWines  @TheCaseForWine  #caparzowinery  

Castello Romitorio Brunello Di Montalcino Filo di Sesta 2012, Docg Tuscany, Italy (WineAlign)

A perfume of fine spun sweet red fruit fills the glass and prepares you for what can only be a case of smitten by love in sangiovese. The tree fruit is ripe and falls into the hand almost before it is picked. The traditions of the Brunelli are deeply entrenched into the genetics of such a wine and onto the palate we go with more sweet acidity-laced and tannin-gripped fruit. Quite seamless and propitiously endowed with a quiet and highly effective linger. Not as tough as many and yet indicative of the vintage without needing to scream for to be heard. Drink 2018-2024.  Tasted February 2017    @WineLoversAgncy  castelloromitorio  wineloversagency   Castello Romitorio  @wineloversagency

Castiglion del Bosco Brunello Di Montalcino Campo Del Drago 2012, Docg Tuscany, Italy (SAQ 10708424, $63.25, WineAlign)

A divergence from the normale comes from the dragon, with an increased level of aromatic airiness and simultaneous inhalant, like gastronomy coming from the kitchen of demi-glacé, herbs and roasting meats. Such culinary wafts are perfect for preparing the palate and the crunchy, chewy and marbled work is a reminder that salty protein (I’m really thinking fresh Tagliatelle and wild boar) is the focus in handling such sangiovese. The grip on the finish indicates a long life ahead. Drink 2018-2028.  Tasted February 2017    @LiffordON  castigliondelbosco  liffordgram  @castigliondelbosco  @liffordwineandspirits

Cava d’Onice Brunello Di Montalcino Colombaio 2012, Docg Tuscany, Italy (WineAlign)

Cava D’Onice’s Colmbaiao delivers high quality red fruit antics form the aromatic front in cloud-burst vitality from what is nothing but a striking expression of sangiovese. Expertly straddles the line between acidity-laced, sour-edged and ripe from extracted excitability. Bright, fresh and full of spirit. Sweet viscous purity of palate fruit, a bit of roll-up and then such round acidity. Ben preparato e qualificato. Drink 2019-2026.  Tasted February 2017  @cavadonice  azienda_cavadonice  @cavadonice

Celestino Pecci Brunello Di Montalcino Poggio Al Carro 2012, Docg Tuscany, Italy (WineAlign)

The wagon (or perhaps, chariot) “Al Carro” delivers a single-vineyard’s increased level of aromatic liqueur, reductive as if by concentrate and is the first to really give off that feeling of cherries seeping in their own syrupy liquid. Such an oozing coulis of sangiovese is what we have come to expect from Brunello though I don’t think it typical of the 2012 vintage. What it says is lower elevation fruit, likely from a warmer Montalcino spot and not quite so efficiently managed to stay cool, elegant and alive. It is delicious in current state but without sufficient grip and tannin structure not necessarily built for the long haul. Drink 2017-2022.  Tasted February 2017     celestinopecci  Celestino Pecci

Citille Di Sopra Brunello Di Montalcino Vigna Poggio Ronconi 2012, Docg Tuscany, Italy (187955, $49.00, WineAlign)

This single-vineyard Poggio Roncioni exhibits quite a bit of reduction and the warmth wells deeply on the nose with notes that bring some pine forest and cypress into the mix. Really layered and also firm, though decidly extracted and sitting cross-legged on the palate with some of that bitter red citrus pith and slightly astringent tannin. Solid if hard-working Brunello. Drink 2018-2024.  Tasted February 2017    #citilledisopra

Cortonesi La Mannella Brunello Di Montalcino I Poggiarelli 2012, Docg Tuscany, Italy (Agent, $95.95, WineAlign)

This is Cortonesi’s single-vineyard sangiovese from the warmer, southern part of Montalcino at 420m of elevation. Expectation allows for deeper, and darker yet the display comes without the La Mannella block crimson and cimmerian variegation, perhaps instead more like the single-brushstroke, dark side of dusk angle created by a fuzzy, warm blend of fiery colours. More Galestro soil influence here as opposed to clay at La Mannella and two years in part new French tonneaux followed by stainless steel vats. A deferential élevage to the one exercised with La Mannella and one to encourage depth and structure without too much power. Classic, modern, elegant and an apple to La Mannella’s orange. Drink 2019-2025.  Tasted February 2017  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Donatella Cinelli Colombini Brunello Di Montalcino Prime Donne 2012, Docg Tuscany, Italy ($69.95, WineAlign)

With a nod to an all female produced Brunello, Donatella Le Cinelli Colombini’s Casato Prime Donne vineyards specific Brunello is rich, traditional, firm, seamless and structured. Really fine. Exceptional purity from red fruit and an ideally calculated transference of rusticity gives it that supplicated balance, from what was and going forward must be. There is this cooler site and climate-controlled type of phenolic fruit ripeness managed for a struck accord that will see this age gracefully for two decades. In a vintage that in many ways was predicated on a called for requiem of combined blocks and sites this is a true blocks of specific vineyards success. Drink 2019-2033.  Tasted February 2017  @news_donatella  @LeSommelierWine  donatellacinellicolombini  lesommelierwine  Donatella Cinelli Colombini  @LeSommelierWine

Fanti Brunello Di Montalcino Valocchio 2012, Docg Tuscany, Italy (Agent, $84.69, WineAlign)

The four vineyard Valocchio is Fanti’s Vigna-designate Brunello, a massive sangiovese speaking for four blocks; Vigna Bellavista, Vigna Sassone, Vigna Casabandi and Vigna Macchiarelle Nuova. This strikes as hailing and indeed fact checking tells it does come from a south-east exposed warm spot with some density in the soil. The red fruit is deeply submerged in earthy-rich demi-glacé. There is a mild-mannered personality of volatility on the nose so some old-school thoughts creep in though I would not call this overly traditional Brunello. It is not hard to see past the microbes and to dig deeper into the concentration and grains of ropey acidity meeting tannin to clamber over the ever intense finish. Huge Brunello. Too much for now and in great need of a calming slumber. Drink 2019-2029.  Tasted February 2017 @tenutafanti  @LeSommelierWine  tenuta_fanti  lesommelierwine  Elisa Fanti  @LeSommelierWine

Il Marroneto Brunello Di Montalcino Madonna delle Grazie 2012, Docg Tuscany, Italy (Winery, WineAlign)

Though certainly concentrated and likely from a warmish location the clarity on the nose and obvious purity of fruit renders this Madonna delle Grazie a great success. Cherries never smelled so fine and the palate that follows brings the same sort of brightness with thanks to equal and supportive acidity. When the fruit is finished occupying all your time you can expect those sweet but persistently chalky and tight-grained tannins. Drink 2019-2031. Tasted February 2017  @IlMarroneto  #ilMarroneto  @BrunelloIlMarroneto

La Fornace Brunello Di Montalcino Origini 2012, Docg Tuscany, Italy (WineAlign)

La Fornace’s Vigna Origini is reductive and volatile so exercise as much patience as you can before passing judgement on the origins and path forward of this Brunello. Keen herbal and savoury aromas come clean, along with tart red citrus and a zest of grapefruit. This is really steeped somewhere in the pretty deep distant past and at present acts with the sort of character that lacks the fruit density to keep up with today’s forward thinking Brunelli. Drink 2019-2026.  Tasted February 2017

La Fortuna Brunello Di Montalcino Giobi 2012, Docg Tuscany, Italy (WineAlign)

La Fortuna’s Giobi is much more approachable and gifts sweet perfume in 180 degree about face opposition to the previously tasted La Fornace Origini. The fruit’s warmer location has granted better possibility in conjunction with the older-stylistic and what comes from Giobi is more concentration and focus. Though a knowing nod comes from current character it’s not quite ready now and the future will offer further personality qualified as copacetic and correct. As for and from 2012 and relative to Brunello as a whole, this sangiovese is still quite present. Drink 2018-2024.  Tasted February 2017 #tenutalafortuna  @lafortunaaziendaagricola

Fattoria La Leccaia Brunello Di Montalcino Vigna Manapetra 2012, Docg Tuscany, Italy (185009, $59.95, WineAlign)

La Lecciaia’s Vigna Manapetra delivers a fair bit of welcoming Montalcino demure and the lithely floral aromas are the entry-point for this pulchritudinous sangiovese. Manapetra is a wine that just seems to jest and tease what is to eventually come. The feminine rapport is a lovely side-track to the ripe vintage away from the producer who failed to manage the duality of ripeness and over-bearing tannin. The presence, precision and clarity here edges forward and nears the divine. One of the best so far. Drink 2019-2035.  Tasted February 2017  @TWCimports  TheWineCoaches

Fattoria La Màgia Brunello Di Montalcino Ciliegio 2012, Docg Tuscany, Italy (WineAlign)

Il Ciliegio brings the best of the 2012 vintage to light and here we have come into the depth and elegance of what the most modern of Brunello can and really have to be. The fruit is ripe and I imagine the winemaker walking the vineyards every day coming into and at harvest time, eating grapes, chewing on seeds, waiting for that optimum combination of tannin resolution and crunch. This found the sweet spot. Elegance, purity, precision, focus, organically divined and from the most obvious of terrific terroir. Drink 2019-2039.  Tasted February 2017  @fattorialamagia  lamagiamontalcino  @lamagiamontalcino

Cantina Leonardo Da Vinci Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, WineAlign)

Sweet, sour, salty and earthy fruit make a total sangiovese play for well rounded pay dirt in the Da Vinci Brunello and yet this is expertly high-toned and succinct in edgy ways. There is some flesh and unctuous palate activity so the cumulative is deemed more than respectable in a Brunello next door kind of way.. Finishes with chocolate shavings and dusty espresso. For best results drink this in the early stages. Drink 2018-2022.  Tasted February 2017  @CantineLeonardo  cantineleonardodavinci  @CantineLeonardoDaVinci

Le Ragnaie Brunello Di Montalcino V. V. 2012, Docg Tuscany, Italy (Agent, WineAlign)

I sense an increase in alcohol from the old vines and perhaps this is completely necessary because of what they do in terms of compression and density. As a rule I am not finding high alcohol in 2012 even as I do find richness and ripeness that is not always easy to manage. These old vines are not a problem for the latter but the heat on the nose mutes the fruit and is ill prepared to set up the palate for acidity and tannin management. A bit rustic and old-school and certainly right for fans of the style. Drink 2019-2026.  Tasted February 2017    @KylixWines  #laragnaie  kylixwines  @leragnaie  @KylixWines

Le Ragnaie Brunello Di Montalcino Fornace 2012, Docg Tuscany, Italy (Agent, WineAlign)

Le Ragnaie’s Fornace (the furnace) is riper than the old vines but lower in warmth, and I suspect, alcohol. Also prevalent on the nose is some reduction, along with more obvious wood than many. The intent here is clearly for size so more than a few years will be needed to settle the heavy door on its hinges and nearly immoveable parts. The reduction will dissipate in a few and the tannins should begin to relent in two more. Drink 2021-2028.  Tasted February 2017    @KylixWines  #laragnaie  kylixwines  @leragnaie  @KylixWines

Mastrojanni Brunello Di Montalcino Vigna Loreto 2012, Docg Tuscany, Italy (Agent, $64.95, WineAlign)

Mastrojanni’s Vigna Loreto takes an express route through vintage ripeness to some jam and warmth in the nose though the fruit is really quite pure and rendered with clarity. The mouthfeel is round and fulfilling, markedly ripe again with pure fruit though not in the same kind of jam that seemed first apparent on the nose. To say this is exemplary for 2012 would be a gross understatement. Tannins are well-managed to package up the fruit and acidity in solid structure. Drink 2018-2024.  Tasted February 2017  @MastrojanniWine  @MajesticWineInc  #mastrojanni  radalinke  majesticwinesinc  @MastrojanniWine  @majesticwinecellars

Ridolfi Brunello Di Montalcino Mercatale 2012, Docg Tuscany, Italy (WineAlign)

Some traditional rendering comes clean from the start with rich liqueur, those classic cherries and even some nebbiolo-like tar and roses. Continues the thread and coats the tongue with sour-sharp acids followed by anxiety styled tannin. I suspect the vintage posed stiff challenges to the house style and though the fruit will wane this will show its best after a few further years in bottle. Drink 2019-2023.  Tasted February 2017  Societa’ Agricola Ridolfi srl

San Polino Brunello Di Montalcino Helichrysum 2012, Docg Tuscany, Italy (WineAlign)

Depth and reserve make cause to wonder what will be though it is the combination of breaching ripeness and warmth that seem to dominate the internal, in the present moment’s discussion. Richness of fruit is undeniable, from red clay depths and the advancing severity of tannin make this a formidable and virtually irreproachable ’12. Five undisturbed years lay ahead for this Helichrysum sangiovese from San Polino and one should hope the fruit will outlast the bitter chocolate, grainy tannin and chalky sensibility. Probability, recent track record and a heavy hunch say this will work out just fine. Plain and simple, put this away. Drink 2021-2030.  Tasted February 2017  @SanPolinoVino  @TheLivingVine  #sanpolino  thelivingvine  #SanPolinoBrunello  The Living Vine inc.

Fattoria Scopone Brunello Di Montalcino L’Olivare 2012, Docg Tuscany, Italy (WineAlign)

The amount of fennel and amaretti cookie on the plateau of aromatics is joined by really traditional but such a fine inhalant of Brunello specific-sangiovese. This L’Olivare vigna-designate from Scopone carries all the necessary attributes; cherry, leather, fine-distilled syrup, roses, fennel again and always a seamless integration of it all. As classic as classic gets, all moving parts within reason and decades of future in its proverbial ancient but timeless pocket. You know where you are. Drink 2019-2035.  Tasted February 2017  

Azienda Di Franci Franca Brunello Di Montalcino Tassi Di Franci Franca Selezione 2012, Docg Tuscany, Italy (WineAlign)

Plenty of vacuuming liquor is sucked up into the bubble supported over the thinner air of this sangiovese. Warm to fiery fruit is traditionally rendered and fully accountable for its actions. There is just a touch of fungi and forest floor on the umami-configured nose so complexity is in despite the heat and the volatility. The palate offers some sweetness of fruit and a first hint of advancing times. Drink this traditional Brunello early with a rare bisteca and enjoy the fine ganache on the finish. Drink 2018-2022.  Tasted February 2017  

Azienda Di Franci Franca Brunello Di Montalcino Tassi Di Franci Franca Selezione Franci 2012, Docg Tuscany, Italy (WineAlign)

A small production of this Brunello out of Castelnuovo dell’Abate develops a deeper clay-influenced and markedly darker black cherry-raspberry fruit rendered sangiovese. This Tassi Di Franci Franca Selezione Franci is distinctly polar to Tassi’s Franci Franca normale. As a result the wood is more on top while the acidity and tannin wait, but only for a few moments, before attacking with fervour. So much chocolate swaths the palate with that fine-grainy brushstroke of tannin. This selezione is a big wine that needs a few years to back down. Drink 2020-2027.  Tasted February 2017  

Tenuta Buon Tempo Brunello Di Montalcino P.56 2012, Docg Tuscany, Italy (WineAlign)

Tenuta Buon Tempo’s plot specific p. 56 is quite full-throttle on the nose but a bit reserved or rather locked in within that aromatic structure, as if it needs some sort of catalyst to find its way out of the shell. What I reach for is fruit but I get a mineral streak first, something almost calcari but certainly argilo in origin. This must be from a higher location as it is cool-tempered and very refined. The palate is cool again, not so much herbal as it is swelling with the holy trinity of fruit, acidity and tannin. Were the acidity just a touch elevated I think this would travel over mountains, rivers and valleys to decades ahead. It’s just that close but will still commit to being a 15-20 year wine. Drink 2021-2036.  Tasted February 2017    tenutabuontempo  @TenutaBuonTempo  Carpe Vinum

Tenute Silvio Nardi Brunello Di Montalcino Poggio Doria 2012, Docg Tuscany, Italy (WineAlign)

Silvio Nardi’s Poggia Doria is fruit forward for Brunello with a wild cherry to black cherry lineage, but also some fragola di bosco. The ripeness is pushed to the limit for 2012 and this continues onto the very rich and sumptuously endowed palate. There is plenty of chocolate and tongue climbing acidity on that smothered palate. Drink this early and often. Drink 2018-2022. Tasted February 2017  @TenuteNardi  @MajesticWineInc  tenutenardi  majesticwinesinc  @tenutenardi  @majesticwinecellars

Tenute Silvio Nardi Brunello Di Montalcino Vigneto Manachiara 2012, Docg Tuscany, Italy (Agent, $80.00, WineAlign)

In opposition to the Poggio Doria, Nardi’s second Vigna delivers a complete about face turn around to see the other side of the moon, this time the landscape where Brunello is found in the Manachiara. If at first it seems a bit rendered in stencilled acetone keep drifting into its fine liqueur and patiently wait out the transformation. It deepens, condenses and then breathes. This is a fine-grained, tight coiling, re-coiling and fanning out across the moonscape sangiovese. The wood is very much in charge, with baking spices and cool, sapid and savoury edges. It needs time. Drink 2020-2027. Tasted February 2017  @TenuteNardi  @MajesticWineInc  tenutenardi  majesticwinesinc  @tenutenardi  @majesticwinecellars

Tiezzi Brunello Di Montalcino Vigna Soccorso 2012, Docg Tuscany, Italy (WineAlign)

Funky and markedly reductive young Brunello is easy to discount as problematic but something tells me to hang in there with Tiezzi’s Soccorso. The tension is palpable and the fruit suffocating behind the microbial wall of fame. Traditional can go either way; southerly sour or northerly nettled. This will mark the twain but the fruit will never be the focus of attention. Drink 2019-2024.  Tasted February 2017  @BrunelloTiezzi  brunellotiezzi  Brunello Tiezzi

La Togata Brunello Di Montalcino La Togata Dei Togati 2012, Docg Tuscany, Italy (WineAlign)

A quite firm and traditionally challenged Brunello here from Togata cries for patience before it has even slipped from the glass into your mouth. Reserved to unrelenting at least aromatically, when you have a taste you are reminded that history, tradition and ancient sensibility must be apart of the future. The old large botti have established a void for which this sangiovese to hang and suspend so that it will be reluctant in its early bottle years. With time it will release its flesh and charm from out of a carefully crafted and designed complex system of architecture. Drink 2020-2034.  Tasted February 2017    #latogata  Brunello La Togata

Villa Poggio Salvi Brunello Di Montalcino Pomona 2012, Docg Tuscany, Italy (Agent, WineAlign)

A new era of sweet Brunello fruit is borne from Poggio Salvi’s Pomona, one that is hard to describe but here goes. It’s like a cross between pink roses, sweet ruby grapefruit and wild saskatoon berry, or the Tuscan equivalent. The newfangled aromatics aside this is also older school than expected and yet is graced with incredibly fine tannins and very purposed acidity. More palate fruit would elevate the game but this should gain some flesh and slowly unwind for 10 to 12 years. Drink 2019-2029.  Tasted February 2017    @HalpernWine  #villapoggiosalvi  halpernwine  Winery/Vineyard  @halpernwine

Brunello Di Montalcino 2011 (Vigna)

Cortonesi La Mannella Brunello Di Montalcino I Poggiarelli 2011, Docg Tuscany, Italy (Agent, $95.95, WineAlign)

Looking rearward into the recent past what comes into near focus is the combination of liqueur and firmness, a handful for sure and yet it seems that time (even just an extra year or two in bottle) brings out that specific Cortonesi perfume. The tang and richness of concentrated acidity really elevates at this stage so that tannin begin its resultion so young and impressively so. This is not the big, bad Brunello but the one to make enjoyment haste. The length is exceptional with pretty tonic and bitter moments that pop in and out. Drink 2018-2029.  Tasted February 2017  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Brunello Di Montalcino 2008 (Vigna)

Cortonesi La Mannella Brunello Di Montalcino I Poggiarelli 2008, Docg Tuscany, Italy (Agent, $95.95, WineAlign)

If the argument was ever made to sway in the “yes it was and is” direction, this Cortonesi example from the exceptional vintage leads the parade with aromatics that go exotic and then return domestic. A spirit of the east, of bougainvillea and hibiscus plus a Montalcino gustatory aromatic spice. Then that return to fennel, a walk through flora Montalcino brush and sweet French tonneau spice. The liquorice is one bred out of aromatic acidity, like a fine chalky dusting of red crimson and ochre to purple powder on a plate next to a perfect charred slice of beef. Elegant sangiovese cuisine in a glass, deconstructed and all obvious in their parts but when you taste you pause and it all comes together. The flavours mingle and weave, of cherries and fruit leather, more mellowed spice, still lingering fresh, persistent and remarkably bright. Southern vineyard be damned, this is a cool, elegant and lithe drop. Harkens back to a mind’s eye and nose in memory of Brunello 1998, maybe a bit of 1999, but more like 1998. Drink 2018-2030.  Tasted February 2017  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Brunello Di Montalcino Riserva 2010

Podere Brizio Brunello Di Montalcino Riserva 2010, Docg Tuscany, Italy (Winery, WineAlign)

Consistency shines in the Brizio sangiovese triumvirate, from Rosso through Brunello and into this fine, precise and focused Riserva. The wine is once again aged in 54hL Allier French oak casks but for Riserva the time increases to 48 months, followed by bottle rest refinement for no less than one year. Riserva 2010 goes straight to the heartstrings, rich and warming. That liquor is red cherries and fine new leather with incredible structure. The linger is great, warm but within means. Drink 2019-2029.  Tasted February 2017  @PodereBrizio  poderebrizio  @poderebrizio

Col D’orcia Brunello Di Montalcino Riserva Poggio al Vento 2010, Docg Tuscany, Italy (Agent, $129.00, WineAlign)

Poggio al Vento Riserva 2010 is so very smoky and wood charred so you wonder about the fruit but air brings a fleeting glimpse of that red toned life before the wind swirls to send it back to the smoky embers beneath the roasting bones of the cinghiale. Charm in Poggio al Vento is hard to come by so early and this is far too early. The palate is richer than you think and again with wood so prevalent. There is no doubt that a wait of five more years is needed before beauty can be coaxed out of this formidable Brunello. The vintage, the vineyard and the traditional house style all conspire for this Etruscan structure, meant to impress, influence and last just long enough. Drink 2021-2031.  Tasted February 2017  @Coldorcia  @DionysusWines  coldorcia  dionysuswines  @coldorcia.brunello  Dionysus Wines & Spirits Ltd

Cortonesi La Mannella Brunello Di Montalcino Riserva 2010, Docg Tuscany, Italy (Agent, $202.95, WineAlign)

There are few Brunello vintages afforded more attention in the last 10-plus, certainly ’04 and ’06, increasingly better even from ’08 and looking forward towards what greatness will come in 2015. Yes but not solely magnified through the lens of patience and bottle time, from 2010 La Mannella has coupled upon and layered over itself like compressed fruit and puff pastry. Though it begs for drink now attention, another seven years will be needed before it can safely be labeled as uncoiled and to reveal all that is wrapped so tight. Rich is not the operative but unmistakeable as Cortonesi it is; that natural clay soil funk of resolution and fully hydrated chalk. This is to sangiovese as Les Preuses Grand Cru Chablis or Rangen Grand Cru Alsace are to Riesling. It carries in its pocket the absolute meaning and genetic responsibility of where it comes from, with a curative and restorative ability to get you lost. Drink 2019-2031.  Tasted February 2017  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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How can i4c the future through cool chardonnay?

Every stop is neatly planned for a poet and a one man band, but #i4c Sunday @ravinevineyard is always #homewardbound

It’s #i4c, the coolest of chardonnay celebrations. It’s a pilgrimage to a local mecca attracting thousands, arriving to praise chardonnay in all its glory. It’s chanted with incantatory connotation by patrons cantilevered like alluvial fans across the Niagara Peninsula. It teaches us about more than chardonnay because the rapidity of climate change is real and the desire for fresh is yet unquenched. This transcends chardonnay. It’s about growing grapes and making wines in places we all previously discounted. Recently scoffed at. It concerns farming higher, further and edgier. This conference and this grape together let us know that we must change.

Few ideals or notions are hotter these days than those relating to cool climate viticulture and the selvage regions from where such wines are produced. That is why each summer for the past seven Niagara has attracted a world-class global presence for its most important annual congress. The seventh installation of the International Cool Chardonnay Celebration made an ironic and apropos choice in California’s Karen MacNeil to act as keynote speaker at The School of Cool. Ironic for obvious reasons because MacNeil spends most of her time talking about and educating on matters pertaining to growing areas generously gifting maximum sunshine to its grapes. Apropos because like any top quality orator she chose to speak about a rapidly changing world and a paradigm shift for wine growing, producing and ultimately consuming being led down an extreme, on the fringe and ultra cool path.

@KMacwine on @coolchardonnay Refrigerated sunlight, conscious marginality, sophisticated choreography. #i4c17

Cool, as in temperature and slowly developed phenolic ripeness. Cool, as in places like Champagne, Nova Scotia, Austria, Uruguay, northern Chile and Ontario. But MacNeil was quick to point out that the greatest terroirs may yet to be known, despite the proverbial Canadian wine cognoscenti already in the possession of harnessed and usable power through information, knowledge that tells us that five of the 15 (also known as one-third) coldest wine regions growing quality grapes, are found in Canada. “Elegance is directly connected to coolness, the slow dance, refrigerated sunlight,” waxes the poetic and rhapsodic MacNeil, “from couch potato chardonnay to lift, spirit and class.” She admits to pitting the world versus “us,” as a challenge against “them,” the overwrought, overblown and over-produced. She asks the question, “why are they not over it already, these cream puff of chardonnays?” and then “oak is like a tattoo, it doesn’t always look good with age.”

If all these warmed by the hot, hotter and hottest sun and fashioned to express this in hyperbole wines all taste so similar, is this really something reassuring and knowable? Apparently it still is, this persistent overloaded ice cream sundae style of chardonnay that will just not go away. But wake up and smell the altitude and the stone-based, craggy outlooks of  “marginal” vineyard locations. “All of the world’s greatest grapes are only great if they exist on the edge,” said the great Willamette Valley Oregonian David Lett. “Complexity is only achieved, paramount to success, by a slow dance or heartbeat. A great wine revels itself sequentially, over time,” insists KMac, as opposed to mindless and soulless. With acidity at the crux of cool climate wines she talks of “conscious marginality” and “sophisticated choreography.” This is how we should see the future, not only in chardonnay, but in all wines subjected and connected to global climate change.

Says @johnszabo apparently winemakers matter too. #i4c17 @coolchardonnay I do it my way #schoolofcool

Related – A link to the School of Cool presentation download

In the first of three Friday School of Cool sessions at White Oaks Conference Resort and Spa it is MC Master Sommelier and WineAlign Partner/Critic John Szabo who introduces the “soil smackdown.” The question “is there a best soil type for chardonnay” is meant to instigate a healthy discourse but like every #i4c that came before it quickly turns to a dissing of the “m” word. Paul Anamosa of Vineyard Soil Technologies, the main man down in California, is the first to speak. He rambles on about trace minerals, nematicides, oils and clay minerals – kaolinite is the smallest and yet still a very big molecule. “I don’t know too many winemakers with deflated ego problems,” is interjected. “Minerality is a metaphor, not a simile (like what it shown on the aroma wheel). It does not get up and impart flavour into the wine. It’s a romantic notion. Limestone doesn’t give up its water readily or easily.” Here we go again.

Anamosa will give up the idea that poor soil structure allows for a low and slow hydration transfer, with no spikes up or down and this uptake certainly affects vine growth, nutrient transfer and ultimately flavour, but its the elements found in the water that effect these impressions. Not “minerality.” Must be hard to go through life with such a scientifically nihilist approach. It sounds exhausting.

I don’t know too many winemakers with deflated ego problems. Paul Anamosa @coolchardonnay #soilsmackdown #i4c17

Three winemakers go pro on the mineral ideal. Paul Berger of Berger-Rive has been making his wine since he was four-years old and unsulphured Rosé no less. He talks of clay over limestone, places where “the ground is in love.”  Thomas Bachelder monkifies the soil plant matrix made to transmit minerality. “It’s as much about photosynthesis in the new world but minerality is still apart of it. Jory soils in Oregon bring a salty tang, a savour. It’s true.” Shiraz Mottiar notes that calcareous soils that start wet and sticky eventually turn to concrete. “They don’t crumble, there is no soil tilt, they are angular, evolving and difficult, self-compacting and that hard-pan deals with high mineral content. So we use cover crops for developing soil tilt and friable structure.” There points for the mineral team. Szabo concludes with “anyone getting the sense that this is pure crap? We’re going to continue with the program anyway. Monkeys in a parallel universe are doing this and doing it better.”

In the second session, “Chardonnay, I do it my way,” Szabo told several hundred #i4c junkies “apparently winemakers matter too.” I thought Invivo Wines’ Mark Boardman said it best. “Rob (winemaker “Crusher” Cameron) is not trying to make a $100 Burgundy here folks,” but rather chardonnay can be so happy in so many places, in so many ways. Here it’s from one of the warmest parts of New Zealand, with high rainfall, on Pacific coast of the South Island. It’s about pleasing the customers, being approachable and “nice” on the palate. “Respect, not patronize the consumer.”

François Morissette, vigneron of Pearl Morissette talked technique. “Whatever we press, we oxidize. We do not oxidize wine, we oxidize must.” There’s a big difference. The stabilization of these wines are attributed to this idea of getting rid of all oxidizable compounds before they enter into the next stages of the winemaking process. Pleasing aromas, flavours, textures and ultimately the sum of the above elevates the cool chardonnay game and speaks to the future. Ravine Vineyard’s Marty Werner remarked on the high degree of heat units but also the cool nights in 2014 so his chardonnay received no cooling, some sulphur for a night, straight to barrel and left a bit empty. Why? “Because it’s different in Niagara, you need to get some oxygen in there, so that we develop some more fruit characteristic.”

Dr. Jamie Goode

Heidi Noble, Owner & Winemaker of B.C.’s Joie Farm coined the term “juiceidity.” She told the crowd, “when (cellarmaster) Karl speaks it’s incredibly important and poignant,” he knows the truth about location, from the most northerly tip of the Sonoran desert but in a zone of what Karen MacNeil called “conscious marginality,” a micro climate of cool within a hot zone.

And finally, le grand ami himself Norman Hardie. “Solids matter to me,” he explains. “We pump out the separated clear juice until the point where I feel like we are getting to the danger zone.” They make use of horizontal tanks, “so the ratio of solids to juice is much higher.” Solids are critical to expressing terroir but too many solids and it’s too reductive. “I’ve gotten braver and braver as time’s gone on.” Mackenzie Brisbois talked about the 2015 vintage, her first full one at Trail Estate. Her methods include hyper-oxidized, cold-settled, natural ferments in stainless steel, put to barrel towards the end, 4o per cent new, 60 neutral, full malo, 10 more months, sulphured, racked out of barrel and a coarse filtration so it’s called unfiltered. “Hopefully my lack of filtration helps you to hear the music in my wine.”

The third School of Cool session looked at dosage in bubbles. “The Sugar Trials,” or as moderator John Szabo M.S. told us “sparkling wines are wines of process and one of the most important events happens right at the end of the trail and that’s called dosage.” Essentially, the crux of what it is, the sugar trials define how much, if any, should be added.

A Sunday #i4c @coolchardonnay morning at the P & P and Josh Ritter covering Modest Mouse. Johnny Cash next.

Dr. Belinda Kemp led the panel discussion and her research at Brock University’s CCOVI lies at the heart of the Ontario wine industry’s investigations. Tawse winemaker Paul Pender had this to say. “Balance is something I strive for but rarely achieve.” He noted that it’s about pleasure, hedonism sometimes, ultimately something that makes you smile, and tastes good. It’s always a moving target, so many things effect how it tastes and more so your perception of sugar and acidity, even what you had for breakfast this morning. “Sugar kind of takes away terroir.” Dr. Jamie Goode added, “it turns out we all live in different taste worlds. Because we model touch, taste, smell and all the sensory perceptions into an unconscionable, alt-reality which bears no real resemblance to how a wine actually tastes. It’s highly personal.”

The i4c weekend takes winemakers, journalists and consumers from White Oaks’ School of Cool and over to Niagara Airport’s hangar for a grand, cool affair. It shuttles past lunch tastings scattered across and throughout the Niagara Peninsula and Escarpment locations and lands at Ridley College for the worlds most grand chardonnay event. It culminates on Sunday at Ravine and Redstone wineries for brunch and if you’ve not had your fill, more chardonnay. Most of all it brings people together but not without an army of volunteers to make it happen. It functions seamlessly because of people like the Cellar Sisters, Angie Jewell and MJ Macdonald, Paul Dearborn and Kari-and Macknight Dearborn. The Cool Chardonnay weekend delivers year after year with thanks to VQA Wines of Ontario, Dorian Anderson and Trisha Molokach and the chefs of Niagara. The media are treated (better than we deserve) because of Wine Country Ontario’s Magdalena Kaiser, Joanna Muratori and Ryan Zanette.

I was not able to taste and review every chardonnay on hand at #i4c17 but I did get to a better percentage than I actually thought I had at the time. Many of these wines are available in small quantities through the VINTAGES Online platform through August 3rd so you have exactly three more days to act. Here are 69 reviews. If you are thinking about injecting some cool chardonnay into the rest of your summer plans then read on and make your picks. I hope I’ve been of some assistance.

Are you ready for an #i4c17 @coolchardonnay Saturday night?

Invivo Chardonnay 2016, Gisborne, North Island, New Zealand (499855, Agent, $16.95, WineAlign)

A nicely green and cool Gisborne composed chardonnay is just the ticket for warm nights, frâche-inflected appetizers and a good chill. This is quite fleshy, creamy and tangy, just stopping short of citrus-sour piercing and intense. It’s that creamy sherbet and tangy gelato character that balances it out. Drink 2017-2019.  Tasted June and July 2017  invivowines  nicholaspearcewines  @InvivoWines   @Nicholaspearce_  @InvivoWines  Nicholas Pearce

Maycas del Limarí Reserva Especial Chardonnay 2015, Limarí Valley, Chile (143768, $18.95, WineAlign)

Lovely vintage and cool-climate conditioning with A-plus exemplary effort from the Limarí specialist. The ripe and bright fruit is buoyed by classically rendered acidity that never relents. I really like the elegance and the way the wood is just a spice accent, not a cream churning machine. Not to be missed. Drink 2017-2020.  Tasted May and July 2017  maycasdellimari  #thevineagency  wines_of_chile_canada  @Maycasdellimari  @TheVine_RobGroh  @WinesofChile  @maycasdellimari  The Vine – Robert Groh Agency  @WinesOfChile

Cheesecake Bar by Chef Frand Dodd, Trius Winery and Restaurant

Trius Barrel Fermented Chardonnay 2015, Niagara Peninsula, Ontario (346064, Winery, $19.95, WineAlign)

Quite flinty and mineral smoky, even for Trius and Niagara chardonnay so it would seem that winemaker Craig McDonald prepared this larger batch with a friendly reductive environment. The aim, goal and result adds up to locked in freshness and a decoding of oak to relegate the label as secondary to the post-modern future of this bottling. It’s crisp, crunchy, spoken of and for place with edging cut with spice. The creamy centre is present and delivers texture, not weight. Really fine effort. Drink 2017-2019.  Tasted July 2017  triuswines  @TriusWines  @triuswines

Esterházy Chardonnay Leithaberg DAC 2015, Burgenland, Austria (511386, Agent, $19.95, WineAlign)

Tangibly full and rich style of chardonnay with a flinty, smoky limestone foundation edge, a pierce running through the barrel spiced mid-palate and quite generous length. Really fleshy, lemon-citrus sparked, clean, precise and stony good. Of markedly fine compression, layers woven of tart and stone. A highly composed and forged composition, in action and temperament, so kudos to the great work out of a warm vintage. It’s a complete wine all the way through, perhaps restrained at first but structure is the key to its success. An Austro-pure, appellative finessed chardonnay if ever there was from a place where the grape thrives unencumbered and blessedly expressive. Drink 2017-2020. Tasted twice, with Stefan Tscheppe, July 2017  #esterhazy @esterhazywein  austrianwine  Esterhazy Wein  @NaturalVines  @oesterreichwein  @AustrianWine  @BirgittaSamavar  Marzia Gallo  @austrianwine

Pierre Sparr Le Clos Sainte Odile Brut Crémant D’alsace, Traditional Method, Ac, Alsace, France (457788, Agent, $19.95, WineAlign)

Sparr’s site specific Crémant would seem counterintuitive to the free and easy-going genre which prides itself on the purpose of wide-ranging food matching but the divergence here in minimal. Le Clos Sainte Odile is equally proportioned though it carries a marked increase in lees and texture. Smells more like Champagne and acts this way too, so in that sense the quality improves and food will benefit several fold. The length is exceptional. Still creamy Crémant but with more layers and fine complex stills. Drink 2017-2020.  Tasted June and July 2017  #pierresparr  profilewinegroup  vinsalsace  drinkalsace  #PierreSparr  @ProfileWineGrp  @AlsaceWines @VinsAlsace  Pierre Sparr  Bernard Sparr  Maison Pierre Sparr Successeurs  Profile Wine Group  @AlsaceWinesOfficial  @vinsalsace

Pierre Sparr Crémant D’alsace Chardonnay Brut Méthode Traditionnelle, Ac Alsace, France (416040, Agent, $20.00, WineAlign)

In Sparr’s eponymous Crémant bottling the dosage is evident in every facet of fizz being to balance out the sour acidity and formidable tension. The most Champagne like of the flight is contextual, textural, elevated and serious. It is a bit on the sweet side (at 8 g/L of RS) as compared to (3.7 TA and pH of 3.29) with 18 months minimum on the lees and aging in oak casks. There is no shortage of fruit and that acidity is surprisingly lively. Tasted with Bernard Sparr who says quite simply, it’s “easy to drink.” Drink 2017-2019.  Tasted July 2017  #pierresparr  profilewinegroup  vinsalsace  drinkalsace  #PierreSparr  @ProfileWineGrp  @AlsaceWines @VinsAlsace  Pierre Sparr  Bernard Sparr  Maison Pierre Sparr Successeurs  Profile Wine Group  @AlsaceWinesOfficial  @vinsalsace

Marcel Cabelier Crémant De Jura Organic 2014, Jura, France (738641, Agent, $19.95, WineAlign)

A most engrossing and provocative Crémant, at first aromatically onion skin sweaty and sweetly caramelized. No citrus to really speak of and then lemon sweetness to taste. Sapid to be sure, leaner, crisp, on the path to a searing style. Fascinating when you consider the dosage number is upwards to 12.3 RS while the actual acidity is 5.26 TA. An elevated 3.37 pH and a ripeness from the warm vintage really helps to hide its sugar, incredibly so. Texture never hurts as well as this spent 24 months on the lees. Will age nicely into secondary waxy territory. Drink 2017-2022.  Tasted with winemaker Nicolas Haeffelin at i4c, July 2017  #marcelcabelier  #andrewpellerimportagency  #jurawine  #marcelcabelier  @APImportAgency  @JuraWine   #marcelcabelier  @APImportAgency  @JuraWine

Cremaschi Furlotti Chardonnay Single Vineyard 2015, Do Loncomillo, Maule Valley, Chile (511097, Agent, $22.00, WineAlign)

DO Loncomilla lies at the heart of the Maule Valley, a place of serious Chilean history. The Battle of Loncomilla was the decisive campaign of the 1851 Chilean Revolution between conservative government and liberal rebel forces. It’s also apparently a terrific place to grow chardonnay. Winemaker Gonzalo Perez’ 2015 is a fuller expression, with green apple piquancy to nose, a wealth of fruit, tart done so right and a true barrel-blessed chardonnay bite. It reeks of stone, acts restrained enough to seem (at times) unsure but in its quietude there is a mineral sway to say this must be the way. It solicits a follow me down the stone road, up to a very orchard palate with gregarious flavours and compressed acidity. Serious, almost brooding chardonnay but very new world. Chewy and very long. The soils are volcanic and alluvial, aiding and assisting to gather into this highly complex, 100 per cent malolactic, reductive, tart and biting chardonnay. The most surprising and intriguing find at #14c17. Drink 2017-2020.  Tasted July 2017  cremaschi_furlotti  @winecremaschi  @cremaschifurlotti

Coteau Rougemont Chardonnay La Côte 2015, Quebec, Canada (Winery, $24.00, WineAlign)

From La Famille Robert and the latest, newest, impressionable cool climate frontier in Rougemont Quebec, climate change delivers another stellar chardonnay attack, here with something quite supple, almost creamy, acid-driven but surprisingly far from scathing and eminently drinkable. These vines are planted on sun-drawing south facing slopes with more than ample pebble and schist in the soil, enough no less to streak a wire of balance through the softened, downy fruit. Well done. Drink 2017-2019.  Tasted July 2017  coteaurougemont  #CoteauRougement  @VinsduQuebec  Vignoble Coteau Rougemont

Creekside Chardonnay Queenston Road Vineyard 2015, Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

Comes barreling out replete with the highest of chard tones mixed with plenty of richness lifting and layering oak. Quite ambitious, full malo felt, of waves more than dollops of vanilla. The acidity comes later because nothing can get in the way of the creamy texture and voluptuousness. Cool but secondary to these flavours and mouthfeel are incendiary savoury tendencies. Adding things up all being equal the Queenston Road, St. David’s Bench vineyard, with its clay-loam and the eventuality of full-malo effect well, it’s really a thing of richesse. “I wouldn’t say this wine is a whole lot about minerality,” says winemaker Yvonne Irvine, “but it’s there in the bite on the finish.” Fair enough. Drink 2017-2021.  Tasted July 2017  creeksidewine  @CreeksideWine  @CreeksideWine

Inniskillin Montague Vineyard Chardonnay 2014, VQA Four Mile Creek, Niagara Peninsula, Ontario (586347Agent, $24.95, WineAlign)

If you have had the opportunity to taste the Montague Vineyard chardonnay from Niagara’s Four-Mile Creek sub-appellation in at least four consecutive vintages you will know that its style is only exceeded by its consistency. Little has changed; the same warm, barrel-kissed style comforts generously pressed and extracted fruit. It’s not that I don’t deduce soft, downy and buttery fruit from Montague. I do, but this vineyard always offers a counter-point with some firmness and compression, as it does with pinot noir. This 2014 is smoky and faintly smouldering, even a touch flinty. Even if it is a bit baked, spiced or toasted it is also a more mineral vintage for chardonnay. On one hand it offers or gives up too much of itself (and too early), with creamy vanilla, ripe melon and sappy, stone-fruit. On the other it finds balance amongst the dense layering of bigger, harder and more productive moving parts. You are going to want to match this with some protein and a good reduction sauce. I’d look to pulled pork, zesty kohlrabi slaw and a tangy BBQ sauce, duck confit with a savoury-spiked demi-glacé or coq au vin, just to name a few. Drink 2017-2019.  Tasted January 2017  inniskillinwines  cbrandscareers  @InniskillinWine  @CBrandsCareers  Inniskillin Vineyards  

Vasse Felix Filius Chardonnay 2016, Margaret River, Western Australia (416511, $24.95,  WineAlign)

Same price and highly credible follow-up is what we can all hope to taste and make comment to the great winemakers of this world so kudos to Virginia Willcocks of Vasse Felix for doling out another eminently drinkable Filius. Still holds the Australian cool-climate chardonnay candle from the Margaret River though it’s a touch fleshier, riper and creamier in 2016. The combination of salt and stony-mineral adds up to grip and the tightness means some air is needed. A mess of grilled langoustines would also work. Drink 2018-2021.  Tasted June and July 2017  vassefelixwines  margaretriver  @vassefelix  @MargaretRiver  @MargaretRiverWi  @vassefelixwines  @MargaretRiverWineRegion  @margaretriverwines1

Château Des Charmes Paul Bosc Estate Chardonnay 2014, VQA St. David’s Bench, Ontario (511345, Winery, $24.95, WineAlign)

Here is fine example of a winery showing off their rockstar barrel program in a starman of a chardonnay. The dreaminess on the nose and the early 1970’s ambient and textured guitar unction on the palate just get you stoned. “Didn’t know what time it was and the lights were low…Some cat was layin’ down some rock ‘n’ roll, ‘lotta soul.” Tart, lots of wood, bite, so much structure. Is it too much? Not when it’s the kind of chardonnay and music that can stand the test of time. Drink 2018-2022. Tasted blind at NWAC17, June 2017 and at #14c, July 2017  chateaudescharmes  @MBosc  Château des Charmes

Domaine Laroche Chablis Saint Martin 2015, Ac Burgundy, France (289124, $25.25, WineAlign)

The vintage is a ripe, accessible and easy to love one so this marks a 90 degree turn for the Saint Martin. This is Laroche’s most important cuvée, sold in 80 countries and collected from select plots across 60 hectares of vines. Structure will always direct this cuvée and so long as Gregory Viennois is winemaker you can be sure that a taut entry will be joined by some subtle oak richness (in 2015, eight per cent in large, 25 year-old, 55 hL foudres). It’s just an aromatic hint but look forward with eyes closed and inculcate the texture addendum. Acids are soft and caressing. Drink 2017-2021. Tasted July 2016 and 2017  laroche_wines  selectwinemoments  @DomaineLaroche  @SelectWinePros  @Select_Wines  @SelectWinesCanada

Southbrook Chardonnay Triomphe 2015, VQA Niagara Peninsula, Ontario (172338, Agent, $24.95, WineAlign)

The fruit for Ann Sperling’s chardonnay Triomphe ’15 is sourced primarily from Saunders (Beamsville Bench) with auxiliary support out of Heather Laundry’s old vine Lincoln Lakeshore vineyard. There are older, non-clonal blocks with perhaps some Musqué mixed in so the aromatics fly, with no restraint applied by the wild ferment and (mostly 300L) neutral oak. This Triomphe is anything but reductive, a no stress chardonnay from such a far from sluggish, clean ferment. The simplicity and complicity explain how beauty is curated, from a vintage where reduction did not happen or beg to happen so why try to force it. The copacetic re-quiescence bears witness to classic Ann Sperling in such a vintage. Chardonnay of mellow smoulder, of old barrel spice and one to define a certain kind on a line of disparate and unique, cool climate, i4c selections. There are 800 cases made. Drink 2017-2020. Tasted January and July 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

Bachelder Chardonnay Niagara 2014, VQA Niagara Peninsula, Ontario (302083, Agent, $24.95, WineAlign)

Thomas Bachelder’s ’15 chardonnay is a story of what happens ’round here, a chardonnay counting the years of peninsula life. It’s so representative, a comfortable stroll through the echelons and stages of a man’s history, in and out of Niagara eponymy and how it relates to a monk’s personal journey. It also traces the stages of vineyard life and for the winemaker, of fruit “slipping through my hands.” Out of 2015 chardonnay can be forgotten, with weather nothing to remember and on the heels of two most excellent seasons. It could easily pass “into the fog where no one notices the contrast of white on white.” Here is the time, place and harvest for Thomas Bachelder to interject and explain, to send a grape into a recognizable future, as far as the crow flies. He uses the barrel to pique the fruit into life, to inject French cream with the very intent in demand of its intention. Flavours are therefore sapid, piquant and variegated. In the end, you can drink this in August and into complexity, everything after. Drink 2017-2020.  Tasted July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Joie Farm Unoaked Chardonnay 2016, VQA Okanagan Valley, British Columbia (511261Agent, $25.00, WineAlign)

Terpenes up front, orchard fruit and high acidity in ways that mimic riesling but the broad apple juice swirl and bite on the palate is all chardonnay. Shows sugar tempered by acidity in what is ostensibly fresh and simple, unoaked Okanagan juice. This is made in the vineyard, picked three times, from straightforward winemaking, making use of lots of solids,”lots of liquid aromatics,” as Heidi Noble notes. Champagne yeasts are employed to celebrate place. Drink 2017-2018.  Tasted July 2017  joie farm  liffordgram  #JoieFarm  @LiffordON  @joiefarm  @liffordwineandspirits

Willamette dammit! @bachelder_wines @coolchardonnay #i4c17

Bachelder Chardonnay Willamette 2014, Oregon (273334, Agent, $25.00, WineAlign)

The richest Bachelder Oregon to date for reasons explained by the indubitable and unwavering Thomas is no doubt in leading part a result of one of the earliest vintages on record for Oregon Pinot Noir. His Willamette is a veritable intertwine of mineral, fruit and energy like there is no tomorrow. Also welcome to the lengthy one. The barrel is a caramel pillow, a downy wooden bench, a soft French cream dream. Drinkable is the understatement, pleasure the song. Willamette Dammit. Drink 2017-2020.  Tasted July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Westcott Vineyards Estate Chardonnay 2016, VQA Vinemount Ridge, Ontario (427484, Winery, $25.95, WineAlign)

This is one of the first near-premium chardonnays to hit the market from 2016 and so a decision needs to be quickly made if the style is more vintage or house in origin. There really isn’t any estate precedence for this superabundance of fruit on the “normale,” like Christmas coming early or Niagara peaches appearing in June. The ripeness goes beyond freestone fruit and into the tropical realms occupied by mango and pineapple. There is no denying the nectarous and appetizing nature so I’d like to think it’s really a seasonal somewhereness that drives the druthers. Drink this young and with some poached seafood. It will satisfy the pairing. Drink 2017-2019.  Tasted July 2017  westcottvineyards  @WestcottWines  @westcottwines

Domaine Berger Rive Manoir De Mercey Bourgogne Hautes Côtes De Beaune Clos Des Dames 2015, Ac Burgundy, France (Agent, $26.95, WineAlign)

A restrained, faux-sugary, hautes Bourgogne, spirited near but so far from a Reuilly-like nose. You think it’s thin but know it’s not while the fruit struggles to steal the spotlight from the rocks. Very cool chardonnay with crazy natural sweetness and sneaky length. The warm vintage plus the limestone calcareous soil grows on you for sure and so that length shows off the best of its world and the talents of winemaker Paul Berger. Drink 2017-2020.  Tasted July 2017  @FWMCan  #BergerRive  fwmcan  @FWMCan

Traversa Viña Salort Chardonnay Reserve 2016, Canelones, Uruguay (511550, Agent, $29.00, WineAlign)

Chardonnay from Canelones needs to discovered and Traversa’s Reserve is a fine high-end place top start. The name is derived from a species of cinnamon called “canelón, growing along the banks of the homonymous river. This new fringe frontier for chardonnay is found here 50 kms or so north of Uruguay’s capital Montevideo. A specific sort of freshness is locked in tight, reductive in a gassing up the truck sort of way, subduing fruit and inviting mineral meanderings. It’s on the palate where things get very interesting, upon which the spice, buttered toast and brûlee of pears lay. There is a few percentage points too much wood on this next South terroir-Americanific frontier chardonnay but the substantial mid-palate fruit can handle the accents. A fine example in many respects. Drink 2017-2018. Tasted July 2017  familiatraversa  @TraversaUSA

Malivoire Chardonnay Mottiar 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

This is classic Mottiar chardonnay, lean, sharp, quivering and yet somehow so knowable and comfortable. As time goes by this generates the confidence to represent the Beamsville Bench as its prodigal son, the handsome one, of pulchritude and with the promise of great memories ahead. If it’s a bit reductive, taut and aerified chardonnay, so be it, but it’s also so very Niagara, essential, the essence of what happens on dolomitic limestone. The low (3.15) pH factor at go time caused a force picked at high acidity to maintain the lean style and a partial (not much) malo assists in effecting this high-level bench factor. Shiraz Mottiar’s eponymous chardonnay is the shit, for Beamsville and for what he does best. Drink 2018-2022.  Tasted July 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine  

Rodney Strong Sonoma Coast Chardonnay 2014, Sonoma Coast, California (465724, $29.95, WineAlign)

The first appearance of the Rodney Strong Sonoma Coast bottling is an auspicious one, announced with ripe and delicious clarity. Though the nose is a bit reserved there is no reductive quality and the orchard is but a mere stone’s throw away from really standing out. The wood shows up on the vanilla, caramel tangy and further, deeper into the apple tree’s palate. The finish brings a pie from out of the warm oven. Drink 2017-2020.  Tasted October 2016 and July 2017  rsvineyards  markanthonyon  california.wines  @rsvineyards  @ImportWineMAFWM  @CalifWines_CA  @Rodney.Strong.Vineyards  @MarkAnthonyWine  @CaliforniaWinesCanada

13th Street Sandstone Reserve Chardonnay 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

No surprise the vintage is a major plus for the Sandstone and the natural funk it owns. And I mean owns. Only Sandstone has such geological drive, not unlike chardonnay from South Africa’s Hemel-En-Aarde Valley. In 2013 there is a sweetness to the fruit mixed with a misty humidity and finally that falling over backwards with feet stuck in the clay and the calcaire. Wildness from J. P. Colas here and with attentiveness to place and time. Drink 2016-2021. Tasted at #i4c16, July 2016 and #14c17, July 2017  13thstreetwinery  @13thStreetWines  @13thStreetWines

Hidden Bench Estate Chardonnay 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario, (68817, $29.95, WineAlign)

Exemplary follow up to a terrific 2013 with more emerald gemstone, green apple bite and fine textured lees running through. Tart and yet not at the same time, seemingly sweet but only in the way that flavourful salts with added umami can collect, pool and co-exist. Just great focus, precision, fineness and balance. Drink 2018-2022.  Tasted June 2017 and #14c, July 2017  hidden bench  @HiddenBench  @Hidden.Bench

Thirty Bench Small Lot Chardonnay 2014, VQA Beamsville Bench, Ontario (Winery, $30.00, WineAlign)

The nose on this chardonnay is pretty, alive, vibrant and pure. The palate is exceptional, fleshy and full. There is intensity and precision, class and seamless integration of fruit, acidity and texture. Really longDrink 2018-2024. Tasted blind at #NWAC17, June 2017 and at #14c, July 2017  thirty bench  @ThirtyBench  @ThirtyBench

Ravine Vineyard Chardonnay 2015, VQA Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Ravine’s is one of those chardonnay blessed with uncanny ability to amalgamate the sumptuousness of fruit warmed by sun and kissed repeatedly by barrel. The equation renders delicacy and texture, so obviously and vehemently spoken in the 2015 Peninsula language. It really is all about texture with a plus-minus spice note codicil and cool unction drawn like butter in suspended animation, a pool into which all parts have melted. Needs a year to finalize the deal and sweeten the pot. Drink 2018-2022.  Tasted July 2017  ravinevineyard  marty_werner  benminaker23  @RavineVineyard  @marty_werner  @BMinaker23  Ravine Vineyard Estate Winery  Martin Werner  Ben Minaker

Mer Soleil Silver Unoaked Chardonnay 2014, Monterey, California (220343, Agent, $31.00, WineAlign)

Chardonnay sans wood doesn’t get more premium than this (save for some Chablis) so the use of unlined concrete tanks (a third to a half) allows the sort of micro-oxegynation that elevates the complexity game. Despite the hard-goings of working this way, the delivery is a crisp, crunchy and slightly edgy (and eggy) ’14 with addendum by the confluence of fog, sun and sea. Mer Soleil. More pear than green apple, the character speaks a Monterey note. The packaging has left ceramic behind in favour of electrostatic painted (second-purposed) glass, made to look like (and celebrate) concrete. This is surprisingly creamy so the solids get their say and the conclusion is of a chardonnay made this way that rarely achieves such a level of texture and piquancy. Drink 2017-2019.  Tasted July 2017  mersoleilwine  #andrewpellerimportagency  @MerSoleilChard  @APImportAgency  @MerSoleilVineyard  Andrew Peller (Andrew Peller Import)

House of Chards #i4c Lunch at Trius

Artesa Chardonnay 2014, Carneros, Napa Valley, California (657585, Agent, $31.00, WineAlign)

The differing and contrastive style in Artesa’s ordinario is literally chardonnay night in comparison to the estate’s reserve day. Absent is the mineral alloy streak, the temper and the level of fruit quality and density so that here the buttery and creamy oak is felt on top and down below. Acidity, tension and posit tugs of intensity are relegated and softened to the mild mannered and middle palate personality. This is 70 per cent estate fruit, simple, rich, soft and mildly spicy chardonnay, antithetical for completion recognition of the basic to reserve paradigm. Drink 2017-2018.  Tasted July 2017  artesawinery  #andrewpellerimportagency  @Artesa  @APImportAgency  @Artesa

Adamo Oaked Chardonnay Willms’ Vineyard 2014, VQA Niagara-on-the-Lake, Ontario (Winery, $32.00, WineAlign)

This is the second vintage of the Willms, a rich and viscous chardonnay with green apple bite. More barrel (15 months, 30 per cent new) on this than others in an #i4c School of Cool flight and also Beaune-styled, ambitious otherwise but certainly the structured and gregarious one. Chardonnay as many would recognize, could be nothing other, some terpenic moments but the cool, sharp and spirited are mixed into the clay. Last tasted July 2017.

Adamo sources from the same vineyard that provides fruit for 13th Street’s Sandstone Reserve in the Four Mile Creek sub-appellation of Niagara-on-the-Lake. Planted in 1983, it is owned and farmed by Erv, Esther and Eric Willms. In its early stages the fruit acted and reacted as a lean, taut and tension fuelled chardonnay with party a sign of letting up. Eight months later the juicy flesh of orchard fruit pushes past the vintage’s grip and lets tis wine breath a sigh of relief. Chalk one up to yet another cool-climate, calcareous clay stuck moment in time. Drink 2017-2019.  Tasted twice, at #i4c16, July 2016 and Taste Ontario, March 2017  adamoestatewinery  @AdamoEstateWine  @adamoestatewinery

Trail Estate Chardonnay Unfiltered 2015, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)

A blend of vineyards, from Ed Hughes and (Wismer) Foxcroft, perhaps with some influence under the lingering auspices of the Norman Hardie school, here in the playful and progressive hands of Mack Brisbois. Mackenzie employs no sulphur at processing, allowing for chardonnay efficacious and liberally oxidized, settled, cold stabilized, non bentonite-affected, chilled and racked. Not lost is the ever-commented process of going at it with wild ferment, but also caution thrown to the wind via no temperature control (but yes on the Hughes fruit), with the final end game in search of and wanting a fruity Chablis side. Done up in half stainless plus 50 old 500L and two 225L barrels. The sulphur was added in October, the full malo achieved and then bottled in November. All of this technical mumbo-jumbo to say there is still quite a creamy, leesy, oaky feeling but like some others in Niagara (Robyn’s Block, Oliveira and Aberdeen) it totes great palate texture and a “fruitiness,” but it’s not fruity. It may not recreate the Chablis fruit to mineral purity but it is a righteous, proper and Niagara purity fashioned in PEC. There are 266 Cases. Drink 2016-2020.  Tasted December 2016 and July 2017  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  @TrailEstateWinery  Mackenzie Brisbois

Westcott Vineyards Chardonnay Lenko Old Vine 2014, VQA Niagara Peninsula, Ontario (Winery, $32.95, WineAlign)

The iconic vineyard, the wise old vines, the chance to make some magic; these are all a part of the mystery and the mystique of Lenko placed in the hands of one winemaker at a time, fruit put to bottle in his or her own special way. It’s simple isn’t it? “Go far enough and you will reach, a place where the sea runs underneath,” take up the grapes and do what they need. In terms of chardonnay the vineyard is ground zero, the genesis, the oldest Chardonnay planting in Canada. In Arthur Harder’s hands the fruit reaches you with apposite if ambient sparks while its chords are strummed with 12 strings so that it never loses touch with its structure. A very expressive chardonnay from a benevolent vintage, Westcott’s breaks free from traditional Niagara with this tart and that tart. There is wind, wuthering and it has the uncanny ability “of turning the world so it’s facing the way that I’m going.” Drink 2017-2024.  Tasted July 2017  westcottvineyards  @WestcottWines  @westcottwines

Chateau Des Charmes Blanc De Blanc Sparkling Méthode Traditionelle 2014, VQA Niagara On The Lake, Ontario (511352, $32.95, WineAlign)

A different sort this one, with lots of barrel spice, liquid splinter creaminess, a heavier dosage to be sure, creamy lemon and almond skin, but also pith. Complex if commercially sweeter, rich and fatter, something School of Cool 2017 Sugar Trials panelist Rhys Pender MW agrees with. Making sparkling wine from the warmish Niagara-on-the-Lake regional-appellation (which includes the warm St. David’s Bench) has its pros and cons, the positives mostly tending to richness and the negatives the compromise to energy and verve. Winemaker Amélie Boury manages the dosage of 10 g/L RS with natural acidity (5.5 g/L TA), a forthcoming low pH of 3.16 and a late September pick. “For richer fruit” she notes and then a coupling texture by fermenting in barrels. Look for it on the ambit of tertiary personality after a few years of age. Drink 2017-2021.  Tasted July 2017  chateaudescharmes  @MBosc  Château des Charmes

Domaine De Mauperthuis Chablis Vieilles Vignes Les Malantes 2014, Ac Burgundy, France (511063, $33.95, WineAlign)

From a new family (relatively speaking) to Chablis, the estate belongs to Marie-Noëlle & Laurent Ternynck. The old vines Chablis saw 12 months in foudres, on the lees, with fruit gathered from vineyards in Fleys. The cool spot comes with a higher altitude, on a windswept plateau and so harvest is generally five to six days later. And so their Chablis is cool, direct, taut and sapid stuff, as Chablis will go, from such a climat and handled so. Acidity runs rampant and travels quickly up and down and into parts of the mouth that stand up to take notice. Sharp and focused Chablis. Drink 2017-2022.  Tasted July 2017  #mauperthuis  vinsdechablis  vinsdebourgogne  nicholaspearcewines  #Mauperthuis  @vinsdechablis  @VinsdeBourgogne  @Nicholaspearce_  Vins de Bourgogne / Burgundy wines  Nicholas Pearce

Mer Soleil Chardonnay “SLH” 2015, Santa Lucia Highlands, California (958975, Agent, $34.95, WineAlign)

The sun always shines upon Mer Soleil’s “SLH,” a chardonnay equipped with exceptional fruit purity that welcomes but could go it so much more confidently alone without the mask-caking make-up. It needs a fraction of the wood it receives. A tour de force of ocean and sun (tied together by fog) delivers acidity, sapidity and the fruit is raised to keep things moving swimmingly along. So it’s got that going for it. Which is nice. Drink 2017-2019.  Tasted July 2017  mersoleilwine  #andrewpellerimportagency  @MerSoleilChard  @APImportAgency  @MerSoleilVineyard  Andrew Peller (Andrew Peller Import)

Good man this man. Great winemaker this winemaker #i4c @coolchardonnay

Tawse Quarry Road Vineyard Chardonnay 2013, VQA Vinemount Ridge, Ontario (111989, $35.80, WineAlign)

When I tasted Quarry Road 2013 out of four barrels three years ago the purpose was to take in the nuances and see only the trees. I for one could not help seeing the forest through the trees and imagining percentages of each combining for the final blend. Neutral Mercurey wood looked over infant three year-old vines spoken here with surprising density, tang and tropical melon in both aroma and flavour. This sits on the front palate right now. The mineral Ceres qualifies older fruit as the pretty and the gemstone, essential for Quarry Road, the most like (Meursault) in Burgundy. This fruit transferred to stainless on the lees from September to March before going into bottle now renders to make Quarry the purest expression from the best vineyard. The CLL toast delivers the taut, not yet reductive wood tightening, then and again now, mainly on the finish. Compressed citrus notes are late arriving and even if it is splitting hairs, the oak really impacts the finish. The larger CLL toast Mercurey barrel reveals a fresher, more reductive, less oaky feel. All together we now have one of Paul Pender’s most accomplished to date and all chardonnays considered, one of the finest higher end values around. I think he would agree. Drink 2017-2024.  Tasted May and July 2017  tawsewinery  @Tawse_Winery  @tawsewines

Maycas del Limarí Chardonnay Quebrada Seca 2013, Limarí Valley, Chile (331520, $36.00, WineAlign)

Maycas de Limarí’s Quebrada Seca or “dry-cracked” makes reference to the fragmented soils, a place of low-fertility and chardonnay loving terroir. This spent 14 months in (30 per cent new) but it’s not just the extended barrel time that separates it from the estate’s Reserva. Vintage plays a significant role in conjunction with the soil and it teaches so much about the virtues of patience and time. No malo but high sapidity, lots of bite and the verdant, healthy life are borne out of poor fertility. This is life affirming chardonnay from harsh climes. Drink 2018-2022.  Tasted July 2017  maycasdellimari  #thevineagency  wines_of_chile_canada  @Maycasdellimari  @TheVine_RobGroh  @WinesofChile  @maycasdellimari  The Vine – Robert Groh Agency  @WinesOfChile

Joie Farm Chardonnay “En Famille” 2015, BC VQA Okanagan Valley, British Columbia (511113Agent, $36.00, WineAlign)

The developed layers of fruit are well integrated and interwoven into the mildness of both barrel and tannin. The sweetness of that sun-kissed fruit leaves a lasting impression from what has been brought into being by a warm and impressionable vintage. Exemplary three or four year Okanagan chardonnay that shows off its charming sucrosity. Drink 2017-2020.  Tasted July 2017  joie farm  liffordgram  #JoieFarm  @LiffordON  @joiefarm  @liffordwineandspirits

Sneak peak in the @TriusWines Meunier with Craig McDonald and a true Niagara Grand Cru @coolchardonnay site #lincolnlakeshore #oliveiravineyards #vqa #wildferment

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2015, VQA Lincoln Lakeshore, Ontario (199273, $36.20, WineAlign)

When you consider the level of quality provided by the Wild Ferment 2014 it would be hard to imagine raising the bar any further but this is what winemaker Craig McDonald has managed with his exceptional 2015. The accomplishment is purely based on one year older, wiser and complexities developed Oliveira Farm vineyard fruit, the holy chardonnay grail, Lincoln Lakeshore playground. The site sits along the QEW below the escarpment’s Twenty Mile and Beamsville benches, a recipient of glacial till and rocks left behind by an ancient river running from a lake. It’s a chardonnay wonderland. Intensity of fruit purity, fleshy and real, remarkably juicy and notably crunchy has increased, upping the pleasure game and turning the impression knob up to 11. The windmill generates more power while always maintaining a classic Trius level of finesse. Then you think on the wood integration, equally impressionable because acidity is sweet and refined. Dry extract is also impressive, not to mention a fineness of grape tannin. The site’s unofficial designation as a Niagara Grand Cru should be upgraded with status. There is no better time than the present and the Wild Ferment’s 2015 ability is proof enough. Drink 2017-2023.  Tasted July 2017  triuswines  @TriusWines  @triuswines

Exquisite dish by Frank Dodd @TriusWines #houseofchards #i4c lunch . . . Lake Huron Whitefish, lobster and scallop sausage, crab croquettes, asparagus, sweet peas, celeriac slaw, seabuck

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2014, VQA Lincoln Lakeshore, Ontario (199273, $36.20, WineAlign)

With fruit from the Niagara chardonnay mecca Oliveira Vineyard and the addendum of yet another stellar varietal vintage it is this Craig McDonald speciality that helps to steal the show. Striking out with near-raging acidity (pushing and possibly exceeding the 8 g/L mark) the Wild Ferment is one of the most formidable expressions of 2014, if not ever. All the moving parts work fervently and impressively as if the motor is running and the machine careening around the speedway. To keep composure it is texture that brings about grounding, balance and cadence, from obvious lees perfection and 30 per cent new wood plus the rest forged by two to five year old barrels. This is creamy, energetic and tannic chardonnay, all conspiring to express itself with both weight and poise. From a maker who’s been around the block a few times, the ’14 WF will go the distance. And you can start now. Drink 2017-2024. Tasted at Cuvée, March 2017 an #i4c July 2017  triuswines  @TriusWines  @triuswines

Esterházy Il Magnifico Blanc de Blancs Brut 2013, Burgenland, Austria (511378, Agent, $37.95, WineAlign)

Esterházy was a Hungarian noble family with origins in the Middle Ages, generally bilingual, in Hungarian (as a result of their ethnicity) and German (as they were aristocrats of the Austrian Empire). The family was intrinsically tied to the Austrian composer Joseph Haydn (master to Beethoven) and the estate today shares the same desire; to epitomize the aims and achievements of the Classical era, Hadyn for music and today, Esterházy for contemporary Austrian wine. General Manager Stefan Tscheppe spins a tale of Nikolaus II, the wealthy late 18th and early 19th century prince who lived a charmed life, nicknamed by his sisters as “Il Magnifico.” The namesake sparkler is done in a Brut Nature style, 18 months on the lees and is possessive of a distinctive grapefruit liqueur. The vines grown on limestone-based soil and this is clearly picked on acidity, in the first to second week of September. Il Maginifico may not carry the weight or tone of Hadyn’s The Creation but it is a most excellent Blanc de Blancs composition. Drink 2017-2022.  Tasted July 2017  #esterhazy @esterhazywein  austrianwine  Esterhazy Wein  @NaturalVines  @oesterreichwein  @AustrianWine  @BirgittaSamavar  Marzia Gallo  @austrianwine

Pearl Morissette Chardonnay Cuvée Dix Neuvième 2014, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (303602Winery, $38.20, WineAlign)

It’s never easy to follow up greatness, even for this top quality Niagara chardonnay and yet I am almost ready to believe that this Dix-Neuvième delivers more richness of fruit than its predecessor. The stoicism lost from 2013 is woven texture gained, here in a tapestry of pure chardonnay fruit, beeswaxy, faint honey and an almost imperceptible reductive environment. Francois Morissette and Brent Rowland clearly had texture earmarked as the raison d’être for this ’14, almost to a fault but the result is bloody delicious. No Pearl Morissette wine ever gave of itself so young, so fast. Immediate gratification be darned there will be five blessed textured years ahead. And then the honey will set in. Drink 2017-2022.  Tasted June and July 2017  pearlmorissette  @PearlMorissette  @lassvet  Pearl Morissette

Domaine Laroche Les Vaudevey Chablis Premier Cru 2014, Ac Burgundy, France (416057, Agent, $38.95, WineAlign)

A compressed chardonnay that strikes as a passion play between herbs and limestone and no surprise that the spoils go to the latter. The citrus is gassy, rising, bathed in atmosphere. The structure is predicated on stone, rock and struck flint. Chablis of metal and essential minerality, discovered and defined. This slow-ripened chardonnay will evolve one year for every month contributed by its growing cycle. Drink 2016-2026.  Tasted June 2016 and July 2017  #domainelaroche  selectwinemoments  @DomaineLaroche  @SelectWinePros  @Select_Wines  Domaine Laroche, Chablis 

Mackenzie Brisbois, Trail Estate Winery

Trail Estate Chardonnay Unfiltered 2016, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)

Auspicious beginnings transcend the customary for Trail’s winemaker Mackenzie Brisbois, case in point exhibit A with her first fledged County chardonnay, a whole cluster pressed, native yeasts and full malolactic beauty. Only a single barrel was made of this really tight, taut and youthfully vituperative one but it will mature, self-reflect and turn into a respectful and generous wine. There is a toasty note that currently smoulders in the glass but that too will gently peel away. The terrific render of acidity couples at present and will melt with the rest of the intensities. This is the estate’s first kick at this County cru, “things are going great, and they’re only getting better.” The future’s so bright I gotta wear shades. Drink 2018-2022.  Tasted July 2017  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  @TrailEstateWinery  Mackenzie Brisbois

Hidden Bench Chardonnay Felseck Vineyard 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario, (276261, $39.20, WineAlign)

Unction and creaminess, lost in a chardonnay dream because to nose it’s a sweet, floral, demure thing. Lees apparent so you can smell the work in progress and feel the texture. But it’s wound loosely tight with just enough give to make it so readily available. Beautiful little wine though I can’t help but imagine there’s more single-focus structure than a blind taste wants to give. Hope to come across this hard to get beauty again someday soon. Drink 2018-2022.  Tasted blind at NWAC17, June 2017 and #14c, July 2017  hidden bench  @HiddenBench  @Hidden.Bench

Norman Hardie Chardonnay Niagara Unfiltered 2015, VQA Niagara Peninsula, Ontario (184432, $39.20, WineAlign)

Norman Hardie’s 2015 Niagara is a reductive yellow goddess dressed chardonnay, connected to the fullest of its fruit, (slowly developed) creamy malolactic, touchstone acidity and grape tannic ability. There is this understated feeling in the throes of richness that the winemaker and the place always seem to agree upon. The display window celebrates and proudly promotes the somewhereness of this ’15 chardonnay. It is never a matter of Niagara versus County, there is little substance to be found, nor is it a necessary point of discussion worth investigating. It’s just highway that separates the two. Both are children of the Norm, both deserving of estate credibility and here, with this next excellent Niagara, taking the Hardie progression one step further. Drink 2017-2022.  Tasted June and July 2017  normanhardiewinery  normhardie  Norman Hardie  @NormanHardieWinery

Domaine De Mauperthuis Chablis Premier Cru Montmains 2015, Ac Burgundy, France (511071, $39.95, WineAlign)

Winemaker Stéphane Saillet’s is a highly compressed, pure and precise Montmains. No wood was used because of the vintage, a season from which the ripe and developed fruit could clearly defend and take care of itself. Carries the essential tenets of texture and chew. Stéphane notes that the challenged ’16 will have some barrel (foudres) because “in the beginning there was nothing,” an important omen with which to help reflect on the fantasy and fantastic effort found in his 2015. Drink 2018-2023.  Tasted July 2017  #mauperthuis  vinsdechablis  vinsdebourgogne  nicholaspearcewines  #Mauperthuis  @vinsdechablis  @VinsdeBourgogne  @Nicholaspearce_  Vins de Bourgogne / Burgundy wines  Nicholas Pearce

Malivoire Chardonnay Moira 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $39.95, WineAlign)

Moira delves much further into the spice with a wood feel into texture, piquancy, savour, sapidity and on repeat in all of the above. The length stretches further as a deeper, more intense expression of Beamsville Bench terroir. It will need to settle and integrate with another year in bottle. Drink 2018-2022.  Tasted July 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine 

Lightfoot And Wolfville Chardonnay Ancienne 2014, Nova Scotia (Winery, $40.00, WineAlign)

The name Ancienne and the proximate irony appraised is not lost for its translation as endemic or indigenous for wines made from Burgundian grape varieties raised on Nova Scotia soil. The sophomore chardonnay speaks in a vernacular a year to the wiser but at the expense of excitement, which is actually a good thing. A step back taken will result in two going forward, as I shall explain. The same regime exercised mimics the ’13, of 20 per cent new, 18 months in barrel, but a slight course altered with some reductive play in ’14, as an experiment but also as a plan. There seems to be more lees richness and spice notes that flit like direct darts on the palate. Different clones are harvested at different times, so now the vinifications are staggered and layered, which really shows on the stratified and almost germinating palate. Another year older allows these vines to bring diversified variegation, more Nova Scotia and as a consequence, less winemaking. The growth here is fascinating and enlightening. In the interim it may compromise the flavour profile and the wow factor but in the long run it is structure, longevity and impressibility that will give the green light to estate grown, Minas Basin success. Drink 2017-2021.  Tasted June 2017   lwwines  jhortonns  rachelhopelightfoot  winesofns  @lwwines  @rachel_hope  @WinesofNS  @lightfootandwolfvillewines  Rachel Lightfoot  @winesofns

Bachelder Wismer Vineyard #2 “Foxcroft Block” Chardonnay 2013, VQA Niagara Peninsula, Ontario (512178, Winery, $44.95, WineAlign)

Deeper and deeper into the micro terroir we go, with thanks to the monk himself so strike me down as a cool climate instigator if you must but Thomas Bachelder takes on the challenge, fresh and new as ever. This Wismer Block dubbed #2 is purely and expressly Foxcroft, a divided up for purchase and worked by many vineyard. Few do it justice like the unstressed symbiotic relationship between Bachelder and grower Craig Wismer. From the ideal session of 2013 we have creamy and cracked, fragmented mineral intensity in opposite attitude to Wismer-Parke but more on the fleshy and structured side. The wood is bigger and more integrated, the flesh ripping and of the sort of musculature that shows no aggression nor needs any explanation. It’s just big and beautiful, not to mention an ambassador for cool. Hello world. Drink 2018-2025.  Tasted June and July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Henry Of Pelham Cuvée Catharine Blanc De Blanc ‘Carte Blanche’ 2012, Short Hills Bench, Ontario (Winery, $44.95, WineAlign)

Reserved for Ontario sparkling but indicative of a bench-steppe foothills style because it just has that spark. Very much a ball of tart and compressed energy and so intense. A middle of the norm dosage at 8 g/L RS is managed in perfect oscillate with equal and opposing acidity at 7.3 TA. Such precision, ease and high quality serviceability is the equanimity quotient delivered by the estimable work ethic of winemaker Sandrine Bourcier. It boils down to recognition. The benchmark for Niagara Peninsula year-dated sparkling wine juices ripeness out of this warm vintage to perpetuate Cuvée Catharine’s unparalleled fizz consistency. Drink 2017-2021.  Tasted July 2017  henryofpelham  @HenryofPelham @SpeckBros  Henry Pelham

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada (Winery, $45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June and July 2017  lwwines  jhortonns  rachelhopelightfoot  winesofns  @lwwines  @rachel_hope  @WinesofNS  @lightfootandwolfvillewines  Rachel Lightfoot  @winesofns

Bachelder Chardonnay Johnson Vineyard 2013, Yamhill Carlton District, Oregon (416644, Agent, $45.00, WineAlign)

The best of the barrels, always remember the soil, the soil Johnson Vineyard chardonnay will send you spiralling deep into thought, like it or not. It’s origins in Jory, sedimentary soils draw energy from a source unseen, dug down into where the ancients dwell. Thomas Bachelder monkifies the soil plant matrix made to transmit minerality. “It’s as much about photosynthesis in the new world but minerality is still apart of it. Jory soils in Oregon bring a salty tang, a savour. It’s true.” Bachelder speaks of a wisdom once revered, now questioned and he’s fine with needing to work for a living. The Johnson chardonnay is beautifully tart, rich and complex, biting, full of energy, so cool, taut, structured and even still a bit reductive. But it really is pressed, juiced and spirited with lime, for success and to linger, for a decade post harvest, perhaps for even longer a quality length of time. Drink 2018-2023.  Tasted July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Norman Hardie Chardonnay Sans Soufre 2015, VQA Niagara Peninsula, Ontario (Winery, $45.00, WineAlign)

Says Norm with matter of factness, as he always does, “it’s the regular Niagara chardonnay, but without sulphur.” So you ask the question up front? Is the unsulphured so different than the other? To the naked senses, no. The charm, power and generosity are all there. It took a full year to pass malolactic inspection. So why do it? Because it reminds of 2012, same slow malo, same deferential and determined kind of wine and the answer comes from something Norm says. “I didn’t have the guts in those days.” But he has them now and yet the decisions imparted this Sans Soufre will be different, with more guts and glory, say in 2022. Perhaps there is a softness about this naked one, something cotton candy about its aromatics and its texture. It’s fine-spun, ethereal and dissipating. It does not argue but you sense it’s possessive of an organized, controlled tension. But don’t be thinking this isn’t a planned piece of parenthood. Did I mention the tannic presence on the palate? How about the wind-up, into tart and the stiff breeze that blows through as if it’s already turning to fall. Drink 2017-2022.  Tasted Twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Tawse Robyn’s Block Chardonnay 2013, VQA Vinemount Ridge, Ontario (Winery, $45.95, WineAlign)

The temptation and the desire to compare Robyn’s Block and the other Tawse chardonnays is unavoidable but in 2013 it’s a fruitless exercise. Neither warmth, tropical fruit, cold, rain, terpenes or high acidity are hallmark traits of Robyn’s Block 2013. So what is? When I tasted through Robyn’s barrels with winemaker Paul Pender back in April of 2014, the Mercurey (one year-old, CLL toast) from the oldest (32 years) vines off of the richest site worked wonders in tandem with new oak. Very primary, fermenting notes foretold of a reigned in, restrained Robyn. The Mercurey (new) barrel gifted tang and girth into which the barrel disappears, with sappy toast on the back end. It too was quite young in its evolution but was rich, thick and dense. The Céres (Mineral) barrel brought exclamatory fruit and was ready to drink. All together and three years later these barrels have conspired for all of the above but if I had to sum it up in five words or less I’d say Robyn is “full of energy, texture and beans.” She will turn out creamy notes as the decade turns but always maintain her sense of restraint, running sap and fleshy tone. The wine is nothing if not a fascinating introspection into the history and the future of this block.  Drink 2017-2023. Tasted April and July 2017  tawsewinery  @Tawse_Winery  @tawsewines

Sperling Vineyards Blanc De Blancs Brut Nature 2013, VQA Okanagan Valley, British Columbia (511329, Agent, $47.00, WineAlign)

There is no dosage in this directly motivational Blanc de Blancs and plenty of potential palate weight with thanks to 30 months spent on the lees. There is something top single-vineyard cru Alsatian about the savoury and searing coolness in this style, as if it were more than just the sum of chardonnay parts, like some hypothetical pinot blanc and perhaps auxerrois. There is some reductiveness, a lovely washed rind cheese, lemon scrape melted into curd and fine bitters. The flavours are really quite lemony tart. Striking really. School of Cool moderator Karen MacNeil described this like “a nun in catholic school, severe and a bit starched. I’d like to try it a bit sweeter, to mollify the tension.” Though the consensus is one that sees it under-dosed, you have to admire Ann Sperling’s “decision based on lees contact time.” To make it longer. The sharp, angular edges are a by-product of its aggressive nature but like sémillon in its lean and gaunt youth this B de B will develop some faux honey and petrol with age. Drink 2018-2022.  Tasted twice, July 2017  @SperlingVyds  @AnnSperling  @CRUOntario  sperlingvineyards  cruwine  Sperling Vineyards  Ann Sperling

Stratus Chardonnay 2014, VQA Niagara-On-The-Lake, Ontario (307645, Agent, $48.20, WineAlign)

The Stratus 2014 is more reductive than usual, in its case more of a vintage-related affair than others. The “Burgundy method” is employed, but in a “Niagara style” notes winemaker J-L Groux,  that is with native yeasts and a pick that can’t be too early. The wine saw nine months in (25-50 per cent new) oak. This ’14 is Groux’s last of the chardonnay mohicans because in 2015 it will be bottled with lees. This ’14 is nothing if not bloody delicious, ripe orchard fruit swelling, of mild acidity and seamless texture. Drink 2017-2021.  Tasted May and July 2017  stratuswines  @StratusWines  @StratusWines

Southbrook Poetica Chardonnay 2013, VQA Four Mile Creek, Ontario (366500, Agent, $49.95, WineAlign)

Always Ontario’s outlier, eccentric and non-conformist chardonnay and I say this with complimentary, best of intention flattery. The 2013 vintage is simply chivalrous to chardonnay and in Poetica’s corner, a perfect calm case of preux meets elegante. Here is a chardonnay of inherent oxidative wisdom, from cloud cover, cool, long breaths of Niagara air well into the elongated autumn and the address for what I refer to as “the age apparent one.” The iconoclast Poetica ideal conforms because it is matched with equal breadth by richness of fruit and confirms the way Ann Sperling makes her signature wine. Tasted blind my first guess would put this at five years old because of the exuding warmth so 2010 might just be the order. A 2012 Bench chardonnay might have also been the answer. But with Poetica the promise is like Meursault with uptown fruit, honey, vanilla, caramel, a Niagara vapour and ethanol. Such a telling display that only Poetica can play. Drink 2016-2024.  Tasted October 2016 and July 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

Viñas Ventisquero Tara Chardonnay 2014, Atacamas, Casablanca Valley, Chile (511337, Agent, $53.00, WineAlign)

Chile’s Atacama Valley frontier is one of the world’s great terroir expansions, a limestone soil-based flat, even further north than the Limari valley. Ventisquero’s winemaker Felipe Tosso has said that Atacama “breaks all the paradigms of what has been produced in the central-southern valleys of Chile.” The salinity in the land translates to notes in chardonnay of almost no precedence, like salty cotton candy and a fineness of acidity singular in chemical design and how it feels in the mouth. It’s like sucking on a stone lozenge that never dissolves. It’s relentless in its pursuit of fruit. Flavours coagulate liquid almond joy and transparent bitters but there is also a sweetness without definition, a simple limestone syrup that melts into the saltiness of the wine. Drink 2017-2021.  Tasted July 2017  vventisquero  univinscanada  wines_of_chile_canada  @vventisquero  @UNIVINS  @WinesofChile  @VentisqueroWines  @UnivinsCanada  @WinesOfChile

Charline Drappier

Champagne Drappier Blanc De Blancs NV, Champagne, France (599860, Agent, $54.95, WineAlign)

Made with five per cent pinot blanc this faintly oxidatively-styled Blanc de Blancs is gingery-leathery and felt as if by extended skin contact. It’s both tannic and orange pith spritzy, also mixed in with grapefruit and lemon. Twenty-four lees-affected months bring body that is fleshy, corporeal and with acidity in charge on the palate. Quite a full fizz with some preserved fruit attentiveness. The dosage is healthy but simply flavour gifting at 7.1 RS because the sugar is a combination of beet and cane aged in oak for 10-15 years. It’s a special Drappier liquor dosage developed at the winery. What it brings is not just sweetness but a complex sweetener that has evolved and developed over time while it has aged. Drink 2017-2021.  Tasted twice with Charline Drappier at #14c, July 2017 #ChampagneDrappier  @FWMCan  champagne_drappier  champagnedrappier  fwmcan  Champagne Drappier  Charline Dppr  @FWMCan

Ravine Vineyard Reserve Chardonnay 2014, VQA St. David’s Bench, Ontario (Winery, $55.00, WineAlign)

The Reserve is 100 per cent estate fruit that spent 18 months in (50 per cent new) barrel. As it’s both barrel fermented and aged the variegation locks the fruit in so bloody tight so even now it’s reductive, smoky and flinty. A mineral chardonnay needs balance from over the top fruit and so track record, acumen and love will have it so. Marty Werner and Ben Minaker’s is a big, summery and gold platinum expression, very expressive, the two-lb steamed in seaweed lobster chardonnay, seemingly Meursault but just as likely from California. But as Ravine’s Reserve on the St. David’s Bench it is purely Niagara Peninsula. Fruit intensity, extract and controlled oxygenation shows off the best of what these men can do. It speaks to their efforts, knowledge accumulation, trials and finally to the culmination of their stamina. Drink 2018-2023.  Tasted July 2017  ravinevineyard  marty_werner  benminaker23  @RavineVineyard  @marty_werner  @BMinaker23  Ravine Vineyard Estate Winery  Martin Werner  Ben Minaker

Adam Mariani, Scribe Winery

Scribe Chardonnay 2014, Carneros, California (511139, Agent, $55.00, WineAlign)

Adam Mariani raised his 2014 in concrete and though we are distracted and of course fully willing to think about the fruit (especially in contrast to his Skin Contact chardonnay) it is the texture that grabs most attention. That this solicits older world comparisons is hard to avoid, but it’s not a Burgundian thematic. Like the garnatxa by Ramon Roqueta Segalés of Domaine Lafou, Scribe’s is a wine that has succeeded in mastering the oxidation process and the scents are of ripe peach, fresh, without overdeveloped sugars but instead a sprinkling of ocean salt. Finishes with a savoury mix of lime, tonic and the liquor of distilled flowers. Drink 2018-2023.  Tasted July 2017  scribe winery  nicholaspearcewines  @scribewinery  @Nicholaspearce_  Scribe Winery  Nicholas Pearce

Familia Torres Chardonnay Milmanda 2014, Catalunya, Spain (332171, Agent, $59.95, WineAlign)

Miguel Torres Jr. tells us his wine comes from a great white wine vintage; cool and rainy, though not great for reds. “I don’t believe in miracles from the vineyard. You have to do some things in the winery,” he adds, like the use of bigger (300L) barrels and a 50 per cent malolactic goal. His chardonnay is a juicy, terpenic, honorary cool climate Canadian. That’s not to say it isn’t barrel rich, but it too speaks a language of the lively, crisp, crunchy and bloody delicious. This is full, satisfying, spicy and buttery teasing chardonnay out of Catalunya and few gallop along with such equine gait and grace, at least not from Spain, without either softening like butter or hardening like stone. Here the twain is met. Drink 2017-2021.  Tasted July 2017  torreswines  @FWMCan  @TorresWines  fwmcan  @bodegastorres  @FWMCan

Scribe Skin Fermented Chardonnay 2015, Carneros, California (511147, Agent, $63.00, WineAlign)

Scribe Winery’s Adam Mariani introduces his antithetical Californian from the Sonoma side of cooler Carneros up on Arrowhead Mountain in the northern part of the region, planted in 2007 abutting the Mayacamas range on volcanic soils. The grapes are skin-fermented cold (in the farenheit 50’s) with native yeasts for five to six weeks until mid-December but over the past several vintages they (the winemaking team) have slowly gained the confidence to get them above 100 days. One bottle (served too warm) is amiss and oxidative and this really accentuates the skin-settling tannins on the palate. A second is beautifully lively, tannins a bit tamed, acidity in tact and fruit concerned and even obsessed with all things lemon. The aging is done in concrete egg and with a correct bottle this is not oxidized, nor is it an orange wine but it most certainly is a Carneros expression of great interest. It should be dealt with young. Drink 2017-2019.  Tasted July 2017  scribe winery  nicholaspearcewines  @scribewinery  @Nicholaspearce_  Scribe Winery  Nicholas Pearce

Artesa Estate Reserve Chardonnay 2014, Carneros, Napa Valley, California (457143, Agent, $67.00, WineAlign)

Artesa or artisan, from the Catalan, an affirmation of style gifted in name from the Barcelona family Raventos. This chardonnay from the base of Mt. Veeder is 100 per cent estate fruit, adjacent Hyde Vineyards, all hillside sits of elevation, sun and under cover of omniscent fog blowing in from San Pablo Bay. The character is unmistakable French (50 per cent new) cream barrel warm and buttered, yet young and still a bit closed for business. The 16 months in wood requires double that to integrate but a fine mineral streak cuts through the caramel. Nothing shocking mind you, grace meets weight and toasted chestnut melds into sweet marzipan. The quality of fruit is unquestionably high and the seamlessness a given. The style can be yours. Drink 2018-2022. Tasted July 2017  artesawinery  #andrewpellerimportagency  @Artesa  @APImportAgency  @MerSoleilVineyard  @Artesa

Chamisal Vineyards Chardonnay Chamise 2014, Edna Valley, California (511212, Agent, $86.00, WineAlign)

The aromatics are slow to reveal but if at first they are mildly mired in solder there is this sweet basil-herbal and lemon-balmy calmness on the entry. Takes some moments and then opens to a creamy, barrel-sweetened, tart and layered chardonnay. Looked at blind I’d certainly peg this as warmer climate, New Zealand perhaps but more likely and gracefully California. Indeed the Chamisal-Chamise of Edna Valley origins completes the picture. The first vineyard planted in the Edna Valley in 1973 near the Pacific and a long temperate growing season adds up to low and slow phenolic developed chardonnay. The warm vintage plus calcareous, clay-rich soil develops further flavour. Shy no more, the namesake flowering plant Adenostoma fasciculatum (chamise or greasewood) native to California bounds away with complex flavours. Drink 2018-2022.  Tasted July 2017  chamisalvyd  #andrewpellerimportagency  @ChamisalVyd  @APImportAgency  @Chamisal.Vineyards  @APImportAgency

Vasse Felix Chardonnay Heytesbury 2015, Margaret River, Western Australia (674648, $91.00,  WineAlign)

Heytesbury is Virginia Willcock’s top chardonnay and while it is one of Australia’s most iconic wines, it may never be made the same way twice. In 2015 the élèvage is in French oak for nine months (57 per cent new and 43, one to two years old) but no malolactic was encouraged. That’s a non-committal way of saying (and Virginia did in fact say) there was no malo in 2015 simply because it was not a vintage in which the acidity needed to be tamed. So with fruit so pure, strong and expressive, what else is there to say? Simply that you would be an idiot to tire of a fresh herb garden, blue slate shoes, ripe pomelo, a wedge of smoked cheddar, fresh scones and a crunch of mellifluous honeycomb. Heytesbury will gift all of this and more. Drink 2019-2027.  Tasted July 2017  vassefelixwines  margaretriver  @vassefelix  @MargaretRiver  @MargaretRiverWi  @vassefelixwines  @MargaretRiverWineRegion  @margaretriverwines1

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia, (Winery$119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017  benjaminbridge  caveman__jones   winesofn  @Benjamin_Bridge  @benjaminbridgevineyards  @WinesofNS  @benjaminbridgevineyards  @winesofns

Cuvée des Amis in grand format from le grand ami @normhardie at an #i4c @coolchardonnay grand tasting dances and trips the light fantastic with unconscionable concentration.

Norman Hardie Chardonnay Cuvée Des Amis 2014, Prince Edward County, Ontario (Winery, $150.00, 1500ml, WineAlign)

As exceptional as chardonnay may have seemed from out of the 2013 Ontario vintage you haven’t lived or loved until you get a taste of (only in magnum format) Norm Hardie’s 2014 Cuvées des Amis. This chardonnay attacks and ascends, recalibrating the inner workings of the brain and how it develops conceptualization. It is a state of the art and all-knowing elixir to remind that ’13 was a vintage with profitable yields and a generously stretched canvas on which to practice on, for when things begin to get real. The CdeA spent 18 months in barrel, the first 12 (in 35 per cent new), the next six in neutral and the last six in stainless steel on the fine lees. The spin class in the mouth manages agility, dextrous, furtive movement and completes many pirouettes. The dance is pure joy but the intensity is equally to disturbingly intrusive, suggesting more settling time is necessary. The flavour pearls are delicate and come straight from the oyster so they carry salinity, power and brine. Pure lemon essence is received by intravenous injection. Sumptuous is translated from Hardie-speak as a four-letter, Prince Edward County word. It doesn’t get more real than right here, with the best fruit, the tripping of the light fantastic, previously unheard and unseen unconscionable concentration. Drink 2019-2025.  Tasted twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Took all night but it was so worth it. Welcome to #i4c17 @coolchardonnay #ilivechardonnay

Good to go!

Godello

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