While rambling in Vinho Verde last week, I was taken by overnight precipitation that would carpet the mountains above 400m with white stuff. It was magical to wake up in Amarante, Ponte da Barca and Melgaço to see the late March greenery contrasted with a jacket of celestial deliquescence. Then I returned to Toronto. Early April snow just didn’t quite have the same heart-stirring effect.
In VV the reputation is for producing crisp, light and refreshing wines. This from a place where it rains a lot. Nearly all the time. The land is so green you can see the fairies and pixies scurrying about. The place is such a verdant paradise it feels as though life springs from every tuft, tuffet and bit of life-affirming turf. With so much damp, wet and soggy abound you might think that hearty reds are both essential and necessary. To the contrary, it is Alvarinho, Loureiro, Arinto and Avesso that speak the most sincere truths. White wines rule.
The VINTAGES April 16th release is the launching pad for whites and my seven picks will lock in to every wheelhouse wished for, from $16 to $30 and from grape varieties both recognizable and habituated outside the familiar box. From Jacquere to Assyrtiko, through Riesling, Pinot Gris and Chardonnay. Something for all.
Here we are in mid-April, temperatures still hovering around the zero mark and Spring still fighting to break out. Like Frog and Toad I keep turning around, left and right, expecting to find Spring just around the corner. It never seems to come. So in ode to Vinho Verde, the current plan is to seek out cool, crisp whites and to wait patiently, for without even realizing it has happened, Spring will have sprung.
Château Des Charmes Old Vines Riesling 2013, VQA Niagara On The Lake, Ontario (277228, $16.95, WineAlign)
The happy place effect by age in the Château Des Charmes’ vines coupled with location is usually enough to carry this Riesling through an obvious and readily identifiable tunnel but 2013 confounds. The elemental ratio, derived from multiplying reduction by altitude leans thoughts to the Vinemount Ridge or the Cave Spring Escarpment Vineyard. The compound aromatic waft, or more succinctly, the deconstructed stone, the breaking down of periodic Hollywood squares is a force to reckon. That this arrives from such close proximity to the lake is nothing short of amazing. It’s as if this Riesling is the product of stressed vines and the pierce is just so pinpointed. Less accessible than ’12 for sure, so drink up previous vintages going back at least three before even thinking about getting to know 2013. Drink 2018-2022. Tasted May 2015 and April 2016 @MBosc@WineCountryOnt
Pierre Sparr Réserve Pinot Gris 2014, Ac Alsace, France (983395, $16.95, WineAlign)
Mineral trumps fruit is this dry take on Pinot Gris from a house on a seriously competitive roll. Good beneficial bitters join tannic sweetness on the broad palate. This is a prime example of what PG can and should be, albeit without the intensity delivered out of more demanding Alsatian vineyards. Drink 2016-2019. Tasted April 2016 #PierreSparr@VinsAlsace@AlsaceWines@drinkAlsace@ProfileWineGrp
Jean Perrier & Fils Cuvée Gastronomie 2014, Ac Savoie Abymes, France (320093, $18.95, WineAlign)
This montane-raised 100 per cent, low alcohol (11.5 per cent) Jacquere is built on premises of tart, savoury, herbal and peppery fruit not so high in acidity. A very aromatic and flavourful Savoie that could easily confuse for Sauvignon Blanc and without transversing over to high tones territory. Good for patio imbibing and for spring vegetables of all shapes, sizes and subjected to various levels of sauté. Drink 2016-2019. Tasted April 2016
Here in 2014 the triumvirate expression that is St. Urban, of low alcohol, captured natural acidity and necessary sugar talks the Elevation talk. This is a vintage in which expectation is met without waver, whatsoever. It’s very young and not yet exciting. The aerified territory is in teasing, not succeeding mode and the tension floats without ties to anything grounded. This ’14 will have to wait. It should be letf to waft around in the Riesling winds of Bench time until a future arrives when secondary notes will begin to appear, like acacia, honey and maple nectar. At present the stoicism is a trifle frustrating. The willingness to wait will offer just reward. Drink 2018-2026. Tasted April 2016 @VinelandEstates@benchwineguy
Seems to be richer, deeper and increasingly unctuous in 2015 though its extreme youth could be the source. The sheer, utter mineral macho meaning is always felt, along with the purity of its fun. What is so special about this Santorini is not just the early life mineral with the soothsaying protraction to a future filled with thyme-infused honeyed fruit drizzled over stone. No, it’s more complex than that. It’s about the true-heartedness with which it represents consciousness. This essential Argyros always offers the pleasure to bathe in its saline, sunlit waters and drink of its energy. Never failing Assyrtiko. Drink 2016-2020. Tasted April 2016 @Santoriniwines@DrinkGreekWine@KolonakiGroup
Coming to #VINTAGES April 16th @vassefelix Filius #chardonnay 2014. Try and find more gem for $25 #idareyou #youcant #margaretriver #virginiawillcock
Vasse Felix Filius Chardonnay 2014, Margaret River, Western Australia, Australia (416511, $24.95, WineAlign)
It would be an impossible expectation for winemaker Virginia Willcock to do more for the Filius Chardonnay with equal or less in 2014. The 2013 is a cracker for a pittance. The 2014 holds the candle and bears the torch. A prodigal ‘son of’ fathers Premier and Heytsbury and up to the Margaret River task, Filius is the good. Fashioned in the freshest, reductive and ultra-modern way with a sous-vide savoury and animale gait. Crispy, crunchy green apple fruit is joined by a transparent, manifest barrel written in cursive and ladling out a healthy dose of duck soup. This is Australia’s great cool-climate value Chardonnay. The mineral finish is excavated agleam of gemstones. Case buy. Drink 2016-2021. Tasted March 2016 @vassefelix@MargaretRiverWi@WestAustralia@Wine_Australia@bwwines
Bouchard Père & Fils Montagny Premier Cru 2013, Burgundy, France (653683, $29.95, WineAlign)
Quite the round and reductive Chardonnay with exceptional ripe fruit and tamed acidity. Love the tannin and the rotation. This is highly pleasurable though not meant to linger for much of an extended stay. Enjoy it now with something that swam, flakes and is marked by a slight char. Drink 2016-2019. Tasted April 2016 #BouchardPereEtFils@WoodmanWS@BourgogneWines@bourgognespress
What’s in a varietal? Do Greek Roditis or Savatiano float your endemic boat? Are Italian Grecanico or Cerasuola your wayfaring, off the beaten path, go to grape variety strays? Could it be that French Arbois or Sylvaner are your geek out points of reference? If any or all of the above speak coquettish truths about you, then how do you extrapolate epiphanies from a credit-worthy, dyed-in-the-wool list borne out of the Napa Valley?
On a California journey the indenture is written as a very fixed notion, a contract between vintner and taster, specific to and bonded by preordained expectation. So far I have waxed on about Cabernet Sauvignon and ripeness. I have made not so infrequent mention of Sauvignon Blanc and I have dipped with fervent foray into the inner workings of Pinot Noir. On that same trip the holiest of sunshine daydream holies was presented to our sundry Canadian group. The light of west coast life. Napa Valley Chardonnay.
Six Napa representatives of the highest order, the vinetarius maximus of the valley if you will, gathered in a great big house out on the St. Helena Highway. They came to the 10,000 square foot, Luther Turton-designed Rutherford House at Beaulieu Vineyard to pour their Chardonnay wares. Our moderator was Ginevra Altomara AS, CSW, Trade Education Manager for Treasury Wine Estates. The six of the best tasting gathered together winemakers Jon Priest of Etude Wines, Mark Beringer of Beringer Wine Estates, Domenica Totty of Beaulieu Vineyard, Christophe Paubert of Stags’ Leap Winery, Matthew Glynn of Acacia Vineyard and Harry Hansen of Sterling Vineyards. There was no sighting of any alleged ghost that lives under the staircase.
The best of the six draws into question old versus new world theories and Napa Valley’s current position relative to Burgundy. Times have changed. Forget about the 1976 Judgment of Paris. Its relevance in 2016 is merely historical. California Chardonnay is more diverse than it has ever been. Progression, climate change, raw materialistic availability and market share all conspire to reside on its beautiful hillsides. So it must be asked, can Burgundy keep up with the fictionality of the Napa Valley reality? If Chardonnay in these parts is worthy of fetischistic yardsticks usually extended to measure anthologist wines, how can the European union keep up with the North American machine?
The epiphany drawn from such a tasting corroborates the intellection of suggestive antithetical theory that the further south you plant Chardonnay in Napa Valley, the more restrained and elegant it will have a chance to be. If Carneros was not already widely agreed upon as the sub-appellation to rival Sonoma for cool-climate Chardonnay distinction, these wines conjoin to push the point. The apodictical is in the tapioca.
View of the Mayacaymas Mountains from Rutherford House
Etude Heirloom Chardonnay 2013, Carneros, Napa Valley, California (Agent, Winery, $60 US, WineAlign)
Taken exclusively from the estate ranch, out of well draining, volcanic soils at 400 feet of elevation. Rocky, cobbly, clay loam soils that “takes you off of the floor of the valley.” Makes for compact grapes, condensed, of low yields. “Hens and chicken clusters” notes Jon Priest. A beautifully wood restrained Chardonnay, with orchard fruit aromas and a lacy, silky texture. Mineral tang as gossamer as any, with a fine, cool and clear circuitous Carneros night carnival of vivid luminosity. Old school winemaking you might say, introduced by some skin contact, set in all French oak (10-15 per cent new), ubiquitous yeast spontaneous, primary and then elongated malolactic fermentation. Protracted wine of length the same, for delicasse, with ode to 16 months sur lie making for the gossamer texture. Autolytic Chardonnay that is totally dry but with fruit sweetness. Of the bees and to light a candle to last in the temple. Only 300 cases made. Drink 2016-2023. Tasted February 2016 @etudewines#treasurywineestates
Beringer Luminous Chardonnay 2013, Oak Knoll District, Napa Valley, California (395699, $39.95, WineAlign)
This is the 3rd vintage of the Luminous, taken from one vineyard site on Big Ranch Road in the Oak Knoll District. Seductively reductive and and celestially volatile for Chardonnay, tender rich in mineral and rendered in citrus fruit. The accumulative tang gives its luminous aspect ratio, like glowing metal, infrared, incandescent. Compressed orange, of zest but not flesh really opens as the acidity prepares the palate for waves of scraped citrus. Done up all in French oak, 30 per cent new. A long fermentation ameliorates the aromatics and opens the door for subsequence by subtle toast. All that said, the tension is not so high, but the finish is long. Drink 2016-2020. Tasted February 2016 @beringervyds
Beaulieu Vineyard Ranch 8 Chardonnay 2014, Carneros, Napa Valley, California (Agent, Winery, $35 US, WineAlign)
A foot in two worlds young Chardonnay, at once easy with ripe fruit and honey butter spread on golden, caster crystallized toast. Fashioned in a very accessible and peripheral commercial style, more block than greater vineyard driven. The well-drained, hilly site is off of Deadly Lane, at a southerly aspect, on the beach, against a sand bar. Eight is from an earlier pick then the rest of the ranch, for a Chardonnay of natural acidity, sweetly viscous and rich. Crafted to be a high malolactic influenced, 55 per cent new, 11 months in French oak of medium toast structured, in avoidance of caramel and butterscotch Chardonnay. Within and without of 25 per cent natural fermentation and 95 per cent malolactic, made with a yeast cocktail. Driven to be a softer, textural wine, which it is. Soothing Carneros Chardonnay for when “I follow the road, though I don’t know where it ends.” Drink 2016-2021. Tasted February 2016 @BVwines
Stags’ Leap Winery Chardonnay Barrel Selection 2013, Carneros, Napa Valley, California (Agent, Winery, $45 US, WineAlign)
A big barrel effect is wholly, utterly and diametrically mitigated with exceptional fruit quality and a minerality as stoked and striking as any. This represents the multi-faceted displays of all in Chardonnay replete with a linear streak of raging acidity. Bathed in 50 per cent new oak and considering the implosive integration that is nothing short of remarkable. The fruit comes by way of 65 per cent northerly Stanly Ranch vineyard, the rest from Poseidon in the south of Carneros. Settling was encouraged before going to (a shortish stay) barrel, for protection, then bottled in May. Only available through the winery, this barrel selection Chardonnay should easily linger into its 10th birthday. Only 500 cases made. Drink 2016-2024. Tasted February 2016 @stagsleapwines
Civilization found in Napa Valley @CalifWines_CA #treasurywineestates #etude #beringer #stagsleap #acacia #beaulieuvineyard #sterlingvineyards
Acacia Chardonnay Sangiocomo Vineyards 2012, Carneros, Napa Valley, California (Agent, Winery, $55 US, WineAlign)
The most sunshine and buttery goodness. Full on expression with new oak at the forefront. A style that has stuck and wont go away. Grown in the “California sprawl,” from 30 year-old vines with just two wires, floppy vines with fruit tucked inside a canopy plus exposed fruit, caramelized and glazed. The disposition is nothing less than blessed, with charismatic personality and weight. Native yeast leads the faux-secondary fermentation, acts and acquiesces to quite toasty and really lingers. Definitely makes a statement, albeit a natural, 14.9 per cent alcohol one. A six or seven chord wine, atmospheric and orchestrated, with thankful necessary acidity to render it more than likeable, sellable and consumable. Needs two years to reign in the wood. Drink 2018-2022. Tasted February 2016 #acaciavineyard
Sterling Vineyards Chardonnay Reserve 2012, Napa Valley, California (Agent, Winery, $60 US, WineAlign)
Commensurate restraint emerges and out of a vintage that gave generously. Fruit comes first though barrel has more than a few paragraphs to dictate for a very ripe wine on the edge of ripeness. Rutherford provides 58 per cent of the fruit (in a vineyard located across the street from BV house). The balance (42) comes from Oak Knoll District, a warm, warmer and warmest place. The addition is both hefty and prodigious, with brown butter glazed on route. The barrels are 100 per cent French, 60 per cent of them new and malolactic is gifted to 100 per cent. It all surmises up, up and away to the creamiest of expressions, flavoured in baked apple, vanilla and crème caramel. Drink 2016-2020. Tasted February 2016 @sterlingwines
Olá, a partir de Vinho Verde. At the moment I am whirling about in a scalene triangle of grapes up here in the cool, rainy, verdant north west region of Portugal. Alvarinho, Trajadura and Loureiro are on my mind, not to mention what red revelations lurk in Vinhao. I will return before you can shoot “look, there’s the Super New Moon.” No waxing prosaic preamble today folks while I scour the hills and cellars of Vinho Verde for the next great white epiphany. Next weekend’s April 2nd VINTAGES release is full of spills and chills, along with some fine values for spring sun and for 10 degree rainy days.
I will return next week with a report on what’s available for Passover taken from the March 19th release. For now here are seven sub-$20 values for April 2nd.
Château Haut Philippon 2014, Ac Entre Deux Mers, Bordeaux, France (445171, $14.95, WineAlign)
More and more the wines of Entre-Deux-Mers creep into the positive vibrations of Sauvignon Blanc pleasure. This highly expressive beauty makes great work of the ideal with 20 per cent Semillon and 10 Muscadelle lending balancing left and right hands. The herbiage is a cool savour and on the ripe mineral edge of flinty. The value quotient runs high between the seas. Drink 2016-2019. Tasted March 2016 @FWMCan
Dr. Hermann From The Slate Riesling 2013, Qualitätswein, Mosel, Germany (446617, $17.95, WineAlign)
Lovely mineral weight compresses the sugars in this mildly flinty and even more so, slight and lithe by citrus Riesling. Doctor, my eyes now see the light into this Qualitätswein from the house that Hermann built. “Cause I have wandered through this world and as each moment has unfurled,” because of acidity, in which there mingles tropical and beneficial bitters. The action makes for a great little drop from soils fractured with slate. Exemplary Mosel, especially at the gifted price. Drink 2016-2020. Tasted March 2016 @germanwineca@WinesofGermany
Fabre Montmayou Reserva Malbec 2012, Mendoza, Argentina (261867, $18.95, WineAlign)
Made up in the direct, in your face, ripe and firm Mendoza style, from full on sunshine-fleshy Malbec with a decidedly ferric undertone. This has attitude and gumption. It needs a few years to settle into its leathery hide. Always one of the better value propositions although spiked in price for 2013 to where it should rightfully be. Drink 2018-2022. Tasted March 2016 @FabreMontmayou@ArgentinaWineCA@winesofarg
Exemplary Barbera, firm and with tart red fruit, spikes of spice and nicely drying tannin. The sour lactic flavours are full of bright red berries and an edge of astringency while the length is more than merely exceptional. Bricco to win. Drink 2016-2019. Tasted March 2016 @LiffordON
Marques De Gelida Exlusive Brut Gran Reserva Cava 2010, Do Penedès, Spain (441956, $19.95, WineAlign)
The aromas are painted at dusk, misty, musty and compressed. The palate shows much more vitality and even a shot of exuberance. By the time the two ends of the sparkling spectrum come to an accord the baking spices of ginger, cardamom and turmeric have taken charge. Painted bottles and an oxidative Cava. Packaged to sell. “Painted ladies and a bottle of wine mama…They took my money like I knew they would.” Drink 2016-2019. Tasted March 2016
Deu La Deu Alvarinho 2014, Monção E Melgaço, Doc Vinho Verde, Portugal (40642, $19.95, WineAlign)
Rich and unctuous Vinho Verde, full in with lemon and custard, like a Pasteis de Nata swimming in a pool of Moscatel liqueur. High in tang and even more so with spirit. Nothing really lithe about it though it expresses Vinho Verde life with clear and concise language. A far cry from the commercial Vinho Verde found on most LCBO shelves. Drink 2016-2019. Tasted March 2016 @terroirimports
Ravenswood Old Vine Zinfandel 2014, Lodi, California (942599, $19.95, WineAlign)
The old vines advantage is exercised with altruistic gifting in Joel Peterson’s 2014 through a stealth advent in savoury, smoky red fruit, a smouldering olive branch and off the Zinfandel chart, blooming roses. This has a fine streak running through, not mean, but assuredly firm, mildly tannic and very, very mineral. It reminds at times of schist Syrah and alluvial flats Grenache. There’s something about Zinfandel old vines that educes such a pipe dream. The metal backbone is neither copper nor rust but something umami ore other. Terrific complexity from OV Lodi. Let it rest a bit just to be sure you can handle its orthodoxy. Drink 2017-2021. Tasted March 2016 @CBrandsCareers
I spent more than 20 years cooking. It was hard work and it was fulfilling work. When I was 19 a fellow McGill student asked my why I cooked so much. I said that when I was cooking I never thought I should be doing something else. I never felt guilty that I wasn’t studying or considered that I might be wasting time. I started writing about wine in 2005 and really had no plans to make a career out of it. I would have been content occupying my time working as hard as any wine professional, writing tasting notes and developing prose for eight or nine hours a day. I began the wine writing partly to avoid working on harder things but also for the pleasure of it.
Here I am 11 years later, working as a professional in wine. I feel like Dick van Patten, sitting at my desk in a house where kids come and go, typing away, solving life’s problems one wine at a time. Tom Bradford did not have VINTAGES bi-weekly releases to keep him busy but lucky me, I get to review 150-plus wines every month from the endless cycle of offerings.
For April 2nd and in the category of “expensive but affordable because they’re good” I think that eight is enough. Here are my notes.
Possibly an ode to the 17th century fairytale “Lo cunto de li cunti,” the tale of tales, or story of stories, now called Pentamerone by seventeenth-century Italian poet and courtier Giambattista Basile. Maximum ripeness, almost into dried fruit but on the naturally cured and curated edge. Pallagrello Nero finds its way into ethereal while living dangerously close to that razor’s edge. Dry tannic finish, firm and ragged. If that collection of tales could influence the form of fairytales in Europe, perhaps the Alois Palagrello Nero can do the same for natural wine. Drink 2016-2021. Tasted March 2016 @vinialois@Reg_Campania
Maison Chanzy En Rosey Rully 2013, Ac Burgundy, France (446153, $26.95, WineAlign)
Rusty and firm Pinot Noir from Rully with enough bright fruit and acidity to keep it from hiding in caves and stepping into shadows. Even brighter on the palate with Côte Chalonnaise’s own specific tangy red fruit flavour and really ripe tannins. Terrific Rully, better known for its Chardonnay but this is a stellar example of its Pinot Noir. A poor person’s Burgundy bargoon. Drink 2017-2022. Tasted March 2016 @le_tastevin@maisonchanzy@BourgogneWines
Ruffino Modus 2012, Igt Toscana, Italy (912956, $29.95, WineAlign)
A VINTAGES re-release for the ostensible Tuscan, a perennially accessible Super food with as much mineral feel and ferric substance as it has ever shown. Not so much a showy vintage as it is a production made for best in show. Red stone fruit bounds fleshy and just a touch of properly bitter accents are provided by wood, much appreciated by the weight and pitch. A tight but lyrically measured Modus of restraint and moderation that would do well with a major decant and some char on an aged hunk of flesh on the bone. Walk before you run to find this ode. Drink 2017-2021. Tasted March 2016 @RuffinoWines@CBrandsCareers
Chianti Classico Riserva rarely smells like this these days. It’s not as though this harkens back twenty years but it certainly recalls a time from the turn of the century when Sangiovese was Sangiovese and Tuscans were Tuscans. The musk, sour cherry, leather, pannetone, meat and gladiator brawn from honest fruit sent to spend time in big casks sitting like giant buddhas underground. Here CCR does what it once did best, preserving and freezing time, only to emerge unscathed, healed and ready to tell a life-time of stories. Drink 2016-2023. Tasted March 2016 @ProfileWineGrp@chianticlassico
Sylvain Mosnier Côte De Lechet Chablis 1er Cru 2013, Ac Burgundy, France (318139, $35.95, WineAlign)
Classic Chablis from a very old vineyard (belonged to the Pontigny’s monk) with southeast exposure west of the town of Chablis and just above the small village of Milly. Mosnier’s parcel gifts delicate fruit, just so fortuitous in quantity and quality of lees overtures on stony lime-driven texture. Chardonnay in hands of terroir so flinty, lacy, organza fine. What more could be asked of for this next to nothing 1er Cru Chablis price? Drink 2017-2024. Tasted March 2016 @BIVBChablis
Burrowing Owl Syrah 2013, BC VQA Okanagan Valley, British Columbia (73072, $40.95, WineAlign)
More Northern Rhone depth drives a beefy steak through the desert heart of Burrowing Owl’s 2013 Syrah, a wine of smelting liqueur and fierce ooze. The layers are so compressed, like tumbled earth and rock at the bottom of a steep slope. The flavours are covered in a rich ganache for the time being but a gravelly unearthing is already starting to begin excavations. This is a big Syrah with plenty of time on its side. “Let it ride. Let it ride easy down the road. Let it take away all of the darkness.” Drink 2018-2024. Tasted March 2016 @BurrowingOwlBC@LeSommelierWine@winebcdotcom
Jean Luc Colombo Terres Brûlées Cornas Syrah 2012, Ac Rhone, France (448837, $72.95, WineAlign)
The darkest knight for Colombo full of every crush imaginable. Hematic and welling up with tension. Rich behind the pale and with acidity that scales it back, not elevates it out of reach. Wild berries and some vineyard funk. Quite the mouthful and spicy kick on the back. Wow Cornas, sumptuous Syrah. Drink 2018-2025. Tasted March 2016 @vinscolombo@bwwines@RhoneWine@VINSRHONE
Groth Cabernet Sauvignon 2012, Oakville, Napa Valley, California (606517, $112.95, WineAlign)
Exactement. Exacting 2012 to explain the weather in Napa Valley from a vintage all were thankful for. High brix. Optimum ripeness. Rich and spicy. How does this Groth fall in line with the question to age? Ten years for sure. What about 25? Though it remains to be seen, today’s ripeness quotient in cool, dry, elongated years is not consistent with 1982, 1992 or 2002. This Groth ’12 finds itself poised in balance and answers no skewed questions of structure. It is more accessible than many peers and also as compared to itself, right now, or with the equivalent of a one year decant. Drink 2017-2024. Tasted March 2016 @GrothWines@TheVine_RobGroh@NapaVintners
If reporting on the VINTAGES wine release wheel were considered as a species of religious writing, say like Marilynne Robinson in her Emersonian Gilead, then the bi-weekly offer would be like the morning, a splendid dawn passing over each of our houses every two weeks on its path to Ontario wine stores. We the consumer roll out of sleep and into the constant, grandly announced VINTAGES light and we just turn over in it.
So every VINTAGES release is in fact the selfsame release, materializing every two weeks and within which everything turns to light. Or like Keats, “therefore, on every (wine), are we wreathing.” The $15 Chenin Blanc, the $24 Méthode Cap Classique and the $58 Pinot Noir, all from South Africa. The $18 and $27 Syrahs, from Chile and France. The $29 Kiwi Sauvignon Blanc and the $32 Sonoma Pinot Noir. The $40 Spanish Tempranillo, the $47 Châteauneuf Du Pape and the $57 Haut Médoc. There are many others that might be invited up to the sanctuary in one of the most unconventional conventionally popular wine programs of the 21st Century. Limits must be imposed for reasons 0f space and clarity and so these are the 10 wines on the March 19th altar.
Vinum Africa Chenin Blanc 2013, Wo Stellenbosch, South Africa (739995, $15.95, WineAlign)
Flinty, reductive, lemon scented and weighty Chenin Blanc with just the right amount of strength. A Winery of Good Hope product of master blending by winemaker Jacques de Klerk. Always great value. Drink 2016-2019. Tasted March 2016 @WineryGoodHope@Noble_Estates @WOSACanada@WOSA_ZA
Fathoms of red fruit, tones to match and the unwavering smoky beat of slow meat roasts and smoulders beneath herbal branches. Black olives, their brine and aromatic bark are thrown into the pit. Pitchy tannin and then finally, after the smoke clears, that fruit, unquestioned in its ripeness. A well-crafted and priced Colchagua Syrah that finishes with heaps of tar and tannin. Drink 2016-2020. Tasted March 2016 @WinesofChile@DrinkChile@KirkwoodDiamond
Graham Beck Premier Cuvée Brut Blanc De Blancs 2010, Robertson, South Africa (907568, $23.95, WineAlign)
Robertson Chardonnay with a purpose, a Champenoise intent and success by way of controlled and slow-evolving micro-oxidation. The autolytic effect is one of slow release, the oxidative lean just a tease at present. There is near-ethereal weight (or lack thereof) on the palate and the citrus injects drive and meaning into airy mousse. Some bitters, pith and stone fruit pit add complexity. Drink 2016-2022. Tasted March 2016 @GrahamBeckWines@Vinexxperts@WOSACanada@WOSA_ZA
Château De L’ou Infiniment Syrah 2012, Igp Côtes Catalanes, Roussillon, Midi, France (440610, $26.95, WineAlign)
Massive, brooding, full on chocolate Syrah with enough structure to house an addition with no further need for supports. The cantilever of fruit, wood and grain is synched to impossibly obscene. Can a wine be so bloody versed in the ways of modern Syrah architecture and still achieve balance? With tannin and length to match the effective conclusion here would seem to say yes. That’s the objectivity of assessment. Will it please? You get to answer that. Maybe wait a year to find out. Drink 2017-2022. Tasted March 2016 @ChateaudeLou@Vins_Roussillon
Clos Henri Sauvignon Blanc 2013, Marlborough, New Zealand (675629, $28.95, WineAlign)
Full on flavour wildly maxed out, all in Sauvignon Blanc, with bright acidity, ripe fruit and a mineral quality. Beautiful from start to finish. carrying itself with class and focused, positive direction. Grapefruit is juicy, lemons are preserved and lime is sweet. Very nice. Should age into honeyed territory. For now serve this darjeeling limited SB as a refresher to passengers settling in their cars. Drink 2016-2021. Tasted March 2016 @ClosHenri@ChartonHobbs@nzwine
La Crema Pinot Noir 2013, Sonoma Coast, California (732040, $31.95, WineAlign)
The brightest red cherries infiltrate the notes in every aspect of this Sonoman crafted from vines in Sonoma Coast, Russian River Valley, Los Carneros and Green Valley. Then exhilaration of a great Pinot Noir vintage comes across with mid-palate spice and late structure bite. You can’t deny the quality of 2013 fruit nor can you argue what the winemaker has left for it to pursue. Really good length lines the immediate to near future time frame. Drink 2016-2019. Tasted (from both 375 mL and 750 mL) March 2016 @LaCremaWines@sonomavintners@bwwines@thesirengroup
Muga Selección Especial Reserva 2010, Rioja, Spain (712067, $39.95, WineAlign)
A rich, concentrated and effectively tangy Tempranillo, full of cedar, leather and baking spice. The Muga Seleccion Especial straddles the north/south, old school/new class line better than any with one foot mired and the other wired to new social convention. The flavours are flirtatious and yet markedly sunken into the sands of Riojan time. Many grains gather, sift and re-collect to speak of history and filter progress. This drink now Tempranillo will give five years more of elementary pleasure. Drink 2016-2021. Tasted March 2016 @bodegasmuga@RiojaWine_ES@Vinexxperts
Château Mont Redon Châteauneuf Du Pape 2011, Ac Rhône, France (959627, $46.95, WineAlign)
Ripe and warm though structure from the outset is a thing in 2011. Mount Redon celebrates firm fruit, tannin and acidity no matter the level of phenolics so in 2011 the all in mentality will carry the torch and send this deep into the next decade. The level of concentration and intention is less than massive but there is decadence to be sure. This is a balanced Chateauneuf with temperament and understanding resting comfortably on its side. Drink 2019-2029. Tasted March 2016 @MontRedonWines@VINSRHONE@RhoneWine@FWMCan
Château Coufran 2005, Ac Haut Médoc, Bordeaux, France (446666, $56.95, WineAlign)
Bang on righteous, well made and properly preserved Haut-Medoc that while not inexpensive is a must buy for those who can afford and want to drink older Bordeaux. There is some earthy complexity and cheveux de cheval but there is plenty of brightness and unshaken personality. Does not swagger but rather dances. A show piece for the dinner table without having to raid someone else’s cellar. Drink 2016-2020. Tasted March 2016 @imbibersreport@BordeauxWines
Hamilton Russell Pinot Noir 2013, Wo Hemel En Aarde Valley, Walker Bay, South Africa (999516, $57.95, WineAlign)
It’s a funny direction to go, having tasted the 2014 HR back in September, six months ahead of this 2013, but one whiff and I get the feeling the order was pre-ordained for a reason and a purpose. This 2013 needed the extra time. It must have been a demanding drop in its early youth, as it still is, but the fine-grained fruit and even finer tannin can now speak its Hemel-en-Aarde vernacular mind. Only that valley brings this type of sweetness, not sweet, but sweetness. The red fruit, painted ochre and then mineral, juxtaposed, intertwined and bled from the earth. Though the days of $40 and $45 are gone, the price is justified for such Grand Cru South Africa. Drink 2016-2020. Tasted March 2016 @OliveHR@TrialtoON @WOSACanada@WOSA_ZA@hermanuswine
“Sun come up it was blue and gold.” #cuvee2016 #pictureinaframe #niagarafalls
The Ontario wine industry has powered through many big weeks during the tenure of its young but wise, short howbeit concentrated history. None seemed larger than the first week of March, beginning with Taste Ontario at the Royal Ontario Museum and ending with the 28th edition of Cuvée at the Scotiabank Convention Centre in Niagara Falls.
And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre
In between and as a preamble to Ontario’s annual gala celebration there was the presentation of the Tony Aspler Cuvée Award of Excellence, presented by Mr. Aspler to viticulturist Lloyd Schmidt, for advancing viticulture in Ontario by accessing the best vinifera varietals from nurseries around the world and fighting bureaucracy to do it.
Tony Aspler Cuvée Award of Excellence winner for 2016 viticulturist Lloyd Schmidt and Tony Aslper (c) Brock University
Father and son grape growers Howard and Wes Lowrey from St. David’s were honoured with the Cuvée Vineyard of Excellence Award sponsored by BASF Canada Inc. The 2016 category was best red vinifera and the Lowrey’s were recognized for their Cabernet Sauvignon vineyard. The winner is chosen by an expert panel that makes field visits throughout the growing season to monitor quality.
Cuvée Vineyard of Excellence Award winners Wes and Howard Lowery are flanked by grower Matthias Oppenlaender and Julia Harnal, BASF Canada Inc. (c) Brock University
The VQA Promoter’s Awards are designed to recognize exceptional contributors to Ontario’s wine industry. The honours were endowed as follows. For Education, Peter Blakeman of The Canadian Food and Wine Institute at Niagara College. The Promoter-at-Large, Norm Hardie of Norman Hardie Wines. In the LCBO category, Nina Hofer, Product Consultant. In Hospitality, Peter Elmhirst of Elmhirst Resort. For Lifetime Achievement, Peter Gamble, formerly of Hillebrand, VQA, Stratus and Ravine, now consulting winemaker at Benjamin Bridge, Lightfoot & Wolfville and Versado Wines.
Proceeds from the Cuvée Grand Tasting go to support the Cuvée Legacy Fund established after the 2015 event. The fund has already awarded $15,000 in academic scholarships and contributed $13,000 toward industry-driven research projects. At the awards ceremony, the 2015 scholarships were also handed out.
Cuvée 2016 was orchestrated by Brock University’s Cool Climate Oenology and Viticulture Institute who will also play host to the Expert’s Tasting of Ontario wines in April. At this year’s reception 52 VQA wineries each poured one carefully selected wine for the Grand Tasting and were joined by 13 culinary partners. Earlier that week, Taste Ontario was hosted by VQA Wines of Ontario and Wine Country Ontario. Upwards of thirty producers contributed more than 125 wines to the media and trade event.
Taste Ontario reds
The food establishments on hand were granted the space and signage to show off and showcase their talents. Having their names projected onto the walls around the perimeter of the room made it very easy to locate who was placed where. The wineries received no such similar sort of spotlight signage so happenstance played a significant role on what got tasted. Still it was nice to see a Toronto neighbourhood friendly face in Ossington joint Actinolite Restaurant with chef Justin Cournoyer acting out his special brand of an Ontario forest passion play.
Forest flavours of Actinolite
The pork belly ‘Lollipops’ from Vintage Inn – Escabeche by Chef Chris Smythe, Korean fried chicken by Garrison House Chef David Watt and Duck Mu-shu from Golden Lotus Restaurant’s Chef Sing How were exceptional. Also on hand was omnipresent Niagara events food contributor Artisan Ontario presented by Chef Mark Hand and Mario Pingue. I somehow missed out on Backhouse Chef Ryan Crawford’s burrata and braised beef short rib ravioli tasting plates. No chef had a longer line-up all night long.
Pork belly ‘Lollipops’ from Vintage Inn – Escabeche Chef Chris Smythe
Insofar as an assessment of Ontario wines is concerned, from a varietal point of view, Riesling and Chardonnay have not relinquished any stronghold on their domination, nor should they any time soon. I can’t help but feel and notice that winemakers continue to reach for the big red machine and wish upon an intangible Bordeaux star when they should be concentrating on fresh, gulpable Cabernet Franc and Gamay. They should also take some chances with these necessary, best Ontario option red varieties. Press less, reveal freshness and let natural ferments find low-alcohol impressions of impossible, ethereal beauty.
Pingue Prosciutto
At Cuvée there was no shortage of Riesling, Chardonnay, Pinot Noir and big red blends. Where was the Cabernet Franc? Kudos to Brian Schmidt of Vineland Estates for his varietal choice, albeit in a perfect little tidy $15 package. It was the only one. That is a travesty. Kacaba’s 2013 Cabernet Franc was a Platinum Award winner at the 2015 WineAlign Awards of Canada. They can’t be blasted for pouring their 2012 Syrah and you can only pick on but others should have seized the opportunity. J-L Groux of Stratus Vineyards offered up his 2013 Gamay from magnum. Brilliant! Where was the rest of Ontario’s Go Gamay Go arsenal? Varietal lampoonery I tell ya.
Perhaps I can be accused of filtering my view of the evening through the oculus of an infundibuliforms installation. Just maybe I’m a wee bit harsh in my assessment of choices made but there were several wines poured at Cuvée that we’ve seen many times before. While the inevitable will influence choices because of inventories and the bottom line, the event is not about finding buyers. The purpose and long-term vision should focus on teaching, on educating and ultimately on celebrating what Ontario does best. Not just what, but where. Choosing what to pour must come out of a disseminated varietal necessity so that sub-appellations can be further defined and understood.
My top ten wines tasted at the two bookending events were these.
Cattail Creek Small Lot Series Old Vines Riesling 2014
Cattail Creek Small Lot Series Old Vines Riesling 2014, VQA Niagara On The Lake, Ontario (Winery, $21.95, WineAlign)
A Cattail Creek joint starring Roselyn Dyck and consulting winemaker Steve Byfield, from a block of Clone 21 (Weiss) Riesling planted in 1976, one of the oldest in Ontario. This OV loitered in subdued maturation because of a brutal winter, a cold spring and a cool summer. A beautiful fall abrogated what came before and brightened the possibilities. Dyck and Byfield took full advantage, channeled their inner Mosel science of the mind, dialled back the sugar and submitted to the vintage’s desires. The result is a scintillant of Riesling with texture and acidity getting together to”grab a piece of something that you think is gonna last,” reelin’ in the year and shining like new. Steely Riesling at its Niagara flats finest, short of bracing and far from cloying. Though a long ways from the Bench, put this ’14 in the vineyard cru discussion with Picone, St. Urbain, Carly’s Block, Triangle, Steelpost and CSV. Drink 2016-2020. Tasted March 2016 @CattailWinery@TerroirLover
If the 2013 from Fielding Estate helped decipher the code of the how, where and why of Peninsula Viognier, this follow up 2014 speaks at the symposium. Sourced from the Four Mile Creek sub-appellation, a locale fast becoming the consensus ground zero for the option, this single-vineyard is farmed by grower Rick Smith. Low-cropped and hand-picked, this is the cleanest Viognier in town.The spice kick starts au fait late, sneaks up the backside and boom. Gotcha! Winemaker Richie Roberts has a vested investigated interest in this white variety amongst Niagara choices deeply pondered and painstakingly explained. Some off-roading chances taken going forward will elevate this wine into territory occupied by the excellent and the outstanding. Drink 2016-2020. Tasted March 2016 @FieldingWinery@RichieWine
Henry Of Pelham Speck Family Reserve Chardonnay 2014, VQA Short Hills Bench, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)
Vintage in and out this is the manifestation of an unequivocal Niagara icon for Chardonnay. An unwavering, stylistically consistent, best fruit first cuvée from Pelham’s oldest (1988) estate vineyards in the Short Hills Bench. Quite reductive and dramatic Chardonnay in 2014 with multi-macerated flavours. Needs some time for the barrel and the malo to get together with tangy, soil-driven fruit. A bit clunky at the present time. Should be fascinating to watch it develop, oscillate, flip-flop and ultimately settle into something fine over five years time. Drink 2016-2021. Tasted February 2016 @HenryofPelham@SpeckBros
Call this an experiment if you will and while winemaker Regan Kapach was blessed with a perfect ferment (and one that would not, could not be repeated in 2014 and 2015), don’t believe for a moment that divine skill was not integral to making this wine happen. Like an early 1990’s MTV production of Neil Young, David Bowie and Nirvana all wrapped up into one unplugged special, here is what happens when unfined, unfiltered and unsulphured jam as one. One major “un” omission, or inclusion in this case is French oak, the catalyst and the glue to keeping this freak of Chardonnay nature together. True, this is the one grape that can handle such a hands off winemaking process, but in Ontario? Not so simple. From the Little Vineyard up on The Bench, the Tenacity is not so much. It’s dreamy, creamy, lightly toasty and full of gelato texture and flavour. It glides and slides, lifts and cleanses. It’s a beautiful impossibility. Drink 2016-2019. Tasted March 2016 @16milecellar
Rosehall Run Ceremony Blanc De Blanc Brut, Prince Edward County, Ontario (Winery, $34.95, WineAlign)
A little ceremonial joy in the division here with Dan Sullivan taking some fizz chances to create a new PEC sparkling order. A multiple vintage cuvée from estate grown fruit of weight, substance, tang, drive, a shot put of citrus, servitude to PEC Chardonnay, certitude to B de B style and structure. Just enough pierce to go through and come out clean, even in the face of oxidative time, on the other side. Dips into the well of Champagne to recover its fearless tactility. These are bubbles that “travel first and lean towards this time.” Timing is everything. Drink 2016-2021. Tasted February 2016 @Rosehall_Run@sullywine
Oh, the accessibility of Quarry Road in 2012. Still totes the emerald shine, the gemstone tannic scrape and yet the flesh is rendered rich, ripe, ratcheted and riled up. This has tonality like never before, layered and strudel buttery. At this point the vines for Quarry are 17 years of age, sophic and erudite, compounded by the organic, biodynamic and prudent pruning practices that have cemented its vigour. The clay-limestone, fresh-mineral, push-pull is a veritable careening of expression. Though its longevity may not pile towards a compressed future like that of ’09 or ’11, the earlier and often response will act both as Chardonnay charming and Quarry Road magnetizing. For the next five years it will be very hard to turn away. Drink 2017-2020. Tasted April 2015 @Tawse_Winery@DanielatTawse
Cave Spring CSV Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (237198, $39.95, WineAlign)
As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario. Tasted February 2016 @CaveSpring@TheVine_RobGroh
Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024. Tasted March 2016 @CreeksideWine@hobbsandco@AMH_hobbsandco
Oh yes the vineyard speaks, like previous vintages but with clenched teeth and a hyperbole of natural yeast and soil funk. The most charcuterie salts and dehydrates from the middle sibling in 2013, with wisdom and a tale of future memories created in the here and now. Then you will return, to this time that will be its past, when things were so different and the assessment a figment of later imagination. At least three years (and possibly five) will pass before things are set straight for this past to be revealed. The level of smarts and savvy riches are amplified in the Réserve 2013. It is the strongest reminder that reconciliation takes time. Drink 2016-2022. Tasted June 2015 @QueylusVin
Beautifully floral Lowrey from Thomas Bachelder, squeezed with restraint and pressed for pitch perfect Niagara Pinot fashion. Lowrey at its elegant best, ripe red though on the edge of anxious, eyes rolling and persuasions lolling though just shy of any sentimentality. Another layer of lovely infiltrates a taster’s psyche, grabbing hold of the heartstrings and then relents, lets go, stays on the righteous path of peurility. The ’13 Lowrey Vineyard gifts such texture and tannins that flirt with danger. It is a wine of life-affirming footnotes. I ask of it, “oh ye teasing beautiful Pinot Noir. When can I drink of thee?” Soon, but not yet. There is no greed from this vineyard and in these hands. As always, Thomas does the right thing. Drink 2017-2022. Tasted March 2016 @Bachelder_wines@LiffordON
They diverge and divulge so much @FattoriaBarbi @Noble_Estates @mrkcstr Raffaela Guidi Federzoni #brunellodimontalcino #2004 #vignadelfiore #riserva
As we head into the March break, here is a little something to think about in advance of next weekend’s VINTAGES March 19th Italian themed release. The offer is substantial and it comes on the heels of last week’s brilliant display of Sangiovese Grosso at the Art Gallery of Ontario for the recent coming of Benvenuto Brunello 2016.
Two of my favourite actors (Lee Marvin and Jeff Bridges) played pivotal roles in John Frankenheimer’s adaptation of Eugene O’Neill’s famous play. The Iceman Cometh is set in 1912 America with hard characters who live a pipe dream in their collective search for political and religious salvation. In one way or another they seek the sentimental reminiscences of their glory days and form a covenant to return to them tomorrow. The Iceman represents a sort of messiah meets grim reaper, killing the fantasy of the “tomorrow movement,” offering not salvation, but death.
So what does this have anything to do with Italian wine? Pretty much absolutely nothing, except for the plain and simple analysis about the Italians on offer for March 19. I recommend some beauties so don’t think that the death or the apocalypse of Italian wine is upon us. In fact, the greater category is booming, selling more product in Ontario and Canada as a whole then it ever has. Last month’s Vancouver International Wine Festival laid testament to the fact.
No, it’s just that so many of the reds and whites in the themed release walk a straight, boring and predictable path right down the middle of the road. Italy’s vast pool of talent would love to send us the best of the best, at $15, $50 and $150, if only the monopoly would receive. And so my friends, today I choose to consider the LCBO as the Iceman, all in good fun, of course. Who takes me seriously anyway? Certainly not me, fool as I am.
Here we have six stars from the VINTAGES release and six ethereal Brunelli still ringing in my ears and singing in my mouth. Sangiovese with the uncanny and impossible ability to linger for four days. There were many more worth mentioning because when you are holed up in a room full of Brunello, life is perfectly grand.
Where for art thou Brunello?
La Fiorita Brunello di Montalcino
La Fiorita Brunello Di Montalcino 2009, Tuscany, Italy (Agent, $65.00, WineAlign)
La Fiorita’s 2009 normale is a special bottle of Brunello from a best of all worlds vintage. It exhibits the charms and shares the gifts of a posit tug between firmness and elegance. At this seven-year stage it evidences the first signs of secondary character, with spices dissolved in mulled liqueur and a new fathom of depth perceived. The measure of intensity is not one of dank, darkness or even pitch but rather profundity. The translation reads as both Sangiovese chapter and verse. Excellent 2009 example just beginning to drink as it should. Drink 2016-2023. Tasted March 2016 @vadoapiedi
Col D’orcia Poggio Al Vento Brunello Di Montalcino Riserva 2008, Tuscany, Italy (0965525,$129.00, WineAlign)
Only 8,000 bottles were made of Col D’Orcia’s always formidable and classically structured Brunello. Elegance offers a glimpse of hopeful emergence even while its firmness is still fully intact. The added determination and epic struggles of the vintage translate to a singular Sangiovese type of funk from a vineyard, like so many other south-facing Montalcino slopes, of what may just be the greatest physical involuntariness in the world. The fruit and texture are delicate, of a veritable Tuscan gastronomy, pure vernacular and of a leathery lightness of brogan being. The youth in this Brunello is palpable, nearly awkward but certainly not backward. It is progressing as it should, lentamente, lentamente. Three more years minimum is needed to coax it out of its coriaceous hide. Drink 2019-2028. Tasted March 2016
Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent, $100.00, WineAlign)
The Riserva contains no single vineyard (Vigna del Fiore) fruit and is composed of a selection dictated by different vineyard qualities, not necessarily all on equal footing and all brought in to be vinified separately. As per the directive, an average of three years is spent in oak, followed by a transfer into stainless tank. The aim is a traditional, classic, typical, true masculine expression of Sangiovese Grosso. With the firm intent kept in mind, the 2004 is unstirring, closed, macho and fist clenched, even after all these years. An hour later it extends an outstretched finger or two of kept fruit and bred in the bone funk in your direction, but no more. This Riserva is gripped by a fine dust and even finer, senescent and patrician grains of tannin equal in quantity to the stars in the sky. If 2004 is not one of Barbi’s better to greater vintages for Riserva the constellations will have to be re-drawn. To me this represents a foregone conclusion to purchase, further cellar briefly and open when the skies are blue. Drink 2018-2029. Tasted March 2016 @FattoriaBarbi@Noble_Estates
Fattoria Dei Barbi Brunello Di Montalcino Vigna del Fiore 2004, Tuscany, Italy (Agent 93609, $100.00, WineAlign)
The Vigna del Fiore single-vineyard designate Sangiovese tells an engraved, emblematic and heraldic Montalcino story. First made in 1981, the infamous Barbi Grosso was originally crafted as a celebration for Francesca Colombini’s 50th birthday. Previous to that inaugural release the grapes from the most southeastern part of the property were used in the blend of the Brunello Riserva. Inferential importance exists within the context of familial connectivity in this Blue label Barbi. Ancestral lineage matters, as does the nurturing femininity of the undertaking. Spends its first, early developing year in older French barriques, followed by two years in traditional, regionally employed (700L) traditional Slavonian oak. If the 2004 (or subsequent vintages) are perceived as expressive of an international style, chalk that up to effete but so much vineyard and next stage, secondary through tertiary evolution agrees to confound. The ’04 lays in soft exude with the wise smell of its original, naturally curated state, of cherries, roses and earth. Today the texture floats in the optimum buoyant air above a contiguously circled round globe, begs for and speaks of aged Tuscan cheese, like Brillo Pecorino DiVino or Toscano Stagionato. The next few years will be the best. Drink 2016-2020. Tasted March 2016
La Mannella Brunello Di Montalcino 2010, Docg Tuscany, Italy (279083, $47.95, WineAlign)
Tasted alongside La Mannella’s 2010 Riserva this seems tame, elegant and baby-faced in comparison but it is no shrinking Sangiovese Grosso violet. No, sir. Assessed on its own it is in itself a wholly complex and beastly thing. The tonality is stratospheric, with a distant, amplified and magnified set of cherry to leather parameters. Very floral and blessed by holy drops of liquor. All that said, this 2010 Brunello of basic and modest means can be approached in the here and now provided a good decanting is strictly followed. Drink 2016-2022. Tasted March 2016 @LaMannella@Nicholaspearce_
Oh #brunello where art thou? You are here @PodereLeRipi listening to the vines @agotoronto #benvenutobrunello #brunellodimontalcino #50thanniversary #italiantradeagency
Podere Le Ripe Lupie Sirene Brunello Di Montalcino Riserva 2009, Tuscany, Italy
A classy and classic, traditionally-styled, pure and ripe Sangiovese. Cherries, leather, sweet liqueur and anise confer in perfume. What a revelation, with late spice and a chocolate-laced finish. Lovely and really fine. The right stuff and though on the sweet side, that should dissipate with five to eight years in bottle. Drink 2017-2024. Tasted March 2016 @PodereLeRIpi
Lovely dry, dusty, musty and prickling Sardignian, properly Grenache rustic and approaching a level of divine. Cannonau of chew, leather, carbon fruit sketch, arid and rehydrated in residual freshness endowment. Get behind all $18 of this honest weighted red and put your char on. Drink 2016-2020. Tasted March 2016 @AntichiPoderi
Terredora Di Paolo Loggia Della Serra Greco Di Tufo 2014, Docg Campania, Italy (983197, $19.95, WineAlign)
Herbal is the understatement, saline the connecting cable, texture the conduit for extreme unction. Cumulatively intellectual qualities that endow this Greco di Tufo with more sumptuousness than it had achieved in recent times. Aromatic wealth comes by way of citrus preserved, pressed and layered. The overall impression is warmth, stress without breakdown and excessive personality. Still somehow its strikes as endemic, ancient, weird and wonderful. Drink 2016-2019. Tasted March 2016 @Terredorawines@HalpernWine@Reg_Campania
Il Molino Di Grace Il Margone Chianti Classico Gran Selezione 2010, Tuscany, Italy (435115, $39.95, WineAlign)
In a VINTAGES feature of more MOR Italy then should be rolled out in one media tasting, at least here we have multiple semblance of personality. Not quite sure we’ll call to celebration $40 of dynamism but there are inherent deep invested Sangiovese characteristics nonetheless. Tight angles, rigid corners and a Brunello-Sangiovese-like liqueur. Grosso in as much as CCR can be, with some dedicated rusticity and tannins still in action. Dries out nicely on the finish. Put some away for a 2020 rainy day. Drink 2018-2024. Tasted March 2016 @Ilmolinodigrace@chianticlassico
Donatella Cinelli Colombini Brunello Di Montalcino
Donatella Cinelli Colombini Brunello Di Montalcino 2008, Brunello Di Montalcino, Tuscany, Italy (431718, $56.95, WineAlign)
A vintage perceived as tough, difficult, demanding and volatile is just now entering the zone of changing perceptions. It has taken all this time to realize its abilities. Longevity for one. Beauty behind the mask, the other. Concentration is not so much ripeness and richness but of deeper meaning than that. Nothing here sits on the surface. Peel away a layer of orange, spice bark and bulb husk to taste from the inner fruit. From the core. “There is fire, there is life, there is passion, fever and fury.” That is Brunello. The tannins persist with near nastiness but there is so much to look forward too. Wait two more years. Drink 2018-2028. Tasted March 2016 @news_donatella@ConsBrunello@LeSommelierWine
Giuseppe Quintarelli Rosso Ca’ Del Merlo 2007, Igt Veneto, Italy (722470, $99.95, WineAlign)
Rich Ca’ del Merlo from Quintarelli heeded with volatility and consumption. Veneto of war and peace, light, bracing, angular, seeping, steeping, macerated, tea leave studded and tannic for further thought. In this 2007 it is hard to not get caught up in the amalgamation’s bright sweep. Corvina, Corvinone, Rondinella, Cabernet Sauvignon, Nebbiolo, Croatina and Sangiovese, like reading Tolstoy, all together “alive, and very much so.” Will live for quite some time, but wait two years before embarking on the journey. Drink 2018-2030. Tasted March 2016 @RegioneVeneto@LiffordON
Takes the purity of 2011, furthers the integration and mimics the precision, then pumps up the volume. Takes a breath and then, with soluble efficiency it refines the intricately woven lines a few steps furtrher, if that is even possible. I will say that the tannins are a bit tougher in ’12, with a tight string wound depressively around the fruit’s long and elegant tendrils. Fruit is the determinate factor, pure, blossoming and fragrant. It adds up to a consensus of one thought, that this vintage is yet another legend in the making, a fine and linear Ornellaia that should travel 30 plus years, perhaps longer. What liqueur, such botanicals and endless valleys passing through fertile hills. Drink 2019-2045. Tasted November 2015 @Ornellaia@AuthenticWineON@AuthenticWine
Foggy morning walk through November Chardonnay @bellavistavino #franciacorta #lalbereta
In wine, assessment is a slow business because one stops so often to take note and to take notes. Wine demands the activity of putting down into the well a number of tangent travelled thoughts. If ever the creative well should run dry, simply venture across the pond to spend some time in a place like Franciacorta. Witness the water table rise.
L’Albereta Relais & Châteaux
November is a sublime time to visit the province of Brescia and the cellars of Franciacorta. The villages of Erbusco and Iseo decelerate with approaching dormancy and only the distant mountains are blanketed by the snows of winter. The recently completed vintage is safely tucked away, slumbering peacefully in ancient caves. Early morning fog begs to be habituated and when the sun shines Erbusco beckons with its hidden monuments, stashed away secrets and treasures buried around every corner. The Friday market at Iseo bustles and passively hustles. The Oglio River lies to the west, while Lago Iseo winds in the undertow of the snow-capped Dolomite Mountains on the jagged tablature horizon.
L’Albereta
On the grounds of L’Albereta a sculpture garden blends into the landscape and it can be imagined camouflaged, though always available for discovery hundreds of years from now, even if the architecture has been completely altered.
Prosciutto, burrata and @BellaVistaVino @franciacorta the most perfect welcome in @albereta #erbusco
Created to celebrate the third millennium, the Parco delle Sculture is a genuine open-air museum where thirteen contemporary art sculptures wind their way across 61,000 hectares of parkland, from L’Albereta to the nearby “Bellavista” and “Contadi Castaldi” wineries, in an intriguing dialogue with nature.
A section of the L’Albereta sculpture garden
VistaLago Bistrò, L’Albereta
Such a salad speaks volumes. So much more to come from the @chef_lucatelli arsenal #benessere
Notes on Bellavista and Contadi Castaldi
With help from @BellaVistaVino and @contadicastaldi notes with dinner @LAlbereta #bistrovistalago #erbusco #franciacorta
Market day in Iseo
Friday market at #iseo #carciofi #franciacorta
The island of Monteisola on Lago Iseo
View from Cure post sublime hike up #monteisola #lakeisland #brescia #lombardia #monasteriasansalvatore
Looking for lunch in all the right places
Finding lunch in hiding places. Menu fisso 10€- pasta:carne:insalata:vino:acqua:cafe #iseo #lagodiseo #lombardia #ilombardiaristorante
Prix Fixe
I Lombardi Ristorante, Iseo
We need this in Ontario
Every bookstore should have a bar in the back #iseo
Bellavista wines at L’Albereta
Bellavista Franciacorta, L’Albereta
Gambero Rosso Welcome Dinner at Leon Felice, L’Albereta Relais & Châteaux
by Executive Chef Fabio Abbattista
With Luigi Salermo, Marco Sabellico, Lorenzo Ruggeri and Tiina Eriksson, our hosts from Gambero Rosso.
From a 5.45 hectare vineyard, in homage to the friars of Mount Orphane dating back to 1449, Chardonnay meant to age with ancient tradition always tucked safely into the slow release, micro-oxyganted back pocket. Scents of lemony green and rose. Wood relations are important, fig and lactic notes apparent and this is stretched but weighty, very elastic Chardonnay. If the verve seems to be waning it must be understood that this wine begins, travels and ends this way. Bellavista is the chosen one to make wine from “a unique and unrepeatable section of vineyard, the expression of an ancient tradition.” Drink 2015-2022. Tasted November 2015
Cappelletti with burnt wheat, rabbit and anchovy butter
Cappelletti al grano arso, coniglio e burro di acciughe
A demi-sec produced using exclusively Chardonnay grapes from at least 30 different vineyards located on high hillside plots with ideal south exposures. Over 30 per cent of the fermentation takes place in small white oak casks. A balanced, pure, creamy, mellifluous honey dessert wine of a sweetness that hides in shadows. The question begs. How can this be demi-sec? Drink 2015-2018. Tasted November 2015
Green apple sorbet, celery and passion fruit nectar
Sorbetto mela verde, sedano e Nectar
In the evening
Persimmon and Dolomites. Must be #franciacorta #lalbereta #relaischateaux
In the morning
Yesterday is wiped away by a day that begins this way #breakfast #lalbereta
Bellavista Gala
The purpose of the event was a journey of oenological discovery (Meraviglioso), music and gastronomy at the hands of Chef Vittorio Fusari.
Lost in a @BellaVistaVino dream that has just begun
In anticipation of Meraviglioso
Grazie mille @bellavistavino @gambero_rosso for welcoming us to your special #franciacorta celebration ~ @mgodello @winealign
Riserva Vittorio Moretti Magnum 2008, Franciacorta (Winery)
Puff pastry potatoes with caviar, red onion cream, sardines, julien and parsley
It was a simple wine back then. Good luck and providence in this part of the world have made this wine so special. In 1995, it rained for 40 days. I know. I was in Italy for 17 days in August that summer. In September botrytis developed but low temperatures ending up concentrating the grapes flesh and thickened the berries over a course of five to six days. Harvest saw brown grapes and 12,000 bottles made were made. That it has survived for so many years is not surprising. It is impossible. The link goes to Mattia having seen an Yquem harvest in the 1970’s. How long to keep? Until 2075. “So I’m very hopeful for this wine.” When my father moved from his house in 2005 he asked me to take his “cellar.” Of the 17 bottles, there was a 1970 labeled Chablis. Burgundy. No producer. I brought it home and thought waiting even one more day would be one more day to long. It was perfect, alive, on the straddled line of oxidative, had been there and might stay there for 20 more years. Like this 1995. Ethereal. Rich, elegantly, gently sweet, so fine. Why not see what 20 more years can do. Drink 2015-2035. Tasted November 2015
Bella Vista Chardonnay, Lago Iseo and the Dolomite Mountains
As seen on WineAlign – Franciacorta and the Meraviglioso of Bellavista
Where can you find snow-capped Rhaetian Alps, double morainic amphitheatres, glacial lakes, ancient vineyards and one of the best kept Sparkling wine secrets on the planet? At the end of a day not in Franciacorta I could do well with a glass. Bubbles from north eastern Italy, where traditional method Sparkling wine of Chardonnay, Pinot Nero and Pinot Bianco come together masterfully to create Franciacorta. Satèn, Brut and Rosé, for Millesimato, Riserva and now the new elaboration, finalmente, some kind of wonderful, Meraviglioso.
Large formats and the furnace @contadicastaldi @franciacorta #gamberorosso #moretti
The month of November bids up translation to such an Italian vernacular as it is a wonderful time to visit Lombardy and the cellars of Franciacorta. A time before the snows of winter fall, long after the stems have turned to brown, the grapes picked, crushed and fermented, at a time when the vintage’s base wines rest comfortably in the caves of the region’s 110 wineries. You can take an early morning walk through a Chardonnay block and note the gentle south-east exposure slope engulfed by fog thick as porridge in the greater provincial Brescia world demurred a whiter shade of pale. On sunny days summon up a cool, crisp stroll through courageous Pinot Noir up on a hill above the village of Erbusco, with the Oglio River to the west, Lago Iseo and the snow-capped Dolomite Mountains rising in the deep distance. The vines stand stark, stripped and undraped, like petrified wood monuments, now only possessive of memories.
Standing with giants @BellaVistaVino Winemaker Mattia Vezzola and Vittorio Moretti.
It is here where Lombardic legacies are cemented in this northerly Italian region, after 450 years of recorded Sparkling wine history. Newly appointed President of the Consorzio Franciacorta and Bellavista Winery proprietor Vittorio Moretti has recently bottled something no self-respecting vigneron on this fizz fermenting planet has ever had the enterprise or perspicaciousness with which to follow through. Not in Franciacorta and certainly not in Champagne. Moretti and his enologist/chef du cave partner of 30 years Mattia Vezzola gathered the wines of six great vintages (1984, 1988, 1991, 1995, 2001 and 2002) spread across three decades together in one singular, bold, ultra-elegant and exacting impossible cuvée. Meraviglioso.
Pouring Meraviglioso
Bellavista Studio Meraviglioso Vendemmia 2004, 6000 mL, Docg Franciacorta (WineAlign)
Poured from a Methuselah and can only be produced every 30 years. This is the first vintage. Studio equals a test product. This is something wholly other. The holy coming together of acidity (energy) and texture (elegance) From the best harvests of the last 30 years. Sparkling as the interaction between studying and working. One or the other alone will not achieve the culture of this wine. Middle rope lined by fine sea salt flecked by dried thyme. So refined. Gentlest mousse and forming the most amazing rim. As the winemaker notes, “it’s very exciting that technology must reside in the traditional. Idea must reside in craftsmanship. Manual work enables the soul.” Drink 2015-2045. Tasted November 2015
The best way to make a sensory profile last is to model it after someone. Choosing great vintages, as here with ’84, ’88, ’91 ’94, ’01 and ’04 is to offer a shared sensory profile and characteristics, along with the value of patience, something that lasts over time. This blend of vintages, which includes 1984 speaks to a winemaker’s emotion. “Nothing makes more sense than passion.” Will this leave a different mark on Spumante wines? “We wish that every of the 30,000,000 bubbles is a moment of happiness for each of you. Long term Franciacorta will have to take direction from this wine.” Words of proprietor Vittorio Moretti. The Studio (test) 2004 here transmogrifies into another turn of phrase, twirl of body, as told from marble. Watch the bubbles rise from the centre and widen to the edges, slowly, purposefully, without distraction. You can hear a pin drop with this wine sitting in glass. A wine to connect a string of great vintages, spanning decades, interlacing hands, sweat and passion, from contributors who are all represented in this bottle. They are all remembered, their lives, their wishes, their shared culture. Finesse, energy, mousse, elegance and length. For whom the Sparkling wine tolls. Drink 2015-2050. Tasted November 2015
The playful and calculated wine pays respectful homage to a wine region immortalized, like warriors in stone, by classic authors; Pliny, Columella and Virgil. In the 16th century Lombardian physician Gerolamo Conforti encouraged a healthy lifestyle and widespread consumption, defining Franciacorta bubbles as “mordaci” or, lively and bubbly.
Temperatures at ripening are much higher as compared to Champagne. The mountains are a major part, as a barrier to the southern winds to preserve acidity. Franciacorta producers have the historic sparkling traditions of Champagne to compete against a crowded global market. That said, they have little interest in comparing their ancient method Sparkling wine to those from other regions, nor does it matter whether their roots were laid down prior to or subsequent from more famous peers. What matters is progression, innovation and resolution. Meraviglioso adheres and abides to Franciacorta’s deferential past. It also revises the scripture and reinvents the future.
Vigna Leone, Bellavista
The historic concept directs the winemaker to make wine that is fresh with acidity on the palate, but not felt in the stomach. Wines that are easy to digest. Wines to drink for all of eternity. Between 6.7 and 7.5 TA is the number on the base wines. This differs from Champagne in alcohol because the Champenoise reach a maximum level which is the minimum for Franciacorta and acidity is exactly the obvious. Everyone these days talks about terroir, which is important, but they seemed to have forgotten about genes.
Mattia Vezzola and Francesca Moretti
The area’s modern era dates back to 1961, with 11 producers, 29 hectares of vineyards and a production of 2000 hectolitres of Pinot di Franciacorta. DOC status was granted in 1967, with nine pioneering agriculturalists in the mix. In 1990 the creation of the consortium for the protection of Franciacorta wines was accomplished with 29 producers as members. Now, after nearly 50 years of officially recognized production Franciacorta is poised to become the next big thing. Fizz is in demand worldwide and compared to other high quality traditional method sparkling wines, Franciacorta is well positioned. Pinot Noir has a role to play and perhaps everything to do with that. Chardonnay and its essential Blanc de Blancs sparkling oeuvre has managed bubble expectation and dominated output since time immemorial but the sweeping cloud of global warming is changing everything.
Erbusco, Brescia, Lombardy
A portal into the Franciacorta compass dial only 15 years ago sees Chardonnay picked on average around August 15th. Cyclical weather patterns notwithstanding, temperature increases of nearly five degrees Celsius mean that in order to maintain freshness and protect necessary acidity these days the grapes are picked two weeks earlier. Short of washing this planet clean as the bible says or continuing to hot wire reality, something has to give.
Even while Chardonnay’s phenolic journey is finding its way to completion, some things can’t help but get lost in accelerated heat unit translation. Any winemaker worth their weight in viniculture excellence knows that the real future lies in the embrace of complex behaviour inherent within the later ripening condition of thin-skinned Pinot Noir. Chardonnay will not be abandoned any time soon but ripping up some of the dominant vineyard holdings and switching to Pinot Noir is in the cards.
Bellavista
On my late November trip the epiphanies came fast and furious when Franciacorta opened its arms to receive journalists from around the globe. My WineAlign colleague Treve Ring and I were introduced to Bellavista Vino and Contadi Castaldi pours at L’Albereta Relais & Chateaux and it was for me an initiation into a personal paradigm shift, in a dream that had just recently begun. Tasting the range on premises at Contadi Castaldi from Blanc de Blancs through Blanc de Noirs and into Pinot Nero aided in clarifying the varietal shift. The entire visit was qualified by Gambero Rosso’s principals Luigi Salermo, Marco Sabellico, Lorenzo Ruggeri and Tiina Eriksson, with their ushering of seminal tastings, including a Bellavista horizontal of 1987’s in 750 mL, Magnum, Jeroboam (3L) and Methuselah (6L), along with a Salmanzar 9L bottle from 1989. This line-up made for a rarest of opportunities, tasting chance of a lifetime.
Bellavista horizontal
Treve and I tasted a number of Franciacorta examples during our visit and we have also been able to sample imports in British Columbia and Ontario.
The Bellavista Horizontal
The purpose of this extraordinary tasting is to assess how this wine changes its sensory impression depending on the size of the vessel it was bottled in. Though it once contained 30,000,000 bubbles, now 28 years later, perhaps the number is just 13. Well, from now on I’m clearly only buying my sparkling wine in minimum 3L formats.
The wines were tasted in 1991 and 1998. This is the third and last chance to taste these large formats. From 1987, in 750 mL, Magnum, Double Magnum and Methuselah. The 9L bottle is a 1989 (because there are no more ’87’s in that format).
Five little ducks all in a row @BellaVistaVino #anothersongaboutthefizz #franciacorta #largeformats #1987 #1989
1987 (750 mL)
Composed of 80 per cent Chardonnay and 20 Pinot Nero, the harvest it refers to is 1987 though it is not a vintage wine. Runs straight to a marzipan and honey with lanolin dressing, marked by orange rind and spice that needles into the olfactory nerve. Has aged well and would call it oxidative (at least this bottle). The hue has obviously changed. Was disgorged yesterday (November 27th) so there was no need for added liquor. Truth be told it has not developed into a tertiary, overly mature, oxidative step, but it has sublimated in micro-oxygenation.
1987 (Magnum – 1.5 L)
Sensory activation. Zero oxidation, prominent acidity and underlying nutty comprehension. No honeyed and waxy filming, a seeker yet to find any true tertiary life. In elegance now and with imaginations of 10 more years this way. Any yet only the Magnum. Come back to it after ten minutes and the citrus is palpable. Finding a layer of preserved lemon 15 minutes later. Its next stage becomes more apparent with time, by size and in relation to what comes after.
1987 (Double Magnum – 3 L)
Completely different once again, now reductive, stinky, full of a preserved rage and with just two minutes in glass begins to soften and ready itself. A heap of aggression plus 28 years of time have blessed it with all the tools it needs. So alive, without the nutty accent but certainly in possession of the inside shaving of the barrel. Barrel peels, not fruit. More mineral here. Much more. Also tropical, like ginger and cardamom. The most interesting of the three by kilometres. The real access is toast and flint. This is the real deal. Rich and mature, not piercing and now accessible. Incredible length. Close to the edge in a mythical land, of impressions neither flora nor fauna, but of atmosphere.
1987 (Methuselah – 6 L)
The first wine to show similarly to another, this rocks out flinty and reductive like the 3L. The energy is consistent, but here the spice is magnified and the nutty sense that showed in the Magnum has come forth. This seems to combine the pique aspects of both the 1.5 and the 3. A best of all worlds bottle plus what it brings that neither had. Absolute freshness. Does not evolve in the glass in its first few minutes as the others that came before. It evens glistens unlike the others, as if it knows how complex, special, live and alive it is. This is the bomb for sure. Dart straight through the heart. Crazy exceptional Sparkling wine.
The big pour
1989 (Salmanzar – 9L)
Absolutely, unequivocally, indisputably no evolution. If this dos not drive the point that if you want to age Sparkling wine you must bottle it in the largest format possible, then nothing will. At least do away with 750 mL bottles. Large format is not about pageantry. It is about age. The taste is very different than all the 1987’s. So much more acidity and vitality and it is wondered aloud that more Pinot Noir must be in the mix. The citrus is at the forefront and all over the hairs of this wine. Twenty six years in a 9L bottle is like five, certainly not 10.
It should be interesting to try and assess, which is a major act of liberty in assumption, to assume with accuracy how format affects age. To close one’s eyes tight and place a number on each wine, to where it has evolved and why. 750 mL left its post five years ago. Magnum is in the window as we speak and will not be perceived with evolutionary certainty to its tertiary development for two of three more. Double Magnum is still three to five years away from even that beginning. Methusaleh sits in a window of seven to 10 years and the 9L 1989 certainly 10-15. Perhaps as far away as 20. Truly.
Apropos alms giving Cuveé, in regards to balance, offering a broad swath and sweep of creamy, soft spoken bubbles. Produced from one half of the estate’s harvest selections, out of 107 plots ranged over 10 different Franciacorta municipalities. A child of both horizontal and (reserve wines) vertical blending. Composed of (80 per cent) Chardonnay, (19) Pinot Nero and (1) Pinot Bianco. Known to its makers by an “affectionate” term for the land that produces wonders, this may be the most calming of the Bellavista portfolio. Drink 2015-2019. Tasted November 2015
This Sparkling blend of Chardonnay dominant with support from Pinot Nero is the welcome mat, regional conduit and arms open wide portal into the impressing preoccupation of Franciacorta. From vines of healthy altitude on south/south-easterly exposures and an average age of over 25 years. A sussurrare measure of and not much more than 30 per cent of the juice ferments and matures in small white oak casks for no less than seven months. When we talk of the natural balance in nature, we may as well be referring to an arid, saline, citrus and ontological yeast-filled Franciacorta such as this Brut. Compressed from a vintage with legs, creamy texture and dreamy ideas. Sparkling wine of soft bubbles, lace curtains and plentiful energy. The dictionary opens with this, a wine personified as a “villa delle delizie.” Drink 2015-2022. Tasted November 2015
Red chicory hue in a blend where Chardonnay (62 per cent) dominates Pinot Nero. Rosé of truth, unable to fib, a bit risqué and anything but rustic. Magnetic, full of multi-variegated citrus, magnified, petrified, magnetized, its Chardonnay and Pinot Nero polarized. The latter so important, like recherché of the occult and suggesting that its part should be increased. Like a tidal wave of blanc de noirs aromatics boarding at once. Rosé as the last train home. Drink 2015-2022. Tasted November 2015
Like the Betella Blanc de Blanc, this is quite direct, but in a much different way. It’s funky reductive and yet super, hyper transparent and understood. Wound tight with racy acidity and spumes of an aridity that steals saliva and is nearly heart-stopping. These blush bubbles are savoury in a way the Chardonnay just can’t seem to herbalize and bracing in a way that does not fully compute. Exciting and tart if noticeably out of balance. Tasted December 2014
This 100 per cent Chardonnay is so direct, so grounded, so black and white. Just a hint of funky earth and a swath of painted lees but otherwise fruit entrenched in traction and fermentation in beautiful suspended animation. Defines modernity in Franciacorta, a still frame of concentrated, dry bubbles, life affirming and void of any extraneous conditioning. No add-ons, just straight up sock it to me Sparkling wine. Tight, bracing and built for serious fun, without ceremony or pageantry. So effective and so well constructed. Tasted December 2014
First introduced in 2007 after thirty years of Franciacorta’s salt pillar house’s trials, errors and magic. Chardonnay (75 per cent), Pinot Nero (15) and Pinot Bianco (10) are sourced from 134 vineyards, vinified separately and blended with the conceptualization towards “idem,” of being the same. Reserve juice from great vintages (at least 20 per cent) reinforces and elevates the cuvée, followed by 28 months on the lees. A stoic and somewhat tensely defined traditional method Sparkling wine with plenty of autolytic yeasty feel despite the modest time. Terrific, expansive and circulating mousse buoyed by unparalleled Franciacorta acidity. More Pinot Nero would really give it depth and breadth. Drink 2016-2020. Tasted January 2016
Disgorged February 2015. The opposite of the thoroughbred that is the Pinot Noir. Satisfying, saturated, stretched and churned though Brut in style. The soul of Contadi Castaldi even in a world in which the winemaker is want to make more masculine, Pinot driven wines. A caressing wine, gentle and creamy. Full mouth. Round putty smooth in spite of and in line with such stretched acidity. Drink 2015-2020. Tasted November 2015 @contadicastaldi@Cavinona
The Contadi Brut is a much more direct, linear, in your cerebral cortex cement of a Franciacorta. Still in assumption of a lightly bruised and oxidative bent though the fruit is anything but mealy and the appetite yet whets. The apple in the eye is green, the grass greener still. In here “green grow the rushes go.” This sparkler seems to still be working, pushing itself and evolving. It begins in earnest and never ceases to cycle. It’s a bit exhausting and leaves a trail of exhaust. In demand of much attention it may never leave you to find and achieve that state of REM. But it is that vapour trail that will see it go deep into the night. Drink 2015-2022. Tasted July 2015
Statuesque, rustic, ancient ruin of Franciacorta, on a clear day, of tall grasses, oxidative apples and slices of hard Lombardian cheese. A total, classical, storied package of gastronomy in a bottle. Not so much Rosé as much as bubbles with a fostered history of age. Arid as the desert and piercing from acidity. This will be misunderstood by some, reveled in by others. Drink 2015-2020. Tasted July 2015
Fashioned with essentially an equal proportion of Pinot Noir. A specificity to Franciacorta where Chardonnay is clearly pegged as feminine and Pinot Noir masculine. The winemaker demands this move, to power, vitality and how a cuvée’s direction is acclimatized from picking on acidity and through to firm, direct expression. Very balanced wine. Drink 2015-2019. Tasted November 2015
Only 9,000 bottles are produced of this ultra niche product. Part of the move in concept and passion to masculine, powerful and vital Pinot Noir. A bull of bubbles and extremely long, trailing a tail of star fire. Brut to the most natural degree. Lime and direct energy. Tight as a fist. This is Thibault to the Contadi Castaldi Blanc de Noirs Romeo. Drink 2015-2022. Tasted November 2015
A Franciacorta blanc de blancs with a settled elegance in its stride and the persistence of far eastern aromatics. Though Satèn can contain up to 50 per cent Pinot Bianco, Ricci Curbastro’s is exclusively made from Chardonnay and at this stage even less atmospheric than the freshest examples. A pinch of ginger and a dash of lemongrass mark the aromatic territory. Preserved lemon fills the palate with residual fruit. This 2011 is in its drinking window right at present, its 40 month (48 from harvest) autolytic yeast lees having done the yeomans texture work in completion for the overall expression. Drink 2016-2018. Tasted January 2016 @Ricci_Curbastro
At the end of a day not in #franciacorta I could do well with one of these @contadicastaldi
Barque Butcher Bar Fried Chicken, ‘Bama Baby Back Ribs and 12-Hour Beef Brisket
The VINTAGES release program certainly lends structure and a targeted faculty of morphology to the selling and buying of courtly wine in Ontario. It’s a part of the LCBO juggernaut that deserves to be celebrated, particularly when it offers glimpses of hope and excitement. Optimism does exist and persist within the confines of an otherwise habitually oppressive system. A system that tends to function with coordinate construction, of paratactic verse that heavily promotes wines of narrative brunt.
On the other hand, VINTAGES is a mimetic project, which is a few projects too many. We wine trackers and writers are akin to Cricetinae, perpetually running in a wheel or like Sisyphus, forced to roll an immense boulder up a hill, only to watch it roll back down. We read the bi-weekly catalogue, pre-taste the newest offerings, make our lists and check them twice. In every batch there are 10-15 wines that stand out, as much about bell curve positioning as absence of singularity.
We don’t want to waste time drinking shite. There can be no good reason to swill sugar, contrived acidity or fast drink laboratory concoctions. Bring us wine of humility and humanity. Pour us truth and honesty. Separate the wheat from the chaff and don’t waste our time or insult our character. Give us wine from people, with roots and a sense of place. VINTAGES abides with a class of red shirt freshmen each and every release. That much I can concede.
From what I have tasted in advance of the VINTAGES March 5th release, what has excited me most is perhaps more a reaction to the unseasonably warm weather or maybe it’s just that I am presently satiated by tannic and acidity-molifiying white wines during winter. Last week I reported on the California stars as a follow-up to my recent Napa/Sonoma trip and in advance of April’s California wine fair. Brunello di Montalcino is in the spotlight what with Benvenuto Brunello coming next week. The Sangiovese Grosso line-up for March 5th is solid if underwhelming. My consensus pick of one is potentially polarizing. It will seem tired to some palates and precociously wise and cultured to others. The difference of critical opinion keeps the VINTAGES wheel turning and I am of sound mind to believe that’s a good thing.
Wine Country Ontario comes to the Royal Ontario Museum today for Taste Ontario in Toronto, the annual gathering of winemakers from The Niagara Peninsula, Prince Edward County and Lake Erie North Shore. On Saturday four peninsula whites will be released, three of which are typicity poster children for VQA good sportsmanship awards. Felicitous and regionally befitting Chardonnay, Riesling and Gewürztraminer that succeed as they should even while they bypass the idea that creative voices should be heard. Are we witnessing the dearth crumbling of stylistic freedom or is change coming, necessary and inevitable? The fourth white on offer is a shining example of the Ontario appellative blend, a category ever elusive, uncapitalized upon and necessary to the industry’s future success.
Superior South Africa, Vinho Verde Portugal not allowed to be labeled as such and Spanish Garnacha, white and red, grace this list. I also recommend an Ann Sperling Okanagan from the B.C. homestead and one freaking, awesome Sancerre. Here are 11 picks on March 5th in the year 2016. Enjoy.
Excelsior Sauvignon Blanc 2014, Wo Robertson, South Africa (382085, $13.95, WineAlign)
Warm climate conditions, a thunderstorm-inflicted harvest and prudent, hasty picking are what winemaker Johan Stemmet had to contend with in 2014. Kudos as a little something for the effort. Quiet and subdued aromatics are levied and bolstered by extreme fruit sensations exhibited on the palate. Crunchy green apple and green mango spritzed by lime forge a tight, angular and nearly tense relationship with linear and direct acidity. Sauvignon Blanc of meaning, unencumbered by the tenets of global style. A certain kind to be sure. Drink 2016-2019. Tasted February 2016 @Excelsior_Wines@WOSACanada@WOSA_ZA
Casa Do Arrabalde Avesso/Alvarinho/Arinto 2014, Vinho Regional Minho, Portugal (429324, $14.95, WineAlign)
Here $15 of pure Minho beauty, ripe and rich, regionally representative, if generalized in name because Alvarinho alights in the varietal mix. Smells and tastes just like a tart Mutsu apple picked post fully completed phenolics. The minor spritz on the tongue screams Vinho Verde, as does the stony eligibility. Well-chilled, warm day, grilled fish. Yes, please. Drink 2016-20218. Tasted February 2016
Talk about bottled up compression. Twist the screwcap and thwop! The cap nearly popped like a Champagne cork. This baby has energy and drive. The vintage is compressed and pile-driven as nosed by the density opposed by reticulated 9.5 per cent alcohol. This has Mosel tattooed on its being, from neck to bottom. A dead ringer for fine Kabinett, the tropical fruit in apricot and dragon reaching back to join Ontario, in apple and pear. A good flinty stone and raging acidity combine forces to exaggerate a Riesling reticulum in what is not the missive’s greatest ever vintage. Will live five to seven easy and just go for soda. Go ahead and quaff the hell out of this one, from 2015-2020, from bottles one through twelve. Tasted March 2015 and February 2016 @Winemakersboots@brightlighter1@UnfilteredEd
Henry Of Pelham Family Tree White 2013, VQA Niagara Peninsula, Ontario (251116, $17.95, WineAlign)
Very accessible and balanced white rabbet with tree fruit aromas and flavours, from yellow plum to white peach and back again. Straight up juicy circulation with a limestone tang amidst the weight of clay. Good value from the Peninsula to drink in the short term. An appellative blend to feed the category concept and perfect for sipping high in the skies. Pour this on your airplanes Air Canada. “Feed your head, feed your head.” Drink 2016-2018. Tasted February 2016 @HenryofPelham@SpeckBros
Residing on the correct side of off-dry with a waxy, lemon-honey drop secession from smell to taste. Brings proverbial lychee and rosewater into play, stirring the lees and pressing upon the palate in a faint, yeasty way. Ostensibly Fielding in conception to work with Vietnamese, Japanese and Thai. Food that is. Drink 2016-2020. Tasted February 2016 @FieldingWinery@RichieWine
Time has befriended Philip Dowell’s organic and creamery fresh-churned Chardonnay. The Kew is Bench defined and not shy in embrace of its wood. Abiding Chardonnay denuded in a healthy symbiotic relationship with ripe and recessive fruit. More mineral than before from Beamsville soil lands this somewhere along the pantheistic line featuring such stalwarts as Fielding and Hidden Bench. Will follow a casual down-to-earth grounding over the next five years. Drink 2016-2021. Tasted February 2016 @kewvineyards
Jaspi Blanc 2014, Do Terra Alta, Spain (439570, $23.95, WineAlign)
Such a culturally gregarious, aromatically generous and varietally gracious white blend from Terra Alta should be received with the most open of arms. This rare sighting in Ontario is mostly Garnatxa Blanca, with a minor (kept alive) amount of Macabeo, a grape of sweet realization and rainbow veraison. This is a classic indication of the subtlety that is derived from the soft, cuddly and rock-free panal soils in Terra Alta. A terraced white wine, cascading like lemon and bubbles, as if it were an ethereal, tart, savoury sabayon. Will be a pleasure to drink for the the next two to three years. Drink 2016-2019. Tasted February 2016 @cocaifito@doterraalta
Jardín De Lúculo 2012, Do Navarra, Spain (438655, $23.95, WineAlign)
Lovely, tidy Navarra with perfectly ripe cherries and an underlay of tension to give it real vitality. Oak (if any) bothers with nary an intrusive beat. Though there is a dried herb and drying savoury-minty ending it lingers, long after the paint has dried. Really necessary Navarra, a region portrayed in such a wine on the qui vive for exotic adventure. Drink 2017-2020. Tasted February 2016 @louisgeirnaerdt@vinosnavarra@navarrawines@navarrawine@hobbsandco@AMH_hobbsandco
Sperling Vineyards Pinot Noir 2013, BC VQA Okanagan Valley, British Columbia (382283, $27.95, WineAlign)
Here a vintage cementing a Sperling Pinot Noir into altruistic west coast territory occupied by the ripe and famous. Were I able to recall so much warmth, elevated tones and ripping aromatics while the wheels are spinning, still the memories remain in neutral. The gravelly grit and fine lined elucidation is in, but here things turn tropical, with far eastern spice and melted, oozing liquorice. Flavour coaxing is at an all time high but the question begs. Can you handle this hyperbole of efficiently convenient Okanagan truth? Drink 2016-2019. Tasted February 2016 @SperlingVyds@AnnSperling@CRUOntario@StratusWines
Jean Max Roger Cuvée Les Caillottes Sancerre 2014, Ac Loire, France (65573, $27.95, WineAlign)
Were all Sancerre this floral we might be forced to re-learn the typicity and the vernacular. Les Caillottes stands alone, if only for a few whiffs, before retreating back to the Sauvignon Blanc norm of mineral and white berry. Here Sancerre seems to take chances, steps out of the box and ventures into wild sage and thyme territory. Ends with lemon and lime, echoing the florally of tiny flowers on the tips of that thyme. I can imagine honey flowing in five years time, still gaining on the oxidative effects of time. Drink 2016-2022. Tasted February 2016 @oenophilia1@LoireValleyWine
More than a classic vintage for this seminal bottle of Sangiovese. The liqueur is so comfortably and rigorously distilled, the floral aspects fresh in their potpourri disguise. The aromatics, like eclipses, arrive early, but tend to exact themselves profoundly. Balance is everything with wine and transparently so for Brunello because if the tannins are overdone than pleasure can’t ever be truly discerned. Here they are like rhythmic, venting spasms at the end of a sentence. This offers early accessibility in spite of its ferocity. Drink 2019-2030. Tasted February 2016 @TrialtoON@ConsBrunello
Godello 