The Okanagan has my full, immediate attention, that and 1,525 wines from across Canada at the great show. We call them the WineAlign National Wine Awards of Canada, a.k.a. The Nationals and I will be judging all week from this glorious set of benches and hills in the golden west. Until next week, here are 10 picks from the June 25th VINTAGES release…Godello.
Jardin Inspector Péringuey Chenin Blanc 2014, Wo Stellenbosch, South Africa (443473, $15.95, WineAlign)
A reductive chenin blanc with a distinctive struck stone aroma. With two minutes air the chenin begins to assert itself and from its Stellenbosch origins. Grest preserved and compressed citrus, lively acidity, soul from soil tang and terrific intensity. Length extrapolated from price of a better than good equation. Drink 2016-2019. Tasted June 2016 @Jordan_Wines@AbconWine@WOSACanada@WOSA_ZA
Domaine Les Yeuses Les Épices Syrah 2013, Igp Pays D’oc, Languedoc-Roussillon, France (177584, $15.95, WineAlign)
Consistently one of the greatest Syrah values on the planet, Les Yeuses smells like the Northern Rhône with familial ties in the Swartland. Smoky and meaty, spiced with all hues of peppercorn, deep and variegated. A remarkably complex syrah for a pittance. Like cassoulet, “it’s a little bit of this and a little bit of that.” Even better with a whole roast; duck, chicken or hip of beef. Drink 2016-2019. Tasted June 2016 @les_yeuses@cartowines@LanguedocWines
El Gordo Del Circo Verdejo 2014, Do Rueda, Spain (441220, $17.95, WineAlign)
The ballad of El Gordo is a soft and fuzzy peach big star. Yes this tastes just alot like the candy but with sweetness replaced by savour. This carries a country riff and electric tang of commercial, albeit alternative broadcast feel. El Gordo is El Goodo, verdejo to sip when “it gets so hard in times like now to hold on.” Rueda for the people, like a #1 record that stands the test of time even if it never really sold all that well. Drink 2016-2018. Tasted June 2016 @RutaVinodeRueda@WineLoversAgncy
A terrific off-dry riesling with intense tart flavours and omnipresent circulating acidity. A range or stone fruit invades the aromatics; peach, apricot and nectarine. Tropical yes but grounded, struck flinty and so full of energy. One sip and feel the energy buzz, the lightning strike, the rush of adrenaline. Amazing. Drink 2018-2025. Tasted June 2016 #domdechantwerner@HHDImports_Wine@germanwineca
Château Eugénie Cuvée Réservée De L’aïeul Cahors 2013, Ac Southwest, France (295949, $22.95, WineAlign)
This is a striking malbec with bursting aromas, mostly floral but also of an inhalant that elicits modern sangiovese, from grosso to Gran Selezione. It is rare for malbec and also Cahors to be imagined as born in an ancient cellar yet having come to fruition in a modern vineyard. This cuvée is a major step up from the house’s basic malbec, with deep, profound fruit and restraint found. Barrels and soil funk are certainly part of the mix, but so is traditional acumen. Beautifully crafted and structured red that will benefit from two years settling. Drink 2018-2025. Tasted June 2016 #ChâteauEugenie#cahors
The thing about a Hidden Bench riesling is its ability to mark a bench twain. Neither dry and stark nor sweet and unctuous, the balance struck is a factor of the house. This 2014 carries the strong torch of energy and vitality but it seems a bit more arid and direct than before. The lemon condense is at an all time high, the major zest and minor pith as important as the juice. Would like to see this find some age. Drink 2016-2021. Tasted June 2016 @HiddenBench@BenchVigneron
Tawse Laundry Vineyard Cabernet Franc 2012, VQA Lincoln Lakeshore, Ontario (130997, $31.95, WineAlign)
The richest and deeply phenolic Laundry Vineyard cabernet franc, likely to date, from fruits of labour expressed with plum, red currant, Ontario strawberry and raspberry compote, so much so that it warms the heart. Wood is but a blanket to keep the draught out, nothing more and it will slowly peel away as the years roll on. The spice in here is so beautifully baking with home kitchen delight. The sweetness is pure extraction, dry and rehydrated. Paul Pender’s management in Laundry ’12 is one of his finest works to date. You could absolutely drink this now and also watch it slowly turn over 10 years time. Might it have been the last? Drink 2016-2022. Tasted June 2016 @Tawse_Winery@DanielatTawse@Paul_Pender
Cuvée Du Vatican Châteauneuf Du Pape 2012, Ac Rhône, France (719120, $38.95, WineAlign)
Though you know it’s going to be a big Rhône red it hits you anyway, with waves over the head by ripeness and mineral intensity. While balance is a four letter word in wines like this, you have to grow up and mature a bit to appreciate the nuance hidden in the brawn. There is nothing shy about Châteauneuf-du-Pape these days and especially in bottles like this, of unabashed hedonism and enthusiasm. This Sixtine will drink as it precociously does like this for a decade because the structure and the burly bones will take long to break. Drink 2017-2024. Tasted June 2016 @VINSRHONE@RhoneWine
Domaine Michel Juillot Mercurey Les Champs Martin 1er Cru 2012, Ac Burgundy, France (455089, $45.95, WineAlign)
This is a most beautifully volatile pinot noir that represents more than virility and exceptional quality for the village. Mercurey can be tough as nails and while the undercurrent here is firm, rigid and unbreakable, the roses are nothing short of flattering, hypnotizing and intoxicating. What this Mercurey lacks in preciousness it more than makes up for in talent, strength of character and trailing length. Drink 2018-20225. Tasted June 2016 @TheCaseForWine@BourgogneWines@bourgognespress#DomaineMichelJuillot
Domaine Bott Geyl Schoenenbourg Grand Cru Riesling 2012, Ac Alsace, France (456970, $50.95, WineAlign)
Incredible richness seeps from Christophe Bott-Geyl’s Schoenenbourg riesling, with alternating layers of aridity and tannic sweetness. So different from Bott-Geyl’s Mandelberg, in which early morning sun and hastily picked fruit resolves a more unctuous, nearly tropical expression. Here out of marl-gypsum you note the scratched and scraped stone, the liquid left behind as whitewash residue, the sugar playing upon that rock, devouring the mineral, defining the wine. It’s all quite remarkable. The Schoenenbourg lingers forever. Drink 2016-2022. Tasted June 2016 @bott_geyl@VinsAlsace@AlsaceWines@drinkAlsace@VinsAlsaceQc
Why wouldn’t you grill #asparagus and why wouldn’t you use @barquebbq rubs?
One of the true pleasures in wine & life to judge with two amazing women @treve_ring @curlyluddite #NWAC15 #thenationals #winealign
Wine. The ancient mocker, a drink unknowable and illustriously beyond judgement. That is until a national organization builds a mountain out of bottles, gathers together a court of 22 like-minded adjudicators and brings a nation’s wine culture together. The WineAlign Canadian Wine Awards is this country’s own version of unfathomability, as a thinking and tasting machine to test the romantic mysteriousness of an overall expression laid out by deferential wines produced from coast to coast.
The Nationals or #NWAC2016 will amass and coordinate more than 1,500 entries from Nova Scotia, Quebec, Ontario and British Columbia. The romantic grandiosity of the project will merge with the mainframe abacus of wine awards algorithms. The WineAlign National Wine Awards of Canada (NWAC) are held annually in June. Each year the country’s leading wine writers and judges gather somewhere in Canadian wine country to evaluate wines grown in Canada. They award Platinum, Gold, Silver and Bronze medals in some two dozen categories, with medal rankings further determining Winery of the Year and the country’s Top Twenty wineries.
When I roll out of bed Tuesday morning my Air Canada flight to Kelowna, British Columbia will be in its early stages of preparation. AC 1975 will transport me ceremoniously to the golden western frontier of the Okanagan Valley and it is there in Penticton that I will join 21 fellow judges (plus two apprentice judges) at the 2016 WineAlign Canadian Wine Awards.
Co-Chief Judge Anthony Gismondi has let us all know that “we have had a tremendous response from wineries across the country. Entries to date to are at 1,505 wines, a new record. With that number comes much responsibility so please be prepared to work hard for a full five days in the tasting room.” We welcome our visiting international judges, Elaine Chukan Brown of JancisRobinson.com, WakawakaWineReviews.com and Wine & Spirits, along with WWAC veteran Dr. Jamie Goode, The Sunday Express and wineanorak.com. Vancouver’s DJ Kearney oversaw the apprentice judges program and this year Brent Muller and Alistair Veen prevailed in a tryout that included 5 top BC sommeliers and retail buyers.
WineAlign judges, a rainbow and the American Falls
This will be my fourth Nationals. It is one of the greatest privileges in wine journalism and a profound honour to be gifted the opportunity to contribute towards bestowing medals on the best wines produced in Canada. It is an equally awesome grant of companionship and shoulder rubbing to work alongside the WineAlign crew. The war room leaders Bryan McCaw, Sarah Goddard, Carol-Ann Jessiman, Earl Paxton and Anthony Gismondi. The judges I’ve worked with before; David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow and Dr. Janet Dorozynski from Ontario. Rémy Charest, Michelle Bouffard, Bill Zacharkiw and Nadia Fournier from Quebec. Ben MacPhee-Sigurdson from Manitoba. DJ Kearney, Treve Ring and Rhys Pender, MW from British Columbia. Brad Royale from Alberta. Craig Pinhey from New Brunswick. Heather Rankin from Nova Scotia. I look forward to meeting David Scholefield and Sharon McLean from B.C.
Day 2 #NWAC15 with @curlyluddite and the maestro @DavidLawrason .. I will taste f’in #merlot !! @winealign
The judging is overseen by WineAlign principal critics and partners Anthony Gismondi and David Lawrason. All competition wines are blind-tasted and judged in categories according to varietal or style, not by region, using the same 100-point system as used on WineAlign. Each wine earning the requisite points will get a medal. Wines with the top scores in the entire awards will be awarded a Platinum medal (approximately 1% of the total entries). Gold medals = 90 – 100 points, Silver medals = 88 – 89 points and Bronze medals = 87 points
At last year’s Nationals held in Ontario we handed out a record number of awards; 14 Platinum, 101 Gold, 263 Silver and 375 Bronze. Given that a bronze must have been scored 87 points by a panel of a minimum of three judges, we have hundreds of wines in Canada that our experts felt were ‘very good’or better. That should instil some confidence among consumers. I tasted and reviewed many of the 14 platinum medal winners. Here are some of my notes.
Flight 3, code red #pinotnoir redux. Right proper #NWAC15 picks & pours @FortessaCanada stems @winealign staff rock!
Four months has upped the funk for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.
From my earlier note of December 2014:
Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.
Tres hombres in @TheGoodEarthTweets light @johnszabo @billzacharkiw @bradroyale #NWAC15 #beerdrinkersandhellraisers
C.C. Jentsch Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $34.95, WineAlign)
Oh so beautifully nasty Syrah, spicy, saucy and wicked. Resin, somewhere between myrrh and mastic, redacts reductively and tension stretches the savoury aspects in all directions. Blood orange and anise blend into the aromatic grain, repeating again through flavour mettle. Fruit, acidity and tannin are interwoven, circulating and on edge, in pitch perfect darkness. Syrah in the big time with the stuffing to age. Drink 2016-2022. Tasted blind at WWAC15, August 2015 @CCJentschCellar
Merlot, Cabs, Red blends #NWAC15 messed with kilters but @DavidLawrason & @curlyluddite set me straight. #cdnwine #thenationals #winealignnationalwineawardsofcanada #sheratonfallsview
Château Des Charmes St. David’s Bench Vineyard Gamay Noir Droit 2012, VQA St. David’s Bench, Niagara Peninsula, Ontario (Winery, $16.95, WineAlign)
The increased Droit depth in black cherry positions this CdC Gamay like a cousin to the same vintage Pinot Noir with shared DNA and more funk meets reduction than I would have expected or even guessed at. Should this be chalked up to complex conscientious forethought or the denude of a brilliant mistake? The raspberries and strawberries are in the mulch and the mire, the acidity and tannin thinking cru, cru thoughts. A near behemoth for Ontario Gamay, as much to do with the St. David’s Bench and the vintage as anything. Droit redux, new, improved and polarizing. Drink 2016-2021. Tasted June 2015 and February 2016 @MBosc
The ’12 Niagara has swapped spontaneity for coherence, licentiousness for logic. Has entered the stage of non-reductive peel, where skin is discarded, flesh is exposed and juices run free. If you like your Chardonnay settled and yet vitally fresh, now is the time to enjoy the Hardie 2012 Niagara Chardonnay. Drink 2015-2022. @normhardie
From my earlier more of May 2014:
Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay.
Last tasted April 2015
Sea of #schottzwiesel via @FortessaCanada #NWAC15
The Good Wine Cabernet Franc 2012, VQA Lincoln Lakeshore, Ontario (350751, $19.95, WineAlign)
While wood plays a prominent role it does not saturate to distraction. The barrel extract adds warmth and spice in contribution to balance. A high-toned syrup on the nose gives way to an evenly weighted palate. A scraped bean flavoured creamy toddy texture is topped with chocolate shavings, a dry of bell pepper and tobacco smoulder from out of the chamber. Nicely judged fruit, acidity and texture with admirable length. A necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made. Tasted March 2015 @goodearthtweets
We @WineAlign came to judge nearly 1,500 wines #NWAC15 and it was fair and just.
Olivier & Lafont Gigondas 2013 and Domaine La Fourmone Le Poète Vacqueyras 2013
When you face the reality of finding yourself in VINTAGES ambivalence, slowly pacing, randomly, to and fro across the wine map of the world. These are times when you don’t have the faintest clue why, or what, or, for what reason and to what end. It’s not simply a matter of what wine should you pick. No, it’s deeper than that and even if you don’t realize the magnitude of the decision, the lucubration is also there. The exercitation of the intellect incites the self-reflective question. Drink now or save it for later?
It does not matter if you have come to this place to purchase a bottle of wine for tonight’s dinner. It matters not if that wine is a dinner invitation gift, in fact, it matters more. You might bring that purchase home and decide that another more prescient bottle is ready. Your friend may choose to save your contribution for another, further down the cellared road day. And so every purchase is fraught with trepidation, with dichotomy, with doubt.
Price is the most obvious demarcation point for early, middle or late consumption. The number is not a hard one nor is there a guarantee for success. Everything is based on probability, risk, reward and chance. Twenty five dollars can buy you 10 years and in some cases, 10 months. If provenance is near-perfect, before and after purchase then the odds increase dramatically. Any bottle of wine, whether $10 or $100 that spent time in the sauna of a storage tank, tanker or storage tomb will take their leave in adolescence. You have to ask yourself the question, level up or level down? Spend $15 or $50. Crack it tonight or in 2025? Remember this. Contradictions are what make wine interesting. Consistency is for cooking.
I have spent the last 30 years considering wine in some respect. The last 15 much more so. The tries, trials, errors, tricks, and tribulations have taught me one thing. I prefer and receive much more instant gratification from drinking wines young but nothing compares to the insight and the exhilaration of partaking in older wines. Fifteen years are that terminus, at least for me. You will notice that five wines reviewed below fall into the near breaching $30 price category. A certain kind of sweet spot for wines that can spend quality time in the cellar.
As the weekend approaches, the VINTAGES June 11th release brings the two worlds together, as it always does, to tease buyers into making yet another bi-weekly decision. Drink now or save it for later? The answer is both. Some things never change. I’ve 15 recommendations for you. After all, isn’t that the magic number?
Crios De Susana Balbo Chardonnay 2014, Mendoza, Argentina (243196, $13.95, WineAlign)
Fresh, reductive and herbal scented chardonnay from winemaker Susana Balbo, nicely delineated from ripe 2014 fruit. There is a decidedly toasted barrel edgy spice and good tart complications. Simply stated, properly made chardonnay. Drink 2016-2018. Tasted May 2016 @susubalbo@sbalbowines@ProfileWineGrp@winesofarg@ArgentinaWineCA
Waves of natural, fresh-air, verdant meadows running cool with rapid run-off springs aromas make this Casablanca Valley sparkler feel fresh and inviting. The palate takes it to a very citrus place, albeit within the context of pale, lucid and pellucid. Great value and fresh as there is. Drink 2016-2018. Tasted May 2016 @VinosEmiliana@WinesofChile@DrinkChile@WinesOfChile_CA
Jardin Sauvignon Blanc 2014, Wo Stellenbosch, South Africa (663302, $16.95, WineAlign)
Reductive and so very pungent, here we receive sauvignon blanc from Stellenbosch with a real sense of high-spirited purpose. Carries a bit of fresh Sancerre proposition in its heart and seeks to take matters up to another South African level. It mostly succeeds. Drink 2016-2018. Tasted May 2016 @AbconWine@WOSACanada@WOSA_ZA
Château Des Charmes Estate Bottled Old Vines Pinot Noir 2011, VQA Niagara On The Lake, Ontario (256834, $18.95, WineAlign)
Perhaps a difficult vintage for pinot noir but not so for healthy, established, confident old vines. From berries to beets and cola, all wrapped up in cozy sweetness, here pinot noir sings uninhibited and free. It is surprisingly easy to drink and not at all astringent. Thanks afforded the vineyard and the winemaker’s deft, less is more touch. Drink 2016-2020. Tasted May 2016 @MBosc
A rich, heady, toasty and vital Riesling from the terrific Twenty Mile Bench Limestone Road Vineyard, tilted out with preserved citrus and waxy, lemony concentration. At present this outlays on the sour-rutaceae-rusticae ledge and I can see why it would be both confounding and misunderstood. The vineyard and its riesling in sparkling form search for a coming together, in bottle, without the assistance of gross lees. A few years are required and needed for the sugars to work their magic and strike fear into the citrus for future balance. I think this will come around and really find its aim to please. Drink 2018-2022. Tasted May 2016 @Tawse_Winery@DanielatTawse@Paul_Pender
Byron & Harold Rose & Thorns Shiraz 2013, Great Southern, Western Australia, Australia (453183, $19.95, WineAlign)
Just as every rose has its thorn, Western Australia has its knight is shining armour in Great Southern. Shiraz from this place is possessive of its very own, singular and distinctive perfume, like roses in hyperbole and varietal specific oak-imparted exotic spice. Byron and Harold does shiraz as if by Shakespeare, of the Dane, with his courtesans on call. A cool, long drink of shiraz soliloquy, finished with currants, citrus and relative cool climate acidity. Special value here. You can pick the right poison with this power ballad. Drink 2017-2024. Tasted June 2016 @ByronandHarold@KylixWines@Wine_Australia
This is an outlier for the Nadja’s Vineyard riesling, with deeper concentration and compression than before. More Mosel and less Twenty Mile in 2015, of light alcohol and an increase in off-dry, extract meets acidity. There have been Nadja’s with more air and exhale but I can’t recall one with such density in vitality. A great Nadja to be sure but of a deferential sort of character. Two or three years should bring it back into its self-imposed and created line. Drink 2018-2024. Tasted May 2016 @Winemakersboots@brightlighter1@UnfilteredEd
Seresin Sauvignon Blanc 2014, Marlborough, South Island, New Zealand (735043, $24.95, WineAlign)
Sauvignon Blanc borrows a page from its first Marlborough golden age in this Serezin 2014, finning balance in the most important facets of its character. Ripe fruit, natural acidity and memorable dry extract. The citrus is exotic, the stone fruit balanced between tart and ripe, the finish long and meaningful. With so much pungency in surround abound this exhales a true breath of fresh spring air. Were Marlborough Sauvignon Blanc always like this I would be glad with a glass, every day. Drink 2016-2019. Tasted May 2016 @SeresinEstate@DionysusWines@NZwineCanada@nzwine
Limestone and martime influences converge in this highly perfumed pinot noir. It smells of red berries, soft, wet rock and mollusc shell. The crustaceous salinity is a new drift for pinot noir but not entirely out of the happy equation. Loquacious and malleable, the flavours replay what red berry meets white light the nose had given. This is quite singular in expression, natural and handsome. At $28 it is a terrific, unexpected find. Drink 2017-2023. Tasted May 2016 @TabaliWines@hobbsandco@WinesofChile@DrinkChile@WinesOfChile_CA
Oldenburg Vineyards Syrah 2012, Wo Stellenbosch, South Africa (443457, $27.95, WineAlign)
Indicative of the new and improved Stellenbosch for syrah, in which perfectly ripe phenolic fruit meets consumer appeal. Quite a traditional upbringing means clean, pure, rich and plenty but it does not embrace new or outside the box. For the price this represents tremendous, albeit traditional value in a syrah with no fraying or funky edges. It will live a perfectly long life. Drink 2017-2027. Tasted May 2016 @Oldenburgwines@WOSACanada@WOSA_ZA
Domaine La Fourmone Le Poète Vacqueyras 2013, Ac Rhône, France (452268, $29.95, WineAlign)
Poetic and stunning Vacqueyras, so fluid, natural and effortless. From raspberry to plum, by garrigue and though dusty, delicate underbrush, the cure is cut with hands-off dedication. A certain kind of delicate spice just pricks here and there but you know it’s there. This is exactly what restrained Rhône and vacuous Vacqueyras need to be. The tannins are so fine. Such great structure will take this very long. Drink 2017-2025. Tasted May 2016 @Lafourmone@VINSRHONE@RhoneWine@TFBrands
Concha Y Toro Terrunyo Peumo Vineyard Block 27 Carmenère 2012, Entre Cordilleras, Peumo, Cachapoal Valley, Chile (562892, $29.95, WineAlign)
Concha Y Toro’s Block 27 has always dominated the price meets profundity of this signature varietal success story for Chile. Calling out a vineyard its equal for correctness and depth at under $30 Canadian is a tall order. Gobs, waves and oscillations of dark fruit, intense savoury scents and the rush gained from a syringe-injection of its lush elixir perpetuate in 2012. This albeit with a roast and a confiture of black currant and bell pepper. Or vice versa. Ripe acidity and tannin add layers, not opposition. The overall amalgamation seems a bit sweet though in actuality the grit is what stakes claim and standing. Nothing but huge in 2012. Drink 2018-2023. Tasted May 2016 @conchaytoro#escaladewines@WinesofChile@DrinkChile@WinesOfChile_CA
Olivier & Lafont Gigondas 2013, Ac Rhône, France (452300, $29.95, WineAlign)
Beautifully accomplished and confident Giogondas from messieurs Olivier et Lafont, ripe but restrained, balanced and carefully, contractually structured. Purity and silky albeit spicy textures wrap themselves up in flavour. No spikes, rips or fissures are to be found. Exemplary Gigondas. Drink 2018-2028. Tasted May 2016 @vonterrabev@VINSRHONE@RhoneWine
Jean Dauvissat Vaillons Vieilles Vignes Chablis 1er Cru 2009, Ac Burgundy, France (457002, $49.95, WineAlign)
Any signs that put this old vines Dauvissat into a time machine dating back to 2009 are less than obvious. Its freshness and composure are astounding. Chablis of structure as laid out in this Vaillons walks a particularly direct line and steadies effortlessly in one spot. The flint, toast and struck rock are subtle, atomically spicy, fine and unseen. The direct connectivity between vineyard and chardonnay is near perfect. Premier Cru would be hard pressed to exceed the limits of this Vaillons’ ability. Drink 2016-2024. Tasted May 2016 @BIVBChablis@BourgogneWines
Ridge Lytton Springs 2013, Dry Creek Valley, Sonoma County, California, USA (982413, $57.95, WineAlign)
From the vineyard planted in 1902, with petite sirah as the number two support to Zinfandel (as opposed to Geyserville), the Lytton Springs is not as mineral but it has a deeper intent. Perfume repeats as it should and has to. Only Lytton Springs smells like this, more floral of fruit and its blossoms in opposition, interchangeable and in support of one another, out of a pretty aromatic vintage, It is the palate that digs into baked earth, so very masculine and tougher by tannin. Density is but ethereal, acidity so similar but this is certainly richer and retreats back to that feel of natural fermentation. A tremendous Lytton Springs, born this way, with wisdom and structure and will remain for 10 plus years before really beginning to change. Tremendous balance in a characterful field blend red. Drink 2018-2024. Tasted twice, May 2016 @RidgeVineyards@VinoTorino@rogcowines@sonomavintners@CalifWines_CA
Next level in tactile Chardonnay releases from @LeaningPostWine & @Witte_wine #niagarapeninsula #twentymilebench
It’s already been a very busy 2016 for Ilya and Nadia Senchuk. A whole lot of new has been accrued. New addition to the family, new machinery, new winemaking equipment, maturing (new-ish) vineyard fruit, new facade and interior additions to the 1850’s barn. Leaning Post Wines is no longer the new kid on the block.
Ilya and Nadia, along with the unconditional support of assistant winemaker Ryan de Witte may just be the poster children for the Ontario/Niagara dream. In twenty years they will look back, admire what they created and they will be very proud. We are already smiling. Last year I noted that hands-off winemaking and natural (sic) wines were not even on the Senchuk radar. It’s not that a flip-flop in technique has shaken the LP foundation but experimentation is part of the new process. Ilya and Ryan are geeking out. Big time.
I sat down with Butch and Sundance in early March to pass the time and try some new stuff. Here is what I found.
Crafted with appellative consistency from mostly Wismer Vineyards Foxcroft (70 per cent) plus (30) Featherstone Vineyard. Let’s call it proximity driven and of a ripeness pushing style, with some residual sugar in the 11-12 g/L range. Phenolic ripeness happens and matters, with similar ripe-ripping acidity, yet in ’14 there circles a rounder and weighty keen vibe. A particular Vineland oeuvre abides, of lemon condense chided by a benign vintage when it just had to be cool every day. “You shouldn’t worry about losing acidity,” says Senchuk, “just get to ripe. Wait, keep waiting, but don’t obsess.” And yet it maintains its acidity with obsession. You can’t do this with every Niagara locale and the crux requires taking a new route, a chance and a direction, as it always does. Fuller, richer Riesling with atomic bits of botrytis and VA, just a smidgen mind you, with purpose, for weight. 191 cases made. Drink 2016-2021. Tasted March 2016
Leaning Post Riesling “The Geek” 2014, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)
Senchuk and swot-out cohort Ryan de Witte pulled 350 litres of riesling aside, accoutred with all readily available lees and shacked the whole gross mess in tank together, Vinification was completed at nine grams (RS) nearly-dry, in what can only be described as a reductive, cloudy, super-geeky riesling. Acquires an increased resonance from its designation stowed at a way station on what really is a longer, personal journey. The 2015 will be bone dry and like this ’14 will sit for 18 months in encouragement of a truly experimental, waiting for something to happen riesling. Time will act to fill in the gaps and increase its already developed texture. If you have ever had the pleasure you will see this as Jean-Pierre Frick-ish to be sure. When asked the question, he ‘The Geek’ will repeatedly reply, “I am not ready.” Drink 2018-2022. Tasted March 2016
Leaning Post Chardonnay “The Fifty” 2014, VQA Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)
Barrel fermented but no malolactic and housed in stainless steel tanks for 11 months sur lie. The Chablis embodiment of the anti-oaked chardonnay despite seeing the inside of a barrel for a “few to several weeks” during ferment. Here in early life the aromatic lees of trickery and textural barrel magic construct an architectural chardonnay with more wood on the palate than there really is. All about and in for that texture with a late pique and tight acidity. Finishes with sushi rice seasoning after a close shave. Kind of, perhaps and perchance a visit with backwards winemaking, practically speaking. Drink 2016-2019. Tasted March 2016
Here chardonnay enters the lodge for a sit-in with fully assumed lees, neither shaken nor stirred and with no weird chemistry. Saw 12 months in barrel which is blessedly integrated and rich without ostentation. This Wismer is a wine travelled down a less worked word, speaking in subtleties and to great lengths. A wine that was allowed to do its thing. It’s not the fruit you think, it’s the fruit itself. The next goal will be to produce two single vineyard chardonnays, this and the home vineyard, along with the 50/50. 120 cases were made. Drink 2016-2021. Tasted March 2016
Time has constructed a completely different animal, meatier, grittier, younger version of the same style and so very vintage driven. More prick and spice. Cry baby cry, cru Gamay with hanks to more VA. A terrific, anterior way to go with Gamay, of substance and laser focus. “Make your mother sigh, she’s old enough to know better.” 360 cases made. Drink 2016-2018. Tasted March 2016.
From my earlier (tank sample) note of June 2015:
Increases the colline built of earth and endemic Gamay character. Keeps the funk grooving with a precise, focused beat. So very like pinot, with grains and tannin interwoven to length. Chewy, sanguine and gamy, a manducate of meaty sashimi or a mouthful of raw, marbled rib-eye, seconded on charcoal for a split second. On tap at Barque Butcher Bar.
The totality here is a paltry 220L or 25 cases, accomplished with the same McNally approach and concept, from a wild ferment and full malo (well, full as far as Ilya can tell). No sulphur is added in the first year and so he smells like Mcnally, weird, wonderful and clothed in musk. Tastes like Leaning Post pinot and as McNally, urged on by just pinot lees. This vineyard sheds more citrus and bitters with terrific elongated stretch. This 2013 is ready to go, never marginalized by its bitters nor its harmonic minor VA on the finish. Drink 2016-2020. Tasted March 2016
Ilya Senchuk’s 2012 merlot is not vineyard labeled, though 85 per cent hails from a single-vineyard specific (Demoura) Niagara-on-the-Lake terroir plus (15 per cent) from Beal vineyard in Beamsville. It was massaged by three barrels in total of French and American oak and corresponds from the oak cellar markedly aromatic in vanilla and by lavender. It also posts up continentally orated in a booming black olive and briny voice, by spice, beck, cull and call. So rare to see a Bench or Peninsula winemaker go here, in this way, with dialled and filled in middle grip. Pause with this merlot and notice it tempered by a chocolate linger with more earth than 2010 (which was McNally fruit). In the end the disclosure carries that Italianate animale meets right bank-ish thing that ’10 just did not have. Drink 2017-2022. Tasted March 2016
“The knowledge of yourself will preserve you from vanity.” (Miguel de Cervantes)
“Vanity is the healthiest thing in life.” (Karl Lagerfeld)
“How long shall your vain thoughts lodge within you?” (Jeremiah 4:14)
“When you have a lot of success you don’t need vanity any more.” (Amelie Nothomb)
The headline reads as a current VINTAGES vanity plate. Nothing shouts VANITY like the bi-weekly VINTAGES releases, that is unless you can read between the lines, seek out anti-narcissistic wines made with honesty, from and for success. The LCBO is full of itself, as it should be, because billions of dollars of revenue for the monopoly and the province is a favourite sin. The consumer can protect themselves by knowing themselves, their personal tastes and which wines will see to personal success.
The Judgement of Paris happened 40 years ago. VINTAGES celebrates seven players that not only participated but were granted instant celebrity. Now 40 years later, VINTAGES puts the legends back in the spotlight. I tasted all seven wines. Were I afforded sackfuls of cash I would gladly indulge in their collective vanity.
For full reviews on all the Judgement of Paris wines, please visit me at WineAlign
It is indeed healthy to be a winemaker, distributor, agent or retailer of self-assurance, to believe in a body of work or portfolio, to know that it represents quality and to flaunt it for the world to relish in its revelry. It is equally healthy to know humility, to create with impunity in knowing the confidence of fashion has resulted in the singularity of accomplishment. All the better when verecundity is found in a wine made by a big house.
Eight current releases speak to success, beyond vanity. My notes.
Casal De Ventozela Loureiro Vinho Verde 2014, Portugal (445098, $14.95, WineAlign)
Loureiro from Villa Verde, grippy and mineral as it should be, marked by citrus, herbs and the slightest spark of CO2. This must have been prime, perfect in fact, in the wheelhouse even…six months ago. Still refreshing and yet savoury, nearly, though one step away from complex for the grape and a sense of place, from point A to B. Drink 2016. Tasted May 2016 #casaldeventozela@LeSommelierWine@vinhosverdes@VinhoVerdeCA@wines_portugal@winesportugalCA
The Rafael is an honest, purposed product culled from what such endemic grapes together with wood will combine for perfectly typical effect. Here the package is respectfully lithe and speaks of what Valpolicella may once have righteously been, should still and can eminently be. Fresh, wound tart, amenable and easy to love. Yes, please. Drink 2016-2019. Tasted May 2016 @Tommasiwine@UNIVINS@C_Valpolicella
Benmarco Malbec 2013, Unfined And Unfiltered, Uco Valley, Argentina (657601, $17.95, WineAlign)
Clearly ripe and ripping like so many malbec brethren and sistren but at 3,000 feet of Vistaflores altitude the Benmarco delivers an extra level of ratcheted intensity, especially at $18. Extreme aromatics, of black, blue and boysenberry fruit are bigger than the oak, the soil and the malbec genre. This is the best Benmarco since the formidable 2002, a wine that still drinks well today. Drink 2016-2028. Tasted May 2016 @sbalbowines@ProfileWineGrp@winesofarg@ArgentinaWineCA
Most righteous Rioja, dusty and leathery but fresh, vibrant and alive. Terrifically rich palate, full of strawberry, liquorice and pastis. Acidity is all over the fruit, enveloping and then a short pause ensues, followed by the caressing tannins. There is more than a Crianza mouthful of wine in here. Wait one or two and then watch this turn over and over for the next 10 years. Drink 2017-2026. Tasted May 2016 #Tobia@_La_Rioja@RiojaWine_ES
A Chianti Classico with a foot in two worlds, the traditional (Greve) and the modern. The tart red berries are sour to nose and to taste but it’s the kind of sour that reels you in and gets you too beg for more. The level of clean, fresh lees is very 2013, something that Chianti Classico needs more of. Dry extract and tannin are spot on for the overall intent. Drink 2016-2020. Tasted May 2016 #Viticcio@chianticlassico@MajesticWineInc
Big mouth strikes again, with phenolic ripeness set against stinging nettle greens from out of the warmth in 2012 Niagara. “Sweetness, sweetness I was only joking.” Plums turning into prunes and back again, of fruit not sure if its coming in or heading out the door. Hanging in like Morrissey at a Smiths reunion concert. Drink 2016-2018. Tasted May 2016 @MegalomaniacJHC
Heitz Chardonnay 2014, Napa Valley, California (205500, $49.95, WineAlign)
When the Napa Valley name Heitz is mentioned it is Cabernet Sauvignon that comes to most minds, 99 per cent of the time. Chardonnay is a Heitz thing, dating back to 1961. The 2014 rendition is the iron fist-velvet glove version of classic Napa Valley (usually reserved for Cabernet Sauvignon allusion). This is quite a rich and variegated Chardonnay full of typically warm Napa sunshine but it’s also a study in barrel restraint and judgement. The flavours are loaded with citrus, compressed and taut. Wound tighter than a wire around a boat winch, this just needs some time to settle in. Drink 2018-2021. Tasted May 2016 #Heitz@NapaVintners@CalifWines_CA
Judgement of Paris Chardonnay
Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)
From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030. Tasted May 2016 @RidgeVineyards@rogcowines@CalifWines_CA
Back in the savour again @Wine_Australia #SavourAus #history #evolution #revolution
Back in early February a group of Aussies were pulled from pocket, heralded with perspicacious aptitude by Mark Davidson and poured at the Vintage Conservatory for Toronto’s want to know wine community. The murmurs could be heard speaking the unspoken profound. I took coadjutant note. In late February I surmised that “the seminar offered a welcoming respite from my monthly treadle of reviewing. The Langton’s wines collectively commit to the idea that wine is a blueprint with entrepreneurial elements, an elixir akin to the maker’s inventive secret machines. It is always refreshing to taste wines that are not exaggerated or sentimental. These Aussies are representative of all this and more.”
“Such a gathering of Australian wine delivers the preponderance of form, with the incantatory capacity of narrative to bring truth to light and fulness out of pleasure.”
On the heels of that twelve strong Langton’s Classification Toronto tasting came another stellar gathering, this time expatiated as Savour Australia. Just when you think the best of the best had come to town, the best got better.
Ooh, no, not @VintageMD but yes, @johnszabo for #SavourAus @Wine_Australia
Wine Australia and her woman about town Anne Popoff gathered 28 producers from 14 regions at George Restaurant on May 16, 2016. The HER (history-evolution-revolution) trade seminar was presented by Master Sommelier John Szabo. The wines were nothing short of exceptional. Once again Australia delivered, not only in terms of quality but also with deferential diversity. Imagine the possibilities when the new effects of restraint and change begin to trickle down to less expensive and more commercially produced wines. Australia will become a new global force to be reckoned with. Here are my notes on the 12 seminar wines plus a few new finds.
Gotta say good on ya @Wine_Australia & @lesavoirvivre59 for today’s neoteric rainbow of #SavourAus
History
Kilikanoon Mort’s Block Riesling 2005, Clare Valley, South Australia (233791, $50.00, WineAlign)
From 45 year-old vines planted by Kevin Mitchell and dedicated to his father Mort, the Reserve Watervale riesling has entered Clare Valley 10 years plus of age nirvana. From pristine free-run juice, this is premium, intensely sun-juicy Riesling, notable for its key-lime aroma and flavour. A key to your citrus pie heart, it took all this time to bring out the complimentary toast. Racy, revelling riesling as a bone outstretched from the stone of Clare Valley soil. Drink 2016-2020. Tasted May 2016 @kilikanoon@ChartonHobbs@ClareValleySA
D’arenberg The Derelict Vineyard Grenache 2012, McLaren Vale, South Australia (Agent, $35.00, WineAlign)
From a vineyard abandoned and left for dead, with bush vines as old as 100 years revived and restored. No new French wood houses d’Arenberg’s delicately dangerous grenache fruit for 12 months. The intro guitar chords from these plants of arms outstretched are George Harrison generous and give fruit more sweet than dandy. Grenache can seem so sketched, lithographed, Warhol copied and godless, but from old vines handled with care it takes a more godly direction. Here there is a slow-settled sense of cure and a liqueur distilled as if by red soil into liquid mineral. It is also fresher than other old vines grenache, say from Aragon or the southern Rhône. “But it takes so long, my Lord.” In McLaren Vale, 100 years. Thank goodness this 2012 has been prepped to please beginning in 2016. Drink 2016-2022. Tasted May 2016 @darenbergwine@TashStoodley@imbibersreport@mclaren_vale
Hollick Ravenswood Cabernet Sauvignon 2012, Coonawarra, South Australia (Agent, $75.00, WineAlign)
No Coonawarra cabernet sauvignon can be considered without the signature, what Hollick’s Rebecca Poynter points out as the “GI,” the Geographical Indication. Registered back in 2003, the ideal demarcates exact boundaries and the deeper we try and understand the terra rossa soil and what it means for cabernet sauvignon, the more it seems that Classico should be added to discern the local varietal specification. First made in 1988 and only produced in exceptional vintages, Ravenswood (Lane) is the link between Hollick’s Neilson Block and Wilgha Coonawarra Vineyards. A bonny doon uprising of cool temperatures from the ocean and the terra rossa create a combined mineral-savoury undertone and a long, cool growing elegance. Iconic attribution, the marriage of old vines and best plots, 18 months plus 18 in bottle. All this to see depth in red plus black fruit, such developed acidity and in the end, bramble on. Drink 2017-2027. Tasted May 2016 @hollickwines@LiffordON@CoonawarraWine
St. Hallett Old Block Shiraz 2013, Barossa Valley, South Australia (Agent, $80.00, WineAlign)
An Eden and Barossa Valley blend from vines that range between 60 and 100 years old, the Old Block 2013 is perhaps the most exotic, romantic and profusely perfumed Shiraz in South Australia. The evocative and ambrosial mix of wild rose bud tisane, unlit Indonesian kretek tobacco and Eucalyptus Leucoxylon Rosea is herbaceous, spicy and ambrosial. You might expect a hammer on an anvil but a bridge between the two valleys conjoins the fruit, layers with balance and forms a silky and seductive story that is a great read into texture, from prime extraction and the lavender-vanilla seduction of new and old French oak. Drink 2019-2027. Tasted May 2016 @StHallettWines@Select_Wines@BarossaDirt
Evolution
Leeuwin Estate Art Series Chardonnay 2013, Margaret River, Western Australia (Agent, $99.95, WineAlign)
Young is the operative understatement, whilst toast and butter in peak pomade are equally opposed yet lifted by the blossoms of white flowers. What erudite reduction brings and how it stops time. The best barrel selections from powerful Block 20 fruit cause the commotion in a zero shame Chardonnay, philosophically captured though perhaps one step back from unabashed. Ripeness was clearly not an issue. Freshness balances all else. At present the youth is seemingly everlasting. The effects of a moderate climate and corresponding alcohol, in at 13.5 per cent, are edifying to the western tongue. The length is exceptional. In this opinion, classification easily and unquestionably upheld. Drink 2017-2025. Tasted February 2016 @Leeuwin_Estate@TFBrands@MargaretRiverWi
I love the smell of blood orange in the morning @SoumahWines @Wine_Australia #SavourAus #pinotnoir #yarravalley #singlevineyard
Souma Single Vineyard Pinot Noir 2015, Yarra Valley, Victoria, South Australia (Agent, $34.95, WineAlign)
Old sandstones, silky loam and minor clay nourish vines planted in 1994, “to a fruit salad,” explains Steven Worley and which eventually evolved into pinot noir. The Soumah Single-Vineyard wines are named after train stations (i.e. Bluestone, Hexham) and they refer to an eastern French didactic. The aromatics abound from 2015, in plethora of orange musk; first blossom, then zest and finally a liqueur. Pinpointed further it’s blood orange, studded with clove, then squeezed into a Mimosa. Early fruit phenolic ripeness, high-picked acidity, wild yeasts and some whole bunch (10 per cent) fermentation leads with freshness, tension and precision. In this pinot noir you can’t help but note the new world cure and pastis flavours in what is very much a treatment in old world homage. An Amaro note slides along the terrific length. Very expressive wine. I love the smell of blood orange in the morning. Drink 2016-2022. Tasted May 2016 @SoumahWines@vonterrabev@yarra_valley
Alpha Box & Dice Xola Aglianico 2011, McLaren Vale, South Australia (Winery, $45.00, WineAlign)
This first vintage of the grippy aglianico from a variety of growers and blocks is certainly multi-environmental and drinking with five-tear resolved, prescient acceptability. Owners Justin and Dylan Fairweather practice self-proclaimed vinous bricolage, laying down the ferment for four years in oak (none new) to heap a nosing of liquorice root with the clay still caked and clinging. A humidity this side short of damp relents to florals and then, as expected, a forceful tannic structure. The Xola is the winery’s study in wine duality, as per William Blake’s opposites of existence, masculine aglianico swaddled and softened in feminine wood, exhorting the concept of “complementary dualism.” Or, if you like, in Jim Jarmusch vernacular, “Exaybachay. he who talks loud, saying nothing.” This southern Italian varietal speaks with emphasis, as it does with minerality, from its original existence, “close to the ocean.” As it does here, “perfect for Mclaren Vale.” Drink 2016-2023. Tasted May 2016 @AlphaBoxDice@mclaren_vale
Shadow puppets @chefcmcdonald and @johnszabo talkin’ @Wine_Australia #SavourAus
Fowles Ladies Who Shoot Their Lunch Shiraz 2012, Victoria, South Australia (243592, $35.95, WineAlign)
Quite savoury shiraz, reductive, soil funky and forceful. A plum tart, mince meat pie, layer cake of variegation. Acidity circulates and the finish is very much on the toasty, peppery side of the Victoria understanding. Drink 2016-2019. Tasted May 2016 @LadiesWhoShoot@vonterrabev
Revolution
BK Wines Skin & Bones White 2015, Adelaide Hills, South Australia (Winery, $50.00, WineAlign)
With a nudge-nudge, wink-wink nod to the Jura, here savagnin finds oxidative, skin contact hope in the Adelaide Hills. Lobethal savagnin (98 per cent) plus a smidgen of chardonnay develops with wild yeasts, sees nine months bâttonage and 12 months in 100 per cent neutral French oak. Smell the sweet grass, while away with the mellow acidity and suffer no slings, arrows or consequence with nary a bite or a pop. Here balance is ushered by dry extract and tannin in a white Rhône-ish way, with tonic-herbal flavours of white cola and less than minor minerality. The skin contact is a plus, as is the lime finish. Drink 2016-2019. Tasted May 2016 @bkwines
Jauma Like Raindrops Grenache 2015, McLaren Vale, South Australia (Winery, $60.00, WineAlign)
Grenache as determined by theories of natural selection, like raindrops, as put forth by Jauma’s James Erskine, is here, like stolen kisses. The basic intent, the accidentally intentional purport, the let it be, three vineyard blend. All this for the attitude from cause and to the effect of dropping inhibitions and to drink this grenache without pause. The vineyards are Ascension, in the alluvial basin of the northern slopes of McLaren Vale proper; Genovese, the white beach sands of McLaren Flat and Wood, the sandy ironstone ridge of Clarendon. Yes it’s earthy but also very fruity. One hundred per cent whole cluster achieves a South-African Stellenbosch like cousin performance, but also akin to a similarly-crown capped Jean-Pierre Frick-ish natural Pinot Noir tendency. Here there forges more acidity, but also a banana boat of carbonic whirlpool-ness. This is a thirst wine, a quencher. Drink 2016-2018. Tasted May 2016 @JaumaWines@mclaren_vale@TheLivingVine
Ochota Barrels I Am The Owl Syrah 2015, Adelaide Hills, South Australia (Winery, $60.00, WineAlign)
Syrah like you’ve never tasted before, to send you spinning, from Taras Ochota, a.k.a. the “European Flying Winemaker.” Syrah from cool climate and of whole bunch fermentation. Syrah reductive and soil funky, of an achievement uncomplicated, simple, truncated and with near-zero intervention. Fresh, atypical, chewy, chunky, altitude-affected, naturliga syrah. Syrah that sees the failings and mistakes of others and can’t help but allude to a Dead Kennedys’ song, “for clean livin’ folks like me.” I am the owl. We are the beneficiaries. Not to lay down. Drink 2016-2019. Tasted May 2016 #OchotaBarrels@TheLivingVine
Brash Higgins Nero D’avola Amphorae Project 2015, McLaren Vale, South Australia (Winery, $55.00, WineAlign)
The renegade triumvirate of coagulation denotes the shock and awe of this outlier; McLaren Vale, Nero d’Avola and Amphora. Winemaker Brad Hickey and his nickname have taken the troika and created a beautiful monster. A non-oxidative, crunchy, spicy, toasty, chewy and tannic NdA in versicolour, mottled and florid in flavour. There is black and white pepper, cinnamon, zesty orange spritz and a clay influence (plus amphora) to waft one for the ages. The palate flaunts a tapenade of painfully brilliant chalky black olive. The swirl is chocolate and vanilla, mediterranean and meganesian. There should be zero attention paid to the unusual in its concept. This is both a pleasure to taste now and will evolve into something wholly other given enough time. At least 10 years to be sure. Drink 2016-2025. Tasted May 2016 @BrashHiggins@mclaren_vale@TheLivingVine
New Finds
Cirillo 1850 Ancestor Sémillon 2011, Barossa Valley, South Australia (Agent, $36.00, WineAlign)
A sémillon revelation is found in this Barossa Valley ancient, a wine procured from vines dating back more than 150 years. To discount that prodigious bit of calculated fortuity would be wrong on so many levels. The Cirillo family are guardians of what may be the oldest continuously producing grenache and sémillon vineyards in Australia and by logical extension, the world. Here the combination of dry extract, mineral depth and straight-lined (unsalted) salinity is beyond special. While the Hunter Valley garners the most attention for aging immortal sémillon, this Barossan will likewise escape, somehow, to live another more complicated and mysterious life. I would wait three years for some extract meets tannic sweetness to begin its development and then take it slow for another six to 10. Incredible find here in Ontario from Marco Cirillo. Drink 2019-2029. Tasted May 2016 @Cirillo1850wine@bokkewines@BarossaDirt
Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo
Cirillo 1850 The Vincent Grenache 2015, Barossa Valley, South Australia (Agent, $30.00, WineAlign)
It may feel like a wine framed fresh from uncharted grenache territory but this “entry-level” Cirillo has charted old vines dating back 80 years. The estate’s Old Vine 1850 is resolved from vines time-worn to 160, considered the oldest for the varietal anywhere in the world. Here beautiful and gorgeous come directly to mind, as does silky and deep beyond commonplace grenache depths. Fine, sweet tannins and balancing acidity are the endearment to unblemished, hardly handled red fruit. Marco Cirillo is the benefactor and the facilitator of this old vine bounty and his edifying handling makes for grenache both winsome and with age ability. It should be considered for one and then the other. Drink 2016-2025. Tasted May 2016
Cirillo 1850 Steingarten Shiraz 2014, Barossa Valley, South Australia (Agent, $35.00, WineAlign)
Steingarten is an iconic Eden Valley Vineyard in name and nature for riesling but in Cirillo’s case it’s a matter of high altitude shiraz vines at the crossroads of the Barossa and Eden Valley ranges. Marco Cirillo’s handling involves open top fermenters, natural yeasts, basket presses and French meets American oak for 12 months. A stony, schisty distinction can’t help but compare to a northern Rhône, St. Joseph styling, with dark, pepper-laced fruit slipped into a velvet glove. Fresh and spirited, the tannins creep deftly and dutifully in, asking for patience and time. Drink 2018-2024. Tasted May 2016
Stonier Chardonnay 2015, Mornington Peninsula, Victoria, Australia (25353, $35.00, WineAlign)
The fresh, minimalist approach entices and offers up such pure, unadulterated excitement, with thanks to the Mornington Peninsula and vines that first took root in 1978. The Stonier chardonnay has been off the radar and always beautifully made but this vintage will turn and attract new heads. Unshakable, racy, fleshy and spirited, this represents more than mere cool climate chardonnay, it vociferates the major importance of such an exhilarative maritime clime. Chardonnay and pinot noir heaven. Drink 2016-2020. Tasted May 2016 @StonierWines@Select_Wines
Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014
To me, Prince Edward County is the most enigmatic wine region in the world. Why is that? The coterminous climate and geology comparison to Burgundy never wanes and the vintners who painstakingly cultivate and produce Chardonnay and Pinot Noir never quite abandon the methodology. The Burgundian model of viticulture is almost universally applied to the County microclimate. Think about it further and note that latitude and soil composition aside, PEC is not Burgundy, never will be and the parallels drawn ad nauseum should begin to cease and desist.
There are many reasons for saying this. The most obvious has to do with winter and the painful condition of a once or twice every 10-15 year pain in the arse deep freeze that necessitates the hilling up of vines. Farmers select canes chosen for the following growing season and tie them to a wire very close to the ground. Upwards of two feet of soil is plowed onto the tied-down canes. The labour required is extensive and the subsequent yields are lower than most grape growing places on the planet.
At the 2015 spring County in the City event I noted that WineAlignprimo scrittoreDavid Lawrason presented his PEC state of the union address via the company website. “David touched on some integral points for growers and winemakers in the County, including the rise of Riesling and a case for increasing plantings of varieties like Chenin Blanc.” At the time I hung on to Burgundy with no immediate plans to recognize an imminent diurnal varietal shift.
Last fall I wrote a mini-dissertation on the ridges of PEC. “It all adds up to minerality in the wines and nowhere does the geology matter more than on the ridges.” Which brings me to the third bit of logic and one that is varietal based. Pinot Noir and Chardonnay share the stage with a wide range of planted grape varieties and it is the emergence of Pinot Gris that shakes the foundations of PEC-Burgundy thought. If this year’s grand tasting of County wines at the Berkeley Church showed one thing it’s that Pinot Gris is a must. From Hillier clay-loam to omnipresent limestone, the group begs for Pinot Gris, a mineral-loving, dry extract extricating and tertiary tannin absorbing grape. The makers know it.
A fourth dialectic concerns rules and regulations. A wine growing community may talk a big game of homage and publicly declare with politically correct language their allegiance to, a following of and the emulation of a wine-producing deity that has proven its success with hundreds of years of tradition behind it. But the fact of the matter is Prince Edward County does not yet know exactly what it means to be a community of wine producers. The grand cru, premier cru and lieu-dit blocks are only beginning to be understood and working with the climate is still an unmitigated, trial and error disaster.
So in steps a governing body to determine what winemakers are supposed to and even allowed to produce and what exactly they can call it. Absolute authority is exercised against a brilliant vintner who owns land, lives and produces wines in the County, but can’t label it as such. Forget about the economics of an acronym that saves on taxes. They are not allowed to write Prince Edward County on their label.
I hear you. Regulatory boards are needed to make sure a region is putting its best foot forward out to the country and to the world. You can’t have a golfer wearing cut-off jeans, a fishnet tank and a mesh visor shanking nine-irons on the perfectly groomed country club 18. But what if one guy’s wines are off the charts, gorgeous representations of terroir? So what if her skin-contact whites are not what we are used to? Who cares what either of them are wearing. Who should complain that they make new tracks in their own special way? Exactly how is it they bring shame, detriment or housing market decline to the neighbourhood?
Rant aside, the last piece of the Prince Edward County puzzle stretches from the idea of freedom and into a polemical discussion in which no two County wines are the same. Dynamism has never known such hyperbole as it does in the County. Yet another Sparkling epiphany was had after tasting Lighthall Vineyard’s first (not yet labeled) traditional method fizz. It should be called “Au Courant” because it takes everything we have assimilated from Champenoise bubbles, filters it through Cherry Valley soil and rewrites the book. The collective needs to embrace the Sparkling example set by Jonas Newman, Bruno Francois and Glen Symons.
The endearment “The County” is a term meant to bestow a sense of down to earth affection on a place you have to detour through to pay it a visit. “The County” is in fact Ontario’s most diverse and magnetic wine region. To borrow from the American literary critic James Wood, PEC is “one of those rare occasions where the absence of evidence is evidence.” Everything is changing all the time and everything is new. No County for old wines.
I recently reviewed 20 County wines. Here they are.
First @lighthallvyard strike #methodetraditionelle #2011 #fortytwomonths
Casa Dea Dea’s Cuvee 2015, VQA Ontario (261263, $18.95, WineAlign)
Distinctly August cling stone peach, ripe, lightly crushed and fenocchio glacier. Really pollinated fizz, with a bright pink grapefruit granita personality and cool chardonnay exemption. Pretty, pretty stuff. Lingers precisely and there is nothing remotely precious about it. Well made. Drink 2016-2018. Tasted April 2016 @casadeawinery@PECWinemaker
Huff Estates Cuvee Janine 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Comes from a place and will return again to the junction where rusticity and elegant oxidative character live. Erstwhile fresh, alive, prescient and yet must have been a challenge to tame. Quite the gustatory, culinary, mis en place of torched vegetables and acidity de-glazed game seared off into caramelization. Intensely real, characterful and attention grabbing Janine but not funky. Slow braise ahead. Drink 2017-2021. Tasted April 2016 @HuffEstatesWine
Huff Estates South Bay Vineyards Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Reductive and reeling from the pushy barrel, young, tight, angular and closed. Green apple, tart white berries and barrel spice. Emerald gem Chardonnay leaving little to no wonder Niagara Bench winemaker Paul Pender is so interested in the fruit. South Bay is the Quarry Road of the County. Wait for the richness and the platinum peaches and cream to emerge commensurate to ostensibly consummate cool climate Chardonnay. Drink 2018-2022. Tasted April 2016
Karlo Estates Pinot Gris 2015, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Welcome winemaker Derek Barnett to the County and to Pinot Gris with a Gorrilaz style, “the essence, the basics,” gone ripe beyond the pale, round and full. Sweet green apple and basil relish, veritable tang, baked tart shell filled with apple-citrus curd but so far from sour. Wish it hung around for longer. I suppose I have only myself to blame. “I ain’t happy, I’m feeling glad. I got sunshine in a bag.” Clint Eastwood and Pinot Gris in the County. “The future is coming on.” Drink 2016-2018. Tasted April 2016 @KarloEstates
Karlo Estates Lake On The Mountain Riesling 2015, Prince Edward County, Ontario (Winery, $29.00, WineAlign)
Very Mosel Germanic Riesling Kabinett in style, with some residual and low alcohol. Juicy, round acidity, ripe sapidity and almost tersely spoken from the edge of the late harvest forest. Good length and will live a half decade or more with severity tempered by herbal countenance. Drink 2016-2021. Tasted April 2016
Keint He Portage Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Tart and tight, rich and tangy, as expected and with some density. What needs from reduction lays low and melds into wood. The handling was necessary from out of a challenging and demanding 2014 vintage. The Portage is fully entrenched as a true County stalwart. This is what defines what Keint He is, has come from and to where it will go. Ground zero for the range, from what others will feed from. Sister Chardonnays Greer and Frost embark from this Portage starting point. Drink 2016-2019. Tasted April 2016 @KeintheWinery@Nicholaspearce_
Keint He Greer Road Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
The specificity of the label conjures up territorial Hillier thoughts for Chardonnay made by Norm Hardie, Dan Sullivan and Paul Battilana. While the Greer thread runs through and keeps it in the family this is all in Keint-He issue. Possessive of a richness shown by few other PEC Chardonnay, there counteracts and stabilizes a cool climate snap, crackle and green apple pop. Tang folds into lovely tart, citrus bitter curd with a wisely executed tumult. And there is no relent. A Chardonnay ripper. Beware the power. Drink 2016-2020. Tasted April 2016
Lighthall Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Glenn Symons’ 2014 from the southern flank in the Cherry Valley is perhaps the most regionally intense, lights out Chardonnay in Prince Edward County. ‘Twas a good growing season in the Lighthall Road ward so say hello to phenolic ripeness and an old school, reductive and layered striker of flint and wood. The yields being as low as they are and exponentially were, there grunges much tonic reverb stirred into leesy, sweet extract in its rather ripped sonic youth. Such a mineral wine, sword-wielding, axe-grinding and tannin mining. Will find its unctuous way with time. ‘Cause it’s lights out right now. Drink 2017-2022. Tasted April 2016 @lighthallvyard
Lighthall Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
The paradigm shift that began with Lighthall’s 2013 Pinot Noir continues with this stay the course 2014 and then some. The vintage offered up a slower developed phenolic yawning so the stygian runs deeper than the vermillion. That is to say the cherry fruit turns to black even while such a pretty Pinot pours with tension beneath the rich and glorious surface. Tension yes, but also soil infiltration and cooling breezes to temper the Cherry Valley conflagration. Tautness de-armed by a necessary streak of humus conditioning pomace, for grounding. Voluminous palate notes are repeated in demonstrative refrain. Another step forward for Prince Edward County Pinot excellence. Drink 2016-2019. Tasted April 2016
Lighthall Pinot Gris 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Made in the Lighthall style mixed with location, location, location. Vines of healthy fruit in the Cherry Valley, making for wines that are stark, sturdy, demanding, self-fortified and of limited quantities. Like its siblings, this Pinot Gris is also exempt from weakness. Here PG reminds of lieu-dit Alsace, of attitude, with tannin, extract, salinity and and of course, mineral. Singular County Pinot Gris. Could age for a decade. Drink 2016-2022. Tasted April 2016
Norman Hardie Riesling 2015, VQA Ontario (131169, $21.00, WineAlign)
More reductive for a Norman Hardie Riesling than even it ordinarily shows and also pervasive of penetratingly concentrated stone fruit. While the acids may be received as hard and potentially malic that perception is calibrated by this wine’s typical aggregate. The walls need breaking down and the road is purposely graded high knowing full well it will eventually finish even with the shoulder. I like the sweet tannins and the difficult way in which it uses extract to a futuristic advantage. Wait a year and imagine the possibilities of balance. Drink 2017-2020. Tasted April 2016 @normhardie
Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most. Drink 2016-2022. Tasted April 2016
Rosehall Run Pinot Noir J C R Rosehall Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
The vintage steps out of a particular shadow and into bright light, exposing the JCR Pinot Noir with a particularly beautiful level of freshness and vitality. What has come before is not forgotten; the County tartness, the limestone preparation and the earthy red ochre fruit. But here is something other, something new, exciting and structured. The balance begins and ends on a seamless circle with no obvious demarcation point. The most elegant Rosehall Run Pinot Noir comes out of this 2013 and its level of poise should see it enjoyed now and for 10 more years easy. Drink 2016-2025. Tasted April 2016 @Rosehall_Run@sullywine
Rosehall Run J C R Rosehall Vineyard Chardonnay 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
A tenderly and beautifully rich, stone roses reductive and buttery Chardonnay, fully malo-activated, in adherence to the consistently classic Dan Sullivan righteous style. Makes me think of 1990’s Manchester post-punk, 60’s retro guitar pop, with a sweet softness as foil to an angst-riddled, contemporary acid house rhythmic sensibility. Sullivan’s JCR draws from influence, playing both time-tested Burgundy and new world Chablis pop hooks. “Where there’s life there’s gotta be hope and where there’s a will there’s a way.” Just sip along with the Rosehall Run JCR Chardonnay. It’s hard not to become enamoured after experiencing such great, coherent length. So young. Drink 2017-2021. Tasted April 2016
Stanners Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
Quite remarkable and reductive Chardonnay, from fermentation of a certain halting, the yeast not quite having finished munching and malo just short of finding fulfillment. Low in alcohol after posting pH similarly reserved. This has real gumption, a stalwart of phantasmagorical Chablis allegory in the guise of salty, mineral PEC with minor residual sugar and a dip into the funky well. Just lettin’ it all hang out. This is a very promising wine. Just wait until the weather holds out and the yields go up just enough for Colin Stanners to make a really proper Chardonnay. Drink 2016-2019. Tasted April 2016 @StannersWines@GroupeSoleilTO
It’s not what you think but it’s just what you imagine @Stannerswines @GroupeSoleilTO @therealbenhardy #PinotGris #cuivre #skincontact #pecwine #princeedwardcounty
Stanners Vineyard Pinot Gris Cuivré 2014, VQA Prince Edward County, Ontario (Agent, $25.00, WineAlign)
The coppery-hued Stanners Pinot Gris Cuivré 2014 is like a member of the cup of coffee club, its skin contact time limited but forever significant. The PEC conceptualization may seem as strange as surfing Wellington waters but this Pinot Gris is a boy who trapped the sun, having sealed in brightness and freshness beneath the surface, cauterized during fermentation. This is not an orange wine but rather a a Pinot Gris with poise and a balladeering sense of calm. The Cuivré comes from pure sourced County fruit, spent time in stainless steel, is more than a curiosity, is a little funky and offers a feeling of rosé as a gateway drug to orange wine. Saline, nicely savoury, with a tinge of wild sauvage, all within reason. Such a skin contact white in self-proclamation “when you go into your skin, I’ll be the hope joining the walls.” The missing piece is tension, dynamic tempo changes, rises, falls and a crescendo. Though it lacks such structure it is still a beautiful mistake by the lake. Copper down. Only 230 cases were produced and it was released in February, 2016. Drink 2016-2019. Tasted April 2016
One of three Skin Contact Rieslings from winemaker Mackenzie Brisbois, from Lincoln Lakeshore fruit out of Ed Hughes’ farm. For whatever reason this vineyard is far less reductive then the (Wismer) counterparts. It may be attributed to site, of decreased nitrogen (or not) and/or when sulphur is applied. “Ed Hughes is a very calculated grower,” notes Brisbois, which may account for what stylistic deference is syllogistically accrued. “They’re very dry and they will be very tart,” she warns, “and aromatic.” Pressed when fully dry and 14 days on the skins. Arid is the understatement, this shining and whispering Riesling, of tartness not on top slides beneath the surface of acidity. So much length. Youth is not on its side while it wiles away in withheld revelations though longevity is not necessarily its greatest ally. This is Riesling of stark realities, arid with no Niagara frame of reference and fruit so crisp it cracks into perfectly linear fissures. Laser focus without pierce or citrus. Spellbound skin contact stuff. Needs six months to seek a wave beyond the shock. Only 32 cases made. Drink 2016-2019. Tasted April 2016 @TrailEstateWine@MackBrisbois
Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft
The second of three skin contact, Niagara borrowed Rieslings from winemaker Mackenzie Brisbois. This time from Craig Wismer’s Lakeview, a Twenty Mile Bench block with 18 years-ish old vines. Spent 21 days on the skins and comes through in or around 10 per cent alcohol (like the others). More herbology balms the nose and while it may not waft with equanimity or gregarious aromatics, it’s bleeding delicacy and savoury sapidity breathes freshness. If it just came with an added juicing of lime it would help to bring out structure and balance the anterior acids. As it is the acidity runs through the middle, streaks and halts the fruit from gaining on time. Adheres to acting typical of a 20 Mile Bench Alsatian Clone 49 example. Only 15 cases made. Drink 2016-2020. Tasted April 2016
The third and most effectually ingenious of Mackenzie Brisbois’ skin contact series Rieslings, with far more texture on the palate and overall Riesling acumen. Endowed with a gram less acidity than the Lakeview and burgeoning with veritable Twenty Mile Bench viscosity. Can it be such a coincidence that so many winemakers choose Foxcroft for their Riesling fruit? A real burgunder sensation is to be annexed out of the crafted brim of an invisibly stitched, tart-pan curl. This is irrefutably the most accomplished of the three (that includes Hughes and Lakeview), of length increased, laser focus and thirst quenching pleasure. Such a pity that only 12 cases were made. Drink 2016-2022. Tasted April 2016
The concept is in line with what winemaker Mackenzie Brisbois set out to do with Riesling but the result couldn’t be further from the truth or the ideal. Sauvignon Blanc is nothing like Riesling. It’s malleable, amenable and submissive. The process took de-stemmed fruit, saw it ferment on its own (dry, in nine days), needing no inoculation and then handled with hand-punched, TLC. In the end it was sterile filtered, leaving it to shine with latent lucidity, of brilliant clarity and with skin-deep grace. The whole is a snapshot of nothing less than supple integration. I would like to taste this side by side in 2020 with Jean-Benoit Deslauriers’ similarly struck Benjamin Bridge (sweeter and cloudier) 2014. The divergence should be fascinating and confounding. Only eight cases made. A drop in the skin contact bucket. Drink 2016-2020. Tasted April 2016
“Every time I look at you I go blind.” #timetotaste @WineAlign
Saturday will bring forth yet another LCBO Ontario VINTAGES release. Every other Friday (and most Tuesdays) I taste through them, along with my colleagues at WineAlign (David Lawrason, John Szabo M.S. and Sara d’Amato), as well as a dozen or more multifarious and multi-motley wine writers. The wines and spirits are laid out with Warsaw Pact jibing intendment and we plod through, free as birds, privy with full disclosure for what we are assembled to inspect.
At WineAlign David, John, Sara, Steve Thurlow and I spend quality time with LCBO and/or VINTAGES destined products but we do so with wine-apprisement obliquity. When we arrive at the office and sit down to taste we are met with bottles covered with aluminum foil. We taste blind. Not completely mind you. A spreadsheet tells us the varietal(s) and region/country of origin. I too wonder if this can be truly be considered tasting blind.
The debate chases down critics and systems of evaluation with dogged persistence. Should wine be judged without any prior knowledge or preconceived notion about what’s in the glass? Must a tasting be conducted blind for a critic to objectively dispense an unbiased, unswayed and uninfluenced assessment of a wine?
The short answer is yes. Wine competitions are conducted blind, with only the varietal and perhaps place of origin as the sole bits of information with which to go on. The understanding is that if there are medals to be doled out, picking winners must be done with prejudice and favouritism set deliberately aside. But the wringer runs deeper. By definition, should any information be available at all?
To blind or not to blind, that is the question
As for grapes, a Gamay should be judged against other Gamays and so a critic may as well know that the flight is filled with nothing but Gamay. Mixing varietals within a flight distorts the playing field and skews the results. Place of origin is more complicated. While it is helpful to know where a wine hails from so that it may get a fair shake against competitors or peers composed of the same grape, that seemingly insignificant bit of information adds bias to the process. At the WineAlign Wine Awards of Canada the region is not pre-disclosed, except that the judges know that all the wines come from Canada. In competitions involving wines from around the world the regions are also excluded. Only the grape and price range is mentioned. Shouldn’t we do the same for all blind tastings? In fact, the bias of price might also be avoided.
The tougher question is whether we as critics should be tasting all wines blind, all the time, or at least whenever possible. That is to say, whenever investigations are being processed for the purpose of publishing tasting notes and perhaps more importantly, assigning scores or ratings. Who does not believe that wine must be tasted without any assistance from marketing, pedigree and prior experience? The devil’s advocate approach would declare it unfair to so many honest wines to not be given credit for many years of hard work and success. Why should a wine with a longstanding reputation for excellence have to begin again in every vintage just to prove itself? The rub I feel, is there.
The following 11 recommendations from the VINTAGES April 30th release were not tasted blind. They succeed because they are honest, well-made and accurate representations of varietal and place. I am confident they would all fare just as well had they been assessed without knowing what they were. Good wine has a habit of finding its way into a taster’s heart, blind, or not.
Mcguigan Bin 9000 Semillon 2015, Hunter Valley, New South Wales, Australia (444554, $14.95, WineAlign)
Distinguishes itself for the Hunter Valley oeuvre with impossibly pale yet rich and stark-dressed fruit. More fruity than most and so nearly, just on the cusp of getable at such a young age. A terrific example to gain entry into the valley’s great white varietal hope while waiting for the serious crew to open the doors to their longevity-accrued perceptions. Takes one for the team with bells ringing and whistles blowing. It will drink well for five years and just develop a bit of that aged Semillon character near the end of the fruit line. Drink 2016-2020. Tasted April 2016 @mcguiganwines@Wine_Australia@ChartonHobbs
Impressively expressive early to market 2015 Riesling, off-dry, partially pungent and markedly concentrated. The Black Sheep always smells and tastes like this; fifty-fifty fruit to mineral, concentrated and sweet from ripe extract and tannin. Whether you are an expert or a newbie to Niagara Peninsula Riesling, the Black Sheep is guaranteed. Drink 2016-2020. Tasted April 2016 @featherstonewne
El Maestro Sierra Pedro Ximénez Sherry, Do Jerez, Spain (451468, $17.95, WineAlign)
Now. We. Are. Talking. Vino dulce natural of quite reasonably low alcohol and extreme elevated unction. Nutty and full of dried apricots, sweeter than some but really well balanced. Dessert all by itself with just enough acidity. Tart and tight, nuts again, spice and marzipan. Really tricks the tongue and pricks the senses. Sweet. Drink 2016-2018. Tasted April 2016 @MaestroSierra@TFBrands
Montes Outer Limits Sauvignon Blanc Zapallar Vineyard 2015, Aconcagua Valley, Chile (389643, $19.95, WineAlign)
This is an exciting hyperbole of Chile, a Sauvignon Blanc from the coast with wild flavours and singing aromatics. An inwardly deliciousness SB filled from within by a lactic streak and an exceptionally reserved tartness. Great length. So different, so new, so exciting. If it’s a bit warm and perhaps higher than alcohol than it notes, so be it. It has real vitality. Job well done with this newly directed Montes. Drink 2016-2020. Tasted April 2016 @MontesWines@WinesofChile@DrinkChile@ProfileWineGrp
Stratus Vineyards Wildass Red 2012, VQA Niagara On The Lake, Ontario (86363, $19.95, WineAlign)
It would be hard to figure any sub-$20 red Ontario blend showing a deeper sense of ripeness, wood intent, sinew, cure, triturate resin and dry barbecue rub – than this Stratus ’12. It’s a bit of a head scratching, game-changing meritage, altering the course for $20 red blends forever. At the risk of forming comparisons, it puts me in mind of other places, like Roussillon, Campania and Navarra. It has coal running through its arteries and tonic spewing out of its fountains. Wild my ass? Yes. Drink 2015-2019. Tasted September 2015 @StratusWines
Four months has upped the funk for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.
From my earlier note of December 2014:
Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.
Extreme freshness, ripe red fruit and ripping acidity in such a young Chianti Classico. Possessive of an underlying mineral and dry tannic structure with such correct use of older oak and kept clean under the threshold of over-modernising alcohol. This reeks of some whole cluster work and tastes of the soil though never in any funky way. It’s extreme purity and cleanliness is second to none. This will last for longer than imagined. Drink 2016-2023. Tasted April 2016 #TenutaDiCapraia@chianticlassico@ProfileWineGrp
Jeremy Dineen of Josef Chromy Wines, Tasmania
Josef Chromy Chardonnay ‘Pepik’ 2014, Tasmania, Australia (378240, $22.95, WineAlign)
Combines beauty and bitters for a streak of natural selection through a field of texture. Heads for the cream risen to the top of rich, pulls over and steps aside to allow for a crunch of green apple. The bite is real, lit by match and cut with spice. Great length. Drink 2015-2020. Tasted July 2015 @JosefChromy@bwwines
De Grendel Shiraz 2013, Wo Coastal Region, Durbanville, Coastal Region, South Africa (174557, $24.95, WineAlign)
Strapping, youthful, dark as night Cape of Good Hope Shiraz, full of rich beginnings, soil reduction and barrel imaging. Vivid off the charts, rich red fruit, mineral undercurrent, wreaths of floral tethering and a rip tide riding rolling waves of cape intensity. Quite wow. Crazy good value. Drink 2018-2025. Tasted April 2016 @degrendelwines@WOSA_ZA@WOSACanada@imbibersreport
Vincent Mothe Chablis 2014, Ac Burgundy, France (390468, $26.95, WineAlign)
Perfectly pretty little village Chablis, flinty, lemon piercing and pouring like crystal clear, tiny drops of rain. Chardonnay on needles and pins, a white scintillant with tart berries, tannin and extra layers of dry extract. Terrific for so many reasons and with every reason to pair and to believe. While others moan “I been meek and hard like an oak,” with a glass of the Mothe I am blessed with “buckets of moonbeams in my hand.” If this were $20 it would be right up there with best ever. Close enough. This is a perfect example of why everyone should drink Chablis. Drink 2016-2019. Tasted April 2016 #VincentMothe@BIVBChablis@bourgognespress@BourgogneWines
Kim Crawford Small Parcels Corner 50 Vineyard Merlot/Cabernet 2013, Hawkes Bay, North Island, Marlborough, New Zealand (447433, $29.95, WineAlign)
Made from fruit grown in the Corner 50 vineyard located in the Bridge Pa Triangle wine district on the western side of the Heretaunga Plains of Hawke’s Bay. Diverse soils of Ngatarawa Gravels, Takapau Silty-loam (free draining red metal of mixed alluvial and volcanic origin) work towards a Bordeaux kind of varietal character and charm. Red recreational fruit and ripe, ropey acidity interact together in this very spirited North Island red. A Hawke’s Bay beauty with vivid and spirited energy. The oak is still very much in play but in no way on top. The cake factor is very low, the lushness happening in texture though not on the level of plush. Really good effort. Drink 2016-2018. Tasted April 2016 @kimcrawfordwine@CBrandsCareers@nzwine@NZwineCanada
It’s hard not to compare Norman Hardie’s Niagara Chardonnay side by side with his County-grown and produced estate counterpart but also with other top end Niagara bottles. The fruit he sources from Duarte Oliveira’s Beamsville Bench farm offers the first leg up. The reductive and minimalist handling style is the second piece of the impossibility puzzle. Though not as closed as some in the past, freshness has never been so bright. The slow Hardie Chard evolution and painstaking road to malolactic could result in perdition but miraculously never does. The cumulative culled from out of patience leads to a reward in near perfect textural deference and defiance. The 12.2 per cent declaration of alcohol is exemplary though it could hardly cross the 11.5 threshold if it wanted to or tried. Chardonnay left alone, to find its way, fend for itself, unstirred, unassailed and deft above or beyond reproach. Enjoy a Hardie Niagara Chardonnay in its early youth. They are not meant to be stashed away forever. Drink 2017-2021. Tasted April 2016 @normhardie
Trapiche Terroir Series Malbec Finca Ambrosia 2010, Single Vineyard, Mendoza, Argentina (402941, $39.95, WineAlign)
The pitchiest Malbec of dark black fruit, weight and substance. Really ambrosial, a thick swath of berry, wood and tannin. This Malbec can run with the players any day of the week. Structurally sound and massive, fully, completely accomplished and offering much reward. There is a resinous, cedar and briar note of amalgamation and complexity. It will take three or more years to bring all the exceptional components together. Drink 2019-2024. Tasted April 2016 @TrapicheWines@winesofarg@ArgentinaWineCA
On a Friday in mid-April a group of veteran wine tasters come upon a table of Oregon Pinot Noir laid out beneath the white neon wash of light in the LCBO sensory lab. Most are more than duly impressed. One extreme professional refers to the line-up as the greatest grouping ever assembled for a VINTAGES release. Roger that straight from the shoulder VINTAGES assessment.
The quaternary Oregon Pinot Noir contingent stands out like a fantastic four in a justice league of second tier super heroes. The rest of the Pacific thematic from Oregon and Washington is filled with average to good examples, the best of which are the A to Z Wineworks Chardonnay and the Unbroken Bordeaux Blend from Horse Heaven Hills in Washington. The act of trying to assay these wines invites California thoughts, especially with Sonoma County Pinot Noir so latterly fixated upon by personal hermeneutic. Those who sell you on the idea that Oregon is becoming like California have never truly immersed themselves into the underground Willamette salinity and ancient riverbed imparting minerality. Nor do they intuit that no two wines from Sonoma County are the same. “The multeity of style and the illimitable viticultural approach illustrates how Sonoma’s 16 AVA’s (American Viticultural Areas) are a study in variegation and variance.”
California dreaming aside, let’s shift our thoughts back to Oregon. More than anywhere else in the diaspora where the Burgundy expatriate is re-produced, the Pinot Noir from out of the Willamette Valley transmogrifies the parataxis of French narration. It understands that to repeat a note can be an enrichment, not an exhaustion. Oregon doesn’t merely resemble Burgundy, it actually exceeds it.
In Ontario we consider specific Niagara sub-appellations as capable of narrating a Beaune fictive, including those from the Benches of Beamsville and St. David’s. Prince Edward County’s limestone viaduct of geology and Burgundian geography is always part of the wine country Ontario Pinot Noir discussion. Central Otago and other New Zealand regions can be given due genetic consideration, as can very isolated parcels in Alsace, the Western Cape, the Mornington Peninsula and the Ahr. In the case of Oregon vs. Burgundy, ask Norman Hardie, Thomas Bachelder, Will Predhomme or Nicholas Pearce. They will tell you that it is most certainly not Niagara and while neither are Burgundy, it is the former where the closest comparisons can be made.
I reviewed the four Pinot Noir coming through VINTAGES on April 30th. They are all worth the investigation and two are exceptional. To the purpose of expanding on the west coast leitmotif I have added a white from Oregon, a sumptuous red blend from Washington and two big reds from California and B.C. Next weekend, head out for the west coast.
West coast offence Pinot, essentially Willamette Valley though labeled as Oregon. Rich and just a bit soil funky, with a slight rubber reductive quality in its still beating youth. The glass is very full when Pinot such as this is poured, the dial turned up and the sun seemingly always high in the sky. Will use of most of its energy in the next few years. Drink 2016-2020. Tasted April 2016 @RareEarth_Wines
Gorgeously perfumed Pinot Noir from Domaine Danielle Laurent, crossing femininity with a lithe scorching and torching of earth. Ripeness is a virtue, the road is full of bloody tension, “beauty walks a razor’s edge” and the partnership between fruit and tannin is rife with love. Big within correct and structured means. There have been others but this YC-WV is currently on my mind, to put aside and then “someday I’ll make it mine.” Perfect companion with which to take shelter from the storm. Drink 2017-2024. Tasted April 2016 @solenaestate@Oregon_Wine@Nicholaspearce_
So pretty and so very restrained, near tart and sweet but never going too close to either edge. Drinking this on a daily basis would be so easy to abide, with its ripe and slightly spicy berries, plums and mild citrus. Would expect it to turn tart or sour but it leans to mild tannin instead. Not necessarily a wine for 10 years but exceptional for five. Drink 2016-2020. Tasted April 2016 @willakenziewine@MalcolmCocks1
Maison L’envoyé Two Messengers Pinot Noir 2013, Willamette Valley, Oregon (453357, $41.95, WineAlign)
The two messengers are winemakers Louis-Michel Liger-Belair and Max Marriott and somehow they have crafted a most amazing Pinot Noir from out of the potentially disastrous tale of three harvests: fruit picked before, during and then after the typhoon. The fruit comes from four AVA’s and eight vineyards: Eola Amity – Eagle Crest, Eola Springs, Popcorn; McMinnville – Hyland; Willamette Valley – Croft; Yamhill Carlton – Fairsing, Gran Moraine, Stardance. A Côte de Nuits ringer in Willamette clothing, multi-terroir dependent and singing the amalgamated praises of its serious sense of place. Whatever combination of hill, nook and petite colline this was culled from has fed the Burgundy machine. The sweetness is palpable but created by soil and tannin. Quite seamless, not to mention travelling along underfoot with the Willamette salinity rolling along in the ancient river below. Terrific Pinot Noir with stuffing and age ahead ability. Does it succeed in “pursuing transcendent Pinot Noir through gilded terroir?” I’d say yes. Drink 2017-2024. Tasted April 2016 @MaisonLEnvoye
A To Z Wineworks Chardonnay 2014, Oregon (269258, $24.95, WineAlign)
Plenty of grape extract feigning sweetness, more exuberant on the palate then in the aromatics. A composed and highly concentrated Chardonnay with accents, spice and extra flavour provided by the barrel plans. Crafty and well-executed in craft. Drink 2016-2019. Tasted April 2016 @AtoZWineworks@Gr8TanninWines@Nicholaspearce_
McKinley Springs Unbroken Blended Red 2012, Horse Heaven Hills, Washington (444729, $26.95, WineAlign)
Cabernet Sauvignon (43 per cent), Merlot (37), Malbec (19) and Cabernet Franc (11) fill in the baritone blend, unbroken, as in spirit, as opposed to thinking in terms of single-varietal. Though the warmth and wood are gainful and very much a part of the chain, the fruit and the grain are interwoven, fully integrated, spice regaled and determinate. Great red fruit, graphite and grip. So very impressed with the spirit of this Horse Heaven Hills red. Drink 2016-2021. Tasted April 2016 @mckinleysprings@WINESofWA@HHDImports_Wine
Laughing Stock Portfolio 2013, BC VQA Okanagan Valley, Ontario (71464, $54.95, WineAlign)
The five-varietal classic Bordeaux blend in 2013 is Merlot (41 per cent), Cabernet Sauvignon (30), Cabernet Franc (18), Malbec (8) and Petit Verdot (3). Together they seamlessly amalgamate in 36 per cent new barrel and (64) second fill for 19 months. All tolled the group is characterized as not shy. There is a squaring of deep, deep intent, dark, dark pitchy hue and full, full body. Phenolically ripe and properly volatile on the edge of the precipice with bringing it acidity. Tastes of berries and brine, rare venison and caramelized plantain. The more abstract flavour profile is described as a ferric welling with hematic humour. For now take one deep breath of the beauty and wait two years with the rest for full enjoyment. Drink 2018-2024. Tasted April 2016 @lfngwine@winebcdotcom
Ferrari Carano Reserve Cabernet Sauvignon 2010, Mountain Vineyards, Alexander Valley, California (450429, $74.95, WineAlign)
Hefty, rich and spicy Cabernet with yet raging, formidable tannins. Caky, savoury, currant, graphite and cassis laden fruit. Some liquorice, peace stone and dipped chocolate berries. All of everything, the above, earth and sky. The fountains and the cup runneth over. Hedonistic, oak behemoth of exceptional mountain vineyard fruit overlooking the Alexander Valley. Drink 2018-2025. Tasted April 2016 @FerrariCarano@HalpernWine
No two wines from Sonoma County are the same. I believe that statement to ring expressly true and so should you. Jean-Claude Boisset saw the potential in Sonoma and created Boisset Family Estates with singular viniculturaliste swagger. Boisset Family Estates is led by Jean-Charles Boisset, who is also President of Boisset, La Famille des Grands Vins. Eight wineries make up the California collection, including DeLoach Vineyards. It was there that we tasted eight conspicuous examples of Pinot Noir and Chardonnay.
Mapping a cru systematic out of Sonoma County is a massive and seemingly boundless undertaking. This wine country section of Northern California is one of the most complex regions in the world, with valleys, plains, ridges, slopes and mountains of every aspect. There are more single-vineyard wines pulled from vines dotting micro-climatic, highly specific sites than anywhere in the world. Or so it seems. Unlike Burgundy, so many vintners farm and/or produce the only wine made from that specific parcel. The permutations of cru definition are multiplied 100-fold. The diagram is drawn with near-infinite numbers of circles and lines.
The multeity of style and the illimitable viticultural approach illustrates how Sonoma’s 16 AVA’s (American Viticultural Areas) are a study in variegation and variance. The multifarious geographical scope of coast, penetrating valleys and mountain ranch land conspire to design the impossibility of squeezing out clarity from a region in direct contrast to concepts that choose to exhort compounding synchronisms.
The last time I approached the Sonoma expostulation I talked of course about the fog. “Sonoma’s fog is a stern exertion of soda and salt and when its atomic dipoles get together to dance with ripe grapes and the puffy gaieties of yeast, the syntagmatic rearrangement in the region’s wines are all the merrier and made most remarkably interesting. Fog complicates and makes complex the ferments from Sonoma’s hills and valleys. The second fiddle status to Napa Valley’s hugeness is both ridiculous and absurd. Sonoma Chardonnay and Pinot Noir is already known for its kinetic inquisitiveness but other varieties are also gaining major traction. Cabernet Sauvignon, when ripened upwards of that fog and yet inextricably linked to the miasma, gains a level of synergistically precipitated elaboration that blows Napa out of the water.”
That still holds water but it’s just not that simple, nor is it a matter of direct comparison. Sonoma’s cool-climate condition is incomparable to other aptly-named wine regions, from Napa to Niagara. The coastal fog bank blows in, “accompanied by cold air capable of such rapid temperature shrinkage it can be measured by swings as much as 50 ºF. The manifest vital spark that runs through all of Sonoma County’s fiords and chords, spuming with an irrepressible puissance is that fog.”
When I returned from California in February I wrote “the most pertinent question now in my mind is this. Can European wine keep up with the fictionality of North American reality?” Unearthing discoveries from idiosyncrasy to heterogeneity is what people want and it’s not just rambling wine journalists or thrill-seeking sommeliers who are looking for wine-contrariety nirvana. Craft is in. Small batch, low-production, around the corner from nowhere, never heard of that is what sells. And Sonoma has got more than enough answers to last for centuries.
Which brings us to the discussion centring on Pinot Noir and Chardonnay, the varietal darlings of Sonoma County, especially when the vineyards that grow them are tied directly to the fog’s greatest chaperone, the Petaluma Wine Gap. The different strokes inherent to the Burgundian expatriates raised on the coast, on inbound slopes and on craggy ridges is mind-numbing. The thread that ties them together is related to the fog but it is not enough to formalize, generalize or philosophize a unifying theme. Bring the wines of DeLoach, Patz & Hall, Flowers and Hartford together in one room and you might expect some repetition. I found none, save for one mien of chiaroscuro connection. Creep out from that shadow and find a world of deference and difference, from Pinot to Pinot and from Chardonnay to Chardonnay.
In conjunction with California Wines Canada, The California Wine Institute, Sonoma Vintners and Boisset Family Estates, a group of Canadian journalists and sommeliers were invited to DeLoach Vineyards to taste four Pinot Noir and four Chardonnay. Here are my notes.
Flowers Camp Meeting Ridge Chardonnay 2013, Sonoma Coast, Sonoma County, California (416529, US $80.00, WineAlign)
Camp Meeting Ridge is what Director of Winemaking Dave Keatly considers a “remarkable site” with shallow soils, a product of volcanic and tectonic activity. Even with two plus years tucked away this persists as a tight, tense infant of a Chardonnay suspended within a reductive environment. The trenchant draught seems to emanate directly from the wildly imagined vineyard, with the scent of white flowers and ripping green fruits, from lime to mango. Focused, linear, compact, wound, wire patrolling Chardonnay. This was bottled 17 months after pick with a tank aging component, for phenolic structure and a healthy presentation of fruit. Certainly the most Burgundian (from Boisset Estates and in the greater Sonoma sphere) with engaging spice. Drink 2016-2024. Tasted February 2016 @FlowersWinery@rogcowines
Flowers Pinot Noir Estate Sea Ridge Vineyard 2013, Sonoma Coast, Sonoma County, California (328062, US $65.00, WineAlign)
Older vines (planted in 1998) provide the wisdom while winemaking (Dave Keatly) encourages atticism. A 50 degree, nine day cold soak, native fermentation and 18 months in (35 per cent) new French oak lay down the parameters. Post nurturing it’s all about time travel back to nature. Back to the organic and biodynamically farmed extreme (with elevations of 1,400 to 1,875 feet) Sea View Ridge Estate Vineyard. The site is antediluvian, a former sea bed where ridge tops are shallow and rocky, lower blocks are volcanic and high ones filled with broken sandstone and shale. Yields are naturally, unavoidably low. This Pinot Noir is defined not just by its elevation but also by its proximity to the coast. Sea Ridge is not on the label but will eventually be. The pleasure and maritime elegance is winnowed from the start. There is no need to wait for it. Quite amazing considering the young age of the vineyard. Very pure, almost impossibly so and yet, just a bit of sweetness softens and demures. A mineral driven and lithe red though the hue is not a harbinger for what will follow. The tannic structure will let this go at it with purpose and drive but without haste. Drink 2016-2023. Tasted February 2016
Patz & Hall Chardonnay Zio Tony Ranch 2013, Russian River Valley, Sonoma County, California (Agent, US $70.00, WineAlign)
Cool, infinitely linear Chardonnay that when considered in mind of Dutton Ranch and Hyde Vineyard, is prepossessed of a creamier, open-door policy. From an easy vintage to ripen, it was treated with grand respect, first with whole clusters and then small barrel fermentation, 100 per cent malolactic, sur lie. From fruit on a Frei Road farm owned by the Martinelli family, an east facing, rolling vineyard on the western hills of the Gravenstein highway. The soil is fluffy Goldridge,”like walking through flour, volcanic, porous and dusty up to the knees,” explains Donald Patz. Rarely does Chardonnay seem ferric but Zio Tony carries that metal from a feeling deep into that soil. The output is small, between 300-500 cases a year. The high acid site makes for Chardonnay incurrent as toasty and taut, tense and terse. The open door will be agape after its need for some time to unwind. Drink 2017-2022. Tasted February 2016 @PatzHall@TrialtoON
Patz & Hall Pinot Noir Gap’s Crown Vineyard 2013, Sonoma Coast, California (Winery, US $70.00, WineAlign)
From a vineyard with boundless potential, still young and procuring youthful wines. All necessary energies have graced this Pinot Noir, nothing has been left behind or filtered out. The sweetness on the nose is an intoxicant and a bit of reduction joins in, realized upon a sniff. There is anxiety in both its ripeness and its tannin though the acidity plateaus on an even stephen hep. The Gap’s Crown is furthest east of a set of four vineyard cousins, significant for its rocky hillside essence. Done up with 15 per cent whole clusters and indeed it’s not entirely fruity, anything but blackberry juice, leaning more to the savour and the chaparral. With thanks to the Petaluma Wind Gap bringing in all that cool air. The Sonoma Coast, fog, mineral, Patz & Hall style. They all “gather up strength, as thoroughfare gap. No distance, it’s the ride.” All towards a crowning achievement. Sometime early in the coming decade towards that end. Drink 2017-2024. Tasted February 2016
Hartford Court Chardonnay Fog Dance 2013, Green Valley of Russian River Valley, Sonoma County (Agent, US $65.00, WineAlign)
Though this coils in tight wind to a certain degree there is more cream, increased silken texture and a more obvious dose of newer oak. An all indigenous ferment, 16 months barrel fermentation and sur lie. There is a density of all the aspects; aroma, flavour and lees texture. Add the parlay of barrel feel and you get so much layered density and character for your money. The slightly southwest facing vineyard that runs down to Green Valley creek, “in a little bowl” is named Fog Dance says winemaker Jeff Stewart, “because it’s a lot sexier than Jones or Ross Road.” That or the time lapse view of the fog coming in over this 500 foot ridge top. The vines grow in a toupée of yellowish, fluffy soil, farmed organically, of no ferric adjunct and impelling citrus drive, but also exotic with a heavy accent. Like a margarita, yes, it has that too, thought the thought of Chablis runs in its RRV veins. Drink 2016-2020. Tasted February 2016 #hartfordfamilywinery@HartfordWines@RRVWinegrowers
Hartford Court Pinot Noir Fog Dance 2013, Green Valley of Russian River Valley, Sonoma County (Winery, US $65.00, WineAlign)
Pinot Noir from a hillside vineyard in full vaporous view and under the influence from the omnipresent swirling samba of Sonoma fog. Pine and black combine for an elevated, revenant-rich, full-bodied and warm expression. Also possessive of a reductive, almost rubber-accented note but on second thought, even more so of meaty and smoky flavour. From classic Goldridge soils, planted in the 1990’s, from the holy trinity of Dijon clones, 667, 777 and 115. The sidling saunter of a blood orange note separates itself from the rest. So very viscous and bone dry, this is a big Pinot Noir, even for Hartford. It could use another year in bottle to collect composure and then drink with style for five more after that. Drink 2017-2022. Tasted February 2016
DeLoach Vineyards Chardonnay Estate 2013, Russian River Valley, Sonoma County, California (Agent, US $50, WineAlign)
Rich and decadent, into some simplicity, supple, safe and yet savoury Chardonnay. The taster is aware of the lees, malo and barrel, all hyper present and apparent. From loamy soil with a clay layer two or three feet down, these are vines that must be controlled to keep the roots from descending too far. Beautifully presented Chardonnay with no smoke or mirrors, from whole clusters, native yeasts, 14-15 months and 40-50 per cent new oak. A classic drink young, glass half full expression. Drink 2016-2018. Tasted February 2016 @DeLoachVineyard@LiffordON
DeLoach Vineyards Pinot Noir Estate 2013, Russian River Valley, Sonoma County, California (Winery, US $70, WineAlign)
Eric Pooler grows Pinot Noir from 20 year-old vines in Huichica Loam for DeLoach on the Olivet Ranch Vineyard. This estate block is farmed organically and biodynamically and has been owned by Boisset Family Estates since 2003. The vegetal aspect of this Pinot Noir purports strength, umami flavours and an abstract celebration of the vineyard’s health from metabolic growth. From safflower through barley and into grapes, the structure and conditioning of this Pinot has travelled from medicinal, through cereal and now into fruit richness. Good 2013 ripeness and extraction passes through a toll of sweet and sour complexion. The reduction and meaty vinyl is in here as well. There is a definite thread running through the De Loach Estate, the Hartford Fog Dance and the Patz & Hall Gap’s Crown. Only the Flowers Sea Ridge doesn’t seem to have it. It is more than fog; it’s the Pinot Noir version of chiaroscuro, in which strong contrasts between light and dark affect the greater composition. Picked clone by clone, block by block, the last of which saw whole cluster fermentation, adding weight and tension. Drink 2016-2019. Tasted February 2016
Godello 