The great estates of the world do not endure for lifetimes, generations and centuries without an innate endowment to carry on, no matter the circumstances. Through tragedy there is always a prevail. There just has to be. I did not get the chance to meet Laurence Faller. I am sure that I would have loved to. Having tasted some of her wines at the domaine where she nurtured and finished them is at least a small concession. When I visited Weinbach last June, I did have the opportunity to meet her mother Colette Faller and I am lucky to have done so.
Thanks to Catherine Faller, who gave generously of her time and her family’s wines, the visit in the winery’s caves and up on the Schlossberg Grand Cru opened up the portal into Domaine Weinbach, Kayserberg and Alsace. Tradition and progress at Domaine Weinbach carries forward in the hands of winemaker Ghislain Berthiot, who worked with Laurence for 11 years. Here are the six wines tasted in June of 2014 and their notes.
Domaine Weinbach Muscat Réserve 2013
Muscat Réserve 2013, Alsace, France (SAQ 10273521 $45.00, WineAlign)
True belief denotes Muscat as the launching point for any Alsace tasting, but nowhere does the ontology mean more than at Domaine Weinbach. The vintage cements the doctrine. Darts straight back to the nadir of taste and smell, to the points of the tongue and inner nose unable to elude such an attack. From vines of the Clos des Capucins, soil composed by marno-calcaire at the foot of the Altenbourg Grand Cru. Low-yields (28 hl/L) drive acidity and fruit purity atop cut and cutting apricot crossed with the essentia of a grape. Here is an apéritif extraordinaire, cocktails and caviar, crunchy canapé and pure distillate. Opens the doors to Weinbach perception. Drink 2015-2025.
Riesling Grand Cru Schlossberg Cuvée Sainte Catherine 2013, Alsace, France (Agent, $66.00, WineAlign)
From a difficult vintage with rain at harvest. A large crew was needed in mid-October to get the pick done with haste. This ’13 is essentially being given away, so it’s a gift to the world, in a sense. The fruit comes from some of the oldest Riesling vines, situated half way up the granite Schlossberg slope. Tasting this in 2014 is 12-15 years premature. Such an infant this Schlossberg, so very primary, as if by tank, as if by womb. Assumes the role of the richest of Weinbach’s Riesling aridity, exercised by the most established finesse. Peaches are exorcized in attack and persistent. Currently mired in a micro-oxidative state. You can sense it working, churning, moving in animation. If a taste of 2005 is any indication, it will be 2022 before this wine will begin the Cuvée Sainte Catherine reveal. Look for the open window to fall between 2025 and 2030.
Domaine Weinbach Riesling Grand Cru Schlossberg Cuvée Sainte Catherine 2005
Riesling Grand Cru Schlossberg Cuvée Sainte Catherine 2005, Alsace, France (Agent, $66.00, WineAlign)
Here the rich and panegyrical Riesling from the first biodynamically farmed vintage at Domaine Weinbach. The old vines from the Grand Cru’s mid-slope averaged 60 years in this ’05, a wine that managed the best southern exposure to great effect. “You can have a whole lot of fantasy when it comes to food” with this Riesling vintage says Catherine Faller. That’s because there is a magnified, munificent and magnificent toast in this ’05, like some older Burgundy. The spice notes are right on the tip of the tongue with all the necessary sapidity of youngish Alsace, wise and wistful. Now having just entered the secondary window, this wine is such a perfect portal for the gauging of aging, itself looking for ideal consumption between 2020 and 2025. Full reward offered to those with further patience.
Gewürztraminer Cuvée Laurence 2011, Alsace, France (Agent, $68.00 (B.C.), WineAlign)
From an altitude of 225 to 250 metres and out of the marly limestone soil beneath the lieu-dit of Altenbourg, located at the base of the great Grand Cru Furstentum vineyard. In conjunction with the micro-specific sub-Mediterranean climate and the Indian Summer of the 2011 vintage, the results here are of the elegant kind. The total effect upon carefully judged fruit and in the late Laurence Faller’s Gewürztraminer magician’s hands, this “foie maker” is lifted, exotic and ethereal, like exceptional, fermented Yuzu. A subtle and quiet entry gives to a confident middle and a demanding, spicy finish. Lets go and slides softly into ethereal flavours. Catherine Faller’s eyes light up when she imagines a Cuvée Laurence pairing with “blood orange duck.”
Pinot Gris Altenbourg Quintessence De Grains Nobles Cuvée D’or 2010, Alsace, France (Agent, 375 mL $539.00, WineAlign)
Domaine Weinbach created the moniker “Quintessence” when it was coined to describe the 1983 cuvée. The nickname is apt for the rapt selection of rare pearls from the lieu-dit Altenbourg. The marl, limestone and sandstone Clos is a gentle slope between 225 and 250 metres high, just beneath the limit of the Grand Cru Furstentum. In a late harvest SGN like this one from the low yielding 2010 vintage, at a sky-high residual of 200 g/L you would think sweet to the back of the brain. You would be right but each time that intensity is carefully brought back from the brink by formidable, if unctuous Pinot Gris acidity, a bubble within a bubble, never bursting, always teasing. The concentration and purity here are magnificent, the flavours hanging in extract of endless, suspended animation. A wine to sip, to share and to save for senectitude.
Large Foudres at Domaine Weinbach, (c) Cassidy Havens, http://teuwen.com/
At the Millésimes Alsace, the professional trade fair for Alsace wines, one of Laurence Faller’s great legacy wines was poured.
Domaine Weinbach Gewürztraminer Furstentum Grand Cru Vendanges Tardives 1994
Gewürztraminer Furstentum Grand Cru Vendanges Tardives 1994, Alsace, France (SAQ, 11521362 $132.00 (2012), WineAlign)
The wine was presented in Colmar by Sommelier Caroline Furstoss who began with the soulful tribute of “Laurence is felt in this wine.” Deduction, by salience and sobriety of grace, is considering the Faller’s ’94 a pure expression of the Furstentum terroir. Noted are the aromas of quince, apricot, their blooms and a grain of spices. Though already twenty years in, it remains conspicuously fresh. The richness and concentration are at such a high level. Flavour begins with a marmalade in defiance of confection and has no end. Though the vintage is decadent, warm and unctuous, there is always balance. Has a tannic impression and smells like flowers from warmer France. Furstoss reminded everyone that it is “an expression of a daughter.” Impeccable balance.
Kaysersberg, from the Grand Cru Schlossberg, (c) Cassidy Havens, http://teuwen.com/
What matters most when choosing a bottle of wine? Is the top spot on the criteria scale occupied by a need for value, to spend as little as possible and get the most for the dollar? Are ripeness, extraction and full-bodied the distractions necessary to gain pleasure from bottle? Are location, plot and soil a part of the equation? When the question is posed, “do you believe in terroir?” the answers come from both sides. Cathy Corison wrote this on Saturday.
Terroir. Anything that grows in the earth can speak of time and place. Wine can be very good at that. https://t.co/ODI7TCGF2E
With yet another stretch of inclement and less than soul-warming weather upon us, red wine is back in fashion (does it ever fall from?) and thus the opportunity is afforded to throw a few more bottles into the “ever on the mind” search. More real possibilities offering up increased positives on the probability factor scale. Wines just released on Saturday via the perpetual wheel that is the VINTAGES program.
Italian wines at VINTAGES April 18th, 2015
Wine buying can be as much about humouring the exercitation of the intellect as it can be about the derivation of simple pleasure. With today already having caused a reflection on how rain and water went dripping down the back of the neck on a long promenade from A to B, a craving for deep red has begun. Wines that cause an opine in spiritual meets historical allegory ideation, reds to yearn for in desperate immediacy. Spain and Italy occupy this narcissistic niche, what with their attention to mid-palate, to filling voids, holes, vacuums and structural chasms. On Saturday the following six reds were made available. They are all highly recommended.
From left to right: Brigaldara Valpolicella 2013, Torres Celeste Crianza 2011, Carpineto Chianti Classico 2012, Poliziano Vino Nobile Di Montepulciano 2011, Fattoria Dei Barbi Brunello Di Montalcino 2009 and Alión 2011
Fresh, juicy, ripe, succulent and straightforward Valpolicella. Like Chianti to Classico, this is the star of the less heralded appellative group. Unencumbered fruit prosperity with just a touch of tension on the finish in the forms of earth and citrus. What more could you want and why pay more than this $15 from the Veneto? Elegance, diplomacy, delicatesse and time-honoured elucidation. Drink 2015-2018. Tasted April 2015 @Brigaldarawines@rogcowines@TurismoVeneto@RegioneVeneto
Torres Celeste Crianza 2011, Do Ribera Del Duero, Spain (210872, $20.95, WineAlign)
Tempranillo modernity arrives with 2011 in as much as Celeste has ever shown. Drunken fruit, big bones and high tones lay lashings on the olfactory senses. Full on drupe, tightly turned wires and sparking electrical tacks with a rhythm “that makes your fingers snap crackle pop pop fizz fizz.” Like a jayou, “to knock someone out, or render them unconscious or senseless.” Jurassic Tempranillo with retro hip hop chalky oak overlapping plum, strawberry and cherry. A super fruit group that strikes it rich and raps long. Drink 2015-2020. Tasted April 2015 @TorresWines@FwmWine@DORibera
For Chianti Classico, 2012 was a good year, not too warm yet ripening occurred early, with the quality set to high, but the quantities were low. A winemaker’s vintage. Carpineto’s CC comes from the northern aspect of the appellation, from a conca (amphitheater) seven km’s east of Greve, by the piccolo hamlet of Dudda. It’s cooler in this part of Chianti, with more rock imparting flavour and textured sensations into the reds. The ’12 is essentially 90 percent Sangiovese and 10 per cent Canaiolo, give or take 10 per cent. Aromas of roses and wet rocks, fresh ripe plums mashed into tomatoes, herbs and a spicy side note. Old school and precisely what CC should be, minus the funk (which it does not have or need). Ultimate pasta wine right here. Traditional style in an up to date way with temperature control and all the tools of a modern facility. No VA, no barnyard, but really natural. This explains the axiom of maintaining tradition. With so many story lines already spoken for in sectarian Chianti, maybe that is the only thing Carpineto has left to hang their Zuccotto on. David Lawrason hits the nail head on. A Chianti that “resets the compass.” Drink 2015-2020. Tasted September 2014 and April 2015. @CarpinetoWines@chianticlassico@TandemSelection
Consistently the most accessible and moreover well structured Vino Nobile in this market, never wavering or straying from its style. The 2011 perpetuates the credibility card, in avoidance of trends or fashion. The vintage offers the ever-present multitude of red and black fruits, baking spices and percolating, though never drenching, of wood. The fruit seeps, steeps and the familiarity breeds weeps, with bittersweet thanks to a wine that tastes like home.The 11’s warmth means less tension than some other, grittier years but as always, this is a stellar take on the local strain of Sangiovese known as Prugnolo Gentile. Still, this needs three to four years to come to the right place. Drink 2018-2022. Tasted April 2015 @PolizianoAzAgr@Noble_Estates@consorzionobile
Fattoria Dei Barbi Brunello Di Montalcino 2009, Docg Tuscany, Italy (928028, $49.95, WineAlign)
As Fattoria dei Barbi continues to evolve and esteem its rustic self within the context of modern Brunello, the quality increases with each vintage, regardless it seems, of the weather. If 2008 was the true turning point, 2009 cements the current inclination, in that Barbi combines antique with state-of-the-art as well as any Montalcino house. This ’09 is as accessible as the classic norm of firm, sylvan Barbi can be. More so than even the forward ’07 and yet in many respects unlike any that have come before. Has savoury syrup and earthy concentration, seeped tea and a hint of sweet-scented game. Strawberry in the heat of an early July morning ripening on dewy wet pine straw. The evergreen notes are strong, like a vapour rub and the direct, tart, firm finish brings the wine back to the barometer’s median point. Really fine Brunello offering the best of two worlds. Drink 2018-2024. Tasted April 2015 @FATTORIABARBI@Noble_Estates@ConsBrunello
Alión 2011, Do Ribera Del Duero, Spain (199331, $89.95, WineAlign)
Here in 2011, Ribera all in, with it all going on. The smoky, rich hue, replayed in aroma, with full-on red berries, massively extracted, warm, lush and luscious. Rhubarb, yet picked ripe and sunlit initiates the savoury intent, followed by spice arbor, in vanilla and lavender, clean, brackish, creamy, dense and of a pure sweetness. Acidity, power and tannin beset the back palate environs, laying dominion to a permanent 20-year placard. How can such a wine have it all? Should it be all of these things? How can such a sexy beast exist, strutting, sultry and yet so demanding and occupied with tension? The 2011 Alión is more than impressive, it’s a wine deserving to endure for a very long time. Drink 2018-2031. Tasted April 2015 @DORibera@HalpernWine
At a major Burgundy tasting yesterday I tasted 18 whites and just three reds. Gasp! With the weather and the heaviness of winter still stuck to the bones it just can’t be helped. White wine is working right now.
So today reds it is and reds it will be, as it has been before. Tomorrow I’ll likely return to white once again. That’s all I have to say about that. Just reviews today folks. Mostly from the VINTAGES April 18th release coming this Saturday.
From left to right: M. Chapoutier Les Vignes De Bila Haut Côtes Du Roussillon Villages 2013, Le Cirque Carignan/Mourvèdre/Syrah 2013, Falernia Reserva Syrah 2010, Ravenswood Old Vine Zinfandel 2012, Alpha Crucis Titan Shiraz 2012 and Quail’s Gate Pinot Noir 2013
M. Chapoutier Les Vignes De Bila Haut Côtes Du Roussillon Villages 2013, Ac Languedoc-Roussillon, France (168716, $15.95, WineAlign)
From the VINTAGES April 18th release
Perennial stalwart, especially considering the big box price. There is just so much going on in this veritable melting pot of character and boundless potential, right from the word sniff. Certainly modern and ripe but also layered with brush, scrub, duff, roots and rocks. A touch of briny salinity merges to liquorice and then there are the tannins woven with acidity. The length is a given. Lots of earth, plenty of smoulder and priced to case joint after LCBO joint. Drink 2015-2020. Tasted April 2015 @M_Chapoutier@Dandurandwines@LaRegionLR
Le Cirque Carignan/Mourvèdre/Syrah 2013, Vin De Pays Des Côtes Catalanes, Languedoc-Roussillon, France (277079, $16.95, WineAlign)
From the VINTAGES April 18th release
A depth into earth crusts the dark fruit from wise old vines. Fresh and spring run sappy, from heat to be sure but in classic waves and stretches emanating from a floral, aromatic beginning. The bumble berry traffic jam in the middle is not enough to render it done at that point, despite its inability to avoid working up a sweat towards a woven textured finish. The citrus accent adds enough grain to see it through four more good years. Easy to love, hard to miss and smart to give it a try. Drink 2016-2019. Tasted April 2015 @GBvins@LaRegionLR
Falernia Reserva Syrah 2010, Elquí Valley, Chile (208371, $16.95, WineAlign)
From the VINTAGES April 18th release
Meaty, smoked, cured, reduced, reactionary, reductive, brambly, sappy, syrupy and still warm after the kill. All of these elucidations and more. Coconut and flowers meld in creamy waves within the muscular girth, sinewy grit and confident gumption of this high altitude, cool-climate Syrah. A huge varietal expression, like Barossa in a sausage factory, masculine, testosterone-driven, with layers upon layers of fruit, earth, game, pork belly, pepper and tannin. Not to mention raging acidity. Drink 2016-2020. Tasted April 2015 @FalerniaWine@ProfileWineGrp@DrinkChile
Ravenswood Old Vine Zinfandel 2012, Lodi, California (942599, $20.95, WineAlign)
From the VINTAGES April 18th release
Nearly a quarter of Petite Sirah blends into this (mostly) Lodi wizened vines fruit sourced out of San Joaquin County. Old vines are Zinfandel’s caché thing. The gnarly, petrified plants reach deeper underground and when the interstices of terroir and climate are in accord, the texture imparted by tannin is key. The ’12 Old Vines is a product of a maker (Joel Peterson), plot (Lodi) and conditions (cool and exceptional for the variety). Here a bottle to help define and divine Lodi. Elegance in as much as is possible, juicy in fruit in as much as can be found through texture and balance in so far as can be sheltered. Fresh is ascertained further along (as opposed to dry) on the spectrum, chewy of flesh, but not bone, silky and seductive. High quality Zinfandel in every respect. Drink 2015-2020. Tasted March 2015 @RavenswoodWine@CBrandsCareers@TheZinfandelOrg
Alpha Crucis Titan Shiraz 2012, Mclaren Vale, South Australia (377069, $24.95, WineAlign)
From the VINTAGES April 18th release
Nothing about the source, treatment or specs on this Shiraz scream elegance or restraint but it’s “cool and slow with plenty of precision, with a back beat narrow and hard to master.” Four premium vineyards of mature vines between 20-40 years of age have laid a deeply drawn foundation. McLaren Vale sunshine has given it warmth (14.5 per cent alcohol). Individual lots spending 15 months in small French Oak barrels before being blended together has imparted creamy texture. Added up this might have forced the Titan through the doors to heavy burden. Not so. Dusty, rich, dried fruits and herbage merge seamlessly together. Smoke lodge and graphite, berries, back bite and beat fall into great structure. Big time McLaren Vale that does not sting like a wasp, nor is it a bully. Say what you will but “call it heavenly in it’s brilliance…soft drivin’, slow and mad, like some new language.” Drink 2016-2022. Tasted March 2015 @Azureau@ChalkHillWines@southaustralia
Quails’ Gate Pinot Noir 2013, BC VQA Okanagan Valley, British Columbia (585760, $26.95, WineAlign)
From the VINTAGES April 18th release
In 2013 there is warmth all around; in vintage, fruit, alcohol, tannin and overall character. Much in the way of cherries, black liquorice, pepper and spice. Tilled earth but in no way bespattered or hazy. Fleshy and ripe, of a depth with bitter fathered tones that bite yet fall back in line with misty fun fruit times in Babylon. The upholstering is rewarding though it finishes with some brute stuffing. A warm reclining Pinot Noir for sure. The kind that makes me want to “smoke everything in sight with every girl I’ve ever loved.” Drink 2016-2020. Tasted April 2015 @Quails_Gate@hobbsandco@AMH_hobbsandco@winebcdotcom
From left to right: Domaine Des Roches Neuves 2013, Red Rooster Reserve Merlot 2012, Illahe Pinot Noir 2013, Greywacke Pinot Noir 2011, Louis Jadot Beaune Boucherottes 1er Cru 2009 and Concha Y Toro Don Melchor Cabernet Sauvignon 2010
Domaine Des Roches Neuves 2013, Loire, France (Agent, $27.95, WineAlign)
There is Cabernet Franc, there is Samur and then there is Thierry Germain. Though a more intense single-vineyard bottle might render this one pedestrian, does it matter when the discussion involves biodynamic, 108 year-old, un-grafted, pre-phylloxera vines? The wow aromas and dense, dripping, liquid chalky, if intimidating texture is managed by wild sage, ancillary and marbled currants and acidity through the gambrel. The 2013 yield must have come in wild-eyed because while seemingly circular, in finished form it is a linear composition in diagrams intertwined. Not out of focus and will admittedly confuse a consumer or ten but if you can keep up with the changing gears the experience will be rewarding. Drink 2015-2020. Tasted October 2014 and March 2015 @rochesneuves@GroupeSoleilTO@LoireValleyWine
Domaine Des Roches Neuves 2013
Red Rooster Reserve Merlot 2012, BC VQA Okanagan Valley, British Columbia (408963, $29.95, WineAlign)
From the VINTAGES April 18th release
Remarkably ripe and to the point of extract distraction in Merlot. A vintage-driven, heat days harnessed expression, all about fruit, with kisses from extended maceration and oak. Chewy, dense, rib-sticking red that cries for same in gastronomy. An air dominating smoulder and plenty of basting are sticky upon the mid-palate, a comfort to hold onto in median possession. This density lingers and delays before submitting to the salty lick of bitter denouement. One shouldn’t miss this near-decadent beauty even if the style agitates or aggravates fears of thick brushstroke style. This has five extended years ahead, at the least. Drink 2016-2021. Tasted April 2015 @PellerVQA@winebcdotcom
Illahe Pinot Noir 2013, Willamette Valley, Oregon (403154, $31.95, WineAlign)
From the VINTAGES April 18th release
Chinook speak for “land, earth or soil,” that agglomeration is both calling card and impression left after a taste. When Pinot Noir from Oregon has that pointedly Willamette combination of super terram flora and subterranean salinity it speaks with clarity, however light and un-muscular it may be. One senses a drawn sapid tang from ancient burrowed riverbeds that crawl feel below the surface. Strawberry is the key fruit note but Burgundy is the desire. This reminds of yesterday’s Ponzi and Lemelson, but also today’s Johnson Vineyard, albeit on a frame less taut. The complexity may not equate but the subtlety exceeds those comparisons. It hits just the right piercing notes because it’s shrill is just so pretty. The grain running through is arid, zestful and saline. This has terrific citrus interwoven through texture and the 12.5 per cent alcohol is something to embrace. Were Lewis, Clark and Curtis in search of fine Pinot at the end of an expedition day, this would have been the one. Drink 2015-2019. Tasted April 2015 @illahevineyards@wvwine
Greywacke Pinot Noir 2011
Greywacke Pinot Noir 2011, Marlborough, New Zealand (402651, $49.00, WineAlign)
From the VINTAGES April 18th release
Wow does this exuberant Kevin Judd Pinot Noir ever excite. The intensity of juicy calibrations and echoes, like breathtaking mountain peaks mirrored in the reflections of ancient lakes. Glassy and refractive, replaying upon itself, like a whirlpool of ocean tide. Silky like bean thread, transparent and glossy. A tug posits between cherry and anti-cherry. Layers of dried flowers and savoury accents. Accessible and worthy of a place in the deep cellar. Long and entirely special. Drink 2015-2025. Tasted March 2015 @Greywacke@greywacker@oenophilia1@nzwine
Louis Jadot Beaune Boucherottes 1er Cru 2009, Ac Burgundy, France (121319, $52.95, WineAlign)
From the VINTAGES April 18th release
Interesting to see this 2009 released after the ’10, a vintage that had many swooning. This ’09 is charming and unbelievably accessible. It may strike some as bygone-evolved, ancient history even, but ripe fruit matched by silky tannins will dupe even the most experienced palate. Here the Beaune’s beauty is upfront, outgoing, warm, inviting and flirtatious. What a gorgeous layering of fresh berries and creamy, sweet redolence. Very feminine, fleshy and gregarious. The back end shows a little bit of tension, further proof that this Boucherottes has spine and time left in the till. Distinguished and wondrous as Jadot gets, ready to please and stuffed to last. Drink 2016-2024. Tasted March 2015 @ljadot@HalpernWine@BourgogneWines
Concha Y Toro Don Melchor Cabernet Sauvignon 2010, Maipo Valley, Chile (403980, $70.00, WineAlign)
VINTAGES Online Exclusive
The 2010 Don Melchor harkens backwards, to years like 2001 and 2003, rephrasing and rewriting the paradigmatic book. From seven contiguous, sub-divided blocks of Cabernet, the ’10 speaks most highly of Lot Two, emphasized by chocolate, menthol and mineral, in cohorts with Lot Four, in elegance and depth. Extended glom and time-lapse picking between April 22 and May 27 was the casualty turned blessing of a cooler growing season in the semi-arid Mediterranean-like scrub desert of Puente Alto. The alluvial motion hauteur of slow-ripened fruit can’t be overestimated. The frame by frame capture has resulted in aromatics wafting off the charts; violet, anise, roasting cocoa bean, garrigue, ferric filings, mortar on wet stone, Cassis and eucalyptus. There is no heat, rendering the 14.6 declared alcoholic irrelevant. Best of all, it smells like Chile as much as it does Cabernet. There is no need to discuss the (97 per cent) CS in terms of Bordeaux, that is until you taste. Then the tobacco angst and silky texture elicit Margaux. Black currants and fine chocolate melt on the finish, still with a mouthful of stones. For winemaker Enrique Tirado, this may be his “El opus.” It will age effortlessly for 12-15 years. For anyone who purchased this wine more than 10 vintages ago, comparing current cost can be a byproduct in natural preoccupation. Who would not want a return to the sub-$50 Don Melchor going back a decade or more? Yet while tasting the present decimus, $100 crosses the fiscal mind and seems completely apropos. At $70 the clarity and sonority of its value is the blazon of an epistle. Few Cabernet Sauvignon dominant wines from Bordeaux or Napa Valley can compare. Drink 2016-2025. Tasted April 2015 @conchaytoro@MikeAikins1@DrinkChile
Slightly Barque dry-rubbed roast chicken, scored butternut squash with butter, agave and backyard coriander seed and penne with grape tomato, bocconcini, padano and scallion
Spring has finally sprung. The air and the psyche have found collective exosmosis, leaving the colder, thicker air of winter behind, to begin passage through the membrane into lower pressure. With the exhale and lighter sense of being comes the same in wine. We egress to ferments of lower concentration. In reds we will welcome Gamay, Pinot Noir, Zweigelt, Blaufränkisch and Cabernet Franc.
White wine has more potential in legerity and litheness of being. While Riesling, Pinot Gris and Pinot Blanc are most certainly apropos choices for spring, there are others, variations on the theme, not technically “white” per se, but fitting the bill nonetheless. Like Sparkling wine, and Sake.
Tastings of late have focused on the white stuff and there are many that have already left an indelible mark during this period of emergence, this recent transudation through conduit, out of too many months mired in ice and snow. The parameters of white wine blurred a bit, this group of twelve wines will do you no harm. In fact, any or all will help restore that healthy attitude so desperately needed in this time of rejuvenation. Spring.
From left to right: Château De La Bretesche Muscadet Sèvre Et Maine Sur Lie 2013, Emiliana Adobe Reserva Sauvignon Blanc 2014, La Joya Viognier Reserve 2014, Charles & Charles Chardonnay 2013, Hugel Gentil 2013 and Tokaj Kereskedoház Grand Selection Semi Dry Tokaji Furmint 2012
Château De La Bretesche Muscadet Sèvre Et Maine Sur Lie 2013, Ac Loire, France (412163, $12.95, WineAlign)
From the VINTAGES April 18, 2015 release
From the stable of Domaine de la Chauvinière, the Château De La Bretesche is a gneiss Melon de Bourgogne, crafted at the hands of Muscadet master Jérémie Huchet. Melon of lightness, finesse, ripe restraint, elasticity and breadth beyond the norm. Karpos of many herbs and briny berries. Capable of nurturing and buttressing intensity. Though the scent here is subtle, when it comes to Muscadet, the fresh sea and shell of Pholas dactyls is necessary. In conjunction with its length and a price of $13, in this section of the Loire, the littoral zone and the peak are reached. Drink 2015-2020. Tasted March 2015 @MyLoireValley@LoireValleyWine
It would be hard to imagine Sauvignon Blanc with wilder eyes, as much pop and nearly the zesty fortitude as the Emiliana Adobe. The clarity of organic/biodynamic health in vine and by extension fruit is on blinking display. Fresh and popping, the zest of ripe citrus circulates naturally, as acidity, in juicy squeezes and with nothing but tireless pep. This is an example of exemplary SB for Chile and one can only imagine the depths that might come from older vines and/or a wild yeast meets barrel ferment trial. Drink 2015-2016. Tasted April 2015 @VinosEmiliana
La Joya Viognier Reserve 2014, Colchagua Valley, Chile (168542, $15.95, WineAlign)
From the VINTAGES April 18, 2015 release
As impressive as this very New World take on Viognier was in 2013, the follow-up furthers the absorption. The accented matters of alcohol, residual, mineral, bright fruit and soil continue the train of thought with forward ’14 thinking. This is nothing but a feel good, “why don’t you touch me now” Viognier, a gem-filled musical box of herbs, blanched nuts, flowers and spices. It’s a round and melodic nursery rhyme that’s fun to sniff, taste and listen for its mysterious ministrations and magical charms. Drink 2015-2018. Tasted March 2015 @VBisquertt@DrinkChile@vonTeichman@vonterrabev
Charles & Charles Chardonnay 2013, Columbia Valley, Washington (394734, $15.95, WineAlign)
I would liken this Columbia Valley Chardonnay to the Fourth of July. It’s got tiny moving parts, all in motion, trying to put it all together. Cool orchard fruit, a minor kiss of barrel, a raft of lees, some sweet tropical flavours and round acidity. Needs some time. If it succeeds “it will be like fireworks blowing up in the air like a Fourth of July night sky.” For now it’s a reserved, quietly efficient and harmless Chardonnay. But it does show signs of building momentum. Drink 2016-2020. Tasted March 2015 @KVintners@Dandurandwines
Hugel Gentil 2013, Ac Alsace, France (367284, $15.95, WineAlign)
From the VINTAGES April 18, 2015 release
The five grape blend works confidently and vehemently strives with more love and sympathy than the austerely commandeered Riesling. Sylvaner and Pinot Blanc matter here, helping to negate the dominant aromatic push of the Gewürztraminer and Pinot Gris. Quite dry (3.9 g/L RS), with twitching (5.86 g/L) though steady acidity. This has ingratiating integration and unswerving tannic grain. A coherently textured Riquewihr conflation that is more than well-made. Drink 2015-2020. Tasted March 2015 @Hugelwine@HalpernWine@VinsAlsace
Hungary and more succinctly Hegyalja is on a terrific role of late. I would put many marbles into the probability basket and roll straight to the quality bank on the backs of so many Tokaji examples. This Furmint is not on the lighter, fresher side, but more so the seasoned and effluvious strand. “Regardless of the balance life has become” this Furmint is lush and conversely piercing, an acquired density, thick and profoundly cumbersome. Though it rallies and rails in many ways, “too heavy too light, too black or too white, too wrong or too right, today or tonight,” it’s also honeyed and a riot to drink. Would like to give this seven Mary three years to settle down. Drink 2017-2020. Tasted March 2015 @TokajCE@WineofHungary
From left to right: Vignerons De Buxy Buissonnier Montagny 2011, La Vida Al Camp Cava Brut, Château Belá Riesling 2012, Rapaura Springs Reserve Sauvignon Blanc 2013, Momokawa G Joy Junmai Ginjo Genshu and Trimbach Réserve Riesling 2011
Vignerons De Buxy Buissonnier Montagny 2011, Ac Burgundy, France (382879, $19.95, WineAlign)
From the VINTAGES April 18, 2015 release
Another VINTAGES (2011) shipment of this great value in Côte Chalonnaise Chardonnay from the most southerly portion of the Côte d’Or is fortuitous because eight months has only helped to extricate the fruit from its Marly soil, variegated with White Burgundy-loving limestone shell. This is Montagny with intensity and in language of Burgundy’s essential tenets. Aromas scheme as white fruit punch and fruit that packs a punch. Might be thought of as heavy, syrupy even, in terms of Chardonnay, but the meeting of equal and opposing tannin terms balance. The clay-crusted pebbles in the marl have crawled inside the bottle. Suck on them long enough and they will reveal their inner stone. I dare you to spit them out. Drink 2015-2020. Tasted March 2015 @VinexxWine
La Vida Al Camp Cava Brut, Penedès, Spain (Agent, $19.95, WineAlign)
This blend of Macabeu, Xarel-Lo and Parellada is not only distinguished for Cava, it should be highly regarded in the pantheon of all Sparkling wine. Swelling with personality and urging in demonstrative energy that fizzes and suspends with fervent animation. The activity is one of quick reactions and accumulation. From sweet yeast in lees, from an on the line oxidative cold front and through the warmth of tropical spice. Cava like clouds combing stormy skies from equal and opposing directions and densities. Though marked by a leathery aromatic rind, it’s creamier and less lactic than outright citrus. These are fine bubbles, of twinkling titillations and striking flavours. Drink 2015-2018. Tasted March 2015 @lavidaalcamp@TheVine_RobGroh
Château Belá Riesling 2012, Muzla, Slovakia (410951, $19.95, WineAlign)
From the VINTAGES April 18, 2015 release
For something completely different and yet not, look to Slovakian Riesling at the hands of a German icon. Here from Muzla, a most elemental, atmospheric and petrol driven wine, out of Loess, with blessings beyond Riesling character. A bit reductive, funky and porcine like Baden Grauburgunder, frankly. Heads to an off-dry intersection on the palate, in Spätlese-like headiness. Returns to Trocken in angles of mineral tang and a late, ferocious bite down. Stays this way for nearly a minute. A challenging and compelling respite away from the Mosel. Drink 2016-2022. Tasted March 2015 @ChateauBela@WinesOfSlovakia
Rapaura Springs Reserve Sauvignon Blanc 2013, Marlborough, South Island, New Zealand (388421, $21.95, WineAlign)
From the VINTAGES April 18, 2015 release
Blame it on the midnight, the rain or the Wairau River, but the flow past a rocky aquifer and into the vineyard weaves through this Sauvignon Blanc to achieve an uncanny Marlborough balance. The accord is struck between high tones and mineral undertones. Between tropical lushness and direct citrus connectivity. Between herbal grounding and stratospheric elevation. Really flavourful and structured by texture. In a saturated world it is noted “everywhere is all around, comfort in the crowd,” through a sea of Sauvignon Blanc. Shame on the moon but the Rapaura Springs Reserve stands out for its gentle, meandering and crooning ways. It is highly recommended. It is possessive of an ability to braid, reticulate and evolve. Drink 2015-2020. Tasted March 2015 @Rapaurasprings@nzwine@VinexxWine
Momokawa G Joy Junmai Ginjo Genshu, Oregon (239426, $26.95, WineAlign)
From the VINTAGES April 18, 2015 release
Made from pure, Sacramento Valley Calrose rice polished to 60 per cent and undiluted. The short trek to Oregon is made for the G, a Saké with a foot in two worlds. The Koji-kin and yeast strains are from Japan and the water from Oregon. The American-Japanese arrangement will succeed in pleasing palates east and west. Sacramento soil is in here, enriching the rice with savoury tall grasses and expanding spice. Oregon water draws subterranean salinity and combined with the Japanese elements, comes out like toasted nori. This is lovely and floral, rich and finishes with a feeling of wet stones. Tasted March 2015 @SakeOne@MetroWineSake
Trimbach Réserve Riesling 2011, Ac Alsace, France (995316, $29.95, WineAlign)
From the VINTAGES April 18, 2015 release
Some old vines and a strict selection of grapes from Ribeauvillé and vicinity compose the Trimbach Réserve, another storied chapter of sharpness and focus. Builds upon the similar 2010 and with greater depth. At this price on the Riesling plain this will be a star for the vintage, even it it takes five more years to reach adjudication. With this portal to the finest fruit and handling in mind, it can only be imagined what the same vintage will convey from the terroirs of Geisberg and Osterberg for Cuvée Frédéric Émile. The standard Réserve is rich and propelled to compounding causatum. Aromas go through lemon glade and glaze, then turn the key to lime. The texture is a crackling bite of corral with salinity drawn from oceans far away. The stone cold austerity is a frozen moment of time, a long pause in which there is nothing to do but swallow and forget. Small price to pay for such a thing. Drink 2016-2022. Tasted March 2015 @trimbach@WoodmanWS@AlsaceWines
We get this sort of query all the time. “Why does Ontario wine cost so much?” Actually, it’s often more a complaint then a question. We get upset. Granted, many international wines are cheaper….but do you know why? My colleague and Man Friday Gerardo Diaz has this to say “Don’t complain. Do some research and come back.”
As many of you know, I play every day in the fortuitous role of Wine Director at Barque Smokehouse. As we speak I am in the throes of an auspicious new plan, setting the wine program with Diaz for Barque’s next venture. Coming soon. Two years ago, just after Brian Schmidt of Vineland Estates was able to initiate the keg wine revolution by overhauling VQA regulations, we convinced Jonas Newman of Hinterland Wine Company in Prince Edward County to partner with us. Wine on Tap at Barque was born. Since then we have worked with a dozen Ontario wineries.
It’s more than accessibility that drives our decision to work with and pour exclusively of Ontario wines. We had always been supporters of the local industry but the keg program allowed us to expand the portfolio and the sales. Ontario wines account for nearly 50 per cent of all wine sold at Barque.
So when guests (and I get the same questions and complaints from family and friends) wonder aloud about the necessity for Ontario to be so present, I have much to say. The Ontario wine industry is the best kept secret in the world. It has grown, accelerated and advanced with more success than might have been imagined as recently as five years ago. In November I wrote, “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”
I also wrote this, quite some time ago. “That is producing unique, cutting edge and brilliant takes on cool climate grapes. They also match beautifully with the songs referenced in their tasting notes. When the wines are assessed and considered in part or as a whole, who would dare to say there are no great wines being produced?”
As a cool-climate viticultural entity, there are few rivals around the world. The geology and micro-climate are ideal for growing specifically chosen vinifera. The winemakers in Niagara, Prince Edward County and Lake Erie North Shore are highly educated, state-of-the-art savvy and maniacally progressive professionals. In the categories of Riesling, Chardonnay, Pinot Noir, Cabernet Franc, Gamay and Sparkling wine, Ontario crafts excellence at all price points. After the two brutal winters of 2014 and 2015, no other set of vintners could have succeeded with unfailing ability more than the women and men of Ontario’s industry.
Proof of Ontario’s acumen and price-worthiness need not be found any further away than at your local LCBO. Private VQA wine shops and independent retailers would only advance the cause. Spend a few hours at an Ontario gathering and you will be changed forever. Shawn’s Ontario Wine Chat discusses and promotes the ideal every Wednesday night. The Ontario Wine Society holds tastings and events year ’round. The Ontario Wine Awards asks many of those top scribes to sniff, taste, sip and pick the best of the best. Wine Country Ontario is out there all the time, spreading the gospel. This is one religion you need to get behind.
The Ontario wine tasting season is now in full swing. Taste Ontario just recently passed through Montreal and Ottawa. WineAlign is bringing Prince Edward County to Toronto on April 16th with County in the City. Somewhereness also arrives in Toronto on April 20th. In July the 5th annual Chardonnay i4C conference will descend upon Niagara. The best way to experience Ontario wine is to get out and visit. I can recommend plenty.
Why do I taste Ontario wine every day? I do it in the LCBO lab, in Ontario’s tasting rooms and cellars, at Barque, when I order wine in other restaurants and at home. I do not need convincing but I do have decades more learning to do. Here are the recent Ontario wines that have passed my desk and my lips. Five are coming to VINTAGES next week as part of the April 18th release. Others are available at the winery. Seek them out. You will then count yourself among the converted. I guarantee it.
Flat Rock Riesling 2014, 13th Street Merlot 2013, Burning Kiln Chardonnay Cureman’s Chard 2011, Fielding Cabernet/Syrah 2012, Flat Rock Chardonnay The Rusty Shed 2012, Closson Chase Chardonnay Closson Chase Vineyard 2013, Cave Spring Csv Riesling 2012, Norman Hardie Niagara Unfiltered Chardonnay 2013
Talk about bottled up compression. Twist the screwcap and thwop! The cap nearly popped like a Champagne cork. This baby has energy and drive. The vintage is compressed and pile-driven as nosed by the density opposed by reticulated 9.5 per cent alcohol. This has Mosel tattooed on its being, from neck to bottom. A dead ringer for fine Kabinett, the tropical fruit in apricot and dragon reaching back to join Ontario, in apple and pear. A good flinty stone and raging acidity combine forces to exaggerate a Riesling reticulum in what is not the missive’s greatest ever vintage. Will live five to seven easy and just go for soda. Go ahead and quaff the hell out of this one, from 2015-2020, from bottles one through twelve. Tasted March 2015 @Winemakersboots@UnfilteredEd@brightlighter1
13th Street Merlot 2013, VQA Creek Shores, Niagara Peninsula, Ontario (270504, $17.95, WineAlign) From the VINTAGES April 18th release
Yet another Niagara red that could only have been crafted at the hands of winemaker Jean-Pierre Colas, a wild and dubiously natural Creek Shores Merlot. In 2013 the vineyard funk reeks of an instinctive, undomesticated slur in seldom seen Merlot speak. The variety normally avoids, scatters and runs away to the hills, but not this time. The flow is a movement of dried, caked, saline silt and pine needle paint. There is woodsmoke too but the suffusive Creek Shores cespitose encompasses all and runs wild. A settling will happen, so then it’s really a matter of fruit, a thing which in ’13 is not observed as overtly generous. Drink 2017-2019. Tasted March 2015 @13thStreetWines
Burning Kiln Chardonnay Cureman’s Chard 2011, VQA Ontario (310243, $19.95, WineAlign) From the VINTAGES April 18th release
In this BK variant, Chardonnay is procured by fruit not put through any drying and so very fresh it remains. The barrel helps and yet also distracts but not in any unusual or detrimental way. Just another solid Chardonnay with nothing to set it apart from the sea. Drink 2015-2017. Tasted March 2015 @BurningKilnWine
Fielding Cabernet/Syrah 2012, VQA Niagara Peninsula, Ontario (258657, $24.95, WineAlign) From the VINTAGES April 18th release
I have always been skeptical of the Peninsula take on the OZ-styled blending of a Bordeaux and a Rhône but if there is one Niagara winemaker to trust, Richie Roberts gets the nod. High-toned, crikey warm and struth oozing. Still, the balance is struck by Mediterranean-like savoury aromatics (black olive and brine), along with beautifully integrated wood. The VA is less than minimal, the fruit rosy, plum-filled and strawberry flavoured. Either variety can play second or short and both can make the turn. Will have a long life. Drink 2016-2022. Tasted March 2015 @FieldingWinery@RichieWine
Flat Rock Chardonnay The Rusty Shed 2012, VQA Twenty Mile Bench, Ontario (Winery, $24.95, WineAlign)
Accumulated cognizance exudes from the laid back Shed, here as relaxed and user-friendly as it has ever been. If the texture is not vintage induced and made of low yield than I’ll sell my LP’s and switch outright to Songza and Neil’s PonoMusic. The herbs are basil and chervil sweet, the verbena and lemon balm redolent, the flavours beaming, bolstered by preserved lemon and candied ginger. The stuffing must be questioned, but not the elegance. This Chardonnay is porous, blessed, void of rust and of an interior with plenty of space in the shed. Let it fill.
From my earlier note of February 2014: “There will be 660 cases of this barrel cherry-picked, now iconic Bench Chardonnay. The warm vintage called for a combo-malo approach, part batch all in, part arrested development. Gravity influenced top down blending also work to seek a svelte elegance and this ’12 really straddles the humid line. Thinks to be ribald but remains chaste, only allowing a kiss from the barrel and a caress from the rocks beneath the soil. Accept immediate but know that deferred gratification is the hallmark of this bottling.
Last tasted March 2015
Closson Chase Chardonnay Closson Chase Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $27.95, WineAlign)
This CCV Chardonnay is one of departed winemaker Deborah Paskus’ final acts at Closson Chase. It will forever be noted as a legacy-cementing, swan song of career excellence. Crafted by Paskus and bottled by the next one, current winemaker Keith Tyers, the 2013 CCV is simply a tour de force. No such combination of richness, tropicality and pure grape tannin has ever infiltrated this Chardonnay, from this vineyard. I’m not sure there is a comparison in Ontario, at this level of excellence and at this price. A wine of pure impression, with Montrachet-like structure and Folatières-like precision. Seemingly capacious, its facile legerity is hypnotizing, quantitatively escalating in assembly of aromas, flavours, through texture and finally to longevity. The wine spent 16 months in a mere (17.25 per cent new) oak. That it notes 12.5 per cent alcohol on the label is next to impossible. The substance is just too buttressed to be so tender and effete. Impeccable balance, refinement and mineral finish. This is Chardonnay to confuse the world’s fine white collectors, to wreak havoc at international tastings for five to 10 years. Only 712 cases are available and at $27.95, is down $2 in price from the 2012. Best ever, hands down. Drink 2017-2023. Tasted March 2015 @ClossonChase
Cave Spring Csv Riesling 2012, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign) From the VINTAGES April 18th release
In the pantheon of 2012 Bench-Ridge-Escarpment Riesling, the CSV is bound for glory. As expected it unfailingly draws innate wisdom from vines that understand their soil with deep intent. It can be said that every vintage rocks a Cave Spring Riesling but this one brings fruit out of a willingness to give and give. Winemaking connects with this vineyard and this specific Riesling, like mother and child. The depth of fruit lies under a shale of uncompromising, petrous funk and acidity. All tolled, this is a top CSV that begins on edge and then walks along, pointed towards a fruitful direction. It stays the furcate course, captivates and lingers, with no immediate end in sight. Drink 2017-2027. Tasted March 2015 @CaveSpring
Tasted from a sample, in bottle, not yet labeled. It’s one thing to make a natural wine in Ontario and a world away to do so with Chardonnay. The concept is simply off the charts with respect to fruit sourced out of arguably Tawse’s most important mineral site, the Quarry Road Vineyard. So, with that plot and winemaker Paul Pender’s inner vision, the progression to this point in Ontario winemaking is fascinating. “The law was never passed, but somehow all men feel they’re truly free at last. Have we really gone this far through space and time?” Pender must have shut his eyes tight, imagined the wonder and whiffed his ways through those barrels. Based on a taste through all the Quarry barrels with Pender in April 2014 (carrying 2013 fruit) I would think the Mercurey (Large barrel, CLL toast) would best suit the natural, oxidative bent of this Quarry. This plays the hallmark bass note in natural odour; funk, wondrous gentility, wood and rhythm and blues stone, as opposed to wood and rock. Something other, preposterous and gorgeous permeates the mess. Something melodic. The wine is perfectly in tact, piercing and exact. Direct, vibrant, positively wistful and wishful. Filled in by a strings mid-palate, with acidulated apple slices from a potent cocktail. The finish goes deeper, so the sum of the parts gains on the intricacies, teeing it up for much success. That said, don’t wait for it to fall apart. Drink 2015-2016. Tasted March 2015 @Tawse_Winery@Paul_Pender
Norman Hardie Chardonnay Niagara Unfiltered 2013, VQA Niagara Peninsula, Ontario (184432, $39.00, WineAlign) From the VINTAGES April 18th release
Hardie’s Niagara Chardonnay will not be recessed into the Peninsula’s everyday lexicon, nor does it draw any direct comparisons. How can this be? I will say that the 2013 exhibits less reduction, less elemental fever and a dramatic decrease in tension, so in that sense it has comes back to the norm. Yet it dances dramatically, like a blind bee in a ripe melon, in free spirited, holistic and counter-cultured ways. A wine of gold wiring, wrung out in splashes and swaths of lamé sheets. Shows a commitment to soil, full malolactic conditioning and punched down musts in its every breath. What is obvious is that 2013 is no putty in the hand. It’s moulded clay, shaped by the mitts of its maker, immortalized by the barrel’s oven and just about ready to begin being beautified by ornamentation. Time will effect its tribal markings and ultimate finish. Give it three to five so that it may add surge to its restrained power. Drink 2017-2022. Tasted March 2015 @normhardie
The idea that something veers away from or afield of the norm is almost always intriguing. Fascinations with antidisestablishmentarianism, marching to the beats of different drummers and walking lonely roads is as essential as breathing. For the curious, the hungry and the alive.
Though the concept is a sound one, it need not always be about searching for wisdom and enterprise off the beaten path. There are times when the abstruse may be lying directly underfoot. Wine is a commensurate animal, altricial such as it is, acaudal, acersous, agnostic, aculeate and allocryptic such as it is not. Wine that is not so much off the beaten path as actually growing on one.
Two of the six wines recommended here jive with the idea, a Sicilian varietal wine made from the local Nerollo Mascalese and a Venetian dessert beauty crafted from who knows which and exactly how many chthonic varieties. No wine-producing nation knows about the concept of varietal celebration and keeping a historical watch on the relationship between path and vine more than Italy. No other agglomeration crafts from indigenous or endemic varieties with as much diversity.
This summed it up. “Finally, I find the irony in the idea that for a winemaker or vine grower to step off the quotidian they need to plant, cultivate and make wine from grapes once considered the norm and the go to in their region. You can’t help but notice that modern winemakers with a wistful eye are casting reflexively into the past with a hunger for vinous resurrection. By grafting their pre-Phylloxera ancient vines onto healthy root-stock they have turned the varietal compass on its head. As they have moved through their days with an open-mind to the panoply of grape interactions, they have beget the endemic revival.”
You see, winemakers don’t always have to champion the obscure, the endangered and the forgotten. There are times when place and plot are good enough to create an aura of obscurity and adventure. The wines in this column’s conspiracy are in cahoots to drive the point.
A white Port; who drinks white Port? Sometimes you just need to walk along roads you never seem to take, take in the backstreets or sip along with something that’s always there but you just never bother. Port can be nondescript and it can also be like the Cálem Lágrima.
How about a Barossan, a Shiraz no less, but here because it is a wine from Neolithic soils, consumed and procreated on and upon itself. Then there is a South African white blend of such natural indeterminate plodding it has caused a break in critical ranks; is it sound or at fault to the point of no return? Last but certainly not musical least, a Napa Valley vintner with an infatuation for pairing wine to song. Sound familiar?
In anticipation of the first April list to hit Ontario shelves, Sara d’Amato and I have compiled what you need to know and why. Click on this link to WineAlign to see the full report.
Here are my six path straying wines from the VINTAGES April 4th release.
From left to right: Cálem Lágrima White Port, Dandelion Vineyards Lionheart Of The Barossa Shiraz 2012, Lammershoek Roulette Blanc 2011, Calcagno Feudo Di Mezzo Nerello Mascalese 2011, Monte Faustino Recioto Della Valpolicella Classico 2008 and World’s End If Six Was Nine Reserve Cabernet Sauvignon 2010
Cálem Lágrima White Port, Dop Douro, Portugal (912568, $15.95, WineAlign)
Viscous and semlessly crafted White Port. There is very frank aridity in nuts and peels on the nose, along with tempering agave and citrus. The positable tug between sweet, sour and salty harks to older times and the munificent wafts of the warm nut cart. The agave drips thick on the palate, the spiced nuts are expertly roasted. Cool mint and eucalyptus fill the middle and fine acidity comes ’round the back. Terrific value. Drink 2015-2020. Tasted March 2015 @PortoClem@WoodmanWS
Dandelion Vineyards Lionheart Of The Barossa Shiraz 2012, Barossa Valley, South Australia (167189, $19.95, WineAlign)
Tasted from the 750 mL, this old vine Barossa vineyard bottle is reminiscent of the wise and precocious 2009. Nothing can be taken for granted here, this Shiraz from ancient, gnarled vines, many over a hundred years of age. A wine from neolithic soils, consumed and procreated on and upon itself. This is brash and once opened, the aromas are “orbiting your living room.” Makes me think of fig jam on venison wurst and a sauce made from licorice, clementine and dates as big as sausage flies. Tart, tight, racy and religious. Has a fisting Reggae beat, like The Clash doing Tosh and Dub. It may not transmit the only Barossan pirate radio Shiraz but it may just be one of the better values. Drink 2016-2021. Tasted March 2015 @DandelionWines@Wine_Australia
Lammershoek Roulette Blanc 2011, Wo Swartland, South Africa (225458, $21.95, WineAlign)
Talk about the passion. Fruit and reduction. Fruit and oxidation. Contradictions and oxymorons. This reeks of upside down passion fruit, apricot, honey and almond cake. Dripping syrup, parrafin and citrus. Waxy, like Sémillon and that’s where the advance comes in. The Roulette Blanc is meant to flesh, not wane in texture. The question is “combien, combine, combien de temps” does it take for a wine such as this to travel from wild and fresh to used and confused? The 2011 exhibits all the signs of great, complex fruit and corresponding accents. It has it all going on but a current stale, R.E.M. sleepy state clouds its future. “Not everyone can carry the weight of the world.” A really interesting wine with a long, bitter and tangy finish. How much longer will it age? Long enough. Drink 2015-2020.Tasted March 2015 @Lammershoek@WOSACanada
Calcagno Feudo Di Mezzo Nerello Mascalese 2011, Igt Siciliy, Italy (408187, $34.95, WineAlign)
The Sicilian was treated to extended maceration under strict temperature control and the bleed is evident, modern, pitchy and black as a cloudless night. Then 12 months later “an improvement” is fashioned by the classic French oak “barriques” addition, followed by a minimum further four months in bottle. The result is a warm, alcohol elevated (14.5 per cent) state of the art Nerello Mascalese with a wonderful earthy grounding. Tenderly volcanic, the fruit comes from Passopisciaro between the Etna park and the Alcantara river park. Ancient lava flows leave an indelible mark on a wine without creases. Yet this is a direct, in your face expression that shares thoughts and feelings with deep clay and stray island sand. An extremely well-made wine even if it wanders away from the wonders of time. Drink 2017-2022. Tasted March 2015 @oenophilia1@VisitSicilyOP
Monte Faustino Recioto Della Valpolicella Classico 2008, Docg, Veneto, Italy (403857, 500ml, $45.95, WineAlign)
Once in a while there comes a Recioto in reserve of its own preciousness. A Recioto comfortable in its own skin, does not have to try too hard, posits only what it is safely made of. This elegant example whiffs dried fruit, strawberry, rhubarb and lovely aromatic, natural fruit tea. Licorice and fresh fennochio. A citrus poke. Good underscored, understated and under the radar personality. Great length. A real success. Drink 2018-2025. Tasted March 2015
World’s End Cabernet Sauvignon If Six Was Nine 2010, Napa Valley, California (396127, $72.95, WineAlign)
What if “six turned out to be nine?” What if 14.9 per cent alcohol was just 14.6 instead of what really must be 15.9? What if the song in your head was sung by the tender emotional voice of Todd Rungren instead of the fuzz in Jimi’s clouded world? This Cabernet Sauvignon is so much more Hendrix, a full-throttle, heavy-layered, all-in barrel and total extract package. The fruit is hulking and the tannin equally so. Look ahead eight to ten years then fire up the black top. Heave on some marbled elephantine chops and all will be fine in the centre of the dizzying universe. “Wave on, wave on. Fall mountains, just don’t fall on me.” Maybe listen to a verse or two of Todd as well. “Hello, it’s me.” Drink 2020-2027. Tasted March 2015 @ProfileWineGrp@NapaVintners
Henry of Pelham Estate 2013 amid a sea of April 4th, 2015 VINTAGES Chardonnay
You can find them from coast to coast. This coming Saturday six VINTAGES Canadian releases, four from Ontario and two from British Columbia, are wines that speak on behalf of exceptional vineyards, out of important places. These are bottles made by winemakers entrenched in their territory and from grape varieties purposed to grow there.
The Creekside Estates white blend known as Laura’s White has become a poster child for varietal blends on the Niagara Peninsula. Winemaker Rob Power has found a way to make a consistent expression in every vintage.
Shiny Apple Cider by Small Talk Vineyards
Angela Kasimos was the winemaker at Riverview Cellars and is now leading the charge at Small Talk Vineyards. The Small Talk Syrah is yet another example to speak on behalf of pushing for more plantings, especially down by the Niagara Lakeshore. But that’s not all. Kasimos is also making Cider at Small Talk. It’s called Shiny Apple Cider, made from Grey County apples and Niagara grapes. You heard me. The White Cider is augmented by 10 per cent Riesling, the Rosé with 15 per cent Pinot Noir. You should try it on tap at Barque Smokehouse.
The Cuvée Black Ball Riesling by François Morissette failed on several occasions to pass through the VQA panel’s strict discretion. The atypical one has finally broken down the barrier and it’s now your turn to decide if it pleases or causes consternation. My chance to opine is laid clear in the review below.
From B.C., Gehringer Brothers out of Oliver offers a unique, Golden Mile take on Pinot Gris. More than just coincidence to be here today as yesterday marked a new direction for British Columbia‘s wine industry. The #GoldenMileBench just became the province’s first sub-appellation.
Sandra Oldfield of Tinhorn Creek called the day momentous. She wrote this on her blog. “Something as elemental as the brown given to vineyard stones by a passing universe. In casual simplicity, I toast to you, the Golden Mile Bench, British Columbia’s first sub appellation.”
The five recognized wine regions in British Columbia are The Okanagan Valley, Similkameen Valley, Fraser Valley, Vancouver Island and the Gulf Islands. The new designation was announced by the provincial government on March 30 and will legally identify where grapes are grown. In this case, the escarpment southwest of Oliver which runs south from Fairview Road and near Highway 97.
So long as 95 per cent of the grapes were grown in the area, wineries will now legally be allowed to indicate the Golden Mile on their labels. The list includes CC Jentsche Cellars, Checkmate Artisanal Winery, Culmina Family Estate Winery, Fairview Cellars, Gehringer Brothers Estate Winery, Hester Creek Estate Winery, Inniskillin Okanagan Vineyards, Golden Mile Cellars, Rustico Farm and Cellars, Tinhorn Creek Vineyards, and Willow Hill Vineyards.
In Jauary I wrote about Burrowing Owl Winery. I talked about the extreme nature of their location and what is does for their wines. “That the winery is situated on the most northern outpost of the Sonoran desert, an arid and agriculturally inhospitable stretch of terroir that originates in Mexico, is not exactly so well-known. That the Owl can produce such wines of extraction spinning on a compass of intensity is one of the wonders of the Okanagan Valley.”
Here are notes on six new local releases coming to stores this Saturday.
From left to right: Creekside Estates Laura’s White 2013, Gehringer Brothers Private Reserve Pinot Gris 2013, Henry Of Pelham Estate Chardonnay 2013, Small Talk Vineyards Recap Syrah 2012, Pearl Morissette Cuvée Black Ball Riesling 2013 and Burrowing Owl Syrah 2011
When I tasted the 2012 Laura’s White again with winemaker Rob Power two weeks ago my last note said “this has the grab, tempered by the warmth of the vintage, so look for ’13 to nail it with a hook.” That it does, along with the most balm and herbs of the last five vintages. This blues traveller goes deeper into complexion and white varietal compilation. The fruit is very tropical in 2013, softer, easier, lighter in complexity, but it has that musical trigger, the jingle, the popper, the hook. If ’12 was the revivalist blend, then ’13 will try to be the proselytizer. “Because the hook brings you back, ain’t tellin’ you no lie. The hook brings you back, on that you can rely.” Everyone can drink this. While it may not stand up a decade or longer later, you will be able to look back on it fondly and remember it was a wine for the times. Drink 2015-2020. Tasted March 2015 @CreeksideWine
Gehringer Brothers Private Reserve Pinot Gris 2013, BC VQA Okanagan Valley, British Columbia (347203, $18.95, WineAlign)
A concrete set of aridity rules are the modus operandi here in a reserved, stoic and aerified sort of Okanagan Pinot Gris. Paler and thus less oxidative then the last vintage to pass through these parts. Very much cut into pear, less so of white peach. The grape tannin is noticeable, even obdurate. Generous alcohol contributes to the mulish attitude though with the aridity and slight citrus push you’d be hard-pressed to really notice the call. Tasted March 2015 @GB_Wines@UncorktheSun
Henry Of Pelham Estate Chardonnay 2013, VQA Short Hills Bench, Ontario (268342, $19.95, WineAlign)
Sunlight is the key to this ripe Chardonnay, snatched from vines that grow on the most easterly of the Niagara Escarpment’s sub-appellation. Here Henry of Pelham calmly puts its hegemony over Short Hills Bench Chardonnay on display. The fruit layering is very impressive, compressed even, with just a spiced spirit injection from the barrel. The Estate Chardonnay is in a mid-range class of its own, this gatherer of heat days, hoarder in spring water retention, cleanser in sand and gravel drainage. The vintage just seems perfect for this niche bottling, balanced, primed to finespun texture, stretched for length and good to age at least five years. Last tasted March 2015 @HenryofPelham@SpeckBros
Small Talk Vineyards
Small Talk Vineyards Recap Syrah 2012, VQA Niagara On The Lake, Ontario (415612, $24.95, WineAlign)
In the hands of new winemaker Angela Kasimos, Small Talk Vineyards should consider going with and increasing their plantings of Syrah. It’s clear that Kasimos has inherited good solid fruit and the Small Talk (formerly Stonechurch Wines) treatment in ’12 is a very good start towards what should become a great varietal relationship. Smokey, savoury and full of positive brine vibrations, this has body but no overripe or caramelizing denouement. Nor is it green, though it exhibits tonalities that whisper volatility and chews that say sinew. Yet it persists healthy and clean. This is Syrah of lovely curves, rounded shapes, bright peaks and gently sloping valleys. Who doesn’t like Syrah young and infectious like this? Tasted March 2015 @SmallTalkWines@AngelaKasimos
Pearl Morissette Cuvée Black Ball Riesling 2013, VQA Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)
Let’s get something immediately out of the way. The wines of François Morissette are not meant to please curmudgeons, skeptics, contrarians or members of the wine media. This Riesling has no desire to kiss ass. This will not appeal to late harvest lovers, from Kabinett to Auslese. Is it ripe? Not quite. Is it different? Absolutely. This compares to almost nothing. Like a Champagne ginger, lime and bronze filings cocktail, the Blackball ’13 is so very developed and despite the colour, is a hyperbole in primary existentialism. That it has essentially no residual sugar and an achieved 11.5 per cent alcohol is a complication only the clinical doyenne has the answers to. Riesling in between dreams, “never knowing shocking but we’re nothing.” The Blackball has struck, is not yet stricken and will offer remore pleasure for another six months. Then it will deconstruct, dissolve and devolve into darkness and funk. Five years later it may emerge like a phoenix, jack up like a Rangen Riesling, into the ethereal. Will it happen. I couldn’t possibly tell you. We may never know. But I can say that then, and only then, will it truly tell its story. Drink 2020-2025.Tasted March 2015 @PearlMorissette
Burrowing Owl Syrah 2011, BC VQA Okanagan Valley, British Columbia (73072, $39.95, WineAlign)
Just when it seems that Burrowing Owl could not coax beyond the perceived maximum in ripeness and richesse out of desert sage country Syrah, the envelope pushes higher in this ripping 2011. An absolute circum whirl of dark fruit, crushed peppercorns, Cassis and candied violets draw syrupy into bottle. Big, brawny and modern, styled like Syrah from peak perches overlooking the French Riviera with a small percentage of mitigating northern Rhône sensibility. Texture is pure silk. Acids are tame but very present. Tasted March 2015 @BurrowingOwlBC@winebcdotcom@LeSommelierWine
Three vintages and producers of Brunello di Montalcino
Though it may sound absurd, it’s true. There are some who hate wine. It may seem impossible to imagine, but not everyone cares for the stuff, in fact, they say they hate it. Pretty harsh, no?
They have their reasons. Either it’s pretentious, it pales in comparison to beer, causes headaches or simply tastes like shit. The haters also hate wine drinkers and they really can’t stand people who blabber on about what they smell and taste, especially wine writers. The vile, worthless, waste of the air they breathe kind of human. The virus with shoes.
They are out there but they are not the real problem. The bigger issue is the wine geek who hates certain wines. The wine aficionado who picks on specific bottles, bullies them to the point of hatred. Slags them beyond reproach. Rants to the world about the injustice of their existence.
I will tell you why I have to say what I have to say. When I entered the LCBO tasting lab last Friday I saw three bottles sitting on the sterile counter, three Pinot Noir that made hairs all over my body stand up in horrified attention. Three Chuck Wagner Pinots. Les Belle Glos. So I tweeted this.
Three Belle Glos Pinot Noir in the lab to taste. Shoot me now.
That was a mistake and I apologize for having written that. My message is this. You may find flaws in wine. You may suss out mistakes in the way a wine is made, sniff out bacteria or mould. You may point out imbalance and general impropriety. But you should not hate.
After all, wine is made from grapes and has fermented into itself. No matter the manipulations, the heavy-handed preparations and the dismissal of varietal or territorial propriety, at the end of the day it is just a bottle of wine. It is still a card-carrying member of the heritage, the extraction and the house. The fact is that when you hate one wine, you hate all wine. Do you see, the instant that you hate a wine, then you hate the world of wine.
There is more. Every wine has a connection to the land it came from. Soft mutinies in the senescence of nature all contribute to the scarring of a wine, of an indelible truth that indicts the world it harmonizes in, like a tract of a forest long ago scorched by a fire. A vineyard shares a history, which each vine remembers, even after it has failed to survive, even after others have not survived, or have been felled or re-planted. All wine has a background, regardless of what it may have suffered during growth and fermentation.
And so, please try to be nice. Not every bottle will thrill and most will even disappoint. But do not hate. These seven examples, coming to a VINTAGES kiosk on April 4th do nothing less than restore the faith. They are all classic returns, of familiar and favourite varieties. They are wines to love.
From left to right: Muriel Reserva Vendimia Seleccionada 2008, Robert Mondavi Fumé Blanc 2013, Isole E Olena Chianti Classico 2011, Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Hess Allomi Vineyard Cabernet Sauvignon 2012, Fuligni Brunello Di Montalcino 2008 and Vitanza Riserva Brunello Di Montalcino 2007
Carries with it the efforts and old barrel trials of generations in its classic aromas. Cedar, dried plum, bitumen, dried anise, wood soaking in natural sugar syrup. Really seamless, flourless and austere in a running wild kind of way. Possessive of length and deserving of that oddest of wine descriptions; supple. This will age for 10-12 years with ease. A great wine for the money, right up there with the Montecillo 1991, but cleaner, juicier and with more sex appeal. A red-head, a ginger, Rita Hayworth, Julianne Moore, Emma Stone. Tasted March 2015 @bodegasmuriel@RiojaWine
Robert Mondavi Fumé Blanc 2013, Napa Valley, California (221887, $22.95, WineAlign)
The Mondavi course of intention stays on track once again in 2013 though the vintage for Sauvignon Blanc seems at its warmest and ripest in quite some time. This walks a highline of aromatics yet refrains from tragically creamy barrel notes or excessively hop toast. Fruit is the driver, “rushing by the machine revving tension.” That drupe is part fresh and part dried, whiffing citrus and potpourri. Zest is buzzing but not overbearing. Were I locked in the trunk of a car, this bottle of Fumé Blanc would keep good company. Drink 2015-2020.Tasted March 2015 @RobertMondavi@CBrandsCareers
The hue and distinguished generational character pay hommage and unconditional loyalties to the noble Sangiovese. Chianti Classico in which patience is a commendable virtue and extreme necessity. The wood and tonic inflate the near nose in screaming interface but five minutes works to soften the early edginess. Now the perfume is intoxicating, so typically IEO, from a beautiful parcel of Chanti Classico out of a very giving vintage. An alluring wine that draws you in with a flirtatious smile of depth and meaning, seamless in personality, never too rich, affected or grandiose. There is no resin and no slice of cake decadence. Though it retains some old-school properties, this CC keeps right in stride with the winemaking times. Drink 2018-2025. Tasted March 2015 @chianticlassico@HalpernWine
Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Burgundy, France (19364, $31.95, WineAlign)
Bring on the 2012 Chablis. Here, an early, exciting and intense look. Has a combination of spot on salinity and limestone flint from the central Vaillons Cru. Given time this eventually turns to honey, indicating great early promise. This Bichot Estate Chardonnay is ripe and extroverted. Though it won’t be the longest lived, the back-end stony merrymaking and overall exuberance is a great show. If ’12 Chablis is always this much fun, I’ll be buying front row seats. Tasted 2017-2022. Tasted March 2015 @Bichotwine@BIVBChablis@DionysusWines
Hess Allomi Vineyard Cabernet Sauvignon 2012, Napa Valley, California (906420, $39.95, WineAlign)
Here scrambles forth a high-toned yet exuberant Hess. Dark fruit, old growth bark, fresh tar in summer and natural charcoal on the BBQ. These are the perceptions on a cimmerian, Patwin-coined, single-vineyard red wine from the eastern base of Howell Mountain. This micro-climate (relative to really cold places) experieneces freezing cold winters and later bud break than most of Napa. That difference comes across in the tension of this wine, the dichotomy of hot and cold and manifests by tongue-coating tannin-crusted fruit. Tannin that may take 10 years to integrate. Good concentration of fruit, acidity and that fierce tannin menas lots of energy and stereotypically speaking, even more structure. Drink 2020-2025. Tasted March 2015 @HessCollection@liffordwine
Though the bark and bite of the vintage will try to test even the purest fruit, this Fuligni is immune, the Brunello to absorb difficulty and energe unscathed. Earth. forest, clean mushroom, plum, carob and fresh cherry band together as an admirable aromatic lot. Though the vintage worked against many Montalcino producers, those who picked, vinified and allowed the fruit to do its thing, to be its own talking head, to express itself, made good wine. Enter the house of Eredi Fuligni. This ’08 is like Heaven, talking heady, saying nothing at all. The tune is clear as a whistling from the depths of a canyon. The spice is fragrant, never biting. The oak is like an old favourite song. The Brunello “in Heaven plays my favorite song. They play it once again, they play it all night long.” Drink 2020-2030. Tasted March 2015 @ConsBrunello@HalpernWine
Here sidlles up to the counter a huge, come home and lay with me now Brunello. Displays all the flirtaious and flamboyant hallmarks of the get me vintage. Gorgeous, juicy red fruit. This wine will make you want to head straight for the bar, load up and go home with wrong woman or man. A full on seducer, asking you, are you ready for love? It’s not so much that this Grosso is bad company, it’s just that it’s so bloody dangerous. It has layered fruit, earth and lace. It has the structure to age. The issue is how could you resist it now? “I’m ready for love. Oh for your love.” Drink 2015-2025. Tasted March 2015 @TenutaV@ConsBrunello
From left to right: Hermon Mount Hermon White Kp 2013, Tabor Galil Cabernet Sauvignon Kp 2013, Segal’s Merlot/Cabernet Franc/Cabernet Sauvignon Kp M 2011, Galil Mountain Pinot Noir Kp 2012 and Tabor Adama Merlot Kp 2010
Passover is the hardest working holiday in Jew business. Trust me, I know. Having spent 20 years cooking professionally for the eight-day week commemorating the Exodus from Egypt, I know the trials, tribulations and strict adherence that must be followed to satisfy the Jewish soul. I have also followed the Kosher for Passover wine evolution for equally as long. I have spent time deliberating about the feast without yeast. It’s a fascinating study.
In 2012 I noted that “recommending wines that are Kosher for Passover used to be similarly daunting, (a science and an art unto itself), but the field has certainly improved.
In 2013, optimism increased and I wrote, “a Jew’s worst, ’11th plague’ wine nightmare, the nights of suffering through cooked and stewed dry table wines, is (mostly) a thing of the past. I’m not suggesting that the golden age is upon us, but you may want to don the shades. The future is bright for Passover Kosher wine.”
The rules for Passover wines begin with the basic tenets. “All wines labelled “Kosher for Passover” are Kosher, but not all Kosher wines are Kosher for Passover. Kosher for Passover wine must be handled by Sabbath-observant Orthodox Jews and the wine can never come into contact with any leavening (grain, dough, bread) products, including yeast.” For the full story, read on.
In 2014 I spent more time taking about the individual’s choice on how they go about observing the laws of Passover. Passover wine is particularly specific to a Jew’s level of Kosher. From Reform, to Conservative, to Orthodox, all Jews have different variances of belief. A Reform Jew will likely drink any wine on Passover and then again, may not. But, he or she will almost certainly not require the bottle to be Mevushal. A Conservative may only drink Mevushal but in more cases than not, Kosher is good enough. An Orthodox Jew goes it only one way, or the highway. Strictly Mevushal KFP, do not pass go, do not collect Afikoman (the broken Matzah) money.” In last year’s post I discussed the recent trend towards bigger and bolder Passover reds, so read on.
In the 2013 column I made five recommendations for the Passover table from a longer list laid out for tasting by the LCBO. At least eight were offered (and I seem to remember more, spread across more than one VINTAGES release). At that time the press release made mention “of the 33 seasonal products being released through the LCBO and VINTAGES in time for Passover, 26 are new listings, featuring traditional kosher wines, fortified wines, dessert wines and sparkling wines.” Thirty-three? Impressive number.
In 2014, the LCBO release said this. “In time for Passover, which begins on April 14, the LCBO is adding 27 seasonal releases to an already diverse selection of kosher products. In addition to the approximately 40 kosher products available throughout the year, a mixture of new listings and familiar favorites is being released through the LCBO and VINTAGES to coincide with Passover.” The number presented in the tasting lab for media and product consultants was down from 2013, but still a solid set of wines to try. Things were looking up again.
The eve of Passover and first Seder night is only a week away and yet the 2015 press release from the LCBO came out just yesterday. Preparing for the Passover festival, dinner and eight days of transforming homes into Kosher safe houses takes weeks of forethought. That includes buying wine. I can think of no reason why the press release could not have been prepared a week earlier. It would have been helpful to many.
For those who need to know, varied quantities of Kosher products are available in more than 500 LCBO stores across the province, with the largest selection available at three GTA stores: 180 Promenade Circle (Promenade Mall) in Thornhill, 1838 Avenue Road (south of Wilson Avenue) and 675 Wilson Avenue in North York.
There are 42 wines labeled Kosher for Passover on the current inventory list from the LCBO’s website. Some are older releases and so low in stock that they don’t really count at all. The true number is more like 30. The March 26th press release notes that 43 products are available year round and that “a mixture of new listings and familiar favorites is being released through LCBO and VINTAGES to coincide with Passover.” The marketing department is not hiding anything. Transparency is not the issue. That only five wines were purchased and presented to product consultants and media in time for in store consumer consultation, as well as print and online Passover promotion, is curious to say the least. All five offerings are from the Galilee. What about the Judean Hills, Samson, the Negev and Shomron? Azureau Wine Agency has at least four or five quality wines available for Passover not currently in the LCBO coffers and yet they are all wines that had been purchased in the past. Why the snub?
Why has the pursuit of quality and quantity in Passover wine decreased instead of the opposite? Despite the growth worldwide and the dramatic increases in global quality and Passover wine sales, might it be that the LCBO has decided to drop the ball? Perhaps the feeling is that Passover wine was a trend whose time has come and gone.
So I asked some questions and the LCBO was very gracious to send me a list of all the Kosher products that were purchased and subsequently released in the past two months, in preparation for Passover. Seeing the list certainly shows that more credit is deserved for the support for the niche but three questions persisted to nag at me. I pointed out to the representative in charge of Kosher wines how the list notes products released on various dates which coincided with VINTAGES releases. Then I asked if there was there a reason why only the March 21st Israeli release items were presented to media and PC’s and also and how was the public informed of these releases?
It was explained that “the Kosher program is more akin to LCBO categories. It’s not really part of the VINTAGES brand. Some of theses (Kosher) auxiliary purchases are only 30 to 40 cases with direct distribution to locations with major kosher kiosks. Customers who shop the kosher section in stores like Promenade in Thornhill or the Wilson and Dufferin location basically discover new products among the regulars while shopping in-store.” The idea is that only the five Israeli Kosher wines are marketed because they are “for wine lovers whether they keep kosher or not.” I have heard that point of view before. It’s wishful thinking. Show me a wine lover who buys Kosher wine at the LCBO but does not keep Kosher and I’ll show you a wine lover who eats nothing but stew. If higher quality wines were on offer, the philosophy might strike a more believable accord.
The end result of my interaction with the LCBO rep. was a suggestion that they might consider organizing a media tasting for more of the Kosher portfolio. Despite the extreme niche market that is KFP wines, the idea makes sense considering the size of Ontario’s (and especially Toronto’s) Jewish community and the amount of those types of wines that are purchased every year. A tasting would make even more sense if it involved any of the hundreds of high quality Kosher wines that are never seen in this market but are so prevalent in a place like New York State.
I spoke yesterday with a former Ontario agent who at one time was a leading importer of Israeli wines. Many of the wineries represented through his portfolio are no longer on LCBO shelves. Why is that I asked him? The answer is that the wines were too expensive for the LCBO and they gave up wanting to take the risk of trying to sell them. After Passover comes and goes, left over stock means for product that won’t move.
Selling quality KFP wines is now left to a handful of sacramental agents like Mazel Wines and Simcha Wines. Though they are required to sell by the case (like every other Ontario importer), the other eye is turned at the practice of selling single bottles. Why? Because they pose no threat to LCBO sales. Their customers are walking away with product the LCBO has no interest in selling. The wines in question are those the LCBO would rather not touch. They have washed their hands of the $40+ Kosher market and never had a true vested interest in Kedem and Manischewitz in the first place.
It is understood that buyers change and also that Israeli stubbornness translates to no offer of discounts, even to the world’s largest wine buyer. Quality wines from Eretz are no longer coming to Ontario and no one seems to really care. If there is no mandate to buy them, no one will. It’s quite simple. Yet in recent years it seemed as though the LCBO cared more about a certain level of quality in the KFP niche. In 2015, these wines are out of sight and out of mind.
Maybe part of the problem is the lack of Kosher wine production in Canada. If wineries and consumers across the country are not interested, why should anyone else bother?
There have been some informative Kosher wine investigations in Canada, though certainly few and far between. Brock University hosted Rabbi Nachum Rabinowitz, a Rabbinic Coordinator with the Kashruth Division of the Orthodox Union for his presentation, “Demystifying Kosher Winemaking” on Monday, Dec. 12, 2012.
This time last year Mark Mietkiewicz of the Canadian Jewish News discussed the “eclectic tour of kosher wineries.” Mietkiewicz noted that sadly, (if not entirely accurate), the only true Kosher winery across Canada is located in Newfoundland. “You’ll have to travel about hour west of St. John’s until you reach Rodrigues Winery of Markland, Nfld. There, you’ll find its certified kosher blueberry, plum, cranberry and other fruit wines, liqueurs and brandies.” Rodrigues is represented in Ontario by Amethyst Wines Agency.
The best source for Canadian Kosher wines can be found on the Wines of Canada website. Two wineries in Ontario had joined Rodriguez in Kosher wine production, albeit with fruit and honey. They are Rush Creek and Munro Meadery. Rush Creek has changed ownership, however, and it seems that Kosher is no longer on the table. Munro continues with their COR certification. In Quebec, Domaine Pinnacle produces a Kosher Iced Cider. In British Columbia, Summerhill Pyramid Winery, while not Kosher, does produce a Kosher wine. It’s an uncooked $100 Tiferet.
Here are the five wines presented for evaluation by the LCBO. None really qualify as exceptional but all will work with distinction at the Seder table.
Hermon Mount Hermon White Kp 2013, Galilee, Israel (611327, $20.95, WineAlign) Kosher For Passover, Non Mevushal
While this pseudonymous John Doe white varietal blend may not quite effect the idea of “puttin’ your hand in the hand of the man from-a Galilee,” it does offer an ocean of somewhat descriptive aromas to elicit a sip. Quite lactic, creamy and nondescript in terms of flavours. Well-made, though the guess at varietal make-up (Sauvignon Blanc, Riesling, Viognier…) doesn’t really matter. There is a capsicum bite and a grassy chew. So when all is said and done, it’s got “enough of what it takes to get you through.” Drink 2015-2017 Tasted March 2015
Tabor Galil Cabernet Sauvignon Kp 2013, Galilee, Israel (283838, $20.95, WineAlign) Kosher For Passover, Non Mevushal
Not to be confused with Oregon’s volcanic cinder cone, the city park on the volcano, and the neighborhood of Southeast Portland. This “small drum” (from the Latin), in consideration of its proximity to the cradle of civilization should constitute it being the original Mount Tabor. Tabor the mountain is situated on the border of Zebulun and Issachar, south-west of the Sea of Galilee (Joshua 19:22). There is no Hebrew word for the name Tabor but the likely etymology is from the verb ברר (barar), meaning to purge, purify or clean. So, what about the Cabernet Sauvignon? Another extreme and extracted expression from red fruit, with leather and rich blackberries atop Ugah Kushit. Some may count rubber reduction while others will simply feel the heat. The tannin and overall structure remind of Graves in a hot vintage. A funky green streak, like tea mixed with tobacco are part of the complexity, then more tobacco and more than decent length. This is a good choice for the shank and the rack. Drink 2015-2018. @TaborWinery@azureau
Segal’s Merlot/Cabernet Franc/Cabernet Sauvignon Kp M 2011, Galilee Heights, Israel (157206, $22.95, WineAlign) Kosher For Passover, Non Mevushal
Red gelid fruits are floating with viscous separation in simple syrup and oozing to the perimeter. That outer circle is bricking to caramel. Hanging on, but just barely.
From my earlier note of March 2013: Though muted is quite pleasant, aromatically speaking. Baking spice, woodsmoke, cherry and plum, like satellite St. Emilion. Scarlet colour, as if derived from Tola’At Shani. Dusty and down-grain, no cooked sensation, well-structured.
Last tasted March 2015.
Galil Mountain Pinot Noir Kp 2012, Galilee, Israel (121228, $22.95, WineAlign) Kosher For Passover, Non Mevushal
Levity afforded for the sheer reason of ripe fruit. High octane Pinot is never a wise proposition but when the barrel lends spice and not a sheath of layer cake, that’s a positive. A warm west coast California style to be sure, with more than enough lavender cream to grease a squeaky canoli and then the rise of gaseous puddles blown by pipe smoke. Then there are the battling Epping Forests; of cedar and pine. Rich, spicy, smoky and forceful. Very ripe. Overripe and over extracted. Ready for prime time and with tannins that mean business. Just having entered its window of genesis, perhaps it would fare best next year when supper is ready in Jerusalem, “or, today is the day when they sort it out, sort it out.” Call it a draw. “So the Blackcap Barons toss a coin to settle the score.” Good enough. Drink 2015-2016. Tasted March 2015 @azureau
Tabor Adama Merlot Kp 2010, Galilee, Israel (400820, $26.95, WineAlign) Kosher For Passover, Non Mevushal
He’s a wild one this Merlot and has come of age though he’s a bit licentious, carrying a load of liqueur and chewing on liquorice. Ferric and sugary red to black fruit melds with tubers grainy and cooked in a muddy cake with scorched earth buttercream icing. Prunes, figs and raisins are chopped into a mire poix and stuck in the frosting. Caramel time is here. Will work for Brisket. Drink as soon as possible. Drink now. Tasted March 2015 @TaborWinery
On January 18, 2013 I began adding wine reviews to WineAlign. Review ground zero was Mallory & Benjamin Talmard Mâcon Uchizy 2010, an inauspicious little Burgundy described in “the coat of white.” A Genesis of great #ffffff value.” Beginnings, Genesis, ground zero. The Godello thing.
Two plus years and 2,023 reviews later much has changed. The wisest of wine scribes David Lawrason and WineAlign head wineaux Bryan McCaw asked if I would like to become a part of the April 4th, VINTAGES release newsletter and buyer’s guide. With renaissance banzai and Master Sommelier John Szabo leading the charge, along with most generous guidance and help from cake baker and palate extraordinaire Sara d’Amato, I have joined the fray.
This week’s guide leads WineAlign subscribers to Easter Lamb and red wine, plus pre-dinner whites and a glass for dessert. The three recipes cover everything you could possibly want at your table on the resurrection weekend. The recipes are for Traditional Easter lamb by John, Moroccan lamb loin chops by Chef Michael Pataran and Barque‘s smoked lamb ribs.
Here is what John wrote in his introduction of me. “If at first you don’t understand Michael’s reviews, just drop a couple of hits of acid, smoke a joint or put on some classic 70s tunes and they’ll all make more sense. Maybe.” The irony is that amongst the seven wines I contributed to the newsletter I made only one musical reference. Oh, and one to the Grand Budapest. So, maybe you will understand them. Maybe.
From left to right: Cdv Brazão Colheita Seleccionada Arinto 2013, Stéphane Aviron Domaine de la Madrière Vieilles Vignes Fleurie 2011, Mayschoss 140 Jahre Jubiläumswein Trocken Pinot Noir 2013, Dog Point Sauvignon Blanc 2014, Fielding Estate Viognier 2013, Château Haut Selve Réserve 2010 and Mendel Malbec 2011
A highly unique Vinho Verde that works as a sipper and as a solid, pair me with just about anything table wine. Savoury and blessed with a Bica de Queijo cheese aroma, you’ll be glad you gave it a swirl and a whiff. There is nothing shinking or violaceous about this. It’s medicinal like Moscato, toasty like Pouilly-Fumé and gangly like Garganega. Citrus juice and flesh add body and beautify its inherent male pattern baldness. Perhaps a bit of a river fish of a Vinho Verde but very fresh and a great catch. This Arinto will tie appetizers together and buy time until the bird, hock or shank is on the table with the feast’s big reds. Drink from 2015-2017. Tasted March 2015 @vinhosverdes@exCellarsWines
Stéphane Aviron Domaine de la Madrière Vieilles Vignes Fleurie 2011, AC Beaujolais, Burgundy, France (405779, $21.95, WineAlign)
Old vines and Fleurie scream holiday dinner wine in my books. Here struts out where it’s at Gamay from a terrific Cru, of maturity, chutzpah and depth. Bang on 13 per cent alcohol, most mature and munificent, so very forward and yet of a depth, richness and layering in fruit meeting acids. Black cherry with an accent of mint, sour citrus drop and blueberry. A minor chalky grain, just enough to evoke oak tenderness, but not enough to be cut by splinters. Very Burgundian, where it’s at and even better length. Talk about a red wine that could equally double down for the Easter and Passover table. Gamay that swings both ways, AC/DC, “it’s got two turntables and a microphone.” Drink 2015-2022. Tasted March 2015 @DiscoverBojo@warren_walden
Ahr Pinot Noir (as opposed to those from Germany’s Baden region) are just that much more accessible and wider table friendly. That’s because of volcanic soil and older vines like you find in this Qualitätswein. The fruit is richer, the cure more refined, the flavours full and the wine structurally sound. Give this some air and the roast swine will make an entry, with intoxicating aromas, balanced by earthy notes, ripe plums and berries. Structurally sound, the ripeness continues into a fleshy cure of wurst with good bite. The citrus tang is round and barkless. No matter the colour of your braise or roast, this Pinot Noir will compliment the hue. Drink 2015-2021. Tasted March 2015 @LeSommelierWine @WinesofGermany
Dog Point Sauvignon Blanc 2014, Marlborough, South Island, New Zealand (677450, $24.95, WineAlign)
So orderly and aligned, from ripe picked fruit with fervent acidity and all proportions in perfect working order. Four months in bottle has settled only worked to reinforce positive opinions. Grassless and flinty but no discernible elemental vagary, certainly no sulphur. This Sauvignon Blanc may just be the most consistent in every vintage, not only stylistically but also for the hedging of probability bets for guaranteed Marlborough quality. This is a superb vintage for the pied-à-terre phraseology. Like school in fall, winter and spring, the Dog Point is all class. Drink from 2015-2024.
From my earlier note of November 2014:
The prototypical Marlborough Sauvignon Blanc hitting all the classic numbers is right here in the Dog Point 2014. Low pH, high acidity, minuscule residual sugar and elevated aromatics. It’s ripe but ripped by citrus juice and zest. Like cubes of honeydew, bitter winter melon and dried lemongrass soaking in and flavouring a dish of briny scallop carpaccio with coarse sea salt and capers. The sapidity is palpable, the excesses vivid. I would avoid too much variegated gastronomy when sipping this wine. Opt for simpler fare because its talents would otherwise be mimicked and suppressed.
Winemaker Richie Roberts has worked tirelessly with Viognier to find out where it fits into the lexicon and ambience of Niagara Peninsula white grape varieties. The 2013 vintage marks a turning point in his and by extension, all of our understanding. The tropical fruit is now reigned in and the tension on the back bite a perfect foil to that well-judged, rich fruit. Trumps the layered ’12 with a new, aerified floraility that gives it more prototypal Viognier style. Short of leaving fruit to hang into late harvest (not recommended for the variety) this is like being wrapped in banana leaf along side young bamboo. Sip it joyously on its own or bring on the Easter Rijsttafel and a strolling procession down the cuisine of Kho San Road. Drink 2015-2020. Tasted March 2015 @FieldingWinery@RichieWine@Heidi_Fielding
Château Haut Selve Réserve 2010, Ac Graves, Bordeaux, France (235424, $27.95, WineAlign)
Who wouldn’t want to find a well-priced and expertly made Bordeaux to accompany an Easter feast? The abstraction is not as easy as it may have once been but once in a Paschal full moon a wine comes along and affords the opportunity. Stately structured, mid-range Graves that is so very much a combination of Cabernets. It reeks of currants, cool mint, Cassis, caramel and chocolatey oak. Kept shy in alcohol (13 per cent) and heat, the tannins are mildly grainy and though just a touch oxidative, it is a a most serviceable, generous and honest Bordeaux. From a workingman’s vintage of the century. This Graves will seal the Easter deal with its cool savour and chocolate hops. Drink 2015-2019. Tasted March 2015 @BordeauxWines@ProfileWineGrp
Mendel Malbec 2011, Mendoza, Argentina (108225, $27.95, WineAlign)
On the rare occasion when a Mendoza Malbec exhibits restraint, balance and all around congenial behaviour, it is imperative to sit up and take notice. This is finely fashioned juice, albeit rich, smokey red fruit swathed in good quality chocolate and a late kick of spice. Suppose there’s nothing really wrong with that. The Mendel will seduce, hypnotize and cause general swooning. Like a Grand Budapest Hotel box of treats, it will sooth even the savage beast. Ripe tannins will make this drinkable now to 2020. Tasted March 2015 @MendelWines@TrialtoON@winesofarg
Godello 