Yes we did. Who shucks’em cleaner anywhere close to the headwaters? #nobody @TideandVine
The VINTAGES April 15th release is all about value. I tasted through close to 100 over these past few weeks and wines under $20 are what stood out from the pack. My recommendations include four under $15 and six more under $18. Everything needed to get you through five months of impending warm weather is right here, right now. Enjoy.
Animus 2014, Doc Douro, Portugal (385302, $12.95, WineAlign)
Heartland Spice Trader Shiraz/Cabernet Sauvignon 2014, Langhorne Creek, South Australia, Australia (429241, $16.95, WineAlign)
From Langhorne Creek and reeking of exoticsim, the aptly-named Spice Trader is a glass of full-bodied shiraz-cabernet sauvignon savour. The seasonings are zesty, spirited, piquant and then finally, settled into a mulled warmth. Red peppercorn, cardamom and allspice bring a Malabar-Zanzibar, dhow-drift sail through the red fleshy fruit. No kernel is left uncracked and the spiked liquere leaves a lingering lift. More Langhorne than cabernet or shiraz but full of flavour. Drink 2017-2018. Tasted January 2017 @heartlandwines@TheVine_RobGroh
La Griffe Bernard Chéreau Muscadet Sèvre & Maine 2015, Sur Lie, Ap Loire, France (948182, $16.95, WineAlign)
It was December of 2016 when I last sat down to taste with Mackenzie Brisbois of Trail Estate Winery. With the first year anniversary of her inaugaral wine release having recently passed and the 2017 (Prince Edward) County in the City tasting coming up this Thursday, it seems as good a time as ever to revisit and publish my tasting notes on her multifarious ’15s. I had previously tasted a 2015 group of skin-contact riesling and sauvignon blanc in April 2016.
Brisbois’ concentration bordering on infatuation incites a summons to contest with the fruit reaped out of two Niagara vineyards, one farmed by Ed Hughes on the Lincoln Lakeshore and the other by Craig Wismer from his Wismer Vineyards Foxtrot Block on the Twenty Mile Bench. While time develops Trail Estate’s plantings in Prince Edward County and the fruit that will eventually come, these iconic Niagara Peninsula plots more than suffice and for what Trail Estate needs to say today. In fact I don’t envision Mack Brisbois moving on from these two sites any time soon, what with her triumvirate expressions focused on skin contact, wild ferments and barrel aging. It seems that riesling, chardonnay and sauvignon blanc, these vineyards and the Brisbois experimental style were all made for one another.
Which elicits my response to the question you are chomping at the bit to ask. Come on I know it’s what you are thinking. Why are these wines so expensive? Why pay $25-$35 for Niagara fruit bottled in Prince Edward County? Why pay a premium for speculative and probationary wines from a small up and coming estate not yet on the commercial radar? For any Ontario wine for that matter? These are all good, valid and ignorant questions.
First of all, these wines are made in minuscule quantities by a small group of passionate, risk-taking, acumen-exceptional people. The fruit is expensive, whether it travels three hours east from Niagara or not. Great winemakers to be have to hone their craft on something while they wait for their own gardens to grow. A rock star in waiting will earn stripes by purchasing fruit and turning water in wine. Most important to remember is the honesty of what’s inside their bottles, how in spite of their experimental nature they are so f-in clean, pure and drinkable. It’s also amazing to note that Brisbois is fully cognizant (and readily forthright) about the mistakes she made (and allowed others to make) in growing, fermenting and finishing these wines and how she would correct them going forward. These wines represent just the tip of her proverbial winemaking iceberg, of what’s to come when she gets really, really good at this. Not that she isn’t already but risks, mistakes and epiphanies will all combine and conspire to lead her and her labels to greatness. Are you reading me?
Here are the six wines tasted with Brisbois on that early winter’s day.
The sourcing is 100 per cent Niagara fruit that was previously allotted to the estate’s Vintner’s Weiss, here with six months extra wait time (in very old 500L barrels). Typically potpourri floral with lemon zest spritz in the air but also masculine musky. Not so strong like the passing herd of Ovibos moschatus but it’s there. The palate is all tight turns down tart alleys, fleshy and rippling. The textural breadth is key to keeping this Musqué from turning medicinal because a return to the aromatics finds expression in language often spoken by gewürztraminer or viognier. The talk of Muscat, or Musqué. There were 64 cases produced. Drink 2016-2018. Tasted December 2016
Mackenzie Brisbois spins some old world order on her riesling from Niagara’s Foxcroft Vineyard. It begins like every other in stainless steel but is then transferred to old 500L and 225L barrels, travels over the full malolactic threshold and is finally bottled unfiltered. This is not exactly a rogue approach but it is certainly throwback experimental. Is it an atypical, mad scientist outtake? Perhaps. But it is less unusual than her previous skin-contact series, invisibly stitched and tart-pan curl rieslings. In 2015 there is an amalgamated, pretty little funk, and lemon like you’ve not nosed before. At once expectedly oaky (in an old way) but now settling down, beautifully arid, preparing the nest for a life of comfort. The stoic nature of riesling is acclimatized with a meagre 1.5 g/L of RS and indiscernible sulphur. Was bottled in November. Timbered Trocken at its finest. A total of 125 cases produced. Drink 2016-2022. Tasted December 2016
A blend of vineyards, from Ed Hughes and (Wismer) Foxcroft, perhaps with some influence under the lingering auspices of the Norman Hardie school, here in the playful and progressive hands of Mack Brisbois. Mackenzie employs no sulphur at processing, allowing for chardonnay efficacious and liberally oxidized, settled, cold stabilized, non bentonite-affected, chilled and racked. Not lost is the ever-commented process of going at it with wild ferment, but also caution thrown to the wind via no temperature control (but yes on the Hughes fruit), with the final end game in search of and wanting a fruity Chablis side. Done up in half stainless plus 50 old 500L and two 225L barrels. The sulphur was added in October, the full malo achieved and then bottled in November. All of this technical mumbo-jumbo to say there is still quite a creamy, leesy, oaky feeling but like some others in Niagara (Robyn’s Block, Oliveira and Aberdeen) it totes great palate texture and a “fruitiness,” but it’s not fruity. It may not recreate the Chablis fruit to mineral purity but it is a righteous, proper and Niagara purity fashioned in PEC. There are 266 Cases. Drink 2016-2020. Tasted December 2016
Trail Estate Riesling Wild Ferment Ed Hughes Vineyard 2015, VQA Lincoln Lakeshore, Ontario (Winery, $28.00, WineAlign)
This off-dry riesling was de-stemmed and steeped under 24 hours of skin contact, pressed and wikked by wild ferment. “Stopped on taste” notes winemaker Mackenzie Brisbois which turned out to be off-dry, at 19 g/L of RS. The skin contact confuses the perceived sugar levels “so if the mark was breached, so be it. I just realy liked where it was at.” Besides, the wine did it’s own thing, essentially, by and by and in presentation of itself. A very Mosel nose with no aromatic sweetness really and acidity to temper the sugar crawling across the palate. Carries a concrete feeling despite the stainless regimen and nary a tropical fruit or custardy cream moment intrudes. The orchard meets late August Niagara stone fruit is all that concerns. Darn delicious riesling. There were 120 cases made. Drink 2016-2020. Tasted December 2016
Trail Estate Baco Nouveau 2016, Ontario (Winery, $25.00, WineAlign)
More than OK I must say about this baco noir of resolute and absolute crush ability. Whether against or not against her will I cannot say but Mackenzie Brisbois must be the first to commercialize the musky and foxy hybrid in such a way, with carbonic maceration plus yeasts for eight days and the sugar arrested at at 5 g/L. TE released this antithetical BN on on Nouveau day but there were only 30 cases made. It is without a doubt the prettiest of nouveau and of all the bacos ever. There is no fizz, no re-ferment and it is very drinkable. A stable, dark fruit vetted, better than many gamay, thirst-quenching drink. A South African Jurgen Gouws Intellego meets Jacques de Klerk Thirst by way of baco noir in Prince Edward County. Fun, juicy, easy. Well done. Drink 2016. Tasted December 2016
Not bottled yet, this mason jar barrel sample is from a Wismer single-vineyard (Foxcroft). It will be pulled from (one new of six and the rest 13s and 14s) barrels this coming week but as of yet unsulphured it already has that slightly sulphured and coarse filtered feeling. Beautiful dark fruit has aromatically blossomed from being open a few days and this really speaks of of that rarely achieved Niagara cabernet franc imposiibility. Soil-clay funky, so pure and precise. Carries that feign of sweetness, low alcohol, depth but so not heavy and plenty of spice. There will be 100-120 cases. $30ish.
This extrospective @TrailEstateWine #cabernetfranc ’15 by @MackBrisbois…wait for it.
The Ontario wine industry is the best kept secret in the world. That much I’ve said before and this. “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”
Though it’s not always obvious at what time of year the event will happen, the annual get to know Ontario wines gathering’s 2017 parlay affectionately known as Taste Ontario Toronto was held a week ago today, on Monday, March. 6, 2017 at the Royal Ontario Museum. The number of Ontario vintners who have participated in Taste Ontario over the past five years seems as random as it is consistent. We’ve seen as few as 30, as many as 55 and 42 participants in 2017. I’ve been tracking varietal representation and this year considered a cease and desist order for placing a trending finger on the pulse of any given grape.
Chardonnay rules, plain and simple and call it risk aversion if you must but why should Ontario shy away from developing the coolest climate designation on the planet? Chardonnay works and if you’ve spent any quality immersion time in Chablis you’ll drop the fight and join the team. Gamay remains an important and viable alternative to big bad reds but please, enough with trying to dress this sheep in wolf’s clothing. Cabernet Franc is getting better all the time. With thanks to venn diagram circles drawn in and out of the Lincoln Lakeshore but also magically deep into the Prince Edward County limestone, the great Ontario hope is developing into what we thought it might be. Getable and structured red wine.
I don’t always taste Ontario but when I do I like to do it with Mike Di Caro. Mike grounds me and tasting by his side helps to keep my pulse at a healthy, wine tasting athletic rate of 40 – 60 beats per minute. Mike knows Ontario wine and never gets too high or too low. Tasting with him as Michael to his Mike I get to hang out inside the kind of discourse that delves into the ground, the makers and the market. Mike knows.
With so many other opportunities to taste Ontario wines throughout the year, last week’s staging afforded the chance to re-taste a great number. These new assessments are so important to understanding and gaining new perspective on not just how our wines age but also how they are affected by early reductive environment shock and their ability to change (for the better) after a mere six to 12 months in bottle. The first snapshots are not always the clearest. Taste Ontario also brings new wineries to the table. It’s now my job to pay them visits. Here are 50 ways to Taste Ontario.
Sparkling
Flat Rock Cellars Riddled Traditional Method Sparkling 2010, Twenty Mile Bench, Ontario (383315, $29.95, WineAlign)
Time makes a difference so here the extended lees age (six months further, to 60) takes Riddled to another level. Considering the cost and attention to time, in the broad realm of traditional method sparkling wine there are some that are given away. Riddled. A whole lot of biscuit warmth, sody saleratus, gingersnap, tart Ida Red apple, breadth and a smile-inducing creamy palate. There is more wisdom and calm from 2010 so do not come around demanding tension and over-exciteability. Think Grower’s Champagne with Ontario heart and soul, dedication and purpose. The extended arm of Madronich-Johnston love is here, this year. It won’t get much better than this. Great length. Drink 2016-2025. Tasted October 2016 and March 2017 @Winemakersboots@UnfilteredEd@brightlighter1@wine_gems
The Grange Of Prince Edward Vineyards & Estate Winery Traditional Method Brut Rosé 2012, VQA Prince Edward County, Ontario (Winery, $35.00, WineAlign)
Caroline and Maggie Granger have reset the compass and brought to market this original sparkling wine with a whimsical outré bounce in its step. It was a fortifying and henna-russet collecting 40 months time spent on the lees that to me has magnified and clarified the varietal expression. This is so pinot noir it gazes at itself in a mirror and vaporizes a telluric perfume replete with strawberry, dried cherry, peach and almond. Estate fruit shed of such lithe and delicate, near zero dosage animation tempts fate, digs into danger and elicits a nervy period of risk-reward. Reflection time is now and the oxidative Grange Brut Rosé walks a fine volatile edge and succeeds. Few sparkling wines can go gossamer this way and survive but like the finest spun web by a leggy creature cunning and wise, strength comes out of the most delicate weave. Science can be pretty cool. There were 150 cases made. Drink 2017-2021. Tasted March 2017 @grangewinery
Riesling
Château Des Charmes Riesling Old Vines, Estate Bottled 2014, Niagara On The Lake, Ontario (277228, $17.95, WineAlign)
The language in ’14 is cordial and effete, with ripe sweetness trumping the pulse of energy. The old vines deliver distinct impression, compression and phenolic bitterness. There is no mistaking this distinct wine and in the vintage its clarity is only eclipsed by its easy drinking compatibility. Enjoy early. Drink 2017-2019. Tasted March 2017 @MBosc
Virtual winery producer Kevin Panagapka continues his obsession with single-vineyard wines with this riesling grown just above and south of the brow of the Niagara Escarpment. Clay loam till soils with silt and shale face south along the long, one km wide, hummocky ridge and as per the vintage, a bit of simplicity is narrowed from good biodiversity. It all works towards simple pleasure, with sun-warmed fruit; pears, apples and such. Falls Vineyard grants top notch acidity and a bit of lime bitters for what is always a solid Vinemount Ridge expression. Drink 2017-2020. Tasted March 2017 @2027cellars
Smells like Bench riesling spirit. The energy comes from the über vineyard’s way of emission, gasseous and vital, linear, introspective and direct. This may just be the most aridity and brine ever teased from a Mima’s riesling, acidity coveting sugar notwithstanding, startling from beginning to end, with spirited shots of lime. Underrated and honest, the consistency of this riesling is possessive of great triggers and so beautifully defines the mineral Bench. Early suffocations blow off with ease and in the denoument there are crunchy stones, forever and always something to like. Mima’s never really needed an abundance of sugar for balance and kudos to that. Drink 2017-2022. Tasted March 2017 @Rosewoodwine
In a word, balance. Well two, balance and brilliance. CSV in 2015 takes the reigns from itself and stands firm. The fruit is in charge, the mineral a support system unparalleled and the minor celebratory sweetness a mere afterthought when it comes to rounding out the complexity. CSV is pretty darn back in ancient dolomite time travel and escarpments high great in 2015, uplifting, serious but yet not so. The numbers trip the light fantastic, fooling like gold and bones dry are seemingly preserved in karst but impossibly not. The sensoria apprised reel from the finest acidity it can possibly carry in its veritable truth. Deep lemon intent and a new wax vernacular speak the clarity of a wine that listens to its own expert advice. Might as well have made itself. CSV 2015 is one of the finest rieslings ever made from Ontario grapes. Drink 2019-2031. Tasted March 2017 @CaveSpring@TheVine_RobGroh
It would be hard not to make a most drinkable and full-fleshy chardonnay from the stellar vintage, especially with the omnipresent cool tempering from Beamsville bench fruit. Redstone does not disappoint though at first it may seem both reluctant and extremely taut. The flavours stretch out more than the aromatics which are flinty, woody and tart. They will relent and meld into the palate with some further bottle time. This is classic for the house braintrust and reminiscent of sketches drawn in some earlier vintages, like 2009. Drink 2017-2020. Tasted September 2016 and March 2017 @RedstoneWines
Henry Of Pelham Family Estate Winery Chardonnay Estate 2015, VQA Short Hills Bench, Niagara Peninsula, Ontario (268342, $19.95, WineAlign)
Perhaps by virtue of the language spoken by the 2015 vintage this chardonnay is hard to crack and touched with a minor, vitality-preserving note of reduction. It will yield to swirl and air, opening up many floral blossoms, notably apple and peach. Intensity is consistent for the Short Hills Blench vineyards stalwart, both for its locked in freshness and aromatic heavy breathing with thanks to dense clay soils and their “tossed up limestone.” Think cool-climate chardonnay with added layers of compression, fervent soil tang and as of yet unresolved (one-third) new French and North Ameriacn oak. Two to three years in process from two to three bottles per vine naturally translates and extrapolates to needing two or three more years in bottle to make it all come swimmingly integrated together. Drink 2019-2023. Tasted February and March 2017 @HenryofPelham@SpeckBros
Meldville Chardonnay First Edition 2015, VQA Lincoln Lakeshore, Ontario (Winery, $20.20, WineAlign)
Foremost a Derek Barnett perfume, rational from a generous barrel and irrational from the ripest fruit at a twain where each meet, both matter and neither dominate. Classic Barnett chardonnay viscosity, deep tang and the sweetest of dry extract. If this isn’t the most ambitious effort early in a re-invented career it would be hard to say what is but wisdom and experience count for more than a bottom dollar. Real length in real time will develop the vanilla, honey and liqueur well into this chardonnay’s tithe year. If singular isn’t the current descriptor now, it surely will be then. A new stylistic benchmark for Lincoln Lakeshore is born. Drink 2017-2023. Tasted March 2017 @meldvillewines
The vintage offered up a whole set of challenges, especially for chardonnay on the Lincoln Lakeshore. Right off the aromatic bat I sense a little extra wood on the nose but low-yielding, ripe and healthy fruit can handle that sort of vintage-related truth. The coolness of a preceeding winter’s anti-glaze is contravened by the barrel up front and personal on the nose. The palate is all about cool-climate relegation, resignation and the overall picture is painted in balance; advance, recede, attack and retreat. Finishes with love interest, commercial appeal. Pretty complex chardonnay. Drink 2017-2020. Tasted October 2016 and March 2017 @FieldingWinery@RichieWine@Heidi_Fielding
Mineralité is clearly nose-marked and cleverly marketed to celebrate rocks and soil, not barrel. The fruit seems plucked straight from the apple tree, crisp, tart and crunchy. Everything about this exacting Thomas Bachelder chardonnay screams foil to most else, from his wide reaching chardonnay domain and from the rest of the province. Other mettalurgical label referenced chardonnays still reek of oak and are too shy to distance themselves from the heart of the rocky matter. Thomas is serious about the moniker and goes at it with great intent. The vintage nearly, fully completely complies. Drink 2017-2021. Tasted March 2017 @Bachelder_wines@LiffordON
The fruit for Ann Sperling’s chardonnay Triomphe ’15 is sourced primarily from Saunders (Beamsville Bench) with auxiliary support out of Heather Laundry’s old vine Lincoln Lakeshore vineyard. There are older, non-clonal blocks with perhaps some Musqué mixed in so the aromatics fly, with no restraint applied by the wild ferment and (mostly 300L) neutral oak. This Triomphe is anything but reductive, a no stress chardonnay from such a far from sluggish, clean ferment. The simplicity and complicity explain how beauty is curated, from a vintage where reduction did not happen or beg to happen so why try to force it. The copacetic re-quiescence bears witness to classic Ann Sperling in such a vintage. Chardonnay of mellow smoulder, of old barrel spice and one to define a certain kind on a line of disparate and unique, cool climate, i4c selections. There are 800 cases made. Drink 2017-2020. Tasted January and March 2017 @SouthbrookWine@AnnSperling@PaulDeCampo@thesirengroup
@wismervineyards royalty, Craig, Thomas @Bachelder_wines & @normhardie (and delegate Peter @BouchardFinlayson ) talking north and south #vinelandbench
The ability of Craig Wismer’s Foxcroft Block to gift fruit, regardless it seems of vintage, is one of Niagara’s great stories. Even more special is how it allows each producer to own it and create value from differentiation. Kevin Panagapka works a decidedly reductive room with bees-waxy fruit from 2014 and of a wood creativity that deals more in spice than anything else. I really think this takes more risk than other Foxcroft efforts and they are numerous. The reward here is in the pudding, literally, in proofed fruit set up for unbreakable structure. The Sonoma glade and fog rings true in Bench-driven chardonnay speak while wood only creates a leesy stir. A very good vintage, as good as the previous two I would say and creates even more buzz for what will come next. Drink 2017-2021. Tasted March 2017 @2027cellars
If classic Queenston Road Vineyard might be explained in one drop, try using the Creekside ’14 to do so. Riper than most Niagara fruit and easy as Sunday morning barrel influence come together for everything to gain. Here the chardonnay equivalent of reading a good book falls into lunch, followed by a mid-afternoon slumber. Mild notes of caramel and sandlawood come through on the lightly buttered rye toast palate. The only thing missing is a good slice of bacon. Drink 2017-2019. Tasted March 2017 @CreeksideWine
The vintage brings an excess of riches and richesse to the Queylus chardonnay entry point, a place you would be wise to begin your foray into high-level, carefully crafted, cool-climate wine. This 2014 offers up its tour-guide expertise as a representational bridge into what Thomas Bachelder, Kelly Mason, the Queylus team and lake-proximate, lower Bench chardonnay is all about. The vintage takes an ambitious departure for the house and yet it carries enough (short history of) tradition in its DNA to resemble past issues of itself. Such a balanced wine for you here, of ripe and tart fruit, elasticity, stretch, rebound and finally, great length. Drink 2017-2020. Tasted January and March 2017 @QueylusVin@Dandurandwines
13th Street Chardonnay Sandstone Vineyard Reserve 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)
No surprise the vintage is a major plus for the Sandstone and the natural funk it owns. And I mean owns. Only Sandstone has such geological drive, not unlike chardonnay from South Africa’s Hemel-En-Aarde Valley. In 2013 there is a sweetness to the fruit mixed with a misty humidity and finally that falling over backwards with feet stuck in the clay and the calcaire. Wildness from J. P. Colas here and with attentiveness to place and time. Drink 2016-2021. Tasted at #i4c16, July 2016 @13thStreetWines
Adamo Estate Chardonnay Oaked Willms Vineyard 2014, Niagara On The Lake, Ontario (Winery, $31.00, WineAlign)
Adamo sources from the same vineyard that provides fruit for 13th Street’s Sandstone Reserve in the Four Mile Creek sub-appellation of Niagara-on-the-Lake. Planted in 1983, it is owned and farmed by Erv, Esther and Eric Willms. In its early stages the fruit acted and reacted as a lean, taut and tension fuelled chardonnay with party a sign of letting up. Eight months later the juicy flesh of orchard fruit pushes past the vintage’s grip and lets tis wine breath a sigh of relief. Chalk one up to yet another cool-climate, calcareous clay stuck moment in time. Drink 2017-2019. Tasted twice, at #i4c16, July 2016 and Taste Ontario, March 2017 @AdamoEstateWine
I don’t mean to skip forward and get ahead of Westcott’s aromatic propriety but knowing how a winemaker likes to celebrate texture and flavour sends me direct to a sip. That first taste reveals the sumptuousness of 2015 Vinemount Ridge fruit, ripe, savoury and fleshy peach-organized. Accomplishment number one for Arthur Harder and crew. An aromatic retrospective notices tradition and cool-climate reserve, as the name would suggest and then a full-on conversion moving forward, back to the present and into the variegated luxe of flavour gifted to mouthfeel. I love how this wine lingers with an almost analgesic sensation on the gums and up the sides of the mouth. If at moments it may seem too warm or right of balancing centre it is only because it has the gumption to test and heighten the senses. If any Peninsula chardonnay were a drug that could lead to addiction, Westcott’s ’15 is the one. Drink 2018-2023. Tasted March 2017 @WestcottWines
The aromatic hard to get personality is intriguing, not because of absence but due to a gentle wisdom and beautiful demure lurking behind the veil. I get the extract and the mineral quality inherent but need more. The palate gives more and more, especially a calcareous sensation and the lean qualities throughout are neither deficient nor bothersome. This is ambitiously market-introduced chardonnay created without getting ahead of itself and though the best the fruit has to offer is not quite coaxed, nothing has been added to distract or suppress what orchard fruit is there. Great appreciation is afforded the winemaker for keeping it simple, unadulterated and real. Drink 2017-2010. Tasted March 2017 @FoolAnd60Acres
Closson Chase South Clos Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $39.95, WineAlign)
Sometimes time matters. A year later the South Clos in 2014 has separated itself as the true Closson star, away from the CCV in ways it did not do in 2013, or before. The range of motion, aromas and flavours are dramatic and in beautiful flux, beginning with top notch orchard and stone fruit. The southern hill’s intense stony quality infiltrates before this opens up to reveal flavours as broad as the varietal spectrum will alow. If fruit slightly dehydrated, leather chewy and mille-feuille layered with fine, limestone wire interlocking are something of great appeal then chew on this South Clos for the next seven years. The texture and the length are wholly encouraging of the exercise. The score must change and the window be expanded. Drink 2018-2025. Last tasted March 2017 @ClossonChase
The 2014 CCV South Clos Chardonnay is imbued with less tension, more elegance and fully-aclimatized cool-climate bent. It’s a linear, calm and directed soul raised from Prince Edward County soil royalty. The vintage offers up low-crop, scrupulously cropped stable if unexceptional fruit. This from a portion of the vineyard with the ability to plateau what can otherwise get season’s growth-mired in the proverbial middle of the road. Though not so tart, nor tense neither, there is a sense of tannic zest. Cool and precise, this represents concrete work from incumbent winemaker Keith Tyers. Drink 2016-2021. Tasted February 2016
The man, the chardonnay @normhardie #princeedwardcounty ’14 #vqa #winecountryontario As sure as fire will burn There’s one thing you will learn Is things you have cherished Are things
Norman Hardie County Chardonnay Unfiltered 2014, VQA Prince Edward County, Ontario (Winery, $45.20, WineAlign)
So much locked in tight obscures the coaxing of a distinct and clear impression of Norman Hardie’s ’14 County chardonnay so I search for a reference point. There is danger in drawing comparisons between two single-vineyards and even more so Niagara to Prince Edward County, but I have to go there. Norman Hardie’s 2014 Niagara chardonnay is the rich and reductive, bullet-proof one. His extreme, hard as nails ’14 PEC counterpart may be the most mineral-focused ever produced off of County soils. The ferment spent 10 months in barrel plus 10 more in stainless steel and never fully completed malolactic. Chablis never had it so good. I can’t ever before recall this flirtatious and furtive combination conjoined by preserved lemon and ginger but also the smell of the apple orchard grinding through metal gears in the cider press. The magnitude of this ’14 chardonnay is felt even before the flavours begin their reveal because the layers of texture and tang are nothing short of remarkable. Hardie has gone for structure broke from this vintage reeling with impression, soliciting oyster, lobster and grand gustatory associations. There is so much going on, eliciting a response that imagines a change in direction and at least an unconscious metaphrasing of terroir. With this formidable chardonnay the idea of better or worse for Niagara versus PEC is finally laid to rest. Vintage rules. Drink 2018-2023. Tasted March 2017 @normhardie
Always Ontario’s outlier, eccentric and non-conformist chardonnay and I say this with complimentary, best of intention flattery. The 2013 vintage is simply chivalrous to chardonnay and in Poetica’s corner, a perfect calm case of preux meets elegante. Here is a chardonnay of inherent oxidative wisdom, from cloud cover, cool, long breaths of Niagara air well into the elongated autumn and the address for what I refer to as “the age apparent one.” The iconoclast Poetica ideal conforms because it is matched with equal breadth by richness of fruit and confirms the way Ann Sperling makes her signature wine. Tasted blind my first guess would put this at five years old because of the exuding warmth so 2010 might just be the order. A 2012 Bench chardonnay might have also been the answer. But with Poetica the promise is like Meursault with uptown fruit, honey, vanilla, caramel, a Niagara vapour and ethanol. Such a telling display that only Poetica can play. Drink 2016-2024. Tasted October 2016, January and March 2017 @SouthbrookWine@AnnSperling@PaulDeCampo@thesirengroup
With a string of no less than five well-executed and received pinot gris vintages tucked comfortably like brass in pocket, Malivoire’s pinot gris 2015 goes one step deeper. No pretender or pretension but yes with compression in ’15, noting melon and lime, white stone fruit, not dense but layered. More Alsace than before and poured blind would always and only be pinot gris. In the hands of Shiaz Mottiar the ’15 knows and says it. “Intention, I feel inventive. Gonna make you, make you, make you notice.” Drink 2017-2020. Tasted January and March 2017 @MalivoireWine@ShirazMottiar@GroupeSoleilTO
Meldville Sauvignon Blanc First Edition 2015, VQA Lincoln Lakeshore, Ontario (Winery, $20.20, WineAlign)
Not so much an aromatic sucess for sauvignon blanc though some faux botrytis in the guise of white peach and even mango is nosed. It is the palate that defines Derek Barnett’s First Edition and offers up description. Quite creamy in texture, tangy again from mango and then sharp and linear with the type of acidity that folds over itself to increase the notion and the effect that leesy textures creates. This lingers on the palate like a tropical pastille and sapidity is very real. It’s classic antithetical Niagara Peninsula sauvignon blanc and could not be confused with Marlborough, Elgin, Sancerre or any other varietal play in the great diaspora. Derek Barnett takes less risk here (as compared to his chardonnay) but at the same time perpetuates the marked differences in expression of NP sauvignon blanc. Drink 2017-2020. Tasted March 2017 @meldvillewines
Does not get much fresher in Viognier, anywhere. The tank has yet to leave the bottle which does not so much stand transfixed in shock as much as it buzzes like a fridge. Heady, radioactive, reductive and policed tight which I very much like. The expected flavours of peach and the pits are in while the texture thrushes inward and the linear, distillate character lashes out. Solid as a rock in a Niagara quarry. Drink 2016-2018. Tasted February 2016 and March 2017 @NyaraiCellars@TerroirLover
The Grange Of Prince Edward Vineyards & Estate Winery Pinot Gris Select 2015, VQA Prince Edward County, Ontario (Winery, $24.95, WineAlign)
If you are going to go for something you may as well go all in. Maggie Granger tells me the ’15 pinot gris saw 36 hours of skin contact. My math tells me that’s a 240 per cent increase over 2013 and 2014. As I said, all in. Now we have something that raises the stakes and despite some energy flatlining the sweet extract quality has never been finer. The Grange’s ’15 and its oxidative meets lactic and red berry-currant leafy personality is remarkably pure, clean, saline and yes, unusual. Add it should be because halfway there is nowhere. This succeeds because it crosses an imaginary line and fear is ignored. I can really imagine sipping this with pork liver mousse or cured Ontario fish, like rainbow or salmon trout. Drink 2017-2019. Tasted March 2017 @grangewinery
The Good Earth Viognier 2015, VQA Lincoln Lakeshore, Ontario (Winery, $24.95, WineAlign)
Some of Ontario’s best viognier fruit comes from these picturesque vineyards, fruit that shines with tangy delight and also takes on the weight of compression from the great clay below. I do feel the 2013 vintage was better suited to both the varietal but also the way winemaker Ross Wise procured viognier in the purest form with glassy clarity. It will be most interesting to see what incumbent consulting winemaker Ilya Senchuk does with 2016 fruit going forward. Here, from what could only have been the lowest of low yields, this aromatic and treacly textured viognier is seamless and full of peach flavour. It lingers with its phenolic ripenss well into the next minute. Highly recommended especially for its lack of waxy or bitter edges. Drink 2017-2020. Tasted March 2017 @goodearthtweets@goodearthNico
Stratus White 2013, VQA Niagara On The Lake, Ontario (660704, $38.20, WineAlign)
In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022. Tasted November 2016 and March 2017 @StratusWines
Gamay
Malivoire Gamay Small Lot 2015, VQA Beamsville Bench, Ontario (Winery, $19.95, WineAlign)
A change of pace is noted for gamay in 2015 and perhaps it takes itself to a place beyond. Seriously dark fruit (with more tannin showing up after some time in bottle than might have originally thought possible) is noted from just a nose on Malivoire’s 2015. The pressed extraction may turn out to be a process leading to greatly improved structure. This is not the gamay rising from riding on the go-go train but one more akin to Cru doctrine and demagogy. Flavours of black cherry and tart citrus lead to plenty of leafy and earthy savour. Look out Juliénas, here comes Small Lot. Drink 2017-2020. Tasted March 2017 @MalivoireWine@ShirazMottiar@GroupeSoleilTO
The fruit for this deeply coloured gamay is drawn from Tom Koscis’ vineyard, big batch fermented but with a minimalist sulphured approach. Gamay that went through full malolactic in barrel out of sheer necessity. Winemaker Paul Pender is a big fan of this great site, a place that gifts perfect colour and a soil’s funk that is spot on. This is gamay of a noticeable velvety texture. Something strikes as deja nosed and sure enough, this was Pearl Morissette’s fruit in 2013 and 2014. Wisely natural and so bright, gulpable, back up the truck gamay. So beautifully and perfectly dry and even a wee bite of tannin. Drink 2016-2018. Tasted April 2016 and March 2017 @Tawse_Winery@DanielatTawse@Paul_Pender
The Grange Of Prince Edward Vineyards & Estate Winery Gamay-Pinot Noir Select 2014, VQA Prince Edward County, Ontario (Winery, $24.95, WineAlign)
The ’14 is the first Grange gamay-pinot where the grapes were simultaneously picked and co-fermented. It’s a really ripe co-mingling and so much brighter than you’d think. “This is the vintage I was waiting for with this wine,” tells Maggie Granger. Clean, pure essence of raspberry dances on the nose and texture liquid chalky, lactic and taut. This wine also proves that this more than obvious bedfellow varietal combination makes more sense in the County than Bourgogne meetings of the kind. It remains to be seen if the Grange’s irreligious pagan pairing idea will catch on but if any vintage can spur the revolution, 2014 is the one. Drink 2017-2020. Tasted March 2017 @grangewinery
The Flat Rock has been a VINTAGES essential for several seasons and like any maturing pinot noir vineyard, four or five years are needed before quality is ensured. This wine has always provided quality but it is in 2014 where the stakes are raised. For the Twenty Mile Bench (and others Benches too) this vintage provides sweet extract, steadfast fruit, polished tannins and exceptional structure. Jay Jonhston did not mess with the cards, blended with acumen and has subsequently ran the table for his basic, normale, bring it to the (relative) masses pinot noir. It’s all you need to understand Flat Rock, The Twenty Mile Bench and the Niagara Peninsula. It’s essential. Drink 2016-2022. Tasted October 2016 and March 2017 @Winemakersboots@UnfilteredEd@brightlighter1@wine_gems
Parfum doles out the Bachelder perfume with great Beaune intent and whole bunch hints from this most celebrated 2014 Niagara pinot noir vintage. With potpourri so bright and wildly tonal there needs to be some firmness for balance and this is present with tonic injection and finishing grip. The overall impression is a broad brushstoke and wells with its tea-seeping pot of mild but effective tannin. With thanks to “de-classified” Lowrey and Wismer-Parke vineyard fruit an ideal launching point progresses for the Bachelder way and encourages Le Parfum to set the stage for further investigative play. Drink 2017-2020. Tasted March 2017 @Bachelder_wines@LiffordON
Hard to believe what I see, a hue not blush nor pink, but gris. That “if my eyes don’t deceive me there’s something going wrong around here.” Forget about Provençe, don’t think too hard about Vin Gris but concentrate only on what Shiraz Mottiar has acceded with Rosé for Moira in ’16. Light and lithe do not begin to explain the rub. Rocks and stones are what come through the good earth on the nose. Is this the blush equivalent of mineralité, away from chardonnay and into pinot noir? “Is she really going out with him?” But the pinot noir component is almost non-existent so what is the phenolic advantage here? Has this gone too far or not far enough? Don’t mistake the things I say. This is delicious, understated and fully underestimated Rosé. It will have great appeal to a specific cognoscenti population and who could not think to drink it any day of the week? Commercially considered however, it may not speak a universal language. Drink 2017-2021. Tasted March 2017 @MalivoireWine@ShirazMottiar@GroupeSoleilTO
The Good Earth Pinot Noir 2015, VQA Niagara Escarpment, Ontario (Winery, $24.95, WineAlign)
Moving away from the Lincoln Lakeshore and up on to the ledges of the Niagara Escarpment we find pinot noir taking on a decidly firm and stony aromatic profile. Fruit in 2015 is graced with phenolic ripeness though certainly submissive to the elevated mineral tones. The strawberry-cranberry spectrum is acquiesced and the winemaking has rendered this clean as a pinot noir popsicle whistle. Great simplicity and consumer complicity is gained. Drink 2017-2019. Tasted March 2017 @goodearthtweets@goodearthNico
You’re gonna want to make room for a whole cluster of these @SouthbrookWine #pinotnoir #triomphe #annsperling #laundryvineyard #organic #niagarapeninsula #vqa #beamsvillebench
Ann Sperling’s inaugural pinot noir for Southbrook makes swift, acumen accomplished first time work with Heather Laundry’s vineyard fruit. While her peers of the current generation begin to play and progressively experiment, Sperling helps to usher in the whole cluster brigade with her own 40 per cent packed, tiny berry ferment. This sterling effort takes Lincoln Lakeshore pinot noir to another dimension and Ann is confident the 115 clone is so perfectly suited to the ideal. This whole cluster thing with pinot expresses the floral lift and in turn a gift into elegance and purity. Ripeness and richness take turns without drifting into black cherry darkness. There is some chalky, earthy reduction that needs to mellow and it’s still a bit gritty, palpable of textural and even a bit mean. It won’t take long for this just recently released Triomphe to pirouette, assimilate and dutifully represent an unmitigated success for Sperling, in this her 11th vintage at Southbrook. Drink 2017-2019. Tasted January and March 2017 @SouthbrookWine@AnnSperling@PaulDeCampo@thesirengroup
Bright, high-toned Pinot Noir with rambling warm, St. David’s Bench red fruit aromas, out of the raspberry patch (thorns and thistles in) and off of the ripening pomegranate tree. Some rusticity and quarried character refracts within a mild tannic frame. Very floral and high on acidity. Blissfully and blessedly not over pressed and in fact rather well made. Yet another success employed by winemaker Kevin Panagapka with stylistic firm talon grip from out of the Queenston Road Vineyard. Drink 2016-2020. Tasted February 2016 and March 2017 @2027cellars
Thomas Bachelder has never had a problem with timing. His first pinot noir from the specific Wismer Parke Vineyard (labeled as such) comes from a veritable cracking jackpot of a great varietal vintage. If you need some geographical placement here, The Parke is contiguous to the Foxcroft and Wingfield sections of Wismer in the eight farm-strong holdings on and around the Twenty Mile Bench. It is here that Bachelder concentrates the microscope on a sectional-cordoned off Wismer micro-terroir and its precision-apportioned mineralogy mined for sidetracked and step out of the box focus. What The Parke delivers in 2014 is a sweeter extract than Wismer proper and one that is stationary, static and accessible. The overall grasp is a mouthful easy on the spice or rather subtle in attack after it has climbed in and out of its barrels. Most polls would place Lowrey at the pinnacle of Ontario’s pinot noir vineyards but Thomas Bachelder’s 2014 work with Wismer Parke establishes a new player on the shortlist. This is an exciting entry point and the future will be bright. Drink 2018-2024. Tasted October 2016 and March 2017 @Bachelder_wines@LiffordON
The pinot noir condition is really challenged with Icellars ’15, a wine that acts as ambitious as its sister chardonnay but the results filtered through just the opposite. The aromas are dusty, rusty, coppery and full of dried fruit, but also weathered leather and savour. The palate goes deep south, humid and balmy with red citrus, plenty of tonic and a finish left by bitter citrus pith. Incredibly firm and old-world schooled, way back to Burgundy from another era. Drink 2017-2019. Tasted March 2017 @FoolAnd60Acres
Great purity of Twenty Mile Bench fruit lightens the load, re-focuses, revives, prolongs and re-lives the magic. Sweet, salty and bitter combinative phenols in cohorts distinguish the layering effect of a Norm Hardie pinot noir, no matter the source but here distinct as the s-shaped micro-cilmate curves of 20 Mile blocks. Quite the cake creamy texture and silky mouthfeel for a Hardie pinot noir would indicate that alcohol has crept above the norm but the magic is never abandoned and always prolonged. Heat and alcohol “never there. You’re never there. You’re never ever ever ever there.” Under 12 per cent, every time. Drink 2017-2021. Tasted March 2017 @normhardie
A cabernet blend more franc than sauvignon because of the savour and the plugged in currant fruit. Though the aromatic tones are elevated and venturing into menthol territory, the structure provided by palate and finish ground this two cab blend into solid clay. Will drink well for up to five BBQ seasons. Drink 2016-2020. Tasted September 2016 and March 2017 @RedstoneWines
The Good Earth Cabernet Franc 2015, VQA Lincoln Lakeshore, Ontario (Winery, $21.95, WineAlign)
Just as cabernet franc is inherently wont to be this Good Earth celebrates a grape’s verdant habitual greenness of warming spring and fresh vegetal in waves that bring more advantage than not. Nicely tart and expressive of varietal ways, this is neither overly ambitious nor does it use wood to excessive advantage. With understated the great operative we are faces with cabernet franc allowed to go about its business, for under appreciated grace and the sort of electric and elastic length that goes on for days. Some will say too much of a good thing but if you know cabernet franc, it’s just right. Drink 2017-2019. Tasted March 2017 @goodearthtweets@goodearthNico
Can I be #cabernetfranc for a minute? @meldvillewines @grangewinery
The Grange Of Prince Edward Vineyards & Estate Winery Cabernet Franc 2013 Select, VQA Prince Edward County, Ontario (Winery, $24.95, WineAlign)
An extra year has paid great compliment to Caroline Granger’s ’13 cabernet franc, a wine of deeply aromatic and summer savoury dark fruit. Comparisons politically correct or not, this kind of County cabernet franc is so much more closely connected to Chinon than most from Niagara and it really combines cool-climate with limestone geology. What wood there was has melted and blended in with copacetic liquid chalky ooze, leaving this in a pure and pleasurable state of cabernet franc grace. A near perfect place. Drink 2017-2020. Tasted March 2017 @grangewinery
Henry Of Pelham Family Estate Winery Cabernet/Merlot Estate 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (395855, $24.95, WineAlign)
Exceeds elegant expectations with poise and presence, a Bordeaux blend so refined it pleases. Effectively restrained and remedies with tonic. Circulating acidity ranges while chocolate whips, but wholly within reason. Spice accents assist in the celebration (why not?) to effectuate this red’s firm grip and grasp of Claret reality. Drink 2015-2020. Tasted blind at WWAC15, August 2015, January and March 2017 @HenryofPelham@SpeckBros
The rare and elusive Ontario cabernet-syrah returns with Fielding’s 2014, from mostly Lowrey Vineyard fruit set in 20-25 per cent new barrel for 16 months. Neither a 2009 or a 2013 was produced because “it’s a priority, not an afterthought,” insists winemaker Richie Roberts. The ’14 is a (50 per cent) cabernet sauvignon, (30) syrah and (20) cabernet franc compendium, treated like a top tier Bordeaux-esque blend with a French-Niagara twist. This is sultry-smoky, curative and red fruit, earthy-dried salumi-salmagundi, holy gastronomy in a glass blend. The Fielding-Roberts wisdom and acumen are all over in a wine that will prepare you for every eventuality. Would undoubtedly pair famously with the rare and elusive king of game birds, le bécasse, with bacon and fleur de sel. Drink 2018-2024. Tasted January and March 2017 @FieldingWinery@RichieWine@Heidi_Fielding
Norman Hardie County Cabernet Franc 2015, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Only 100 cases were made of Hardie’s 2015 County cabernet franc with thanks to a late spring frost. The impossible one is a destemmed, small basket press wonder that spent 11 months (one more than usual) in 30 per cent new (plus 70 neutral) 228L French barrels. The tartful dodger is slick, smart and spirited. Impossible because of its wood-smothered and smouldered upbringing and how it stays so lean, clean, stealth and low in alcohol. Some things are best left unexplained. Just take in the raspberry, cranberry and cool limestone, followed by the star anise and cassia red braised pork belly imagined, even if that’s just what dish would be so right alongside. Drink 2017-2021. Tasted March 2017 @normhardie
Meldville Cabernet Franc 2015, VQA Lincoln Lakeshore, Ontario (Winery, $27.00, WineAlign)
A beautifully sweet, savoury aromatic cabernet franc of verdant bright tones and such commissioned, defined red fruit. Character is at the forefront, both for attitude and complexity, gently pressed and in varietal synch. This is precisely why Lincoln Lakeshore is the right place to be with the cabernet franc you love. This has great tension without being too firm, gritty or tannic. Though this celebrates the bright and the fruity it is not without enough structure to carry it forward five plus years. Pyrazine or green notes are curiously absent and there nothing suffers as a result of their omission. Drink 2017-2022. Tasted March 2017 @meldvillewines
Southbrook Vineyards Cabernet Franc Small Lot “101” 2013, VQA Niagara Peninsula, Ontario (Winery, $34.95, WineAlign)
Gone is the Whimsy! idiom and preserved is the varietal freshman year class denotation. The “101” actually refers to the vineyard, a block in purport of aromatic restraint in a confident Cabernet Franc with more richness and tannin, not to mention raging acidity and acceptable volatility. There is lightness and brightness within the rigid tannic frame. The “101” vineyard shines while it broods. Dichotomous Cabernet Franc with an as yet undecided future. Drink 2017-2020. Tasted at Gold Medal Plates, November 2016, February and March 2017 @SouthbrookWine@AnnSperling@PaulDeCampo@thesirengroup
Without knowing much about the blend, the nose tells me cabernet sauvignon leads the way. Merlot and cabernet franc trail behind the tart, purple citrus and tobacco-verdant personality. The accumulation is quite chalky, wood-inflected and with the middle palate transparency this emits as another example of a big effort (like the pinot noir) with a shortfall because it gets ahead of itself. Would likely better be served with less pressing, structural dreaming and more easy going impression. I suppose the style has to justify the price but for value and enjoyment a prudent decision would choose instead to follow the lead set out with the estate’s chardonnay. Drink 2017-2019. Tasted March 2017 @FoolAnd60Acres
The time in bottle has eased up the tannic throttle, leaving Creekside’s ’12 in a pleasurable if not quite fuly accessible state. The great fruit vintage was deftly pressed, that much is clear, because as the wood subsides it is not astringncy and bitters sliding into its place. Cassis, cassia and black cherry are the aromas of ilk, in delivery at this time and followed up with cabernet sauvignon silk. This is rightfully and righteously chewy cabernet sauvignon and without a doubt just about as good as it gets for Ontario. Though the limbo bar starts low, Rob Power’s 2012 climbs under with great agility and raises the stakes for everyone else. Still, I’d hedge bets and wait two more years for further integration and a little bit of truffling to begin. Drink 2019-2025. Tasted March 2017 @CreeksideWine
Good quality fruit and equanimity from generous barrels define this ambitious effort. There is this underlying green streak that can’t be missed nor denied though it’s neither unexpected nor unusual. The texture runs quite complex, chewy and at times even crunchy, with enough structure to work towards a promising future. Wood and stemmy savour are certainly part of the mix but with time should integrate without much trouble. Drink 2019-2023. Tasted March 2017 @FoolAnd60Acres
Local best buys ahead of Taste Ontario and Cuvée, Kosher for Passover and searching for common ground
In advance of the fourth VINTAGES release of 2017 and just a shade post Valentine’s Day we find ourselves in anticipatory times. Here at the crossroads of February and depending on which overfed rodent’s shadow you align with, we may yet be faced with four more potential weeks of winter. Concerning ourselves with more important things, we turn to the Ontario wine industry’s lead in anticipation of Wine Country Ontario’s big month of March. Two seminal events lie in wait just around the corner, ahead of and into spring.
Taste Ontario! Toronto Trade and Media Tasting 2017 comes to the Royal Ontario Museum on March 6th and the 29th edition of Cuvée will happen in Niagara Falls. Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI) will host more than 800 guests at the Scotiabank Convention Centre for the Cuvée Grand Tasting on Friday March 24th.
After tasting at Cuvée in 2016 I noted how riesling and chardonnay have not relinquished any stronghold on their domination, nor should they anytime soon. I can’t help but feel and notice that winemakers continue to reach for the big red machine and wish upon an intangible Bordeaux star when they should be concentrating on fresh, gulpable cabernet franc and gamay. They should also take some risk-reward chances with these necessary, best Ontario option red varieties. Press less, reveal freshness and let natural ferments find low-alcohol impressions of impossible, ethereal beauty.
It’s not just a matter of what, but where. By sifting through leads in geography, in the orientation of escarpments, benches and lakeshore flats, in the gestalt of the archaeology of tomorrow, in the vineyard landscape of today we can perchance unlock the riddle of the what and the why for varietal planting. The end game is to unlock the mystery within the puzzle of terroir, to figure out what grapes will thrive and where they can be given the best shot at success. It is not just about what happens beneath the soil, but also what happens above, around, beyond and in the minds of growers and winemakers.
Passover is sill nearly two months away but ever the proactive agency, VINTAGES lays out the usual Kosher for Passover suspects in the February 18th release, some Mevushal (cooked or, flash pasteurized), some not. Let us first examine the concept and then, the cuisine. An understanding of the rules and laws that govern wine on Passover is on a need to know basis. There are really just three key variants of information essential to purchasing and consuming on Pesach. This applies to Jews and non-Jews alike.
Number one. Passover wine is specific to a Jew’s level of Kosher. From Reform, to Conservative, to Orthodox, all Jews have different variances of belief. A Reform Jew will likely drink any wine on Passover and then again, may not. But, he or she will almost certainly not require the bottle to be Mevushal. A Conservative may only drink Mevushal but in more cases than not, Kosher is good enough. An Orthodox Jew goes it only one way or the highway. Strictly Mevushal KFP, do not pass go, do not collect the Afikoman (the broken Matzah) money. Most Jews who appreciate a glass of good wine with dinner, and especially those who double as wine geeks avoid Mevushal wine at all costs, thought being, consuming heat-damaged wine is no way to go through life. That said, a good deal of the Kosher for Passover wines in our market are Mevushal (KPM) and some are really quite agreeable.
It’s quite simple, really. All wines labelled “Kosher for Passover” are kosher, but not all kosher wines are kosher for Passover. Further to that, wine does not become kosher by being blessed. It can be considered kosher (from the Hebrew; pure, proper) once it has complied with strict rabbinic criteria that render it acceptable for Orthodox Jews.
Few holidays put food under as much duress as Passover. The cooking is a science and an art unto itself, having to make use of Matzo, eggs and oil for eight days. It is a form of penitence, a tortuous walk through a culinary desert, at times horrific like a Fear Factor episode. Charred eggs, Haroseth, Chopped Liver, Kugel, Farfel Stuffing and desserts made with cake meal and Matzo Meal. Believe me, this chef has had nightmares.
Up until a year or two ago I noticed that Kosher wines seemed to have migrated bigger and bigger with each passing Lunisolar calendar year. Israel continued to race towards big, lush, often high alcohol reds. This trend could be seen as a masking or a compensating/mitigating strategy to oppose the rigours and past failings of making Kosher wine. It can also be viewed as a stylistic choice, to mirror what has taken place in Bordeaux, in California and in Australia for the past 20 years. For the first time, the reds on this VINTAGES release seem to collectively take an extraction and alcohol step back.
The Kosher contingent on the VINTAGES February 18th release continues to be Israel-focused, which is not a bad thing, but if you really want a better selection, head to one of three LCBO kosher boutique locations; 675 Wilson Ave., 180 Promenade Circle, Promenade Mall and 502 Lawrence Ave. W. It is here that the LCBO has stepped up their Kosher game.
As for scouring the best of the rest, WineAlign’s John Szabo laid down the low-down on Australia’s impressive showing in this release and found great value in a hodge-podge of VINTAGES value releases. I am searching for common ground and was quite impressed with two iconic southern French producers and their stellar-valued, pull no punches red and white. One hails from arid Côtes du Roussillon, the other off of old vines in Costières de Nîmes. Magic and lithe Oregon, endemic Greece and a most pleasurable drop of Sagrantino round out my shortlist. David and Sara shore up the global list with much needed and appreciated support with pertinent finds of their own.
While I sip and taste through Chianti Classico, Vino Nobile di Montepulciano and Brunello di Montalcino at Antiprime Toscane I hope you all find your gems from the February 18th release. See you in March for a taste of Ontario.
He has always distracted me so that I thought of nothing else while listening to the words. And the sound of his voice.
Compiling a best of wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances.
I do my best to taste wines twice before passing judgement. Too often I can’t fulfill this prophecy, especially when plodding through 100-plus on a VINTAGES release. In 2016 I made a great effort to visit these 16 wines three times before penning a review. It was not always possible but I tried. When it comes to Canadian wines and even more so with wines from Ontario, there are often second and third chances. And so I feel very confident in sharing this definitive list with you.
Hallelujah
It must be said that 2016 was a most difficult year. Too many special people were taken from us far too early. I lost two friends this fall as I’m sure some of you did as well. Many of us dwell on favourite celebrity deaths and especially the loss of musicians, some of us more than others. If you are one who takes to social media to mock the romantic who shares grief with others at the loss of a musical icon, well just skip past this and go straight to the wines. Or please refrain from comment and respectfully remain quiet.
David Bowie. Prince. Leonard Cohen. Sir George Martin. Glenn Frey. Paul Kantner. Leon Russell. Keith Emerson. Greg Lake. Alan Vega. Mose Allison. Bernie Worrell. Muhammad Ali. Gene Wilder. Arnold Palmer. Craig Sager. David Huddleston. Ken Howard. George Kennedy. Abe Vigoda. Ron Glass. Florence Henderson. Fuck 2016. And this tree fell on my house.
How’s your Sunday going so far?
On a much brighter note 2016 was a banner year for tasting Canadian wines. It also provided a vintage of quantity meets quality and one that was desperately needed, especially here in Ontario. My tasting regimen saw no quit or slow down in 2016. I’m not sure how many Canadian wines I tasted but if it was less than a thousand I’d be shocked. I tasted more at home, assessed a greater number in the LCBO’s sensory lab, delved deeper at the WineAlign office and spread the web wider at events in Ontario. I judged with Tony Aspler at the Ontario Wine Awards, in Penticton at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.
In 2015 I counted 15 on the filtered list. In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth will lead to 17 in 2017.
Welcome @muller_brent to team RED! with nazlanmak captain @treve_ring #nwac16 @winealign
And again, I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.” In 2017, trust in Canadian wine.
Return Syrah engagement @CreeksideWine pouring on tap @barquebbq and @barquebutchers #freshtap #wineontap
My wine on tap program at Barque Smokehouse and Barque Butcher Bar added some new wines in 2016 to follow those poured from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. Between the Lines, Coyote’s Run, Vineland Estates and new offerings from Creekside continue to fill your glasses.
The year began with great excitement at Niagara’s Icewine Festival in January. In February I returned for Cuvée Weekend. In June we convened the WineAlign Canadian Wine Awards in the Okanagan Valley and a confession I need to make is that I wanted to publish with the title “Why you don’t know shit about B.C. wine” but chickened out at the last second and instead came out with Why you don’t know jack about B.C. wine. Before judging we paid a visit with The Wines of British Columbia for the Judgement of B.C. The second annual cage match was hosted by the B.C. Wine Institute and took place on Tuesday, June 21, pitting 12 B.C. Wines against 12 acknowledged global benchmarks. Riesling and Pinot Noir squared off, curated by DJ Kearney and judged by a who’s who of Canadian wine writers, critics and educators, along with international WineAlign Awards judges Dr. Jamie Goode and Elaine Chukan Brown.
How lucky we all were to have her back in the captain’s chair. Happy Canada Day @djwines #nwac16
As the week progressed, the WineAlign judges paid visits to Okanagan Crush Pad Winery in Summerland, Culmina Family Estate Winery in Oliver, Tantalus Vineyards in Kelowna, Rustic Roots Winery with the Similkameen Wineries Association and Deep Roots Winery on the Naramata Bench. I tasted more than 100 wines over the course of the five days from the appellations of Okanagan Valley, Okanagan Falls, Oliver-Osoyoos, Golden Mile, Similkameen Valley and Naramata Bench. At the awards I tasted more than 500 Canadian wines.
Of greatest importance was my return to the International Chardonnay Cool Climate conference that took place between July 22nd and July 24th in Niagara. Before attending for a fourth straight year I penned The democracy of Cool Chardonnay. It was there I wrote that “plus has joined the i4c, an ideogram of addendum, a character of diversity for the fluently persuasive and forceful congress. This gathering will open its arms for colour and to allow its constituents to regale with what they do best. For an event-driven pure as single-varietal snow and formerly known exclusively as chardonnay, is this really a shocker? This is the reality of democracy.”
People bitched and moaned. How can a chardonnay conference include other grape varieties? Sacrilege and foul play they (secretly and not so secretly) complained. In the end the inclusion of red varietals confused nothing and no one. Chardonnay remained the focus and the star. No chardonnay were harmed.
We broke cool climate bread and spread chardonnay gospel with Ian D’Agata (Decanter, Vinous.com), John Szabo M.S. (Volcanic Wines: Salt, Grit and Power), Jean-François Bordet and Françoise Roure from Wines of Chablis. We tasted with sixty winemakers at the School of Cool, “Flights of Chardonnay” at Niagara District Airport and the Cool Chardonnay World Tour Tasting & Dinner at Ridley College in St. Catharines, Ontario. Red wines were poured after dinner!
Only American presidential candidates carry babies at #i4c @coolchardonnay
We welcomed writer Kurtis Kolt from Vancouver, sommeliers Carl Villeneuve-Lepage and Elyse Lambert from Quebec. Four Seasons Hotels and Resorts and Tex-Somm Director James Tidwell made the long trip north and a second Canadian courting immersion in as many months was performed by visionary wine raconteur Elaine Brown.
So what did Godello learn from Cool Chardonnay in 2016? Well, he found out that we have to look at organoleptics and ask a very important question. Is your expectation of a Chablis going to be the same as chardonnay made from anywhere else? More important, who are we putting this wine in front of? Ian D’agata’s take struck a Canadian chord. He talked of “a welcome astringency characterized by piercing flavours. These are cool-climate wines. Cool climate chardonnay is not about a long litany of fruit descriptors. If you have a cool-climate viticultural area it behooves you to give the people what they are looking for.”
Potential is the past @Somewhereness
After i4c16 I took part in an Impromptu tasting at Ravine. Four months later the intrepid sophist Scott Zebarth and I tasted with winemaker Marty Werner for a second time. That same day we visited with J-L Groux at Stratus and with Paul Pender at Tawse. Our focus was cabernet franc. That report is coming soon and I can promise this. The 17 in 2017 and 18 in 2018 will be graced by cabernet franc. Fall events were led by the constitutive Somewhereness, as fundamental and essential as any agminate Ontario tasting can and will ever be. Then there was the Great Canadian Oysters and Wine Experience at Rodney’s Oyster House. The event was hosted by Wine Country Ontario and paired a curated who’s who of Ontario VQA wines with the local iconic fare. Exceptional all around.
“I’ll do what I can so you can be what you do.” @rodneystoronto #coasttocoast #oysters #winecountryontario #dukes #peioysters #bcoysters #elliotsmith #greatcanadianoystersandwineexperience
Where are we now?
Despite all the talk of rules, regulations and governing boards that restrict movement, labelling and profits, the Canadian landscape is evolving in a beneficent direction. Though the move to loosen monopoly control and increase competition has backfired in the short term, corrections to British Columbia’s wine trade will happen, sort itself out and right the ship. Decades of bureaucracy don’t dismantle and do right by the consumer overnight. Things always get worse before they get better. The move to supermarkets in Ontario is indeed one of smoke and mirrors but it opens the door to gaining advantage through loopholes and creative minds kickstarting new business ventures. The wave to privatization can no longer be averted or snuffed out. Momentum will gain traction and open the flood gates to wine trade nirvana.
The man, the chardonnay @normhardie #princeedwardcounty ’14 #vqa #winecountryontario “As sure as fire will burn There’s one thing you will learn Is things you have cherished Are things that you have earned.” #tomwaits #littleman
Canadian wines run more or less of their own accord, not so much thanks to the winemakers or the condition of the current culture, as in spite of them. And certainly not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and often powerful Canadian wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. The embracing of cool climate idiosyncrasy and unique-somewhereness make Canada the envy of the developing wine world.
Controversy
Now this. VQA is expected to pass regulatory approval and introduce a new category of wines called “skin contact whites.” While Orange wines are the most notable example of skin contact whites, who’s to say the ambiguity of the designation could not impel the inclusion of other cabalistic and achromatic specimens? Let’s look at Riesling as a perfect example.
Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft
Leaning Post’s The Geek, Trail Estate’s Skin Contact Foxcroft and Pearl Morissette’s Blackball are all atypical, mad scientist outtakes. Will the new category allow these wines to pass easily through the borders of VQA? Will the wall regarding place of origin on labelling be the next to crumble? Let’s hope reason in the name of progress born out of trust for altruistic and dedicated producers will carry through to a new frontier. Right Bruno and Jens?
New Kid in Town
You might notice that all 16 wines I have chosen are from very established producers. The next wave of young winemakers and wineries is taking shape in Ontario, British Columbia, Quebec and especially in Nova Scotia. I would expect new kids on the list in the coming years. I want you all to know that I traveled through great pains, algorithmic calculations and much unavoidable emotion to arrive at this rocking list. For every wine that made the grade there were three more that narrowly missed. They are all important but these 16 combine lyricism with melody. They write the songs.
Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula Photo: Brian Barton – Guelph, Ontario
Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (1552, $24.95, WineAlign)
It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025. Tasted June 2016 @Winemakersboots@UnfilteredEd@brightlighter1
Sometimes there comes a wine, of the impossible, at the frontier. This by @SynchromeshWine #riesling #stormhavenvineyard #okanaganfalls #8.9%
Synchromesh Riesling Storm Haven Vineyard 2015, BC VQA Okanagan Valley, British Columbia (Winery, $31.90, WineAlign)
If this riesling is sweet I couldn’t say. That is the first thought that comes to mind. From Alan Dickinson’s home property, this is his baby, an Okanagan Falls derived riesling that lives an entirely holistic existence. No spraying, none, nada, niente. Not ever. The wine could not get any cleaner. Purity is its cognomen. The vineyard is subject to the highest diurnal temperature swing than just about anywhere in the valley. That might explain the risk-reward probability factor. The technical specs are a triumvirate of implausibility; 46 g/L RS, 11.5 g/L TA and pH below three. What? This is the most impossible wine made in B.C. In its concentrated velocity it wheezes like something ancient. We could almost be drinking Greek debina or 20 year-old Alsatian auxerrois. Dickinson makes three passes over each of the two blocks so even if the hands are off, the meticulous picking breeds asepsis. Citrus such as found in the Storm Haven fruit does not happen very often, if rarely. It’s like citrus soma. Citrus unknowable out of determination unthinkable. Direct misunderstanding by indirect whimsy. And so the vintage offers good fun but not greatness. Imagine the possibilities. Drink 2018-2027. Tasted June 2015 @SynchromeshWine
Leaning Post Riesling “The Geek” 2014, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)
Senchuk and swot-out cohort Ryan de Witte pulled 350 litres of riesling aside, accoutred with all readily available lees and shacked the whole gross mess in tank together, Vinification was completed at nine grams (RS) nearly-dry, in what can only be described as a reductive, cloudy, super-geeky riesling. Acquires an increased resonance from its designation stowed at a way station on what really is a longer, personal journey. The 2015 will be bone dry and like this ’14 will sit for 18 months in encouragement of a truly experimental, waiting for something to happen riesling. Time will act to fill in the gaps and increase its already developed texture. If you have ever had the pleasure you will see this as Jean-Pierre Frick-ish to be sure. When asked the question, he ‘The Geek’ will repeatedly reply, “I am not ready.” Drink 2018-2022. Tasted March 2016 @LeaningPostWine@Witte_Wine
If the establishment wants what you got give it to them. Blackball ’14 #riesling by @PearlMorissette
Pearl Morissette Cuvée Black Ball Riesling 2014, Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)
One whiff and you are hep to what can only be Pearl Morissette, but with a neoteric twist. Riesling that flaunts full-frontal, of furthered acidity, vitality and multi-tined nuance. Farther too of age advanced but without any quirky or funky naturalist intrusion. Already chill, relaxed and with thanks to the vintage, almost round. The precise weave is tapestry fine and deceptively simple, what François Morissette likes to call a “crystallized cream of texture.” The oversized 2012 still digests itself, ’13 is organoleptically structured, long and cool. But ’14? A ‘no foudres’ vintage, from 100 per cent concrete fermentation, wild through malolactic and with zero grams of residual sugar. Bone dry. Concrete was chosen for must intricacy, palate texture, flavour and necessary balance. Riesling borne of crunchy, concrete desire, bright, with preserved lemon across the palate, gentle, feminine and beautiful. This is the focused consistency in loyalty to ’12 and ’13. Try and stereotype this Black Ball to Vin Nature funk. I dare you. Pour it in an expansive Ontario riesling flight and it will stand out like a solar flare in a fulmination of fireworks. There will be no mid-life, black hole of disappearance crisis. It will always be fine and pristine, drink well, like an impossibly dry version of a Coulée de Serrant. Only 186 cases were made so yes, the Blackball is a wine of very small production. Establishes yet another reference point and just wait for ’15. That vintage will deliver the greatest of bones. The new age will really launch then. Drink 2016-2022. Tasted November 2016 @PearlMorissette@lassvet
Sincerity @CulminaWinery from Elaine & Don Triggs and a superfluity of @WineBCdotcom pours #ohwhatanight #hospitality #nwac16
Maverick Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)
Winemaker Bertus Albertyn bottled a meagre 200 cases of this Golden Mile Bench sourced syrah after 18 months in three to four year-old French Oak. If you are a fan of fresh, well-spoken, confident and blessedly transparent syrah then look for the next vintage of this sold out beauty. So gauzy gossamer textured, peppery but of scant bite and driven by a northern, smoky beat. The cure and depth in its make-up nearly adds up to beefy but its form of athleticism is built upon the quiet politesse of its maker’s execution. The comparison must be made to septentrional Rhône and the lack of new oak is so appreciated. This is a wine to watch for. Drink 2016-2020. Tasted June 2016 @MaverickWinery
There was this intuitive moment with Picone 2013 as if it was waiting on me. Not doting or soliciting, but waiting. I will admit to have been wondering, reeling and speculating. To peer or peek into what Mark Picone’s Vinemount Ridge vineyard would adjudge and then bestow Charles Baker’s riesling in 2013? Would it be a case of weight, hyperbole, a hang in the balance out of misjudged necessity? Nah. Picone is no longer a mature 20 year-old vineyard but now a wise old thirty year-old one. Picone 2013 is in fact a fun park mirrored image of itself, with haughty, aerified aromas and variegated, leaning to tropical fruit flavours, taut like a flock in line with the vintage. The riesling berries just seem to have imploded and the results that have followed are nothing if not intense. Imagine a Yogyakarta market and a two-wheeled, glass-cased push cart stacked with a pyramid of tart mangoes. The fruit had been picked just as the sugars had begun to run like sap and bleed sticky on the cracking skin. A mango is sliced and doused with the intensity of Java lime juice and then sprinkled with Laut Jawa salt. The flavours are searing, sweetly saline and quenching. Only this tart is this, where tart and acidity meet, intertwine and connect on an emotional level. Picone 2013. The first non-inoculated riesling at first and then touched up near the end. “The best vintage you could ask for in riesling,” notes Baker, “cloud-covered, a meeting of the minds, vibrant.” The arid, cranky one will live without fret for 15 years. Drink 2018-2028. First tasted in March of 2015, then twice, October 2016 @cbriesling@StratusWines
Cave Spring Cellars
Cave Spring Csv Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (Winery, $39.95, WineAlign)
As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario. Tasted February 2016 @CaveSpring@TheVine_RobGroh
Nuit Blanche is one of Canada’s most unique commodities, a White Meritage (of sauvignon blanc and sémillon) blended from exceptional and aromatically delicate Rosomel Vineyard fruit. As part of Hidden Bench’s “Terroir Series” it righteously expresses white Bordeaux varietal purity from the southern blocks of the Beamsville Bench vineyard. Expectation runs high because 2014 seems a perfect Fumé Blanc vintage if ever there will be one for (40 year-old) vineyards tucked snugly in abutment to the Niagara Escarpment. A struck flint nosing entry is followed by taut strung acidity and palate tension eased by a fictionalized adult cotton candy, wisps of smoke, honey and lanolin. The grace of it all is hidden beneath a filigree of molecular green apple caviar gastronomy. In 2014 Nuit Blanche reflects propriety, elegance and genteel balance, caressed from the hands of winemaker Marlize Beyers. It is as if Beyers let this ferment slip away as a parent would encourage a child who is ready to leave the home. After tasting it at Gold Medal Plates in Toronto I spent a sleepless night, not from restlessness or over-indulgent behaviour but because I wished to pull an all-nighter with the best ever sauvignon blanc bled and led Ontario white. I would suggest leaving this be for two years for the subtle though generous barrel to melt into fruit but time will gather for up to two decades before the sun sets on the 2014 Nuit Blanche. Drink 2018-2029. Tasted November 2016 @HiddenBench@BenchVigneron@ImportWineMAFWM@MarkAnthonyWine
Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16
Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)
Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024. Tasted July 2016 @RavineVineyard@marty_werner
The wines of Creekside Estates at Barque Smokehouse, March 2015
Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024. Tasted March 2016 @CreeksideWine@AMH_hobbsandco@hobbsandco
J.L. Groux, Winemaker, Stratus Vineyards Photo: Michael Godel
Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)
The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024. Tasted April and June 2015 @StratusWines
Thomas Bachelder has never had a problem with timing. His first pinot noir from the specific Wismer Parke Vineyard (labeled as such) comes from a veritable cracking jackpot of a great varietal vintage. If you need some geographical placement here, The Parke is contiguous to the Foxcroft and Wingfield sections of Wismer in the eight farm-strong holdings on and around the Twenty Mile Bench. It is here that Bachelder concentrates the microscope on a sectional-cordoned off Wismer micro-terroir and its precision-apportioned mineralogy mined for sidetracked and step out of the box focus. What The Parke delivers in 2014 is a sweeter extract than Wismer proper and one that is stationary, static and accessible. The overall grasp is a mouthful easy on the spice or rather subtle in attack after it has climbed in and out of its barrels. Most polls would place Lowrey at the pinnacle of Ontario’s pinot noir vineyards but Thomas Bachelder’s 2014 work with Wismer Parke establishes a new player on the shortlist. This is an exciting entry point and the future will be bright. Drink 2018-2024. Tasted October 2016 @Bachelder_wines@LiffordON
Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014
Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)
A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027. Last tasted August 2016
In Prince Edward County and for pinot noir there is no substitute and no comparison. Quixotically sweet pinot noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm pinot noir, brought to life and with red citrus that only a Hardie low alcohol pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most. Tasted April 2016 @normhardie
A back pages #cabernetfranc moment with Paul Pender @Tawse_Winery @wismervineyards #everythingfranc #2007 #vanbers
Tawse Cabernet Franc Van Bers Vineyard 2007, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $49.95, WineAlign)
The state of freshness is static, a sameness that is mostly impossible but the perfume is settled and obvious, of violets and blackberries, closer to ’12 than ’10. Hot and dry but still, balanced. Tasted blind there would be no way of knowing where or from when this was. Sure Bordeaux could be imagined but Niagara, Beamsville Bench, Lincoln Lakeshore, Creek Shoes, or the confluence of the three? How could you know. Two years ago this opening began and now the invitation reads with utter clarity, the door widely agape. There seemingly is not a single moment of aromatic evolution and the acidity rages with great vibrancy. The longevity factor is in my friends. Paul Pender knew then what he knows now, at least with respect to cabernet franc. It’s like this. Just like this. Drink 2016-2019. Tasted October 2016 @Tawse_Winery@DanielatTawse@Paul_Pender
Benjamin Bridge Wines
Benjamin Bridge Brut 2011, Gaspereau Valley, Nova Scotia (381533, $49.00, WineAlign)
First sips were blind at #i4c16 with ripeness and yeasty lees so apparent early and smouldering, flinty and then turned to citrus, freshness and acidity. Burgundian-Champagne dichotomous directional pull, certainly, though with eyes shut tight imagination travels and falls on a far east Canadian clime, though likely from an early ripening site. As in October. The reveal presents the first Blanc de Blancs in Benjamin Bridge Brut form, taking the cue from an exemplary vintage for chardonnay to go it alone, leaving seyval blanc and l’acadie behind as Nova Scotian relics of a bygone era. Winemaker Jean-Benoit Deslauriers cants with insightful eloquence. “It’s in our collective consciousness to say that white wines will rely on acidity while reds are determined by phenolics. (The science of) pH will help to locate electrons between reduction and oxidation. It’s a very eccentric proposition, being on the edge of the Bay of Fundy in Nova Scotia. Lodi harvested pinot noir yesterday. We are harvesting in November. The beauty of moderation is that it’s a step away from the model of extremes. Our ability to ripen fruit and preserve the Titratable Acidity at unspoiled levels is going to translate into tension and ageability.” This Brut 2011 is far too young, extremely bright and blessed with so much citrus. The level of lemon is extraordinary. Just as recent past tastes of the Brut Reserve 2004 spoke of its remarkable youth, this ’11 is full of orchard fruit but it’s hard to fathom the extreme level of tightly wound strength that yet persists. Drink 2016-2020. Tasted July 2016 @Benjamin_Bridge@jbdeslauriers
CedarCreek Amphora Wine Project Desert Ridge Meritage 2014, Okanagan Valley, British Columbia (Winery, $60.00, WineAlign)
Winemaker Alexis Moore inherited the (Chianti sourced) clay amphora from former winemaker Daryl Brooker and this (second vintage) meritage is her first kick at the urn. The co-fermented, all natural, don’t even think about peeking and sneaking a taste blend is cabernet sauvignon (54 per cent), cabernet franc (35) and malbec (11). The hallmark desert notes of rich, caky and dusty are necessarily present but it is the preservation of red earth savour that gives this formidable flagon of magic juice its inimitable personality. Mature rows of fruit are to blame and thank for the just desert reward. Transferred to amphora the fruit is preserved in such a way no B.C. reds have ever really seen and the new territory is not so simple for making quick, on the spot judgements. I have thought about this wine for quite some time and the conclusion is positive for two important reasons. Spice and tannin. Together they combine for an infinite finish. Here is the crux of the vessel’s power, to preserve fruit and slowly release its charms within the structure provided. Drink 2018-2024. Tasted June 2016 @CedarCreekWine
It’s that time of summer when transitions begin to set in, in paradoxical slow surges and breezes, sonic wallows and fond, rueful, ironic gaps. It also brings the unofficial last one of the season (gasp), the upcoming VINTAGES August 20th release. The limits of probability, possibility and potentiality are great, delineated and distilled to 17 wines tasted, reviewed and laid out right here.
The barrel need not be employed to gain success for chardonnay from the excellent Niagara 2013 vintage. Calamus has done right by the no-wood approach, allowing the slow-ripened fruit to shine solo and brightly. Steely chardonnay for steamy days. Drink 2016-2017. Tasted August 2016 @calamuswinery
Val De Vid Verdejo 2015, Do Rueda, Spain (452086, $14.95, WineAlign)
Quite a racy Rueda with lemon and lime juiced and cooling the warm stone aspect. Were the acidity a touch more in tune this would really plug in the senses. But it is delicious and worthy of some seafood tapas. Drink 2016-2018. Tasted August 2016 @DORueda@rogcowines
Schloss Schönborn Riesling 2011, Qualitätswein, Rheingau, Germany (653535, $16.95, WineAlign)
Schloss Schönborn’s basic, entry-level, come and get it Qualitätswein is seemingly riesling from out of a designate void and no strings attached. It’s actually highly specified riesling but without label verbiage and from a most excellent vintage. The oscillation runs the gamut from propellant to scintillant, with pumped in air and rising cool temperature behaviour. There is a balanced, posit tug between acidity and sweetness, over the line and back again. The cumulative flavours recall long lasting pastilles, of gin, tonic and agave. Drink 2017-2025. Tasted August 2016 #schlossschonborn@HHDImports_Wine@germanwineca
Stoic and aerified vermentino emanating like semillon or riesling, with a vapour trail and simply terrific mineral feel. You might imagine riesling from calcareous soils or semillon off of dry, arid plains, but this vermentino is striking on its own accord and illuminates as a developing experiment. The next big thing perhaps for geeks and mineral freaks in search of a profound, axiomatic, aromatic experience? More than perhaps and Sardegna beckons. Terrific tonic and beneficial bitters mark the rather lengthy finish. Drink 2016-2020. Tasted August 2016 @WineOfSardinia@vinosardegna
Quinta Nova De Nossa Senhora Do Carmo Colheita Tinto 2011, Doc Douro, Portugal (452748, $19.95, WineAlign)
A blend of four endemic varieties, two from touriga and two by tinto. The label tells us it’s “unoaked.” Brilliant. Such knowledge is power and usually an exclusive bit reserved for whites, especially chardonnay. Why not tell us your red wine spent no time in barrel? This is nothing short of awesome for the consumer. And so we have pure fruit, excellent extraction, very little in the way of masking or shrouding (if any) and a simple, unadulterated experience. Terrific summer red when procured with a chill that will serve and protect your palate and your will. At five years of age it has held up beautifully, a testament to hands off and trustworthy winemaking. Drink 2016-2018. Tasted August 2016 @LeSommelierWine@winesportugalCA
Charmat or otherwise, grapes grown on Lighthall’s beautifully stark, wind-swept and electrifying property destined for sparkling wine does so with profound meaning. This is lit with the finest Ontario spark of vidal, also known as “Ward 5 Brut.” Unparalleled in its treatment to effect continuum, Progression is possessive of real intent and fine-grained precision. It’s simply meant to be. Their are notes of green apple and grapefruit, sweetness from extract, wild and wooly texture. This and fresh summer basil pesto would work every time. Just imagine the possibilities when Glenn Symons adds further lees and traditional method applications to his sparkling fruit. Just you wait and see what it does to elevate the category in Ontario. Drink 2016-2019. Tasted July 2016 @lighthallvyard
Tart, waxy, off-dry, herbal and very sapid. Tremendous appeal on the scales of sweet, sour and racy. Great acidity and a fine pesto of herbs. Balance is spot on. Really well made. Drink 2016-2021. Tasted August 2016 @thoerle@UNIVINS@germanwineca
From Radda in Chianti on the Monterinaldi Estate, here the prevalent liqueur of intuitive and naturally occurring sangiovese wafts like ripe, red fruit warming in compote with wildflower honey. While this may seem a touch raisined (and even slightly volatile) it is in fact both those things. But it’s beautifully bitter and richly old-school. A certain kind of CC and a style that is slowly dying out but there is something to be said in support of drying sangiovese fruit once steeped and macerated in its own narcissistic liqueur. I for one am happy to spend time with this and like my grandfather, would know to miss him when he’s gone. His old and drying tannins really grow on you. Great deal in old-school Chianti Classico. Drink 2017-2021. Tasted August 2016 @monterinaldi@chianticlassico
Jean Marc Brocard Domaine Sainte Claire Chablis 2014, Ac Burgundy, France (356634, $23.95, WineAlign)
In a year for acidity and total, utter freshness the Saint Claire rushes and wells with excitement. Beautifully green apple tart and crunchy. The saline temperature is measured in an ooze running through and with the lees. Cracker vintage keeps the deep salinity intense, vital, searing and so naked to the world. Pure Chablis with length that stretches away from richness and into a lean lingering. Drink 2016-2019. Tasted twice, July 2016 @chablisbrocard @BIVBChablis@purechablis
André Goichot Les Guignottes Montagny 2014, Ac Burgundy, France (455139, $26.95, WineAlign)
As in the case of Chablis, 2014 is a stellar vintage from the ever-increasingly excellent Côte Chalonnaise subregion from which chardonnay fervently shines. André Goichot’s fruit is rich, ripe and beautifully pressed, expressed and plays with the determination of the mineral obsessed. Oh the vitality and the range this displays, with balance and exceptional layering. Breath is actually taken slightly away on the acidity’s back side and the airy, elemental finish. Simply wow Montagny. Drink 2016-2022. Tasted August 2016 @vinsdebourgogne@BourgogneWines
Dutschke Jackson Cabernet/Shiraz 2012, Lyndoch, Barossa Valley, South Australia, Australia (447037, $27.95, WineAlign)
This marriage of shiraz (60 per cent) and cabernet sauvignon is a deep well filled to overflowing with Barossa berry and Lyndoch savour. The smell of ripening pomegranate and red berry is in the air but the blend is grounded by a lactic-limestone like liquid chalkiness. This is seamless stuff, pretty and modern but also following down a very direct line. The dualistic varietal speak is a thing of seamless, duet, two-part harmony. Will pair and compliment anything you throw at it over the following five years. Drink 2016-2021. Tasted August 2016 @DutschkeWines@Wine_Australia@TFBrands
Closson Chase Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (148866, $29.00, WineAlign)
Keith Tyers’ follow-up to the tour de force that was the hypnotizing 2013 is a step forward in the vineyard’s progression out of a vintage that takes a step back from buttressed substance. Taking into account that 2014 was cooler than the year before, the barrel swaddle needed to also scale back, but just a bit. This CCV chardonnay takes a clean and lean precise line, drawing up PEC mineral with mining acumen and wrapping perfectly phenolic ripe fruit coiled like gelid citrus around a gemstone wire popsicle stick. The palate does provide an orchard meets stone fruit creamy respite from the rocks of entry and exit but it is the mineral County notes that make the biggest impression. Terrific balance is struck, on flint and over the course of so many levels. Leave this a year to stretch and flex while you enjoy every waking moment with the ’13. Drink 2017-2023. Tasted May 2016 @ClossonChase
Fonterutoli’s “second wine” pays exceptional attention to fruit quality, drawing from five different limestone sites and bringing them all together with balance. The minor tonic is an asset to the major fruit and a tie of acidity. Classic Castellina in Chianti richness and sun-driven excellence. Few CC’s are as firm and structured within the arena of such exceptional fruit. This is so modern and bright you might have to wear shades but the stylistic is achieved with grace, class and culture. Never forget where you are from. Mazzei. Fonterutoli. Castellina. Chianti Classico. Drink 2018-2024. Tasted August 2016 @MarchesiMazzei@chianticlassico@ProfileWineGrp
Jean Collet & Fils Montée De Tonnerre Chablis 1er Cru 2014, Ac Burgundy, France (405720, $37.95, WineAlign)
Just amazing pitch and imploding vitality from a climat that demands traditional winemaking (in 100 per cent old wood) so as not to detract from a classic flinty, steely Chablis direction. No bells and whistles, just rocks and stones and straight ahead chardonnay. Takes what the vintage gives and tackles the rest. Drink 2018-2024. Tasted August 2016 @BIVBChablis@purechablis
Every great wine dissolves a genre or creates a new one and in the context of Gran Selezione, Pietro Losi and Giorgio Baldi’s Millenium 2010 concludes the latter. In a category where so much changes and yet nothing at all, the choice to pick individual plants, specific vines and particular bunches of grapes as destined for a vision of greatness defines the ideal that wine is indeed made in the vineyard. This Chianti Classico Riserva sees 36 months in 10hL barrels and it is a wine that has essentially been made since since 1997. It went to market again in 1999 and then it was 2000 that prescribed the Millenium, followed by 2001, 2003, 2005, 2007 and 2009. Subsequent top quality vintages are 2011, 2012 and 2015. The selected vines and particular bunches produce on average and approximately 4800 bottles. Take note of the most perfume and yet not the most savour, forest or truffle but there are hints, with some fennochio and the most grip to lead a sangiovese (with five per cent each canaiolo and malvasia nera) structure. The finest tannic grain runs through, lifted by tang meets sour over tart so round and specific to Gran Selezione. This wine is a highly accomplished specimen and a portal in ode to a great grandfather who started his day with wine and cheese, for energy. He imbibed for everyday consumption, just as water would nourish as it should be with this wine for food and contemplation. A wine with a finish minutes long. Drink 2018-2028. Tasted May 2016 @Valerialosi@chianticlassico
Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014
Norman Hardie County Unfiltered Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)
A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027. Tasted August 2016.
In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most. Tasted April 2016 @normhardie
Beautifully firm Dundee Hills pinot noir requesting some patience before it will submit and offer near instant gratification. The fruit is wonderfully, naturally sweet with an underlying saline current and so much ripe yet tart currant fruit. This gift wraps French Beaune soul and Oregon soil in one exemplary pinot noir package. Will develop righteously for up to ten years. A stroke of balanced genius from winemaker Arron Bell. Drink 2018-2023. Tasted August 2016 @DrouhinOregon@FWMCan
Welcome @muller_brent to team RED! with nazlanmak captain @treve_ring #nwac16 @winealign
The WineAlign National Wine Awards of Canada are a complex, multifarious and many-splendored thing. The Nationals bring unity, cross-provincial comity and international variety to the Canadian wine scene. That’s more than can be said about the commerce side of things. It requires a whole lot more than good will to make this most important Canadian competition happen. It takes 1,500+ unique wines, algorithms, logistics, space, time and people.
My fourth Nationals in the books and the apogee of perquisite function is reached. That’s how it feels, in retrospect. The overture of function and the apex of wine journalism culminates at the vertices of colleague and responsibility. To find the profound wrapped up in the membrane of gifted opportunity allows a wine writer to make a valid and justifiable contribution. It affords a conclusion written in vouchsafe doling, where medals are heaped upon the best wines produced in Canada. It’s an avail of satisfaction, a community distraction and a labour of love.
How lucky we all were to have her back in the captain’s chair. Happy Canada Day @djwines #nwac16
Congratulations to Tawse Winery. In his WineAlign report David writes, “winery owner Moray Tawse and winemaker Paul Pender have harvested Winery of the Year honours at Canada’s largest wine competition again this year, the fourth time since 2010. Tawse Winery is on a roll, with five gold medals in this year’s showdown, plus eight silver and eight bronze medals.”
The people at the forefront are the judges, women and men from across the country (representing seven provinces) as well as international guests, from the U.K. and America. Not just any America, mind you, but native America, from California (by way of Alaska). The judges rule but they are not the most integral cog in the NWAC machine. It is the wine fairies that run the engine and they need naming. Head wineaux Bryan McCaw. Logistics and administrative gurus Sarah Goddard and Carol-Ann Jessiman. Statistics bordering on actuarial science sabermetrics specialist Earl Paxton. Photographer Jason Dziver. Head judges Anthony Gismondi and David Lawrason. Volunteers. Lifters, carriers, movers, pourers and judge-doting servers. These are the heroes.
The 2016 WineAlign National Wine Awards of Canada judges photo (c) Jason Dziver and WineAlign
In his WineAlign report, Anthony Gismondi writes “this year’s National Wine Awards was the most inclusive yet, with 230 wineries entering over 1,500 wines from across the country. The numbers only make the achievement of Lake Breeze as Canada’s 2016 Best Performing Small Winery of Year all that more impressive.”
I would like to make it clear that I write all of my tasting notes for The Nationals solely based on the notes scribbled during the competition. Though I am fully aware of the wines in question when composing the final copy, the transcribing process remains 100 per cent pure and loyal to the original notes. Nothing is added. No acidification, chaptalization, fining or filtering.
Dispatch @winealign note to Canada- You are making awesome @coolchardonnay …next stop #i4c #nwac16
“There was a dazzling array of top quality Canadian wines at this year’s 16th WineAlign National Wine Awards of Canada with over 1,500 entries from 230 wineries in six provinces. There were 16 coveted Platinum medals spread over 14 wineries, and seven different wine categories.”
My top 40 are not necessarily the best I tasted but rather the best of a cross-section that insists on being inclusive for as many categories across the compendium. Chardonnay, Pinot Noir, Gamay and Riesling are disproportionately represented and for good reason, but there are thirds, fourths and fifths exceptional examples that are not celebrated on this versatile and ubiquitous list.
Treve Ring made it clear that “no matter what shade, it’s pretty obvious that more folks are thinking pink. And with fresh results from the 2016 National Wine Awards of Canada held in Penticton, BC last month, Canadian winemakers are stepping up with terrific offerings.”
The notable exception and varietal inconsequence comes at the hands of Cabernet Franc, a grape that I’ve come to herald over the past two years, especially from out of the auspices of Niagara gatherings and master classes, along with other Canadian competitions I’ve judged at. Franc has shown well at the Ontario Wine Awards, at Gold Medal Plates and at comparative varietal get togethers. When we convened at Peller Estates in the spring of 2015 during a CAPS Best Canadian Sommelier competition, the Cabernet Franc flights were revelatory. At the 2015 and 2016 Ontario Wine Awards the varietal shone in Icewine meanderings. At NWAC 2016 its promise stagnated and receded into wooden shadows.
Why is this? The simple answer could be examined as too many quality CFs made by many good vignerons were not entered. Another view sees a rapid return tho excess barrel aging in less than stellar vintages, namely 2013 and 2014. The last concern is a heavily weighted Okanagan participation. The sage and dry desert impart mixed with wood clouds many B.C. renditions. It’s not that they are poor wines by any stretch, but they tend to blend in as one, especially when eight or more are tasted side by side by each.
Pronto! Largest assembly of Canadian wines in one place- 1,525 @WineAlign National Wine Awards #nwac16
Speaking on behalf of the entire WineAlign/Chacun son Vin crew might be a slight over-reaching opinionated bit of creative license but judging these awards ranks amongst the most important things we do as wine journalists. These wines are in our hands and we pay attention to every detail, on a playing field set as level as there can be in the pantheon of wine competitions. Nothing is taken for granted and the collective palate works towards the most just conclusions possible. These Top 40 wines are what I spent the most energy on. All deserving of their accolades.
Quebec
Les Pervenches Seyval Chardonnay 2015, Quebec (Winery, $20.00, WineAlign)
A two-varietal conjoin of chardonnay (80 per cent) and seyval blanc (20) opined with the sort of high level of acidity that stakes territorial claim out of what is surely the coolest climate in the competition. The sharp drift leans to shale and flint. Great glade energy and piercing phenolics are superb. Oak is not even a twinkle in its eye, nor negative reduction neither. Directly solid phenolics, tart and angling to greenery. Lemons all over and lime too. Such zing. Drink 2016-2018. Tasted blind at #NWAC16, June 2016 @LaRoutedesVins@VinsduQuebec
Domaine Acer Charles Aimé Robert, Quebec (Winery, $30.00, WineAlign)
Maple syrup as maple syrup, reduced, syrupy, caramelized, rich, buttery (brown) and with direct acidity. Mostly in balance. Roasted nuts and even some fig. Roasted chestnuts off the Portuguese cart. Marmite and umami. The return of the sherry semblance that speaks an Oloroso vernacular, the nutty Solera professor, dried apricot beauty. The maple is so in, so reduced and perfectly realized. Tasted blind at #NWAC16, June 2016
Desrochers D Cuvée De La Diable Vin De Miel, Quebec (Winery, 375ml, $20.00, WineAlign)
Just amazing honey wine, all beeswax but here without as much funk and so stressed in lemon citrus with savour, not balm. Like sweet sherry, envisaged in the vein of say Montilla-Moriles Pedro Ximenez, from 100 per cent honey. Really haute-fashion acidity. Pine resin and forest floor. Quite complex and irrefragable into its long finish. Honey buttered toast, sour and so good. Really well made, balanced and ethereal. Tasted blind at #NWAC16, June 2016
New Brunswick
Happy Knight Black Mead 2015, New Brunswick (Winery, $13.29, WineAlign)
From honey (87 per cent) and black currant (13) together for a wonderfully lactic, chalky, saccharine mess. There are moments of simple sour and insipid tartness but the up and downs bring about structure. And then the lifted florals. Drink 2016-2017. Tasted blind at #NWAC16, June 2016 @happyknightwine
Nova Scotia
Blomidon Estate Winery Tidal Bay 2015, Tidal Bay, Nova Scotia (Winery, $19.99, WineAlign)
Simply the simplest white blend in the flight, for good reason and measure. Languid and salty, bittersweet. Not much fruit of texture but the acidity is zesty and orange juicy. A bit funky and prickling. Leaves behind a green mango paste in the mouth made piquant by lime. Ça marche. Tasted blind at #NWAC16, June 2016 @BlomidonEstate
Ontario – Niagara Peninsula
Chateau Des Charmes Sauvignon Blanc 2015, VQA St. David’s Bench, Niagara Peninsula, Ontario (Winery, $14.95, WineAlign)
Much ripeness in style, juicy mango and a note of Kenyan pineapple. Palate offers balance returning back west into stone fruit and a shot of metal moonshine. It comes so easy. This is cracker soul. “Come and party with your spirit guide.” The winemaker and the vigneron walk their walk and talk their talk. Drink 2016-2018. Tasted blind at #NWAC16, June 2016
Chateau Des Charmes Gamay Noir “Droit” St. David’s Bench Vineyard 2014, VQA St. David’s Bench, Niagara Peninsula, Ontario (Winery, $17.95, WineAlign)
An adroit poster child for the battle cry of #gogamaygo, this is deliciously and devilishly dark fruit crusted with rusticity. It is also bright, volatile within every threshold of the ideal and tart with cru proportions. Possessive of the relentless ongoingness of gamay syntax, from sour black cherry to ascendant and structurally lean. Well done. Drink 2016-2020. Tasted blind at NWAC16, June 2016 @MBosc
Beautiful variegation is noticed on the leesy, creamy and somewhat reductive nose. Certainly already into the beeswax, this is weighted but lifted chardonnay. Flinty, smoky too. All this before a taste. Good harmony into the texture where palate and tannin meet at the proverbial chardonnay crossroads. No semantic crimps, lexical distresses or syntactical trials. Big and beautiful. Full to the long finish. Drink 2016-2020. Tasted blind at NWAC16, June 2016 @LegendsWinery
Who would fail to comply with the memo for giving it up and appreciating the mineral sauvignon blanc, down along the cove where “I spied my little bundle of joy.” Platinum pear and white peach, sprinkled with maldon, bobbing for rocks, “walking hand in hand.” Direct, white tannic, dry extracted, low pH SB, direct, with purpose and just a wee bit of harmonica. Drink 2016-2020. Tasted blind at #NWAC16, June 2016
Here the complete deal is limestone-mineral, old vines, relative altitude and low tonnage. Variegated layering on the palate. The Germanic one, all in, slope driven and dry with citrus compression. This is most excellent, mouth-watering riesling. “This is really, warden in my back, goose all in my gut.” A wine that stretches and turns back on itself. Under the Pressure. Drink 2016-2025. Tasted blind at NWAC16, June 2016 @HiddenBench@BenchVigneron
Compression and a slight bend to oxidation are hallmarks of the 2014 Niagara Riesling season and yet the QRV manages to buck the trend. The oscillations of tannin, extract and off-dry flavours are all wrapped up in greater acidity than some previous vintages have seen. This is one of the more striking 2014 Niagara Rieslings with some credit surely do to the cool Vinemount Ridge site. The rest of can be credited to winemaking and good luck. The sour in this Quarry Road is of a sumptuous kind, laying August stone fruit over layers of fractured limestone. Drink 2016-2020. Tasted April 2016 @Tawse_Winery@DanielatTawse
Really effective actuality, from barrel for couverture and bite, through texture by lees and with inhalant because of the mineral play. This has it all going on. The middle palate is so beautifully filled in, the spice and smokiness just a mild, intoxicating smoulder. Lovely stuff and terrific length. Drink 2016-2021. Tasted blind at #NWAC16, June 2016 @AdamoEstateWine@hinterlandwine
Two Sisters Eleventh Post 2012, Niagara River, Ontario (Winery, $39.00, WineAlign)
Red raspberry and a posy of green quintessence filled by oak in a merlot (50 per cent) with equal addendum from two cabernets. There are moments that are somewhat downy soft and mocha-creamy but the brain gladly socializes with the cappuccino bordeaux blend. What ultimately matters is how this soft serve is the least astringent and most silky wine in the flight. Just as your guard lets down the tannins storm the castle. Intriguing blend with cellaring structure. Drink 2017-2022. Tasted blind at #NWAC16, June 2016 @2SistersVine@apearcevino
Hidden Bench Chardonnay Tête De Cuvée 2013, VQA Beamsville Bench, Ontario (Winery, $45.20, WineAlign)
Intensely reductive and so very fresh chardonnay with serious cool-climate excitability. A minor dishy aroma might detract for some but its the phenolics talking, not yet rendering the porcine baby fat, looking for integration, speaking in tart, chalky (liquid) tones. Like fresh pasta dough in a warm kitchen. Complex wine not yet understood. Drink 2017-2022. Tasted blind at #NWAC16, June 2016 @HiddenBench@BenchVigneron
Love the cool feel, the apricot aspic glaze and the herbs underneath the sweet surface. Really tangy fruits and great acidity. This has balance and vitality. Actually causes a bit of mouth watering with clean, clear, crisp and precise riesling character. Drink 2016-2025. Tasted blind at #NWAC16, June 2016 @Jackson_Triggs@CBrandsCareers
Domaine Queylus Pinot Noir Le Grande Reserve 2013, VQA Niagara Peninsula, Ontario (Winery, $60.00, WineAlign)
The top-tier Pinot Noir is quite fruit intense, but also sappy and uttered in soft, indecipherable if almost resolved words. That said the length traipses to somewhere distant, to a boundary no other Queylus Pinot Noir has yet made. As it is thought on, this wine climbs to that far away peak that can’t really be imagined. The wine lingers longer than the pen and like the sword, pierces with svelte pinpoint accuracy. The flavour profile is indescribable, neither fruit nor mineral dominant and not exactly earthbound either. The abstruse profile persists but can’t be named so like language, must go on and on. Time heeds no dissipation. The wine lingers forever. Drink 2017-2025. Tasted June 2015 @QueylusVin
Ontario – Prince Edward County
Waupoos Cabernet Franc Reserve 2013, Ontario (Winery, $29.95, WineAlign)
Rich cabernet franc, extracted and with some big, but beneficial wood. Quite aromatic stuff here of black cherry with vanilla and lavender accents. Savoury and leathery palate with juicy, sumptuous elevations. Really lively stuff with nary a chocolate or a mocha moment and no bitters. None. Brilliant. Drink 2016-2020. Tasted blind at #NWAC16, June 2016 @waupooswine
Huff Estates Cuvee Peter F Huff 2011, Méthode Traditionnelle, VQA Prince Edward County, Ontario (Winery, $40.00, WineAlign)
Nothing can be so considered as leaning to an oxidative style until you imagine this in a flight of nine and take in its old-school on par with Method Cap Classique like charm. Or Jura. Great acidity circulates and like tribunates protects the sparkling rights from arbitrary acts of reduction. With flavours recalling mandarin, lemon and then an aromatic return to exotic, in lemongrass and galangal. Length is excellent. Drink 2016-2022. Tasted blind at NWAC16, June 2016 @HuffEstatesWine
Ontario – Lake Erie North Shore
Pelee Island Vinedressers Cabernet Sauvignon 2013, Lake Erie North Shore, Ontario (Winery, $19.95, WineAlign)
Dark, muted and tannic, of bitter chocolate, this unforgiving cabernet sauvignon is blessed with high savour and underlying brine. This is an oak monster but not creamy. It’s all bitter chocolate but not astringent. Not mean. Gotta see past the demanding attitude because it’s really quite balanced within the conceit of it’s largesse. Ultimately elegant, floral and complex. Drink 2017-2022. Tasted blind at NWAC16, June 2016 @Peleewinery
British Columbia – Okanagan Valley
Synchromesh Riesling 2015, Okanagan Valley, British Columbia (Winery, $19.00, WineAlign)
Beautifully microbial, beeswax-scenting, wild ferment riesling. Needs agitation to shed its bacterial baby fat. Quite viscous and grippy mouthfeel. Transports the fundamental factors from vine, fruit and fermentation in a suitcase of natural love. The acidity is texturally palpable, essential, extended gainfully from low pH. There is some residual but so much sink your teeth into it stuffing to carry it forward. Most excellent less than off-dry palate and with the drive to finish with impression over the next 10 years. Drink 2016-2026. Tasted blind at NWAC16, June 2016 @SynchromeshWine
The View Ehrenfelser 2015, Okanagan Valley, British Columbia (Winery, $19.95, WineAlign)
So floral, with orange peel, white rose potpourri, a bit of funky humidity, cool and viscous. Great mouthfeel, tart, frozen-gelid acidity. Sweetness never causes any suffering. Great finish. Miles ahead of the field in off the beaten path varietal gambolling. Tasted blind at #NWAC16, June 2016 @TheViewWinery
Wild Goose Stoney Slope Riesling 2014, VQA Okanagan Valley, British Columbia (Winery, $20.00, WineAlign)
Beautiful atmosphere with hopes and dreams to climb high into the stratosphere. The terpene that lurks is just a prop, a step-ladder for the more purposed realities to use and get up there with the airs and the stones and to thank the terpenes for their unselfish ways. Very concentrated and purposed riesling with compressed bitters. Princess in high tops. Drink 2016-2022. Tasted blind at NWAC16, June 2016 @wildgoosewines
Finals of 24 #pinotnoir in three flights. Mountain tea for all #nwac16 @winealign National Wine Awards of Canada
Volcanic Hills Pinot Noir 2011, BC VQA Okanagan Valley, British Columbia (Winery, $20.00, WineAlign)
Oranges, peaches and apricots. In pinot noir. Strawberries, cherries and raspberries. So much fruit. Turns earthy and spicy on the palate. It’s a very good characterful expression that walks straight down a line. So much character and then tannic, sharp and acerbic on the finale. The tannins hang around the fruit like a clever. Drink 2017-2021. Tasted blind at NWAC16, June 2016 @volcanichillswi
Ciao Bella Pinot Rosé 2014, Okanagan Valley, British Columbia (Winery, $20.75, WineAlign)
Love the early note of minor volatility to check and balance for soft and downy, simple and into pleasure. Smells like unripe pickled strawberry. Though some decent salinity and brine offer up a rosé reality there lacks a bit of ingratiating 100 per cent pinot noir charm. Improves and brings out some pinosity by good bitters, gin and tonic, orange zest and some spice. In the end it’s actually more than quite good. Drink 2016-2018. Tasted blind at #NWAC16, June 2016 @ciaobellawinery
Spierhead Pinot Gris Golden Retreat Vineyard 2015, BC VQA Okanagan Valley, British Columbia (Winery, $21.85, WineAlign)
Just a moment of skin contact renders to immediate complexity. Great rust, scraped stone and wild citrus. Lots of white grapefruit on the palate and pith, but not too much. Very persistent. Tasted blind at #NWAC16, June 2016 @spierheadwinery
Haywire Secrest Mountain Vineyard Gamay Noir Rosé 2015, Okanagan Valley, British Columbia (Winery, $22.90, WineAlign)
Really earthy 100 per cent gamay Rosé. Good mineral in here. This was made with a purpose. “Now everybody’s gonna tell you it’s not worth it. Everybody’s gotta show you their own thing.” There is balance and ballad ease. This is just so drinkable. “Is this the past or the future that is calling.” Gamay, I love the times you’ve come. Drink 2016-2018. Tasted blind at #NWAC16, June 2016 @Haywirewine@OKCrushPad
Joie Farm Gamay 2014, Okanagan Valley, British Columbia (Winery, $23.90, WineAlign)
A gamay with global explorations that is so inimitable it founds it’s own, toute de suite, self-dissolving genre. This really sweats and wicks away the umami of gamay. It has the notion, sumptuous spice, tight, circular winds and biggest stage presence. Such a mineral palate, density and the gumption to pour with unwavering varietal swagger. Best in show. Drink 2016-2021. Tasted blind at NWAC16, June 2016 @JoieFarm@LiffordON
Bordertown Cabernet Franc 2014, Okanagan Valley, British Columbia (Winery, $24.00, WineAlign)
Beautifully fragrant cabernet franc, unhindered and unencumbered by obnoxious, noxious barrel plenitude. Red currants, liquorice and plenty of summer savour. Pencil lead to graphite and cool climate attitude. Rustic in all the right ways, like Rioja Gran Reserva meets the Loire. So natural and charcuterie cured. Spicy all over the finish. Just a bit bitter perhaps. Tasted blind at #NWAC16, June 2016 @BordertownWine
Moon Curser Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $27.00, WineAlign)
Cooler and more Mediterranean savoury. Tart and direct, taut and full of miles away imaginings. There seems to be some elegance to temper the gambling and cajoling in the big chamber. Like a self-correcting shake-up, as if something were veritably being worked out. Give it some time and some love. Drink 2018-2023. Tasted blind at NWAC16, June 2016 @mooncurser
Stag’s Hollow Grenache 2015, BC VQA Okanagan Valley, British Columbia (Winery, $29.99, WineAlign)
An effete, in effect style of grenache, pretty, pure and elegant. She resists the trappings of overripeness, over-extraction and over-pressing. She is conceived with great purpose and with pelucid substance. Her palate is silken, with fresh berries and then the sort of grand structure that rolls into ambient endings. One of Canada’s great grenache triumphs. Drink 2016-2020. Tasted June 2016 @Stagshollow
Sperling Natural Amber Pinot Gris 2015, Okanagan Valley, British Columbia (Winery, $30.00, WineAlign)
So much beeswax and honey wine attribution. Porcine, delicate and quite elegant for the statement. Plenty of acidity and even more relish. Why not give a little Grauburgunder love to the winemaker for giving the style a shot, and succeeding. Tasted blind at #NWAC16, June 2016.
From my earlier note of January 2016:
Ann Sperling is not merely fussing about with natural ferments, skin-contact macerations and non-sulphured, self-preservations. She is learning about winemaking, opening doors to perception and interested in doing things in different ways. Her second go ’round with a natural Amber Pinot Gris furthers the non-plussed discussion and the understanding. While pouring the inaugural 2014 from keg on tap last year at Vancouver’s Belgard Kitchen, it was Sommelier David Stansfield who so succinctly noted “this wine is a raw expression of vineyard, grape, and time.” This gets right to the heart and the crux of the Orange matter, especially within the context of a North American account. Sperling has many supporters in her corner, including husband-winemaker-consultant Peter Gamble, the folks at the Casorso-Sperling Kelowna Farm and Bill Redelmeier at Southbrook Vineyards in Niagara. This 2015 is a veritable pink cloud, anti-orange, still so very musty, funky, tanky, with great Sperling acidity and pierce. There is so much exuviation to evanescence and back again flavour. There is feigned sweetness that purposes towards and with gearing second wind into length. How much pleasure is this from and for Pinot Gris? Drink 2016-2017
Sperling Vin Gris Of Pinot Noir 2014, Okanagan Valley, British Columbia (Winery, $30.00, WineAlign)
Anti-Rosé Vin Gris pinot noir, light of blush and leaning to terpene. While lost in a nether land between the categories of hue, the appeal is wrought by the wine’s refusal to be unclassified. And it need not be. I think I get what the attempt was here; lithe, light, easy free-run with nearly no hue inducing skin contact and it travels the path akin a fruit wine realm; ever so slightly sweet and very tangy, like currant pureé. Prejudices and preconceptions are cast aside. Such a rare occasion affords a taster assessing blind to know so little and enjoy so much. Drink 2016-2018. Tasted blind at #NWAC16, June 2016 @SperlingVyds@AnnSperling
Coolshanagh Chardonnay 2014, Okanagan Valley, British Columbia (Winery, $36.95, WineAlign)
Really beautifully reductive, ranging to all chardonnay fronts, from expectation and into results. Terrific integration, multiplicity and circulation. Chardonnay flush with fabric and forged by framework. Enjoy it now and over five more glowing years. Drink 2016-2020. Tasted blind at #NWAC16, June 2016 @OKCrushPad
Burrowing Owl Cabernet Sauvignon 2013, BC VQA Okanagan Valley, British Columbia (73098, $44.95, WineAlign)
Rich, dried fruit and a welling tension inflates and rehydrates this cabernet sauvignon with cool, savoury, bluff sage and piquant nettle garrigue notions. It has an intelligent and characteristic taste. Tending to write the cabernet sauvignon personality book, this desert play is full of varietal notion and somehow typical. Drink 2018-2024. Tasted blind at NWAC16, June 2016 @BurrowingOwlBC@LeSommelierWine
Moon Curser Dead Of The Night 2013, BC VQA Okanagan Valley, British Columbia (Winery, $54.95, WineAlign)
Serious syrah and tannat split. Deep cimmerian demi-glacé, rich and chocolatey, somewhat sweet but full of fruit and mineral. Syrah getting together with tannat of augmentation, opulence, concentration, of getting more in. Long and lingering. Drink 2016-2021. Tasted blind at NWAC16, June 2016 @mooncurser
Meyer Pinot Noir Micro Cuvee Mclean Creek Road Vineyard 2012, Okanagan Valley, British Columbia (Winery, $65.00, WineAlign)
A very amenable and mostly, fully, completely copacetic pinot noir with tonic and beneficial bitters managing the fruit. Fruit that is directly up front and neither garrigue nor barrel spice makes cause for any distraction. No mental gymnastics are required to understand this wine. Great leave it be pinot noir. Drink 2016-2020. Tasted blind at NWAC16, June 2016 @MFVwines
British Columbia – Naramata Bench
Deep Roots Pinot Gris 2015, Naramata Bench, British Columbia (Winery, $19.00, WineAlign)
A bit stinky and reductive but on the precipice and so purposeful. Pear, platinum pipe and graphite. Good viscosity and slightly off-dry to the point where savour and spice take over. Better balance here. The reduction blew away with ease. Spicy finish. Drink 2016-2019. Tasted blind at NWAC16, June 2016 @DeepRootsWine
Terravista Albarino 2015, Okanagan Valley, British Columbia (Winery, $25.00, WineAlign)
Quite a dense albarino with plenty of metal in its back pocket and salinity “singing to an ocean.” Gobs of fruit play along with the sea air. I like the acidity and the zeppelin zest, the citrus led with a full twist. Tart and close to sour with some sulphur but “it’s a real fine way to start,” even if it doesn’t quite blow my mind. Drink 2016-2019. Tasted blind at #NWAC16, June 2016 @Terravistawines
La Frenz Syrah Rockyfeller Vineyard 2014, Naramata Bench, British Columbia (Winery, $28.00, WineAlign)
Here syrah plays a floral song while doused in perfume of roses in the tar sands. Less oak driven and fresher than the compatriots in its flight. Give credit where it’s due. Syrah buoyed, lifted and blessed by five per cent viognier. Tasted blind at #NWAC16, June 2016 @LAFRENZWINERY
British Columbia – Similkameen Valley
Twisted Hills Paradise Pear Organic Cider 2015, Similkameen Valley, British Columbia (Winery, $18.00, WineAlign)
Bruised pear leads this spot on cider with a cool whiff of concrete tank and a minor pear puree, of sauce spiked by cinnamon. Quite dry and saline within terrific acidity. Umami makes the salivator glands work overtime. Drink 2016-2018. Tasted blind at NWAC16, June 2016 @twistedhills
Eau Vivre Malbec 2013, BC VQA Similkameen Valley, British Columbia (Winery, $23.00, WineAlign)
A rich juicy malbec of all in red fruit, tom foolery fun things and life affirming positives. Just the malbec with creamy american vanilla anglaise. “Sidewalk sundae strawberry surprise.” A bit of a malbec ice cream cone but that’s more than OK because the ice cream man, one man band will be “good to you yeah, good to you, I’ll be good to you, I’ll be good to you.” No need to hold off because malbec so inviting waits for no one. Drink 2016-2019. Tasted blind at NWAC16, June 2016 @EauVivre
One of the true pleasures in wine & life to judge with two amazing women @treve_ring @curlyluddite #NWAC15 #thenationals #winealign
Wine. The ancient mocker, a drink unknowable and illustriously beyond judgement. That is until a national organization builds a mountain out of bottles, gathers together a court of 22 like-minded adjudicators and brings a nation’s wine culture together. The WineAlign Canadian Wine Awards is this country’s own version of unfathomability, as a thinking and tasting machine to test the romantic mysteriousness of an overall expression laid out by deferential wines produced from coast to coast.
The Nationals or #NWAC2016 will amass and coordinate more than 1,500 entries from Nova Scotia, Quebec, Ontario and British Columbia. The romantic grandiosity of the project will merge with the mainframe abacus of wine awards algorithms. The WineAlign National Wine Awards of Canada (NWAC) are held annually in June. Each year the country’s leading wine writers and judges gather somewhere in Canadian wine country to evaluate wines grown in Canada. They award Platinum, Gold, Silver and Bronze medals in some two dozen categories, with medal rankings further determining Winery of the Year and the country’s Top Twenty wineries.
When I roll out of bed Tuesday morning my Air Canada flight to Kelowna, British Columbia will be in its early stages of preparation. AC 1975 will transport me ceremoniously to the golden western frontier of the Okanagan Valley and it is there in Penticton that I will join 21 fellow judges (plus two apprentice judges) at the 2016 WineAlign Canadian Wine Awards.
Co-Chief Judge Anthony Gismondi has let us all know that “we have had a tremendous response from wineries across the country. Entries to date to are at 1,505 wines, a new record. With that number comes much responsibility so please be prepared to work hard for a full five days in the tasting room.” We welcome our visiting international judges, Elaine Chukan Brown of JancisRobinson.com, WakawakaWineReviews.com and Wine & Spirits, along with WWAC veteran Dr. Jamie Goode, The Sunday Express and wineanorak.com. Vancouver’s DJ Kearney oversaw the apprentice judges program and this year Brent Muller and Alistair Veen prevailed in a tryout that included 5 top BC sommeliers and retail buyers.
WineAlign judges, a rainbow and the American Falls
This will be my fourth Nationals. It is one of the greatest privileges in wine journalism and a profound honour to be gifted the opportunity to contribute towards bestowing medals on the best wines produced in Canada. It is an equally awesome grant of companionship and shoulder rubbing to work alongside the WineAlign crew. The war room leaders Bryan McCaw, Sarah Goddard, Carol-Ann Jessiman, Earl Paxton and Anthony Gismondi. The judges I’ve worked with before; David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow and Dr. Janet Dorozynski from Ontario. Rémy Charest, Michelle Bouffard, Bill Zacharkiw and Nadia Fournier from Quebec. Ben MacPhee-Sigurdson from Manitoba. DJ Kearney, Treve Ring and Rhys Pender, MW from British Columbia. Brad Royale from Alberta. Craig Pinhey from New Brunswick. Heather Rankin from Nova Scotia. I look forward to meeting David Scholefield and Sharon McLean from B.C.
Day 2 #NWAC15 with @curlyluddite and the maestro @DavidLawrason .. I will taste f’in #merlot !! @winealign
The judging is overseen by WineAlign principal critics and partners Anthony Gismondi and David Lawrason. All competition wines are blind-tasted and judged in categories according to varietal or style, not by region, using the same 100-point system as used on WineAlign. Each wine earning the requisite points will get a medal. Wines with the top scores in the entire awards will be awarded a Platinum medal (approximately 1% of the total entries). Gold medals = 90 – 100 points, Silver medals = 88 – 89 points and Bronze medals = 87 points
At last year’s Nationals held in Ontario we handed out a record number of awards; 14 Platinum, 101 Gold, 263 Silver and 375 Bronze. Given that a bronze must have been scored 87 points by a panel of a minimum of three judges, we have hundreds of wines in Canada that our experts felt were ‘very good’or better. That should instil some confidence among consumers. I tasted and reviewed many of the 14 platinum medal winners. Here are some of my notes.
Flight 3, code red #pinotnoir redux. Right proper #NWAC15 picks & pours @FortessaCanada stems @winealign staff rock!
Four months has upped the funk for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.
From my earlier note of December 2014:
Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.
Tres hombres in @TheGoodEarthTweets light @johnszabo @billzacharkiw @bradroyale #NWAC15 #beerdrinkersandhellraisers
C.C. Jentsch Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $34.95, WineAlign)
Oh so beautifully nasty Syrah, spicy, saucy and wicked. Resin, somewhere between myrrh and mastic, redacts reductively and tension stretches the savoury aspects in all directions. Blood orange and anise blend into the aromatic grain, repeating again through flavour mettle. Fruit, acidity and tannin are interwoven, circulating and on edge, in pitch perfect darkness. Syrah in the big time with the stuffing to age. Drink 2016-2022. Tasted blind at WWAC15, August 2015 @CCJentschCellar
Merlot, Cabs, Red blends #NWAC15 messed with kilters but @DavidLawrason & @curlyluddite set me straight. #cdnwine #thenationals #winealignnationalwineawardsofcanada #sheratonfallsview
Château Des Charmes St. David’s Bench Vineyard Gamay Noir Droit 2012, VQA St. David’s Bench, Niagara Peninsula, Ontario (Winery, $16.95, WineAlign)
The increased Droit depth in black cherry positions this CdC Gamay like a cousin to the same vintage Pinot Noir with shared DNA and more funk meets reduction than I would have expected or even guessed at. Should this be chalked up to complex conscientious forethought or the denude of a brilliant mistake? The raspberries and strawberries are in the mulch and the mire, the acidity and tannin thinking cru, cru thoughts. A near behemoth for Ontario Gamay, as much to do with the St. David’s Bench and the vintage as anything. Droit redux, new, improved and polarizing. Drink 2016-2021. Tasted June 2015 and February 2016 @MBosc
The ’12 Niagara has swapped spontaneity for coherence, licentiousness for logic. Has entered the stage of non-reductive peel, where skin is discarded, flesh is exposed and juices run free. If you like your Chardonnay settled and yet vitally fresh, now is the time to enjoy the Hardie 2012 Niagara Chardonnay. Drink 2015-2022. @normhardie
From my earlier more of May 2014:
Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay.
Last tasted April 2015
Sea of #schottzwiesel via @FortessaCanada #NWAC15
The Good Wine Cabernet Franc 2012, VQA Lincoln Lakeshore, Ontario (350751, $19.95, WineAlign)
While wood plays a prominent role it does not saturate to distraction. The barrel extract adds warmth and spice in contribution to balance. A high-toned syrup on the nose gives way to an evenly weighted palate. A scraped bean flavoured creamy toddy texture is topped with chocolate shavings, a dry of bell pepper and tobacco smoulder from out of the chamber. Nicely judged fruit, acidity and texture with admirable length. A necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made. Tasted March 2015 @goodearthtweets
We @WineAlign came to judge nearly 1,500 wines #NWAC15 and it was fair and just.
Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014
To me, Prince Edward County is the most enigmatic wine region in the world. Why is that? The coterminous climate and geology comparison to Burgundy never wanes and the vintners who painstakingly cultivate and produce Chardonnay and Pinot Noir never quite abandon the methodology. The Burgundian model of viticulture is almost universally applied to the County microclimate. Think about it further and note that latitude and soil composition aside, PEC is not Burgundy, never will be and the parallels drawn ad nauseum should begin to cease and desist.
There are many reasons for saying this. The most obvious has to do with winter and the painful condition of a once or twice every 10-15 year pain in the arse deep freeze that necessitates the hilling up of vines. Farmers select canes chosen for the following growing season and tie them to a wire very close to the ground. Upwards of two feet of soil is plowed onto the tied-down canes. The labour required is extensive and the subsequent yields are lower than most grape growing places on the planet.
At the 2015 spring County in the City event I noted that WineAlignprimo scrittoreDavid Lawrason presented his PEC state of the union address via the company website. “David touched on some integral points for growers and winemakers in the County, including the rise of Riesling and a case for increasing plantings of varieties like Chenin Blanc.” At the time I hung on to Burgundy with no immediate plans to recognize an imminent diurnal varietal shift.
Last fall I wrote a mini-dissertation on the ridges of PEC. “It all adds up to minerality in the wines and nowhere does the geology matter more than on the ridges.” Which brings me to the third bit of logic and one that is varietal based. Pinot Noir and Chardonnay share the stage with a wide range of planted grape varieties and it is the emergence of Pinot Gris that shakes the foundations of PEC-Burgundy thought. If this year’s grand tasting of County wines at the Berkeley Church showed one thing it’s that Pinot Gris is a must. From Hillier clay-loam to omnipresent limestone, the group begs for Pinot Gris, a mineral-loving, dry extract extricating and tertiary tannin absorbing grape. The makers know it.
A fourth dialectic concerns rules and regulations. A wine growing community may talk a big game of homage and publicly declare with politically correct language their allegiance to, a following of and the emulation of a wine-producing deity that has proven its success with hundreds of years of tradition behind it. But the fact of the matter is Prince Edward County does not yet know exactly what it means to be a community of wine producers. The grand cru, premier cru and lieu-dit blocks are only beginning to be understood and working with the climate is still an unmitigated, trial and error disaster.
So in steps a governing body to determine what winemakers are supposed to and even allowed to produce and what exactly they can call it. Absolute authority is exercised against a brilliant vintner who owns land, lives and produces wines in the County, but can’t label it as such. Forget about the economics of an acronym that saves on taxes. They are not allowed to write Prince Edward County on their label.
I hear you. Regulatory boards are needed to make sure a region is putting its best foot forward out to the country and to the world. You can’t have a golfer wearing cut-off jeans, a fishnet tank and a mesh visor shanking nine-irons on the perfectly groomed country club 18. But what if one guy’s wines are off the charts, gorgeous representations of terroir? So what if her skin-contact whites are not what we are used to? Who cares what either of them are wearing. Who should complain that they make new tracks in their own special way? Exactly how is it they bring shame, detriment or housing market decline to the neighbourhood?
Rant aside, the last piece of the Prince Edward County puzzle stretches from the idea of freedom and into a polemical discussion in which no two County wines are the same. Dynamism has never known such hyperbole as it does in the County. Yet another Sparkling epiphany was had after tasting Lighthall Vineyard’s first (not yet labeled) traditional method fizz. It should be called “Au Courant” because it takes everything we have assimilated from Champenoise bubbles, filters it through Cherry Valley soil and rewrites the book. The collective needs to embrace the Sparkling example set by Jonas Newman, Bruno Francois and Glen Symons.
The endearment “The County” is a term meant to bestow a sense of down to earth affection on a place you have to detour through to pay it a visit. “The County” is in fact Ontario’s most diverse and magnetic wine region. To borrow from the American literary critic James Wood, PEC is “one of those rare occasions where the absence of evidence is evidence.” Everything is changing all the time and everything is new. No County for old wines.
I recently reviewed 20 County wines. Here they are.
First @lighthallvyard strike #methodetraditionelle #2011 #fortytwomonths
Casa Dea Dea’s Cuvee 2015, VQA Ontario (261263, $18.95, WineAlign)
Distinctly August cling stone peach, ripe, lightly crushed and fenocchio glacier. Really pollinated fizz, with a bright pink grapefruit granita personality and cool chardonnay exemption. Pretty, pretty stuff. Lingers precisely and there is nothing remotely precious about it. Well made. Drink 2016-2018. Tasted April 2016 @casadeawinery@PECWinemaker
Huff Estates Cuvee Janine 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Comes from a place and will return again to the junction where rusticity and elegant oxidative character live. Erstwhile fresh, alive, prescient and yet must have been a challenge to tame. Quite the gustatory, culinary, mis en place of torched vegetables and acidity de-glazed game seared off into caramelization. Intensely real, characterful and attention grabbing Janine but not funky. Slow braise ahead. Drink 2017-2021. Tasted April 2016 @HuffEstatesWine
Huff Estates South Bay Vineyards Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Reductive and reeling from the pushy barrel, young, tight, angular and closed. Green apple, tart white berries and barrel spice. Emerald gem Chardonnay leaving little to no wonder Niagara Bench winemaker Paul Pender is so interested in the fruit. South Bay is the Quarry Road of the County. Wait for the richness and the platinum peaches and cream to emerge commensurate to ostensibly consummate cool climate Chardonnay. Drink 2018-2022. Tasted April 2016
Karlo Estates Pinot Gris 2015, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Welcome winemaker Derek Barnett to the County and to Pinot Gris with a Gorrilaz style, “the essence, the basics,” gone ripe beyond the pale, round and full. Sweet green apple and basil relish, veritable tang, baked tart shell filled with apple-citrus curd but so far from sour. Wish it hung around for longer. I suppose I have only myself to blame. “I ain’t happy, I’m feeling glad. I got sunshine in a bag.” Clint Eastwood and Pinot Gris in the County. “The future is coming on.” Drink 2016-2018. Tasted April 2016 @KarloEstates
Karlo Estates Lake On The Mountain Riesling 2015, Prince Edward County, Ontario (Winery, $29.00, WineAlign)
Very Mosel Germanic Riesling Kabinett in style, with some residual and low alcohol. Juicy, round acidity, ripe sapidity and almost tersely spoken from the edge of the late harvest forest. Good length and will live a half decade or more with severity tempered by herbal countenance. Drink 2016-2021. Tasted April 2016
Keint He Portage Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Tart and tight, rich and tangy, as expected and with some density. What needs from reduction lays low and melds into wood. The handling was necessary from out of a challenging and demanding 2014 vintage. The Portage is fully entrenched as a true County stalwart. This is what defines what Keint He is, has come from and to where it will go. Ground zero for the range, from what others will feed from. Sister Chardonnays Greer and Frost embark from this Portage starting point. Drink 2016-2019. Tasted April 2016 @KeintheWinery@Nicholaspearce_
Keint He Greer Road Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
The specificity of the label conjures up territorial Hillier thoughts for Chardonnay made by Norm Hardie, Dan Sullivan and Paul Battilana. While the Greer thread runs through and keeps it in the family this is all in Keint-He issue. Possessive of a richness shown by few other PEC Chardonnay, there counteracts and stabilizes a cool climate snap, crackle and green apple pop. Tang folds into lovely tart, citrus bitter curd with a wisely executed tumult. And there is no relent. A Chardonnay ripper. Beware the power. Drink 2016-2020. Tasted April 2016
Lighthall Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Glenn Symons’ 2014 from the southern flank in the Cherry Valley is perhaps the most regionally intense, lights out Chardonnay in Prince Edward County. ‘Twas a good growing season in the Lighthall Road ward so say hello to phenolic ripeness and an old school, reductive and layered striker of flint and wood. The yields being as low as they are and exponentially were, there grunges much tonic reverb stirred into leesy, sweet extract in its rather ripped sonic youth. Such a mineral wine, sword-wielding, axe-grinding and tannin mining. Will find its unctuous way with time. ‘Cause it’s lights out right now. Drink 2017-2022. Tasted April 2016 @lighthallvyard
Lighthall Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
The paradigm shift that began with Lighthall’s 2013 Pinot Noir continues with this stay the course 2014 and then some. The vintage offered up a slower developed phenolic yawning so the stygian runs deeper than the vermillion. That is to say the cherry fruit turns to black even while such a pretty Pinot pours with tension beneath the rich and glorious surface. Tension yes, but also soil infiltration and cooling breezes to temper the Cherry Valley conflagration. Tautness de-armed by a necessary streak of humus conditioning pomace, for grounding. Voluminous palate notes are repeated in demonstrative refrain. Another step forward for Prince Edward County Pinot excellence. Drink 2016-2019. Tasted April 2016
Lighthall Pinot Gris 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Made in the Lighthall style mixed with location, location, location. Vines of healthy fruit in the Cherry Valley, making for wines that are stark, sturdy, demanding, self-fortified and of limited quantities. Like its siblings, this Pinot Gris is also exempt from weakness. Here PG reminds of lieu-dit Alsace, of attitude, with tannin, extract, salinity and and of course, mineral. Singular County Pinot Gris. Could age for a decade. Drink 2016-2022. Tasted April 2016
Norman Hardie Riesling 2015, VQA Ontario (131169, $21.00, WineAlign)
More reductive for a Norman Hardie Riesling than even it ordinarily shows and also pervasive of penetratingly concentrated stone fruit. While the acids may be received as hard and potentially malic that perception is calibrated by this wine’s typical aggregate. The walls need breaking down and the road is purposely graded high knowing full well it will eventually finish even with the shoulder. I like the sweet tannins and the difficult way in which it uses extract to a futuristic advantage. Wait a year and imagine the possibilities of balance. Drink 2017-2020. Tasted April 2016 @normhardie
Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most. Drink 2016-2022. Tasted April 2016
Rosehall Run Pinot Noir J C R Rosehall Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
The vintage steps out of a particular shadow and into bright light, exposing the JCR Pinot Noir with a particularly beautiful level of freshness and vitality. What has come before is not forgotten; the County tartness, the limestone preparation and the earthy red ochre fruit. But here is something other, something new, exciting and structured. The balance begins and ends on a seamless circle with no obvious demarcation point. The most elegant Rosehall Run Pinot Noir comes out of this 2013 and its level of poise should see it enjoyed now and for 10 more years easy. Drink 2016-2025. Tasted April 2016 @Rosehall_Run@sullywine
Rosehall Run J C R Rosehall Vineyard Chardonnay 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
A tenderly and beautifully rich, stone roses reductive and buttery Chardonnay, fully malo-activated, in adherence to the consistently classic Dan Sullivan righteous style. Makes me think of 1990’s Manchester post-punk, 60’s retro guitar pop, with a sweet softness as foil to an angst-riddled, contemporary acid house rhythmic sensibility. Sullivan’s JCR draws from influence, playing both time-tested Burgundy and new world Chablis pop hooks. “Where there’s life there’s gotta be hope and where there’s a will there’s a way.” Just sip along with the Rosehall Run JCR Chardonnay. It’s hard not to become enamoured after experiencing such great, coherent length. So young. Drink 2017-2021. Tasted April 2016
Stanners Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
Quite remarkable and reductive Chardonnay, from fermentation of a certain halting, the yeast not quite having finished munching and malo just short of finding fulfillment. Low in alcohol after posting pH similarly reserved. This has real gumption, a stalwart of phantasmagorical Chablis allegory in the guise of salty, mineral PEC with minor residual sugar and a dip into the funky well. Just lettin’ it all hang out. This is a very promising wine. Just wait until the weather holds out and the yields go up just enough for Colin Stanners to make a really proper Chardonnay. Drink 2016-2019. Tasted April 2016 @StannersWines@GroupeSoleilTO
It’s not what you think but it’s just what you imagine @Stannerswines @GroupeSoleilTO @therealbenhardy #PinotGris #cuivre #skincontact #pecwine #princeedwardcounty
Stanners Vineyard Pinot Gris Cuivré 2014, VQA Prince Edward County, Ontario (Agent, $25.00, WineAlign)
The coppery-hued Stanners Pinot Gris Cuivré 2014 is like a member of the cup of coffee club, its skin contact time limited but forever significant. The PEC conceptualization may seem as strange as surfing Wellington waters but this Pinot Gris is a boy who trapped the sun, having sealed in brightness and freshness beneath the surface, cauterized during fermentation. This is not an orange wine but rather a a Pinot Gris with poise and a balladeering sense of calm. The Cuivré comes from pure sourced County fruit, spent time in stainless steel, is more than a curiosity, is a little funky and offers a feeling of rosé as a gateway drug to orange wine. Saline, nicely savoury, with a tinge of wild sauvage, all within reason. Such a skin contact white in self-proclamation “when you go into your skin, I’ll be the hope joining the walls.” The missing piece is tension, dynamic tempo changes, rises, falls and a crescendo. Though it lacks such structure it is still a beautiful mistake by the lake. Copper down. Only 230 cases were produced and it was released in February, 2016. Drink 2016-2019. Tasted April 2016
One of three Skin Contact Rieslings from winemaker Mackenzie Brisbois, from Lincoln Lakeshore fruit out of Ed Hughes’ farm. For whatever reason this vineyard is far less reductive then the (Wismer) counterparts. It may be attributed to site, of decreased nitrogen (or not) and/or when sulphur is applied. “Ed Hughes is a very calculated grower,” notes Brisbois, which may account for what stylistic deference is syllogistically accrued. “They’re very dry and they will be very tart,” she warns, “and aromatic.” Pressed when fully dry and 14 days on the skins. Arid is the understatement, this shining and whispering Riesling, of tartness not on top slides beneath the surface of acidity. So much length. Youth is not on its side while it wiles away in withheld revelations though longevity is not necessarily its greatest ally. This is Riesling of stark realities, arid with no Niagara frame of reference and fruit so crisp it cracks into perfectly linear fissures. Laser focus without pierce or citrus. Spellbound skin contact stuff. Needs six months to seek a wave beyond the shock. Only 32 cases made. Drink 2016-2019. Tasted April 2016 @TrailEstateWine@MackBrisbois
Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft
The second of three skin contact, Niagara borrowed Rieslings from winemaker Mackenzie Brisbois. This time from Craig Wismer’s Lakeview, a Twenty Mile Bench block with 18 years-ish old vines. Spent 21 days on the skins and comes through in or around 10 per cent alcohol (like the others). More herbology balms the nose and while it may not waft with equanimity or gregarious aromatics, it’s bleeding delicacy and savoury sapidity breathes freshness. If it just came with an added juicing of lime it would help to bring out structure and balance the anterior acids. As it is the acidity runs through the middle, streaks and halts the fruit from gaining on time. Adheres to acting typical of a 20 Mile Bench Alsatian Clone 49 example. Only 15 cases made. Drink 2016-2020. Tasted April 2016
The third and most effectually ingenious of Mackenzie Brisbois’ skin contact series Rieslings, with far more texture on the palate and overall Riesling acumen. Endowed with a gram less acidity than the Lakeview and burgeoning with veritable Twenty Mile Bench viscosity. Can it be such a coincidence that so many winemakers choose Foxcroft for their Riesling fruit? A real burgunder sensation is to be annexed out of the crafted brim of an invisibly stitched, tart-pan curl. This is irrefutably the most accomplished of the three (that includes Hughes and Lakeview), of length increased, laser focus and thirst quenching pleasure. Such a pity that only 12 cases were made. Drink 2016-2022. Tasted April 2016
The concept is in line with what winemaker Mackenzie Brisbois set out to do with Riesling but the result couldn’t be further from the truth or the ideal. Sauvignon Blanc is nothing like Riesling. It’s malleable, amenable and submissive. The process took de-stemmed fruit, saw it ferment on its own (dry, in nine days), needing no inoculation and then handled with hand-punched, TLC. In the end it was sterile filtered, leaving it to shine with latent lucidity, of brilliant clarity and with skin-deep grace. The whole is a snapshot of nothing less than supple integration. I would like to taste this side by side in 2020 with Jean-Benoit Deslauriers’ similarly struck Benjamin Bridge (sweeter and cloudier) 2014. The divergence should be fascinating and confounding. Only eight cases made. A drop in the skin contact bucket. Drink 2016-2020. Tasted April 2016
“Sun come up it was blue and gold.” #cuvee2016 #pictureinaframe #niagarafalls
The Ontario wine industry has powered through many big weeks during the tenure of its young but wise, short howbeit concentrated history. None seemed larger than the first week of March, beginning with Taste Ontario at the Royal Ontario Museum and ending with the 28th edition of Cuvée at the Scotiabank Convention Centre in Niagara Falls.
And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre
In between and as a preamble to Ontario’s annual gala celebration there was the presentation of the Tony Aspler Cuvée Award of Excellence, presented by Mr. Aspler to viticulturist Lloyd Schmidt, for advancing viticulture in Ontario by accessing the best vinifera varietals from nurseries around the world and fighting bureaucracy to do it.
Tony Aspler Cuvée Award of Excellence winner for 2016 viticulturist Lloyd Schmidt and Tony Aslper (c) Brock University
Father and son grape growers Howard and Wes Lowrey from St. David’s were honoured with the Cuvée Vineyard of Excellence Award sponsored by BASF Canada Inc. The 2016 category was best red vinifera and the Lowrey’s were recognized for their Cabernet Sauvignon vineyard. The winner is chosen by an expert panel that makes field visits throughout the growing season to monitor quality.
Cuvée Vineyard of Excellence Award winners Wes and Howard Lowery are flanked by grower Matthias Oppenlaender and Julia Harnal, BASF Canada Inc. (c) Brock University
The VQA Promoter’s Awards are designed to recognize exceptional contributors to Ontario’s wine industry. The honours were endowed as follows. For Education, Peter Blakeman of The Canadian Food and Wine Institute at Niagara College. The Promoter-at-Large, Norm Hardie of Norman Hardie Wines. In the LCBO category, Nina Hofer, Product Consultant. In Hospitality, Peter Elmhirst of Elmhirst Resort. For Lifetime Achievement, Peter Gamble, formerly of Hillebrand, VQA, Stratus and Ravine, now consulting winemaker at Benjamin Bridge, Lightfoot & Wolfville and Versado Wines.
Proceeds from the Cuvée Grand Tasting go to support the Cuvée Legacy Fund established after the 2015 event. The fund has already awarded $15,000 in academic scholarships and contributed $13,000 toward industry-driven research projects. At the awards ceremony, the 2015 scholarships were also handed out.
Cuvée 2016 was orchestrated by Brock University’s Cool Climate Oenology and Viticulture Institute who will also play host to the Expert’s Tasting of Ontario wines in April. At this year’s reception 52 VQA wineries each poured one carefully selected wine for the Grand Tasting and were joined by 13 culinary partners. Earlier that week, Taste Ontario was hosted by VQA Wines of Ontario and Wine Country Ontario. Upwards of thirty producers contributed more than 125 wines to the media and trade event.
Taste Ontario reds
The food establishments on hand were granted the space and signage to show off and showcase their talents. Having their names projected onto the walls around the perimeter of the room made it very easy to locate who was placed where. The wineries received no such similar sort of spotlight signage so happenstance played a significant role on what got tasted. Still it was nice to see a Toronto neighbourhood friendly face in Ossington joint Actinolite Restaurant with chef Justin Cournoyer acting out his special brand of an Ontario forest passion play.
Forest flavours of Actinolite
The pork belly ‘Lollipops’ from Vintage Inn – Escabeche by Chef Chris Smythe, Korean fried chicken by Garrison House Chef David Watt and Duck Mu-shu from Golden Lotus Restaurant’s Chef Sing How were exceptional. Also on hand was omnipresent Niagara events food contributor Artisan Ontario presented by Chef Mark Hand and Mario Pingue. I somehow missed out on Backhouse Chef Ryan Crawford’s burrata and braised beef short rib ravioli tasting plates. No chef had a longer line-up all night long.
Pork belly ‘Lollipops’ from Vintage Inn – Escabeche Chef Chris Smythe
Insofar as an assessment of Ontario wines is concerned, from a varietal point of view, Riesling and Chardonnay have not relinquished any stronghold on their domination, nor should they any time soon. I can’t help but feel and notice that winemakers continue to reach for the big red machine and wish upon an intangible Bordeaux star when they should be concentrating on fresh, gulpable Cabernet Franc and Gamay. They should also take some chances with these necessary, best Ontario option red varieties. Press less, reveal freshness and let natural ferments find low-alcohol impressions of impossible, ethereal beauty.
Pingue Prosciutto
At Cuvée there was no shortage of Riesling, Chardonnay, Pinot Noir and big red blends. Where was the Cabernet Franc? Kudos to Brian Schmidt of Vineland Estates for his varietal choice, albeit in a perfect little tidy $15 package. It was the only one. That is a travesty. Kacaba’s 2013 Cabernet Franc was a Platinum Award winner at the 2015 WineAlign Awards of Canada. They can’t be blasted for pouring their 2012 Syrah and you can only pick on but others should have seized the opportunity. J-L Groux of Stratus Vineyards offered up his 2013 Gamay from magnum. Brilliant! Where was the rest of Ontario’s Go Gamay Go arsenal? Varietal lampoonery I tell ya.
Perhaps I can be accused of filtering my view of the evening through the oculus of an infundibuliforms installation. Just maybe I’m a wee bit harsh in my assessment of choices made but there were several wines poured at Cuvée that we’ve seen many times before. While the inevitable will influence choices because of inventories and the bottom line, the event is not about finding buyers. The purpose and long-term vision should focus on teaching, on educating and ultimately on celebrating what Ontario does best. Not just what, but where. Choosing what to pour must come out of a disseminated varietal necessity so that sub-appellations can be further defined and understood.
My top ten wines tasted at the two bookending events were these.
Cattail Creek Small Lot Series Old Vines Riesling 2014
Cattail Creek Small Lot Series Old Vines Riesling 2014, VQA Niagara On The Lake, Ontario (Winery, $21.95, WineAlign)
A Cattail Creek joint starring Roselyn Dyck and consulting winemaker Steve Byfield, from a block of Clone 21 (Weiss) Riesling planted in 1976, one of the oldest in Ontario. This OV loitered in subdued maturation because of a brutal winter, a cold spring and a cool summer. A beautiful fall abrogated what came before and brightened the possibilities. Dyck and Byfield took full advantage, channeled their inner Mosel science of the mind, dialled back the sugar and submitted to the vintage’s desires. The result is a scintillant of Riesling with texture and acidity getting together to”grab a piece of something that you think is gonna last,” reelin’ in the year and shining like new. Steely Riesling at its Niagara flats finest, short of bracing and far from cloying. Though a long ways from the Bench, put this ’14 in the vineyard cru discussion with Picone, St. Urbain, Carly’s Block, Triangle, Steelpost and CSV. Drink 2016-2020. Tasted March 2016 @CattailWinery@TerroirLover
If the 2013 from Fielding Estate helped decipher the code of the how, where and why of Peninsula Viognier, this follow up 2014 speaks at the symposium. Sourced from the Four Mile Creek sub-appellation, a locale fast becoming the consensus ground zero for the option, this single-vineyard is farmed by grower Rick Smith. Low-cropped and hand-picked, this is the cleanest Viognier in town.The spice kick starts au fait late, sneaks up the backside and boom. Gotcha! Winemaker Richie Roberts has a vested investigated interest in this white variety amongst Niagara choices deeply pondered and painstakingly explained. Some off-roading chances taken going forward will elevate this wine into territory occupied by the excellent and the outstanding. Drink 2016-2020. Tasted March 2016 @FieldingWinery@RichieWine
Henry Of Pelham Speck Family Reserve Chardonnay 2014, VQA Short Hills Bench, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)
Vintage in and out this is the manifestation of an unequivocal Niagara icon for Chardonnay. An unwavering, stylistically consistent, best fruit first cuvée from Pelham’s oldest (1988) estate vineyards in the Short Hills Bench. Quite reductive and dramatic Chardonnay in 2014 with multi-macerated flavours. Needs some time for the barrel and the malo to get together with tangy, soil-driven fruit. A bit clunky at the present time. Should be fascinating to watch it develop, oscillate, flip-flop and ultimately settle into something fine over five years time. Drink 2016-2021. Tasted February 2016 @HenryofPelham@SpeckBros
Call this an experiment if you will and while winemaker Regan Kapach was blessed with a perfect ferment (and one that would not, could not be repeated in 2014 and 2015), don’t believe for a moment that divine skill was not integral to making this wine happen. Like an early 1990’s MTV production of Neil Young, David Bowie and Nirvana all wrapped up into one unplugged special, here is what happens when unfined, unfiltered and unsulphured jam as one. One major “un” omission, or inclusion in this case is French oak, the catalyst and the glue to keeping this freak of Chardonnay nature together. True, this is the one grape that can handle such a hands off winemaking process, but in Ontario? Not so simple. From the Little Vineyard up on The Bench, the Tenacity is not so much. It’s dreamy, creamy, lightly toasty and full of gelato texture and flavour. It glides and slides, lifts and cleanses. It’s a beautiful impossibility. Drink 2016-2019. Tasted March 2016 @16milecellar
Rosehall Run Ceremony Blanc De Blanc Brut, Prince Edward County, Ontario (Winery, $34.95, WineAlign)
A little ceremonial joy in the division here with Dan Sullivan taking some fizz chances to create a new PEC sparkling order. A multiple vintage cuvée from estate grown fruit of weight, substance, tang, drive, a shot put of citrus, servitude to PEC Chardonnay, certitude to B de B style and structure. Just enough pierce to go through and come out clean, even in the face of oxidative time, on the other side. Dips into the well of Champagne to recover its fearless tactility. These are bubbles that “travel first and lean towards this time.” Timing is everything. Drink 2016-2021. Tasted February 2016 @Rosehall_Run@sullywine
Oh, the accessibility of Quarry Road in 2012. Still totes the emerald shine, the gemstone tannic scrape and yet the flesh is rendered rich, ripe, ratcheted and riled up. This has tonality like never before, layered and strudel buttery. At this point the vines for Quarry are 17 years of age, sophic and erudite, compounded by the organic, biodynamic and prudent pruning practices that have cemented its vigour. The clay-limestone, fresh-mineral, push-pull is a veritable careening of expression. Though its longevity may not pile towards a compressed future like that of ’09 or ’11, the earlier and often response will act both as Chardonnay charming and Quarry Road magnetizing. For the next five years it will be very hard to turn away. Drink 2017-2020. Tasted April 2015 @Tawse_Winery@DanielatTawse
Cave Spring CSV Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (237198, $39.95, WineAlign)
As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario. Tasted February 2016 @CaveSpring@TheVine_RobGroh
Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024. Tasted March 2016 @CreeksideWine@hobbsandco@AMH_hobbsandco
Oh yes the vineyard speaks, like previous vintages but with clenched teeth and a hyperbole of natural yeast and soil funk. The most charcuterie salts and dehydrates from the middle sibling in 2013, with wisdom and a tale of future memories created in the here and now. Then you will return, to this time that will be its past, when things were so different and the assessment a figment of later imagination. At least three years (and possibly five) will pass before things are set straight for this past to be revealed. The level of smarts and savvy riches are amplified in the Réserve 2013. It is the strongest reminder that reconciliation takes time. Drink 2016-2022. Tasted June 2015 @QueylusVin
Beautifully floral Lowrey from Thomas Bachelder, squeezed with restraint and pressed for pitch perfect Niagara Pinot fashion. Lowrey at its elegant best, ripe red though on the edge of anxious, eyes rolling and persuasions lolling though just shy of any sentimentality. Another layer of lovely infiltrates a taster’s psyche, grabbing hold of the heartstrings and then relents, lets go, stays on the righteous path of peurility. The ’13 Lowrey Vineyard gifts such texture and tannins that flirt with danger. It is a wine of life-affirming footnotes. I ask of it, “oh ye teasing beautiful Pinot Noir. When can I drink of thee?” Soon, but not yet. There is no greed from this vineyard and in these hands. As always, Thomas does the right thing. Drink 2017-2022. Tasted March 2016 @Bachelder_wines@LiffordON
Godello 