17 Canadian wines that rocked in 2017

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

I first published this year-end summary of Canadian wine excellence in 2013 and four years on that original list of 13 has expanded with four more. It’s a good thing too because four years later 17 wines is but a fraction of what could or should be included. This exercise is more than difficult. It’s biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada, to tell the insolent they are not welcome here anyway. The winemakers in this country are in full command of their acumen, craft and future. They own it. Roll out the red carpet. Here they come.

Related – 16 Canadian wines that rocked in 2016

My writing about wine is a display that spills everything but subtraction, reduction and minimalism. It is an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. So thanks for reading and putting up with me.

As I have noted before, I try to visit wines more than once before reviewing them, preferably from more than one bottle but even more importantly, with a good chunk of time having passed between assessments. The most complete picture is drawn from such a course of critical action but it’s not always possible. Not a single one of these 17 wines were decided upon at a single VINTAGES release, sterile and windowless LCBO laboratory tasting. The nearly 2000 wines (of which approximately were 20 percent Canadian) that I tasted in the LCBO lab in 2017 are kept, compartmentalized, reviewed and stored over at WineAlign. They are forged from and formed by a very specific, of the fleeting moment style. They are the results of root days and fruit days, often plagued by other writers present levels of distraction and time constraints. These 17 wines are children of repeated concentration and stand out because the makers went out of their way to bring them to me.

Please allow me to quote Wes Anderson. “It is an extremely common mistake, people think the writer’s imagination is always at work, that he’s constantly inventing an endless supply of incidents and episodes, that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you’re a writer, they bring the characters and events to you and as long as you maintain your ability to look and to carefully listen, these stories will continue to…,” continue to provide what you need to entertain your readers. Thank you to the winemakers for sharing their stories time and time again.

Related – 15 Canadian wines that rocked in 2015

Heartbreaker

If 2016 was a most difficult year, what does that say about 2017? It was a most dippy, derisory, barmy and yet chimerical one. Once again too many special people were taken from us and in Ontario, no one more important to everyone who works in wine than Karl Kaiser. It can and should be argued that the industry we all call home is at its 2017 state because of Mr. Kaiser and what he pioneered more than 40 years ago. Karl Kaiser was eulogized by Brock University’s Dan Dakin. Please take the time to read it.

Related – Karl Kaiser left indelible mark on Brock University

Once again we all lost someone close to us in 2017. Celebrity deaths, especially the ones of loved musicians seem to hit us the hardest because we relive moments of our lives when their songs are played. I’ll ask the social media trolls to walk on past and to once again, please respect our reminiscences.

Gregg Allman. Richard Anderson. Harvey Atkin. Walter Becker. Chester Bennington. Johnny Bower. Chuck Berry. Glen Campbell. David Cassidy. Chris Cornell. Jonathan Demme. Fats Domino. Dick Enberg. Stephen Furst. J. Geils. Robert Guillaume. Roy ‘Doc’ Halladay. Connie Hawkins. John Hurt. Al Jarreau. Martin Landau. Jerry Lewis. Erin Moran. Sir Roger Moore. Bryan Murray. Charlie Murphy. Bill Paxton. Tom Petty. Della Reese. Don Rickles. Sam Shepard. Joni Sledge. Keely Smith. Harry Dean Stanton. Y. A. Tittle. Mary Tyler Moore. Adam West. Malcom Young. Joanne Godel.

Don’t forget the pouring rain

There was more than enough good news out of 2017, especially from Ontario. After one of the wettest summers on record and this looming harvest of disaster everything changed. The temperatures hit 30 degrees and remained there for much of September. October obliged with warm and slowly declining temperatures with very little precipitation. Not only was the 2017 vintage saved but it became one of the great phenolic ripeness stories in wine country history. Quality high. Check. Quantity high. Check. Win win for wine.

The year continued to throw thousands of wines my way. I did travel more and so the international count ran higher at the expense of the local. I plan to fix that in 2018. Things have a way of balancing out anyway. Still I’m sure I tasted close to 1000 Canadian wines once again. We continued to pay great attention to Canadian wines at the WineAlign office. I once again joined the judging with Tony Aspler at the Ontario Wine Awards, in Wolfville, Nova Scotia at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 14 Canadian wines that rocked in 2014

My wine on tap program at Barque Smokehouse and Barque Butcher Bar welcomed a third child to the family when we opened Barque Smokehouse Burlington in August. With that opening we were proud to partner with Rosewood Estates to join the family that over the years has included Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus, Leaning Post, Between the Lines, Coyote’s Run, Vineland Estates and Creekside Estates.

It began, as it always does with Niagara’s Icewine Festival in January and in February there were Thirteen ways to taste Cuvée. In March I found Fifty ways to Taste Ontario and then travelled to Germany for Godello’s March through Prowein, The Ahr Valley and The Rheinhessen. As a Canadian and a representative of Wine Country Ontario I hung around the Canadian pavilion, talked with our coast to coast winemakers, vintners and marketing representatives, took in the seminars on cool climate wines led by David and Dr. Janet Dorozynski and of course, tasted some wines.

Related – 13 Canadian wines that rocked in 2013

In the company of #family so thank you judges, friends and badasses #NWAC17 #killedit

Any major dude will tell you

At the Terroir Hospitality Symposium in May we debated the highly controversial new category of Skin-Contact wines in Ontario. Orange is the new smack should have been my title but instead I chose to talk through hushed tones in Pop goes VQA, a story in three parts, each one more misunderstood than the others. It would take months to come to better and more improved conclusions to that haughty complex story.

In June we convened the WineAlign Canadian Wine Awards in the Annapolis Valley. It was the first time that Nova Scotia hosted our motley crew and what a smashing success it was. Great thanks must go out to all our tremendous hosts including Wines of Nova Scotia, Domiane de Grand Pré, Benjamin Bridge Vineyards, Blomidon Estate, Annapolis Cider Company and Obladee Wine Bar in Halifax.

In July I once again made the pilgrimage to i4c, the International Chardonnay Cool Climate Conference, “the local mecca attracting thousands, arriving to praise chardonnay in all its glory. It’s chanted with incantatory connotation by patrons cantilevered like alluvial fans across the Niagara Peninsula. It teaches us about more than chardonnay because the rapidity of climate change is real and the desire for fresh is yet unquenched. This transcends chardonnay. It’s about growing grapes and making wines in places we all previously discounted. Recently scoffed at. It concerns farming higher, further and edgier. This conference and this grape together let us know that we must change.”

At i4c we welcomed California’s Karen MacNeil, Dr, Jamie Goode, Bill Zacharkiw, Treve Ring, Kurtis Kolt and Rhys Pender MW and then I penned 69 chardonnay reviews. What did Godello learn from Cool Chardonnay in 2017? After a visit to Pearl Morissette I learned from François Morissette, vigneron about oxidation.“Whatever we press, we oxidize. We do not oxidize wine, we oxidize must.” There’s a big difference. The stabilization of these wines are attributed to this idea of getting rid of all oxidizable compounds before they enter into the next stages of the winemaking process. Pleasing aromas, flavours, textures and ultimately the sum of the above elevates the cool chardonnay game and speaks to the future. But I did not learn enough. I needed to move beyond the ubiquity of cool climate. I wanted to understand more about cold soaking and whole berry fermentation. Just last week Pearl Morissette’s savant winemaker Brent Rowland sent me these words of enlightenment.

“This is the main reason I am such an advocate to whole bunch fermentation. The best tannin and worst tannin are seed tannin, depending on how you extract them…heat and alcohol rip out aggressive angular tannins. By keeping the berry attached to the rachis for as long as possible you are creating a little microenvironment for fermentation that is low heat and low alcohol, enabling you to slowly extract long polymerized tannins. This and perfume is the reason I do everything whole bunch. To me whole bunch has nothing to do with the stems, tannins from stems or flavour of stems.” He continues. “I absolutely think that skin contact wines can have elevated structure and texture. I also do not subscribe to the idea that some arbitrary number like “10 days” defines the genre. I did say that Orange wine is not an in-between wine but its own genre and I believe that. For the record I feel the less rigid the criteria for the category the better. As you state the broader the category the more opportunity for discovery of a valued category.” Thank you mate.

Be part of the Greatest Wine Revolution since Prohibition.

Where are we one year later?

I’ve two words for you. WineAlign Exchange. The WineAlign Exchange taps into the world of wines beyond the LCBO and delivers a curated, mixed case of top quality wines directly to your door. All the wines have been carefully chosen by our panel of critics for their quality and value. David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow and Godello. The first case delivered to hundreds of members was an all Platinum Award winners pack from the National Wine Awards of Canada. In terms of free trade we await a decision but don’t expect a miracle in 2018, Christmas or otherwise. As for the VQA panel in Ontario? Well, read my article referenced above and you’ll get my drift.

One of my favorite wines I tasted in 2017. All killer no filler. Beautifully ripe #cabernetfranc nice layers of cocoa, red, and black fruit. Tannin is liquid silk. Can_t wait for next

Let’s be Franc

Cabernet Franc is getting better all the time. In British Columbia the coolest sites are increasingly raising fresh, spirited and ultimately crushable wines with unmistakable west coast accents; savour, garrigue and mountain tea. With thanks to venn diagram circles drawn in and out of Niagara’s Lincoln Lakeshore, but also magically deep into the Prince Edward County limestone, the great Ontario hope is developing into what we thought it might be. Getable and structured red wine.

New World cabernet franc growing sites produce less delineation as compared to the various lieux-dites in the varietal homeland, France’s Loire Valley. Niagara is beginning to enter into an Old World state of mind, so now winemakers and by extension wine geeks, are posturing over micro-terroirs; Niagara-on-the-Lake, Beamsville Bench, Niagara Escarpment, St. David’s Bench, Lincoln Lakeshore, Four Mile Creek. The same is happening in British Columbia’s Okanagan Valley although the cumulative stylistic is worlds (four provinces to be exact) apart. In Nova Scotia Benjamin Bridge Vineyards’ viticultural and vinifying braintrust of Jean-Benoit Deslauriers and Scott Savoy are allocating serious resources to cabernet franc in the Gaspereau Valley. But how is it that decisions are made as to where to plant this crisp, juicy and crunchy grape? While many will disagree, if you consider growing sites as circles within the aforementioned venn diagram, in Canadian soils the shared subtleties can easily get buried or muddled within the common areas. The lines may be drawn but the web is tangled. That said, the story of franc terroir is getting clearer and clearer. Interloper carries the torch.

Tonight brought to you by #interloper and the inner beauty of #cabernetfranc @RavineVineyard #vqaniagaraonthelake

At this most recent NWAC17 judging experience the results from cabernet franc paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. We are collectively impressed with and solidly behind the direction growers and winemakers are taking with this noble varietal. The 546 acres planted in B.C. are rising steadily and if I were merlot I’d be looking in the rear-view mirror. In Ontario more than 4,000 tonnes were harvested in 2015, third to only chardonnay and riesling. Four of five Gold Medals were Ontario in origin, 10 of 16 were awarded Silver and 10 of 17, Bronze. While only four in Ontario are labled “LL,” no less than 10 of the 24 winners were made with at least some significant amount of fruit grown in the Lincoln Lakeshore/Beamsville Bench circle of commonality. The sites we want to call “cru” are no longer a mystery.

Taskmasters not pictured #punchdowns #interloper

I can’t say this list is full of surprises, save for the first of 17. You see this particular wine is close to my heart because I had a hand in its concept and design. My partner Scott Zebarth and I teamed up with winemakers Marty Werner and Ben Minaker at Ravine Vineyards to produce what we all feel is the most exciting fresh breath of cabernet franc air to arrive in Ontario in quite some time. It’s obviously self-serving to put it on a best of the year list but we are very proud of this project and its inaugural effort. If you’ve tried it you know. If you haven’t, give me a ring. We’ll break Interloper bread together. To the other 16, welcome to the list.

Scott, Marty, Ben and I are proud to present the now SOLD OUT #interloper Cabernet Franc 2016. We’ll be back next year #vqa #niagaraonthelake #ravinevineyard

Interloper 2016, VQA Niagara-on-the-Lake, Ontario ($19.95)

Produced at Ravine Vineyard Estate Winery with the winemaking team of Martin Werner and Ben Minaker

Variety: 100 per cent cabernet franc

Fruit source: 55 per cent Estate (St. David’s Bench), 40 Creek Road, five Tanbark (Four Mile Creek)

Harvest Dates: October 26th and November 5th, 2017

Time on skins: Estate 26 days, Creek 21 days

Length and type of fermentation: Three weeks, ambient/wild for both

Élévage: Eight months in old 225 L French barrels

Case Production: 22

mgodello  scottzebarth  marty_werner  benminaker23  ravinevineyard

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Iaen and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021.  Tasted November 2017  Charles Baker Wines  stratuswines  @cbriesling  @StratusWines  Stratus Vineyards

Tawse Riesling Quarry Road Vineyard 2016, VQA Vinemount Ridge, Ontario (198853, $24.50, WineAlign)

There is no substitute for seasonal Vinemount Ridge warmth when you are (or even if you’re not) trying to emulate a Mosel like, fleshy Kabinett tension. The Tawse Quarry Road riesling has shown signs of such mimicry in the past but here in 2016 the coincidence is uncanny. Riesling amounts to just 10 per cent of the 2007 planted vineyard, a Fly Road in Lincoln block where chardonnay (planted in 1998) and pinot noir (2007) are queen and king of the hill. But it is riesling that mines for limestone and uses it to distill, filter and enervate the outright fruity purposes of orange zest, lime juice and sweet grapefruit flesh. This ’16 has it all; adipose drupe, salty elements and stasis preserve. It will add some petrol and honey after a few years time and drink well for a few to a bevy more. Drink 2017-2023.  Tasted November 2017  tawsewinery  @Tawse_Winery  @tawsewines

Malivoire Rosé Moira 2016, VQA Beamsville Bench, Ontario (AgentWinery, $24.95, WineAlign)

Hard to believe what I see, a hue not blush nor pink, but gris. That “if my eyes don’t deceive me there’s something going wrong around here.” Forget about Provençe, don’t think too hard about Vin Gris but concentrate only on what Shiraz Mottiar has acceded with Rosé for Moira in ’16. Light and lithe do not begin to explain the rub. Rocks and stones are what come through the good earth on the nose. Is this the blush equivalent of mineralité, away from chardonnay and into pinot noir? “Is she really going out with him?” But the pinot noir component is almost non-existent so what is the phenolic advantage here? Has this gone too far or not far enough? Don’t mistake the things I say. This is delicious, understated and fully underestimated Rosé. It will have great appeal to a specific cognoscenti population and who could not think to drink it any day of the week? Commercially considered however, it may not speak a universal language. Drink 2017-2021.  Tasted March 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

First Fruit: Field Day Pet Nat, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

An escarpment Pet-Nat is born, thanks to the healthy and precocious idealism of winemaker Ryan de Witte and his Winona-based host Ilya Senchuk at Leaning Post Wines. The name “First Fruit: Field Day” carries three connotations; a reference to De Witte’s first commercial wine, the first crop off this particular block and the fact that it’s a field blend of two grapes. The erudite hat is thrown into the micro-cuvée, sparkling wine ring with interchangeable tracks of arts and science from near-equal parts muscat (60 per cent) and gewürztraminer. The style is pétillant-naturel, or as they say in Italy, Vino Rifermentato In Bottiglia, under crown cap with what Ryan notes “as much of the lees as I could get in.” The tightrope induces a two-fold increase, of reduction and for texture, from the nutrients fed the fermentation. De Witte’s math was sound because the effervescence is strong enough to blow the reduction off after a few seconds in the glass. One point for science. After tasting two samples I can safely say that the yeast deposit can’t be missed but it is those crafty and leaningpostwineconsolidated cells that drive the salvus meets salus machine. This lithe, re-fermented and crackling sparkler is both safe and healthy. You can feel its enzymes usher liquid happiness through your body and it makes you pause, leave the warrior behind and become at one with the experimental fizz. It’s raw and you want it to be so. The aromatic varieties collogue preserved lemon, ginger and aseptic vegetal scents in an almost funk-less Pet-Nat. It’s an impossible one actually, that is until you get a load of that slag at the bottom of the bottle. But the lack of danceable, rhythmic funk may deny you a Cissy Strut so think on it like Foam meets Talking Heads as in minimal, industrial, synth-pop. Or, in sparkling wine terms, one Pet-Nat’s riflessioni naturalische is another one’s clarity. One point for art. The intrigue here sets the bar high and looking ahead, when acidity can further provide boundless rhythm section support we’ll really have something to talk about. Inaugurals are never easy, nor is progress but the sophomore release will most certainly play on repeat. Let’s hope someone finds a category to place it for three-letter approval. Drink 2017-2018.  Tasted Twice, February 2017  leaningpostwine  @LeaningPostWine  @Witte_Wine  Leaning Post Wines  Ryan de Witte

Cave Spring CSV Riesling 2015, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

In a word, balance. Well two, balance and brilliance. CSV in 2015 takes the reigns from itself and stands firm. The fruit is in charge, the mineral a support system unparalleled and the minor celebratory sweetness a mere afterthought when it comes to rounding out the complexity. CSV is pretty darn back in ancient dolomite time travel and escarpments high great in 2015, uplifting, serious but yet not so. The numbers trip the light fantastic, fooling like gold and bones dry are seemingly preserved in karst but impossibly not. The sensoria apprised reel from the finest acidity it can possibly carry in its veritable truth. Deep lemon intent and a new wax vernacular speak the clarity of a wine that listens to its own expert advice. Might as well have made itself. CSV 2015 is one of the finest rieslings ever made from Ontario grapes. Drink 2019-2031.  Tasted March 2017  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine – Robert Groh Agency

Sneak peak in the @TriusWines Meunier with Craig McDonald and a true Niagara Grand Cru @coolchardonnay site #lincolnlakeshore #oliveiravineyards #vqa #wildferment

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2015, VQA Lincoln Lakeshore, Ontario (Winery, $36.75, WineAlign)

When you consider the level of quality provided by the Wild Ferment 2014 it would be hard to imagine raising the bar any further but this is what winemaker Craig McDonald has managed with his exceptional 2015. The accomplishment is purely based on one year older, wiser and complexities developed Oliveira Farm vineyard fruit, the holy chardonnay grail, Lincoln Lakeshore playground. The site sits along the QEW below the escarpment’s Twenty Mile and Beamsville benches, a recipient of glacial till and rocks left behind by an ancient river running from a lake. It’s a chardonnay wonderland. Intensity of fruit purity, fleshy and real, remarkably juicy and notably crunchy has increased, upping the pleasure game and turning the impression knob up to 11. The windmill generates more power while always maintaining a classic Trius level of finesse. Then you think on the wood integration, equally impressionable because acidity is sweet and refined. Dry extract is also impressive, not to mention a fineness of grape tannin. The site’s unofficial designation as a Niagara Grand Cru should be upgraded with status. There is no better time than the present and the Wild Ferment’s 2015 ability is proof enough. Drink 2017-2023.  Tasted July 2017   triuswines  @TriusWines  @triuswines

Pearl Morissette Cuvée Madeline Cabernet Franc 2014, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

From the 19th Street Vineyard and wow, there is simply no cabernet franc like this cabernet franc. It pops and flies from the glass, in and out of your mouth, playful, buoyant, joyful, unbridled. A silky and spicy ripeness that’s also shed by its tannin, like shavings of a chocolate only a master knows to render, then currants electric and alive. Excels by its chewy mouthfeel and texture and you must ruminate on this cabernet franc. This is the it vintage, with all the enzymes in control, wrapped up in the enigma membrane and this low, classical Beethoven orchestral strings rumble, on a Verona stage, surrounded by the ancient rocks, acoustics perfect. You can get lost in franc like this. Drink 2019-2027.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Quails’ Gate Stewart Family Reserve Chardonnay 2015, BC VQA Okanagan Valley, British Columbia (639641, $43.95, WineAlign)

Some of the Okanagan Valley’s great chardonnay fruit is found on its eastern shore and makes its way into this Quail’s Gate Reserve. The story and place go back 60 plus years and wait if you can’t nose it in this top North American chardonnay. Forget comparisons, competitions and blind judgements but pull anything you want from Sonoma and watch this raise eyebrows and turn heads. The variegations are numerous and in replay. Richness, bite, energy, spirit and firm conceit. The barrel is everywhere and nowhere. What is a great chardonnay? It’s completely invisible, yet always in sight. It remembers what people hate. It anticipates the consumer’s needs before the needs are needed. A great chardonnay is, above all, discreet to a fault. Such is the Stewart Family Reserve. Drink 2018-2023.  Tasted October 2017   quails gate  hobbsandcompany  @Quails_Gate  @AMH_hobbsandco  Quails’ Gate  Hobbs & Co.

Sparkling wine you need to know @lwwines Blanc de Blanc Extra Brut 2013, from the shores of the #minasbasin #annapolisvalley #novascotia

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada (Winery, $45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June 2017  lwwines  @lwwines  Lightfoot & Wolfville

Blomidon Late Pick Sparkling Chardonnay 2011, Nova Scotia, Canada (Winery, $45.00, WineAlign)

The 2011 late-picked chardonnay, the “Hurricane” is a hyperbole of itself. Normally picked in later October, the frost-free weather allowed further time and development. Picked from seaside vineyards just ahead of another hurricane (in a season that included Irene), this is sparkling wine you just have to try. Though lean, taut and as intense as you are likely to taste, the developed character and complexity is visionary for Nova Scotia and Canadian sparkling wine. Three years on the lees brings the texture and fills the gaps, holes and voids created by such a tightly wound cool climate chardonnay. The dry factor is exaggerated in 2011 (a one-off says winemaker Simon Rafuse) but the wine takes full advantage of the Extra-Brut intent. Did it require the anxiety of a recent and an impending cyclone? Can it be duplicated? “That’s the story of the Hurricane.” Visionary for Nova Scotia and Canadian sparkling wine. Drink 2017-2022.  Tasted March 2017  blomidonestate  @BlomidonEstate  Blomidon Estate Winery

Southbrook Poetica Red 2013, VQA Niagara Peninsula, Ontario (355859, $69.95, WineAlign)

It seems at first that Poetica 2013 was chosen by winemaker Ann Sperling to be the deferential one. The blend is dominated by 74 per cent cabernet sauvignon, the highest number ever for the wine. Conversely the cabernet franc component is set to 23 per cent and far less petit verdot (3 per cent) rounds out the blend. That number had been 29 per cent in 2012 because the varietal elegance shown at that time necessitated the relationship. In 2013 it is the cabernet sauvignon that displayed with elegance and an uncanny ability to sow of its own accord and yes, it is an exceptional vintage so look for 2013 to age on a 15 year curve. The Witness Block CS-CF follows suit and the SV-PV is better off for the allocations. Every wine wins as a result. There is this deep-impressed sous-terre tang in here, a wisdom certainly, and when it is released later in the year the heads will turn. Poetica is often but here not overly tannic, but it is endowed with bones, spine and structure. The flavours, spice and magnetism give cause to salivate. Only Ann Sperling makes Niagara reds like this, wines that can develop such architecture without an excess of tannin, astringency and chalky chocolate from over-wrought wood exchange. Poetica 2013 will drink well young and comfortably into the end of the next decade. Drink 2018-2028.  Tasted January 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

A finer man, winemaker and host you will not find. Thank you @normanhardie @keeponshucking @clarsenault @cuveeletittia @Mknow21 @mclauriault and all.

Norman Hardie Chardonnay Cuvée Des Amis 2014, Prince Edward County, Ontario (Winery, $150.00, 1500ml, WineAlign)

As exceptional as chardonnay may have seemed from out of the 2013 Ontario vintage you haven’t lived or loved until you get a taste of (only in magnum format) Norm Hardie’s 2014 Cuvées des Amis. This chardonnay attacks and ascends, recalibrating the inner workings of the brain and how it develops conceptualization. It is a state of the art and all-knowing elixir to remind that ’13 was a vintage with profitable yields and a generously stretched canvas on which to practice on, for when things begin to get real. The CdeA spent 18 months in barrel, the first 12 (in 35 per cent new), the next six in neutral and the last six in stainless steel on the fine lees. The spin class in the mouth manages agility, dextrous, furtive movement and completes many pirouettes. The dance is pure joy but the intensity is equally to disturbingly intrusive, suggesting more settling time is necessary. The flavour pearls are delicate and come straight from the oyster so they carry salinity, power and brine. Pure lemon essence is received by intravenous injection. Sumptuous is translated from Hardie-speak as a four-letter, Prince Edward County word. It doesn’t get more real than right here, with the best fruit, the tripping of the light fantastic, previously unheard and unseen unconscionable concentration. Drink 2019-2025.  Tasted twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Le Vieux Pin Équinoxe Syrah 2014, BC VQA Okanagan Valley, British Columbia (Winery, $80.00, WineAlign)

Èquinoxe is announced without equivocation as the Bricco of B.C. syrah and an absolutely lovely Bench expression from winemaker Severine Pinte. What came from these three-quarters Osoyoos Lake District and one-quarter Black Sage vineyards in 2013 was floral and peppery, with a fineness that belies a dessert climate but in 2014, well this is something more and other. You just have to think about texture here and a quality of acidity that is peerless in B.C. syrah. So juicy, beautifully tannic and rendered with culture and class. Drink 2018-2022.  Tasted October 2017  levieuxpin  @LeVieuxPin  Le Vieux Pin Winery

My eyes do not deceive me. It’s Decant @StratusWines #cabernetfranc bottled with lees #vqa #niagaraonthelake #karimrashid

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017  stratuswines  @StratusWines  Stratus Vineyards

Supper at Benjamin Bridge

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia (Winery, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017  benjaminbridge  caveman__jones   winesofn  @Benjamin_Bridge  @benjaminbridgevineyards  @WinesofNS @benjaminbridgevineyards  @winesofns

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

16 Canadian wines that rocked in 2016

he-always-distracted-me-so-that-i-thought-of-nothing-else-while-listening-to-the-words-and-the-sound-of-his-voice

He has always distracted me so that I thought of nothing else while listening to the words. And the sound of his voice.

Compiling a best of wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances.

I do my best to taste wines twice before passing judgement. Too often I can’t fulfill this prophecy, especially when plodding through 100-plus on a VINTAGES release. In 2016 I made a great effort to visit these 16 wines three times before penning a review. It was not always possible but I tried. When it comes to Canadian wines and even more so with wines from Ontario, there are often second and third chances. And so I feel very confident in sharing this definitive list with you.

Hallelujah

It must be said that 2016 was a most difficult year. Too many special people were taken from us far too early. I lost two friends this fall as I’m sure some of you did as well. Many of us dwell on favourite celebrity deaths and especially the loss of musicians, some of us more than others. If you are one who takes to social media to mock the romantic who shares grief with others at the loss of a musical icon, well just skip past this and go straight to the wines. Or please refrain from comment and respectfully remain quiet.

David Bowie. Prince. Leonard Cohen. Sir George Martin. Glenn Frey. Paul Kantner. Leon Russell. Keith Emerson. Greg Lake. Alan Vega. Mose Allison. Bernie Worrell. Muhammad Ali. Gene Wilder. Arnold Palmer. Craig Sager. David Huddleston. Ken Howard. George Kennedy. Abe Vigoda. Ron Glass. Florence Henderson. Fuck 2016. And this tree fell on my house.

hows-your-sunday-going-so-far

How’s your Sunday going so far?

On a much brighter note 2016 was a banner year for tasting Canadian wines. It also provided a vintage of quantity meets quality and one that was desperately needed, especially here in Ontario. My tasting regimen saw no quit or slow down in 2016. I’m not sure how many Canadian wines I tasted but if it was less than a thousand I’d be shocked. I tasted more at home, assessed a greater number in the LCBO’s sensory lab, delved deeper at the WineAlign office and spread the web wider at events in Ontario. I judged with Tony Aspler at the Ontario Wine Awards, in Penticton at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 15 Canadian wines that rocked in 2015

In 2015 I counted 15 on the filtered list. In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth will lead to 17 in 2017.

welcome-muller_brent-to-team-red-with-nazlanmak-captain-treve_ring-nwac16-winealign

Welcome @muller_brent to team RED! with nazlanmak captain @treve_ring #nwac16 @winealign

Related – 14 Canadian wines that rocked in 2014

And again, I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.” In 2017, trust in Canadian wine.

Related – 13 Canadian wines that rocked in 2013

return-syrah-engagement-creeksidewine-pouring-on-tap-barquebbq-and-barquebutchers-freshtap-wineontap

Return Syrah engagement @CreeksideWine pouring on tap @barquebbq and @barquebutchers #freshtap #wineontap

My wine on tap program at Barque Smokehouse and Barque Butcher Bar added some new wines in 2016 to follow those poured from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. Between the Lines, Coyote’s Run, Vineland Estates and new offerings from Creekside continue to fill your glasses.

The year began with great excitement at Niagara’s Icewine Festival in January. In February I returned for Cuvée Weekend. In June we convened the WineAlign Canadian Wine Awards in the Okanagan Valley and a confession I need to make is that I wanted to publish with the title “Why you don’t know shit about B.C. wine” but chickened out at the last second and instead came out with Why you don’t know jack about B.C. wine. Before judging we paid a visit with The Wines of British Columbia for the Judgement of B.C. The second annual cage match was hosted by the B.C. Wine Institute and took place on Tuesday, June 21, pitting 12 B.C. Wines against 12 acknowledged global benchmarks. Riesling and Pinot Noir squared off, curated by DJ Kearney and judged by a who’s who of Canadian wine writers, critics and educators, along with international WineAlign Awards judges Dr. Jamie Goode and Elaine Chukan Brown.

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How lucky we all were to have her back in the captain’s chair. Happy Canada Day @djwines #nwac16

As the week progressed, the WineAlign judges paid visits to Okanagan Crush Pad Winery in Summerland, Culmina Family Estate Winery in Oliver, Tantalus Vineyards in Kelowna, Rustic Roots Winery with the Similkameen Wineries Association and Deep Roots Winery on the Naramata Bench. I tasted more than 100 wines over the course of the five days from the appellations of Okanagan Valley, Okanagan Falls, Oliver-Osoyoos, Golden Mile, Similkameen Valley and Naramata Bench. At the awards I tasted more than 500 Canadian wines.

Of greatest importance was my return to the International Chardonnay Cool Climate conference that took place between July 22nd and July 24th in Niagara. Before attending for a fourth straight year I penned The democracy of Cool Chardonnay. It was there I wrote that “plus has joined the i4c, an ideogram of addendum, a character of diversity for the fluently persuasive and forceful congress. This gathering will open its arms for colour and to allow its constituents to regale with what they do best. For an event-driven pure as single-varietal snow and formerly known exclusively as chardonnay, is this really a shocker? This is the reality of democracy.”

#cool

People bitched and moaned. How can a chardonnay conference include other grape varieties? Sacrilege and foul play they (secretly and not so secretly) complained. In the end the inclusion of red varietals confused nothing and no one. Chardonnay remained the focus and the star. No chardonnay were harmed.

We broke cool climate bread and spread chardonnay gospel with Ian D’Agata (Decanter, Vinous.com), John Szabo M.S. (Volcanic Wines: Salt, Grit and Power), Jean-François Bordet and Françoise Roure from Wines of Chablis. We tasted with sixty winemakers at the School of Cool, “Flights of Chardonnay” at Niagara District Airport and the Cool Chardonnay World Tour Tasting & Dinner at Ridley College in St. Catharines, Ontario. Red wines were poured after dinner!

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Only American presidential candidates carry babies at #i4c @coolchardonnay

We welcomed writer Kurtis Kolt from Vancouver, sommeliers Carl Villeneuve-Lepage and Elyse Lambert from Quebec. Four Seasons Hotels and Resorts and Tex-Somm Director James Tidwell made the long trip north and a second Canadian courting immersion in as many months was performed by visionary wine raconteur Elaine Brown.

So what did Godello learn from Cool Chardonnay in 2016? Well, he found out that we have to look at organoleptics and ask a very important question. Is your expectation of a Chablis going to be the same as chardonnay made from anywhere else? More important, who are we putting this wine in front of? Ian D’agata’s take struck a Canadian chord.  He talked of “a welcome astringency characterized by piercing flavours. These are cool-climate wines.  Cool climate chardonnay is not about a long litany of fruit descriptors. If you have a cool-climate viticultural area it behooves you to give the people what they are looking for.”

potential-is-the-past-somewhereness

Potential is the past @Somewhereness

After i4c16 I took part in an Impromptu tasting at Ravine. Four months later the intrepid sophist Scott Zebarth and I tasted with winemaker Marty Werner for a second time. That same day we visited with J-L Groux at Stratus and with Paul Pender at Tawse. Our focus was cabernet franc. That report is coming soon and I can promise this. The 17 in 2017 and 18 in 2018 will be graced by cabernet franc. Fall events were led by the constitutive Somewhereness, as fundamental and essential as any agminate Ontario tasting can and will ever be. Then there was the Great Canadian Oysters and Wine Experience at Rodney’s Oyster House. The event was hosted by Wine Country Ontario and paired a curated who’s who of Ontario VQA wines with the local iconic fare. Exceptional all around.

%22ill-do-what-i-can-so-you-can-be-what-you-do-%22-rodneystoronto-coasttocoast-oysters-winecountryontario-dukes-peioysters-bcoysters-elliotsmith-greatcanadianoystersandwineexperience

“I’ll do what I can so you can be what you do.” @rodneystoronto #coasttocoast #oysters #winecountryontario #dukes #peioysters #bcoysters #elliotsmith #greatcanadianoystersandwineexperience

Where are we now?

Despite all the talk of rules, regulations and governing boards that restrict movement, labelling and profits, the Canadian landscape is evolving in a beneficent direction. Though the move to loosen monopoly control and increase competition has backfired in the short term, corrections to British Columbia’s wine trade will happen, sort itself out and right the ship. Decades of bureaucracy don’t dismantle and do right by the consumer overnight. Things always get worse before they get better. The move to supermarkets in Ontario is indeed one of smoke and mirrors but it opens the door to gaining advantage through loopholes and creative minds kickstarting new business ventures. The wave to privatization can no longer be averted or snuffed out. Momentum will gain traction and open the flood gates to wine trade nirvana.

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The man, the chardonnay @normhardie #princeedwardcounty ’14 #vqa #winecountryontario “As sure as fire will burn There’s one thing you will learn Is things you have cherished Are things that you have earned.” #tomwaits #littleman

Canadian wines run more or less of their own accord, not so much thanks to the winemakers or the condition of the current culture, as in spite of them. And certainly not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and often powerful Canadian wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. The embracing of cool climate idiosyncrasy and unique-somewhereness make Canada the envy of the developing wine world.

Controversy

Now this. VQA is expected to pass regulatory approval and introduce a new category of wines called “skin contact whites.” While Orange wines are the most notable example of skin contact whites, who’s to say the ambiguity of the designation could not impel the inclusion of other cabalistic and achromatic specimens? Let’s look at Riesling as a perfect example.

skin-contact-riesling-from-mackbrisbois-trailestatewine-invisibly-stitched-and-tart-pan-curl-burgunder-less-than-50-cases-hughes-lakeview-foxcroft

Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft

Leaning Post’s The Geek, Trail Estate’s Skin Contact Foxcroft and Pearl Morissette’s Blackball are all atypical, mad scientist outtakes. Will the new category allow these wines to pass easily through the borders of VQA? Will the wall regarding place of origin on labelling be the next to crumble? Let’s hope reason in the name of progress born out of trust for altruistic and dedicated producers will carry through to a new frontier. Right Bruno and Jens?

New Kid in Town

You might notice that all 16 wines I have chosen are from very established producers. The next wave of young winemakers and wineries is taking shape in Ontario, British Columbia, Quebec and especially in Nova Scotia. I would expect new kids on the list in the coming years. I want you all to know that I traveled through great pains, algorithmic calculations and much unavoidable emotion to arrive at this rocking list. For every wine that made the grade there were three more that narrowly missed. They are all important but these 16 combine lyricism with melody. They write the songs.

Flat Rock Vineyard, Twenty Mile Bench, Niagara PeninsulaPhoto: Brian Barton - Guelph, Ontario

Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula
Photo: Brian Barton – Guelph, Ontario

Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (1552, $24.95, WineAlign)

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016  @Winemakersboots  @UnfilteredEd  @brightlighter1

sometimes-there-comes-a-wine-of-the-impossible-at-the-frontier-this-by-synchromeshwine-riesling-stormhavenvineyard-okanaganfalls-8-9

Sometimes there comes a wine, of the impossible, at the frontier. This by @SynchromeshWine #riesling #stormhavenvineyard #okanaganfalls #8.9%

Synchromesh Riesling Storm Haven Vineyard 2015, BC VQA Okanagan Valley, British Columbia (Winery, $31.90, WineAlign)

If this riesling is sweet I couldn’t say. That is the first thought that comes to mind. From Alan Dickinson’s home property, this is his baby, an Okanagan Falls derived riesling that lives an entirely holistic existence. No spraying, none, nada, niente. Not ever. The wine could not get any cleaner. Purity is its cognomen. The vineyard is subject to the highest diurnal temperature swing than just about anywhere in the valley. That might explain the risk-reward probability factor. The technical specs are a triumvirate of implausibility; 46 g/L RS, 11.5 g/L TA and pH below three. What? This is the most impossible wine made in B.C. In its concentrated velocity it wheezes like something ancient. We could almost be drinking Greek debina or 20 year-old Alsatian auxerrois. Dickinson makes three passes over each of the two blocks so even if the hands are off, the meticulous picking breeds asepsis. Citrus such as found in the Storm Haven fruit does not happen very often, if rarely. It’s like citrus soma. Citrus unknowable out of determination unthinkable. Direct misunderstanding by indirect whimsy. And so the vintage offers good fun but not greatness. Imagine the possibilities. Drink 2018-2027.  Tasted June 2015  @SynchromeshWine

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Ah, geek out, le geek, c’est chic @LeaningPostWine #pinotnoir & #riesling lees experiments #pushingboundaries

Leaning Post Riesling “The Geek” 2014, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)

Senchuk and swot-out cohort Ryan de Witte pulled 350 litres of riesling aside, accoutred with all readily available lees and shacked the whole gross mess in tank together, Vinification was completed at nine grams (RS) nearly-dry, in what can only be described as a reductive, cloudy, super-geeky riesling. Acquires an increased resonance from its designation stowed at a way station on what really is a longer, personal journey. The 2015 will be bone dry and like this ’14 will sit for 18 months in encouragement of a truly experimental, waiting for something to happen riesling. Time will act to fill in the gaps and increase its already developed texture. If you have ever had the pleasure you will see this as Jean-Pierre Frick-ish to be sure. When asked the question, he ‘The Geek’ will repeatedly reply, “I am not ready.” Drink 2018-2022.   Tasted March 2016  @LeaningPostWine  @Witte_Wine

if-the-establishment-wants-what-you-got-give-it-to-them-blackball-14-riesling-by-pearlmorissette

If the establishment wants what you got give it to them. Blackball ’14 #riesling by @PearlMorissette

Pearl Morissette Cuvée Black Ball Riesling 2014, Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)

One whiff and you are hep to what can only be Pearl Morissette, but with a neoteric twist. Riesling that flaunts full-frontal, of furthered acidity, vitality and multi-tined nuance. Farther too of age advanced but without any quirky or funky naturalist intrusion. Already chill, relaxed and with thanks to the vintage, almost round. The precise weave is tapestry fine and deceptively simple, what François Morissette likes to call a “crystallized cream of texture.” The oversized 2012 still digests itself, ’13 is organoleptically structured, long and cool. But ’14? A ‘no foudres’ vintage, from 100 per cent concrete fermentation, wild through malolactic and with zero grams of residual sugar. Bone dry. Concrete was chosen for must intricacy, palate texture, flavour and necessary balance. Riesling borne of crunchy, concrete desire, bright, with preserved lemon across the palate, gentle, feminine and beautiful. This is the focused consistency in loyalty to ’12 and ’13. Try and stereotype this Black Ball to Vin Nature funk. I dare you. Pour it in an expansive Ontario riesling flight and it will stand out like a solar flare in a fulmination of fireworks. There will be no mid-life, black hole of disappearance crisis. It will always be fine and pristine, drink well, like an impossibly dry version of a Coulée de Serrant. Only 186 cases were made so yes, the Blackball is a wine of very small production. Establishes yet another reference point and just wait for ’15. That vintage will deliver the greatest of bones. The new age will really launch then. Drink 2016-2022.  Tasted November 2016  @PearlMorissette  @lassvet

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Sincerity @CulminaWinery from Elaine & Don Triggs and a superfluity of @WineBCdotcom pours #ohwhatanight #hospitality #nwac16

Maverick Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)

Winemaker Bertus Albertyn bottled a meagre 200 cases of this Golden Mile Bench sourced syrah after 18 months in three to four year-old French Oak. If you are a fan of fresh, well-spoken, confident and blessedly transparent syrah then look for the next vintage of this sold out beauty. So gauzy gossamer textured, peppery but of scant bite and driven by a northern, smoky beat. The cure and depth in its make-up nearly adds up to beefy but its form of athleticism is built upon the quiet politesse of its maker’s execution. The comparison must be made to septentrional Rhône and the lack of new oak is so appreciated. This is a wine to watch for. Drink 2016-2020.  Tasted June 2016  @MaverickWinery

Charles Baker Rieslings

Charles Baker Rieslings

Charles Baker Picone Vineyard Riesling 2013, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

There was this intuitive moment with Picone 2013 as if it was waiting on me. Not doting or soliciting, but waiting. I will admit to have been wondering, reeling and speculating. To peer or peek into what Mark Picone’s Vinemount Ridge vineyard would adjudge and then bestow Charles Baker’s riesling in 2013? Would it be a case of weight, hyperbole, a hang in the balance out of misjudged necessity? Nah. Picone is no longer a mature 20 year-old vineyard but now a wise old thirty year-old one. Picone 2013 is in fact a fun park mirrored image of itself, with haughty, aerified aromas and variegated, leaning to tropical fruit flavours, taut like a flock in line with the vintage. The riesling berries just seem to have imploded and the results that have followed are nothing if not intense. Imagine a Yogyakarta market and a two-wheeled, glass-cased push cart stacked with a pyramid of tart mangoes. The fruit had been picked just as the sugars had begun to run like sap and bleed sticky on the cracking skin. A mango is sliced and doused with the intensity of Java lime juice and then sprinkled with Laut Jawa salt. The flavours are searing, sweetly saline and quenching. Only this tart is this, where tart and acidity meet, intertwine and connect on an emotional level. Picone 2013. The first non-inoculated riesling at first and then touched up near the end. “The best vintage you could ask for in riesling,” notes Baker, “cloud-covered, a meeting of the minds, vibrant.” The arid, cranky one will live without fret for 15 years. Drink 2018-2028.  First tasted in March of 2015, then twice, October 2016  @cbriesling  @StratusWines

Cave Spring Cellars

Cave Spring Cellars

Cave Spring Csv Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (Winery, $39.95, WineAlign)

As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario.  Tasted February 2016  @CaveSpring  @TheVine_RobGroh

French cask in the Hidden Bench cellar

French cask in the Hidden Bench cellar

Hidden Bench Nuit Blanche Rosomel Vineyard 2014, VQA Beamsville Bench, Ontario (Winery, $40.00, WineAlign)

Nuit Blanche is one of Canada’s most unique commodities, a White Meritage (of sauvignon blanc and sémillon) blended from exceptional and aromatically delicate Rosomel Vineyard fruit. As part of Hidden Bench’s “Terroir Series” it righteously expresses white Bordeaux varietal purity from the southern blocks of the Beamsville Bench vineyard. Expectation runs high because 2014 seems a perfect Fumé Blanc vintage if ever there will be one for (40 year-old) vineyards tucked snugly in abutment to the Niagara Escarpment. A struck flint nosing entry is followed by taut strung acidity and palate tension eased by a fictionalized adult cotton candy, wisps of smoke, honey and lanolin. The grace of it all is hidden beneath a filigree of molecular green apple caviar gastronomy. In 2014 Nuit Blanche reflects propriety, elegance and genteel balance, caressed from the hands of winemaker Marlize Beyers. It is as if Beyers let this ferment slip away as a parent would encourage a child who is ready to leave the home. After tasting it at Gold Medal Plates in Toronto I spent a sleepless night, not from restlessness or over-indulgent behaviour but because I wished to pull an all-nighter with the best ever sauvignon blanc bled and led Ontario white. I would suggest leaving this be for two years for the subtle though generous barrel to melt into fruit but time will gather for up to two decades before the sun sets on the 2014 Nuit Blanche. Drink 2018-2029.  Tasted November 2016  @HiddenBench  @BenchVigneron  @ImportWineMAFWM  @MarkAnthonyWine

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word...structure @marty_werner #i4c16

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16

Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024.  Tasted July 2016  @RavineVineyard  @marty_werner

The wines of Creekside Estates at Barque Smokehouse, March 2015

The wines of Creekside Estates at Barque Smokehouse, March 2015

Creekside Broken Press Syrah Queenston Road Vineyard 2012, VQA St. David’s Bench, Niagara Peninsula, Ontario (Winery, $42.95, WineAlign)

Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024.  Tasted March 2016  @CreeksideWine  @AMH_hobbsandco  @hobbsandco

J.L. Groux, Winemaker, Stratus Vineyards Photo: Michael Godel

J.L. Groux, Winemaker, Stratus Vineyards
Photo: Michael Godel

Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)

The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024.   Tasted April and June 2015  @StratusWines

bachelder

Bachelder Pinot Noir Wismer Parke Vineyard 2014, VQA Twenty Mile Bench, Ontario (Agent, $39.95, WineAlign)

Thomas Bachelder has never had a problem with timing. His first pinot noir from the specific Wismer Parke Vineyard (labeled as such) comes from a veritable cracking jackpot of a great varietal vintage. If you need some geographical placement here, The Parke is contiguous to the Foxcroft and Wingfield sections of Wismer in the eight farm-strong holdings on and around the Twenty Mile Bench. It is here that Bachelder concentrates the microscope on a sectional-cordoned off Wismer micro-terroir and its precision-apportioned mineralogy mined for sidetracked and step out of the box focus. What The Parke delivers in 2014 is a sweeter extract than Wismer proper and one that is stationary, static and accessible. The overall grasp is a mouthful easy on the spice or rather subtle in attack after it has climbed in and out of its barrels. Most polls would place Lowrey at the pinnacle of Ontario’s pinot noir vineyards but Thomas Bachelder’s 2014 work with Wismer Parke establishes a new player on the shortlist. This is an exciting entry point and the future will be bright. Drink 2018-2024.  Tasted October 2016  @Bachelder_wines  @LiffordON

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)

A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027.  Last tasted August 2016

In Prince Edward County and for pinot noir there is no substitute and no comparison. Quixotically sweet pinot noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm pinot noir, brought to life and with red citrus that only a Hardie low alcohol pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most.  Tasted April 2016  @normhardie

a-back-pages-cabernetfranc-moment-with-paul-pender-tawse_winery-wismervineyards-everythingfranc-2007-vanbers

A back pages #cabernetfranc moment with Paul Pender @Tawse_Winery @wismervineyards #everythingfranc #2007 #vanbers

Tawse Cabernet Franc Van Bers Vineyard 2007, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $49.95, WineAlign)

The state of freshness is static, a sameness that is mostly impossible but the perfume is settled and obvious, of violets and blackberries, closer to ’12 than ’10. Hot and dry but still, balanced. Tasted blind there would be no way of knowing where or from when this was. Sure Bordeaux could be imagined but Niagara, Beamsville Bench, Lincoln Lakeshore, Creek Shoes, or the confluence of the three? How could you know. Two years ago this opening began and now the invitation reads with utter clarity, the door widely agape. There seemingly is not a single moment of aromatic evolution and the acidity rages with great vibrancy. The longevity factor is in my friends. Paul Pender knew then what he knows now, at least with respect to cabernet franc. It’s like this. Just like this. Drink 2016-2019.  Tasted October 2016  @Tawse_Winery  @DanielatTawse  @Paul_Pender

Benjamin Bridge Wines from left to right:

Benjamin Bridge Wines

Benjamin Bridge Brut 2011, Gaspereau Valley, Nova Scotia (381533, $49.00, WineAlign)

First sips were blind at #i4c16 with ripeness and yeasty lees so apparent early and smouldering, flinty and then turned to citrus, freshness and acidity. Burgundian-Champagne dichotomous directional pull, certainly, though with eyes shut tight imagination travels and falls on a far east Canadian clime, though likely from an early ripening site. As in October. The reveal presents the first Blanc de Blancs in Benjamin Bridge Brut form, taking the cue from an exemplary vintage for chardonnay to go it alone, leaving seyval blanc and l’acadie behind as Nova Scotian relics of a bygone era. Winemaker Jean-Benoit Deslauriers cants with insightful eloquence. “It’s in our collective consciousness to say that white wines will rely on acidity while reds are determined by phenolics. (The science of) pH will help to locate electrons between reduction and oxidation. It’s a very eccentric proposition, being on the edge of the Bay of Fundy in Nova Scotia. Lodi harvested pinot noir yesterday. We are harvesting in November. The beauty of moderation is that it’s a step away from the model of extremes. Our ability to ripen fruit and preserve the Titratable Acidity at unspoiled levels is going to translate into tension and ageability.” This Brut 2011 is far too young, extremely bright and blessed with so much citrus. The level of lemon is extraordinary. Just as recent past tastes of the Brut Reserve 2004 spoke of its remarkable youth, this ’11 is full of orchard fruit but it’s hard to fathom the extreme level of tightly wound strength that yet persists. Drink 2016-2020.  Tasted July 2016  @Benjamin_Bridge  @jbdeslauriers

CedarCreek

CedarCreek Amphora Wine Project Desert Ridge Meritage 2014, Okanagan Valley, British Columbia (Winery, $60.00, WineAlign)

Winemaker Alexis Moore inherited the (Chianti sourced) clay amphora from former winemaker Daryl Brooker and this (second vintage) meritage is her first kick at the urn. The co-fermented, all natural, don’t even think about peeking and sneaking a taste blend is cabernet sauvignon (54 per cent), cabernet franc (35) and malbec (11). The hallmark desert notes of rich, caky and dusty are necessarily present but it is the preservation of red earth savour that gives this formidable flagon of magic juice its inimitable personality. Mature rows of fruit are to blame and thank for the just desert reward. Transferred to amphora the fruit is preserved in such a way no B.C. reds have ever really seen and the new territory is not so simple for making quick, on the spot judgements. I have thought about this wine for quite some time and the conclusion is positive for two important reasons. Spice and tannin. Together they combine for an infinite finish. Here is the crux of the vessel’s power, to preserve fruit and slowly release its charms within the structure provided. Drink 2018-2024.  Tasted June 2016  @CedarCreekWine

Good to go!

Twitter: @mgodello

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Reading of the last whites (and reds)

It were so simple #caprese

It were so simple #caprese

It’s that time of summer when transitions begin to set in, in paradoxical slow surges and breezes, sonic wallows and fond, rueful, ironic gaps. It also brings the unofficial last one of the season (gasp), the upcoming VINTAGES August 20th release. The limits of probability, possibility and potentiality are great, delineated and distilled to 17 wines tasted, reviewed and laid out right here.

Calamus Steely Chardonnay 2013, VQA Niagara Peninsula, Ontario (210062, $14.95, WineAlign)

The barrel need not be employed to gain success for chardonnay from the excellent Niagara 2013 vintage. Calamus has done right by the no-wood approach, allowing the slow-ripened fruit to shine solo and brightly. Steely chardonnay for steamy days. Drink 2016-2017.  Tasted August 2016  @calamuswinery

Val De Vid Verdejo 2015, Do Rueda, Spain (452086, $14.95, WineAlign)

Quite a racy Rueda with lemon and lime juiced and cooling the warm stone aspect. Were the acidity a touch more in tune this would really plug in the senses. But it is delicious and worthy of some seafood tapas. Drink 2016-2018.  Tasted August 2016  @DORueda  @rogcowines

Schloss

Schloss Schönborn Riesling 2011, Qualitätswein, Rheingau, Germany (653535, $16.95, WineAlign)

Schloss Schönborn’s basic, entry-level, come and get it Qualitätswein is seemingly riesling from out of a designate void and no strings attached. It’s actually highly specified riesling but without label verbiage and from a most excellent vintage. The oscillation runs the gamut from propellant to scintillant, with pumped in air and rising cool temperature behaviour. There is a balanced, posit tug between acidity and sweetness, over the line and back again. The cumulative flavours recall long lasting pastilles, of gin, tonic and agave. Drink 2017-2025.  Tasted August 2016     

Contini Pariglia Vermentino Di Sardegna 2014, Doc Sardinia, Italy (455238, $18.95, WineAlign)

Stoic and aerified vermentino emanating like semillon or riesling, with a vapour trail and simply terrific mineral feel. You might imagine riesling from calcareous soils or semillon off of dry, arid plains, but this vermentino is striking on its own accord and illuminates as a developing experiment. The next big thing perhaps for geeks and mineral freaks in search of a profound, axiomatic, aromatic experience? More than perhaps and Sardegna beckons. Terrific tonic and beneficial bitters mark the rather lengthy finish. Drink 2016-2020.  Tasted August 2016  @WineOfSardinia  @vinosardegna

Nova

Quinta Nova De Nossa Senhora Do Carmo Colheita Tinto 2011, Doc Douro, Portugal (452748, $19.95, WineAlign)

A blend of four endemic varieties, two from touriga and two by tinto. The label tells us it’s “unoaked.” Brilliant. Such knowledge is power and usually an exclusive bit reserved for whites, especially chardonnay. Why not tell us your red wine spent no time in barrel? This is nothing short of awesome for the consumer. And so we have pure fruit, excellent extraction, very little in the way of masking or shrouding (if any) and a simple, unadulterated experience. Terrific summer red when procured with a chill that will serve and protect your palate and your will. At five years of age it has held up beautifully, a testament to hands off and trustworthy winemaking. Drink 2016-2018.  Tasted August 2016  @LeSommelierWine  @winesportugalCA

Lighthall

Lighthall Progression Sparkling 2014, Ontario (468090, $20.00, WineAlign)

Charmat or otherwise, grapes grown on Lighthall’s beautifully stark, wind-swept and electrifying property destined for sparkling wine does so with profound meaning. This is lit with the finest Ontario spark of vidal, also known as “Ward 5 Brut.” Unparalleled in its treatment to effect continuum, Progression is possessive of real intent and fine-grained precision. It’s simply meant to be. Their are notes of green apple and grapefruit, sweetness from extract, wild and wooly texture. This and fresh summer basil pesto would work every time. Just imagine the possibilities when Glenn Symons adds further lees and traditional method applications to his sparkling fruit. Just you wait and see what it does to elevate the category in Ontario. Drink 2016-2019.  Tasted July 2016  @lighthallvyard

Thörle Feinherb Riesling 2015, Qualitätswein, Rheinhessen, Germany (420091, $20.95, WineAlign)

Tart, waxy, off-dry, herbal and very sapid. Tremendous appeal on the scales of sweet, sour and racy. Great acidity and a fine pesto of herbs. Balance is spot on. Really well made. Drink 2016-2021.  Tasted August 2016  @thoerle  @UNIVINS  

Campo

Campopazzo Chianti Classico 2012, Docg Tuscany, Italy (454512, $20.95, WineAlign)

From Radda in Chianti on the Monterinaldi Estate, here the prevalent liqueur of intuitive and naturally occurring sangiovese wafts like ripe, red fruit warming in compote with wildflower honey. While this may seem a touch raisined (and even slightly volatile) it is in fact both those things. But it’s beautifully bitter and richly old-school. A certain kind of CC and a style that is slowly dying out but there is something to be said in support of drying sangiovese fruit once steeped and macerated in its own narcissistic liqueur. I for one am happy to spend time with this and like my grandfather, would know to miss him when he’s gone. His old and drying tannins really grow on you. Great deal in old-school Chianti Classico. Drink 2017-2021.  Tasted August 2016  @monterinaldi  @chianticlassico

Brocard

Jean Marc Brocard Domaine Sainte Claire Chablis 2014, Ac Burgundy, France (356634, $23.95, WineAlign)

In a year for acidity and total, utter freshness the Saint Claire rushes and wells with excitement. Beautifully green apple tart and crunchy. The saline temperature is measured in an ooze running through and with the lees. Cracker vintage keeps the deep salinity intense, vital, searing and so naked to the world. Pure Chablis with length that stretches away from richness and into a lean lingering. Drink 2016-2019.  Tasted twice, July 2016  @chablisbrocard  @BIVBChablis  @purechablis

Montagny

André Goichot Les Guignottes Montagny 2014, Ac Burgundy, France (455139, $26.95, WineAlign)

As in the case of Chablis, 2014 is a stellar vintage from the ever-increasingly excellent Côte Chalonnaise subregion from which chardonnay fervently shines. André Goichot’s fruit is rich, ripe and beautifully pressed, expressed and plays with the determination of the mineral obsessed. Oh the vitality and the range this displays, with balance and exceptional layering. Breath is actually taken slightly away on the acidity’s back side and the airy, elemental finish. Simply wow Montagny. Drink 2016-2022. Tasted August 2016  @vinsdebourgogne  @BourgogneWines

Dutschke Jackson Cabernet/Shiraz 2012, Lyndoch, Barossa Valley, South Australia, Australia (447037, $27.95, WineAlign)

This marriage of shiraz (60 per cent) and cabernet sauvignon is a deep well filled to overflowing with Barossa berry and Lyndoch savour. The smell of ripening pomegranate and red berry is in the air but the blend is grounded by a lactic-limestone like liquid chalkiness. This is seamless stuff, pretty and modern but also following down a very direct line. The dualistic varietal speak is a thing of seamless, duet, two-part harmony. Will pair and compliment anything you throw at it over the following five years. Drink 2016-2021.  Tasted August 2016  @DutschkeWines  @Wine_Australia  @TFBrands

Closson

Closson Chase Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (148866, $29.00, WineAlign)

Keith Tyers’ follow-up to the tour de force that was the hypnotizing 2013 is a step forward in the vineyard’s progression out of a vintage that takes a step back from buttressed substance. Taking into account that 2014 was cooler than the year before, the barrel swaddle needed to also scale back, but just a bit. This CCV chardonnay takes a clean and lean precise line, drawing up PEC mineral with mining acumen and wrapping perfectly phenolic ripe fruit coiled like gelid citrus around a gemstone wire popsicle stick. The palate does provide an orchard meets stone fruit creamy respite from the rocks of entry and exit but it is the mineral County notes that make the biggest impression. Terrific balance is struck, on flint and over the course of so many levels. Leave this a year to stretch and flex while you enjoy every waking moment with the ’13. Drink 2017-2023.  Tasted May 2016  @ClossonChase

Mazzei

Mazzei Fonterutoli Chianti Classico 2013, Docg Tuscany, Italy (977629, $29.95, WineAlign)

Fonterutoli’s “second wine” pays exceptional attention to fruit quality, drawing from five different limestone sites and bringing them all together with balance. The minor tonic is an asset to the major fruit and a tie of acidity. Classic Castellina in Chianti richness and sun-driven excellence. Few CC’s are as firm and structured within the arena of such exceptional fruit. This is so modern and bright you might have to wear shades but the stylistic is achieved with grace, class and culture. Never forget where you are from. Mazzei. Fonterutoli. Castellina. Chianti Classico. Drink 2018-2024.  Tasted August 2016  @MarchesiMazzei  @chianticlassico  @ProfileWineGrp

Collett

Jean Collet & Fils Montée De Tonnerre Chablis 1er Cru 2014, Ac Burgundy, France (405720, $37.95, WineAlign)

Just amazing pitch and imploding vitality from a climat that demands traditional winemaking (in 100 per cent old wood) so as not to detract from a classic flinty, steely Chablis direction. No bells and whistles, just rocks and stones and straight ahead chardonnay. Takes what the vintage gives and tackles the rest. Drink 2018-2024.  Tasted August 2016  @BIVBChablis  @purechablis

Losi

Losi Millennium Gran Selezione Chianti Classico 2010, Docg Tuscany (459735, $38.95, WineAlign)

Every great wine dissolves a genre or creates a new one and in the context of Gran Selezione, Pietro Losi and Giorgio Baldi’s Millenium 2010 concludes the latter. In a category where so much changes and yet nothing at all, the choice to pick individual plants, specific vines and particular bunches of grapes as destined for a vision of greatness defines the ideal that wine is indeed made in the vineyard. This Chianti Classico Riserva sees 36 months in 10hL barrels and it is a wine that has essentially been made since since 1997. It went to market again in 1999 and then it was 2000 that prescribed the Millenium, followed by 2001, 2003, 2005, 2007 and 2009. Subsequent top quality vintages are 2011, 2012 and 2015. The selected vines and particular bunches produce on average and approximately 4800 bottles. Take note of the most perfume and yet not the most savour, forest or truffle but there are hints, with some fennochio and the most grip to lead a sangiovese (with five per cent each canaiolo and malvasia nera) structure. The finest tannic grain runs through, lifted by tang meets sour over tart so round and specific to Gran Selezione. This wine is a highly accomplished specimen and a portal in ode to a great grandfather who started his day with wine and cheese, for energy. He imbibed for everyday consumption, just as water would nourish as it should be with this wine for food and contemplation. A wine with a finish minutes long. Drink 2018-2028.  Tasted May 2016  @Valerialosi  @chianticlassico

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Norman Hardie County Unfiltered Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)

A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027.  Tasted August 2016.

In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most.  Tasted April 2016  @normhardie

Drouhin

 

Domaine Drouhin Pinot Noir 2013, Dundee Hills, Oregon (961284, $52.95, WineAlign)

Beautifully firm Dundee Hills pinot noir requesting some patience before it will submit and offer near instant gratification. The fruit is wonderfully, naturally sweet with an underlying saline current and so much ripe yet tart currant fruit. This gift wraps French Beaune soul and Oregon soil in one exemplary pinot noir package. Will develop righteously for up to ten years. A stroke of balanced genius from winemaker Arron Bell. Drink 2018-2023.  Tasted August 2016  @DrouhinOregon  @FWMCan

Good to go!

Twitter: @mgodello

Instagram: mgodello

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Master classes of Terroir

A Gamay Masterclass, Terroir Hospitality Symposium, May 11, 2015, Arcadian Court

A Gamay Masterclass, Terroir Hospitality Symposium, May 11, 2015, Arcadian Court

The Terroir Hospitality Symposium took place on May 11, 2015 at Arcadian Court in downtown Toronto. The one day food and wine colloquium was a massive simmering feast set in sprawling fashion within an undersized, intricate urban labyrinth. Despite the frenzied and condensed action in the downtown venue, that congress merely offered a look at the tip of the proverbial Terroir iceberg. With upwards of 3o team members leading the charge, the movement left the big fat city address and trekked to set up shop at a local farm and out to the rock at the eastern outermost edge of the country. Terroir moves outwards, onwards and upwards, taking it to the fields and the oceans.

The Terroir Best Practice Culinary Mission went to St. John’s, Newfoundland from May 14th to 17th. The One Fish expedition travelled “to meet fishing industry experts, to explore and examine both the history and the current realities of an Atlantic community built on an economy of the fishing industry.” There was also “the feast that keeps on giving,” at which the Feast Ontario team was hosted at Grandview Farms in Thornbury, Ontario

Led by Founder & Chair Arlene Stein, Vice Chair & Awards Rebecca Leheup, Terroir Talk the dextrosinistral/sinistrodextral enterprise is an undertaking of the extreme variety.

A look at #Terroir2015 in images

Terroir is an event, a series of gatherings, a notion, a philosophy and a way of life. Its mandate is this: “Terroir Hospitality brings together innovative and creative influencers from the field of hospitality, including chefs, food and beverage experts, writers and business leaders.” It’s also not without detractors. There are some who feel it is a negative representation of the culinary and cultural scene in Toronto. That it’s “white, urban, Euro-centric. It ain’t Canada, or 2015. Not funny.”

If the list of participating speakers, chefs and winemakers had been correlated with shortsighted discrimination, ill-curated and preordained with exclusive, malice prepense, you would have been hard-pressed to get an interview with any guest who would have chosen to speak about the called-out lack of representation or narrow-minded decision-making. If the culture and the colour of the event needs to change it will do so with holistic bias and sympathy, with the right sort of urging from the global culinary and vinicultural community. If the pundits are correct, future sessions will reflect the will of the people. In 2015, the atmosphere was wholly copacetic.

The 2015 Terroir wine sessions were marshalled with “an effort to raise the academic standards of the wine side of our symposium,” in three assemblies, to educate and entertain. These Masterclass jams, Gamay, Terroir, and Clone Wars were coordinated by Good Food Revolution’s Jamie Drummond and Magdalena Kaiser with great support from Wine Country Ontario.

The connection between food and wine is an intrinsic one. They are like chicken and egg, contrary to reason in electing which comes first. Chefs and winemakers, purveyors of the land from which their produce grows, transmuted into cuisine and fermented into wine. Facilitators of terroir, harvesting at optimum ripeness and then initiating the transmogrification with immediate haste, in urgency, to capture, lock in and bottle aroma, flavour and texture, before any chance of deterioration or spoilage.

But what the fuck is terroir? The most used word in the language of wine is in fact, terroir. Nothing else compares, comes even remotely close, or causes as much debate. Except for minerality, but those who concern themselves in the matters of ridicule, dismissal and denial ignore the fact that the opposite of fruit is simply, unequivocally and finally, incontestably, mineral.

Were the notion of terroir to be a belief as simple as “what happens in the vineyard, through environment, by geology, geography and topology, from naturally occurring elements and microbes in the soil, by air and of climate. Were it just a matter concerning “the impossible creator of perfect storms, from out of riddle and enigma,” well, then, we could all just go home. It’s much more complicated than that and real.

Most winemakers will agree, in principle, to this. “The final goal is to make the finest wines that express terroir.” Organic and biodynamic are important. Terroir is more important. But winemakers are no fools. They know that “during the grape’s life cycle, genealogy and climate shape its development. But even after it is plucked from the vine it still carries no true identity, in so far as what it will become as a wine. This is the point where nature gives way to nurture. Environment now acts as the catalyst to shape the wine’s life. Wine does not evolve because of natural selection. It evolves at the hands of the winemaker.” Anti-terroir?

At this year’s Terroir Talk Symposium, Gamay was chosen as the first wine session’s go to grape variety, to investigate both the serious and not-so serious sides of its existential weightlessness. To revel in its lithe, brightness of being and to unearth its deep roots. That we have come to a time in history where both aspects can be studied in Burgundy and in Ontario is fortuitous indeed. As a Gamay groupie, I feel blessed to be born under a good sign, at the right time.

As a reminder, it’s always the right time to be with the Gamay you love. I have been urging Ontario farmers to plant, cultivate and nurture Gamay; for winemakers to make it more and more. I made “a proclamation in favour of a great grape and one that forges signature wines out of Canadian soils. I am an ardent supporter of and a willing rider on the Gamay bandwagon, in the name of connaitre and savoirkennen and wissen, recognition and understanding.”

Related – Go Gamay Go

It’s working. Rosewood Estates just planted it for the first time. Gamay is poured at the cellar door, at tasting events and in private gatherings all the time now. Bottom line is Gamay costs half of the price compared to Pinot Noir and Syrah and it thrives in Ontario. It can make serious Cru quality reds and even at the highest end, sell for less than $30. It has been, continues to be and will always be #GoGamayGo time in Ontario.

Related – It’s go Gamay go time

Moderator Chris Waters and the Gamay Masterclass panel: Jamie Drummond, Magdalena Kaiser, Martin Malivoire, Shiraz Mottiar, Bill Zacharkiw and Guillaume de Castelnau

Moderator Chris Waters and the Gamay Masterclass panel: Jamie Drummond, Magdalena Kaiser, Martin Malivoire, Shiraz Mottiar, Bill Zacharkiw and Guillaume de Castelnau

The first Masterclass: Gamay The Next Little Thing

“The intent of the first of the three wine sessions, was meant to investigate how it performs in Ontario and elsewhere in the world.”

The Panelists:

  • Winemaker Guillaume de Castelnau, Chief Winemaker/Director, Château des Jacques, Louis Jadot Beaujolais (Beaujolais, France)
  • Vigneron Martin Malivoire (Malivore, Beamsville Bench, Ontario, Canada)
  • Winemaker Shiraz Mottiar (Malivoire)
  • Wine writer/Sommelier Bill Zacharkiw (Montreal Gazette/Wine Align, Montreal, Quebec, Canada)

The Moderator: Wine writer Chris Waters (Vines Magazine/Intervin, Ontario, Canada)

To many, Gamay is a wonderful drug and though much maligned, its suitors and supporters can never tire of its freshness and its lightness of being. Moderator Chris Waters refers to Gamay as “a gateway grape, to transition drinkers from white to red wine.” In a world according to Guillaume de Castelnau, “Gamay is lazy, generous and fragile.” Bill Zacharkiw minces nothing, not words, nor feelings. “I love Beaujolais.” In the Terroir Master Class, there were 13 variations on Gamay, from semi-carbonic to old and baked, with many shades, hues, intensities and variations in between. Here are my notes.

Ontario Masterclass Gamay

Ontario Masterclass Gamay

Malivoire “Le Coeur” Gamay 2014, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery)

Shiraz Mottiar refers to the young, Beaujolais impressionist as “Sammy Carbono,” a semi-carbonically macerated Gamay, with one foot in Nouveau and the other in a dusty, freshly spirited aromatic whirl. The tanky feel makes it accesibly gulpable. Like a leaping horse it is also twitchy, hopping in dressage, popping in the mouth. Fun if beside the point. Drink 2015.  Tasted May 2015

Malivoire M2 Small Lot Gamay 2013, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

A month later the pepper runs from white to black, by way of red. Terrific sour edged fruit. Strawberry and cranberry tied together by citrus. Will need two years minimum to fully integrate.
From my earlier note of April 2015:
The profundity of tart, keen, briny berries dilates in its own very useful layers of citrus, tannin and concentration, beyond even what was observed in 2012. The zesty, spritely argot resonates from the unfurling of floral essentia out of a Gamay in desperate need of time. The flavours and overlay are somewhat impenetrable and yet leave quite an impression. While patience might be the virtue and the reward, if #gogamaygo is the modus operandi, a swig from the bottle like gentlemen of the road is certainly not out of the question. Drink 2016-2021.

Last tasted May 2015

Leaning Post Gamay 2013, VQA Niagara Peninsula, Ontario (Winery, $25.00)

A year has clarified the must into a venerable, beneficial decay, like effulgent, liquid rust. The shine of antiquity and then a blast of cinnamon dominates for the first major swirl. So lithe and profound like wise Pinot Noir, minus the Niagara coat of arms and lacquered veneer. Whatever anxiety may have held down the brightness has eased to deliver this current, optimum drinking window. Drink 2015-2016.  Tasted May 2015
 
From my earlier (tank sample) note of May 2014:

Guiltless and virtuous straight out of stainless, the meaty side of Gamay game boldly goes where few from the Bench have gone before. Like a rare venison steak sitting in a silky pool of lavender-scented demi-glace. Floral like Fleurie and despite zero new oak, vanilla joins the gravy. A Senchuk steal of quality Wismer (McLeary…sort of) fruit sets this Gamay up for easy sell success.

Fielding Gamay 2013, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

Time has been a friend to the ’13 Fielding Gamay, a wine who’s elevated tones of floral fruit and acidity have settled in the name of structure. Dusty ground nubbins and mint swirl with layered if yet rigid fruit. Low-cropped vines are on display, in single-vineyard like attention to specific detail, akin to Malivoire’s Courtney. This is in fact sourced from a single-vineyard up on the cool Vinemount Ridge sub-appellation. The site is a couple of kilometres south of Peninsula Ridge’s McNally Vineyard, the source of Ilya Senchuk’s terrific Leaning Post 2012 Pinot Noir. The Procyshyn family has been farming this plot (without fanfare) for decades in Beamsville. The pristine fruit that Theo and Shelley Procyshyn grow, along with their three sons, Nolan, Dalton and Brayden, yield as low as 1.5 tonnes and up to 3.5 tonnes per acre, depending on the year. The ’13 was around 3 t/a. Fielding has never labelled this Gamay ‘single vineyard’ because they have always hoped to bring in new Gamay blocks on as part of that wine, but that’s not yet worked out. The ’13 is very, very red raspberry, with a craggy, spiked point of liqueur, like a weeping peak upon that Vinemount Ridge in the afternoon sun. Has Beamsville’s upper reaches written all over its corporeal self. Drink 2015-2017.  Tasted May 2015

13th Street “Sandstone” Gamay 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

May just be the first Gamay with a simulacrum towards a style best described as appassimento, what with the overripe fruit, aromatic cure, baked and sun-dried flavours. Sniff the confluence of black raspberry, scorched earth and roasting game bones, its sinew crackling over humid old growth wood. Gets rich into the vanilla, reeking of late harvest lavender and then a mutton funk. Could easily pass for a wealthy, unforgiving style of Cru Beaujolais, like Chénas from Christophe Pacalet. Or it could just be acting older than its age, by seven or eight years. Most prepossessing and confounding Gamay. Drink 2015-2018. Tasted May 2015

Stratus Gamay 2012, VQA Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)

Esteem elevated by structure, matched in poise and presence mottled in smears of darker, richer black cherry. If a slight absence of brightness is sensed due to the syrupy compression, like New World, west coast Pinot Noir, the gleaning from acidity and tannin times perfectly the effluent escape.

From my earlier note of April 2015:

It may not be the most idiosyncratic Gamay in Niagara but the Stratus 2012 is without a doubt the most advanced and complex. Gamay fusion is on display, at once a bottle of Niagara’s finest pulchritudinous veneer and then a charcuterie board laid ample with cured bovine parts and sun-dried grapes. Maximum ripeness and then even later picking, to no one’s surprise, have led to this. Two years of ageing in neutral oak barrels has brought about a humid roundness and yet the centre is controlled by Oz-like mint and eucalyptus notes. The jam is gelid, as opposed to temperate. Rarely does Gamay go to such depths, of blackberry, chalk and grain, with an overlord of tannin. Quite serious stuff. Drink 2017-2020.

Last tasted May 2015

Château-De-Jacques and Malivoire Courtney in the Gamay Masterclass

Château-De-Jacques and Malivoire Courtney in the Gamay Masterclass

Château-De-Jacques Morgon 2013, Ac Beaujolais, France (653584, $24.95, WineAlign)

The flushed scarlet animation is active and astir, like a soft serve swirl of dusty, cherry molasses, bathing in its own natural acidity. Has the presence of wine to integrate chalk, grain and Morgon tannin, in equal, opposite and variegated layers. Nothing shy about this gateway Cru Beaujolais. Drink 2015-2019.  Tasted May 2015

Château-De-Jacques Morgon Côte du Py 2013, Ac Beaujolais, France (Agent, $53.95)

In this rigid and stoic Morgon, the south-facing, blue volcanic slopes of the Côte du Py have provided a measure of firm fruit that will require a minimum two to three years to crack. The gears of the Gamay machinery may be grinding but the windows are yet open, the doors locked tight. This is the least forward, most inwardly introspective and least gregarious of the CdJ Beaujolais. Sharp sapidity, biting tang and piercing penetrating tannin deny immediate or even short-term access. Even the middle palate seems lifeless, devoid of cherry fruit and seamless layering, medicinal even. Judgement should be reserved, with knowledge of pedigree and how a bottle such as this will suddenly, effortlessly spring to life with time. Drink 2018-2022.  Tasted May 2015

Château-De-Jacques Moulin a Vent 2010, Ac Beaujolais, France (Agent, $36.95)

The undergraduate’s blend comes from the appellation’s Château des Jacques parcels; Carquelin, Rochegrès, Champ de Cour, Thorins and La Roche. Granite soils from each spice with symptomatic diversification and combine for a flippant funk that hitches straightforward out of the gate. Here Gamay leaves dusty behind with an urging away from humble and towards nobility. Richly aromatic, amplifying into palate. Such acidity and such grain. For this MaV the time is now, the arrival already announced. A late sense of veneer on the lengthy bitter finish indicates more good times ahead. Drink 2015-2020.  Tasted May 2015<

Château-De-Jacques Moulin a Vent Clos de Rochegres 2010, Ac Beaujolais, France (Agent, $44.95, WineAlign)

From the appellation’s highest parcel, the red sandstone soils of the Clos de Rochegrès are gently sloping and fed by underground streams. I always sense salinity and an effusive, stony energy in wines blessed with subterranean irrigation. The drinking window for this 2010 is wide open and the funk meets age introduction has been made. Already in display of a dried fruit shrivel, the ’10 acts like Sangiovese of a similar senescence, like CCR or Vino Nobile with three to five years of age. The liqueur of roses, the earth and the cherries are culpable and yet the varnish and the baking spice crusting ensure that no one conclusion can yet be made. This is highly seasoned and not quite unfurled Gamay. Two more years should complete its conditioning. Drink 2017-2020.  Tasted May 2015

Château-De-Jacques Moulin a Vent Clos de Rochegres 2007, Ac Beaujolais, France (Agent, $43.95, WineAlign)

Poured from a magnum, the 2007 Clos de Rochgeres is the portal in which to peer, to see what can happen with Gamay. Baked, caked, figgy, funky and oxidative, more than ample fruit was present and persists, with the savoury edges now integrated throughout. Strawberry rhubarb pie comes to mind, with eyes closed and sniffing senses heightened. A bit indelicate, the humidity in tomato leaf and garrigue add to the idea of age though the citric punch and lactic texture are reminders of Gamay’s fun side. There is no shortage of complexity and evolution here. That said, consumption time is now. Drink 2015-2016.  Tasted May 2015

Malivoire Gamay Courtney 2007, VQA Beamsville Bench, Ontario (Winery, $29.95, WineAlign)

The wow aromatics can’t be denied, fully explained nor perfunctorily taken for granted. Age has educated the fruit, stratified and fully saturated this Gamay. Strawberries have shot from an adrenaline cannon and structure has been fully realized with (non-Gamay) Old World confidence. A note of orange blossom, like an early evening Sevilla garden, is rousing. The natural evolve of such a Gamay, with wood, yeast and fruit in expert harmony, recalls the impossible acts of red wines like those made by Emidio Pepe. If the stretch is considered a conceit of poetic licence, so be it. The yet beating heart of raging acidity circling plenteous fruit and so much savour is nothing short of a Gamay miracle. Power and masculinity, by way of a conduit in oak, have been used to great advantage. This has life yet to live. Drink 2015-2020.  Tasted May 2015

Château-De-Jacques Morgon Côte du Py 2006, Ac Beaujolais, France (Agent, $53.95)

Seamless and eminently structured, developed low and slow. The blue volcanic soil has procured an evolutionary subsumption, a roasted, developed personality. The seeping liquor oozes, of earthy cherries, again like Sangiovese, but inelastic and close-grained, as per the Côte du Py idiom. This ’06 offers clarity and gives reason to forgive the brutal ’13, to abstain for commenting further. This wine is quite ferric and still tannic. The oak remains a factor. Through the walls the Gamay fruit does transude and so the master plan is coming into effect, perhaps not immediately but will be very soon. Just around the corner. Drink 2016-2020.  Tasted May 2015
Moderator Sara d'Amato and the Terroir Masterclass panel: Magdalena Kaiser, Dr. Jim Willwerth, Emma Garner, Stuart Piggott and Dr. Kevin Pogue

Moderator Sara d’Amato and the Terroir Masterclass panel: Magdalena Kaiser, Dr. Jim Willwerth, Emma Garner, Stuart Piggott and Dr. Kevin Pogue

The second Masterclass: A Different Look At Terroir: How Much Do Soils Actually Matter?

“In this seminar/tasting we ask what the term really means, and how much do its many different elements actually influence the character of the finished wine?”

The Panelists:

  • Dr. Kevin Pogue Phd. Geology, Whitman College, Walla Walla, Washington State, USA
  • Dr. Jim Willwerth Phd. Biological Sciences: Plant Sciences; Oenology and Viticulture (CCOVI, Brock University, Niagara, Canada)
  • Winemaker Emma Garner (Thirty Bench, Beamsville Bench, Ontario, Canada)
  • Winewriter Stuart Pigott (Author of Riesling: Best White Wine On Earth, Berlin, Germany)

The Moderator: Wine writer/Sommelier Sara d’Amato (Wine Align, Toronto, Canada)

Dr. Willwerth offered up his opinion on how minerality is achieved in Riesling. “If you don’t get maturity in the variety at the end of the growing season, you won’t get the full expression of minerality. Overripe will eliminate minerality.” In Ontario, “The Bench is home to a mineral wealth of local Riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.” That persuasion has spread, down to the shores of Lake Ontario, by Niagara-on-the-Lake and in Prince Edward County. “Riesling brokers the nescient consumer with the gift of grape enlightenment.”

Seven Ontario Rieslings were tasted in the Masterclass. The notes.

Riesling Masterclass

Riesling Masterclass

Cave Spring Riesling Dolomite 2013, VQA Niagara Escarpment, Ontario (Winery, $16.95, WineAlign)

This is Cave Spring’s bridge, offering safe passage from Estate to CSV Riesling. Vinified with consistency in a quasi-Kabinett style, its elevated though classic numbers steadfast in sugar (17.55 g/L) and acidity (7.2 g/L TA). The dolomite limestone of the Escarpment means business in this calm, fit, chiseled and consumer-lissome Riesling. Palate is really the thing, seamless to attraction, from fruit to stone. Orchards and citrus groves alight to rock. Phenolically ripe yet shy of the tropical planet. Is there transference here? Absolutely. Drink 2015-2018.  Tasted May 2015

Château Des Charmes Old Vines Riesling 2013, VQA Niagara On The Lake, Ontario (277228, $16.95, WineAlign)

The happy place effect by age in the Château Des Charmes’ vines coupled with location is usually enough to carry this Riesling through an obvious and readily identifiable tunnel but 2013 confounds. The elemental ratio, derived from multiplying reduction by altitude leans thoughts to the Vinemount Ridge or the Cave Spring Escarpment Vineyard. The compound aromatic waft, or more succinctly, the deconstructed stone, the breaking down of periodic Hollywood squares is a force to reckon. That this arrives from such close proximity to the lake is nothing short of amazing. It’s as if this Riesling is the product of stressed vines and the pierce is just so pinpointed. Less accessible than ’12 for sure, so drink up previous vintages going back at least three before even thinking about getting to know 2013. Drink 2018-2022.  Tasted May 2015

Norman Hardie Riesling 2014, Prince Edward County, Ontario (Tank Sample)

At this prepossessed stage the terpenic fruit might fail in competition but succeed in the marketplace. Easy access, smelling of perfumed must, juicy, with citrus and burgeoning acidity. Low alcohol and good length stretch out an endless lemon summer. The wine will reverse itself within a year and beat impossible odds. A Hardie always does.  Tasted May 2015

Thirty Bench Riesling Small Lot Triangle Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)
The brilliant hue slides through patina and heads for gold. Some fumes have emerged with age, part petrol, part pure mineral, but of what kind and more importantly how, or why? Viscous, near oily, waxy and the most Glück of the three Thirty Bench single-vineyard Rieslings. Tossed with spice, pepper, lemon and honey that is more molasses than clover. The mineral is a result of the lowest water retentive soil as compared to Steel Post and Wood Post. The transmission for (orchard or tropical) fruit is minimized, the vigour low. The result is mineral. Drink 2015-2020.  Tasted May 2015

Thirty Bench Riesling Small Lot Steel Post Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Balance is and therefore always was struck. The match percusses flint for a mere nano-second, with just a brush on cymbal, the rock bleeds but is quickly clotted because the fruit shines still, like around the clock light. The steely aspect is a posterior one, antithetical and yet purposed, from this vineyard. Youth tells common sense to think 2011. The Riesling behaviour seems to play that part, of a chalky, piercing acidity, so typical of that vintage and so distinctly Thirty Bench. That the wine is older is not a big surprise because 2009 is the bomb. It may just be the best Riesling vintage, from on that Bench, in the last 10. Drink 2015-2025.  Tasted May 2015

Thirty Bench Riesling Small Lot Wood Post Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Age is a factor but less so than its Bench sisters due to a fine sense of calm. Showing less evolution, less viscosity, less wax and honey. More than that, the periodic table has yet to fill in. The Wood Post exhibits more warmth, savour and balm. A taste offers a sapidity that combines toasted fennel and candied lemon. Poised and yet incomplete, the vineyard fetters this Riesling to breath slowly and take its (will get to) sweet time. Drink 2017-2027.  Tasted May 2015

Flat Rock Cellars Riesling Nadja’s Vineyard 2009, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $19.95, WineAlign)

Going back a few years, this Flat Rock Weis 21 clone Riesling from atop the Niagara Escarpment was made by former winemaker Ross Wise. Six years has concentrated both aromas and flavours while concurrently reducing the cutting drill. The hyperbole is read by tablet, of etchings in stone, immortalizing the terroir (not so) long before it was truly known how this could happen. What sticks out the most is the bleeding limestone texture and the striking aridity. Later vintages of Nadja improve on the flesh. Drink 2015-2017. Tasted May 2015
Clone Wars Masterclass

Clone Wars Masterclass

The third Masterclass: “The Clone Wars”: What Do Different Clones Bring To The Glass & Why?

“Looks at Riesling, Cabernet Franc and Pinot Noir. The varying clones utilized are a point of pride for some winemakers, and yet not even mentioned by others. Over the course of this detailed seminar/tasting we hope to answer why this is the case.”

The Panelists:

  • Dr. Kevin Pogue Phd. Geology Whitman College, Walla Walla, Washington State, USA
  • Dr. Jim Willwerth Phd. Biological Sciences: Plant Sciences; Oenology and Viticulture (CCOVI, Brock University, Niagara, Canada)
  • Winemaker Angelo Pavan (Cave Spring, Jordan, Ontario, Canada)
  • Winemaker Jay Johnston (Flat Rock, Beamsville Bench, Ontario, Canada)

The Moderator: Sommelier Katy Moore (Langdon Hall, Cambridge, Ontario, Canada)

Dr. Jim Willwerth asserts that “clones are essential for viticulture, propagated asexually, through cuttings.” Angelo Pavan notes “clonal research to cold heartiness is very important for Niagara and also for yields.” Clones no doubt drive the industry, at least behind the scenes, but when it comes to making great wine, is it the be all, end all? “I still believe plot trumps clone,” says Jay Johnston. The defence rests. Here are the wines tasted in the final Masterclass.

Clone Wars Masterclass line-up

Clone Wars Masterclass line-up

Greenlane Riesling Old Vines 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (351486, $21.95, WineAlign)

While aridity suggests Alsace Clone 49, this is actually Weiss 21, made saline and arid out of Lincoln Lakeshore soil. The herbal aspect has propagated to combine with Twenty Bench like distinction and with less citrus than Vinemount Ridge or Beamsville Bench. The Mosel density has developed with time in bottle. Drink 2015-2019.

From my earlier note of October 2013:

Cracks the mineral whip, froths lime into foam and atomizes stone fruit into sweet and sour heaven. Wants to be semi-dry but never quite goes there. Walks a fine line, a tightrope actually. Up there with Charles Baker and Thirty Bench for sheer madness.

Last tasted May 2015

Trius Winery At Hillebrand Showcase Riesling Ghost Creek Vineyard 2013, VQA Four Mile Creek, Ontario (Winery, $25.00, WineAlign)

The Ghost Creek Riesling comes from the shadow of a river bed vineyard planted to the Alsace clone 49. The fruit is much richer than most, coupled with the aridity and salinity that former stony wadi plots and this particular clone will conspire to effect. The citrus intensity is however tempered by a humidity that comes from seemingly sunburnt fruit, tanned and wet down by the revenant reservoir. Drink 2015-2017.  Tasted May 2015

Cave Spring Estate Bottled Chardonnay Musqué 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (246579, $15.95, WineAlign)

Produced from the 77 clone, the vintage has heightened the high herbal and feigned sweetness aromatic pastis. The palate is extraordinarily viscous, with Yellow Muscat and Gewürztraminer attributes, not so out of the ordinary considering Cave Spring’s older world execution. Drives from lemon to mandarin, through almond pit and into peach. Always solid Musqué. Drink 2015-2017.  Tasted May 2015

2027 Cellars Chardonnay Wismer Vineyard Fox Croft Block 2012, VQA Twenty Mile Bench, Ontario (Winery, $30.00, WineAlign)

In the hands of winemaker Kevin Panagapka, Craig Wismer’s fruit retains un underlay of power not recognized in other Foxcroft Chardonnays. Neither Thomas Bachelder nor Ross Wise (Keint-He) make anything near spirited as this 2027 take. Chardonnay loves the sun in the Foxcroft Block and Panagapka loves to see that sun hook up with the inside of a barrel. This ’12 makes a nice date for a wood wedding. A product of the Dijon 96 clone, the reduction in this Chardonnay drives its fresh, spritely if mettlesome nature, with a bark and a barrel bellow, but longevity will not suffer as a result. This could take 30 years to oxidize, it’s that audacious and also courageous. Let it and its buttered popcorn rest a while. Drink 2017-2025.  Tasted May 2015

Malivoire Chardonnay Moira 2011, VQA Niagara Peninsula, Beamsville Bench, Ontario (243113, $39.95, WineAlign)

When it comes to clones, winemaker Shiraz Mottiar distills the Moira Vineyard into the realm of “field selection.” Not to be confused with field blend though I suppose that’s what it is, of sorts. The ’13 is the dictionary entry for Moira, typically balanced, from pedigree, in warmth, amiability, gathered and distributed, from acumen and confidence, to customary placement. Fruit and acidity relax on a sofa of equilibrium, taking little in the way of risks, making no mistakes. Reduction isn’t even a twinkle in its fresh versus oxidative eye. The vintage and the handling purports to throw infantile, developed and matured into one big machine for a readout that grants immediate gratification. Exemplary take on cool-climate, Niagara Peninsula, slightly warmer Beamsville Bench Chardonnay proper. Not for the long-term. Drink 2015-2019.  Tasted May 2015

Flat Rock Pinot Noir Pond Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

Assessed blind it smells just like the Flat Rock’s Gravity Pinot Noir yet singled out in fractions. Here the mellifluent block, of sweet crooning fruit, careening and submissive to Siamese brother triplet Summit’s tension.

From my earlier note of October 2013:

Crosses the twain between Bruce and Summit. A cottony touch, most pronounced perfume and of the three, the lowest acidity. Mellow, easy, J.J. Cale peaceful, void of chalk, grain or angst. Speaks in a cherry voice, smells like cherry and returns that cherry to taste. Ripe and soft. “Sweet as a morning sunrise, fresh as a mountain dew.”

Last tasted May 2015

Flat Rock Pinot Noir Summit Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

The most perfumed and yes, Burgundian of the three blocks, the Pommard in the group. Still limestone chalky and gaining weight. This is a single-block wine to me made again.From my earlier note of October 2013:This block’s base is slightly deeper, spreading over dolomite limestone. Diminished average temperatures mean berries develop lower and slower, hang longer (up to three weeks) resulting in higher phenolic ripeness. Summit may be the caveman of the three, seemingly in dire straits, covered in leaves, snapped twigs, truffles and porcini mushroom but damn if impossible Burgundy does not come to mind. This is one to ask where do you think you’re going? It will surely reply, “if you ain’t with me girl, you’re gonna be without me.”Last tasted May 2015

Flat Rock Pinot Noir Bruce Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

The light and delicate place translates to hue, texture and ultimately elegance. Yet there persists an underlying anxiety, essential for gravity.

From my earlier note of October 2013:

From the northern most block, up at the Escarpment/Bruce trail. Thin, one foot deep soil meshes flaky limestone at this elevation. Smallish berries predominate and an earthly mote accents the flowers, cherries, strawberry and classic purity of this bonny Bruce. A Oregonian lightness of being, if you will. From one of the few south-facing slopes in Niagara (because of 20 Mile Creek), where the limestone chalk imparts fine-grained tannin so apparent to taste.

Last tasted May 2015

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The best wines at Taste Ontario 2012

Photograph Courtesy of the Wine Council Of Ontario

as seen on canada.com

On Friday, September 28th 46 Ontario wineries poured more than 100 wines at the Ritz Carlton Hotel Toronto to showcase Ontario’s singular and diverse terroir. Producers from Niagara, Prince Edward County and Lake Erie North Shore shared the spotlight with a Burning Kiln from Turkey Point and a Frisky Beaver from Port Dover. “I can’t deny” there was even some Bad Company.

Character and quality has never been better. Riesling continues to impress and let us not ignore the high level of ever-evolving Chardonnay vines. Reds have made great strides, especially Pinot Noir, Gamay and Cabernet Franc.

The best premium wines (over $30) present were Bachelder Saunders Single Vineyard Chardonnay 2010 ($44.95, 90), Charles Baker Riesling Picone Vineyard 2009 ($35, 92), Closson Chase South Clos Chardonnay 2010 ($39.75, 91), Rosehall Run JCR Rosehall Vineyard 2010 ($38.80, 90) and Norman Hardie Pinot Noir Unfiltered 2010 ($39, 91).

The future looks very bright for Ontario. A special shout out goes to Magdalena Kaiser-Smit from the Wine Council of Ontario for a flawless execution. Here are my top picks under $30 from Taste Ontario (Toronto) 2012.

The grape: Riesling

The history: Paul Bosc of Chateau Des Charmes is the Ontario Riesling pioneer and along with the St. Urban Vineyard of Vineland Estates, they set the stage for its ascendance to signature grape status

The lowdown: Clearly entrenched as the most important Ontario white varietal, this is winemaker Kevin Panagapka’s value entry into LCBO channels

The food match: Tofu and Bassa Fish Hot Pot with Sichuan spices

2027 Cellars Fall’s Vineyard Riesling 2011 (294041, $18.95) is consistent with my earlier note. Saleratus, flint and tropical scents with a kiss of racy, citrus acidity and goes to great length on the palate. There were only 200 cases of this screaming value. “There ain’t a reason on earth to waste it,” so I feel compelled to lick it up89

The grape: Sémillon

The history: Partner to Sauvignon Blanc in dry white Bordeaux and single varietal star in the sweet wines of Sauternes and Barsac

The lowdown: Not planted on a wide global scale. Has found great success in Australia’s Hunter Valley and to a degree in South Africa. Niagara Escarpment should be next

The food match: Autumn Squash, Sweet Potato and Candy Beet Ratatouille

Rosewood Estates Winery Sémillon 2010 ($18 at the winery) shows little procrastination with a superfluity of lemon, lime and paraffin but like all great Sémillon, the wine needs time. A block of wax keeps the honey down but look for a mellifluous ooze three years on. Glittering sheen, diamond-like focus and crusted by an accent of lemon zest. Krystina Roman will lead this grape to stardom. “Come on you stranger, you legend, you martyr, and shine!” Top white. Shine on you crazy Sémillon.  90

The grape: Chardonnay

The history: Growing on the “hillside” section of Ravine’s farm on the warm St. David’s Bench

The lowdown: Few Ontario winemakers achieve a Burgundian mythic. Here the soil is thin, sparse and heavy in minerals. Not quite Burgundy, but the comparison is worth the discourse

Ravine Vineyard Chardonnay 2010 (173377, $24.00) of partisan, buttered toast may lean more Kistler than Jadot but she’s still wearing blue jeans. Blessed with a St. David’s mineral smile and a Scotch barrel smell, like a long knife with a blade double-edged at the point. Hued golden and tan, “she got a camouflaged face.” Thrifty Chardonnay, worth every penny.  89

The grape: Gamay

The history: Best known for its work in Beaujolais and has shed its “Nouveau” moniker

The lowdown: Others have surely helped but Malivoire has championed and transformed the varietal’s status to prince among kings and queens

The food match: Thanksgiving Turkey!!

Malivoire Wine Company M2 Small Lot Gamy 2011 ($19.95) made use of a slumber for six months in French and American oak barrels to raise the purple bar. This is Francofied Gamay, as much Tours as Morgon. Peppered with smatterings of tar, smoke and caper. A note of Bouille, braising meat is noted. Complex for the grape and versatile.  88

The grape: Cabernet Franc

The history: The Loire comes to the Niagara Escarpment

The lowdown: Winemaker Richie Roberts has this grape in his hip pocket. He can see the future and he knows when it comes to reds, cool-climate varietals are key

The food match: Boneless Beef Rib-Eye Steak Sandwich, crispy onions, horseradish mayo

Fielding Estates Cabernet Franc 2010 (36194, $21.95) is deeply cast, loaded with raspberry and pepper aromas, both white and red. A whiff of beet garish smoke and savoury herbs adds sinuosity.  89

Good to go!