Chardonnay is never too cool for school

Flight #1 at the 2024 School of Cool
(c) i4C

Will fully admit to having seriously considered not using the word “cool” in the title for this latest exposé on i4C, Niagara’s annual International Cool Climate Chardonnay Conference. Then good conscience and reality set in because the original dub for Canada’s most important and successful wine congress will always be too good to dismiss. They coined it, built it and people have most certainly come. To foresee and then to consummate this collective pursuit of excellence inscribes Cool Chardonnay into the lexicon of wine forever. Hard to predict just how many more of these joyous to potentially annual profound (four-day) weekends there will be, but were this the last then hundreds upon hundreds of producers, winemakers, media, influencers and consumers over the years will have walked away happy, better for it and with memories to last a lifetime. The extraordinary 2024 edition of i4C went deeper still, to deliver the coolest quality and finest balance between information, socialization, revelry, society and of course, chardonnay. Cool as ever, gotta be cool, relax and never too cool for school.

Three panels of i4C School of Cool 2024

The School of Cool gets into sessions with wise and wily words from Past Chair Suzanne Janke, a lifer for the cool climate cause, public face of Stratus Vineyards and light of the room. Janke’s input, along with the i4C Board, Concierge Kim Auty and Event Director Trisha Molokach shows a highest level of intuition for what can only be judged as a cracker choice for keynote speaker at the 2024 School of Cool. That would be the affable character, next level intelligence and dry as the desert humour of Austrian-born, London-living Master of Wine Stefan Neumann. Mr. Neumann peeks out from behind his little boy grin to invoke the legend that is Laura Catena, to introduce his intentions as it pertains to cool climate chardonnay. “She slapped me on the brain and said there is no such thing as good warm climate chardonnay.” The wheels are turning, theories circulate and then from his own powers of reasoning Stefan announces, “I really think the world needs to know more about Canada and cool climate chardonnay, because it’s really important.” Not that he is late to the party, but the choir nods silently and knowingly, all smiling wryly. You can hear the collective internal dialogue working. “We like this guy.” Then he speaks to they who are not in the room. “Every cool chardonnay has a cool admirer out there,” he insists, “just as every pot has a lid.” The analogy might have got lost in translation from within the history of some ironic Viennese dialect. Note to self: Send Ernst Molden a note to ask for clarification. In any case Neumann comes from a place of hospitality. “As a guest you need someone who can help you,” he explains. “As a sommelier, if I’m going to explain cool climate chardonnay to a guest I’m not going to start with the Winkler classification.” Truer words never spoken.

School of Cool
(c) i4C

South Africa’s Anthony Hamilton Russell leads the first session where things turn immediately laugh out loud funny, if simply because Hamilton Russell is an Afrikaans lekker of off-the-charts intellect, dry wit and a brand of self-deprecating meets sweet roasting and toasting humour that is by all accounts infectious. “The only constant is change,” he begins with an address that may or may not attempt to tackle climate change. “All the hard rains and frosts are just noise in the background and it’s about how we are going to deal with it.” Anthony wisely chooses to order the chardonnay tasting from north to south. His first notation is to explain “how important it is to precipitate proper dormancy in chardonnay.” Then he poses the question, “what is the worst climate problem?“ He is answered by (Nova Scotia’s) Blomidon Estate winemaker Simon Rafuse. “Depending on when you ask me, the answer will be about what just happened.” For Adamo’s Vanessa McKean “it’s a big catch up in the spring to get ahead of things, remove the (geo-thermal) blankets as late as possible before the weeds get out of hand and also late frosts compounded by the textiles still in surround of the vines.” Westcott’s Casey Kulczyk notes that bud break occurs earlier, growing seasons are warmer and ripening is quicker, while also more uneven. Are you sensing a (lack of) discernible Canadian patterning? Even in winemaking, from west to east Canada is comprised of many different vine-growing countries.

Sparkling Flight led by Peter Rod
(c) i4C

Session two is led by Peter Rod, he of chivalrous and consortable character, a prodigy and mentor for Niagara educator royalty and if the audience thinks Neumann’s humour is dry, they are then treated to Rod’s mix of dead-pan, amusement and bemusement. Fine decision to put Peter at the fore for the Sparkling wine flight because nowhere does that category receive more attention, research and investigation than that at his seat of higher learning. Peter Rod is surrounded by bubbles at Brock University’s CCOVI where fizz is considered on a daily basis. An effervescent panel delves deep into discourse for what Peter dubs as “Bubbles on the Rise.” Then the third set of eight pours, this time returning to still waters, holds title for “Chardonnay Unbound,” a varietal discovery with different faces, from different countries. Stefan Neumann returns and keeps the room engaged. Then Suzanne Janke is back at the podium and tells the audience her outfit blends seamlessly into the drapes, as if no one had noticed. Janke’s words are sing-song, showing the skills of a melodist with a sweeping sense of purpose. All she says focuses on the patrons, panelists and chardonnay, but never the I. Piano-woman, “quick with a joke or to light up your smoke….Oh, la, la-la, di-dee-da. La-la, di-dee-da, da-dum.”

With Katie Dickieson, Emma Garner and Ben Minaker – Andrew Peller Ltd.

In the end these are three memorable panel experiences at the 2024 i4C Cool Chardonnay School of Cool. Three expertly moderated sessions by Anthony Hamilton Russell, Peter Rod and keynote speaker Stefan Neumann MS. Intel of the highest order from 21 Chardonnay winemakers. In 12 years of attending this conference there has never been a better organized, finer seamless set of transitions or more to learn. Bravo to Concierge Kim Auty, Event Director Trisha Molokach, Past Chair Suzanne Janke, the producers and entire team of volunteers. Friday night we tasted Friday Night Flights with the producers at Cherry Lane Farms in Vineland. On Saturday night we returned for Chardonnay in the Vineyard World Tour Tasting and Dinner at The Riverbend Inn, Niagara-on-the-Lake. And there were visits orchestrated by the Wine Marketing Association of Ontario’s Andrea Peters. To Chef Ryan Crawford’s Bar Ruffino with J-L Groux, Dean Stokya and Suzanne Janke of Stratus Vineyards. To Dobbin Estate with Wade Dobbin, Peter Gamble and Ann Sperling. To Flat Rock Cellars with Ed Madronich. To Le Clos Jordanne with Thomas Bachelder, Phillip Brown, Kerri Crawford and tasty treats from Chef Crawford. Finally, an i4C lunch at Westcott Vineyards’ Butlers’ Grant Vineyard with Grant Westcott, Carolyn Hurst, Casey Kulczyk and magnificence from Chef Tim Mackiddie. Alas, here are 83 tasting notes, 63 for chardonnay and 20 others. 

Three panel blinds

Blomidon Estate Winery Chardonnay 2021, Nova Scotia

“We have been growing chardonnay since the 1990s,” tells winemaker Simon Rafuse. “We can definitely ripen and picking is weeks ahead of the past, but we have experienced more extreme climate events in the last decade, whether it be frost, flash flooding, polar vortexes, hurricanes and disease pressure.” His ’21 is made in a clean style, whole cluster pressed, on lees for 12 months. Sharp yet rich, intense while full, apropos, meaningful and direct. Top vintage without a shadow of a doubt. Drink 2024-2027. Tasted at i4C, July 2024

Adamo Estate Chardonnay Musqué 2022, VQA Ontario

From an emerging Ontario region – Hockley Valley. Does not quite feel like 100 percent chardonnay musqué but more like an interplanting or layering with some linear, vertical and incisive Burgundian chardonnay. Less fruit from this bottle replaced by mineral salts yet with no compromise to the flowers by musqué. Producers and consumers of fleshy to buttery chardonnay will find holes but the rest will relish in this outcome all the same. “We farm in an area not great for growing grapes” says winemaker Vanessa McKean. ”We don’t have a large body of water to mitigate extreme temperatures so we cover out our entire 18 acres with geo-textile blankets.” Air flow through the vineyard is essential and being at the top of the hill is helpful. Barrel fermented in neutral wood with the musqué portion delivering more floral notes than most Ontario chardonnay. There is a tinned orchard fruit character that invites more than it distracts and the sharpness of this palate journeying acidity is really quite special. Drink 2024-2026.  Tasted twice at i4C, July 2024

The winemakers are alright – Westcott Vineyards

Westcott Vineyards Chardonnay Block 76 2021, VQA Vinemount Ridge

From the home farm of 26 acres and the lowest elevation, teardrop block on shales and gravels, facing east. Earlier ripening, acid retentive and sees 10 months in barriques, followed by six months in puncheon filled with the previous vintages’ clean lees. Like connective tissue that links the past to the present to prepare the chardonnay for a longer future. Texture is mineral, set below tannin, in command of the palate from a chardonnay built to celebrate and also abide by it’s double-barrelled shotgun approach. Fires, attacks and conquers the palate from above and below so that there is no escape. Spirit of ’76 all the way with more vibrancy than ever. Impressive like few others. Will age really well. Made for seafood dishes poached, bathed and sautéed in butter. Drink 2024-2028.  Tasted at i4C, July 2024

Greg Yemen – The Organized Crime

The Organized Crime Winery Inc. Chardonnay Sacred Series Cuvée Krystyna 2020, VQA Beamsville Bench

As implosive and protected as any Niagara chardonnay to speak of a year older example that acts and feels as young as any on recent record. Terrific sweetness of fruit and a testament to a full and in this case also long ripening season. Crisp and biting, orchard fruit crunch and no sign of breaking down. Gambles with nature, shows off precision winemaking and confidence exudes from a chardonnay constantly reopening and one you can do so much with. There are savoury elements that suggest food pairing with be a most fun and rewarding exercise.  Last tasted twice at i4C, July 2024

Powerful, reductive and in charge chardonnay, assuming the risk and in delivery of the reward. Platinum gold hue and attitude, serious, grippy and über conscious of its abilities. Top notch with vanilla and cereals that swirl into the full fruit complement of a chardonnay you just bloody want to drink. Consume away, with abandon because it asks this of you. Abide and oblige. Drink 2022-2026.  Tasted blind at NWAC2022, June 2022

Kellerei Bozen Chardonnay Riserva Stegher 2020, Alto Adige, Italy

From a vineyard at 650m with picking happening at least a week earlier than just 10 years ago and a dolomitic mountain air that breathes great life into this special sort of cool climate chardonnay. A yellow apple just short of ripe, with acidity sweeter than the drupe itself and a classic northerly sharpness that speaks to place as well as any European chardonnay. Drink 2024-2026.  Tasted at i4C, July 2024

Planeta Chardonnay 2022, Sicilia DOC 

Production began in 1995 while the vines are now nearly 45 years of age. In the southwest part of Sicily, in the Ulmo area around the village of Menfi where a corridor of wind, “our favourite friend,” tells Santi Planeta, blowing through between the lake and the sea. Through vines growing between 100 and 450m, breathing cool life, especially in the summer. The 2022 vintage saw plenty of rain though not concentrated at any particular time and so the constant events of moderation were something remarkable considering how often extreme climate events are increasingly more prevalent. The coming vintage of 2023 and 2024 will be affected by them, mostly because there was no rain. This chardonnay is impeccably balanced between fruit and acidity, acidity and texture, texture and tannin. The progression is seamless, the result precise and anyone who does not the recognize the experience and continued work put in may not be paying close attention. That’s fine but know just how special a (relatively) large production, semi-cool climate chardonnay this truly is. Planeta’s year-to-year consistency is truly impressive. Drink 2024-2028.  Tasted at i4C, July 2024

Hamilton Russell Vineyards Chardonnay 2023, WO Hemel En Aarde Valley, South Africa

The spirited intensity is unrelenting and speaks to how the HRV chardonnay tastes more profoundly serious than any other of its ilk. “Young and primary,” insists Anthony Hamilton Russell. “I like the complexity that our chardonnay develops with time in the bottle.” Well said but truth be told the wine already exhibits an electric variegate character and so what’s to come may just blow the mind.  Last tasted at i4C, July 2024

Freshness and abundance incarnate for Hemel-en-Aarde Valley chardonnay from the HR team that simply gets this grape from this place. A citrus vintage, less reductive than some whilst bursting with energy. Delight in lemon custard, all the zest, crunchy, mellifluously honeyed and never over-arching above and beyond the target. A scintillant of fruit through variety, to ache with love and to please, simply and unequivocally by design. Peak performance, summarily in the best of ways.  Drink 2024-2029. Tasted July 2024

The Foreign Affair Blanc de Blancs 2021, Methode Traditionelle VQA Vinemount Ridge

Light toast, easy goes, no long lees but a good signed lease to hang around for a few years time. True as chardonnay blanc de blanc, apples part terpene and part mashed. Smells like baked and cooled apple pie. Palate spirit yet agin those apples are all over, all consuming and all in. Some wood aging, Brut in style, somewhere between six and 10 g/L of dosage laid over 24 months leased lees aging. The second iteration of this sparkling wine.  Last tasted blind at i4C, July 2024

The bottle lists Vinemount Ridge as the fruit source though the website writes Lincoln Lakeshore so lets go with the bottle! Regardless we are looking at 100 percent chardonnay crafted in the dry, intense, citric, high energy style. This shows real energy and a couple of sips nearly take your breath away. The elucidations are green apple, piques of white pepper and the flavour profile slash texture much like sabayon extended by a few shots of limoncello. So much interest here. Drink 2023-2026.  Tasted November 2023

Stonebridge Blanc De Blanc Brut Nature 2020, VQA Four Mile Creek

More autolytic than some and even more than that, mellow, malolactified and softening quickly. Botanical flavours and fine bitters, creamy style, easy and ready. From chardonnay first made off of the estate in 2017 and looking forward to seeing what can be learned from the idylls of experience towards trying this first sparkling wine made at Stonebridge. Old puncheons and stainless steel combine for a punchiness that come out of several cuvées to try and abide by site, structure and ultimately consumer appeal. Richness of the site begets texture and in turn that appeal. The flavours persist though this is ready to drink sooner than many. Drink 2024-2025.  Tasted blind at i4C, July 2024

Kew Vineyards Blanc de Blanc 2017, VQA Beamsville Bench

Golden toast, truly brioche style, equipped with fruit a plenty marked by a note that reminds of good and plenty. Stage presence, persistence and length. A dosage of 5.9 g/L of residual sugar which may be the highest in a flight of eight but still very low for sparkling that is essentially dry. Made by Phillip Dowell with chardonnay that would have been planted on the property back in 1980. As concentrated as it gets for chardonnay sparkling wine but the vintage was acid driven and so the sugar extends the flesh.  Last tasted blind at i4C, July 2024

High energy, raging acidity, captivating and intense Blanc de Noirs right here. Eye-opening, olfactory shocking and palate enervating in every which way but loose. Taut, tight and demanding. Party wine. Drink 2020-2023.  Tasted October 2020

Leaning Post Traditional Method Sparkling Blanc de Blancs 2018, VQA Beamsville Bench

From Hemeris Vineyard on the Beamsville Bench, primary fermentation for six months in barrel, another six with lees and then the full lees aging of 36 months. An emotive sparkling wine that elicits and solicits emotion. Could this be a unicorn wine in its own special way? Evocative of what it makes you feel and what you would like a bubble to taste like? The long lees aging is clearly appropriate and leads the autolysis to a place of warmth, beauty and comfort. Oxidative and yet searing, a blanc be blancs no doubter that mans serious chardonnay business. Complex and curious, crafty and creative.The acidity here is special and in charge. An ideal mix of 9.2 g/L of total acidity and 3 g/L of residual sugar. “The vineyard was asking to become this kind of wine” explains Ilya Senchuk. “The purpose is a single vineyard expression.” Here’s to hoping the 2019 will add a few more months on lees to take that next step upwards.  Last tasted blind at i4C, July 2024

Single vineyard block called Hemeris (an old term for garden, or “something like that,” from the Greek). Of chardonnay, location between (Hidden Bench’s) Rosomel Vineyard and Cave Spring, picked late September and sometimes early October, for sparkling. Base wine is barrel fermented and aged in oak for six months. Spent 36 months on lees in bottle, finished at 2 g/L dosage (so essentially bone dry) and is now about to be released. This was the wine Nadia Senchuk pushed her husband for and this is the chardonnay tract that was needed to create it. Listen to the vineyard says Ilya, “because it’s basically growing bubbles.” Rich and exciting in the same breath, essential through autolytic response elicited and the breath stolen, literally taken away, every move made for the connection between I and it. An auspicious debut and were it not for the prophetic mind and ravishing palate of the winemaker’s better half, well then access to supply might not be so limited. Drink 2022-2026.  Tasted June 2022

Blue Mountain Vineyard and Cellars Brut Reserve R.D. 2014, VQA Okanagan Valley

Aromatic complexity, a chardonnay and pinot noir (55-45) sear of raging citrus but never lean because there is flesh all over the palate. The lemon segments are ripe and delicious, the red fruit character compliments with added spice, the persistence endless and the winemaking clearly coming from a place of experience and respect to place.  Last tasted blind at i4C, July 2024

Always pleased to welcome the BR R.D. into a glass and here is an old but a proverbial goody, that being 2014 and consumers must be reminded just how special this research and development is to determine the excellence of Blue Moutnain’s indagative sparkling wine. A blend of chardonnay and pinot noir, the first 10 percent more than the last with some of the most restrained, reserved and demure aromatics in the Okanagan Valley. All ways to say this is lovely, quietly generous and so settled to gift pleasure above all else. A most complex game of citrus and orchard fruit, distillate by nature, expertly seasoned with fine sea salt, white pepper and lemongrass powder. Such a gift nine years after vintage at a ridiculously reasonable price. Drink 2023-2027.  Tasted November 2023

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blancs 2017, Traditional Method, VQA Short Hills Bench, Niagara Escarpment

Stoic, reserved, full scenting, flavoured and expressive. Tons of fruit here in what could only be 100 percent chardonnay. From a vineyard planted in the 1990s to Clone 95 chardonnay and a place of incredible consistency, “one of the most I’ve ever worked with,” tells winemaker Lawrence Buhler. Sees 54 months on its lees and while it may be difficult four to five years ahead to know what will happen – this is Ontario’s benchmark sparkling wine that always comes through. Not merely a matter of replication but more like intuition conjoined with persistence.  Last tasted blind at i4C, July 2024

Consistently crafted as a Blanc de Blancs that sees 60 months on the lees from estate grown chardonnay. From a varietal growing season so ideally destined for sparkling wine because a cool and wet spring plus summer emerged in late August to hot days and cool nights through October. In the middle of that spell is the chardonnay pick for sparkling and as good, complex and riveting as this arch-classic Ontario bubble may have been before – well bring on 2017 for next level complexities. Tasty, piquant and toothsome, of toasty brioche like never before and this swirl of creamy fruits and exotic seasonings. Feels like aged Growers’ Champagne and the fact that it is from Niagara makes it all that much more satisfying. Plenty of crunch, succulence and acid-driven energy from a meticulous bubble. The benchmark for local. Drink 2023-2027.  Tasted November 2023

Jacques Viljoen – Boschendal

Boschendal Cap Classique Jean Le Long Prestige Cuvée Blanc De Blancs 2012, WO Elgin

Presented by cellar master Jacques Viljoen for a sparkling wine coming from one of South Africa’s coolest climate area. The first vintage was 2007 and these are vines planted south-facing (i.e. cooler in the southern hemisphere) and facing the sea. A place where grapes can hang long and develop phenolic ripeness even while coming in at a brix number just above 19. Lower dosage now and so the autolytic notes (if not globally classic in their expression) and also excitement are increased. As much toast, autolytic and oxidative notes as any in a blind flight of eight. Pushes the envelope to see what can be done with sparkling wine, malolactic fermentation, wood aging, near dry dosage and lees aging. Not so much the classic brioche or baked bread representation but there are complex notions perceived from that aforementioned style clearly chosen, conceived, attempted and for the greater part, succeeded. Drink 2024-2027. Tasted blind at i4C, July 2024

Kyle Loney and Whitney Collins – Advini and Domaine Laroche

Domaine Laroche Chablis Les Vaudevey Premier Cru 2022, Bourgogne AOC, France

The word precise is often used to describe Chablis and many other global chardonnays, sometimes gratuitously but here perfectly applies to the Laroche Vaudeyey. Les VdV ’22 is focused to a virtue with its equality, equanimity and equilibrium from start to finish. A lexical entry to figure out the crux and relationship between cru and village.  Tasted a second time, July 2024

The immediate feeling perceived would be of a chardonnay bottled with lees, of a certain level of autolysis though neither by brioche or with respect to the sparkling kind. More like washed cheese rind, preserved lemon and that kind of texture that skin contact whites also deliver. The sort that settles on the tongue like a dissolving salve but here the subtlety suggest lees in the bottle more than light “orange.” In fact this is essential Chablis and does it not just feel like Ontario winemakers (in particular) are trying to emulate such a style by keeping lees in their bottles? Drink 2024-2028.  Tasted blind i4C, July 2024

Deux Roches Pouilly-Fuissé Vieilles Vignes Deux Roches 2022, Bourgogne AOC, France

Also a bottled with lees style of chardonnay with a level of richness so rightly and righteously older/traditional schooled, but so bloody clean and expertly made. Express and expert tang, layers of citrus, more grapefruit than many, fine tonics and also sweet bitters. There is some fat here but also acidity and verticality, in other words tension, more so than many of the appellation. Recommended by Export Manager Romain Bourgeois and also Stefan Neumann M.S. to pair with The Little Sparrow, a.k.a. La Vie En Rose, the one and only Édith Piaf. Drink 2024-2027.  Tasted blind at i4C, July 2024

Bachelder Chardonnay Grimsby Hillside Vineyard Frontier Block 2021, VQA Lincoln Lakeshore

So much to digest, first with knowledge of chardonnay in the hands of one monkified human that shall be named Bachelder and second of so much to take in and absorb from the label on the bottle. Niagara Cru (there are many), Single Vineyard (there are more), Grimsby Hillside Vineyard (current status Grand Cru, in progress) and Frontier Block (one of two within the great new frontier, inclusive of Red Clay Barn). Two-toned, of bites and textural chew, sexy chardonnay, clean and focused. Highest level aromatics at the peak of what is possible out of Ontario, positively spicy, white peppery even. Cleanest lees usage for a chardonnay of clarity and relatively speaking, also substance.  Last tasted blind at i4C, July 2024

Vintage number three from Grimsby Hillside Vineyard and now more specific by way of a split, with the Frontier Block as the plot within the larger plot, along with that of Red Clay Barn. Drilling down into this historical vineyard that has risen as fast as any New World terroir, just about anywhere these sorts of things are measured. Here named for the final frontier, that being the “last terroir” in Niagara and who knows, maybe it will soon be the first rolling off of everyone’s lips. GHV-FB 2021 is a force, that much is clear from the first look. Or nose, for what matters. Cool and stony style from a wide open space where limestone, shale and gravels conspire to create something new and with absolute potential. It’s already arrived thank you very much and while words like luxe and opulent do not come to the tip, others like succulent and scintillating do. Just something so real and right at your doorstep, vivid beyond chardonnay compare, a stealth fish swimming in clear waters. Truly complex for chardonnay and it must be noted, unlike any other in the world though at the same time feeling like something you’ve known your whole life. Make an exception to delve into this exception because when it comes to chardonnay, this is what we need. Remarkable clarity and distinction, precision extraordinaire and a wine to cast nets far and wide to secure as many bottles that could be found. Drink 2024-2032.  Tasted December 2023

Thirty Bench Chardonnay Small Lot Extended Lees Aging 2021, VQA Beamsville Bench

Spent 22 months in barrel, in other words space was not needed for new juice after 10, nor did Emma Garner feel the need to remove this lot and so 22 months it was. For good reason, great measure and bonafide success. You know the extra wood melt is there and integration is so complete. No compromise to fruit from a vintage aboard the Beamsville Bench that gave of itself selflessly to mingle in cahoots with the cohorts of those barrels and nuances at every turn. Acumen begets probability which in turn generates prospect. Conclusions drawn are expressed with silent nods, a twinkle and smile. This will age gracefully for 10 years.  Tasted a second time, July 2024

Maximum ripeness, warm vintage no doubt, captured and locked into what feels like a reserve style of chardonnay. Full and fine, fleshy and yet sturdy, chiseled musculature, riveting and attention so locked in. As is ours because we simply can’t turn away. Not an easy vintage tells Emma Garner because there was some rot, botrytis and less than desirable grapes. But there was also plenty of great fruit once the chaff was culled, the wheat came in and in turn a terrific chardonnay was made. The length is outstanding.   Tasted blind at i4C, July 2024

Stratus Vineyards Chardonnay Amphora 2021, VQA Niagara-on-the-Lake

Several factors are here at play, namely lees but also vessel so that the mineral aspect exhumed and manifested as texture makes us think about place. Spices run amok and that housing continues to occupy the impression that is distinctly Ontario chardonnay. Bottled with lees would be the reason behind the feeling and also the fact that it has been aged in amphora. First edition, fermented and aged in the clay vessels, influenced by Rene Barbier Jr. says winemaker Dean Stoyka. “It really respects the fruit and causes some restraint in the wine,” he explains. “Giving some salinity and richness on the mid palate.” A unique way to make chardonnay indeed.  Last tasted blind at i4C, July 2024

Along with cabernet franc this chardonnay was also tucked into and raised in amphora, no surprise because these have been two varieties suited up for experimental tests. Very late harvested (November 4th) from the 2021 vintage and specs are not very elevated for this wine. Moderate across the board and yet it is the clay that defines what we nose, taste and feel. Wet clay, a preserve with notable vegetal and savoury elements, banana esters, soft wool and ultimately a new set of varietal parameters imagined. One assumes this is bottled with a similar amount of lees as the R & D Stratus OG chardonnay but the clarity and transparency of the AC suggests something other, or wise. All in all a conundrum frankly, jury still out, much left to figure, pilot, trial, error and decide. Drink 2023-2025.  Tasted September 2023

Maenad Wine Company’s Yvonne Irvine

Maenad Wine Co. Chardonnay Skin Contact 2021, VQA St. David’s Bench

Orange chardonnay is a thing and this leads by example. Cloudy, hazy and yet much cleaner than the visuals might suggest. From Yvonne Irvine’s virtual wine project, made at Creekside and sold through the retail license at Marynissen Estates. Breaks down regular conventions like busy beavers taking apart wood and making their dens. To be honest skin contact wines don’t get much more delicious than this, especially from chardonnay, fruit having been “borrowed” from the vineyard owned and farmed at Niagara College. Full malolactic, lees stirring, older French wood for seven months. The richness, roundness and cozy-fuzzy feeling on the palate shows just how well this turned out. Should be so interesting to see how this ages – can’t hep but think it will go through the process with ease. Drink 2024-2027.  Tasted blind at i4C, July 2024

Stefan Neumann MS

Dobbin Estate Vineyard & Winery Chardonnay 2020, VQA Twenty Mile Bench

As full, rich and riveting a style of Niagara chardonnay as there has ever been. Ripeness at peak, wood in full glory, generously yet judiciously used and the overall effect is something usually reserved for what many will think of as a story written over centuries by Beaune chardonnay. There is delicacy here and if this chardonnay were a book it would be a page turner, which says this vintage in particular should likely appeal to a great and wide audience. Make no mistake though because a wine like this is comfortably affordable to the haves. That it turns out to be a Peter Gamble and Ann Sperling made chardonnay from a top warmth vintage comes as little surprise. Drink 2024-2027.  Tasted blind at i4C, July 2024

Morgan Juniper – 16 Mile Cellar

16 Mile Vineyard Chardonnay Civility 2018, VQA Beamsville Bench

Just carries and emits the feel of classic chardonnay winemaking, without hesitation or equivocation to result in something so knowably Niagara. The wood is on the weighty side and maturity has begun to see this wine acting its age. “I really think it’s important to honour the process of patience in winemaking,” says winemaker Morgan Juniper. The opportunity is not always available to do that but the ripeness here presented the proposition on a platter. “This wine is like waiting for a child to actualize their full potential,” she adds. “I wanted to push the boundaries to see this actualize at a later date.” As it has and the window is fully open with another year or two of enjoying this light lees-affected, barrel-aged and now of a chardonnay at this all in butterscotch stage. Drink 2024-2026.  Tasted blind at i4C, July 2024

Not labeled as such but essentially a Reserve wine taken from a single barrel housing all estate fruit. High level of concentration and richness in the face of a vintage considered cool and challenging, but when you take a smallest of small lot wines like this that just does not apply. Everything about this is classic, basket pressed, natural ferment, full natural malolactic, 22 months maximum for oak aging, Burgundian obviously and medium of toast. “We come to barrel turbid – we like density,” notes Peter Gamble. (Peter) and Ann Sperling really liked this one particular barrel and decided to put it to magnums only. From late September and early October picks, finished at 14.5 percent alcohol and ultimately mouthfeel that rivals some pretty warm wine growing regions. A chardonnay that moves beyond Bourgogne to offer up its very own definition of Niagara’s Twenty Mile Bench.  Last tasted July 2024

Friday, Saturday and Media room tastings

Trius Chardonnay Showcase Wild Ferment 2021, VQA Lincoln Lakeshore

A matter of factor decided by two essential aspects, the first being this chardonnay’s wild ferment and the second surely vintage. Turbidity endured and yeasty ebullition understood are how Wild Ferment ’21 co-opt and conjoin for aromas dedicated and unique to the Trius distinction. Scents of tropical fruit bathing in opaque waters cleansed by energy and movement to result in seriously complex chardonnay. Some spice tipping the tongue and tripping the palate fantastic for machinations of dreams and fantasy. Curious 2021, wild and woolly of texture with the confusion in delivery of a great part of the fun. The back label reminds that the fruit source continues to be Watching Tree Vineyard. Drink 2024-2027.  Tasted July 2024

Rosehall Run Chardonnay JCR Rosehall Vineyard 2021, VQA Prince Edward County

More of a restrained, stoic and while not reductive as chardonnay per se there is a wall erected between aromatics and early joy. A JCR dictated by its extract and structure, a compound butter in hard shell, surely not one in delivery of early returns. The crispiest, crunchiest, saltiest and most savoury of all the Dan Sullivan draws from the oh so important PEC Rosehall Vineyard. Try not to blink for many chardonnay that change straight away but with Rosehall that is far from the case. Twenty minutes in a glass and plus ça change, as they say. Immovably youthful chardonnay, stark and as a contrast, so sown, sworn, authoritative and stone cold of its own accord. There are 2021s from Ontario what will last comfortably in states of fickle freshness for 15-plus years. This could very well be one of them. Drink 2025-2031.  Tasted July 2024

Domaine Queylus Chardonnay Tradition 2022, VQA Niagara Peninsula

Warm and inviting, textural like silk, some glycerol and running soothingly smooth from start to finish shows a different look and separates itself from other vintages. Kelly Mason’s ability to change it up while still maintaining an always high level is a chardonnay testament to a team that ranks with the hardest working makers in Niagara Peninsula show business. There are clean yeasty notes, like sourdough in the proofing stage and subtle baking spice with texture truly divining the directive for high quality “classico” Niagara chardonnay. Never gives up or in, never too hot or cold, a great vintage in Mason’s estimation, but then again, “anything was better than ’21.” Drink 2024-2027.  Tasted July 2024

Taylor Emerson and Jonathan McLean – Black Bank Hill

Black Bank Hill Chardonnay Runway 2023, VQA Lincoln Lakeshore

Gotta be the first chardonnay out of the gates from the 2023 vintage and if this cracker example is any indication of what’s coming then hold on to your senses. Recently bottled and even with an early (September) pick this saw less than 10 months of aging, but the mix of indelible lees and high voltage (8.5 g/L) total acidity put this in scintillant, dare it be said Blanc de Blancs styled territory. So very different to the Runway White (blend) because of its intensity but also warmth at 13.8 alcohol, not quite torridity, but a white peppery scorch nonetheless. Wild and exciting shift from vintner Taylor Emerson and winemaker Jonathan McLean. Will be hard to wait and anticipate what the next level chardonnay turns out to be. Drink 2024-2026.  Tasted at i4C, July 2024

Alex Baines – Hidden Bench

Hidden Bench Chardonnay Unfiltered 2022, VQA Beamsville Bench

Say 10 months in French barrel, a warm vintage to coax out full concentration though “bunch weight and tonnage were actually lower than 2021,” tells winemaker Alex Baines. “More on the average” and yet this Estate level is all that 2022 could be and more, of fruit so silkily rendered, starred gastronomy plated and proffered as if by sous vide and reverse seared white meat, asparagus, salsify and yucca for one of HB’s most sweetly vegetal and succulently situated chardonnays. Gentle spice, firm grasp of the Beamsville Bench, extract accumulated at the peak of the proverbial chart and elastic tannin. All fine, refined and stylish.  Last tasted blind at i4C, July 2024

Full and wholly substantial chardonnay wth fruit juiciness, acidity and intensity. Never relents, takes a break or falls away. Keeps a straight line and follows the progression to a vanishing point. The perspective here is focused and linear. Top “Villages” example. Drink 2024-2027.  Tasted blind at NWACs24, June 2024

Dancing Swallows Chardonnay “Composite Number” Unfiltered 2019, VQA Ontario

Maturing, acetic and yet quite complex aromatics offer more than curious intrigue. Über cool climate, variegate ripenesses in the fruit and the acetone incites the proverbial shower curtain comment. All that said there is promise and even pleasure to be had.  Tasted July 2024

Hidden Bench Estate Winery Chardonnay Felseck Vineyard 2021, VQA Beamsville Bench

My goodness this is special chardonnay, coming as no surprise and if your thoughts and emotions for 2021 Niagara chardonnay need buoying than begin the bob right here. Precise aromas, immediate and echoing, more fruit than frankly necessity should expect as the mother of invention because mineral and saltness demand our utmost attention. Yet the fruit stands firm and even pulpy in the face of the crushed stone infiltrate from a vineyard stop on the grandest of Niagara cru tours. Exemplary to speak on behalf of a vintage that separates wheat from chaff, pinpointed location from just anywhere and adults from the gambling trials of youth. Drink 2024-2028.  Tasted July 2024

Kelly Mason and Brooke Husband – Domaine Queylus

Domaine Queylus Chardonnay Réserve du Domaine 2022, VQA Niagara Peninsula

Kelly Mason has hit the proverbial nail on the chardonnay head with her focused and balanced work with 2022 fruit to create what will forever exists as a quintessential Réserve du Domaine. The sort that will linger for years and be compared with when subsequent vintages are produced over the next 10-15 years. Remember the 2022 they will say. Ideal posit tug and a correct split between ripe fruit and stony goodness, also considered as mineral wealth to equip the wine with structure and subsequently longevity. All this despite a slight miss on acidity, which really turns out to be a thing of vintage. Brava team Mason. Sometimes there are misses when we taste blind.  Tasted July 2024

Oak all over, toasty notes in the orchard fruit aromas, mid-palate texture and no glissade but instead a settling on the palate. A bit heavy though just a year’s time will integrate the cloud. Lacks the right kind of acidity to really make it sing. Drink 2024-2026.  Tasted blind at #NWACS24, June 2024

With Alphonse Potel – Domaine de Bellene

Maison Roche De Bellene Vieilles Vignes Bourgogne Chardonnay 2022, AC Bourgogne

A vieilles vignes at Bourgogne AOC level that proves the ’22 point just how universal these wines should be admired and can be your friend. Bellene’s is luxe, focused and balanced.  Last tasted at i4C, July 2024

Sharp chardonnay from Nicolas Potel’s Maison Roche de Bellene out of 2022, lightly reductive, tightly wound and beaming with energetic light. Got a buzz and a vitality about it, with old vines concentration keeping pace and developing texture as we speak. This has been a good sku in the past but Potel has hit the proverbial varietal nail on the head this time around. Drink 2024-2026.  Tasted July 2024

Nadia and Ilya Senchuk – Leaning Post

Leaning Post The Fifty Chardonnay 2022, VQA Niagara Peninsula

What was once a true matter of 50-50 barrel to steel raising has morphed and is now another matter. A concrete matter for today’s 50, full of fruit and fuller after its cementing, a posit tug still, even though wood and steel no longer play the push-pull game. More about fruit versus lees, tension so tight the rope never seems to budge, but it sways and slings within inches of itself. A bloody poignant vintage in spite of warmth, contiguous from its wild ferment and winemaking truth. Drink 2024-2026.  Tasted at i4C, July 2024

Matthias Messner – Kellerei Bolzen

Kellerei Bozen Chardonnay Bolzano 2022, Südtirol Alto Adige DOC

Really hot year tells Matthias Messner for a steel only raised chardonnay on lees from vines at 550-600m of elevation. Close to the south of Balzano, “a windy area” with cooling temperatures at nigt. Straight as a marksman’s arrow, cracker sharp and the sort of chardonnay to pierce your heart. Quenching, satisfying and Südtirol perfumed. So drinkable.  Last tasted at i4C, July 2024

Has been three vintages since getting back to tasting this archetypal Südtirol-Alto Adige chardonnay from top quality and quantity cooperative producer Bolzano. Can’t go wrong with the style or the effect, of no oaks given and the most lemony sunshine one could arrive hoping to find. This is a terrific vintage for a chardonnay we could all afford to drink a boatload of. Drink 2024-2026.  Tasted July 2024

Boschendal Chardonnay Appellation Series 2021, WO Elgin

“It’s easy to make quality chardonnay,” says cellar master Jacques Viljoen, “but hard to make sellable quality. Also scaleable but Boschendal seems to have accomplished all three with their high level tiered Appellation Series Chardonnay. What could be called a 2021 of dramatic restraint, of tension but never nervous, of grip but no abuse of power. Brilliant chardonnay and Ontario consumers should be happy to know it will become available in the upcoming VINTAGES September Classics. Drink 2025-2028.  Tasted at i4C, July 2024

Lydia Tomek – Ravine Vineyard

Ravine Vineyard Chardonnay 2021, VQA Niagara-on-the Lake

All Niagara-on-the-Lake fruit, from three vineyards and with just a wee bit of musqué inclusion to give Ravine’s chardonnay that gentle spirit and floral lift. Just that subtle hint of jasmine flower, oxalic acid lemony scent of purslane and faint anise of chervil. Spends 18 months in a majority of old wood which does develop texture to find this somewhere comfortably between pillowy and elastic tension. You may not always have you’re best stuff but you can still contribute admirably to the team. Though 2021 is not the recent vintage to set Niagara chardonnay up for its greatest balance, “you take everything you’re given and make the best of it,” reassures winemaker Lydia Tomek. Which she clearly does to deliver a chardonnay to keep the dream alive and the streak unbroken. Drink 2024-2026.  Tasted at i4C, July 2024

Thirty Bench Small Lot Chardonnay 2021, VQA Beamsville Bench

True to Bench chardonnay sprit and energy, standing upright, demanding to be noticed and in turn we are paying attention. A harvest of demand forces the team to focus and pay extra attention, to do everything possible for greater returns. Picking and sorting strategies finds the best available fruit to create something cool, gelid, succulent and shockingly Chablis like. Should age longer than first anticipated.  Last tasted at i4C, July 2024

Small Lot just has to be the ownver of the lowest of low alcohol number as it pertains to the Beamsville Bench and at 12.6 percent the conversion rate falls under the categorical auspices of magic. This is not a light chardonnay but it is a lithe, elastic and effusive one. Aromatically demure yet soft and almost caressing, without peppery (and sharp apple) bites or jolting in any way. The palate runs a similar course, gracing with soft and round flavours that are easy and stretched. Lovely and amenable 2021 here from Emma Garner and one to savour slowly, in a calm and tranquil setting. Drink 2023-2025.  Tasted July 2023

Katie Dickieson – Peller Estates

Peller Estates Private Reserve Chardonnay 2022, VQA Niagara Peninsula

A factor of chardonnay and also musqué interplanting, unique for Niagara and smartly put to a 50-50 ferment between steel and oak. What follows is 12 months in barrel and mostly no malolactic fermentation though says Katie Dickieson, “some might happen.” Clear, clean, precise, pristine and from an ideal vintage to make this style of direct, ready to rock chardonnay. Beautiful. Drink 2024-2025.  Tasted at i4C, July 2024

Westcott Chardonnay Estate 2022, VQA Niagara Escarpment

Wild ferment and malolactic happenstance, “and if it occurs simultaneously,” says winemaker Casey Kulczyk, “it’s fine, I want this.” Barrel fermented, super turbid going in and also desired. Welcome to 2022, a vintage for which its maker forgets and leaves everything behind because adversity and challenges always puts one on their toes. Cold snap in winter, vine damage and a 60-plus percent loss of buds (on chardonnay). Great quality nonetheless, a new or different estate mix to result in a more linear, tight, bright and for Westcott, extreme iteration. Yet this arrives brilliantly, very young, not itinerantly fruity, but sharp and hyper real. Drink 2025-2029.  Tasted at i4C, July 2024

Tawse Chardonnay Quarry Road Vineyard 2021, VQA Vinemount Ridge

No shock or surprise that Quarry Road ’21 is a mineral bomb, coming away on that rocky side of the 50-50 fruit to stone compendium. Forget everything you’ve heard or read about this arch-cool Vinemount Ridge chardonnay, but also ignore all the noise about unmitigated disaster by vintage. Niagara winemakers should always make quality cool chardonnay these days and Tawse holds more water and responsibility than most. Jessica Otting is ten times equal to the task with a Quarry so precise and focused it may just make a tooth or two feel the mineral pain. A chardonnay chillingly representative of its vineyard yet, rewriting the jazz because of the shall not be named vintage. The naysayers can run away and hide in their holes because history will be kind to these wines, especially when they shine on in tastings ten years forward. No crutch or apology, sorry not sorry. Remember 2011 and 2013. Now forget them and only speak of 2021. Just great chardonnay. Drink 2025-2030.  Tasted at i4C, July 2024

Cave Spring Estate Blanc De Blancs, VQA Beamsville Bench

Classic, sharp, intense and ideal. A ripper, “and I love that” says Stephen Gash. Dry as the desert in such a plainfully proverbial way. Scintillant extraordinaire.  Last tasted at i4C, July 2024

For the first time in quite some time the next look at the Cave Spring Estate Blanc De Blancs is bang on one year later and so yes, freshness is the thing. Crisp and crunchy, stylistically so consistent and really set up to act as the dictionary entry for chardonnay as sparkling wine out of Niagara. It’s just so spot on, high in energy and exacting for style, place and estate.  Tasted November 2023

Domaine Des Deux Roches Saint Veran Vieilles Vignes 2022, Bourgogne AC

From the estate’s flagship old vines holdings in the village of Saint-Véran on the slopes set below the famous two rock faces (Deux Roches). They happen to be the largest holder of hectarage and as such this is one of six cuvées in the Véran. As crunchy as any in the Bourgogne Mâconnais, or will ever be, with crisp bites and never dissipating tension. Sharp, representative of great value with several Premier Cru coming to mind and a vintage quality to solidify and formalize the overall trenchant intention, consolidation and voice. Drink 2024-2028.  Tasted at i4C, July 2024

Violette Bachelder and Mary Delaney – Bachelder Vineyards

Bachelder Wismer Wingfield Chardonnay 2021, VQA Twenty Mile Bench

By this time Wismer-Wingfield is the standard Bachelder chardonnay, the one of great acumen and knowledge accrued, the most middle of the road of the Toussaint releases. This is said with greatest of compliment because there is no substitute for experience and Thomas has long since figured out how to make this most high level and consistent chardonnay. No lack for all this and more from 2021, of a wine where fruit and wood share equal space but both exist on the same footing. As always the presence of waxy, aerosol and resinous notes that chardonnay for Wismer-Wingfiled always displays. There is something to be said for the same old. Drink 2023-2026.  Tasted December 2023 and at i4C July 2024

Leaning Post Chardonnay Senchuk Vineyard 2021, VQA Lincoln Lakeshore

“I fought the grapes…and the grapes almost won,” quips Ilya Senchuk. We should note that the the temps are/were five to six degrees cooler in Grimsby/Senchuk Vineyard and so he and Nadia feel quite strong about their success for cool climate chardonnay out of the adversarial vintage. A “war of attrition” perhaps and some losses but in the end more wins, but you have to buy and taste these wines to find out. Ilya agrees that sometimes “you have to get out of the fruit zone,” and not just with respect to pinot noir. The mineral aptitude and stony goodness of this cracker ’21 Senchuk chardonnay will not be denied. Not to mention at 12.5 percent alcohol we need to look past lean and consider magical conversion rates. See for yourself. Drink 2025-2029.  Tasted July 2024

Cloudsley Chardonnay Twenty Mile Bench 2022, VQA Twenty Mile Bench

Always a mix of Wismer fruit, of Wingfield and Foxcroft, same bat fermentation and same bat channel. Wild ferment that is, followed by 18 months in French wood with one-quarter or so being new barrels. Balance of the old and new, the buttery and the grippy, the soft and the profound. A recurring fruit theme for 2022 with less tension and tightening as compared to say ’19 and ’21. Getable as chardonnay though persistent in its inherent cool climate origins. Still it will attract more and more consumers who hold preconceived notions about the idea of chardonnay. Drink 2024-2027.  Tasted July 2024

John Szabo M.S., Godello and Malivoire’s Shiraz Mottiar

Malivoire Chardonnay Mottiar 2020, VQA Beamsville Bench

In a state of grace resolve on course to deliver its best at every step of development. In the heart of the matter now, primary yet moving forward with finespun caramel right ahead. So well conceived and made to honour its origins.  Last tasted at i4C, July 2024

Sure there is a full and subtly opulent quality to the Mottiar 2020 but from the beginning there is confidence and balance. Always this way but ’20 is special in that regard, comfortable in its skin and so sure of what it brings to the chardonnay table. Beamsville Bench beauty and bounty, acidity so sweet and developed it feels like it has not yet acted just like this before. A hint of paraffin and beeswax, a lilt and a rise in beats here and there but most of all freshness and that aforementioned surety of conviction. Drink 2023-2027.  Tasted July 2023

Blomidon Brut Réserve NV, Annapolis Valley, Nova Scotia

Put to bottle in 2019 and so five years on lees ain’t nothing to develop complexities, eccentricities and potential variability. This pour comes out of sound and vision, disgorged in March of 2024, set to be released in the early Fall. Makes great use of 2016 and 2017 fruit, plus a small amount of the frost vintage 2018. Youthful, appropriately Blomidon Peninsula/Annapolis Valley tightly wound and in a way very chardonnay, though not glaringly so. “For us this is the future for non-vintage,” explains Simon Rafuse, “and to save the cooler vintages for Blanc de Blancs.” It’s a reverse engineering kind of approach. Simply put, in cooler vintages you can’t push wines through malolactic and so chardonnay is best purposed for sparkling when acids are high and pH levels are low.” Like 2011, but not 2010 and Rafuse adds that “the problem is you have to wait many years to see the results. But it’s worth it because they are really good.” True that. Drink 2024-2028.  Tasted at i4C, July 2024

Dean Stoyka and J-L Groux – Stratus Vineyards

And there were visits

Stratus Vineyards at Bar Ruffino

Stratus Brut Nature Zero Dosage 2013, VQA Niagara-on-the-Lake

J-L Groux explains that the main factor for making this kind of sparkling wine is PH, “because the aromatics will be built upon six to seven years of lees aging time.” J-L feels this ’13 is going to be the winner now, and for 20 years. Not far off it would seem because of the “partial disgorgement” method, well within VQA rules and thus you arrive at a toasty smoulder unlike any other sparkling wine. The lees are the thing, in fact they are everything. They prevent the aromas and the wine from oxidizing. Amazing.  Last tasted July 2024

Comes across a bit cloudy, at least as compared to the B de B with thanks to the natural, lees left intact style. The citrus component is so pronounced, as is the taut, direct, lean and intense manifold destiny of what is truly a singular Sparkling wine. That being a living, breathing, inhaling and exhaling wine, slowly releasing proteins, acids and realizing its B de B Nature dream. Just amazing what lees can do for sparkling wine.  Tasted July 2021

Released side by each with the Stratus Blanc de Blanc 2013 and while vintage and grape are the same, the similarities almost seemingly, ostensibly and allegedly end there. Yes in fact this 100 per cent chardonnay is a child of the most excellent varietal vintage and like the B de B spent six years on the lees. Comparisons cast aside it is the very fact that because much of the lees were transferred to bottle by a minimalist’s disgorging that this cloudy bubble with a Canadian artist’s series set of labels can’t help but elicit another memory. The Lilies of Monet and their clouds represent neither the horizon, nor the top or the bottom. Nor does a bottle of this Zéro Dosage Brut. The elements of water, air, sky and earth become intertwined in a composition without perspective, or so it goes in this hazy, opaque and dry as the desert sparkling wine. So many layers of lemon can be peeled, juiced and scraped away. If a Stratus wine could be a a riddle, wrapped in a mystery, inside an enigma then here it is. The texture here is palpable and the intrigue factor surely high, so it should be imagined that longevity will be this wine’s calling card. It’s more austere than the Blanc de Blanc but I think in fact it will. Drink 2022-2029.  Tasted November 2020

Stratus Chardonnay Reserve 2002, VQA Niagara-on-the-Lake

Harvested between October 4th and 6th which for J-L Groux was early, akin to harvesting in early September in the Stratus world of today. Barrel fermented for 350 days in a mix of new, second and third fill French wood. Low(ish) acid and high pH vintage from the vineyard purchased just two years prior. The team went about immediately reducing yields from eight to two tonnes per hectare, “direct to concentration,” says J-L, who at the time partnered with Peter Gamble to make this rare iteration labeled as a Reserve wine. They selected barrels for this premium chardonnay and truth can feel counterintuitive because many years after having tasted the (Non-Reserve) 2002 it is this ultra varietal bottle that shows impossible freshness. Persistent in reserve, laden with grapefruit and as much texture as wood is want to impart. Well, actually a bit less than expected but as a chardonnay expression with the same fruit the special barrels chosen have come about with such a different result. Less preserved lemon, wax, late bitters and oxidation. Therefore sharper and fruitier while in the end likely just what Peter and Jean-Laurent were looking for. Drink 2024-2026.  Tasted July 2024

Stratus Vineyards Retrospective at Bar Ruffino

Stratus Chardonnay 2009, VQA Niagara-on-the-Lake

Late pick (November 10th), high acid, smoky and smouldering chardonnay, connecting it to a course of action for those that are made today. A precursor and one that the winemakers surely look back at and draw upon for current preoccupations. Especially Dean Stoyka who stirred some lees and learned how to get his chardonnay through malo during his Niagara College educational days. Looking at 2009 helps to consider the sparkling wine program because the specs and style of this wine are clearly inspirational towards that end.  Last tasted July 2024

Comes off like a white blend, aka Stratus White but this is the outright, unchaste vintage talking. Winemaker J-L Groux crafted three wines with viticulturist Paul Hobbs. Here they split the project 50/50 with Hobbs including wild yeast fermentation and whole bunch pressing and J-L adding short skin contact, controlled yeasts and no whole bunch pressing. From extreme low yields, this one puts on a show after only 10 months in barrel. High on aroma, brazen in texture, ambient in flavour bites. Very Niagara if inexactly Chardonnay.  Tasted March 2014

Stratus Chardonnay Bottled with Lees 2015, VQA Niagara-on-the-Lake

Medium acid and low pH year, picked across September which is early (and necessary because acids would have waned) but what matters most are the lees kept in bottle. To develop aromas over time and ward off oxidation. So unlike the 2009 tasted side by each, here from a “winter damage year” tells Dean Stoyka. Small crop, somewhere between 88 and 91 tonnes (the number changes form time to time), average heat and precipitation. Serious chardonnay concentration, fruit persistent, in great shape and a better wine today than it showed as seven years ago.  Last tasted July 2024

The 2014 vintage was essentially the first year when barrel lees would be left in the bottle and my how conservative this ’15 really was as compared to an evolution that culminates (currently) with the full on lees filled chardonnay vintage. Quite the opulent vintage mixed with aromatics still morphing, developing lees, brash and blushing by 40 per cent new oak, complimented by generous acidity. Showing with controlled drama and though the yields were low (only 88 tonnes) there is something quite special about this emotionally charged, vivid, scarce and remarkable chardonnay.  Last tasted July 2021

Stratus Amphora Chardonnay 2022, VQA Niagara-on-the-Lake

“Slightly, maybe three times more oxidative than a barrel,” explains Dean Stoyka as it pertains to amphorae. Kind of surprising but then again there needs to be a good reason for choosing these tight-grained Tava Amphora baked at higher temperatures, especially as compared to Georgian Qvevri. More oxidation means more lees and more lees means kept freshness plus the ability for aromas to develop into complexities over time. As for a a second kick at the chardonnay in amphora can by Stratus well then assessment out of expectation also triples and the learning curve realized by Stoyka becomes three times the fun. Where is the reference point? Who cares because the nurturing of this fruit and palate caress conspire to create a feeling, as if you have known this wine your whole life. A matter of great positivity and understanding. Dios mio, man. Longevity should never be questioned and reasons why never argued. Keep at it, keep on keeping on. Drink 2024-2030.  Tasted July 2024

Hillebrand Trius Barrel Fermented Chardonnay 2000, VQA Niagara Peninsula

Nutty, flor oxidative and 24 years of age. From a very cool year and J-L Groux’s roots as a Niagara winemaker. Reluctantly fresh and honestly a good showing at this ripe old age easily into a time when the ideas and thoughts of mortality and finality can’t help but creep in. Though the wine would not shine to the dispassionate it does cause a stir of interest to a group of writers, influencers and sommeliers, all happy to drink one glass. Kudos to the Stratus team for offering up this cool piece of chardonnay history.  Tasted July 2024

Dobbin Estate Vineyard & Winery

Dobbin Estate Vineyard & Winery Chardonnay 2019, VQA Twenty Mile Bench

This may be just the first stages of Dobbin’s tenure making high end wines from the Twenty Mile Bench but auspicious does not begin to describe the level of sophistication marking these beginnings. The erudite oenological consulting team of Ann Sperling and Peter Gamble have taken chardonnay into territory they are quite familiar with but always keep in mind that top terroir, vineyard conditioning and uncompromising preparation are what collectively set this up for success. This 2019 is from a cool climate vintage out of a cool climate place and recent history tells us that these are chardonnay that live good, long and healthy varietal lives. Luxe yet still crunchy, high quality wood used generously if judiciously and in the end this kind of rocks the world. In a chardonnay way. Drink 2024-2028.  Tasted April 2024

The Tower at Dobbin Estate

Dobbin Estate Vineyard & Winery Cabernet Blend 2019, VQA Twenty Mile Bench

From a cool vintage, long one though and cabernets cropped at the lowest of the low – less than one tonne per acre. ”A drinkable style,” says Peter Gamble and “I like the ‘19s from Niagara for that reason.” Pretty much a 50-50 final blend, almost too easy if by design and immensely popular with those who know, but also those who do not necessarily know the how or why. This is not a Caymus drinker’s red but it will inform and in turn impress they who should do better than their muscle memory habits of consuming over ripened, elevated alcohol, sugary reds. The ’19 is not particularly structured as a cabernet squared though the modelo drinking window is a good one.  Last tasted July 2024

First release for the new, high-end estate found on the Twenty Mile Bench with this stylish, Right Bank in make-up cabernet franc (inclusive of 15 percent merlot) having been sourced from a mix of the Homefront along with Creek Shores and Four Mile Creek. Oenologists Ann Sperling and Peter Gamble have consulted from the beginning and this is what would be considered a “Peninsula” wine because the fruit is drawn from three very different micro-climates. Sure seems like single site iterations are the future once each have been trialled and understood but for now the mix makes for a treat of layering and integration. Chic, full, substantial and generously oaky in the classic Sperling-Gamble style for full-bodied but never over the top Bordeaux reds for Niagara. The wood lends sweetness, fine chocolate ganache and a smoothness that is a hallmark of their wines. They did not go for structured broke in this inaugural bottle but the result is dreamy and leaves an impression, without seemingly trying to be impressive. No doubt a Napa Valley feel here which is always a compliment as it pertains to Niagara reds. The only qualm is the lack of franc-ness but that feels somewhat intentional. Drink 2024-2026.  Tasted April 2024

Tasting at Dobbin Estate

Dobbin Estate Vineyard & Winery Riesling 2019, VQA Twenty Mile Bench

Classic and balanced, concentration meeting at the intersection where a righteous mix of sugars and acidities form layers from. Vineyard blocks are what define the intention and i turn the results of this riesling. Nothing overt, neither by salinity or sapidity, though their are hints, shadows and subtleties indicated by both. And so the requiem for this riesling’s success lies in its ability to please without speaking loud or acting with any sort of impunity or demand. This is why people who know nothing about riesling will gravitate to enjoying this as a glass of a special white wine. And those who get it will be hard pressed to label or pigeon-hole it as Ontario. The inclusion of some botrytized grapes has something to do with this. Drink 2024-2028.  Tasted July 2024

Dobbin Estate Vineyard & Winery Riesling 2020, VQA Twenty Mile Bench

A much warmer vintage for all of Niagara and with riesling the difference between 2019 and 2020 is truly the proverbial might and day. Almost an about face style with the ripest and juiciest ripe fruit, lower sugar and (less botrytis) but truth be told there is more richness and flesh in 2020. Intensity by implosion and higher sugar number (15-16 g/L) as compared top 10.5 fro 2019. Unrelenting flavours and a profile more Germanic than that more chiseled and muscular ’19. Drink 2024-2028.  Tasted July 2024

Ed Madronich holding court at Flat Rock Cellars

Flat Rock Cellars

Flat Rock Cellars Pinot Noir Foundation Series 2022, VQA Niagara Peninsula

The separation between Foundation and Gravity is essentially barrel selection with the winemaking being the same. So specific to this place, rusty and busy tart fruit, a mix of plum and cranberry, always curious, always complete. Gently and fluidly volatile, crunchy at its peaks and low rumbles in the valleys. A 5,000 case production (on average) as compared to 1,000 of Gravity. Never a question that this is and represents Flat Rock.  Last tasted at i4C, July 2024

No questioning the ripeness on all fronts, to the edge and precariously so with maturity and also a glycerol meets acetic set of circumstances. As such there is a raw cookie dough note, also potpourri and natural medicinals. A very specific tang carries the flavours and the sensation of style is duly noted. Gets chalky and the acidity takes over on the backside of this distinguishable pinot noir. Drink 2024-2025.  Tasted July 2024

Flat Rock Cellars Pinot Noir Gravity 2020, Twenty Mile Bench VQA

Warm vintage and about as high-toned that Gravity as pinot noir will ever be. A tight and to be frank also austere iteration that still remains and persists in this state of the unforgiven. If a Gravity has ever needed for time than this 2020 is certainly up for debate. Muscular, concentrated, broad shouldered, full of texture and buzz in its extremities. There is plenty of substance and so when the wine settles in it will do what intention asked it to do.  Last tasted July 2024

Jury’s still out on the season’s relationship between pinot noir, Niagara and especially the tattooed effect painted by the Escarpment’s benches. Gravity ’20 is still showing some early earthy, fermentative aromatic volatility by way of bread dough, tar, strawberry red fruit and coniferous-evergreen energy. Some stem inclusion surely, an early pick on acidity in a warm year, strength in maceration and equally pressed so that the Ontario greens also come through on the flexed rope of tannins. Like hastily hand-stretched pizza dough popping holes, or pulling liquorice too fast and causing cracks. Gravity is meant to fall softly downwards, gracefully and gently. The sour accents speak another language, a bit unfamiliar and yet the track record of this wine deserves respect and time. Jury will be hung and a new one will come back in two years for next assessment. Drink 2024-2027.  Tasted October 2022

Flat Rock Cellars Pinot Noir Gravity 2010, VQA Twenty Mile Bench

Really warm vintage, one of those in that time that ripened fruit to the max and so pinot noir went where it so boldly wished to go. One of those substantial examples that has surprisingly lasted deeper into its tenure than assessment of that vintage would have predicted. Good showing today and some duck prosciutto would work really well alongside.  Last tasted July 2024

Reels in Twenty Mile Bench fruit in a warm vintage as well if not better than any of its peers. Founder Ed Madronich is clearly slope and soil obsessed and this Pinot Noir is a study in topography and geology. To paraphrase Madronich, it’s ”more Pommard than Volnay, in a deeper and more masculine way than the Estate bottling.” Pinot barrels most representative of the Gravity style were chosen for the final blend, in this case noted by woodsy black cherry and spiced root vegetable. “Get a little savagery in your life.”  Tasted twice, April and December 2013

Flat Rock Cellars Chardonnay Foundation 2021, VQA Twenty Mile Bench

Middle road traveled, taken and projected for chardonnay definitive of a 25-year study by Flat Rock makers to arrive at this time. Lovely, juicy, prolific and in its Flat Rock way also a quintessential Twenty Mile Bench example of chardonnay What more needs to be said?  Last tasted July 2024

Foundation Series: Our Classics redefines the Flat Rock entry to market and gateway for their chardonnay. If you’ve been tasting these wines for a decade or more you’ll recognize these aromas from a 2021 that resonates of the house style. Inviting, somewhere between vanilla crème frâiche and lemon crème brûlée, soft and demure. Creamy palate texture, a swirl of butterscotch ripple curd and easy drinking all the way through. Many will find this soft but it’s best considered as a comfort food kind of chardonnay. Drink 2023-2024.  Tasted October 2023

Flat Rock Cellars Chardonnay The Rusty Shed 2021, VQA Twenty Mile Bench

If the Foundation delivers a quintessential Flat Rock chardonnay experience than The Rusty Shed takes it further. More substantial fruit and aromatic muskiness if less immediate joy and juiciness. No shock because RS is a wine that can and will age with this being one of those vintages that fit the bill. Reminds of 2011 or 2013, or maybe a combination of the two with the modern world of love and varietal development taking chardonnay from FR to new heights. Will hit the zone sometime later this year or early next. Drink 2024-2027.  Tasted July 2024

Flat Rock Cellars Chardonnay The Rusty Shed 2013, VQA Twenty Mile Bench

A more than appropriate vintage to pour side by each with 2021 because they share that Flat Rock Rusty Shed affinity of chardonnay needing some time to open up before delivering the juicy, gelid and fleshy character they will almost always eventually do. The ’21 will get to this place and few Niagara or Bench chards can go light years ahead into such a place of beauty. Just knew 2013 would get there and what a joy to be here with it.  Last tasted July 2024

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016

Flat Rock Cellars Riesling Nadja’s Vineyard 2021, VQA Twenty Mile Bench

A savoury, mineral and waxy Nadja as riesling, citrus as high and spritzed with energy as it will ever be. Not a vintage of concentration but rather one that is structured and so bloody specific to the vineyard higher up upon the estate’s step of the Niagara Escarpment. Flat Rock is perhaps the only estate with this level of elevation change, as much as a 10 story building from the this top vineyard to the (pinot noir) bottom. A place of air flow, equidistant to the lake and to the top of the Escarpment. Crisp, crunchy, tart and high level intensity, even for Najda. Need to wait a few years to see what next steps it will take. Drink 2025-2029.  Tasted July 2024

Flat Rock Cellars Riesling Nadja’s Vineyard 2006, VQA Twenty Mile Bench

Tough vintage but are they not the ones that find the magic of aging to deliver a wine like this? Phenolic and mineral as the saltiest of Nadja rieslings, ultra aromatic and a bit yeasty but the vintage had much to do with this. The rest is soil and location, up on the Twenty Mile bench on a second step up towards the crest of the Niagara Escarpment. Crunchy in every way, citrus as always but accentuated here (as it will repeat 15 years forward with 2021) and as Nadja, so very recognizable. Drink 2024-2026.  Tasted July 2024

Chey Ryan Crawford’s Fried Zucchini Blossoms

Le Clos Jordanne

Le Clos Jordanne Pinot Noir Villages 2021, VQA Niagara Peninsula

A few more red fleshed drops of fruit after only three months further in bottle. Fine impression gained from these Jordan Bench blocks acceding a seamless layering and all is right in this Villages world.  Last tasted July 2024

Off the top a more structured pinot noir vintage for Le Clos Jordanne and the aromatics are not shy to announce their swaggered arrival. Bigger bones and flesh hanging tightly, tannins very much apart of the mix, holding firm, lightly chalky in constitution and a notable wine meant for aging, surely be design. Very different to the 2019 and 2020 LCJ pinots which is both curious and effective. Drink 2025-2028.  Tasted April 2024

Le Clos Jordanne Pinot Noir Claystone Terrace 2021, VQA Twenty Mile Bench

This is a first kiss with and assessment of Claystone Terrace aboard the Twenty Mile Bench which Thomas Bachelder sets the record straight for how it is a contiguous tract connected with the terroir of the Jordan Bench. What it shares with Le Grand Clos Vineyard is a west to east gradation that moves from the structured to the blowsy. In other words every block acts differently but also incrementally and when their individual barrels are assembled they are done so to make the best and most balanced wine with nuts, bits, bolts and pieces drawn out of each gradation. From 2021 the softer aspects shine on because austerity and tension just don’t hold court as strong as they might in some cooler and also much warmer vintages. More middle road (for Claystone specifically) and the beneficiaries of such a pinot noir are all of us. Still another year will soften the last of the tannins and gripping tension. Drink 2025-2029.  Tasted July 2024

Le Clos Jordanne Pinot Noir Le Grand Clos 2021, VQA Twenty Mile Bench

As with Claystone Terrace the Grand Clos Vineyard blocks running from west to east move through this fruit gradation from structured and austere through to soft and amenable. For 2021 the middle ground is duly noted with a signature and arch classic Jordan/Twenty Mile Bench pinot noir that sings in youthful life as early as it ever has. The team (Thomas Bachelder, Kerri Crawford and Phillip Brown) have coaxed out the sweetest natural fruit. While it flows with ease it’s also equipped to slow down, reflect, and then re-emerge a few years thereafter, post pause and not atypical varietal dumb phase. Th3 2021 is found to be chic, suave and stylish as ever, fruit in a dark red cherry state and acidity meeting texture for mouthfeel of a most finessed kind. Drink 2025-2031.  Tasted July 2024

Chey Ryan Crawford’s Salmon Sack

Le Clos Jordanne Chardonnay Villages 2021, VQA Niagara Peninsula

Something about the Goldilocks vintage for chardonnay brings the three LCJ wines closer together. Villages may lack the complexities of Claystone Terrace and Le Grand Clos but its juiciness, open aromas, flavours and texture are all there. When you consider price there is no debate in how much value this offers and the gentle spice masala on all parts of the palate are really special. The attack of CT and le roi cru block LGC are there, albeit here less grippy and weighty, but Villages gives all that you want and need. Drink 2024-2026.  Tasted July 2024

Kerri Crawford – Le Clos Jordanne

Le Clos Jordanne Chardonnay Claystone Terrace 2021, VQA Niagara Peninsula

The Claystone Terrace attacks direct into vision, up the olfactory and drilling into the cerebral cortex, no holds barred, nor does it wait to express anything it needs to say. Like a blast of sunlight straight out of the west on a late July afternoon, not blinding but warm and inviting, though not what would be considered subtle. This speaks from the vineyard in a more substantial way than Villages and also Le Grand Clos, if not quite at the level of aromatic and textural complexity of the highest tier, signature chardonnay. CT scans your senses and takes hold of them. It is anything but tripping the light but it is quite fantastic. Captain Claystone fantastic. The bomb for 2021 as a Le Clos Jordanne chardonnay. Drink 2024-2027.  Tasted July 2024

Le Clos Jordanne Chardonnay Le Grand Clos 2021, VQA Niagara Peninsula

Feels like a bit more easterly block fruit from barrels chosen for the 2021 Le Grand Clos because there is a softness (though far from blowsiness) about the mouthfeel and mellow flavours. The Claystone exhibits more drama and while complexities are on par it is this LCJ that should actually be consumed sooner rather than later. Thinking however that more folks would love and appreciate this style from this vintage.  Last tasted July 2024.

A bit sweet it needs saying straight away from wood aging that mixes with fruit quite ripe though not seductively so. Surely cool climate and well judged but the barrels do lend some oily texture and weight to this otherwise fine chardonnay. Solid mid-weight example. Drink 2024-2026.  Tasted blind at #NWACS24, June 2024

Westcott Vineyards

Westcott Vineyards Chardonnay Reserve 2022, VQA Vinemount Ridge

Like Block 76, also from the home farm of 26 acres on the Vinemount Ridge. Warmer parameters for richer and well-developed chardonnay cut through with fine chiseling because of the limestone bedrock beneath the slim soils for what can be best described as Westcott salinity. Reverberations and consequences are a mix of quantifiable component and marbling, also with thanks to the mix of 95 and 96 clones. Reserve always comes from the same rows of two blocks and while it may have once been a barrel selection, over time it has come to abide by the strictest regimen of only those rows. A retro Reserve if you will with a return to fully celebrating specific fruit no matter the vintage or circumstances. What separates this chardonnay is more than concentration, but rather the underlying salinity that is more pronounced that that of the Block 76.  Drink 2024-2027. Tasted July 2024

Westcott Vineyards Chardonnay Estate 2016, VQA Vinemount Ridge

Amazing how age can be a graceful and beautiful thing and the ideal truly applies to Westcott’s Estate chardonnay. The ’16 was made by then winemaker Arthur Harder and subsequently blended and bottled by Casey Kulzyck. Now in a pretty good place, fine and refined, Still some linger of primary fruit.  Last tasted July 2024

This is one of the first near-premium chardonnays to hit the market from 2016 and so a decision needs to be quickly made if the style is more vintage or house in origin. There really isn’t any estate precedence for this superabundance of fruit on the “normale,” like Christmas coming early or Niagara peaches appearing in June. The ripeness goes beyond freestone fruit and into the tropical realms occupied by mango and pineapple. There is no denying the nectarous and appetizing nature so I’d like to think it’s really a seasonal somewhereness that drives the druthers. Drink this young and with some poached seafood. It will satisfy the pairing. Drink 2017-2019.  Tasted July 2017

Chef Tim Mackiddie’s Scallops, Cavatelli and Chardonnay – At Butlers’ Grant, Wetscott Vineyards

Westcott Vineyards Chardonnay Butlers’ Grant Old Vines 2022, VQA Twenty Mile Bench

Old Vines refers to the 1989 planting of Clone 76 on a 5.08 acre block on the northwest side of the 43 acre Vineland Bench property. The long and rectangular chardonnay block culminates on the southeastern side at Butlers’ Workshops and is paramount for a site that was a grower’s vineyard up until the Westcotts purchased the land that immediately abuts the Bruce Trail. So many c’s are apt descriptors for this chardonnay; copacetic, coalescing, conditioned and commendable. From a recalcitrant vintage in some ways, adversarial and short of crop but the chosen fruit seemed eager to please and access feels easy. Concentration is impressive and immediate gratification is on offer. Extract and tannin take this to another level and so the probabilities are positive for a chardonnay you may choose to age. Drink 2024-2028.  Tasted July 2024

Westcott Vineyards Pinot Noir Butler’s Grant Carolyn’s Block 2020, VQA Twenty Mile Bench

From the block closest to the house planted to the 667 clone. Youth still the understatement, vintage accessibility be recognized and quickly cast aside. A mix of flintiness and delicacy when rich and fat could have been this pinot noir’s everything. Not in this case.  Last tasted July 2024

From riesling to chardonnay and now pinot noir, all planted in 1988 under the name of Butler’s Grant and here the pinot is dedicated to Westcott proprietor Carolyn Hurst. A clone first iteration, or at least one owning as much as site itself because vinous, resinous and intense is what oozes from this Twenty Mile Bench wine. Hard to find this much varietal expression so reminiscent of some Beaune counterparts because austerity, intensity and implosive behaviour are all compounded with tough love, seriousness and respect. The vintage gives and is in turn captured for a wine that will command your undivided attention, in part because some suspected whole bunch fermentation just seemed like recssecity is the mother of invention. Need is the primary driving force behind Carolyn’s strong-willed pinot noir. Drink 2024-2028.  Tasted August 2023

Westcott Vineyards Pinot Noir Butler’s Grant Carolyn’s Block 2019, VQA Twenty Mile Bench

The 2020 Carolyn’s Block is something joyous but get a scent of (a now well-aged) 2019 and the aromatic world changes dramatically. A vintage advantage and clearly a pinot noir in need of time to set it aromas straight. From eccentricity to complexity, wildly spiced and now entrancing. An affinity with Cuesta the the south and Hanck to the north yet perfectly idiosyncratic in between. Some sweet seduction, ripe acidity and organza texture.  Tasted July 2024

Westcott Vineyards Pinot Noir Butlers’ Grant Old Vines 2019, Twenty Mile Bench

The 2020 Carolyn’s Block is something joyous but get a scent of (a now well-aged) 2019 and the aromatic world changes dramatically. A vintage advantage and clearly a pinot noir in need of time to set it aromas straight. From eccentricity to complexity, wildly spiced and now entrancing. An affinity with Cuesta the the south and Hanck to the north yet perfectly idiosyncratic in between. Some sweet seduction, ripe acidity and organza texture.  Last tasted July 2024

Funny aroma to begin, paint or something metallic but also tomato purée. Verdant as well, chalky and chewy, ready to rock and roll. Something amiss or at least distracting but there is this great palate presence and structural appeal. Silkiness and wood define the finish. Drink 2022-2025.  Tasted blind at NWAC2021, October 2021

Westcott Vineyards Pinot Noir Butlers’ Grant Old Vines 2020, VQA Twenty Mile Bench

Elevated concentration, of course, but an immediate burst of energy and immediacy really command attention. Spice and potpourri, full and up front, unabashed, without hesitation, standing vertical to be noticed. Clone is 828 planted in 1988 on the southwest corner of the Vineland Bench property. Explicit varietal assemblage curving to the substantial to decide the outcome for pinot noir designed to please. The gratification is underscored by a mineral underlay to say that tine is on side. Two more great years and two to for more with positive secondary characteristics.  Last tasted July 2024

Dark fruit, ambitious and tannic. Bold and structured pinot noir from a hot summer clime. Drink 2024-2026.  Tasted blind at #NWACS24, June 2024.

Westcott Vineyards Pinot Noir Butlers’ Grant Old Vines 2019, VQA Twenty Mile Bench

The second harvest of this block foreshadows what will be concluded as a dramatic difference between the ’20 and this ’19 residing in the arena of the vivid. A level of chalkiness and therefore structure now explain why tasting this early would have been confusing to deduce how clone and place will conspire for great pronouncement. This Twenty Mile (or Vineland) Bench geology directs the show and old vines concentration does the rest. Who knows, maybe Carolyn’s Block will act like this 28 years from now. For now Butlers’ Grant Old Vines is the one in command.  Last tasted July 2024

Funny aroma to begin, paint or something metallic but also tomato purée. Verdant as well, chalky and chewy, ready to rock and roll. Something amiss or at least distracting but there is this great palate presence and structural appeal. Silkiness and wood define the finish. Drink 2022-2025.  Tasted blind at NWAC2021, October 2021

Westcott Vineyards Brilliant Traditional Method Blanc De Blancs, VQA Vinemount Ridge

Winemaker Casey Kulczyk explains how chardonnay is always picked at a minimum 19 brix which not only influences but extends flavours and also exaggerates texture. Plenty of acidity mind you though the complex profile wins over all else. Sees 30 months on lees and makes every iota of their use to accentuate and autolyze for increased extensibility, plasticity and the aforementioned flavour. Yes this shows smoother texture and strengthened chains of mousse. Westcott’s sparkling processes are at the head of the game. Drink 2024-2027.  Tasted July 2024

Westcott Vineyards Brilliant Traditional Method Blanc De Noirs, VQA Vinemount Ridge

As with the Blanc de Blancs the pick is done at a minimum 19 brix and lees aging time is 30 months. The mix of chardonnay, pinot noir and meunier shows off ample freshness and sharp acidity, leading to boundless energy tethered with creamy flavours. Red fruit prominent but the truth lies in mellifluous textures ruling the day. Drink 2024-2026.  Tasted July 2024

Good to go!

godello

Flight #1 at the 2024 School of Cool
(c) i4C

Twitter: @mgodello

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WineAlign

Twenty-two Canadian wines that rocked in 2022

Godello taking in the spirit of Grimsby Hillside Vineyard

I am a forager. I forage in the natural world, for plants in their season, pulled from the soil, from earth to pan, for medicinal teas, to preserve by drying or pickling, whatever the most appropriate case may be. Wild herbs, allium and beneficial greens are prized but mostly I use my mycological senses by looking for signs beneath my feet as to where the mycelium below will choose to fruit as fungi above. I look for the saprobic and the decomposer but also the mushroom that works through symbiosis, to aid and abet other species while receiving something beneficial in return.

Laetiporus Sulphureus, aka Chicken of the Woods

I am a forager of wines as well, perhaps not in the same spiritual or personal way, but as I do with the forest I try my best to listen and become one with the vine, to imagine what it will beget, that being quality grapes and eventually honest wine. Vinifera success in Canadian vineyards is a recent phenomenon and there are plants more suited and native to our land but we should and will continue to pursue both realities.  This is not a manifesto about natural wine, no far from it, but it is a confession. I love great wine, well made wine, wine in balance. I am open to all wines and like the fungi I choose to eat or to ignore, I can’t be sickened by something I choose not to taste. I taste what I trust and drink what I must. Most often it take years of research and seeing the same fruiting body appear in the same location with consistent markings to make the decision to eat that mushroom. That is why wines of history, pedigree and consistency are the greatest and most exciting. They have earned the recognition. Others gain reputation much quicker and they too deserve the kudos but the choice comes down to the individual. I just want the wines I choose to rock. Canadian wines, yeah they rock.

Hypomyces Lactifluorum, the Lobster Mushroom

Nova Scotia wines at Obladee Wine Bar in Halifax

Related – Twenty-one Canadian wines that rocked in 2021

The full scale return to not only tasting but rallying around Canadian wine began in earnest back in June of 2022. In a span of less than 30 days there were judges’ panel assessments and events during the WineAlign National Wine Awards of Canada, To July and 10 days spent in Nova Scotia wine country followed by a glorious weekend in Niagara for the i4c Canadian Cool Climate Celebration. Get back to Cool Chardonnay was the impetus and the reminder how much we Canadian wine folk respect one another and truly enjoy each other’s company. How great was it to interact once again, to taste with and experience the verities of vignerons and winemakers? To gather Insights, illuminations and incidentals from illustrious voices. To enter discourse with thought provocateurs who question sense of place, who consider vines and their relationship with the land. To reconnect with old friends forging new directions, seek flights of fancy and return to places always familiar, like coming home. The road ahead may still be uncertain but onward we will go.

Godello and Pender

Related – Twenty Canadian wines that rocked in 2020

Devastating news and especially the loss of a friend takes time to process. At the time I did not know what to do but suddenly the words poured forth, in one take and so in February I penned The Walrus is Paul. I miss Paul Pender. He was not my closest bud nor was I his but there will always be a hole in our lives without him. The thing about sadness is that it never goes away, but the trick is to remember the people we loved in a way that helps us through another day. “Paul Pender humanized everything in his life and all that he touched. He never expressed any dismay at comments I may have made about wines not being perfect, nor did he exalt in high scores or praise for wines about which I may have gushed or waxed rhapsodic. He was always zen, even-keeled, grounded and humble. Paul was the personification of gravitational constant, THE universal gravitational constant, a constant of gravitation. His presence and being related force to mass and distance, and he lived his life within the law of gravitation. I hope he taught everyone to be this way and that we can all go forward with his wise, sage and calm demeanour, safely tucked into our own lives. Thank you Paul. I love you, man. You are the walrus.”

Seafood by Godello, Kejimkujik National Park, Nova Scotia

Related – Nineteen Canadian wines that rocked in 2019

This might just be the 10th annual list and another spot is in fact added each year but the process just keeps getting tougher to complete. According to WineAlign I reviewed more than 3,000 wines in 2022, which means I tasted at least 3,500, if not more. The number of Canadian wines is likely one third, say 1,500 examples tasted this past year, in great part because at least one-third of that number is tasted at the Nationals. The process of nailing down this summary comes out of a shortlist of 100-plus that were what would be considered exciting. The exercise must be one that filters, fines and refines again and again so that every wine is reviewed and re-considered on repeat. I find it near impossible to make final decisions these days and yet somehow feel compelled to continue the discipline.  Thank you to all; associates, colleagues, wine professionals and especially friends who poured, for every sip and taste, with heartfelt thanks. Especially to the WineAlign Crü; David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow, Megha Jandhyala, Bryan McCaw, Sarah Goddard, Miho Yamamoto, Carol-Ann Jessiman and Heather Riley. Godello gives you 22 Canadian wines that rocked in 2022.

With The Thinker, Jean-Benoit Déslauriers, Benjamin Bridge Vineyards

Benjamin Bridge Glooscap First Nation X Rosé 2021, Nova Scotia

Benjamin Bridge Glooscap First Nation X Rosé is first a wine. A lithe, 10 percent alcohol and bone-dry vision in pale pink hue, described by thinker Jean-Benoit Déslauriers as blessed “with a softness from within.” My family and I taste along and become privy to why this project means so much more. The Rosé marks a turning point for Benjamin Bridge and is crafted neither for reconciliation nor to undue the past. Instead the path leads forward, for mutualism, cooperation and respect. A harbinger towards a more balanced future. Meaning is gleaned for the team after a decade-plus of grape growing now widened to include 13,000 years of sustainable and synergetic preservation of an ecosystem. Twenty years ago the BB understanding was of vineyards producing grapes exclusively focused on the sensory profile of wines, how they reflected the terroir and stacked up against Europe. Yet the Mi’kmaq have lived in balance within this unique ecosystem for millennium and the goal is to return to this symbiosis. It may take another 13,000 years and while subsequent generations will not be obligated to complete the work, neither are they free to desist from it. This Rosé establishes a “Ni’tap,” a relationship as ally-ship and friendship between Benjamin Bridge’s McConnell-Gordon family and Glooscap First Nation; Elder Lorraine Whitman, President of the Native Women’s Association of Canada and Advocate for the rights of Indigenous women, girls & gender-diverse people; her daughter Zabrina Whitman and Chief Sidney Peters. Glooscap First Nation X Rosé is a direct product of climate change with no need to soften the sear of acidity by backsliding into residual sugar. Do not forget the effect created by the air pump that is the Bay of Fundy that allows the vines to always take their time and manage a slowly gained phenolic development. The Bay means Rosé can indeed be forged this way. Dry and bright, aligning ortega, gamay and riesling in such a pointed and profound aromatic Sikunme’katik (Gaspereau) Valley way. The connection to Nova Scotia is real but very much a singular notion. The fact that modern agriculture has erased what really happened in this valley, as it pertains to vines and this terroir it is the kind of commentary that is “by definition profoundly inaccurate.” This is the charge of Déslauriers and all who take this path forward. Indigenous plants were in fact replaced with European plants so BB makes a clear point. How can it be said that these wines capture the essence of this terroir? The argument is compelling and will eventually change again, after 13 or 13,000 more years, or perhaps somewhere in between. In any case the wine is grand and the prospects even greater. Bravo all around. Drink 2022-2025.  Tasted July 2022

Mackenzie Brisbois, Trail Estate

Trail Estate ‘Oh Julius’ Skin Fermented White 2021, VQA Ontario

A plus or minus 10 days skin contact for 59 per cent riesling, (35) gewürztraminer and (5) muscat that drinks with full submission, symbiotically speaking. The wine gives and our palates lay down, receive this effortless elixir and allow it to pass on through, no questions asked, no wondering why. Something like 550 cases are made of this wild-fermented, Benchlands (Wismer) fruit-sourced quencher, aka refreshing drink. Easy enough in the tart citrus vein, no lacking for energy and in turn, our interest. Weird? No not really. Cool? Ticks all the boxes for what the kids are all making these days, but this is more a case of being made by and for kids at heart who are adults with kids of their own. At 10.4 per cent alcohol, no acetic meanderings nor cider-y complications neither. Well that just about wraps it up in a big natural bow and guarantees a good time. Drink 2022-2023.  Tasted June 2022

Canoe Trip cooking

Blue Mountain Blanc De Blancs R.D. 2013, VQA Okanagan Valley, British Columbia

The research tells us chardonnay and time conspire for beauty while development reminds how years upon years upon lees directs a Blue Mountain R.D. into sublimity and profundity. A vintage to recall, reflect upon and surely celebrate, to mull over its integrated and subtle spices, controlled energy and slow time release of responsibility. A sparkling wine of nature that has become one of nurture, now a perfectly posit tug between edginess and oxidation, tension and generosity. They call this the sweet spot. Raise a glass to recently disgorged. Drink 2022-2026.  Tasted November 2022

WineAlign judges at Stratus Vineyards

Stratus X Trials Blanc De Blancs 2012, VQA Niagara-on-the-Lake, Niagara Peninsula, Ontario

Looking back two years the bar was set so very high as noted when we first began tasting the culmination of years put in towards this Sparkling program. Far be it for Stratus to regress or work in reverse but they are now grooving further back in lees cumulative time and out there comes a chardonnay spent what must be nearly 10 years on those lovely yeasts. Trials they were and fruition they have become. It’s not so much the toasty and beautifully oxidative-fino nutty character. The impression digs deeper than green olives in brine and sweet pear compote, it grabs us by the emotive heartstrings and holds us close. In fact it’s not unusual for B de Bs ’12 X Trials to be loved by anyone. There’s just something about the subtleties and the open invitation, to love and be loved. “Whoa oh, oh whoa, oh oh, oh oh!” Drink 2022-2026.  Tasted November 2022

Sunset over The Twenty Mile and Beamsville Bench

Flat Rock Cellars Nadja’s Vineyard Riesling 2020, VQA Twenty Mile Bench, Niagara Peninsula, Ontario

Distinct mineral and petrol aromatic riesling rising, up into the stratosphere. in no hurry to come back down. Cracker citrus and acidity, tart and fuelled by intensity with no boundaries nor atmospheric pressures or deadlines neither. Sugars and structure are one in the same, seamlessness is the result and everything falls into its right place. The poster child, educator and pioneer. Drink 2023-2027.  Tasted blind at NWAC2022, June 2022

Felseck Vineyard

Hidden Bench Riesling Felseck Vineyard 2017, VQA Beamsville Bench

Not quite but just about 20 year-old vines as of this stellar 2017 vintage and a benchmark Bench riesling of all that has been developed, given, remains and jazz. A stoic propellant and scintillant of fineness, fruit in ample preserve, acids convergent and power releasing ever so slowly in perfect pace. Pitch is spot on, balance ideal and direction effortlessly forward. The Mario Lemieux of riesling. Drink 2023-2032.  Tasted February 2022

The family with Josh Horton and Rachel Lightfoot, Wolfville, Nova Scotia

Lightfoot & Wolfville Chardonnay Small Lots Oak Knoll Vineyard Stainless Steel 2020, Nova Scotia, Canada

“People have always said we need to make a stainless steel version,” says winemaker Josh Horton, to lighten the room and the mood. This being the first go at it, protocol kept very similar to the oaked (Ancienne), by wild ferment, aka “brown” maceration. Gone to bottle quicker (eight months after pick) and this will be slowed down in the future. Absolute tightness and freshness, purity of chardonnay as expressed in a juiced lemon and almost no reduction. A chardonnay of isolated terroir, specificity and one helluva beautiful experiment. Drink 2022-2024.  Tasted July 2022

Thirty Bench Small Lot Chardonnay 2020, VQA Beamsville Bench, Niagara Peninsula, Ontario

Really quite primary, an undisclosed while pleasingly reticent chardonnay from Emma Garner of gratitude and grace. The first because it thanks the Beamsville terroir and the second because it does so with soft spoken respect. A mélange of different fermentation batches, each small and precise come together for the final sumptuous and restrained blend. The tenets of fruit, acid and what ties them together is just about as seamless and easily layered as any of a Bench ilk and idiom. Not a chardonnay of style but instead stylish, not chic but surely sung with notes held, seemingly forever. Drink 2023-2028.  Tasted July 2022

Grimsby Hillside Vineyard

Ilya and Nadia Senchuk, Leaning Post Wines

Leaning Post Chardonnay Grimsby Hillside Vineyard 2019, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario

Delicate, bright and efficacious wine from a north facing nook of the Escarpment vineyard in the narrowest spit of land between the rock face and the lake. Once the viticultural labrusca home of Parkdale Wines and now owned by the Franciosa family. A special wine occupying a place in my family’s history and heart. Apposite to Wismer in that there are more piques and peaks in and out, up and down, hither and thither in this singularly focused chardonnay. Pay attention to nuance, to barrel as well as it speaks in extra density because the terroir encourages the ambition. Remarkable structure despite how short a relationship there has been between maker and farm. The instant brilliance creates an effective and then profound buzz, a desired effect and the future is WIDE open. Drink 2022-2027.  Tasted June 2022

Melissa Marotta-Paolicelli, winemaker Adam Pearce and Angela Marotta

Two Sisters Chardonnay 2020, VQA Beamsville Bench, Niagara Peninsula, Ontario

With part in part thanks and a nod to the experimental minds and vineyard management acumen at (then) Parkdale Wines, back in 1959 Bill Lenko took a flyer on vinifera in the form of chardonnay. Today Two Sisters is the primary beneficiary of Niagara’s oldest chardonnay vines and this primo vintage extolls the virtues of those wise plants and their concentrated fruit. Still showing balance and tenderness, never mind the barrel beauty, bullocks or beast, in fact it all comes together in seamless fashion because the fruit is indefatigably remarkable. Winemaker Adam Pearce heeds the directive, does nothing to get in the way and what is delivered comes away with such a sheen and energetic burst it just may blow your mind. This is the finest result to date, a lightly reductive, subtly lees inflected, full fruit captured chardonnay. All of its lines run parallel, incline up the same slope, coextend in collateral company and with time will eventually relent for the great transversal. The fruit will cross over both acidity and backbone, resulting in the ultimate complex equation. Drink 2023-2028.  Tasted August 2022

The fishy work of Ryan Crawford (Ruffino’s and Bar Bea), Raoul Duke of Chefs

 

Bachelder Hill Of Wingfield Chardonnay 2020, VQA Twenty Mile Bench, Niagara Peninsula, Ontario

Hill of Wingfield, as opposed to the flatter portions of the large chardonnay expanse and one can’t help but conjure up vineyard monikers like “Hill of” Corton, or even Grace. Ancient and modern tracts can be descried by farmers and writers so with Thomas Bachelder as the guide we too can play this game, by extension and in a most semi-serious way. Everything is derivative and by association anyway so Hill of Wingfield it is. Same lush, luxe and top of the pops richness as Wismer-Wingfield yet here with some reduction and an almost candied shell of protection. Nearly impossible and yet every reason to believe that vintage, grape, block and maker can combine to execute such a phenomenon of chardonnay. No understatement or restraint here, nor were any grapes harmed in the due process. My goodness what gumption, ambition and monkified execution. You gotta believe in the truth! Drink 2023-2028.  Tasted December 2022

With Shiraz Mottiar and the uni, I mean photo bomber Anthony Gismondi

Malivoire Gamay Courtney 2020, VQA Beamsville Bench, Niagara Peninsula, Ontario

Youthful is the understatement when coming at this 2020 Courtney but my how juicy, meaty and pinpointed a gamay it truly is. There have been serious and fully formed Courtneys before but never have the assets in fruit, mouthfeel and acid-tannin structural interplay grabbed attention like this young and in charge ’20. Adds up to big, boisterous, ripe to the hilt, of zero austerity and so much possibility. Drink 2023-2027.  Tasted April 2022

Meyer Pinot Noir McLean Creek Road Vineyard Old Block 2020, BC VQA Okanagan Falls, British Columbia

Plenty of substance fills the aromatic glass in this immortality jam of substance, acid and textural intensity. Good red fruit if turning to act youthfully grainy in its unresolved structural demand, especially as it lands on and then scrapes over the palate. Dutifully solid wine, nothing to some and to others a pearl needing time. High arcing, a factor of indefinite continuation for pinot noir existence and “he who forgets will be destined to remember.” For such a delicate (aromatic) and working (palate) pinot noir it carries more than ample finishing strength, energy and power. “And I wish to hold on, too, but saw the trapdoor in the sun.” Drink 2023-2028.  Tasted blind at NWAC2022, June 2022

Closson Chase Pinot Noir South Clos 2020, VQA Prince Edward County, Ontario

As a reminder the South Clos Vineyard is six hectares of Prince Edward County Hillier clay loam and shallow crumbled limestone overlying fractured limestone. A top site (within the limit of vinifera capability) where chardonnay and pinot noir present as viable as any combo in Canada. Bring on a warm gift of a vintage like 2020 and the possibilities suddenly become endless. The site is always a place of high pH and allowable root penetration but 2020 just tops the show. The intensities are boundless in a most youthful and exuberant South Clos pinot noir that clearly act as the embodiment of one for the ages. Never before have acids tasted so sweet and tannins wept such tears of joy. South Clos is the culmination of decades put in, torches passed, hard work and experimentation. A victory for the 2020 season and perhaps the beginning of a Keith Tyers’ led dynasty. Drink 2024-2032.  Tasted November 2022

With Chef Michael Olson

Bachelder Pinot Noir Wismer Parke “Wild West End” 2020, VQA Twenty Mile Bench, Niagara Peninsula, Ontario

Wismer-Parke’s western section on Victoria Avenue just up from Highway 8 is planted to what Thomas Bachelder refers to as a mystery clone of pinot noir “whose identity is lost to the mists of time.” Twenty-one years to be exact at the meter of this vintage yet in nostalgic ways that kind of statement feels like something dating back to the 1950s or ’60s. Either way it’s long enough to make one wonder and wonder why. There’s a whole lot of “duh duh dun dun dun dah,” and “bah ah bah ah dun dun dun bah” then “beh do beh do,” followed by “bah doo doo bah,” and finally “wop, wop, wop, wop, wop” in this pinot noir. Why? Because this beast of the east is so strong-willed, immoveable and timeless with unparalleled layering and nuance. Doo Wop tannins in total control, winning out over dark fruit in black olive, fennel and tarry tones playing second fiddle. Why is there more oomph and grip to this savoury flavoured pinot noir of scrub and scorrevole across the palate?” The answer my friend is blowing in those mists and in the time you must give to see this wine come to its fruition. Wismer-Parke Wild West End may not necessarily save your soul, but it will make your soul worth saving! Drink 2024-2029.  Tasted December 2022

PEC wines

Rosehall Run Pinot Noir St. Cindy Unfiltered 2020, VQA Prince Edward County, Ontario

In 2004 and 2005 the first County Rosehall Run vineyards pinot noir fruit were given the name Cindy but between ’06 and ’19 the name JCR defined the estate’s best fruit. With a vintage as great as 2020 in vessel Cindy was anointed once again as saint of the top pinot noir. The ripeness and extract here are in fact the finest ever from these PEC lands so the choice was and remains perfectly clear. What the JCR misses in terms of tension is here fully trenchant and oblique, angles run in slants, musculature neither parallel nor perpendicular to the long axis of structure or bones. This is fascinating wine geometry and anatomy, clearly regimented yet offset and in the end, simply wondrous. Drink 2024-2030.  Tasted October 2022

Le Vieux Pin Syrah Cuvée Violette 2015, BC VQA Okanagan Valley

Five years after first tasting Cuvée Violette blind the opportunity arises for an up front and centre moment with bottle, label and glass. Though this syrah would have been more than satisfying before it must be said that its peak performance is in fact NOW. Takes an aromatic leap of faith and suspends at that Black Sage Bench/Dead Man Lake syrah apex where violets and pepper drip their eau de parfum down upon dark varietal fruit. There are many a more expensive Okanagan syrah but there are none as benchmark to combine age-worthiness with price as this Severine Pinte stunner. I for one am thankful to taste this vintage again and at its best.  Last tasted December 2022

Let’s put up our hands so we know who we are, we who expect three P’s in syrah; perfume, pepper and pulchritude. This syrah is possessive of all three. It’s quite the dark purple beauty but also savoury, reeking of black olive and brushy garrigue. The wood is exercised with admirable restraint and then there is this fineness of tannin. A very pretty, seamless and structured syrah of great length. Drink 2018-2023.  Tasted blind at #NWAC17, June 2017

Creekside Broken Press Syrah Reserve Queenston Road Vineyard 2016, VQA St. David’s Bench, Niagara Peninsula, Ontario

Good years have got behind this syrah with a touch of viognier so that five-plus in there’s an open window through which to find the heart of this wine. A democratic vintage, fruit at peak, elongated and built to last, last longer than anyone who knows not what capability is in store for this wine. The tannins are just beginning to wane and with great acumen they have melted into the karst of what is truly a special BP vintage. A minimum five years remains and quite possibly 10. Drink 2022-2028.  Tasted April 2022

CedarCreek Winemaker Taylor Whelan

CedarCreek Syrah Platinum Jagged Rock 2020, BC VQA Okanagan Valley, British Columbia

Inky and cimmerian, full syrah extraction, maceration, skin contact fermentation and finally, thankfully and for the win, concentration. All adds up to as big as it gets, with iodine, soy and yet this amazing floral indemnity that tells the whole story, but also one that celebrates a truly special site. Yes the tannins are omnipresent but they are reasonable, metered, mattering and real. So very polished. Drink 2025-2029.  Tasted blind at NWAC2022, June 2022

Vines in the Similkameen

Corcelettes Talus 2020, BC VQA Similkameen Valley, British Columbia

Talus makes balanced work of all fine main Bordeaux varieties, led by merlot (40 per cent) and cabernet franc (35), with (20) cabernet sauvignon, (3) malbec and (2) petit verdot. The names refers to the Talus “slides” that accentuate each mountainous side of the Similkameen Valley and the wine slides across the palate in equal, opposing and proportionate waves. Mostly a precise ripeness of fruit but also some passionate acids and truly purposed tannins. The merlot does seem to stand out with its verdant, creamy and downy character as it pertains to soaking up some barrel. There is a notable amount of quality dark chocolate here and still all parts just seem to synch up. Proper Meritage indeed. Drink 2024-2028.  Tasted September 2022

Black Hills Nota Bene 2020, BC VQA Okanagan Valley, British Columbia

The blend for the Black Hills flagship red in 2020 is 42 percent cabernet franc, (33) cabernet sauvignon, 24 (merlot) and (1) petit verdot. Merlot fared very well in 2020 and yet the team chose franc as the anchor, why, well it seems for structure over beauty and longevity over immediacy. This vintage is quite a remarkable example because all of these aspects show up, repeat, shuffle, reorganize and collectively speak a Black Sage Bench truth. Hard to imagine a more seamless set of red blend circumstances or astrological linearity. The stars do in fact align for this bright constellation of an Okanagan wine. Drink 2024-2030.  Tasted November 2022

Phantom Creek Phantom Creek Vineyard Cuvée #24 2019, BC VQA Okanagan Valley, British Columbia

At the top of the heap and pops for Phantom Creek is the red blend cuvée from the homestead vineyard and a wine denied absolutely nothing. The finest of the best is grown, nurtured and gathered with equally prized vessels providing the nurturing environment. There are some silky, suave and stylish red wines in this portfolio but nothing compares to the desire in Cuvée #24. These are the richest fruit sets, sweetest acids and silkiest tannins, none more important than the other and all working towards a common goal. That being beauty and longevity which the wine surely boasts. The only question is cost and a decision to be made to decide if the extra $60-100 dollars buys more wine and age-ability. The answer is yes, it surely does but is this “perfect” style the kind you like, want, need or deserve. Only you can be the judge of these things. Drink 2024-2035.  Tasted November 2022

Good to go!

godello

Godello surveys Grimsby Hillside Vineyard

Twitter: @mgodello

Instagram: mgodello

WineAlign

Tasting Ontario at Canada’s Great Kitchen Party

Congrats to the winners at Canada’s @greatkitchenparty in Toronto last night. Repeat for @cbriesling and couldn’t happen to a nicer guy. Quality at an all time high for all the wines in the competition.

Related – Gold Medal Plates Toronto 2017

The artist formerly known as Gold Medal Plates is deep into its second tour under the auspices of the new and improved moniker Canada’s Great Kitchen Party. Four weeks ago the launching port for the magical travelling culinary, wine and musical tour was Toronto’s Metro Convention Centre and 12 cities later the cross-cultural palooza will culminate at the Canadian Culinary Championships in Ottawa, January 31st and February 1st, 2020.

The plates at Canada’s @greatkitchenparty are always some of the year’s best. Three from last night.

Related – Eighteen Canadian wines that rocked in 2018

On October 3rd, 2019 over 550 guests enjoyed an evening of celebration and elevation of Canadian culture in food, sport and music. The chefs came both to compete for their chance to be on the podium and to share their creative talent with the guests. Over 45 athletes from amateur, para and pro sports shared their stories and guests were on the dance floor enjoying the performance of some of Canada’s greatest musicians! It was an inspiring and impactful experience as the city united to provide Canadian youth the opportunity to be extraordinary in food, music and sport. We are proud to support Community Food Centres Canada, MusiCounts and B2ten.

Gold – Chef Keith Pears, Executive Chef at Delta by Marriott Toronto

Silver – Chef Frank Parhizgar, FK Restaurant

Bronze – Chef Renée Bellefeuille, Art Gallery on Ontario

My WineAlign colleague David Lawrason requested that I join his merry band of judges for the sixth straight year to assess, deliberate and conclude on the three podium wines of the competition. That we did are these were the results.

Here are my notes on all the wines tasted that evening.

Flat Rock Riddled Sparkling 2017, Traditional Method, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (383315, $34.95)

Riddled ’17 is so bloody young and fresh it’s hard to let it into your life but you should and you must. Bright, startling nearly, greatly aromatic, crispy and yet perspiring with the most humidity and sunshine from a Riddled to date. Tense and nervous, can’t relax. Toasty and just plain fun. Drink 2021-2028.  Tasted October 2019

Mission Hill Reserve Pinot Gris 2017, BC VQA Okanagan Valley, British Columbia (537076, $22.95)

Very gris, lush and fulsome, dripping with orchard fruit juices and so well integrated. A balanced and tangy mess of fruit and ease into acidity.  Last tasted October 2019

Always puts some time, effort and pleasure in reserve so the moniker continues to hold true to Mission Hill form. The pulse of energy persists and it is that tongue-tying freshness that stands still though will be moving forward soon, in time. Seemingly a bit less skin-contact but so heady in apple, pear and white peach, yet always returning to that green mango-apple bite. Better gris goes deeper and beats before, so kudos to the Hill for the work. Drink 2020-2023.  Tasted April 2019

Chef Keith Pears

Charles Baker Picone Vineyard Riesling 2016, VQA Vinemount Ridge, Niagara Escarpment, Ontario (241182, $37.20)

Baker’s ’16 is the child of a great vintage’s phenolics and so without needing to concern oneself in wondering about ripeness or fruit quality it allows for a beeline straight to the tannic structure. That’s the crux of 2016, built upon a core that may as well be centred in the very heart of Colmar. Sugar may as well be nowhere and nothing because balance induces dreams utterly grounded in aridity. So reminded of Bernard Schoffit and The Rangen, austere yet entangled, lean and direct of sure, focused and precise. In the zone and will be for 12 blessedly slow developing years. Drink 2021-2030.  Tasted October 2019

Flat Rock Nadja’s Vineyard Riesling 2017, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (381251, $19.95)

Warmth from Nadja in 2017, not humidity mind you but certainly juiciness, citrus squeeze and real tart behaviour. Not the acidity of some vintages but enough action to counteract the flat out rocking expressiveness of the fruit. Now you can drink this early while other more tightly constructed and yet uncoiled Nadjas move through their paces.  Lasted October 2019

Nadja has taken the anomaly of an inverted vintage and founded a striking riesling with laser quick reflexes. It’s a lean, lightning flinty and lime-powered one, stark in its intensity and drier than I can ever remember it being. The levels of grape tannin and extract are amazing and it really needs time to settle in. Let’s look at it again in 2019. Drink 2019-2022.  Tasted October 2018

Redstone Riesling Limestone Ridge South 2017, VQA Twenty Mile Bench, Ontario (381251, $19.95)

All about the lime, beneath the surface and above board. Juiced, filling up the flavours matched against the sugar. Well-balanced, tightly wound and grippy as you know what.  Last tasted October 2019

From the sizeable Limsetone Vineyard’s south portion, the 2017 does what good Bench riesling should. It delivers a gamut of citrus and orchard fruit, from apple to peach stone and yet communicates through a conduit of fine riesling acidity. This example cuts like a knife through creamy custard, in other words it drinks straightforward and with full calm at ease. Drink 2019-2021.  Tasted March 2019

Honsberger Chardonnay Schuele Vineyards 2017, VQA Lincoln Lakeshore, Ontario ($35.00)

Just four months has done the trick,. No simply fruitful with an ease of oak, little to less encumbrance from spice and very much having arrived, pitched and settled in the lovely to elegant camp. No longer overtly demanding in engagement or complexity and in this case all the better for it.  Last tasted October 2019

A mix of apple terpene and green pesto marks the nose before turning leesy, creamy and corn. Quite extracted, oaked and tannic so expect a chardonnay of ambition in request for settling time. That or some heady food to stand up and count together. Drink 2020-2023.  Tasted blind at NWAC19, June 2019

Domaine Queylus Chardonnay Reserve Du Domaine 2017, VQA Niagara Escarpment, Ontario ($34.95)

The Reserve is an impressive and bloody delicious chardonnay with all of its parts moving together and speaking straight from the Peninsula heart. Crunchy and luxe at once then the other, then synched, together. Ripe and developed but also green apple fresh, smart, in good humour and beautiful. This Queylus just has a glow about ‘er. Drink 2020-2025.  Tasted October 2019

Tawse Estate Vineyards Chardonnay 2013, VQA Niagara Peninsula, Ontario ($38.15)

The toastiest and most reductive of the Tawse chardonnays, above Quarry Road and well beyond Robyn’s. It may have once been the smooth one but not any more. Expect sharp, pointed and angular juts and struts. A sharp varietal Tawse that speaks a more pointed Bench vernacular than the Peninsula labelling would say. No matter for time has done little to crack the safe.  Last tasted October 2019

The rock of the compos mentis Tawse chardonnay is the Estate, as consistently composed as any in the high end Ontario tier. The simple plan leads to something ultimately complex, first by charitable dispensation by a vintage like 2013 and then from fruit synchronically pulled off of four iconically developing vineyards; David’s Block (39 per cent), Quarry Road (35), Hillside (14) and Robyn’s Block (11). The balance of fruit, mineral and barrel is impeccable with many thanks due to Paul Pender’s recondite investigative barrel program. The Estate chardonnay owes a great deal to French forests and variegated toasts, all of which show tongue and teeth in this wine. The layering here (and really fine lees) brings creamy tropical as well as crisp Ontario fruit. This is the most soothing of Tawse’s chardonnays with a developing sense of tart candied flowers melting into caramel. In other words, delicious. Drink 2017-2020.  Tasted April 2017

Hidden Bench Locust Lane Rosé 2018, VQA Beamsville Bench, Niagara Escarpment, Ontario (68833, $23.95)

What you want and need from Rosé out of Ontario or anywhere you might dream light, salty, richly fruitful and generously hued pink stuff. Dry and saline with a full gamut of rootsy and ripe fruit; strawberry, cranberry and pomegranate. So good.  Last tasted October 2019

Locust Lane is certainly one of Ontario’s top cru sites for Rosé and while that may sound like a wine style misnomer to some you’d better taste this before making any statements you’ll then want to retract. Winemaker Jay J. must thank his lucky Beamsville Bench stars to have the fortune to make Rosé with this fruit. He would also know not to screw it up so behold this saline, sapid, linear, natural, balanced and just bloody delicious wine. Along with Moira just a stone’s throw over a hill away there are some that just rise above and do so with great ease, like fruit fallen into the hand just before it had been plucked from the stem. That’s when you know Rosé had been grown, run and fermented just right. Drink 2019-2021.  Tasted June 2019

Thirty Bench Winemaker’s Blend Red 2017, VQA Beamsville Bench, Niagara Escarpment, Ontario (320986, $24.95)

Quite heady red here from Thirty Bench, full on dark red fruit in the raspberry merlot vein and just the right verdancy. It’s also sharp and spiced by botanicals that perk up your favourite amaro. Fun stuff from Emma Garner.  Last tasted October 2019

A plethora of mixed red fruits marks not just the entry but the entirety of the Red Blend. It’s a Bordeaux fashion in Beamsville clothing, of berries, plums and even a bit of fennel like addendum. Quite fruity, integrated and balanced, all in the name of amenability and drinkability. Drink 2019-2021.  Tasted August 2019

Mission Hill Reserve Merlot 2017, BC VQA Okanagan Valley, British Columbia (553313, $29.95)

Rich and heady to no surprise and plenty of instigating spice. Dives down and into the depths of dark fruit in the shroud of barrel where all sing along together. A bit of balsamic and the notion of impending umami. Drink 2020-2025.  Tasted October 2019

Trius Red (The Icon) 2017, VQA Niagara Peninsula, Ontario (303800, $24.95)

The Red Icon is everything Niagara can be in affordable red wine, magnified and hyperbolized to the nth degree. A huge icon if from a vintage in reverse and so the strawberry jam is right there, set up in the fruitiest way above the acids and the structure. Tannins won’t lie however and neither will 10 years of great drinking. Drink 2021-20230.  Tasted October 2019

Stratus Red 2015, VQA Niagara Lakeshore, Ontario (131037, $48.20)

Quite high-toned from a Stratus Red, fruit elevated and lifted by 2015 acids, trying to settle but not able to let gravity do its work. Crunchy and certainly grippy, firm and far from open. Last tasted October 2019.

Harvested over a week’s time in mid to late November from a warm if unremarkable vintage that followed a polar vortex winter, the just released 2015 Red is the five-headed Bordelais made from cabernet sauvignon, merlot, cabernet franc, petit verdot and malbec. If indeed perception is conceived to occur through five senses then all are needed to feel the fingers and toes of this assemblage. It’s also a matter of mathematical relevance, especially if you’ve tasted a few vintages of this most consistent appellative blend. And so standard deviation is relevant in assessment. From one Stratus Red to another we are looking at two sets of five different numbers that have the same mean but different standard deviations and it can be argued (because of the methodology), the same standard deviation but different means. If only J-L Groux knows the answer to the mean and standard of each Red set we can still look at this ’15 and note how it’s quite dusty and high-toned in its youth, with a richness that will eventually bring it all down to earth. It’s a chewy Red with some dried, leathery fruit, as per the mean, equal and opposing to the fresh and friendly, as per the standard deviation. As a matter of assemblage it’s as classic and recognizable as any in the accumulative history and also reminiscent of the past, like ’07, ’10 and ’12, to name just a few. With cabernet sauvignon at the head it tells us that ripeness is the virtue and comfort the result. By the way, the varietal breakdown of 40, 24, 23, 11 and 2 equates to a mean of 20 and a standard deviation of 14.40. For what it’s worth.  Drink 2019-2026. Tasted October 2018

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

17 Canadian wines that rocked in 2017

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

I first published this year-end summary of Canadian wine excellence in 2013 and four years on that original list of 13 has expanded with four more. It’s a good thing too because four years later 17 wines is but a fraction of what could or should be included. This exercise is more than difficult. It’s biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada, to tell the insolent they are not welcome here anyway. The winemakers in this country are in full command of their acumen, craft and future. They own it. Roll out the red carpet. Here they come.

Related – 16 Canadian wines that rocked in 2016

My writing about wine is a display that spills everything but subtraction, reduction and minimalism. It is an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. So thanks for reading and putting up with me.

As I have noted before, I try to visit wines more than once before reviewing them, preferably from more than one bottle but even more importantly, with a good chunk of time having passed between assessments. The most complete picture is drawn from such a course of critical action but it’s not always possible. Not a single one of these 17 wines were decided upon at a single VINTAGES release, sterile and windowless LCBO laboratory tasting. The nearly 2000 wines (of which approximately were 20 percent Canadian) that I tasted in the LCBO lab in 2017 are kept, compartmentalized, reviewed and stored over at WineAlign. They are forged from and formed by a very specific, of the fleeting moment style. They are the results of root days and fruit days, often plagued by other writers present levels of distraction and time constraints. These 17 wines are children of repeated concentration and stand out because the makers went out of their way to bring them to me.

Please allow me to quote Wes Anderson. “It is an extremely common mistake, people think the writer’s imagination is always at work, that he’s constantly inventing an endless supply of incidents and episodes, that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you’re a writer, they bring the characters and events to you and as long as you maintain your ability to look and to carefully listen, these stories will continue to…,” continue to provide what you need to entertain your readers. Thank you to the winemakers for sharing their stories time and time again.

Related – 15 Canadian wines that rocked in 2015

Heartbreaker

If 2016 was a most difficult year, what does that say about 2017? It was a most dippy, derisory, barmy and yet chimerical one. Once again too many special people were taken from us and in Ontario, no one more important to everyone who works in wine than Karl Kaiser. It can and should be argued that the industry we all call home is at its 2017 state because of Mr. Kaiser and what he pioneered more than 40 years ago. Karl Kaiser was eulogized by Brock University’s Dan Dakin. Please take the time to read it.

Related – Karl Kaiser left indelible mark on Brock University

Once again we all lost someone close to us in 2017. Celebrity deaths, especially the ones of loved musicians seem to hit us the hardest because we relive moments of our lives when their songs are played. I’ll ask the social media trolls to walk on past and to once again, please respect our reminiscences.

Gregg Allman. Richard Anderson. Harvey Atkin. Walter Becker. Chester Bennington. Johnny Bower. Chuck Berry. Glen Campbell. David Cassidy. Chris Cornell. Jonathan Demme. Fats Domino. Dick Enberg. Stephen Furst. J. Geils. Robert Guillaume. Roy ‘Doc’ Halladay. Connie Hawkins. John Hurt. Al Jarreau. Martin Landau. Jerry Lewis. Erin Moran. Sir Roger Moore. Bryan Murray. Charlie Murphy. Bill Paxton. Tom Petty. Della Reese. Don Rickles. Sam Shepard. Joni Sledge. Keely Smith. Harry Dean Stanton. Y. A. Tittle. Mary Tyler Moore. Adam West. Malcom Young. Joanne Godel.

Don’t forget the pouring rain

There was more than enough good news out of 2017, especially from Ontario. After one of the wettest summers on record and this looming harvest of disaster everything changed. The temperatures hit 30 degrees and remained there for much of September. October obliged with warm and slowly declining temperatures with very little precipitation. Not only was the 2017 vintage saved but it became one of the great phenolic ripeness stories in wine country history. Quality high. Check. Quantity high. Check. Win win for wine.

The year continued to throw thousands of wines my way. I did travel more and so the international count ran higher at the expense of the local. I plan to fix that in 2018. Things have a way of balancing out anyway. Still I’m sure I tasted close to 1000 Canadian wines once again. We continued to pay great attention to Canadian wines at the WineAlign office. I once again joined the judging with Tony Aspler at the Ontario Wine Awards, in Wolfville, Nova Scotia at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 14 Canadian wines that rocked in 2014

My wine on tap program at Barque Smokehouse and Barque Butcher Bar welcomed a third child to the family when we opened Barque Smokehouse Burlington in August. With that opening we were proud to partner with Rosewood Estates to join the family that over the years has included Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus, Leaning Post, Between the Lines, Coyote’s Run, Vineland Estates and Creekside Estates.

It began, as it always does with Niagara’s Icewine Festival in January and in February there were Thirteen ways to taste Cuvée. In March I found Fifty ways to Taste Ontario and then travelled to Germany for Godello’s March through Prowein, The Ahr Valley and The Rheinhessen. As a Canadian and a representative of Wine Country Ontario I hung around the Canadian pavilion, talked with our coast to coast winemakers, vintners and marketing representatives, took in the seminars on cool climate wines led by David and Dr. Janet Dorozynski and of course, tasted some wines.

Related – 13 Canadian wines that rocked in 2013

In the company of #family so thank you judges, friends and badasses #NWAC17 #killedit

Any major dude will tell you

At the Terroir Hospitality Symposium in May we debated the highly controversial new category of Skin-Contact wines in Ontario. Orange is the new smack should have been my title but instead I chose to talk through hushed tones in Pop goes VQA, a story in three parts, each one more misunderstood than the others. It would take months to come to better and more improved conclusions to that haughty complex story.

In June we convened the WineAlign Canadian Wine Awards in the Annapolis Valley. It was the first time that Nova Scotia hosted our motley crew and what a smashing success it was. Great thanks must go out to all our tremendous hosts including Wines of Nova Scotia, Domiane de Grand Pré, Benjamin Bridge Vineyards, Blomidon Estate, Annapolis Cider Company and Obladee Wine Bar in Halifax.

In July I once again made the pilgrimage to i4c, the International Chardonnay Cool Climate Conference, “the local mecca attracting thousands, arriving to praise chardonnay in all its glory. It’s chanted with incantatory connotation by patrons cantilevered like alluvial fans across the Niagara Peninsula. It teaches us about more than chardonnay because the rapidity of climate change is real and the desire for fresh is yet unquenched. This transcends chardonnay. It’s about growing grapes and making wines in places we all previously discounted. Recently scoffed at. It concerns farming higher, further and edgier. This conference and this grape together let us know that we must change.”

At i4c we welcomed California’s Karen MacNeil, Dr, Jamie Goode, Bill Zacharkiw, Treve Ring, Kurtis Kolt and Rhys Pender MW and then I penned 69 chardonnay reviews. What did Godello learn from Cool Chardonnay in 2017? After a visit to Pearl Morissette I learned from François Morissette, vigneron about oxidation.“Whatever we press, we oxidize. We do not oxidize wine, we oxidize must.” There’s a big difference. The stabilization of these wines are attributed to this idea of getting rid of all oxidizable compounds before they enter into the next stages of the winemaking process. Pleasing aromas, flavours, textures and ultimately the sum of the above elevates the cool chardonnay game and speaks to the future. But I did not learn enough. I needed to move beyond the ubiquity of cool climate. I wanted to understand more about cold soaking and whole berry fermentation. Just last week Pearl Morissette’s savant winemaker Brent Rowland sent me these words of enlightenment.

“This is the main reason I am such an advocate to whole bunch fermentation. The best tannin and worst tannin are seed tannin, depending on how you extract them…heat and alcohol rip out aggressive angular tannins. By keeping the berry attached to the rachis for as long as possible you are creating a little microenvironment for fermentation that is low heat and low alcohol, enabling you to slowly extract long polymerized tannins. This and perfume is the reason I do everything whole bunch. To me whole bunch has nothing to do with the stems, tannins from stems or flavour of stems.” He continues. “I absolutely think that skin contact wines can have elevated structure and texture. I also do not subscribe to the idea that some arbitrary number like “10 days” defines the genre. I did say that Orange wine is not an in-between wine but its own genre and I believe that. For the record I feel the less rigid the criteria for the category the better. As you state the broader the category the more opportunity for discovery of a valued category.” Thank you mate.

Be part of the Greatest Wine Revolution since Prohibition.

Where are we one year later?

I’ve two words for you. WineAlign Exchange. The WineAlign Exchange taps into the world of wines beyond the LCBO and delivers a curated, mixed case of top quality wines directly to your door. All the wines have been carefully chosen by our panel of critics for their quality and value. David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow and Godello. The first case delivered to hundreds of members was an all Platinum Award winners pack from the National Wine Awards of Canada. In terms of free trade we await a decision but don’t expect a miracle in 2018, Christmas or otherwise. As for the VQA panel in Ontario? Well, read my article referenced above and you’ll get my drift.

One of my favorite wines I tasted in 2017. All killer no filler. Beautifully ripe #cabernetfranc nice layers of cocoa, red, and black fruit. Tannin is liquid silk. Can_t wait for next

Let’s be Franc

Cabernet Franc is getting better all the time. In British Columbia the coolest sites are increasingly raising fresh, spirited and ultimately crushable wines with unmistakable west coast accents; savour, garrigue and mountain tea. With thanks to venn diagram circles drawn in and out of Niagara’s Lincoln Lakeshore, but also magically deep into the Prince Edward County limestone, the great Ontario hope is developing into what we thought it might be. Getable and structured red wine.

New World cabernet franc growing sites produce less delineation as compared to the various lieux-dites in the varietal homeland, France’s Loire Valley. Niagara is beginning to enter into an Old World state of mind, so now winemakers and by extension wine geeks, are posturing over micro-terroirs; Niagara-on-the-Lake, Beamsville Bench, Niagara Escarpment, St. David’s Bench, Lincoln Lakeshore, Four Mile Creek. The same is happening in British Columbia’s Okanagan Valley although the cumulative stylistic is worlds (four provinces to be exact) apart. In Nova Scotia Benjamin Bridge Vineyards’ viticultural and vinifying braintrust of Jean-Benoit Deslauriers and Scott Savoy are allocating serious resources to cabernet franc in the Gaspereau Valley. But how is it that decisions are made as to where to plant this crisp, juicy and crunchy grape? While many will disagree, if you consider growing sites as circles within the aforementioned venn diagram, in Canadian soils the shared subtleties can easily get buried or muddled within the common areas. The lines may be drawn but the web is tangled. That said, the story of franc terroir is getting clearer and clearer. Interloper carries the torch.

Tonight brought to you by #interloper and the inner beauty of #cabernetfranc @RavineVineyard #vqaniagaraonthelake

At this most recent NWAC17 judging experience the results from cabernet franc paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. We are collectively impressed with and solidly behind the direction growers and winemakers are taking with this noble varietal. The 546 acres planted in B.C. are rising steadily and if I were merlot I’d be looking in the rear-view mirror. In Ontario more than 4,000 tonnes were harvested in 2015, third to only chardonnay and riesling. Four of five Gold Medals were Ontario in origin, 10 of 16 were awarded Silver and 10 of 17, Bronze. While only four in Ontario are labled “LL,” no less than 10 of the 24 winners were made with at least some significant amount of fruit grown in the Lincoln Lakeshore/Beamsville Bench circle of commonality. The sites we want to call “cru” are no longer a mystery.

Taskmasters not pictured #punchdowns #interloper

I can’t say this list is full of surprises, save for the first of 17. You see this particular wine is close to my heart because I had a hand in its concept and design. My partner Scott Zebarth and I teamed up with winemakers Marty Werner and Ben Minaker at Ravine Vineyards to produce what we all feel is the most exciting fresh breath of cabernet franc air to arrive in Ontario in quite some time. It’s obviously self-serving to put it on a best of the year list but we are very proud of this project and its inaugural effort. If you’ve tried it you know. If you haven’t, give me a ring. We’ll break Interloper bread together. To the other 16, welcome to the list.

Scott, Marty, Ben and I are proud to present the now SOLD OUT #interloper Cabernet Franc 2016. We’ll be back next year #vqa #niagaraonthelake #ravinevineyard

Interloper 2016, VQA Niagara-on-the-Lake, Ontario ($19.95)

Produced at Ravine Vineyard Estate Winery with the winemaking team of Martin Werner and Ben Minaker

Variety: 100 per cent cabernet franc

Fruit source: 55 per cent Estate (St. David’s Bench), 40 Creek Road, five Tanbark (Four Mile Creek)

Harvest Dates: October 26th and November 5th, 2017

Time on skins: Estate 26 days, Creek 21 days

Length and type of fermentation: Three weeks, ambient/wild for both

Élévage: Eight months in old 225 L French barrels

Case Production: 22

mgodello  scottzebarth  marty_werner  benminaker23  ravinevineyard

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Iaen and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021.  Tasted November 2017  Charles Baker Wines  stratuswines  @cbriesling  @StratusWines  Stratus Vineyards

Tawse Riesling Quarry Road Vineyard 2016, VQA Vinemount Ridge, Ontario (198853, $24.50, WineAlign)

There is no substitute for seasonal Vinemount Ridge warmth when you are (or even if you’re not) trying to emulate a Mosel like, fleshy Kabinett tension. The Tawse Quarry Road riesling has shown signs of such mimicry in the past but here in 2016 the coincidence is uncanny. Riesling amounts to just 10 per cent of the 2007 planted vineyard, a Fly Road in Lincoln block where chardonnay (planted in 1998) and pinot noir (2007) are queen and king of the hill. But it is riesling that mines for limestone and uses it to distill, filter and enervate the outright fruity purposes of orange zest, lime juice and sweet grapefruit flesh. This ’16 has it all; adipose drupe, salty elements and stasis preserve. It will add some petrol and honey after a few years time and drink well for a few to a bevy more. Drink 2017-2023.  Tasted November 2017  tawsewinery  @Tawse_Winery  @tawsewines

Malivoire Rosé Moira 2016, VQA Beamsville Bench, Ontario (AgentWinery, $24.95, WineAlign)

Hard to believe what I see, a hue not blush nor pink, but gris. That “if my eyes don’t deceive me there’s something going wrong around here.” Forget about Provençe, don’t think too hard about Vin Gris but concentrate only on what Shiraz Mottiar has acceded with Rosé for Moira in ’16. Light and lithe do not begin to explain the rub. Rocks and stones are what come through the good earth on the nose. Is this the blush equivalent of mineralité, away from chardonnay and into pinot noir? “Is she really going out with him?” But the pinot noir component is almost non-existent so what is the phenolic advantage here? Has this gone too far or not far enough? Don’t mistake the things I say. This is delicious, understated and fully underestimated Rosé. It will have great appeal to a specific cognoscenti population and who could not think to drink it any day of the week? Commercially considered however, it may not speak a universal language. Drink 2017-2021.  Tasted March 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

First Fruit: Field Day Pet Nat, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

An escarpment Pet-Nat is born, thanks to the healthy and precocious idealism of winemaker Ryan de Witte and his Winona-based host Ilya Senchuk at Leaning Post Wines. The name “First Fruit: Field Day” carries three connotations; a reference to De Witte’s first commercial wine, the first crop off this particular block and the fact that it’s a field blend of two grapes. The erudite hat is thrown into the micro-cuvée, sparkling wine ring with interchangeable tracks of arts and science from near-equal parts muscat (60 per cent) and gewürztraminer. The style is pétillant-naturel, or as they say in Italy, Vino Rifermentato In Bottiglia, under crown cap with what Ryan notes “as much of the lees as I could get in.” The tightrope induces a two-fold increase, of reduction and for texture, from the nutrients fed the fermentation. De Witte’s math was sound because the effervescence is strong enough to blow the reduction off after a few seconds in the glass. One point for science. After tasting two samples I can safely say that the yeast deposit can’t be missed but it is those crafty and leaningpostwineconsolidated cells that drive the salvus meets salus machine. This lithe, re-fermented and crackling sparkler is both safe and healthy. You can feel its enzymes usher liquid happiness through your body and it makes you pause, leave the warrior behind and become at one with the experimental fizz. It’s raw and you want it to be so. The aromatic varieties collogue preserved lemon, ginger and aseptic vegetal scents in an almost funk-less Pet-Nat. It’s an impossible one actually, that is until you get a load of that slag at the bottom of the bottle. But the lack of danceable, rhythmic funk may deny you a Cissy Strut so think on it like Foam meets Talking Heads as in minimal, industrial, synth-pop. Or, in sparkling wine terms, one Pet-Nat’s riflessioni naturalische is another one’s clarity. One point for art. The intrigue here sets the bar high and looking ahead, when acidity can further provide boundless rhythm section support we’ll really have something to talk about. Inaugurals are never easy, nor is progress but the sophomore release will most certainly play on repeat. Let’s hope someone finds a category to place it for three-letter approval. Drink 2017-2018.  Tasted Twice, February 2017  leaningpostwine  @LeaningPostWine  @Witte_Wine  Leaning Post Wines  Ryan de Witte

Cave Spring CSV Riesling 2015, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

In a word, balance. Well two, balance and brilliance. CSV in 2015 takes the reigns from itself and stands firm. The fruit is in charge, the mineral a support system unparalleled and the minor celebratory sweetness a mere afterthought when it comes to rounding out the complexity. CSV is pretty darn back in ancient dolomite time travel and escarpments high great in 2015, uplifting, serious but yet not so. The numbers trip the light fantastic, fooling like gold and bones dry are seemingly preserved in karst but impossibly not. The sensoria apprised reel from the finest acidity it can possibly carry in its veritable truth. Deep lemon intent and a new wax vernacular speak the clarity of a wine that listens to its own expert advice. Might as well have made itself. CSV 2015 is one of the finest rieslings ever made from Ontario grapes. Drink 2019-2031.  Tasted March 2017  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine – Robert Groh Agency

Sneak peak in the @TriusWines Meunier with Craig McDonald and a true Niagara Grand Cru @coolchardonnay site #lincolnlakeshore #oliveiravineyards #vqa #wildferment

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2015, VQA Lincoln Lakeshore, Ontario (Winery, $36.75, WineAlign)

When you consider the level of quality provided by the Wild Ferment 2014 it would be hard to imagine raising the bar any further but this is what winemaker Craig McDonald has managed with his exceptional 2015. The accomplishment is purely based on one year older, wiser and complexities developed Oliveira Farm vineyard fruit, the holy chardonnay grail, Lincoln Lakeshore playground. The site sits along the QEW below the escarpment’s Twenty Mile and Beamsville benches, a recipient of glacial till and rocks left behind by an ancient river running from a lake. It’s a chardonnay wonderland. Intensity of fruit purity, fleshy and real, remarkably juicy and notably crunchy has increased, upping the pleasure game and turning the impression knob up to 11. The windmill generates more power while always maintaining a classic Trius level of finesse. Then you think on the wood integration, equally impressionable because acidity is sweet and refined. Dry extract is also impressive, not to mention a fineness of grape tannin. The site’s unofficial designation as a Niagara Grand Cru should be upgraded with status. There is no better time than the present and the Wild Ferment’s 2015 ability is proof enough. Drink 2017-2023.  Tasted July 2017   triuswines  @TriusWines  @triuswines

Pearl Morissette Cuvée Madeline Cabernet Franc 2014, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

From the 19th Street Vineyard and wow, there is simply no cabernet franc like this cabernet franc. It pops and flies from the glass, in and out of your mouth, playful, buoyant, joyful, unbridled. A silky and spicy ripeness that’s also shed by its tannin, like shavings of a chocolate only a master knows to render, then currants electric and alive. Excels by its chewy mouthfeel and texture and you must ruminate on this cabernet franc. This is the it vintage, with all the enzymes in control, wrapped up in the enigma membrane and this low, classical Beethoven orchestral strings rumble, on a Verona stage, surrounded by the ancient rocks, acoustics perfect. You can get lost in franc like this. Drink 2019-2027.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Quails’ Gate Stewart Family Reserve Chardonnay 2015, BC VQA Okanagan Valley, British Columbia (639641, $43.95, WineAlign)

Some of the Okanagan Valley’s great chardonnay fruit is found on its eastern shore and makes its way into this Quail’s Gate Reserve. The story and place go back 60 plus years and wait if you can’t nose it in this top North American chardonnay. Forget comparisons, competitions and blind judgements but pull anything you want from Sonoma and watch this raise eyebrows and turn heads. The variegations are numerous and in replay. Richness, bite, energy, spirit and firm conceit. The barrel is everywhere and nowhere. What is a great chardonnay? It’s completely invisible, yet always in sight. It remembers what people hate. It anticipates the consumer’s needs before the needs are needed. A great chardonnay is, above all, discreet to a fault. Such is the Stewart Family Reserve. Drink 2018-2023.  Tasted October 2017   quails gate  hobbsandcompany  @Quails_Gate  @AMH_hobbsandco  Quails’ Gate  Hobbs & Co.

Sparkling wine you need to know @lwwines Blanc de Blanc Extra Brut 2013, from the shores of the #minasbasin #annapolisvalley #novascotia

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada (Winery, $45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June 2017  lwwines  @lwwines  Lightfoot & Wolfville

Blomidon Late Pick Sparkling Chardonnay 2011, Nova Scotia, Canada (Winery, $45.00, WineAlign)

The 2011 late-picked chardonnay, the “Hurricane” is a hyperbole of itself. Normally picked in later October, the frost-free weather allowed further time and development. Picked from seaside vineyards just ahead of another hurricane (in a season that included Irene), this is sparkling wine you just have to try. Though lean, taut and as intense as you are likely to taste, the developed character and complexity is visionary for Nova Scotia and Canadian sparkling wine. Three years on the lees brings the texture and fills the gaps, holes and voids created by such a tightly wound cool climate chardonnay. The dry factor is exaggerated in 2011 (a one-off says winemaker Simon Rafuse) but the wine takes full advantage of the Extra-Brut intent. Did it require the anxiety of a recent and an impending cyclone? Can it be duplicated? “That’s the story of the Hurricane.” Visionary for Nova Scotia and Canadian sparkling wine. Drink 2017-2022.  Tasted March 2017  blomidonestate  @BlomidonEstate  Blomidon Estate Winery

Southbrook Poetica Red 2013, VQA Niagara Peninsula, Ontario (355859, $69.95, WineAlign)

It seems at first that Poetica 2013 was chosen by winemaker Ann Sperling to be the deferential one. The blend is dominated by 74 per cent cabernet sauvignon, the highest number ever for the wine. Conversely the cabernet franc component is set to 23 per cent and far less petit verdot (3 per cent) rounds out the blend. That number had been 29 per cent in 2012 because the varietal elegance shown at that time necessitated the relationship. In 2013 it is the cabernet sauvignon that displayed with elegance and an uncanny ability to sow of its own accord and yes, it is an exceptional vintage so look for 2013 to age on a 15 year curve. The Witness Block CS-CF follows suit and the SV-PV is better off for the allocations. Every wine wins as a result. There is this deep-impressed sous-terre tang in here, a wisdom certainly, and when it is released later in the year the heads will turn. Poetica is often but here not overly tannic, but it is endowed with bones, spine and structure. The flavours, spice and magnetism give cause to salivate. Only Ann Sperling makes Niagara reds like this, wines that can develop such architecture without an excess of tannin, astringency and chalky chocolate from over-wrought wood exchange. Poetica 2013 will drink well young and comfortably into the end of the next decade. Drink 2018-2028.  Tasted January 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

A finer man, winemaker and host you will not find. Thank you @normanhardie @keeponshucking @clarsenault @cuveeletittia @Mknow21 @mclauriault and all.

Norman Hardie Chardonnay Cuvée Des Amis 2014, Prince Edward County, Ontario (Winery, $150.00, 1500ml, WineAlign)

As exceptional as chardonnay may have seemed from out of the 2013 Ontario vintage you haven’t lived or loved until you get a taste of (only in magnum format) Norm Hardie’s 2014 Cuvées des Amis. This chardonnay attacks and ascends, recalibrating the inner workings of the brain and how it develops conceptualization. It is a state of the art and all-knowing elixir to remind that ’13 was a vintage with profitable yields and a generously stretched canvas on which to practice on, for when things begin to get real. The CdeA spent 18 months in barrel, the first 12 (in 35 per cent new), the next six in neutral and the last six in stainless steel on the fine lees. The spin class in the mouth manages agility, dextrous, furtive movement and completes many pirouettes. The dance is pure joy but the intensity is equally to disturbingly intrusive, suggesting more settling time is necessary. The flavour pearls are delicate and come straight from the oyster so they carry salinity, power and brine. Pure lemon essence is received by intravenous injection. Sumptuous is translated from Hardie-speak as a four-letter, Prince Edward County word. It doesn’t get more real than right here, with the best fruit, the tripping of the light fantastic, previously unheard and unseen unconscionable concentration. Drink 2019-2025.  Tasted twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Le Vieux Pin Équinoxe Syrah 2014, BC VQA Okanagan Valley, British Columbia (Winery, $80.00, WineAlign)

Èquinoxe is announced without equivocation as the Bricco of B.C. syrah and an absolutely lovely Bench expression from winemaker Severine Pinte. What came from these three-quarters Osoyoos Lake District and one-quarter Black Sage vineyards in 2013 was floral and peppery, with a fineness that belies a dessert climate but in 2014, well this is something more and other. You just have to think about texture here and a quality of acidity that is peerless in B.C. syrah. So juicy, beautifully tannic and rendered with culture and class. Drink 2018-2022.  Tasted October 2017  levieuxpin  @LeVieuxPin  Le Vieux Pin Winery

My eyes do not deceive me. It’s Decant @StratusWines #cabernetfranc bottled with lees #vqa #niagaraonthelake #karimrashid

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017  stratuswines  @StratusWines  Stratus Vineyards

Supper at Benjamin Bridge

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia (Winery, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017  benjaminbridge  caveman__jones   winesofn  @Benjamin_Bridge  @benjaminbridgevineyards  @WinesofNS @benjaminbridgevineyards  @winesofns

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Gold Medal Plates Toronto 2017

Go Time @GoldMedalPlates Toronto #gmp2017

It was my fourth Gold Medal Plates Toronto as wine judge, culinary taster and olympic athlete groupie. In 2014 WineAlign partner, colleague, mentor and friend David Lawrason invited me to join the festivities and help decide which three wines should be crowned Gold, Silver and Bronze. Two weeks ago a panel of Ontario wine experts tasted, assessed, debated, deliberated and ultimately decided this year’s top three. David Lawrason, John Szabo M.S., Michael Vaughan, Margaret Swaine and Godello. The winner ran away from the pack but two through six were separated by one point increments. It was a photo finish for Silver and Bronze.

The 2017 Toronto event featured emcee Scott Russell of the CBC’s Olympic coverage. Russell was joined by dozens of Olympic medallists and future hopefuls. Blue Rodeo’s Jim Cuddy led the on-stage entertainment; Anne Lindsay, Danny Michel, Jeremy Fisher, Devin Cuddy and Sam Polley. The inimitable and eloquent James Chatto was once again at the head and the heart of the culinary judging panel with seats occupied by an illustrious five; Sasha Chapman, Anita Stewart,  Christine Cushing, Amy Rosen and Chef John Higgins.

Gold Medal Plates Toronto 2014

For a little bit of GMP history please click on this post I penned after that 2014 gala event. The culinary winners then were Gold Medal Plates Toronto 2014 bronze, gold and silver medal winning chefs Damon Campbell, John Horne and Jason Bangerter. The top three wines were Norman Hardie‘s Niagara Unfiltered Pinot Noir 2011, Hidden Bench Nuit Blanche Rosomel Vineyard 2012 and Creekside Estate‘s Iconoclast Syrah 2012. But what about 2017? My top seven in no particular order were Flat Rock Cellars Riesling Nadja’s Vineyard 2016, Ravine Vineyard Chardonnay Reserve 2014, Charles Baker Riesling B-Side 2016, Henry of Pelham Cuvée Catherine Brut Rosé, Stratus White 2013, Leaning Post Chardonnay ‘The Fifty’ 2015 and Tawse Chardonnay Quarry Road 2013. The actual medalists are listed below in David’s report.

National Wine Advisor David Lawrason’s Wine and Spirits Report

Nadja’s Tops a Bounty of Great Whites in Toronto

“The Gold Medal Plates campaign came to a booming 800-person conclusion at Toronto Convention Centre on November 16, and it included the largest selection of wines seen in any stop on the ten-city national tour.  We judged 26 donated wines, beers, spirits and even a lavender mead, but it was a core of great Canadian white wines that caused the most excitement, and produced the winner of the evening.

The “Best of Show” Gold Medal went, by a very clear margin, to Flat Rock Cellars 2016 Nadja’s Riesling, from a single block of maturing vines in Niagara’s Twenty Mile Bench appellation. I was personally stunned by just how delicious, well-balanced and nuanced this wine is – in my mind it is the best vintage of “Nadja’s” ever produced.  Other judges agreed – we all placed it as either our first or second choice.  This beauty also took a rare Platinum Medal at 2017 National Wine Awards.

It will go on to compete for Gold Medal Plates Wine of the Year at the Canadian Culinary Championships in Kelowna in February, and it appears there will be a riesling showdown, as it will be tasted against rieslings from Tantalus, Cave Spring and Norman Hardie, plus six other wines.

For second and third place the voting in Toronto was more varied, and only one point separated the second, third and fourth place wines.  The Silver Medal went to Mission Hill 2015 Merlot Reserve, a swarthy, plummy and ripe red from the Okanagan Valley.  And the bronze medal went to Henry of Pelham Cuvee Catharine Brut Rose, a delicate refined pink sparkler with subtle berry aromas.

In very close 4th place came Tawse 2013 Quarry Road Chardonnay from Niagara’s Vinemount Ridge sub-appellation. I have become very familiar with this solid, complex Burgundian chardonnay as it was generously donated by Tawse to the Celebration in three cities this year. It was also a Platinum Award winner at the 2107 WineAlign National Wine Awards of Canada.

Tawse was one of three Gold Level sponsors. Mission Hill was a national sponsor as well, donating a variety Reserve wines to seven city events across the country, and stepping even higher in Toronto with smaller donations of their more expensive “Legacy tier” red Compendium 2013 and Perpetua 2015 Chardonnay.

Arterra Wines, the recently re-named company with several wineries in Canada, was a gold sponsor donating to six cities.  In Toronto there was a selection of reserve whites and reds from Jackson-Triggs and Inniskillin, as well as a rare public showing of the new Arterra 2016 Chardonnay and Arterra 2016 Pinot Noir.

Toronto’s Silver Sponsor also donated to Ottawa. Cave Spring of Niagara donated their 2015 Cabernet Franc.  Although better known as a riesling producer, Cave Spring is doubling down on its efforts to produce fine reds from Ontario’s most widely grown grape.

Flat Rock Cellars was one two Bronze level sponsors for the Toronto event, providing Nadja’s riesling for the VIP Reception and Celebration tables. The other was Henry of Pelham, which split their donation between the 2016 Old Vines Baco Noir and yet another strong 2016 Estate Riesling.

Among other notable and high calibre wines donated to the chefs, I gave my first-place vote to Stratus 2013 White, a very complex, now maturing, barrel aged blend of several white varieties. Ravine 2014 Chardonnay Reserve, another power white, also earned top-five votes.  Leaning Post 2015 Mile 50 Chardonnay was a leaner style that paired well with Gold Medal Plates Chef Lorenzo Loseto’s winning dish.  And riesling specialist Charles Baker chose the occasion to show his new, bracing B-Side Riesling.

Interestingly, no red wines were paired with chef’s creations this year, but there were two ciders, including the fine, crisp Brickworks CiderHouse Batch 1904 and a lighter cider called Pick Up 66 from Hoity Toity Cellars. Rosewood Cellars donated their exotic, fragrant Lavellener Lavender Mead, and Zirkova Vodka set up shop during the VIP Reception to sample Zirkova One, a vodka designed to be drunk “neat” and Together a version designed for cocktails.

The Best of Show judging is held prior to each event, as way to highlight the generous donation of beverage by Canada’s wineries, brewers and distillers.  In Toronto I assembled four wine pros/sommeliers.  Three are amigos at WineAlign.com and two are judges at the National Wine Awards of Canada; including Master Sommelier John Szabo, and wordsmith extraordinaire and former chef Michael Godel.  Margaret Swaine is a veteran wine and travel writer, and the spirits columnist at WineAlign.  Michael Vaughan publishes Vintages Assessments, a detailed critique of every wine released by the LCBOs Vintages stores.”

Chef Lorenzo Loseto’s @GoldMedalPlates winning dish @georgeonqueen paired by @brieish with @leaningpostwine The Fifty Chardonnay 2015. Congratulations Chef and the entire team.

Culinary Medals

Gold

Lorenzo Loseto
George Restaurant

Pairing: Leaning Post Wines, 2015 ‘The Fifty’

Silver

David Lee
Nota Bene

Pairing: Brickworks Ciderhouse, Batch: 1904

Bronze

Jesse Vallins
Maple Leaf Tavern/PORT

Pairing: Tooth & Nail Brewing Company, AGRARIA Modern Farmhouse Ale

Nota Bene’s David Lee

Here are my tasting notes for the 20 wines entered at Gold Medal Plates 2017.

Henry Of Pelham Family Estate Winery Cuvée Catharine Brut Rosé, VQA Niagara Peninsula, Ontario (217505, $29.95, WineAlign)

A whole new base, a whole new wine, the departure point exacted by a new wisdom and understanding. But it’s somehow like looking in the mirror, reviving a good memory, going back to wine childhood. Consistency is your friend with non-vintage fizz and the Catherine(s) are the undisputed leader in the Ontario biz. Brings back the Niagara orchard of a take your pick red apple, lovely creamy texture, a mild blanch of nut and fresh baked bread. Terrific class and of its own accord. Drink 2017-2021.  Last tasted at Gold Medal Plates Toronto, November 2017

With its fine, strawberry mousse is at the head of its Ontario class. Vanilla, Ida Red apple and bitter nut combine like a smooth, creamy, Mediterranean spread to dip the warmest, fresh-baked bread.  Tasted December 2012

Henry Of Pelham Riesling Estate 2016, VQA Short Hills Bench, Niagara Peninsula, Ontario (557165, $17.95, WineAlign)

A rash of aromatics straight away and marked warmth verging to humidity. More weight, substance and depth than most vintages deal when youth is the tempo so this riesling plays the notes and the hand quick after the draw. What you nose, taste and feel is what you get, with lime, gassing up to petrol quickly and flavours already in developing mode. Five years of riesling together for the best of times, from beginning to end. Drink 2017-2021.  Tasted November 2017

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Ian and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021. Tasted November 2017

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017

Jackson Triggs Niagara Estate Sauvignon Blanc Grand Reserve 2015, VQA Niagara Peninsula, Ontario ($19.95, WineAlign)

Arterra’s JT sauvignon blanc is youthful and even a bit reductive, with wood notable and a real sauvignon blanc pungency. Its character and a bit of risk are tied up in the aromatics though it settles for mild-mannered and middle of the road on the palate. Drink 2017-2020.  Tasted November 2017

Mission Hill Family Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia (537076, $24.95, WineAlign)

Reserved to be sure and also still in pulse mode, with some tongue pin-pricking, not quite effervescent but moving in time. A bit of skin-contact hue and plenty of orchard fruit notes are present in both aromas and flavours. Solid gris that will improve in six months or so. Drink 2018-2021.  Tasted November 2017

Inniskillin Okanagan Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia ($19.99, WineAlign)

Noticeable skin-directed hue, chalky to soapy, with a taste that reminds of Topps hockey card bubble gum. Childhood memory revisited in pinot gris. Drink 2017-2018.  Tasted November 2017

Arterra Chardonnay 2016, VQA Niagara Peninsula, Ontario  (Winery, $25.00, WineAlign)

Arterra’s chardonnay comes from a famous Peninsula source, formerly made into just as famous wines by Le Clos Jordanne The site is on the Escarpment’s Bench above Jordan Village and this is the second vintage at the hands of Jackson-Triggs winemaker Marco Piccoli. Picks up where the fine and ambitious first vintage in 2015 left off but here with some light strike and reduction. You can just feel the buttered toast and kernels behind the flinty curtain, with blanched nut and some fine elasticity. Will benefit from a few more months in bottle to gather thoughts and flavours. Drink 2018-2021.  Tasted November 2017

Leaning Post Chardonnay ‘The Fifty’ 2015, VQA Ontario (Winery, $25.00, WineAlign)

This is chardonnay that had a cup of coffee in the big leagues and was then moved to the fresh confines of stainless steel tanks soon after its 15 minutes of barrel fame. It’s a unique chardonnay specimen this Fifty, barrel fermented but not aged, a wine crafted with pragmatic reverse psychology so that it may solicit great appeal. If you’ve never tasted Ilya Senchuk’s entry-level foray into Peninsula chardonnay you’ve been missing out, but by starting here in 2015 there is certainly no harm, no foul. This is the most pleasing and palatable Fifty so far, barrel creamy, suety and magically malolactic on the nose. The flavours are cooler, of an anti-Senchuk subtlety and versatile food amenability. I can think of 50 reasons to pour this by the glass, at home, on a restaurant list or on a campsite under the stars. Drink 2017-2020.  Tasted April 2017

Ravine Vineyard Chardonnay Reserve 2014, VQA St. David’s Bench, Ontario (Winery, $55.00, WineAlign)

The Reserve is 100 per cent estate fruit that spent 18 months in (50 per cent new) barrel. As it’s both barrel fermented and aged the variegation locks the fruit in so bloody tight so even now it’s reductive, smoky and flinty. A mineral chardonnay needs balance from over the top fruit and so track record, acumen and love will have it so. Marty Werner and Ben Minaker’s is a big, summery and gold platinum expression, very expressive, the two-lb steamed in seaweed lobster chardonnay, seemingly Meursault but just as likely from California. But as Ravine’s Reserve on the St. David’s Bench it is purely Niagara Peninsula. Fruit intensity, extract and controlled oxygenation shows off the best of what these men can do. It speaks to their efforts, knowledge accumulation, trials and finally to the culmination of their stamina. Drink 2018-2023.  Tasted July 2017

Small @RavineVineyard village looking pretty sweet at @GoldMedalPlates 2017 #gmp2017

Tawse Chardonnay Quarry Road Vineyard 2013, VQA Vinemount Ridge, Ontario (111989, $35.80, WineAlign)

When I tasted Quarry Road 2013 out of four barrels three years ago the purpose was to take in the nuances and see only the trees. I for one could not help seeing the forest through the trees and imagining percentages of each combining for the final blend. Neutral Mercurey wood looked over infant three year-old vines spoken here with surprising density, tang and tropical melon in both aroma and flavour. This sits on the front palate right now. The mineral Ceres qualifies older fruit as the pretty and the gemstone, essential for Quarry Road, the most like (Meursault) in Burgundy. This fruit transferred to stainless on the lees from September to March before going into bottle now renders to make Quarry the purest expression from the best vineyard. The CLL toast delivers the taut, not yet reductive wood tightening, then and again now, mainly on the finish. Compressed citrus notes are late arriving and even if it is splitting hairs, the oak really impacts the finish. The larger CLL toast Mercurey barrel reveals a fresher, more reductive, less oaky feel. All together we now have one of Paul Pender’s most accomplished to date and all chardonnays considered, one of the finest higher end values around. I think he would agree. Drink 2017-2024.  Tasted May 2017

Mission Hill Perpetua 2015, BC VQA Okanagan Valley, British Columbia (Winery, $73.03, WineAlign)

Perpetua is a different sort of chardonnay for the Okanagan, with not completely obvious fruit and leesy notes that outdo the effects of wood, plus a lactic edge that also smothers the smoulder. This is not the toastiest of chardonnays but is does deliver a saltiness so ultimately the reference point is flint and stone, a.k.a. Chablis. A bit of crème frâiche adds to the dairy mystique. Perpetual chardonnay motion leads to persistence. Drink 2017-2022.  Tasted November 2017

Stratus Vineyards Stratus White 2013, Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

There can be little doubt that anticipation would haver to run high for the aromatic, elongated and coolest of Niagara white wine vintages, especially for the chardonnay, but also for the iconic, four-varietal (with sauvignon blanc, sémillon and viognier) blend. The five sensory tenets are solicited and provided for; salty, sour, sweet, briny and umami. The last is exotic and punchy, so this White does it all, speaks for it all and completes it all. It is the most designed and seamless their’s can be. Last tasted May and November 2017

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022.  Tasted November 2016

Arterra Pinot Noir 2016, VQA Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

Wow the cherry pie delivers a healthy slice oozing in reduced cherry syrup. Could only by an effect created by some appassimento on pinot noir. It’s so concentrated, full of glycerin and sweet fruit. Were it not pinot made with some drying of the grapes it would be an amazing feat of growing, picking and pressing. A panoply of cherries wells in this ripe of ripest Marco Picoli red. Wow, as I said. Drink 2017-2019.  Tasted September and November 2017

Cave Spring Cabernet Franc 2015, VQA Niagara Escarpment, Ontario (523001, $17.95, WineAlign)

As with the other Niagara Escarpment reds in the portfolio it is the limestone that stands out, in a good way, to bring about this mineral-red citrus cutting through the rich fruit. That stone-mineral note also does everything to temper and even mute what bitter-tonic-astringent notes might try to distract because that’s what capsicum-bell pepper is wont to do in cabernet franc. This is clean and focused, light and eminently quaffable juice. Drink 2017-2019. Tasted September and November 2017

Inniskillin Merlot Reserve 2014, VQA Niagara On The Lake, Ontario (Winery, $24.95, WineAlign)

This is really pressed and pushed merlot, cool and savoury, minty and spirited with lots of wood spice and equal amounts of tannin. The really tart finish dries out with grip and force. Drink 2018-2020.  Tasted November 2017

Jackson Triggs Grand Reserve Meritage 2015, VQA Niagara Peninsula, Ontario (594002, $24.95, WineAlign)

Now here is a nice little bit of diesel of dust, with more than a fair shake of dark raspberries and a mix of chicory, nettles and chalky tannin. Pretty wondrous quality and complexity here. Drink 2018-2021.  Tasted November 2017

Henry Of Pelham Baco Noir Old Vines 2016, VQA Niagara Peninsula, Ontario (459966, $19.95, WineAlign)

This is finely rendered baco noir, rich and tangy, with bright cherries and what just feels like beeswax. The most elegant baco noir ever made in Ontario and just foxy enough to be itself. Drink 2017-2019.  Tasted November 2017

Mission Hill Merlot Reserve 2015, VQA Okanagan Valley, British Columbia (Agent, $24.99, WineAlign)

This is aromatically rich and lush merlot, with a full compliment of palate richness and silky tannins. For fans of the California style with all in hedonism and a side of nettle. Drink 2018-2022.  Tasted November 2017

Mission Hill Compendium 2012, BC VQA Okanagan Valley, British Columbia (Agent, $86.25, WineAlign)

Compendium 2012 carries a great wealth of aromatics, very floral and rusty, with dried strawberries and so much more. A bit reserved on the palate but its elegance and seamlessness are special. Great length even while it’s just not that much of a concentrated beast. Drink 2017-2022.  Tasted November 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Flights in and out of Niagara, ere Terroir

The Niagara crew getting a load of #BallsFalls in Jordan

In May of 2017 the 12th annual Terroir Symposium brought many magnificent folk to Ontario. They were dreamers, disruptors, international luminaries, thought leaders, visionaries, creative influencers, innovators, chefs, hoteliers, drink experts, writers and business leaders. With VQA Wines of Ontario and the Wine Marketing Association of Ontario as chaperone, a dozen of these invitees flew from Billy Bishop Airport to Niagara District Airport for an ante-Terroir Talk Sunday fun day in wine country immersion. I joined Robert Gilvesy, Fiona Beckett, Jeremy Bonia, Magdalena Kaiser, Jamie Drummond, Nikki Bayley, Dick Snyder, Ursula Heinzelmann, Christoph Thörle and Jim Poris for the excursion. In between return nine-seater shuttles we ran through flights at Flat Rock Cellars and Henry of Pelham Estate Winery. Who amongst us was not taken by these VQA wines and their unselfconscious excellence?

First a hot air balloon and now this!!!

After a quick first pit stop at Ball’s Falls to show off Niagara’s famous escarpment limestone to the international contingent, we settled in at Flat Rock to taste six wines with Cellarmaster Allison Findlay. Next it was a dozen at Henry of Pelham Estate Winery with proprietor Daniel Speck, Ryan Corrigan of Rosewood Estates and Suzanne Janke of Stratus Vineyards. A blow your mind lunch was prepared on site by Wellington Court Chefs Erik Peacock and Cait Bermuhler. Here are the notes on the 18 wines.

Revisits with @Winemakersboots and a seven-year Crowned epiphany

At Flat Rock Cellars

Flat Rock Cellars Riddled Sparkling 2010, Méthode Traditionnelle, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (383315, $29.95, WineAlign)

Time makes a difference so here the extended lees age (six months further, to 60) takes Riddled to another level. Considering the cost and attention to time, in the broad realm of traditional method sparkling wine there are some that are given away. Riddled. A whole lot of biscuit warmth, sody saleratus, gingersnap, tart Ida Red apple, breadth and a smile-inducing creamy palate. There is more wisdom and calm from 2010 so do not come around demanding tension and over-exciteability. Think Grower’s Champagne with Ontario heart and soul, dedication and purpose. The extended arm of Madronich-Johnston love is here, this year. It won’t get much better than this. Great length. Drink 2016-2025.  Tasted October 2016, March and May 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

Flat Rock Cellars Crowned Sparkling Brut 2009, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (Winery, $45.20, WineAlign)

Crowned ’09 was disgorged this spring after seven years on the lees, sealed under crown cap and sent to market with a crowning achievement in mind. Feather gingery, faintly oxidative, this Blanc de Blancs wafts in copper-veined breezes and fennel frond ahead of its palate piercing chardonnay intensity. It delivers a cooler climate interaction than the Riddled, with preserved lemon and please concentrate if you will on it as a wine of heavy forethoughts. What with it resting on its lees, in limbo this long out of practice, necessity and as a result, now fortuitous and of great luck. The animal was created early on and now anything less might be difficult to justify and accept. Plus the bar is raised for the entire Sparkling community. Here the perfect example of low, slow and minute by minute evolution. Only 500 bottles (plus one) were made. Drink 2017-2023.  Tasted May 2017

Flat Rock Cellarmaster Allison Findlay

Flat Rock Cellars Gravity Pinot Noir 2013, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1560, $30.25, WineAlign)

Flat Rock’s ever involving vines (on 33 hectares planted in 2001 and 2002) enter a new phase with indicators blinking and refreshing in this 2013 Gravity Pinot Noir. Youthful adolescence and gregarious fruit expression initiated in 2010 and carried through the 2012 vintage. Those years saw to a world of astringency and tension relegated to mites in the rear-view mirror. The wine is now in a nexus cross-roaded with exigency holding pattern. To understand its confusion and survey fast forward to its future is not easy. Gravity is a bit large right now, seemingly advanced, but to me the fight is between that fruit abundant state and the return of, though eased by meditative Jedi tension. Gravity just needs a parachute to bring it back down to earth. That lifeline may not materialize in this 2013 but that does not take anything away from its discriminating and diagnostic tones. Brightness, astatic inflection and succulence. This vintage may suffer from some level of snafu but it will age, evolve and breath. That much fruit has to have some level of expectation. The follow up ’14 and ’15 will win the hearts of horses and men. Drink 2016-2021.  Tasted October 2015 and May 2017

Flat Rock Cellars Gravity Pinot Noir 2012, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1560, $29.95, WineAlign)

Seven months have softened and mothered Gravity’s adolescence in ways to now see it as the most feminine, certainly of the last four vintages. Pretty dabs, perfumes of natural conditioning, warm days and warm nights in the bottle. More accessible than previous takes and of a new modernity perceived. Sweet dreams and sweet fragrances, roses and cinnamon, nothing fancy here mind you, with no bite and no gathering moss. Cherries and vanilla, lavender and simple pleasures. Straight up Gravity, no pull down, no drag and no excess weight. At $30 and from the best barrels, this trumps $40-50 most locales not called Lowery, La Petite Vineyard, Central Otago, Hengst or Pfinstberg. From my earlier, March 2014 note: “In a vintage potentially muddled by warmth and a humidor of radio frequency, duplicating berry phenolics, Flat Rock’s Gravity remains a definitive, signature house Pinot Noir. In 2011, the head of the FR class from its most expressive barrels shared the limelight (and top juice) with the Pond, Bruce and Summit one-offs. In ’12, Gravity’s sandbox was its own. The style is surely dark, extracted, black cherry bent, as per the vintage. Yet only the Rock’s soil does earth in this variegate, borne and elevated by the barrel’s grain. There are no fake plastic trees in a Flat Rock Pinot. “Gravity always wins.”  Last tasted October 2014 and May 2017

Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1552, $24.95, WineAlign)

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016 and May 2017.

Flat Rock Cellars Nadja’s Vineyard Riesling 2015, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $24.95, WineAlign)

This is an outlier for the Nadja’s Vineyard riesling, with deeper concentration and compression than before. More Mosel and less Twenty Mile in 2015, of light alcohol and an increase in off-dry, extract meets acidity. There have been Nadja’s with more air and exhale but I can’t recall one with such density in vitality. A great Nadja to be sure but of a deferential sort of character. Two or three years should bring it back into its self-imposed and created line. Drink 2018-2024.  Tasted May 2016 and May 2017

VQA wines at Henry of Pelham Estate Winery, May 2017

At Henry of Pelham Estate Winery

Rosewood Estates Gamay Rosé Emerald Shore Vineyard 2016, VQA Creek Shores, Ontario (Winery, $15.95, WineAlign)

The inaugural gamay Rosé is from fourth leaf vines in the spot where the famous sémillon once lived. It delivers essential gamay aromas; strawberry modified with a tisane into raspberry and cherry, salinity clarified and fined. It’s lactic tonal, nicely tart and with a Beamsville mineral, very specific and just this emerald side of intense. Finished dry, but was allowed to go through three quarters malo to bring the cream and the layers. Finished by the incumbent winemaker Ryan Corrigan who once “lived out of a backpack and chased grapes,” committing in fleeting methodology, to northern and southern hemisphere harvests. In 2017 Niagara is all his. Drink 2017-2018.  Tasted May 2017  rosewood wine  @Rosewoodwine  @rosewoodwine

Welcome to @rosewoodwine Ryan Corrigan. Gamay and Cabernet Franc are in fine hands.

Henry Of Pelham Speck Family Reserve Chardonnay 2015, VQA Short Hills Bench, Niagara Peninsula, Ontario (616466, $29.95, WineAlign)

Spice and toast more than anything else come to define the early life of the SPR ’15 chardonnay. Not overtly or overly fruit forward at this (nearing) two-year mark, but green apple, pear and the unusual tangy bite of south asian palm (Salak) snake fruit are just around the corner. This speaks to the phenolic grab and go, the hang time and then that barrel exploit comes through. The palate delivers sappy moments and then the weight of the wine is felt. If texture were quantifiable in aromatics, it would be the SFR that would provide such intellectual fodder to describe what that might feel like. The perfume is layered, chewy, unctuous and viscous. Another year should inflate the fruit and integrate the wood. Drink 2018-2021.  Tasted twice, May and September 2017  henryofpelham  @HenryofPelham  @SpeckBros  @henryofpelham

Wellington Court Chef Erik Peacock and Cait Bermuhler’s appetizer trio

Rosewood Estates Chardonnay Origin 2014, VQA Niagara Peninsula, Ontario (Winery, $28.95, WineAlign)

Rosewood’s Origin 2014 is highly representative of Beamsville chardonnay, pacing a bridge that connects the cool of the climate and the nook in the escarpment’s abutting warmth of the overall Bench. The skins matter, as per the departing winemaking Ross Wise expertise, if only and alt-heightened in elevating texture, but even more so the rusty, soil tart, intensely wound and taut orchard fruit speciality. Drink 2017-2020.  Tasted May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s salt grass point oyster, beet mignonette, cucumber gel, horseradish foam

Stratus Vineyards Stratus White 2013, VQA Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

There can be little doubt that anticipation would haver to run high for the aromatic, elongated and coolest of Niagara white wine vintages, especially for the chardonnay, but also for the iconic, four-varietal (with sauvignon blanc, sémillon and viognier) blend. The five sensory tenets are solicited and provided for; salty, sour, sweet, briny and umami. The last is exotic and punchy, so this White does it all, speaks for it all and completes it all. It is the most designed and seamless their’s can be.  Last tasted May 2017  stratuswines  @StratusWines  @StratusWines

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022.  Tasted November 2016

Rosewood Estates Riesling Origin 2014, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

Smells like Bench riesling spirit. The energy comes from the über vineyard’s way of emission, gasseous and vital, linear, introspective and direct. This may just be the most aridity and brine ever teased from a Mima’s riesling, acidity coveting sugar notwithstanding, startling from beginning to end, with spirited shots of lime. Underrated and honest, the consistency of this riesling is possessive of great triggers and so beautifully defines the mineral Bench. Early suffocations blow off with ease and in the denoument there are crunchy stones, forever and always something to like. Mima’s never really needed an abundance of sugar for balance and kudos to that. Drink 2017-2022.  Tasted March and May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s simcoe asparagus, ramp aioli, sous vide hen’s egg, puffed wild rice

Stratus Gamay 2014, VQA Niagara-on-the-Lake, Ontario (Winery, $29.20, WineAlign)

When asked about his approach to gamay winemaker J-L Groux responds with “continuously with changes.” This is what takes place in 2014 with the barrel time cut back by a full year, now only nine months, if nothing else for to place ultimate emphasis on fruit. Sounds simple but it’s anything but in a Groux universe. His gamay now gifts fresh strawberry and raspberry, a slight 13 per cent alcohol spine and the uplifting effect of zero-noticeable steaminess, steminess, aggression or grass. In contrast to many overly and overtly ambitious Ontario gamay here Stratus enters the antithetical to harsh realm and instead occupies the amenable-ethereal void. Less pressing means smoother transitions and weightless chimera. This captures varietal and place with its coax of maximum fruit. The plantings are from 1992 and 2001 (with an imperfect memory that includes the possibility of 1985 too). Drink 2017-2020.  Tasted twice, May 2017

Thanks for hosting Daniel. Cab-Merlot ’12 SFR @HenryofPelham is one for the ages @WineCouncilOnt @winecountryont

Henry Of Pelham Pinot Noir Speck Family Reserve 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (Winery, $34.95, WineAlign)

Always the elder, wise and delicate if elegant statesman for Ontario pinot noir. There is real demure and reserve, Speck family style and this dried red berry savour to both aromatics and flavour. Tart is an undercurrant and red currants run above. Right in its wheelhouse now, for a spell and then the slow fade will come. Drink 2017-2021.  Tasted May 2017

Henry Of Pelham Speck Family Reserve Baco Noir 2015, VQA Ontario (Winery, $24.95, WineAlign)

From vines planted in 1984, a more than significant fact of experience, wisdom and acumen from this baco noir. Couple that with what is arguably the finest varietal vintage in many years makes this the collector bottle for the baco fanatic. The rubbery reductiveness is so nicely offset by the flowers, the red fruit and the delicious appeal. Easily the finest ever, by anyone and especially this most prominent house. Great ripe acidity and fine, fine tannin. Drink 2017-2024. Tasted May and June 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s confit lake huron pickerel, fingerling potatoes, chorizo vinaigrette, celery, capers

Rosewood Origin Cabernet Franc 2014, VQA Beamsville Bench, Ontario (Winery, $29.95, WineAlign)

It’s a deep, dark fruit, rich currant, pyrazine and savoury vintage for the Origin. It’s cabernet franc that brings strawberry, raspberry and ripe rhubarb to the table. It’s tart and layered, rich and even a touch hematic. Quite pure, red fruit driven and of finely tuned acidity. Never tries too hard, refuses to hide the naturally green character, does nothing to sheath or blanket and leaves the fruit to shine red, bright and vital. Drink 2017-2020.  Tasted May 2017

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s earl grey friand, poached rhubarb, vanilla mascarpone mousse

Henry Of Pelham Speck Family Reserve Cabernet Sauvignon/Merlot 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (616433, $39.95, WineAlign)

The warm 2012 is an ideal vintage for this very specific cabernets and merlot blend, a wine as deliberate and iconic to the Niagara effort as any that have come before or currently exist. The vintage falls into a line that remembers 1998 and 2002 (with a half wink for 2007 and three-quarters nod to 2010). The brightness of red fruit and the dusty grounding of that fruit into earth integrates quietly and when acidity joins, the balance is pitch perfect. The fineness of that acidity will allow the mild astringency and dark chocolate by barrel to melt with slow dripping ooze into proper and educated tannin. Is this Cabernet-Merlot Speck Family Reserve one for the ages? In a word yes and likely to rival that 1998 for a 15 year run through excellence. Drink 2017-2027.  Tasted May 2017

Run any machine on the harnessed marmalade energy of this @StratusWines Riesling Icewine #specialstuff #niagaraonthelake

Stratus Riesling Icewine 2015, VQA Niagara On The Lake (56671, $30.25, 200ml, WineAlign)

The Stratus Riesling Icewine 2015 simulates a true orange and apricot marmalade with a preserved lemon note and a bitter pitch edge. It actually goes into grapefruit a touch, develops unction as it fleshes in the mouth and never fattens or sweetens too much. A show off in triumvirate display of quality, beauty and rhythm. Drink 2019-2030.  Tasted May 2017

Good to go!

Godello

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Drink now or save it for later?

Rhones

Olivier & Lafont Gigondas 2013 and Domaine La Fourmone Le Poète Vacqueyras 2013

When you face the reality of finding yourself in VINTAGES ambivalence, slowly pacing, randomly, to and fro across the wine map of the world. These are times when you don’t have the faintest clue why, or what, or, for what reason and to what end. It’s not simply a matter of what wine should you pick. No, it’s deeper than that and even if you don’t realize the magnitude of the decision, the lucubration is also there. The exercitation of the intellect incites the self-reflective question. Drink now or save it for later?

It does not matter if you have come to this place to purchase a bottle of wine for tonight’s dinner. It matters not if that wine is a dinner invitation gift, in fact, it matters more. You might bring that purchase home and decide that another more prescient bottle is ready. Your friend may choose to save your contribution for another, further down the cellared road day. And so every purchase is fraught with trepidation, with dichotomy, with doubt.

Don’t bother trying to explain them
Just hold my hand while I come to a decision on it

Price is the most obvious demarcation point for early, middle or late consumption. The number is not a hard one nor is there a guarantee for success. Everything is based on probability, risk, reward and chance. Twenty five dollars can buy you 10 years and in some cases, 10 months. If provenance is near-perfect, before and after purchase then the odds increase dramatically. Any bottle of wine, whether $10 or $100 that spent time in the sauna of a storage tank, tanker or storage tomb will take their leave in adolescence. You have to ask yourself the question, level up or level down? Spend $15 or $50. Crack it tonight or in 2025? Remember this. Contradictions are what make wine interesting. Consistency is for cooking.

I have spent the last 30 years considering wine in some respect. The last 15 much more so. The tries, trials, errors, tricks, and tribulations have taught me one thing. I prefer and receive much more instant gratification from drinking wines young but nothing compares to the insight and the exhilaration of partaking in older wines. Fifteen years are that terminus, at least for me. You will notice that five wines reviewed below fall into the near breaching $30 price category. A certain kind of sweet spot for wines that can spend quality time in the cellar.

As the weekend approaches, the VINTAGES June 11th release brings the two worlds together, as it always does, to tease buyers into making yet another bi-weekly decision. Drink now or save it for later? The answer is both. Some things never change. I’ve 15 recommendations for you. After all, isn’t that the magic number?

Crios

Crios De Susana Balbo Chardonnay 2014, Mendoza, Argentina (243196, $13.95, WineAlign)

Fresh, reductive and herbal scented chardonnay from winemaker Susana Balbo, nicely delineated from ripe 2014 fruit. There is a decidedly toasted barrel edgy spice and good tart complications. Simply stated, properly made chardonnay. Drink 2016-2018.  Tasted May 2016  @susubalbo  @sbalbowines  @ProfileWineGrp  @winesofarg  @ArgentinaWineCA

Emiliana

Emiliana Organic Brut Sparkling, Charmat Method, Casablanca Valley, Chile (451914, $15.95, WineAlign)

Waves of natural, fresh-air, verdant meadows running cool with rapid run-off springs aromas make this Casablanca Valley sparkler feel fresh and inviting. The palate takes it to a very citrus place, albeit within the context of pale, lucid and pellucid. Great value and fresh as there is. Drink 2016-2018.  Tasted May 2016  @VinosEmiliana  @WinesofChile  @DrinkChile  @WinesOfChile_CA

Jardin

Jardin Sauvignon Blanc 2014, Wo Stellenbosch, South Africa (663302, $16.95, WineAlign)

Reductive and so very pungent, here we receive sauvignon blanc from Stellenbosch with a real sense of high-spirited purpose. Carries a bit of fresh Sancerre proposition in its heart and seeks to take matters up to another South African level. It mostly succeeds. Drink 2016-2018.  Tasted May 2016  @AbconWine  @WOSACanada  @WOSA_ZA

Château Des Charmes Estate Bottled Old Vines Pinot Noir 2011, VQA Niagara On The Lake, Ontario (256834, $18.95, WineAlign)

Perhaps a difficult vintage for pinot noir but not so for healthy, established, confident old vines. From berries to beets and cola, all wrapped up in cozy sweetness, here pinot noir sings uninhibited and free. It is surprisingly easy to drink and not at all astringent. Thanks afforded the vineyard and the winemaker’s deft, less is more touch. Drink 2016-2020.  Tasted May 2016  @MBosc

Tawse Spark Limestone Ridge Riesling 2014, Méthode Traditionnelle, VQA Twenty Mile Bench, Ontario (370361, $19.95, WineAlign)

A rich, heady, toasty and vital Riesling from the terrific Twenty Mile Bench Limestone Road Vineyard, tilted out with preserved citrus and waxy, lemony concentration. At present this outlays on the sour-rutaceae-rusticae ledge and I can see why it would be both confounding and misunderstood. The vineyard and its riesling in sparkling form search for a coming together, in bottle, without the assistance of gross lees. A few years are required and needed for the sugars to work their magic and strike fear into the citrus for future balance. I think this will come around and really find its aim to please. Drink 2018-2022.  Tasted May 2016  @Tawse_Winery  @DanielatTawse  @Paul_Pender

Rose Thorn

Byron & Harold Rose & Thorns Shiraz 2013, Great Southern, Western Australia, Australia (453183, $19.95, WineAlign)

Just as every rose has its thorn, Western Australia has its knight is shining armour in Great Southern. Shiraz from this place is possessive of its very own, singular and distinctive perfume, like roses in hyperbole and varietal specific oak-imparted exotic spice. Byron and Harold does shiraz as if by Shakespeare, of the Dane, with his courtesans on call. A cool, long drink of shiraz soliloquy, finished with currants, citrus and relative cool climate acidity. Special value here. You can pick the right poison with this power ballad. Drink 2017-2024.  Tasted June 2016  @ByronandHarold  @KylixWines  @Wine_Australia

Nadja

Flat Rock Nadja’s Vineyard Riesling 2015, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $24.95, WineAlign)

This is an outlier for the Nadja’s Vineyard riesling, with deeper concentration and compression than before. More Mosel and less Twenty Mile in 2015, of light alcohol and an increase in off-dry, extract meets acidity. There have been Nadja’s with more air and exhale but I can’t recall one with such density in vitality. A great Nadja to be sure but of a deferential sort of character. Two or three years should bring it back into its self-imposed and created line. Drink 2018-2024. Tasted May 2016  @Winemakersboots  @brightlighter1  @UnfilteredEd

Seresin

Seresin Sauvignon Blanc 2014, Marlborough, South Island, New Zealand (735043, $24.95, WineAlign)

Sauvignon Blanc borrows a page from its first Marlborough golden age in this Serezin 2014, finning balance in the most important facets of its character. Ripe fruit, natural acidity and memorable dry extract. The citrus is exotic, the stone fruit balanced between tart and ripe, the finish long and meaningful. With so much pungency in surround abound this exhales a true breath of fresh spring air. Were Marlborough Sauvignon Blanc always like this I would be glad with a glass, every day. Drink 2016-2019.  Tasted May 2016  @SeresinEstate  @DionysusWines  @NZwineCanada  @nzwine

Talinay

Tabalí Talinay Pinot Noir 2013, Coastal Limestone Vineyard, Limarí Valley, Chile (443440, $27.95, WineAlign)

Limestone and martime influences converge in this highly perfumed pinot noir. It smells of red berries, soft, wet rock and mollusc shell. The crustaceous salinity is a new drift for pinot noir but not entirely out of the happy equation. Loquacious and malleable, the flavours replay what red berry meets white light the nose had given. This is quite singular in expression, natural and handsome. At $28 it is a terrific, unexpected find. Drink 2017-2023.  Tasted May 2016  @TabaliWines  @hobbsandco  @WinesofChile  @DrinkChile  @WinesOfChile_CA

Oldenburg

Oldenburg Vineyards Syrah 2012, Wo Stellenbosch, South Africa (443457, $27.95, WineAlign)

Indicative of the new and improved Stellenbosch for syrah, in which perfectly ripe phenolic fruit meets consumer appeal. Quite a traditional upbringing means clean, pure, rich and plenty but it does not embrace new or outside the box. For the price this represents tremendous, albeit traditional value in a syrah with no fraying or funky edges. It will live a perfectly long life. Drink 2017-2027.  Tasted May 2016  @Oldenburgwines  @WOSACanada  @WOSA_ZA

Vac

Domaine La Fourmone Le Poète Vacqueyras 2013, Ac Rhône, France (452268, $29.95, WineAlign)

Poetic and stunning Vacqueyras, so fluid, natural and effortless. From raspberry to plum, by garrigue and though dusty, delicate underbrush, the cure is cut with hands-off dedication. A certain kind of delicate spice just pricks here and there but you know it’s there. This is exactly what restrained Rhône and vacuous Vacqueyras need to be. The tannins are so fine. Such great structure will take this very long. Drink 2017-2025.  Tasted May 2016  @Lafourmone  @VINSRHONE  @RhoneWine  @TFBrands

Terrunyo

Concha Y Toro Terrunyo Peumo Vineyard Block 27 Carmenère 2012, Entre Cordilleras, Peumo, Cachapoal Valley, Chile (562892, $29.95, WineAlign)

Concha Y Toro’s Block 27 has always dominated the price meets profundity of this signature varietal success story for Chile. Calling out a vineyard its equal for correctness and depth at under $30 Canadian is a tall order. Gobs, waves and oscillations of dark fruit, intense savoury scents and the rush gained from a syringe-injection of its lush elixir perpetuate in 2012. This albeit with a roast and a confiture of black currant and bell pepper. Or vice versa. Ripe acidity and tannin add layers, not opposition. The overall amalgamation seems a bit sweet though in actuality the grit is what stakes claim and standing. Nothing but huge in 2012. Drink 2018-2023.  Tasted May 2016  @conchaytoro    @WinesofChile  @DrinkChile  @WinesOfChile_CA

Gigondas

Olivier & Lafont Gigondas 2013, Ac Rhône, France (452300, $29.95, WineAlign)

Beautifully accomplished and confident Giogondas from messieurs Olivier et Lafont, ripe but restrained, balanced and carefully, contractually structured. Purity and silky albeit spicy textures wrap themselves up in flavour. No spikes, rips or fissures are to be found. Exemplary Gigondas. Drink 2018-2028.  Tasted May 2016  @vonterrabev  @VINSRHONE  @RhoneWine

Dauvissat

Jean Dauvissat Vaillons Vieilles Vignes Chablis 1er Cru 2009, Ac Burgundy, France (457002, $49.95, WineAlign)

Any signs that put this old vines Dauvissat into a time machine dating back to 2009 are less than obvious. Its freshness and composure are astounding. Chablis of structure as laid out in this Vaillons walks a particularly direct line and steadies effortlessly in one spot. The flint, toast and struck rock are subtle, atomically spicy, fine and unseen. The direct connectivity between vineyard and chardonnay is near perfect. Premier Cru would be hard pressed to exceed the limits of this Vaillons’ ability. Drink 2016-2024.  Tasted May 2016  @BIVBChablis  @BourgogneWines

Ridge

Ridge Lytton Springs 2013, Dry Creek Valley, Sonoma County, California, USA (982413, $57.95, WineAlign)

From the vineyard planted in 1902, with petite sirah as the number two support to Zinfandel (as opposed to Geyserville), the Lytton Springs is not as mineral but it has a deeper intent. Perfume repeats as it should and has to. Only Lytton Springs smells like this, more floral of fruit and its blossoms in opposition, interchangeable and in support of one another, out of a pretty aromatic vintage, It is the palate that digs into baked earth, so very masculine and tougher by tannin. Density is but ethereal, acidity so similar but this is certainly richer and retreats back to that feel of natural fermentation. A tremendous Lytton Springs, born this way, with wisdom and structure and will remain for 10 plus years before really beginning to change. Tremendous balance in a characterful field blend red. Drink 2018-2024.  Tasted twice, May 2016  @RidgeVineyards  @VinoTorino  @rogcowines  @sonomavintners  @CalifWines_CA

Good to go!

Twitter: @mgodello

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Master classes of Terroir

A Gamay Masterclass, Terroir Hospitality Symposium, May 11, 2015, Arcadian Court

A Gamay Masterclass, Terroir Hospitality Symposium, May 11, 2015, Arcadian Court

The Terroir Hospitality Symposium took place on May 11, 2015 at Arcadian Court in downtown Toronto. The one day food and wine colloquium was a massive simmering feast set in sprawling fashion within an undersized, intricate urban labyrinth. Despite the frenzied and condensed action in the downtown venue, that congress merely offered a look at the tip of the proverbial Terroir iceberg. With upwards of 3o team members leading the charge, the movement left the big fat city address and trekked to set up shop at a local farm and out to the rock at the eastern outermost edge of the country. Terroir moves outwards, onwards and upwards, taking it to the fields and the oceans.

The Terroir Best Practice Culinary Mission went to St. John’s, Newfoundland from May 14th to 17th. The One Fish expedition travelled “to meet fishing industry experts, to explore and examine both the history and the current realities of an Atlantic community built on an economy of the fishing industry.” There was also “the feast that keeps on giving,” at which the Feast Ontario team was hosted at Grandview Farms in Thornbury, Ontario

Led by Founder & Chair Arlene Stein, Vice Chair & Awards Rebecca Leheup, Terroir Talk the dextrosinistral/sinistrodextral enterprise is an undertaking of the extreme variety.

A look at #Terroir2015 in images

Terroir is an event, a series of gatherings, a notion, a philosophy and a way of life. Its mandate is this: “Terroir Hospitality brings together innovative and creative influencers from the field of hospitality, including chefs, food and beverage experts, writers and business leaders.” It’s also not without detractors. There are some who feel it is a negative representation of the culinary and cultural scene in Toronto. That it’s “white, urban, Euro-centric. It ain’t Canada, or 2015. Not funny.”

If the list of participating speakers, chefs and winemakers had been correlated with shortsighted discrimination, ill-curated and preordained with exclusive, malice prepense, you would have been hard-pressed to get an interview with any guest who would have chosen to speak about the called-out lack of representation or narrow-minded decision-making. If the culture and the colour of the event needs to change it will do so with holistic bias and sympathy, with the right sort of urging from the global culinary and vinicultural community. If the pundits are correct, future sessions will reflect the will of the people. In 2015, the atmosphere was wholly copacetic.

The 2015 Terroir wine sessions were marshalled with “an effort to raise the academic standards of the wine side of our symposium,” in three assemblies, to educate and entertain. These Masterclass jams, Gamay, Terroir, and Clone Wars were coordinated by Good Food Revolution’s Jamie Drummond and Magdalena Kaiser with great support from Wine Country Ontario.

The connection between food and wine is an intrinsic one. They are like chicken and egg, contrary to reason in electing which comes first. Chefs and winemakers, purveyors of the land from which their produce grows, transmuted into cuisine and fermented into wine. Facilitators of terroir, harvesting at optimum ripeness and then initiating the transmogrification with immediate haste, in urgency, to capture, lock in and bottle aroma, flavour and texture, before any chance of deterioration or spoilage.

But what the fuck is terroir? The most used word in the language of wine is in fact, terroir. Nothing else compares, comes even remotely close, or causes as much debate. Except for minerality, but those who concern themselves in the matters of ridicule, dismissal and denial ignore the fact that the opposite of fruit is simply, unequivocally and finally, incontestably, mineral.

Were the notion of terroir to be a belief as simple as “what happens in the vineyard, through environment, by geology, geography and topology, from naturally occurring elements and microbes in the soil, by air and of climate. Were it just a matter concerning “the impossible creator of perfect storms, from out of riddle and enigma,” well, then, we could all just go home. It’s much more complicated than that and real.

Most winemakers will agree, in principle, to this. “The final goal is to make the finest wines that express terroir.” Organic and biodynamic are important. Terroir is more important. But winemakers are no fools. They know that “during the grape’s life cycle, genealogy and climate shape its development. But even after it is plucked from the vine it still carries no true identity, in so far as what it will become as a wine. This is the point where nature gives way to nurture. Environment now acts as the catalyst to shape the wine’s life. Wine does not evolve because of natural selection. It evolves at the hands of the winemaker.” Anti-terroir?

At this year’s Terroir Talk Symposium, Gamay was chosen as the first wine session’s go to grape variety, to investigate both the serious and not-so serious sides of its existential weightlessness. To revel in its lithe, brightness of being and to unearth its deep roots. That we have come to a time in history where both aspects can be studied in Burgundy and in Ontario is fortuitous indeed. As a Gamay groupie, I feel blessed to be born under a good sign, at the right time.

As a reminder, it’s always the right time to be with the Gamay you love. I have been urging Ontario farmers to plant, cultivate and nurture Gamay; for winemakers to make it more and more. I made “a proclamation in favour of a great grape and one that forges signature wines out of Canadian soils. I am an ardent supporter of and a willing rider on the Gamay bandwagon, in the name of connaitre and savoirkennen and wissen, recognition and understanding.”

Related – Go Gamay Go

It’s working. Rosewood Estates just planted it for the first time. Gamay is poured at the cellar door, at tasting events and in private gatherings all the time now. Bottom line is Gamay costs half of the price compared to Pinot Noir and Syrah and it thrives in Ontario. It can make serious Cru quality reds and even at the highest end, sell for less than $30. It has been, continues to be and will always be #GoGamayGo time in Ontario.

Related – It’s go Gamay go time

Moderator Chris Waters and the Gamay Masterclass panel: Jamie Drummond, Magdalena Kaiser, Martin Malivoire, Shiraz Mottiar, Bill Zacharkiw and Guillaume de Castelnau

Moderator Chris Waters and the Gamay Masterclass panel: Jamie Drummond, Magdalena Kaiser, Martin Malivoire, Shiraz Mottiar, Bill Zacharkiw and Guillaume de Castelnau

The first Masterclass: Gamay The Next Little Thing

“The intent of the first of the three wine sessions, was meant to investigate how it performs in Ontario and elsewhere in the world.”

The Panelists:

  • Winemaker Guillaume de Castelnau, Chief Winemaker/Director, Château des Jacques, Louis Jadot Beaujolais (Beaujolais, France)
  • Vigneron Martin Malivoire (Malivore, Beamsville Bench, Ontario, Canada)
  • Winemaker Shiraz Mottiar (Malivoire)
  • Wine writer/Sommelier Bill Zacharkiw (Montreal Gazette/Wine Align, Montreal, Quebec, Canada)

The Moderator: Wine writer Chris Waters (Vines Magazine/Intervin, Ontario, Canada)

To many, Gamay is a wonderful drug and though much maligned, its suitors and supporters can never tire of its freshness and its lightness of being. Moderator Chris Waters refers to Gamay as “a gateway grape, to transition drinkers from white to red wine.” In a world according to Guillaume de Castelnau, “Gamay is lazy, generous and fragile.” Bill Zacharkiw minces nothing, not words, nor feelings. “I love Beaujolais.” In the Terroir Master Class, there were 13 variations on Gamay, from semi-carbonic to old and baked, with many shades, hues, intensities and variations in between. Here are my notes.

Ontario Masterclass Gamay

Ontario Masterclass Gamay

Malivoire “Le Coeur” Gamay 2014, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery)

Shiraz Mottiar refers to the young, Beaujolais impressionist as “Sammy Carbono,” a semi-carbonically macerated Gamay, with one foot in Nouveau and the other in a dusty, freshly spirited aromatic whirl. The tanky feel makes it accesibly gulpable. Like a leaping horse it is also twitchy, hopping in dressage, popping in the mouth. Fun if beside the point. Drink 2015.  Tasted May 2015

Malivoire M2 Small Lot Gamay 2013, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

A month later the pepper runs from white to black, by way of red. Terrific sour edged fruit. Strawberry and cranberry tied together by citrus. Will need two years minimum to fully integrate.
From my earlier note of April 2015:
The profundity of tart, keen, briny berries dilates in its own very useful layers of citrus, tannin and concentration, beyond even what was observed in 2012. The zesty, spritely argot resonates from the unfurling of floral essentia out of a Gamay in desperate need of time. The flavours and overlay are somewhat impenetrable and yet leave quite an impression. While patience might be the virtue and the reward, if #gogamaygo is the modus operandi, a swig from the bottle like gentlemen of the road is certainly not out of the question. Drink 2016-2021.

Last tasted May 2015

Leaning Post Gamay 2013, VQA Niagara Peninsula, Ontario (Winery, $25.00)

A year has clarified the must into a venerable, beneficial decay, like effulgent, liquid rust. The shine of antiquity and then a blast of cinnamon dominates for the first major swirl. So lithe and profound like wise Pinot Noir, minus the Niagara coat of arms and lacquered veneer. Whatever anxiety may have held down the brightness has eased to deliver this current, optimum drinking window. Drink 2015-2016.  Tasted May 2015
 
From my earlier (tank sample) note of May 2014:

Guiltless and virtuous straight out of stainless, the meaty side of Gamay game boldly goes where few from the Bench have gone before. Like a rare venison steak sitting in a silky pool of lavender-scented demi-glace. Floral like Fleurie and despite zero new oak, vanilla joins the gravy. A Senchuk steal of quality Wismer (McLeary…sort of) fruit sets this Gamay up for easy sell success.

Fielding Gamay 2013, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

Time has been a friend to the ’13 Fielding Gamay, a wine who’s elevated tones of floral fruit and acidity have settled in the name of structure. Dusty ground nubbins and mint swirl with layered if yet rigid fruit. Low-cropped vines are on display, in single-vineyard like attention to specific detail, akin to Malivoire’s Courtney. This is in fact sourced from a single-vineyard up on the cool Vinemount Ridge sub-appellation. The site is a couple of kilometres south of Peninsula Ridge’s McNally Vineyard, the source of Ilya Senchuk’s terrific Leaning Post 2012 Pinot Noir. The Procyshyn family has been farming this plot (without fanfare) for decades in Beamsville. The pristine fruit that Theo and Shelley Procyshyn grow, along with their three sons, Nolan, Dalton and Brayden, yield as low as 1.5 tonnes and up to 3.5 tonnes per acre, depending on the year. The ’13 was around 3 t/a. Fielding has never labelled this Gamay ‘single vineyard’ because they have always hoped to bring in new Gamay blocks on as part of that wine, but that’s not yet worked out. The ’13 is very, very red raspberry, with a craggy, spiked point of liqueur, like a weeping peak upon that Vinemount Ridge in the afternoon sun. Has Beamsville’s upper reaches written all over its corporeal self. Drink 2015-2017.  Tasted May 2015

13th Street “Sandstone” Gamay 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

May just be the first Gamay with a simulacrum towards a style best described as appassimento, what with the overripe fruit, aromatic cure, baked and sun-dried flavours. Sniff the confluence of black raspberry, scorched earth and roasting game bones, its sinew crackling over humid old growth wood. Gets rich into the vanilla, reeking of late harvest lavender and then a mutton funk. Could easily pass for a wealthy, unforgiving style of Cru Beaujolais, like Chénas from Christophe Pacalet. Or it could just be acting older than its age, by seven or eight years. Most prepossessing and confounding Gamay. Drink 2015-2018. Tasted May 2015

Stratus Gamay 2012, VQA Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)

Esteem elevated by structure, matched in poise and presence mottled in smears of darker, richer black cherry. If a slight absence of brightness is sensed due to the syrupy compression, like New World, west coast Pinot Noir, the gleaning from acidity and tannin times perfectly the effluent escape.

From my earlier note of April 2015:

It may not be the most idiosyncratic Gamay in Niagara but the Stratus 2012 is without a doubt the most advanced and complex. Gamay fusion is on display, at once a bottle of Niagara’s finest pulchritudinous veneer and then a charcuterie board laid ample with cured bovine parts and sun-dried grapes. Maximum ripeness and then even later picking, to no one’s surprise, have led to this. Two years of ageing in neutral oak barrels has brought about a humid roundness and yet the centre is controlled by Oz-like mint and eucalyptus notes. The jam is gelid, as opposed to temperate. Rarely does Gamay go to such depths, of blackberry, chalk and grain, with an overlord of tannin. Quite serious stuff. Drink 2017-2020.

Last tasted May 2015

Château-De-Jacques and Malivoire Courtney in the Gamay Masterclass

Château-De-Jacques and Malivoire Courtney in the Gamay Masterclass

Château-De-Jacques Morgon 2013, Ac Beaujolais, France (653584, $24.95, WineAlign)

The flushed scarlet animation is active and astir, like a soft serve swirl of dusty, cherry molasses, bathing in its own natural acidity. Has the presence of wine to integrate chalk, grain and Morgon tannin, in equal, opposite and variegated layers. Nothing shy about this gateway Cru Beaujolais. Drink 2015-2019.  Tasted May 2015

Château-De-Jacques Morgon Côte du Py 2013, Ac Beaujolais, France (Agent, $53.95)

In this rigid and stoic Morgon, the south-facing, blue volcanic slopes of the Côte du Py have provided a measure of firm fruit that will require a minimum two to three years to crack. The gears of the Gamay machinery may be grinding but the windows are yet open, the doors locked tight. This is the least forward, most inwardly introspective and least gregarious of the CdJ Beaujolais. Sharp sapidity, biting tang and piercing penetrating tannin deny immediate or even short-term access. Even the middle palate seems lifeless, devoid of cherry fruit and seamless layering, medicinal even. Judgement should be reserved, with knowledge of pedigree and how a bottle such as this will suddenly, effortlessly spring to life with time. Drink 2018-2022.  Tasted May 2015

Château-De-Jacques Moulin a Vent 2010, Ac Beaujolais, France (Agent, $36.95)

The undergraduate’s blend comes from the appellation’s Château des Jacques parcels; Carquelin, Rochegrès, Champ de Cour, Thorins and La Roche. Granite soils from each spice with symptomatic diversification and combine for a flippant funk that hitches straightforward out of the gate. Here Gamay leaves dusty behind with an urging away from humble and towards nobility. Richly aromatic, amplifying into palate. Such acidity and such grain. For this MaV the time is now, the arrival already announced. A late sense of veneer on the lengthy bitter finish indicates more good times ahead. Drink 2015-2020.  Tasted May 2015<

Château-De-Jacques Moulin a Vent Clos de Rochegres 2010, Ac Beaujolais, France (Agent, $44.95, WineAlign)

From the appellation’s highest parcel, the red sandstone soils of the Clos de Rochegrès are gently sloping and fed by underground streams. I always sense salinity and an effusive, stony energy in wines blessed with subterranean irrigation. The drinking window for this 2010 is wide open and the funk meets age introduction has been made. Already in display of a dried fruit shrivel, the ’10 acts like Sangiovese of a similar senescence, like CCR or Vino Nobile with three to five years of age. The liqueur of roses, the earth and the cherries are culpable and yet the varnish and the baking spice crusting ensure that no one conclusion can yet be made. This is highly seasoned and not quite unfurled Gamay. Two more years should complete its conditioning. Drink 2017-2020.  Tasted May 2015

Château-De-Jacques Moulin a Vent Clos de Rochegres 2007, Ac Beaujolais, France (Agent, $43.95, WineAlign)

Poured from a magnum, the 2007 Clos de Rochgeres is the portal in which to peer, to see what can happen with Gamay. Baked, caked, figgy, funky and oxidative, more than ample fruit was present and persists, with the savoury edges now integrated throughout. Strawberry rhubarb pie comes to mind, with eyes closed and sniffing senses heightened. A bit indelicate, the humidity in tomato leaf and garrigue add to the idea of age though the citric punch and lactic texture are reminders of Gamay’s fun side. There is no shortage of complexity and evolution here. That said, consumption time is now. Drink 2015-2016.  Tasted May 2015

Malivoire Gamay Courtney 2007, VQA Beamsville Bench, Ontario (Winery, $29.95, WineAlign)

The wow aromatics can’t be denied, fully explained nor perfunctorily taken for granted. Age has educated the fruit, stratified and fully saturated this Gamay. Strawberries have shot from an adrenaline cannon and structure has been fully realized with (non-Gamay) Old World confidence. A note of orange blossom, like an early evening Sevilla garden, is rousing. The natural evolve of such a Gamay, with wood, yeast and fruit in expert harmony, recalls the impossible acts of red wines like those made by Emidio Pepe. If the stretch is considered a conceit of poetic licence, so be it. The yet beating heart of raging acidity circling plenteous fruit and so much savour is nothing short of a Gamay miracle. Power and masculinity, by way of a conduit in oak, have been used to great advantage. This has life yet to live. Drink 2015-2020.  Tasted May 2015

Château-De-Jacques Morgon Côte du Py 2006, Ac Beaujolais, France (Agent, $53.95)

Seamless and eminently structured, developed low and slow. The blue volcanic soil has procured an evolutionary subsumption, a roasted, developed personality. The seeping liquor oozes, of earthy cherries, again like Sangiovese, but inelastic and close-grained, as per the Côte du Py idiom. This ’06 offers clarity and gives reason to forgive the brutal ’13, to abstain for commenting further. This wine is quite ferric and still tannic. The oak remains a factor. Through the walls the Gamay fruit does transude and so the master plan is coming into effect, perhaps not immediately but will be very soon. Just around the corner. Drink 2016-2020.  Tasted May 2015

Moderator Sara d'Amato and the Terroir Masterclass panel: Magdalena Kaiser, Dr. Jim Willwerth, Emma Garner, Stuart Piggott and Dr. Kevin Pogue

Moderator Sara d’Amato and the Terroir Masterclass panel: Magdalena Kaiser, Dr. Jim Willwerth, Emma Garner, Stuart Piggott and Dr. Kevin Pogue

The second Masterclass: A Different Look At Terroir: How Much Do Soils Actually Matter?

“In this seminar/tasting we ask what the term really means, and how much do its many different elements actually influence the character of the finished wine?”

The Panelists:

  • Dr. Kevin Pogue Phd. Geology, Whitman College, Walla Walla, Washington State, USA
  • Dr. Jim Willwerth Phd. Biological Sciences: Plant Sciences; Oenology and Viticulture (CCOVI, Brock University, Niagara, Canada)
  • Winemaker Emma Garner (Thirty Bench, Beamsville Bench, Ontario, Canada)
  • Winewriter Stuart Pigott (Author of Riesling: Best White Wine On Earth, Berlin, Germany)

The Moderator: Wine writer/Sommelier Sara d’Amato (Wine Align, Toronto, Canada)

Dr. Willwerth offered up his opinion on how minerality is achieved in Riesling. “If you don’t get maturity in the variety at the end of the growing season, you won’t get the full expression of minerality. Overripe will eliminate minerality.” In Ontario, “The Bench is home to a mineral wealth of local Riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.” That persuasion has spread, down to the shores of Lake Ontario, by Niagara-on-the-Lake and in Prince Edward County. “Riesling brokers the nescient consumer with the gift of grape enlightenment.”

Seven Ontario Rieslings were tasted in the Masterclass. The notes.

Riesling Masterclass

Riesling Masterclass

Cave Spring Riesling Dolomite 2013, VQA Niagara Escarpment, Ontario (Winery, $16.95, WineAlign)

This is Cave Spring’s bridge, offering safe passage from Estate to CSV Riesling. Vinified with consistency in a quasi-Kabinett style, its elevated though classic numbers steadfast in sugar (17.55 g/L) and acidity (7.2 g/L TA). The dolomite limestone of the Escarpment means business in this calm, fit, chiseled and consumer-lissome Riesling. Palate is really the thing, seamless to attraction, from fruit to stone. Orchards and citrus groves alight to rock. Phenolically ripe yet shy of the tropical planet. Is there transference here? Absolutely. Drink 2015-2018.  Tasted May 2015

Château Des Charmes Old Vines Riesling 2013, VQA Niagara On The Lake, Ontario (277228, $16.95, WineAlign)

The happy place effect by age in the Château Des Charmes’ vines coupled with location is usually enough to carry this Riesling through an obvious and readily identifiable tunnel but 2013 confounds. The elemental ratio, derived from multiplying reduction by altitude leans thoughts to the Vinemount Ridge or the Cave Spring Escarpment Vineyard. The compound aromatic waft, or more succinctly, the deconstructed stone, the breaking down of periodic Hollywood squares is a force to reckon. That this arrives from such close proximity to the lake is nothing short of amazing. It’s as if this Riesling is the product of stressed vines and the pierce is just so pinpointed. Less accessible than ’12 for sure, so drink up previous vintages going back at least three before even thinking about getting to know 2013. Drink 2018-2022.  Tasted May 2015

Norman Hardie Riesling 2014, Prince Edward County, Ontario (Tank Sample)

At this prepossessed stage the terpenic fruit might fail in competition but succeed in the marketplace. Easy access, smelling of perfumed must, juicy, with citrus and burgeoning acidity. Low alcohol and good length stretch out an endless lemon summer. The wine will reverse itself within a year and beat impossible odds. A Hardie always does.  Tasted May 2015

Thirty Bench Riesling Small Lot Triangle Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)
The brilliant hue slides through patina and heads for gold. Some fumes have emerged with age, part petrol, part pure mineral, but of what kind and more importantly how, or why? Viscous, near oily, waxy and the most Glück of the three Thirty Bench single-vineyard Rieslings. Tossed with spice, pepper, lemon and honey that is more molasses than clover. The mineral is a result of the lowest water retentive soil as compared to Steel Post and Wood Post. The transmission for (orchard or tropical) fruit is minimized, the vigour low. The result is mineral. Drink 2015-2020.  Tasted May 2015

Thirty Bench Riesling Small Lot Steel Post Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Balance is and therefore always was struck. The match percusses flint for a mere nano-second, with just a brush on cymbal, the rock bleeds but is quickly clotted because the fruit shines still, like around the clock light. The steely aspect is a posterior one, antithetical and yet purposed, from this vineyard. Youth tells common sense to think 2011. The Riesling behaviour seems to play that part, of a chalky, piercing acidity, so typical of that vintage and so distinctly Thirty Bench. That the wine is older is not a big surprise because 2009 is the bomb. It may just be the best Riesling vintage, from on that Bench, in the last 10. Drink 2015-2025.  Tasted May 2015

Thirty Bench Riesling Small Lot Wood Post Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Age is a factor but less so than its Bench sisters due to a fine sense of calm. Showing less evolution, less viscosity, less wax and honey. More than that, the periodic table has yet to fill in. The Wood Post exhibits more warmth, savour and balm. A taste offers a sapidity that combines toasted fennel and candied lemon. Poised and yet incomplete, the vineyard fetters this Riesling to breath slowly and take its (will get to) sweet time. Drink 2017-2027.  Tasted May 2015

Flat Rock Cellars Riesling Nadja’s Vineyard 2009, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $19.95, WineAlign)

Going back a few years, this Flat Rock Weis 21 clone Riesling from atop the Niagara Escarpment was made by former winemaker Ross Wise. Six years has concentrated both aromas and flavours while concurrently reducing the cutting drill. The hyperbole is read by tablet, of etchings in stone, immortalizing the terroir (not so) long before it was truly known how this could happen. What sticks out the most is the bleeding limestone texture and the striking aridity. Later vintages of Nadja improve on the flesh. Drink 2015-2017. Tasted May 2015

Clone Wars Masterclass

Clone Wars Masterclass

The third Masterclass: “The Clone Wars”: What Do Different Clones Bring To The Glass & Why?

“Looks at Riesling, Cabernet Franc and Pinot Noir. The varying clones utilized are a point of pride for some winemakers, and yet not even mentioned by others. Over the course of this detailed seminar/tasting we hope to answer why this is the case.”

The Panelists:

  • Dr. Kevin Pogue Phd. Geology Whitman College, Walla Walla, Washington State, USA
  • Dr. Jim Willwerth Phd. Biological Sciences: Plant Sciences; Oenology and Viticulture (CCOVI, Brock University, Niagara, Canada)
  • Winemaker Angelo Pavan (Cave Spring, Jordan, Ontario, Canada)
  • Winemaker Jay Johnston (Flat Rock, Beamsville Bench, Ontario, Canada)

The Moderator: Sommelier Katy Moore (Langdon Hall, Cambridge, Ontario, Canada)

Dr. Jim Willwerth asserts that “clones are essential for viticulture, propagated asexually, through cuttings.” Angelo Pavan notes “clonal research to cold heartiness is very important for Niagara and also for yields.” Clones no doubt drive the industry, at least behind the scenes, but when it comes to making great wine, is it the be all, end all? “I still believe plot trumps clone,” says Jay Johnston. The defence rests. Here are the wines tasted in the final Masterclass.

Clone Wars Masterclass line-up

Clone Wars Masterclass line-up

Greenlane Riesling Old Vines 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (351486, $21.95, WineAlign)

While aridity suggests Alsace Clone 49, this is actually Weiss 21, made saline and arid out of Lincoln Lakeshore soil. The herbal aspect has propagated to combine with Twenty Bench like distinction and with less citrus than Vinemount Ridge or Beamsville Bench. The Mosel density has developed with time in bottle. Drink 2015-2019.

From my earlier note of October 2013:

Cracks the mineral whip, froths lime into foam and atomizes stone fruit into sweet and sour heaven. Wants to be semi-dry but never quite goes there. Walks a fine line, a tightrope actually. Up there with Charles Baker and Thirty Bench for sheer madness.

Last tasted May 2015

Trius Winery At Hillebrand Showcase Riesling Ghost Creek Vineyard 2013, VQA Four Mile Creek, Ontario (Winery, $25.00, WineAlign)

The Ghost Creek Riesling comes from the shadow of a river bed vineyard planted to the Alsace clone 49. The fruit is much richer than most, coupled with the aridity and salinity that former stony wadi plots and this particular clone will conspire to effect. The citrus intensity is however tempered by a humidity that comes from seemingly sunburnt fruit, tanned and wet down by the revenant reservoir. Drink 2015-2017.  Tasted May 2015

Cave Spring Estate Bottled Chardonnay Musqué 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (246579, $15.95, WineAlign)

Produced from the 77 clone, the vintage has heightened the high herbal and feigned sweetness aromatic pastis. The palate is extraordinarily viscous, with Yellow Muscat and Gewürztraminer attributes, not so out of the ordinary considering Cave Spring’s older world execution. Drives from lemon to mandarin, through almond pit and into peach. Always solid Musqué. Drink 2015-2017.  Tasted May 2015

2027 Cellars Chardonnay Wismer Vineyard Fox Croft Block 2012, VQA Twenty Mile Bench, Ontario (Winery, $30.00, WineAlign)

In the hands of winemaker Kevin Panagapka, Craig Wismer’s fruit retains un underlay of power not recognized in other Foxcroft Chardonnays. Neither Thomas Bachelder nor Ross Wise (Keint-He) make anything near spirited as this 2027 take. Chardonnay loves the sun in the Foxcroft Block and Panagapka loves to see that sun hook up with the inside of a barrel. This ’12 makes a nice date for a wood wedding. A product of the Dijon 96 clone, the reduction in this Chardonnay drives its fresh, spritely if mettlesome nature, with a bark and a barrel bellow, but longevity will not suffer as a result. This could take 30 years to oxidize, it’s that audacious and also courageous. Let it and its buttered popcorn rest a while. Drink 2017-2025.  Tasted May 2015

Malivoire Chardonnay Moira 2011, VQA Niagara Peninsula, Beamsville Bench, Ontario (243113, $39.95, WineAlign)

When it comes to clones, winemaker Shiraz Mottiar distills the Moira Vineyard into the realm of “field selection.” Not to be confused with field blend though I suppose that’s what it is, of sorts. The ’13 is the dictionary entry for Moira, typically balanced, from pedigree, in warmth, amiability, gathered and distributed, from acumen and confidence, to customary placement. Fruit and acidity relax on a sofa of equilibrium, taking little in the way of risks, making no mistakes. Reduction isn’t even a twinkle in its fresh versus oxidative eye. The vintage and the handling purports to throw infantile, developed and matured into one big machine for a readout that grants immediate gratification. Exemplary take on cool-climate, Niagara Peninsula, slightly warmer Beamsville Bench Chardonnay proper. Not for the long-term. Drink 2015-2019.  Tasted May 2015

Flat Rock Pinot Noir Pond Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

Assessed blind it smells just like the Flat Rock’s Gravity Pinot Noir yet singled out in fractions. Here the mellifluent block, of sweet crooning fruit, careening and submissive to Siamese brother triplet Summit’s tension.

From my earlier note of October 2013:

Crosses the twain between Bruce and Summit. A cottony touch, most pronounced perfume and of the three, the lowest acidity. Mellow, easy, J.J. Cale peaceful, void of chalk, grain or angst. Speaks in a cherry voice, smells like cherry and returns that cherry to taste. Ripe and soft. “Sweet as a morning sunrise, fresh as a mountain dew.”

Last tasted May 2015

Flat Rock Pinot Noir Summit Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

The most perfumed and yes, Burgundian of the three blocks, the Pommard in the group. Still limestone chalky and gaining weight. This is a single-block wine to me made again.From my earlier note of October 2013:This block’s base is slightly deeper, spreading over dolomite limestone. Diminished average temperatures mean berries develop lower and slower, hang longer (up to three weeks) resulting in higher phenolic ripeness. Summit may be the caveman of the three, seemingly in dire straits, covered in leaves, snapped twigs, truffles and porcini mushroom but damn if impossible Burgundy does not come to mind. This is one to ask where do you think you’re going? It will surely reply, “if you ain’t with me girl, you’re gonna be without me.”Last tasted May 2015

Flat Rock Pinot Noir Bruce Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

The light and delicate place translates to hue, texture and ultimately elegance. Yet there persists an underlying anxiety, essential for gravity.

From my earlier note of October 2013:

From the northern most block, up at the Escarpment/Bruce trail. Thin, one foot deep soil meshes flaky limestone at this elevation. Smallish berries predominate and an earthly mote accents the flowers, cherries, strawberry and classic purity of this bonny Bruce. A Oregonian lightness of being, if you will. From one of the few south-facing slopes in Niagara (because of 20 Mile Creek), where the limestone chalk imparts fine-grained tannin so apparent to taste.

Last tasted May 2015

Good to go!

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Searching for Somewhereness

The wines of Norman Hardie

The wines of Norman Hardie

Somewhereness is not really a word. It’s hokum. Gibberish. Nonsense. Look it up in Merriam-Webster or Oxford. Not there. Its conceived convenience is recorded in Wiktionary, Your Dictionary and other online glossaries though, because there is always an online presence ready and willing to immortalize anything and everything.

The definition of Somewhereness, according to the online “dictionaries.”

  1. The state or quality of being in, occurring in, or belonging to a specific place.
  2. The state or quality of existing in a place that is unknown or cannot be pinpointed.
  3. The unique characteristics imparted on a wine by the conditions of the place in which it was grown.

Somewhereness lies the truth?

Somewhereness is not a state of mind, of being, of knowing something is intrinsically right within the parameters or context of here, there, anywhere or everywhere. Somewhereness is not merely a function of good decision-making, of exercising the ideal to expand on terroir, to create something to talk about. Yet that third so-called definition is on the right track. Belief says terroir is what happens in the vineyard, through environment, by geology, geography and topology, from naturally occurring elements and microbes in the soil, by air and of climate. Terroir is the great one. The impossible creator of perfect storms, from out of riddle and enigma. Somewhereness, by extension, is the next one.

Somewhereness exists, albeit with just as much abstruse behaviour and paradox, inside the finished bottle. That’s all you really need to know. Terroir happens before. Somewhereness happens after. The line is drawn when wine enters its final resting place. It evolves, develops and finds its somewhereness inside the bottle. In the case of Champagne (and the wines of Emidio Pepe), the first bottling is merely a temporary shelter and somewhereness knows to wait for the final call. In those cases there are the stages of terroir, disgorgement and finally, somewhereness.

In Ontario, somewhereness has been found (as opposed to “was founded”) by Norman Hardie, Jonas Newman, Vicky Samaras, Bill Redelmeier, Ann Sperling, J-L Groux, Charles Baker, Doug Witty, J.P. Colas, Ed Madronich, Jay Johnston, Tom and Len Pennachetti, Angelo Pavan, Moray Tawse, Paul Pender, Harald Thiel, Marlize Beyers, Mary Bachelder-Delaney, Thomas Bachelder, Martin Malivoire and Shiraz Mottiar.

Somewhereness may have been born to these Ontario parents but it has and will not remain exclusive to the 12 who discovered it. Somewhereness belongs to all wine with true and truthful origins in terroir. The great wines of the world share in the expression and the mystery, even if the gold inside their bottles has never been affixed with such a label. Somewhereness is found inside a bottle of Dujac Bonnes Mares. You will taste it in an Egon Müller Scharzhofberg. It can’t be missed from out of a Margaux pour by the hands of Paul Pontallier. Wines of manic manipulation will never find it. They either do or they don’t, will or they won’t. Somewhereness just happens. Don’t ask me to explain. I’m just the messenger.

Over the past few years, much godello.ca white space has been set aside for glossing in written word and the ever-evolving rumination on the spiritual effect of somewhereness.

Konrad Ejbich holding court in front of De La Terre's breads

Konrad Ejbich holding court in front of De La Terre’s breads

Related, From February, 2013 – Somewhereness over the Canadian wine rainbow

“For a comprehensive look at our province, make sure you read A Pocket Guide to Ontario Wines, Wineries, Vineyards, & Vines by Konrad Ejbich. The discourse concerning somewhereness in Ontario is in full swing. In October of 2012 I wrote, “character and quality has never been better. Riesling continues to impress and let us not ignore the high level of ever-evolving Chardonnay vines. Reds have made great strides, especially Pinot Noir, Gamay and Cabernet Franc. The future looks very bright for Ontario [wines].”

Related, From April, 2013 – Come together, over wine

“Abeyance be gone, these next few years have the potential to cement an industry’s power. Only a minority has even the slightest clue that liquid gold is mined out of the peninsula’s glacial clay and limestone. The time is ripe to tell the world the story of somewhereness. The embryo is about to grow in a major way. Financial reward is within reach. So how to alert the world?”

Related, From April 2014 – The group of twelve

“History may one day remember them as the group of twelve, or perhaps, “The Ontario School.” They are the 12 wineries who have banded together to ensconce a strange but beautiful word on the tongue, in the dictionary and out in the world. Somewhereness. They are purveyors of the land from which their grapes grow and ferment into wine. Facilitators of terroir, working a canvas forged by millions of years of geological and climatic evolution. Their assembly is based on both exigency and on Moira; destiny, share, fate. Like that other famous group, “collectively they agree.” Ontario’s cool-climate wine regions need to qualify and certify a distinctive winemaking style. In juxtaposition to old world, European tradition, the intensity of somewhereness needs to reflect an increasingly Ontario-centric partiality.”

Related, From April 2014 – Why taste Ontario?

“The Ontario wine industry is the best kept secret in the world. It has grown, accelerated and advanced with more success than might have been imagined as recently as five years ago. In November I wrote, “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”

Wine Country Ontario's Magdalena Kaiser

Wine Country Ontario’s Magdalena Kaiser

All wonderful hyperbole, to be sure. But for years I missed the point. Somewhereness is not about agreeing, in principle, on how to make wine from a particular place so that it can collectively result in a thing. It is something other. It’s in the bottle. It has always been there but the key lies in Ontario’s industry having matured to a point where we can now taste it, again and again, inside the bottle. The work made it happen. It is well-deserved.

Thomas Bachelder and Mary Delaney-Bachelder

Thomas Bachelder and Mary Delaney-Bachelder

So with the assistance of Trisha Molokach, Dorian Anderson and the vintners who came to realize what happens when terroir is used to bottle divine pleasure, another Somewhereness (the event) happened, at St. James Cathedral in Toronto, on April 20, 2015. Food partners completed the stellar event; Best Baa Dairy, Monforte Dairy, Upper Canada Chees Company, Fat Chance Hand Sliced Cold Smoked Salmon Co., Chef Ryan Crawford & Beverly Hotchkiss of Backhouse, De La Terre Kitchen and Bakery and Schott Zwiesel. Hinterland was not present in 2015 and I skipped two tables, due to quite recent full portfolio tastings, at Bachelder and at Southbrook. Here are some other notes.

Norman Hardie Riesling 2013, VQA Ontario (Winery, $21.00, WineAlign)

With less residual sugar than in 2012 and slightly higher alcohol (the bottle says 10.1 per cent but it’s actually 9.8), the house style persists, if only as a refrain that adjusts and adheres to the vintage. A hint of oyster shell is more than significant, in working alongside Hardie’s Calcaire, effected out of lees fermentation. The minute loss of high-toned aromatics is pitched in favour of fruit, if only from one exploited tank, within the context of producing 1000 cases. The ’13 (70 Niagara/30 PEC) is like very modern Alsace, akin to Schoffit, what with its texture fitted through a tiny hole. Drink 2015-2018.  Tasted April 2015

Norman Hardie Calcaire 2013, VQA Ontario (Winery, $23.00, WineAlign)

The field blend of Marcel Deiss is the starting point. Lees imparts texture and the proverbial minerality is rounder than the Riesling, though the acidity just as linear. The breakdown is Chardonnay (40 per cent), Riesling (40), Melon de Bourgogne (10) and Pinot Gris (10). It should be noted that the mid-palate is caressed by a silky cheese curd, sour milk atonement. Drink 2015-2019.

From my earlier note of August 2014:

If any wine growing and producing region not called Alsace has the right to label a wine Calcaire, Prince Edward County is that place. The irony squared of Norman Hardie’s choice of nomenclature is not lost. Olivier Humbrecht makes use of the term because some of his single-varietal wines can no longer (under the local AOC rules) be labeled with the name of the wine-growing village. Marcel Deiss produces ‘field blends’ composed of several varieties grown on Grand Cru soil but he can’t (under other regional rules) label them Grand Cru. Hardie takes Niagara and PEC Grand Cru grapes, fashions an Ontario white blend, not unlike J-L Groux and calls it Calcaire, in ode to the limestone underlay of the County. Are you following me here? This may be new, innovative, yet understood and an early impression, but this cuvée initiates the PEC march to white blend supremacy, much like Stratus White has done over the course of 10 vintages in Niagara. Norm’s Calcaire is a Chardonnay, Pinot Gris, Riesling and Melon de Bourgogne mélange, co-fermented on the lees, striking, all in limestone, full out mineral consequence. There is purified pear and white melon fruit in distillation. There is a house in Wellington, “they call the Rising Sun.” That this animal succeeds so early in its tenure shows the Norm conceit and the swagger. That it will define white blends for a millennium is an arrogance of traditional song and of scripture. So be it.

Last tasted April 2015

Norman Hardie Niagara Unfiltered Chardonnay 2012, VQA Niagara Peninsula, Ontario (184432, $39.00, WineAlign)

The ’12 Niagara has swapped spontaneity for coherence, licentiousness for logic. Has entered the stage of non-reductive peel, where skin is discarded, flesh is exposed and juices run free. If you like your Chardonnay settled and yet vitally fresh, now is the time to enjoy the Hardie 2012 Niagara Chardonnay. Drink 2015-2022.

From my earlier more of May 2014:

Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay.

Last tasted April 2015

The wines of Hidden Bench

The wines of Hidden Bench

Hidden Bench Estate Riesling 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (183491, $23.95, WineAlign)

Hidden Bench’s ’13 Riesling is a pure, soft-spoken and balanced reflection of her maker, winemaker Marlize Beyers. Only a month or two of lees and no stirring has brought her Riesling into this current corporeal state. The citrus is all flesh, void of pith and with acidity that has already incorporated, disguised and covered the zest. If any Hidden Bench Riesling suggest tropical fruit, here it is and yet again, not. Drink 2015-2020.

From my earlier note of September 2014:

The Estate Riesling is as vigneron-defining as any wine on the Niagara Escarpment. Hidden Bench is a 100 per cent estate-fruit operation so this Riesling is spokesperson, prolocutor, mouthpiece, champion, campaigner and advocate for the concept. The estate ’13 reaches deeper for nutrient pot sweetening, into shale and in conceit of its varied, positively cultivated terroirs. Compact and jelled, this is several steps up from most other entry-level Niagara Riesling and in fact, is really anything but. The transparency here is patent. This is Riesling that simply knows what it is; pure Bench, unequivocally real and forthright. Knows what it wants to be.

Last tasted April 2015

Hidden Bench Bistro Riesling 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95)

Produced exclusively for licensee, the Bistro follows a very similar profile to the Estate Riesling, with exactitude in weight and alcohol 911 per cent). The flesh is less, the zest increased and overall you can sense more youth. The Bistro juice comes from Roman Block cuttings planted in Felseck Vineyard in 2008. The simmer here is a simpler, more straightforward pot of sustenance, entirely capable of acting as spokes-Riesling for the Hidden Bench house druthers. The vines will grow up and the juice will move on but other, newer, youthful cuttings will take up residence and the Bistro line will endure. Drink 2015-2017.  Tasted April 2015

Hidden Bench Nuit Blanche Rosomel Vineyard 2012, Beamsville Bench, Niagara Peninsula, Ontario (278812, $40.00, WineAlign)

The (five to) six percent Sémillon speaks at present, in a waxy, bitter gourd winter melon and smoky flint tightness. In this wound moment, it is perceived that another year will be needed for the next unwind. Now vacuous, spinning and whirling as if in a processor’s bowl, an amphitheatre of expression. Drink 2016-2022.

From my earlier notes of September and (at Gold Medal Plates Toronto) November 2014:

Less than six weeks after my first introduction to the NB ’12 complexity shines anew. Such a delicate and elegant take on the Bordeaux white axiom. Void of all the gangly G’s; grasses, gooseberry and green vegetable. Leans to custards and curds with a savoury accent and a limestone tang. Willing to be paired with a multitude of gastronomy. Long finish. From my earlier, September 2014 note: “Taking what the vintage gives, Rosomel’s Sauvignon Blanc was king in 2012, dominating at a 95 per cent share of the Bordeaux-styled blend with Sémillon. Barrels were stirred weekly during fermentation and the creamy texture thanks that regimen, as does the tannic fullness of the round back-end. It rocks out bracing, formidable and nobly bitter, in pear and its pith, in lemon, of rind and in curd. The SB lounges in tall grasses but avoids goose feathers and blanching veg. So very savoury, in gorse tension, thistle and nettle. These notes all cut through the roundness and are finally tied together by the flinty rock of Rosomel.”

Last tasted April 2015

Hidden Bench Rosé Locust Lane Vineyard 2013, Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

A meandering young blend of Pinot Noir, Malbec and Viognier that is super dry (3.2 g/L of residual sugar), “hey, hey, my, my.” The aromas suggest a succession from strawberry to green and red onion but “there’s more to the picture, than meets the eye.” The medley, interrupted by ballads and road stories is like a subtle, sweet, sour and savoury gastronomical pickle, ramps in brine, scopes in sweet alkali. Can there be a drier, more windswept crag, neal to a southern French style made anywhere on the Peninsula than from the Escarpment coliseum up on Locust Lane? Drink 2015-2018.  Tasted April 2015

Hidden Bench Bistro Rosé 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95)

While persistent in aridity as a disciple to the Locust Lane, this Bordeaux blend Rosé packs a fruitier punch. Elevated residual sugar (as compared to the Double L) mans a higher rate of variability and accessibility, not to mention more chance of Ontario patio success. This licensee bottling will work for summer, across the province. Drink 2015-2016.  Tasted May 2015

Meg McGrath and and Marlize Beyers of Hidden bench

Meg McGrath and and Marlize Beyers of Hidden bench

Hidden Bench Locust Lane Vineyard Pinot Noir 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $48.00, WineAlign)

Still tightly wound with the tannic grain criss-crossing at interstices of fruit (pomegranate/cranberry/strawberry) and acidity (sharp/pointed/direct). A fine, pointillist’s rendering; Locust as Seurat, nobly bitter, to the end. Drink 2016-2022.

From my earlier note of April 2014:

The Locust Lane Vineyard, originally planted in 1998, was Hidden Bench’s first acquisition, in 2003. It has a unique perpendicular cross-slope effect, undulating in all four directions, gathering sun hours in its own special way. The vineyard produces the richest and warmest Pinot Noir with fruit flavours more akin to ripe plum and black cherry than almost anywhere on the Beamsville Bench, certainly as any from the Hidden Bench stable. While the ’11 is not the biggest beast nor the Bordeaux bully of the Terroir Caché, it is surprisingly tannic and strong. It’s anything but hot, though it attacks with fervor. Big berry fruit, macerated strawberry, rich pie notes and spice. A great Locust vintage.

Last tasted April 2015

Hidden Bench Terroir Caché Meritage 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario (505610, $38.20, WineAlign)

There is so much floral presence in 2011, a showy perfume that parades the relative elegance of Niagara’s Bordeaux reds in the vintage. Structure is comparable to 2010, not in beast mode but rather with a delicacy derived from less burning, high-toned fruit. Still here lays a wine so young, of social encumbrance that might be passed off as a mark of impertinence. This faintly embarrassing condition can be suppressed in a dark cellar, in which the foundation can be laid for the beginning of a cure. The Terroir Caché 2011 will show its best between 2017 and 2020, then develop, slow down, suspend animation and age further, effortlessly and exceptionally. Drink 2017-2024.  Tasted April 2015

Tawse Quarry Road Chardonnay 2012, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $35.95, WineAlign)

Oh, the accessibility of Quarry Road in 2012. Still totes the emerald shine, the gemstone tannic scrape and yet the flesh is rendered rich, ripe, ratcheted and riled up. This has tonality like never before, layered and strudel buttery. At this point the vines for Quarry are 17 years of age, sophic and erudite, compounded by the organic, biodynamic and prudent pruning practices that have cemented its vigour. The clay-limestone, fresh-mineral, push-pull is a veritable careening of expression. Though its longevity may not pile towards a compressed future like that of ’09 or ’11, the earlier and often response will act both as Chardonnay charming and Quarry Road magnetizing. For the next five years it will be very hard to turn away. Drink 2017-2020.  Tasted April 2015

Tawse Laundry Vineyard Cabernet Franc 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (130997, $34.95, WineAlign)

A year had added rich note to this ’11, furthering the inflammatory vibrations and purposefulness of Bordeaux (as opposed to Loire) red makings from the vintage. The depth of cherry merging to smoked currants is cool, collected and shaded by brushy, briny strokes. Hints at brambly, even. This is so very Cabernet Franc and even more so, Lincoln Lakeshore. Drink 2015-2019.

From my earlier note of April 2014:

A lean Laundry with as much finesse as winemaker Paul Pender has ever shown in his poignant Cabernet Franc realm. When a vintage deals you calm and scale you sit back and relax. The Lincoln Lakeshore advancing in years vines bring yet unseen front end red berry, licorice and red currant softness in 2011. There is elegance but also a refusal to yield its back end bite. A level of enveloping grain and chalk is unique to this bottle and should be seen as a very good effort with the possibility ahead

Last tasted April 2015

Cave Spring Cellars

Cave Spring Cellars

Cave Spring Extra Dry Sparkling Riesling 2010, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

From the clay-limestone bench lands abutting the Escarpment, specifically one block of 11 year-old vines at the Beamsville Bench Cave Spring Vineyard. Traditional method fizz accessed of low brix (early picked, 19.3 degrees) and mortar (2.97 pH) numbers, then elevated under microscope magnified sugar (15.5 RS g/L) and acidity (8.4 g/L). So what? So this is a pure CS expression of Riesling, cured and curated in the house style, led to textile weave from 14 months on the lees and finalized just that side of Brut. Functions like a Blanc de Blancs suitably this side of acidity rage and with corresponding remarkable, if close to impossible aridity. Less fat than might be expected and with a swath of sauvage. There sweats ginger and the cuttings of foraged wild things. The extension on the finish is protracted even after the liquid has left the building. Finishes with dry stones, nuts and a rightful oxidative thrust. Drink 2015-2020.  Tasted April 2015

Cave Spring Csv Riesling 2013, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025.  Tasted April 2015

Cave Spring Riesling ‘The Adam’s Steps’ 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (26372, $24.95, WineAlign)

At present there are sweets, bitters and rich Adam fruit. Only the shadows of a limestone outcrop near the crest of the Niagara Escarpment know why the Adam is so juicy. A chew like no other. Drink 2015-2020.

From my earlier note of October 2014:

A classic Adam, amplified in 2013, riper and not as piercing as previously noted vintages. Still the layering is omnipresent but there is more juicy fruit and texture then ever before. This is a consumer friendly Adam, gregarious, outgoing, off-dry as never before. New slang for the bottling.

From my earlier note of July 2014:

According to Cave Spring’s website this newer Riesling from older (18 to 35 year-old plantings) is from “a single block of vines in the shadows of a limestone outcrop near the crest of the Niagara Escarpment, known as ‘The Adam Steps’. Really apropos, for this Riesling is the cantilever, the one with the outstretched arm. At 10.5 per cent alcohol and with an unmistakably stony, sweet and sour whiff the wine speaks of its off-dryness. The juiciest of all the Cave Spring Rieslings, with rounder acidity and good persistence. This is the all-around good guy, the one with an open invitation, the bridge from Estate to Dolomite to Csv. The well-adjusted one steps up its game to help win one for the team, especially out of the convivial 2013 vintage.

Last tasted April 2015

Cave Spring Cabernet Franc 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (391995, $19.95, WineAlign)

The 2012 Cabernet Franc needed six further months for the high-toned fruit to settle just enough for the spiced richness to shine. Though Dolomite-designated, this sheds Beamsville light purity, along with a grain variegated by (pomegranate) citrus and chalk. The cool centre is elongated and expansive though it seems to inuit the correct time for retraction. The aerial fruit stresses condense and accept the angles prepared by coriander and eucalyptus. Drink 2015-2018.  Tasted April 2015

Flat Rock Cellars Chardonnay 2012, VQA Twenty Mile Bench, Niagara Peninsula (681247, $16.95, WineAlign)

The Twenty Mile Bench in Jay Johnston’s hands flat out rocks. The Chardonnays “they dig a funky spiel, they’ll make some spiel.” The ’12 Estate has crossed into pretty territory, not shy to wear its thin lamina of oak make-up and not too proud to say drink me now. Drink me here, there and everywhere. Drink 2015-2017.

From my earlier note of March 2014:

Has spent some quality time and knows its way around a barrel but its attitude is young, fresh and alive. From 12 and 13 year-old estate vines and kissed by only 15 per cent new oak. “But here’s a funky fact that I know is real.” Flat Rock’s Chardonnays are red hot and this fresh-faced ’12 has “baby appeal.” Blatant, colorable value on the Twenty.

Last tasted April 2015

Flat Rock Cellars Nadja’s Vineyard Riesling 2014, VQA Twenty Mile Bench, Niagara Peninsula  (578625, $19.95, WineAlign)

Always expressive of such manifest certitude, the 2014 can’t be anything but Nadja though there adds a fleshy dimension that pins it to the broader spectrum of Twenty Mile Bench, in as much as what the vineyard culls from its capacious diagrammatic. That broader outlook provides understanding into Nadja’s decrease of stentorian language in the fractionally stagnant vintage. There is a variegation within the sweetness lining the tunnel of aridity. Fourteen is nothing overly special and Nadja suffers as a result. It’s still a very, very good Riesling, just not one for the ages. Drink 2015-2019.  Tasted April 2015

Flat Rock Cellars Pinot Noir 2012, VQA Niagara Peninsula (1545, $18.95, WineAlign)

The vintage acts as a launch point for Flat Rock Pinot Noir and prepares a palate for the 20 Mile Bench by coating it with utmost approachability. Violets and Nebbiolo-like roses are raised in warmth, albeit beneath the safety net of cloud cover. You’ll find no burn, rust spots and yet you will acquire comfort, in and out of sips. Drink 2015-2018.

From my earlier note of April 2014:

As with Flat Rock’s Chardonnays, here is a vintage and an evolutionary coming of age that becomes a matter of scaling back oak. The quotient here is less than 40 per cent new, leaving the wizened vines and maker’s acumen to coax maximum character, brilliant sheen and recognizable aroma. The 2012 Pinot teases black cherry but never really goes there.

From my earlier note of February 2014:

Nearly 4000 cases will be available of this nearly-unfiltered, very established and always well-thought out Pinot Noir. A consideration of the plots and barrels micro-management that determine the crasis of this Estate wine demands an extrapolation in full-on assessment. The medium-coarse Chinois filtering lends to a tannic chain of texture thick in grain and chalk. A heavier Estate because when the weather gives you heat you make a climate appropriate wine. This monkey is not a product of arctic air and it “got too deep, but how deep is too deep?” Thermal vintage melt, ritzy ripe cherry stuff in 2012. From the Ritz to the Rubble, if you like, or the Flat Rock.

Last tasted April 2015

13th Street Pinot Gris 2012, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

From two blocks on one farm in the centre of Creek Shores, one picked earlier to avoid botrytis. No malo, stainless steel tank fermentation leads to pure, crisp and clean Pinot Gris. The soil-driven funk meets faux-sulphur is typically J.P. Colas, a specificity in undertone that culminates in a dry, variegated finish. Drink 2015-2017.

From my earlier note of April 2014.

Here you have an honest, 100 per cent stainless steel treated Pinot Gris from an estate vineyard located adjacent the market on Fourth Avenue in the Creek Shores appellation. So very dry and really fine fruit, crisp, neoteric, rising and falling in waves of tempered acidity. Made in a comfortable, country-twanged, folk-rock style, like a Cowboy Junkie. Juicy, mouth watering work and very easy to fall for. An angel mine, this 13th Street, “and I know that your skin is as warm and as real as that smile in your eyes.” This effort by Jean-Pierre Colas is as good as it gets, a tally for Creek Shores and its kinship with the variety.

Last tasted April 2015

13th Street Gamay Noir 2013, VQA Niagara Peninsula, Ontario (177824, $19.95, WineAlign)

Four months has upped the funk in for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.

From my earlier note of December 2014:

Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.

Last tasted April 2015

13th Street Syrah ‘Essence’ 2012, VQA Niagara Peninsula, Ontario (177824, $44.95, WineAlign)

Fruit was sourced mainly from Wismer Vineyard (Vineland) and a smaller proportion from AJ Lepp (Niagara-on-the-Lake) for this dry as the desert Syrah of deep extract, warmth and density of fruit. All set upon a highly tannic frame, with every indication that longevity will be its best friend, as much as any red has ever been produced in Ontario. A formidable vulcanization marks the entry, a not so inappropriate entreaty to beg for time and lots of it. The current pavane of fruit is exhibitive of excruciating physical reticence though behind the wall there is more than enough indicators to stand the test of time. No new oak (though the Essence saw an extended slumber in three to four year old barrels) has allowed the tapestry of intertwined layers to set up shop and dig in for the long haul. If big-boned Syrah and Niagara are in your cellar plans, this 13th Street 2012 has to have a prominent place. Drink 2020-2027.  Tasted April 2015

Malivoire

Malivoire

Malivoire Rosé Moira 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95)

A dual block blush, from two clones in the Moira Vineyard. Made from 100 per cent Pinot Noir, this second vintage is pale as can be, dry, saline and reeking of fresh peaches and strawberries. The level of purity and intensity is nothing short of amazing. This will rise quickly into the ranks of the Peninsula’s finest Rosés. Drink 2015-2017.  Tasted April 2015

Malivoire Pinot Gris 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

The purity and fine-lines of Pinot Gris are defined, delineated and deftly prepared by Shiraz Mottiar and team in 2014. This is a calm rendition, void of tremors, certainly not taking any risks but also not a white of unfulfilled promises. Herbs, lemon, mint and fine PG tannin draws salt from stone. A perfectly dry finish is in play, as with all malivoire whites, to cement the deal. Drink 2015-2018.  Tasted April 2015.

Malivoire Stouck Meritage 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

It’s hard to recall memories of so much syrup, liqueur and high tonality as coming from Stouck, from any Meritage for that matter and yet the 2011 Bordeaux varietal wines out of Niagara continue to astound. If excess or vivid character is a negative, just look away. The combination of rich extraction and explicit oak generosity dope out fruit from a dry September into wonders of dried timbre and inflection. The drupe is enriched, as is the tannin and a Beamsville buttressing that warps and wraps like never before. At this four-year juncture, the Niagara ’11 varietal compendium is officially a thing, witnessed in example through this Stouck. More than just dramatic Shiraz Mottiar foreshadowing here, but further into thoughts of what vintages co do for red wine as a Peninsula whole. The ’11 Stouck Meritage stands upright at the mirror and its reflection looks right back. Drink 2017-2021.  Tasted April 2015

Malivoire M2 Small Lot Gamay 2013, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

The profundity of tart, keen, briny berries dilates in its own very useful layers of citrus, tannin and concentration, beyond even what was observed in 2012. The zesty, spritely argot resonates from the unfurling of floral essentia out of a Gamay in desperate need of time. The flavours and overlay are somewhat impenetrable and yet leave quite an impression. While patience might be the virtue and the reward, if #gogamaygo is the modus operandi, a swig from the bottle like gentlemen of the road is certainly not out of the question. Drink 2016-2021.  Tasted April 2015

Charles Baker Riesling Ivan Vineyard 2014, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $27.00, WineAlign)

From the rich limestone and sandstone beneath the clay, 1.1 acre Misek vineyard, a southerly ledge up from Highway 8 and an easterly hill down from Cherry Avenue. A very linear Ivan combs the catacombs of the Escarpment’s underpinning. A retaining wall of vintage attenuated rocks and stones, a vineyard’s low yields and the voices in Charles’ head have produced a striking Riesling. In 2014 adolescence has entered adulthood. Now before us is a grown up Ivan, mature Ivan, maybe even wise Ivan. Texture is in manifest control in this loyal, stay at home Baker, not yet running wild like free-spirited Picone. Ivan has presence, sometimes a great notion and is Baker’s longest bit of prose to date. The next great Riesling vintage will make it iconic. Drink 2016-2020.  Tasted April 2015

Charles Baker Riesling Picone Vineyard 2008, VQA Vinemount Ridge, Niagara Peninsula, Ontario (126433, $35.20, WineAlign)

The petrol and mighty bee’s sting have taken over, with the honey again not far behind. A lemon prepares to spill its juices as it warms above a bunsen flame. At present it is almost too elemental to define. Will change course again when midnight strikes in 2016. Then it will come into its own. Drink 2016-2020.

From my earlier note of April 2014:

Tasted at Somewhereness 2014 as part of a vertical retrospective going back to 2007. The Vinemount Ridge’s now famous Picone Vineyard is set within a 10-acre estate on the Niagara Escarpment. Planted to the Weis 21 clone, the Riesling grown here digs in for complexity from sectional moieties of clay and sandy soil atop a unique base of limestone bedrock. Charles Baker began working with these grapes in 2005 and it is this 2008 where the learning curve took a turn for the Riesling stratosphere. The ’06 found luck in the stars but this vintage lays the framework and foundation for a master plan. At this stage in the ’08 evolution there is a prodigious and viscous honeyed textured. Ripening tree fruit juices run like maple sap in spring and the run off is beginning to think syrup. A cutting ridge of acidity arrests the sugaring, allowing citrus and flinty rock to recall the wine’s first, fresh steps. Baker’s Riesling time travels in circles with no real beginning and no real end. From my earlier, September 2012 note: ““Whoo-ahhh” Mojito, green apple skin scent of a Riesling. Seductive to sip, a bodacious body of influence, then back-end bite. A wolf pack in sheep’s clothing.”

Last tasted April 2015

Stratus Vineyards

Stratus Vineyards

Stratus Wildass Rosé 2014, VQA Niagara Peninsula, Ontario (71712, $17.95, WineAlign)

A blend of Cabernet Franc and Merlot with some Sauvignon Blanc and Riesling added for lift and what J-L Groux admits is rendered “for the consumer.” This essentially marks the twain between sweet and dry, if not quite halfway then pretty darn close. Plenty of herbs and citrus nail the aromas on the proverbial head with more than a grapefruit or two on the half circle. A highly approachable, end-user friendly blush. Drink 2015-2016.  Tasted April 2015

Stratus White 2012, VQA Niagara On The Lake, Ontario (660704, $44.20, WineAlign)

In 2012 the blend is Chardonnay, Sauvignon Blanc and Riesling. Viognier was left out because according to winemaker J-L Groux “it did not work in blending trials.” The vintage has laid the foundation for the most density, and unctuous fruit for the Stratus White in what must be, ever. At the high aromatic end there is peppery beeswax, reverberating and echoing in scales and arpeggios. Like an open string singing warmly, the vintage, extraction and residuum combine for texture in mottled unction. Sapid lemon, more beeswax and lanolin mark the palate and then the White drifts into spaces occupied by smoky, back beats and bites. This has great pitch with a knowledge of the path to pleasure. Drink 2017-2025.  Tasted April 2015

Stratus Gamay 2012, VQA Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)

t may not be the most idiosyncratic Gamay in Niagara but the Stratus 2012 is without a doubt the most advanced and complex. Gamay fusion is on display, at once a bottle of Niagara’s finest pulchritudinous veneer and then a charcuterie board laid ample with cured bovine parts and sun-dried grapes. Maximum ripeness and then even later picking, to no one’s surprise, have led to this. Two years of ageing in neutral oak barrels has brought about a humid roundness and yet the centre is controlled by Oz-like mint and eucalyptus notes. The jam is gelid, as opposed to temperate. Rarely does Gamay go to such depths, of blackberry, chalk and grain, with an overlord of tannin. Quite serious stuff. Drink 2017-2020.  Tasted April 2015

Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)

The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024.   Tasted April 2015

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I shall be Riesling

13th Street June's Vineyard Riesling 2013 - VINTAGES March 21, 2015 release

13th Street June’s Vineyard Riesling 2013 – VINTAGES March 21, 2015 release

Last weekend, in a packed Carriage House at Vineland Estates Winery I tasted through 19 Rieslings from the Escarpment, Vinemount Ridge and Twenty Mile Bench sub-appellations of the Niagara Peninsula. It got me thinking, again. Thinking about Riesling. Thinking about drinking more Riesling. Thinking about how my life is not complete, without Riesling.

Riesling at the Carriage House, Vineland Estates Winery - March 7, 2015

Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015

More about that #CAPSCAN15 and Wine Country Ontario tasting at a later date. For now the delve need be into the history of Riesling and how it has had a profound effect on the world of fine wine. I have written about Riesling as much or more than on any other grape variety. In March of 2013 my column, 100 kilometre wine for spring stated firmly “can there be a more versatile white grape? From natural, mineral spring, bone-dry to concentrated, candied sweet, this grape runs the diversity gamut like no other.” In Niagara, “‘The Bench’ is home to a mineral wealth of local Riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.”

I see my light come shining
From the west unto the east.
Any day now, any day now,
I shall be released.

In June of 2013 Are you wine experienced? was a post written about the Brock University Cool Climate Oenology and Viticulture Institute’s Riesling Experience 2013, an international celebration of style, structure and purity. At that time Mike Di Caro and I talked about Ontario Riesling and we agreed that sugar levels are both arbitrary and unpredictable so Niagara’s best is and should be of the dry variety.

In June of 2014 I wrote about Germany in Talkin’ ’bout my Generation Riesling. The theme of the show was the ever elusive Trocken Riesling and how “the new German wine label no longer feels the need to inform the consumer of every aspect contained within the wine’s birth certificate.” In August of that same year I penned Walking an Alsace mile in their Riesling shoes, a full-on summary of a June visit to Alsace with 31 tasting notes on, wait for it, Riesling.

So, with the VINTAGES March 21st, 2015 release just over a week away, I shall be Riesling.

From left to right: Dr. Hermann Erdener Treppchen Riesling Kabinett 2010, Fielding Estate Riesling 2014, Flat Rock Cellars Nadja’s Vineyard Riesling 2013, 13th Street June's Vineyard Riesling 2013, Vineland Estates Elevation St. Urban Vineyard Riesling 2012 and Trimbach Riesling 2012

From left to right: Dr. Hermann Erdener Treppchen Riesling Kabinett 2010, Fielding Estate Riesling 2014, Flat Rock Cellars Nadja’s Vineyard Riesling 2013, 13th Street June’s Vineyard Riesling 2013, Vineland Estates Elevation St. Urban Vineyard Riesling 2012 and Trimbach Riesling 2012

Dr. Hermann Erdener Treppchen Riesling Kabinett 2010, Pradikätswein, Mosel, Germany (402420, $17.95, WineAlign)

Here the wild, out there, cosmic side of Mosel Riesling is on display, amplifying peach and lemon notes through aromatic grunge filters, like a medicative tonic. The palate is sweet and spritzy, even oxidative and this is textured with heavy, monumental levels of pure Riesling noise. The acidity is marked by citrus in every incantation. Though this may be the kind of Mosel you’ve “just never tried, it’s still the place.” Not so much a dinosaur but a junior, a wild Kabinett for very little cost and from an increasingly endearing vintage. Tasted March 2015  @WinesofGermany

Fielding Estate Riesling 2014, Estate Bottled, VQA Beamsville Bench, Niagara Peninsula, Ontario (251439, $18.95, WineAlign)

The Richie Roberts take on Riesling brings Beamsville to the populace, combining the natural acidity of the variety with the micro-saddle-plot-climat ipseity that the sub-appellation provides. This early to market ’14 is quite tropical, offering an en primeur portal into what invariably will follow. Fresh, juicy, accessible and in near-perfect balance. Slate, calcareous bleed and fruit generosity make for one tidy, markedly gratifying Riesling.  Tasted March 2015  @FieldingWinery  @RichieWine

Niagara Riesling Royalty at the LCBO Lab - March 6, 2015

Niagara Riesling Royalty at the LCBO Lab – March 6, 2015

Flat Rock Cellars Nadja’s Vineyard Riesling 2013, VQA Twenty Mile Bench, Niagara Peninsula  (578625, $19.95, WineAlign)

A year has turned a once frantic Nadja into a yet excited but in control Twenty Mile bencher. Acidity has circled the flock of juices; the sweet and the stony, to graze together. While ’12 expressed a texture to see it grace ages, here the up front verve makes for a more direct impression. There is no immediate hurry but the ginger on the lime indicates can earlier finality.

From my earlier note of February 2014: From a sample just pulled from the tank. Jay Johnston’s concept for Nadja is to create many fermentations together, using 2000L tanks and some barrels. The ferments are arrested when they achieve balance and then blended. Nadja still has her young fizz on and she’s exaggerated in Metallica meets a wondrous kind of sour. Already showing an unfurling of (mostly citrus) fruit but also spice and hurried depth. Frantic Riesling, will she “stop to warm at karmas burning, or look ahead, but keep on turning?”

Lasted tasted March 2015  @Winemakersboots  @UnfilteredEd  @brightlighter1

13th Street June’s Vineyard Riesling 2013, VQA Creek Shores, Niagara Peninsula, Ontario (147512, $19.95, WineAlign)

Continues to throw its weight about and has now engaged a phase of typical J-P Colas redolence and pungency. Strict adherence to Creek Shores citrus minerality injects the June for future time-lapse release, an internal ooze that will take years to push its way upwards to the surface.

From my earlier note of December 2014: 2013 was a perfect follow-up for Niagara Riesling, after a vintage where so many exceptional wines were made. The ’12 June’s by Jean-Pierre Colas was his best and with this repeat performance in ’13, the consistency of June’s vineyard is further cemented. Once again, the citrus injection is a Creek Shores thing, a vehemence not matched by other sub appellations. Where ’13 differs is its weight. There is a textural density improved upon and at the same time dragging on the freshness of the fruit. The trade-off will mean less immediate gratification in lieu of more flesh and bone for a longer period of aging. Given at least five years rest, the 2013 June’s Riesling will discover a Ribeauvillé like future.  @13thStreetWines

Last tasted March 2015

Vineland Estates Elevation St. Urban Vineyard Riesling 2012, VQA Niagara Peninsula, Ontario (38117, $19.95, WineAlign)

The layering is nothing short of remarkable, like the rings that tell the history of a tree. In its youth the upper vertex where effluvium and concentration meet is painfully obvious but when it comes to Riesling, breath is meant to be taken away. The prose is already written, running on adrenaline, unparalleled, if not yet understood.

From my earlier note of November 2014: Who has not waited for Elevation to hit out of the 2012 vintage? Straight up it must be noted that this will rank over and above the best from the St. Urban Vineyard. The ’12 Elevation will not only find long-term success among the great values in Bench Riesling, it will go down as one of the best ever, at any price. The vintage impart is a natural for this wine. At the moment it is the most primary of all because of the layers that texture bring. The Elevation will go thirty years and climb higher and higher into the stratosphere, gaining flesh and personality. The already seamless gathering of fruit and mineral is palpable. And still a reminder, the price is $20. This is a Schmidt gift to Ontario, for anyone and everyone to be one of the lucky ones. To purchase in increments any less than a case may be considered a crime against Riesling.  @VinelandEstates  @benchwineguy

Last tasted March 2015

Trimbach Riesling 2012, Ac Alsace, France (734517, $21.95, WineAlign)

To Jean and Anne Trimbach and most Alsatians, this Riesling from their ‘Classic’ range may represent the best that basic can be but when it travels oversees it gains a stature well beyond its humble roots. Here is another one of the those dictionary entry wines meant to depict and define. Quite simply emblematic Alsace. Built with acidity to envelop sweetness, marked by herbiage that is alive and fresh. Weight and density draw from Ribeauvillé rocks. Parity is realized in osmosis by fruit and mineral. As always, there is the tannic underlay, the length and the purposed bitter finish.  Tasted March 2015  @trimbach  @WoodmanWS

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