From left to right: Ridge Three Valleys 2012, Amisfield Pinot Noir 2011, Brezza Barolo 2010, Antinori Pian Delle Vigne Brunello Di Montalcino 2009, Ridge Estate Cabernet Sauvignon 2011, Château Clerc Milon 2011, Cade Cabernet Sauvignon 2011 and Dominus 2011
The first day of spring strikes me as a strange time to roll out a VINTAGES release full of big guns, from Cabernet Sauvignon passing by Pinot Noir to Zinfandel and from Nebbiolo to Sangiovese Grosso. A bold group in large numbers is usually reserved for the November and December offers leading up to wallet emptying Christmas shopping days. If the March 21st release is any indication, the powers that be at the LCBO must feel pretty good about the current state of Ontario’s economy.
How else to explain the laying out of the fine red wine carpet in purchasing timeline purgatory? The other alibi in justification is a concern of surplus and overcrowded warehouse shelving, caused by a back log of unsold Bordeaux futures and a consumer shift to less vivid, decreased drama and all around #GoGamayGo sentiment.
For all my reviews from the March 21, 2015 VINTAGES release, see them @WineAlign
I tasted through most of the bad boys on this release and while many are more overpriced than a $20 bucket of bullfrogs in an Algonquin Park bog, these six wines stood tall and shook their value obvious money-maker amongst a slouching and gouging crowd. Forceful wines, all meant to spend at least some slumbering time in the cellar.
Ridge Three Valleys 2012, Sonoma County, California (652875, $35.95, WineAlign)
This Sonoma County Zinfandel melting pot was first produced in 2001 and the 12th vintage contains grapes from seven different Sonoma vineyards. Many of Ridge’s wines bull the intent of single-vineyard, terroir-driven expression. The TV is more about bear assemblage, the search for differential balance and winemaking. Zinfandel (79 per cent) is joined by Carignane (12), Petite Sirah (8) and Alicante Bouchet. Approximately one fifth of the American oak is new, with the wood waft leaning to spices directed by clove, cocoa kernel and faint coconut that infiltrates the Draper perfume. The rich red fruits combine for a brawny voice, bold, peppery and so very ripe. Though not hesitant or introverted, this Zinfandel avoids excessive character and exemplifies the fine art of blending. Tasted March 2015 @RidgeVineyards@rogcowines
Amisfield Pinot Noir 2011, Central Otago, South Island, New Zealand (179754, $41.95, WineAlign)
The agglomeration of Central Otago wild vegetative conglomerate is in this Pinot Noir. Strawberries and their leaves, dug up clay, saturated syrup with dark cherries and braising meat make for big aromatics. This is a very meaty, terrifically cimmerian Pinot, with a replay in flavour of loamy and corpulent stock, like a reduction of mire poix and beef bones. Finishes with dried fruits, marigold, a kick of cinnamon spice and pine needles. A bit of wow from the hinterland of Central Otago. Tasted March 2015 @Amisfield@COPinotNoirLtd@CentralOtago_NZ@HalpernWine
The gusto and earnestness of antiquity is right upfront in this Nebbiolo, the silliness of modernity left to the practices of more fickle and irresolute houses. A faint and impertinent percussion of volatility beats the near term olfaction into temporary submission, but the wine is bright and the acidity chants with proper diction. The tannic grain is sweet and savoury, well-structured and you can certainly smell the roses. The taste of Nebbiolo is succinct and the overall design is a seven to year plan, with nothing but pleasure on the next decade’s horizon. Tasted March 2015 @NaturalVines@jcmeli
Antinori Pian Delle Vigne Brunello Di Montalcino 2009, Docg, Tuscany, Italy (651141, $59.95, WineAlign)
Here flatters definitions of Sangiovese Grosso, of rusty and rustic pasts, big, bold beginnings and distant, slowly etched futures. A faint tease of soy in feign of premature corrosion is the product of the terroir’s liquor. This is so far from its secondary times. It’s as though it teases with an aroma and flavour of melted caramel but the mirage is tantalizing and unreal. The lack of sweetness confirms the notion and instead this Brunello offers dried flowers in dreams and fresh ones placed in vessels not yet tangible, nor yet set upon the table. Wild sauvage, sage and garriga are transubstantiated into liquorice, game and distilled amari. This is perhaps the finest Pian Delle Vigne of the (post 1990) modern age. Very exciting wine. Drink 2019 – 2029. Tasted March 2015 @AntinoriFamily@HalpernWine@ConsBrunello
Ridge Estate Cabernet Sauvignon 2011, Monte Bello Vineyard, Santa Cruz Mountains, California (89284, $61.95, WineAlign)
A perennial three plus one quarter blend of Cabernet Sauvignon and Merlot, give or take a few points, that always punches well above its weight and cost. Not just in relation to similarly priced Cabernets but when looked at alone and on its own merit. There is a searing red intensity in 2011, with steroidal currants and a whiff of lodge smoke, plenty of creamy vanilla and lavender. An injection of liquid chalk, circulating acidity and in the end, some bold coffee notes. No bell pepper. None. Well made, of course and despite the cold and the wet, the omnipresent Draper perfume and very good length. My only cavil would be a degree of over-employed new oak in a vintage where less would ironically be more. Tasted March 2015 @RidgeVineyards@rogcowines
Château Clerc Milon 2011, Ac Pauillac, 5e Cru, Bordeaux, France (301119, $89.95, WineAlign)
The principals at Clerc Milon consider 2011 “to be ranked among the finer, or perhaps even the finest” of Bordeaux vintages. The better news is that despite that declaration the price on this classic, structured and flat-out enjoyable Médoc is relatively affordable, especially considering the astronomy of pricing since 2000. This early picked (finished by September 28th) blend of Cabernet Sauvignon (54 per cent), Merlot (37), Cabernet Franc (7), Petit Verdot and Carmenère has vintage steal written all over its painted berry face. Terrific wood spice, more fruit from plum and rapturous acidity travel great lengths to pleasure. The coffee component is in but with just a light alcohol spike. This is really fine Paulliac, elegant, refined and not outrageously priced. Tasted March 2015 @Noble_Estates
Cade Cabernet Sauvignon 2011, Napa Valley, California (325027, $112.95, WineAlign) LCBO Inventory
Though prepped by notions of a cooler and later ripening vintage, there is even more savoury, tobacco and cool clime (altitude) aromatics than might have been imagined. This Cade is so very bright in a cherry-plum-pomegranate continuum yet in contrast to a (negatively impacting) sweet-sour-tang drupe. Tends to angles more akin to Tuscan summer savour, like lavender, rosemary, sage, and vanilla. The overall impression to palate is that of a chew of the toffee that might be made by the aromatic combination, or a pull of syrupy tea. In the end there is nothing simple about this thoughtfully crafted Cade. Tasted October 2014 @CADEWinery@TheVine_RobGroh
Dominus 2011, Napa Valley, California (212381, $176.95, WineAlign)
In 2011 the breakdown is Cabernet Sauvignon (86 per cent), Petit Verdot (9) and Cabernet Franc (5). From an antithetical Napa growing season, wet, cold and in requiem of acumen to deal with what the winemaker in Bordeaux faces in every vintage not hailed as best of the century. The ’11 Dominus has been in the market for just a shade under a year, just the right amount of time for a poured glass to reveal its charms. The new barrel count is approximately 40 percent, a substantial but not egregious number. We want to know what fruit the vintage gives, regardless of the conditions and in ’11 that drupe is savoury, more sage than nettle, and saliferous. That minerality is cute and key because the expression remains huge, so the cure helps to leave an indelible mark. The attributes of massive fruit, (no small feat considering the weather), smoke and phite makes for a mess of aromatic intensity. The flavours are accessible and the texture quite full. Though not the thickest Dominus to date (due to the oak not overwhelming the fruit) this will offer up seven to 10 staid years of development, followed by another five to 10 of minor decline. Tasted March 2015 @rogcowines
As VINTAGES rolls out another army of bottles in proclamations of blatant multiplicity and, as I mentioned yesterday, in duplicity, it is time to settle into the recommendations encampment. Trudging through the trenches of Sparkling, White, Red and Dessert the divisions are laid, dispatches ordered and strategies finalized. Staffers go here, front liners there and commanders bring up the rear.
A little bit of everything, as always, defines the March 7th release. Tidy little sippers work the hardest and make sacrifices for the rest. In this release Kosher wines prepare to tackle Passover but that we will save for next week, or perhaps the week after. Italy is the focus, bellowing commands from the bull horn, making decrees like colosseum commentators at Hunger Games. “We have wines that are just too goddamn vivid!” “We have wines with language that is fairly formal and sometimes flowery!” “Occasionally we stop to smell the adjectives!”
Tuscan wines always seem to possess what has heretofore been referred to as collectively having “a firm jaw and an air of tragic nobility.” As a group they are confident, steeped in tradition and now, as much as any wine-producing region, captured within the heart of the state of the art. The sea is murky because the obvious separations between varietal and blend are hard to discern but one aspect is not under dispute. Overall quality has never been higher. Tuscan wines are just plain fun to drink.
The seven blazon party from March 7th attacks with Chardonnay, Yellow Muscat, Cabernet Franc, Sauvignon Blanc, Zinfandel and two rounds of Sangiovese. The notes, here, now.
From left to right: Fielding Unoaked Chardonnay 2013, Puklus Pincészet Tokaji Yellow Muscat 2013, The Good Earth Cabernet Franc 2012, Castelli del Grevepesa Panzano Chianti Classico 2008, Rocca Di Castagnoli Poggio A’frati Riserva Chianti Classico 2010, Château De Cruzeau Blanc 2009, Chateau Montelena Estate Zinafandel 2012
One of the best deals going in oak-less Chardonnay, a glug, glug, line up at the jug kind of guiltless white. Pure, cool-climate variegate, with the cool of the Peninsula overridden by the vacuous warmth in the saddle abutting the Escarpment. Very pear, all in slate, exit to daylight acidity for a Chardonnay that hit the switch. Spot on in 2013 with an even keel of personality, warm but never far from cool. Tasted March 2015 @FieldingWinery@RichieWine
From Tokaj Hegyalja in Bodrogkeresztúr found tucked into the northeastern corner of Hungary. One could imagine the air thick as sweet cool soup in summer, perfumed by basil and lemon verbena. Designated “semi-sweet” the varietal is so much more than pedestrian when handled with this kind of poise and concern. Highly aromatic, viscous and wildflower floral. Honey and honeysuckle, fresh lemon, beeswax and citrus pith. Sweetness begins, abides, subsides and melts in the mouth. Buckley‘s medicinal to a fundamental degree but not to a fault. Delicate and delightful. Muscat of a grace that makes you feel and wish, “my kingdom for a kiss upon her shoulder.” Tasted March 2015 @WineofHungary
The Good Earth Cabernet Franc 2012, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (164491, $20.95, WineAlign)
While wood plays a prominent role it does not saturate to distraction. The barrel extract adds warmth and spice in contribution to balance. A high-toned syrup on the nose gives way to an evenly weighted palate. A scraped bean flavoured creamy toddy texture is topped with chocolate shavings, a dry of bell pepper and tobacco smoulder from out of the chamber. Nicely judged fruit, acidity and texture with admirable length. A necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made. Tasted March 2015 @goodearthtweets@EpicW_S
A very honest take on Sangiovese and Chianti Classico. When it appeared from the 2006 vintage it had been a while since this Panzano came to market, having been a stalwart presence in late 1990’s vintages. Modern now, very much a child of 21st century winemaking but in retention of loyalties to red, sour cherry and dusty 90’s Sangiovese. Remains slightly austere, angular and tension-filled, as if a scraping noise could be heard as the fruit, acidity and tannins fight for purchase on the floor. Chalky lactic and really juicy. Drink now and for three to five further on. Tasted March 2015 @chianticlassico@ProfileWineGrpCastelli del Grevepesa
Very expressive aromatics in dried flowers, earthy red perfumed fruits, orange peel, clove and a full crumble of cinnamon fill the air. Rampant but not relegating (at this early, five-year juncture) acidity drives the engine, running on vineyard funk, a hint of game and fruit ripened to optimum clarity. This is faultless Sangiovese of guts and guile, really well-made, classic yet modern CCR. Dances like Sangiovese should, “well, you wiggle to the left, you wiggle to the right, you do the ooby dooby with all your might.” No factory made CCR here, nor from out of the cosmos. Just simply down to earth. Were $30 all that I had to spend and a Chianti Classico Riserva the only choice, this would have to make the shortlist. Tasted March 2015 @chianticlassico@ProfileWineGrp
Château De Cruzeau Blanc 2009, Ac Pessac Léognan, Bordeaux, France (966010, $31.95, WineAlign)
That VINTAGES was able to secure another sku of this Bordeaux Blanc is both fortuitous and a gift. For the cost of an I-Tunes song you can have a peak into the generosity of the 2009 Bordeaux vintage through the senses of a top-value producer. From Les Vignobles André Lurton comes this white beauty. Though slightly musty upon entry this shows immediate yet perfectly evolved poise. Ready to strike with much persistent verve and density in 100 per cent Sauvignon Blanc singularity. Wood is very involved (10 months in 35 per cent new oak barrels on full lees with bâtonnage) by adding precious layers of necessity. Very layered indeed, honeyed, anti-hackneyed, buttressed, really fine and generous. Most excellent work by oenologists Denis Dubourdieu and Valérie Lavigne. Tasted March 2015 @AndreLurton@KirkwoodDiamond
Château Montelena Estate Zinfandel 2012, Calistoga, Napa Valley, California (69633, $49.95, WineAlign)
A rare, in the neighbourhood of elegant and exquisitely refined Zinfandel gives all red fruit with just a faint raise of raisining. Quite pure, with heaps of liquorice, smouldering cedar bough, brushed and bushy, big but shy of the peak. The English punk of Zinfandel but with melody and charm. Says to the world we have “our own raison d’etre we can’t see?” The quality is in, raising the Zin bar to a level not oft seen, with restraint and complexity. Never mind the bullocks, Montelena offers a buzzcock of a Zinfandel. Here lies a Zinaison d’être. Tasted March 2015 @ChMontelena@rogcowines
It would be foolish to think that a single taste or a brief assessment can ascertain everything that a wine will bring to the table. So many factors play into that moment in time; how that bottle came to arrive at this place, how long it had been open, its current temperature and certainly the temperament and mood of the taster.
The only true and valid important bits of information that we can cull from a fleeting meeting with a bottle of wine is whether or not it is marred by a fault, or faults. Is the wine tainted with TCA (trichloroanisole)? Does it contain high levels of Brettanomyces? Is it raging with volatile acidity? It is oxidized or reductive? Has lady bug taint found its way into the bottle? And so on and so forth. Quality can be guessed at with high probability but time is so essential to knowledge. This is why tasting for a second and third time matters.
Wines should always be afforded the opportunity to be reconsidered, especially after some bottle settling time. The fascination with seeing evolution from organic ferments is real. Wine changes, often for the better, that much we know. Wines deserve second chances, re-dos and re-tastes.
Writing updated notes is the essential by-product of re-tasting and the catalyst that acts as the chaperone to get to know a particular bottle and by extension, a winemaker’s portfolio. Here are seven new releases, coming into VINTAGES on March 7th. They are actually re-releases, having been previously made public by the winery or through the LCBO. I tried them all once again and can say with confidence, by way of the tasting note, that all seven have confirmed their quality and improved with time. These are the seven new notes for seven March 7th VINTAGES re-releases.
From left to right: Tawse Sketches Of Niagara Riesling 2013, Keint He Voyageur Pinot Noir 2012, Gray Monk Pinot Gris 2013, 13th Street Gamay Noir 2012, Sterling Vineyards Pinot Noir 2012, Bachelder Wismer Vineyard-Wingfield Block Chardonnay 2011 and Bachelder Pernand Vergelesses Premier Cru Creux De La Net 2011
Juicy, spirited and eminently approachable. Citrus and peach fruit beg to be gulped by the key keg load.
From my earlier, June 2014 note: “The gateway of the Tawse Riesling portfolio and first to be released is an omnipresent beacon for what is to come from the single-vineyard sistren. Built fruit forward from an orange zest, stone rose and lemon glade guide, this is the Sketches most juicy sensation yet. Incredible vacuum of citrus acidity waterfalling into a great white hole. Though surrounded by so many a Riesling with site specific personality, “she’ll carry on through it all.” Intensity in dry Riesling.”
Carries the weight of the Peninsula within the bright frame of clarity that is the PEC oeuvre. In ’12 the warmth and the weight can’t help but break down to burrow into earth. Fine, grainy tannins and an increased structure will give this three more years of development but do not hesitate to enjoy it now.
From my earlier April 2014 note: “Tasted a second time, the floral lift is clearer than before, as is the understated earthiness. Also showing more body and verve so it appears the Voyageur is starting to come into its own. From my earlier February 2014 note: “Fruit here comes from two Niagara vineyards, Queenston and Malivoire. An earthy Pinot that positions itself in isolation away from its suave and handsome Portage and Benway brethren with a waft of merde. Taste brightens as a sweet cranberry, chalky, root beer float. Kudos deserved as it’s clearly recognizable as Pinot with a medium finish and a pinch of horseradish salt on a lithe 12.5 per cent frame.”
Gray Monk Pinot Gris 2013, BC VQA Okanagan Valley, British Columbia (118638, $19.95, WineAlign)
Brilliant hue, like a ceiling fresco of gold-scrolled tiers. Has that feel of lemon peel shrivelling to scent. Was a Category Champion at the 2014 World Wine Awards of Canada.
From my earlier September 2014 note: “Pinot Gris with pears and more pears. A no hold barred, straight up, bring it with orchard fruit example. A spoonful of sweet lemon curd indicates a just post ripe picking and now oxidation, if not necessarily the intention. Off-dry with acidity that joins but does not round the shining fruit into absolute form.”
This is spot on, both as 13th Street and as Niagara Peninsula Gamay. Very ripe, to the edge of extracted distraction and less funky than previous vintages. Really defines the genre, acts the act, walks the walk, executes the execution. Drives the point, carves the cliché, go Gamay go.
From my earlier note when tasted at Gold Medal Plates Toronto, November 2014: “Spice and rich fruit head straight to Gamay welkin derived direct from the soil’s core, of Sandstone, Schwenker and the winery’s home vineyard at Fourth Avenue. Swirl away the gathered must and moss to reveal more Cru fruit than you can shake a stirring rod at. Such verve, said grit, such persistence. The thing about Gamay is, “if you want inside of her, well boy you better make her a raspberry swirl.” 13th Street has certainly made the raspberry sing in the ’12 Gamay so “raspberry swirl, mmm let’s go.”
Sterling Vineyards Pinot Noir 2012, Napa Valley, California (396150, $29.95, WineAlign)
There are so many reasons not to find a thrill in this regional blend of Pinot Noir fruit but none of them stick. Sweetness, simple syrup silky fruit, brown sugar, every red and purple berry in all varieties of fields (plus ripe plums) and warm to temperate alcohol (14.5 per cent declared) all combine for full California sunshine effect. All this and I just can’t turn away. With all the excess fruit, texture and multiplicity in good times, how can I? I ask this Pinot, “how come you, how come you dance so good?” The answer lies in the feel and the ability to turn a Noir trick or two. Not to mention a rolling of barrels and Napa Valley stones through its very core. Well done. Tasted January 2015 @sterlingwines@Diageo_News
A new release, mindful of micro-plot. From out of a Bachelder barrel, the great mystery of wood is not that it smoulders, but that it rests on water, or in this case, on grape juice. To label this Wismer as Wingfield is to give this Chardonnay a scientific specificity, a concentration of fruit so capable of inducing the ethereal, to hover as if in suspension. This is Wismer-Wingfield. The Chardonnay that floats, like hope.
From my earlier July 2014 note: ‘Has Wismer found a cruising altitude? Has this Grand Cru vineyard from a most perplexing 2011 vintage entered the telephone booth in civilian clothes, only to soon emerge as a super hero? Will it sing, “I am, I am Superman and I can do anything?” Wismer has rounded out a bit, at present in a grounded form, but we know it will fly to greater heights and at faster speeds. From my earlier, February 2014 note: “Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice.” Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with it’s touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”
Bachelder Pernand Vergelesses 1er Cru ‘La Creux De La Net’ 2011, Burgundy, France (LCBO 403485, $47.95, SAQ 12089524, $38.50, WineAlign)
Purity abounds, florals leap and the heart fills with an arrow of red fruit. So linear, so direct. Wears the crux of Bachelder integrity on its sleeve. The pinpoint accuracy of plot, the ubiquity of gypsy soul, the bandwidth of frequency. Yet another Bachelder “ere the bonnie boat was won, as we sailed into the mystic.” Acidity rears and rails right through. Tannin trails like a burning star. Ten more years will see this to a moondance of quietude.
From my earlier February 2014 note: A metallurgical slant this time around and iodine, though sweet, like a geologist’s preferred cocktail. The palette is Rothko maroon and in cohorts with what is ascertained by the palate, scheme fruits and hearts both red and black.
From my earlier note of November 2013: Has the sense to be subtle, effortless and akin to Chambolle. Not so much openly ripe fruit but more the flowers that come before. Cherries dabbed by a citrus fragrance, or the spritz of squeezed zest and an unusually smoky musk. Insinuates new world (think Oregon) though it tells a rubble tale of its limestone slope climat.
Now for a few argumentative words on logomachy, interpretive synergies and general rambling. Lets talk about wine and how it can make us forget about being chilled to the bone. Lets discuss the ways in which wine can bring forth a future being remembered with each passing sip.
Like stones as heavy, some winters are so stinging only silence helps you portage them, or soldier on through them. That and wine. When winter pisses and moans with a cold, cold heart, the purity and silence of wine can ease the pain. Fruit of the vine that remembers the eskers of the earth, minerals that have not forgotten magma, wine that gives an ancient, suspenseful feeling. Cold forgotten.
In July of 2012 the suggestion was to chill red wines for another hot weekend to ease the suffering in the throes of a sweltering, Ontario summer. A year on the thematic was pursued once again.
“Just a slight frost mind you, like clipped diction, for warm, not hot weather.” Here we find ourselves in the opposite chasm, the anti-Hades, a seemingly endless void of polar hell. Perpetually stuck inside a frozen hadron collider. So history is the gradual intent. What to do? Drink wine.
February can be displaced with wine because the ferment has no beginning and no end. No sense of horizontal progression of time. Wine is set in a fractal globe, in which no facet of its character has a life of its own. Scale succumbs to intention.
Tomorrow brings another VINTAGES release, a February 21st agglomeration with wines I suggest have discovered a remarkable balance achieved. Open them in a room and their blood will posit a similar temperature, one of warmth, so that soon, you will neither notice the alcohol or the heat, nor the deep freeze of winter. Here are eight more values to kick winter upside its proverbial ass.
From left to right: Gayda Viognier 2013, Esser Chardonnay 2012, Fowles Stone Dwellers Shiraz 2012, Domaine Des Huards Romo Cour Cheverny 2010, Jim Barry The Lodge Hill Dry Riesling 2012, Leasingham Winemakers Selection Bin 61 Shiraz 2012, Hedges Family Estate Three Vineyards Red 2011 and Domaine Du Grapillon D’or Gigondas 2012
Gayda Viognier 2013, Igp Pays D’oc, Languedoc-Roussillon, France (395129, $13.95, WineAlign)
Simple, proper, sturdy and in certain respects, essential Viognier. Three sites each purpose a layer; chalk from limestone La Livinière, grain by clay-limestone Côteaux du Languedoc and metal tang through slate Roussillon. Florals are southern French Viognier obvious and spice adds a global touch. Quite versatile, well-made and complex beyond its simple roots. A nutty note rounds out the lean with a touch of fat. Good length takes it beneath the surface. Tasted February 2015 @DomaineGayda@TandemSelection
Esser Chardonnay 2012, Monterey County, California (675017, $18.95, WineAlign)
The musky and musty aromas in this off-chance gem from cooler Monterey draws fruit from the Riverview and Viento Vineyards in the north of Salinas Valley. The bottled up compression is relieved shortly after the cap is unscrewed, melting into a creamy textured Chardonnay and into the wind gaps of tall redwoods and pines. Round, sweet unctuous, easy to consume sips are both tropical and anything but buttery, heavy mouthfuls. Quite cool-classic actually, persistent, whiffing Monterey cone and framed by mineral adjunct meaning. More than impressive for the cost involved. Tasted February 2015 @EsserVineyards@DionysusWines
Fowles Stone Dwellers Shiraz 2012, Strathbogie Ranges, Victoria, Australia (265967, $19.95, WineAlign)
In Victoria’s Strathbogie Ranges cooler temperatures and heads prevail in this savoury, meaty, cured, grounded and earthy Shiraz. Dried flowers, caper berry and a bitterish angst are the Mediterranean accents from a low-yielding vine proviso. Though the wine is quite concentrated as a result of the peanut produce, the fruit is anything but baked. It may be a dweller on the threshold but it has lift, a natural acidity that emphasizes the freshness. The stone turned, this has “the music of the spheres,” a gaining in gathering momentum, beautiful vision and a background of accompanying voices. Tasted February 2015 @FowlesWine@vonterrabev
Domaine Des Huards Romo Cour Cheverny 2010, Ac, Loire, France (401257, $21.95, WineAlign)
A wildly original, not quite Loire white made from 100 per cent Romorantin, of a brilliant golden yellow colour and great metallic expression. Like sweating rocks, all sorts of soft and precious metals, a cool medallion around the neck. A tang that gets beneath the surface, though oxidative, remains fixed, in suspended animation. The length cements the fixation, with white flowers, their petals strewn about. A most uncomfortable pungency might frighten some olfaction, though the reek is just a by-product of calcareous clay with a lime reaction, not necessarily chalky but more like a lick of Blaisois loam on metal. Nutty, drying out on the finish but with acids stringing along in ability and pride. Tasted February 2015 @MarkCuff@TheLivingVine
Jim Barry The Lodge Hill Dry Riesling 2012, Clare Valley, South Australia, Australia (262469, $25.95, WineAlign)
Clare Valley Riesling is one of those caché varietal in locale entities revered by so many. Fact is not all CVRs are sensational but when one is made like the 2012 Lodge Hill, the grape in place is nothing short of spectacular. A rather flinty meets petrol continuum vintage is massively forward and upward, getting right down to back of the skull business. Herbal yet stony, so arid, so much citrus and a tang of salinity bled from metal. Highly complex and blessedly dangerous length. But flack is cut because despite the anxiety the Lodge Hill “sang as if he knew me…singing clear and strong.” Riesling that soothes and delights, killing me softly with Riesling kindness and his song. Tasted February 2015 @Jimbarrywines@MikeAikins1@ChartonHobbs@Wine_Australia
Leasingham Winemakers Selection Bin 61 Shiraz 2012, Clare Valley, South Australia, Australia (448241, $25.95, WineAlign)
The history of the Bin 61 is a long, storied and reliable one to hang a perennial Shiraz hat on. In the late nineties and early 2000’s the fruit was darker, more extracted, the wines tannic and needing a dozen years to reach nirvana. Times have gradually shifted the fruit paradigm to red, fresh and vibrant. In 2012, immediate gratification increases, though the tempering vintage has not advanced the progression like in the most recent years. Here the stretched, busy and cake Leasingham persists, so five to seven years of justified evolution should be expected. Tightness grips with further sips so despite the current requiem for red fruit and acidity, this will need a brief taming. Not a Bin 61 for the ages but another winner to be sure. Tasted February 2015 #Clarevalley
Hedges Family Estate Three Vineyards Red 2011, Red Mountain, Yakima Valley, Washington (1594, $32.95, WineAlign)
A year later this Yakima Valley red has concentrated further, like sweet cherry tree gum resin and sap. Desert climate and high pH loess in coarse flood debris, once entirely gritty in the blend, are now beginning to integrate. Acidity remains on high amid diplomatic balance. From my earlier, February 2014 note: “A most interesting Washington blend out of a vintage worth seeking out. Abstruse fruit package in five varieties, conjoined like a semi-sweet chocolate dessert of flourless proportions and marked by a grain and an exceptional, altitudinous presence that can’t be denied. Berries of all colours and levels of sweet/tart, evergreen verdigris, velvety texture, richesse, luxury magic mountain air. “Walk in the sun, up on Magic Mountain, Red mountain wine, everybody laughs.” This Hedges has that effect. A more than sensible price for all that’s going on and anything but a burden. Last tasted February 2015 @hedgeswine
Domaine Du Grapillon D’or Gigondas 2012, Southern Rhône, France (981787, $32.95, WineAlign)
Grenache dominant Rhône such as this from the Chauvet family goes deep into the ripest territory, with gorgeous aromatics that burst of red fruit incarnate. The large ancient barrels bring a subtle oak spice and a funk du cave unique and necessary to the Gigondas application. Alcohol is checked at the mid-palate, stepping aside for the vermillion fruit layering while so many spice accents, so Rhône, old and new, spike the zesty orange skin. The leathery hide will see to a decade of age, at the very least. Tasted February 2015 @grapillondor
Tawse Unoaked Chardonnay 2013 with Pho Cuu Long Mien Tay
Valentine’s Day came and went yet again. The 2015 edition of the polar vortex coincided with Cupid’s annual marketing juggernaut, bursting pipes, freezing the tails off brass monkeys everywhere and making life especially hell for those left out in the cold. Hearts were broken, mended and hopefully in more cases, joined as one.
Dundas Park Kitchen Valentine’s Cake
I was under the assumption you did not need my recommendations this year so I didn’t provide a pre-VD column to parade out a list of painfully obvious pink and sparkling wines. In the past I messed with the gratuitous holiday, first with just say no to pink wine for Valentine’s:
February 14th is so hyper-candied that ingredients like salinity, minerality, positive bitterness, animale and tannin are essential in the name of balance. Just don’t pair your dry red wine with chocolate.
Red Velvet Waffles
In early retrospect, my take on 2015 remains frozen like the crust of precipitation on my windows and my copper pipes. Nothing much to say but wait for the thaw. There were of course the proverbial dinners, chocolates, desserts and all you need is love; enough to go around for the whole family. And there was wine. The family day weekend offered ample opportunity to sample and take note of a dozen bottles, none earth shattering or iconic but most aimed to please. Here are some notes.
The wines of Grange-Barbastre
Château De La Grange Barbastre Muscadet Sur Lie 2013, Cotes De Grand Lieu, Loire, France (Agent, $14.00, WineAlign)
Little in the way of aromatics here. Were Honeydew Melon dried like mango, this Melon de Bourgogne might be its simple sweet candied flavour. That and a chalky, thin leesy residue. The texture improves as a by-product of the tangy finish on that palate that turns musky melon funky, like whiskey in the jar. Like an ole’ Irish ballad singing “musha ring dumb a do dumb a da,” this Muscadet is characterful if nothing else and good value at $14. Tasted February 2015 @LoireValleyWine
Domaine De La Grange Barbastre Sauvignon 2013, Igp Loire, France (Agent, $14.00, WineAlign)
Here is a very effective, oleaginous tank simple Sauvignon Blanc with a white flower and candied salt dominant nose. The candy replays on the palate though in a more medicinal and saccharine way. The sweetness is one that drowns, submerges, without a sound. More salinity and blanched nuts round out the smooth finish. Succulent if one dimensional Loire specimen. Tasted February 2015
Domaine De La Grange Barbastre Pinot Gris Sauvignon 2013, Igp Loire, France (Agent, $14.00, WineAlign)
This 50/50 split between Sauvignon Blanc and Pinot Gris is a rare sighting indeed from out of the Loire Valley. In this instance the Alsatian elevates the Loire game with its ability to draw mineral and salinity from the earth, not to mention extract and the achievement in balance. Here the fruit leaves the salty stones in the dirt and then reaches higher, into the branches of the orchard, for zest and flesh, of pear and lemon. A gradated layering and roundness prevails. Sweet without being sweet, salty without being salty, in the end, all about flesh and bone. Good length. Tasted February 2015
From left to right: Lanciola Chianti Colli Fiorentini 2012, Boutari Grande Reserve Naoussa 2008, Liberty School Chardonnay 2013, Eos Estate Petite Sirah 2012, Henri Ehrhart Gewürztraminer 2012, Dei Rosso Di Montepulciano 2013, Waterbrook Pinot Gris 2013
Entry level pricing rarely affords complexity and here, in this glycerin, shimmering Colli Fiorentini is an intoxicant of red fruit Sangiovese. Smells like warm celluloid and lamb. The “wool is soft and warm, gives off some kind of heat.” The plums within are charred, fleshy, clement and battered by a bretty funk. The carpet of texture is crawling with cellar micro-nutrients and gamey notes. There is nothing simple in the lamb’s coat and braised shank character. Wood splinters in the glass and the somewhat acquired flavours spread ambience through its broadway Florentine grooves. Another genesis Chianti Docg provides fodder for the further breaking down of appellations and designations of denominazione. Tasted February 2015 @Collifiorentini@LeSommelierWine
Boutari Grande Reserve Naoussa 2008, Naoussa, Greece (140111, $17.95, WineAlign) A VINTAGES March 21, 2015 release
In this Xinomavro there is beauty and bog consistence, like wild calla palustris. Imagine a wine thick as consonants, dense and defined by solid rock bubbling like stew, from out of a marsh. Wood adds intricate layers and a mothering of leather hiding and protecting dried cherries. Game, spice, liquorice, funk and things that heal flavour the wine’s liqueur. Silky smooth with a run of grain and the salinity of ancient longing. Racy acidity intrudes, puts in a charge and takes care to see six to eight years more life will be a guarantee. Easily and possibly 10 will pass before it sheds the chalky loops. Terrific vintage with impressive depth and range of flavour. Tasted February 2015 @boutari@KolonakiGroup@DrinkGreekWine@winesofnaoussa
Liberty School Chardonnay 2013, Central Coast, California (960120, $18.95, WineAlign)
A perfectly well-made, crowd-pleasing and sufficiently balanced Chardonnay with tree fruit notes in many shapes and sizes. The forward aromatics and restrained PG flavours are made for MOR, broad appeal. Though the texture and length are unexceptional, there is a spicy bite that slips more sips into the cards. A move along and return to again and again Chardonnay. Tasted February 2015 @TrialtoON@hopefamilywines
Eos Estate Petite Sirah 2012, Paso Robles, California (Agent, $19.95, WineAlign)
Petite Sirah is so often inelegant and black as night so the Eos take is refreshing and relatively tame in comparison. Here defined by a multitude of red fruits and a varietally timid 14.3 per cent alcohol declaration that is more than believable. Has a large stone flecking earth character that reminds of Vacqueyras, amplified by liquorice, bramble and pseudo-garrigue. Fine-grained acidity and tannin add depth and linear, progressive attitude. The inherent hunches of ferric and sanguine seem Tuscan, when considered by way of comparative mythologies. The sole glaring detractor is folksy oak that will not fully integrate before fruit decline. Leans sweet without veering to cloying and all tolled, adds up to complexity for value at under $20. Tasted February 2015 @EOSwinery@LeSommelierWine
Henri Ehrhart Gewürztraminer 2012, Alsace, France (392118, $19.95, WineAlign)
From Klevener de Heiligenstein, this is surely a step up in the Alsace Gewurz take. Some reserve in the nose, holding back the far east florals and the sugar. There’s an aerified feel to this, an ethereal complement, a savoury edge. Really interesting and surely more than versatile aromatic white. Good texture with creamy mangosteen and vanilla pod and then tight, even spicy, bracing acidity. Great deal here. Will live for a decade. Tasted November 2014 @AlsaceWines@drinkAlsace
Dei Rosso Di Montepulciano 2013, Tuscany, Italy (919430, $19.95, WineAlign)
Caterina Dei’s red fruit Rosso di Montepulciano is a noble seductress of necessity, younger and approachable, engaging for its purity and for its freshness. When compared to the Prugnolo Gentile that frames a Vino Nobile, it falls short, obviously, but its immediate appeal is what matters. Clean, clear and pristine juice is dropped with a tincture of beneficial medicine notes, for good sense, in place, measure and thought. A maquillage smear of sweet anise liqueure adds a dense streak in herbiage. The rehydrated fruit of tree pods is imagined, along with a vestige of Val D’Orcia garden shrub excretions. A malleable, permeating and nearly intoxicating Rosso. Drink now, now and again. Tasted February 2015 @LeSommelierWine
The Tawse take on Unoaked Chardonnay is definitive, exemplary, righteous stuff. It does not clock you over the back of the head, nor does it beg for attention. Its stainless steel raising causes a dichotomous sensation, merging fruit seemingly drawn directly from the apple and pear orchards to melt into a mineral bath. It’s like a collision of hot and cold, like lightning. One taste of this pale, pure Gegenschein elicits the idea of a relevant encounter and one willing to be experienced again and again. Tasted February 2015 @Tawse_Winery
Waterbrook Pinot Gris 2013, Columbia Valley, Washington (918242, $22.95, WineAlign)
Very Gris (as opposed to Grigio), pure as Walla Walla running spring water, with mineral salts on the nose, juicy stone fruit on the palate and some tonic on the surprisingly long finish. Sweetness spoons over and lingers, perhaps trying just a bit too hard but “she brings the sunshine to a rainy afternoon.” Waterbrook’s PG is a yes wine, with components that are all expressive, if a bit scattered and not always in synch. If Washington Pinot Gris were progressive art rock, this Columbia Valley specimen might sing its song, with length to last out an album side. Tasted February 2015 @WaterbrookWine@LeSommelierWine
Boxwood Estate Trellis 2012
Boxwood Estate Trellis 2012, Middleburg, Virginia (Agent, $39.00, WineAlign)
A blend of Merlot, Cabernet Sauvignon and Cabernet Franc produced at John Kent Cooke’s historic estate, the Trellis spent 12 months in one to three year-old French oak. Classic nor-eastern aromatics share a kinship with North Fork clarets, but here warmer, riper and fuller of flesh. The advance comes by way of the 2012 heat day quotient and the latitude. The swath is a fresh coat, not sublimated from dried fruit. The plumpness is in fig, prune and plum, hydrated, dense and twisted with ties of tannin and acidity. The unmistakeable feel of cool-climate, new world expatriate Bordeaux-styled reds is explicitly fresh and clean. If it were $20 instead of $40 it would be an absolute no-brainer. As it stands, it’s worth a look though at the price its audience will not be large. Tasted February 2015 @boxwoodwinery@TrialtoON
The seven reds from left to right: Resta Salice Salentino 2011, Mocali Morellino Di Scansano 2012, Rustenberg Shiraz 2011, Coyote’s Run Red Paw Vineyard Pinot Noir 2012, Salcheto Vino Nobile Di Montepulciano 2011, Beni Di Batasiolo Riserva Barolo 2006, Fattoi Brunello Di Montalcino 2009
Just as a child will willfully accept the naive and basic truth in a fairy tale, most of us will search for wines deeply buried within their simplicity. Then we have a sip. When we begin to think about that sip we delve deeper into the story and the mythology of the wine. This is where things begin to get complicated.
Maybe we invent comparative mythologies from tales and into wine just to play with the unconscious expressions of ourselves, or perhaps we just need to have some fun. Wine is not our yesteryear’s religion, nor is it something, once consumed, that can be held onto. It is fleeting and ever-changing. It is conceivable to think that wine drinkers of past eras were more childlike and held wine in more fairy-tale like hands. Today we act as though modern wines speak religiously, as if they each belong to one sect or another. Strange, but true.
On Saturday VINTAGES will roll out another lengthy tale of new releases, with a major focus on Italian reds. Like the analysis of the most famous of fairy tales, meaning is derived, not unlike an assessment of Italians and their wines, imagined as a desperate need to rule their own kingdom. The ferric, mineral and tannic nature of the group require that their rage be danced away with time, to re-gain control of their beauty and their lives.
For more recommendations from the VINTAGES February 7th, 2015 release:
Here are the winter snow whites and seven Italian reds to look for, in stores now.
The snow whites from left to right: Poulet Et Fils Brut Crémant De Die, Simonsig Chenin Avec Chêne Chenin Blanc 2012, Domaine De Saint Pierre Sancerre 2013, Girard Chardonnay 2012, Poplar Grove Chardonnay 2012, Taittinger Prestige Brut Rosé Champagne
Negroamaro (80 per cent) and Malvasia Nero combine for a mess of tar, composted earth, density in chewy dates, figs and ground funk drawn from dark, dank places. A Salice suspended, after the bruise of fermentation, like a charcoal tracing, like shadow with just an osculant of faint light. A cheesy note hangs, of a salinity out of cultures and wet vats. This may not be everyman’s cup of spume, peat and sedge, with its rough tannin too, but its value lies in complexity and value under $16. Tasted January 2015 @winesofpuglia@puglia
Morellino that is briery, earthy and with a soaked, cedar chip overlay on dark fruit. Brambly, purple pitchy and almost but not quite flamboyant. Slow as geology seeping, tile weeping, liqueur steeping then turning gritty with drying tannins. Good persistence and a bitter finish. Good value. Tasted January 2015 @InfoMorellino@liffordwine
Poulet Et Fils Brut Crémant De Die, Rhône, France (392555, $17.95, WineAlign)
The unique sparklers from the Die, made from (mostly) Clairette are somewhat of a rarity in Ontario waters. The bitter pith nose, ranging tangy palate and slightly oxidative style is a bit touchy but the length is nearly exceptional for the Euro. In the realm of Crémants, this Rhône dips pear slices past cracker nasturtium pods bobbing in a bowl of beneficial bitters. With a Mediterranean climate and altitude-influenced elemental aroma as if burnished pewter, the bird is anything but fowl. The case is made for these bubbles. Tasted January 2015 @VINSRHONE@WineandFood_RA@TheCaseForWine
Rustenberg Shiraz 2011, Wo Stellenbosch, South Africa (399246, $19.95, WineAlign)
As per the Stellenbosch Shiraz stratagem, this may lean to sweetness but it’s all about rich, ripe fruit running wild and free. Savoury support comes from green tea, smoking branches and fulminating esters. Neither heavy nor burning, the ’11 is warm, clean and highly accessible. Impressive density and at 14.5 degrees alcohol, really quite soft, unwavering in its ability to suppress the demands of the octane push. Drink in the near term. Tasted January 2015 @RustenbergWines@StellWineRoute
Coyote’s Run Red Paw Vineyard Pinot Noir 2012, VQA Four Mile Creek, Niagara Peninsula, Ontario (79228, $24.95, WineAlign)
This is an intense and vexing vintage for the Red Paw, a Pinot Noir of delicacy in constant search for the right dancing partner. In 2012 the soil seems to have been magnetized with a gravity of ferric density, causing juicy and spontaneous fits of revelry and a painting of the Paw red. Cherries, stones and figs are in, along with ether, earth and peat. The longevity quotient comes into question as the tenure already seems quite evolved but in its current state it is quite fun to drink. Tasted January 2015 @coyotesrun
Simonsig Chenin Avec Chêne Chenin Blanc 2012, Wo Stellenbosch, South Africa (282772, $25.95, WineAlign)
This barrel-aged Chenin Blanc is toasty, reductive and stratified, scaling heights few whites reach for, to seek other worldly atmospheres. I don’t find anything remotely tropical about it, on the contrary, it’s way out of the equatorial zone and into the upper reaches of the ozone. This has the Loire imprint of longing and distance. It will need time to come back down to earth, what with its hyper fruit meet mineral nuances. When it does it will walk through rain forests and dry flood plains with those extreme noisome notes in tow, to settle amongst the stones by the river. For some, this will be a rare find. Tasted January 2015 @Simonsig_Estate@WOSACanada@WoSA_USA@StellWineRoute
Domaine De Saint Pierre Sancerre 2013, Loire Valley, France (170258, $26.95, WineAlign)
A most promising and textured Sauvignon Blanc, full of chalky fruit and a lamina of minerality, like a strudel of stone fruit spread between layers of Phyllo pastry greased by pulverulant butter. Though this Sancerre does not and will not travel the longest route for the Loire, it is a seamless wine and one that is well-designed. Has a modernity about it while yet keeping a finger on and an ear to the radiocarbon chronometer. Tasted January 2015 @LoireValleyWine
Girard Chardonnay 2012, Russian River Valley, Sonoma County, California (338434, $26.95, WineAlign)
Quite a different sort of California Chardonnay, cooler and in avoidance of the sub-equatorial fruit of the tropics. With a wisp of woodsmoke and a toothpick poke or two of smokey spice, this RRV bottling puts foggy Sonoma first in line, ahead of warm Cali sunshine. The one warm aspect is a vanilla overlay on creamy mango, a texture that is present but not over the top. The ripeness gathers moss and little stones, gets going, gains steam and fleshes out across a length that steers forward towards a future of nice value. Tasted January 2015 @GirardWinery@imbibersrepotr@sonomavintners
Here a most modern Vino Nobile from Salcheto, through its forward and public fruit to its fine designed label. Retains a sensible and loyal texture, wearing its coat of arms in reverence of its past. Argumentative tannin and acidity speak loud, over the voices of tar, ferrous vernacular, black and blue bruises and rolling stones. Like rusty blood seeping into the cracked earth of a water-starved forest, this Sangiovese gets inside and under the skin. “Come si chiama, what’s your game?” She will answer, Vino Nobile, that’s my name. Tasted January 2015 @SalchetoWinery@AMH_hobbsandco
Poplar Grove Chardonnay 2012, VQA Okanagan Valley, British Columbia (276675, $29.95, WineAlign)
The vintage does not strike so much a new direction for the Poplar Grove Chardonnay as much as a blip on the cool climate radar. Before extrapolating on that comment it must be said that this is a well-made wine. It’s riper, with more gregarious character, an increase in topicality and into a nearly candied buttercup feel. Rich in glück and circumstance. Where in ’11 there were many notes in ripe coconut and green tones, they are a merely a suggestion in ’12, not a composition. A brûlée of lemon and ginger with a sprinkle of cinnamon finds the palate in think mode moving forwards in slurry strides towards a cemented and fixed positional finish. This is for the here and now. Tasted January 2015 @poplargrovewine
Time yet remains on the diminishing side of this Barolo of necessity, regaling and expressive of tea, tannin and flowers, dried and crumbled over fine earth. A modern and high-toned La Morra that is representative of very good value. The tannins persist in clenched chops and will need up to five years to resolve. The BdB Riserva ’06 may not be the Nebbiolo to mortgage the cellar on, but it does have the ability to be a wine to arouse the longing of one who waits. Tasted January 2015 @ChartonHobbs@MikeAikins1
Fattoi Brunello Di Montalcino 2009, Tuscany, Italy (33498, $39.95, WineAlign)
The porcine cure of a Fattoi Brunello is a thing of mesmerism, here alongside a gamey note of soft, braised heart of beef. In ’09 the aromatics are a bit closed at present, atypical for the vintage but likely more a product of the curated, house style. Leather and some judicious oak spice offer up characteristic Grosso sentiments, dug into sweet earth and a feign of candied fruits and flowers. Sumptuous and terrific stuff. Here Brunello that effects the blinding potency of vines screaming of their fruit. Tasted January 2015 @BrunelloImports@ConsBrunello
Taittinger Prestige Brut Rosé Champagne, Ac Champagne, France (993113, $67.95, WineAlign)
A sweeping scopic range of bitters, soft tonics and savoury Polygonaceae circulate in the vacuum of this point beleaguering Champagne. She plies a rough trade, with a flinty, smouldering gun effect that simulates a toasted barrel blowing smoke upwards a riotous Rosé’s crystal glass. With citrus acidity off the charts, a pampered and churned pamplemousse ever expanding, the Taittinger excites and jointly strikes the heart with elegance and beauty. Her style is both chic and confidential, “she’s a combination Anita Eckberg, Mamie van Doren.” A Champagne that avoids freud and “drives a candy pink Cadillac,” that will “make you want to give up high school.” For immediate pleasure and years of future memories. Tasted January 2015 @Taittinger_News@TaittingerUSA
Wine today is suffocated by an industrial and disproportionate number of writers, critics, reviewers and judges. There are so many voices vying for airtime, filling up virtual white pages with their comments, feelings and dissertations. There are homers and there are curmudgeons. When in balance, both keep the ship afloat, but more often than not the questions begs. Which ones are causing the wreck? The answer is both. The problem is not the intent but rather the execution.
You may have noticed that when I write about wine, which is pretty much all of the time, I use a whole lot of words. A mess of vocabulary. An inordinate amount of adjectives. A boundless number of references to music, song and pop culture. It’s how I roll. And it has got me thinking, again.
Tis’ about that time of year. A period for reflection and review, not on what was so great in the previous vintage but about the things that will be critical going forward in this new one. Please excuse the interlude while I hang suspended within the interval of hermeneutic, contemplation and debate. Reading books on anthropology, art world shenanigans and a post-holocaust personal journey are seeping into my thoughts like Sémillon into Sauvignon Blanc and the varietal blend is coming up complicated.
Old guard tasting notes are losing their relevance and not because they are wrong or inaccurate. They just don’t speak to wine in the 21st century. They don’t tell a story and they surely don’t have any fun. So what? Imagine taking a video of yourself working on your computer, browsing the internet, reading and interacting on social media. What would you see? A world of links and associations. A world where thoughts and comments bounce around like children in a jumpy castle. This is the realm of the new tasting note. This is what wine can do for you in the 21st century. It can lead you forward and take you back. Most of all it can really tie your life together.
Then the whining. The constant shrill voice of conceit mixed with complaint. The words minced to poison with a hunger to attack. Paragraphs penned to warn of apocalypse and to relegate decent writers to the scrap heap and back to the depressing nine to five. Writers reacting only to what others do without creating anything of their own. Comedians of the wine world lashing out, ranting, shouting “got ’em, need ’em, hate ’em.”
These attitudes and still the truth is not to be ignored. Reading a wine through a tasting note is like kissing a woman through a veil. “Translation is a kind of transubstantiation,” where one wine becomes another and another. You can choose your philosophy of critiquing just as you choose how to live. The freedom to personalize or substantiate thoughts on structure sacrifices the detail to meaning and meaning to preciseness. The winemaker is the writer or poet, moving from vines to vinous language. The critic moves in the opposite direction, or should, by attempting to read between the lines, to identify what can’t be seen, to interpret the mysterious implications of smell, taste and texture.
The lede firmly and flatly backs the headline, states, if asks, “is writing making a mess of wine?” Yes, that is a double entendre, a loaded gun of meaning and hypothesis, a million dollar question. While we want to know who’ll stop the rain, we also desperately need to understand the meaning of wine. So we put it down in words. We explain how wonderful life is with wine in the world. We also break it down, grape by grape, to a point where it often lies broken, disassembled, deconstructed, left for naked. What is it for? Are wine writers leaving behind a city of ruins?
Have they decided and determined that the winemaker’s works can be used to make a point? A point that belongs to the critic? Has the wine writer taken away the artist’s right to be, has the intent been obscured, or worse, the opposite and turned it into a curator’s right?
There are wines that claim you and wines that warn you away. Maybe the writers are just looking for wine that would teach them everything, like searching for one language, just as some would look for one woman’s face. The combined fugitive pieces of wine and its critics pose “questions without answers.” They must be asked very slowly.
To the beleaguered point five wines are here venerated and disfigured, assessed and cut to size. They are sniffed and sipped, thought of in song and regurgitated on the page. Do they lift or bury their maker’s plan? You be the judge.
From left to right: Susana Balbo Signature Barrel Fermented Torrontés 2014, Sterling Vineyards Pinot Noir 2012, Nyarai Cellars Cadence 2011, Wieninger Nußberg Alte Reben Gemischter Satz 2012, Tabarrini Colle Grimaldesco Montefalco Sagrantino 2009
Susana Balbo Signature Barrel Fermented Torrontés 2014, Uco Valley, Mendoza, Argentina (384339, $17.95, WineAlign)
Here, from Dominio del Plata, an experiment with clear merit. The attributes are so sizeable, with weight depth and no compromise. The dramatic effect works to ignore the “clouds of mystery pourin’ confusion on the ground.” The floral aromatic integrity of Torrontés is upheld within the leaden shackles of the wood, as is the savour. This is a honeyed white, suckling and mellifluous, like fully extracted ripe Sémillon, from and with the benefit of a warm vintage. Puts the fun back into varietal revival by way of a giant leap up from the thin, medicinal water clogging the arteries of South American white wines so often put to market. Here is a Torrontés to stop the rain. Tasted January 2015 @ddpwinery@ProfileWineGrp
Sterling Vineyards Pinot Noir 2012, Napa Valley, California (424179, $19.95, WineAlign)
There are so many reasons not to find a thrill in this regional blend of Pinot Noir fruit but none of them stick. Sweetness, simple syrup silky fruit, brown sugar, every red and purple berry in all varieties of fields (plus ripe plums) and warm to temperate alcohol (14.5 per cent declared) all combine for full California sunshine effect. All this and I just can’t turn away. With all the excess fruit, texture and multiplicity in good times, how can I? I ask this Pinot, “how come you, how come you dance so good?” The answer lies in the feel and the ability to turn a Noir trick or two. Not to mention a rolling of barrels and Napa Valley stones through its very core. Well done. Tasted January 2015 @sterlingwines@Diageo_News
Steve Byfield’s crimson blend of Cabernet Franc (42 per cent), Merlot (33), Cabernet Sauvignon (20) and Syrah (5) is at once so very Niagara while acting out anomalously in the 2011 vintage. Ripe, extracted fruit appears warm-vintage drawn, with its coated layers of primer, brushstroke and plummy stone fruit. The warmth is tempered by savour, oranges, figs and psalms. Its ability to find cadence and cascade keeps it “cool in the shade.” The varietal combining is delineated in balance, “sliding mystify, on the wine of the tide.” This effort, with its new name, could become one of the king’s amongst Ontario blends. Tasted January 2015 @NyaraiCellars
Wieninger Nußberg Alte Reben Gemischter Satz 2012, Vienna, Austria (Agent, $40.00, WineAlign)
Here, the intensity of multi-varietal wine defined. From next to the Danube, out of the Ulm Vineyard, on a very steep southern slope on the eastern part of the Nussberg. The composition is nine-fold; Weissburgunder, Neuburger, Welschriesling, Grüner Veltliner, Sylvaner, Zierfandler, Rotgipfler, Traminer and Riesling. The aridity (1.3 g/L RS) is visionary. Beneath the vineyard there is coral from the tertiary period and in this wine you can hear the Geiger counter amplifying the faint eupnea of fossilized shells, thousands of years ago. Its resinous, sappy and majestic floating flowers are like “potions in a traveling show.” The layering is heavy (14.5 per cent ABV) and variegated, like sands and snails in a bottle or a vessel filled with an alcohol made from nature’s natural and fermenting bounty; carboniferous forest cosmology and the unpronounceable names of exotic fruit. Then there is the wooden smoulder, the white rock solder, the pine and the scene where “I sat on the roof and kicked off the moss.” The Gemischter Satz is granular but in liquid form, marbled and with a lovely wisp of oxidation. It exudes lemon custard and tonic in a wild yet beautiful breath of sauvage. It is your song. Tasted January 2015
Here thickness is applied in every way imaginable. Sagrantino from the maw of the beast; raw, big-boned, musky, chewing sinew and spitting out teeth. Though fierce and ancient, eliciting vegetal scents as if Pliny’s natural history were scoured for every trace of pungent plants grown in iron rich earth, it is also the most modern expression of Umbria, or all of Italy even. In so many ways it’s pretty Gestanko, composted and of an incomparable spume. But it also desensitizes and endears in a soulful, ethereal way “like scattered leaves,” blowing in a stiff breeze. It folds back the skin of time, in waves of heat and at times is so very sweet. Bring this to the apocalyptic marshmallow roast. Leaves the red wine city in ruins and in the dust. Sagrantino at 16.5 %. Burn, baby burn. Tasted January 2015 @TrialtoON@TABARRINI
Bouteilles de la collection Méquillet de Kientzheim, Confrérie Saint-Etienne
In January it began with A resolution to drink honest wine, “juice that conveys the salient facts of a grape’s life.” It continued with New year. Try new wines, where the goal was “the resolve to drink outside the comfort zone.” If the issue was Feeling under the weather? Drink wine, success was had. “Wine is your friend. When approached, integrated and embraced in the right way it can help to promote a healthy lifestyle. The defence rests.”
A 5500 km trek to the tip of Cape Breton and back yielding poetic and prophetic expression in The tides that bind: East Coast swing. “The tractive is a thing to and of itself. The pauses to gather at points along the process remember lobsters roasting over an open fire, a cottage visit with new-found friends, a hike into the cavern of a waterfall and a swim in a tidal river. Memories are made in rites of passage, though in the end, like the photographs, they too will be demurred by time. Indelible stamps they are, cemented in commitment to reaching and by necessity, descending summits. A road trip to the eastern part of Canada realizes the bigger plan. The key is making it safely home, before the tide rolls in.”
Local wines, notably Niagara delivers everbearing quality in November releases and in direct contrast, I went Off the beaten Italian path to discover endemic varietals. The Bloody vivid 2011 Vintage Ports had me reeling. “The 2011 Vintage Ports have balance, well, the best do, but they are, and I speak in very general terms, collectively over the top. Though it may seem an oxymoron to put Vintage Port and elegance in the same sentence, what is a great wine without a sense of humility and restraint?”
Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim
This is the third in the trilogy of best of reports for 2014. The first, 14 Canadian wines that rocked in 2014 was about “wines that are extensions of their maker’s personality, philosophy and temperament. Wines that are indicative of their terroir.” The second, Top 15 under-$25 wines of 2014 was meant to to “create the sociological, world of wine equivalent of splitting the atom. To celebrate the triumph of laic heterodoxy and the arrogance of modernity. To seek purity from beneath the massacre caused by an avalanche of contrived wines.” The third instalment is meant purely to celebrate and to thank those who shared their bottles with me. Here are 16 wines tasted in 2014 that simply blew me away.
Tasting with Philippe Blanck, Domaine Paul Blanck
Domaine Paul Blanck et Fils Muscat d’Alsace Réserve Spéciale 1983, Alsace, France (From A Blanck slate in Alsace, December 1, 2014)
From Altenbourg, a lieu-dit located at the base of the Furstentum vineyard. Here is Blanck’s “fairy tale,” a wine you would have always heard about but never had a chance to taste or likely ever seen. The terroir is limestone mixed with clay and you will have to excuse my Alsatian, but a single sniff and taste releases the expression, “are you fucking kidding me?” This 31-year old Muscat is an impossibility, a first time feeling, a never before nosed perfume. Speaks in a limestone vernacular, of grapes given every chance to survive long after their innocence had been lost. A forest herb, tree sap, evergreen resin, lemongrass and bitter orange coagulation rises from its viscous mist. The acidity has lost nothing on the fruit, acts in perfect foil and leaves you with a sense of loneliness that is just beautiful. Tasted June 2014 @DomaineBlanck
In July 2013 Francois Morissette made this statement. “If we can’t make Gamay in a Cru Beaujolais Style, I’m not interested.” In May 2014 his ’13 Gamay causes Bill Zacharkiw to comment with blatant honesty, “just line up at the tank. Forget the bottle.” From 100 per cent whole clusters sent to cement fermenters. Once again the hue is just impossible. Sulphur-free, this walks a fine and perfect line of Cru banana Gamay. Pushes the Gamay envelope in that it’s gulpable but with a duress to remind you not to overdo it. A Gamay with a chamber of 32 doors. In it “I’d rather trust a man who doesn’t shout what he’s found.” François Morissette. Tasted May 2014 @PearlMorissette@3050imports
Here blends one-third each Viognier, Rousanne and Marsanne, a veritable Rhône orgy in wild fermentation, aged on the skins in terra-cotta and amphorae. While I would not go so far as to call it an “orange wine,” I will use the “N” word to describe its agrarian ways. As natural as anything you are likely to taste out of B.C., this is a most untamed experiment and should not be missed. It verges on oxidation but refuses to climb over the edge. It’s floral, spicy and crowded. The texture is chalky and so full of rusty, clay rubbed streaks. Everything about this is unkempt and exotic, including the never cease and desist fermenting lychee and longan feel. Hard not to be wowed by this blend’s presence. Tasted August 2014 @lfngwine@liffordretail
Only Charles can follow Charles, as only Jimi could follow Jimi. Just ask Peter Townshend. The combined forces of vintage, off-dry level of residual sugar (23.9 g/L) and age have ushered this Picone into a realm of adipose, butyraceous, chewy texture. The ’06 is emblematic of its time, stunning, psychedelic, experienced. It speaks clearly and with conceit. Tasting it eight years on you can hear Baker’s 2006 voice saying “if you can just get your mind together uh-then come on across to me.” We have and continue to follow Charles, and we are paying close attention to every vintage along the ride.Tasted March 2014 @cbriesling@StratusWines
A lifelong search for great Sémillon is fraught with peaks and valleys. Finding greatness is so rare it’s blue. The Hunter Valley in New South Wales beckons for a rush to strike gold. Many roads lead nowhere and others, like the dusty lane up to Brokenwood’s Maxwell Vineyard, lead to OZ. This young one has barely broken bread, or even a sweat. Sémillon of primary concern, like a tank sample. Varietal beauty as a cryogenically frozen specimen inundated by the table, the whole periodic table and nothing but the table. Guided by a laser beam of focus, great intent and expectations. Bob’s your uncle this David to the world’s white wine Goliaths. Son of racing studs and mares. Wow Sémillon. Not a faint moment about or in it. Tasted May 2014 @Brokenwood
The Hess Collection Cabernet Sauvignon 1990, Mount Veeder, Napa Valley, California, USA (662015, $59.00, WineAlign) From The death of wine scores?, March 26, 2014
A seminal bottling from a game-changing year, for two all important reasons. One, it was a great vintage for Napa reds and two, the Mount Veeder sub-appellation was established. While only 24 years ago, a mere five wineries existed there at the time, including Mayacamas, Mt. Veeder and Hess. No hyperbole to say this is tasting a piece of history. Despite my “shouting all about love,” this splendidly aged Cabernet is not so much about resilience as it is persistence and infinite wisdom. All those years ago there were Napa reds made at a mere 12.5 per cent alcohol, with finesse and a sense of George-like calm. With little aeration there is fig, prune and toffee gently weeping but with air the aged fruit is swept away by a wave of gob stopping Cassis before its time. Preconceived notions of banausic, early days Cabernet are smothered by the magic dust of this Hess religion, a Dharma of licorice, ash and enlightenment. A wine to make you forget where you are. Depth, length and up to a half decade yet of reserved life lay ahead. Tasted March 2014 @HessCollection @liffordretail
The Fèvre take on Les Clos is the cradle of all the domain’s wines, in every respect. Intensely concentrated, this is Chardonnay expressive in every facet of its surroundings. The impart from compressed white limestone, ancient fossils and Jurassic minerals in distillate may seem abstract in description but how else can the feeling of a mouth full of rocks be conveyed? The remarkably complex Les Clos and its structured palate that goes on forever has come out of its Chablis vineyard cradle and will live on as one of the best ever. “It’s not a place, it’s a yearning. It’s not a race, it’s a journey.” There is no rush to drink it up. It will offer immense pleasure for 20-25 years. @WoodmanWS@BourgogneWines
From a golden vintage, this ’97 is crazy good. A fixed, double-edged blade fighting knife dipped into a warm pool of developed liqueur-like sweetness. Seventeen years of languorous modulation and wood-fruit integration had resulted in a gracious Brunello, intrinsically delicious and living large in senescence. Life for the Col D’orcia ’97 is a bowl of cherries. Open one now and for the next three to five years and you’ll know exactly what you’re going to get. Me, “I’ll stick with you baby for a thousand years. Nothing’s gonna touch you in these golden years.” Tasted April 2014 @Coldorcia@ConsBrunello
The blend of the 2001 Rosso Superiore is Cabernet Sauvignon (65 per cent), Merlot (30) and Cabernet Franc (5). Though strange to say and admittedly a retrospective comment, the minute quantity of Cabernet Franc and not yet inclusion of Petit Verdot result in a more straightforward and not as heavily layered Ornellaia. The structure is more linear and understandable, the fruit not as variegated. Complexity and Tuscan spiritualism are not compromised by the Cabernet Sauvignon and Merlot dominant line, in fact, assessing the evolution at 13 years on reveals the Bolgheri terroir in ways the magnanimous and opulent more recent vintages just don’t reach. There is a refreshing acidity in this young and developing ’01 in a streak that again, the baby Superiore do not seem to possess. This is a striking Ornellaia, a wine that would work with exceptional cuisine of varied cultures. It can be enjoyed now and will respond with grace and thanks for 30 plus years more. Tasted June 2014 @Ornellaia@AuthenticWineON@sherry_naylor
Château Léoville Las Cases 1995, Ac St Julien, Bordeaux, Left Bank, France (402529, $599.00, WineAlign) From A Bordeaux family of wines, September 29, 2014
This 2nd Growth, Grand Vin is a product of nurturing and environment, a study in 12 superb soil subsets, from sand to clay to stone. From mature, edified vines split between Cabernet Sauvignon (70 per cent), Cabernet Franc (16) and Merlot (14). The LLC ’95 is grounded and centered on its highly confident axis while swirling within a centrifuge of inwardly concentrated, ripe but not ripest fruit. Merlot here is the anchor, Cabernet Sauvignon the mast. This is a relationship of pure linear fruit meets acidity. The full and fresh attack is refined with soft-pedaled tannins. It’s neither St. Julien nor Paulliac. It is Las Cases. No other Bordeaux is such an island, a distinctly personal expression, an event of its own. This is a window to the greatest vintages, a portal to extend to the benchmarks of 1996, 2000, 2005 and 2009, but also to step into the history of physiological cortex, to gain insight into previous legendary vintages, like 90, 89 and 82. The ’95 is silky, caressing, rapturous enveloping in a reverse osmosis of fruit and acidity, acidity and tannin. Another sip notices the layering, the grain left in tannin, the lingering richness of the fruit. The absolute sweet caress. Tasted September 2014 @Noble_Estates
Tenuta San Guido Sassicaia 1977 at Splendido Restaurant, September 2014
Tenuta San Guido Sassicaia 1977, Doc Bolgheri, Tuscany, Italy
Though the vintage was reported to be less than exceptional, the chance to taste this 37 years in/on and the longevity it displays combines for full, blow me away effect. The first vintage of Sassicaia was 1968 and this 10th try hits the mark of experience. A blend of Cabernet Sauvignon (85 per cent) and (15) Cabernet Franc, the fruit came from vines over top soils of clay and limestone. The wine spent 20 months in Yugoslavian oak barrels (half of it being new, and half used once or twice before), while for the remaining 60 per cent, French oak was used (2/3 new and 1/3 used once or twice before. Tasted blind, the swirling and searching thoughts of Genesis retrospection assimilate aromas of truffle and mushroom, but at first there is no reply at all. Landing on a plot of excellence somewhere between Bordeaux and Piedmont, Tuscany rises from its hills. A silent conversation ask the Sassicaia “I get the feelin’ you’re tryin’ to tell me;
Is there somethin’ that I should know?” Its condition is near perfect, its body full, its nature pristine and finally, so obviously in balance. After 30 minutes it begins to slide, to no surprise, but you can’t believe the expression it gives and the impression it leaves. And so, it is confirmed. 1977 was a fine vintage for Sassicaia. Tasted September 2014 @Smarent@Splendido_TO
Bodega Viñedos del Contino Rioja Reserva 1974 at XocoCava, with Chef Chris McDonald and Rob Groh of the Vine Agency, October 2014
Bodega Viñedos del Contino Rioja Reserva 1974, Rioja, Spain (Agent)
An impossibly youthful 40 year-old Tempranillo, even surpassing the more evolved ’80 in that regard, with aniseed, coconut and beeswax in its current aromatic state. Less gamy and animal funky, yet persistent in earthy beats. The vegetal scents act as conduit to the light bulb shining brightly of circuitous flavours and resolved textures. Lingers in mouth feel, its layers of time slowly peeling back, revealing in length, a slide show of the wine’s life. With many year’s still ahead, this is a Tempranillo revelation and from one going back this far that gained no support from Graciano (because it was planted in 1979). Its apostle following instead comes by way of the white Viura. Pair with Chef Chris McDonald’s Foie Gras and Partridge Croquetas. Tasted September 2014 @TheVine_RobGroh@Cvne
Decanted Château Margaux 1989, The National Club, Toronto, May 1, 2014 PHOTO: Michael Godel
The 1989 Château Margaux wears the response to a mondo Bordeaux axiom on its sleeve. Are First Growth wines made for people who want darts of instant pleasure?” Twenty years earlier and now like the 2009, here is a quintessential and exemplary vintage, from day one of bud break to the last day of harvest. Its appraisal as anything but incredible is to assassinate it as if it were the Franz Ferdinand of Bordeaux. The examination 25 years later sees a mellow funk meet a peerless and sublime perfume. A wine cast in utmost density, complexity and length. It noses strength, warmth verging on heat but only for a fleeting moment, to gain attention. The iconic wine has reached the first major peak, up a ways from base camp. In this second phase of young adulthood it looks with conceit to the top of the mountain, seeing 25 to 50 more years on the climb. Mr. Pontallier regrets he won’t be around to taste this wine at full maturity. Moi aussi. The fruit lingers in its full, original state, from the moment it passes lips and for minutes onward. Violets trump roses. Château Margaux 1989 is from a vintage that offers the blessing of ethereal balance. Hear her sing, “Ich heisse Superfantastisch!” Tasted April 2014 @Noble_Estates
A south-facing, very steep slope of grey marls and gypsum. A vineyard that yielded a miniscule 10 hl/H. A stratospheric residual sugar quotient (in the realm of 500 g/L) and incredulous acidity to prevent the development of the yeasts. A fermentation that finally finished in the late winter of 2012. A wine aged in demi-guid. Selection of grapes of a botrytis so pure and dry. These are the specs of a wine I may never taste again. Olivier concedes he “really tries not to obtain the highest sugar concentration possible” but this 2009 is a “monster of a wine.” It will take forever to assimilate and digest the sugar. Unctuous, lush, rich and gorgeous does not do it justice. Pure distillation of fruit and stone, accented by spice, wild herbs and flowers. Like an injection of pure, Pinot Gris adrenaline. All this from dry extract, slowly rehydrated with magic pixie dust and the wonders of the natural world. Will live for a century and then some. Tasted June 2014 @olivier_dzh@TrialtoON
Domaines Schlumberger Riesling Grand Cru Kitterlé 1945
From an area of sandstone soil that predates the appellation. “This is an old story,” says Sommelière Caroline Furstoss by way of introduction at a Millésime master class. “This is a wine of God,” in allusion to the success of a vintage immediately following the end of World War Two. So emotional to taste, of a Riesling with 20-25 g/L of residual sugar and a recondite, balancing level of acidity. Complete and clean, persistent in its power and vitality. There is orange peel and spice, cinnamon and spike. Must have been a warm yet somehow perfect vintage. Sixty-nine years on there is the slightest hint of toffee and nougat with a whispered promise to age for at least 30 more effortless and graceful years. The length lasts for minutes. The heart and the hearth. Just the thought of producing this wine at that time is unfathomable and mystifying. There are no superlatives to do it justice. Tasted June 2014 @VinexxWine
Taylor Fladgate Single Harvest Porto 1863
Taylor Fladgate Single Harvest Porto 1863, Douro, Portugal (Agent, $3,995.00, WineAlign) From Taylor made Port, September 2, 2014
The two casks of 1863 reached the Taylor family in pristine condition, from one of the last great pre-Phylloxera vintages of the 20th century. This wine came from the cool and damp Port lodges of Oporto, “the cathedrals of wine.” This was a once in a lifetime chance to taste a piece of history, a most natural and organic fluid encased for 151 years in its integument of time. The year 1863 was significant in many respects, including being the birth year of Henry Ford and Franz Ferdinand. This is Port that creates the future and yet dwells on the past. The hue is both progressive and fathomless in subterranean fantasy. Its many shades of warm, advancing colours resemble the faux brown rings of Mars. The aromas are built around toffee and with accents of many mints; spearmint, chocolate and pepper. You can smell the 1863 from rooms and world’s away. It conjures up many songs. “When you’re half way from a dream, is it hard to work out what is real?” That is its love illumination. It has the strange advance “of killing time and dreams.” The flavours are extreme and exotic, with South-Asian spices highlighting its deep, late night humidity. The finish is endless. Is this brilliance or a stroke of incredible luck? It is certainly pristine and wondrous. It has to be considered a perfect wine, for its niche and genre, by its makers, David Guimaraens and Adrian Bridge. Having let the days of 151 years go by, this is not a wine to compare with others, it is not the same as it ever was. In the end, “you may ask yourself, well…how did I get here?” Thanks to Stephen Marentette of Sylvestre Wines and Spirits. Tasted August 2014 @TaylorsPortWine@Smarent
Today I tasted through the VINTAGES January 10, 2015 release. Thinking about that for a moment I find it hard to believe that yet another year has passed, with thousands of wines having passed my lips and into many levels of my consciousness. What a year it has been. More on that to come.
For now the task at hand is to find some wine to get us through the weeks leading to Christmas and into the new year. Bargains and values come in many colours, shapes and sizes. Earlier this week I gave up a dozen Sparkling wines to look for. Today it’s all about the red and white table wines, from cocktail sippers to serious main course friends. Here are the last 14 recommended values coming to VINTAGES December 6th, which happens to be tomorrow.
From left to right: Domaine Les Yeuses Les Épice Syrah 2012, Tselepos Classic Moschofilero 2013, Kew Vineyards Old Vine Riesling 2012, Vineland Estates Elevation St. Urban Vineyard Riesling 2012, Henri Ehrhart Gewürztraminer 2012, Mountadam Estate Chardonnay 2009, Red Hill Estate Pinot Noir 2013
Domaine Les Yeuses Les Épices Syrah 2012, Midi, France (177584, $15.95, WineAlign)
That, at $16, a Midi Syrah can throw this much smoked meat, bacon and genuine roasted porcine goodness into a bottle, kudos must be thrown straight back. The braise is accented by allspice, winter savoury, black olives and licorice root. It’s a veritable pot au feu, filled to brimming with meat, mire poix and herbs de provence. Wow. All, in. Tasted November 2014 @VinsPaysdOcIGP
A textured, minutely oxidative and bronzing Moschofilero with a confident sense of itself. The orchard has ripened and spilled into this bottle with peaches, apricots and citrus Portokalia Lakonias. Great metal tang, world turning acidity and length as long as the Nestani’s walk to Demeter’s Temple. Tasted November 2014 @Tseleposwines
Classic and I mean classic Bench Riesling entry. The richness of Bench soil, the elevation enriching the texture, the off-dry aromas impossible to avoid. There is a creamy, medicinal, tannic feel, so apropos and a scant, succulent scent of roses. The acidity at present is not quite in the groove and will be needed to travel the long, bright road ahead. If this ’12 is not the one, future vintages will surely one day realize the dream. Nevertheless this Kew is typical to ’12 and to the Bench and has begun a new chapter for the genre. Tasted November 2014 @kewvineyards
Who has not waited for Elevation to hit out of the 2012 vintage? Straight up it must be noted that this will rank over and above the best from the St. Urban Vineyard. The ’12 Elevation will not only find long-term success among the great values in Bench Riesling, it will go down as one of the best ever, at any price. The vintage impart is a natural for this wine. At the moment it is the most primary of all because of the layers that texture bring. The Elevation will go thirty years and climb higher and higher into the stratosphere, gaining flesh and personality. The already seamless gathering of fruit and mineral is palpable. And still a reminder, the price is $20. This is a Schmidt gift to Ontario, for anyone and everyone to be one of the lucky ones. To purchase in increments any less than a case may be considered a crime against Riesling. Tasted November 2014 @VinelandEstates@benchwineguy
Henri Ehrhart Gewürztraminer 2012, Alsace, France (392118, $19.95, WineAlign)
A step up in the Alsace Gewurz take. Some reserve in the nose, holding back the far east florals and the sugar. There’s an aerified feel to this, an ethereal complement, a savoury edge. Really interesting and surely more than versatile aromatic white. Good texture with creamy mangosteen and vanilla pod and then tight, even spicy, bracing acidity. Great deal here. Will live for a decade. Tasted November 2014 @drinkAlsace
Mountadam Estate Chardonnay 2009, South Australia, Australia (333211, $21.95, WineAlign)
There’s a sugary high to this Chardonnay and some sulphur though it blows away with ease. The texture is brilliant, flavours round and glazing. So much citrus to go around, with so little time to appreciate the varieties, levels and nuances. Oak, while anything but an after thought toasts in nuts and bolts. This will do no harm and ingratiate itself to all sorts of white palates for five years or more. Tasted November 2014
Red Hill Estate Pinot Noir 2013, Mornington Peninsula, Victoria, Australia (58073, $21.95, WineAlign)
The Mornington perfume, distinct, ethereal, lifted, elevated, fresh with a bit sauvage, not of musk, but of a wild road less trodden. A step beyond fresh, into learned territory and also above crisp, into crunchy. Very interesting and complex Pinot Noir, so obvious as anything but, yet unique, tart, striking and long. This should have many consumer fans and expand horizons for broad appeal, but also be a friend to the discerning taster. Most impressive. Tasted November 2014 @RedHillEstate@Noble_Estates
From left to right: Clos De Los Siete 2011, Il Molino Di Grace Chianti Classico Riserva 2006, Château Cambon Le Pelouse 2010, 13th Street Sandstone Old Vines Gamay Noir 2011, Paitin Sori’ Paitin Barbaresco 2010, Corte Pavone Brunello Di Montalcino 2008, Heitz Cellar Trailside Vineyard Cabernet Sauvignon 2006
Clos De Los Siete 2011, Mendoza, Argentina (622571, $23.95, WineAlign)
If the triumvirate of extraction, Argentine beefiness and intermingled layers of wood and cake are the thing you crave, come to Mendoza for all that and more. If that ternion comes in a package of $22 and is drawn from seven altitudinous agricultural entities, Clos de los Siete the perennial success story is a go to for the genre. From out of the Uco Valley, at the district of Vista Flores, Tunuyán. The ’11 misses no beats, brings chocolate, licorice and macerated plums to the barbecue. This Malbec blend (with Merlot, Syrah and Cabernet Sauvignon) intimates, attracts and culls a hunk of steak from off the coals and settles in for a long, healthy, belly fulling pairing. Tasted November 2014 @closdelossiete@closdelos7@Dandurandwines
Il Molino Di Grace Chianti Classico Riserva 2006, Docg, Tuscany, Italy (382945, $23.95, WineAlign)
An ’06 Chianti Classico Riserva you say, pre-aged, delivered to the Ontario market and presented here in 2014, all in for $24? You can’t fool us. We’ve been duped too many times before. This must fall into the “too good to be true” category. The answer depends on which style of Chianti you prefer. This walks all the halls, plies the trades and hits the marks of the CCR ancients. Comes from a remarkable vintage, holding on but in true advanced, oxidizing and fruit diminishing character. Mushrooms and truffles abound, as does game in the early roasting stage. A note of Brett is here too, not over the top but its presence can’t be denied. Acidity speaks, as does bitter chocolate. This is not for all but all should have a go. Tasted November 2014 @Ilmolinodigrace@chianticlassico
Château Cambon Le Pelouse 2010, Haut-Médoc, Bordeaux, France (256016, $29.95, WineAlign)
Always a solid, full-bodied for little compensation Bordeaux, this time in full cake and grain throttle. Though it lacks the fullness up the middle of more accomplished ’10 houses, the fruit is grounded, the acidity on top and the tannins daring, yet working to towards future gains. Tasted November 2014 @CambonLaPelouse
13th Street Sandstone Old Vines Gamay Noir 2011, VQA Niagara Peninsula, Ontario (130195, $29.95, WineAlign)
A return to the Sandstone 2011 sees the high-toned aromatics and blessedly funky earth coming together, if in ever so timorous tone, to form some kind of Gamay union. There is something lurking now, coming out, intimating roses and tea, eastern spices and potpourri. Something Nebbiolo like, or possibly, more specifically Pelaverga. This is Sandstone. Nothing else in Ontario smells like Gamay from this place. Nothing. The complexity of its aromatic life is now beginning, though due to the burdensome barrel the palate lags behind. Give it two more years to take a turn at expression. Tasted November 2014 @13thStreetWines@Noble_Estates
Classic, quintessential, “entry-level” Barbaresco, so much more than utilitarian Nebbiolo from as quality and consistent a producer as can be found. The 2010 has all the right attributes and hits all the correct marks. Regal, matronly, sharp, focused and so attached. Gorgeous perfume, marked by candied flowers, with noble, astringent tannins but there is more than good and plentiful fruit. This will age for 20 years, as long as any Paitin from recent times. Tasted November 2014 @GroupeSoleilTO
Rustic, stark, intense and tense from a vintage that separates the bold from those that can’t handle the climatic truth. Corte Pavone spoons it in stride, chews it up, spits it out. True blue Brunello feel here; bracing, aromatically buffed and bouffant, of sweet plum flavours, tobacco, smoky and make-up smeared all over its face. A wild herb and gritty tannic finish. This is trouble come running, magical, wild, exceptionally out there and with 5-10 years it should reel in the reigns, slow down, relax and smile with “clean, clean thoughts.” Tasted November 2014 @ConsBrunello
Heitz Cellar Trailside Vineyard Cabernet Sauvignon 2006, Napa Valley, California (992438, $119.95, WineAlign)
Showing a smidgen of age at this eight year mark. The warm touch of caramel on plum flavours are wrapped up in an aromatic potpurri in many flowers, dried and also blooming. Violets for sure, but also a rose and citrus blossom. Trailside is in a relaxed state of wine. Has moments of dark, dusty chocolate and a tonic to tie the flavours together. It’s expensive but it’s a classic Napa drop and worth every dollar. Tasted November 2014 @liffordretail
Godello 