“Sun come up it was blue and gold.” #cuvee2016 #pictureinaframe #niagarafalls
The Ontario wine industry has powered through many big weeks during the tenure of its young but wise, short howbeit concentrated history. None seemed larger than the first week of March, beginning with Taste Ontario at the Royal Ontario Museum and ending with the 28th edition of Cuvée at the Scotiabank Convention Centre in Niagara Falls.
And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre
In between and as a preamble to Ontario’s annual gala celebration there was the presentation of the Tony Aspler Cuvée Award of Excellence, presented by Mr. Aspler to viticulturist Lloyd Schmidt, for advancing viticulture in Ontario by accessing the best vinifera varietals from nurseries around the world and fighting bureaucracy to do it.
Tony Aspler Cuvée Award of Excellence winner for 2016 viticulturist Lloyd Schmidt and Tony Aslper (c) Brock University
Father and son grape growers Howard and Wes Lowrey from St. David’s were honoured with the Cuvée Vineyard of Excellence Award sponsored by BASF Canada Inc. The 2016 category was best red vinifera and the Lowrey’s were recognized for their Cabernet Sauvignon vineyard. The winner is chosen by an expert panel that makes field visits throughout the growing season to monitor quality.
Cuvée Vineyard of Excellence Award winners Wes and Howard Lowery are flanked by grower Matthias Oppenlaender and Julia Harnal, BASF Canada Inc. (c) Brock University
The VQA Promoter’s Awards are designed to recognize exceptional contributors to Ontario’s wine industry. The honours were endowed as follows. For Education, Peter Blakeman of The Canadian Food and Wine Institute at Niagara College. The Promoter-at-Large, Norm Hardie of Norman Hardie Wines. In the LCBO category, Nina Hofer, Product Consultant. In Hospitality, Peter Elmhirst of Elmhirst Resort. For Lifetime Achievement, Peter Gamble, formerly of Hillebrand, VQA, Stratus and Ravine, now consulting winemaker at Benjamin Bridge, Lightfoot & Wolfville and Versado Wines.
Proceeds from the Cuvée Grand Tasting go to support the Cuvée Legacy Fund established after the 2015 event. The fund has already awarded $15,000 in academic scholarships and contributed $13,000 toward industry-driven research projects. At the awards ceremony, the 2015 scholarships were also handed out.
Cuvée 2016 was orchestrated by Brock University’s Cool Climate Oenology and Viticulture Institute who will also play host to the Expert’s Tasting of Ontario wines in April. At this year’s reception 52 VQA wineries each poured one carefully selected wine for the Grand Tasting and were joined by 13 culinary partners. Earlier that week, Taste Ontario was hosted by VQA Wines of Ontario and Wine Country Ontario. Upwards of thirty producers contributed more than 125 wines to the media and trade event.
Taste Ontario reds
The food establishments on hand were granted the space and signage to show off and showcase their talents. Having their names projected onto the walls around the perimeter of the room made it very easy to locate who was placed where. The wineries received no such similar sort of spotlight signage so happenstance played a significant role on what got tasted. Still it was nice to see a Toronto neighbourhood friendly face in Ossington joint Actinolite Restaurant with chef Justin Cournoyer acting out his special brand of an Ontario forest passion play.
Forest flavours of Actinolite
The pork belly ‘Lollipops’ from Vintage Inn – Escabeche by Chef Chris Smythe, Korean fried chicken by Garrison House Chef David Watt and Duck Mu-shu from Golden Lotus Restaurant’s Chef Sing How were exceptional. Also on hand was omnipresent Niagara events food contributor Artisan Ontario presented by Chef Mark Hand and Mario Pingue. I somehow missed out on Backhouse Chef Ryan Crawford’s burrata and braised beef short rib ravioli tasting plates. No chef had a longer line-up all night long.
Pork belly ‘Lollipops’ from Vintage Inn – Escabeche Chef Chris Smythe
Insofar as an assessment of Ontario wines is concerned, from a varietal point of view, Riesling and Chardonnay have not relinquished any stronghold on their domination, nor should they any time soon. I can’t help but feel and notice that winemakers continue to reach for the big red machine and wish upon an intangible Bordeaux star when they should be concentrating on fresh, gulpable Cabernet Franc and Gamay. They should also take some chances with these necessary, best Ontario option red varieties. Press less, reveal freshness and let natural ferments find low-alcohol impressions of impossible, ethereal beauty.
Pingue Prosciutto
At Cuvée there was no shortage of Riesling, Chardonnay, Pinot Noir and big red blends. Where was the Cabernet Franc? Kudos to Brian Schmidt of Vineland Estates for his varietal choice, albeit in a perfect little tidy $15 package. It was the only one. That is a travesty. Kacaba’s 2013 Cabernet Franc was a Platinum Award winner at the 2015 WineAlign Awards of Canada. They can’t be blasted for pouring their 2012 Syrah and you can only pick on but others should have seized the opportunity. J-L Groux of Stratus Vineyards offered up his 2013 Gamay from magnum. Brilliant! Where was the rest of Ontario’s Go Gamay Go arsenal? Varietal lampoonery I tell ya.
Perhaps I can be accused of filtering my view of the evening through the oculus of an infundibuliforms installation. Just maybe I’m a wee bit harsh in my assessment of choices made but there were several wines poured at Cuvée that we’ve seen many times before. While the inevitable will influence choices because of inventories and the bottom line, the event is not about finding buyers. The purpose and long-term vision should focus on teaching, on educating and ultimately on celebrating what Ontario does best. Not just what, but where. Choosing what to pour must come out of a disseminated varietal necessity so that sub-appellations can be further defined and understood.
My top ten wines tasted at the two bookending events were these.
Cattail Creek Small Lot Series Old Vines Riesling 2014
Cattail Creek Small Lot Series Old Vines Riesling 2014, VQA Niagara On The Lake, Ontario (Winery, $21.95, WineAlign)
A Cattail Creek joint starring Roselyn Dyck and consulting winemaker Steve Byfield, from a block of Clone 21 (Weiss) Riesling planted in 1976, one of the oldest in Ontario. This OV loitered in subdued maturation because of a brutal winter, a cold spring and a cool summer. A beautiful fall abrogated what came before and brightened the possibilities. Dyck and Byfield took full advantage, channeled their inner Mosel science of the mind, dialled back the sugar and submitted to the vintage’s desires. The result is a scintillant of Riesling with texture and acidity getting together to”grab a piece of something that you think is gonna last,” reelin’ in the year and shining like new. Steely Riesling at its Niagara flats finest, short of bracing and far from cloying. Though a long ways from the Bench, put this ’14 in the vineyard cru discussion with Picone, St. Urbain, Carly’s Block, Triangle, Steelpost and CSV. Drink 2016-2020. Tasted March 2016 @CattailWinery@TerroirLover
If the 2013 from Fielding Estate helped decipher the code of the how, where and why of Peninsula Viognier, this follow up 2014 speaks at the symposium. Sourced from the Four Mile Creek sub-appellation, a locale fast becoming the consensus ground zero for the option, this single-vineyard is farmed by grower Rick Smith. Low-cropped and hand-picked, this is the cleanest Viognier in town.The spice kick starts au fait late, sneaks up the backside and boom. Gotcha! Winemaker Richie Roberts has a vested investigated interest in this white variety amongst Niagara choices deeply pondered and painstakingly explained. Some off-roading chances taken going forward will elevate this wine into territory occupied by the excellent and the outstanding. Drink 2016-2020. Tasted March 2016 @FieldingWinery@RichieWine
Henry Of Pelham Speck Family Reserve Chardonnay 2014, VQA Short Hills Bench, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)
Vintage in and out this is the manifestation of an unequivocal Niagara icon for Chardonnay. An unwavering, stylistically consistent, best fruit first cuvée from Pelham’s oldest (1988) estate vineyards in the Short Hills Bench. Quite reductive and dramatic Chardonnay in 2014 with multi-macerated flavours. Needs some time for the barrel and the malo to get together with tangy, soil-driven fruit. A bit clunky at the present time. Should be fascinating to watch it develop, oscillate, flip-flop and ultimately settle into something fine over five years time. Drink 2016-2021. Tasted February 2016 @HenryofPelham@SpeckBros
Call this an experiment if you will and while winemaker Regan Kapach was blessed with a perfect ferment (and one that would not, could not be repeated in 2014 and 2015), don’t believe for a moment that divine skill was not integral to making this wine happen. Like an early 1990’s MTV production of Neil Young, David Bowie and Nirvana all wrapped up into one unplugged special, here is what happens when unfined, unfiltered and unsulphured jam as one. One major “un” omission, or inclusion in this case is French oak, the catalyst and the glue to keeping this freak of Chardonnay nature together. True, this is the one grape that can handle such a hands off winemaking process, but in Ontario? Not so simple. From the Little Vineyard up on The Bench, the Tenacity is not so much. It’s dreamy, creamy, lightly toasty and full of gelato texture and flavour. It glides and slides, lifts and cleanses. It’s a beautiful impossibility. Drink 2016-2019. Tasted March 2016 @16milecellar
Rosehall Run Ceremony Blanc De Blanc Brut, Prince Edward County, Ontario (Winery, $34.95, WineAlign)
A little ceremonial joy in the division here with Dan Sullivan taking some fizz chances to create a new PEC sparkling order. A multiple vintage cuvée from estate grown fruit of weight, substance, tang, drive, a shot put of citrus, servitude to PEC Chardonnay, certitude to B de B style and structure. Just enough pierce to go through and come out clean, even in the face of oxidative time, on the other side. Dips into the well of Champagne to recover its fearless tactility. These are bubbles that “travel first and lean towards this time.” Timing is everything. Drink 2016-2021. Tasted February 2016 @Rosehall_Run@sullywine
Oh, the accessibility of Quarry Road in 2012. Still totes the emerald shine, the gemstone tannic scrape and yet the flesh is rendered rich, ripe, ratcheted and riled up. This has tonality like never before, layered and strudel buttery. At this point the vines for Quarry are 17 years of age, sophic and erudite, compounded by the organic, biodynamic and prudent pruning practices that have cemented its vigour. The clay-limestone, fresh-mineral, push-pull is a veritable careening of expression. Though its longevity may not pile towards a compressed future like that of ’09 or ’11, the earlier and often response will act both as Chardonnay charming and Quarry Road magnetizing. For the next five years it will be very hard to turn away. Drink 2017-2020. Tasted April 2015 @Tawse_Winery@DanielatTawse
Cave Spring CSV Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (237198, $39.95, WineAlign)
As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario. Tasted February 2016 @CaveSpring@TheVine_RobGroh
Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024. Tasted March 2016 @CreeksideWine@hobbsandco@AMH_hobbsandco
Oh yes the vineyard speaks, like previous vintages but with clenched teeth and a hyperbole of natural yeast and soil funk. The most charcuterie salts and dehydrates from the middle sibling in 2013, with wisdom and a tale of future memories created in the here and now. Then you will return, to this time that will be its past, when things were so different and the assessment a figment of later imagination. At least three years (and possibly five) will pass before things are set straight for this past to be revealed. The level of smarts and savvy riches are amplified in the Réserve 2013. It is the strongest reminder that reconciliation takes time. Drink 2016-2022. Tasted June 2015 @QueylusVin
Beautifully floral Lowrey from Thomas Bachelder, squeezed with restraint and pressed for pitch perfect Niagara Pinot fashion. Lowrey at its elegant best, ripe red though on the edge of anxious, eyes rolling and persuasions lolling though just shy of any sentimentality. Another layer of lovely infiltrates a taster’s psyche, grabbing hold of the heartstrings and then relents, lets go, stays on the righteous path of peurility. The ’13 Lowrey Vineyard gifts such texture and tannins that flirt with danger. It is a wine of life-affirming footnotes. I ask of it, “oh ye teasing beautiful Pinot Noir. When can I drink of thee?” Soon, but not yet. There is no greed from this vineyard and in these hands. As always, Thomas does the right thing. Drink 2017-2022. Tasted March 2016 @Bachelder_wines@LiffordON
The British, reports Aaron Saltzman, are developing a taste for fine Canadian vintages, and not just Icewine. “It’s a niche market, but it’s being received quite well.” Even though Icewine still accounts for 75 per cent of sales in England (1.2 out of a total 1.59 million Canadian dollars), in 2015, Canada sold $168,500 worth of table wine to the U.K. That number was five times lower in 2013, at $34,889.
In Decanter Magazine’s April 2016 issue they discuss “The best Pinot Noirs in the world (outside Burgundy).” Five from Canada are nominated out of more than 80 total. Ian d’Agata included the Bachelder 2013 Lowrey Vineyard, along with two others from Ontario, Flat Rock Cellars Gravity 2012, Twenty Mile Bench and Norman Hardie Winery, Cuvée L 2012, Prince Edward County. The two recognized from the Okanagan Valley in British Columbia are Meyer Family Vineyards 2013, McLean Creek Road Vineyard and Tantalus Vineyards 2012.
The Canadian wine renaissance is attributed to high-end, artisan winemakers like Norman Hardie and Thomas Bachelder. That’s the cool factor. The truth of the matter is that Canadian winemakers have realized and capitalized on the significance and exceptionality of their terroirs in regions such as Niagara, Prince Edward County and the Okanagan Valley. Journalists and buyers from around the globe know it and have begun to spread the Canadian gospel.
Dr. Jamie Goode has had a profound effect on alerting fellow Brits to the Canadian thing and that ambassadorship has filtered through to the wine shop owners and trickled down to the consumer. Much of the education is attributed to Dr. Janet Dorozynski, Global Practice Lead for Canadian Wine, Beer and Spirits, Foreign Affairs and International Trade Canada in Ottawa. Dr. Dorozynski has brought the wines and their makers to England and pried open the doors to perception.
Last week I tasted through a hundred or more Ontario wines at Taste Ontario and at Cuvée 2016 in Niagara. Those notes are coming soon. For now let’s concentrate on the VINTAGES March 19th release. Here are some of the Canadian wines up for grabs.
Really striking Sketches Riesling here in 2014, aromatically wild and full of complex flavours. So representative, lemony beyond lemon and full of juicy acidity. Almost too much of a good thing but it should settle a bit and replace some of that stark contrasting acidity with copacetic sweetness. Great fruit in 2014. Drink 2016-2019. Tasted March 2016 @Tawse_Winery@DanielatTawse
Culmina Decora Riesling 2014, BC VQA Okanagan Valley, British Columbia (444836, $24.95, WineAlign)
Judging from the ripeness, strength, density and effective grape tannin this may as well be noted as pulchra, decor, charissima, that is, powerful, beautiful, charming. All three are apropos in this really forward and mineral tangy Riesling. Could this come from anywhere but the Okanagan Valley? Should develop with intellect into a honeyed, elastic expression. Drink 2016-2022. Tasted November 2015 and March 2016 @CulminaWinery@winebcdotcom
Riesling squared- Culmina Decora 2013 and Charles Baker Picone 2012
Henry Of Pelham Estate Cabernet/Merlot 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (395855, $24.95, WineAlign)
Exceeds elegant expectations with poise and presence, a Bordeaux blend so refined it pleases. Effectively restrained and remedies with tonic. Circulating acidity ranges while chocolate whips, but wholly within reason. Spice accents assist in the celebration (why not?) to effectuate this red’s firm grip and grasp of Claret reality. Drink 2015-2020. Tasted blind at WWAC15, August 2015 and March 2016 @HenryofPelham@SpeckBros
The Dream is a ripping, layered and well executed appassimento from Barclay Robinson. Much oak influence but with that fencing there is more than the spice is right. Sweetness is valued in the context of ripeness, acidity and burgeoning tannin. Here we find a big wine and well within the parameters of the sensibility. Tasting and thinking on the dried and rehydrated grape approach can leave you “lost in the dream, or just the silence of a moment, it’s always hard to tell.” With the ’12 Abbraccio, “Il Sogno” shares the passion for the planning and shows that “love’s the key to the things that we see.” And a little bit of unknown appassimento magic. Drink 2017-2020. Tasted March 2016 @wineaffair@BarclayRobinson@EpicW_S
A vintage that begged to be protected in the vineyard, meaning no leaf plucking and no thinning. A most excellent goal of (0.691895068 kg / m2), or 2.8 tons an acre was realized, as opposed to one in 2010. Heavy vigor slowed down the ripening (leaving that kind of tonnage on the vine), to an elongated balance. Comes from terroir Baker nods to as “a barren tundra,” which you don’t get down the hill. In 2012 there was no waste, no rot, no problems. Its residual climbs to 15 g/L but you’d never know it. There is a confit of citrus, a mellifluous sensation of preserved lemon. Total count is 600 cases. From my earlier, March 2014 note: “Baker’s iconic child yet breathes in unsettled, spumous emission from out of a warm vintage. So primary and such a hard act to follow. Vanguard Vinemount Ridge, arid as the desert and citrus, carbonic tight. Treated with cool, cooler and colder methods to seek result and strike balance in an opulent, lees-appertained, tangy finish. A Picone that says I don’t live today, so it is told and canvassed, “uh, get experienced, are you experienced?” Last tasted March 2016 @cbriesling@StratusWines
In the past 12 months I have tasted Canadian wines. Somewhere between hundreds and a thousand of them. Aside from day-to-day assessments at home, in the LCBO sensory lab, at the WineAlign office and at events in Ontario, I’ve also been a part of judging panels. In 2015 I sat in at the Ontario Wine Awards, WineAlign National Wine Awards of Canada, WineAlign World Wine Awards of Canada and Gold Medal Plates.
Flight 3, code red #pinotnoir redux. Right proper #NWAC15 picks & pours @FortessaCanada stems @winealign staff rock!
In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth leads to 15 in 2015.
The Legend, the Sommelier and the Godello #geddy #yyz #gmp2015 #goldmedalplates #rush
Canadian wine is growing with exponential force, gaining ground in markets at home and abroad. Brits dig us. I know, they told me. British Columbia is a desert oasis of variable climates to fascinating degrees. Oh the Syrah, Riesling and Gamay that rocks forth. Ontario stood up to two straight brutal winters and screamed, “we still made great fucking wine.” Take that mother nature.
And I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.”
Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015
So I did. In 2015 I visited Niagara for Icewine Fest, discovered exceptional cider (with percentages of Pinot Noir and Riesling) made by Angela Kasimos at Small Talk Vineyards and have been pouring it on tap at Barque Smokehouse and Barque Butcher Bar ever since.
The pioneer for #vqa #wineontap feel good recognition from @winecountryont Thank you from @barquebbq #ontariowineweek #ontwine #drinkontario #pourontario
The taps at the two restaurants poured a record number of wines in 2015, from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. In March we travelled with CAPS Ontario for an eight-hour intense immersion into Niagara Riesling and Cabernet Franc.
Another visit with Ilya and Nadia Senchuk at Leaning Post Wines in Winona, Ontario shed new lights, especially for Syrah from the Lincoln Lakeshore. In June I toured the facilities at Niagara College with Dr. Jamie Goode, Magdalena Kaiser and our host Chef Michael Olson. Jamie and I tasted through an impossible number to count Domaine Queylus wines with Thomas Bachelder. On that I will report really soon. Really soon…
Cool Chardonnay at Ridley College
The Cool Chardonnay conference in July was in fact, the coolest yet. I spent three more glorious Annapolis-Gaspereau Valley days with Mike and Jocelyn Lightfoot in Wolfville, Nova Scotia. Visits to Domaine de Grand Pre, L’Acadie Vineyards and Benjamin Bridge filled out the east coast foray.
Comity in the County godello.ca #PECwine #princeedwardcounty #cherryvalley #clossonridge #danforthridge #greerroad #laceyestates #hubbscreekvineyard #hinterlandwine #lighthallvineyards #clossonchase #adamoestatewinery #northshoreproject
In the fall I made pilgrimage to Prince Edward County to get a grip on the eskers, ridges and aspects of what makes wine so special in that part of Ontario.
As always there are wines that should have, would have and could have made the cut were there more time, space and yet another, better headline to write. Somewere knocked off the shortlist because they may not have been quite as exciting though were this list one of “most important,” then perhaps they would have stayed put. These four are perfect examples of that condition.
Château Des Charmes Old Vines Riesling 2008, VQA Niagara On The Lake, Ontario (277228, $16.95, WineAlign) Perhaps the assessment seven years later creates an unfair advantage but come now, a great wine is a great wine from its humble beginnings. At $16.95, in 2008 or 2015, in Niagara-on-the-Lake, on the Peninsula, this type of emerging propensity is more than gold or platinum, it’s money.
The Good Wine Cabernet Franc 2012, VQA Lincoln Lakeshore, Ontario (350751, $20.95, WineAlign) from winemaker Ross Wise and The Good Earth Wine Company’s Nicolette Novak is a necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made.
Creekside Estate Winery Pinot Noir Queenston Road Vineyard 2013, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign) is what winemaker Rob Power refers to as a lay lady lay style. Still the Kama Sutra Pinot Noir of inviting behaviour.
Hubbs Creek Vineyard Pinot Noir Unfiltered 2010, VQA Prince Edward County, Ontario (Winery, $28.95, WineAlign). The HCV Danforth Ridge is clearly a top Pinot site in the County (along with slopes on the Greer and Closson roads). Planted to high density the results are proven in wines like this 2010
The year that was 2015 seemed to bring out the adventurous winemaker, the risk-taker and the progressive thinker. While these five wines were not so much exciting as much as they were cerebral, they need to be mentioned. Whenever the envelope is pushed and the emotions of geeks are sequestered, well then a wine has achieved something special. These five really opened some doors.
Hillebrand Showcase Series Wild Ferment Chardonnay 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (199273, $36.20, WineAlign) speaks the treble language of the vintage, predicated on bold ideas looking forward towards a bright future. Ultimately it is yeast and vintage, non partisan to site, that elaborate the Wild Ferment.
Southbrook Vidal Orange Wine 2014
Southbrook Vineyards Whimsy! Orange Wine 2014, Niagara On The Lake, Ontario (Winery, $34.95, WineAlign). The technique and the practice is ancient and has been kept alive. The only questions need asking are “is it good, is it well-made and would I like to drink it?”
In bottle @Tawse_Winery #quarryroad 2014 #natural soon to tap @barquebbq #chardonnay #naturalwine #unfiltered #paulpender #vinemountridge #niagarapeninsula #vqa #ontwine
Tawse Chardonnay Quarry Road Natural 2014, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $35.95, WineAlign). It’s one thing to make a natural wine in Ontario and a world away to do so with Chardonnay. “The law was never passed, but somehow all men feel they’re truly free at last. Have we really gone this far through space and time?”
The latest rendition of Vin de Curé, the “Parish Priest’s,” and the Jura’s Vin de Paille (Straw Wine) of Burning Kiln Stick Shaker Savagnin 2013, VQA Ontario (367144, $24.95, WineAlign) is a white elixir in search of roast pork, braised belly and cured bacon. Not to be missed.
Inniskillin Discovery Series Botrytis Affected Viognier 2013, VQA Niagara Peninsula (375ml), Ontario (405027, $39.95, WineAlign) though not a common Viognier practice can be imagined with Vendanges Tardives simulation.
Filtering Nova Scotia #peggyscove #eastcoastswing15
I try to concentrate on new releases, unless something old (read: Riesling) jumps out and bites me in the ass. The 15 Canadian wines tasted in 2015 that wooed, wowed and whetted the appetite are the fingers, toes and tongues of their creator’s ideals, hopes and dreams. They are also quintessentially representative of their time and place.
And the winners are…
Charles Baker Riesling Ivan Vineyard 2014, VQA Niagara Escarpment, Ontario (Winery, $27.00, WineAlign)
From the rich limestone and sandstone beneath the clay, 1.1 acre Misek vineyard, a southerly ledge up from Highway 8 and an easterly hill down from Cherry Avenue. A very linear Ivan combs the catacombs of the Escarpment’s underpinning. A retaining wall of vintage attenuated rocks and stones, a vineyard’s low yields and the voices in Charles’ head have produced a striking Riesling. In 2014 adolescence has entered adulthood. Now before us is a grown up Ivan, mature Ivan, maybe even wise Ivan. Texture is in manifest control in this loyal, stay at home Baker, not yet running wild like free-spirited Picone. Ivan has presence, sometimes a great notion and is Baker’s longest bit of prose to date. The next great Riesling vintage will make it iconic. Drink 2016-2020. Tasted April 2015 @cbriesling
Closson Chase Chardonnay Closson Chase Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $27.95, WineAlign)
This CCV Chardonnay is one of departed winemaker Deborah Paskus’ final acts at Closson Chase. It will forever be noted as a legacy-cementing, swan song of career excellence. Crafted by Paskus and bottled by the next one, current winemaker Keith Tyers, the 2013 CCV is simply a tour de force. No such combination of richness, tropicality and pure grape tannin has ever infiltrated this Chardonnay, from this vineyard. I’m not sure there is a comparison in Ontario, at this level of excellence and at this price. A wine of pure impression, with Montrachet-like structure and Folatières-like precision. Seemingly capacious, its facile legerity is hypnotizing, quantitatively escalating in assembly of aromas, flavours, through texture and finally to longevity. The wine spent 16 months in a mere (17.25 per cent new) oak. That it notes 12.5 per cent alcohol on the label is next to impossible. The substance is just too buttressed to be so tender and effete. Impeccable balance, refinement and mineral finish. This is Chardonnay to confuse the world’s fine white collectors, to wreak havoc at international tastings for five to 10 years. Only 712 cases are available and at $27.95, is down $2 in price from the 2012. Best ever, hands down. Drink 2017-2023. Tasted March 2015 @ClossonChase
“There’s no work in walking in to fuel the talk.” @MalivoireWine Melon & @PearlMorissette Gamay #NWAC15 Parting of the Sensory #CuvéeMonUnique #shirazmottiar #treadwells #winealign #winecountryontario
Pearl Morissette Gamay Cuvée Mon Unique 2014, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (Winery, $29.00, WineAlign)
In December of 2014 I counted the ’13 CMU Gamay as one of my mind-blowing wines of the year. Once again we are witness to the authentic, raw and natural impossibility of the wine, from 100 per cent whole clusters sent to cement fermenters. The hue is just impossible, the wine sulphur-free. That ’13 Gamay did not last. I tasted again this winter and it failed me. It may return. This ’14 will never leave. It is natural to the 14th degree and yet its rich, smokey chocolate centre and structure of pure physical stature will not let it slide, into a dumb phase or oblivion. This Gamay will strut. It already does. Drink 2015-2020. Tasted June 2015 @PearlMorissette
Cave Spring Csv Riesling 2013, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)
That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025. Tasted April 2015 @CaveSpring
Any Chardonnay from a vineyard discovered on a bicycle just has to be the bomb. Winemaker Shiraz Mottiar has had many an adventure on his bicycle and it all began here in a plot of perfectly planted Chardonnay. A block that became his home vineyard. The fodder for this most balanced Chardonnay and its abilities transcend all that has come before. You would never know a barrel was ever involved and yet the silken sheaths of texture are well compressed and expertly ingrained. Nothing falls out of place. Everything remains in its right place. The radio is dialled in, from the top and outward in waves. “There are two colors in my head,” Everything in its right place. Drink 2016-2024. Tasted November 2015 @MalivoireWine@ShirazMottiar
Thirty Bench Small Lot Steel Post Vineyard Riesling 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)
Riesling Masterclass at Terroir 2015
Balance is and therefore always was struck. The match percusses flint for a mere nano-second, with just a brush on cymbal, the rock bleeds but is quickly clotted because the fruit shines still, like around the clock light. The steely aspect is a posterior one, antithetical and yet purposed, from this vineyard. Youth tells common sense to think 2011. The Riesling behaviour seems to play that part, of a chalky, piercing acidity, so typical of that vintage and so distinctly Thirty Bench. That the wine is older is not a big surprise because 2009 is the bomb. It may just be the best Riesling vintage, from on that Bench, in the last 10. Drink 2015-2025. Tasted May 2015 @ThirtyBench
C.C. Jentsch Syrah 2013, BC VQA Okanagan Valley, British Columbia, Canada (Winery, $34.95, WineAlign)
Oh so beautifully nasty Syrah, spicy, saucy and wicked. Resin, somewhere between myrrh and mastic, redacts reductively and tension stretches the savoury aspects in all directions. Blood orange and anise blend into the aromatic grain, repeating again through flavour mettle. Fruit, acidity and tannin are interwoven, circulating and on edge, in pitch perfect darkness. Syrah in the big time with the stuffing to age. Drink 2016-2022. Tasted blind at WWAC15, August 2015 @CCJentschCellar
“I want you to see the difference between vineyards. That’s terroir.” This the crux and the impetus to abide and acquiesce fruit from McNally, a cooler, higher site of younger vines. For Ilya, this is “truffle hunting, eating roasted pig, at the base of an oak tree.” The forest floor and the catalytic funk come across more in flavour than smell, following cherries in the dead of an aromatic night. Modernity be damned, this strikes ripe, layered and nearly indelicate. The wine’s got some real chew to it, along with crispy flowers, like nasturtium and lavender. “I think this is the best Pinot that I’ve made,” boasts Senchuk, from 15 year-old vines at Peninsula Ridge. Ilya’s muse came from the 2010 made by winemaker Jamie Evans, along with the Voyageur ’10 made by Ross Wise at Keint-He. Wines that spoke in a vernacular that Senchuk could understand and relate to on a deeper level. Prime ripeness defines 2012. Though it teases of grandiose terroir, its complexities reign in the power with each sip, every time. Drink 2016-2022. Tasted June 2015 @LeaningPostWine
Potatoes, not wine #pei @normhardie
Norman Hardie County Unfiltered Pinot Noir 2013, VQA Prince Edward County, Ontario (125310, $39.00, WineAlign)
Procuring depth in County Pinot Noir is a tough task within the constraints of resisting a temptation to reach for sugars, alcohol and dark berry fruit. Norm Hardie’s 2013 unfiltered (at 10.9 per cent) and lambent exegesis succeeds because it offers the best of all available worlds. Roots for vines that burrow to limestone develop a structure that while may have at one time been inconsistent, have crossed the threshold in ’13 to establish a guarantee. A Hardie PEC Pinot Noir can be bright and accessible. It can also be tough, tart and tannic, as it is here, again, but not without its foil. The work is now innate, the transitions seamless, the crossroads left in the dust. This wine will please two camps; those who can afford and demand immediate gratification and those who are willing to wait for secondary (two to three years) and tertiary (four to seven) character development. Drink 2017-2022. Tasted April and September 2015 @normhardie
Culmina Hypothesis 2013, BC VQA Okanagan Valley, British Columbia, Canada (Winery, $39, WineAlign)
In 2013 the blend is not listed on the label though it strikes as a return to Cabernet Franc, albeit with a layer of lush not yet perceived. The 2013 combines the best of worlds put forth by the two previous vintages; ripe fruit, earthy-mineral tang, proper acidity and ripe, tonic tannin. The composition here is the most, accomplished, distinguished and relished. In 2013 the enjoyment can be right now or up to 10 years on. All this with thanks to exceptional balance. Drink 2015-2023. This wine has not yet been released. Tasted November 2015 @CulminaWinery
Sparkling wines by Hinterland
Hinterland Les Etoiles 2012, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
An axial split between Pinot Noir and Chardonnay balances this traditional method Sparkling wine, specific to and what can only, obviously be from Prince Edward County. Acidity defines its existence in every facet of its being. A rich star to be sure, from a warm vintage, free from frost and more importantly, immune to mould. Jonas Newman talks of the methodology, in growing low to the ground. As the sun goes down, the canopy shades the fruit, slowing down the ripening, extending the season, developing the sugars, the complexities and preserving the acidity. At 6 g/L RS, with limestone communication and that sassy acidity, Les Etoiles in ’12 is pure County Sparkling. It exudes untamed apple and unnamed acidity. The Hinterland acidity. It strikes early and often. Just add warmth, stir and voila. Terrific year. Drink 2015-2021. Tasted October 2015 @hinterlandwine
Ancienne Chardonnay and Pinot Noir 2013 with a glass of soon to be released Rose
If de novo for Pinot Noir is to be found in Nova Scotia then count me in because the inaugural release from Lightfoot & Wolfville is the trailblazer for and from the extrinsic frontier. Tasting the painstakingly measured yet barely handled 2013 for the first time (from bottle) is like falling into a glass of Nova Scotia cherries. Somehow there is this simultaneous and virtual voyage abroad to imagine a comparison with Nuits-Saint-Georges, in its earth crusted, sanguine, welled up tension that begs questions and belies answers. A year yonder the taste from barrel and what can be said? Pinot Noir adjudicated, into a cortex of recognizable consciousness and thus into the natural Nova Scotia mystic. Ignore and forgive the dope of first returns, for no one could have imagined such ripeness and immediate gratification. Future releases will dial back in the name of structure. That said, in 2013 there is a red citrus, ferric debate that will send this to an exordium seven years down the road. Impossible inaugural release. Approximately 50 cases made. Drink 2015-2022. Tasted July 2015 @lwwines@rachel_hope
Stratus assemblage and varietals
Stratus Tannat 2012, VQA Niagara On The Lake, Ontario (Winery, $42.00, WineAlign)
“To me this is one of the most successful new varieties we are planting,” exclaims J-L Groux. In similar ways with Stratus varietal cousin Petit Verdot, acidity rules the roost. Smells like a just sliced open bag of organic earth, freshly neutral, funkless and emptying into a (first use) terra cotta pot. A rich, looking straight ahead expression. What it hides in fruit is lost to the brilliance of balance though plum is the operative hidden flesh and it will make a clearer impression when it steps clear of the tar and the tannin. This is pitchy sagacity, with poise and length. Drink 2016-2022. Tasted June 2015 @StratusWines
Tasting The Old Third at White Oaks
The Old Third Sparkling Pinot Noir à la Volée 2011, VQA Prince Edward County, Ontario (Winery, $59, WineAlign)
“On the fly” is not exactly what comes to mind from this 100 per cent Pinot Noir, first Sparkling wine made by Bruno Francois. Calculated, attention to detail and intensity of ideation more like it. Three years on the lees, no dosage and from a vintage to speak in more than whispered voices, of acidity that announces its arrival with immediacy and a summons to contest. The nose does yeast, toast, citrus and ginger. A first release revelation as ever graced Ontario’s waves, as dry as the desert and lingering with switch back traces of its yeasty, toasty self. A single vineyard can be this way, equally and in opposition of natural and oxidative, with a hue less than Pinot Noir, though unrequited as a triumph when you get a ripe white from such Pinot. The production of 1200 bottles is relatively house high in a stunner that needs no sugar to draw up its flavours. Drink 2015-2023. Tasted twice, July and October 2015
asting across the @Benjamin_Bridge Vero, ’08’s, ’04, Sparkling & Cab Franc Rosé. Thanks JB, Scott & Mike
Benjamin Bridge Brut Reserve Methode Classique 2004, Annapolis Valley, Nova Scotia (275396, $95.00, WineAlign)
The ’04 is hanging in beautifully, on a wire of impossible balance, at 11 years old not yet really transitioning. There is simply too much brightness for it to give up its youth. You have to strain your ears, nose and throat to assuage just a hint at oxygen, life affirming breaths and then a keener sense of toast and yeast. Still behold the grapefruit, a sign of remarkable adolescence, the hang time amplified and in mass hyperbole here, in this current appraisal, address and time. How can richness act and display with such alpha freshness? How can an aging body not shed baby weight, turn lanky, lean and awkward? How is it neither the bitter pill of juvenility or senility has been swallowed? That is not the case here in a Blanc de Blancs which still has five to seven years of very active life ahead. Drink 2015-2021. Tasted July 2015 @Benjamin_Bridge@jbdeslauriers
It’s December, baby. In Ontario that means one thing. Cash money for the LCBO. Lineups longer than a 1988 Moscow bread line. If you’re from somewhere other than this magical, monopolized place we call wine central you just wouldn’t understand. You would not be privy to and giddy with isles stacked in pyramids of critter red and whites, Bailey’s Irish Cream and Absolut Durian. Wait, that would be cool.
No, not la vida loca. We are not talking about living the crazy life to make you cool. No party trick, no Spanglish, no politically incorrect, Urban Dictionary Ricky Martin slur. Not this either. “The awkward silence and/or major anticlimax that follows the confession of a big secret that everybody else already knew.”
You want it all in December, the most wine for the money, for gifts, to bring to the holiday party, to stack some away in the cellar. You want the Garden of Eden in a bottle.
In a gadda da vida, honey.
Let me tell ya.
With the ghosts of Christmas gem releases now just a strange, uncomfortable and debilitating nightmare trailing away in the rear-view mirror of Visa cards maxed out past, now is the time to focus on what’s real. To concentrate on purchasing wines in your price bracket, wines that speak of people, places and who will be drinking them.
I have combed, tasted and considered the releases now on shelves for this weekend’s December 12th offering. The parameters are $15 to $35, something for everyone, to purchase with confidence and to equip you with a most necessary advantage, to present them with pride no matter the circumstance. Ten wines to work the holiday room.
Cabriz Reserva 2012, Doc Dão, Portugal (21410, $17.95, WineAlign)
Such a juicy red, of honest imporosity and primed with acidity to prop and speculate. Bang on for the price, in its weight class and with the charm of sweet adolescence. Solid Dao with a whole lot of propensity to mix and match with the multitude of foods at your table. Drink 2015-2019. Tasted November 2015 @wines_portugal@winesportugalCA@Noble_Estates
Gérard Bertrand Grand Terroir Pic Saint Loup 2011, Ap Coteaux Du Languedoc, France (376491, $18.95, WineAlign)
Syrah, Mourvedre and Grenache blend from the Pic Saint-Loup mountain peak and limestone cliff flanks of the the Coteaux du Languedoc. Sharp with concentrated red fruit, tight acidity and just enough tannin to render this marketable to a five-year plan of evolution. Real and as naturally forged as they come from Gérard Bertrand’s Cross Series reds of southern France. Prime example from and one to celebrate a terroir like Pic St Loup which continues to play the unheralded outlier. Really fine and just the right and correct amount of attitude. Drink 2015-2020. Tasted November 2015 @GBvins@FwmWine@LanguedocWines
Only a year and in conjunction with an improved Sparkling wine vintage for Riesling, short work has elevated the young Spark’s game. A repeat lees performance initiates the conversation, of cheese melted overtop composite laminate, with yeast burgeoning about. In 2013 the concrete crispness is cemented deeper, etched into stone and thus completing the sub-$20 legacy. That winemaker Paul Pender can coax Riesling character, striking Sparkling wine resolve and yet hover in the air of litheness, well, this is the kneading. Silty, salty earth and soft transitions to citrus acidity are a requiem for success as per the Twenty Mile Bench/Limestone ridges vouchsafe common. Can even imagine a bit of time turning this into sparks and honey. Drink 2015-2019. Last tasted November 2015 @Tawse_Winery@Paul_Pender
Ernie Els Big Easy 2013, Wo Western Cape, South Africa (220038, $19.95, WineAlign)
Big Easy, Stellenbosch
A massive amount of fruit, caked earth and big, bouncy reduction is packed into this free swinging Western Cape red blend. The reduction mixes with Rhone bacon and its own regional gamey notes. This is both typical and radical. It is made in a style that many love and will continue to love and yet others will balk at its generational specificity. The clean, pure focus in Rhone varietal terminology teams up to subdue the Cabernet though that variety does add lushness to smooth out some of the hard edges. Tons of flavour. Drink 2015-2020. Tasted November 2015 @ErnieElsWinery@WOSACanada@WOSA_ZA
Another terrific vintage for the varietal Ley, wrapping a wreath of pure Graciano fruit around your neck and letting you lay back with a sip of something beautiful. Pure floral liqueur, the violets and the sweat, the sweet fruit and the citrus accent. Soft lactic acid and chewy with an accent of dark chocolate and spice. A bit more burly than the ’09 and certainly increasingly oak apparent but a good mouthful nevertheless. Let it rest for two years to let the wood sink in. Drink 2017-2022. Tasted November 2015 @BaronDeLeyRioja@RiojaWine@AMH_hobbsandco
Stratus Evergreen Red 2008, VQA Niagara On The Lake, Ontario (437434, $24.95, WineAlign)
Where has this been? This harmonious composition, like a Starland Vocal Band, Cabernet Sauvignon (30 per cent) plus Cabernet Franc (30) friendship with a healthy dose of Merlot (27) and a bit of Petit Verdot (4) in minor support. The acidity and the tannin have nearly fully waned but it’s a real pleasure to drink at this seven-year mark. Pretty fruit, creamy texture, just enough energy left to keep the party grooving, weightless and soaring in the air. Some chocolate and dessert like tendency but with the right kind of salty main course or just a few sips leading to that point, this will be an afternoon delight. “My motto’s always been ‘when it’s right, it’s right.’ Why wait until the middle of a cold dark night?” Herbal finish is cool and Northern Ontario like in its slow, easy exhalation. Extra points for the foresight, the opportunistic release point and the effort in a hit or miss vintage. The Evergreen Brickworks market’s loss is the LCBO’s gain. Drink 2015-2018. Tasted November 2015 @StratusWines
Versado Malbec 2013, Luján De Cuyo, Mendoza, Argentina (317008, $25.95, WineAlign)
The rocks beneath the earth precede the rich, dark fruit. After the berries and the candy beets and the spices subside the flowers grow and take over the room. The vintage brings more layers than before. Malbec of character and belief, even a touch of good VA, a coat that only the Southern Hemisphere can provide. It is not usually present in Mendozan Malbec so it’s really a breath of fresh paint here in the Versado. Great purity. Protracted length. Most expansive and intriguing vintage to date. The Reserva will be killer. Last tasted November 2015
A rich, nearly creamy mouthful of Xinomavro, full on red fruit and as much scorched earth as prescribed to be necessary. There is plenty of front end acidity and back-end tannin though the pathway between is rocky, jagged and bumpy. I’d like to see this again in two or three years to see if it has smoothed out. For now it’s certainly edgy and divided though I will admit it has gained my full, undivided attention. Time will tell. Drink 2017-2022. Tasted November 2015 @KolonakiGroup@winesofnaoussa@DrinkGreekWine
Domaine Hamelin Chablis Beauroy Premier Cru 2012, Burgundy, France (391805, $33.95, WineAlign)
May just be the most well-rounded Premier Cru Chablis in the Ontario market today and orbits would not be its prescribed or described path. Linear more like it, star-shooting with trailing sparks from its steely beginnings out of stainless silo. Well-rounded because it draws fruit from every level of Kimmeridgien subsoil up and down the hills, from the bottom of the valley to the top of the slopes. Also because of its pinpoint unoaked Chablis accuracy, from mineral on the tongue to citrus receding and recoiling. So very clean old bones fruit (up to 35 years old) and direct at a price point most Premier Cru fail to touch. Drink 2015-2021. Tasted December 2015 @BIVBChablis@oenophilia1
Classic and I mean classic Chianti Classico, cured, ancient, fruit forward. Modern, gritty, tannic, spicy, desperately in love and bound by leather. Tea and liqueur, all in Chianti Classico. Some iron and animale, bitters, tonics, cherries, medicines, all of the above. Acidity raging, thunder clapping, lightning striking. Needs seven years to shed emotional tears, fully settle and be a memory of its intense self. A wine that will remember. Drink 2018-2026. Tasted November 2015 @chianticlassico@rogcowines
It has finally happened. It has come to this. Inflation has hit the LCBO. The old Mason-Dixon line for finer wine has left the building. We are finally rid of the oppressive bar of redundancy and free from the high water mark. First it was the penny, now it’s the $20 dollar bill. The over-under threshold of $21.95 is the new $19.95.
The wines I have chosen to recommend speak to the change, beginning with, going forth and prospering from the VINTAGES October 17th, 2015 release. One lonely bottle from the Okanagan Valley of British Columbia’s west coast stands to keep the frontier from moving north but the tide has risen and prices are no longer safe. Mark my words. Beginning in the fall of 2015, a twenty and a toonie in your pocket is the new requiem to make purchase for the common denominator in competent and felicitous dinner companions. On that note, everyone should be given a 20 per cent raise. Surely we don’t want any drinking of less than stellar LCBO issued wines.
Here are the picks.
From left to right: San Raffaele Monte Tabor Pinot Grigio 2014, Dirty Laundry Gewurztraminer Madames 2013, Palacios Remondo La Montesa 2012, Trimbach Riesling 2012, Southbrook Triomphe Cabernet Franc 2013, and Red Hill Estate Pinot Noir 2013 and Hinterland Borealis Method Charmat Rosé 2014
San Raffaele Monte Tabor Pinot Grigio 2014, Igt Veronese, Italy (204768, $14.95, WineAlign)
Ripeness extended out of extraction leads to slight distraction in 2014, with mineral notes falling off the charts. The vintage is one of hyperbole for this particular Pinot Grigio abstraction, fruit compressed, stones crushed and dry extract seared by arid ice. Salinity and brine are magnified too though the overall impression in ’14 is one of weight, like the elements are being sent substrata, as opposed to the typically aerified course. Still there can be no denying the complexity such a $14 white affords, even if the line here is a bit right of centre. Drink now for hedonistic pleasure, with any savoury sea creature and alongside the next 60 days of increasingly cooler nights. Drink 2015-2016. Tasted September 2015 @oenophilia1
Dirty Laundry Gewurztraminer Madames 2013, BC VQA Okanagan Valley (423228, $21.95, WineAlign)
Illustrated Gewürztraminer of appreciably pointed attributes, on the off-dry side of town but with enough acidity to float on. Les Madames offers up the most sweet and inviting set of vinous virtues for the triple-threat DL schematic. The Summerland vines and warmth make for a fully expected and dramatized aromatic wine with the most unctuous behaviour. Were the pH and the grape tannin of a higher combined force this would also be a wine to lay down, to wait and watch for the sugars to slowly develop into things tertiary. As it is, find some flavourful and spicy fare to seek succulence through osmosis. Drink 2015-2018. Tasted October 2015 @DirtyLaundryVin@winebcdotcom@bottleneckdrive
This perennial confluence of the left and the right, of two oceans, grapes and barrels is the red wine portal into the Álvaro Palacios idiom. The modern polish and sanctity of Rioja conjoin for the most representative first pass at Tempranillo-Garnacha you will and should encounter. The vintage is not a rigid one, the wine a downy entry into the style and the equation. The fruit dominates calcareous longing and leaning but for the time being and the audience reached out to, there are no questions or complaints. Red plum and subtle liquorice meander into clay, get a sprinkle of white rock and distill into a seasoned, approachable liquid. Cracks are filled, bonds are cemented and dinner is properly accompanied. What won’t this work with and for? Drink 2015-2019. Tasted October 2015 @WoodmanWS@RiojaWine
Trimbach Riesling 2012, Ac Alsace, France (734517, $21.95, WineAlign)
“Six plus months will do wonders” is a statement of probability for well-made Riesling and for Trimbach, of the obvious. Coequality between fruit and mineral bobs on the surface of the vineyard and the rim of pale platinum beauty. Illustrative Alsace. Drink 2015-2022.
From my earlier note of March 2015:
To Jean and Anne Trimbach and most Alsatians, this Riesling from their ‘Classic’ range may represent the best that basic can be but when it travels oversees it gains a stature well beyond its humble roots. Here is another one of the those dictionary entry wines meant to depict and define. Quite simply emblematic Alsace. Built with acidity to envelop sweetness, marked by herbiage that is alive and fresh. Weight and density draw from Ribeauvillé rocks. Parity is realized in osmosis by fruit and mineral. As always, there is the tannic underlay, the length and the purposed bitter finish.
Six months have amplified the current, running in a direct aromatic-flavour line from strawberry to black currant. Such healthy up front fruit with nary a moment of humidity shines while the wine remains just grounded enough to call it Niagara.
From my earlier note of December 2014:
Still organic through and through, despite only a small portion of estate fruit contributing to the overall design of the Triomphe Cabernet Franc ’13. Contracted growers fuel and fulfill the Southbrook ideology, to seek purity in healthy berries. The red fruit here shines on with Daliesque impunity. Its agglomeration makes a juicy, gregarious offer to sip. The vanilla-lavender streak brings elegance, more so than in ’12, along with an elevated sense of savour and really compounded red, red fruit. A natural sweetness and long finish are easy on the gustatory senses. Will be available at VINTAGES in February 2015, when the ’12 runs dry.
Red Hill Estate Pinot Noir 2013, Mornington Peninsula, Victoria, Australia (58073, $21.95, WineAlign)
The Mornington perfume, distinct, ethereal, lifted, elevated, fresh with a bit sauvage, not of musk, but of a wild road less trodden. A step beyond fresh, into learned territory and also above crisp, into crunchy. Very interesting and complex Pinot Noir, so obvious as anything but, yet unique, tart, striking and long. This should have many consumer fans and expand horizons for broad appeal, but also be a friend to the discerning taster. Most impressive. Tasted November 2014 @RedHillEstate@Noble_Estates
The Ancestral cousin continues its arid ways in 2014, ostensibly a better vintage for the sparkling tank methodology. The fruit, acidity, volatility and tension all elevate and there is nothing surprising about that but where this sophomore succeeds is in the dry take on Gamay bubbles. So many winemakers would be tempted into higher dosage and the soft allure of enticing a younger audience with sweetness. Jonas Newman won’t go there. This is fun and simple but its aridity and dry extract keep it real. Like a September Algonquin campsite gaze upwards at the Aurora Borealis. “The icy sky at night.” Drink 2015-2018. Tasted October 2015 @hinterlandwine
From left to right: Creekside Estate Reserve Viognier Queenston Road Vineyard 2013, Dominio De Tares Cepas Viejas Mencia 2011, Tenuta Rocca Barolo 2010, Cvne Imperial Reserva 2009, Prunotto Barolo 2010, Tawse Pinot Noir Lauritzen Vineyard 2012, Duckhorn Merlot 2012 and Banfi Poggio Alle Mura Brunello Di Montalcino 2010
Exceedingly mineral in 2013, decidedly varietal and power prepositioned for the purpose of small lot, attention to detail Creekside adjudication. Though Syrah and Cabernet Franc would seem to define the winery’s signature strokes, it is this small production Queenston Road Vineyard labour of love that crawls beneath the radar. The ’13 is outright juicy, unctuous, feathered in weight and warm-pitched to verdant greens. The vintage doles out more warmth than expected but acidity carries the weight, over the water and onto the dance floor. I’d wait a couple of years for some more floral and honeyed notes to develop. Drink 2017- 2022. Tasted October 2015 @CreeksideWine@hobbsandco
This is rich and powerful Mencia, even for itself, sheathed and layered by the alternating variegation of French and American oak. From Alliers to Missouri there is comfort to be found in its warm blanket, alcohol (14.5 degrees) and depth of fruit. It might come across as figgy and raisined and indeed those aromas and flavours are imagined, but they are fresh, not dried. Acidity and tannin envelop fruit. Old vines offer substantial heft, concentration and brambly fruit like Zinfandel and Primitivo, but here there is a citrus lift to carry the weight. Emblematic Bierzo that has and will be more exciting with just that much more freshness and tension. Drink 2015-2019. Tasted October 2015 @DominiodeTares@oenophilia1@dobierzo
Modern speak and safely on the pleasurable side of volatile. A real deal for Nebbiolo, ready and willing in afford of whatever’s in your pocket. Framework is well-delineated, wood properly judged, the view clearly visible from multiple correct vantage points. Not earth shattering but at the price reaches more than appropriate goals. Drink 2016-2020. Tasted September 2015 @regionepiemonte
Another impressive, formidable and structured Tempranillo from the Cvne stable, from old vineyards and the comforts of both French and American oak. Such a rich and deep exhalant, as much fruit as tannin, mineral as acidity. There are many moving parts but one day they will align. Like a jigsaw falling into place, “the beat goes round and round,” swirling with tannic noise and plum fruit aromas, with earthy and botanical flavours. This begins with a murmur and ends with thunder. It rocks and wails in between. Rioja made only in the best vintages and the kind of $39 wine to lay down for 15 plus years. It will play on the radio and in your head for at least that long. Drink 2019-2029. Tasted October 2015 @Cvne@vonterrabev@RiojaWine
The faintest hue. The rusty pilgrim. Such a pretty scent. Fresh roses and the beginnings of osseous imagination, to seek a classic pairing, with osso bucco. The real deal in normale Barolo. The righteous Nebbiolo beginning. The jumping off point with no sharks in the water. The effortless offering. Drink 2016-2021. Tasted September 2015 @HalpernWine
Typically Tawse and exemplary of Lauritzen. The highest of the vineyard tones and a plot up on a ridge (now 11 years of age) growing up before our eyes. The fruit is not shy in any way. Possessive of earth alternating with min real neither Cherry nor Quarry nor Laidlaw can lay claim. This is a Pender Pinot that seethes, oozes and owns its vineyard’s fruit, rocks and clay, earth and elements. Upwards and drying, with tannins that shriek. Ripping and yet at once, a few years down the road to be, elegant Pinot Noir. Drink 2017-2020. Tasted September 2015 @Tawse_Winery@Paul_Pender@DanielatTawse
Duckhorn Merlot 2012, Napa Valley, California (992529, $59.95, WineAlign)
Always rich and flavourful, the champion vintage here elicits a nearly massive Merlot in benchmark Napa ideal. This has strength in situation and there is something you can’t quite put a finger on, but it emanates from a special brand of umami. Strength, poise and sweetness that never cloys. There grades a balanced capability and pure, grainy, sweet, supple tannin. Alcohol travels a really grand yet gracious line. It’s not hot at all. This is a Merlot steal, with fruit to match a long, meandering road. Drink 2016-2025. Tasted September 2015 @duckhornwine@rogcowines@NapaVintners
Banfi Poggio Alle Mura Brunello Di Montalcino 2010, Tuscany, Italy (372250, $69.95, WineAlign)
Arguably the most modern and stylishly put together Brunello on the market today yet without an overdoing of oak hinderance. Like the deliciously devilish 2007 this has a wealth of beauty and gregarious aromatics but unlike that precocious vintage there is weight and brooding behaviour as well. The depth of fruit and earth are not weighted down by excessive alcohol (a very good thing) though there is a bit of dried fruit and flowers mixed in to the cure. There is also a bitter almond pith note ties into the aggressive but starry-eyed tannins. This needs three to five years to come together. The hope is for that slight bit of green tannin to find its integrated way with the fruit. Drink 2018-2025. Tasted October 2015 @CastelloBanfi@AuthenticWineON
Five is a big number. Any annual convention that survives and thrives into a fifth caucus must be divined by some unseen force, a guiding hand perhaps, by avatar or prosopopoeia. And something other. The International Cool Climate Chardonnay Celebration has priceless equity on its side. Three aces in the hole. Canadian climate and geology, adroit farmers and winemakers, simpatico of communities.
West coast writer Alder Yarrow spent three days in Ontario and referred to The Brilliance of Canadian Chardonnay. Wine Spectator contributing editor Matt Kramer said that Ontario is possessive of a “luminosity of flavour” and that its Chardonnay offers up “the element of surprise.” In Modern Wine Myths he tells the world about the measure of Canadian wine.
What is it that draws foreign winemakers and journalists to Canada? If people will come, their work meets vacation migration must want for a cause and effect to be a part of something special. South Africa’s Anthony Hamilton Russell said that “a layered, complex wine has to have completed its phenolic journey.” Despite what the world might think and think they know, peregrination by wine grapes, from bud break, through fruit set, véraison and into ripening, is a beautiful reality in Canada.
We walked away from the fourth Cool Chardonnay Conference last year wondering, asking that ubiquitous question, the same one we ask at the Expert’s Tasting every year.
Who among us had not believed that the pinnacle of hype had been compassed? Had four years of gatherings not fully realized a conspiracy to inject more than enough cool Chardonnay into thousands of minds and veins? Had anyone not wholly submitted to a seemingly seized reality in apogee of conversions, of maximum, critical mass?
Godello in the media room, White Oaks Conference Resort and Spa
Yes, we thought these things and then year number five blew our minds. We had been wrong. We found out that the bar had yet been breached. Further was still out there, not yet claimed, hovering in the realm of the possible and still, going forward, yet remains plausible. Looking back on the weekend of July 17-19, 2015, at locations blanketed across the Niagara Peninsula, Chardonnay got even cooler.
With a cavalry in cavalcade of Chardonnay volunteers making it real and sealing the deal, the surfeited excellence of events crossed with happenings rolled on, from the School of Cool – Viticultural and Winemaking Sessions, through Barrels & Bonfires, past Cool Chardonnay World Tour Tasting & Dinner and into The Moveable Feast. There were maestri to applaud – Master Sommelier Bruce Wallner, Angie Jewell and MJ Macdonald – trumpeters of Chardonnay. Did you seek out and thank Dorian Anderson, Trisha Molokach, Magdalena Kaiser and Joanna Muratori? – concierge and purveyors of cool climate heaven. Had you a word or two with Del Rollo, Suzanne Janke and the vintners of the i4C? – gatekeepers of the plans and secrets, where Ontario schemes, greets, welcomes and celebrates frore, global brilliance.
The school of Cool, White Oaks Conference Resort and Spa
The School of Cool presented by Wine Country Ontario and the Grape Growers of Ontario moved to White Oaks Conference Resort & Spa for the first time in 2015. Panel partners included the passer of the torch Cool Climate Oenology and Viticulture Institute at Brock University, VineTech Canada, Kerry Canada and Riedel Canada. Master Sommelier John Szabo once again moderated three sessions focused on international perspectives to viticulture and winemaking in cool climate regions, with a special feature on Sparkling Chardonnay. In 2011 Wine Spectator‘s Matt Kramer was the keynote speaker and he reprised that contribution in 2015.
Dr. Belinda Kemp, CCOVI Brock Univeristy and Godello at The School of Cool, White Oaks Conference Resort and Spa
The School of Cool 2015 sessions were controversial, heated and extremely effective. On them I will need to expand upon at another time, in another post. For now, the crux of the conversation concerned two intense Chardonnay algorithms. First, consequence versus cosmetics. Said Kramer, “Niagara has the ability and the opportunity to create Chardonnays of consequence.” Marlize Beyers of Hidden Bench allowed this. “I do believe Chardonnay needs a little bit of cosmetics. Mouthfeel is important.” Discuss.
The second and most managed thread of discussion concerned the idea of minerality. Is it real? Dr. Gary Pickering: “Who cares?” Dr Alex Maltman: “It’s a lovely idea, journalists love it, has marketing capability, but it doesn’t hold up.” Paul Pender: “It’s a great story. I’m not 100 per cent sure its true. It’s more complex than that.” Albrecht Seeger: “Minerality is part of the terroir.” Matt Kramer: “The scientists don’t know a goddamn thing about wine.” Discuss.
Barrels and Bonfires, 13th Street Winery
On Friday night at 13th Street the theme was “boots & blue jeans,” to compliment Chardonnay, with a smoke-inspired feast, live music and cozy bonfires set amongst the vines.
Jay Johnston of Flat Rock Vineyards and Godello at Barrels and Bonfires, 13th Street Winery
On Saturday Chardonistas blanketed the Niagara region.
Westcott Vineyards
I spent the afternoon with winemaker Arthur Harder, Grant, Carolyn and Victoria Westcott at their Vinemount Ridge Westcott Vineyards property.
Fresh Salmon hors d’oeuvre by Lorenzo Loseto of George Restaurant, at Westcott Vineyards
George Restaurant Chef Lorenzo Loseto and Sommelier Christopher Sealy came to cook and pour. They went to town. Appetites were whetted, palates amused, bellies satiated, hearts skewered, minds hooked and time was lost to well spent.
Lunch at Westcott Vineyards
The main event’s setting was St. Catharines’ Ridley College, at which Chef Paul Harber (Ravine Vineyard Restaurant) and Chef Craig Youdale (Canadian Food & Wine Institute) assembled a dream team of the region’s top Vineyard Chefs to present an Ontario-centric family-style feast. Beer and red wine, “oh my,” “gasp,” “what sacrilege,” followed dinner.
#ILiveChardonnay at the Cool Chardonnay World Tour Tasting and Dinner at Ridley College
On Sunday morning the final convene took place, as it always does, at Ravine Vineyard. More stellar bites, oysters from Tide and Vine, Niagara cured gold Pingue prosciutto from Niagara Food Specialties and ping-pong in the vineyard. In the end, the love was felt, for the community that celebrates Ontario wine, for all the cool climate folks who came thousands of miles to participate and for Chardonnay.
The events provided opportunities to taste the Chardonnays on hand and with thanks to Wine Country Ontario, a media room was set up at White Oaks with full representation. Many of my tasting notes were formulated in that space. Here are twenty-five new Chardonnay reviews from the weekend at i4C15.
Cool Chardonnay in the media room at White Oaks Conference Resort and Spa
Calmel & Joseph Villa Blanche Chardonnay 2014, Languedoc-Roussillon, France (375071, $13.95, WineAlign)
Quite simple and surprisingly lush with more than ample acidity to keep vitality in the air. A balanced effort in a pretty plush Chardonnay. Drink 2015-2017. Tasted July 2015
If you reside in Ontario or happen to be passing through before September 13, 2015, the perfect value storm of Chardonnay swirls in your corner. It may be the most excellent 2012 you will find on shelves but looking forward to this (2013) vintage you will encounter a varietal tempest, a house crafted dictionary entry and in retrospect, memories regarding that two dollar limited time offer price reduction that doled out 10 per cent more satisfaction. The essentia of fresh glade aroma, cream in your corn texture and a gaol of circulating acidity add up to one seriously fleshy ($20 and/or $18), cool-climate, hovering in and around the Beamsville Bench Chardonnay. The Malivoire base wine is one of no beginning and no end so in that sense it will always get inside you. Drink 2015-2018. Tasted July 2015 @MalivoireWine@ShirazMottiar
Toro De Piedra Grand Reserve Chardonnay 2014, Maule Valley, Chile (417493, $17.95, WineAlign)
Rich, toasty and nutty Maule Chardonnay, full on, out and in favour of ambitious, lofty heights. Has massive creamy meets chalky mouthfeel and tropical fruit with spice by wood in spikes, not to mention high toned acidity and alcohol. It’s an aggressive if clumsy expression. Drink 2015-2018. Tasted twice, June and July 2015 @VinaRequingua@DrinkChile
Sur-lie barrel fermented Chardonnay all in for texture and fabric with a taste of soft French cream. Very ripe, especially in consideration of the vintage. The late flavours recall lemon curd and a touch of rind. In the end an elemental tonic push carries this skyward, as opposed to downward in earthy dredge, so imagine forward to a petrolish driven future, the engine leaving a trail of disposed energy. Quite complex and certainly fixed with boards to add nuts to the melting, oozing bolts. I would recommend leaving this for two years for the tension to subside. Then the creamy centre will spill out from beneath the pastry crust. Drink 2017-2020. Tasted July 2015 @TriusWines
13th Street June’s Vineyard Chardonnay 2013, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $21.95, WineAlign)
The vineyard speaks louder and clearer with every passing vintage. In 2013 the level of atomic and aerified atmospheric pressure is unparalleled, from June and for any Chardonnay produced in the Creek Shores sub-appellation. At this early stage the ’13’s awkward, backward and racy character is uncomfortable but impossible to taste away from. This is Chardonnay on gym candy to be sure, rocking like a hurricane, dancing up a storm. The terpenes are titillating, the enzymes discharging. There is a bronze/patina/inside of a pipe metallic feel that adds to the texture improvisation. Nothing about this says drink now nor does it let you settle into a comfort zone. It’s just that all over the place. Will revisit in three years. Tasted December 2014 and July 2015 @13thStreetWines@Noble_Estates
Kirsten Searle, Matawhero Wines
Matawhero Chardonnay 2014, Gisborne, North Island, New Zealand (Agent, $21.95)
Unoaked but full malo crisp up this true blue, north island Chardonnay. A bob of fruit from the oldest (40 years) winery in the region and under current ownership for the past eight. You can tell after tasting with Kirsten Searle that the project has been a labour of love. Her words seem to say “heading out for the East Coast Lord knows I’ve paid some dues gettin’ through. Tangled up in blue.” Round and properly bitter, the world should not be demanded. East coast will do. Drink 2015-2018. Tasted July 2015
Quails’ Gate Chardonnay 2013, BC VQA Okanagan Valley, British Columbia (377770, $21.95, WineAlign)
A strength in aromatic temper initializes the confrontation and the relationship. Once hooked, lemon and a waxy texture usher the palate through the middle reaches, then a swirl, tongue on a swivel, off to glide with sweetness into a gin and tonic backside ride. Goes fat and caressing for a spell, through a toasty phase and yet the wood is hidden or at least negligible. Could very well pass for unoaked in a way, especially considering the tang and the persistence. A very solid wine at a very workable price. Drink 2015-2018. Tasted twice, June and July 2015 @Quails_Gate@hobbsandco
Josef Chromy Chardonnay ‘Pepik’ 2014, Tasmania, Australia (Agent, $22.95)
Combines beauty and bitters for a streak of natural selection through a field of texture. Heads for the cream risen to the top of rich, pulls over and steps aside to allow for a crunch of green apple. The bite is real, lit by match and cut with spice. Great length. Drink 2015-2020. Tasted July 2015 @JosefChromy@bwwines
Domaine Laroche Chablis Saint Martin 2013, Burgundy, France (289124, $24.95, WineAlign)
Climbs more than a rung or two up the reverent Chablis ladder to mingle with the Cru boys. Something about 2013 strikes as more serious, punctilious and free. This is benchmark Saint Martin, chalky and textured from soup to nuts, of spirits high and sky-scraping tang. The acidity is frank, the structure unwavering and the fruit to mineral dichotomy of a pure, mature and essential hookup. From verve to intensity and back again. Up and down, primary and natural. Drink 2015-2019. Tasted July 2015 @DomaineLaroche@Select_Wines@BIVBChablis
Chamisal Stainless Chardonnay 2014, Central Coast, California (416065, $24.95, WineAlign)
Quite classically cooled and unplugged yet intensely sunshine tangy. Fun yet on a seesaw of play and a boat on a rough sea up and down in balance. That is not to say that acidity does not exist but the tang is like heavy salad dressing, emulsified and sultry. No malolactic equates to green apples and blanched nuts, or those hulled direct from the tree. Texture is the thing, a child of crisp, cool fermentation. Freshness could use just a bit more ventilation. Drink 2015-2017. Tasted twice, June and July 2015 @ChamisalVyd@LiffordON
Chamisal Estate Chardonnay 2013, Edna Valley, California (Agent, $24.95)
French oak (45 per cent) and (25 per cent) of it new mixed with (50 per cent) malo has created an herbal cream piqued by spice. It’s kind of a chewy Chardonnay, well-judged, blended and crafted with both stainless steel and wood ramifications in meld together mind. A true dichotomy of pleasures, green and red, old and new, yes and no. Drink 2015-2021. Tasted July 2015 @ChamisalVyd@LiffordON
From vines planted by soil guru Alain Sutre, two km’s from the lake, close to Green Lane. If you make a comparison to Bench sites, this is an understated, hyper elegant version of a Chardonnay. It’s an underdog, plain and simple. Sixteen months of élevage has raised a beautiful, bitter green dignity, pith nicety and polite terpenes. A child in many ways who’s offspring will only serve to honour the family name. Drink 2015-2018. Tasted June and July 2015 @QueylusVin@LiffordON
Vasse Felix Filius Chardonnay 2013, Margaret River, Western Australia (Agent, $25)
At a third of the cost of the Heytsbury, expectations for the Filius need not exceed prediction. Screw cap has sealed in reduction, sulphur and acidity so that upon liberation the wave of anxiety is nearly overwhelming. The Filius transmits waves of complexity, layers of predilection and outright Margaret River coolness but decanting that character is not unthinkable. Smoulder, struck match and green apple fruit are massively intertwined. Bold Chardonnay. Drink 2016-2020. Tasted July 2015 @vassefelix@bwwines
Jean Bourdy Côtes De Jura White 2008, Ac Jura, France (Agent, $28.00, WineAlign)
Tasting his Jura whites with Jean Bourdy can’t help but funnel the exercise into a tunnel, a vacuum and a bilateral directive inward and centripetal. Tradition is everything and this ’09 is neither the exception nor the anti-establishment rebel to the rule. Herbal balm and oxidized character persist but nowhere in the world can so much implosive energy exist in wine such as a Bourdy Jura. This vintage does not reinvent the oueille but the four fermenting years in oak, as per the centuries-old Côtes du Jura method seems to improve with the cleanliness of the process. Another white to follow well into the third decade of this century. Drink 2015-2035. Tasted July 2015 @CAVESJEANBOURDY@LiffordON
The 2012 early picked Reserve Chardonnay was the raw player, the talented yet unproven one, all about foreplay. Here in ’13, from fruit picked on October 7th is a different rock ‘n roll animal, wiser to vintage, mature in acumen, confident, a Ziggy Stardust. This charismatic leader of the Vinemount Ridge Chardonnay band, “could lick ’em by smiling, he could leave ’em to hang, came on so loaded man, well hung and snow white tan.” Works opulence with prejudice and here acts, sings, dances and displays equipped with nothing short of immediate distinction. There is nothing held back, no remedial work in progress and wisdom oozes beyond its years, in and of learning. The right time and the right place for the winemaker, the accomplice, the peer and the confidence of the partners. Drink 2015-2021. Tasted July 2015 @WestcottWines@VWestcott
What should small Vinemount Ridge yields, collected solar units and wise, thinking ahead of the curve decision making combine to procure? Grace under pressure. This is what winemaker Arthur Harder, proprietors Grant and Carolyn Westcott and Chardonnay have conspired to achieve out of the warm and challenging 2012 vintage. They picked in very early September. They laid the fruit down for 12 months in (four) 1st, 2nd and 3rd fill barrels. They sat back and waited for amalgamation. If 2012 shows this level of restraint, respect and reserve, well, let’s not get ahead of ourselves. This is deserving of meritorious accolades at a very reasonable price. Drink 2015-2019.
From my earlier note of February 2014:
From vineyards planted in 2005, this new kid on the Jordan block spent 12 months in oak, half of it new. To a taster, you would never know it. In clone cousin to Le Clos Jordanne’s Chardonnay, this special project is the nephew of a set aside, four-barrel selection. Winemaker Arthur Harder (Calamus) has fashioned a head-turning clean, pure and most mineral-driven Chardonnay from impossibly young Vinemount Ridge vines. A quartz chord runs through it and with just two or three more years of vine age the fruit and adjoining texture will catch up to the rock. That integrated, subtle oak impart is of a Granny Smith apple kind, crisp and taut. Such a memorable inauguration with so much promise that lays ahead.
The omnipresent Escarpment stone etched, nicked and saturated into ferment from out of the Cave Spring Vineyard may never have extolled virtue any more so than out of the 2012 vintage. A tropical CSV and its accompanying mild, understated toast combs the faces for balance and bobs its keel in well-structured, puff pastry layering. A bitter sachet of schist on the back end steps into a really fine linger. CSV of real presence even in the midst of a summer swelter. Drink 2016-2020. Tasted twice, June and July 2015 @CaveSpring@TheVine_RobGro
There are many variations on the Lailey Chardonnay theme but none speaks as clear a Brother Derek Barnett vernacular as the Brickyard, a wine composed in clarity of Niagara River fruit. The former cherry tree and yes, brickyard site is blessed with a red clay soil and Niagara micro-climate that just circulates with enunciated vowels, consonants and graceful intonations. That this seminal vintage will be Barnett’s Lailey swan song is not lost on gist or preponderancy. The full intention, weight and breadth of fruit circles the wagons, prepares the last supper and the silence that follows knows this. This winemaker and this Chardonnay work harder than a great bulk of the competition and in the end, they together are a seamless, relentless and unflappable study in cool climate success. This wine must hold a rightful place in every wine country Ontario inamorato cellar. Drink 2016-2023. Tasted July 2015 @LaileyWinery
Jeremy Dineen of Josef Chromy Wines, Tasmania
Josef Chromy Chardonnay 2014, Tasmania, Australia (416339, $30.95, WineAlign)
Jeremy Dineen’s 2014 takes over the conversation at the precise moment the previous vintage left off, grabs attention and travels further along. With baton firmly in grasp, the ’14’s acidity dances in a filly’s realm, jittery, agitated, ready to jump out ahead of the pack. The citrus flavours are implosive, concentrated, in demand, distinctly Tasmanian. Though our time was short, to this Texas Tazzy I say, “we were together, I was blown away, just like paper from a fan.” If the ’13 was a creeping crooner, this ’14 is more a smoky-voiced songstress, trotting a longer track. It would be hard not to imagine seeing this Chardonnay as nearly unchanging in its first decade of life. Drink 2016-2025. Tasted July 2015 @JosefChromy @bwwines
Gérard Bertrand Domaine De L’aigle Chardonnay 2013, Limoux, Languedoc-Roussillon, France (Agent, $33.00, WineAlign)
A purposed effort from 2013 with even more direct precision, spice, freshness and linear strike flurry. A vital Limoux, of higher yield, lowered oak and acidity defined simply as the real deal. A tremendously exceptional and experiential vintage and one to help define the true identity of cool Chardonnay. Drink 2015-2022. Tasted July 2015 @GBvins@FwmWine@LanguedocWines
Megan Clubb of L’ecole 41 Wines
L’ecole 41 Chardonnay 2013, Columbia Valley, Washington (416370, $34.95, WineAlign)
A co-composed 60 per cent Yakima Valley (planted in the 1970’s) and 40 per cent Evergreen (mineral slope) Chardonnay extensive and extended of orchard fruit with a penchant for texture. The house style reached for uniformity, employing mostly older barrels and laying out bed linens for a brief five-months slumber. Hear this though, the 41 is the sum of its parts and may sport a fat lip but it’s no “victim of your conformity.” Texture is the thing, a result of a warm vintage, cool Evergreen nights in the fall and rampant malolactic fermentation (despite attempts to block it). A Chardonnay “strollin’ to the party like (his) name is El ninio.” Arabesque weave and flavours that go punk and pop. Drink 2015-2020. Tasted July 2015 @lecole41@TrialtoON@WineCommission
If the 2011 Wild Ferment spoke in treble clef, this ’12 pounds out a deeply resonating bass note, from instruments wooden and speaking on behalf of the vintage. Deeply smoky, layered and rich beyond yeasty belief, this is a massively structured wine for Niagara, specific to the Lincoln Lakeshore and its ability to ripen fruit of such density. The tang factor is set to 12, above and beyond what winemaker Craig McDonald has reached for before. This vintage, surmised with such yeast, takes ’10, layers it with ’11 and pops out the most plush to date. Missing is the exceptional acidity of 2011 though the overall anatomy and architecture can’t be denied. Drink 2016-2021. Tasted July 2015
The 2012 Felseck is a wine dramatically and diametrically opposed to many other vintages from out of this fundamental Hidden Bench vineyard. Here oozes Chardonnay so very lees layered, emulsified, misty-eyed and far from reductive, having left the 44 per cent new, 14 months in barrel behind. From fruit culled off of east-west Felseck rows in a hot year that saw fundamental leaf plucking/canopy management. The wondrous emotion is condensed in taste and texture, with the bitters turned up a notch, though in their finale they use spice to conjure up ardor, for to melt into length. Unwavering Chardonnay. Drink 2016-2020. Tasted July 2015 @HiddenBench@BenchVigneron
Winemaker Thomas Bachelder combed the blocks of the lowland “villages” sites and in slow-forward cohorts with the most subtle barrels, came up with the cuvée for the Reserve ’13. The same percentage of new oak fed the fruit with love, time, juncture and encouragement. A creamy lustre careens into honey, giving retrospective cue to suckle and accumulating richness. What fortune to work with 2013 for the purpose of announcing a Queylus take on tiers of Chardonnay to the world. Drink 2016-2021. Tasted June and July 2015
If 2013 is turning out to be the first truly great Chardonnay vintage of the century out of Sonoma, the Flowers SC is categorically up front and centre in that discussion. The epic’s lead paragraph initializes here in a wine that is severely accurate, a blinding and gorgeous expression that brings the flowers in its game. A wield of pulchritude and balance by acidity spot on. Pure flavour extract expands and the components zing on the finish. Could there lurk a Meursault notion in its lace? You know what, forget that. Strike comparisons from the record. The Flowers is extraordinary of Chardonnay, by Chardonnay and for Chardonnay. Drink 2016-2025. Tasted July 2015 @FlowersWinery@rogcowines@sonomavintners
Taittinger Comtes De Champagne Blanc De Blancs Vintage Brut Champagne 2005, Champagne, France (Agent, $225.00, WineAlign)
From a warm vintage out of the top Grand Cru terroir of the Comptes. Essential white flower essence, pure driven snow and liquid chalk. Even though at this 10 year mark this is essentially a gift to assess, the Comtes is entirely approachable in requiem for no further delay. Plenty of energy drives the flavours straight to the back of the buds and were they to linger longer than they prolong to do, the wine would be an utter stroke of genius. As it is, that bench is nearly marked. Drink 2015-2025. Tasted July 2015 @Taittinger_FR@TaittingerUSA@FwmWine
Twenty-five previously reviewed Chardonnays poured at the 2015 Cool Chardonnay weekend:
There is just something about the 15th of July that marks transitions. Today we cast aside doubts, quandaries and hesitations. On this day we know summer has settled in. The 15th of July augurs the advent of true picnic days, where the air is filled with prolonged heat and the nights linger warm.
Like religious officials observing natural signs and avian behaviour towards an indictment of divine approval, we too find ourselves in judgment of our climatological surroundings. We look up at blue skies, feel the warmth of sun on our skins and declare that this is nice. Then we look for our wine to jibe with the ensemble.
I just returned from Achaia in the Peloponnese region of Greece. This was a voyage into wines and the diversity of geography matched with gastronomy. On and of this I will expand upon, but later. Today I look back at the VINTAGES July 11th release and give to you seven more wines that were most certainly chosen with July 15th, 2015 in mind. With maps that barely overlap and caution thrown to the wind. It’s all about the symmetry of summertide.
From left to right: Falesco Vitiano 2013, Juvé Y Camps Cinta Purpura Reserva Brut Cava 2011, Rosehall Run Cuvée County Pinot Noir 2011, Tawse Gamay Noir 2013, Salomon Undhof Kremser Tor Alte Reben Reserve Grüner Veltliner 2013, Dog Point Sauvignon Blanc 2014 and Hinterland Ancestral Sparkling 2014
The modern Falesco is quite ancient actually, with rustic amore Umbrian aromas of roses and bitters laminiferous over red fruit and gritty like Barbera. Yet the funk is seemingly more Tuscan, mutton to briny and when all is done the Rosso acts in liquor like ways. Has great presence on the palate with fruity, almost cured flavours and the acidity has no issues rearing up to lift and place. This is quite complex if hyper at times. Length is quite good. Drink 2015-2018. Tasted June 2015 @FalescoOfficial@MarkAnthonyWine@ImportWineMAFWM
Juvé Y Camps Cinta Purpura Reserva Brut Cava 2011, Do Cava, Catalunya, Spain (352864, $18.95, WineAlign)
A sensation of concrete and the finespun oxidative astuteness put this in appraisal of a very serious Cava. Spanish fizz in demand of mull, brood and consternation, for minutes on end, relating to and in consideration of the very idea that is Cava. Very expansive mousse. Has real fruit layered with barrel cream to purpose and finesse for the mouthfeel. The acidity and stratospheric electricity may not add up to it being the brightest shiner in the system but that does not detract from the most excellent flavour. Lingers with a pastry note painted by a pasty salve on the chewy finish and that end is elongated and so very proud. Drink 2015-2019. Tasted June 2015 @juveycamps@txelljuve@ProfileWineGrp
Darker berries define the Paul Pender take on Gamay for Niagara and in ’13 there is a level of tension and girth not yet approached. This third Tawse Gamay is overt in attitude, connotative of Beaujolais Cru staging, an ovule of rebellion and a disposition just as though in the grips of Asmodeus. The Tawse effect is entrenched in clay and possessive of knowledge as if derived by an invitation only junket to the Gamay motherland. If the stance seems serious, the fruit is up to the task. A Gamay for now and fully capable of aging five or more years. Tasted October 2014 @Tawse_Winery@Paul_Pender
Salomon Undhof Kremser Tor Alte Reben Reserve Grüner Veltliner 2013, Kremstal, Austria (392332, $21.95, WineAlign)
Quite the packaging, like turn of the last century printing press and not only old school, but other planetary. Really ramped up Grüner, so beautifully unctuous and massively structured at a cost that does not make mortal sense. The palate coated with honey and a melt of white candied flowers mixed with a salty, calcareous talc grit in liquid velvet is just awesome. This is the bomb at the price and it will see to a riper, wizened age for 10 more years. Just a touch of separating bitters keeps it from $22 perfection. Drink 2016-2025. Tasted June 2015 @grunerveltliner
Rosehall Run Cuvée County Pinot Noir 2011, VQA Prince Edward County Ontario (225748, $22.95, WineAlign)
A lean and demanding vintage in which winemaker Dan Sullivan finds solace and freedom in aromatic wonderment. Only Rosehall Run divines and jacks rusty brightness in this way. Like dried cherries rubbed with white stripes of dusty calcaire and like grilled lavender oil, marinated blade steak. This is meaty despite its litheness and so very County, Sullivan style. In some ways this is Pinot Noir that is the hardest button to button but it charms with bending guitar notes and a crooning voice. Smitten is one term, paying attention is the other. Drink 2015-2021. Tasted June 2015 @Rosehall_Run@sullywine
Dog Point Sauvignon Blanc 2014, Marlborough, South Island, New Zealand (677450, $24.95, WineAlign)
What James Healy calls “the generic Marlborough style,” with flint and ever-present though much faded reduction, grapefruit and lime. The vintage (2014) was not cold at all so it lacks the verdure. There is subtle, gentle clementine and palate viscosity. The acidity is all about bringing balance. So fresh, spritely, lime-juicy and always essential.
From my earlier note of March 2015:
So orderly and aligned, from ripe picked fruit with fervent acidity and all proportions in perfect working order. Four months settling in bottle has only worked to reinforce positive opinions. Grassless and flinty but no discernible elemental vagary, certainly no sulphur. This Sauvignon Blanc may just be the most consistent in every vintage, not only stylistically but also for the hedging of probability bets for guaranteed Marlborough quality. This is a superb vintage for the pied-à-terre phraseology. Like school in fall, winter and spring, the Dog Point is all class.
From my earlier note of November 2014:
The prototypical Marlborough Sauvignon Blanc hitting all the classic numbers is right here in the Dog Point 2014. Low pH, high acidity, minuscule residual sugar and elevated aromatics. It’s ripe but ripped by citrus juice and zest. Like cubes of honeydew, bitter winter melon and dried lemongrass soaking in and flavouring a dish of briny scallop carpaccio with coarse sea salt and capers. The sapidity is palpable, the excesses vivid. I would avoid too much variegated gastronomy when sipping this wine. Opt for simpler fare because its talents would otherwise be mimicked and suppressed.
Not since ever has the Ancestral done such things. From baby maker to planned parenthood, with children now on the way. Yes Jonas and Vicky, you’re once seductive fizz has left the honeymoon and entered young progenitorship. Still reeks of lustful fruit but the structure has mellowed and taken a turn to programmed, mature decisions. The risks are down but the choices have worked out for the best. Ancestral is a product of a family couple after all. Drink 2015-2019.
From my earlier note of November 2014:
Just released today, the anterior sniff and first sip procure a sense of immediacy in declaration: This is Jonas Newman’s finest Ancestral to date. Amethyst methustos bled from Prince Edward County Gamay. If a continuing study on such sparkling wine were to be conducted in the méthode ancestrale diaspora, the anthropologist would lose time in the County. Say what you must about the method and the New World place, this elevates an old game, in fact it creates a new one. Strawberry is again at the helm with the sugar number high and balanced by three necessary portents of chemistry; low alcohol, savor and acidity. The finish is conspicuously dry, conditioning the palate to activate the phenotypic sensors. Hits all the right bells, traits, whistles and behaviour. Careful, it will make you want to go out and make babies.
Roast Pork Belly, red wine, soy, cassia, star anise, sichuan peppercorn, clove, ginger, garlic
The architecture behind the June 13th VINTAGES release is predicated on many a premise but the cover girl and centre of bubbling attention is Sparkling wine. For this I applaud with as much robust positivity in prejudice as I can afford. The ad nauseam used adage “Sparkling wine goes with everything” is actually ad hoc, meaning it is always the solution, no matter the situation.
That VINTAGES has chosen to put fizz in the spotlight at this juncture is nothing short of brilliant. Yes, brilliant. It’s inconspicuous and dubious (incommensurate to December) and so appropriate (unlike the dead of February winter). Think about it. Father’s Day, on the verge of summer, sitting on decks, patios and porches. Grilling sea-swimming creatures, eating snacks and tapas, enjoying the warmth of life. All these roads lead to bubbles.
The JC Penney VINTAGES catalogue will have you believe that Sparkling is a remarkable entity and that it goes with all these things; lunch, casual dinner, snacks, summer days and evenings, date night, week night, the cottage, weekend brunch and a formal evening. And that would be entirely correct. The catalogue rolls out 20 variations this weekend. I’ve tasted them all and here are the seven to pop, pour and elevate your game.
From left to right: Pierre Sparr Brut Rosé Crémant d’Alsace, Tawse Spark Limestone Ridge Riesling Sparkling 2013, Jackson Triggs Entourage Grand Reserve Brut 2011, Josef Chromy Tasmanian Cuvée, Méthode Traditionnelle, Trius Showcase 5 Blanc De Noirs 2009, D. Henriet Bazin Carte D’or 1er Cru Brut Champagne 2007 and Bollinger Special Cuvée Brut Champagne
Pierre Sparr Brut Rosé Crémant d’Alsace, Méthode Traditionnelle, Ac Alsace, France (39016, $17.95, WineAlign)
Graceful and pink lithe, like cold smoked salmon, delightful Pinot Noir Rosé fizz. Nothing earth shattering, breath-taking or barrier breaking, just well made blush bubbles. The structure and balance are really spot on. Finishes strong and with confidence. Helps to define this genre of Crémant’s creamy texture, matched in contrast by its stony, flinty and mineral style. Tasted November 2014 @ProfileWineGrp
Only a year and in conjunction with an improved Sparkling wine vintage for Riesling, short work has elevated the young Spark’s game. A repeat lees performance initiates the conversation, of cheese melted overtop composite laminate, with yeast burgeoning about. In 2013 the concrete crispness is cemented deeper, etched into stone and thus completing the sub-$20 legacy. That winemaker Paul Pender can coax Riesling character, striking Sparkling wine resolve and yet hover in the air of litheness, well, this is the kneading. Silty, salty earth and soft transitions to citrus acidity are a requiem for success as per the Twenty Mile Bench/Limestone ridges vouchsafe common. Can even imagine a bit of time turning this into sparks and honey. Drink 2015-2019. Tasted May 2015 @Tawse_Winery@Paul_Pender
Jackson Triggs Entourage Grand Reserve Brut 2011, Méthode Classique, VQA Niagara Peninsula, Ontario (234161, $22.95, WineAlign)
This is a very effective bottle of bubbles, consistently produced, vintage after vintage. Some reserve on the nose, notable in its pear and yeasty aromas. Crunchy feel for fizz with a replay in flavour much like prickly pear and the tropical esters of yeast. Really good length. Simply well made. Tasted November 2014 @Jackson_Triggs
Jackson Triggs Entourage Grand Reserve Brut 2011, Josef Chromy Tasmanian Cuvée and Tawse Spark Limestone Ridge Riesling Sparkling 2013
Josef Chromy Tasmanian Cuvée, Méthode Traditionnelle, Tasmania, Australia (409102, $28.95, WineAlign)
Obvious and exemplary cool-climate Sparkling wine, traditionally swayed out of Tasmania where bubbles are meant to be. Composed of northern Tasmanian (Relbia) Estate fruit, of Pinot Noir (67 per cent) and Chardonnay (33). Classic numbers (12.0 per cent alcohol, 7.2 g/l acidity and a pH of 2.91) with 18 months on the lees and triaged with no malolactic fermentation. The result is a stoic and aerified expression, to the upper reaches of the atmosphere, gently toasty and of an aridity that tricks, foils and emanates sweetness. Sharp, tacking and grooved in acidity grippy enough to firmly grasp the frozen, suspended finish. Drink 2015-2018. Tasted May 2015 @JosefChromy@bwwines
Auspicious opening for the top end, new Trius Sparkling wine, based on Pinot Noir (70 per cent) from Four-Mile Creek (Lawrie Vineyard), with support from Pinot Meunier (30). Five is the number of years slumbering on lees, a voyage into triage to transport this singular Niagaran into the stratosphere of the region’s pantheon. Arid, toasty and slightly oxidative as per the wild ferment, Craig McDonald style. The toast is spread with a tapenade of (more) lightly toasted nuts, tarragon, morel and earth. There is a feeling of berries, void of pigment, slightly tart and very fragrant. Also the not so pungent but forest emergence of basidiomycete fungus. Delicate, complex, creamy and simultaneously, so very dry. A wine to sip at a large gathering around an antique harvest table or deep into the next decade. Drink 2015-2028. Tasted May 2015 @TriusWines
Henriet Bazin Champagne 2007
D. Henriet Bazin Carte D’or 1er Cru Brut Champagne 2007, Ac, Champagne, France (415596, $57.95, WineAlign)
In the realm of Champagne theory, this vintage-dated fizz plays a role of the belletristic kind. The characteristic rhetoric of style; beauty, sublimity and propriety all contribute to the old-school way. Composed of 60 per cent Grand Cru Pinot Noir and 40 lieu-dit-esque Chardonnay, from an early bud break (beginning of March) and picked vintage (early September). Has body and depth of fruit, humanistic stratification, density and compression. Bitterly, properly oxidized and rampant in acidity, offering a dance on the back tongue, of paralysis, palaver and paradox. Concentrated and imposing, far from the delicate or easy-going modern Champagne. Has guts and determination, risk-rapport, esteem and respect for vintage dated bubbles. Drink 2015-2022. Tasted May 2015
Bollinger Special Cuvée Brut Champagne, Champagne, France (384529, $73.95, WineAlign)
As direct, elegant and pinpoint accurate as ever. The ever so faint oxidative lean is uncompromising with a floating sachet of ginger, mace, absorbing toasted biscuit and caper brine. From phite to sweet crouton. Composed of 85 per cent Grand and 15 Premier Cru fruit from all over Champagne.
From my earlier note of October 2014:
A wine of social heredity, the Bollinger is tranquilized, entreated and centered by meditation. An arid, atomic and piercing Bollinger. Fine and misty, with ultra-classic subtlety, a living, breathing embodiment of a beloved house style. Exotic to a degree, these are bubbles in colourful pageantry, the Bollywood of Champagne, in grace, of flowing robes, hues in ochre and pastels, flowing like song and dance. There are beautiful bitter tonics on the finish. How can you not admire and be entranced by this style? What’s not to like?
Somewhereness is not really a word. It’s hokum. Gibberish. Nonsense. Look it up in Merriam-Webster or Oxford. Not there. Its conceived convenience is recorded in Wiktionary, Your Dictionary and other online glossaries though, because there is always an online presence ready and willing to immortalize anything and everything.
The definition of Somewhereness, according to the online “dictionaries.”
The state or quality of being in, occurring in, or belonging to a specific place.
The state or quality of existing in a place that is unknown or cannot be pinpointed.
The unique characteristics imparted on a wine by the conditions of the place in which it was grown.
Somewhereness is not a state of mind, of being, of knowing something is intrinsically right within the parameters or context of here, there, anywhere or everywhere. Somewhereness is not merely a function of good decision-making, of exercising the ideal to expand on terroir, to create something to talk about. Yet that third so-called definition is on the right track. Belief says terroir is what happens in the vineyard, through environment, by geology, geography and topology, from naturally occurring elements and microbes in the soil, by air and of climate. Terroir is the great one. The impossible creator of perfect storms, from out of riddle and enigma. Somewhereness, by extension, is the next one.
Somewhereness exists, albeit with just as much abstruse behaviour and paradox, inside the finished bottle. That’s all you really need to know. Terroir happens before. Somewhereness happens after. The line is drawn when wine enters its final resting place. It evolves, develops and finds its somewhereness inside the bottle. In the case of Champagne (and the wines of Emidio Pepe), the first bottling is merely a temporary shelter and somewhereness knows to wait for the final call. In those cases there are the stages of terroir, disgorgement and finally, somewhereness.
In Ontario, somewhereness has been found (as opposed to “was founded”) by Norman Hardie, Jonas Newman, Vicky Samaras, Bill Redelmeier, Ann Sperling, J-L Groux, Charles Baker, Doug Witty, J.P. Colas, Ed Madronich, Jay Johnston, Tom and Len Pennachetti, Angelo Pavan, Moray Tawse, Paul Pender, Harald Thiel, Marlize Beyers, Mary Bachelder-Delaney, Thomas Bachelder, Martin Malivoire and Shiraz Mottiar.
Somewhereness may have been born to these Ontario parents but it has and will not remain exclusive to the 12 who discovered it. Somewhereness belongs to all wine with true and truthful origins in terroir. The great wines of the world share in the expression and the mystery, even if the gold inside their bottles has never been affixed with such a label. Somewhereness is found inside a bottle of Dujac Bonnes Mares. You will taste it in an Egon Müller Scharzhofberg. It can’t be missed from out of a Margaux pour by the hands of Paul Pontallier. Wines of manic manipulation will never find it. They either do or they don’t, will or they won’t. Somewhereness just happens. Don’t ask me to explain. I’m just the messenger.
Over the past few years, much godello.ca white space has been set aside for glossing in written word and the ever-evolving rumination on the spiritual effect of somewhereness.
Konrad Ejbich holding court in front of De La Terre’s breads
“For a comprehensive look at our province, make sure you read A Pocket Guide to Ontario Wines, Wineries, Vineyards, & Vines by Konrad Ejbich. The discourse concerning somewhereness in Ontario is in full swing. In October of 2012 I wrote, “character and quality has never been better. Riesling continues to impress and let us not ignore the high level of ever-evolving Chardonnay vines. Reds have made great strides, especially Pinot Noir, Gamay and Cabernet Franc. The future looks very bright for Ontario [wines].”
“Abeyance be gone, these next few years have the potential to cement an industry’s power. Only a minority has even the slightest clue that liquid gold is mined out of the peninsula’s glacial clay and limestone. The time is ripe to tell the world the story of somewhereness. The embryo is about to grow in a major way. Financial reward is within reach. So how to alert the world?”
“History may one day remember them as the group of twelve, or perhaps, “The Ontario School.” They are the 12 wineries who have banded together to ensconce a strange but beautiful word on the tongue, in the dictionary and out in the world. Somewhereness. They are purveyors of the land from which their grapes grow and ferment into wine. Facilitators of terroir, working a canvas forged by millions of years of geological and climatic evolution. Their assembly is based on both exigency and on Moira; destiny, share, fate. Like that other famous group, “collectively they agree.” Ontario’s cool-climate wine regions need to qualify and certify a distinctive winemaking style. In juxtaposition to old world, European tradition, the intensity of somewhereness needs to reflect an increasingly Ontario-centric partiality.”
“The Ontario wine industry is the best kept secret in the world. It has grown, accelerated and advanced with more success than might have been imagined as recently as five years ago. In November I wrote, “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”
Wine Country Ontario’s Magdalena Kaiser
All wonderful hyperbole, to be sure. But for years I missed the point. Somewhereness is not about agreeing, in principle, on how to make wine from a particular place so that it can collectively result in a thing. It is something other. It’s in the bottle. It has always been there but the key lies in Ontario’s industry having matured to a point where we can now taste it, again and again, inside the bottle. The work made it happen. It is well-deserved.
Thomas Bachelder and Mary Delaney-Bachelder
So with the assistance of Trisha Molokach, Dorian Anderson and the vintners who came to realize what happens when terroir is used to bottle divine pleasure, another Somewhereness (the event) happened, at St. James Cathedral in Toronto, on April 20, 2015. Food partners completed the stellar event; Best Baa Dairy, Monforte Dairy, Upper Canada Chees Company, Fat Chance Hand Sliced Cold Smoked Salmon Co., Chef Ryan Crawford & Beverly Hotchkiss of Backhouse, De La Terre Kitchen and Bakery and Schott Zwiesel. Hinterland was not present in 2015 and I skipped two tables, due to quite recent full portfolio tastings, at Bachelder and at Southbrook. Here are some other notes.
Norman Hardie Riesling 2013, VQA Ontario (Winery, $21.00, WineAlign)
With less residual sugar than in 2012 and slightly higher alcohol (the bottle says 10.1 per cent but it’s actually 9.8), the house style persists, if only as a refrain that adjusts and adheres to the vintage. A hint of oyster shell is more than significant, in working alongside Hardie’s Calcaire, effected out of lees fermentation. The minute loss of high-toned aromatics is pitched in favour of fruit, if only from one exploited tank, within the context of producing 1000 cases. The ’13 (70 Niagara/30 PEC) is like very modern Alsace, akin to Schoffit, what with its texture fitted through a tiny hole. Drink 2015-2018. Tasted April 2015
Norman Hardie Calcaire 2013, VQA Ontario (Winery, $23.00, WineAlign)
The field blend of Marcel Deiss is the starting point. Lees imparts texture and the proverbial minerality is rounder than the Riesling, though the acidity just as linear. The breakdown is Chardonnay (40 per cent), Riesling (40), Melon de Bourgogne (10) and Pinot Gris (10). It should be noted that the mid-palate is caressed by a silky cheese curd, sour milk atonement. Drink 2015-2019.
From my earlier note of August 2014:
If any wine growing and producing region not called Alsace has the right to label a wine Calcaire, Prince Edward County is that place. The irony squared of Norman Hardie’s choice of nomenclature is not lost. Olivier Humbrecht makes use of the term because some of his single-varietal wines can no longer (under the local AOC rules) be labeled with the name of the wine-growing village. Marcel Deiss produces ‘field blends’ composed of several varieties grown on Grand Cru soil but he can’t (under other regional rules) label them Grand Cru. Hardie takes Niagara and PEC Grand Cru grapes, fashions an Ontario white blend, not unlike J-L Groux and calls it Calcaire, in ode to the limestone underlay of the County. Are you following me here? This may be new, innovative, yet understood and an early impression, but this cuvée initiates the PEC march to white blend supremacy, much like Stratus White has done over the course of 10 vintages in Niagara. Norm’s Calcaire is a Chardonnay, Pinot Gris, Riesling and Melon de Bourgogne mélange, co-fermented on the lees, striking, all in limestone, full out mineral consequence. There is purified pear and white melon fruit in distillation. There is a house in Wellington, “they call the Rising Sun.” That this animal succeeds so early in its tenure shows the Norm conceit and the swagger. That it will define white blends for a millennium is an arrogance of traditional song and of scripture. So be it.
The ’12 Niagara has swapped spontaneity for coherence, licentiousness for logic. Has entered the stage of non-reductive peel, where skin is discarded, flesh is exposed and juices run free. If you like your Chardonnay settled and yet vitally fresh, now is the time to enjoy the Hardie 2012 Niagara Chardonnay. Drink 2015-2022.
From my earlier more of May 2014:
Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay.
Hidden Bench’s ’13 Riesling is a pure, soft-spoken and balanced reflection of her maker, winemaker Marlize Beyers. Only a month or two of lees and no stirring has brought her Riesling into this current corporeal state. The citrus is all flesh, void of pith and with acidity that has already incorporated, disguised and covered the zest. If any Hidden Bench Riesling suggest tropical fruit, here it is and yet again, not. Drink 2015-2020.
From my earlier note of September 2014:
The Estate Riesling is as vigneron-defining as any wine on the Niagara Escarpment. Hidden Bench is a 100 per cent estate-fruit operation so this Riesling is spokesperson, prolocutor, mouthpiece, champion, campaigner and advocate for the concept. The estate ’13 reaches deeper for nutrient pot sweetening, into shale and in conceit of its varied, positively cultivated terroirs. Compact and jelled, this is several steps up from most other entry-level Niagara Riesling and in fact, is really anything but. The transparency here is patent. This is Riesling that simply knows what it is; pure Bench, unequivocally real and forthright. Knows what it wants to be.
Produced exclusively for licensee, the Bistro follows a very similar profile to the Estate Riesling, with exactitude in weight and alcohol 911 per cent). The flesh is less, the zest increased and overall you can sense more youth. The Bistro juice comes from Roman Block cuttings planted in Felseck Vineyard in 2008. The simmer here is a simpler, more straightforward pot of sustenance, entirely capable of acting as spokes-Riesling for the Hidden Bench house druthers. The vines will grow up and the juice will move on but other, newer, youthful cuttings will take up residence and the Bistro line will endure. Drink 2015-2017. Tasted April 2015
The (five to) six percent Sémillon speaks at present, in a waxy, bitter gourd winter melon and smoky flint tightness. In this wound moment, it is perceived that another year will be needed for the next unwind. Now vacuous, spinning and whirling as if in a processor’s bowl, an amphitheatre of expression. Drink 2016-2022.
From my earlier notes of September and (at Gold Medal Plates Toronto) November 2014:
Less than six weeks after my first introduction to the NB ’12 complexity shines anew. Such a delicate and elegant take on the Bordeaux white axiom. Void of all the gangly G’s; grasses, gooseberry and green vegetable. Leans to custards and curds with a savoury accent and a limestone tang. Willing to be paired with a multitude of gastronomy. Long finish. From my earlier, September 2014 note: “Taking what the vintage gives, Rosomel’s Sauvignon Blanc was king in 2012, dominating at a 95 per cent share of the Bordeaux-styled blend with Sémillon. Barrels were stirred weekly during fermentation and the creamy texture thanks that regimen, as does the tannic fullness of the round back-end. It rocks out bracing, formidable and nobly bitter, in pear and its pith, in lemon, of rind and in curd. The SB lounges in tall grasses but avoids goose feathers and blanching veg. So very savoury, in gorse tension, thistle and nettle. These notes all cut through the roundness and are finally tied together by the flinty rock of Rosomel.”
A meandering young blend of Pinot Noir, Malbec and Viognier that is super dry (3.2 g/L of residual sugar), “hey, hey, my, my.” The aromas suggest a succession from strawberry to green and red onion but “there’s more to the picture, than meets the eye.” The medley, interrupted by ballads and road stories is like a subtle, sweet, sour and savoury gastronomical pickle, ramps in brine, scopes in sweet alkali. Can there be a drier, more windswept crag, neal to a southern French style made anywhere on the Peninsula than from the Escarpment coliseum up on Locust Lane? Drink 2015-2018. Tasted April 2015
While persistent in aridity as a disciple to the Locust Lane, this Bordeaux blend Rosé packs a fruitier punch. Elevated residual sugar (as compared to the Double L) mans a higher rate of variability and accessibility, not to mention more chance of Ontario patio success. This licensee bottling will work for summer, across the province. Drink 2015-2016. Tasted May 2015
Meg McGrath and and Marlize Beyers of Hidden bench
Still tightly wound with the tannic grain criss-crossing at interstices of fruit (pomegranate/cranberry/strawberry) and acidity (sharp/pointed/direct). A fine, pointillist’s rendering; Locust as Seurat, nobly bitter, to the end. Drink 2016-2022.
From my earlier note of April 2014:
The Locust Lane Vineyard, originally planted in 1998, was Hidden Bench’s first acquisition, in 2003. It has a unique perpendicular cross-slope effect, undulating in all four directions, gathering sun hours in its own special way. The vineyard produces the richest and warmest Pinot Noir with fruit flavours more akin to ripe plum and black cherry than almost anywhere on the Beamsville Bench, certainly as any from the Hidden Bench stable. While the ’11 is not the biggest beast nor the Bordeaux bully of the Terroir Caché, it is surprisingly tannic and strong. It’s anything but hot, though it attacks with fervor. Big berry fruit, macerated strawberry, rich pie notes and spice. A great Locust vintage.
There is so much floral presence in 2011, a showy perfume that parades the relative elegance of Niagara’s Bordeaux reds in the vintage. Structure is comparable to 2010, not in beast mode but rather with a delicacy derived from less burning, high-toned fruit. Still here lays a wine so young, of social encumbrance that might be passed off as a mark of impertinence. This faintly embarrassing condition can be suppressed in a dark cellar, in which the foundation can be laid for the beginning of a cure. The Terroir Caché 2011 will show its best between 2017 and 2020, then develop, slow down, suspend animation and age further, effortlessly and exceptionally. Drink 2017-2024. Tasted April 2015
Oh, the accessibility of Quarry Road in 2012. Still totes the emerald shine, the gemstone tannic scrape and yet the flesh is rendered rich, ripe, ratcheted and riled up. This has tonality like never before, layered and strudel buttery. At this point the vines for Quarry are 17 years of age, sophic and erudite, compounded by the organic, biodynamic and prudent pruning practices that have cemented its vigour. The clay-limestone, fresh-mineral, push-pull is a veritable careening of expression. Though its longevity may not pile towards a compressed future like that of ’09 or ’11, the earlier and often response will act both as Chardonnay charming and Quarry Road magnetizing. For the next five years it will be very hard to turn away. Drink 2017-2020. Tasted April 2015
Tawse Laundry Vineyard Cabernet Franc 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (130997, $34.95, WineAlign)
A year had added rich note to this ’11, furthering the inflammatory vibrations and purposefulness of Bordeaux (as opposed to Loire) red makings from the vintage. The depth of cherry merging to smoked currants is cool, collected and shaded by brushy, briny strokes. Hints at brambly, even. This is so very Cabernet Franc and even more so, Lincoln Lakeshore. Drink 2015-2019.
From my earlier note of April 2014:
A lean Laundry with as much finesse as winemaker Paul Pender has ever shown in his poignant Cabernet Franc realm. When a vintage deals you calm and scale you sit back and relax. The Lincoln Lakeshore advancing in years vines bring yet unseen front end red berry, licorice and red currant softness in 2011. There is elegance but also a refusal to yield its back end bite. A level of enveloping grain and chalk is unique to this bottle and should be seen as a very good effort with the possibility ahead
Last tasted April 2015
Cave Spring Cellars
Cave Spring Extra Dry Sparkling Riesling 2010, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)
From the clay-limestone bench lands abutting the Escarpment, specifically one block of 11 year-old vines at the Beamsville Bench Cave Spring Vineyard. Traditional method fizz accessed of low brix (early picked, 19.3 degrees) and mortar (2.97 pH) numbers, then elevated under microscope magnified sugar (15.5 RS g/L) and acidity (8.4 g/L). So what? So this is a pure CS expression of Riesling, cured and curated in the house style, led to textile weave from 14 months on the lees and finalized just that side of Brut. Functions like a Blanc de Blancs suitably this side of acidity rage and with corresponding remarkable, if close to impossible aridity. Less fat than might be expected and with a swath of sauvage. There sweats ginger and the cuttings of foraged wild things. The extension on the finish is protracted even after the liquid has left the building. Finishes with dry stones, nuts and a rightful oxidative thrust. Drink 2015-2020. Tasted April 2015
Cave Spring Csv Riesling 2013, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)
That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025. Tasted April 2015
At present there are sweets, bitters and rich Adam fruit. Only the shadows of a limestone outcrop near the crest of the Niagara Escarpment know why the Adam is so juicy. A chew like no other. Drink 2015-2020.
From my earlier note of October 2014:
A classic Adam, amplified in 2013, riper and not as piercing as previously noted vintages. Still the layering is omnipresent but there is more juicy fruit and texture then ever before. This is a consumer friendly Adam, gregarious, outgoing, off-dry as never before. New slang for the bottling.
From my earlier note of July 2014:
According to Cave Spring’s website this newer Riesling from older (18 to 35 year-old plantings) is from “a single block of vines in the shadows of a limestone outcrop near the crest of the Niagara Escarpment, known as ‘The Adam Steps’. Really apropos, for this Riesling is the cantilever, the one with the outstretched arm. At 10.5 per cent alcohol and with an unmistakably stony, sweet and sour whiff the wine speaks of its off-dryness. The juiciest of all the Cave Spring Rieslings, with rounder acidity and good persistence. This is the all-around good guy, the one with an open invitation, the bridge from Estate to Dolomite to Csv. The well-adjusted one steps up its game to help win one for the team, especially out of the convivial 2013 vintage.
Last tasted April 2015
Cave Spring Cabernet Franc 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (391995, $19.95, WineAlign)
The 2012 Cabernet Franc needed six further months for the high-toned fruit to settle just enough for the spiced richness to shine. Though Dolomite-designated, this sheds Beamsville light purity, along with a grain variegated by (pomegranate) citrus and chalk. The cool centre is elongated and expansive though it seems to inuit the correct time for retraction. The aerial fruit stresses condense and accept the angles prepared by coriander and eucalyptus. Drink 2015-2018. Tasted April 2015
The Twenty Mile Bench in Jay Johnston’s hands flat out rocks. The Chardonnays “they dig a funky spiel, they’ll make some spiel.” The ’12 Estate has crossed into pretty territory, not shy to wear its thin lamina of oak make-up and not too proud to say drink me now. Drink me here, there and everywhere. Drink 2015-2017.
From my earlier note of March 2014:
Has spent some quality time and knows its way around a barrel but its attitude is young, fresh and alive. From 12 and 13 year-old estate vines and kissed by only 15 per cent new oak. “But here’s a funky fact that I know is real.” Flat Rock’s Chardonnays are red hot and this fresh-faced ’12 has “baby appeal.” Blatant, colorable value on the Twenty.
Always expressive of such manifest certitude, the 2014 can’t be anything but Nadja though there adds a fleshy dimension that pins it to the broader spectrum of Twenty Mile Bench, in as much as what the vineyard culls from its capacious diagrammatic. That broader outlook provides understanding into Nadja’s decrease of stentorian language in the fractionally stagnant vintage. There is a variegation within the sweetness lining the tunnel of aridity. Fourteen is nothing overly special and Nadja suffers as a result. It’s still a very, very good Riesling, just not one for the ages. Drink 2015-2019. Tasted April 2015
The vintage acts as a launch point for Flat Rock Pinot Noir and prepares a palate for the 20 Mile Bench by coating it with utmost approachability. Violets and Nebbiolo-like roses are raised in warmth, albeit beneath the safety net of cloud cover. You’ll find no burn, rust spots and yet you will acquire comfort, in and out of sips. Drink 2015-2018.
From my earlier note of April 2014:
As with Flat Rock’s Chardonnays, here is a vintage and an evolutionary coming of age that becomes a matter of scaling back oak. The quotient here is less than 40 per cent new, leaving the wizened vines and maker’s acumen to coax maximum character, brilliant sheen and recognizable aroma. The 2012 Pinot teases black cherry but never really goes there.
From my earlier note of February 2014:
Nearly 4000 cases will be available of this nearly-unfiltered, very established and always well-thought out Pinot Noir. A consideration of the plots and barrels micro-management that determine the crasis of this Estate wine demands an extrapolation in full-on assessment. The medium-coarse Chinois filtering lends to a tannic chain of texture thick in grain and chalk. A heavier Estate because when the weather gives you heat you make a climate appropriate wine. This monkey is not a product of arctic air and it “got too deep, but how deep is too deep?” Thermal vintage melt, ritzy ripe cherry stuff in 2012. From the Ritz to the Rubble, if you like, or the Flat Rock.
Last tasted April 2015
13th Street Pinot Gris 2012, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)
From two blocks on one farm in the centre of Creek Shores, one picked earlier to avoid botrytis. No malo, stainless steel tank fermentation leads to pure, crisp and clean Pinot Gris. The soil-driven funk meets faux-sulphur is typically J.P. Colas, a specificity in undertone that culminates in a dry, variegated finish. Drink 2015-2017.
From my earlier note of April 2014.
Here you have an honest, 100 per cent stainless steel treated Pinot Gris from an estate vineyard located adjacent the market on Fourth Avenue in the Creek Shores appellation. So very dry and really fine fruit, crisp, neoteric, rising and falling in waves of tempered acidity. Made in a comfortable, country-twanged, folk-rock style, like a Cowboy Junkie. Juicy, mouth watering work and very easy to fall for. An angel mine, this 13th Street, “and I know that your skin is as warm and as real as that smile in your eyes.” This effort by Jean-Pierre Colas is as good as it gets, a tally for Creek Shores and its kinship with the variety.
Four months has upped the funk in for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.
From my earlier note of December 2014:
Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.
Fruit was sourced mainly from Wismer Vineyard (Vineland) and a smaller proportion from AJ Lepp (Niagara-on-the-Lake) for this dry as the desert Syrah of deep extract, warmth and density of fruit. All set upon a highly tannic frame, with every indication that longevity will be its best friend, as much as any red has ever been produced in Ontario. A formidable vulcanization marks the entry, a not so inappropriate entreaty to beg for time and lots of it. The current pavane of fruit is exhibitive of excruciating physical reticence though behind the wall there is more than enough indicators to stand the test of time. No new oak (though the Essence saw an extended slumber in three to four year old barrels) has allowed the tapestry of intertwined layers to set up shop and dig in for the long haul. If big-boned Syrah and Niagara are in your cellar plans, this 13th Street 2012 has to have a prominent place. Drink 2020-2027. Tasted April 2015
A dual block blush, from two clones in the Moira Vineyard. Made from 100 per cent Pinot Noir, this second vintage is pale as can be, dry, saline and reeking of fresh peaches and strawberries. The level of purity and intensity is nothing short of amazing. This will rise quickly into the ranks of the Peninsula’s finest Rosés. Drink 2015-2017. Tasted April 2015
The purity and fine-lines of Pinot Gris are defined, delineated and deftly prepared by Shiraz Mottiar and team in 2014. This is a calm rendition, void of tremors, certainly not taking any risks but also not a white of unfulfilled promises. Herbs, lemon, mint and fine PG tannin draws salt from stone. A perfectly dry finish is in play, as with all malivoire whites, to cement the deal. Drink 2015-2018. Tasted April 2015.
It’s hard to recall memories of so much syrup, liqueur and high tonality as coming from Stouck, from any Meritage for that matter and yet the 2011 Bordeaux varietal wines out of Niagara continue to astound. If excess or vivid character is a negative, just look away. The combination of rich extraction and explicit oak generosity dope out fruit from a dry September into wonders of dried timbre and inflection. The drupe is enriched, as is the tannin and a Beamsville buttressing that warps and wraps like never before. At this four-year juncture, the Niagara ’11 varietal compendium is officially a thing, witnessed in example through this Stouck. More than just dramatic Shiraz Mottiar foreshadowing here, but further into thoughts of what vintages co do for red wine as a Peninsula whole. The ’11 Stouck Meritage stands upright at the mirror and its reflection looks right back. Drink 2017-2021. Tasted April 2015
Malivoire M2 Small Lot Gamay 2013, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)
The profundity of tart, keen, briny berries dilates in its own very useful layers of citrus, tannin and concentration, beyond even what was observed in 2012. The zesty, spritely argot resonates from the unfurling of floral essentia out of a Gamay in desperate need of time. The flavours and overlay are somewhat impenetrable and yet leave quite an impression. While patience might be the virtue and the reward, if #gogamaygo is the modus operandi, a swig from the bottle like gentlemen of the road is certainly not out of the question. Drink 2016-2021. Tasted April 2015
Charles Baker Riesling Ivan Vineyard 2014, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $27.00, WineAlign)
From the rich limestone and sandstone beneath the clay, 1.1 acre Misek vineyard, a southerly ledge up from Highway 8 and an easterly hill down from Cherry Avenue. A very linear Ivan combs the catacombs of the Escarpment’s underpinning. A retaining wall of vintage attenuated rocks and stones, a vineyard’s low yields and the voices in Charles’ head have produced a striking Riesling. In 2014 adolescence has entered adulthood. Now before us is a grown up Ivan, mature Ivan, maybe even wise Ivan. Texture is in manifest control in this loyal, stay at home Baker, not yet running wild like free-spirited Picone. Ivan has presence, sometimes a great notion and is Baker’s longest bit of prose to date. The next great Riesling vintage will make it iconic. Drink 2016-2020. Tasted April 2015
The petrol and mighty bee’s sting have taken over, with the honey again not far behind. A lemon prepares to spill its juices as it warms above a bunsen flame. At present it is almost too elemental to define. Will change course again when midnight strikes in 2016. Then it will come into its own. Drink 2016-2020.
From my earlier note of April 2014:
Tasted at Somewhereness 2014 as part of a vertical retrospective going back to 2007. The Vinemount Ridge’s now famous Picone Vineyard is set within a 10-acre estate on the Niagara Escarpment. Planted to the Weis 21 clone, the Riesling grown here digs in for complexity from sectional moieties of clay and sandy soil atop a unique base of limestone bedrock. Charles Baker began working with these grapes in 2005 and it is this 2008 where the learning curve took a turn for the Riesling stratosphere. The ’06 found luck in the stars but this vintage lays the framework and foundation for a master plan. At this stage in the ’08 evolution there is a prodigious and viscous honeyed textured. Ripening tree fruit juices run like maple sap in spring and the run off is beginning to think syrup. A cutting ridge of acidity arrests the sugaring, allowing citrus and flinty rock to recall the wine’s first, fresh steps. Baker’s Riesling time travels in circles with no real beginning and no real end. From my earlier, September 2012 note: ““Whoo-ahhh” Mojito, green apple skin scent of a Riesling. Seductive to sip, a bodacious body of influence, then back-end bite. A wolf pack in sheep’s clothing.”
A blend of Cabernet Franc and Merlot with some Sauvignon Blanc and Riesling added for lift and what J-L Groux admits is rendered “for the consumer.” This essentially marks the twain between sweet and dry, if not quite halfway then pretty darn close. Plenty of herbs and citrus nail the aromas on the proverbial head with more than a grapefruit or two on the half circle. A highly approachable, end-user friendly blush. Drink 2015-2016. Tasted April 2015
Stratus White 2012, VQA Niagara On The Lake, Ontario (660704, $44.20, WineAlign)
In 2012 the blend is Chardonnay, Sauvignon Blanc and Riesling. Viognier was left out because according to winemaker J-L Groux “it did not work in blending trials.” The vintage has laid the foundation for the most density, and unctuous fruit for the Stratus White in what must be, ever. At the high aromatic end there is peppery beeswax, reverberating and echoing in scales and arpeggios. Like an open string singing warmly, the vintage, extraction and residuum combine for texture in mottled unction. Sapid lemon, more beeswax and lanolin mark the palate and then the White drifts into spaces occupied by smoky, back beats and bites. This has great pitch with a knowledge of the path to pleasure. Drink 2017-2025. Tasted April 2015
Stratus Gamay 2012, VQA Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)
t may not be the most idiosyncratic Gamay in Niagara but the Stratus 2012 is without a doubt the most advanced and complex. Gamay fusion is on display, at once a bottle of Niagara’s finest pulchritudinous veneer and then a charcuterie board laid ample with cured bovine parts and sun-dried grapes. Maximum ripeness and then even later picking, to no one’s surprise, have led to this. Two years of ageing in neutral oak barrels has brought about a humid roundness and yet the centre is controlled by Oz-like mint and eucalyptus notes. The jam is gelid, as opposed to temperate. Rarely does Gamay go to such depths, of blackberry, chalk and grain, with an overlord of tannin. Quite serious stuff. Drink 2017-2020. Tasted April 2015
Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)
The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024. Tasted April 2015
We get this sort of query all the time. “Why does Ontario wine cost so much?” Actually, it’s often more a complaint then a question. We get upset. Granted, many international wines are cheaper….but do you know why? My colleague and Man Friday Gerardo Diaz has this to say “Don’t complain. Do some research and come back.”
As many of you know, I play every day in the fortuitous role of Wine Director at Barque Smokehouse. As we speak I am in the throes of an auspicious new plan, setting the wine program with Diaz for Barque’s next venture. Coming soon. Two years ago, just after Brian Schmidt of Vineland Estates was able to initiate the keg wine revolution by overhauling VQA regulations, we convinced Jonas Newman of Hinterland Wine Company in Prince Edward County to partner with us. Wine on Tap at Barque was born. Since then we have worked with a dozen Ontario wineries.
It’s more than accessibility that drives our decision to work with and pour exclusively of Ontario wines. We had always been supporters of the local industry but the keg program allowed us to expand the portfolio and the sales. Ontario wines account for nearly 50 per cent of all wine sold at Barque.
So when guests (and I get the same questions and complaints from family and friends) wonder aloud about the necessity for Ontario to be so present, I have much to say. The Ontario wine industry is the best kept secret in the world. It has grown, accelerated and advanced with more success than might have been imagined as recently as five years ago. In November I wrote, “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”
I also wrote this, quite some time ago. “That is producing unique, cutting edge and brilliant takes on cool climate grapes. They also match beautifully with the songs referenced in their tasting notes. When the wines are assessed and considered in part or as a whole, who would dare to say there are no great wines being produced?”
As a cool-climate viticultural entity, there are few rivals around the world. The geology and micro-climate are ideal for growing specifically chosen vinifera. The winemakers in Niagara, Prince Edward County and Lake Erie North Shore are highly educated, state-of-the-art savvy and maniacally progressive professionals. In the categories of Riesling, Chardonnay, Pinot Noir, Cabernet Franc, Gamay and Sparkling wine, Ontario crafts excellence at all price points. After the two brutal winters of 2014 and 2015, no other set of vintners could have succeeded with unfailing ability more than the women and men of Ontario’s industry.
Proof of Ontario’s acumen and price-worthiness need not be found any further away than at your local LCBO. Private VQA wine shops and independent retailers would only advance the cause. Spend a few hours at an Ontario gathering and you will be changed forever. Shawn’s Ontario Wine Chat discusses and promotes the ideal every Wednesday night. The Ontario Wine Society holds tastings and events year ’round. The Ontario Wine Awards asks many of those top scribes to sniff, taste, sip and pick the best of the best. Wine Country Ontario is out there all the time, spreading the gospel. This is one religion you need to get behind.
The Ontario wine tasting season is now in full swing. Taste Ontario just recently passed through Montreal and Ottawa. WineAlign is bringing Prince Edward County to Toronto on April 16th with County in the City. Somewhereness also arrives in Toronto on April 20th. In July the 5th annual Chardonnay i4C conference will descend upon Niagara. The best way to experience Ontario wine is to get out and visit. I can recommend plenty.
Why do I taste Ontario wine every day? I do it in the LCBO lab, in Ontario’s tasting rooms and cellars, at Barque, when I order wine in other restaurants and at home. I do not need convincing but I do have decades more learning to do. Here are the recent Ontario wines that have passed my desk and my lips. Five are coming to VINTAGES next week as part of the April 18th release. Others are available at the winery. Seek them out. You will then count yourself among the converted. I guarantee it.
Flat Rock Riesling 2014, 13th Street Merlot 2013, Burning Kiln Chardonnay Cureman’s Chard 2011, Fielding Cabernet/Syrah 2012, Flat Rock Chardonnay The Rusty Shed 2012, Closson Chase Chardonnay Closson Chase Vineyard 2013, Cave Spring Csv Riesling 2012, Norman Hardie Niagara Unfiltered Chardonnay 2013
Talk about bottled up compression. Twist the screwcap and thwop! The cap nearly popped like a Champagne cork. This baby has energy and drive. The vintage is compressed and pile-driven as nosed by the density opposed by reticulated 9.5 per cent alcohol. This has Mosel tattooed on its being, from neck to bottom. A dead ringer for fine Kabinett, the tropical fruit in apricot and dragon reaching back to join Ontario, in apple and pear. A good flinty stone and raging acidity combine forces to exaggerate a Riesling reticulum in what is not the missive’s greatest ever vintage. Will live five to seven easy and just go for soda. Go ahead and quaff the hell out of this one, from 2015-2020, from bottles one through twelve. Tasted March 2015 @Winemakersboots@UnfilteredEd@brightlighter1
13th Street Merlot 2013, VQA Creek Shores, Niagara Peninsula, Ontario (270504, $17.95, WineAlign) From the VINTAGES April 18th release
Yet another Niagara red that could only have been crafted at the hands of winemaker Jean-Pierre Colas, a wild and dubiously natural Creek Shores Merlot. In 2013 the vineyard funk reeks of an instinctive, undomesticated slur in seldom seen Merlot speak. The variety normally avoids, scatters and runs away to the hills, but not this time. The flow is a movement of dried, caked, saline silt and pine needle paint. There is woodsmoke too but the suffusive Creek Shores cespitose encompasses all and runs wild. A settling will happen, so then it’s really a matter of fruit, a thing which in ’13 is not observed as overtly generous. Drink 2017-2019. Tasted March 2015 @13thStreetWines
Burning Kiln Chardonnay Cureman’s Chard 2011, VQA Ontario (310243, $19.95, WineAlign) From the VINTAGES April 18th release
In this BK variant, Chardonnay is procured by fruit not put through any drying and so very fresh it remains. The barrel helps and yet also distracts but not in any unusual or detrimental way. Just another solid Chardonnay with nothing to set it apart from the sea. Drink 2015-2017. Tasted March 2015 @BurningKilnWine
Fielding Cabernet/Syrah 2012, VQA Niagara Peninsula, Ontario (258657, $24.95, WineAlign) From the VINTAGES April 18th release
I have always been skeptical of the Peninsula take on the OZ-styled blending of a Bordeaux and a Rhône but if there is one Niagara winemaker to trust, Richie Roberts gets the nod. High-toned, crikey warm and struth oozing. Still, the balance is struck by Mediterranean-like savoury aromatics (black olive and brine), along with beautifully integrated wood. The VA is less than minimal, the fruit rosy, plum-filled and strawberry flavoured. Either variety can play second or short and both can make the turn. Will have a long life. Drink 2016-2022. Tasted March 2015 @FieldingWinery@RichieWine
Flat Rock Chardonnay The Rusty Shed 2012, VQA Twenty Mile Bench, Ontario (Winery, $24.95, WineAlign)
Accumulated cognizance exudes from the laid back Shed, here as relaxed and user-friendly as it has ever been. If the texture is not vintage induced and made of low yield than I’ll sell my LP’s and switch outright to Songza and Neil’s PonoMusic. The herbs are basil and chervil sweet, the verbena and lemon balm redolent, the flavours beaming, bolstered by preserved lemon and candied ginger. The stuffing must be questioned, but not the elegance. This Chardonnay is porous, blessed, void of rust and of an interior with plenty of space in the shed. Let it fill.
From my earlier note of February 2014: “There will be 660 cases of this barrel cherry-picked, now iconic Bench Chardonnay. The warm vintage called for a combo-malo approach, part batch all in, part arrested development. Gravity influenced top down blending also work to seek a svelte elegance and this ’12 really straddles the humid line. Thinks to be ribald but remains chaste, only allowing a kiss from the barrel and a caress from the rocks beneath the soil. Accept immediate but know that deferred gratification is the hallmark of this bottling.
Last tasted March 2015
Closson Chase Chardonnay Closson Chase Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $27.95, WineAlign)
This CCV Chardonnay is one of departed winemaker Deborah Paskus’ final acts at Closson Chase. It will forever be noted as a legacy-cementing, swan song of career excellence. Crafted by Paskus and bottled by the next one, current winemaker Keith Tyers, the 2013 CCV is simply a tour de force. No such combination of richness, tropicality and pure grape tannin has ever infiltrated this Chardonnay, from this vineyard. I’m not sure there is a comparison in Ontario, at this level of excellence and at this price. A wine of pure impression, with Montrachet-like structure and Folatières-like precision. Seemingly capacious, its facile legerity is hypnotizing, quantitatively escalating in assembly of aromas, flavours, through texture and finally to longevity. The wine spent 16 months in a mere (17.25 per cent new) oak. That it notes 12.5 per cent alcohol on the label is next to impossible. The substance is just too buttressed to be so tender and effete. Impeccable balance, refinement and mineral finish. This is Chardonnay to confuse the world’s fine white collectors, to wreak havoc at international tastings for five to 10 years. Only 712 cases are available and at $27.95, is down $2 in price from the 2012. Best ever, hands down. Drink 2017-2023. Tasted March 2015 @ClossonChase
Cave Spring Csv Riesling 2012, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign) From the VINTAGES April 18th release
In the pantheon of 2012 Bench-Ridge-Escarpment Riesling, the CSV is bound for glory. As expected it unfailingly draws innate wisdom from vines that understand their soil with deep intent. It can be said that every vintage rocks a Cave Spring Riesling but this one brings fruit out of a willingness to give and give. Winemaking connects with this vineyard and this specific Riesling, like mother and child. The depth of fruit lies under a shale of uncompromising, petrous funk and acidity. All tolled, this is a top CSV that begins on edge and then walks along, pointed towards a fruitful direction. It stays the furcate course, captivates and lingers, with no immediate end in sight. Drink 2017-2027. Tasted March 2015 @CaveSpring
Tasted from a sample, in bottle, not yet labeled. It’s one thing to make a natural wine in Ontario and a world away to do so with Chardonnay. The concept is simply off the charts with respect to fruit sourced out of arguably Tawse’s most important mineral site, the Quarry Road Vineyard. So, with that plot and winemaker Paul Pender’s inner vision, the progression to this point in Ontario winemaking is fascinating. “The law was never passed, but somehow all men feel they’re truly free at last. Have we really gone this far through space and time?” Pender must have shut his eyes tight, imagined the wonder and whiffed his ways through those barrels. Based on a taste through all the Quarry barrels with Pender in April 2014 (carrying 2013 fruit) I would think the Mercurey (Large barrel, CLL toast) would best suit the natural, oxidative bent of this Quarry. This plays the hallmark bass note in natural odour; funk, wondrous gentility, wood and rhythm and blues stone, as opposed to wood and rock. Something other, preposterous and gorgeous permeates the mess. Something melodic. The wine is perfectly in tact, piercing and exact. Direct, vibrant, positively wistful and wishful. Filled in by a strings mid-palate, with acidulated apple slices from a potent cocktail. The finish goes deeper, so the sum of the parts gains on the intricacies, teeing it up for much success. That said, don’t wait for it to fall apart. Drink 2015-2016. Tasted March 2015 @Tawse_Winery@Paul_Pender
Norman Hardie Chardonnay Niagara Unfiltered 2013, VQA Niagara Peninsula, Ontario (184432, $39.00, WineAlign) From the VINTAGES April 18th release
Hardie’s Niagara Chardonnay will not be recessed into the Peninsula’s everyday lexicon, nor does it draw any direct comparisons. How can this be? I will say that the 2013 exhibits less reduction, less elemental fever and a dramatic decrease in tension, so in that sense it has comes back to the norm. Yet it dances dramatically, like a blind bee in a ripe melon, in free spirited, holistic and counter-cultured ways. A wine of gold wiring, wrung out in splashes and swaths of lamé sheets. Shows a commitment to soil, full malolactic conditioning and punched down musts in its every breath. What is obvious is that 2013 is no putty in the hand. It’s moulded clay, shaped by the mitts of its maker, immortalized by the barrel’s oven and just about ready to begin being beautified by ornamentation. Time will effect its tribal markings and ultimate finish. Give it three to five so that it may add surge to its restrained power. Drink 2017-2022. Tasted March 2015 @normhardie
Godello 