As you all know I am one of the five principle critics for WineAlign in Ontario. This is a position I am extremely proud of and very fortunate to hold. That I am able to work alongside Ontario’s most notable experts is something I say thanks for and appreciate every single day. David Lawrason, John Szabo M.S., Sara d’Amato and Steve Thurlow are my friends and colleagues. I could not ask for association with a finer group of writers.
Which brings me to why you need to know that I am making some changes at godello.ca. Since February of 2012 I have been posting VINTAGES release recommendations and notes on this website. Though in March of 2014 I eliminated scores on Godello I have continued to publish full tasting notes. Every single one of my VINTAGES release picks has been simultaneously published on WineAlign (with scores), along with dozens more on wines that don’t make the shortlist.
I will no longer be publishing my current VINTAGES release tasting notes on Godello. You can still read them on WineAlign though there is a paywall behind which only premium paying subscribers are able to see the most recent reviews in the first 30 days. This is necessary and I hope you will all understand why I feel so strong about the time being right to effect such a change. WineAlign is the most important, comprehensive and trusted source in Ontario for critical review of VINTAGES wine releases. I fully support and endorse our protocol and hope that you will visit the website for your Ontario wine purchasing needs.
For those of you who wish to read my full tastings notes, I would highly encourage you to pay the WineAlign $35 yearly subscription fee (or $9.95 per quarter) to read the reviews and get the scores as they are published, to the second, in real time. You can still access my bi-weekly list of picks and to do so all you have to do is sign up as a non-paying member. I have a link called “Michael’s Mix” and my VINTAGES recommendations are assembled there.
As for now, here is my list for November 26th, if only as a teaser so that I don’t leave you all high and dry.
The winemaking at Ravine Vineyard is not so much deferential as much as it is a stylistic best described as post modern proletariat. Marty Werner’s modern enrichment often acts like subtraction, as opposed to traditional winemaking which effects the obvious, just and because less is more. His work reflects what once was (in turn of the century Niagara Peninsula) and upon what function emerged out of form, but also what could have been, from successes squeezed out of warm (2005, 2007, 2010) and from mistakes in challenging (2006, 2008, 2009) vintages. The current releases of 2014 and 2015 are wines of augmentation in the form of intensification in the structure rather than for weight or texture. Werner’s plebeian, blue-collar post-modernism is setting a new standard in Niagara. If his work (along with assistant winemaker Ben Minaker) can be viewed as sycophantic than all the better for the copycats and the apostles to hang on and around.
After a wild and multi-faceted chardonnay (plus) weekend down on the farms of Niagara’s flats, shores and across its escarpment benches, it is always the pleasure of pleasures to convene at Ravine Vineyard for a few oysters, a plate of great grub and more chardonnay. It is a time to breath and say another goodbye to the greatest collective consciousness of wine folk on the planet. Then Peter Gamble approaches. “We’re having a little impromptu tasting down in the cellar.” Marty and Ben lead a small group through these wines. We are captivated and motivated by their new work and their mini-vertical presentation. Ian D’Agata, John Szabo M.S., Michael Vaughan, Tony Aspler, Stephen Campbell, Magdalena Kaiser and I. Here are my notes.
John Szabo M.S., Stephen Campbell (Lifford), Ian D’Agata and Peter Gamble
In 2015 winemaker Marty Werner offers up 100 per cent barrel fermented sauvignon blanc aged in 10 per cent new (or just one barrel). The fruit comes from Concession Road 2 between lines 8 and 9, on heavy clay and only four year-old vines. The recovering vineyard is a microcosm for the overall Niagara recovery and the vintage allotted 250 cases when it normally produces upwards of 350. The 2015 ripeness stylistic is up front fruit from young vines. “A pick when you want to, not when you have to vintage” notes assistant winemaker Ben Minaker. Metallic peach and fennel pollen emit and you must appreciate a wine of such tartness on the back end, as opposed to sour patch up front. Stylish is the yeast (one third wild) understatement of the day. Says Werner, “we leave the fruit a bit dirtier coming out of the press,” so it gains some funky complexity, but no malo though. The acidity counteracts in the mid to high sevens. Lush antiquarianism is the end result. Drink 2016-2019. Tasted July 2016.
Some cheesy pungency notes the entry. Some edge of ripeness too. Tropical notes, full, fleshy, enervating and dangerously, precariously close to seed, oxidative even. But it teases and walks a blade’s edge. Lacks grassy middle ground (and again, that is a strength) but varietally speaking it may just be the most sauvignon blanc of any in the flight. Drink 2016-2019. Tasted blind at #NWAC16, June 2016
Marty and Ben establish a new verity for #PinotGris @RavineVineyard … There will be followers. #i4c16 #niagaralakeshore
From a vintage of purportless rainfall, this is expressly (24 hour) skin-soaked pinot gris in candid desire of flavour more than and in second thought to hue. Subsequently sent to barrel for a wild ferment. Picked ripe (so 13.5 per cent alcohol), perhaps a result of, if not necessary from a vintage where mid-october pinot gris fruit was the exception and a last minute decision to bring in this fruit led to an earned foray for such a wine. Seven year-old fruit from (Marty’s parents farm on White Road) really floats a divergent varietal boat with six months of barrel time (25 per cent new). Frankly speaking, it carries such an air of benevolence so you would never know how alternative it really is. If there is a precursor or a reference point I stand at attention to be enlightened. Marty (winemaker Werner) and Ben (assistant winemaker Minaker) establish a new verity for pinot gris. There will be followers. This 2015 needed air, splashing and sloshing and it responded in kind. Drink 2017-2022. Tasted July 2016
Ravine’s Rosé spent the most minimal time on skins, from a posterior fruit position left out in the elements long and aided by leaf removal to break down the pyrazine. These were the second last grapes to pick (because the acidity is high in slightly overcropped fruit), on Slingerland Farm between lines five and six halfway up from Ravine to Highway 55. Though seemingly dry, the 6.0 g/L of RS is used “to bring it into balance for the consumer,” notes Marty Werner. This has some strawberry funk, as if it were macerated in a clay-calcaire bath, like balm as if steeped, cooled and poured over ice. It may be imagined as a saline, faintly honeyed berry granita with just the right amount of gelid texture alongside cool and savoury charcuterie. Simply put, what cabernet franc must be in warm niagara country. Drink 2016-2019. Ravine’s Rosé spent the most minimal time on skins, from a posterior fruit position left out in the elements long and aided by leaf removal to break down the pyrazine. These were the second last grapes to pick (because the acidity is high in slightly overcropped fruit), on Slingerland Farm between lines five and six halfway up from Ravine to Highway 55. Though seemingly dry, the 6.0 g/L of RS is used “to bring it into balance for the consumer,” notes Marty Werner. This has some strawberry funk, as if it were macerated in a clay-calcaire bath, like balm as if steeped, cooled and poured over ice. It may be imagined as a saline, faintly honeyed berry granita with just the right amount of gelid texture alongside cool and savoury charcuterie. Simply put, what cabernet franc must be in warm niagara country. Drink 2016-2019. Tasted July 2016
Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16
Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)
Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024. Tasted July 2016
Ravine Vineyard Cabernet Franc Lonna’s Block 2013, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)
From the same (2004 planted) rows and stylistic as 2014 here cabernet franc desired the requiem of an extra year in bottle to solicit understanding, with a 2013 dried fruit component here and now. The resolve already inherent is indicative from a challenging growing season, in a year from which Peter Gamble chided “I guess you guys (Marty and Ben) really earned your stripes.” Some of these grapes were left on the vine until December 15th. That is not a stretch. This will live into the next decade and though it will surely walk into the barn with the balsamic, the soy and the nibs, it will carry its acidity and its 180-day, growing season development. A cabernet franc of most excellent desiccation, with thanks to thick skins and then variety’s variegated character. Drink 2016-2021. Tasted July 2016
Ravine Vineyard Cabernet Franc Lonna’s Block 2012, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)
From the block dedicated to Ravine owner Norma Jean Harber’s sister, planted in 2004. Though hailing from a recent, post-2010 reach for the sugar stars vintage, there is freshness and vitality mixed with a Napa cabernet from elevation sensibility (think Laurel Glen and Korbin Kameron). This has presence. Real stage presence, gracing the battleground encompassing an intensification of the things that people normally associate with the varietal – fruit, acidity and extract. A cabernet franc granted and given early promise that has crossed a certain varietally correct threshold to travel weightlessly into its current accomplished state. It knows who it is and where it’s going. It will live long. Five to seven, perhaps even 10 more years easy. Drink 2016-2022. Tasted July 2016
It’s December, baby. In Ontario that means one thing. Cash money for the LCBO. Lineups longer than a 1988 Moscow bread line. If you’re from somewhere other than this magical, monopolized place we call wine central you just wouldn’t understand. You would not be privy to and giddy with isles stacked in pyramids of critter red and whites, Bailey’s Irish Cream and Absolut Durian. Wait, that would be cool.
No, not la vida loca. We are not talking about living the crazy life to make you cool. No party trick, no Spanglish, no politically incorrect, Urban Dictionary Ricky Martin slur. Not this either. “The awkward silence and/or major anticlimax that follows the confession of a big secret that everybody else already knew.”
You want it all in December, the most wine for the money, for gifts, to bring to the holiday party, to stack some away in the cellar. You want the Garden of Eden in a bottle.
In a gadda da vida, honey.
Let me tell ya.
With the ghosts of Christmas gem releases now just a strange, uncomfortable and debilitating nightmare trailing away in the rear-view mirror of Visa cards maxed out past, now is the time to focus on what’s real. To concentrate on purchasing wines in your price bracket, wines that speak of people, places and who will be drinking them.
I have combed, tasted and considered the releases now on shelves for this weekend’s December 12th offering. The parameters are $15 to $35, something for everyone, to purchase with confidence and to equip you with a most necessary advantage, to present them with pride no matter the circumstance. Ten wines to work the holiday room.
Cabriz Reserva 2012, Doc Dão, Portugal (21410, $17.95, WineAlign)
Such a juicy red, of honest imporosity and primed with acidity to prop and speculate. Bang on for the price, in its weight class and with the charm of sweet adolescence. Solid Dao with a whole lot of propensity to mix and match with the multitude of foods at your table. Drink 2015-2019. Tasted November 2015 @wines_portugal@winesportugalCA@Noble_Estates
Gérard Bertrand Grand Terroir Pic Saint Loup 2011, Ap Coteaux Du Languedoc, France (376491, $18.95, WineAlign)
Syrah, Mourvedre and Grenache blend from the Pic Saint-Loup mountain peak and limestone cliff flanks of the the Coteaux du Languedoc. Sharp with concentrated red fruit, tight acidity and just enough tannin to render this marketable to a five-year plan of evolution. Real and as naturally forged as they come from Gérard Bertrand’s Cross Series reds of southern France. Prime example from and one to celebrate a terroir like Pic St Loup which continues to play the unheralded outlier. Really fine and just the right and correct amount of attitude. Drink 2015-2020. Tasted November 2015 @GBvins@FwmWine@LanguedocWines
Only a year and in conjunction with an improved Sparkling wine vintage for Riesling, short work has elevated the young Spark’s game. A repeat lees performance initiates the conversation, of cheese melted overtop composite laminate, with yeast burgeoning about. In 2013 the concrete crispness is cemented deeper, etched into stone and thus completing the sub-$20 legacy. That winemaker Paul Pender can coax Riesling character, striking Sparkling wine resolve and yet hover in the air of litheness, well, this is the kneading. Silty, salty earth and soft transitions to citrus acidity are a requiem for success as per the Twenty Mile Bench/Limestone ridges vouchsafe common. Can even imagine a bit of time turning this into sparks and honey. Drink 2015-2019. Last tasted November 2015 @Tawse_Winery@Paul_Pender
Ernie Els Big Easy 2013, Wo Western Cape, South Africa (220038, $19.95, WineAlign)
Big Easy, Stellenbosch
A massive amount of fruit, caked earth and big, bouncy reduction is packed into this free swinging Western Cape red blend. The reduction mixes with Rhone bacon and its own regional gamey notes. This is both typical and radical. It is made in a style that many love and will continue to love and yet others will balk at its generational specificity. The clean, pure focus in Rhone varietal terminology teams up to subdue the Cabernet though that variety does add lushness to smooth out some of the hard edges. Tons of flavour. Drink 2015-2020. Tasted November 2015 @ErnieElsWinery@WOSACanada@WOSA_ZA
Another terrific vintage for the varietal Ley, wrapping a wreath of pure Graciano fruit around your neck and letting you lay back with a sip of something beautiful. Pure floral liqueur, the violets and the sweat, the sweet fruit and the citrus accent. Soft lactic acid and chewy with an accent of dark chocolate and spice. A bit more burly than the ’09 and certainly increasingly oak apparent but a good mouthful nevertheless. Let it rest for two years to let the wood sink in. Drink 2017-2022. Tasted November 2015 @BaronDeLeyRioja@RiojaWine@AMH_hobbsandco
Stratus Evergreen Red 2008, VQA Niagara On The Lake, Ontario (437434, $24.95, WineAlign)
Where has this been? This harmonious composition, like a Starland Vocal Band, Cabernet Sauvignon (30 per cent) plus Cabernet Franc (30) friendship with a healthy dose of Merlot (27) and a bit of Petit Verdot (4) in minor support. The acidity and the tannin have nearly fully waned but it’s a real pleasure to drink at this seven-year mark. Pretty fruit, creamy texture, just enough energy left to keep the party grooving, weightless and soaring in the air. Some chocolate and dessert like tendency but with the right kind of salty main course or just a few sips leading to that point, this will be an afternoon delight. “My motto’s always been ‘when it’s right, it’s right.’ Why wait until the middle of a cold dark night?” Herbal finish is cool and Northern Ontario like in its slow, easy exhalation. Extra points for the foresight, the opportunistic release point and the effort in a hit or miss vintage. The Evergreen Brickworks market’s loss is the LCBO’s gain. Drink 2015-2018. Tasted November 2015 @StratusWines
Versado Malbec 2013, Luján De Cuyo, Mendoza, Argentina (317008, $25.95, WineAlign)
The rocks beneath the earth precede the rich, dark fruit. After the berries and the candy beets and the spices subside the flowers grow and take over the room. The vintage brings more layers than before. Malbec of character and belief, even a touch of good VA, a coat that only the Southern Hemisphere can provide. It is not usually present in Mendozan Malbec so it’s really a breath of fresh paint here in the Versado. Great purity. Protracted length. Most expansive and intriguing vintage to date. The Reserva will be killer. Last tasted November 2015
A rich, nearly creamy mouthful of Xinomavro, full on red fruit and as much scorched earth as prescribed to be necessary. There is plenty of front end acidity and back-end tannin though the pathway between is rocky, jagged and bumpy. I’d like to see this again in two or three years to see if it has smoothed out. For now it’s certainly edgy and divided though I will admit it has gained my full, undivided attention. Time will tell. Drink 2017-2022. Tasted November 2015 @KolonakiGroup@winesofnaoussa@DrinkGreekWine
Domaine Hamelin Chablis Beauroy Premier Cru 2012, Burgundy, France (391805, $33.95, WineAlign)
May just be the most well-rounded Premier Cru Chablis in the Ontario market today and orbits would not be its prescribed or described path. Linear more like it, star-shooting with trailing sparks from its steely beginnings out of stainless silo. Well-rounded because it draws fruit from every level of Kimmeridgien subsoil up and down the hills, from the bottom of the valley to the top of the slopes. Also because of its pinpoint unoaked Chablis accuracy, from mineral on the tongue to citrus receding and recoiling. So very clean old bones fruit (up to 35 years old) and direct at a price point most Premier Cru fail to touch. Drink 2015-2021. Tasted December 2015 @BIVBChablis@oenophilia1
Classic and I mean classic Chianti Classico, cured, ancient, fruit forward. Modern, gritty, tannic, spicy, desperately in love and bound by leather. Tea and liqueur, all in Chianti Classico. Some iron and animale, bitters, tonics, cherries, medicines, all of the above. Acidity raging, thunder clapping, lightning striking. Needs seven years to shed emotional tears, fully settle and be a memory of its intense self. A wine that will remember. Drink 2018-2026. Tasted November 2015 @chianticlassico@rogcowines
Only on the rarest of occasions do I consider the Zodiac. Same goes for the constellations though if you slump my tired body into the comfort fitting contours of a Thermarest on a Killarney campsite I’ll happily, dreamily stare up into a near-northern sky. Or on a dock in cottage country if the Aurora Borealis happens to make a magical appearance.
In September I spent some time scanning a South African, southern hemisphere sky with Ken Forrester. Ever the romantic, Ken offered up a short dissertation on one of the special treats afforded a stay in Stellenbosch. I have seen the Southern Cross several times before and yet standing there at 10:30 pm with the South African vigneron-poet, taking in the twinkling balls of time travel, something struck me anew.
I like to line things up. Wine tasting notes with music; a lyric or an artist. You may have noticed. I also find ways to forge bonds, synaesthetic perceptions and Chaldean correlations, regardless of whether they are there for the connecting. Sometimes you just need to fulfill the urge to divide the ecliptic into 12 equal, 30 degree pieces of a pie. Perhaps it’s just the M.O.T. in me.
This coming weekend VINTAGES rolls out the first major release in preparation for the looming holiday addiction. The headlines of “stars of the season,” and “star-studded” can mean only one thing. Expensive and iconic wines will dominate LCBO shelves from now through Christmas. And most of these high ticket items will sell through. Why is that you ask? Mainly because many of them are really good wines. Mostly because desperate people will buy anything when faced with holiday gift-giving deadlines.
My job is to separate the exciting from the boring, the exceptional from the drab. I’ve chosen 12 bottles, each with their own horoscopic identity, wines that illustrate their own idiosyncratic hook-up with a sign of the zodiac. It’s a stretch to be sure but it’s my stretch, so deal with it. If you connect and agree with just one, it may change your perception too.
From left to right: J. Fritsch Riesling 2014, Closson Chase Chardonnay Closson Chase Vineyard 2013, Segura Viudas Brut Reserva Heredad Cava, La Chablisienne Montmains Chablis 1er Cru 2012, Hidden Bench Terroir Caché Meritage 2011 and Stratus White 2012
Sure-footed, hard worker, self-disciplined, over-achiever
J. Fritsch Riesling 2014, Ac Alsace, France (430520, $19.95, WineAlign)
Kientzheim Riesling, full, fleshy, opulent but not tropical in style, aromatically fleshy and full of orange rind, lemon zest and tonic. Has that necessary mineral bleed and rock tang. Schlossberg like but not as tannic and certainly ready for prime time at a much younger age. Hints at sweetness but acidity by way of early picked fruit is key. Granite feel. Drink 2015-2019. Tasted October 2015 @VinsAlsace@Alsace_info@AlsaceWines@drinkAlsace
Closson Chase Chardonnay Closson Chase Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $27.95, WineAlign)
This CCV Chardonnay is one of departed winemaker Deborah Paskus’ final acts at Closson Chase. It will forever be noted as a legacy-cementing, swan song of career excellence. Crafted by Paskus and bottled by the next one, current winemaker Keith Tyers, the 2013 CCV is simply a tour de force. No such combination of richness, tropicality and pure grape tannin has ever infiltrated this Chardonnay, from this vineyard. I’m not sure there is a comparison in Ontario, at this level of excellence and at this price. A wine of pure impression, with Montrachet-like structure and Folatières-like precision. Seemingly capacious, its facile legerity is hypnotizing, quantitatively escalating in assembly of aromas, flavours, through texture and finally to longevity. The wine spent 16 months in a mere (17.25 per cent new) oak. That it notes 12.5 per cent alcohol on the label is next to impossible. The substance is just too buttressed to be so tender and effete. Impeccable balance, refinement and mineral finish. This is Chardonnay to confuse the world’s fine white collectors, to wreak havoc at international tastings for five to 10 years. Only 712 cases are available and at $27.95, is down $2 in price from the 2012. Best ever, hands down. Drink 2017-2023. Tasted March 2015 @ClossonChase
An intricate and elaborate Reserva elevation of Cava, even a bit skunky in the most endearing of ways, like a 55 day dry-aged steak cooked rare. A waft of yet blown sulphur is managed and tempered by smartly sweet yeast. At once clunky and disjointed, then heavy in citrus and the shells of molluscs. Citrus climbs all over the finish, from lime to lemon and into pomello. Complex Cava with the taste of acquired affection in requiem of a very open mind. Drink 2015-2019. Tasted October 2015 @hseguraviudas@imbibersreport@cavaswine
La Chablisienne Montmains Chablis 1er Cru 2012, Ac Burgundy, France (265090, $32.95, WineAlign)
In a word, yes. Beautiful girl this Montmains, layered of delicate aromas, from flowers through kimmeridgian soil and into fresh forest glade. A child of the cooler, Butteaux sub-climat in which the citrus melds into the soft wooden (228L barriques) notes and all is elevated by such pinpoint-posted acidity. The oak lends cream, the lees fine spun silky texture and the talc a grape tannic ingrained sense of fullness. Terrific wine. Drink 2015-2022. Tasted October 2015 @VinexxCanada@chablisienne@BourgogneWines@BIVBChablis
There is so much floral presence in 2011, a showy perfume that parades the relative elegance of Niagara’s Bordeaux reds in the vintage. Structure is comparable to 2010, not in beast mode but rather with a delicacy derived from less burning, high-toned fruit. Still here lays a wine so young, of social encumbrance that might be passed off as a mark of impertinence. This faintly embarrassing condition can be suppressed in a dark cellar, in which the foundation can be laid for the beginning of a cure. The Terroir Caché 2011 will show its best between 2017 and 2020, then develop, slow down, suspend animation and age further, effortlessly and exceptionally. Drink 2017-2024. Tasted April 2015 @HiddenBench@BenchVigneron@LeSommelierWine
Stratus White 2012, VQA Niagara Peninsula, Ontario (660704, $44.20, WineAlign)
In magnified aromatic persistence, on and over top of even two months earlier, in such a hyper-grapey way with terrific dry extract chained to tannin and humid minerality. The many months of leave in gentle oak is stating its technically procured, quote unquote de-classified case.
From my earlier note of April 2015:
In 2012 the blend is Chardonnay, Sauvignon Blanc and Riesling. Viognier was left out because according to winemaker J-L Groux “it did not work in blending trials.” The vintage has laid the foundation for the most density and unctuous fruit for the Stratus White in what must be, ever. At the high aromatic end there is peppery beeswax, reverberating and echoing in scales and arpeggios. Like an open string singing warmly, the vintage, extraction and residuum combine for texture in mottled unction. Sapid lemon, more beeswax and lanolin mark the palate and then the White drifts into spaces occupied by smoky back beats and bites. This has great pitch with a knowledge of the path to pleasure. Drink 2017-2025
From left to right: Stratus Red 2012, Bachelder wines Niagara Chardonnay Saunders Vineyard 2012, Ca’marcanda Promis 2013, Versado Malbec Reserva 2011, Flowers Sonoma Coast Chardonnay 2013 and J. Christopher Bella Vida Vineyard Pinot Noir 2011
Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)
The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024. Tasted April and June 2015
From a site 2.5 km’s from the lake, right on the highway at 30 Bench. Derives its plushness from mere proximity so “serve it first,” pleads Thomas. So much lush, more richesse and yet today, Saunders is a bit closed, primary even. Will yet need some time to find its way. Drink 2015-2021.
From my earlier note of May 2014:
Though presently showing a bit inferential, no amount of Bachelder reduction can keep good fruit down nor can it dismantle the mastery of mineral impart. An arras of texture conceals the portal to both vineyard and barrel with streaks of salinity, charcoal and chalk. The 2012 rendition is a canvas laden with pure golden paint, concealing “hidden forms and shifting states.” Thomas has found a rhythm in Saunders through thick brush strokes, full and advancing. This warm vintage is not a receding one, its flavours and its texture do the opposite. They jump out at you in waves. For Thomas, the sublime is now.
In the only vintage for which such a trial was performed (2003), the chance was had to taste this 2013 under cork side by side with that vintage under screw cap. The difference was vividly palpable, for good or bad, better or worse. Under cork the young wine is like a perfectly shone lump of cool, refulgent coal with so much spice and accent in permeate of an aromatic fruitcake wheel. Under Stelvin the 12 year-old Promis’s freshness is amplified, of early immortality, with the ripest of tannins. The acidity is markedly formidable and yet both wines display a cured nature in undercurrent. Two 10 years separated Promis of spine, spirit and grounded in earth. Leave this 2013 be for two more years, screw cap or not. Drink 2016-2024. Tasted October 2015 @StemWineGroup
Adventurous traveller, mythological and experiential
Versado Malbec Reserva 2011, Luján De Cuyo, Mendoza, Argentina (316984, $59.95, WineAlign)
Peter Gamble describes the ’11 Reserva as “integrated right out of the gate” and blessed with “a little more fruit component.” That is can show such freshness this early in its life span (especially in consideration of the beasts that are 2009 and 2010) is nothing short of a Malbec miracle. This is a wine that saw spontaneous fermentation, which made for very nervous times in the winemaking hands of Roberto de la Mota. Stems were used and their participation lends a Mediterranean feel, in the aromatic impart of sea salinity and kelp. The oak is scaled back a touch so the chalk push, while present, integrates in finer grain within the gritty, iron structure. This is the softest (hyper-relatively speaking) Reserva to date with a newly defined massive attack. The temperature fluctuations of the vineyard are integral in its structure and the question needs to be asked, “how can you have a day without a night?” In the Versado Reserva 2011 you have both. It is a Malbec of unfinished sympathy. Drink this sooner, starting in 2017 and for longer, to 2030. Tasted September 2014 and October 2015 @VersadoWine@winesofarg
If 2013 is turning out to be the first truly great Chardonnay vintage of the century out of Sonoma, the Flowers SC is categorically up front and centre in that discussion. The epic’s lead paragraph initializes here in a wine that is severely accurate, a blinding and gorgeous expression that brings the flowers in its game. A wield of pulchritude and balance by acidity spot on. Pure flavour extract expands and the components zing on the finish. Could there lurk a Meursault notion in its lace? You know what, forget that. Strike comparisons from the record. The Flowers is extraordinary of Chardonnay, by Chardonnay and for Chardonnay. Drink 2016-2025. Tasted July 2015 @FlowersWinery@rogcowines@sonomavintners
Secretive, perceptive, intense, insightful, with a strength of will
J. Christopher Bella Vida Vineyard Pinot Noir 2011, Dundee Hills, Willamette Valley, Oregon (432823, $64.95, WineAlign)
Lithe and extremely pretty Pinot Noir, reeking of that ancient underground, saline Willamette stream and above ground, Dundee Hills fresh summer berries. Has the best tense intentions, readily available sultry, soluble tannins and just pitch perfect, happy helping acidity. This has the svelte cure and the natural tug of positivity. Sanguine, hematic, volcanic. Great stuff. Drink 2016-2022. Tasted October 2015 @BellaVidaWine@Oregon_Wine@Select_Wines
Time, tides and wine. In a place like the Bay of Fundy, the three intertwine with nearly inexplicable lightness of being. The traveler covets these things in wistful retrospection. East coast movement, water and the new frontier for viniculture. “Each day the tides carried us to promulgate layovers, to begin flowing again each seriate day, at the hour of its reversal.”
While the exercise of a vinous walking tour would seem to fitly tread the boards of Nova Scotia’s watery ways, even more so for stations achieved by bicycle, a car makes possible the desire to learn more in less time. The roads in Nova Scotia wine country lay out as an inferential and navigable labyrinth, in the Gaspereau Valley and along the shores of the Minas Basin, from Wolfville to Grand-Pré of King’s County. There, unbeknownst to who knows how many zonked global winos, the wines of Nova Scotia not so much hide as crouch. They are a real, new deal, fervidly expensive to those who don’t yet understand them, free to those who do. They are poised to join the ranks along with Canada’s best.
Peter Gamble has reached out a major hand to three essential facets for Nova Scotia’s wine renaissance. His consultancy has raised the profile and the bar for Sparkling wine from Benjamin Bridge Vineyards. He has been instrumental in the creation of the provincial appellative blend Tidal Bay, a regionally defining and commercially essential white wine. Ontario has fallen behind in not seeking out to create the same. Gamble’s work with the vinifera producing wines of Lightfoot & Wolfville Vineyards is the single most important revolution to happen in the Canadian wine industry in 20 years. I wrote this last summer. “What he will touch in his new appointment at Lightfoot & Wolfville Vineyards will make Nova Scotia history.”
Courtyard of Le Caveau at Domaine de Grand Pré Vineyards
Over the course of two days in late July I foraged through a second annual investigation into the Wines of Nova Scotia. It began with a tasting through the Domaine De Grand Pré Vineyards portfolio led by Hanspeter Stutz. The estate’s Vintner’s Reserve Riesling 2013 was recently awarded one of three Awards for Excellence in Nova Scotia Wines at the recent Lieutenant Governor’s Vice-Regal Wine Awards. The other two winners were Blomidon Estate Winery Cuvée L’Acadie 2010 and Avondale Sky Winery Martock 2012. Blomidon and Avondale Sky are two estates at the top of my WONS bucket list I have yet to visit.
Post anything but haste tasting with HansPeter dinner then followed at the estate’s incomparable Le Caveau Restaurant, in the company of L & W’s Mike, Jocelyn and Rachel Lightfoot, with Chef Jason Lynch manning the stoves.
Le Caveau’s Beef Two Ways, grilled AAA hanger steak, beef shank galette, seasonal vegetables, barley
The following morning I sat down with Rachel and winemaker Josh Horton at Lightfoot, then travelled shotgun with Mike to taste at Bruce Ewart’s L’Acadie Vineyards. The estate’s Cuvée Rosé 2011 was awarded a Silver medal and the Vintage Cuvée 2012 a Bronzeat the 2015 WineAlign National Wine Awards of Canada (NWAC15). We then paid a visit to Benjamin Bridge to peruse a Sparkling meets still appraisal with head winemaker Jean-Benoit Deslauriers and vineyard manager Scott Savoy.
Smell the slate and taste the natatory saliva, like liquid shells from the grape that transmits nascent maritime theology. Consider this variety that accentuates the terroir and reaches beneath the mud, to imagined aquifers for deep-rooted flavour
L’Acadie the grape variety harbours one of the great acidity secrets on the planet. Sparkling wine is possessive of dramatic excellence in Nova Scotia. Chardonnay and Pinot Noir are moments away from certain greatness.
Le Caveau’s Charcuterie Plate, house-made and locally sourced, served with chutney, shallot compote and spiced bread
“The wines of Nova Scotia could not be drunk in the 1990’s. None of them.” These are the words of a now very proud Hanspeter Stutz, who in 1993 purchased the estate and re-planted 30 acres. The doors opened in 2000. In can be argued that no one in Nova Scotia has accomplished more and furthered the credibility of hybrid-produced wines than Hanspeter and (winemaker-son) Jürg Stutz.
Godello and Hanspeter Stutz at Domaine de Grand Pré Vineyards
Domaine de Grand Pré Riesling Vintner’s Reserve 2013, Nova Scotia (Winery, $20, WineAlign)
Imagine lime as a tide, ripening in extreme oscillating waves and layers like the highs and lows of Fundy’s Minas Basin. Only a dike could stop the citrus from rising and falling twice at normal sipping speed within the time it takes to assess through a glass. Lactic and piercing with a finish that pops, like no other Riesling in the world. Such a lingering finish. Healthy in correct perspective at 11 per cent alcohol. Drink 2015-2022. Tasted July 2015
Domaine de Grand Pré Tidal Bay 2014 and Riesling Reserve 2013
Domaine de Grand Pré Tidal Bay 2014, Nova Scotia (Winery, $20, WineAlign)
Hanspeter’s favourite wine is this blend of L’Acadie Blanc, Seyval Blanc, Ortega, Muscat and Vidal Blanc. Using the maximum allowable 15 per cent Muscat Hanspeter explains the choice to “do fruity, with our strength and to a dry finish.” Muscat acts as the catalyst to achieve this end. At 11 per cent abv it is not overdone, remains in balance and leads the Tidal Bay armada. Defines terroir within a properly determined fragrant framework specific to the Nova Scotia appellative intention. Rocks no boats and expresses more character than a rhyme with bucket or most. Drink 2015-2017. Tasted July 2015
Domaine de Grand Pré Seyval Blanc 2013, Nova Scotia (Winery, $17, WineAlign)
The DGP equivalent of Chasselas along the Lake Geneva shoreline, straightforward, 12 per cent alcohol juicy, pure white simplicity. For those who would pin this hybrid to “empty cold and bare,” open your mind and conceptualize Seyval to be fish friendly to a Swiss degree. Terrific lemon acidity and smoke on the water bitters put this in perfect mind of place, with good length. White flames to deep purple. Drink 2015-2018. Tasted July 2015
Domaine de Grand Pré Baco Noir 2013, Nova Scotia (Winery, $18, WineAlign)
A smoky, unambiguous tobacco kiln and blueberry Baco. Sour cherry, salumi and pepper infuse the vina da tavola feel and like Syrah goes as meaty as can be. Refreshing because it smacks of Baco Noir, not oak. Rad sour finish. Drink 2015-2019. Tasted July 2015
Domaine de Grand Pré Castel Vintner’s Reserve 2014, Nova Scotia (Winery, $19.50, WineAlign)
The crossroads varietal happening is on display here with Cinsault and a member of the native North American Vitis ruprestis family (by Pierre Castel). Four to five thousand bottles of peppery black run off convey a taste of pickled black raspberries, cut by major chalk and minor tannin. Juicy and ready for roast game. Drink 2015-2017. Tasted July 2015
The reds of Domaine de Grand Pré Vineyards
Domaine de Grand Pré Cabernet Foch 2012, Nova Scotia (Winery, $25, WineAlign)
Only made in top vintages (when Cabernet Sauvignon ripens) and in those years the Foch welcomes the bones and body, for ageability in accord with agreeability. Travels from Cassis to tar, chocolate to sour cherry. Chalk again, this time in grains of liquid sand and a pepper-laced finale. Drink 2015-2020. Tasted July 2015
Domaine de Grand Pré Foch Vintner’s Reserve 2012, Nova Scotia (Winery, $25, WineAlign)
Without the parenting role performed by Cabernet Sauvignon the Foch abandons the homestead and goes it alone. Kind of ironic considering the vinifera is the guest but old world pedigree and custom is hard to replicate. A mix of lead pencil, a curtailment of fruit and fermentation by attrition. A wild ride of savoireverte, tar and resilient verity. Drink 2015-2018. Tasted July 2015
Domaine de Grand Pré Tom Tom NV, Nova Scotia (Winery, $25, WineAlign)
And I quote. “This blended red wine was created in honour of Tom Preston. Tom was probably the longest-serving field hand in the Nova Scotia wine industry. His career at Grand Pré placed him near the center of its remarkable growth; as witness, contributor and mentor to those who tend the vineyards today. Tom passed away in 2014 only two years after his retirement from the vineyards.” This 1300 bottle debut tribute consolidates 60 per cent Marquette from two vintages with Baco Noir and Cabernet Foch. The second encomium will go under another moniker. A blend that softens in simpatico, ripens with one another and pitches in together. There is cure in its depth with red plum on the road to palate. Quite the coat of veneer. All red fruit, incumbent acidity and red lactic citrus circulating throughout. To Tom. Drink 2015-2020. Tasted July 2015
Domaine de Grand Pré Riesling Icewine 2013, Nova Scotia (Winery, $54.50, WineAlign)
From Warner Vineyards in Lakeville, Nova Scotia. Barrel fermented and aged in American oak for 10 months. Incredible acidity on top of pure fruit that indicates pear and white fleshed peach. The yield comes from an orchard’s northern clime stone groove with nary an apricot in mind. This wine, as with the table whites and reds, never takes itself too seriously. In the words of Hanspeter “just have fun and work on it. That’s a start.” Drink 2017-2025. Tasted July 2015
“Tirage and terroir,” asserts Bruce Ewart, a pile of vineyard rocks and stones separating he and I on the tasting counter between us. The rocks are quarried out of slopes in the Gaspereau Valley spilling down towards the Bay of Fundy, from vineyards built of glacial till in the soil mixed with clay and loam. “Mineral flavours from mineral soils,” adds Ewart. Then we taste.
Godello and Bruce Ewart of L’Acadie Vineyards
L’Acadie is the signature grape of the L’AV command. When sourced from clay-loam it produces fruitier wines, from still to sparkling. The mineral increases from out of the glacial till. L’Acadie is certified organic and all of their wines are made with 100 per cent Nova Scotia grapes.
Glacial till stones of L’Acadie Vineyards
Bruce goes straight for the critical jugular and pulls out the best Sparklers in his portfolio. Make no mistake, no matter the hybrid content, the wines are cogent sticks of Nova Scotian dynamite with unprecedented levels of balance. They are as unheralded as any in North America. The only other house with less attention yet paid to its méthode traditionnelle programme that I have encountered is Sparkling Pointe on the North Fork of Long Island. Yet another example for a cool-climate region’s reason to make bubbles.
Sparkling wines of L’Acadie Vineyards, Gaspereau Valley, Nova Scotia
L’Acadie Vineyards Prestige Brut Estate 2009, Gaspereau Valley, Nova Scotia (Winery, $45, WineAlign)
From the second harvest (following the 2008 vintage was from 2005 fruit) of the certified organic vineyard, a south facing Gaspereau Valley rocky plot blessed of ancient geology, like crushed pills of polar pottery and with perfect natural low vigour conditions. That first vintage of some 100 odd bottles still rests and will do so for likely up to seven or eight years. The 2009 is made in the traditional method and aged for five years on the lees. All estate fruit and that 60 months is needed to bring about harmony. Toasty, part cruller, part panettone and brut to the point of profundity (was six and is now 3 g/L of residual sugar). Bitters melt into length with alcohol set at 11.6 per cent. Drink 2015-2021. Tasted July 2015
L’Acadie Vineyards Vintage Cuvée 2012, Gaspereau Valley, Nova Scotia (Winery, $26, WineAlign)
A Cuvée cut with a bowie from grower’s fruit on clay-loam soils with less triage (24 months) than the other sparklers in the L’Acadie oeuvre. A fruit forward expression, persistent in biscuit baking but the result is more cookie than croissant. Reads like an eight line poem, the higher dosage (8 g/L) in drama of orchard fruit and lime zest. Hunky dory bubbles, “the key to the city, is in the sun that pins the branches to the sky, oh, oh, oh.” Drink 2015-2019. Tasted July 2015
L’Acadie Vineyards Cuvée Rosé 2011, Gaspereau Valley, Nova Scotia (Winery, $26, WineAlign)
Blends dramatically early-picked Marechal Foch (40 per cent) with less antecedent specific to bubbly-grown L’Acadie (60) grapes. The Foch brings can/rasp/strawberry to the system of sparkling reckoning, in subject meaning for the latter to chastise with acidity. Comes to light like a new sparkling day, an awakening of bubbles senses, with a balanced attack of fruit flavours ushered within the pressured caisson of L’Acadie’s mineral chamber. Salinity, brine, sapidity and red citrus roll on. Drink 2015-2020. Tasted July 2015
L’Acadie Vineyards Rosé 2014, Gaspereau Valley, Nova Scotia(Winery, $20, WineAlign)
An early picked Marechal Foch, lithe 11.6 per cent alcohol, crushed berry beauty. Terrific aridity, aromatic allure and redundant in nix of residual sugar. Another nerdy, essential example of what can be done with Rosé in Nova Scotia. Cranberry and strawberry expressed through citrus with the always necessary mineral balance provided by L’Acadie, in every reason, for harmony. Drink 2015-2017. Tasted July 2015
L’Acadie VineyardsEstate L’Acadie 2013, Gaspereau Valley, Nova Scotia (Winery, $20, WineAlign)
Here the mineral and bone in till from the strong, outstretched arm of the sea lends sentient clarity, joined by the earth it bares. Smell the slate and taste the natatory saliva, like liquid shells from the grape that transmits nascent maritime theology. Consider this variety that accentuates the terroir and reaches beneath the mud, to imagined aquifers for deep rooted flavour. Think about vines that delve into the glacial recesses to divine subaqueous locution. As a hybrid L’Acadie may seem obtuse but as a Nova Scotian reality it may as well be Muscadet, or even Chablis. Drink 2015-2020. Tasted July 2015
L’Acadie Vineyards Passito 2012, Gaspereau Valley, Nova Scotia(Winery, $23, WineAlign)
A Ripasso-style red made from 30 per cent dried grapes. An intriguing approach for hybrids and cool climate viticulture. Marechal Foch and Leon Millot are aged in American oak. The discerning is of dried figs and prunes, foxy and slick. Characterful, like duck prosciutto and dried, sour cherry liquorice, spiked by fennel seed and dipped into a pool of savoury syrup. Very interesting. Drink 2015-2018. Tasted July 2015
L’Acadie Vineyards Alchemy 2010, Gaspereau Valley, Nova Scotia(Winery, $43, WineAlign)
Here the Ripasso steps up to Appassimento. In 2009 the work was performed with 75 per cent Leon Millot and 25 Luci Kuhlmann aged for 24 months in American oak. The 100 per cent methodology in 2012 in the 500 mL bottle is all Foch and nothing but. Leads to a deeper brood, of rich, chocolate flavour melted and hardened over blackberry and a wild hit of sauvage. Intense red smouldering with tobacco and finishing in pulsating fashion, like currants on steroids. Drink 2015-2020. Tasted July 2015
Jean Benoit Deslauriers, along with viticulturalist Scott Savoy leads Mike Lightfoot and I through a transaction of Sparkling and still wines in the BB portfolio. Deslauriers offers a concise dissertation on phenolic maturity as a journey incarnate, out of the Gaspereau Valley’s long growing season, mitigated by the east west corridor. He talks on moisture vs heat and the dichotomy of swelling berries. “Its not California here” he says with a wry smile and I can tell he’s pleased with his winemaking lot in life. Here it’s real, tapping into hang time, phenolics and utterly eccentric levels of dry extract.
Tasting at Benjamin Bridge, Gaspereau Valley, Nova Scotia
Benjamin Bridge Nova Scotia Brut 2008, Gaspereau Valley, Nova Scotia (381533, $49.95, WineAlign)
Even if it’s not the first Bridge record, a milestone moment is here in this the last wine with hybrid contents (within this particular BB program). Though it houses 10 per cent Chardonnay and 10 per cent Pinot Noir, the remainder (80) is Seyval Blanc, L’Acadie Blanc and Vidal. At this Brut level it’s so very bluesy and deceptive in consideration that it is a hybrid based wine, but at the sensory level, miles beyond and a whole other matter. The tempo is furious, the muscularity of tone like bebop in chorus. It has citrus fleshed, aromatically autolytic patisserie and caramelizing onion richness. It’s a searing, raging scintillant, still throbbing and thriving. There is so much grapefruit here in crazy intensity. Work with it and the toast, the brioche and the baking spices come out, come clean and linger. Drink 2015-2023. Tasted July 2015
Benjamin Bridge Brut Reserve Methode Classique 2004, Annapolis Valley, Nova Scotia (275396, $95.00, WineAlign)
The ’04 is hanging in beautifully, on a wire of impossible balance, at 11 years old not yet really transitioning. There is simply too much brightness for it to give up its youth. You have to strain your ears, nose and throat to assuage just a hint at oxygen, life affirming breaths and then a keener sense of toast and yeast. Still behold the grapefruit, a sign of remarkable adolescence, the hang time amplified and in mass hyperbole here, in this current appraisal, address and time. How can richness act and display with such alpha freshness? How can an aging body not shed baby weight, turn lanky, lean and awkward? How is it neither the bitter pill of juvenility or senility has been swallowed? That is not the case here in a Blanc de Blancs which still has five to seven years of very active life ahead. Drink 2015-2021. Tasted July 2015
Benjamin Bridge Brut Reserve 2008, Gaspereau Valley, Nova Scotia (275396, $74.95, WineAlign)
From dry extracts that were off the charts, the ’08 comes to play with massive intensity. A unique Co2 effervescence, expansive instead of contracting. A wine of palate sensory driven speculation and assessment. Unrelenting mousse, exploding outwards, persisting straight through to the finish. Richness matches the foundation of freshness, with a full citrus fruit palate. Density from super low yields (a decadent tonne per acre, 1/6th of champagne) in another cool year, or in other words, “a vintage of opportunity.”
From my earlier note of July 2014:
The 2008 Brut Reserve is composed of 61 per cent Chardonnay and 39 Pinot Noir. If any wine in the Benjamin Bridge continuum defines the legacy left behind by Raphaël Brisebois and passes the sparkling torch to Jean-Benoit Deslauriers, this ’08 is it. Here is the vintage that begins to emulate the grower’s Champagne of the motherland, in deeper learning, understanding and connection to the estate’s vineyards. At present this is such an infant, reductive and with a blowzy palate that suggests a fidgety, elemental state. The attack is in burgeoning mousse. After spitting, the wine persists, as if there remains a mouthful, causing the cheeks to expand. The citrus is weighty in texture and this ’08 goes deeper than the previous Brut reserves. Three years will be required to allow for a settling and 20 years lay further ahead for secondary, tertiary and quaternary development.
Last tasted, at the winery, July 2015
Benjamin Bridge Vēro 2013 and 2014
Benjamin Bridge Vēro 2014, Nova Scotia (Winery, $22, WineAlign)
Derived from veritas, the Latin word for truth. If Tidal Bay is an appellative Nova Scotia blend that walks from the sea, Vēro is the Bridge’s worthy adversary that emerges from the land. This vintage is composed of 35 per cent Chardonnay, 10 Sauvignon Blanc, 15 Riesling, 20 Ortega and 20 Vidal. It appeals with an increase of ore and aridity, despite and in spite of 17 g/L of residual sugar. It is a formidable, linear, focused, 11 per cent alcohol straight shooter. Hybrids speak in foxy white linen and lace. A striking and popping white blend. Quite wild, really. 500 cases made. Drink 2015-2018. Tasted July 2015
Benjamin Bridge Vēro 2013, Nova Scotia (Winery, $22, WineAlign)
As in the forward ’14, this ’13 is again built on the foundation of freshness and the highest of aromatic components. Percentages are (60) Chardonnay, (30) L’Acadie and (10) Riesling, the latter of which is noticeable, adding petrol and terpene to the still beating, vibrant palate. Compounded by full flesh on viscous mouthfeel. Has a natural, nearly oxidative feel just beginning to happen so it behooves to ask if these are the wines that define idealism as adversary to the stylistic Tidal Bay way? Finishes with terrific bitters and a L’Acadie oyster shell coarseness. Drink 2015-2016. Tasted July 2015
Benjamin Bridge Cabernet Franc Rosé 2014, Nova Scotia (Winery, $22.95, WineAlign)
A Nova Scotia first, this blush made from 100 per cent Cabernet Franc. The minerality comes straight from stone, sans flint, and the epigrammatic aromatic notion is saucissons and rillettes, not wild berry. Simulacrum to a Loire Valley format, like Chèvre on a log after a forest rainstorm. Stone age Breton on exhibit. Salinity and aridity in spite of its meagre 7 g/L RS. Bright, fresh and vivid tones are wrapped up in the enigma of very cool climate grown Cabernet Franc. Sea and brine entrammel the flavours. Drink 2015-2018. Tasted July 2015
Benjamin Bridge Nova 7 2014, Nova Scotia (Winery, $24.95, WineAlign)
There is really no vintage in, vintage out agenda on a journey to categorical dryness for Nova 7, so it is thrown like caution to the Fundy wind and fermented at lower temperatures. The risk road taken preserves the Co2, which stays in the solution instead of leaving, thanks to the cool temperatures. Terpenes, phenols and esters remain. Low alcohol (8 per cent), elevated (80 g/L) RS, aromatics and effervescence are the amalgamated result. A unique wine out of an extreme environment, this is a plainly, nearly painfully mother humming cliffhanger from Benjamin Bridge. Beautifully waxy, of a pink aridity, brightness, fresh acidity with a dry finish, in as much as such a level of sweetness can allow. Will stay fresh, age and linger for five to seven years, easy. Drink 2015-2022. Tasted July 2015
Natural challenges, winter temperatures in the -20 range, late frosts, hurricanes. Welcome to growing grapes in Nova Scotia. And yet Lightfoot & Wolfville is producing Chardonnay and Pinot Noir. Mike Lightfoot attributes vine survival to nutritional balance in the natural systems through organic and biodynamic viticulture.
Ancienne Chardonnay and Pinot Noir 2013 with a glass of soon to be released Rosé
The pioneering activities do not end there. L & W has also added 4.5 acres of rare and classic vinifera to their “Corton” Oak Island vineyard. Chenin Blanc, Scheurabe, Sauvignon Blanc, Kékfrankos just to name a few. “These grapes were chosen based on climate and soil chemistry,” with the future in mind, for sparkling, still, and sweet wines.
These are the wines I tasted (from bottle and tank/barrel samples) in July with winemakers Josh Horton and Rachel Lightfoot.
A sneak peak at Lightfoot and Wolfville’s Tidal Bay
Lightfoot & Wolfville Tidal Bay 2014, Nova Scotia (Winery, Approx. $21-22, WineAlign)
A Muscat-less blend of Geisenheim, L’Acadie Blanc, Chardonnay and Chasselas with a directive to drive by aromatics if easy on the turns. A Tidal Bay borne on the architecture of spine, a step shy of sacra perfume. A white to pair with local necessity, a seafood marker, a buoy to the stock pot and the grill. Its release is imminent (the intention was between August 17th to 27th). Represents pure citrus distillate, in lemon and lime, with a median balancing action in 12 g/L of residual sugar, which really doesn’t show, no, not even close, though certainly the acidity balance helps (9 g/L of TA). Drink 2015-2017. Tasted July 2015
Lightfoot & Wolfville Rosé 2014, Nova Scotia(Winery, Approx. $18-20, WineAlign)
Pinot-driven, of Noir and Pinot Meunier with tiny amounts of Geisenheim and Frontenac Rouge. Arid, rusty, simply and purposefuly pale red that emerges straight from the earth. Has a plasma sensation, with lemon and dry red earth. Natural feel. A cure of veal. More structured than even its makers are giving early credit for. A portal to the more ”serious” solo, mano a mano Pinot/Pinot to come. A hue and style originated and heading in the right direction. Drink 2015-2018. Tasted July 2015
Welcome to the new Chardonnay ethos, an east coast compages for la belle nouvelle écosse, the new borderland for Canadian vinifera. The respite found in Lightfoot & Wolfville’s first release is like breathing for the first time. As I noted a year ago while tasting through (mostly older) barrel trials, I have unearthed a Canadian winery animated in the architectural rendering of Premier Cru Chablis. Full textured, creamy aromatics, layers of lace and luxe, popping acidity and with length stretched to service now and later. Approximately 135 cases made. Drink 2015-2019. Tasted July 2015
I see the light. Innaugaural releases of Lightfoot and Wolfville’s Ancienne Chardonnay and Pinot Noir 2013
If de novo for Pinot Noir is to be found in Nova Scotia then count me in because the inaugural release from Lightfoot & Wolfville is the trailblazer for and from the extrinsic frontier. Tasting the painstakingly measured yet barely handled 2013 for the first time (from bottle) is like falling into a glass of Nova Scotia cherries. Somehow there is this simultaneous and virtual voyage abroad to imagine a comparison with Nuits-Saint-Georges, in its earth crusted, sanguine, welled up tension that begs questions and belies answers. A year yonder the taste from barrel and what can be said? Pinot Noir adjudicated, into a cortex of recognizable consciousness and thus into the natural Nova Scotia mystic. Ignore and forgive the dope of first returns, for no one could have imagined such ripeness and immediate gratification. Future releases will dial back in the name of structure. That said, in 2013 there is a red citrus, ferric debate that will send this to an exordium seven years down the road. Impossible inaugural release. Approximately 50 cases made. Drink 2015-2022. Tasted July 2015
Lightfoot & Wolfville Sparkling Blanc de Blancs 2012 (Sample)
Not yet disgorged with a plan for leaving them for five to seven years on the lees. From estate fruit (five year-old vines at the time) tanking in stainless, with no dosage. Full input charged citrus reminds of Brut Zero (i.e. Tarlant) in its classic, linear, straight pierce, dart to the heart. Needs lees texture for body which time will accord. Really classically styled.
Lightfoot & Wolfville Sparkling Blanc de Blancs 2012 (Second Sample)
Here the use of a small amount of oak. A slight bit of reductiveness (being employed as an idea going forward in defining a house style) shows up as smoke and flint. The triage leads to green apple and a different kind of citrus, with more body and warmth, partly in alcohol but more so elegance and a linger in this not so fleeting fizz.
Ripeness, of phenolic targets hit for the second year on a row. In 2014, marked a reduction experiment, from a brand new demi-barrel, seeking a covering up of the reductive qualities. An approach to amalgamate the best of both worlds.
Lightfoot & Wolfville Rosé 2014 (Tank Sample)
Pinot Noir and Pinot Meunier. An hour or two quick breaking of the skins on the press. Incredible aromatics, chewy, with a pepper kick, of an edge that will be smoothed over by a bit of residual in the finished wine. Just the right proper citrus ands a touch of animale. So special. Potential release is late September/Early October.
The recent releases of Lightfoot & Wolfville’s Tidal Bay and Rosé 2014 were met with much ado in the Halifax wine bars, just like the reception giventhe Pinot Noir and Chardonnay one month before. Naysayers (including some critics who have tasted these wines) want to burst the bubble, not because of truth but out of a closed mind set that will not allow for change, or evolution. The treatment in contempt of possibility is born of narrow, jaded vision. Despite the exceptional and opprobrious hurdles that climate places on vinifera and its attempted journey to phenolic ripeness, L & W, Benjamin Bridge, Domaine de Grand Pré and L’Acadie Vineyards are ripening grapes, beyond and along with winter-resistant hybrids. Advanced viticulture and winemaking prowess are primed for the new Nova Scotia millennium, on the new frontier. Pay a visit and see for yourself. Then get ready for a policy change of the mind.
See the light? Inaugural releases of Lightfoot & Wolfville’s Ancienne Chardonnay and Pinot Noir 2013
It was July 2014. As my family and I grazed and lazily traversed our way around Cape Breton Island, the decisive, proximate sojourn came catgorically to mind, in lucid, axiomatic extension, extrapolated in thought as naturally and forcefully as a Fundy tide. A call to the upper Annapolis Valley, along the shores of the Minas Basin towards points in and around Wolfville and Grand-Pré of King’s County. Maybe check out the wine scene aforementioned only a week before by Peter Gamble.
I have seen & tasted the future of vinifera in Nova Scotia and its name is Lightfoot & Wolfville Vineyards. @lwwinespic.twitter.com/prLdloxyHb
What happened next could not have been imagined in any wildest dream. The samples I tasted in the barrel cellar at the yet to open Lightfoot & Wolfville winery were too good to be true. Peter Gamble told me this. “We consider the fruit from Pinot Noir and Chardonnay on this property to be Grand Cru.”
The first vintage of these ground-breaking wines are now in bottle. They are called Ancienne, as in old-school, traditional, hand-made, artisanal. The irony is not lost in the use of a word that might also translate to endemic or indigenous, for wines made from Burgundian grape varieties raised on Nova Scotia soil.
The divulge is now. The wines are currently pouring at a private function at Obladee Wine Bar and will be open for tasting at Bishop’s Cellar in Halifax from 5-7 pm EST. For Mike and Jocelyn Lightfoot, along with Rachel, their oenologist-prodigal daughter come home from Brock University, winemaker Josh Horton and Gamble, the realization, without equivocation, is that their pioneering accomplishments signal the turning point for growing vinifera in Nova Scotia. Today is the first release of Ancienne, the Chardonnay and Pinot Noir 2013’s from Lightfoot & Wolfville Vineyards.
The concept may seem entirely outlandish but hear this. Planting, cultivating and vinifying Chardonnay and Pinot Noir to craft Nova Scotian wine is no castle in the air, no giant beanstalk, no pie in the sky. These wines are made from 100 per cent locally raised fruit. Nova Scotia grapes. European roots.
In 2014 I went through the barrels with Josh, Mike, Jocelyn and Peter. Blending trials too. I saw the light. No, really, I walked into the tunnel and towards bright light. I knew then and even more so now, after tasting them a year later in bottle, that there is no going back. Here marches forth the future of vinifera in Canada.
Ancienne
I was duly impressed at the passion, knowledge and maturity to belay their years manifested in the tutorials from Josh and Rachel as we tasted through the wines on July 27th. The Pinot and Chardonnay are really nothing short of amazing, especially considering the absence of reference points from Nova Scotia soils. Most important are the levels of maturity and understated character. Gamble and his protégés have allowed the fruit to speak without encumbrance. They are neither stark nor beyond ripe and oak has been used with terrific restraint. Not sure how he could have known it would work but to Gamble, as a veteran of decades of Canadian harvests, it must be an absolute revelation.
The Chardonnay was planted in 2009 in a block that sits on the crest of the hill on the Wolfville vineyard site. For the 2013 vintage of Ancienne Pinot Noir the fruit came from grower Al MacIntyre’s Racca Vineyard in the Blomidon/Canning area. These vines are approximately 15 years old. The L & W journey fell upon great fortune with the Racca Vineyard fruit, allowing the team to gauge possibilities for the future. The successive (2014) vintage will be the first year L & W harvested fruit from their estate Pinot vines (Planted in 2012 at their Avonport site). Rachel tells me that “given the philosophies behind the Ancienne tier, we will likely use exclusively estate-grown fruit in the future.” The ideology includes farming practices in adherence to both organics and biodynamics.
The Chardonnay is made from six of (eight total) barrels, using a minimalist approach, with no fining (use of a rock stopper) and an élevage of 18 months in (18-20 per cent new) and the rest, older barrels. The last two barrels will likely go to 24 months for a reserve wine. There are 1600 bottles produced with future targets currently set at 2500+. The Pinot Noir was also bottled after a light, coarse filtration (using a rock stopper), but no fining. At this point there are approximately 600 bottles produced. The goal is 1500-17oo bottles. Here are my tasting notes on the new releases:
Ancienne Chardonnay and Pinot Noir 2013 with a glass of soon to be released Rosé
Welcome to the new Chardonnay ethos, an east coast compages for la belle nouvelle écosse, the new borderland for Canadian vinifera. The respite found in Lightfoot & Wolfville’s first release is like breathing for the first time. As I noted a year ago while tasting through (mostly older) barrel trials, I have unearthed a Canadian winery animated in the architectural rendering of Premier Cru Chablis. Full textured, creamy aromatics, layers of lace and luxe, popping acidity and with length stretched to service now and later. Approximately 135 cases made. Drink 2015-2019. Tasted July 2015
If de novo for Pinot Noir is to be found in Nova Scotia then count me in because the inaugural release from Lightfoot & Wolfville is the trailblazer for and from the extrinsic frontier. Tasting the painstakingly measured yet barely handled 2013 for the first time (from bottle) is like falling into a glass of Nova Scotia cherries. Somehow there is this simultaneous and virtual voyage abroad to imagine a comparison with Nuits-Saint-Georges, in its earth crusted, sanguine, welled up tension that begs questions and belies answers. A year yonder the taste from barrel and what can be said? Pinot Noir adjudicated, into a cortex of recognizable consciousness and thus into the natural Nova Scotia mystic. Ignore and forgive the dope of first returns, for no one could have imagined such ripeness and immediate gratification. Future releases will dial back in the name of structure. That said, in 2013 there is a red citrus, ferric debate that will send this to an exordium seven years down the road. Impossible inaugural release. Approximately 50 cases made. Drink 2015-2022. Tasted July 2015
A sneak peak at Lightfoot & Wolfville’s Tidal Bay
More releases will be forthcoming in the coming weeks.
Gold Medal Plates Toronto 2014 silent auction guitar signed by Canadian musicians
In 2013 the number chosen to highlight excellence in Canadian wine was 13. Symmetry and permutations with repetition are one thing, quality in winemaking is yet another. The expectation is fully understood that next year there will be 15 wines on the list. And so on and so forth.
What force has thus far driven and will continue to drive the wines of Canada? By sifting through leads in geography, in the orientation of escarpments, mountains, rivers and valleys, in the gestalt of the archaeology of tomorrow, in the vineyard landscape of today, we can perchance unlock the riddle of the what and the why for varietal planting. The end game is to unlock the mystery within the puzzle of terroir, to figure out what grapes will thrive and where they can be given the best shot at success. It is not just about what happens beneath the soil, but also what happens above, around, beyond and in the minds of women and men.
Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.
Winery visits were numerous in 2014. Thanks must be dispatched to all who opened their doors, to those with established roots and to risk takers who through their new planting, began burrowing their own. Like Ilya and Nadia Senchuk at Leaning Post Wines in Winona, Ontario. Like Mike and Jocelyn Lightfoot in Wolfville, Nova Scotia. Tastings that go beyond the pale shed new élevage and barrel light. The light shed by such practices was no more in evidence than at Tawse with Paul Pender and Norman Hardie, but also at Flat Rock Cellars with Jay Johnston and Ed Madronich.
There were a few wines that should have, would have and could have made the cut were there time, space and a better headline to write. Gray Monk Riesling 2012, Okanagan Valley at ($15.00, WineAlign) is the best value for the niche in B.C. This is old-school, west coast Riesling with attributes to reflect and look back on generations of acumen. Tawse Carly’s Block Riesling 2012, VQA Twenty Mile Bench ($31.95, WineAlign) forms a bridge and meets the twain, from atomic to tropic and was a NWAC14 Platinum Medal Winner.
La Face Cachée de la Pomme 2011 Neige Première Ice Pink Cider, Quebec ($22.95, WineAlign) speaks to me in waves of demonstrative, Floydian verse. There is Icewine on the bright side and then there is Iced Cider on la face cachée. Leaning Post Lowrey Pinot Noir 2010, VQA St. David’s Bench ($38.00, WineAlign) though just recently re-tasted, was actually first assessed in November of 2013.
This list certainly concentrates on new releases, save for a few exceptions where older wines left a modern impression. Wines that found a way to break new ground also factored into the decisions. Here are the 14 Canadian wines tasted in 2014 that simply did it for me. Wines that are extensions of their maker’s personality, philosophy and temperament. Wines that are indicative of their terroir.
From left to right: Vineland Estates Elevation St. Urban Vineyard Riesling 2012, Flat Rock Nadja’s Vineyard Riesling 2012, Blue Mountain Gamay Noir 2013 , Norman Hardie County Cabernet Franc 2012, Sperling Vineyards Chardonnay 2012, Charles Baker Picone Vineyard Riesling 2012, Pillitteri Estates Family Reserve Merlot 2002
Who has not waited for Elevation to hit out of the 2012 vintage? Straight up it must be noted that this will rank over and above the best from the St. Urban Vineyard. The ’12 Elevation will not only find long-term success among the great values in Bench Riesling, it will go down as one of the best ever, at any price. The vintage impart is a natural for this wine. At the moment it is the most primary of all because of the layers that texture bring. The Elevation will go thirty years and climb higher and higher into the stratosphere, gaining flesh and personality. The already seamless gathering of fruit and mineral is palpable. And still a reminder, the price is $20. This is a Schmidt gift to Ontario, for anyone and everyone to be one of the lucky ones. To purchase in increments any less than a case may be considered a crime against Riesling. Tasted November 2014 @VinelandEstates@benchwineguy
Flat Rock Nadja’s Vineyard Riesling 2012, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $19.95, WineAlign) From The Group of twelve, April 28, 2014
Just add three months and witness a new evolution, a density, from a honeyed thing. Entering a pre-adolescence with a new bounce in its step. From my earlier, January 2014 note: “A champion cyclone of forces combined to elevate the already incumbent position of this Twenty Mile Bench Riesling. An ideal growing season magnified transmission upon a paradigmatic two and a half-acre block. This southern-most and highest altitude section of Flat Rock’s vineyard rests aboard a solid bed of limestone and wake me up if that rock was not drawn up into the vines in this stellar Riesling vintage. Sure its warm and nearly off-dry but such an effortless squeeze of lemon hydrates and elevates orchard fruit and honey out of the year of the lemon. After each sip its “every time you kiss me, lemon crush.” Love this prince of a Twenty Mile white in 2012, the dynamism smiling on the tart, succulent fruit. The length is one of outright bravado. This will develop for 20 years, of that I am convinced. There is just so much fruit. A Nadja for the ages.” Tasted April 2014 @Winemakersboots@UnfilteredEd@brightlighter1
The purity of fruit in Blue Mountain’s Gamay is without question in a distinct class of the few and far between. Older barrels (four year-old, fifth fill) were used and the impart should not be dismissed. While quintessentially Okanagan Gamay, the fruit is elevated, lifted, ripe like warmer Cabernet (dare it be said) with more berry and Cassis-like aromas. The palate tension and round acidity bring Morgon to mind. Just a bit gamy on the back end, which is nice. Planning to drink this through the end of the decade would not be a mistake. Tasted October 2014 @BlueMtnWinery
Norman Hardie County Cabernet Franc 2012, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Hardie’s 2012 Cabernet Franc comes of age out of a preternatural and ontological perfect storm. Casts odds into the river of ideal weather, procures phenolic grape ripeness out of the vineyard, avoids the green and embraces the brown stems. Ferments under the natural eye of indigenous yeasts and settles into its silky skin at a low, low 10.8 per cent (give or take a lab sample) alcohol. Cabernet Franc of impossible soul, its “burden is the weight of a feather.” Pepper and currants are noted, tobacco and tomato are not. Comes “bearing a sword” but seduces with primal proclamations. Radical County red. Tasted April 2014 @normhardie
High altitude expression from a vineyard perched atop a gravel bed, a rocky pool of stone that seems to toss-up pebbles at Sperling’s window to see if she would like to sneak away for a midnight drive. A crisp, clean and linear style, full of night-air freshness, white flowers and white fruit. This is undeniably picked early and ahead of any possible oxidative or overripe window, yet there is a rich quality about it that rages against the machine, calm like a bomb, “its narrative fearless.” Very mineral in its direct back and to the side of the mouth attack, full of salinity and lemon-lime acidity. Long, long Okanagan that will flesh with five years time. The slate bass line will soften, allowing the white fruit to further shine. Tasted twice, May and July 2014 @SperlingVyds
A vintage that begged to be protected in the vineyard, meaning no leaf plucking and no thinning. A most excellent goal of (0.691895068 kg / m2), or 2.8 tons an acre was realized, as opposed to one in 2010. Heavy vigor slowed down the ripening (leaving that kind of tonnage on the vine), to an elongated balance. Comes from terroir Baker nods to as “a barren tundra,” which you don’t get down the hill. In 2012 there was no waste, no rot, no problems. Its residual climbs to 15 g/L but you’d never know it. There is a confit of citrus, a mellifluous sensation of preserved lemon. Total count is 600 cases. From my earlier, March 2014 note: “Baker’s iconic child yet breathes in unsettled, spumous emission from out of a warm vintage. So primary and such a hard act to follow. Vanguard Vinemount Ridge, arid as the desert and citrus, carbonic tight. Treated with cool, cooler and colder methods to seek result and strike balance in an opulent, lees-appertained, tangy finish. A Picone that says I don’t live today, so it is told and canvassed, “uh, get experienced, are you experienced?” Last tasted June 2014 @cbriesling
Served from Jeroboam, one of 23 produced and a testament to the precocious, facile touch of then winemaker Sue-Ann Staff. The extreme five litre format has certainly been kind to the hermetic 11-year slumber of this Merlot, as has the above average red Niagara growing season. Charlie pulled out this rare behemoth “for the special occasion” and despite and with thanks to the perfect vintage meets size storm, it has held up with dramatic fortitude. Unmistakably predicated Pillitteri chocolate perfume, brushed violet, mulberry and oven-warmed baking spice. Holding in sustained concentration, the toffee, caramel and umami of wizened, oxidized fruit not yet a twinkle in its soapy sandalwood eye. How could Sun-Ann have known what time-cheating lengths her Merlot would see to? Tasted January 2014 @Pillitteriwines
From left to right: Bachelder Saunders Vineyard Chardonnay 2012, Hidden Bench Tête De Cuvée Chardonnay 2011, Cave Spring Cellars Riesling CSV 2003, Stratus Cabernet Sauvignon 2010, Le Clos Jordanne Le Grand Clos Chardonnay 2011, Creekside Estates Lost Barrel Red 2007, Benjamin Bridge Brut Reserve 2008
Bachelder Saunders Vineyard Chardonnay 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (324103, $44.95, WineAlign) From Chardonnay is cool, July 9, 2014
Though presently showing a bit inferential, no amount of Bachelder reduction can keep good fruit down nor can it dismantle the mastery of mineral impart. An arras of texture conceals the portal to both vineyard and barrel with streaks of salinity, charcoal and chalk. The 2012 rendition is a canvas laden with pure golden paint, concealing “hidden forms and shifting states.” Thomas has found a rhythm in Saunders through thick brush strokes, full and advancing. This warm vintage is not a receding one, its flavours and its texture do the opposite. They jump out at you in waves. For Thomas, the sublime is now. Tasted May 2014 @Bachelder_wines
Tête De Cuvée by Hidden Bench, like a Champagne best of the best abstraction, makes an appeal to self-esteem and esteem for others, to consumers who have come to recognize Niagara and even more specifically, the Beamsville Bench for head of the class, cool climate Chardonnay. That mouthful congregates and works in congruence with the quality in the Tête’s composition; full-on freshness, density, weeping cerate texture, toasted and popping kernel, fine-grained localization, utterly integrated barrel. There was scant quantity (32.5 hL/h) from some very old and wise vines, pronounced like others but louder than most, from the bullhorn of a stentorian vintage. What is felt and spoken about the quality inherent from out of the finest parcels in the Locust Lane and Rosomel Vineyards Chardonnay fruit is more than a patent observation. The ability to take on toast cuts to the nougat and the synoptic rises to the ethereal ozone. Not to mention gross minerality. On the shortlist for best Niagara Chardonnay to date. Drink now and beyond 2025. Tasted twice, September and October 2014 @HiddenBench@BenchVigneron
Mind bending to taste a piece of recent history, a Riesling rooted in the rocks, blues and pop of the limestone, sandstone and shale Bench, but a wine also futuristic, distorted and soulful. From 25 plus year-old vines, this foxy lady has entered into true, secondary territory. She’s softened and her perfume is cast in vanilla butterscotch so much so she might mess with tasters’ minds in a flight of oaked Chardonnay. She’s “a cute little heartbreaker.”Tasted March 2014@CaveSpring
The declared alcohol on this is 14.6 per cent but to all of me, that is really hard to believe. Really elegant, 100 per cent Cabernet Sauvignon, perfectly unabridged in phenolic ripeness but in such fine rhythm and blues. Were it a score it would be euphonious without encumbrance and void of splinters. The most subtle and gentle J-L Groux crafted red wine I’ve yet to encounter, with a back palate combination of mushroom and citrus to follow pure red fruit. Resoundingly circular with curves, no hard edges and “perfect imperfections.” This Cabernet goes at it with Graves character and poise. It will be a Niagara legend. @StratusWines
Certainly plays the most hard to get of the ’11 Chardonnays of fruit so fine and pure. Layered like Phyllo or Puff pastry, gathered and set back upon itself. Gains traction and intensity through developed flavours and overlays of texture, both solid like shale and lacy like organza. From my earlier, July 2014 note: “From sandy loam and limestone soils, here is a Chardonnay that winemaker Sébastien Jacquey is looking to fashion with low PH and elevated tannin. A most commendable effort in the enigmatic ’11 vintage, clean, anything but lean and un-gassed by a jet engine’s aerified stream. Chardonnay running instead on the vineyard’s biofuel, a chalky lees and lime texture that turns green in a savoury way towards the back end. Full, rich, gaining in stature as it breathes, thinks and feels. Atop the green there is an ambrosial aroma and a honeyed sense of flesh. A wine of great respect and biodynamic energy.” Last tasted October 2014 @LeClosJordanne
Just 60-80 cases are made from the tips of the best barrels through a process that takes 56 months to complete. The secret ingredient is Sangiovese and bless the band‘s soul if the ferric, iron and animal musk is not attributed to the addition. This is a different kind of wine, with lees in the bottle, not unlike some big, bad Spanish wines. It’s ’07 and still reductive which makes it seem peculiarly modern (note, Spanish) but it’s really not. Despite the monster tannins, it “just gave my heart a throb to the bottom of my feet and I swore as I took another pull,” the Lost Barrel can’t be beat. Up on Creekside Estates. Tasted March 2014 @CreeksideWine
The 2008 Brut Reserve is composed of 61 per cent Chardonnay and 39 Pinot Noir. If any wine in the Benjamin Bridge continuum defines the legacy left behind by Raphaël Brisebois and passes the sparkling torch to Jean-Benoit Deslauriers, this ’08 is it. Here is the vintage that begins to emulate the grower’s Champagne of the motherland, in deeper learning, understanding and connection to the estate’s vineyards. At present this is such an infant, reductive and with a blowzy palate that suggests a fidgety, elemental state. The attack is in burgeoning mousse. After spitting, the wine persists, as if there remains a mouthful, causing the cheeks to expand. The citrus is weighty in texture and this ’08 goes deeper than the previous Brut reserves. Three years will be required to allow for a settling and 20 years lay further ahead for secondary, tertiary and quaternary development. Tasted at the winery, July 2014 @Benjamin_Bridge
Wine review at VINTAGES of Norman Hardie Chardonnay County Unfiltered 2012 by Godello
If the premature lashing of cold, snow and ice weren’t enough to get you thinking about holiday shopping, get thee to a Liquor Control Board Ontario store on the weekend. Same time, every year. The LCBO stocks the shelves, isles and pyramid displays with more booze than anyone should ever be faced with in one visitation.
The bi-weekly VINTAGES release calendar whirs, undulates and clutters in rataplan overload at just this very juncture in preparation of the Christmas rush. Shoppers will tear down the walls of wine, beer and spirits, only to hear the burloque fall silent when the clock strikes closing time on the evening of December 24th.
There are exactly 35 days left in 2014 to do the right wine thing for that father, cousin, colleague, mentor or loyal, long-time suffering employee. Please heed the warnings and do not buy crap for the one you love or think you should. No matter who you are picking up a bottle for, treat them well and with fermented grape respect.
There are three category of wines to look for, at least within the context of this buying guide. First there are the values under $20, wines made so properly they should cost double or triple what they do. Second are the expensive but honest wines. These are the true gems that make most $100 bottles look bad. Last are the $100 examples that are truly iconic, despite their cost. Though priced beyond the means of most, they are not a mistake to take a flyer and give as a gift. After the hand off is complete, the all-knowing, unspoken nod will follow.
From left to right: Cavino Grande Reserve Nemea 2008, Frescobaldi Castello Di Pomino Pomino Bianco 2013, Moris Morellino Di Scansano 2012, Louis Bouillot Perle D’aurore Brut Rosé Crémant De Bourgogne, McWilliam’s Mount Pleasant Elizabeth Sémillon 2007, Josef Chromy Pepik Pinot Noir 2012
Nemea strikes again. Dark rust, earth juiced on and of the rocks. Like Sangiovese with attitude, made by Romans, like Syrah the way it was made in mythological times, by Greeks. A classical garden. This is actually quite modern and expressive for Agiorgitiko. Acts as if it were a touch clay (or amphora) baked but it’s really just a Peloponnese take on oak aging (18 months) and further bottle rest (12 months). This is right in its window and will be friendly for three to five years more. What a steal. Tasted November 2014 @DrinkGreekWine
With thanks to Chardonnay, the Castello di Pomino 2013 elevates Pinot Blanc to a level not really found anywhere, save perhaps for one or two examples out of B.C. This one really leaves a tannic impression, not unlike some impossibly off-dry Pinot Gris from Alsace. There is a really sophisticated level of ambiance and a semblance of a distinctly rocky intent. Like high quality Sancerre or Chenin from Silex soils, the grain and veins running through the palate and the texture are coarse and cursive. This one writes a new script for Frescobaldi’s Florentine, Apennine mountain estate. Fresh, ventilated and airy as if breathing from blue skies at high altitudes. I can’t recall tasting this level of excellence before and would look forward to no less than five years of enjoying what it brings to the Tuscan table. Tasted November 2014 @FrescobaldiVini@liffordretail
A primarily (90 per cent) Sangiovese with smatterings, though not inconsequential, of Merlot and Syrah. From (non-estate) vineyards in Poggio La Mozza (Grosseto). Morellino Di Scansano, to a wine and exemplified here, sports a firm jaw and an air of tragic nobility. The question is why should it only find occasional psychic prominence as a Sangiovese go to. Moris Farms makes the lesser-known accessible, with a (sees no oak) modern accent of dark fruit and spice atop simple, pleasurable Sangiovese. Pleasantries exchanged, the 2012 MdS will work dinner, inside a Tuscan vernacular and out. Tasted October 2014 @Morisfarms@oenophilia1
Louis Bouillot Perle D’aurore Brut Rosé Crémant De Bourgogne, Ac Burgundy, France (48793, $19.95, WineAlign)
The Bouillot Rosé, for my $20 is the most impressive of their line-up, always tender and ripe as if just picked fruit, namely strawberry and raspberry. The Perle D’aurore is a faintly hued and lighthearted take but not light on effort. Elegance defined in Bourgogne bubbles with a savoury edge to give it strength. Tasted November 2014 @JCB_Wines@ChartonHobbs
McWilliam’s Mount Pleasant Elizabeth Sémillon 2007, Hunter Valley, New South Wales, Australia (724492, $19.95, WineAlign)
The 2007 is another fascinating study in Hunter Valley Sémillon. Like the ’06, egressing secondary notes have emerged, in equatorial garrigue and fruit having already met its aurulent stenosis. A honey note persists though less so in ’07, as does the level of tempering acidity. This vintage brings out the calm and the clam, though the petrol and the mineral are omnipresent, perhaps elevated. Must keep in mind it’s only $20 but it does fall a bit short in texture and acidity. There is lemon drop and the essential atomic Sémillon stoicism from the Hunter Valley, but it’s a bit thin and hollow up the middle. All that acknowledged, not having a look or two would be a shame. Tasted November 2014 @MtPleasantWines@PRAXISpr
Josef Chromy Pepik Pinot Noir 2012, Tasmania, Australia (162990, $22.95, WineAlign)
Pepik has elevated aromatic tones and though it appears lithe it reads like a weighty tome. Unique and of its Tasmanian self. Plums come to mind, as does red earth. The phenolic ripeness and varietal indications are ushered in with managed exceptions and are simply spot on. This does not strike as a Pinot Noir that will be long-lived because its black cherry and spice are riper than many contemporary editions in a similar price range, but it will offer great pleasure for two to three years. Tasted November 2014 @JosefChromy@bwwines
From left to right: Klumpp Pinot Gris 2013, Creekside Estates The Trad Reserve 2011, Meerlust Rubicon 2008, Tenuta Sette Ponti Crognolo 2011, Faustino I Gran Reserva 2001, Cvne Gran Reserva 2008
Thoroughly interesting study in German Pinot Gris despite the timid and reserved tonal nature. Aridity in as much as the variety can muster and in the largest, atmospheric sense. Though the palate has some fine-grained texture and feigned sweetness, it’s as if Baden can only do Pinots this way, in Gris and in Noir. Acidity is tempered and a willing accomplice to the diminished components of sugar and pH. A well designed Pinot Gris. Tasted November 2014 @TheLivingVine@WinesofGermany
Creekside Estates The Trad Reserve 2011, VQA St. David’s Bench, Niagara Peninsula, Ontario (390336, $28.95, WineAlign)
The Trad ’11 has a classic toast and yeast aromatic waft and so it goes that everything that follows is embraced with curiosity and an open mind. Ginger, citrus, bronze and the sweet scents of the inside of a candy machine, its candy long gone. Creekside’s winemaker Rob Power will never be accused of dialing this sparkler in. Tasting trials help determine the necessary, final blend. The single, Queenston Road Vineyard puts 56 per cent Pinot Noir and (44) Chardonnay, aged 2 years in bottle, together for a highly effective, expansive but not explosive fizz. At 8.7 g/L of residual its dry but not quite falling off the bone. The sweetness is tempered by elevated (9.98 g/L) acidity and tension. Spent 24 months on the lees and was bottled back in February. There is balance and pleasure and a good, stretchy finish. No band-aid. Clean, precise, fizz of the day. Tasted October 2014 @CreeksideWine
Meerlust Rubicon 2008, Wo Stellenbosch, South Africa (64329, $34.95, WineAlign)
Rubber dust, road macadam and strawberry jam. Fierce Bordeaux Blend home from a hot climate. This has gritty obduracy and doggedness. Like a red blend with a gun, walking the mean streets. Acidity shot through the roof. Bordeaux meets South Africa in every shared, resplendent and promising way. Rasping tannins contain bursting dark fruit, the grain running in multiple directions. Respect. Wait two more years on this and drink comfortably to 2020. Tasted November 2014 @TrialtoON@WOSACanada
This is not the modern Crognolo as witnessed in the previous five vintages. In 2011 we have been granted the complex Crognolo. This has must and earth. It has grit and girth. Best Crognolo I have tasted. Tangy Sangiovese, with some chalk in tannin. Will live longer and offer unrequited love seven to 10 years down the road, to the patient and the faithful. Tasted November 2014 @TenSettePonti@TrialtoON
Faustino I Gran Reserva 2001, Doca Rioja, Spain (976662, $35.95, WineAlign)
It amazes me how kept wines from Rioja keep appearing as if they were just bottled yesterday but not this famous Gran Reserva. Syrupy and caramelized, bright and earthy. Mulled plum and clove with citrus accents. Bretty like a barn’s floor. Cedar and leather, big oak doors. Real mutton Rioja, still tannic, energetic and searing. Kicking it old school but wild and alive. From my earlier, April 2014 note: “Were a full-term lecture taught on the pros and cons of the Brettanomyces brannigan, this Rioja might be exhibit A. Absolutely manifest fruit meets earth, meets game perfume compendium. Call it funky yeast if you must but here is a wine that can be approached by nose only and if the relationship were to end there, novels might be written. Lives on a fermented, catalytic and plucky edge but never submits to the bacterial spindrift. Leaden fruit, red and black, smooth and layered with a tension in tang that is paralyzing to the mouth. Thirteen years old and just hitting a secondary stride, with the oak slowly dissolving and not a hint of coffee or chocolate to be found. Sexy and down to earth at the same time.” Last tasted November 2014 @bodegasfaustino@Select_Wines
Cune Gran Reserva 2008, Doca Rioja, Spain (393553, $38.95, WineAlign)
Old school. Smells like Rioja. Smells like Spanish spirit and weeds, sinew, gristle and braising pig, all parts in. Smells like cedar, like American oak and a soak in a tub of spa earth and mineral salts. Like “Spanish boots of Spanish leather.” This has already done the evolutionary dance so if you are looking for something to float your natural, honest boat, go here now. In a Rioja world where the times they are a changin‘, it will sail you back in time and away into a Mediterranean sunset. Tasted November 2014 @Cvne@vonterrabev
From left to right: Fattoria Dei Barbi Brunello Di Montalcino 2008, Dutton Goldfield Dutton Ranch Chardonnay 2012, Vincent Sauvestre Clos De La Platière Pommard 2012, Versado Malbec Reserva 2010, Laurent Perrier Millésimé Vintage Brut Champagne 2004
Fattoria Dei Barbi Brunello Di Montalcino 2008, Tuscany, Italy (928028, $49.95, WineAlign)
Firm and in a rustic vein, as per the Barbi dole, this one a bit funkier at the outset than many. Welcome to the classic firmness of 2008, antithesis of the flamboyant ’07’s but plan for 20 plus years of slow food elegance emission. Classic rose petal, tea leaves, dates and earth caked metal in this guy. From my earlier, March 2014 note: “As expected, this is a gritty effort from Barbi, in part the impart of a testosterone-laden vintage, along with the dryer and cooler climate from Barbi’s southeastern Montalcino vineyards. A low and slow ripening will surely translate to extended longevity, but the rusticity and leather/cherry continuum will never disappear. No doubt a classic example and very well-priced for such authenticity, still it can’t be helped to see Barbi’s ’08 as entrenched in an earlier period of time. The wine will need 10 years to soften its edges and reveal the refinement and elegance of a well-documented Brunello.” Last tasted November 2014 @FATTORIABARBI@Noble_Estates
Dutton Goldfield Dutton Ranch Chardonnay 2012, Russian River Valley, Sonoma County, California (287854, $58.95, WineAlign)
A study in precision, exceptional quality and poise. Golden rays mixed with misty wisps, cool nights tempering warm days. Just a touch of wood spice pricks the finish. So much flavour. Tasted November 2014 @DuttonGoldfield@TheVine_RobGroh
Vincent Sauvestre Clos De La Platière Pommard 2012, Burgundy, France (390534, $59.95, WineAlign)
This Pinot Noir speaks for the two sides of every Burgundy argument, especially considering it comes from the gritty nook of Pommard. First impressions are floral and pretty, with spice and some sort of tropical flora whispering in cooing scents. The hill offers a buoyancy, a lifted spirit and a view of its own sweet regard. Travels through a mid-village weightless hover, then returns to terroir in prime time acidity and tannin to keep time. There is a sweet tart medicinal aspect ratio on the finish and overall this does things correctly. Does not finish with the same suave seduction that it teased at the start but it does continue to impress. Tasted November 2014 @Select_Wines@BourgogneWines
Versado Malbec Reserva 2010, Luján De Cuyo, Mendoza, Argentina (316984, $60.95, WineAlign)
Aromatics are racing and rising from the glass. A red rain pouring in and out. Has yet to change course. From my earlier, September 2014 note: “The floral emergence is a lodestar as periscope just now peering up from the seamless cake layering in Versado’s most liberally applied oak-imbued Malbec. The 2010 adheres in sticky savour though it remains two to three years away from finding its true gliding form. From my earlier notes through tastings on Oct. 25 and Nov. 14, 2013. “This ultra-premium Mendozan from the Canadian winemaking team of Peter Gamble and Ann Sperling boasts fruit from “the finest barrels from the finest blocks.” While certainly riding a splintered and jammy horse (what fully extracted Mendozan does not), this reserve Malbec has so much else happening, I owe it my time and focus. Dances to a triple jump height in oozing berry, compacted, brick wall infrastructure and overlapping delineation. Really like the consistency here, with no hollow middle, no umlaut, no pregnant pause. Very well made.” Last tasted November 2014 @VersadoWine
The reappraised vintage that was once considered good, now revealing itself as better than good uses examples like the Laurent Perrier Millésimé to drive the point. This is a classically symmetrical blend of Chardonnay and Pinot Noir possessive of much chaste class, incredible balance and held lotus posture. Through its waves of idiosyncratic brioche and linear citrus lines drawn in tactile angles this Champagne is unbent and unbroken. Its seamless transitions glide from delicate aromas, through a textured palate and groove forward in elastic length. Additionally graceful with an ever so slightly advanced and mature style from a mature world in vintage-dated Champagne. Tasted November 2014 @ChampagneLPUSA@Noble_Estates
From left to right: Mollydooker Carnival Of Love Shiraz 2010, Silver Oak Napa Valley Cabernet Sauvignon 2009, Château Malescot St. Exupéry 2010, Spottswoode Estate Cabernet Sauvignon 2011, Sassicaia 2011
Mollydooker Carnival Of Love Shiraz 2010, Mclaren Vale, Australia (242732, $114.95, WineAlign)
While the price is just about as absurd as a “yoga class for cats” or Raine Maida’s voice, it seems logical to wonder aloud how one could question this Carnival as not being one of the biggest and baddest Shiraz you will ever encounter. It’s a veritable run on sentence of Shiraz adjectives, adverbs and hyperbole. If your hankering remains entrenched in elevated alcohol, enormity of fruit, condensed and compressed mineral, lest to be forgetting the viscous ooze of Mclaren Vale syrup, well, then this jester should fill your stocking along with those of the rest of your circle of fortifying friends. From the maw of the beast here – blood gore and fruit guts. Holy crap is this extracted, tannic, mired in impropriety, full conceit and in zero jealousy of other Shiraz. It doth joust. Certainly no lady of peace. Wow. Tasted November 2014 @MollydookerWine@bwwines
Silver Oak Napa Valley Cabernet Sauvignon 2009, Napa Valley, California (936039, $139.95, WineAlign)
Magnificent and munificent wine. Really special, magnanimous in every way, ultra-luxurious but not over the top. Alcohol, oak and extraction judged and held in check, equity and in balance. The fruit is pure and delicate, marked by plum, blackberry and hovering licorice, anise and spices. Long in chain and really sweet tannins. Like gazing into a pool of real nineties Napa and across the pond to an older school of reasoning. Tasted November 2014 @SilverOak@HalpernWine
Château Malescot St. Exupéry 2010, Ac Margaux, 3e Cru, Bordeaux, France (261552, $167.95, WineAlign)
A heightened sense of Margaux reality in 2010 comes from the château with the hybrid name; first from Simon Malescot, King’s Counsel to Louis XIV at the Parliament of Bordeaux. Second, from the post French Revolution château purchaser, Count Jean Baptiste St Exupéry, grandfather of the aviator and writer Antoine de St Exupéry. This has to be the most hedonism ever bottled in a Malescot, within reason of course. The house does not know from over the top, save perhaps for the cost of this 2010. Cassis is certainly here, as is a medicinal tension, firm acidity and the most formidable tannins known to Margaux. The grain, chalk and tincture combine for full effect. This will need 10 years to chill, then go 10 plus 10 more to much applause and the request for a final curtain call. Tasted November 2014 @VinsdeBordeaux
Spottswoode Estate Cabernet Sauvignon 2011, Napa Valley, California (399592, $167.95, WineAlign)
Wow. Aromatics are off the charts. Pine forest, leather, chestnut and cedar, savoury in every wild and sauvage way, but also pure. Berries, tobacco leaf, classical logic, structures and axioms lead me to imagine mid-nineties Paulliac. Seamless texture, ripe but not overripe, rich but never overly grainy. This is super fine and dialed back (with exotic spices and wood spice filling in the holes) in the cooler 2011 vintage. A Cabernet Sauvignon of the most savour and the most class. A ten to twenty year Spottswoode. Tasted November 2014 @Spottswoode@Smallwinemakers
Certainly a Sassicaia borne of the earth and the vintage. Cooler, with increased sapidity and elevated aromatics. While not volatile there is certainly an intimation at acetic behaviour. Though supportive in only 15 per cent of the two Cabs blend, Cabernet Franc stands firm in its concentration of tobacco, peppercorns a-popping in the pan and a smoldering of currants over an open fire. This will age for decades and return to its beautiful natural state with time-weathered, rugged facial lines. A leathery Sassicaia this, with tight, drying tannins and in need of two decades to show off its birthright. The 2011 Sassicaia is a loyal, aristocratic example to the Marchese Mario Incisa della Rocchetta’s dream of creating a ‘thoroughbred’ wine where the ideal was Bordeaux. Tasted November 2014 @Smarent
Versado Vineyard Manager Sergio Rinaldi reviews the plan for the harvest with winemakers Ann Sperling and Peter Gamble Photo: (Elena Galey-Pride, http://www.winestains.ca)
A popular but unconfirmed theory claims that Malbec is a mathematical acronym, “Math, Algorithms, Learning, Brains, Engineering, Computing.” The inky and tannic grape variety no doubt connects growers and winemakers in scientific ways but that hardly separates the expatriate, signature Argentinian from other varietal relationships. The learning, perception, and behaviour of the people who produce the dark wine is the crux and the rub.
Malbec’s spread may be the work of a Hungarian peasant, it was surely introduced to Argentina by French agronomist and botanist, Miguel Aimé Pouget and the natural lines differentiating modern renditions of Cahors and Argentina blur like the Clarets of Napa and Bordeaux. The homogeneity in style, mainly due to elevated quantities in production, has begun to deplete the star power of the Mendozan idol. The computative cipher jives because Malbec requires an analytically brilliant dream team to coax humanity from the quotidian grape. The wine making axiom, “is it science or art” applies to Malbec as much as any other. Making exceptional Malbec requires artfully applied science.
In 2007, Peter Gamble and Ann Sperling, winemakers who may as well be endowed with the title “First Canadian Couple of Wine,” went to Argentina to seek their cerebral Malbec fortune. With the aid of investors Moray Tawse and Gerry McConnell, the two found their varietal calling in Mendoza. They settled at the estate of Villa Viamonte in the old town of Chacras de Coria, now a neighbourhood of Mendoza.
With the aid of the experienced and professional Roberto de la Mota they purchased an ancient vineyard on the legendary Cobos Road. Altitude, meso-climates, topography and ‘micro-terroirs’ became their linguistic vernacular, a royal, ancient and new Malbec their opera omnia. Vineyard Manager Sergio Rinaldi directs all the daily viticulture activities.
Versado means ‘well-versed’ and the phrase describes the Gamble-Sperling output as well as any that can be equivocated. The Canadian dream team travels circuitously from British Columbia, to Ontario, Nova Scotia and through Argentina in mimic of the seasons for a vine’s life cycle. Through the stages of weeping, flowering, fruit set, veraison and harvesting, Peter Gamble and Ann Sperling are in constant motion, checking in at all their properties to make essential decisions. I am exhausted by the prospect.
Harvest starts early – the Versado vineyard before sunrise Photo: (Elena Galey-Pride, http://www.winestains.ca)
Versado is a unique Malbec outpost, a place of river, road and air. The ancient bed of the Rio Mendoza, the Calle Cobos and the cool air corridor of that river combine for a micro-climate to challenge all micro-climate comers in the region. Increased thermal amplitude (up to 15 to 16°C difference between day and night-time temperatures) means low pH numbers for their Malbec. The results should translate to elegance and balance. As the Versado team begins to scale back their oak program, the wines will increasingly reflect their specialized and cooler terroir.
Peter Gamble told me “we’re making them with classic tannin structures.” That statement intimates French and even Italian but with Mendoza’s already rich history, it also endorses a notion of Argentina. Versado’s Malbecs are both serious and epicurean. They are gorgeous and alone. They come from a very specific parcel of land, though Peter Gamble admits that “borders are sort of Alice in Wonderland in Argentina.” The Versado Malbec origins may participate in a Mendozan Venn Diagram but their character is utterly unique. Here are six tasted over the past 12 months.
Versado Malbec 2013, Luján De Cuyo, Mendoza, Argentina (317008, $25.95, WineAlign)
The rocks beneath the earth precede the rich, dark fruit. After the berries and the candy beets and the spices subside the flowers grow and take over the room. The vintage brings more layers than before. Malbec of character and belief, even a touch of good VA, a coat that only the Southern Hemisphere can provide. It is not usually present in Mendozan Malbec so it’s really a breath of fresh paint here in the Versado. Great purity. Protracted length. Most expansive and intriguing vintage to date. The Reserva will be killer. Tasted September 2014
Versado Malbec 2012, Luján De Cuyo, Mendoza, Argentina (317008, $25.95, WineAlign)
Having been defined early in its development by the Mistral-esque drying eastern lee slopes Andean wind known as viento zonda, the low-yielding 2012 Malbec is berry intense and highly concentrated. The foehn or, rain shadow wind had a major effect on flowering and so 2012 may be considered a Malbec example of what happens when vines are subjected to the first law in thermodynamics. The vintage gaveth depth and structure, even as it taketh away moisture, quantity and profits. In this Malbec, earth in terroir stands firm and while the fruit is full, it must fight for early investigative attention. Though presently rigid, a time will come when that fruit will fully receive its due. Sanguine and ferric, the adiabatic Versado 2012 is a heat transfer work in progress. Its system will integrate into its surroundings after a minimum three years have passed. Drink from 2015-2022. Tasted September 2014
Versado Malbec 2010, Luján De Cuyo, Mendoza, Argentina (317008, $25.95, WineAlign)
The sub-terra tectonic shift and uprising to firma awakening is just beginning to give after four integrated years. That said, this Malbec continues to play a ragtime roll in shades of cumulative bandwidth. When the ’10 entered bottle it may have insisted “I don’t care what mama don’t allow I’ll play my guitar anyhow.” Now settled, somewhat, it persists in saying “I don’t care what mama don’t allow, we’re all gonna play all at the same time anyhow.” The dusty fruit, the resolving tannins, the revolving door of driving blues, of crossover terroirs. “Borders are sort of Alice in Wonderland in Argentina,” notes Peter Gamble. The Venn circles include piano, rare earth, bass, big fruit and guitar. Tasted September 2014
Versado Malbec Reserva 2011, Luján De Cuyo, Mendoza, Argentina (316984, $59.95, WineAlign)
Peter Gamble describes the ’11 Reserva as “integrated right out of the gate” and blessed with “a little more fruit component.” That is can show such freshness this early in its life span (especially in consideration of the beasts that are 2009 and 2010) is nothing short of a Malbec miracle. This is a wine that saw spontaneous fermentation, which made for very nervous times in the winemaking hands of Roberto de la Mota. Stems were used and their participation lends a Mediterranean feel, in the aromatic impart of sea salinity and kelp. The oak is scaled back a touch so the chalk push, while present, integrates in finer grain within the gritty, iron structure. This is the softest (hyper-relatively speaking) Reserva to date with a newly defined massive attack. The temperature fluctuations of the vineyard are integral in its structure and the question needs to be asked, “how can you have a day without a night?” In the Versado Reserva 2011 you have both. It is a Malbec of unfinished sympathy. Drink this sooner, starting in 2017 and for longer, to 2030. Tasted September 2014
Versado Malbec Reserva 2010, Luján De Cuyo, Mendoza, Argentina (316984, $59.95, WineAlign)
The floral emergence is a lodestar as periscope just now peering up from the seamless cake layering in Versado’s most liberally applied oak-imbued Malbec. The 2010 adheres in sticky savour though it remains two to three years away from finding its true gliding form. From my earlier notes through tastings on Oct. 25 and Nov. 14, 2013. “This ultra-premium Mendozan from the Canadian winemaking team of Peter Gamble and Ann Sperling boasts fruit from “the finest barrels from the finest blocks.” While certainly riding a splintered and jammy horse (what fully extracted Mendozan does not), this reserve Malbec has so much else happening, I owe it my time and focus. Dances to a triple jump height in oozing berry, compacted, brick wall infrastructure and overlapping delineation. Really like the consistency here, with no hollow middle, no umlaut, no pregnant pause. Very well made.” Last tasted September 2014
Versado Malbec Reserva 2009, Luján De Cuyo, Mendoza, Argentina (316984, $59.95, WineAlign)
From a vintage the seasoned Mendozan pro knew to rank with the best, the 2009 Reserva persists as a concentrated, wild beast. On a rare occasion, such as tasting this Reserva, Malbec leans in an Italianate direction, no doubt a result from the combining forces of aridity, concentration and micro-heteroclitic terroir. The dry, slow ripening conditions sealed a vineyard funk into the shriveled, dehydrated berries. Though the wine is just now beginning to come around, that funk will take years more to play nice with the huge flavours, striking structure and resounding tannins. Fast forward to 2017 and imagine the crest over which a plateauing initiative will trigger. It may very well be 2025 before the slow decline begins. Tasted September 2014
No one gets us like we get ourselves. Not so long ago that statement still held more water than the combined towers in all of Canada’s small towns. Here’s another grandiloquent statement. Exceptional wine is made in British Columbia and in Ontario. The proverbial and parochial Canadian wine thinker is privy to that erudite credence, as are many global wine experts, but what of Nova Scotia? If you didn’t already know, Benjamin Bridge and more specifically, Peter Gamble have launched the revolution.
Just past the mid-point of my July 2014 east coast swing there happened a planned yet improvisational reconnaissance with Gamble, Canada’s flying winemaker and A-team consultant. Gamble’s work with Stratus, Southbrook and Ravine Vineyards in Niagara, his partnership with Ann Sperling in B.C. and at Versado in Argentina are well documented. His work with Benjamin Bridge Vineyards is already the stuff of Canadian wine lore. What he will touch in his new appointment at Lightfoot & Wolfville Vineyards will make Nova Scotia history.
Godello, Consulting Benjamin Bridge Winemaker Peter Gamble and Proprietor Gerry McConnell/Godello, Benjamin Bridge Winemaker Jean-Benoit Deslauriers and Proprietor Gerry McConnell
I noted that “it is there, in the heart of the Gaspereau Valley, that the essence of Nova Scotia’s wine industry walks out from beneath the fog to reveal itself in an elongated moment of clarity.” I tasted with Gamble, Benjamin Bridge winemaker Jean-Benoit Deslauriers and proprietor Gerry McConnell at the Gaspereau Valley winery. The next day I toured the vineyards of Lightfoot & Wolfville with Peter, along with owners Mike and Jocelyn Lightfoot, as well as winemaker Josh Horton. We also tasted through barrels. Other visits and tastings were done at Gaspereau and Luckett Vineyards. After the visit with Lightfoot, I was duly impressed.
I have seen & tasted the future of vinifera in Nova Scotia and its name is Lightfoot & Wolfville Vineyards. @lwwinespic.twitter.com/prLdloxyHb
Nova Scotia is home for Peter Gamble. When Gerry McConnell invited him to assess the potential for making wine in the Gaspereau Valley, Peter insisted, without equivocation, that the concepts of Vinifera and Sparkling be the driving equation. McConnell always wanted to make Sauvignon Blanc so the first idea was a given. But Sparkling wine? In Nova Scotia?
Peter Gamble had more than just a hunch. The Gaspereau’s cold, yet specific micro-climate was perfectly suited to ripening Chardonnay, Pinot Noir and Pinot Meunier, the classic varieties that make up traditional method, Champagne-styled Sparkling wine. The grapes in the Valley could be developed and harvested with the right level of brix (sugars) and acidity, as well as pH. Though still wines from Chardonnay, Pinot Noir, Riesling and Sauvignon Blanc were less obviously suited to the climate, setting their place in Nova Scotia’s wine future had begun.
Hans Christian Jost was the first to plant in the Gaspereau Valley, in 1992-1993. Gerry McConnell bought his (seventh generation Westcott family) farm land in 1999. “We know what we don’t know and we don’t pretend to know what we don’t know,” admits McConnell. It was Gamble (recommended to McConnell by Jost) who sparked the idea of bubbles in 2000.
“Our mission was sparkling wines, world class,” says McConnell. They hired the late, great Champenois expert, oenologist Raphaël Brisebois to consult after Peter went to England for some collaborative discussion with Tom Stevenson, the British writer who many regard as the world’s leading authority on Champagne. Then in 2008, Jean (Lebron) Benoit Deslauriers was drafted from California on Raphaël’s recommendation.
McConnell wanted to plant all 50 acres “but I talked him down,” jokes (not) Peter. It took nearly 10 years but in 2010 they began to release what they considered to be their first (2004) crop of world-class Sparkling, a Brut Reserve and Blanc de Noirs.
Benjamin Bridge Vineyard
So what makes Benjamin Bridge tick out of a region that resides in relative global obscurity? Number one, the river that runs through the valley doesn’t freeze; it’s a tidal flow. That water keeps the lower part of the vineyard safe, like a warm winter blanket. It conveys the moderating effect of the Bay of Fundy. Two, the soils are extreme in granulation, in rocks and stones under clay. Three, there is great air flow, between, in and out of slopes. Four, the vineyards are south-facing, almost direct and in full advantage of the westerly sun. Last and just as important, “there is always a factor of luck.” Words to make wine by, from the ever thankful and pragmatic Peter Gamble.
The Benjamin Bridge pansophy adheres to low-yielding productivity. The average yearly production (excluding winter effect) is one to one and a half tons per acre. “We consider the fruit from Pinot Noir and Chardonnay on this property to be Grand Cru,” insists Gamble. ” The climactic micro-reality is really important here,” adds Deslauriers, in reference to the BB style. “All great wines have the acidity to express a sense of their environment. We want to express the vineyard in the bottle.”
Related – Notes on previously tasted Benjamin Bridge Sparkling wines:
Benjamin Bridge Wines from left to right: Sauvignon Blanc 2013, Brut Rosé Sparkling 2010, Brut Methode Classique 2009, Brut Reserve Methode Classique 2008
Brut Methode Classique 2009, Gaspereau Valley, Nova Scotia (1018464, NSLC $44.99, 313106, B.C. $49.97, WineAlign)
Essentially, or at least philosophically a Blanc de Blancs, the blend is 57 per cent L’Acadie Blanc, 25 Chardonnay and 18 Seyval Blanc. The acidity is key and certainly elevated (12.8 g/L), keeping line tabs on the stone ground, clean fruit in gingered mousse. A defined elegance and accumulated synergy of site comes from a lower-slope perceived sweetness, down by the river. By no means piercing, there is a length here that lays down the foundation for the high-end, Vinifera-driven Sparkling wine program. The Brut ’09 conveys the growing environment, in freshness and in ripeness. A wine with such a refreshing upside. Tasted July 2014
Brut Rosé Sparkling 2010, Gaspereau Valley, Nova Scotia (1015073, NSLC $44.99 WineAlign)
A blend of Pinot Noir and Chardonnay, the 2010 Brut Rosé is possessive of intricate intensity and unparalleled elegance for the style and genre. It is the watershed bottle, anywhere in Canada. These bubbles are the confluence of early picked red berries, distinct platinum minerality and bitterless savoury edges. Whether or not the bitter principle is masked or eliminated by a feigned sweetness matters little. “You taste so bitter and so sweet, oh I could drink a case of you darling and I would still be on my feet.” This sets the new benchmark for Rosé sparkling out of Canadian soils. It’s so blush and melodic it’s blue. In fact, the treatment here is tender, slow and steady, sad even, also spare and beautiful. Tasted July 2014
Brut Reserve Methode Classique 2008, Gaspereau Valley, Nova Scotia (275396, $74.95, WineAlign)
The 2008 Brut Reserve is composed of 61 per cent Chardonnay and 39 Pinot Noir. If any wine in the Benjamin Bridge continuum defines the legacy left behind by Raphaël Brisebois and passes the sparkling torch to Jean-Benoit Deslauriers, this ’08 is it. Here is the vintage that begins to emulate the grower’s Champagne of the motherland, in deeper learning, understanding and connection to the estate’s vineyards. At present this is such an infant, reductive and with a blowzy palate that suggests a fidgety, elemental state. The attack is in burgeoning mousse. After spitting, the wine persists, as if there remains a mouthful, causing the cheeks to expand. The citrus is weighty in texture and this ’08 goes deeper than the previous Brut reserves. Three years will be required to allow for a settling and 20 years lay further ahead for secondary, tertiary and quaternary development. Tasted at the winery, July 2014
Sauvignon Blanc 2013, Gaspereau Valley, Nova Scotia (1019689, NSLC $27.79, WineAlign)
The 2013 marks the inaugural release for a wine that is “the by-product of an unconditional labour of love in commitment.” Gerry McConnell always wanted to make Sauvignon Blanc, Peter Gamble fostered the dream and Jean-Benoit Deslauriers made it a reality. A de facto Sauvignon force is behind the wine, 13 years in the making. Fashioned from drastically low yields, the ’13 SB is concentrated in literally handfuls of berries. It’s a style that could almost be considered eccentric. It feigns lees effect, slow fermentation, years of barrel age and late harvest. It’s a magnetic, beast of intensity, goes sweet up the middle (7 g/L residual sugar) and finishes extremely dry. There were 206 cases made. Tasted July 2014
Lightfoot and Wolfville
This apple farm turned organic and biodynamic winery will take everything anyone has ever thought about the Nova Scotia wine industry and turn it on its head. Hybrids and local varieties will continue to be a part of the stratagem. In the unpredictable climate of Nova Scotia’s wine growing regions that is a necessity but it’s what Chardonnay and Pinot Noir will do that will put the province on the map and the world’s stage.
Young vines in Lightfoot and Wolfville’s Oak Isle Knoll Vineyard
Up on a hill near Avonport with a view of and at the head of the Gaspereau Valley is “Le Corton,” the Oak Isle knoll. It is here that Lightfoot and Wolfville, with the expertise of Peter Gamble, are banking on the future success of Vinifera grapes. There is more vigor up here in these vines (as compared to Benjamin Bridge) and the varieties planted are dual in purpose. One hand can make a serious Chardonnay, the other a Sparkling. It’s a question of vintage and ripening. The plan is essential for making wine in Nova Scotia.
Owners Jocelyn and Mike Lightfoot in the cellar at Lightfoot and Wolfville Vineyards
The winery will manage Chardonnay, Pinot Noir, Riesling, Sauvignon Blanc, Gewürztraminer, Chenin Blanc, Chasselas and Scheurebe with New York Muscat and Vidal. I tasted through the 2013 Chardonnay and Pinot Noir resting in barrel, along with a most intriguing 2012 Late-Harvest Chasselas.
Lightfoot and Wolfville Winemaker Josh Horton with barrel samples of 2013 Chardonnay
Pinot Noir 2013
This will be L &W’s first Pinot Noir, from 15 year-old vines in Canning, near Blomidon Estates and aged in three year-old (Stratus-used) barrels. The fruit comes by way of a grower named Al McIntyre, who was convinced to reduce yields by dropping fruit, as he traditionally made Sparkling from more vigorous vines. The profile is both fresh fruity and gravelly, like Burgenland, or perhaps Baden. Bright, black cherry meets marly earth. The tannins are present and accounted for post-traditional two-year Burgundian élevage. This is Nova Scotia Pinot Noir and it is remarkably pure. Tasted July 2014
Chardonnay 2013
From a sample out of a neutral barrel transferred halfway through the process into two year-old barrel. The old world autolytics are textbook and this Chardonnay has already added much of its weight. The reduction at this stage is at a nearly indiscernible level. If this does not intimate Chablis, it would be tough to imagine what does. Beautifully clean Chablis, with a wild yeast accent and tropical accessories. The tannins head straight for the back of the cheeks. This is Chardonnay from Nova Scotia? Yes, it is. Tasted July 2014
Chardonnay 2013
From a sample out of a brand (medium toast) new barrel with Meursault the intended target. It certainly leans Côte de Beaune, with a lemon, honey and wet glade aromatic soup. The latter note comes across as something herbal without being earthy and sorry to use the M word but the minerality is definitely in here. Rich and glaring in grape, not wood tannins, the length is a testament to future endeavors. Tasted July 2014
Chardonnay 2013
A blend of the two samples brings the ghosts of the farm’s apples together in the glass. Overall the fruit came in (early November) at 21.5 to 22.8 brix. The pH falls in at 3.18-3.2 and the total acidity 9-10 g/L.
Chasselas Late Harvest 2012
A sweet wine with stinking acidity and a dry finish. At 100 g/L, this has both sugar and acidity through the roof. “It wanted to be this,” notes Josh Horton. “We didn’t plan to go this route, but we did.” Unleashed and wild LH.
Gaspereau Vineyards
After a morning spent with the Lightfoots, Peter Gamble brought me to taste at Gaspereau Vineyards with Rebecca Griffin, Associate Winemaker & Vineyard Manager at the winery’s parent entity, Devonian Coast Wineries. Gaspereau winemaker Gina Haverstock, who I tasted with at Brock University’s Technical Sparkling Wine Symposium in May, was away on holiday. After being guided through Haverstock’s Rieslings, I can safely say that I will look forward to tasting future (and hopefully library vintages) with her on my next visit east.
The Rieslings of Gaspereau Vineyards – Front Labels
Griffin led us through renditions of Nova Scotia’s signature white Tidal Bay, an Icewine and five exceedingly promising Rieslings. The tightly wound and magnanimous acidity of the lot impressed not just for their food versatility but also their kinship with some of the greater Riesling producing regions of the world. Both Clare Valley and the Beamsville Bench came to mind, as well as the Okanagan Valley and Alsace. Here are notes on the wines tasted.
The Rieslings of Gaspereau Vineyards – Back Labels
Riesling Black Dog 2010
The vintage gives rich fruit, tempered by a mineral and lime layering. Though very dry and somewhat angular with a clamp down bite, the warmth inherent and abundant flavours give it bounty. Tasted July 2014
Riesling Black Dog 2011
Tighter even, full-on snare driven Riesling. Less luxuriant than the ’10, with more pierce, a zigzagging beat in angles and relentless drive that’s “gonna make you sweat, gonna make you groove.” Gets the lead out with a juicy burst of orange zest. This Black Dog is a howler and goes on for minutes on end. Tasted July 2014
Riesling Warner’s Vineyard 2011
This single vineyard Riesling shows more brightness, in white fruit and an increase in mineral. Conversely it also displays a reductive funk. Wild, in ferment, with eyes that never lie and a timeless, earth-driven, low and slow layering. Tasted July 2014
Riesling Estate 2011
Bottled in a 500 mL format because of drastically low quantities. Only 125 cases in the half litres were made. At first it’s fresh, bright orchard fruit with a minor key in funk. Moves into ginger, lime and the white heat of lit limestone, or more specifically, gypsum. Smells a bit like machine gun powder, leading to a plugged in “ignited fever and I can’t put out the flame.” Hot Riesling in a band of gypsies, with a rat tat tat sound and a nose for excitement. Tasted July 2014
Riesling Tri0 2012
The Trio is assembled from Warner, Black Dog and Estate vineyards. Richer, warmer, rounder Riesling. The aromatics are more pronounced but also muddled together. Not as stark as compared to the others. Not so much sweeter as rounder, fuller and less piercing. Still, the Gaspereau Riesling funk persists. Tasted July 2014
Godello 