Let’s just cut to the chase. It has been more than three weeks since I’ve posted to Godello, thanks to a trip to Greece, Cool Chardonnay and my #eastcoastswing15. Let’s face it, I’ve left you hanging, waiting, wondering and perchance, livid at not having received a recommendation for summer wines since, well, since July 15th. As my Achaian friend Dimos is like to say, on repeat, “sorry about that.”
VINTAGES rolls out the smallest (by quantity) release of the calendar but I’ve got to say that per wine offer capita, the quality level is set to high. There is much to choose, from refreshing whites to grill worthy reds. Got, go, get.
From left to right: Espelt Viticultors Old Vines Garnacha 2013, Rosewood Süssreserve Riesling 2014, Domaine Lafage Côté Est 2013, Lone Birch Syrah 2013 and The Foreign Affair Sauvignon Blanc Enchanted 2013
Espelt Viticultors Old Vines Garnacha 2013, Do Empordà, Spain (422469, $14.95, WineAlign)
Such a formidable and concentrated liqueur dominates the nose on this heavily-textured Garnacha from maritime-influenced vines grown on decomposed granitic soils. Minor yet judicious oak works minor magic on the fruit for a feeling that is organza in sentiment if like fruit-roll up in reality. The couverture is quite natural and free-flowing, like waves lapping up a windless shore. Though flavours like liquorice, pomegranate and morello cherry are thought intrusive, the actuality here is simply Garnacha in pure, unadulterated form. This should be a late summer, early fall go to for BBQ, barbecue and grilling by all means possible. Gritty, grippy finish. Drink 2015-2020. Tasted August 2015 @CellerEspelt@DOEmporda@EmpordaWine@ChartonHobbs
If you have never sussed out the Rosewood adaptation on the deutsches sweetness enhancement technique for Riesling, it’s honey time you did. The vintage brings out the best in and of all worlds; texture, high-rising graceful aromatics, burgeoning acidity and wait for it…honey. Mellifluous honey. This vintage seems to throw a gallon of juice at the charge in ways previous vintages did not seem to do. This is very easy and yet direct on the palate. Look at this Riesling and note there is nothing to hide. “She is good to me and there’s nothing she doesn’t see,” so in ’14, “honey, I want you.” Drink 2015-2018. Tasted August 2015 @Rosewoodwine
Domaine Lafage Côté Est 2013, Igp Côtes Catalanes, Languedoc-Roussillon, France (179838, $24.95, WineAlign)
Combines Grenache Blanc with Vermentino for an identity crisis of Italo-French proportions and in the end it reminds so much of a southern French take on Viognier. Aromatically precious, from white flowers and tropical fruit. Has a cool metal stir to keep it alive, punchy, vibrant and then acidity up the back side, flip-flopping about and turning “cartwheels ‘cross the floor.” A harum of flavours follows suit, as per the modern protocol. Though it’s merely a whiter shade of pale there is more than ample personality and whip to work up a frenzy, to mingle and to sit down with dinner. Drink 2015-2017. Tasted August 2015 @DomaineLafage@LaRegionLR
Lone Birch Syrah 2013, Yakima Valley, Washington (420695, $19.95, WineAlign)
A good, inexpensive, once upon a time in the west Syrah is hard to locate so when one like the Lone Birch comes along, it’s time to saddle up. The spice, pure fruit and smoky meat aromas are of an outdoor intoxicant kind, joined by notions of mesquite, lavender, creosote and thyme. The verbiage here is not so much green but more like the purple flowers that emerge late in the season. The chalky edge to the bright acidity makes for a fun texture to finish interplay. This is a great change in Syrah gears with horsepower and grace. Drink 2015-2019. Tasted August 2015 @LoneBirchWines@WINESofWA@HHDImports_Wine
Appassimento-style Sauvignon Blanc is both curious and an open target for accusations of vivid excesses. The detractor will look for swift “walls of insincerity,” the complimenter will say “I was enchanted to meet you.” Foreign Affair’s take has been injected with a cocktail of intensity; steroidal, hormonal and from concentrate. All the juicy orchard fruits are there; plum, apple, pear, nectarine, lemon, lime and grapefruit. This passes the appassimento SB test, if only and commodiously because it spreads fruit like confiture on warm toast. Tasted October 2014 @wineaffair
From left to right: L’école No 41 Semillon 2013, Rieflé Pinot Gris Steinert Grand Cru 2010, Dei Vino Nobile Di Montepulciano 2011, Easton Zinfandel 2012 and Domaine Pavelot Savigny Les Beaune Aux Grains 1er Cru 2012
L’école No 41 Semillon 2013, Columbia Valley, Washington (982157, $24.95, WineAlign)
Sauvignon Blanc (13 per cent) adds buoyancy to the main attraction in this vanguard and reputable Columbia Valley pioneer. Quite toasty and marked by early nose-hair splitting and splintering barrel notes. Dare say reductive but not in a rubber sap run way. More like Sémillon-dominated Bordeaux, of big bones, cut through soluble rock, created a sinkhole that swallows up flavours, only to release them in geyser like fashion in later years. So with patience and age-time in mind, this Sem will have better years ahead, when the heavy (14.5 per cent) alcohol integrates and the lemon drop-butterscotch flavours mellow. Generous pH (3.2) and high Brix (24.2) were the product of a very warm vintage. Rounded by concentric circles of acidity and bitter pith tannin, this is very tropical, like Gewürztraminer, but more in mango than lychee. Needs five years minimum because the oak is overdone. Tasted March 2015 @lecole41@WINESofWA@TrialtoON
Rieflé Pinot Gris Steinert Grand Cru 2010, Ac Alsace, France (408229, $24.95, WineAlign)
Annick, Jean-Claude, Paul et Thomas Rieflé make their highly affordable Grand Cru Pinot Gris near Pfaffenheim in the southern stretch of the Vosges Mountains, on soils composed in limestone of marine origin intercalated with marls. This is rich, layered and spicy Pinot Gris, full on calculated with ripe, sunshine-laced fruit, orchards upon orchards of variegation and some, though not excessive tropical intentions. Has that distinct calcaire inflection that reminds of struck rocks, petrol and gardens giving off pretty smells at dusk. The finish is really long here so look for this to work well into the next decade. Drink 2016-2024. Tasted August 2015 @RiefleLandmann@TandemSelection#DrinkAlsace@drinkAlsace@AlsaceWines
Easton Zinfandel 2012, Amador County, California (328377, $27.95, WineAlign)
A ripe, buoyant and near flashy example of Zinfandel without any necessity for speed, heat or mountain jam. Fruit is steamy but you can touch it. Aromas can cut through what Zinfandel often hides, which is freshness. There is spice on the nose for sure but it’s an accent, not a deterrent for disguise. The palate is racy and alive and while there is some cure and dried fruit in the mix it stops well short of confiture. The tailing trail of minor exhaust propels, not halts the length. Really good vintage for the Amador Zinfandel. Drink 2015-2020. Tasted August 2015 @rhonist@TheZinfandelOrg@bwwines
Dei Vino Nobile Di Montepulciano 2011, Docg Tuscany, Italy (285510, $27.95, WineAlign)
In terms of the modern Vino Nobile vernacular and even grander to a wider Tuscan vicissitude, Dei takes the reigns and offers zero apology for the way in which the wines talk their turkey. Clean, pure and plenty are the words to describe this Prugnolo Gentile, but also graceful and slender. Spoons out copious quantities of fruit and is yet chewy enough you might think of eating it with a fork. Has aromas that recall concepts both fresh and dry. Vino Nobile to gimme fiction, history and tradition. “Comes when you pirouette,” dances light and treading across the tongue, never hot and heavy, but stylish and pliantly balletic. Drink 2016-2021. Tasted August 2015 @LeSommelierWine@consorzionobile@Strada_Nobile
Domaine Pavelot Savigny Les Beaune Aux Gravains 1er Cru 2012, Ac Burgundy, France (206136, $53.95, WineAlign)
Even in Burgundy there is a scarcity and rarity with which a particular bottle can please, impress and instruct, vintage after vintage. Pavelot’s Aux Gravains is pure Beaune, even if it is on the showy side of Pinot Noir. This is just plain and simple perfectly ripe and at the same time grippy with the grandest ‘G” that can be drawn. The cherry, earth and roots are smouldering and yet not remotely smoky. It smells like a cigar as it’s being rolled, with nary a green moment. The palate is chewy, cranky, pure again and racked by veraciously munching acidity. Naturally cured as well. Such a Pinot Noir is to be lauded. Drink 2017-2025. Tasted August 2015 Vinifera Wine Services@DanielBeiles
Somewhereness is not really a word. It’s hokum. Gibberish. Nonsense. Look it up in Merriam-Webster or Oxford. Not there. Its conceived convenience is recorded in Wiktionary, Your Dictionary and other online glossaries though, because there is always an online presence ready and willing to immortalize anything and everything.
The definition of Somewhereness, according to the online “dictionaries.”
The state or quality of being in, occurring in, or belonging to a specific place.
The state or quality of existing in a place that is unknown or cannot be pinpointed.
The unique characteristics imparted on a wine by the conditions of the place in which it was grown.
Somewhereness is not a state of mind, of being, of knowing something is intrinsically right within the parameters or context of here, there, anywhere or everywhere. Somewhereness is not merely a function of good decision-making, of exercising the ideal to expand on terroir, to create something to talk about. Yet that third so-called definition is on the right track. Belief says terroir is what happens in the vineyard, through environment, by geology, geography and topology, from naturally occurring elements and microbes in the soil, by air and of climate. Terroir is the great one. The impossible creator of perfect storms, from out of riddle and enigma. Somewhereness, by extension, is the next one.
Somewhereness exists, albeit with just as much abstruse behaviour and paradox, inside the finished bottle. That’s all you really need to know. Terroir happens before. Somewhereness happens after. The line is drawn when wine enters its final resting place. It evolves, develops and finds its somewhereness inside the bottle. In the case of Champagne (and the wines of Emidio Pepe), the first bottling is merely a temporary shelter and somewhereness knows to wait for the final call. In those cases there are the stages of terroir, disgorgement and finally, somewhereness.
In Ontario, somewhereness has been found (as opposed to “was founded”) by Norman Hardie, Jonas Newman, Vicky Samaras, Bill Redelmeier, Ann Sperling, J-L Groux, Charles Baker, Doug Witty, J.P. Colas, Ed Madronich, Jay Johnston, Tom and Len Pennachetti, Angelo Pavan, Moray Tawse, Paul Pender, Harald Thiel, Marlize Beyers, Mary Bachelder-Delaney, Thomas Bachelder, Martin Malivoire and Shiraz Mottiar.
Somewhereness may have been born to these Ontario parents but it has and will not remain exclusive to the 12 who discovered it. Somewhereness belongs to all wine with true and truthful origins in terroir. The great wines of the world share in the expression and the mystery, even if the gold inside their bottles has never been affixed with such a label. Somewhereness is found inside a bottle of Dujac Bonnes Mares. You will taste it in an Egon Müller Scharzhofberg. It can’t be missed from out of a Margaux pour by the hands of Paul Pontallier. Wines of manic manipulation will never find it. They either do or they don’t, will or they won’t. Somewhereness just happens. Don’t ask me to explain. I’m just the messenger.
Over the past few years, much godello.ca white space has been set aside for glossing in written word and the ever-evolving rumination on the spiritual effect of somewhereness.
Konrad Ejbich holding court in front of De La Terre’s breads
“For a comprehensive look at our province, make sure you read A Pocket Guide to Ontario Wines, Wineries, Vineyards, & Vines by Konrad Ejbich. The discourse concerning somewhereness in Ontario is in full swing. In October of 2012 I wrote, “character and quality has never been better. Riesling continues to impress and let us not ignore the high level of ever-evolving Chardonnay vines. Reds have made great strides, especially Pinot Noir, Gamay and Cabernet Franc. The future looks very bright for Ontario [wines].”
“Abeyance be gone, these next few years have the potential to cement an industry’s power. Only a minority has even the slightest clue that liquid gold is mined out of the peninsula’s glacial clay and limestone. The time is ripe to tell the world the story of somewhereness. The embryo is about to grow in a major way. Financial reward is within reach. So how to alert the world?”
“History may one day remember them as the group of twelve, or perhaps, “The Ontario School.” They are the 12 wineries who have banded together to ensconce a strange but beautiful word on the tongue, in the dictionary and out in the world. Somewhereness. They are purveyors of the land from which their grapes grow and ferment into wine. Facilitators of terroir, working a canvas forged by millions of years of geological and climatic evolution. Their assembly is based on both exigency and on Moira; destiny, share, fate. Like that other famous group, “collectively they agree.” Ontario’s cool-climate wine regions need to qualify and certify a distinctive winemaking style. In juxtaposition to old world, European tradition, the intensity of somewhereness needs to reflect an increasingly Ontario-centric partiality.”
“The Ontario wine industry is the best kept secret in the world. It has grown, accelerated and advanced with more success than might have been imagined as recently as five years ago. In November I wrote, “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”
Wine Country Ontario’s Magdalena Kaiser
All wonderful hyperbole, to be sure. But for years I missed the point. Somewhereness is not about agreeing, in principle, on how to make wine from a particular place so that it can collectively result in a thing. It is something other. It’s in the bottle. It has always been there but the key lies in Ontario’s industry having matured to a point where we can now taste it, again and again, inside the bottle. The work made it happen. It is well-deserved.
Thomas Bachelder and Mary Delaney-Bachelder
So with the assistance of Trisha Molokach, Dorian Anderson and the vintners who came to realize what happens when terroir is used to bottle divine pleasure, another Somewhereness (the event) happened, at St. James Cathedral in Toronto, on April 20, 2015. Food partners completed the stellar event; Best Baa Dairy, Monforte Dairy, Upper Canada Chees Company, Fat Chance Hand Sliced Cold Smoked Salmon Co., Chef Ryan Crawford & Beverly Hotchkiss of Backhouse, De La Terre Kitchen and Bakery and Schott Zwiesel. Hinterland was not present in 2015 and I skipped two tables, due to quite recent full portfolio tastings, at Bachelder and at Southbrook. Here are some other notes.
Norman Hardie Riesling 2013, VQA Ontario (Winery, $21.00, WineAlign)
With less residual sugar than in 2012 and slightly higher alcohol (the bottle says 10.1 per cent but it’s actually 9.8), the house style persists, if only as a refrain that adjusts and adheres to the vintage. A hint of oyster shell is more than significant, in working alongside Hardie’s Calcaire, effected out of lees fermentation. The minute loss of high-toned aromatics is pitched in favour of fruit, if only from one exploited tank, within the context of producing 1000 cases. The ’13 (70 Niagara/30 PEC) is like very modern Alsace, akin to Schoffit, what with its texture fitted through a tiny hole. Drink 2015-2018. Tasted April 2015
Norman Hardie Calcaire 2013, VQA Ontario (Winery, $23.00, WineAlign)
The field blend of Marcel Deiss is the starting point. Lees imparts texture and the proverbial minerality is rounder than the Riesling, though the acidity just as linear. The breakdown is Chardonnay (40 per cent), Riesling (40), Melon de Bourgogne (10) and Pinot Gris (10). It should be noted that the mid-palate is caressed by a silky cheese curd, sour milk atonement. Drink 2015-2019.
From my earlier note of August 2014:
If any wine growing and producing region not called Alsace has the right to label a wine Calcaire, Prince Edward County is that place. The irony squared of Norman Hardie’s choice of nomenclature is not lost. Olivier Humbrecht makes use of the term because some of his single-varietal wines can no longer (under the local AOC rules) be labeled with the name of the wine-growing village. Marcel Deiss produces ‘field blends’ composed of several varieties grown on Grand Cru soil but he can’t (under other regional rules) label them Grand Cru. Hardie takes Niagara and PEC Grand Cru grapes, fashions an Ontario white blend, not unlike J-L Groux and calls it Calcaire, in ode to the limestone underlay of the County. Are you following me here? This may be new, innovative, yet understood and an early impression, but this cuvée initiates the PEC march to white blend supremacy, much like Stratus White has done over the course of 10 vintages in Niagara. Norm’s Calcaire is a Chardonnay, Pinot Gris, Riesling and Melon de Bourgogne mélange, co-fermented on the lees, striking, all in limestone, full out mineral consequence. There is purified pear and white melon fruit in distillation. There is a house in Wellington, “they call the Rising Sun.” That this animal succeeds so early in its tenure shows the Norm conceit and the swagger. That it will define white blends for a millennium is an arrogance of traditional song and of scripture. So be it.
The ’12 Niagara has swapped spontaneity for coherence, licentiousness for logic. Has entered the stage of non-reductive peel, where skin is discarded, flesh is exposed and juices run free. If you like your Chardonnay settled and yet vitally fresh, now is the time to enjoy the Hardie 2012 Niagara Chardonnay. Drink 2015-2022.
From my earlier more of May 2014:
Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay.
Hidden Bench’s ’13 Riesling is a pure, soft-spoken and balanced reflection of her maker, winemaker Marlize Beyers. Only a month or two of lees and no stirring has brought her Riesling into this current corporeal state. The citrus is all flesh, void of pith and with acidity that has already incorporated, disguised and covered the zest. If any Hidden Bench Riesling suggest tropical fruit, here it is and yet again, not. Drink 2015-2020.
From my earlier note of September 2014:
The Estate Riesling is as vigneron-defining as any wine on the Niagara Escarpment. Hidden Bench is a 100 per cent estate-fruit operation so this Riesling is spokesperson, prolocutor, mouthpiece, champion, campaigner and advocate for the concept. The estate ’13 reaches deeper for nutrient pot sweetening, into shale and in conceit of its varied, positively cultivated terroirs. Compact and jelled, this is several steps up from most other entry-level Niagara Riesling and in fact, is really anything but. The transparency here is patent. This is Riesling that simply knows what it is; pure Bench, unequivocally real and forthright. Knows what it wants to be.
Produced exclusively for licensee, the Bistro follows a very similar profile to the Estate Riesling, with exactitude in weight and alcohol 911 per cent). The flesh is less, the zest increased and overall you can sense more youth. The Bistro juice comes from Roman Block cuttings planted in Felseck Vineyard in 2008. The simmer here is a simpler, more straightforward pot of sustenance, entirely capable of acting as spokes-Riesling for the Hidden Bench house druthers. The vines will grow up and the juice will move on but other, newer, youthful cuttings will take up residence and the Bistro line will endure. Drink 2015-2017. Tasted April 2015
The (five to) six percent Sémillon speaks at present, in a waxy, bitter gourd winter melon and smoky flint tightness. In this wound moment, it is perceived that another year will be needed for the next unwind. Now vacuous, spinning and whirling as if in a processor’s bowl, an amphitheatre of expression. Drink 2016-2022.
From my earlier notes of September and (at Gold Medal Plates Toronto) November 2014:
Less than six weeks after my first introduction to the NB ’12 complexity shines anew. Such a delicate and elegant take on the Bordeaux white axiom. Void of all the gangly G’s; grasses, gooseberry and green vegetable. Leans to custards and curds with a savoury accent and a limestone tang. Willing to be paired with a multitude of gastronomy. Long finish. From my earlier, September 2014 note: “Taking what the vintage gives, Rosomel’s Sauvignon Blanc was king in 2012, dominating at a 95 per cent share of the Bordeaux-styled blend with Sémillon. Barrels were stirred weekly during fermentation and the creamy texture thanks that regimen, as does the tannic fullness of the round back-end. It rocks out bracing, formidable and nobly bitter, in pear and its pith, in lemon, of rind and in curd. The SB lounges in tall grasses but avoids goose feathers and blanching veg. So very savoury, in gorse tension, thistle and nettle. These notes all cut through the roundness and are finally tied together by the flinty rock of Rosomel.”
A meandering young blend of Pinot Noir, Malbec and Viognier that is super dry (3.2 g/L of residual sugar), “hey, hey, my, my.” The aromas suggest a succession from strawberry to green and red onion but “there’s more to the picture, than meets the eye.” The medley, interrupted by ballads and road stories is like a subtle, sweet, sour and savoury gastronomical pickle, ramps in brine, scopes in sweet alkali. Can there be a drier, more windswept crag, neal to a southern French style made anywhere on the Peninsula than from the Escarpment coliseum up on Locust Lane? Drink 2015-2018. Tasted April 2015
While persistent in aridity as a disciple to the Locust Lane, this Bordeaux blend Rosé packs a fruitier punch. Elevated residual sugar (as compared to the Double L) mans a higher rate of variability and accessibility, not to mention more chance of Ontario patio success. This licensee bottling will work for summer, across the province. Drink 2015-2016. Tasted May 2015
Meg McGrath and and Marlize Beyers of Hidden bench
Still tightly wound with the tannic grain criss-crossing at interstices of fruit (pomegranate/cranberry/strawberry) and acidity (sharp/pointed/direct). A fine, pointillist’s rendering; Locust as Seurat, nobly bitter, to the end. Drink 2016-2022.
From my earlier note of April 2014:
The Locust Lane Vineyard, originally planted in 1998, was Hidden Bench’s first acquisition, in 2003. It has a unique perpendicular cross-slope effect, undulating in all four directions, gathering sun hours in its own special way. The vineyard produces the richest and warmest Pinot Noir with fruit flavours more akin to ripe plum and black cherry than almost anywhere on the Beamsville Bench, certainly as any from the Hidden Bench stable. While the ’11 is not the biggest beast nor the Bordeaux bully of the Terroir Caché, it is surprisingly tannic and strong. It’s anything but hot, though it attacks with fervor. Big berry fruit, macerated strawberry, rich pie notes and spice. A great Locust vintage.
There is so much floral presence in 2011, a showy perfume that parades the relative elegance of Niagara’s Bordeaux reds in the vintage. Structure is comparable to 2010, not in beast mode but rather with a delicacy derived from less burning, high-toned fruit. Still here lays a wine so young, of social encumbrance that might be passed off as a mark of impertinence. This faintly embarrassing condition can be suppressed in a dark cellar, in which the foundation can be laid for the beginning of a cure. The Terroir Caché 2011 will show its best between 2017 and 2020, then develop, slow down, suspend animation and age further, effortlessly and exceptionally. Drink 2017-2024. Tasted April 2015
Oh, the accessibility of Quarry Road in 2012. Still totes the emerald shine, the gemstone tannic scrape and yet the flesh is rendered rich, ripe, ratcheted and riled up. This has tonality like never before, layered and strudel buttery. At this point the vines for Quarry are 17 years of age, sophic and erudite, compounded by the organic, biodynamic and prudent pruning practices that have cemented its vigour. The clay-limestone, fresh-mineral, push-pull is a veritable careening of expression. Though its longevity may not pile towards a compressed future like that of ’09 or ’11, the earlier and often response will act both as Chardonnay charming and Quarry Road magnetizing. For the next five years it will be very hard to turn away. Drink 2017-2020. Tasted April 2015
Tawse Laundry Vineyard Cabernet Franc 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (130997, $34.95, WineAlign)
A year had added rich note to this ’11, furthering the inflammatory vibrations and purposefulness of Bordeaux (as opposed to Loire) red makings from the vintage. The depth of cherry merging to smoked currants is cool, collected and shaded by brushy, briny strokes. Hints at brambly, even. This is so very Cabernet Franc and even more so, Lincoln Lakeshore. Drink 2015-2019.
From my earlier note of April 2014:
A lean Laundry with as much finesse as winemaker Paul Pender has ever shown in his poignant Cabernet Franc realm. When a vintage deals you calm and scale you sit back and relax. The Lincoln Lakeshore advancing in years vines bring yet unseen front end red berry, licorice and red currant softness in 2011. There is elegance but also a refusal to yield its back end bite. A level of enveloping grain and chalk is unique to this bottle and should be seen as a very good effort with the possibility ahead
Last tasted April 2015
Cave Spring Cellars
Cave Spring Extra Dry Sparkling Riesling 2010, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)
From the clay-limestone bench lands abutting the Escarpment, specifically one block of 11 year-old vines at the Beamsville Bench Cave Spring Vineyard. Traditional method fizz accessed of low brix (early picked, 19.3 degrees) and mortar (2.97 pH) numbers, then elevated under microscope magnified sugar (15.5 RS g/L) and acidity (8.4 g/L). So what? So this is a pure CS expression of Riesling, cured and curated in the house style, led to textile weave from 14 months on the lees and finalized just that side of Brut. Functions like a Blanc de Blancs suitably this side of acidity rage and with corresponding remarkable, if close to impossible aridity. Less fat than might be expected and with a swath of sauvage. There sweats ginger and the cuttings of foraged wild things. The extension on the finish is protracted even after the liquid has left the building. Finishes with dry stones, nuts and a rightful oxidative thrust. Drink 2015-2020. Tasted April 2015
Cave Spring Csv Riesling 2013, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)
That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025. Tasted April 2015
At present there are sweets, bitters and rich Adam fruit. Only the shadows of a limestone outcrop near the crest of the Niagara Escarpment know why the Adam is so juicy. A chew like no other. Drink 2015-2020.
From my earlier note of October 2014:
A classic Adam, amplified in 2013, riper and not as piercing as previously noted vintages. Still the layering is omnipresent but there is more juicy fruit and texture then ever before. This is a consumer friendly Adam, gregarious, outgoing, off-dry as never before. New slang for the bottling.
From my earlier note of July 2014:
According to Cave Spring’s website this newer Riesling from older (18 to 35 year-old plantings) is from “a single block of vines in the shadows of a limestone outcrop near the crest of the Niagara Escarpment, known as ‘The Adam Steps’. Really apropos, for this Riesling is the cantilever, the one with the outstretched arm. At 10.5 per cent alcohol and with an unmistakably stony, sweet and sour whiff the wine speaks of its off-dryness. The juiciest of all the Cave Spring Rieslings, with rounder acidity and good persistence. This is the all-around good guy, the one with an open invitation, the bridge from Estate to Dolomite to Csv. The well-adjusted one steps up its game to help win one for the team, especially out of the convivial 2013 vintage.
Last tasted April 2015
Cave Spring Cabernet Franc 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (391995, $19.95, WineAlign)
The 2012 Cabernet Franc needed six further months for the high-toned fruit to settle just enough for the spiced richness to shine. Though Dolomite-designated, this sheds Beamsville light purity, along with a grain variegated by (pomegranate) citrus and chalk. The cool centre is elongated and expansive though it seems to inuit the correct time for retraction. The aerial fruit stresses condense and accept the angles prepared by coriander and eucalyptus. Drink 2015-2018. Tasted April 2015
The Twenty Mile Bench in Jay Johnston’s hands flat out rocks. The Chardonnays “they dig a funky spiel, they’ll make some spiel.” The ’12 Estate has crossed into pretty territory, not shy to wear its thin lamina of oak make-up and not too proud to say drink me now. Drink me here, there and everywhere. Drink 2015-2017.
From my earlier note of March 2014:
Has spent some quality time and knows its way around a barrel but its attitude is young, fresh and alive. From 12 and 13 year-old estate vines and kissed by only 15 per cent new oak. “But here’s a funky fact that I know is real.” Flat Rock’s Chardonnays are red hot and this fresh-faced ’12 has “baby appeal.” Blatant, colorable value on the Twenty.
Always expressive of such manifest certitude, the 2014 can’t be anything but Nadja though there adds a fleshy dimension that pins it to the broader spectrum of Twenty Mile Bench, in as much as what the vineyard culls from its capacious diagrammatic. That broader outlook provides understanding into Nadja’s decrease of stentorian language in the fractionally stagnant vintage. There is a variegation within the sweetness lining the tunnel of aridity. Fourteen is nothing overly special and Nadja suffers as a result. It’s still a very, very good Riesling, just not one for the ages. Drink 2015-2019. Tasted April 2015
The vintage acts as a launch point for Flat Rock Pinot Noir and prepares a palate for the 20 Mile Bench by coating it with utmost approachability. Violets and Nebbiolo-like roses are raised in warmth, albeit beneath the safety net of cloud cover. You’ll find no burn, rust spots and yet you will acquire comfort, in and out of sips. Drink 2015-2018.
From my earlier note of April 2014:
As with Flat Rock’s Chardonnays, here is a vintage and an evolutionary coming of age that becomes a matter of scaling back oak. The quotient here is less than 40 per cent new, leaving the wizened vines and maker’s acumen to coax maximum character, brilliant sheen and recognizable aroma. The 2012 Pinot teases black cherry but never really goes there.
From my earlier note of February 2014:
Nearly 4000 cases will be available of this nearly-unfiltered, very established and always well-thought out Pinot Noir. A consideration of the plots and barrels micro-management that determine the crasis of this Estate wine demands an extrapolation in full-on assessment. The medium-coarse Chinois filtering lends to a tannic chain of texture thick in grain and chalk. A heavier Estate because when the weather gives you heat you make a climate appropriate wine. This monkey is not a product of arctic air and it “got too deep, but how deep is too deep?” Thermal vintage melt, ritzy ripe cherry stuff in 2012. From the Ritz to the Rubble, if you like, or the Flat Rock.
Last tasted April 2015
13th Street Pinot Gris 2012, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)
From two blocks on one farm in the centre of Creek Shores, one picked earlier to avoid botrytis. No malo, stainless steel tank fermentation leads to pure, crisp and clean Pinot Gris. The soil-driven funk meets faux-sulphur is typically J.P. Colas, a specificity in undertone that culminates in a dry, variegated finish. Drink 2015-2017.
From my earlier note of April 2014.
Here you have an honest, 100 per cent stainless steel treated Pinot Gris from an estate vineyard located adjacent the market on Fourth Avenue in the Creek Shores appellation. So very dry and really fine fruit, crisp, neoteric, rising and falling in waves of tempered acidity. Made in a comfortable, country-twanged, folk-rock style, like a Cowboy Junkie. Juicy, mouth watering work and very easy to fall for. An angel mine, this 13th Street, “and I know that your skin is as warm and as real as that smile in your eyes.” This effort by Jean-Pierre Colas is as good as it gets, a tally for Creek Shores and its kinship with the variety.
Four months has upped the funk in for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.
From my earlier note of December 2014:
Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.
Fruit was sourced mainly from Wismer Vineyard (Vineland) and a smaller proportion from AJ Lepp (Niagara-on-the-Lake) for this dry as the desert Syrah of deep extract, warmth and density of fruit. All set upon a highly tannic frame, with every indication that longevity will be its best friend, as much as any red has ever been produced in Ontario. A formidable vulcanization marks the entry, a not so inappropriate entreaty to beg for time and lots of it. The current pavane of fruit is exhibitive of excruciating physical reticence though behind the wall there is more than enough indicators to stand the test of time. No new oak (though the Essence saw an extended slumber in three to four year old barrels) has allowed the tapestry of intertwined layers to set up shop and dig in for the long haul. If big-boned Syrah and Niagara are in your cellar plans, this 13th Street 2012 has to have a prominent place. Drink 2020-2027. Tasted April 2015
A dual block blush, from two clones in the Moira Vineyard. Made from 100 per cent Pinot Noir, this second vintage is pale as can be, dry, saline and reeking of fresh peaches and strawberries. The level of purity and intensity is nothing short of amazing. This will rise quickly into the ranks of the Peninsula’s finest Rosés. Drink 2015-2017. Tasted April 2015
The purity and fine-lines of Pinot Gris are defined, delineated and deftly prepared by Shiraz Mottiar and team in 2014. This is a calm rendition, void of tremors, certainly not taking any risks but also not a white of unfulfilled promises. Herbs, lemon, mint and fine PG tannin draws salt from stone. A perfectly dry finish is in play, as with all malivoire whites, to cement the deal. Drink 2015-2018. Tasted April 2015.
It’s hard to recall memories of so much syrup, liqueur and high tonality as coming from Stouck, from any Meritage for that matter and yet the 2011 Bordeaux varietal wines out of Niagara continue to astound. If excess or vivid character is a negative, just look away. The combination of rich extraction and explicit oak generosity dope out fruit from a dry September into wonders of dried timbre and inflection. The drupe is enriched, as is the tannin and a Beamsville buttressing that warps and wraps like never before. At this four-year juncture, the Niagara ’11 varietal compendium is officially a thing, witnessed in example through this Stouck. More than just dramatic Shiraz Mottiar foreshadowing here, but further into thoughts of what vintages co do for red wine as a Peninsula whole. The ’11 Stouck Meritage stands upright at the mirror and its reflection looks right back. Drink 2017-2021. Tasted April 2015
Malivoire M2 Small Lot Gamay 2013, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)
The profundity of tart, keen, briny berries dilates in its own very useful layers of citrus, tannin and concentration, beyond even what was observed in 2012. The zesty, spritely argot resonates from the unfurling of floral essentia out of a Gamay in desperate need of time. The flavours and overlay are somewhat impenetrable and yet leave quite an impression. While patience might be the virtue and the reward, if #gogamaygo is the modus operandi, a swig from the bottle like gentlemen of the road is certainly not out of the question. Drink 2016-2021. Tasted April 2015
Charles Baker Riesling Ivan Vineyard 2014, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $27.00, WineAlign)
From the rich limestone and sandstone beneath the clay, 1.1 acre Misek vineyard, a southerly ledge up from Highway 8 and an easterly hill down from Cherry Avenue. A very linear Ivan combs the catacombs of the Escarpment’s underpinning. A retaining wall of vintage attenuated rocks and stones, a vineyard’s low yields and the voices in Charles’ head have produced a striking Riesling. In 2014 adolescence has entered adulthood. Now before us is a grown up Ivan, mature Ivan, maybe even wise Ivan. Texture is in manifest control in this loyal, stay at home Baker, not yet running wild like free-spirited Picone. Ivan has presence, sometimes a great notion and is Baker’s longest bit of prose to date. The next great Riesling vintage will make it iconic. Drink 2016-2020. Tasted April 2015
The petrol and mighty bee’s sting have taken over, with the honey again not far behind. A lemon prepares to spill its juices as it warms above a bunsen flame. At present it is almost too elemental to define. Will change course again when midnight strikes in 2016. Then it will come into its own. Drink 2016-2020.
From my earlier note of April 2014:
Tasted at Somewhereness 2014 as part of a vertical retrospective going back to 2007. The Vinemount Ridge’s now famous Picone Vineyard is set within a 10-acre estate on the Niagara Escarpment. Planted to the Weis 21 clone, the Riesling grown here digs in for complexity from sectional moieties of clay and sandy soil atop a unique base of limestone bedrock. Charles Baker began working with these grapes in 2005 and it is this 2008 where the learning curve took a turn for the Riesling stratosphere. The ’06 found luck in the stars but this vintage lays the framework and foundation for a master plan. At this stage in the ’08 evolution there is a prodigious and viscous honeyed textured. Ripening tree fruit juices run like maple sap in spring and the run off is beginning to think syrup. A cutting ridge of acidity arrests the sugaring, allowing citrus and flinty rock to recall the wine’s first, fresh steps. Baker’s Riesling time travels in circles with no real beginning and no real end. From my earlier, September 2012 note: ““Whoo-ahhh” Mojito, green apple skin scent of a Riesling. Seductive to sip, a bodacious body of influence, then back-end bite. A wolf pack in sheep’s clothing.”
A blend of Cabernet Franc and Merlot with some Sauvignon Blanc and Riesling added for lift and what J-L Groux admits is rendered “for the consumer.” This essentially marks the twain between sweet and dry, if not quite halfway then pretty darn close. Plenty of herbs and citrus nail the aromas on the proverbial head with more than a grapefruit or two on the half circle. A highly approachable, end-user friendly blush. Drink 2015-2016. Tasted April 2015
Stratus White 2012, VQA Niagara On The Lake, Ontario (660704, $44.20, WineAlign)
In 2012 the blend is Chardonnay, Sauvignon Blanc and Riesling. Viognier was left out because according to winemaker J-L Groux “it did not work in blending trials.” The vintage has laid the foundation for the most density, and unctuous fruit for the Stratus White in what must be, ever. At the high aromatic end there is peppery beeswax, reverberating and echoing in scales and arpeggios. Like an open string singing warmly, the vintage, extraction and residuum combine for texture in mottled unction. Sapid lemon, more beeswax and lanolin mark the palate and then the White drifts into spaces occupied by smoky, back beats and bites. This has great pitch with a knowledge of the path to pleasure. Drink 2017-2025. Tasted April 2015
Stratus Gamay 2012, VQA Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)
t may not be the most idiosyncratic Gamay in Niagara but the Stratus 2012 is without a doubt the most advanced and complex. Gamay fusion is on display, at once a bottle of Niagara’s finest pulchritudinous veneer and then a charcuterie board laid ample with cured bovine parts and sun-dried grapes. Maximum ripeness and then even later picking, to no one’s surprise, have led to this. Two years of ageing in neutral oak barrels has brought about a humid roundness and yet the centre is controlled by Oz-like mint and eucalyptus notes. The jam is gelid, as opposed to temperate. Rarely does Gamay go to such depths, of blackberry, chalk and grain, with an overlord of tannin. Quite serious stuff. Drink 2017-2020. Tasted April 2015
Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)
The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024. Tasted April 2015
Long weekend ahead. Must find wine. VINTAGES concentrates on Australia and I am happy to report that the choices are more than impressive, especially in shades of Chardonnay, Sémillon and Marsanne. Three Ontario whites are released with two offering perfect sipping opportunities, from the hands of Rob Power and Richie Roberts. The third, from Craig McDonald, will blow you away in the realm of wild and crazy cool Chardonnay.
Get out there folks, said in refrain, put on some music, pour a glass and seize the day.
From left to right: Creekside Backyard Block Sauvignon Blanc 2013, Tahbilk Marsanne 2013, Kuhlmann Platz Rosé Crémant D’alsace, Méthode Traditionnelle, Fielding Pinot Gris 2014 and Howard Park Flint Rock Chardonnay 2012
The Backyard Block returns for another go around with as much Loire typicity as Niagara does in Sauvignon Blanc. Cements the Creek Shores varietal viability, in ripeness, greens and acidity.
From my earlier note of February 2014: A Creek Shores SB that bridges the gap between spring and summer fruit. From a year in which the choice was made to not blend off into the estate bottling. Recognizable Creekside aromatics stand out in a more than obvious mineral deposit and grapefruit zest way. Here the band plays across The Great Divide so “just grab your hat, and take that ride.” Tasted again in August 2014 and last tasted May 2015 @CreeksideWine@rich_hobbsandco
Tahbilk Marsanne 2013, Nagambie Lakes, Central Victoria, Australia (117945, $17.95, WineAlign)
In this Marsanne music from the big flint can be heard, with more than a wisp of woodsmoke and an aridity that hollows out the theatrical sound. Has that lean, stoic feeling, like Hunter Valley Sémillon, with a mouthful of mineral and stone. Since you asked, yes it does get to the Rhône point and lingers efficiently for longer than a band’s last waltz organ line. Though so dry it dips into the Nagambie Lakes well and seeks epic Evangeline poetic longevity. Marsanne from out of the blue that will gain weight and will age into a Riesling like future, with petrol and honey. Then it will play in refrain, its theme repeated for a good, long, lingering time. Drink 2017-2022. Tasted May 2015 @TahbilkWinery@GrapeExpects@winevic
Kuhlmann Platz Rosé Crémant D’alsace, Méthode Traditionnelle, Alsace, France (400788, $18.95, WineAlign)
Crémant cut from cloth neither chary nor coy, prompted with prejudice though in the archaic, piercing, ultra arid K-P style. Elemental my dear Rosé and cherries, struck by lightning and melting into the silky, sultry and lactic palate. Anything but oxidative with thunderous, Pinot Noir appeal. Pour this everywhere, off of fountains and into large vessels. Drink 2015-2017. Tasted May 2015 @AlsaceWines@VinsAlsace@drinkAlsace
Such a ripe and extroverted Pinot Gris, in a style created and honed by winemaker Richie Roberts, here in 2014 near its apex. Singular without feeling the pressure to induce rapture or revelation. Fleshy ripe, of peaches, plums and nectarines. Typically and expectedly fresh, juicy, industrious, vehement and good, spicy length. Always well-made, hitting essential, doctrinal Pinot Gris notes and so very food versatile. May I suggest a whole grilled fish, lemon and fresh herbs. Drink 2015-2018. Tasted May 2015 @RichieWine@FieldingWinery
Howard Park Flint Rock Chardonnay 2012, Great Southern, Western Australia, Australia (410027, $22.95, WineAlign)
Flint or sulphur, pick your poison and in the case of this Howard Park Chardonnay, it must be called good medicine. Such a lively, struck match seethe, intimating and participating in the act of cool climate performance. A Sandman, an algid atmospheric cover band to the real Metallica, with mineral, toasty notes and driving anxiety. If only there was more than this, more fruit and flesh, this would be a stunner. As it is, the value it represents can’t be denied. Drink 2016-2018. Tasted May 2015 @HowardParkWines@imbibersreport@WestAustralia
From left to right: Tyrrell’s Brookdale Sémillon 2013, D’arenberg The Love Grass Shiraz 2011, Hillebrand Showcase Series Wild Ferment Chardonnay 2011, Bergstrom Old Stones Chardonnay 2011 and Jonata La Sangre De Jonata Syrah 2008
Tyrrell’s Brookdale Sémillon 2013, Hunter Valley, New South Wales, Australia (269316, $24.95, WineAlign)
Hunter Valley Sémillon should never, ever be underestimated. The starved, crazed and raving mad personality is delirium incarnate. This Tyrrell’s ‘basic’ Brookdale is like orchard fruit on a focused and intense diet, thirsty from drought and hungry from deprivation. And it’s simply gorgeous. Wiry, angular and lean, it’s also careening and funky, actually, like a tincture made from dried roots, fruit skins and grasses, ground between two schisty stones. Like lemons left out in the sun to dry, pulverized and inculcated to a professor’s fine elemental powder. For now it knows “all I have is baking and going simple slowly.” Close your eyes and feel past the young tension, to where the body of the wine indicates expansion, to five years on where honey and sweet cold collation will lead this to a special place. Put aside the indifference engine and suck it up buttercup. This is exemplary Hunter Valley Sémillon for a pittance. Drink 2017-2025. Tasted May 2015 @TyrrellsWines@Wine_Australia@HunterValleyAUS
D’arenberg The Love Grass Shiraz 2011, Mclaren Vale, Australia (48785, $25.95, WineAlign)
This Love Grass is the kind of Shiraz with the right stimulants, high-toned but with a kind of resinous, dried fruit that hydrates with an intoxicating perfume. The vineyard’s weed infiltrates and adds savour, stimulating the senses with cool Mediterranean aromas mixed with the flavour of beautifully bitter chocolate. Sticky and able to attach itself across the taste buds, the wolf steps on every nerve, then attacks the teeth and the back palate. All the while you are left with a calm yet enervating feeling. Chester Osborn, “you know the dealer, the dealer is a man, with the love grass in his hand.” This D’arenberg is worth every penny of its $26, especially when the pusher is considered against many peers $20-$30 more costly. Drink 2016-2022. Tasted May 2015 @darenbergwine@mclaren_vale@imbibersreport
Hillebrand Showcase Series Wild Ferment Chardonnay 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (199273, $36.20, WineAlign)
The ambiguity of site is of little consequence in this texturally striking Niagara Chardonnay. The bookend vintages of 2010 and 2012 list the Oliveira Vineyard on the label and not surprisingly display character akin to Norm Hardie’s Niagara Chardonnay. From Duarte Oliveira’s farm between Victoria and Ontario Street, Hardie calls it Beamsville Bench, Craig McDonald deems it Lincoln Lakeshore. Regardless, those wines of fruit with a “golden tan, ready to go” are undomesticated and wild. This Trius 2011 is different. The fruit’s source is unspecified and the bursting personality takes Peninsula Chardonnay architecture past and well right of the centre line. Rich, ripe and buttressed, from pivot to gyrate, with acidity circling the life affirming yeasts. Pear trees in spring bloom and ready to pick fruit in a dream of tenses, with personality like a Hengst Grand Cru Pinot Gris. The style and varietal take are highly unique, expertly configured, judged and primed to age. Speaks the treble language of the vintage, predicated on bold ideas looking forward towards a bright future. Ultimately it is yeast and vintage, non partisan to site, that elaborate the Wild Ferment 2011. Drink 2017-2023. Tasted May 2015 @TriusWines
Bergstrom Old Stones Chardonnay 2011 and Hillebrand Showcase Series Wild Ferment Chardonnay 2011
Bergstrom Old Stones Chardonnay 2011, Willamette Valley, Oregon (410753, $41.95, WineAlign)
Both estate and purchased fruit sources from several sites make up the Old Stones, a Willamette Chardonnay in which those stones can be imagined travelling a subterranean river, along with salt and volcanic bombs. Balance defined for Oregon, with soft and subtle fruit melded into stiff vintage-driven acidity. This is a not a heavyweight by any stretch, but rather an elegant, confident, demurred Chardonnay with lots of class. It has its popping moments, not quite eruptive but the activity can be sensed. It will evolve and slowly dissipate with time. Drink 2016-2021. Tasted May 2015 @Bergstromwines@HalpernWine@wvwines
D’arenberg The Love Grass Shiraz 2011 and Jonata La Sangre De Jonata Syrah 2008
Jonata La Sangre De Jonata Syrah 2008, Santa Ynez Valley, Santa Barbara County, California (220517, $150.00, WineAlign)
A tremendously ripe, rich and layered Syrah that has few equals or rivals in California so in that sense the price is benevolently justified. Winemaker Matt Dees is no flash in the pan. His wines are cerebrated and cogitated with no stone left unturned. They are showy, chiselled wrestlers, boxers and ultimate fighters but they are the real deal. This ’08 is a veritable protein potpourri, of wafts from the finest boucherie, all hung limbs and wrapped sheep’s cheeses, in caves, on counters and under glass. The expression is also very Côte Rôtie meets côte de bœuf rôtie, with added luxe perfume, chalk and lacy grain. The fruit boundaries are endless, the chew meaty, cured and smoky. Ultra Syrah of never wavering red fruit in a packed vessel with alcohol declared at a meagre 14.9 per cent. Even if it is really more like 15.5, the wealth of fruit, acidity, tannin and structure can handle the heat. With so much happening, this wine will age like the prized hind quarters and mother’s milk solids it smells of. Jonata La Sangre De Jonata Syrah 2008 says something and I’d love to hear what that is 15 years down the road. Drink 2018-2028. Tasted May 2015 @WoodmanWS@CalifWines_CA
A visit to Alsace cannot be complete without a stop at Trimbach, the epicentre of rhythm in Ribeauvillé. If that excursion includes a jaunt over to Riquewihr and lunch at Le Sarment d’Or with Jean and Anne Trimbach and their soulful wines, the exercise can be surmised in one word: élan.
Le Sarment d’Or, Riquewihr
The Trimbach aura is triggered by joie de vivre, in pulse, metre and cadence. The wines reflect their makers and out there in the Alsace diaspora Trimbach is what I would refer to as an approachable, accessible and ever-so friendly icon. The wines are paradigmatic and emblematic of Alsatian acidity, from entry-level to preeminence. They are professional and represent the purest form of Alsatian confessional. The wines of Trimbach open up to the world, hide no skeletons, spin no agenda and simply ride out on a prosperous, musical mission to please. Here are notes on four wines tasted in Alsace, June 2014.
Fish Tartare, Le Sarment d’Or, Riquewihr
Réserve Pinot Gris 2011, Ac Alsace, France (971762, $23.95, WineAlign)
For Trimbach this is a top quality vintage to make an example for one of the domain’s signature value wines. This firm and straight shooting Pinot Gris comes from limestone-dominant parcels not so different from the PG taken out of the winery’s Osterberg Grand Cru, just above Ribeauvillé. That a Pinot Gris can bring a nearly (8 g/L) elevated level of residual sugar to the table and come across bone dry, like a walkabout in the outback, remains one of life’s great mysteries. Picked prudently early, or as Alsatians like to say, “right on time,” this Trimbach is eloquent, reeks of wet, cold stone and lies over an ocean tasting of salty minerals. Pour it with the freshest, uncooked fish and a light vegetable pickle.
Seductively Sauternes-like in its orange marmalade viscosity. An immense Gewurz-like PG. Off-dry tropical fruit, lanolin and a macadamia nut streak foils lemon, peppery orange and gold nasturtium. The edible florals are replayed in its sun-blazing technicolour. At 14 g/L of residual sugar and 14 per cent alcohol it marks the vintage but with incredible acidity. Jean Trimbach notes the balance is due to the efforts of his brother Pierre, in spirit, energy, texture and acidity. Drink 2015-2020. Tasted July 2012 and June 2015
Talk begins, if only because of its arresting singularity and how it flashes like a beacon, with the 1998 Cuvée Frédéric Émile’s acidity. Vintage-bound and determined with an exceptional focus that is clear, crisp and precise. From marl-limestone-sandstone and fossil-flecked Muschelkalk out of the Ribeauvillé terroirs Geisberg and Osterberg. A bone dry Riesling with a microscopic number of botrytis in absolute control of its 16 year-old adolescent body and emotions. Decidedly masculine, strong, confident and of a musculature that is developed yet immature. Not quite reckless and not yet taking any unnecessary risks, this will go through a racy period over the next few years before maturing into an industrious and wise adult. In this 1998, with the vineyards in mind, a parallel is drawn from 1990. Drink 2018-2028.
On Monday, June 16th at the Millésimes Alsace, the professional trade fair for Alsace wines, older vintages were poured at the Master. Among them was one of Trimbach’s iconic Riesling.
Introduced as a wine with “the capacity to air” by Sommelier Caroline Furstoss at the Millésimes Alsace Master Class. Riesling from a near-perfect and clean vintage (less than five per cent botrytis) that lays reclined in an evolution that has come to a balance in weightlessness. Frédéric Émile is a cuvée of beautifully impossible chemistry, a meld of dichotomous terroirs, of Geisberg and Osterberg, of stony clay geologically folded into both multicoloured sandstone and calcareous marl. The two plots may be hard to tell apart but this wine is so important because it innately knows how to make magic from the subtle differences and idiosyncratic intricacies of those soils. In 1990 the execution found results in the grandiose. There is no adipose tissue in this Riesling, no wasted notes, no moments of daydreaming. Laser clarity and still wagering its 25 year-old impetuous limestone acidity against the energy that might oppose it. “You can feel the granite soil in the body of the wine,” notes Furstoss. Aromatics call upon orange peel, ginger and a brulée imbued of a late, finishing noble bitterness. Amaranthine Alsace.
Slightly Barque dry-rubbed roast chicken, scored butternut squash with butter, agave and backyard coriander seed and penne with grape tomato, bocconcini, padano and scallion
Spring has finally sprung. The air and the psyche have found collective exosmosis, leaving the colder, thicker air of winter behind, to begin passage through the membrane into lower pressure. With the exhale and lighter sense of being comes the same in wine. We egress to ferments of lower concentration. In reds we will welcome Gamay, Pinot Noir, Zweigelt, Blaufränkisch and Cabernet Franc.
White wine has more potential in legerity and litheness of being. While Riesling, Pinot Gris and Pinot Blanc are most certainly apropos choices for spring, there are others, variations on the theme, not technically “white” per se, but fitting the bill nonetheless. Like Sparkling wine, and Sake.
Tastings of late have focused on the white stuff and there are many that have already left an indelible mark during this period of emergence, this recent transudation through conduit, out of too many months mired in ice and snow. The parameters of white wine blurred a bit, this group of twelve wines will do you no harm. In fact, any or all will help restore that healthy attitude so desperately needed in this time of rejuvenation. Spring.
From left to right: Château De La Bretesche Muscadet Sèvre Et Maine Sur Lie 2013, Emiliana Adobe Reserva Sauvignon Blanc 2014, La Joya Viognier Reserve 2014, Charles & Charles Chardonnay 2013, Hugel Gentil 2013 and Tokaj Kereskedoház Grand Selection Semi Dry Tokaji Furmint 2012
Château De La Bretesche Muscadet Sèvre Et Maine Sur Lie 2013, Ac Loire, France (412163, $12.95, WineAlign)
From the VINTAGES April 18, 2015 release
From the stable of Domaine de la Chauvinière, the Château De La Bretesche is a gneiss Melon de Bourgogne, crafted at the hands of Muscadet master Jérémie Huchet. Melon of lightness, finesse, ripe restraint, elasticity and breadth beyond the norm. Karpos of many herbs and briny berries. Capable of nurturing and buttressing intensity. Though the scent here is subtle, when it comes to Muscadet, the fresh sea and shell of Pholas dactyls is necessary. In conjunction with its length and a price of $13, in this section of the Loire, the littoral zone and the peak are reached. Drink 2015-2020. Tasted March 2015 @MyLoireValley@LoireValleyWine
It would be hard to imagine Sauvignon Blanc with wilder eyes, as much pop and nearly the zesty fortitude as the Emiliana Adobe. The clarity of organic/biodynamic health in vine and by extension fruit is on blinking display. Fresh and popping, the zest of ripe citrus circulates naturally, as acidity, in juicy squeezes and with nothing but tireless pep. This is an example of exemplary SB for Chile and one can only imagine the depths that might come from older vines and/or a wild yeast meets barrel ferment trial. Drink 2015-2016. Tasted April 2015 @VinosEmiliana
La Joya Viognier Reserve 2014, Colchagua Valley, Chile (168542, $15.95, WineAlign)
From the VINTAGES April 18, 2015 release
As impressive as this very New World take on Viognier was in 2013, the follow-up furthers the absorption. The accented matters of alcohol, residual, mineral, bright fruit and soil continue the train of thought with forward ’14 thinking. This is nothing but a feel good, “why don’t you touch me now” Viognier, a gem-filled musical box of herbs, blanched nuts, flowers and spices. It’s a round and melodic nursery rhyme that’s fun to sniff, taste and listen for its mysterious ministrations and magical charms. Drink 2015-2018. Tasted March 2015 @VBisquertt@DrinkChile@vonTeichman@vonterrabev
Charles & Charles Chardonnay 2013, Columbia Valley, Washington (394734, $15.95, WineAlign)
I would liken this Columbia Valley Chardonnay to the Fourth of July. It’s got tiny moving parts, all in motion, trying to put it all together. Cool orchard fruit, a minor kiss of barrel, a raft of lees, some sweet tropical flavours and round acidity. Needs some time. If it succeeds “it will be like fireworks blowing up in the air like a Fourth of July night sky.” For now it’s a reserved, quietly efficient and harmless Chardonnay. But it does show signs of building momentum. Drink 2016-2020. Tasted March 2015 @KVintners@Dandurandwines
Hugel Gentil 2013, Ac Alsace, France (367284, $15.95, WineAlign)
From the VINTAGES April 18, 2015 release
The five grape blend works confidently and vehemently strives with more love and sympathy than the austerely commandeered Riesling. Sylvaner and Pinot Blanc matter here, helping to negate the dominant aromatic push of the Gewürztraminer and Pinot Gris. Quite dry (3.9 g/L RS), with twitching (5.86 g/L) though steady acidity. This has ingratiating integration and unswerving tannic grain. A coherently textured Riquewihr conflation that is more than well-made. Drink 2015-2020. Tasted March 2015 @Hugelwine@HalpernWine@VinsAlsace
Hungary and more succinctly Hegyalja is on a terrific role of late. I would put many marbles into the probability basket and roll straight to the quality bank on the backs of so many Tokaji examples. This Furmint is not on the lighter, fresher side, but more so the seasoned and effluvious strand. “Regardless of the balance life has become” this Furmint is lush and conversely piercing, an acquired density, thick and profoundly cumbersome. Though it rallies and rails in many ways, “too heavy too light, too black or too white, too wrong or too right, today or tonight,” it’s also honeyed and a riot to drink. Would like to give this seven Mary three years to settle down. Drink 2017-2020. Tasted March 2015 @TokajCE@WineofHungary
From left to right: Vignerons De Buxy Buissonnier Montagny 2011, La Vida Al Camp Cava Brut, Château Belá Riesling 2012, Rapaura Springs Reserve Sauvignon Blanc 2013, Momokawa G Joy Junmai Ginjo Genshu and Trimbach Réserve Riesling 2011
Vignerons De Buxy Buissonnier Montagny 2011, Ac Burgundy, France (382879, $19.95, WineAlign)
From the VINTAGES April 18, 2015 release
Another VINTAGES (2011) shipment of this great value in Côte Chalonnaise Chardonnay from the most southerly portion of the Côte d’Or is fortuitous because eight months has only helped to extricate the fruit from its Marly soil, variegated with White Burgundy-loving limestone shell. This is Montagny with intensity and in language of Burgundy’s essential tenets. Aromas scheme as white fruit punch and fruit that packs a punch. Might be thought of as heavy, syrupy even, in terms of Chardonnay, but the meeting of equal and opposing tannin terms balance. The clay-crusted pebbles in the marl have crawled inside the bottle. Suck on them long enough and they will reveal their inner stone. I dare you to spit them out. Drink 2015-2020. Tasted March 2015 @VinexxWine
La Vida Al Camp Cava Brut, Penedès, Spain (Agent, $19.95, WineAlign)
This blend of Macabeu, Xarel-Lo and Parellada is not only distinguished for Cava, it should be highly regarded in the pantheon of all Sparkling wine. Swelling with personality and urging in demonstrative energy that fizzes and suspends with fervent animation. The activity is one of quick reactions and accumulation. From sweet yeast in lees, from an on the line oxidative cold front and through the warmth of tropical spice. Cava like clouds combing stormy skies from equal and opposing directions and densities. Though marked by a leathery aromatic rind, it’s creamier and less lactic than outright citrus. These are fine bubbles, of twinkling titillations and striking flavours. Drink 2015-2018. Tasted March 2015 @lavidaalcamp@TheVine_RobGroh
Château Belá Riesling 2012, Muzla, Slovakia (410951, $19.95, WineAlign)
From the VINTAGES April 18, 2015 release
For something completely different and yet not, look to Slovakian Riesling at the hands of a German icon. Here from Muzla, a most elemental, atmospheric and petrol driven wine, out of Loess, with blessings beyond Riesling character. A bit reductive, funky and porcine like Baden Grauburgunder, frankly. Heads to an off-dry intersection on the palate, in Spätlese-like headiness. Returns to Trocken in angles of mineral tang and a late, ferocious bite down. Stays this way for nearly a minute. A challenging and compelling respite away from the Mosel. Drink 2016-2022. Tasted March 2015 @ChateauBela@WinesOfSlovakia
Rapaura Springs Reserve Sauvignon Blanc 2013, Marlborough, South Island, New Zealand (388421, $21.95, WineAlign)
From the VINTAGES April 18, 2015 release
Blame it on the midnight, the rain or the Wairau River, but the flow past a rocky aquifer and into the vineyard weaves through this Sauvignon Blanc to achieve an uncanny Marlborough balance. The accord is struck between high tones and mineral undertones. Between tropical lushness and direct citrus connectivity. Between herbal grounding and stratospheric elevation. Really flavourful and structured by texture. In a saturated world it is noted “everywhere is all around, comfort in the crowd,” through a sea of Sauvignon Blanc. Shame on the moon but the Rapaura Springs Reserve stands out for its gentle, meandering and crooning ways. It is highly recommended. It is possessive of an ability to braid, reticulate and evolve. Drink 2015-2020. Tasted March 2015 @Rapaurasprings@nzwine@VinexxWine
Momokawa G Joy Junmai Ginjo Genshu, Oregon (239426, $26.95, WineAlign)
From the VINTAGES April 18, 2015 release
Made from pure, Sacramento Valley Calrose rice polished to 60 per cent and undiluted. The short trek to Oregon is made for the G, a Saké with a foot in two worlds. The Koji-kin and yeast strains are from Japan and the water from Oregon. The American-Japanese arrangement will succeed in pleasing palates east and west. Sacramento soil is in here, enriching the rice with savoury tall grasses and expanding spice. Oregon water draws subterranean salinity and combined with the Japanese elements, comes out like toasted nori. This is lovely and floral, rich and finishes with a feeling of wet stones. Tasted March 2015 @SakeOne@MetroWineSake
Trimbach Réserve Riesling 2011, Ac Alsace, France (995316, $29.95, WineAlign)
From the VINTAGES April 18, 2015 release
Some old vines and a strict selection of grapes from Ribeauvillé and vicinity compose the Trimbach Réserve, another storied chapter of sharpness and focus. Builds upon the similar 2010 and with greater depth. At this price on the Riesling plain this will be a star for the vintage, even it it takes five more years to reach adjudication. With this portal to the finest fruit and handling in mind, it can only be imagined what the same vintage will convey from the terroirs of Geisberg and Osterberg for Cuvée Frédéric Émile. The standard Réserve is rich and propelled to compounding causatum. Aromas go through lemon glade and glaze, then turn the key to lime. The texture is a crackling bite of corral with salinity drawn from oceans far away. The stone cold austerity is a frozen moment of time, a long pause in which there is nothing to do but swallow and forget. Small price to pay for such a thing. Drink 2016-2022. Tasted March 2015 @trimbach@WoodmanWS@AlsaceWines
Henry of Pelham Estate 2013 amid a sea of April 4th, 2015 VINTAGES Chardonnay
You can find them from coast to coast. This coming Saturday six VINTAGES Canadian releases, four from Ontario and two from British Columbia, are wines that speak on behalf of exceptional vineyards, out of important places. These are bottles made by winemakers entrenched in their territory and from grape varieties purposed to grow there.
The Creekside Estates white blend known as Laura’s White has become a poster child for varietal blends on the Niagara Peninsula. Winemaker Rob Power has found a way to make a consistent expression in every vintage.
Shiny Apple Cider by Small Talk Vineyards
Angela Kasimos was the winemaker at Riverview Cellars and is now leading the charge at Small Talk Vineyards. The Small Talk Syrah is yet another example to speak on behalf of pushing for more plantings, especially down by the Niagara Lakeshore. But that’s not all. Kasimos is also making Cider at Small Talk. It’s called Shiny Apple Cider, made from Grey County apples and Niagara grapes. You heard me. The White Cider is augmented by 10 per cent Riesling, the Rosé with 15 per cent Pinot Noir. You should try it on tap at Barque Smokehouse.
The Cuvée Black Ball Riesling by François Morissette failed on several occasions to pass through the VQA panel’s strict discretion. The atypical one has finally broken down the barrier and it’s now your turn to decide if it pleases or causes consternation. My chance to opine is laid clear in the review below.
From B.C., Gehringer Brothers out of Oliver offers a unique, Golden Mile take on Pinot Gris. More than just coincidence to be here today as yesterday marked a new direction for British Columbia‘s wine industry. The #GoldenMileBench just became the province’s first sub-appellation.
Sandra Oldfield of Tinhorn Creek called the day momentous. She wrote this on her blog. “Something as elemental as the brown given to vineyard stones by a passing universe. In casual simplicity, I toast to you, the Golden Mile Bench, British Columbia’s first sub appellation.”
The five recognized wine regions in British Columbia are The Okanagan Valley, Similkameen Valley, Fraser Valley, Vancouver Island and the Gulf Islands. The new designation was announced by the provincial government on March 30 and will legally identify where grapes are grown. In this case, the escarpment southwest of Oliver which runs south from Fairview Road and near Highway 97.
So long as 95 per cent of the grapes were grown in the area, wineries will now legally be allowed to indicate the Golden Mile on their labels. The list includes CC Jentsche Cellars, Checkmate Artisanal Winery, Culmina Family Estate Winery, Fairview Cellars, Gehringer Brothers Estate Winery, Hester Creek Estate Winery, Inniskillin Okanagan Vineyards, Golden Mile Cellars, Rustico Farm and Cellars, Tinhorn Creek Vineyards, and Willow Hill Vineyards.
In Jauary I wrote about Burrowing Owl Winery. I talked about the extreme nature of their location and what is does for their wines. “That the winery is situated on the most northern outpost of the Sonoran desert, an arid and agriculturally inhospitable stretch of terroir that originates in Mexico, is not exactly so well-known. That the Owl can produce such wines of extraction spinning on a compass of intensity is one of the wonders of the Okanagan Valley.”
Here are notes on six new local releases coming to stores this Saturday.
From left to right: Creekside Estates Laura’s White 2013, Gehringer Brothers Private Reserve Pinot Gris 2013, Henry Of Pelham Estate Chardonnay 2013, Small Talk Vineyards Recap Syrah 2012, Pearl Morissette Cuvée Black Ball Riesling 2013 and Burrowing Owl Syrah 2011
When I tasted the 2012 Laura’s White again with winemaker Rob Power two weeks ago my last note said “this has the grab, tempered by the warmth of the vintage, so look for ’13 to nail it with a hook.” That it does, along with the most balm and herbs of the last five vintages. This blues traveller goes deeper into complexion and white varietal compilation. The fruit is very tropical in 2013, softer, easier, lighter in complexity, but it has that musical trigger, the jingle, the popper, the hook. If ’12 was the revivalist blend, then ’13 will try to be the proselytizer. “Because the hook brings you back, ain’t tellin’ you no lie. The hook brings you back, on that you can rely.” Everyone can drink this. While it may not stand up a decade or longer later, you will be able to look back on it fondly and remember it was a wine for the times. Drink 2015-2020. Tasted March 2015 @CreeksideWine
Gehringer Brothers Private Reserve Pinot Gris 2013, BC VQA Okanagan Valley, British Columbia (347203, $18.95, WineAlign)
A concrete set of aridity rules are the modus operandi here in a reserved, stoic and aerified sort of Okanagan Pinot Gris. Paler and thus less oxidative then the last vintage to pass through these parts. Very much cut into pear, less so of white peach. The grape tannin is noticeable, even obdurate. Generous alcohol contributes to the mulish attitude though with the aridity and slight citrus push you’d be hard-pressed to really notice the call. Tasted March 2015 @GB_Wines@UncorktheSun
Henry Of Pelham Estate Chardonnay 2013, VQA Short Hills Bench, Ontario (268342, $19.95, WineAlign)
Sunlight is the key to this ripe Chardonnay, snatched from vines that grow on the most easterly of the Niagara Escarpment’s sub-appellation. Here Henry of Pelham calmly puts its hegemony over Short Hills Bench Chardonnay on display. The fruit layering is very impressive, compressed even, with just a spiced spirit injection from the barrel. The Estate Chardonnay is in a mid-range class of its own, this gatherer of heat days, hoarder in spring water retention, cleanser in sand and gravel drainage. The vintage just seems perfect for this niche bottling, balanced, primed to finespun texture, stretched for length and good to age at least five years. Last tasted March 2015 @HenryofPelham@SpeckBros
Small Talk Vineyards
Small Talk Vineyards Recap Syrah 2012, VQA Niagara On The Lake, Ontario (415612, $24.95, WineAlign)
In the hands of new winemaker Angela Kasimos, Small Talk Vineyards should consider going with and increasing their plantings of Syrah. It’s clear that Kasimos has inherited good solid fruit and the Small Talk (formerly Stonechurch Wines) treatment in ’12 is a very good start towards what should become a great varietal relationship. Smokey, savoury and full of positive brine vibrations, this has body but no overripe or caramelizing denouement. Nor is it green, though it exhibits tonalities that whisper volatility and chews that say sinew. Yet it persists healthy and clean. This is Syrah of lovely curves, rounded shapes, bright peaks and gently sloping valleys. Who doesn’t like Syrah young and infectious like this? Tasted March 2015 @SmallTalkWines@AngelaKasimos
Pearl Morissette Cuvée Black Ball Riesling 2013, VQA Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)
Let’s get something immediately out of the way. The wines of François Morissette are not meant to please curmudgeons, skeptics, contrarians or members of the wine media. This Riesling has no desire to kiss ass. This will not appeal to late harvest lovers, from Kabinett to Auslese. Is it ripe? Not quite. Is it different? Absolutely. This compares to almost nothing. Like a Champagne ginger, lime and bronze filings cocktail, the Blackball ’13 is so very developed and despite the colour, is a hyperbole in primary existentialism. That it has essentially no residual sugar and an achieved 11.5 per cent alcohol is a complication only the clinical doyenne has the answers to. Riesling in between dreams, “never knowing shocking but we’re nothing.” The Blackball has struck, is not yet stricken and will offer remore pleasure for another six months. Then it will deconstruct, dissolve and devolve into darkness and funk. Five years later it may emerge like a phoenix, jack up like a Rangen Riesling, into the ethereal. Will it happen. I couldn’t possibly tell you. We may never know. But I can say that then, and only then, will it truly tell its story. Drink 2020-2025.Tasted March 2015 @PearlMorissette
Burrowing Owl Syrah 2011, BC VQA Okanagan Valley, British Columbia (73072, $39.95, WineAlign)
Just when it seems that Burrowing Owl could not coax beyond the perceived maximum in ripeness and richesse out of desert sage country Syrah, the envelope pushes higher in this ripping 2011. An absolute circum whirl of dark fruit, crushed peppercorns, Cassis and candied violets draw syrupy into bottle. Big, brawny and modern, styled like Syrah from peak perches overlooking the French Riviera with a small percentage of mitigating northern Rhône sensibility. Texture is pure silk. Acids are tame but very present. Tasted March 2015 @BurrowingOwlBC@winebcdotcom@LeSommelierWine
Like so many Alsace winemakers, the Schoffits were and continue to be torch bearers who made wine to remember generations. Though their history traces back more than four hundred years, the modernity of their oeuvre is a case of futuristic pioneering. That path is laid crystal clear by a tasting and a learning about their wines in discourse through the precocious young lens of Alexandre Schoffit.
The volcanic terroir of Rangen, Alsace as told through the precocious & intelligent young mind of Alexandre Schoffit pic.twitter.com/x4IVQP7cou
During a week in Alsace we tasted many wines 25 years and older. At that age there can be no guessing. At Schoffit we were presented wines that fell into the four to fourteen range. No longer primary and not yet secondary, the assessments of adolescence can be difficult, confusing, beyond comprehension. The relationship between many wine’s character with its aromatics and flavours is usually that of gristle and fat on the bone of meaning. But not Domaine Schoffit. There is no gap between the structure and the wine.
The Harth Lieu-dit is the Alsace home vineyard and grounded muse for the varietal wines of Domaine Schoffit. Eleven hectares of Pinot Gris, Riesling, Gewürztraminer, Pinot Blanc, Sylvaner, Chasselas and Pinot Noir make up the core of the domain’s 100,000 bottle production. The alluvium, permeable pebble soils in Colmar and France’s most generous amount of sunshine provide the sustenance. Robert, Bernard and now Alexandre Schoffit are the facilitators of clockwork winemaking, on time, always with a shine.
If Harth is the guts, the glory comes from the volcanic sharp hillsides of the Grand Cru Rangen de Thann, acquired by Bernard in 1986. This is the only siliceous rocks and lava base in all of Alsace. It is here by the monopole and medieval church Clos St. Théobald that the foundation of the Schofitt legend lives. Rangen might borrow from the German, meaning “row.” Legend has it Saint Théobald brought the finger of the Archbishop from Bubbio, Italy because the ring was promised to the monks. The saint fell asleep in the vineyard and passed on. Another story tells of Hercules having been the one to sleep in the vineyard because the Rangen wine was so strong. His mace graces the label on the Schoffit coat of arms. Today the church and the monopole memorialize St. Théobald and his name.
From as far back as 1041 records discuss the 3rd incarnation of the monks who worked the vineyards on the treacherous slopes. Rangen Riesling and Pinot Gris need cellar time, to pay hommage to the provider’s history and to create one of its own. Grand Cru from these vines lives a life of its own. Notes Alexandre Schoffit, “in the Rangen we are not avoiding malolactic fermentation, but if it happens we are not bothered by it.” The monks knew of the connection between the Thur River’s dark waters and what happens to these wines after long rests in the cellar. “If you know the Rangen, you can tell it by the colour.”
Schoffit’s other Grand Cru is located in the Sommerberg, between the towns of Niedermorschwihr and Katzenthal. The granite hillsides are the proviso for mineral moxie and the resolution to provide what Riesling demands. Only le roi of Alsace grape varieties is made in Sommerberg. The crumbling granitic bedrock is ideally suited for the racy wines it begets.
Riesling is royalty in Alsace and at Domaine Schoffit, it is king. When he introduces his family’s Pinot Gris, Alexandre Schoffit explains, “the wines are a little more simple; full-bodied, concentrated.” This attitude is prevalent across the region though some winemakers seem to love all of their children equally. Others, like Alexandre and like Jean Boxler (Domaine Albert Boxler) clearly put Riesling on the throne.
Pinot Gris is a different sort of child to raise. As a rule in Alsace and especially on the volcanic or granitic steep slopes, it must go deeper than Riesling, must burrow even further into the fissures of rock for nutrients. In Pinot Gris the mineral extraction and grape tannin suppress any thoughts of cloying or insipid sweetness.
In June of 2014 I sat down with Alexandre Schoffit at the winery in Colmar to taste 14 of his wines, along with Montreal’s Fred Fortin, Sommelier au Restaurant Laurea and New York’s Jonathan Ross, Sommelier at #ElevenMadisonPark. A tour of the facility showed us the stark minimalism and puritanical cleanliness that defines the three generations of winemakers at the domain. The wines echo their attention to detail, their storied history and a focus on keeping up with advancements of the times. Here are the notes from Domaine Schoffit.
Cropped at 40-50 hL/l because they are careful not to let it get out of control. According to Alexandre Schoffit this number is like 20 hL/L for any other grape variety. Chasselas here for easy drinking, with mildly sweet (4.7 g/L) flavours that express green herbs and vegetables. Round (12.8 per cent abv) and sound Chasselas, helped by the balance of the vintage. Though not exceptional in acidity (4.4 g/L) this is not the hallmark of the grape. A wine that is almost entirely exported to foreign markets.
Riesling Lieu-Dit Harth Tradition 2012,
From the winery’s home Colmar vineyard composed of gravel and sandstone, this has open-knit fruit of early morning flowers. An apricot tang, ripeness and just a few shades away from bone-dry (7 g/L RS) and yet in a balanced (7.2 g/L TA) dry style. To taste this is as traditional as Alsace Riesling can be. Proper, as expected.
From granitic soil, the first reaction is to the beguiling strike of a match, the split to fissure of rock, the firing of a gun. The impression that begins is not just one of smell, but deeper, as if a deafening sound. This and the brisk surround of near-extreme acidity (7.7 g/L). Only 800 bottles a year are produced of this startling Riesling, a rare production for a wine of so much stone and that searing, direct energy. Clean as Riesling can and ought to be.
Riesling Grand Cru Sommerberg 2005
During a week in which many 2005’s are laid out on tasting tables, here is another spot on example. “The vintage makes the wine,” insists Alexandre and this Sommerberg drives the point. The age has had very little evolutionary effect on the aromatics. The lapidarian has perhaps had its stone face suffused by a fleshy permeate, Jacked by a temporary balladeering smother, though it will undoubtedly re-emerge hard-core lithic further on down the road. Typical, it seems, of granite-based Alsatian Riesling. Begins in matchstick, enters lanolin, beeswax and wooly sphericity at eight to ten years of age, then returns to flint later in life. Acidity is the catalyst in this development. “And if we are fools in love, then a happy fool I would rather be, and I’ll be glad to learn from you,” though I know Sommerberg has nothing to learn from me. Racy Riesling, seemingly understood but never really known. “Well that’s the magical kind cause its flowing all the time.”
Riesling Grand Cru Rangen De Thann Clos St. Théobald 2012 (Agent, $60.00, WineAlign)
Here the volcanic axiom. Not the one that includes magnetic reversals, dinosaur populations and the stock market, but yes, the one concerning global rhythms. The 2012 global and Alsace vintage heat sees Rangen yield at just under 40 hL/L, with soaring aromatics in a wine that will lack the stuffing for longevity. Simpler and so lifted in florals while herbiage balms and bombs the (“Schistes” label-designated aridity) in salinity and fruit driven to immediate assets. The Clos St. Théo’s young acidity is so much rounder than ’10 and ’07, though still very disciplined. Purely and effortlessly representative Rangen to enjoy while the others sleep.
Riesling Grand Cru Rangen De Thann Clos St. Théobald 2010 (Agent, $60.00, WineAlign)
The label is also known as the “Schistes,” indicating a new de facto dry style and another example to speak about the Schoffit purity, clarity and precision. A whiff of smoke pursues the ethereal in this terrific and exemplary 2010, like the 2000’s of a decade earlier, balanced and elevated by a low and slow evolution. The schist soil impart brings a lime acidity in piercing precision. The near-optimum vintage is taken full advantage of, perfect to show off the Schoffit style. The only imperfection is the lack of economics, a result of the yields (under 30 hL/L). Never mind the wash, this has aridity and salinity in frozen waves, immense like a raging river’s falls suspended in animation. Rangen Riesling is as dramatic an expression as any in the world and this ’10 perches amongst the top of the class. Drink 2018-2030.
Riesling Grand Cru Rangen De Thann Clos St. Théobald 2007 (Agent, $60.00, WineAlign)
The ’07 Rangen is not showing age with the same advancement as the Sommerberg but the idea is just the same in that the roundness or richness has stepped in to soften the volcanic salinity and mineral mouthfeel. The rigid attributes persist but currently reside in a purgatorial state of temporary stoicism. The dry finish is the locus point to indicate (five more years) time is needed to see past the salty breakwater and to reach the true meaning in its character. Also, because this ’07 has been through malolactic, unlike the Sommerberg, yet the consequences are not a question of compromise for balance. Drink this from 2019-2027.
Quelques grappes du futur Pinot Gris Grand Cru Rangen Clos Saint-Théobald 2013 (c) https-::www.facebook.com:schoffit:
Pinot Gris Tradition 2011
Here the Schoffit proclivity towards the potency of Pinot Gris as a straightforward and heady white. The sugar (13.1 g/L) is felt and yet its strength is conveyed by elasticity, bespoken towards needing to give this a few years to settle. Propellant wound acidity (5 g/L) keeps the proportion in flavours of peach, pear and the appendix of savour. Drink this paradigmatic Pinot Gris from 2016-2020.
Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald 2010
In this volcanic soil plussed Pinot Gris the anxiety is palpable. The sugars are derived from orchard fruit at a ripeness pulled by acerbity (9.5 g/L) in clairvoyance of that volcanic mind, skewed and eschewed through utter dramatic density. A good bitterness prevails over the tension with a finish in citrus intensity. Moments of delicacy give a peek to where this will go, that and the incredulous observation on how remarkable 37 g/L of residual sugar is tempered along. Drink from 2018-2025.
Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald 2000
So here is what 14 years provides from the depths of a steep volcanic slope high atop the Rangen. Like a burning candle meets crème brûlée, the wax smouldering, the sugars caramelizing, the symbiotic augmentation crystallizing in natural sweetness, in seamless fusion. This represents the reason we take time to look at and see what happens to Pinot Gris, from altitude-afflicted vines with volcanic interruption and through the neurasthenia of originally-picked unsullied, purest fruit. The cleanest botrytis. Rapturous PG. Drink now through 2025.
Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald Vendanges Tardives 2010
Quite clean and lean for VT out of that exaggerated hyperbole of a terroir-driven vintage. The richness and fullness is on the palate at this early stage in its development. Very full (approximately 50-60 per cent) botrytis affected grapes in a repeat recording for hygienic, pellucid and precise. The aromas are from white fruit, flowers and tender apricot. The acidity (5.8 g/L) is unexceptional, observed in relation to a lower block’s fruit (on the middle slope) which is naturally lower in acidity and less concentrating (128 g/L) to the grapes. While the verve may have wandered away in marronage, the delicacy here stands apart. Drink sooner rather than later.
Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald Sélection de Grains Nobles 2007
From a vintage of concentration for SGN. A very smokey note bristles with the highlight of lit beeswax intensity. Telescoped and rapt aromas of peach and apricot turn syrupy on the palate. This SGN is extremely young at heart and bounds about like a whelp of limitless innocence and energy. If the highest pinot in volcanic absorption could be measured in Alsace, this Rangen might top the bimetal thermometer. Fills the fullness and complexity kettle yet somehow, miraculously remains light on its feet. With “hair of gold and lips like cherry it’s good to touch the green, green grass of home.” This is oozing (265 g/L) dessert wine, sticky, infiltrating the pores of fingers the moment it leaves the glass. The finish is marked by citrus (9.5 g/L) and the classic Schoffit lit wick. From George Jones to a Scony Mack kind of SGN, like the back of a woman’s knee.
Pinot Gris Grand Cru Rangen De Thann Clos St. Théobald Sélection de Grains Nobles “Larme de Lave” 2007
A mere 500 plus bottles (with sugar at 510 g/L) are produced of this SGN which I believe will live forever. “This bottle is made to show what can be done,” says Alexandre Schoffit. “It’s more than a dessert wine. It’s a meditative wine.” When it pours into the glass it takes a moment to settle into itself. That’s how viscous it is. Moves beyond pure apricot, into the essence of a multitude of fruits. Picked hand by hand, seeking only the botrytis-affected berries. The unadulterated soul of natural grape sugar. Few words can express the need to ceremonialize its incredulity. With alcohol at 4.9 per cent and a potential of 37.2, the Lave will live more than 100 years, of that we can be sure.
Gewürztraminer Grand Cru Rangen De Thann Clos St. Théobald Sélection de Grains Nobles 2006
Richer, with an early increase in caramel, colour and in warm concentration. There is licorice (no, really) on the nose and also pine. “A really complicated vintage,” explains Alexandre. This has a drier sensibility as compared to the Pinot Gris, with dried fruit flavours of mango and apricot. An oily, petrol note adds to the confusion and a hard-pressed, on the spot ability to pick this out blind as Gewürztraminer would certainly be a reality. Orange peel and slate fall in late. The residual momentum (162 g/L), acidity (8 g/L) and alcohol (11.7 per cent) may be misfit bedfellows but messing with what the vintage and the slope gives would be a bite upon the hand that feeds. It is what it is, you can’t change it. This is the fragmentary varietal character of the Rangen.
The lake remains frozen though stepping foot upon its precarious ice flow would not be recommended. By this time next week the waves will concuss the gelid islands and slowly deliquesce them down into the frigid water. As of this Saturday spring will have officially come to southern Ontario and with it a whole new outlook on life.
If you ask my colleague Rick VanSickle, the spring of 2015 will mean the boot up to overhaul the future of wine and craft beer sales in Ontario. According to VanSickle, “there is a brave new world coming for the retailing beer and wine in Ontario. These are heady times. Behind closed doors a lot of discussion is happening, a lot of debate and planning is going on in advance of the day Wynne’s Liberal government utters those words many of us have longed to hear for so long: An end to the LCBO and Beer Store monopolies on wine and beer in Ontario.”
For Rick’s full report on his site WinesInNiagara, please click here:
I read Rick VanSickle’s work on a regular basis and I know him to be as pragmatic and as skeptical as they come. I doubt very much that Rick would get ahead of himself on an issue with so much on the line. Using his ins to gain sagacity from insiders who possess relevant information, VanSickle writes with confidence that Kathleen Wynne has given Ed Clark and his privatization panel carte blanche to effect real change. The consequences of what Rick is predicting are enormous. For consumers, for industry professionals and for writers. We would all have to reconsider and recalibrate the way we approach wine and beer in Ontario.
That is why I remain ever the conspiracy theorist. I remain unconvinced. I see the smoke and mirrors of the entire charade. Even when new licenses are granted, I imagine grocery retailers only selling the largest and most heavily marketed brands. I don’t see VQA wine stores and specialty shops tailored to the demographics of neighbourhoods. I see the LCBO and the Beer Store continuing to exercise their powers of monopoly and controlling how all the changes are implemented. I just do not see the revolution as being imminent and around the corner.
My apologies to you Rick. Your report is thorough and covers everything we need to know. Were these great advances to happen we would all be the beneficiaries but your words sound more like wishes than predictions. Ontario is not Alberta. It never has been and isn’t likely to happen any time soon. I hope I am dead wrong. I will owe you a sit down over a craft beer and a never before seen in Ontario stores bottle of wine if I am. If the revolution is upon us, I will happily count my blessings over one with you.
So, back to the business of reporting on the VINTAGES releases at the LCBO. With spring coming this Saturday so too does an entire new set of wines on shelves. Last week I talked up Riesling and iconic wines.
The rest of the March 21st release is expressed in value, in wines that offer serious compensation for what you spend. Wines in generosity of backbone, psyche and enthusiasm. Wines that are simply good, regardless of their cost. Here are notes on nine.
Marqués De Cáceres Antea 2013, Barrel Fermented, Doca Rioja, Spain (518985, $15.95, WineAlign)
Here barrel fermented Rioja brings a buffet of culinary impressions to the aromatic and gustatory table. Soft scrambled egg and cream in Tortilla Española, Serrano ham, buttery puff pastry, natillas. All would pair well with the hickory stick barrel spice and the slightly volatile tang. Accents of orange juice and rind work the angles, along with the calcified acidity. This Rioja is not shy but it represents good complexity and value for the price. Tasted March 2015 @Marques_Caceres@RiojaWine@DionysusWines
Castello Di Ama Chianti Classico Riserva 2009, Docg (375ml), Tuscany, Italy (403824, $16.95, WineAlign)
Kudos must be afforded Castello di Ama for putting CCR in half-bottles. It’s like listening to Green River on vinyl. The layers of texture, nuance, and groove are amplified. The expedited evolution and compact formula make cause for a bottled up compression, a concentration, not a reduction. More winemakers should bottle in the 375 mL container. There are so many reasons for it. Space, quality, half the cost and best of all, nothing left at the end of the night, just the empty bottle. This 2009 has seen its fair share of evolution, with notes of forest floor, truffle, mushroom and compost tea but in certain respects the aromas are old-school Brunello. The antiquity of the composition is nothing but endearing, a romantic comfort zone to give this Ama a sense of place. The wood, bite into sinew and gristle tannins add to the archaic mystique. Most modern imbibers would like more fruit but at this paltry price the complexity is more than enough reward. “Well, take me back down where cool water flow, yeh. Let me remember things I love.” Drink now. Tasted March 2015 @CastellodiAma@chianticlassico@HalpernWine
Boutari Grande Reserve Naoussa 2008, Naoussa, Greece (140111, $17.95, WineAlign)
In this Xinomavro there is beauty and bog consistence, like wild calla palustris. Imagine a wine thick as consonants, dense and defined by solid rock bubbling like stew, from out of a marsh. Wood adds intricate layers and a mothering of leather hiding and protecting dried cherries. Game, spice, liquorice, funk and things that heal flavour the wine’s liqueur. Silky smooth with a run of grain and the salinity of ancient longing. Racy acidity intrudes, puts in a charge and takes care to see six to eight years more life will be a guarantee. Easily and possibly 10 will pass before it sheds the chalky loops. Terrific vintage with impressive depth and range of flavour. Tasted February 2015 @boutari@KolonakiGroup@DrinkGreekWine@winesofnaoussa
Wolfberger Signature Pinot Gris 2013, Ac Alsace, France (398172, $18.95, WineAlign)
The resident oenologist at Wolfberger is Bertrand Praz, in charge of the cooperative located in Eguisheim, south of Colmar. As far as a ‘basic’ union Pinot Gris is concerned, this one hits the right marks and preserves proper tradition. It’s both saline and full of pith, with lemon is scrapes and ladles, yet it could very well be thought of as Riesling were it tasted blind. Good ripeness, nothing serious and quite righteous with an intent to carry an Alsace torch of dry, finely crafted Pinot Gris. What’s most important is the statement it makes for what will follow out of the 2013 vintage. Tasted March 2015 @wolfberger_fr@Smarent
Domaine J. Laurens Le Moulin Brut Blanquette De Limoux, Méthode Traditionnelle, Ac, France (180323, $18.95, WineAlign)
The pause of oxidation. The evidence concrete and stratified, the bite pure and hollow petrified, like into bone and the interval below the organic soil. Crisp cut above the normal. Mouth-filling and expansive. Perfectly bitter. Much lemon, ginger and further spice. Length too.
From my earlier note of April 2014: A southern French (Pyrenean foothills, just south of Carcassonne) blend dominated by the traditional grape variety of Limoux, Mauzac (90 per cent), with support from Chardonnay. The lees is very direct and in your face on this Limoux, the baking aromas strong and the texture quite dense. Citrus and white grapefruit crawl up the middle and aridity mixed with horseradish salt comes through on the finish. Claims territory in viridity of complexity, an acumen for dewiness and is blessed with a marked appeal to hipster fizzters. @DneJLaurens@LanguedocWines@oenophilia1
Last tasted March 2015
The Tragically Hip Fully Completely Grand Reserve Red 2012, VQA Niagara Peninsula, Ontario (411595, $24.95, WineAlign)
Twenty three years ago this October the Hip’s third record changed the course of Canadian Pop and Rock music. While this Jeff Hundertmark, Kingston-bred band and Bordeaux blend will not have a similar effect on the Ontario wine industry, it’s certainly not a tragically vinified red. It’s looking for a place to happen, has the wherewithal to age with some grace and the courage to represent Stoney Ridge with power. The wall of sound, smell and taste is achieved through forest compost, bruised berries, melted liquorice, plum flavour and glycerin texture. Hung “long out in the sun,” the pencil graphite and hard acidity is a scratch and a flaw but also a calling card to see this age in the classic Niagara red style. “Either it’ll move me or it’ll move right through me; fully, completely.” Tasted March 2015 @stoneyridgewine@WeirRidgeYnmakr@thehipdotcom@ImportWineMAFWM
The passion from the Thomas Bachelder Niagara project has shifted into Domaine Queylus. With no disrespect to Thomas’ eponymous bottling from vineyards so nearby, the quality time has now been granted the Tradition. Here lies Mountainview and Le Petite Colline earth, here crushes Niagara cherries in hand, juice running down a clay caked forearm. Fresh and bright yet streaked by chalk and enveloping brushstroke. Sour? For a flash but in neither malic nor astringent form. This is a must buy.
From my earlier June 2014 note: Reverberates with the unmistakable calling card character of the storied Neudorf family La Petite vineyard with equal and opposite amounts of attraction and new life breathed in by the Lincoln Lakeshore fruit. Ethereally sifted earth of old meets cherries of new. Enriching Pinot Noir, a bit gangling like a primitive young giraffe but near to finding its legs. Hard working red, insistent, confident and having already paid some dirty fingernail dues. Excellent length.
An intimately affordable Chardonnay from Sonoma Coast fashioned by a family in its 157th year of production is a rarity. Even more so from a cool-climate region oft-marred by the misperception that its Chardonnay are fat, buttery, over-oaked fruit bombs. From fruit grown on the Rhinefarm Estate Vineyard on southwest slopes of the Mayacamas Mountains, eight miles north of San Pablo Bay. Consider the antonymous solecism of zero per cent malolactic fermentation and you will see where this (20 per cent new) barrel fermented Chardonnay has come from and where it is going. Weekly battonage compresses and stirs up texture. Fog plays its part on the cool slopes of Huichica clay loam soils mixed in with gravel deposits. Acidity is preserved, hitting a classic number on top of healthy (14 plus per cent) alcohol. This is not a small Chardonnay. It stretches its legs and walks like a giant but not in 80’s or 90’s acid washed jeans or big hair ways. This is Chardonnay that leads in style and confidence of a most modern vernacular and fashion. It’s also a steal. Tasted October 2014 @gunbunwine@LeSommelierWine
The wines of Creekside Estates at Barque Smokehouse, March 2015
Power, Rob Power. Niagara man of mystery, winemaker, barrel blender, junkie of dangerous varietal liaisons, license to chill. Power has been making the wines at Creekside Estate Winery for more than a decade. He is both the face and the enigma. Creekside is not a Peninsula vintner that rests on winemaking or marketing laurels. They change with and for the times.
I sat down with Rob Power and Rich Gaskin of Hobbs and Company last week at Barque Smokehouse to re-visit some wines tasted in the winter and fall of 2014, along with a couple of new issues. Here the notes, some updated and others in first time put to paper.
Creekside Estates The Trad Reserve 2011, VQA St. David’s Bench, Niagara Peninsula, Ontario (390336, $28.95, WineAlign)
From a taste five months further along in bottle and just shy of the 36 months on lees (37.5 to be precise) 2nd bottling about to be disgorged. Has chill thickened and fattened in the middle with a texture and a truffled funk like foie gras, heading backwards and upwards, like a video shot in reverse. Rises from an ocean of spume up to a slivered taste of a grapefruit moon. “Transmission’s on and up we go.” Cool and angular on the beautifully licensed, bitter finish.
From my earlier note of October 2014: The Trad ’11 has a classic toast and yeast aromatic waft and so it goes that everything that follows is embraced with curiosity and an open mind. Ginger, citrus, bronze and the sweet scents of the inside of a candy machine, its candy long gone. Creekside’s winemaker Rob Power will never be accused of dialing this sparkler in. Tasting trials help determine the necessary, final blend. The single, Queenston Road Vineyard puts 56 per cent Pinot Noir and (44) Chardonnay, aged 2 years in bottle, together for a highly effective, expansive but not explosive fizz. At 8.7 g/L of residual its dry but not quite falling off the bone. The sweetness is tempered by elevated (9.98 g/L) acidity and tension. Spent 24 months on the lees and was bottled back in February. There is balance and pleasure and a good, stretchy finish. No band-aid. Clean, precise, fizz of the day.
The licensee SB jimmies from fruit out of a good (right at the winery) site, caught red-handed at peak ripeness on a very specific picking date and crushed immediately to coax maximum freshness. Readily identifiable as Sauvignon Blanc, perhaps more so than any other from the Niagara Peninsula. The fruit was oxidized a hair to the left, flipping this more Loire than New Zealand. A dichotomous activity from large juice tray oxygenation meeting reduction under screwcap causes initial confusion but when the hounds of Blanc are released the wine buffets into clear, crisp feelings. This is not “mean, green and pristine,” just simply clean. This one’s got “a license to chill and I believe I will.” Tasted March 2015
Laura’s White 2012, VQA Niagara Peninsula, Ontario (121764, $18.95, WineAlign)
Winemaker Rob Power corrects previously provided information and tells me Laura’s composition is 55 per cent Sauvignon Blanc and that there is some Viognier in here, an inclusion that justifies the back-end bite (in conjunction with Gewürztraminer) of noble bitterness. They and the rest of the varieties combine to imitate Sémillon because Power is “going for white Bordeaux” in this pole to pole, here ’till Sunday blend. This has the grab, tempered by the warmth of the vintage, so look for ’13 to nail it with a hook.
From my earlier, May 2014 note: With a tilt of the head to 90 degrees the bottle is assessed and the glass contemplated. She’s a flirt, a gregarious girl this Laura, so orchard driven and with a perfumed attraction.
From my earlier, February 2014 note: Laura’s White combines Sauvignon Blanc, Pinot Gris, Chardonnay, Riesling and Gewürztraminer in a kitchen sink blend that sees a bit of oak. What’s notable about the ’12 is the omission of two highly aromatic components, the previously employed stalwarts Viognier and Chardonnay Musqué. The adage is justified in that you take what the vintage gives you. If it gives you lemons, (shift tangents) you let the busy aromatics of more flavourful grapes (like Chardonnay) do the floral work. Laura’s ’12 will be a standout for the concept, a revivalist blend to help bring back some religion to the region’s renditions. Coming to VINTAGES in June.
Here free run juice gets just a little help from the press. Consistent with a very recent taste, with a density in concoction and blessed tonic on the finish.
From my earlier note of January 2015: Creekside’s small production Viognier (maximum 80 cases) from the warmer micro-climate of the Queenston Road Vineyard heads back to near-boozy and a bit hot in the sudorific vintage. Oh the viscous humanity of it all, especially when the (all French, two year-old, nine months time) ferment was performed on 100 per cent of the six barrel juice. While it may not flirt with the dangers of say, a dirty peach martini, there is plenty of seasoning, rich, spicy and opulent fruit to at least declare a cocktail of some shaken kind. The ’12 Viognier drips and sweats of a humidity as much as any cool climate rendition can (at least in the context of the Niagara Peninsula). It may not be the ideal vintage but it just may be the one with the most excess.
The blend is (very approximate) 35 per cent of each Cabernet (Sauvignon and Franc) with 20 per cent Merlot. “Basically a baby Laura,” says Power. Currently smelling very tanky but fresh and bullish. Sniffing past the must is not so hard to do, especially with the waft of spices coming through with thanks to the good barrel. The Franc here comes from Virgil, “no man’s land,” from Frank Serluka’s vineyard. The lack of any discernible volatile acidity speaks volumes about the clean winemaking and the gregarious personality of that Four Mile Creek Cabernet Franc fruit. This will excel out of keg in late Spring. Tasted March 2015
Still the Kama Sutra Pinot Noir of inviting behaviour. Positions in aroma, taste and texture are all elastic and of an aphorism held together in intimacy. Virtuous and gracious Pinot Noir for the purpose of interaction and pleasure.
From my earlier note of January 2015: “The first made since the 2008 because of a new directional decision to hold onto and no longer forsake these exceptional Queenston Road Vineyard grapes. A wine that folds back the skyline skin of time and reveals a cloning from intimate belongings. Pinot blessed of a Dylan-esque drawl, from a comfortable and crooning time in its life. Penetrates into the QRV earth and draws out subtleties, slow food assuagement and makes no BS about its ease. Though posolutely whiffing and tasting of black cherry, it balances itself with an acerbic wit. This is what winemaker Rob Power refers to as a lay lady lay style. Partners in crime Yvonne Irving and Matt Loney concur. One sip and your partner may just lay across your “big brass bed.” You can always go back to Nashville.
Last tasted March 2015
Laura’s Red 2011, Queenston Road Vineyard, VQA St. David’s Bench, Niagara Peninsula, Ontario (117906, $19.95, WineAlign)
A combination of young and older Queenston Road Vineyard vine fruit meshes to creamy raspberry, spoken most upfront, in the absence of Franc, by the Sauvignon. Waiting for this to improve would be a calculated error so drink up by the end of the year.
From my earlier note of September 2014: The most dead red Laura to date, juicy and earthy, like a licorice, plum and pomegranate demi-glace. Really expressive of earth and fruit. Traditional house blend of Cabernet Sauvignon, Merlot, Syrah, Malbec and Petit Verdot. A no coat unfastened Niagara, consumer-friendly but also swelling with stuffing. “The light is red. The camera’s on,” the strokes are rich in energy though the tannins dry out a touch. Drink now and for two more years.
At its spiciest best, alkaline and lifted by Viognier, though as the tannins mellow, the Viognier will slowly disappear. Continues the Rhône-ish tradition laid before by 2004, 2006, 2008 and 2010, yet in ’12, for the first time, in addition to the Broken Press, there will be one made from seven rows of the same block Syrah, picked about a week later, a 100 per cent Unbroken Press. From vintage to vintage, a Viognier lifted BP is the correct application but in ’12, to Power and his team, both made perfect sense.
From my earlier note of October 2014: Only Creekside Syrah smells like this, like bending down to smell black raspberries on the shores of a briny capsicum lake in the middle of a pine forest. The 2011 Syrah has fruit residing on the edge of impossibly ripe, factored inside a pipeline, while piping lavender and plum pastry cream float atop rare duck breasts. If Syrah were to ooze or drip without sticking to surfaces along the way, this would be it. If Syrah came forth from the maw of the beast it would speak in these demanding tones. Creekside’s BP talks the tense, nervous and twitching talk. It’s smeared with a coat of epoxy spread over fine grain in wood. It sweats an air of metallic cordiality. If given five years to come together it will vape and realize togetherness.
It would be foolish to think that a single taste or a brief assessment can ascertain everything that a wine will bring to the table. So many factors play into that moment in time; how that bottle came to arrive at this place, how long it had been open, its current temperature and certainly the temperament and mood of the taster.
The only true and valid important bits of information that we can cull from a fleeting meeting with a bottle of wine is whether or not it is marred by a fault, or faults. Is the wine tainted with TCA (trichloroanisole)? Does it contain high levels of Brettanomyces? Is it raging with volatile acidity? It is oxidized or reductive? Has lady bug taint found its way into the bottle? And so on and so forth. Quality can be guessed at with high probability but time is so essential to knowledge. This is why tasting for a second and third time matters.
Wines should always be afforded the opportunity to be reconsidered, especially after some bottle settling time. The fascination with seeing evolution from organic ferments is real. Wine changes, often for the better, that much we know. Wines deserve second chances, re-dos and re-tastes.
Writing updated notes is the essential by-product of re-tasting and the catalyst that acts as the chaperone to get to know a particular bottle and by extension, a winemaker’s portfolio. Here are seven new releases, coming into VINTAGES on March 7th. They are actually re-releases, having been previously made public by the winery or through the LCBO. I tried them all once again and can say with confidence, by way of the tasting note, that all seven have confirmed their quality and improved with time. These are the seven new notes for seven March 7th VINTAGES re-releases.
From left to right: Tawse Sketches Of Niagara Riesling 2013, Keint He Voyageur Pinot Noir 2012, Gray Monk Pinot Gris 2013, 13th Street Gamay Noir 2012, Sterling Vineyards Pinot Noir 2012, Bachelder Wismer Vineyard-Wingfield Block Chardonnay 2011 and Bachelder Pernand Vergelesses Premier Cru Creux De La Net 2011
Juicy, spirited and eminently approachable. Citrus and peach fruit beg to be gulped by the key keg load.
From my earlier, June 2014 note: “The gateway of the Tawse Riesling portfolio and first to be released is an omnipresent beacon for what is to come from the single-vineyard sistren. Built fruit forward from an orange zest, stone rose and lemon glade guide, this is the Sketches most juicy sensation yet. Incredible vacuum of citrus acidity waterfalling into a great white hole. Though surrounded by so many a Riesling with site specific personality, “she’ll carry on through it all.” Intensity in dry Riesling.”
Carries the weight of the Peninsula within the bright frame of clarity that is the PEC oeuvre. In ’12 the warmth and the weight can’t help but break down to burrow into earth. Fine, grainy tannins and an increased structure will give this three more years of development but do not hesitate to enjoy it now.
From my earlier April 2014 note: “Tasted a second time, the floral lift is clearer than before, as is the understated earthiness. Also showing more body and verve so it appears the Voyageur is starting to come into its own. From my earlier February 2014 note: “Fruit here comes from two Niagara vineyards, Queenston and Malivoire. An earthy Pinot that positions itself in isolation away from its suave and handsome Portage and Benway brethren with a waft of merde. Taste brightens as a sweet cranberry, chalky, root beer float. Kudos deserved as it’s clearly recognizable as Pinot with a medium finish and a pinch of horseradish salt on a lithe 12.5 per cent frame.”
Gray Monk Pinot Gris 2013, BC VQA Okanagan Valley, British Columbia (118638, $19.95, WineAlign)
Brilliant hue, like a ceiling fresco of gold-scrolled tiers. Has that feel of lemon peel shrivelling to scent. Was a Category Champion at the 2014 World Wine Awards of Canada.
From my earlier September 2014 note: “Pinot Gris with pears and more pears. A no hold barred, straight up, bring it with orchard fruit example. A spoonful of sweet lemon curd indicates a just post ripe picking and now oxidation, if not necessarily the intention. Off-dry with acidity that joins but does not round the shining fruit into absolute form.”
This is spot on, both as 13th Street and as Niagara Peninsula Gamay. Very ripe, to the edge of extracted distraction and less funky than previous vintages. Really defines the genre, acts the act, walks the walk, executes the execution. Drives the point, carves the cliché, go Gamay go.
From my earlier note when tasted at Gold Medal Plates Toronto, November 2014: “Spice and rich fruit head straight to Gamay welkin derived direct from the soil’s core, of Sandstone, Schwenker and the winery’s home vineyard at Fourth Avenue. Swirl away the gathered must and moss to reveal more Cru fruit than you can shake a stirring rod at. Such verve, said grit, such persistence. The thing about Gamay is, “if you want inside of her, well boy you better make her a raspberry swirl.” 13th Street has certainly made the raspberry sing in the ’12 Gamay so “raspberry swirl, mmm let’s go.”
Sterling Vineyards Pinot Noir 2012, Napa Valley, California (396150, $29.95, WineAlign)
There are so many reasons not to find a thrill in this regional blend of Pinot Noir fruit but none of them stick. Sweetness, simple syrup silky fruit, brown sugar, every red and purple berry in all varieties of fields (plus ripe plums) and warm to temperate alcohol (14.5 per cent declared) all combine for full California sunshine effect. All this and I just can’t turn away. With all the excess fruit, texture and multiplicity in good times, how can I? I ask this Pinot, “how come you, how come you dance so good?” The answer lies in the feel and the ability to turn a Noir trick or two. Not to mention a rolling of barrels and Napa Valley stones through its very core. Well done. Tasted January 2015 @sterlingwines@Diageo_News
A new release, mindful of micro-plot. From out of a Bachelder barrel, the great mystery of wood is not that it smoulders, but that it rests on water, or in this case, on grape juice. To label this Wismer as Wingfield is to give this Chardonnay a scientific specificity, a concentration of fruit so capable of inducing the ethereal, to hover as if in suspension. This is Wismer-Wingfield. The Chardonnay that floats, like hope.
From my earlier July 2014 note: ‘Has Wismer found a cruising altitude? Has this Grand Cru vineyard from a most perplexing 2011 vintage entered the telephone booth in civilian clothes, only to soon emerge as a super hero? Will it sing, “I am, I am Superman and I can do anything?” Wismer has rounded out a bit, at present in a grounded form, but we know it will fly to greater heights and at faster speeds. From my earlier, February 2014 note: “Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice.” Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with it’s touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”
Bachelder Pernand Vergelesses 1er Cru ‘La Creux De La Net’ 2011, Burgundy, France (LCBO 403485, $47.95, SAQ 12089524, $38.50, WineAlign)
Purity abounds, florals leap and the heart fills with an arrow of red fruit. So linear, so direct. Wears the crux of Bachelder integrity on its sleeve. The pinpoint accuracy of plot, the ubiquity of gypsy soul, the bandwidth of frequency. Yet another Bachelder “ere the bonnie boat was won, as we sailed into the mystic.” Acidity rears and rails right through. Tannin trails like a burning star. Ten more years will see this to a moondance of quietude.
From my earlier February 2014 note: A metallurgical slant this time around and iodine, though sweet, like a geologist’s preferred cocktail. The palette is Rothko maroon and in cohorts with what is ascertained by the palate, scheme fruits and hearts both red and black.
From my earlier note of November 2013: Has the sense to be subtle, effortless and akin to Chambolle. Not so much openly ripe fruit but more the flowers that come before. Cherries dabbed by a citrus fragrance, or the spritz of squeezed zest and an unusually smoky musk. Insinuates new world (think Oregon) though it tells a rubble tale of its limestone slope climat.
Godello 