Asti DOCG 2022 – Special Report

 

Asti’s ascent from authenticity to sustainability and unmistakable wines

as seen on WineAlign

The northwestern Italian territory of Asti DOCG covers the area of Langhe, Roero and Monferrato and together they form the first Italian wine landscape to be recognized as a UNESCO heritage site. The grape variety moscato bianco grows in vineyards in all three to cover the counties of Cuneo, Asti and Alessandria. The area is a cultural and modern gem in the heart of Piedmont (Piemonte, in Italian), about 55 kilometres east of Turin in the plain of the Tanaro River. A sense of spirit, community and great heart echoes and reverberates through wines voracious in their appetite to capture both traditions and also the new and forward thinking Asti stories. Asti Spumante and Moscato d’Asti are challenging wines to produce but these folkloric producers have to do it. It Is their heritage, imperative and pleasure.

Asti Spumante DOCG and Moscato d’Asti DOCG are considered as the two most authentically aromatic Italian white wines and rank among the great wines of Piedmont. Asti Spumante is undoubtedly the world’s best-known aromatic sparkling wine and Moscato d’Asti are among the few wines in which the sensory qualities of the grapes remain unaltered as a result of soft pressing and incomplete alcoholic fermentation. Asti Spumante and Moscato d’Asti are declinations of the same grape variety, made from 100 per cent moscato bianco grapes that grow on limestone soils in the UNESCO World Heritage hills between Asti, Alessandria and Cuneo. Asti Spumante can be tasted in different versions, from Extra Dry, Dry, Brut and the most popular Dolce, but also in the classic method or “Metodo Classico” version.

Asti DOCG Aromas

Asti Spumante DOCG

Asti Spumante DOCG is made entirely from moscato bianco grapes, gaining benefit from chalky soils and microclimates typical of hilly areas. It has a characteristic musky flavour, well-balanced sweetness, acidity and moderate alcohol content. In recent years Asti producers have set an important new course, paving the way to expanding the range of Asti styles, based on different residual sugar levels from Demi-Sec through Extra-Brut.

The concentration of the precious aromatic substances (called linalool) produced by the moscato bianco berries peaks in the last few weeks before the grapes are harvested in early September. Harvesting is still accomplished by hand to keep the bunches whole and preserve the characteristic aroma of the grapes – factors that contribute to making Asti Spumante the most widely consumed aromatic sparkling wine in the world.

Characterized by particularly fine and persistent beading, Asti offers a fresh mouthfeel that makes it suitable as a full-meal wine. On the nose, one can appreciate a delicate floral (acacia, lavender, sage) and fruity (apple, pear, banana) bouquet.

  • DOCG Status since: 1993
  • Grape variety: moscato bianco
  • Maximum grape yield: 10 tons/ha
  • Color: straw to pale gold
  • Foam: fine and persistent
  • Nose: fragrant, floral, with hints of linden and acacia
  • Taste: delicately sweet, aromatic, well-balanced
  • Clarity: brilliant
  • Minimum potential alcohol content: 11.5 per cent by volume; minimum actual alcohol seven per cent by volume for Asti Dolce and approximately 11 per cent for the other styles from Demi-Sec to Pas Dosé

Moscato d’Asti

Moscato d’Asti DOCG

Following the recognition of the Asti Controlled and Guaranteed Designation of Origin (DOCG) status in 1993, Asti Spumante and Moscato d’Asti were identified as two different historical expressions of the same varietal. Moscato d’Asti DOCG is one of the most characteristic products of the Piedmontese wine tradition. The wine has a distinctively intense musky aroma of the grapes it is made from, a delicate flavour that is reminiscent of wisteria and linden, peach and apricot, with hints of sage, lemon and orange blossom. It has some residual sugar and a low alcohol content.

Moscato d’Asti DOCG is not technically or ostensibly a sparkling wine, as it only undergoes partial fermentation in pressure tanks. Fermentation is terminated when an alcohol content of about five per cent alcohol by volume is reached. The use of cold chain technology in the production process means the aromas and flavours of the grapes are preserved and the product can be stabilized, ready for storage and transportation.

  • DOCG Status since: 1993
  • Grape variety: moscato bianco
  • Maximum grape yield: 10 tons/ha
  • Colour: straw yellow
  • Foam: fine and persistent
  • Nose: fragrant, floral, with hints of sage
  • Taste: delicately sweet, aromatic, characteristic
  • Clarity: brilliant
  • Minimum potential alcohol content: 11 per cent by volume; minimum actual alcohol 4.5 per cent by volume

For Moscato d’Asti it begins, as it must, with weight and measurements. The math is straightforward: 100 kilograms of grapes is equal to 86 of must. The first press of moscato yields 15 per cent of that 86, or 13 kg. Often only a small percentage is used for the top cuvée. The rest of the must is kept at freezing temperature (approximately -2 degrees celsius) and there are producers that keep past vintages (generally up to four) for the production of their Moscato d’Asti wines. The DOCG rule says that a vintage dated wine must consist of 75 per cent must from that year’s production.

As for recent vintages, 2021 is certainly close to the top while 2020 is widely considered to be la crème de la crème. That said 2019 was not the most aromatic, like 2016, very hot and the moscato grape does not need too much sun. The grapes will dry out, burn, lose freshness and perfumes. From tasting the must you smell honey which proves the grapes are not perfectly mature. This is where the vision of using 25 per cent must from the three preceding vintages works to great advantage. Phenolic holes are filled, absent aromas are engaged and layers of intricacy are cast. Smell an example of 17 and note the exaggerated development, rich and full of glycerin, nearly cloying. The 2016s are certainly sweet and somewhat out of balance, but there is delicacy, floral notes and it’s never cloying. The ’18s are clearer, easier to comprehend, showing nary a trace of honey. The presence of white flowers and apricot in a wine lighter in hue and more delicate in mien speaks exactly to what producers are after. When fermentation happens those aromas increase by 80 per cent. There’s the rub and the magic. Special terroirs like Castiglione Tinella are the kind that breed some of the highest acidity for moscato. A pH that averages out at 3.4 when bottled will lower to 3.1, because this is when the acidity rises.

Consorzio dell’Asti

The Consorzio coordinates and promotes the area of origin of moscato bianco grapes, whose cultivation covers approximately 10,000 hectares across 51 municipalities of the provinces of Alessandria, Asti and Cuneo. There are 10,000 hectares of vineyards for these lightly sparkling, off-dry to sweet Asti white wines and the Consorzio is entrusted to promote and protect the wines in the appellation. They are widely imitated and so undertaking legal action and registering trademarks in every country is a necessary side-hustle of the job. In terms of producer requests, all changes and modifications applied for must be approved by the consortium. An integral aspect of the work involves field, vineyard as well as laboratory research. More than 1,400 ha have a gradient over 40 per cent, with 330 hectares of this area over 50 per cent. These are vineyards historically named sorì, where no mechanical equipment can be used and vines are tended exclusively by hand. The Asti DOCG hills were the first vineyard landscape to be included in the UNESCO World Heritage list.

Born in 1932, the Consortium for the Promotion of Asti has a clear mission: to perform all the necessary actions to protect, promote and enhance the value of Asti and Moscato d’Asti, in Italy and the world. The sustainable manifesto is clear and one day spent inside the offices of the Consortium will instruct and explain all you need to know about economic, social, environmental, export, security and what Italians refer to as disciplinare policies. Regulations regarding vineyard yields, levels of alcohol, sugar, extract and bars of pressure are so defined as to ensure current production and sales viability but also explicitly what the next generation will need to carry the work forward.

Moscato Bianco

The Consortium carries out technical assistance, draws up research proposals and economic assessments aimed at enhancing the value of the designation. It is there to protect and safeguard from improper use, unfair competition and counterfeiting, Asti’s officers carry out, on behalf of all those who are subject to the designation-related checks, the functions of protection, promotion and valourization, as well as informing consumers and generally looking after special interests. Policies are adopted regulating supply in order to contribute to improved coordination of the designation’s distribution on the market, through consultations with sector representatives. The consorzio plans for improving the quality of the products that must appear before judicial and administrative authorities, in Italy and abroad, in order to safeguard and protect the designation and defend the interests and rights of the producers. Surveillance actions are carried out, mainly in the distribution stage.

The Hills

The hills of the Langhe are elongated, with extended crests and steeper slopes, while those of the Monferrato are rounder and gentler to look upon. Two different landscapes, with infinite variations. Where life prospers among the orderly rows of grapevines, tended by hand as they have always been. Where the seasons bring new colors against the majestic crown of the Alps, where the horizon stretches out to infinity. Where every detail amazes and warms the heart, to be treasured forever. Un territorio Patrimonio dell’Umanità. Sedimentary soils that date back 10-15 million years predominate. One is the Pliocenic basin of Asti to the northeast. The to the west around Canelli there are Serravallian (Middle Miocene) soils, stratified layers of blue clay, sand and lime. Many believe this to be the best composition for Moscato d’Asti. To the east in the area of Strevi the ground is Tortonian (late Miocene), younger at five to 10 million years, with more clay and more lime in deeper layers and colour.

The crux of the varietal situation is twofold, at once for vineyards subsisting at the foot of the Alps and also drawing energy being proximate to the sea. Seventy-five per cent of the vineyards are directly protected by the mountains. As seemingly everywhere, climate is changing here too. In the last 15 years average temperatures have increased by one degree. In the past 58 years the average increase has been by two. More important are temperature abnormalities. The centrepiece moscato bianco is a very sensitive grape and easily subjected to diseases.

Guyot training is appropriate for poor quality soils and lower yields. Broken down by altitude, 44 per cent of the vineyards are at 250-300m and 30 per cent at 300-450m. In terms of slope, 2,770 of 9,700ha have a gradient higher than 30 per cent, 336 ha with a gradient of more than 50. “Heroic agriculture” is the moniker bestowed. “The Sorì vineyards.” No mechanization is employed and a certain crucial must is picking times, especially in terms of the preservation of moscato bianco’s aromatic compounds.  Yields per hectare are set at 9.5 tonnes for Asti and Moscato d’Asti.

Moscato Vineyard

The Consortium’s Laboratorio Analisi for the Tutela dell’Asti DOCG is one of the most advanced and technologically impressive anywhere, with the mechanization capable of carrying out a diverse set of analyses. Under the guise of Guido Bezzo, who incidentally also happens to be a virtuoso trumpeter, the lab exerts its expertise far beyond pedestrian testing of alcohol, sugar and varietal purity. It delves deeper than mere organoleptic conclusions. The lab’s research works to investigate the impact analysis results for one 750 mL bottle of Asti wine covering categories that includes a mind-boggling set of parameters: Climate change; Reduction of the ozone layer; Toxicity and carcinogenic effects on humans; Particulate/smog caused by emissions of inorganic substances; Ionizing radiation effects on human inorganic health; Photochemical ozone formation; Acidification; Terrestrial, aquatic and marine eutrophication; Ecotoxicity in freshwater aquatic environments; Soil transformation; Resource depletion in water, minerals and fossils. Heady stuff indeed.

The 60,000 tonnes kept at negative four degrees in summer costs dearly in equipment and energy. It is widely believed that juice can stay in tank for up to two years without losing aromatic concentration. Fermentation takes place at 20 degrees in pressure tanks developed by Italian sparkling wine pioneer Dr. Federico Martinotti, director of the Research Institute for the Wine of Asti, who patented the method in 1895. Martinotti is credited with creating the method of developing the bubbles inside of tanks. The juice can stand pressures of more than 10 bars. Yeasts must be stopped abruptly (in a matter of a few hours) to avoid off odours and flavours, i.e rotten egg and cooked cabbage. Centrifuge and filters are used. In the past pasteurization at 50 degrees was the norm but now micro filtration screens out the yeast (at 0.2 microns) and stabilizes the wines. Agronomist/viticuilturalist Daniele Eberle also explains how Fratelli Gancia used the same techniques that the French used here in Piemonte in the late 1800s. The city of Canelli, cultural home of Asti holds the highest concentration of companies that make all the equipment necessary for bottling Spumante wines.

The association soon yielded positive results. Production gradually increased from two million bottles in the 1940s to forty million in the 1970s. A figure more than doubled nowadays. The history of the Consortium is all Piedmontese and begins from the town that is considered the capital par excellence of spumante: Canelli. It was in its cellars that, day after day, with dedication and affection, techniques were refined that nowadays give us a fine, delicate and unmistakeable sparkling wine like Asti DOCG. The know-how handed down for generations, together with the latest scientific discoveries, have led to the optimization of the production process and the definition of important procedures indispensable to guarantee the high quality of Asti DOCG.

Good to go!

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WineAlign

Get back to Cool Chardonnay

Chardonnay is one of the romantics. At the centre of cool belief are the fruits of isolated self-expression, of greatest importance and capable of discovering the highest truths. When chardonnay is treated with utmost respect it can commit to wines of sublime impulse that rearrange and execute the natural world in order to reflect its own preoccupations. Imagine chardonnay as a street scene, as a wine that might stumble into itself, of footsteps and flaring lights, of mystery beneath dreamy lamplight. It will always find the light. That’s what chardonnay does. Ontario is a place where people come to be intimate with the grape and while lovers of the cool stuff were unable to gather in July of 2020 or 2021 the movement has built momentum once again. In 2022 it was high time to get back to cool chardonnay.

School of Cool

Related – Niagara’s cool for chards

Yes, in 2021 visits are paid and wines are tasted, but there is no congress. In 2020, the writer leads a virtual thing. In July the School of Cool comes back to session at White Oaks Conference Resort where it belongs. The Wine Marketing Association of Ontario’s Magdalena Kaiser reunites the community and introduces the long-awaited keynote speaker, columnist at Decanter and World of Fine Wine Magazine. “Andrew Jefford writes about wine like no other. He is a poet and a legend.” She is spot on. The author of the recently published anthology called “Drinking with the Valkries” asks the audience to “imagine wine as music. It brings solace to our lives, sends us beyond ourselves, just like music. The potential grandeur of a wine is a factor of its milieu, but it’s silent without the human.” Jefford notes that because of a changing climate the instructions are changing. “The music of many places is beginning to slide out of tune…varieties are the litmus of the vineyard. The most useful and adaptable of instruments is the piano…and that variety is chardonnay. Ask for chardonnay and you’ll be played any old tune on the piano, all well and good, anodyne. Wines produced at higher elevations on stony soils tend to be more percussive. Quality of clay and aptitude of soil structure is just as important as limestone would be for chardonnay. It’s Proteus, if you will.”

Andrew Jefford advises, tacitly implores his audience to listen. Pay attention. Take nothing for granted and understand that the parameters, goal posts and reference points are always changing. Chardonnay is indeed on the move and we must move with it or risk losing our rhythm, our mojo, our music. Practice makes perfect but innovation, cooperation and collaboration are imperative. Varietally speaking chardonnay may be the piano but other instrumentation is the requiem for completeness, satisfaction and glory. Chardonnay can achieve grandeur and continue to be the spirit of the sea, exist as past, present, and future, assume all sorts of shapes. To be regarded as a symbol of the original matter from which the world of white wine created. Chardonnay must always be protean, must always be on the move.

Related – A Chardonnay toast to Cool and the gang

The Great Chardo Swap

Moderator Chris Waters takes control. He explains how the powers of Ontario minds devise a most devilish and transformative scheme. The “Chardo Swap” concerns chardonnay grape must from the 2017 and 2018 vintages. In reverse 300L from the west’s Montague Vineyard are sent to eastern Niagara winemakers and 300L of Thirty Bench chardonnay is conversely transferred to six winemakers in western Niagara. Until now the custodians of Montague fruit have only been the originals, like Karl Kaiser, Phillip Dowell and Bruce Nicholson. For continuity the juice provided is pre-settled. One of the wildcards is a matter of cross pollination, of sites and yeasts present on these grapes. So be it. Play and work with what you’ve got. The results are astonishing and compose a picture of subject matter as nature versus nurture. Which matters more? Read up on 12 wines made in reserve and decide for yourself.

Chardo Swap

Craig McDonald, Trius Winery – Thirty Bench Vineyard Chardonnay 2017

An ideal season to gift the rich and the restrained, right in the sweet spot between reduction and openly recognizable to getable purity. And yet it was “the summer we didn’t get,” tells Craig McDonald, a late season, cleaner, with more choices available, extended elévage in neutral wood. “I took the opportunity to push and stretch this into this kind of milieu.” Comes out more salty, stays clear of wild and woolly. Great approach and treatment of east side Bench fruit. Drink 2022-2025.  Tasted July 2022.

Gabriel DeMarco, Cave Spring Vineyard – Montague Vineyard Chardonnay 2017

Bottled with and making full use of its laissez faire if highly useful lees, acting on behalf of and representing every variety’s profound catalyst. Wound tighter than many vintages of Niagara chardonnay, even at this four to five year mark. Chalk it up to the “other” fruit but also the oxidative winemaking and creation of a “flor” to bring cloudiness and texture. A definite fino brininess and yet less barrel effect (only 10 months) and ultimately transforming Montague fruit into something it’s never been known to do before. Also apposite to a Cave Spring chardonnay so in the end all cards that were on a table were flipped over for all to begin again. Drink 2022-2024.Tasted July 2022

J-L Groux, Stratus Vineyards – Thirty Bench Vineyard Chardonnay 2017

A case of the most experienced winemaker experiencing a fermentation that caused nightmares, perhaps because of a first try with new fruit, a season turned on its head, or both. But it came around and eventually complexity, “because of the thick coat of fur,” says J-L Groux. Bottled with its lees like a Stratus chardonnay would be but as a chardonnay it could not have resulted further from the maker’s truth. Drink 2022-2024.Tasted July 2022

Casey Kulczyk, Westcott Vineyards – Montague Vineyard Chardonnay 2017

Four chardonnay into the great chardo swap and this one begins to emit or rather implode within itself due to untracked, no cracks reduction. No shock that a Burgundian sensation grabs our attention because barrels are key and with a few years got behind also melted into the background behind the fruit. This is perhaps the wine that acts as it would were it made by a western Niagara producer in that the richness of clay and loam raised chardonnay meets its wood host for a double whammy effect. You really notice and feel it all. Drink 2022-2023.  Tasted July 2022

Amélie Boury,  Château des Charmes – Montague Vineyard Chardonnay 2017

Formerly Oliveira Vineyard, in Amelie Boury’s hands a sense of crispness and restraint. Quite fresh and laden with apple-terpene juice. A chardonnay straight to the point, lemon and lime, a style of evolution and not necessarily what winemaking would have done with this juice ten or more years ago. Drink 2022.Tasted July 2022

Thomas Bachelder, Bachelder Wines – Montague Vineyard Chardonnay 2018

If Montague Vineyard fruit could actually speak it might ask “why has it taken so long for me to fall into the winemaking hands of Thomas Bachelder?” Good coopers, the right toast and the pragmatic meets ambitious elévage transforms Montague chardonnay into something other. Something vivid and lyrical but mostly something linguistic and long in the tooth. “Montague Vineyard looms large in my life,” looking back at OG Le Clos Jordanne times, “not just because of lions inthe industry, Karl Kaiser and Donald Ziraldo, but because Montague is a really good vineyard.” Golden in every way, platinum, gem-like, gilded and if intense, also round. Thomas has coaxed oyster shell and a kind of Muscadet sea spray from this tract, something that has been noted at least one time in past iterations but now coming to the surface. Drink 2022-2024.  Tasted July 2022

Chardo Swap Labels

Ann Sperling, Southbrook Organic Vineyards – Thirty Bench Vineyard Chardonnay 2017

Feels so much more ’18 than ’17, fresher and gilded, fruit and wood high, mighty and in synch. And yet the ’17 fruit has remained fresh with thanks to some early, slightly unsettled and oxidative juice used, opened then protected so that time would do little in these formative years. Fabulous western take on east chardonnay, balanced and expressed in a higher key of varietal life. Drink 2022-2025.  Tasted July 2022

Shiraz Mottiar, Malivore Wine – Montague Vineyard Chardonnay 2017

From a Niagara-on-the-Lake neophyte, Shiraz Mottiar, who had never worked with fruit from that source. “All I know is that I had to be really gentle with the fruit. And I am adverse to risk. I had no understanding of Montague, how it was growing, or how it should be pressed. So for me, most of the winemaking had already been done.” Demure, taut, reserved and restrained. Lean aromatically speaking, green apple snap, backed up on the palate in a streak of linear and purposed focus. Things get a bit warming going down, a glow of charcoal though the effect is hypnotic, energy raising and ultimately nurturing. This is winemaking that makes pale chardonnay, phenolics dropped out, clean all the way. Just feels like an expression of place. Drink 2022-2024.  Tasted July 2022

Nicholas Gizuk, Inniskillin Wines – Thirty Bench Vineyard Chardonnay 2017

Sap and resin, vanilla, wood all in, vinyl and tropical intentions. Tart pineapple, textural yet not creamy so finding its way with some poise after all. A chardonnay predicated of professionalism and flavour. Drink 2022-2023.  Tasted July 2022

Emma Garner, Thirty Bench Wine Makers – Montague Vineyard Chardonnay 2017

Feeling the angles, juts, zigs and zags of this chardonnay, not to mention the tightly wound intensity. Crisp though also mighty substantial, Bench fruit for certain and of a clarity, placed under and scrutinized by the magnifier. Reveals site above all else so yes, an example of a winemaker that heeded place and let it be, or used what was available to make that happen. Making magic and magnifique with Montague fruit. Drink 2022-2025.  Tasted July 2022

Fabian Reis, Ferox Estate Winery – Thirty Bench Vineyard Chardonnay 2017

So very caramel and vanilla, sweetly fruited and creamy, textural in the smoothest and fullest way. Spice cupboard for tartes, tatine and madeleine. Really quite reductive and almost a reserve, thickened, glycerol and what just feels like appassimento in addendum. Incredible richness gained from Montague fruit. Drink 2022-2023.  Tasted July 2022

Lawrence Buhler, Henry of Pelham Family Estate – Montague Vineyard Chardonnay 2017

Of the 12 chardonnays in the great chardo swap this is the most reductive in that there is a shell that contains the fruit, part candied and part metallic. It’s a curious combination and solicits a response plus a focus of attention. The aspects of malolactic, textural in mouth feel and length are all fully formed and made longer by extension. So much wine and so little time but give it away and you will regret having acted with such haste. Drink 2022-2024.  Tasted July 2022

14C Friday night

Redefining Cool

Redefining Cool is much ado and to do about climate change. Winemaking is the proverbial canary in the cage, from cool latitude, altitude and attitude, devising an intellectual journey through a discussion on how to redefine Cool Chardonnay in 2022. “We are creatures of the interglacial…but we are flipping into a greenhouse world.” What does this means for winegrowers? Simply stated once again, “cool is on the move.” Six winemakers share their wines to help address and extoll the problems, virtues and answers toward this concern. Danielle Coetsee, Boschendal (White Wine Maker), South Africa; Clémentine Baud, Owner, Domaine Baud, Jura; Joseph Ryan, Winemaker and Vineyard Manager, Ernest Vineyards, Sonoma Coast; Nikki Callaway, Winemaker, O’Rourke Family Estate, Okanagan Valley, Lake Country, B.C.; Patricia Tóth, Winemaker, Planeta Winery, Sicily; Alex Baines, Winemaker, Hidden Bench Estate Winery, Beamsville Bench, Ontario.

Trisha Molokach, Godello and Magdalena Kaiser

Please scroll through below for notes on the wines they poured. In total there were 67 chardonnay tasted that I have now reviewed from i4c2022, Niagara’s Cool Climate Chardonnay Celebration. It was great to be back, with thanks to the cool concierge team led by the intrepid and tireless Trisha Molokach, the i4c22 Board of Directors and Educational Committee; Mark Torrance, Anne Weis-Pennachetti, Suzanne Janke, Magdalena Kaiser, Rob Power, Elsa MacDonald, Mary Delaney-Bachelder, J.J. Syers, Scott Wilkins and Belinda Kemp. Gratitude to all the Ontario member wineries, VQA Wines of Ontario, Grape Growers of Ontario and visiting Ambassadors of Cool.

Tasting Chardonnay

Ontario Chardonnay

13th Street Chardonnay L. Viscek Vineyard 2020, VQA Creek Shores

L. Viscek Vineyard does not give a reductive chardonnay so much as the über fresh kind in which transparency and site honesty are gifted at a serious premium. This is the green apple snap, bite and crunch one comes to expect, followed by a lees filled donut of a middle, no holes and a real Chablisienne mentality. Perhaps with a side of Loire like chenin roundness. Drink 2022-2025.  Tasted July 2022

2027 Cellars Chardonnay Wismer Vineyard Foxcroft Block 2020, VQA Twenty Mile Bench

Still trying to figure out how a chardonnay from the Wismer Vineyard, Foxcroft Block can come to a consumer’s glass at $24.95 yet here we are and thankful for the gift. A rich and relatively buttery one, snap, crackle and green apple bite included, aromatic, flavourful and textured all the while. Caramel crunch as the skin of that apple and plenty of length to stay and drink a while. What’s not to be smitten by? Drink 2022-2024.  Tasted April and July 2022

Adamo Sogno Unoaked Chardonnay Lore Vineyard 2020, VQA Four Mile Creek

Crisp, clean, unadulterated fruit with a je ne sais quoi floral lift with thanks to some musqué clone vines interspersed in the chardonnay of the 1980s planted Lore Vineyard in the sub-appellation of Four Mile Creek. A vintage to recite from, act on behalf of and celebrate the execution of a no wood varietal purity extraction. Not so much a lees affectation but high in citrus and knowable as a chardonnay with a single vineyard attachment. Drink 2022-2024.  Tasted July 2022

Vanessa McKean and Renan Theilloux, Adamo Estate

Adamo Estate Chardonnay 2019, VQA Ontario

Adamo based in the Hockley Valley (Mono, Ontario) makes fine use of Niagara fruit for their ubiquitous chardonnay. Here a wine started by former OG winemaker Shauna White and finished by the dynamic incumbent duo of (winemaker) Renan Theilloux and (vineyard manager and winemaker) Vanessa McKean. Quite focused and tightly wound with notable lees sensations, though no overt wood make-up. Does slide into an invigorating sour edge and then warming, almost nurturing upon the finish. Drink 2022-2024.  Tasted July 2022

Youthful, fulsome, a slight tinge or rise to high tone. White caramel and a terrific zing to the palate. Lemon and lime in many ways; curd, zest and with the tell-tale green apple bite. Shows the focus of examples alight as if by a single block. Impressive and woven, warmth and yet wild of sprit. Great potential here. Drink 2022-2026.  Tasted blind at NWAC2021, October 2021

With Andrea Peters, Brock University

Bachelder Les Villages Bench Chardonnay 2020, VQA Niagara Escarpment

While Les Villages pinot noir draws from and abides by Niagara-on-the-Lake it is the dolomitic outcrops of the Niagara Escarpment for chardonnay where hope springs eternal out of this geological source. Micro-climate too, where a vacuum between the long, semi-steep slope at the edge of the plateau and the lake make for a wondrous place to grow chardonnay. The space between the two separated areas at different heights and the limey clay creates this two-part harmony of metal-elemental fruit and reductive, barrel spiced accents. Bachelder’s Burgundian conceptualization comes to fruition with abundance and the fabric of oblate making. Correct and unsparing, a good combination.  Last tasted June and July 2022

“Les Villages” seems to be all in, fruit picked on the late side, wood complimenting with a wink and 2020 showing no signs of being left behind. Welcome to village chic, Escarpment style, full, luxe and round by design. Methinks Mr. Bachelder wants you to drink and enjoy this now, imagine a circle drawn through and around bench lands, all part of a community and a plan. This is life on “Le Bench.” Drink 2022-2025.  Tasted April 2022

Bachelder Chardonnay Wismer Foxcroft “Nord” 2019, VQA Twenty Mile Bench

Nord is a cool firecracker of a chardonnay, crisp and sweetly volatile, white peppery sharp and given some air time, also luxe and suave across the palate. One of the fullest, most accomplished and complete wines in so many respects, fruit sources imagined as being picked from orchards of all shapes, ilk and sizes. Apples to peaches, nectarines to pears. Oh hail great fruit and how cool it breathes. Nord for Wismer-Foxcroft is clearly the shizzle, not merely the best or most popular but the source for Bench chardonnay that can handle the truths of reduction and flint struck realities. Drink 2022-2028.  Tasted December 2021 and July 2022

Thomas Pennacchetti and Gabriel Demarco, Cave Spring Vineyard

Cave Spring Estate Chardonnay 2019, VQA Beamsville Bench

Sharp and taut, an intense and fortified chardonnay. Precise and pure, exacting the Escarpment with focus like few others at this level and so indicative of a classic 2011-esque varietal Niagara vintage. Such performance in crunch and mystery with creative juices flowing, dreams realizing and a future filled with even greater potential. Drink 2022-2026.  Tasted July 2022

Cave Spring Chardonnay Musqué Estate 2020, VQA Beamsville Bench

A conversation with Thomas Pennacchetti and Gabriel Demarco wonders who has the most musqué planted in Ontario. No answer other than Cave Spring comes forth. Don’t sleep on both the intrigue and the significance of this chardonnay. Half the fruit is picked at 20/21 brix (early) and the other half in November. Acids and florals are each given their due. Skin contact time is 12-16 hours on both picks and so a “brownness” is pulled, “hard to get with musqué” tells Tom. A contract part terroir and part level of contact to achieve genuine character, but more so this candied orange peel aroma. In this warm vintage one could close their eyes and imagine friulano from Friuli, with thanks to the sticky wild yeasts leading to such an imagined result. Well also the bump in skin contact which also shows in the alcohol. As per the original statement: Intrigue and significance. This will age like old tokay. Drink 2022-2026.  Tasted July 2022

Chardonnay in the Vineyard, Riverbend Inn

Château Des Charmes Chardonnay Paul Bosc Estate 2020, VQA St. David’s Bench

Laden with dichotomously soft terpenes and the squeeze of orchard fruit juices. Just the chardonnay facts and nothing but, ultimately a spirited and focused chardonnay as lean as it is fleshy and saline with no barrel unction to distract from the main concern.  Last tasted July 2022

Takes no time at all to see this Paul Bosc Estate vintage of chardonnay by Château Des Charmes as a true crowd pleaser. It’s soft, delicate and supple on the palate. The oak is well integrated if sparsely adding any toast or nutty accents, with less than obvious salt and pepper seasoning. Even the vanilla is subtle, caramel too, the roundness just adding to the peaceful easy feeling. Hard to find more mildness and amenability in cool climate chardonnay. Drink 2022-2024.  Tasted May 2022

Closson Chase Chardonnay The Brock 2019, VQA Niagara River

As a general rule the Brock is built upon K.J. Watson Vineyard fruit (in the Niagara River sub-appellation) with half seeing barrel time. For some reason it seems to show its oak more than the CCV and South Clos chardonnays albeit as a comfortably worn sweater in 2019. The scents are late summer, bergamot and then gardenia to tuberose. The bite is beneficial from out of this linear vintage and though there is a reductive quality the general outlook is aromatics above texture. Brock is a fine entry level chardonnay representative of Closson Chase working with Niagara fruit. Drink 2021-2023.  Tasted October 2021 and July 2022

Closson Chase Chardonnay South Clos 2020, VQA Prince Edward County

More than 20 years of vine age, acumen and wisdom are the gain of a South Clos chardonnay and winemaker Keith Tyers is surely more than comfortable making it happen. Dry and warm vintage shows in the dried herbs, almost fennel to pollen dusting on the nose and a stoic presence in almost every respect. Would not go so far as to call this a taut and unforgiving chardonnay, nor is it particularly flinty or reductive. What it shows is utter purity and linearity, a platinum gemstone sheen and shine, controlled power and so much more packed away in reserve. The flavour bursts and energy spurts indicate just how long this will travel. Top, top. Drink 2023-2028.  Tasted July 2022

Cloudsley Chardonnay Twenty Mile Bench 2019, VQA Twenty Mile Bench

A mix of Wismer fruit, part Wingfield and part Foxcroft, indigenous ferment and 18 months though only 28 per cent in new wood. Solid pH and also acidity numbers, more fruit and flesh, less flint, tension and spin. The accessible chardonnay for all to gain insight into the Twenty Mile Bench and how it raises these beautiful blancs. Length is outstanding in 2019. Drink 2022-2025.  Tasted July 2022

Cloudsley Cellars Chardonnay Foxcroft Vineyard 2019, VQA Twenty Mile Bench

Winemaker Adam Lowy likes to get at it, especially with Foxcroft fruit out of the Wismer Vineyard. And so aging is for 18 months in 50 per cent new barrels for a truly flinty, flexed and tense chardonnay. Vines are 23 years of age at this harvest and their potency meeting potential for balance seems poised at the apex of excellence and understanding. So close to pay dirt now and yet for a Cloudsley chardonnay, perhaps so far away. Wait just a wee bit. Drink 2023-2027.  Tasted July 2022

Domaine Queylus Chardonnay Tradition 2020, VQA Lincoln Lakeshore

A wild ferment and approximately 20 per cent new wood. Textural vintage for the Tradition, viscous and really very fluid, brioche imagined as a sweet liquid and also a liquor of buttery spice and botanicals. Quite a rich and developed chardonnay, product of a warm vintage resulting in ripe returns. Drink 2022-2024.  Tasted July 2022

Domaine Queylus Chardonnay Réserve Du Domaine 2020, VQA Niagara Peninsula

Much more intensity and higher ceiling of promise comes from the next level Réserve du Domaine, rising away from softness and up to a more rigid, biting and cracked spice precipice. Sharp at its most vital moments and vintage rich at times when generosity is warranted. Does it all really, with style and warmth. Still there is more nature than nurture in a chardonnay allowed to simply make it happen. Drink 2022-2026.  Tasted July 2022

Ferox Estate Chardonnay “Vintages,” VQA Niagara Peninsula

Wholly unique aromatics, almost Icewine in favour, dense and intense with as much metallics as there are exotic fruits. A non vintage blend, also unusual but for reasons vintage related. And so this runs from 2016 to 2019, a blend of sites as well, warm moments and then turning cool, of yellow fruit from banana to pineapple and mango, then greens, in apple and herbals too. It’s pretty complex stuff if admittedly hard to wrap a brain about. Drink 2022-2024.  Tasted July 2022

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2016, Traditional Method, VQA Short Hills Bench

Never gets old does it? It’s like Christmas every time a new vintage of the Cuvée Catherine is opened, always with great anticipation and wonderment for what the most recent disgorgement will bring. In this case intensity juxtaposed by harmony in ways only the Carte Blanche can and with Niagara’s greatest fizz consistency. That’s the thing really. The bar and the pressure was set high long ago and this sparkling wine meets it, failing nothing, equally so, year in and year out. The 2016 is no exception with perfectly equanimous apple fruit and fine structural fortification. Just a delight, sturdy, openly fragrant, delectable and succulent. Resounding yes, as per expectation and adjudication. Drink 2021-2026.  Tasted November 2021 and July 2022

Henry Of Pelham Estate Chardonnay 2020, VQA Short Hills Bench

Whole bunch pressed, barrel fermented with a cocktail of yeasts, one third new French oak and some further older usage ones as well. So perfectly middle of the road, proper and accessible, well managed by acids and really just the right and quick answer to what is Niagara and even more specifically Short Hills Bench chardonnay. Drink 2022-2024.  Tasted July 2022

Next generation Speck, Henry of Pelham Estate Winery

Henry Of Pelham Speck Family Reserve Chardonnay 2020, VQA Niagara Escarpment

Crisp and über clarity from the first nose and nary a moment of reduction, if any. Richness accumulates with aeration as the wood gains olfactory traction. Need to test the palate forces to know what goods and treasures lurk in this oh so young and impressionable chardonnay. Track record is more than a mere incendiary aspect of the Speck Family Reserve capability and knowing airtime and chronology are essential towards determining the future, well, you get the apple orchard and white caramelizing drift. So youthful and yet there is plenty of time. Drink 2022-2026.  Tasted November 2021 and July 2022

Hidden Bench Chardonnay Felseck Vineyard Unfiltered 2019, VQA Beamsville Bench

Felseck sits at 37.59 North, a latitude working in cohorts with an escarpment’s nook and the lake laying low below.  Last tasted July 2022.

Don’t be fooled in thinking this is merely a reductive and green glade example of cool climate chardonnay. Solid and expected? Perhaps and yet also crunchy with shots of lemon and lime. Nothing out of sorts, tight enough to at times act hard to get and even anti-complex. There are secrets inherent in a cool climate world where so many chardonnays are made this is as interesting and innovative as the first.  Last tasted blind at NWAC2022, June 2022

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

With Magdalena Kaiser, Chardonnay in the Vineyard

Icellars Chardonnay Icel Vineyard 2019, VQA Niagara-on-the Lake

Similar to 2017 at 13.5 per cent alcohol yet more phenolic and also in that sizeable frame of inclination that is captured in the full, ripe and potently efficacious 2018. This just feels like the best of both worlds in chardonnay, at once cream centred and then juxtaposed by just a bit of back bite. A lovely and somehow powerful wine of wine contrary forces in push and also pull, ying and yang, punches and then receives. Hard not to see everyone loving this chardonnay. Drink 2023-2026.  Tasted July 2022

Icellars Chardonnay Icel Vineyard 2018, VQA Niagara-on-the Lake

And then ’18, which was a warmer year in this sub-appellation and a chardonnay more reductive but also bolder, fulsome and phenolic, feeling a bit boozy (only 0.3 higher than ’17 and ’19) and definitely riper, even feeling sweeter. Was inoculated as the yeast cultures have not quite established in the cellar. Plenty of phenolics here, raising the bar all around. More age-ability to be sure.  Last tasted July 2022

Devilishly rich with full compliments of berries and barrel working side by each to create this tropical fruit split that reaches the heights of chardonnay decadence. Runs the gamut from pineapple to green apple and though it does not snap back there is a fine elasticity to how the texture stretches and then releases. For those who like to strike it rich. Drink 2020-2024.  Tasted October 2020

Icellars Chardonnay Icel Vineyard 2017, VQA Niagara-on-the Lake

Favourite wine of Adnan Icel’s wife Elif, a fan of Bourgogne and made by (12 rows) planted on the property in the beginning in 2012, followed by eight rows in 2014. Always hand-picked, whole cluster pressed. As for 2017, fermented 12 months in 500L French barrels. Malo in barrel, stirred and two years in French oak kept on lees with no racking. A multitude of flavours, now fully emerged, developed and gifting to the very maximum. Showing so well.  Last tasted July 2022

From Niagara-on-the-Lake and 2010 founder Adnan Icel, a rich throttled chardonnay barrel fermented in 500L French oak puncheons, lees stirred for six months, then aged 12 months more. Tells us to expect rich, opulent, creamy and highly flavourful chardonnay. That it is. Flint-struck if only momentarily, correctly reductive in the sense of fresh encouragement combined with the Niagrified creamed corn, again, if only during this persistently youthful state. Maybe causes a note of bewilderment for some but stay with this wine, give it a year’s time and all will be worth it. Will drink in optimum and designed fashion eight months from now and for two-plus years thereafter. Drink 2021-2024.  Tasted July 2022

Inniskillin Reserve Chardonnay 2020, VQA Niagara Peninsula

Hard to ignore the Niagara peach character of this fruit in chardonnay that’s all about this and not really how residual oak might want to linger within. There are old blocks of chardonnay available and this is from Block 210, planted in 1993 through 1996. The peach leads to harder fruit drugs, golden pineapple and guava, some lees feel, plenty of nutrients and that oak then becomes one of low and slow accumulation, neither a piqued nor toasted. Well made indeed. Drink 2022-2024.  Tasted July 2022

Jackson Triggs Entourage Grand Reserve Blanc De Blanc Limited Release 2017, VQA Niagara Peninsula

More than a moment of reduction requires agitation and then the apple/pear orchard fruit is released. More than lees affected blanc de blanc, ostensibly chardonnay and seemingly the first of its kind for J-T. More scintillant style than either the Brut or the sauvignon blanc, direct, linear and shedding a lovely lemon pith bitter set of flavours. Almost woolly for sparkling, like Loire or some Alsace and very long. Drink 2022-2025.  Tasted July 2022

Kin Vineyards Chardonnay Carp Ridge 2019, VQA Ontario

Kin close to Ottawa is a fascinating species of Ontario wine where pinot noir and this chardonnay grows atop glacial till, clay loam over grey limestone of the Hazeldean Fault. Low to moderate alcohol (12.5 per cent), dry as the desert and expressive of the coolest of cool climate acidities all add up to something arriving this way with intensity through integrity. Green apple bites are what they should imagined to be in chardonnay and rusticity is only a state of mind. Must be tasted more than once, to appreciate the credence and join the new frontier seance. Drink 2022-2025.  Tasted July 2022

Leaning Post The Fifty Chardonnay 2020, VQA Niagara Peninsula

I believe it was April of 2017 when I first tasted the inaugural (2015) vintage of Ilya Senchuk’s The Fifty, a chardonnay that ferments in barrel but then transfers to finish up on lees in stainless steel. Not much has changed in five years but the wine has tightened and like a rare shelf fungi it is at its freshest finest when the teeth-like hymenium pores are barely visible. Senchuk bottles at precisely this point and that is something he has gotten really good at over the years. This chardonnay is remarkably precise, takes nothing for granted and delivers a layered experience in which more than one vineyard and sub-appellation contribute to the greater good. Might very well be the best one made of the six to date. Drink 2022-2024.  Tasted June and July 2022

Leaning Post Chardonnay Senchuk Vineyard 2019, VQA Lincoln Lakeshore

Ilya and Nadia Senchuk’s home playground is a matter of grey clay in alluvial soil with river stone, that is in terms of the vineyard and the winery’s back (or maybe front, as if it were a lake) location. The Winona-Grimsby couple are just starting to really understand, forge sensorial connections but even more so make their terroir relatable to the world. Even more piques and white peppery jolts than Wismer and Grimsby Hillside Vineyard combined, intense emotion and a crisp freshness that’s both hard to explain and also impossible to look away. Textural chardonnay that on the surface is nothing at all like Foxcroft or GHV. Come back again and again for five to seven years. My what a beautiful chardonnay world this is. Drink 2023-2028.  Tasted June and July 2022

Le Clos Jordanne Chardonnay Jordan Village 2020, VQA Niagara Peninsula

The second iteration of the Village chardonnay is again a parcel amalgamation of Twenty Mile bench Le Clos and Claystone vineyards along with that of Talon Ridge in the Vinemount Ridge. If this is to be considered another standout vintage then the fact that early malolactic, sluggish ferments and moderate alcohol must all come together with a seamless whoosh. Another year in the triumvirate averaging of vine age puts less pressure on balance and more on concentration, here resulting in true LCJ favour. So much furthered collective warmth is 20’s call to body and then mind takes over with succulent bites and crafty control. Should settle by the spring of 2023. Drink 2023-2027.  Tasted July 2022

Glenn Symons and Chris Thompson, Lighthall Vineyards

Glenn Symons and Chris Thompson, Lighthall Vineyards

Lighthall Chardonnay 2019, VQA Prince Edward County

Unique even for Prince Edward County chardonnay in a stainless meets barrel ferment with the latter a combination of new and third use 500L vessels. Warmer and fleshier than 2018, higher in alcohol by what feels like at least a per cent. Defines crisp pear, washed Phillipston Road cheese rind and crunchy bits of oyster shell but also salted white-spun aureate for local chardonnay. Pairing paraphrases aside this is made for the cheese board, a dozen oysters and a really good pretzel. Drink 2022-2025.  Tasted July 2022

Lighthall Chardonnay 2018, VQA Prince Edward County

Mon dieu what a completely different animal than 2019, leaner, saltier and all about the oyster. No real orchard fruit flesh nor pith neither. Zest perhaps though the tight nature, lean disposition and more neutral flavours put this in wholly different regard, Alcohol is a mere 12.8 per cent (as compared to a minimum 13.5 in 2019). And so find some fattier fish (like halibut) and drink up. Drink 2022-2023.  Tasted July 2022

Malivoire Chardonnay Estate Grown 2020, VQA Beamsville Bench

“Estate” raises purposed and propping acids in 2020 with somewhat maintained if lessened pH (all as compared to Moira) if for no other reason than because (85 per cent) Moira fruit is accented by Mottiar and Estate. Comes away crisp, brisk and frisky, contagiously spiced by galangal and ginger, tastes like sweet lime without the sugar. Has been in bottle just under a year and while the quaff factor begin to run high it may be suggested that the best moments are still to come. Picking took place over three weeks in September and so the “stacked” cuvée makes for an omnipresent happening, variegated though contiguously seamless too. Drink 2022-2025.  Tasted July 2022

Malivoire Chardonnay Moira 2020, VQA Beamsville Bench

“Broad and tentative swipes” be done and so consistency thy name is Moira, or at least a vineyard’s persistence is manifest in a chardonnay that keeps the faith and the fluid movement of flavour alive. Lovely showing nine months on, window opening or at least now ajar to crawl through and feel the Beamsville love.  Last tasted July 2022.

Fun phantom power spirit on the aromatic front, perfumed to the hilt, creamy fruit and vanilla, well positioned and working as one. Quality if too youthful at present to fully appreciate. Causes a tragically hip perception of middle of the road but with an intention so great the future will change everything. “Don’t tell me what the poets are doing, on the street and the epitome of vague…Got to make it, that’ll make it by swimming” Drink 2022-2025.  Tasted blind at NWAC2021, October 2021

Shiraz Mottiar, Malivoire and Dan Sullivan, Rosehall Run

Malivoire Chardonnay Mottiar 2019, VQA Beamsville Bench

“I always hold my pH down below 3.2,” which is accomplished by understanding your vineyard, tells Shiraz Mottiar. “And you have to know (not only when but also) how to pick.” Which was October 5th in 2019 and so acidity remains high and persistent, fruit in a holding pattern and structure a real thing. More place resolved and revealed, vines clearly having well arrived into their state of balance and grace. As fine a chardonnay from the Beamsville Bench in this vintage as you are likely to find. So much more worthy than first considered.  Last tasted July 2022

Nicely, allegedly and properly reductive, especially as it pertains to chardonnay, a bit closed but nearly ready to spread its wings. Quite the fruit juicy tang, green apple bite and cool climate, sparked and piqued style. The sharpness of flavours works well with the wood and integration is just around the corner. Look for that moment in the Spring of 2022. Drink 2022-2026.  Tasted blind at NWAC2021, October 2021

On Seven The Pursuit Chardonnay 2018, VQA Niagara On The Lake

Seven acres, thus the name, in the hands of Vittorio de Stefano, “and a project paramount to wanting something sustainable that can compete at the international level and standard.” The vineyard is five acres and the property now 15.5. Planted half each to chardonnay and pinot noir, all organic. Bourgogne is the impetus, Niagara the goal. The genesis of planting decisions dates back to 2009, high vigour rootball SO4 rootstocks and clones finally acquired in 2014. Now at seven years of age the vines are ready to rock. A place of science, with oenological consultant/winemaker Peter Gamble at the fore and wines of minimalist approach starting out in reductive tendency, then finishing with longevity defining acidity. Richness and intensity meet at a general Côte d’Or vortex but in the end Niagara lake-proximate flesh and tension are the true meeting point. There is a distinct flintiness (and unlike other flinty chardonnays) but also a caramelization of high delectability and flavour. Vim and vigour, vivid and 20 per cent new oak over three years to gain such favour. Exotic too, with wood contributing to the extract, but surely essential trace elements; manganese, iron and calcium of causation allowing the minerals to make themselves heard. Intriguing wine if only at the beginning of a long story yet to be told. Only 82 cases made. The goal as the vines mature will be 800. Drink 2021-2024.  Tasted July 2021 and July 2022

Lydia Tomek, Ravine Vineyard

Ravine Vineyard Reserve Chardonnay 2019, VQA St. David’s Bench

Fully glazed, honeyed and barrel affected to an nth degree. Unctuous, caramel and pineapple, a huge chardonnay expression that means business and is surely priced accordingly. Matters not where it’s from because the wood is everything here. That said there is plenty of substance, namely fruit to carry the weight. For a specific crowd that will enjoy the experience, west coast style of certain recurring eras. Drink 2022-2024.  Tasted blind at NWAC2022, June 2022 and at i4C22, July 2022

Rosehall Run Ceremony Estate Grown And Bottled Blanc De Blancs 2017, VQA Prince Edward County

More than ample and credible chardonnay vintage, especially for sparkling with thanks to a longer season. There is some lees lounging in 500L puncheon which, coupled with the further 42 months post tirage adds up to complexities on charts and those not able to be found on charts. Really toasty bubble, invigorating and yet also of a calming or at least nurturing stance. Like biting into a fizzy apple and having it tingle in your mouth, followed by a jettison of herbal, citric and wild forest edible flavours. Even a fruity chanterelle. Devilish stuff once again from Dan Sullivan. Drink 2022-2026.  Tasted July 2022

Rosehall Run Chardonnay JCR Rosehall Vineyard 2019, VQA Prince Edward County

Yet another stellar chardonnay from Rosehall’s JCR Vineyard and coupled with a most excellent varietal vintage the stars, Strats and stats are clearly aligned. Behold an increasingly accomplished wine that reveals the breadth and depth of this vineyard. It has been and continues to be made in a genre to gender bending approach, fusing the alternative with the electronic and achieving a rare balance of critical and commercial success. Dan Sullivan’s JCR, like St. Vincent is one to sing “I do a dance to make the rain come. Smile to keep the sky from falling down down down down. Collect the love that I’ve been given.” Marry Me JCR? Drink 2022-2024.  Tasted April and July 2022

Southbrook Estate Grown Small Lot Wild Ferment Chardonnay 2020, VQA Four Mile Creek

As intense a grab of fruit, barrel and spice as ever in an Ann Sperling chardonnay. What with her classic handling whereby slightly unsettled juice receives some early oxidation, followed by an über protected elévage to bring it forward and into a now fruition. As a result drinks well right away but we known it will stall and little will change for the next few years. More chew than crunch, sweet and sour, encouraging and demanding at the same time. Drink 2022-2025.  Tasted July 2022

Estate chardonnay, six years on the lees, traditional method. Generally speaking an inconsequential one gram of dosage, disgorged in February 2021. The other OG for Stratus based on the team’s research and development trials first executed back in 2006 and 2007. Another elevated autolytic example, not as toasty as ’13 but more textural and lees-directed. Further down the road to complexity of flavour washes, swarths and swaths as well. A woollen one, leaves a salve as it graces the palate and lingers long after the fluid thrill is gone. Everything is here, everyone should want some. It’s the Devil and Mr. Jones. Lucifer on the sofa. “There’s juju raining down all around you, yeah. Makes you heavy mental. It makes you tense.” Spoon-feed it to me when I can no longer do it myself. Drink 2022-2026. Tasted July 2022

Dean Stoyka, Stratus Vineyards

Stratus Chardonnay Unfiltered Bottled With Lees 2020, VQA Niagara-on-the Lake

As with so many 2020s the virtuous exercise patience during a vintage of sluggish ferments. Ask winemaker Dean Stoyka and he’ll tell you “it’s all about canopy.” In a hot and arid season chardonnay is kept “beneath a sombrero effect,” to avoid sun scorching, to access dappling but avoid 10am to 3pm sun. This practice is not new to the team at Stratus but they are truly now in the “balanced zone.” Chardonnay is a matter of (60 per cent) wood, 30 white clay and 10 stainless steel. This and the lees make for a cloudy if ducky wine of downy texture and very refreshing feel. A whole lot of R & D for which the maker and the consumer are loving the results.  Last tasted July 2022

Next vintage up for this singular Niagara Lakeshore chardonnay meets expectation where fruit substance and quality lees get to making some magic from out of the auspices of an hermetically sealed environment. Love it when chardonnay acts reductive without being either obvious or blatant, instead going about its high quality business like the natural professional it knows it can be. Whispering caramel and subtle smoulder set the bar high and as chardonnay there is this perching upon a gilded golden wire, in regal, confident and self-secured style. Most excellent rhythms, beats and tones set this up for a promising run. Drink 2023-2027.  Tasted April 2022

Stratus Blanc De Blancs 2014, VQA Niagara-on-the-Lake

Estate chardonnay, six years on the lees, traditional method. Generally speaking an inconsequential one gram of dosage, disgorged in February 2021. The other OG for Stratus based on the team’s research and development trials first executed back in 2006 and 2007. Another elevated autolytic example, not as toasty as ’13 but more textural and lees-directed. Further down the road to complexity of flavour washes, swarths and swaths as well. A woollen one, leaves a salve as it graces the palate and lingers long after the fluid thrill is gone. Everything is here, everyone should want some. It’s the Devil and Mr. Jones. Lucifer on the sofa. “There’s juju raining down all around you, yeah. Makes you heavy mental. It makes you tense.” Spoon-feed it to me when I can no longer do it myself. Drink 2022-2026.  Tasted July 2022

Stratus Chardonnay Unfiltered Bottled With Lees 2017, VQA Niagara-on-the Lake

Same winemaking as the team put on the (Chardo swap) Thirty Bench Vineyards fruit and yet with these 30 year-old vines the result is night to the Bench’s day. Cloudier to a view, more advanced and developed, fully resolved citrus notes in juice, zest and pith entwine. Deeper and fuller intensity of flavours, fuller and dramatic. Conceptual.  Last tasted July 2022

Warm and ripe vintage if only because of a gorgeous September into October, more lees than ever before, no new wood and an extended elévage nearing a year in length. Alcohol has risen, as has the pH though neither are what you might call vivid. The palate is actually tightly strung, the texture fulfilling and a cloudiness so perfect for what the winemaking team had long wanted to achieve. Hard not to see 2017 as the teaching wine where lees usage is concerned, the (after the fact) ah-hah moment whereby knowing what to do and how deep to go was learned by how 2017 turned out. In this case fulsome of stone fruit, opaque clarity, an oxymoronic ying-yang of positives in apposite attractions. A Monet vintage, modernized and so very J-L Groux. A Stratus, unlike any other. Drink 2021-2025.  Tasted July 2021

Tawse Estate David’s Block Spark Blanc De Blancs 2009, VQA Twenty Mile Bench

Quite exciting to get a look at a new disgorgement nearly 10 years later for a chardonnay that sat on its lees like a Berlucchi Riserva Familia Ziliana Franciacorta DOCG. While the ceiling of complexity may have reached maximum plateau a year, two or even three years ago, it matters little because this level of acidity and sparkling wine vintage favour met the terms of easy regard thrown to the wind. Gone is the woolliness, now replaced by flint and a vapour trail of David’s design. This was meant to wait and thanks to Tawse today is the day. Bears little resemblance to the wine tasted back in 2012. Drink 2022-2025.  Tasted July 2022

Has thankfully shed its baby fat, the cheesy whey that sat atop all else last time I tasted. Today the epoisses is now mild Niagara Gold, or a creamy, Triple-Cream Brie. Still a wine of lees and leisure, with tangy green apple and sharp, piquant flavour.  Tasted December 2012

Jessica Otting, Tawse Estate Winery

Tawse Chardonnay Robyn’s Block 2020, VQA Twenty Mile Bench

While Robyn’s Block is always a unique chardonnay for the Twenty Mile Bench in 2020 it’s part of a community because of a slow, actually a very slow (as in sluggish) ferment. Didn’t actually finish until April, a remarkable happenstance because malolactic was completed back in November. As late as winemaker Jessica Otting has ever seen and it happened with all the chardonnays, save for Quarry Road. The whole cellar was like this and so what does it all mean? Perdition might be the answer but miracles happen and composure begets fortune, leading to a reward in most excellent textural deference. Alcohol and acidity are both exemplary and know this. Chardonnay left alone will find its way, unforced and uncompelled. We may be stupefied by the journey but we are most impressed by the result. Be patient with while offering up a little extra time and mind for these ’20 chards. As here with Robyn they are demure and they are at peace. Drink 2023-2026.  Tasted July 2022

Thirty Bench Chardonnay Small Lot 2020, VQA Beamsville Bench

Really quite primary, an undisclosed while pleasingly reticent chardonnay from Emma Garner of gratitude and grace. The first because it thanks the Beamsville terroir and the second because it does so with soft spoken respect. A mélange of different fermentation batches, each small and precise come together for the final sumptuous and restrained blend. The tenets of fruit, acid and what ties them together is just about as seamless and easily layered as any of a Bench ilk and idiom. Not a chardonnay of style but instead stylish, not chic but surely sung with notes held, seemingly forever. Drink 2023-2028.  Tasted July 2022

Mackenzie Brisbois, Trail Estate

Trail Estate Chardonnay Cold Creek Vineyard 2020, VQA Prince Edward County

From a vineyard on the Danforth Road in Hillier and young vines of chardonnay. A 50/50 neutral and second fill barrel aging for 10 months in yet another 2020 fermentation that took seemingly forever to complete. This is attributed to a hot and dry summer and also harvest, with excess humidity causing sluggish and possibly even dormant yeasts. That said this Cold Creek shows plenty of zip and zest, clocking in at 14 per cent off of 23 brix. “Early” numbers though the pH was normal (3.2). Crazy for chardonnay, at heart and for trying, with plenty of dichotomously extrapolated energy and PEC drive. Drink 2022-2025.  Tasted July 2022

Two Sisters Chardonnay 2019, VQA Beamsville Bench

Fruit is entirely taken from the 1959 planted Lenko Old Block, likely the first in Niagara. Twenty per cent new wood and no real sense of malo (up to a maximum 30 per cent) but says winemaker Adam Pearce, “we’re not looking for that route.” A brilliant chardonnay, cohesive and smart, taut and slowly revealing itself. The right and righteous stuff.  Last tasted July 2022

If unoaked takes full advantage of a terrific 2019 growing season then surely the oaked chardonnay will go after it with uninhibited abandon. Perhaps but just one sip and you see the cool demeanour, the artist restraint and the blessed balance afforded throughout the wine. Only hints of toast, smoulder and buttery biscuit wisp on through while the purity of warm terroir raised Niagara chardonnay shines, as it should. Most excellent work here from Adam Pearce and team. Drink 2021-2025.  Tasted September 2021

Guest Chardonnay

Boschendal Chardonnay 2019, WO Elgin

The Elgin blocks are 15 kms from the Indian Ocean with sites ranging from 200-500m above the sea level and surrounded by mountains. Grown at an average of 300-plus metres at a latitude of 31.15 South. A prime example of the Elgin style, citrus led, stony and flinty from weathered shale soils but there can be no dispute about the fruit richness and sumptuous tactility for how this settles upon the palate. Thankfully a feeling of sea breeze passes through and maintains the freshness. Drink 2022-2024.  Tasted July 2022

Ana Norris (Santillán) and Danielle Coetsee, Boschendal

Boschendal Cap Classique Jean Le Long Prestige Cuvée Blanc De Blancs 2009, WO Stellenbosch

Long on the lees (gotta be 120 months-plus) and as a 2009 well within a Cap Classique vernacular still with the “Méthode” verbiage at the lead. Long since developed its ceiling of complexity and although those last 12-18 months may have done little to advance, accelerate or diminish the returns, how can it even matter. Just consider the greatness here. Eloquently complex by nature and also design, all about fruit and earth, liquidity and dusty decomposition, delicasse and deconstruction. The level of acuity is commanding and beyond commendable for a comestible this long in reserve. A confession of wishing for just the slightest lessening of dosage, to avoid a softening and raise the energy bar. Otherwise this would be tops. As it stands it’s pretty special. Drink 2022-2025.  Tasted July 2022

Catena Chardonnay Appellation Tupungato 2020, Mendoza, Argentina

Only Tupungato will do for chardonnay as this “High Mountain Vines” will do, equipping what could be the roundest, softest, creamiest and most delicious fruit set with a blast of freshness and atmospheric drive. This is exactly what you can expect from Catena’s work in specific appellative chardonnay, drilling down into the dirt of a place within a place with the same conviction found in their more expensive wines. No compromise. Drink 2022-2025.  Tasted July 2022

Catena Alta Historic Rows Chardonnay 2019, Mendoza, Argentina

Kind of surprised how many years have passed since last seeing this über specialized Tupungato chardonnay in a VINTAGES release and thankful to see its auspicious return. The highest elevation and prized fruit from quantified rows put the specificity and trenchant expectation into a chardonnay of indelibly stamped, site explorative and barrel programmed richness. Truly fleshy but also elastic and stretched varietal wine of not only acumen and desire but also depth and understanding. The White Stones may be Catena’s chardonnay prize but do not sleep on this wine. It delivers all you could want from producer, place and grape. Drink 2022-2026.  Tasted twice, July 2022

Côteau Rougemont Chardonnay La Côte 2020, Québec

The Robert Family takes chardonnay to the next level with their south facing vines on slopes of soils dotted by pebble and schist. A blessed sun dripping vintage for Québec chardonnay that takes full advantage of more climate change heat units and good fortune for no 2020 frosts. Crisp and crunchy to the nth degree, just reductive enough to stand taut and ever so slowly releasing its charm. Next chapter and a win win all around. Drink 2022-2024.  Tasted July 2022

Domaine Baud Blanc De Blanc Brut, Crémant Du Jura

Varietal chardonnay that sees a year of lees aging with a dosage to reach the desired Brut. A richness and also dried herbal notes plus fennel that is offset by a creamy sweetness melting and melded through the pictorial texture of a wine so sharp and yet so soft. One imagines the Baud family being led by such humans and when a wine acts as an expression of they, well isn’t that the point in a wine like this? Drink 2022-2024.  Tasted July 2022.

Baud’s Crémant is made in true Blanc de Blancs style, from 100 per cent chardonnay and though faintly if beautifully oxidative, the cuvée pulses with great energy. The scents of fraying ginger batons, scraped orange skin and baking almond cookies are all a treat for the olfactory. Just enough but not too much sweetness fleshes the the body to get down to density in mouthfeel but never abandons its airy character. A terrific Champagne alternative that was disgorged in October of 2017. Drink 2018-2022.  Tasted April 2018

Clémentine Baud, Domaine Baud

Domaine Baud Cuvée Flor Côtes Du Jura 2020, Côtes Du Jura AOC

Clémentine Baud took over the family estate with her brother six years ago. The first father to daughter transition and with many to follow. The estate dates back to 1742, started by Jean-François. They farm 25 hectares, Clémentine’s father started with five and grew to 19 hectares when he retired. Picking for Sparkling now seems to happen in August, save for the difficult 2021 vintage. In 2017 70 per cent of the harvest was lost to the frosts, 50 in 2019 and 80 in 2021. “We have over 40 old varieties in the Jura, important for diversity, including those not allowed under the rules of the AOC,” tells Clém. The fruit for Cuvée Flor is grown at a latitude of 46.73 North and though very much a cool climate place for chardonnay the threats of warmer winters and seasonal frosts has wreaked havoc over the past 10 years. A chardonnay of remarkable lustre, concentration and purity, worked by way of oxidative aging, low alcohol expectation starting at 12 and finishing no higher than 14 to 14.5. A floral chardonnay, not one related to yeast and surely a pretty in Jura wine. From the younger vines, phenolic and hinting towards though remaining clear of emerging boozy. Filled with flavour, hazelnut and praline, peach and yellow plum. A world of its own. Drink 2022-2025.  Tasted July 2022

Domaine Des Deux Roches Altugnac “Terres Amoureuses” 2020, AOP Limoux

From land at the edge of the Languedoc, on the Pyrenean foothills, “where the vines flirt with the scrubland.” A chardonnay of amorous lands, a golden hue of fortune and really fine balance. Light on its feet, forming a small wake, chardonnay of prosperity, dreams, space and a garden of thought. Alluring and inviting, ease of wood, spice and bites throughout. Drink 2022-2024.  Tasted July 2022

Domaine Des Deux Roches Pouilly Fuissé Vieilles Vignes 2020, Bourgogne aoc, France

There can be no doubt that an old vines cuvée in the hands of Deux Roches gifts impeccable and earnest profundity coupled with culpable concentration. A touch reserved in restraint though again expectation dictates that energy will release as the wine opens and ages. All the orchards are on the nose, transitioning into flavours full, layered and built by a liquid textural weave. Expansive chardonnay. Drink 2022-2026.  Tasted July 2022

Joseph Ryan, Ernest Vineyards with Brooke Husband and Kelly Mason

Ernest Chardonnay Joyce Vineyard 2019, Sonoma Coast

Erin Brooks started the vineyard 10 years ago, as proximate to the ocean as much as any. West Sonoma Coast, now a new AVA with Brooks at the forefront of making that happen. Down at the bottom of the AVA, at 400ft of elevation, of marine bed, volcanic activity and metamorphic matter all present in one vineyard. Joseph Ryan is Winemaker and Vineyard Manager. Southeast facing at 38.44 North latitude on Goldridge soil, a sandy loam and a really mitigated diurnal shift of temperatures between 45 and 85 degrees (F). As such there is little cold or heat shock, plus what is gained by being so close to the ocean. Truth be told this is Sonoma Coast times 10 with a driven intensity of parts bloody captivating. Fruit and acids dancing intertwined and inseparable, unrelenting in a dizzying twirl of chardonnay wind and dust. “Oh, loving her was easy. The easiest thing in the world.” Hiss Golden Messenger. Drink 2022-2027.  Tasted July 2022

Andrea Barker and Grant Chisholm, Foxtrot Vineyards

Foxtrot Chardonnay 2020, BC VQA Okanagan Valley

Quite wooden and also lean, tart and speaking in the kind of chardonnay tones that say professional and successful. Apples of greens and yellows, tart and creamy at the same time, blessedly flavourful if simply one dimensional. Solid and classic for a warm weather season out of a cool climate location losing that plus with every passing year. Drink 2022-2024.  Tasted blind at NWAC2022, June 2022 and at 14C22, July 2022

Foxly Chardonnay 2020, BC VQA Okanagan Valley

Foxly is Foxtrot’s second label from Osoyoos and Similkameen fruit (as they only grown pinot noir on the Naramata Bench). This mix of northern and southern combines tension with roundness, two best worlds into one, hvac and evac. Fresh and taut with a downy cream centre.  Last tasted July 2022

Reductive to the point if just a bit stinky, not egregious mind you but the funk is in. These lees are in charge and upon the palate with a hit of true juicy fruit attacks, with beneficial fervour. In fact the lees do and are everything, living and dying with adamant behaviour to direct what will happen at every step along the way. Keep working with this chardonnay. It truly wants to offer up a just and pleasurable reward. Drink 2023-2027.  Tasted blind at NWAC2022, June 2022

With Olive and Anthony Hamilton Russell

Hamilton Russell Vineyard Chardonnay 2021, Hemel-en-Aarde, South Africa

A new return to a manageable vintage of warmth and generosity in which the beauty of Hemel-en-Aarde chardonnay comes across with sweeping charm, just as a vista will take in the scroll of hills, mountains and eventual fall, 100 kilometres away into the sea. The taut nature, tight control and expertly wound fruit behaviour follows a line of HR acidity like never before. The magnificence of the balance occupied by parts so known like home is what emanates from this chardonnay and the gracious people who make it. Can’t think of much better in South Africa. Drink 2023-2028.  Tasted July 2022

O’Rourke Family Estate Chardonnay Twisted Pine 2020, BC VQA Okanagan Valley

O’Rourke’s Family Tree brand from Lake Country in the northerly Okanagan just feels warm and nurturing, a 2020 Twisted Pine chardonnay in this glass with drawn butter, soft brioche and mulled spice. Lightly caramelized, with soft serve vanilla and ease of amenability. Oak is a true factor though it melts nicely into the background of the wine. This is chardonnay of a deeply calming presence. It is warm bread. It is dry shelter. Drink 2022-2025.  Tasted July 2022

O’Rourke Family Estate Chardonnay 2020, BC VQA Okanagan Valley

Lake Country is one of the newest geographical locations of eight or nine wineries in the Okanagan and really only minted a month ago. The furthest north in the Valley and ostensibly the coolest as a result. First chardonnay by O’Rourke Family Estate with winemaker Nikki Callaway (famed for her work at Quails’ Gate). A young at heart wine and project with vines just three to six years of age grown at a latitude of 50.05 North. A fruit salad because it comes from all the blocks and clones on the property, built above ancient glaciers and caves. All indigenous ferments, with great freshness in abundance. A sharper expression than the Twisted Pine, with more snap, crackle and bite, not to mention pop. Hints at a reductive flintiness though it’s really quite open and even generous. Really quite effusive and brings chardonnay fruit to the fore, celebrates its Okanagan fullness and is developed enough to be ready and willing for to please. Drink 2022-2024.  Tasted July 2022

Paddy Borthwick Chardonnay 2020, Wairarapa, New Zealand

An extension of 2019 to be clear, of flint and reduction as well, though less so in this vintage. Same sectarian or free thinking where herbs and lime get as much playing time as the stony qualities showing tight and tart in this 2020 wine. Caramel apple in the most seductive way, a bite through savoury spun sugar into the flesh of apples and or pears plucked straight from the tree. Flavours are ripe and seductive, at times verdant, other times spiced. No missing the barrel here. Drink 2022-2025.  Tasted July 2022

Planeta Chardonnay 2020, Sicilia DOC

From 43.25 North latitude. Chardonnay comes from two vineyards, Storico which is the large white rock at 270m above the Menfi lake and Marrocoli, where red grapes (cabernet franc, merlot and syrah) really thrive. Here chardonnay is given roundness to mix with the stoic-stony and intense directness of what it could have been. A place of vibrations and nerves and so Marrocoli is needed to tame and soften Storico’s blunt edginess. That it does, injecting peach fleshy sunshine into the linearity of the wine. Keep in mind that 200,000 bottles a year are made and that doesn’t even keep up with the demand. Arch classic Planeta bread and butter wine, also in style. One of the planet’s great chardonnays of double Q effect. Quantity and quality. Drink 2022-2025.  Tasted March and July 2022

Ronan Stewart, Quails’ Gate Estate Winery

Quails’ Gate Chardonnay 2020, BC VQA Okanagan Valley

Tasted with Rowan Stewart and in agreement that this is meant to be the freshest possible, a chardonnay of lemon zest and glaze, spicy piques and back bite. Acidity is the factor in a chardonnay lacking no moments of ripeness and can be round when needed. In other words it reacts and shapes to the palate’s needs, doing so simply and with no wasted movements. Drink 2022-2024.  Tasted July 2022

Quails’ Gate Chardonnay Stewart Family Reserve 2019, BC VQA Okanagan Valley

From vines growing on Mt. Boucherie, a volcanic steppe right above the winery. Whole cluster and barrel fermented, combination of new and used wood, malo, lees and regular stirring. All because the top chardonnay fruit in the Stewart household wants and can handle this level of elévage truth, seeks the richesse and desires uncompromising complexity. A chardonnay rising and swelling with fruit flavours, spices and then lingering long after the liquid is gone. My goodness length is truly a six letter word. Like bezazz, jazzbo, pazazz and pizazz. Drink 2023-2027.  Tasted July 2022

Vignoble Domaine Du Fleuve Chardonnay 2020, Québec

The drive for chardonnay to thrive in Québec vineyards is kept alive with this linear and driven example from de Fleuve. It is not good enough to just make chardonnay in the province and call out success. The variety must ripen well, find that sweet spot between phenolic and layered, in the zone where acids lift yet never lie. This does most things admirably well though there are some moments where sulphides and esters creep in. Drink 2022-2023.  Tasted July 2022

Good to go!

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WineAlign

What comes next for the wines of South Africa?

A deep dive into the wine regions of the Western Cape, chenin blanc, and a Buyers’ Guide to South African wines

This feature was commissioned by Wines of South Africa, as seen on WineAlign

 

Several years back I commented that “the act of intense immersion into any important wine-producing nation and its diverse regional expressions can only leave a lasting impression if the follow-up takes a long, cool sip of its meaning.”

That was just the beginning of what I hoped to be a life-lasting fascination with South African wine and, seven years later, I can safely say the journey is going very well, if still only in the early stages of deep understanding. Just about exactly two months from today I will return to the Western Cape to rekindle, reconnect and extend my relationship with South African winemakers and their fascinating wines. Curiosity, anticipation and excitement have never been greater and so the questions is worth asking: What comes next for the wines of South Africa? At current the only answer forthcoming is how Cape Wine 2022 will be the most lekker experience of the year.

In all their combined iterations, the wines of South Africa are exciting communicators of heritage, history, emotions and declarative attacks. Collectively they spread with ripples like a large rock dropped into a pool of water. They are the beneficiary of effects created by two oceans and the great ancient, preeminent, decomposed and weathered soils found anywhere on this planet. Maturity is breathed into every phrase these wines are wont to play.

Growing regions of the Western Cape

South Africa is a medium-sized country that would fit into Canada eight times. It has a diverse population of 58 million people and is affectionately known as the ‘Rainbow Nation,’ a phrase aptly coined by Archbishop Desmond Tutu. Wine growing is limited to the southwestern region of South Africa, in the Western Cape Province, which is an area roughly the size of Greece. South Africa has been making wine for more than 360 years. The first grapes were pressed in 1659. The wines reflect the best of the old and the new; they present fruit-forward styles with elegance and finesse. The South African wine industry is one of the most technically advanced in the world of wine. There is an extremely rigorous Wine of Origin Certification Scheme, introduced in 1973, which guarantees that the wine is what it is designated or described. Each bottle carries a certification seal to guarantee that the claims regarding vintage, variety and origin on the packaging are true. South Africa has more certified Fairtrade wines than any other country. That is to say their products “guarantee a minimum price to cover the costs of sustainable production, as well as a premium to invest in social and economic initiatives in their communities.”

There are five officially demarcated regions of production — they are delineated based on the massive variations in soil, climate and location. The regions are: Breede River Valley, Coastal, Klein Karoo, Olifants River and Boberg. There is a commitment to environmentally sustainable wine production and wines can be certified by Sustainable Wine South Africa, which is part of the Wine and Spirit Board. The designation refers to grapes which are produced in harmony with nature, which allows vineyards to flourish alongside their natural habitat. The Biodiversity and Wine Initiative is a unique partnership between conservation bodies and the wine industry.

Cape Floral Kingdom – A World Heritage Site

More than 95 percent of the wine is produced in the Cape Floral Kingdom, where there are more than 10,000 indigenous plant species, more than reside in the entire Northern Hemisphere. This Kingdom has been created by a diversity of soils, produced from granite, sandstone and shale; as well as a diversity of climates and geography. This, in turn, has created a treasure trove of winemaking possibilities. As a result, South African wines have a huge array of flavour and aroma profiles, which lead to wines with intriguing character and drinkability.

Chenin Blanc

Chenin Blanc

While so many grape varieties take hold with utmost promise in the Western Cape, there is but one that persists, unwavering and timeless. Yes, it is true that grape varieties such as grenache, cinsault, syrah, pinotage, sémillon and many others are apt at aligning with covenant to their old vine sources but there can be little argument against chenin blanc residing at the top of that list, Chenin is the greatest beneficiary of age, fortitude and focus as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. The grape variety has been in the country for more the 350 years, and can perform well in warm and dry conditions. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc.

Stellenbosch vines and heritage vines planted in the 1970s and before are now performing at their best. Johan Reyneke speaks of the illness that had been running through South African soils and how he sought to build immunity and disease resistance through a holistic farming approach. Things did not transform overnight, so fathers and neighbours may have doubted the long, arduous and yet understood process. But it is that organic and sustainable approach for which today’s health and prosperity can be thanked. When it comes to searching for chenin blanc plant material, vineyard sourcing can be quite broad, of multifarious soil types and elevations, 40 to 50 year blocks on average, sometimes also including old vine sémillon. The distance from the first to the last vineyard in a chenin blanc cuvée might be 200 kilometres or more but, when brought together well, magic often happens.

Windy places help in so many respects, allowing a larger canopy to remain in place and exaggerate the dappling effect which chenin blanc so dearly loves. Reyneke’s is South Africa’s oldest Demeter-certified biodynamic winery, with vineyards on the top of an ancient granite mound and on less weathered soils lower in the valley floors. The vine struggle is real, a positive one for the wines and ultimately for wine lovers. Granite soils further up the Stellenbosch hills are less colluvial, really old and weathered, predating microbial life. The vines produce lower yields and the weathered earth gives life to chenin blanc. For Mullineux Wines and a Cape chenin blanc assemblage, it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance new and “other” fruit components. A chenin blanc may be bottled the same year it was picked though that’s easier to do so in the southern hemisphere, where harvest happens in the first quarter months. The reasons are simple. Intense investigations through schist, granite and old vines floats the boat and raises the bar for more professional and accessible chenin blanc cuvées. With older heritage vines involved, as is the case for Chris and Suzaan Alheit, the concentration and density of the vines is inherent. The use of heritage material is the South African version of Atticism; that is a return to classical methods and rhythms in making really old chenin, but also the likes of sémillon.

Chardonnay vineyards in Robertson

Cap Classique

One of the sparkling wine world’s most important and impressive categories in origin is no longer called Méthode Cap Classique (MCC), but now Cap Classique. This South African term indicates a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. As it stands, Cap Classique must age on the lees for a minimum 12 months to be labelled as such, though this number will surely extend once the realization sets in that more is better. Cap Classique produces some of the finest, most complex and diverse sparkling wines in the world. In Champagne the annual production is somewhere in the vicinity of 350 million bottles so compare this to South Africa where a fraction of that amount is released to the tune of seven or eight million. Méthode Cap Classique bottles are made by 100-odd producers, 73 of which are listed on the website for the Cap Classique Producers Association (CCPA), an organization established in 1992. The name was derived from the fact that the classic art of winemaking was introduced to the Cape by the French Huguenots, and the first bottle-fermented sparkling wine produced at the Cape was called Kaapse Vonkel (Cape Sparkle).

It’s also very much a wine about terroir. In Stellenbosch the sparkling is often made from early picked, old vines chenin blanc grown on Duplex soils, colluvial decomposed granite overlapping gravelly clay. Ask Ken Forrester and he will tell you the gravels allow for good draining and the clays deliver a time release of water. All this helps during drought and the restriction of water creates texture on the palate. There are pioneers like Graham Beck’s Pieter Ferreira who are attacking with Brut Zero style “based on the philosophy of grower’s Champagne.” For others, like For Christa Von La Chevallerie, it’s a matter of “how far I can go with [the combination of] chenin and lees.”

“We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum time on lees should be raised to 15 months. As for sugar dosage, he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” Ferreira has put in the time and the research over 20-plus years to really understand the category but, more importantly, the potential. “You are always looking to express terroir,” he says. As for Gerber, he will say “sparkling wine is not a terroir wine? Please. This is completely untrue.” “For Brut we have to extend [the lees aging time] to 60 months,” explains Ferreira. “So there is no lipstick or eye shadow. ”For a deeper dive into Cap Classique please read my article post Cape Wine 2018.

Bot Rivier 

Bot Rivier lies southeast of Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10 kilometre radius of one another. Here chenin blanc might be crafted with just a hint of residual sugar (at just above 5 g/L), to balance the effects of a long, slow, ocean-proximate Bot Rivier growing season.

Paul Cluver with Ken Forrester’s Chenin Blanc

Elgin

There is so much diversity in the Capelands. There are rock n’ roll stars in the Swartland, R & B, soul & Motown in Stellenbosch, Jazz in Elgin, Classical music wherever you want to hear it. But what there is everywhere is flow. Reggae flow, soulful Stevie Wonder flow, hip-hop flow, Stan Getz, Ahmad Jamal, Dexter Gordon flow. Elgin also has layering, in riesling, pinot noir and chardonnay. The wines glide with cool climate ease of ability, with an unconscious penning of notes coming from a place that was always there from the beginning, with a creativity that comes out of effortless style.

Elgin’s Paul Cluver seems to be the first to label his chardonnay with the Bourgogne “Villages” idea. This tells us much about what we need to know — that Elgin vineyards are the fruit source if not site specific or singularly focused. But he also finds precision with his Seven Flags and Close Encounter wines. The wines of Thelema (and Sutherland) do the same, curating classic Elgin cool savour running linear like a beam through the joist of structure.

The Helderberg, Stellenbosch, Western Cape

Stellenbosch

Stellenbosch in undoubtedly South Africa’s most well-known region and home to the eponymous town that is the country’s second-oldest town. It sits a mere 50 kilometres southeast of Cape Town, capital of the Western Cape. Stellenbosch is the lushest of the Cape’s valleys, home to more than 200 wine producers and surrounded by the Drakenstein and Stellenbosch mountains. False Bay acts as the mitigator of this Mediterranean climate, creating ideal wine-growing conditions where just about any sort of grape variety can achieve ripeness. The reds of cabernet sauvignon and shiraz predominate on the granite-based soils farther west, while chenin blanc and sauvignon blanc thrive in the sandstone soils of the east.

Swartland Independents

Swartland

The Swartland is Afrikaans for “Black Land,” so named because of the dark grey endemic renosterbos (rhinoceros bush) that covers the landscape and turns black after the rains. The region of the Western Cape begins some 50 kms north of Cape Town and consists of the area between the towns of Malmesbury to the south, Darling in the west and Piketberg in the north. Home to the Cape’s greatest of wine revolutions, followed by a swinging era — and what comes next is anybody’s guess. What we do know is that the Swartland’s decomposed shales and granites provide some of the most existential and powerful growing sites in all of South Africa.

Bush vines, Groot Drakenstein Mountains, Franschhoek, South Africa

Buyers’ Guide to Wines of South Africa

Over the past two months there have been several opportunities to taste a wide range of wines from South Africa. Andrea Mullineux came through Toronto to give a seminar on chenin blanc, VINTAGES has seen releases with a dozen various examples and the WineAlign team recently tasted a box of stunning values. Just last week I taught a seminar on South Africa and poured five seminal wines. Here is a Buyers’ Guide that includes chenin blanc, Cap Classique, Bot Rivier, Elgin, Stellenbosch, Swartland and the Western Cape.

Western Cape

Boschendal The Pavillion Chenin Blanc 2021, W.O. Western Cape
$13.35, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Hard to knock the consistency but even more so the varietal representation and transparency of this perennial steal of a chenin blanc. Fruit that sings, bones that stand upright and just textural enough to make you feel like chenin can do no wrong.

Spier Signature Chardonnay 2021, W.O. Western Cape
$13.35, Sylvestre Wines & Spirits
Michael Godel – Labeled as Western Cape though kind of essentially Stellenbsoch from Spier in a chardonnay of green apple, dried herbs and lime. A hint of reduction and then bitters and while not fleshy this is surely satisfying.

Franschhoek Cellar Statue De Femme Sauvignon Blanc 2020, W.O. Western Cape
$16.99, Perigon Beverage Group
Michael Godel – Franschhoek does sauvignon very well, not as cool as say Elgin but surely (on average) more complex than Stellenbosch. Note the elongated phenols and terpenes in this most stimulating and succulent sauvignon blanc. Steal of a deal.

Alheit Vineyards Cartology Bush Vines 2019, W.O. Western Cape
$59.95, Groupe Soleil
Michael Godel –  Soil excellency layers in oscillations, waves and variegation in one of South Africa’s most curious to crafty blends in which chenin blanc is the focus to the core. You feel the sémillon, indeed you do because it streaks through the chenin, but not as a sprinter or a shooting star. Cartology is a correlated, traced and tabulated white blend that stands up to be counted.

Fairview Goats Do Roam Red 2021, W.O. Western Cape
$14.00, Univins (Ontario)
Michael Godel – Rhône blend based on syrah and the stylistic departure from the past to be über rich and dark is now more a matter of bright and effusive. Black fruit is now red, tar and tension given way to open and generous. Loving the modern acids, clarity, purity and simplicity.

Bot Rivier 

Beaumont Wines Chenin Blanc 2021, W.O. Bot Rivier
$29.95, The Small Winemakers Collection
Michael Godel – Hard to conceive and thus receive more aridity on the aromatics, surely flinty, part gun and part struck granite stone. Stretches this chenin blanc like the pull of elastics or fior di latte. Also herbal, sweetly so, with a chanterelle apricot note in the freshest of fungi specimens. Acids take over, spit and shine over this wise and elongated wine.

Elgin

Paul Cluver Village Elgin Chardonnay 2020, W.O. Elgin
$25.00, Buyers + Cellars Wine Purveyors
Michael Godel – Taut and tight, nicely reductive, orchard fruit focused with some bite and then a little bit of barrel smoulder. Not a smoky or toasty chardonnay but a balanced one with plenty of local, savour, savoir faire and flavour.

Stellenbosch

Ken Forrester Sparklehorse Cap Classique 2018, W.O. Stellenbosch
$29.95, Noble Estates Wines & Spirits Inc.
Michael Godel –  This may just be Ken’s most phenolic sparkling wine to date, emitting as a combination of blanched nuts and precious metals. Spent eight months in fermentation followed by 28 further on lees, in bottle. Creates orchard fruit flavours and textures while acidity retention keeps the groove and the balance.

Radford Dale Vinum Chenin Blanc 2020, W.O. Stellenbosch
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – There is a feeling of warmth in Radford Dale’s 2020, not boozy per se yet the feeling is like cold sake going down. Then it’s all roundness and creamy fruit, ease and utter culpability.

Reyneke Chenin Blanc 2020, W.O. Stellenbosch
$29.95, Univins (Ontario)
Michael Godel – Johan Reyneke’s chenin blanc is his and his alone, of South Africa’s first biodynamic winery and a level of say it as it is passion that can’t be touched. More like do as I do and Reyneke’s takes no liberties, asks no favours, gives and gives again. Spices and textural meanderings are concentrated and greater. An exotic notion as well, like ripe longan fruit and then a compound flavour profile going on forever.

De Morgenzon Reserve Chenin Blanc 2019, W.O. Stellenbosch
$49.00, Family Wine Merchants
Michael Godel – A barrel fermented style that shows in a flinty, caramel and pineapple way, part Burgundy plus California yet all South Africa. Heeds the Reserve moniker well with buttery brioche richness and full sun gathered consciousness. This one is all in with an effect to invite a wide ranging if specific consumer response.

Boschendal 1685 Cabernet Sauvignon 2017, W.O. Stellenbosch
$19.95, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Big, dark, brooding, as much about place as it is about grape variety.What’s special is the equally grippy and forceful fruit, exaggerated because the acidity is like a reduction of black currant syrup. Sharp and soil rich this is a serious mouthful of cabernet, firm, tannic and in charge. Roasted herbs and grilled vegetable notes, and a ferric-sanguine quality that brings the BBQ braai to mind.

Warwick Professor Black Pitch Black 2017, W.O. Stellenbosch
$19.95, NAVBEV INC
Michael Godel – Six grapes get together in Pitch Black, mostly made with cabernets with (13 per cent) cinsault, (10) merlot and then bits of malbec and petit verdot. Inky in feel if not pitch, tarry by natural nature if not by hue and also more Rhône meatiness then Bordeaux savour. A big, ferric and hematic example with strong bones and flesh all over.

Jordan Jardin The Long Fuse Cabernet Sauvignon 2019, W.O. Stellenbosch
$30.00, Kolonaki Group
Michael Godel – Straight faced and matter of fact, all things being true in a cabernet sauvignon that reeks of variety and subtlety in spite of the violence required to excavate and plant a vineyard. Don’t sleep on the tension and the structure in a wine of meaning, profound as it gets for Stellenbosch.

Aslina By Ntskiki Biyela Umsasane 2020, W.O. Stellenbosch
$35.00, Gradwell Wine Agency
Michael Godel – Ntsiki Biyela is officially recognized as South Africa’s first black female winemaker and the meaning in her Bordeaux styled Umsasane blend is local vernacular for the umbrella acacia tree. The brand is called Aslina, tribute to Ntsiki’s grandmother and one can feel the love in this richly styled, boozy in relative balance blend.

Swartland

Mullineux Kloof Street Chenin Blanc 2020, W.O. Swartland
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – Essentially chenin blanc and an example that pulls the full blessings and richness of the sun into a generous and gracious wine. Kloof Street is chenin blanc of feel, touch and “tekstuur.” The old vines concentration and density is inherent, the “frâiche, agréable and couvert de rosée” all over the palate with license and privilege.

A.A. Badenhorst Family White Blend 2018, W.O. Swartland
$57.99, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – The adage bears repeating as recited by Adi Badenhorst. “Fantastic grapes from old vineyards,” in a jazz mixtronic blend of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Yet another paradigm shift in Cape white appellative white blends that seduces with its steely veneer, vine experience and turbulent soul to deliver in every way imaginable.

Mullineux Chenin Blanc Granite 2019, W.O. Swartland
$79.00, Nicholas Pearce Wines Inc.
Michael Godel – All barrel fermented in only neutral oak, full malo and with the intention to truly experience and taste chenin blanc grown on granite soils. A wine kickstarted by natural stabilization, equally expressive of tart acidity and freshness, fully reasoned by sunshine yet also seasoned with effortless and variegate ease.  Such an experienced and robust wine without solicitation, nor swagger neither. The ability, presence and precision are tops. There’s no question.

Porcupine Ridge Syrah 2021, W.O. Swartland
$16.95, Univins (Ontario)
Michael Godel – Unmistakable syrah from the Boekenhoutskloof clan, always the meatiest and meat fats dripping example for the price. That and a profile more Swartland than what comes from say Stellenbosch syrah.

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Forever in Chianti Classico

Gallo Nero at the Chianti Classico Collection 2022, Stazione Leopolda, Firenze

An ambassador’s return, Chianti Classico Collection 2022, 4 LCBO videos, 11 UGAs, 37 estate visits and 450 tasting notes

The story of two hats

The last pre-pandemic supper in Panzano takes place in the Officina della Bistecca at Dario Cecchini’s Antica Macelleria Restaurant on the 19th of February, 2020. Little could any one of the revelers that night have any inclination what lay ahead. Who could foresee less than a week later there would be a Casablanca-esque slipping out of Faenza in the middle of the night, heading to Firenze for a flight out of Italy before first light. A funny thing happens in between. Tutti Matti Chef Alida Solomon from Toronto is already feasting at the long Bistecca harvest table when the party Canadese arrives. A wonderful surprise save for the fact that Tuscany is actually her home. That night the writer surreptitiously leave his Sienese cappella in the officina and the next day no one at Cecchini is able locate it. Hat vanishing act. On route to Montalcino a necessary stop is made in Siena, specifically the Piazza del Campo, for a Spritz and the purchase of a new hat. Borsalino is closed so Cappelleria Bertacchi is the next best option and a brand new, similarly styled hat is procured. The following day, while sitting upstairs tasting Brunello on the terrazza of Caffè La Fortezza in Montalcino who walks in but Solomon, tosses up the aforementioned and abandoned hat, nothing is spoken and away Chef goes. This is the story of being the owner of two hats.

Tasting with Michaela Morris at Il Consorzio Vino Chianti Classico, March 2022

A prodigal ambasciatore‘s return

This may be considered an inflated way to refer to one’s self in the third person but truth is that third person recounts with the fondest of memories 10 pre-pandemic Tuscan excursions in four years before the world shuts down to travel. The restart launches in October 2021 with the first of four more over the course of six ’21-’22 abridging months. There are extroverts and introverts but there are also ambiverts, those who exhibit tendencies in roughly equal proportions. Some are in the middle or on the fence when it comes to Chianti Classico wines. If one is to refer to oneself as a proud ambassador for said wines then there must be synergistic feelings of belonging. There will be connectivity with the wines, territory and a most profound connection with the people. In October of 2021 a rebirth takes place in the guise of travel renascence, a re-entry for the first time in 20 months made available by the most erudite, generous and hospitable folks at Gambero Rosso. An ambassador who sits not on a fence has zero trepidation in making a decision to fly first to Firenze for three days of arranged visits in the Classico zone to precede the Tre Bicchieri’s festivities in Rome. When a month later a special edition of Benvenuto Brunello is organized it makes super sense to follow that up with three more days of visits in the territory shared by Firenze and Siena. To see great Consorzio friends and colleagues again restores faith in this world. Car rides, lunches, dinners, tank, barrel, latest release and archived tastings, caffès and chats in the sun. Grazie tantissimo to Giovanni Manetti, Carlotta Gori, Silvia Fiorentini, Christine Lechner and Caterina Mori, as always, sempre e per sempre.

Related – Chianti Classico goes to eleven

Chianti Classico Education in Toronto

The UGA designation, LCBO videos and continuing Chianti Classico education

In June of 2021 the Consorzio Vino Chianti Classico announces the shift to 11 additional units of geographical designation to carve out new parameters and progressiveness for the territory. These Ùnita Geografiche Aggiuntive allow producers to make mention on labels of Gran Selezione wines. A first step towards full disclosure across all Chianti Classico wine labels in the future. This information comes to the writer on the heels of keeping busy during lockdowns and pandemic restrictions that sees the proliferation of tastings and education via platforms like Zoom. Connecting producers with sommeliers and prospective agents is key to continuity and Godello obliges whenever the call to duty arrives. The return in person late in 2021 and through the first four months of 2022 sees restaurant education sessions reach dozens upon dozens of sommeliers, front of house and back of house staff, denizens of Toronto’s restaurant industry eager to resume their absorption of wine information, especially as it pertains to tasting sangiovese. The filming of four educational videos for the LCBO is particularly gratifying, capped by a win of an LCBO Elsie Award for said videos. In three weeks time the producers will arrive in Toronto to participate in the WineAlign critic and Ambasciatore‘s Masterclass. They will also pour their wines at both trade and consumer walk-around tastings. The Toronto Island Chianti Classico Cup happens on Tuesday, May 31, 2022 and “Experience the Wine, Olive Oil & Food of Chianti Classico,” Monday, May 30, 2022 at The Globe and Mail Centre.” Click on the link for more information. Forever in Chianti Classico, even while at home.

Filming Chianti Classico videos for the LCBO, at Praise Bottle Shop, Toronto

End of season reaction to the April frost of 2021

For Luca Martini di Cigala of San Giusto a Rentannano the first vintage when he realized something was not right was 1998, when the skin of the berries were burned by the sun. Climate change, events and extremes are not something that just popper up in the past few years. 

Paolo de Marchi does not so much look at yields before high density but rather yields that are a quotient of each square metre as a function of bunches per plant. In a frost year like 2021 Guyot produces more fruit from secondary buds. Paolo makes use of a selection of clones but more importantly a massal vineyard. “This is how you get rid of vines that are not good and replicate those that are. Bud break is often so early and we will never escape the frost anymore. The real problem starts with earlier winter and Spring.”

UGA in reverse, Chianti Classico Collection 2022, Stazione Leopolda, Firenze

At Casa Emma Paolo Paffi admits to a 35 per cent loss in 2021 due to the April frosts, a vintage when even problems occurred even in the higher reaches. “You would have to go back to 1995 to find another vintage where this happened,” tells Paffi. At Villa Le Corti Principe Duccio Corisini and Oenologist Claudio Giglioni noted that in 2021 the single vineyard Guliae, nicknamed the Figo, produced seven tonnes per hectare. It remained safe from the frost, perhaps because of biodynamics, perhaps because of Guyot training, perhaps because of position. Maybe all three but regardless it was not caught in the April frost zone.

At Il Molino di Grace in Panzano their particular frost zone resulted in a 50 per cent reduction in yields.  There was a good quantity of water in the winter, a cool spring, warm and ideal summer, rain in the second half of August. “A perfect situation for quality and quantity,”  had the frosts not come. Says Iacopo Morganti, “we need to build artificial lakes.”

Related – When frost strikes, Chianti Classico responds

Chianti Classico Experience in Toronto

Fontodi and Consorzio President Giovanni Manetti owns over 20 hectares of over 40 years. He explains that even if there are 20-30 days separating the picking from start to finish in a vintage there is always a marker, especially with sangiovese. “And with old vines they are not nearly as susceptible to stressors,” says Manetti. “Vigna del Sorbo will succeed even with all of what is mentioned here.” At Bindi Sergardi I Colli is where Alessandra Casini Bindi Sergardi was born and grew up. Built in the 1400s for the family, lower in elevation (350m) as compared to Mocenni (500m), still rich in Alberese but also high in iron content across the road in the Chianti Colli Senesi. Some frost kill but not significant enough to mention. For Angela Fronti of Istine, “this year 20-25 per cent less, part frost and part cinghiale, qualcosa nell-aia.” Something in the yard.

Alone with Chianti Classico Sangiovese, rooftop terrace, Hotel Plaza Lucchesi, Firenze

Roberto Bianchi of Val delle Corti: “It’s been a difficult year and we’re very lucky to be in Radda. We did not fear the frost. Most Radda producers escaped loss due to frost but the animals are another matter all together. Drought pushes the animals (wild boar, deer the size of cows), out of the forest and grapes are there biggest resource recourse.” Bianchi is still looking higher and a few years ago planted Malpensa Vineyard upwards of 650m. As did Fedecrica Mascheroni of Volpaia. Their new vineyard is planted at 650m, using five clones of sangiovese from Il Puro with two chosen for planting as half of the small (one hectare vineyard) and also malvasia and trebbiano for Vinsanto. It was finished in the Spring of 2021.

Educating the LCBO Buyers, February 2022

What about Canaiolo?

“Canaiolo is an underestimated variety,” insists Isole e Olena’s Paolo de Marchi. “It ripened so early this (2021) season and was picked before the chardonnay. It just may be the future” While that may sound like sacrilege in a land where sangiovese is the (literal) life blood of the wines, de Marchi is not the only one focusing extra energy on the endemic variety. L’Erta di Radda’s Diego Finocchi sees canaiolo as essential to blending into sangiovese because of its higher level of pH, a catalyst for balancing not only the high acidity of sangiovese but also helping to temper and even hide alcohol in warm and dry vintages. Both Robin Mugnaini and Claudio Gozzi of Fattoria le Masse would surety agree. Their Timeo is a 100 per cent canaiolo from 60 year-old vines (planted in 1961), picked in late September but before the hottest final days. A wine that is truly a matter of pH waving over the palate.

Learning with Paolo de Marchi, Isole e Olena, San Donato in Poggio

Angela Fronti of Istine in Radda has planted some canaiolo and malvasia nera, the latter replacing cabernet to return to roots and grow what is meant for this part of the territory. Salt and pepper if you will also to have more diversity going forward into the ever-changing climate change unknown. Canaiolo is more vigorous and so can add some good balance, both more quantity and for freshness in warmer vintages. At San Giusto a Rentennano 15 of 30 hectares are on tufo soil, not exactly volcanic but the left over from a receding ocean that left a mix of sand and pebbles of six or so inches over a bank of clay. This plus many large fossil shells makes for sangiovese of medium hue, specific mineral saltiness and a very specific Chianti Classico profile. Canaiolo is not a factor here.

Estate Vineyard, Monte Bernardi, Panzano

Old is the new agriculture?

There was a profound and at time controversial but always enlightening discussion with Monte Bernardi’s Michael Schmelzer. Michael talked of green harvest, rootstocks, Pietraforte, whole bunch fermentation and instincts. Standing in his Retromarcia Vineyard on a cool but perfectly blue mid-November day I asked him about climate change and what needs to be done about it. Can’t say his answers were what I expected. He began with the concept of dropping fruit. “We haven’t dropped since 2007.  We have to think like the old farmers thought. The new way was to have you reduce fruit to make better wine. It’s like losing nutrients in the ground. I look at the wine bunches as on a scale, they’re not unripe, they’re just less ripe. They help me come up to 55 quintali per hectare. I still get acidity and sapidity. For me the concept should be re-examined and re-thought. I look at everything as an asset. You should be using your fruit. What other industry drops 30 per cent of their produce? We should be seeing 30-35 year-old vineyards going to 50-55 years. Overall we’ve lost more than we have gained.”

New Fontodi vineyard, Lamole

Schmelzer continues onto the idea of choosing 110 Richter, instead of the commonly used 420A rootstock, showing how internodes should be the size of a fist and canes as pencil thinness or bigger. “People are compromising because they’ve chosen the wrong rootstocks,” he explains. “Granted we’re picking earlier than before but mid to late September is not extreme. We haven’t seen anything yet.”

“The only thing I don’t like is people telling me how to make my Riserva,” are the words of a winemaker who has seen his fair share of rejection. Perhaps I encourage the minor rant because there are two sides to every story. Maybe it’s the fault (or the advantage, depending on your perspective) of the rocks. “Brenna Quigley (Napa Geologist) came and made a study of all the famous soils of Chianti Classico and Monte Bernardi was identified as the plot with the hardest Pietraforte of all.” Sa’Etta Vineyard was planted in 1968, now 53 years old (similar to both Monte Bernardi and Tzingana) and trained in double (doppio) Guyot. For Castello di Monsanto’s Laura Bianchi the constant posit tug is Guyot vs Sperrone and both exist in a vacuum where necessity is the mother of invention. 

Macigno di Marne, Lamole

In terms of stems Schmelzer’s decisions are essentially instinctual, like that of a cook. “I don’t look at numbers. I feel as a winemaker it’s important to free yourself from technicalities and use your instincts. If you follow numbers you will always make a mistake that has to be later corrected.” As for barrel use, “if there is wood in a wine I want it to be so subtle. (Again) thinking like a cook. I’ve more stems, for longer, in post and of course also during maceration. Natural tannins come from the stems in that post-maceration state.” The conclusion lies in how stems are catalysts for the polymerization of tannin, without a trace of humidity. Completely secco.

Wines of Lamole

Nowhere is the “old is the new agriculture” refrain spoken with greater clarity than in the Greve frazione and newly minted UGA of Lamole. The spectacular amphitheatre is home to high elevation vineyards of a particular geology where Macigno del Chianti, schist and marl gift a most specific perfume to the sangiovese. Lamole is home to I Fabbri, Lamole di Lamole, Podere Castellinuzza, Castellinuzza e Piuca, Le Masse Di Lamole and Castello di Lamole. The UGA also houses one of Chianti Classico’s most famous vineyards, Paolo Cocci’s Vigna Grospoli Antico Lamole, from which several producers have rented fruit to make über-Lamole scented wines. Still others are looking to the frazione to expand on their portfolios, including Podere Poggio Scalette (of Jurij Fiore) and Querciabella from the Ruffoli hill in Greve. It is well known that Fontodi’s Giovanni Manetti produces Filetta di Lamole from his cousin’s vineyard but the latest project will take Lamole to an entirely new and different level. Manetti’s new plantation on Macigno di Marne, a wholly singular marine sandstone geology, will be a game changer.

Conzorzio President Giovanni Manetti and Filippo Bartolotta presenting Il Chianti Classico in 9 Decadi at the Chianti Classico Collection 2022, Stazione Leopolda, Firenze

Estate visits, the Chianti Classico Collection and Il Chianti Classico in 9 Decadi

This is the author’s most comprehensive Chianti Classico report to date. Nearly half of the wines chosen to taste were Annata and this is because there were numerous opportunities during estate visits to recall “lost” vintages as a result of the pandemic, along with the newer 2020s and 2019s presented at the collection. In February 2020 the Ambassador Ad Honorem from Canada organizes and acts as chaperone to nine compatriots (plus one favolosa Americana) for five days of exploration throughout the 11 UGAs of the area. Casa Chianti Classico, President Manetti, the Consorzio and the producers host La Squadra Canadese of sommeliers; John Szabo MS, Nadia Fournier, Scott Zebarth, Kristi Linneboe, Joris Garcia, Caroline Beaulieu, Hannah Egan-Lee, Natalie Pope and Paige McIntyre. A memorable trip. A month later on day two of the Chianti Classico Collection a masterclass is presented by Italian wine expert Filippo Bartolotta and Consorzio President Giovanni Manetti titled Il Chianti Classico in 9 Decadi. Chianti Classico wines dating back to 1949 are poured during a most fascinating presentation and study, replete with historical images on screen depicting political, religious, cinematic, pop cultural, artistic and iconic scenes of Italian heritage, civilization and society. There are moments of white grapes mixing with their counterpart reds, old wines gifting scents and textures as if by Vin Santo and others so clearly a product of when they were made. That the wines show incredibly well owes to the longevity of sangiovese and its perseverance in the poise of Chianti Classico. More on this tasting will be shared through a separate article in the coming days.

The producers with Filippo Bartolotta and Il Chianti Classico in 9 Decadi at the Chianti Classico Collection 2022, Stazione Leopolda, Firenze

Over the course of the four trips to the region in October, November, February and March, 34 estates are visited; Bindi Sergardi, Cantalici, Casa Emma, Carpineta Fontalpino, Castell’In Villa, Castello di Monsanto, Castello di Radda, Castello di Volpaia, Cigliano di Sopra, Fattoria dell’Aiola, Fattoria Le Masse, Fattoria di Pomona, Fattoria San Giusto A Rentennano, Fontodi, I Fabbri, Il Molino di Grace, Il Palagio di Panzano, Isole e Olena, Istine, La Sala, Le Fonti di Panzano, L’Erta di Radda, Monte Bernardi, Montecalvi, Podere Capaccia, Quercia al Poggio, Querciabella, Rocca delle Macìe, Rocca di Montegrossi, San Felice, Tenuta di Carleone, Val delle Corti, Villa Calcinaia – Conti Capponi and Villa Le Corti – Principe Corsini. During the coming weeks further reports in greater detail will appear on Godello concerning several of these visits.

Walk-around tasting at the Chianti Classico Collection 2022, Stazione Leopolda, Firenze

Over two days at the 2022 Chianti Classico Collection more than 650 different wines from 180 gallo nero estates are made available to journalists and trade; 364 Annata, 161 Riserva and 125 Gran Selezione, along with 39 barrel samples from the 2021 vintage. Sales of Chianti Classico wines continue on an upwards steady trend. In 2021 the growth is plus-21 per cent versus 2020 and plus-11 relative to 2019. Through February of 2022 the increase is plus-seven per cent over the same time period of 2021. Grape prices are up 20 per cent, the United States holds strong at 33 per cent sales while Canada sits in third place with their 10 per cent share. A prediction towards 11 per cent by the end of 2022 holds strong. The great emergence is South Korea where sales have doubled and quadrupled relative to 2020 and 2021. Not surprising Seoul-based journalist Jung Yong Cho becomes the latest appointee as Chianti Classico Ambassador for 2022.

Godello in Firenze

The structure of the tasting notes remains consistent in terms of running through the three appellative levels but here for the first time each listing includes a mention of the associated UGA. Without attempting to review wines that would result in equal footing there is a good level of equanimity in that all 11 UGAs are well documented. The following 450 tasting notes are broken down as follows: Castellina (48); Castelnuovo Berardenga (32); Gaiole (59); Greve (30); Lamole (18); Montefioralle (10); Panzano (39); Radda (55); San Casciano (28); San Donato in Poggio (34); Vagliagli (25) and IGTs (72). By appellation the number of reviews are: Chianti Classico (201); Chianti Classico Riserva (113) and Chianti Classico Gran Selezione (59). By vintage the breakdown is Chianti Classico 2020 (46); CC2019 (110); CC2018 (24); Older vintages (20). Chianti Classico Riserva 2019 (15); CCR2018 (45); CCR2017 (10); CCR2016 (10), Older vintages (33). Chianti Classico Gran Selezione 2019 (2); CCGS18 (24); CCGS17 (12); CCGS16 (13); Older vintages (9). Vin Santo del Chianti Classico (7). Finally there are sangiovese from 137 estates reviewed in this report, the largest number covered to date.

Chianti Classico Collection 2022, Stazione Leopolda, Firenze

Chianti Classico DOCG 2020

Arillo In Terrabianca Chianti Classico DOCG Sacello 2020

Radda

Open and fragrant, south Raddese acidity on display, light and breezy with no oak interference whatsoever. Sacello in località Terrabianca is a sangiovese joy to sip, so long as someone else is lifting the heavy bottle and pouring your glass. Drink 2022-2025.  Tasted March 2022

Banfi Chianti Classico DOCG 2020

Castellina

Banfi is another semi-closed and reductive 2020, not uncommon for the vintage and also surely caused in part by just how little time the wine has been in bottle. Cherry fruit and the mild bitterness of the pit dominate the aromas (at this early stage) while texture is pectin and glycerin, strawberry smoothie and a few drops of blood orange bitters. Not getting a real sense of location, perhaps herbal like Gaiole and red fruit centric like Castellina though savoury as if by San Casciano. Take your pick. Regardless of vineyard place this is so very sangiovese, acids et al. Drink 2023-2025.  Tasted March 2022

Bertinga Chianti Classico DOCG La Porta Di Vertine 2020

Gaiole

Gaiole savour in all its woods and brush comes clear into aromatics and view through this ’19 Annata, almost vividly so. Deep well of varietal fruit, über sangiovese but more so Gaiole. Good and sweet ’19 tannins are plentiful and there is some green astringency as they pass over the palate. Wait a year and then drink for two more after that. Drink 2023-2025.  Tasted March 2022

Cacio e Pepe on a perfect February day in Firenze

Bibbiano Chianti Classico DOCG 2020

Castellina

Bibbiano’s is at the forefront of youthfulness in that there is a closed aromatic launch and some reduction needing to blow off before the hounds of charm can be released. Head straight to the palate to be graced with the interspersions of texture and structure, first liquid Castellina chalky, then wound around the body of this wine. Sangiovese needs the bottle and with eyes closed those words of Tommaso Marrocchesi Marzi play in refrain over and over again. Be patient and kind to his wine and in turn you will be kindly rewarded. Drink 2024-2028.  Tasted March 2022

Brancaia Chianti Classico DOCG 2020

Radda and Castellina

Brancaia 2020 takes the torch from 2019 in so many ways and then again, not in every way. Same fruit exposition and multi-site expression but deep and soulful for 2020, as opposed to bright and airy. More texture and crunch in 2020 while also finest of fine acids. A bigger wine and yet things travel consistently from one vintage through to the next. The new era continues for Barbara Widmer and team. Drink 2022-2026. Tasted March 2022

Cantine Guidi Chianti Classico DOCG 2020

San Donato in Poggio

From Poggibonsi and a 2020 showing stewed fruit and oxidation. Tasted from two bottles, each showing the same problematic notes.  Tasted March 2022

Artichokes, San Casciano

Carpineto Chianti Classico DOCG 2020

Greve

Carpineto’s Greve sangiovese is both unmistakable and akin to wines from another time, of thyme and incense, acids and innocence. You might swear this wine is wearing bell bottoms and preaching about peace and love. Love for the territory and especially the land underfoot. This smells like things that grow, of herbs and tea, resins and saps. Light and with a fluid glycerol feel. Lovely and herbal vintage for the Zaccheo team. Drink 2022-2025.  Tasted March 2022

Casa Emma Chianti Classico DOCG 2020

San Donato in Poggio

Distinctly Casa Emma from their corner of San Donato in Poggio though a bit deeper and darker of a blood orange sanguinity in 2020. Not the lightest or brightest vintage interpretation and really quite smooth, round, even lower in acid. One bottle shows this calm quality and surprising ease but a second bottle exhibits more acid, sharpness and clarity. Still there is a density of fruit and settling that’s a bit inconsistent with previous vintages while the tannins do take charge at the finish. Drink 2023-2027.  Tasted March 2022

Castagnoli, Castellina

Castagnoli Chianti Classico DOCG 2020

Castellina

A reminder that Jacopo di Battista is sitting on one of the most striking properties and vineyard at elevation in Castellina so proximate to both Radda and Panzano. Here a striking Annata, sharp and also weighty, reductive behind which florals clearly lurk. Rich, luxurious even and with sour acids that infiltrate the drupe. Lots going on here and surely needs tome to settle in. Strange perhaps, misunderstood to a degree and yet all will fall into place. Drink 2023-2026.  Tasted March 2022

Castellare Di Castellina Chianti Classico DOCG Castellare 2020

Castellina

Dusty, high acid, crunchy and lightly acetic sangiovese, not unusual for Castellina and Castellare, especially when the wine is so young. Tart is the understatement and tight the over, while some sweetness in the structure indicates there will be some fine push pull moments not too far way. Drink 2023-2026.  Tasted March 2022

Castelli Del Grevepesa Castelgreve Chianti Classico DOCG 2020

San Casciano

From the cooperative in San Casciano and their Castelgreve label, new and improved and a darker if more extracted version for the vintage. Not so much the light and bright example but one extracted, juicy, variegated of several points of acidities and really quite dense in texture. Gravity has a gain on Castelgreve and this will drink earlier than many. A touch of green and grey is already showing. Drink 2022-2024.  Tasted March 2022

Castelli Del Grevepesa Clemente VII Chianti Classico DOCG 2020

San Casciano

The San Casciano cooperative’s knowable and most recognizable bottle is this Clemente VII, who incidentally was Giulio Zanobi di Giuliano de’ Medici, head of the Catholic Church and ruler of the Papal States from November 19, 1523 until his death on September 25, 1534. The wine has not been made quite that long but it is one of the territory’s elder sangiovese statesmen and the 2020 version is a heady and fulsome one indeed. Higher in alcohol than some, concentrated to the fullest extent of the year (and Papal law if you like) with silky texture and sour acids. Classic really. Drink 2022-2024.  Tasted March 2022

UGAs of the Chianti Classico Collection 2022, Stazione Leopolda, Firenze

Castello Di Ama Ama Chianti Classico DOCG 2020

Gaiole

A sign of the vintage is at first the declared alcohol (13.5 per cent) but also more than that a dichotomous relationship between lightness of actionability and creeping structural accountability. Castello di Ama’s Gaiole sangiovese exhibits these push-pull traits with both dictionary and thesaurus reality. A chiaroscuro Chianti Classico if ever there was, dappling of light against a darker shaded background, fruit swelling in the foreground with chalky grains liquifying throughout and behind. Time is essential and this wine has plenty of time. Drink 2023-2028.  Tasted March 2022

Castello Di Meleto Chianti Classico DOCG 2020

Gaiole

Moving from strength to strength here we arrive at 2020 with a fruit-centric Castello di Meleto although like many recently bottled of the vintage there is some reduction to blow through. That said there is a depth to Meleto’s ’20 that holds attention for quite a stretch of time. Full and with palpable intensity in a desirably structured sangiovese. Also recognizable as Gaiole in origin, in a nutshell and so exemplary for the UGA. The clarity and understanding of changes are more than evident. Drink 2023-2026.  Tasted March 2022

Castello Di Querceto Chianti Classico DOCG 2020

Greve

No shocker that Castello di Querceto’s Dudda Valley location has produced a light and open-knit sangiovese from the less than round 2020 vintage. Like many others however there is a sly and crafty set of structural circumstances happening and running through this low alcohol (13 per cent declared) wine. Dare it be said old-school Chianti Classico but with modern clarity and charm. Could drink this every day of the week. Drink 2022-2026.  Tasted March 2022

Castello di Vicchiomaggio Chianti Classico DOCG San Jacopo 2020

Greve

San Jacopo is a Vicchiomaggio understudy, staying at the ready to step in, an Annata that knows all the parts and lines of the estate with it’s range of lead wines. This is straightforward and sure as sangiovese Annata, sturdy, solid and playing a perfectly reasonable support role. Well seasoned but never a wood-driven wine, salt and pepper got just right. The appetizer. Drink 2022-2024.  Tasted March 2022

Castello di Vicchiomaggio Chianti Clasico DOCG Guado Alto 2020

Greve

Guado and Alto, meaning “a shallow crossing-place in a river” and “high” which seems like an oxymoron but allow me to explain. This second and arguably more important of two Annata by Vicchiomaggio is an über fresh one, lightly carbonic and juicy as a medieval quench from the Greve River. Tart and pulsating, oddly reminding me of poulsard. All this to mean Guado Alto is high-toned while creating a horizontal stretch of Chianti Classico openness.  Drink 2022-2024. Tasted March 2022

With Federica Mascheroni, Volpaia, Radda

Castello Di Volpaia Chianti Classico DOCG 2020

Radda

Freshness incarnate exudes from Volpaia’s 2020 Annata and in fact the wine seems like it has barely achieved its alcohol and malolactic fermentation. In fact at a realistically labeled 13.5 per cent this from Radda is as beautiful and honest as it gets. Modern as well, stylish, of great attitude and delicious. The Raddese acidity is of course present and accounted for but that fruit. My. Oh My. Drink 2022-2025.  Tasted February 2022

Castello La Leccia Chianti Classico DOCG 2020

Castellina

Castello La Leccia’s Castellina location close to Macìe is northerly yet halfway between Lilliano and Fonterutoli. Certainly a Galestro soil happenstance and with 2020 that geology stands out. Classic and that is meant with the most complimentary commune and UGA commentary, blessed by perfectly local, parochial and conventional wisdom. Red to hematic blueing and blackening fruit, quite firm and grippy, tart, nearly searing and really driven. Needs time and when it arrives should persist for three to five proper drinking years. Drink 2023-2027.  Tasted March 2022

Castello Monterinaldi Chianti Classico DOCG 2020

Radda

No other 2020 seems to scent like this from Monterinaldi and so it is more than worth commenting on the sense of place that is their southwestern Radda location. Herbal and dried flower potpourri but also something unknowable, intangible, even mysterious. Yes there is some early reduction but it can’t suppress the open-air meets underbrush perfume. Equanimity between maceration and fermentation makes this a candidate for top mid-term aging Annata, in other words begin drinking soon and make great use for three to four years thereafter. Drink 2023-2026.  Tasted March 2022

Colombaio Di Cencio Chianti Classico DOCG Monticello 2020

Gaiole

Colombaio di Cencio presents a Gaiole herbology that’s always indicative and distinctive, sometimes by way of faintly sweet Amaro liqueur. That’s the first and then recurring feeling coming from this 2020, chalky and with acids that slide along with the red fruit speckled with fresh and also dried herbs. The tannins follow the latter with some pretty austere aridity. This will drink well in a few years, that much is certain, but unfortunately the bottle will not get any lighter. Drink 2024-2028.  Tasted March 2022

Famiglia Nunzi Conti Chianti Classico DOCG 2020

San Casciano

So young and impressionable, hematic, red blood of sangiovese while fresh, nervy and exciting. Also deep and concerned, dusty brood of San Casciano fruit, sottosuolo and fully nuanced earthy flavours. Big, big wine that needs to be looked at again a year forward because the youthfulness distracts from the potential. Drink 2023-2027.  Tasted February 2022

With Michaela Morris, Matteo Vaccari and Maddalena Fucile, Cigliano di Sopra, San Casciano

Fattoria Cigliano Di Sopra Chianti Classico DOCG 2020

San Casciano

The emergence of 2020 is real, right now and while who knows for how long going forward, perhaps with luck and fortuitous execution, the suiting could be seemingly forever. What transpires here is nothing short of an epiphany and even perhaps a Chianti Classico miracle. How the most precociousness and hard work can conspire to make such a beautiful wine is beyond comprehension. But it does not matter because it has happened. Grande Maddalena. Bravo Matteo.  Last tasted March 2022

Will be bottled in December so essentially a finished wine. From 10 plots (of 11, one is merlot) facing southeast to southwest. Includes a small part of Vigneto Branca, the name of the fattoria and of who was working there. Here the fifth vintage for Matteo Vaccari and Maddalena Fucile is not only mature from a perspective of energy but also both succulence and sapidity that comes from changes, risks and learning what is possible. A bit oaky at this time but really showing what all these plots can effect, with solo sangiovese. No longer about precociousness but instead two winemakers who have arrived. “We don’t care about perfect phenolic maturity,” explains Vaccari, “when we feel the bitterness is gone, the tannins are good, then let’s extract.” Extract away young phenoms. Drink 2023-2027.  Tasted November 2021

Viola Meacci and Alessandro Polombo, Luiano, San Casciano

Fattoria Di Luiano Chianti Classico DOCG 2020

San Casciano

Classico San Casciano as a notion of fresh and aromatic hillside reality, a purity of localized perpetuity through a glass of light and shadow, dappling, chiaroscuro. Wood creaming the red to black cherry, swirling, making it gelid. Stylish sangiovese in every respect, suave and instructive. Drink 2022-2026.  Tasted March 2022

Fattoria Poggerino Chianti Classico DOCG Nuovo 2020

Radda

Piero Lanza’s 2020 is a bright, effusive and luminescent version of itself in that there seems to be a lightness of being and avoidance of rich density. Quite the aromatic lift this early and time around, floral, like roses, hibiscus and fresh tar, not unlike some Tortonian raised nebbiolo. As sangiovese there is sneaky structure in quantifiably knowable admonition and that is said in the most complimentary of ways. Radda chalk, sand and whole bunch verdancy bring complexities and the struggle is real. Disregard the appellative concept of Annata in part, because this should go long. Drink 2024-2029.  Tasted March 2022

Fèlsina Berardenga Chianti Classico DOCG 2020

Castelnuovo Berardenga

Notably dusty and structured right of the top, feeling the wide open Castelnuovo airiness, sunshine and tart red fruit substantiality. Poised and restrained by extraction and pressing yet the Annata is a very taut and tight wine when assessed this young. Fèlsina always needs time and 2020 is far from the exception to that rule. Drink 2024-2028.  Tasted March 2022

I Collazzi I Bastioni Chianti Classico DOCG 2020

San Casciano

Dark if high-toned sangiovese, not atypically San Casciano with first a musky note. Rich and filled with wood salve, creamy and textured, liquid chalky and sweetly tannic. Early signs of soy and tar so drink this early before the fruit turns to earth and mulch. Drink 2022-2024.  Tasted March 2022

Angela Fronti, Istine, Radda

Istine Chianti Classico DOCG 2020

Radda and Gaiole

Just bottled last week, One hundred per cent sangiovese, “a wine to be drinkable,” insists Angela Fronti, “like my grandfather did in the past, at lunch.” A wine of freshness and acidity but also one that can age 10-12 years. Istine was planted in 2000, Cavarchione in 2010 and Casanova dell’Aia just a few years ago. All contribute to this Annata and all play a prominent role. If a bit (bottle) shocky no matter because Fronti, whether by purpose or promise manages to coax the best of all her fruit sources. What is showing early is this sort of herbaceous cabernet franc in sangiovese reality character, fleeting for sure and soon to come into a beautiful place. A reminder that 2020 was THE Covid vintage and so Angela was able to spend every waking moment with her vineyards and the season was neither hot nor cold but just perfectly somewhere in between. Drink 2023-2027.   Tasted February 2022

Campione da Botte, L’Erta di Radda

L’Erta Di Radda Chianti Classico DOCG 2020

Radda

From a sample labeled campione da botte, in other words a tank sample. Freshness abounds, Radda style, from the breath of the woods, the cool of the stones and the rise of the hills. Herbal like fresh Genovese basil, spicy that way with a hint of anise and cinnamon. A co-fermentation of sangiovese and canaiolo (five per cent), the latter adding le forma, volume and expansione, all of which are self-explanatory. An opposite of linearity, not roundness but a sapid expanse across the palate and in the mouth. This is the harmony pulled and coaxed from the ’20 Annata in a wine that makes you feel but more importantly exists by the dint of how it feels. Full. Not yet bottled but will be soon and truth is while the wine is tight the aromatics and mouthfeel are good to go. Worth a full review. Drink 2023-2027.  Tasted March 2022

Maurizio Brogioni Chianti Classico DOCG H’Amorosa 2020

Greve

H’Amarosa as in “a love affair” or perhaps “I have a lover,” which could be sangiovese, perhaps Greve in Chianti or in a more broader sense, Chianti Classico. Can’t help but think about Jackson Browne, ballads, a splash of merlot and what’s happening these days. In 2020 that would be truth, openness and clarity with respect to the wines which are the storytelling by the producers. Brogioni’s is forthright, specific, real and for everyman. Juicy and in touch with both reality but also emotions. “I had a lover, I don’t think I’d risk another these days, these days.” Drink 2023-2027.  Tasted March 2022

Monte Bernardi Chianti Classico DOCG Retromarcia 2020

Panzano

Michael Schmelzer’s 2020 takes up right where everything he had been working on and through in 2019 left off. That is to say full on agricultural indemnity with all fruit all the time in use and winemaking that is afraid of nothing. The silky swarthiness of his ’20 Retromarcia endorsement and structural surety combine for freedom, exception and security. This Retromarcia ushers fruit in waves, oscillations, acetic sweeps and swells, coming at the palate with the full force of laws provided by nature. What happens at Monte Bernardi stays at Monte Bernardi, where calculated inventiveness experiences living life on the edge. Drink 2023-2028.  Tasted March 2022

Alessandra Deiana and Michele Braganti, Monteraponi, Radda

Monteraponi Chianti Classico DOCG 2020

Radda

Monteraponi from Michele Braganti breathes in the high elevation Radda air and exhales with clarity, not to mention exclusivity. Yet another reductive 2020, albeit mildly so and not difficult to coax out of its savoury candied shell. While tart and even intense there is something mysterious and shadowy in the recesses of this sangiovese’s temperament and intelligence. Something guarded and misunderstood but time will make it all work out right. Keep this away and allow it to soften as it slowly gets to know you. Drink 2024-2029.  Tasted March 2022

Montesecondo Chianti Classico DOCG 2020

Gaiole

A baritone beginning, low held Gaiole notes below with red to black fruit above. Not closed yet not expressive or generous either, reticent even and holding out because the tannins are in charge. Fruit quality and fleshiness are substantial, as is the wood and so the malic, creamy and sheathing sensation will need to settle before integration opens up the wine. Drink 2023-2026.  Tasted March 2022

Podere Castellinuzza Chianti Classico DOCG 2020

Lamole

Big but not dense and for Lamole a heady sangiovese from the not so magnanimous Chianti Classico vintage. More than anything it is essential and encouraged to concentrate on the floral aspects of this wine, perfumed to the hilt with that Lamole commodity. Like all the bushy herbs in bloom, of purples and pinks, scenting the air at dusk even if one fails to brush on by. Lovely texture in 2020, mildly glycerol and giving the impression of almost gelid but surely sweet sangiovese fruit. Drink 2023-2027.  Tasted March 2022

Podere Poggio Scalette Chianti Classico DOCG 2020

Greve

There can be no surprise that Jurji Fiore’s 2020 is one of the more transparent and striking scintillants of sangiovese to emerge from out of the verifiable and veritably airy 2020 vintage. Sharp and pointed red limestone fruit off of the Ruffoli hill, rich undercurrent of currants red and also some black, intensity of right bank Greve acidity and tannins to carry this Annata longer than most. Drink 2024-2030.  Tasted March 2022

Quercia al Poggio, San Donato in Poggio

Quercia Al Poggio Chianti Classico DOCG 2020

San Donato in Poggio

The combination of definable and deliverable San Donato in Poggio terroir mixed with vintage compaction makes for this solid, chewy and fulsome Annata. Liquorice and blood orange, a deeper sentiment that for some reason seems to be a frazione thing for this vintage because this consistency of full emotive and textural sentiment runs through many of the wines. Look to San Donato in Poggio for more of everything in 2020. The wines are bigger than some of the other UGAs. Drink 2023-2026.  Tasted March 2022

Querceto Di Castellina Chianti Classico DOCG L’Aura 2020

Castellina

This is not a Riserva, that is made quite clear from a 100 per cent sangiovese that used to include some merlot. Now a matter of picking and choosing plots from the steep and sloping vineyard starting from the bottom at 450m and rising up to 510. Sees 12 months in 3rd and 4th passage French wood. L’Aura is Iacopo Di Battista’s mother, as in the “aura of Laura” and a label produced since 1998. Not red but ochre-purple limestone literally begets and becomes this Annata, a.k.a fully completely Alberese soil. What comes from 2020 is a doubling down, regardless of appellative level, a wow factor of laser sharp stone cut by even sharper acidity. Edgy balsamic tannins increase the seriousness of this wine. Sell it now if you must but this Annata needs time. Drink 2024-2028.  Tasted February 2022

Riecine Chianti Classico DOCG 2020

Gaiole

Riecine from Gaiole is the most radiant and glycerin version of itself, clean and concise, grippy yet available almost whenever you find yourself ready and in the sangiovese mood. Not a tart or intense Riecine by any stretch of the imagination, nor is there any real tannic demand. This is meant for now and should be embraced that way. Drink 2022-2025.  Tasted March 2022

Rocca Delle Macìe Chianti Classico DOCG 2020

Castellina

Incorporates five per cent merlot into the sangiovese, the grapes coming from all four Rocca delle Macìe estates. Essential, consistent and knowable for Castellina and especially a style that is unwavering as Rocca delle Macìe. A wine of layered commune earth, deep and even a bit brooding, so very sangiovese and with real Annata depth. Drink 2022-2025.  Tasted February 2022

Rocca Di Castagnoli Chianti Classico DOCG 2020

Gaiole

Young, taut, impressionable, high-toned and bright red fruit Gaiole Annata, rich in 2020 polyphenols and thiols, quite vibrant and intense. Less herbal than many of its locale and even past iterations of itself while the fruit concentrates and works through the earliest stages of its youth. Fine and meshing the way Annata should and offering beauty above all else. Will drink at peak next year and for four after that. Drink 2023-2027.  Tasted March 2022

Marco Ricarosli Firidolfi, Rocca di Montegrossi, Gaiole

Rocca Di Montegrossi Chianti Classico DOCG 2020

Gaiole

Always 90 per cent sangiovese, here with (8) canaiolo and (2) colorino. “Quite a regular growing season, warm but never too much,” says Marco Ricasoli, “and very cool nights.” The main character is first colour in a Classico never stressed by heat and so fruit freshens, with acidity sure to follow. A crunchy Annata, not too hard and not too soft. Picked in the last week of September, late enough for full maturity. Monti (in Gaiole) is a warmer area and while the alcohol checks in at 14 per cent it’s a well-managed and balanced wine all the way through. Drink 2022-2026.  Tasted March 2022

Ruffino Chianti Classico DOCG Santedame 2020

Castellina

Always a different and purposefully designed Annata from Ruffino, so very cherry liqueur, thickened by soil chalk in liquid varietal form. Here sangiovese with help from smoothing international varieties makes for a consistency of Chianti Classico to draw a crowd. Just a bit reductive and hypo-fresh, tart and sour-edged. Not edgy though and smooth as silk. Very professional wine and a good vintage from which to make that happen. Drink 2022-2025.  Tasted March 2022

San Felice Chianti Classico DOCG 2020

Castelnuovo Berardenga

A blend of sangiovese, pugnitello and colorino, the same dating back to 2009. Yet another warm vintage though with great changes in agricultural practices this Annata now shows great juicy freshness, especially from 2019 and now through this 2020. The acidity is more than maintained, the wood kept well in the back and this is just up front, accessible and on point. Drink 2022-2025.  Tasted February 2022

Tenuta Di Campomaggio Chianti Classico DOCG Campomaggio 2020

Radda

Raddese from the start, acids singing, zinging and slinging the lightning red fruit to the fore. In youth clearly dusty while a clarity and purity exists in a vacuum where lightness mixed with barrel make for a truly spirited Chianti Classico. Expressly and dutifully Radda sangiovese. Drink 2023-2027.  Tasted March 2022

Terra Di Seta Chianti Classico DOCG 2020

Castelnuovo Beradenga

From Castelnuovo Beradenga and the Pellegrini farm where the wines are constructed with strict adherence to Glatt Kosher rules. Tart and chewy red fruit with a toasted and roasted quality, in other words cooked but with a light touch and sense of sangiovese gastronomy. As fas as Kosher for Passover wines are considered this Terra di Seta should reside at the top of anyone’s list. As for Chianti Classico it is real and exemplary of place albeit needing food alongside to tame the tannins and prepared food quality of the wine. Drink 2022-2024.  Tasted March 2022

Tolaini Chianti Classico DOCG Vallenuova 2020

Castelnuovo Berardenga

Vallenuovo from Castelnuovo Berardenga’s Tolaini is an extracted, generously macerated and humorously concentrated 2020. There is just something about Tolaini, an aromatic potpourri specific to this wine in great hyperbole. A bit reductive as many are so early in this vessel and yet agitation really does release the charm. A really well constructed Chianti Classico that will appeal to those who look for fullness, especially through the texture and the finish. Drink 2023-2027. Tasted March 2022

Pizzeria Lo Speso in Il Ferrone

Chianti Classico DOCG 2019

Azienda Agricola Mori Concetta Chianti Classico Morino DOCG 2019

San Casciano

Purely, expressly and properly San Casciano, structured woolly and snugly wrapped around fruit kept warm and nurtured in a blanket of care. Fragrant with fine tannins, “legno,” as it is said. A touch of green that is San Casciano because of the particular kind of savour and temper. Some minor austerity and demand in these tannins but mostly a sangiovese of land and air to express where it comes from. Drink 2023-2026.  Tasted February 2022

Badia A Coltibuono Chianti Classico DOCG 2019

Gaiole

Immediate attention is paid to the herbs and resins in the aromas of Badia a Colibuono’s 2019. From the outset this is clear and present Gaiole sangiovese, local, parochial and a sign of the time. No question the fruit is healthy and substantial but the vinoso quality of all that surrounds is just too blatant to ignore. As are the crisp acids and finely austere tannins. Transparent clarity is a given, as is a structural belief that this Chianti Classico Annata will live long with the best of them.  Last tasted March 2022

A distinctly herbal Annata from Badia a Coltibuono out of 2019, so very Monti with herbs and brush of all iterations. Notably rosemary with undertones of sage, cypress and gariga. The fruit keeps up with the greens but there is no mistaking the minty and pine forest behaviour of this wine. Super herbal, tart cherries and good fruit ripeness. Well managed tannins but those herbs! Drink 2023-2027.  Tasted February 2022

Belvedere Campòli Conte Guicciardini Chianti Classico DOCG 2019

San Casciano

Again it is San Casciano that opens up the select savoury gates in an openly fragrant and knit sangiovese that is clearly and unequivocally 100 per cent just that. With thanks to a generous vintage and what is clearly a site that ripens ahead of many, the wine comes out smooth, itself also quite generous and even what could be called morbido. As easy as varietal Classico gets and ready to go. Drink 2022-2024.  Tasted March 2022

Bibbiano Chianti Classico DOCG 2019

Castellina 

Bibbiano’s Annata moves to the rhythm of infinite wisdom, coagulation, conjoining and come together, of dual terroirs, bright red fruit alighting with stern, edging to austerity tannin. The vintage rebelled against is one from which Tommaso Marocchesi Marzi sticks to his guns and creates an Annata of undeniable estate conviction. Needing time and yet smiling that Castellina smile, finishing with that spicy Bibbiano spice. Can’t think of more than three other Classico at this price that are equal in representation to pour by the glass. Drink 2023-2027.  Tasted February 2022

Bindi Sergardi, Vagliagli

Bindi Sergardi Chianti Classico DOCG La Ghirlanda Tenuta Mocenni 2019

Vagliagli

Exuberant Mocenni perfume and one could not help but to be fully cognizant of how expressively floral and stone cool it is. For Annata it gets neither more concentrated nor more in tune with a vineyard than this. So transparent and connected to Mocenni which is how and why Annata’s naked character is so important to explain an estate’s riches and what is possible with the other elevated, concentrated and investigative appellations. Wood is ambitious and justified in such a case, even at this Annata level, for later on. As for now or just around the corner, well that works as well. Drink 2023-2028.  Tasted October 2021

Bindi Sergardi Chianti Classico DOCG Ser Gardo 2019

Vagliagli

Taken solely from the I Colli Estate’s vineyards in the UGA zone of Vaglialgi at the western edge of Castelnuovo Berardenga commune, adjacent the Chianti Colli Senesi, 10 kilometres from Mocenni Estate, 15 minutes house to house. Makes for an antithetical Classico expression to what comes from the Mocenni amphitheatre. The difference is dramatic, higher in pH, lower in acidity, velvety, easier, readier. This 2019 vintage is a prime example, lush, 100 per cent sangiovese ripe, aged no more than six months in used barriques. Picked near to the last week of September, without exception, a week before Mocenni. Just a hint of phenolic chalkiness repeated on the back palate. Drink 2022-2025.  Tasted October and November 2021

Borgo Salcetino Chianti Classico DOCG 2019

Radda

Radda in 100 per cent sangiovese kicks into high acid and elevated tones, lifted and placed in the air above. Quite tart and also tannic, drying over the palate, feeling arid, dusty and enervating. Not a tired wine per se but one that makes you feel this way. Drink 2022-2023.  Tasted March 2022

Borgo Scopeto Chianti Classico DOCG 2019

Vagliagli

Vagliagli is the UGA and a 10 per cent combination of same-same colorino and merlot bring some colour and also softness to Borgo Scopeto’s sangiovese face. Crunchy sangiovese that is, well developed from the happy vintage though not without some austerity and grip in the tannin. More so than many vintages for this western Castelnuovo estate and the interest lies in how they will integrate and resolve. Drink 2023-2025.  Tasted March 2022

Cafaggio Chianti Classico DOCG 2019

Panzano

Cafaggio so beautifully and comfortably represents Panzano from 2019, fruit at the front, mild structure settling in easily at the back. A pure frazione expression of sangiovese and from a vintage that laid such possibility out on a silver platter. Cafaggio clearly heeded the call and jumped on the opportunity. Finest Annata from the estate in quite some time. Drink 2022-2025.  Tasted March 2022

Cantalici Chianti Classico DOCG Baruffo 2019

Gaiole

Full on Gaiole from Baruffo in 2019, unsurprising and in effect expected from an estate that looks for fullness, wellness and acceptance from their generous wines. All sangiovese and nothing but the great red hope in desire for Cantalici and Chianti Classico. Crisp in fact, well seasoned while noticeably tannic yet there is a feeling that you are requested to drink this as soon as possible. Find some Prosciutto di Parma, Fennocchiona and Pecorino for best results. Drink 2022-2025.  Tasted March 2022

 

With Filippo and Gioia Cresti, Carpineta Fontalpino, Castelnuovo Berardenga

Carpineta Fontalpino Chianti Classico DOCG 2019

Castelnuovo Berardenga

“A wonderful harvest for us and for the farm” tells Gioia Cresti. In terms of UGA this is Castelnuovo and as a broad expression this Annata is a micro-version captured in bottle, of wide open space and air. There are three vineyard locations, 10 hectares in Castelnuovo near to the winery, seven in Dofana (Vagliagli) and three in Montaperti. So fresh, 20 (normal) days on skins and the sweetest tannins available, even for a Carpineta Annata. Linear and long, elastically fleshy and just well, perfect. Yes, Gioia Cresti is a very good winemaker. Drink 2022-2027.  Tasted November 2021

Casa Emma Chianti Classico DOCG 2019

San Donato in Poggio

A ninety per cent sangiovese with five per cent each canaiolo and malvasia nera, fermented in stainless steel and concrete vats, aged one year in tonneaux (500ml), yet 40 per cent remains in barrel. An ideal and balanced vintage, slower to ripen than ’18 with no rush too fast to “fruitiness and complexity.” Also because the sub-zone of San Donato in Poggio performs better in warmer vintages. Great freshness, blood orange and intense red fruit but it’s just uncanny how this could be nothing but Casa Emma sangiovese. Tannins are denser, longer and impressive, the overall feel one that tells us this Annata can go deep. Drink 2023-2029.  Tasted October 2021

Casaloste Chianti Classico DOCG 2019

Panzano

Notable ripe fruit and also a verdant austerity makes for a wine of two positions, angles and disparate emotions. A sangiovese of floral and also avian display while in delivery of liquorice and bitter herbs. Almost Riserva in style, glycerol and concentration at the fore, the rest waiting in the wings. Needs time. Drink 2023-2026.  Tasted February 2022

Ristoro di Lamole

Castagnoli Chianti Classico DOCG 2019

Castellina

Castagnoli procures a deeply satisfying and fulsome Annata, ripe and at the ready through a coupling to acidity and a tripling because the tannin is fully engaged. Tripped and let loose more like it in a sangiovese of swirls, thrills and intensity. Feels like Castellina at elevation with serious Galestro effects for an eventual date with elegance. Five years down the road from vintage it would seem. Drink 2023-2028.  Tasted February 2022

Castellinuzza E Piuca Chianti Classico DOCG 2019

Lamole

Clearly, unequivocally and unmistakably Lamole because that perfume jumps from the glass to gain your immediate attention. Part Macigno and part Calcari, so much vinous resin and a walk through a pine forest. Cool Lamole liqueur, fine capture of 2019 and really just an ideal vintage for e Piuca of Castellinuzza lineage in their native Lamole habitat. Drink 2023-2026.  Tasted March 2022

Castello Dei Rampolla Chianti Classico DOCG 2019

Panzano

Highest level of Panzano richness, depth of fruit and Pietraforte infiltration, allowed to emanate in natural highlights throughout. All these elements are together exhibited in great co-conspiratorial desire. Full on push-pull of sliding scale piques and roundness in a sangiovese that wants to be both and have it all. Caky too with merlot plus cabernet sauvignon for surety and fruit explosiveness. Substantial and even if some vintages include petit verdot methinks not this one. A “clean” one for Rampolla, as it is said, international in the best possible way. Drink 2022-2025.  Tasted March 2022

Castello della Paneretta, San Donato in Poggio

Castello Della Paneretta Chianti Classico DOCG 2019

San Donato in Poggio

From the San Donato in Poggio property with 404 years of experience behind this upstanding, generous, careful and thorough Annata from the 2019 vintage. The blood orange, red currant and chalky Galestro-Alberese chime can only be from this additional geographical unit, a frazione so distinctive, like the 11:30am Sunday bells that ring through Florence. A perfect time to taste by the way, refreshing, affirming and ready to set one on their way. Drink 2023-2027.  Tasted February 2022

Castello Di Bossi Chianti Classico DOCG C. Berardenga 2019

Castelnuovo Berardenga

Clear, ernest and caressing fruit is captured from the open generosity of the 2019 vintage. This Castelnuovo Berardenga example shows what 100 per cent sangiovese of warmth and substance can effect for über drinkable Chianti Classico. Bossi’s is readier than many, seasoned by spice more than it exhibits qualities urged on by structure. A slight drying finish indicates a few years of life lay ahead. Drink 2022-2026.  Tasted March 2022

Castello Di Cacchiano Chianti Classico DOCG 2019

Gaiole

Really parochial and specific, a Monti in Chianti Galestro gifted CC, aromatic yet wound quite tight. Sheds some perfumed Gaiole light on the state and possibility in this mainly sangiovese wine that receives minor support from endemic and pH supporting roles provided by canaiolo and malvasia nera. Good promise may just result in better fortune should you give this and the austere tannin some time. Drink 2023-2026.  Tasted March 2022

Castello Di Gabbiano Chianti Classico DOCG Cavaliere d’Oro 2019

San Casciano

While Gabbiano produces large volumes of other denominational wines it needs reminding that their Chianti Classico numbers are significantly lower and the attention paid to these wines spares no emotion, attention or expense. Economies of scale allow for bargain pricing and the wines over deliver at all appellative levels. Case in point the Cavaliere d’Oro 2019, fragrant and graceful, salutary acids riding shotgun to promising fruit like a well orchestrated pack with Galestro-driven tannin. Everything together, delivering the goods and for the money. Almost unbeatable. Drink 2022-2026.  Tasted March 2022

Castello Di Meleto Chianti Classico DOCG 2019

Gaiole

With 763 years existence and experience behind this 2019 Annata you just know someone has a distinct territorial advantage. Castello di Meleto’s is quite rich, luxe and creamy for Annata and especially Gaiol, but is comes replete with great and preserving parochial acidity. That and sweet herbs, brushy savour and long strides. Solid, fresh for the vintage and the estate. Drink 2023-2026.  Tasted February 2022

With Laura Bianchi, Castello di Monsanto, San Donato in Poggio

Castello Di Monsanto Chianti Classico DOCG 2019

San Donato in Poggio

A vintage with more Riserva in a five to one ratio (to Annata) when usually the numbers are four to one. Of course more savour and grip than 2018 and long-chained tannins. The length is not merely outstanding in fact it resonates through all the senses, including there at which the quotidian and fantastic converge. Drink 2021-2024.  Tasted October 2021 and February 2022

Castello Di Radda Chianti Classico DOCG 2019

Radda

Mainly sangiovese with 10 per cent colorino and canaiolo, from a diplomatic vintage, promising of quality and generous of quantity. For estate director Stefano Peruzzi it is harmonious and very much like 2016. Such a professionally composed and pragmatically styled Chianti Classico, not what could be called luxe or lush though clearly balanced in its fruit to acid compendium. Delivers a purity of citrus crunch and is surely a design of tradition and place. While you feel a slight malo creaminess this is not a question of texture but one that speaks in fresh sangiovese tones specific to these lower hills of Radda.  Last tasted March 2022

A fine vintage here for Castello di Radda with their well-judged, sweetly sumptuous and succulent sangiovese. Shows a level of consistency in place that may have or would not have been possible just ten years ago. Warmer vintages and dedicated agricultural concern elevate the year after year game. In 2019 the acids and spices merge, unite and fixate on the fruit for a lovely circular swirl of freshness, vim and flavour. Really fine in nine. Drink 2022-2026.  Tasted October 2021

Castello Di Verrazzano Chianti Classico DOCG 2019

Montefioralle

Really sweet perfumed Montefioralle entry from Verrazzano’s endemic and impartible Annata, mainly sangiovese with five per cent “other” autochthonous varieties. One of the most cherry red Chianti Classico in every respect; hue, aroma and flavour, then finishing with the slightest bitter pit. Just that touch of green in the tannin mixed with the purity of acidity makes this really sing. A song for Montefioralle. Drink 2023-2027.  Tasted March 2022

Castello Di Volpaia Chianti Classico DOCG 2019

Radda

No doubt that Chianti Classico will always be fresh and spirited from Volpaia but it somehow finds a way in every vintage to become increasingly fluid, silky, clear and beautiful. The upper vineyards are helping more and more every year, plus a team working the vines and the wines together for more than 20 years. Yet this vintage still shows some backbone while overall much of the story remains to unfold and be told. Re-visit next year and the one after that for the emergence of the full story. Drink 2022-2027.  Tasted October 2021

Filippo Bartolotta presents Il Chianti Classico in 9 Decadi at the Chianti Classico Collection 2022, Stazione Leopolda, Firenze

Castelvecchi Chianti Classico DOCG Capotondo 2019

Radda

Lovely textured vintage for the Capotondo in full capture of rich and ripe fruit. Some grip in tannin but mainly acidity that elevates and perches the substantial sangiovese up where it belongs in the Radda ether and with 2019 as the backdrop. Great work for the vintage. Drink 2022-2025.  Tasted February 2022

Cinciano Chianti Classico DOCG 2019

San Donato in Poggio

An ancient sea salty and airy western Chianti Classico sangiovese from Cinciano does Poggibonsi/San Donato in Poggio proud if in just a bit of its owns speacial and ulterior way. Always that silky, glycerol and substantial fruit ahead of all else. Beauty and purity, ease and such drink-ability. At the height of that ideal from 2019. Drink 2022-2024.  Tasted March 2022

Colle Bereto Chianti Classico DOCG 2019

Radda

So very Radda from Bernardo Bianchi’s ’19 Annata, fruit and acid structure in the arena of the cool while plenty of both preside. Only a small percentage of colorino shades the sangiovese from red to further red and the palate is simply sangiovese. There are parts iron and others blood orange out of 2019, fruit sorted to optimum purity and the least amount of bitters pressed into the hull of the wine. Quite structured and as always, impressive. Drink 2024-2028.  Tasted March 2022

Concadoro Chianti Classico DOCG 2019

Castellina

Concadoro is Castellina on the western front, quietly aromatic and shilling the high toned, almost acetic style from the western edge of the central valley. Quite tart and astringent, more parts that make this tough and out of balance. Drink 2022.  Tasted March 2022

Conti Capponi/Villa Calcinaia Chianti Classico DOCG 2019

Montefioralle

Fine and far from presumptuous Annata here from Il Conte, exemplary of a Greve, digging a bit deeper into Montefioralle sangiovese. Firm of dark and even dusty fruit, antsy and a bit racy while still this youthful, unsettled and needing time. Firm and grippy for the vintage, absolutely Calcinaia in style and a true representation of the multifarious estate soils. Drink 2024-2027.  Tasted February 2022

Dievole Chianti Classico DOCG 2019

Vagliagli

From the geographical zone of Vagliagli in the western section of Castelnuovo Berardenga commune and a sangiovese augmented by seven per cent canaiolo plus (3) colorino grown at 335m. Spends 13 months in 41 hl (untoasted) French oak barrels. Classicism incarnate for the territory with a Vagliagli twist, über savoury, youthful and fuelled by stone-strewn Alberese (limestone) vineyards. Creates a tannic austerity and a request for allowing this sangiovese Annata time to flesh out and settle in. Two years minimum, after which the very cherry fruit will act more aromatically expressive. Drink 2023-2026.  Tasted December 2021

Dievole Chianti Classico DOCG Petrignano 2019

Vagliagli

Petrignano is what Dievole assigns the lede of “a nuova voce del Chianti Classico,” a new voice, especially at the Annata level. The Gran Selezione is from Vigna Sessina and here 2019 is spoken through the younger vines and more precocious if not fully yet understood vineyard of Petrignano. Certainly a fresh and savoury Annata, sour citrus chalky and very primary. Almost nouveau but without the carbonic yet still this is as light and potentially sumptuous as it gets. Drink 2022-2023.  Tasted February 2022

Matteo Vaccari and Maddalena Fucile, Cigliano di Sopra, San Casciano

Fattoria Cigliano Di Sopra Chianti Classico DOCG 2019

San Casciano

This the fourth vintage of Maddalena Fucile and Matteo Vaccari’s Chianti Classico takes the next step, with a level of sweet acidity that really moves your palate and also because decreased wood does less to distract as much as in ’17 and ’18. Also de-stemmed by hand (as opposed to a new machine that will do a much better job in 2020), so here there is also some crushing. While there is some efficacy and esculente essence in the tannins there is also a delicate nature about this San Casciano sangiovese. Very good energy, very river stone, sand-felt and also by a little bit of Galestro rolled into one fine and lengthy Chianti Classico. Good tannin management is executed with precocious acumen with help from adding the previous year’s lees in the bottle. Drink 2022-2026.  Tasted November 2021

Fattoria della’Aiola Chianti Classico DOCG 2019

Vagliagli

Mainly sangiovese with 10 per cent merlot and colorino aged in large botti plus stainless steel. Pitchy purple, Galestro meeting Macigno silk, mid-weight compaction and concern. Tannins are equalizing with the wood making a textural statement in a Vagliagli with good linger. Not a flashy Chianti Classico but one entrenched in the UGA soil. Drink 2022-2025.  Tasted February 2022

Fattoria Di Montecchio Chianti Classico DOCG 2019

San Donato in Poggio

The Annata of Montecchio always express a deeper San Donato in Poggio, classically citrus and red fruit meeting salumi cure, but there is always more. To the story and the point, Annata from 2019 gives earth, juice bled through stone and clay. If other UGAs are akin to Santenay than this Barberino Tavarnelle could be compared to say, Volnay. In sangiovese of course and Montecchio accedes to a Villages level, here in their suitably hyperbolic Annata. Drink 2023-2027.  Tasted February 2022

Fattoria La Leccia Chianti Classico DOCG 2019

Castellina

Beautifully blood orange sangiovese from Castellina’s La Leccia, fully equipped with red citrus, even some pink grapefruit. Then the structure and the verdancy take charge, especially on the palate, with some tannin unresolved and yet other structural parts that will work overtime to make the grade. Wait a year or two in any case. Drink 2023-2025.  Tasted February 2022

Claudio, Cristina and Sole, Fattoria Le Masse, San Donato in Poggio

Fattoria Le Masse Chianti Classico DOCG 2019

San Donato in Poggio

“To me, one of the best years for grapes,” tells winemaker Claudio Gozzi and the wood tank used for fermentation and now aging makes this noticeably a year wiser (than 2018) and so much more suitable to making this 100 per cent sangiovese. Even without tasting you can tell there’s a refinement, a calm and a settling that 2018 does not have. Cleaner, much more precision and seamless behaviour. Perfect volatility, sweet acidity and long, fine chains of tannin. Pure and honest, exacting, readier and will be just ideal with another year or so of time. Approximately 7,500 bottles produced. Drink 2022-2028.  Tasted October 2021

Fattoria Poggerino Chianti Classico DOCG Nuovo 2019

Radda

Fulsome and so purposefully developed sangiovese from Piero Lanza’s roll and sway of a Radda vineyard. Gelid yet tumbling and even a bit cumbersome while this youthful but what Poggerino is given is what Poggerino gives back. Strength over power, headiness over density, reality over headlines. A full and satisfying Chianti Classico with so much integrity in correct alignment with this place. Drink 2023-2027.  Tasted February 2022

Fattoria Pomona Chianti Classico DOCG 2019

Castellina

Yet another Pomona Annata pretty in pulchritude, handsome in heavenly sangiovese and grande by the goodness of grace. The blood orange by jove of sangiovese juiced for success. Trust when you hear that Monica Raspi’s cloudy ferments look like they will never clarify, purify and deliver the message of her Castellina vineyards but they have and they do. There is risk and leaps of faith in her work but she is a true scientist with artistic style and merit. She makes great Annata and more with 2019 being a new launching pad to prove the point.  Last tasted February 2022

The flesh and full palate address continues where 2018 left off though there is an openness to ’19 that speaks to more warmth and a weightiness of developed tannin. Of comports in structural components, polymerizing commotions and long chains of conveyance. Bread as sustenance and life from a 100 per cent sangiovese Annata out of Monica Raspi’s Sant’Ilario and Vigna del Termine vineyards teaming up for caress and no distress. Oh sweet Chianti Classico surrender, “I’d be a fool to try to escape you.” Drink 2022-2027.  Tasted October 2021

Fattoria Santo Stefano Chianti Classico DOCG 2019

Greve

Greve and 100 per cent sangiovese, super Greve in fact, heady, sturdy, red lightning cherry and volumetric in terms of substance, alcohol and structure. Linear, translucent, dusty-savoury with more texture and silky consistency than what may have first been ascertained. Quietly aromatic yet attractively informative. Not what should be considered or called a crushable wine because all the constituent parts are solid, in tact, tactful and together. Almost seamless and perhaps an estate en route to being (almost) famous. Drink 2024–2028.  Tasted February and March 2022

Felciano Chianti Classico DOCG 2019

Panzano

Panzano and 100 per cent sangiovese, without a shadow of a doubt on either front, chewy and fulsome fruit, lots of sun and ripeness, chalky Galestro and perhaps even Pietraforte-induced structure. Acids are quite high for 2019 but then again it’s all sangiovese so why be surprised. Drink 2023-2026.  Tasted March 2022

Giovanni and Bernardo Manetti, Fontodi, Panzano

Fontodi Chianti Classico DOCG 2019

Panzano

Giovanni Manetti explains “I have over 20 hectares of over 40 years. Even if there are 20-30 days separating the picking from start to finish in a vintage there is always a marker, especially with sangiovese. And with old vines they are not nearly as susceptible to stressors. This Vigna del Sorbo will succeed, even with all of the (climate events and vintage stressors) mentioned here.” Annata 2019 was bottled in July and is not yet released. “The vintage of balance, pleasant wines, very charming.” That said also toned musculature, grip, fineness of tannins. Plenty of acidity, here at 6.50 tA, chalky liquidity, round enough to offer an immensity of early pleasure. Don’t be fooled into thinking ’19 is simply for the here and now as longevity is a guarantee. This was known from the start when the wines were in tank, showing great perfume and tasting with Fontodi freshness and acidity. Not easy drinking but drinkable, with Panzano resin and parochial acidity. Drink 2022-2027.  Tasted October 2021

Lamole di Fontodi

Fontodi Chianti Classico DOCG Filetta Di Lamole 2019

Lamole

Filetta waits its turn, always the last picked vineyard in Lamole and as with 2018 October 10th was the date for Fontodi’s fruit. Giovanni’s cousin owns the vineyard and records date back to 1045, rare and historic for Chianti Classico. A restrained, elastic and finessed vintage is 2019, blessed with the Lamole perfume, blood orange addendum and Fontodi body. Not a vintage of power or strength and so much more so Lamole which makes one wonder just how cool climate accentuated the other producers’ 2019s will be. Other vintages of Filetta have been fine, even caressing and reaching levels of deep understanding but 2019 is more of a pop and pour vintage with true frazione acids and a harmonizing palate creaminess. Drink this while ’18 continues to settle in. Drink 2022-2029.  Tasted February 2022

Frescobaldi Tenuta Perano Chianti Classico DOCG 2019

Gaiole

Frescobaldi’s Tenuta Perano takes full advantage of the white calcareous soils to set upon a path for and with great vintage promise. The sangiovese in this bottle is smooth, suave and mineral, tart and full on gregarious of a specific Gaiole tang. A drinkable Annata, tried and true, delicious, accessible and yet nary a moment of flaccidity or softness abounds. Ideal for three years on without any concern for devolution or change. Drink 2022-2025.  Tasted February 2022

Gagliole Chianti Classico DOCG Rubiolo 2019

Panzano

Panzano sangiovese does not get any more pure, transparent and fulsome than Rubiolo, all the while spoken in utmost clarity. Not full, nor heady, nigh density neither. Think sweetness, aromatically calling, fruit speaking. Seasoning, not salt and pepper necessarily but spices unnamed, unthought, undeclared. An old friend dressed so dapper, not perfectly pressed but characterful and timeless. Like music played as adagio with very slight dynamic change, aesthetics and script expressed in equally essential concentration. The Annata you want. Drink 2022-2027.  Tasted March 2022

I Collazzi I Bastioni Chianti Classico DOCG 2019

San Casciano

Woody, savoury and sour-edged sangiovese, tart and oddly confected. Quick and if stylish in its own way the San Casciano aspect is covered by the wood and the work. Drink 2022-2024.  Tasted February 2022

Susanna Grassi, I Fabbri, Lamole

I Fabbri Olinto Chianti Classico DOCG 2019

Lamole

Olinto, always from the highest elevation, Lamole perfume up to 11 where there is also some merlot planted, at 12 per cent part of the blend and again no barrel. Freshness at the highest premium and with the merlot so ripe with thanks to vine age and warmer climate conditions, a wine so drinkable you could hardly believe the truth. Beauty in florals incarnate, especially violets and candied iris, juicy if peppery pansy and nasturtium. Last tasted February 2022

Aside from the upfront, obvious and always beautiful I Fabbri as a function of Lamole perfume there is this incredulous ripeness and sweetness of fruit. Disbelieving because of the elevation and how it was once virtually impossible to achieve such sugar and phenolic ripeness in this part of Greve for Chianti Classico wines. The 20 per cent merlot is just so apropos for blending into sangiovese, from this most generous vintage and to tame the high level of acidity. While this classic normale from Susanna Grassi is about as crushable as any 2019 one can’t help but wonder if sangiovese needed no help this time around. No matter really. Just enjoy. Drink 2021-2024.  Tasted October and November 2021

I Fabbri Chianti Classico DOCG Lamole Olinto Grassie E Figlio 2019

Lamole

Not that other vintages are lacking the clarity of Lamole perfume and terroir but 2019 brings the want and desire beyond the frazione’s intangibles. They being flesh and mid-palate, again not absent in other years though magnified, elastic and extra from 19’s warm generosity. Great thanks and aromatic response, more than this in the ways of accession, reach and scope. Purely Lamole plus, plus. Drink 2022-2027.  Tasted February 2022

La Squadra Canadese at I Fabbri, Lamole

I Fabbri Chianti Classico DOCG Terra Di Lamole 2019

Lamole

The top “tier” Annata in Susanna Fabbri’s range is this main terroir sangiovese, the Terre di Lamole. Lamole at heights, in hyperbole, expressive and of course, so very perfumed. A veritable potpourri of Macigno del Chianti and all the florals imagined, tied up in one red petalled, native herb and mineral bouquet. Grace and understated charm, seamlessness and the sort of structure that build and builds but does so without mortar between the stones. Natural and beautiful. Drink 2023-2029.  Tasted March 2022

Il Molino Di Grace Chianti Classico DOCG 2019

Panzano

The Solo Sangiovese Annata (and listed as such only on American labels), bottled just three weeks ago, über fresh, a picture perfect vintage for all appellative levels but beginning here with sangiovese. So easy to drink, very pure, balanced, all things “it has to be because this is Chianti Classico, not Gran Selezione,” explains and insists Iacopo Morganti. Less acidity than ’18 but more than ample amount to strike an accord with ideally reasoned and ripened fruit. Picked in October and you’d know but not know it. Really like the liquorice chew in this sangiovese, it sticks to and along with you. Drink 2023-2027.  Tasted February 2022

Il Palagio Di Panzano Chianti Classico DOCG 2019

Panzano

More than promising and beautiful vintage for Monia Piccini’s Annata but a true Panzano expression of the swift and the sweet, patterned and handsome. Draws from vineyard blocks ever evolving and not from those one step short of necessary ripeness. Even keel and a knowledge meeting emotion just right for a wine like this. Drink 2023-2026.  Tasted February 2022

Istine Estate Vineyard, Radda

Istine Chianti Classico DOCG 2019

Radda and Gaiole

Made from the first pass in all of Angela Fronti’s vineyards, two in Radda and three in Gaiole, although the philosophy is to concentrate on Radda because that is the home-front and there is a prejudice provided by what happens through the vintage. That said Angela waits a full year before deciding where the grapes end up, as “the most objective approach.” A decent yielding vintage comparatively speaking and a Chianti Classico in 2019 as generous and round as Fronti has ever made. But in truth the Radda plus Gaiole freshness times savour multiplied by sapidity results in a quotient of great cumulative respect. Drink 2022-2025.  Tasted October 2021

Istine Chianti Classico DOCG Vigna Istine 2019

Radda

One must have to look at, walk this and stand in awe of of this vineyard, the steepness at 30-50 per cent grade with a terrace in the middle to break it up. Heavy in Alberese inclusive of massive yellow calcareous boulders and also Galestro. In fact the medium stones removed were transferred to create terraces for olive trees on the other side of the cantina (by Angela Fronti’s father no less). The vineyard faces north so the freshness is off the charts, while the ripeness is so matter of purposeful vintage fact. The label represents the position of the vines in coordinates, echoed in the machicolations of a Fronti sangiovese that drops all the Radda stones on unsuspecting palates through fruit openings between supporting acid corbels of a projecting tannic parapet. Vigna Istine is at the forefront of Chianti Classico’s battle to win over the world. Follow this example. Drink 2023-2029.  Tasted October 2021

Istine, Radda

Istine Chianti Classico DOCG Vigna Casanova Dell’Aia 2019

Radda

Smaller stones in Alberese and Galestro soils, in Radda, a four hectare plot where trebbiano and malvasia bianca are also planted. The older plantings, their clones and density were not up to snuff so Angela restored and re-planted several years ago. The vines are just now coming into Raddese fruition. That zonal acidity is wholly unique and really shows through in this single-vineyard sangiovese, even if the breadth, complexity and power are not yet there, though elegance, charm and great possibility surely are. Look to 2021 for high end results. Drink 2022-2026.  Tasted October 2021

Istine Chianti Classico DOCG Vigna Cavarchione 2019

Gaiole

Less rocky than the Radda vineyards, here a single steep block surrounded by forest everywhere and picked ahead of Casanova, therefore for 2019 in mid-September. The richest of the single vineyard Classico crus, a wine of texture, integration and qualcosa di Cavarchione, a fullness and a feeling of Gaiole woods, herbals, distillate and brush. The under, over and what’s growing all round. Drink 2022-2028.  Tasted October 2021

Isole E Olena Chianti Classico DOCG 2019

San Donato in Poggio

The 2019 has some spice, that much is true and that is the result of selection, ideally suited sangioivese clones and the pH directive brought about by some of Chianti Classico’s finest canaiolo. Fermented in stainless, aged in medium sized oak barrels, but older ones. Has entered a more structured and tannic stage and it may be wondered if that is the norm. Yes tells Paolo, when first in bottle there is freshness and fruit, then after a few months it closes in before opening up again the following summer.  Last tasted February 2022

Bottled only one month ago and a vintage that brings a pragmatic smile to Paolo de Marchi’s face, with thanks to good volume meeting even better quality. As a vintage “easier than 2015,” tells de Marchi, “which for Cepparello was a cabernet vintage.” Wink-wink. Here 15 per cent canaiolo intersects with sangiovese for a perfectly timed and executed balance between pH and acidity. “There’s always canaiolo in my Chianti Classico,” says Paolo and the truth lies in the generosity of both aromatics and structure. The 2018 was a more uneven season and the wine it produced is actually quite ready to drink, so why wait on it? The 2019 on the other hand has it all, from a growing period so facile and while more difficult to manage during fermentation (not to mention de Marchi’s battle with pneumonia) the end result is a Chianti Classico emblematic of Olena and one to see evolve slowly over a ten to 12 year stretch. Drink 2023-2030.  Tasted October 2021

Casole, Lamole

Lamole Di Lamole Chianti Classico DOCG Duelame 2019

Lamole

The yellow to brown (or tan) label from Lamole di Lamole is the high-toned, highest of UGA acid sangiovese. Even a five per cent of pH balancing canaiolo does not seem to tame the acidity in this lightning red sangiovese. That said the wood brings a creaminess and an accentuation of malic meets morbido texture. Curious Lamole, characterful to be sure. Drink 2022-2024.  Tasted March 2022

Lamole Di Lamole Chianti Classico DOCG Maggiolo 2019

Lamole

From 2019 the UGA’s estate coupling of nomenclature and doubling of additional geographic denominational vernacular finds beauty and silk road length. This sangiovese digs deep into the Macigno, Galestro and Alberese for a wide-ranging, multi-layered and form fitting Chianti Classico. Drink early. Drink 2022-2024.  Tasted February 2022

La Sala Chianti Classico DOCG 2019

San Casciano

Mainly sangiovese (95 per cent) and merlot in large format wood, because tells oenologist Stefano di Blasi “in general in Chianti Classico we are moving away from small barrels and into large cask.” Gateway sangiovese drug in that there is a plushness, softness and accessibility but also a purity and a San Casciano honesty. If the intention is honourable then you can drink this right now but also five years forward for a most positive result. An exacting wine from La Sala nel Chianti Classico, a comment so suitable for an estate in territorial description. Drink 2022-2026.  Tasted February 2022

Le Cinciole Chianti Classico 2019

Panzano

The Panzano work of Valeria Viganò and Luca Orsini travels from strength to strength and while this ’19 Annata was only bottled one month ago it shows the best freshness and right kind of crunchiness here at the Chianti Classico Collection. Indelibly stamped with Le Cinciole and Panzano terroir, a combination of earth and fruit showing as well as any these days. Can’t help but relish the level of tart and eye-popping flavours with an immediacy of early drinking possibility. Terrific Annata in every respect. Drink 2022-2025.  Tasted March 2022

Le Miccine Chianti Classico DOCG 2019

Gaiole

Le Miccine is truly, ostensibly and unequivocally Gaiole sangiovese what with the herbs and brush coming straight out of the forests of the UGA’s hills. It is also an Annata of great vintage ripeness, generosity and flesh. Deliciously delivered, well crafted and perfectly suitable for now plus five years forward. Drink 2022-2027.  Tasted February 2022

Le Muricce Chianti Classico DOCG Leccione 2019

Greve

Le Murrice is a producer from Greve in Chianti with wines also made from lands north of the territory. The Greve (100 per cent) sangiovese is this Leccione, tart and lactic, old-school yet with a young and promising heart. Lacking some fruit and relies on winemaking to create a Chianti Classico experience, mostly succeeding though not really delivering Greve. Drink 2022-2023.  Tasted March 2022

L’erta Di Radda Chianti Classico DOCG 2019

Radda

Same work as is done in 2020 with five per cent canaiolo in a vintage of more body and yet similar soul to the year that will follow. Definitely fuller and just as expansive but a touch rounder in 2019. Was a 25-27 day maceration, a week longer than L’Erta di Radda norm. Was released in September 2021 and will soon be sold through to allow the ’20 Annata to hit the market, likely in June.  Last tasted March 2022

Grown together so essentially a field blend and Diego Finocchi likes to use some canaiolo (five per cent) because it adds more pH to the wine, up to 3.5-3.65 compared to the 3.0-3.1 of sangiovese. But just the five per cent because it brings up that pH so that there is a salty sensation on the palate while the sapidity and freshness are guaranteed as well. Diego has also figured out over the last five years to allow his fruit to hang for seven to 10 more days, finding balance and with that extra pH, total harmony in his Chianti Classico. Alcohol is not considered and need not be because balance is everything, as witnessed by this pitch perfect Annata. Co-fermented and in terms of next up for Chianti Classico this is the one you have to try, taste and understand. Of structure that suspends for so long. A Classico epiphany. Only 14,000 bottles made. Drink 2022-2028.  Tasted November 2021

Mazzei Fonterutoli Chianti Classico DOCG 2019

Castellina

Fleshy and refreshing will best describe the Mazzei Annata from 2019, a sangiovese-plus example from Castellina well heeded of fruit and looking to be given immediate attention. In return it will offer immediate gratification. Drink now and tomorrow, and tomorrow. Drink 2022-2024.  Tasted February 2022

Michael Schmelzer, Monte Bernardi, Panzano

Monte Bernardi Chianti Classico DOCG Sangió 2019

Panzano

Panzano vineyard purchased in December of 2018, of Pietraforte and Galestro. Sala is the name of the property, in conversion to organics and biodynamics, this being the first vintage of this wine from that property. Ripens at or earlier than Monte Bernardi, a place of higher winds and also sun. No stem usage yet in the first year because Michael Schmelzer feels that he needs to get a grip on the place but starting from 2020 stems are in the mix. Comes across like blood orange, a factor of heat and wind, with ripe tannins as a brightness from a young vineyard’s fruit. A sangiovese moving towards complex dynamism yet for now the opposite of cyclical viscous movement, angles rounded and such a crunchy wine. Brightness incarnate. Drink 2021-2025.  Tasted November 2021

Monte Bernardi Chianti Classico DOCG Retromarcia 2019

Panzano

A vintage of great fruit and acidity so heavy stem usage and also because Michael Schmelzer learned from a minor mistake in 2017. That vintage had better acidity then anticipated and so more stem use should have been employed. “I love the vintage, though I like the classic vintages more, like ’16 and ’18.” Here the high tannin quality and that acidity is really about as good as it gets. “I want people to think I make great wines but then find out they happen to be natural. It’s not a goal.” Everything is in check and all the edginess is just right there, lift, animal, swarthiness and grip. “Anaerobic winemaking is to me a broken idea. We see this in wines that preserve oxidative character.” And so this is a wine that will not fall apart as it ages. Here an Annata that will go well into ten-plus years.  Drink 2022-2028. Tasted November 2021

Montecalvi Chianti Classico DOCG 2019

Greve

A portion is whole cluster somewhere in the 20-25 per cent range, at once a precise number and yet vague enough to not be held accountable. Also a portion left on skins for more than two months time. Clearly a wine in which the winemaker (Tim Manning) held no fear of volatile acidity and this sits well under the threshold. Not exactly a 100 per cent sangiovese because there are some rows of canaiolo and also canina nera but not enough to quantify a percentage. Surely a wine of texture and what feels like a “thickened” acidity meaning there is no sear, certainly not out of fear and as a sangiovese is really quite near and dear. Darker cherry incidentally in a Chianti Classico that feels like tradition albeit new and in a very tactile way. I feel the touch.  Last tasted March 2022

Just a lovely, calm and inviting entry into Classico Annata, equalized by a harmoniously seasoned palate w,ell-integrated and equanimous set of sweet acidity and fine tannin. Modern and beautiful, fresh and refreshing, wood a player while also serving to make things whole. Drink early and often. Drink 2022-2024.  Tasted February 2022

Montefioralle Chianti Classico DOCG 2019

Montefioralle

Getting to know the eponymous producer Montefioralle’s arch classic and definitive Montefioralle Classico is not easy because when you make so few bottles only a select number of people can actually access to taste. They are now in Ontario and if fortune smiles you will note the stealth savoury character and lithe swarthiness, the candid accessibility and clean groove running throughout. If 2019 is a perfect vintage for this Annata I cannot say but it naturally fits the Montefioralle UGA’s vernacular, softly spoken, in clarity and also humility. What may be referred to athletically as a natural. Drink 2023-2029.  Tasted February 2022

Monterotondo Chianti Classico DOCG Vigna Vaggiolata 2019

Gaiole

Dusty in youthful tonality for this 85 per cent Gaiole sangiovese in which canaiolo and malvasia nera bring the extra added seasoning into the multi-endemic varietal mix. Baking spice, of cinnamon and nutmeg, then savouries, by cumin and coriander, finishing with grasses, of stem and hay. Liquid wood salve texture changes the gears, adds to the credibility and creativity, even the complexity. Needs time to try and come together. Drink 2023-2026.  Tasted March 2022

Chianti Classico Education in Toronto

Nittardi Chianti Classico DOCG Casanuova Di Nittardi La Doghessa 2019

Castellina

Full juiced, pressed and throttled Annata here from 2019, deep, toasty and firm. All the fruit and more, berries, cherries and plum, tart and dependent on acids for support. That they receive and then some, especially with the level of tannic thrush so purposefully aligned. This is sangiovese that needs the bottle as much as any so oblige and set what bottles you own aside. Drink 2024-2028.  Tasted February 2022

Ormanni Chianti Classico DOCG 2019

San Donato in Poggio

Talk about the passion and sangiovese needing the bottle. Thankfully Ormanni and so many Chianti Classico have time. Thankfully the world is opening to a deeper understanding that sangiovese must be given respect and an open-ended line. The dust and the cries in this wine need to settle, the tannins calm down and the fruit be allowed to shine. It is there, all red leathery, juicy and tart, finishing on a quivering astringent string note. Bof Compte A Rebours. Drink 2024-2029.  Tasted March 2022

Panzanello Chianti Classico DOCG 2019

Panzano

High level of volatility surrounds and distracts from quality richness in fruit aching to be heard. Panzano does not often exhibit this high level of VA and so the maceration here went on just a bit long, followed by a pressing off that brought some angst along for the ride. Drink 2022-2023.  Tasted March 2022

Pasolini Dall’onda Chianti Classico DOCG Pio 7 2019

San Donato in Poggio

Here from San Donato in Poggio comes a lovely if modern sangiovese augmented by “other varieties” but the push-pull, acid-pH balance seems to be a blessing of canaiolo in disguise. Merlot likely, as well if in addition to another international party due to the verdant and creamy swirl running through the blood orange and sanguine expression of this wine. Either way this is strawberry-cherry San Donato in Poggio as filling in a savoury polenta cake. Drink 2022-2025.  Tasted March 2022

Pensieri Di Cavatina Chianti Classico DOCG 2019

Castelnuovo Berardenga

The sangiovese from Castelnuovo Berardenga is always another animal, openly fragrant, expansive and then deep on the palate. Just look at the place and then it would be impossible to wonder why. Pensieri di Cavatina’s is just this, full of air, sandy-salty and then fruit that layers in leathery roll-up style. Thought the tannins were just a bit gritty but they roll along and cover the fruit with equally proper style. Good work here and one to really consider. Drink 2024-2028.  Tasted March 2022

Poci Chianti Classico DOCG 2019

Radda

Poci is located in the southwest corner of Radda in close proximity to parts of Castellina, Castelnuovo (Vagliagli) and also Gaiole. A unique location and one to inspire characterful if singular sangiovese. There is a warmth and a depth to this ’19 Annata, and an affinity with Brancaia in the way it combines freshness with that depth. There is a good amount of chew here in a wine to really sink your teeth into. Seems a bit toasty now but that should settle down before too long. Drink 2023-2027.  Tasted March 2022

Winemaker Alyson Morgan, Podere Capaccia, Radda

Podere Capaccia Chianti Classico DOCG 2019

Radda

Not only is 2019 an über fresh Annata vintage but see where is lands when tasting it side by side and each with the previous ’18 and before that ’17, both of which remain just about as fresh as they were last year and the one before. The level of aromatic concentration here is simply off the charts, olfactory opening and mind expanding. That said you feel the botti still, something that has melted away from the others even while their fruit remains fully intact. Part early life and part bigger vintage but ultimately the bar is raised and the 2019 is just a gorgeous wine. Flavour and texture work in cahoots to carry the load and allow this Annata to exhale and then inhale for several years of confidence and pleasure. Drink 2023-2027.  Tasted March 2022

Podere Castellinuzza Chianti Classico DOCG 2019

Lamole

Lamole perfume straight away, up front and knowable, floral but more so a matter of herbs and fungi, legumes and grasses all mulched into an aromatic potpourri. Silky and savoury, a sangiovese of clarity with thanks to vintage mainly, serving to accentuate but also openly calculate a sense of place. Drink 2022-2025.  Tasted February 2022

Podere Cianfanelli Chianti Classico DOCG Cianfanello 2019

Greve

From Greve and understandably so, fruit well developed, ripe and full, good depth overall. Not overtly aromatic yet a broad potpourri emits. Quite concentrated, pressed and tannic. Traditional and knowable. Drink 2023-2025.  Tasted March 2022

Podere La Cappella Chianti Classico DOCG 2019

San Donato in Poggio

Ah the beauty and grace of San Donato in Poggio and in these Rossini hands a stunning 2019 Annata. Aromatic elation, exultant floral lift and mineral euphoria. Fruit so stylish and defined, a dignity of stone and elements run through, nothing out of place, all following a line as if on a circle. A wine that always comes back to where it started while fleshing and gaining traction, picking up subtleties but most of all concentrating in succulence. While the expression is clearly San Donato in Poggio, Podere La Cappella’s particular limestone terroir just can’t be missed, especially in an open and generous vintage such as this from 2019. Juiced orange, bloody, tart and health affirming, bled white stone and a soil gifting purity speak pure Colombino. There is so much to love and appreciate about the grace in this sangiovese. This is Bruno and Natascia Rossini’s land and style. Drink now and whenever, even forever. Drink 2022-2029.  Tasted February and March 2022

Podere Lecci E Brocchi Chianti Classico DOCG 2019

Castelnuovo Berardenga

From Castelnuovo Berardenga and dramatically so, big and open hearted, well filled with red fruit syrup of sangiovese liqueur. Lots of pressing here, concentration and some heavy, weighty and full tannins are the result. Drink 2023-2026.  Tasted March 2022

La Locanda Di Pietracupa, San Donato in Poggio

Poggio Al Sole Chianti Classico DOCG 2019

San Donato in Poggio

From San Donato in Poggio and a sanguine mix of iron and orange, mixed soil sensations and really quite classic frazione feels. Builds tannins, climbs, develops and shows off its range. Plenty of wine her, quite exemplary and designed to hold steadfast for up to five years. Drink 2023-2026.  Tasted March 2022

Poggio Bonelli Chianti Classico DOCG 2019

Castelnuovo Berardenga

Poggio Bonelli’s Annata from 2019 is quite advanced and so ready to drink as if a three or four year-old sangioivese were in your glass. Earth and musky animale lead the aromatic front with a minor amount of Brett to naturalize and synthesize with the chewy red fruit. Acids are sour-edged and follow right in line. Drink 2022-2023.  Tasted February 2022

Pratale Chianti Classico DOCG 2019

San Casciano

Gets neither brighter nor further blessed of red fruit than this star of San Casciano. No missing the mineral element neither, in fact there is a schist, marl and river stone stream running through the plush and succulent fruit in this stellar example of Classico sangiovese. Good tannic delivery at the end is tart and drying yet properly austere. Drink 2023-2027.  Tasted March 2022

Principe Duccio Corsini, Villa Le Corti, San Casciano

Principe Corsini Le Corti Chianti Classico DOCG 2019

San Casciano

A “complicated spring,” tells Duccio Corsini, not an overheated summer and good harvest, done before the end of the first week of October. Good yielding though for Le Corti it rests at just under six tonnes per hectare, well below the appellative “disciplinare,” i.e. production code. Sealed under Diam #5, classically Le Corti river stone savoury, with five per cent colorino. Full textured while maintaining the Corsini seasoning and San Casciano vim. Succulent acids, lengthy tannins and early integration. Especially for 2019, urged on by aging in concrete tanks. Drink 2021-2025.  Tasted October 2021

Pruneto Chianti Classico DOCG 2019

Radda

Seems to be the Pruneto Annata vintage we’ve all been waiting for. Such sangiovese air and breaths of freshness are welcome with arms and palates open wide. Great fruit man, pure cherries and then this feeling of distillate. Crisp and fresh with Raddese acidity and also herbology safely tucked within. Approach with naïveté and also know that aging is within the communal cards. Drink 2023-2027.  Tasted February 2022

Querceto Di Castellina Chianti Classico DOCG L’Aura 2019

Castellina

Similar to the upcoming 2020 in that the heavy prevalence of Alberese soil wants to take control, even at the Annata level. A 2019 of wild berry, balsam and full peppery piqued sangiovese seasoning and enough freshness if rounded in ways that make for a most accessible Annata. Already evolving ever so slightly this way and it is said that L’Aura rounds by wood, if on a scale so incrementally minor as compared to 2020. Truth be told this is as much like Radda than it is Castellina. Border proximity and elevation are responsible for this very fact. Drink 2023-2027. Tasted February 2022

Winemaker Manfred Ing, Querciabella, Greve

Querciabella Chianti Classico DOCG 2019

Greve, Gaiole and Radda

Changes are in the air as always in perpetual and forward thinking motion and felt with most palpable readiness of promising concern in the Querciabella Annata. A wine of amalgamation, a triad of territorial delivery, each contribution as valid and poignant as the next. More to the point is how the grapes arrive and are poised to compliment, layer and celebrate each other. A wine of balance but understanding is a deep and wonderful thing. Note the brush with places, the layers of elevation and fluidity from red fruit flavours through textural tranquility. Seriously, serious and not so much. Just knowing, ready and willing to please.  Last tasted February 2022

As always 100 per cent sangiovese from Radda, Greve and Gaiole, most of its life spent in larger format casks. At this point 25-30 hL with what would be even more purity extracted were there 50-70hL sizes involved. The level of transparent concentration is at what feels like the peak of Querciabella Annata. Every vintage is different and requires so much attention and that detail for fine tuning is so indelibly and intensely pitch elegant captured in the generosity of this wine. Clearly a balance in the vineyards but also in how here they layer and come together. Really young, tannins wound and yet not so compact, fruit singing with sliding scale through three communes in succession. Drink 2023-2033.  Tasted November 2021

Quercia Al Poggio Chianti Classico DOCG 2019

San Donato in Poggio

From 2019 the Annata is über savoury, of pine forest and a sangiovese with 20 per cent other endemic grapes that take turns delivering herbs, underbrush, wild herbs and forest mulch. Finer tannins even if the wine is tight after all those aromatics emitting from the wine. This is the epitome of a sangiovese in Chianti Classico form needing time, not just in elévage but also in the bottle. Drink 2024-2028.  Tasted November 2021

Ricasoli 1141 Brolio Chianti Classico DOCG 2019

Gaiole

Like the ’19 Riserva tasted last month in Firenze there is a rounded and getable nature about the Brolio Annata that just speaks to a combination of vintage and place. That being 270 hectares of well thought out Gaiole intendment, including in Monti where the grapes should help create harmony in Ricasoli’s biggest volume Chianti Classico wine. Can’t miss the Gaiole savour, herbals dried and also sweet, fruit layered from five distinct soils, each contributing and forming the basis for a pentangle of sangiovese righteousness. All in all a great modern era formula that would make the Iron Baron Bettino Ricasoli proud.  Last tasted April 2022

Ricasoli’s ’19 is really quite open, gregarious, sumptuous and available. A magical blend of five terroirs and one to enjoy with just about anything in the here and now. Certainly shows a sour cherry and red citrus angle caused by elevated volatility but that’s where the food will come in. Drink 2022-2025.  Tasted February 2022

Riecine Chianti Classico DOCG 2019

Gaiole

Grande Gaiole compass, cinch and girth in naturally swarthy sangiovese from Riecine in 2019, crunchy and tart. Inching up towards the volatile but such is the word in pace for the vintage. The fruit can handle the stark reality and veritable truth, equipped with grip and ready for the inevitable circumstance. Maybe wait a year for further resolution. Drink 2023-2027.  Tasted February 2022

Rocca delle Macìe, Castellina

Rocca Delle Macìe Chianti Classico DOCG Tenuta Sant’Alfonso 2019

Castellina

From the second property purchased by Sergio Zingarelli’s father Italo in 1973, the largest of the four estates, a place of clay and at times wet soil. Much higher tones and acidities than the Famiglia Zingarelli, in the Castellina air as opposed to mulched in the sottosuolo below. More specific, 100 per cent sangiovese and rounded out by fruits of all ilk; fresh, dried and everywhere in between. Drink 2023-2026.  Tasted February 2022

Rocca Di Montegrossi Chianti Classico DOCG 2019

Gaiole

As calcareously tight and wound like a wire around a steel coil this Annata 2019 may be there is something other here, a feeling immediate, insightful and profound. Not just any sangiovese from Montegrossi and perhaps the vintage to explain a Gaiole notion for appellative Chianti Classico DOCG wines. A blend of 88 per cent sangiovese, (10) colorino and (2) canaiolo. A reminder that Marco Ricasoli makes this and he makes Gran Selezione with no Riserva bridge and so at the Annata level there is great fruit, observation and intent. Yes it’s true that three years minimum in bottle are required to release the hounds of charm, but the sangiovese here has done its work silently and the result is a ’19 we can depend upon. Domestic and secure, a wine of warm diplomacy that will certainly bring people together, even those of differing philosophies. Brilliant harbinger for the vintage and what’s to come from the community at large. Grande, once again. Drink 2024-2032.  Tasted July and November 2021

San Fabiano Calcinaia Chianti Classico DOCG 2019

Castellina

Rich and chalky, red fruit glare in the classic Castellina way and quite structured for a 2019 Annata. Drink now if you must and with some air this will open, release and please but two years will do well to soften the edges and also integrate the wood spice. Drink 2023-2026.  Tasted February 2022

San Giorgio A Lapi Chianti Classico DOCG 2019

Castelnuovo Berardenga

Flawed. Acetic well above 1.0, in fact this is acetic 1.0, likely upwards of 1.5 in volatile acidity. Hard to find any fruit or nuance as a result. Certainly no sense of Castelnuovo Berardenga. Drink 2022.  Tasted March 2022

Tasting with Luca Martini di Cigala and Silvia Fiorentini at San Giusto a Rentennano, Gaiole

San Giusto A Rentennano Chianti Classico DOCG 2019

Gaiole

“For us it was a bit different than the rest of Chianti Classico,” explains Luca Martini di Cigala. “There was a big hail in July, delaying ripeness and three layers of green harvest was necessary, to reduce yields and allow the plants to regenerate.” Meant for a late pick that finished on the 16th of October. The final count was 20-25 per cent down yet there are very few Chianti Classico that combine aromatic concentration, flavour complexity, textural glycerin and compaction of tannin like this. Every part of the cherry and cool herbals persist throughout. Prompts the question as to when Luca first saw signs of climate change, events and extremes. Luca’s response is that he realized something was not right in 1998, when the skin of the berries were burned by the sun. In 2017 the vintage brought early frost and then dry heat, with the coming 2021 being another frost year yet again. Drink 2022-2027.  Tasted November 2021 and February 2022

San Leonino Chianti Classico DOCG Al Limite 2019

Castellina

Direct spike of red lightning Castellina fruit in a right proper and openly fragrant, upright, generous and perfectly seasoned ’19 Annata. The fruit soars like an eagle, takes it as far as Annata will go. Lovely texture and generous mouthfeel. A wine senza limite. “So put me on a highway, and show me a sign. And take it to the limit, one more time.” Drink 2022-2025.  Tasted March 2022

Stomennano Chianti Classico DOCG 2019

Castellina

Stomennano’s western Castellina sangiovese is not merely one that delivers a juicy, fleshy and red citrus bleed but even more the kind that speaks to terroir as much as any in the UGA. This Annata screams Galestro, clay accessibility mixed with grippy schist. Literally smells and tastes like calcareous clay, wet and stony, like Villages pinot noir from Santenay, in a way, but sangiovese is sangiovese and yet this can be consumed just about any day. Drink 2022-2025.  Tasted February 2022

Tenuta Di Campomaggio Chianti Classico DOCG Campomaggio 2019

Radda

Herbal and tight, creamy and yet austere. A wine of disparate parts, true Raddese acids and a true altitude crunch. Fruit is substantial and invigorating, overall emotion kept in relative check. Bounces around and about so it will interesting to see where this will land. Drink 2023-2026. Tasted February 2022

A winemaker, an angel and two ambasciatori walk out of a bar ~ Il più grande piacere to taste, talk, break bread and resurrect with these heroes amongst us, @seanilguercio and the King. Sangiovese, maneuvers and the Lucarelli cuisine.

Tenuta Di Carleone Chianti Classico DOCG 2019

Radda

In 2016 the two entities of Karl Egger’s Tenuta di Carleone and Brit Séan O’Callaghan’s Il Guercio combined and they took over Podere L’Aja’s Radda vineyards, opposite Vertine. Retroactively it was 2015 that was the first vintage of Chianti Classico (made by Istine’s Angela Fronti) and then in 2016 O’Callaghan made his first as oenologist and winemaker for the project. “I make one Chianti Classico because I have to and I want to,” tells Séan. That said it is a sangiovese that does not pass the tasting panel at first try but eventually the slightly elevated volatility gets under the skin and lifts the spirit. Light? Not really but luminescent and a true scintillant of sangiovese. “The most important wine we make,” he adds, “because it’s the one that needs to grab your attention.” My goodness this is Niagara bench-land Bachelder pinot noir/gamay but in Radda! Crunchy and perfectly stemmy from 30-35 per cent whole bunch and two to three months maceration, depending on the vineyard. The lightest and elegant and fresh go into (the 100 per cent sangiovese IGT) Uno and everything remaining from Radda goes into the Chianti Classico. And yet this is light so Uno will be even lighter! Approximately 42,000 bottles are produced. Drink 2022-2026.  Tasted March 2022

Tenuta Di Lilliano Chianti Classico DOCG 2019

Castellina

Nine months later and full confirmation guaranteed. Pretty and red fruit fleshy in a 2019 Annata with full compliment and support by those sweet lightning Castellina sangiovese acids. Just what to except, appreciate and even adore in straightforward, linear and crispy Chianti Classico for now and up to five years. Perfectly executed in lithe style by Lilliano.  Last tasted February 2022

The just released Ruspoli 2019 from western Castellina in Chianti’s Tenuta Di Lilliano takes off where the most amenable 2018 sangiovese left off and runs with the great vintage vibe. A traditionally blended Annata with five per cent each colorino and merlot, for old and newer school bookending and with this stacked vintage in pocket there will be some drawing upon the state’s track record for aging Annata level Chianti Classico. Ruspoli is an aristocratic family from Rome (and palace of the same name), but is originally from Florence. Giulio and Pietro Ruspoli are the proprietors of Lilliano and it was Princess Eleonora Ruspoli Berlingieri who first bottled Lilliano’s wines in 1958. This is just beautiful appellative sangiovese, full of ripe Castellina fruit balanced against a backdrop of inviting territorial acidity and sweet, sweet tannins. The essence of sangiovese is brought straight to the surface with immediate gratification available in a wondrous example that may not need any further development time in the bottle. Drink 2021-2025.  Tasted May 2021

Tenuta Di Nozzole Chianti Classico DOCG Nozzole 2019

Greve

Quite the herbal hyperbole here from Greve, pine forest and the resin oozing off the trees. Syrupy in the mouth, thick red liquidity in sangiovese that draws the aura of the land, lends it sweetness and thickness its plot. It’s a soup metaphor for a reason. Drink 2022-2024.  Tasted March 2022

Tenuta Orsumella Chianti Classico DOCG 2019

San Casciano

Really firm San Casciano sangiovese from Orsumella though the grip and also depth are in cohorts with quite the impressive vintage gather of fruit. You sense realism and intention in this wine, nothing overdone or gone too far. There is something strong and in charge for sure though everything is about structure and controlled longing. Impressive across the board. Drink 2022-2025.  Tasted March 2022

Tenute Squarcialupi La Castellina Chianti Classico DOCG Squarcialupi 2019

Castellina

For the record The Squarcialupi Codex (housed in the Biblioteca Medicea Laurenziana) is an illuminated manuscript compiled in Florence in the early 15th century. It is the single largest primary source of music of the 14th-century Italian Trecento (also known as the “Italian ars nova”).The first of two Tenute Squarcialupi Annata out of Castellina is the one more textured, of glycerol and subjected to pectinization. A hematic and ferric depth is noted in the way a sanguine current runs through this sangiovese and it just feels like it comes from red earth. Fluid and structured, serious in a way but surely composed. Really well made wine. Drink 2024-2028.  Tasted March 2022

Tenute Squarcialupi La Castellina Chianti Classico DOCG Cosimo Bojola 2019

Castellina

Further to what must be a connection with the Squarcialupi Codex, the first folio in the codex states: “This book is owned by Antonio di Bartolomeo Squarcialupi, organist of Santa Maria del Fiore.” On the following pages, added later, are humanistic poems in praise of Squarcialupi.” The second of two Tenute Squarcialupi Annata out of Castellina is this Cosimo Bojola, lighter, brighter and less texturized as compared to the Squarcialupi. Also more serious in the intensity of the elements, minerals and currents that run through, while also grippier, compact, linear and streamlined. This is the one that reminds of Bourgogne of a high-caste village and if any Castellina wine indicates where it comes from, this focused Cosimo Bojola is that one. My goodness. Drink 2024-2029.  Tasted March 2022

Terreno Chianti Classico DOCG 2019

Greve

A very specific quadrant of Greve is accessed and acquiesced in Terreno’s Classico Annata, not shy but yes restrained, upwardly mobile and with an understanding of how to reach markets old and new, young and old. A great family member this Terreno, hospitable and generous, open and yet respectful of traditions, acquired and also introduced. Best Annata ever for the house. Drink 2022-2026.  Tasted February 2022

Chianti Classico rocks

Tolaini Chianti Classico DOCG Vallenuova 2019

Castelnuovo Berardenga

Some merlot augments the sangiovese in this Castelnuovo Berardenga Annata and it shows in the lithely verdant plus creamy smoothness noted, from nose to palate. Also a 2019 of more tannin than many, felt and understood as the wine dries away with classic sangiovese austerity. Savour, acidity and brushy flora are all there, up front and at the finish. Drink 2023-2027.  Tasted February 2022

Triacca La Madonnina Chianti Classico DOCG Bello Stento 2019

Greve

Bello Stento, literally “hardly beautiful” is just a perfectly traditional example of Chianti Classico, especially in Annata form, finding a modernity of freshness, accessibility and beauty without compromise or giving in to trend. Aromatically brushy and Amaro herbal while also in delivery of real glycerol and sap running texture. Neither crunch nor chew but something in between. Drink 2022-2024.  Tasted February 2022

Vallepicciola Chianti Classico DOCG 2019

Vagliagli

Always fulsome, concentrated and so well developed, texture in sangiovese defined, climbing to syrup and jam but staying just shy of that consistency. Concurrently and expressly Vagliagli, hinting at the volatile and again remaining comfortably in check. Very blood orange and red currant with mineral earth running through the wood flavours. Drink 2022-2025.  Tasted March 2022

Vignamaggio Chianti Classico DOCG Terre Di Prenzano 2019

Greve

Perfect medium weight and sweetly initiated entry into Classico is just this from Vignamaggio’s multi-terraced, tiered and controlled Annata 2019. A sangiovese plus parts thereof in varietal addendum to squeeze ripenesses and pack them in like punch. Fills by barrel and parts equalized amount to an easy CC that knows just what to do. Simple and forthright. Drink 2022-2024.  Tasted February 2022

Viticcio Chianti Classico DOCG Vendemmia 54 2019

Greve

Not on the lighter side of Greve so near to Monterioralle per se but surely a Classico picked and rendered in a fresh, come and get it style. That said there is some mild peppery jolts mixed with spiciness that shows up both on the nose and also the palate. Continues into some sangiovese austerity with dried herbs and drying tannin at the finish. Drink 2022-2024.  Tasted February 2022

Chianti Classico Experience, Restaurant Education

Chianti Classico DOCG 2018

Bindi Sergardi Chianti Classico DOCG La Ghirlanda 2018

Vagliagli

A beautiful and open-knit Mocenni Annata from 2018, not exactly lithe or shrinking but already quite available at this time. That said the acidity is in full control and while the tannins are ones of grip and fortitude they sidle in and connect with the other constituent parts. Further to that this is a wine that continues to roll forward, collecting matter and growing in stature and as a result complexities. Ok enough about that.  Last tasted October 2021

La Ghirlanda is the Bindi Sergardi Annata from the Tenuta Mocenni (estate) in Castelnuovo Berardenga and if any one single bottling from Alessandra Casini Bindi Sergardi should act as the spokes-wine, this would have to be it. The authentic and exacting sangiovese of full regale and ornamentation, the ”garland,” celebratory Chianti Classico of purpose for proprietors and place. Pulls from Mocenni’s Alberese and Galestro, managing structure while exulting succulence of fruit. The most getable and beautiful Chianti Classico Annata is here, bright and balanced. So ready to be taken advantage of which might act contrary to sangiovese messaging but do not fear because enough Alberese meddling equips this 2018 to offer its best through the middle of the decade. Drink 2021-2026.  Tasted May 2021

Ser Gardo, Bindi Sergardi, Vagliagli

Bindi Sergardi Chianti Classico DOCG Ser Gardo 2018

Vagliagli

I Colli Estate’s Vagliagli vineyards abutting the Chianti Colli Senesi are the source and so different to that of the Mocenni amphitheatre. A higher pH and a lessening of acidity make for a silky smooth and lush Classico. The 2018 is a perfumed vintage, with brushy herbs and local flora. So much more perfume, lovely florals and a resolution of the tannins into the middle points and parts of the wine. Beautiful work with one hundred per cent sangiovese to express this southwestern corner of the Vagliagli sub-zone.  Lastt asted October 2021

Ser Gardo, sibling to La Ghirlanda, both Annata wines but here from Bindi Sergardi’s I Colli estate. Same Castelnuovo Berardenga zone but slight alteration in soil. Still the Alberese but less Galestro. Not as glycerin and luxe as Ghirlanda and even with a lighter to easy vintage like 2018 there is little doubt that sangiovese like this will need some time. The sensation taken here is lime-chalky, sapid in nature, less give and more demand. Not seriously tense but a year would assist in softening the grip and integrating the lighter 2018 fruit. Seemingly more traditional, herbal and savoury sangiovese to be sure and yet always with that post-modernist’s Bindi Sergardi thick brushstroke of style. Drink 2022-2027.  Tasted May 2021

Cantalici Chianti Classico DOCG Baruffo 2018

Gaiole

Baruffo the dog, one of twenty currently on the property. Baruffo the 100 per cent sangiovese of increased concentration, richness and breadth as compared to the blended Cantalici. Ages for one year in 20 hL barrels, plenty of development for what is a late-picked, fully reasoned and seasoned Annata. Will resolve and show its best in two years. Another step forward taken, consistent within the estate style. Drink 2024-2028.  Tasted February 2022

Carpineta Fontalpino Chianti Classico DOCG 2018

Castelnuovo Berardenga

Castelnuovo Beradenga’s Carpineta Fontalpino farms vineyards at the estate and also in Montaperti plus Dofana within the Vagliagli UGA of the commune’s western butterfly wing. Winemaker Gioia Cresti so magically and intrinsically marries the mix of fruit for a classico that resides apart from her cru sangiovese. Low yields for Annata off of mixed clay, sand and also (Alberese) limestone come from mixed elevations between 380-420m picked across the entirety of the month of September. A true stacked ferment concept, an honest and exemplary estate wine to get right at what Cresti and her estate are all about. Gioia is a cru fanatic but this sangiovese really matters. The succulence, salumi meatiness and forza della natura are all you need to know about her skills, humility and humanity. Drink 2022-2027.  Tasted November 2021

Castello Di Radda Chianti Classico DOCG 2018

Radda

A unique and particular vintage, unlike others in the recent past or what would come from 2019. More important is how here at Località Il Becco along with nearby Il Corno the conditions were so different from the rest of the territory. Arid and warmer in this area, making for dry, tight and plum dusty sangiovese, even a bit austere. The warmth has not resulted in density of concentration as it might in some other vintages, take 2015 as an example. While it may be missing the sweet harmony of 2019 there is a clear message of Raddese acidity and likely a good long life ahead.  Last tasted March 2022

A sangiovese from Radda in Chianti that in Annata form and out of a vintage that requires less time in order to express its terroir. The vineyards are located in the lower part of the valley, below the Macigno sandstone and away from the more calcareous eastern and southern sections. This is the place of “formazione geologica particolare,” a schisty area where Galestro is common. A very pretty version of Castello di Radda’s sangiovese is exactly this, crispy and spicy, acid circulating and turning the fruit from soil earthy to creatively succulent. Crunchy too and ready for immediate work, best to match alongside grilled Tuscan sausages, eggplant and zucchini. Drink 2021-2024.  Tasted April 2021

Fattoria Cigliano Di Sopra Chianti Classico DOCG 2018

San Casciano

Still a good leesy reduction to start, wine of extraction and in the third year so different from before but not yet in discovery of the balance and especially tannic extraction. The wine has come into a much better place, the tannins have lost much of their astringency and the wood has melted in. Drinking well right now.  Last tasted November 2021

From a place (San Casciano) that gifts perfume but in the most savoury of ways. There too is a deep red darkness to the fruit and here the full advantage of 2018 is taken into consideration. Everything here is done with acumen intention, including maceration, pressing and extraction. The redundancy effects the outcome, restricts the subtleties and brings immediate gratification. Fourth vintage for the estate’s young winemakers and expect two steps forward from 2019. Drink 2020-2022.  Tasted February 2020

Fattoria della’Aiola Chianti Classico DOCG 2018

Vagliagli

Has lightened through linear design and really shows that it was not a vintage of great generosity. More so one of savour and direct impression though now feeling a bit closed. It’s a phase and should resume an open door policy from late ’22 through early ’26.  Last tasted February 2022

The field work put in by the team at Fattoria della Aiola in the most challenging 2017 vintage pays double dividends with the ease and amenability of ’18. The Annata arrives from low in the valley below Radda where the location looks easterly through the true Castelnuovo Berardenga UGA. If that ’17 carried the air of refreshment and lightness of Castelnuovo sangiovese then get a whiff and a taste of this ’18. Sharp, tight, composed, finessed and always shining bright. The depth of fruit and structure is magically subtle, hidden in shadows and at present allowing the pleasure factor to reign supreme. There is grip and determination behind that pretty scene and so some sangiovese longevity is surely promised. Drink 2021-2026.   Tasted August 2020

Fattoria Le Masse, San Donato in Poggio

Fattoria Le Masse Chianti Classico DOCG 2018

San Donato in Poggio

First vintage with new (large format) wood and it shows on the nose, from the vineyards in Morrocco, a land totally different from Le Masse’s estate lands. Not exactly like the Classico soils of Galestro and Alberese but still rocky, hard soil that drains easily and very different than Chianti nearby. Solo sangiovese, land directed, soil funky, fresh and vital. Partially fermented in wood tanks, a touch Bretty and notable tannic. Needs to and will settle in nicely. Drink 2023-2027.  Tasted October 2021

Fattoria Montecchio Chianti Classico DOCG ‘Primum Line’ 2018

San Donato in Poggio

Montecchio’s 2018 has come around, having strayed away and found how to amortize, acclimatize and ultimately prioritize what needs to settle and feel just right. A textural, liquid San Donato in Poggio red soil, Ligurian wind and stony sangiovese if ever there was, rounded by grapes that soften, including in their colour. A lovely drop at this age and perfectly present day drinking Annata. Drink 2022-2024.  Tasted March 2022

Fattoria Pomona Chianti Classico DOCG 2018

Castellina

Sold out already and truthfully a carbon copy, albeit lighter on its Castellina feet, of the Pomona Vineyard Gran Selezione. In this case fruit comes from Sant’Ilario and Vigna del Termine vineyards. Here in Annata terms with readied, steadied and intuitive ease. Different and dual vineyard impart and more elastic movement than the GS but also the two vintages that came before. Crafty Classico, of a caring knowable in the idiosyncratic Pomona stability of style. A smaller vintage than 2019 to come but says Monica Raspi, “such is life.” Drink 2021-2026.  Tasted October 2021

Fontodi Chianti Classico DOCG Filetta Di Lamole 2018

Lamole

No one picks before October 10th in Lamole and Fontodi’s Filetta was the last. Always is, that’s the pecking order and Giovanni Manetti’s cousin who owns the vineyard goes back to 1045 in Chianti Classico, the oldest in recorded history. That Lamole perfume is unmistakable, with all the character of Lamole and the palate structure of a Fontodi wine. Bigger than most in Lamole and yet more graceful and caressing than those of the Conca d’Oro. As complex and fine as Filetta can be, ushering in a new level of deeper understanding, resolution and completion for Manetti and Lamole. A harbinger for the great and symbiotic relationship between Lamole and the vintage, leaving an impression that says this is the Unità Geografiche Aggiuntive place to be in 2018. Drink 2023-2031.  Tasted October 2021

Il Molino Di Grace Chianti Classico DOCG 2018

Panzano

Great freshness in abundance and despite some critical vintage theory there is so much to find in a Panzano Annata like this from Il Molino di Grace. Piquancy and an open door policy, classicism for the UGA in an ideal snapshot and Chianti Classico profile. Memory recalls the violet perfume and purity of fruit when tasting this 48 hours after it left the vine. Nothing has been lost or sacrificed to virtue or clarity in solo sangiovese that begs to be seen, heard and tasted. Will require less time than some vintages, to ready itself for piacevolezza e gustosità. Drink 2022-2026.  Tasted October 2021

Le Cinciole Chianti Classico DOCG 2018

Panzano

Le Cinciole’s 2018 benefits from two things: Less than heavy vintage result and one extra year in bottle to soften the Panzano-Galestro tannins notably present in this chalky wine. Red schisty-clay-limestone consistency, texture and presentation with high toned, lifted and red citrus behaviour. Quite a vintage snapshot mouthful in emotion but never heaviness. Still a bit oak dominant which should pass in another year or so. Drink 2023-2026.  Tasted February 2022

Le Fonti Di Panzano Chianti Classico DOCG 2018

Panzano

Every time I taste a Le Fonti sangiovese there is instant recognition of Panzano but even more so the north and northeast oriented vineyards of Vicky and Guido’s fine, fine estate. This from ’18 is purely, expressly and unequivocally Le Fonti. Cooler, more linear, precise, focused and intentional than broader Panzano and surely a child of craft, the chase and chaos. Bravo Guido, brava Vicky, thank you for this honest act of Chianti Classico humility and humanity. Drink this every day.  Last tasted March 2022

In Vicky’s world “a very alcoholic year,” hot and dry but an expected extreme. Came out at 15 per cent with great fruit to counteract and balance this out. Light chalkiness and long chains of tannins, full palate exposure and much pleasure to find. Picked between the 28th and 3rd of October so took all and full advantage of a late September Panzano 25-plus degree fluctuation of daytime heat spike to nighttime lowest lows Therefore not hard to know what to attribute the alcohol to, relating to evaporation, humidity or anything else that happens when grapes flash develop that late in the season. Drink 2022-2026.  Tasted October 2021

Lornano Chianti Classico DOCG 2018

Castellina

The year is 2022. The vintage of this Lornano Annata is 2018. Why is it in this glass and being assessed is anybody’s guess. “Sangiovese needs the bottle,” is said with a shrug and the simple utterance remains etched in mind forever. Nicolò Pozzoli said this five years ago, well before this wine was even a twinkle in his Lornano eye. The vinous, herbal essence and essential oils have yet to integrate. The tannins have to assimilate and the wine knows not yet where it will go. Or perhaps it does and has chosen to stay quiet, in slumber and protected. When it emerges there will be the same classic Castellina cool and savoury sweetness as ever. The vintage will offer this gift of Lornano. Drink 2024-2028.  Tasted March 2022

Nardi Viticoltori Chianti Classico DOCG 2018

Castellina

Nardi’s 2018 is purely and confidently Castellina sangiovese, richly glycerin, sweetly herbal and parochially viscous. This is Castellina red fruit incarnate, croccante, seamlessly woven with fine if understood acidity and gentle, equally getable tannins. An Annata meant for putting in your glass, anytime, anywhere.  Last tasted March 2022

Nardi in Castellina in Chianti is found below Lilliano and Macìe covering an area of ​​forty hectares of property. Ten are vineyards and the rest is divided between olive groves, various crops and the farm for breeding Chianina cattle and Cinta Senese pigs. The work of Angelo and Giacomo, sons of Enrico. Their striking ’18 Annata scintillant is 90 per cent sangiovese plus five each canaiolo and colorino. It is truly Classico marl-Galestro Castellina, bleeding cherry red fruit, acids that travel up and down the sides and then further serve to circulate the succulent and juicy fruit as it moves around the mouth. It’s the full sangiovese from a specific commune allowed to shine experience. Dictionary entry, spot on and satisfying. Drink 2021-2026.  Tasted January 2021

Podere Capaccia, Radda

Podere Capaccia Chianti Classico DOCG 2018

Radda

Winemaker Alyson Morgan uses only large format cask to age her Annata and like the previous 2017 this 2018 comes from an arid and very warm vintage though not quite as extreme. That ’17 is still so fresh and this ’18 is outrageously youthful, not closed but vinoso, cinnamon dusty and giving this feeling of sangiovese scorrevole. In other words it clings to but also slides as if tethered to the inside of the mouth. Acid level is still strong and yet supportive with thanks to how and when the grapes are chosen to be picked. If ’17 is chewy then ’18 brings the crunch, easy to say when you know that ’19 will fall harmoniously in between. Drink 2022-2025.  Tasted March 2022

Podere Castellinuzza Chianti Classico DOCG 2018

Lamole

Lamole with an extra year’s settling is always a wonderful plan especially when executed with precision to a cumulative point of no return. Castellinuzza’s Annata is at exactly that place and is that place, a perfumed frazione sangiovese of well-ripened and judged fruit, floral tones both under and over. Succulent and textured if just a bit green, not unusual and in fact concurrent, at least at times here and there, with the UGA’s way. Drink 2022-2026.  Tasted March 2022

Quercia Al Poggio Chianti Classico DOCG 2018

San Donato in Poggio

Youngest vineyards are 15-20 years old so they are all able to defend themselves in dry or challenging vintages. An average year really and not all the grapes are picked to be bottled, making sure to always maintain quality. All the vineyards contribute to the Annata, even some from Vigna Le Cataste, the 1997 planted vineyard, two sides over two valleys, argiloso on north side and Galestro to the south. Mostly 500L tonneaux with new 28 hL botti installed two years ago. “Organic with biodynamic undertones.” All five wines smell so completely different. Up to 20 per cent are mixed endemic grapes, including 10 of ciliegiolo, plus canaiolo, colorino and malvasia nera. Adds up to a multi-national and savoury blend, a parochial gathering that layers a true sense of place, dusty, plum peppery and a true sense of forest airs in this wine. Good weight, balance and length. Drink 2022-2026.  Tasted November 2021

Renzo Marinai Chianti Classico DOCG 2018

Panzano

Marinai’s Panzano is one of the richest, most fruit cumulate sangiovese of the UGA’s lot. From 2018 there is warmth, development, spice and Amaro viscosity. Viscidity too, rightfully tacky while also full of gems and precious metals. Such a Panzano delight, full and ropey, resistant to sheer forces and ready for the main course. Drink 2022-2025.  Tasted March 2022

Tenuta Casenuove Chianti Classico DOCG 2018

Panzano

Crunchy Panzano Annata here from Tenuta Casenuove, peppered as opposed to peppery, as if with freckles or micro-sized bits of earth. Plenty of salt and pepper seasoning but again nothing sharp or spicy about it and fruit so very berry red.  Last tasted March 2022

From the southwest corner of Greve in Chianti, southwest of Montefioralle and close to Panzano. Modish and modern for 21st century sangiovese is just this, stylish, chic and highly motivated. Quite fully developed and felt red fruit of glycerin, pectin and mouthfeel but you want more and more. Impressive magnitude in bringing so much fruit into the mix. Not overtly high in acid or tannin so use this early and often. Drink 2020-2022.  Tasted twice, February 2020

Val Delle Corti Chianti Classico DOCG 2018

Radda

Picked at the end of September and into the first week of October after a stretch of time from which humidity rose at night. There were some problems with mould and insects. And so the early picking (for Radda) lent finesse and Radda acidity for some of the Classico’s light and direct wines. Yet another moment of diversification from UGA to UGA and vintage to vintage. This is not a massive sangiovese of alcohol and grosso attitude. This is exactly the opposite, while 10 minutes drive away in Panzano some wines are big and bullish, pushing and exceeding 15 per cent alcohol.  Last Tasted October 2021

Roberto Bianchi’s steep hillside slope is where he farms a quietly dramatic terroir to conjoin or congiungere with Radda’s many high elevation localizzazione. These once not long ago too cool for ripening sangiovese vineyards are now the place to be and Bianchi takes full account, responsibility and risk to make the most of his new world Chianti Classico possibilities. Long macerations are often over 45 days, even longer for Riserva, though in this easy and lighter vintage perhaps not quite so long. Still there is a development of texture, glycerol and the finest tannins in his glistening sangiovese. The inescapable Raddese acidity shines just as bright, carries the light and infuses the pure compound cherry genere with a hyper real sense of varietal and location. As they say, posizione è tutto. If Chianti Classico is the future, the man who might be dubbed double B has delivered an Annata già arrivato. Drink 2022-2027.  Tasted September 2021

Villa Di Geggiano Chianti Classico DOCG 2018

Vagliagli

Geggiano’s Vagliagli Annata is just a baby, like the faces of the brothers Bianchi-Bandinelli, charismatic, timeless and chiseled. The forces of Galestro and Alberese nature conspire to equip this linear and focused wine with the necessary attributes for an impressive run through sangiovese life. As for now focus on the seamlessness of the structural ascension and a fruit quality so pure it can only plan to be there every step of the way. The ten year Annata run is special and that is this Geggiano’s plan. Drink 2024-2030.  Tasted March 2022

Villa Trasqua Chianti Classico DOCG 2018

Castellina

Here in the year of her majesty 2022 a look at the 2018 vintage for this Trasqua Annata is so early. And yet here it is in this glass and so here goes nothing. The Castellina company knows its terroir and understands that sangiovese must take it slow, ease into grace and away from structural pain. Trasqua’s is like the curious case of Castellina, born as an old soul then transversing through life into middle age, adulthood and finally youth. An inverse Classico relationship with time, crisp, crunchy and crusted now, so very tannic and four years away from settling into comfort. Drink 2025-2030.  Tasted March 2022

An American and six Canadians at La Sala, San Casciano

Chianti Classico DOCG (older vintages)

Cantalici Chianti Classico DOCG 2017

Gaiole

Sangiovese blended with 15 (merlot and cabernet sauvignon) and the “international” one, less aggressive and pure than the varietal Baruffo. As Chianti Classico the character augmented by Cassis, smoke and bell pepper changes the approach and then the result. Smooth, round and creamy while truth be told there is still a Gaiole sentiment running through. Drink 2022-2024.  Tasted February 2022

Carpineta Fontalpino Chianti Classico DOCG Dofana 2017

Vagliagli

The Dofana stone is sandy, more Arenaria then Macigno, with Alberese and clay. Faces southeast at 350m, planted to new clones of sangiovese, as opposed to Montaperto. All adds up to a sangiovese cru of musculature, great if slightly austere tannins, fleshier, cherries of deeper maceration and profound tang. All parts are raised, elevated, punchy and there is an intensity that really makes one think and feel. The vineyard was acquired in 2004, now at the point of Gioia Cresti having come to really understand the make-up, to claim the future of the wine, for what is going to happen. The classicism of needing to give sangiovese time is entrenched into Dofana, around which “the corners in this wine are personality,” tells Filippo Cresti. A wine to watch what happens with 12 bottles over the years. Even 30 years. Dofana’s tannins are that tight and compacted, even from arid 2017. Drink 2025-2037.  Tasted November 2021

Carpineta Fontalpino Chianti Classico DOCG Montaperto 2017

Vagliagli

A grey to light yellow calcareous plot, mainly Alberese facing northeast at 420m. Even in 2017 it will not get much more elemental and linear, balanced, fresh and the definition of an elegant cru-designate Chianti Classico. The oldest vines are 40 years and the vineyard is re-planted in stages, slowly, Bordeaux style. All sangiovese, remarkably bright, getable and cool. Hard to find more of this ilk from the aridity that 2017 gave to the territory’s vines. Drink 2022-2027.  Tasted November 2021

Le Fonti Di Panzano Chianti Classico DOCG 2017

Panzano

More or less picked at the same time as 2018 (18th to 28th of September), give or take a few days and while the alcohol is felt more than in 2018 there is also a dry extract elevation and less grip as a consequence. More peppery spice and wood sensation, here in an Annata of tightly wound impression. Drink 2022-2025.  Tasted October 2021

Podere Capaccia Chianti Classico DOCG 2017

Radda

Only sees Grandi Botti, allowing the wine to breathe and expresses the appellation’s purest form. Has kept its fruit and energy without a moment of change since last tasted 25 months ago. Seriously no evolution, acting fresh as the day it was first popped. Represents top structure in Annata.  Last tasted March 2022

Things turn brighter in a sangiovese like this from Radda, not so much lighter as one from which fruit can shine. Light in terms of tannin but sneaky enough to elevate and extend. More chew than crunch in a pressed fruit roll-up carnival of the heart ’17. Drink 2020-2024.  Tasted February 2020

Villa Di Geggiano Chianti Classico DOCG 2017

Vagliagli

Spiced to the hilt which is neither shock nor surprise from a pair of Castelnuovo brothers and their newly minted Vagliagli UGA. Men who allows allow and encourage their terroir to speak in clarity, regardless of vintage and no matter the circumstance. Warm and luxe, deep and profound, an exegesis of structure delivered by grapes of local, traditional and serious concern.  Last tasted February 2022

Truth be told this 2017 from Geggiano persists as a youthful and too early to call Annata. The particular Galestro and Alberese in these micro-climate championed western wing of Castelnuovo vineyards make for some of the communes’ most charming meets structured sangiovese. Why should the heat and the challenge effect anything otherwise. So much here, so many levels of Chianti Classico to unfurl. Drink 2022-2030.  Tasted February 2020

Alberese, Il Palagio di Panzano

Il Palagio Di Panzano Chianti Classico DOCG 2016

Panzano

Includes fruit from the San Martino Vineyard, composed of Galestro, rich in iron, morphologically very different to the soils around the winery. Spends 12 months in large format casks, followed by 12 months in bottle. As an Annata Palagio’s is released late, certainly as compared to most in the territory. Still firm with notable tannins and yet to be resolved structural elements. There is a dryness on the upper palate, a case of clones and soils, still a closed door to the grace and possibility of this wine. There are grapes coming from the oldest (late 1980s planting) part of the vineyard and beginning in 2017 these grapes will all move to the old vines Rosato. This will mark a profound change in not only style but accessibility, especially for the Annata.  Last tasted October 2021

Upon further consideration, thoughts drill down and clarity comes into more micro view, six months after last tasting and 14 months after first tasting PdP’s 2016. It took some time but now the perfume is pure Panzano and in this case, right at the heart of the village. The essence of a northeastern corner of Conca d’Oro sweet savour, a purity and a concentration of sangiovese that carries the culture and tradition of its fruit, safely and securely. The tannins here are sneaky, creeping in, aiding and abetting, for longevity. This should become one of the longer lived Annata of the vintage.  Last tasted November 2020

Only sangiovese as is the plan for the entire estate. That Panzano perfume and glycerin though there is some more weight and bones than others. Reminds of the style that’s constant from Fontodi to be honest. These are some of Chianti Classico’s finest acids, sweet and refined, They compliment and support. Drink 2021-2027.  Tasted September 2019 and May 2020

Looking south towards Castelnuovo Berardenga from San Giusto a Rentennano, Gaiole

San Giusto A Rentennano Chianti Classico DOCG 2016

Gaiole

For Luca 2016 is a true sangiovese vintage, equanimous from start to vintage and one from which the terroir and territory take control of the grape. Indeed this is Chianti in ideal if not the purest perfection of Classico form, deeply transparent and matched by an honest to greatness inner mineral wave in full command. There is a sense of blood orange but also red currant and ripe cherry. A classic year in which the ample but amenable tannins allow for early access but also plenty of time ahead. Drink 2022-2032.  Tasted February 2022

I Fabbri Olinto Chianti Classico DOCG 2014

Lamole

Even back in 2018 ands 2019 there was already something intuited for the beautiful, ulterior and even ethereal if much maligned 2014s and more than anything a sense of wonder to see how well they could age. Now in 2022 enough time has passed to take deeper judgement and if I Fabbri’s Olinto is any indication then the vintage will deliver many quality wines for many more years to come. The Lamole perfume is front, open, lifted and centre. The sangiovese has only moved forward to a place where the classicism of Greve’s amphitheatric frazione stands right before us. Susanna Grassi has done it again, as she always does, filling her wines with realism and grace. This Olinto is in a really great place. Drink 2022-2026.  Tasted February 2022

Full tasting of San Giusto a Rentennano, Gaiole

San Giusto A Rentennano Chianti Classico DOCG 2013

Gaiole

Not an easy harvest with recurring rain, on repeat from what happened during the spring. In a way like 2014 but the weather was much more fortuitous in between. The liveliness and grippy acidity wrapped up in persistent tannin keeps this a bit closed and two years further should really open things up. Incredibly fresh sangiovese and that specific San Giusto blood, part orange and part sanguinity. Will be just right around the corner. Drink 2023-2029.  Tasted February 2022

San Giusto A Rentennano Chianti Classico DOCG 2012

Gaiole

At the outset there is some animale, a cooked rabbit per se, a smaller animal, not bovine or porcine. such a curious and complex aromatic swell. In the vintage a big rain arrived at the beginning of September but not all of the vineyards were able to recuperate from the long dry spell and as such the tannins are a bit dry. That said they are settling now and it has taken this much time to get to this point. The fruit shines, the wine is just now in its window and while hydric stress clearly played a role there is much to gain at this time. Drink 2022-2027.  Tasted November 2021

Cantalici Baruffo 2011

Cantalici Chianti Classico DOCG Baruffo 2011

Gaiole

Holding the fort and going strong for a 10-11 year old sangiovese, same vineyard and specs as the ’18 tasted side by side. This was the third vintage labeled Baruffo, though the present day Cantalici dates back to 2002. Yes, still in very good form, notes surely secondary, tannins almost fully softened, some tartufo just emerging now. Far from oxidative, acids really quite sweet and true blue cool savour fully in charge and control. The finish is truly enjoyable, neither drying nor cloying, but with frutta seco and long, menthol cool. Drink 2022-2025.  Tasted February 2022

I Fabbri Chianti Classico DOCG Terra Di Lamole 2010

Lamole

A blend of sangiovese and canaiolo, acid and pH in cohorts for a Lamole of true timeless terroir and of a time when the naked transparency of the frazione could never be denied. Not that hiding Lamole in 2022 is a thing but the linearity, stark reality and absolute transparency of the day is on full display from Susanna Grassi’s 2010. That and the barrel she would have augmented Terra di Lamole with to create a kind of Selezione for the time. Now in the waning stages with thanks to a warm vintage when such a thing was not the average or contiguous norm. Drink 2022-2023.  Tasted February 2022

With Winemaker Manfred Ing, Querciabella, Greve

Querciabella Chianti Classico DOCG 2010

Greve

Immediate waft of frutta di bosco from what was Manfred Ing’s first vintage at Querciabella, having arrived on the 3rd of May. An auspicious start because it rained the entire month. The heat never came and even in retrospect the team will say it was the worst vintage ever. Guido di Santi was in charge of winemaking (and in a way still is). The season continued despite the rains and lingered well into the fall. Was also the year new cement tanks and wood vats arrived for fermentation, plus the inaugural one as a 100 per cent sangiovese. Only four months into his tenure Ing urged the team to wait longer before picking. The fact is that’s all sangiovese needed and usually needs. Time. So now 11 years forward the cured salumi style of Chianti Classico is just what this is pleased to be. A vanishing point of previous stylistic expression for a future that began with the advent of a new unfolding story. Not much fruit to talk about but plenty of Ruffoli and gastronomic pleasure in many ways. Well matched to Fuoripiazza Ristorante Enoteca in Greve. Drink 2021-2024.  Tasted November 2021

Conti Capponi/Villa Calcinaia Chianti Classico DOCG 2009

Montefioralle

Holding firm and quite well for an 11-plus year old Annata from a vintage not too dissimilar to what is coming from 2019. Bodes well for Capponi’s ’19 and so many kin. This retrospective look feels so very Montefioralle with the addition of down by the river Greve alluvial silt and clay deposit generosity. Airy yet grounded, high-toned yet also able to go baritone. Linear yet well-rounded, freshness in acidity persistent while never getting too high. A wine to sit down with, learn some history and stay in the present. Drink 2022-2024.  Tasted February 2022

I Fabbri, Lamole

I Fabbri Olinto Chianti Classico DOCG 2009

Lamole

Full disclosure: This bottle has been open for 20 hours and by every logical sense of reality and the imagination should be lost to the nether world of sangiovese days gone by, but alas no! Susanna Grassi’s 2009 is glorious and texturally rounded, not to mention aromatically lifted and sound. The secondary elements are gracious, delicious and firmly entrenched in next level structure. There is no sense of demise or decline and as a vintage the overall sensation is one of climb, ascension and incline. Brava e grande Susanna. Drink 2022-2025.  Tasted February 2022

I Fabbri Chianti Classico DOCG Lamole Olinto Grassie E Figlio 2009

Lamole

The Lamole label is a different animal than the Olinto when it comes to a retrospective look side by side with the Olinto 2009. More wood, evolution and secondary bleeding into tertiary character but most of all this cinghiale-animale note that can’t be denied. Earthy and hematic, a tale of brush, porcini and the sauce reduced after slow cooking the shoulder, hours later and complex. Lamole herbal, perfumed and fine. Past prime but a window into the recent past. Drink 2022-2023.  Tasted February 2022

A vintage from which the tannins seemed very hard and needed a long time to improve. Actually shocked at how this has yet to truly evolve, with almost no oxidation or dried components. No frutta secco or bosco but yes glycol and Amaro. Silken and mineral, as Luca’s sangiovese (with varying percentages of canaiolo and colorino always are). Will still drink beautifully for six to 10 years further. Drink 2022-2028. Tasted February 2022

Villa Calcinaia 1975, Montefioralle

Conti Capponi/Villa Calcinaia Chianti Classico 1975

Montefioralle

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. TCA. A matter of clay and limestone and in Calcinaia’s vineyard the type of stone is Colombino, not rare but highly specific to certain Chianti Classico vineyards. Looking past the TCA there is a wild strawberry sense of fruit that while stymied and suppressed there is a persistence and longevity in this forty-seven year old wine. Truly sangiovese with mineral scents and an unkempt wildness about its disposition.  Tasted March 2022

Barone Ricasoli Castello Di Brolio Chianti Classico 1949

Gaiole

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. The oldest wine in the flight. apropos and just when you consider the Ricasoli heritage and lineage. A mineral layering which instinctively mimics the compaction of argiloso, macigno and calcari from Brolio’s soils, no longer feeling the separation or mille-feuille effect but now just all morphed into one and the same. There were surely some white wines in this mix, as per the formula written decades earlier by Bettino Ricasoli. Probably helped keep the freshness for some time and while this is now all earth and stone the wine is very much alive. There’s even some sweetness and citrus showing, indicative of blood orange some 73 years later, finishing with a trebbiano and malvasia Vinsanto tang.  Tasted March 2022

Gurvinder Bhatia, Chianti Classico Collection 2022

Chianti Classico Riserva DOCG 2019

Bibbiano Chianti Classico Riserva DOCG 2019

Castellina

My or should I say man is Bibbiano’s Riserva’s ’19 the most naturally sweet sensation of Castellina fruit that Tommaso Marrocchesi Marzi  has ever produced. A well of sangiovese liqueur and liquidity of seasonings, fine spices, Mediterranean and even a bit exotique. I imagine he is most proud of this wine, traditionally Riserva but so above ground, out there and capable of running with his single-vineyard, one side of the estate or other, Gran Selezione wines. Drink 2023-2029.  Tasted March 2022

Buondonno Chianti Classico Riserva DOCG Casavecchia Alla Piazza 2019

Castellina

Hard not to appreciate the double entendre in Gabriele Buondonno’s wines, at once big and boisterous with well developed alcohol but then high elevation salty, airy and expansive. They are what they are what they need to be, from his place in Castellina, nearly Panzano in temperament, substantiality and fully equipped with measure. The ’19 is a bit more than tannic so let it rest another couple of years. Drink 2024-2029.  Tasted March 2022

Castello Di Albola Chianti Classico Riserva DOCG 2019

Radda

Castello di Albola’s Radda at elevation Riserva is quite tight and compact, especially this early in its assessment. Clearly a wine of Galestro with plenty of Calcari influence, glycol liquidity and just that classic sense of regional liqueur. Quite viscous and generous, tart at this stage with a hint of balsamica. Will settle in and drink with Riserva pride. Drink 2023-2027.  Tasted March 2022

Castello Di Ama Chianti Classico Riserva DOCG Montebuoni 2019

Gaiole

“Direct descendant of Castello di Ama Riserva in a return to the appellation with this being the second such vintage. Falling somewhere between the Ama Annata and San Lorenzo Gran Selezione, Ama’s Montebuomi is so very Calcari, regardless of the level of appellation, intensely woven, idealized and structured. Such mineral virtuosity at the Riserva level captured however, linear, vertical and compact. A compression exists by dint of those vineyard soils and also the living and breathing Gaiole terroir. Drying for now, fleshing to come, settling in later. Drink 2024-2029.  Tasted March 2022.

Castello Di Volpaia Chianti lassico Riserva DOCG 2019

Radda

Tank sample but a finished wine. Phenomenal poly-phenolics and sensory gifting from a sangiovese 100 per cent in delivery of the Volpaia sweetness of fruit, cool sensibility, silky texture and equally tactile tannins. If a hole or an unresolved moment exists it would be impossible to unearth and in some ways, at this stage, Riserva is almost readier than Annata. But that shouldn’t really be possible with the grapes coming from the same vineyard, here in the upper part. The winemaking is exceptional and the vineyard’s voice is perfectly heard. Drink 2023-2029.  Tasted October 2021

Fèlsina Berardenga Rancia Chianti Classico Riserva DOCG 2019

Castelnuovo Berardenga

A bright, lightning red fruit and herbal oil Rancia Riserva here in ’19, working through pine and cedar, rosemary, sage and elderberry, fennel too. All the resins are here in their youth, circulating and formulating an exit strategy. At this point the fruit, sweet as it is, is wrapped up in the bramble, impossible to reach without getting bitten by the thorny tannins of this wine. Just wait, and wait some more because there is so much happening and still to come. Drink 2024-2032.  Tasted March 2022

Gagliole Chianti Classico Riserva DOCG 2019

Panzano

Nothing scents like a Gagliole and nowhere in Castellina does this sense of fruit compaction, timed and tidy acidity and then fineness of sweet, evolved and intelligent tannins co-exist. Herbal yet delicately so, dripping and oozing of terroir, spice infiltrate of every zone, pocket and pore. Not sure there can be recalled a Riserva with this much personality and oomph but here it is in all glory. Also not sure there has been an example that needs as much aging time as this generously structure ’19. Don’t touch and return five years forward. Drink 2026-2033.  Tasted March 2022

Le Miccine Chianti Classico Riserva DOCG 2019

Gaiole

Le Miccine 2019 is intrinsically Gaiole but also very personal. It feels like and comes with a sensation you will intuit whether or not you taste this wine alongside winemaker (and Québecoise) Paula Cook, or not. What amazing and exceptional fruit from ’19, building and building, fleshing and fleshing in a most beautiful glass of sangiovese Riserva wine. And you can access sooner than many, as you wish. Grande Paula. Veramente. Drink 2023-2029.  Tasted March 2022

Diego Finnocchi, L’Erta di Radda

L’Erta Di Radda Chianti Classico Riserva DOCG 2019

Radda

Also a campione da botte, cask sample of 100 per cent sangiovese from a cru, of a very specific terrain. A parcel of Galestro and Alberese on a hillside though here a red earth and where two specific clones of sangiovese are grown. F9 and R4 to be specific, both producing very small bunches. So reminds of Montalcino’s Lorenzo Magnelli and Le Chiuse, in methodology and also result for which an intensely fine acidity defines and directs but here a Raddese variety to which there is no compare. Hard to find Chianti Classico sangiovese more profumato that does not come from Lamole and perhaps its a matter of the in-land, off-shore breezes that blow here and through this vineyard called La Casina. Another cask sample that is so expressive and so close to being ready, in fact they are drawn from their final resting vessel just waiting to be bottled. Drink 2022-2026.  Tasted March 2022

Luiano Chianti Classico Riserva DOCG 2019

San Casciano

Luiano’s tannins are variegated in 2019, specific to Alessandro Palombo’s San Casciano terroir, layering sweet, tart, savoury, salty, verdant and even umami notability. The fact that fruit is at the top of the local pyramid and spectrum will ensure a long and slow integration, without angst or difficulty. There will be no stops and starts but only forward movement and development. The overall succulence and incremental oscillations between acid and tannin confirm the plan. Drink 2024-2030.  Tasted March 2022

Riecine Chianti Classico Riserva DOCG 2019

Gaiole

Crisp and crunchy like the Annata of same vintage yet less high toned and volatile. Also missing the swarthiness but what it lacks in wild revolution is gains in clarity and purifying resolution. Riecine is in fact a place of resolute and cool wines coming from and speaking the vernacular of mainly old vines’ vineyard ways. Will drink this way for five more and with great complexity on display for a further five. Drink 2024-2029.  Tasted February 2022

Sergio Zingarelli, Rocca delle Macìe, Castellina

Rocca Delle Macìe Famiglia Zingarelli Chianti Classico Riserva DOCG 2019

Castellina

Brighter if also possibly lighter than the previous vintage and in such regard a more accessible and amenable Riserva. As with the 2018 the complimentary grapes are five per cent each colorino and cabernet sauvignon, both bringing colour and the latter some black fruit sweetness. Drink this ’19 of lower acidity, lees brood, depth and easier feeling for now while the ’18 continues to settle in. Drink 2022-2026.  Tasted February 2022

Rocca Delle Macìe Chianti Classico Riserva DOCG Sergioveto 2019

Castellina

Rocca delle Macìe delivers the most substantial fruit to texture compendium that can be recalled from recent and even further back then recent memory. The fact that there is this iron-mineral swell and hematic underbelly being so strongly involved with the fruit means so much more than before. A magnanimous Rocca delle Macìe in the present that will surely become a Castellina of vim, relish and layered attraction in the future. Drink 2022-2025.  Tasted March 2022

San Felice Chianti Classico Riserva DOCG Il Grigio 2019

Castelnuovo Berardenga

Still the current climate and execution for juicy freshness, of fruit on the berry, pomegranate and plum scale but also Castelnuovo dried herbs running amok. More chew, of liquorice namely and then the juiciness returns, persists and delineates the direction of the wine. No shock this is a very good Riserva vintage, one that will age well, not more than 10 years mind you and best between four and seven from vintage. Drink 2023-2026.  Tasted February 2022

Tenuta di Arceno, Castelnuovo Berardenga

Tenuta di Arceno is located in San Gusmé, a hamlet of 250 people in the far eastern part of the eastern butterfly wing of Castelnuovo Berardenga. It is a Jackson Family Estates property with Lawrence Cronin was hired as the Winemaker in 2002. Here we are 17 years later with an Annata to perfectly represent this part of the territory with dark and compressed fruit, full on Berardenga savour and a sandy-stony-clay composite feeling. Not a sentimental sangiovese but one entrenched in realism and depth. Drink 2023-2027.  Tasted February 2022

Enoteca Fuori Piazza, Greve

Chianti Classico Riserva DOCG 2018

Ambrogio E Giovanni Folonari Chianti Classico Riserva DOCG Nozzole 2018

Greve

From Greve in Chianti and a representative sangiovese not just for commune but also for the appellation. Truly Riserva in capture, rich and luxurious, fully complete in texture and for mouthfeel, concentrated and strong. Carries an estate and greater authority credibility in consistency throughout the years and were you to close your eyes you could guess 1998, 2008 and then 2018. Actually big for the vintage which indicates a late September pick inclusive of a hot spell during which nighttime temperatures did well to preserve acidity. Listed at 14 per cent though feels higher. Drink 2022-2026.  Tasted November 2021

Bibbiano Chianti Classico Riserva DOCG 2018

Castellina

Next step, level and terraced sangiovese appreciation comes from Bibbiano’s Riserva, a wine of high tones, lightning fruit along with well versed and rehearsed Riserva lines. Linear that is, vertical and promising, not a promiscuous sangiovese but one that considers its time, place and future with profound regard. Juicy to be sure and also grippy for to see seven years forward and a softer time arranged. Drink 2024-2028.  Tasted February 2022

Mocenni, Bindi Sergardi, Vagliagli

Bindi Sergardi Chianti Classico Riserva Calidonia DOCG 2018

Vagliagli

Calidonia is surely the more structured of the Bindi Sergardi Riservas, weighted in fruit, lifted by the succulence of Alberese drawn acidity and showing what this Mocenni sector of Vagliagli is capable of demonstrating. The 2018 is Bindi Sergardi’s Riserva of fortitude, not just in opposition to brothers and sisters but also as compared to several recent vintages. It requires time and will live for 10 years or more.  Last tasted March 2022

Calidonia’s is like I Colli’s power though not in strength but rather in depth. Immense depth, a gathering of all the vineyard’s stone mineral wealth, of Alberese, Galestro and Macigno at the confluence of Mocenni’s amphitheatric crossroads, with Radda and Castellina so near by. The beauty of fruit and exquisiteness of tannins are so evident, no matter how youthful this wine may be and so the future exists in a manner quite the matter of already knowable guarantee. Drink 2023-2029.  Tasted October 2021

Bindi Sergardi I Colli Chianti Classico Riserva DOCG 2018

Vagliagli

A solo I Colli Estate Riserva, from vineyards in the UGA zone of Vagliagli at the western edge of Castelnuovo Berardenga commune. The vines are planted 10 kilometres away from Bindi Sergardi’s Mocenni Estate and like the home vineyard counterpart this mimics if extends from Annata but with elevated acidity and also power. This bottle could not have been in Ontario more than a week or so and so it seems a bit closed, unwilling and perhaps in a minor state of shock. The previous one tasted at the winery took off where Annata left off but truthfully Riserva is higher in acidity and power but without hitting one hard, more about strength of character. Once again the sweet flowers as in Annata but of course . Drink 2021-2024. Tasted October 2021.Never the matter because Vagliagli’s florals, sweet scented and candied fruit, high tonality and grippy sub-structure are all locked in tight. Captures the late September pick but just before alcohol levels would have risen, here for a harmonious and graceful turn of Riserva phrasing. Drink 2022-2027.  Tasted October and November 2021

Brancaia Chianti Classico Riserva DOCG 2018

Radda

Brancaia’s munificent and substantial ’18 Riserva grabs texture by the scruff of its neck and introduces it to that fruit which can only be described as ripe. Hard to recall recent vintages that do Radda this way, with grip, strength and power. Dark orange to red orange fruit, more blood than naturally orange, big, bouncy and intense. A notably heeded and competitve Raddese wine at the present moment capable of becoming a beautifully attractive Brancaia before too long. Drink 2023-2028.  Tasted March 2022

Carpineto Chianti Classico Riserva DOCG 2018

Greve

Classic, distinct and ideal as Carpineto’s Greve Classico, full of brush and local flora, from wild fennel through rosemary and into sage all over the palate. And then the textural composition sets in, running the sangiovese sap of ointment and viscosity through and through the body corporeal of Carpineto’s Riserva wine. This is neither thick nor jammy, shows the land with idealism and while drying at the back end there is plenty of stretched and elastic stuffing to see this age five-plus years. Drink 2023-2027. Tasted February 2022

With Paolo Paffi, Casa Emma, San Donato in Poggio

Casa Emma Chianti Classico Riserva DOCG Vignalparco 2018

San Donato in Poggio

Expectation dictates that a Casa Emma Riserva will deliver true and substantial San Donato in Poggio fruit but double what the Annata chooses to give. That is exactly the point in the ’18 Vignalparco, a blood orange smoothie with minerals running straight on through. Taut, tart, intense, fulsome and ranging in so many ways. Impressive ’18 to be sure. Drink 2023-2027.  Tasted March 2022

Castagnoli Chianti Classico Riserva DOCG Terrazze 2018

Castellina

To be honest Terrazze is not like Castagnoli’s Annata, if not because of appellative level then surely a matter of vintage. Riserva is deep, brooding and profound, a sangiovese of acid intensity and fruit compression. More dried and leathery than fresh with plenty of wood spice but also that which is derived from the fruit source, namely the skins themselves. No lack of imagination, drive nor trenchant desire neither. Hard to know exactly where this will go. Drink 2024-2028.  Tasted February 2022

Castelli Del Grevepesa Chianti Classico Riserva DOCG Clemente VII 2018

San Casciano

A 100 per cent San Casciano in Val di Pesa sangiovese from schists and limestone, mainly Galestro at 250-350m. Sees 24 months in Slavonian oak and French barriques. A Riserva of concentration and notably healthy pH for sapid texture mixed with dark fruit. Picked late into October so thereby gainful of a mini late September heat wave and converse diurnal nighttime temperature dips for healthy ripeness well foiled by sweetly kept acidity. Moments of verdancy in between swaths of sapid texture and dark chocolate make for a Riserva of diversity and variegation of an overall expression true to San Casciano and also vintage. Drink 2022-2025.  Tasted December 2021

Castello Della Paneretta Chianti Classico Riserva DOCG 2018

San Donato in Poggio

As with the upcoming thorough and thoughtful 2019 Annata there is a next level depth of craft and understanding intuited by way of Riserva 2018. The fruit seems so well timed, picked late in the season, developed and yet braced in the moment, frozen in time. Feels cured and dried by cellar air, the vintage captured and preserved. This will live a long life, that much is sure and always drink up on the ridge, with the image of San Donato in Poggio demure in the distance. Drink 2024-2029.  Tasted February 2022

Castello Di Albola Chianti Classico Riserva DOCG 2018

Radda

Great fruit Scott or rather great Scott what fruit! Here Albola captures 2018 in Riserva form with great, sheer and utter distinction. Hyperbole of red tree fruit, chew like liquorice and bokser too. Well positioned, proportioned and perfectly suited to all. A five year wine if ever there was.  Last tasted February 2022

The ’18 Riserva continues a thread of Radda-Classico consistency for Albola, stringing great wines from 2015 on through. This next Riserva shows excellent linearity and quality, namely at the hands of fine tannins, ripe and thriving, adding pulse and drive to already buzzing acidity. The fruit is well equipped to hang, participate, contribute and collaborate. Warming at the finish suggest spice and an Albola ability to age. Drink 2022-2027.  Tasted October 2021

Castello Di Bossi Berardo Chianti Classico Riserva DOCG 2018

Castelnuovo Berardenga

Youthful, high-toned, crisp and crunchy Riserva 2018 here from Bossi. Big Berardenga bones, Classico castello vibes. pomegranate and currants on high alert. Hematic as well, herbal to a degree and full of wood-fruit-acid swirls. Drink 2023-2026.  Tasted March 2022

Castello Di Gabbiano Chianti Classico Riserva DOCG 2018

San Casciano

Kind of surprised at how apposite this next bottle is showing. Young and nearly untouchable. not the accessible and easy drinking Gabbiano of last month’s bottle and recent vintages past, here dripping with tonics and concentrated fruit essence tinctures. More herbs too, a swell of minerality and wave after wave of acid-tannin breakers. Wait two years.  Last tasted March 2022

Sweet fruit and acids are compelling together in their Galestro-infused succulence and style. Here a Riserva of easy attitude and gratitude, well stretched and showing off the understated Cerelli style. Riserva of humility and humanity, cool and gelid, fine and harmonious. Drink 2023-2026.  Tasted February 2022

Castello di Meleto, San Casciano

Castello Di Meleto Chianti Classico Riserva DOCG 2018

Gaiole

So informative to taste Meleto’s Riserva sandwiched between their Annata and Grand Selezione but also as 2018 between ’19 and ‘17. As if on cue Riserva acts, exacts and reacts right up the middle of that Gaiole road, equally rich and parochial, accessible and yet capable of aging, progressing and emerging with potpourri fully captured and kept. Riserva is a perfect compromise and offers the best of both worlds. Drink 2023-2027.  Tasted February 2022

Castello Di Monsanto Chianti Classico Riserva DOCG 2018

San Donato in Poggio

A “thanks God cooler vintage” tells Laura Bianchi with an appreciative smile, in which not only the wines but also the San Donato in Poggio vines were able to re-balance. Laura believes it’s not only a vintage of great freshness and acidity but also one that can age well. Classic Monsanto grip as well, though style, flavour and sophistication of ripeness, plus an energy inherent as a factor of brightness and vitality. A great educative study involving a sangiovese of both incandescence and longevity, two things seemingly apposite but binary by definition. Knowing what Bianchi’s Monsanto can do there is no question about the possibilities that lay ahead. Drink 2022-2029.  Tasted October 2021 and February 2022

Castello Di Querceto Chianti Classico Riserva DOCG 2018

Greve

Something about Greve’s Dudda Valley brings a distinct and higher level of aromatic concentration to sangiovese, especially in Chianti Classico Riserva form. This from 2018 is one of the the lighter, effusive and more lyrical ones with so much emanation of perfume. Still a savoury character with knowable rattle, tone and hum. Plenty of desire and hope with a good six to eight year run ahead, making this a perfect little mid-term cellar dweller at an attractive price. Drink 2023-2028.  Tasted January 2022

Castello Vicchiomaggio Chianti Classico Riserva DOCG Agostino Petri 2018

Greve

Everything about the Matta family’s 2018 Riserva screams late picked fruit in early October. After the late September day heat and nighttime lows, there’s just so much of all parts set to full in this wine. Wild and exotic perfume, fruit fleshy and so bloody ripe, body more muscular than this Riserva sometimes shows and alcohol well-developed. All are in synch, balance and complimentary condition. Crazy delicious Agostino Petri this time around with classic values and traditional character kept in a true Greve style. Drink 2023-2026.  Tasted January 2022

A Count in his natural habitat – Sebastiano Capponi, Villa Calcinaia, Montefioralle

Conti Capponi/Villa Calcinaia Chianti Classico Riserva DOCG 2018

Montefioralle

Not all Riserva are created equal and if nothing else Sebastiano Capponi’s could only be his from Montefioralle at Calcinaia. Not exactly sweet natural fruit endowed but surely herbal and the kind of Riserva that takes stock of your senses, sticks to your tongue, leaving behind an impression that will not dissipate. Even if you never take a second sip you are left with a Greve left bank, over the hills and far away into Montefioralle impression. “Maybe more than enough.” Nearly fulsome and yet wound quite tight, tannins not so much drying as compounding by land and zeppelin temper for a ride off into the proverbial sunset. Get the led out with this one. Drink 2024-2029.  Tasted February 2022

Dievole Chianti Classico Riserva DOCG Novecento 2018

Vagliagli

Dievole is located within the newly minted Chianti Classico UGA Vagliagli and is in fact situated as close to the village as just about any estate. Clay, marlstone and limestone in Alberese soil holds the fort for a 95 per cent sangiovese with small amounts of equally endemic canaiolo and colorino. Spends time in no toast 41 hL French casks for upwards of 18 months and in bottle for the remaining six. Hard to match the depth of the great Novecento ’16 but this 2018 is no small Riserva. It is pure Vagliagli of a specific fruit and acid sweetness with breadth, girth and structure. Drink 2024-2028.  Tasted February 2022

Fattoria Della Aiola Chianti Classico Riserva DOCG 2018

Vagliagli

Far more aromatic output as compared to the Annata but also less reduction from a Riserva that spends 24 months in second to fifth and six usage French and Slovenian wood. Not a single vineyard wine but “a blend of botti,” and the percentage is the same, 90 sangiovese plus some merlot and canaiolo. The barrels are in charge and will be for at least another 12 months, if not 24. Laden with chocolate and espresso and time is really the essence and the operative. Recent track record indicates that Riserva will open for business in its third year after release so look at this in 2024 and beyond. Drink 2024-2028.  Tasted February 2022

Monica Raspi, Fattoria Pomona, Castellina

Fattoria Pomona Chianti Classico Riserva DOCG Bandini 2018

Castellina

Monica Raspi’s Riserva 2018 was only bottled five months ago so don’t come expecting immediate gratification or revelation. Do come knowing this is sangiovese from a special place, that being the west Siena facing Castellina vineyard in front of the villa called Uomino, “the little man.” Only Pomona produces Riserva that scents and tastes like this and only Monica Raspi’s deliver peak wine experience moments that nearly always occur in repose, never connected with work. Such is the ease of her ’18 Riserva, big and focused, light and understanding. Given time it will also act charming, gracious and nurturing. Drink 2024-2030. Tasted March 2022

Gagliole Chianti Classico Riserva DOCG 2018

Panzano

A famous Panzano (in the commune of Greve) estate and a manuscript in the State Archives in Siena reveals that the son of the Langobard King Berengarius, who had fallen in love with the Tuscan countryside, bequeathed the Gagliole Estate to his wife in 994 A.D. This Riserva comes to us from a most curious vintage 1,024 years later and just two years earlier Riserva was called Gallule, but that ancient terraces reference is now reserved for Gagliole’s Gran Selezione. Riserva ’18 was picked on the 10th of October and this is significant because a late September heat spike nearing 30 degrees with opposite nighttime lows near zero meant more fruit ripeness and kept acidity for bigger but also balanced 100 per cent Panzanese sangiovese. These Galestro and Alberese vineyards at 450m picked well after the extreme climate moment, followed by 10 months in small, used French oak barrels has resulted in the most precise and focused Riserva imaginable. The acidity travels up the sides inside the mouth all the way to the eyes, or so it is imagined and then sends shivers down the spine. Warm, inviting, luxurious and so very real. This is exceptional Chianti Classico, intimating everything now yet with the knowledge that the best showing is still years away. Drink 2024-2030.  Tasted December 2021

Tasting Il Molino di Grace, Panzano

Il Molino Di Grace Chianti Classico Riserva DOCG 2018

Panzano

I will personally implore you to look and think past anything you have heard about 2018, just as it would have been prudent to do so with both 1998 and 2008. The sneak of structure and linger in the name of longevity will conspire for a slow release of emotion, something seemingly absent in the wines’ early days of life. A bit high in acid and also drying, from knives cutting through tannin and this is is the essence of naked sangiovese. Not as supple and succulent as 2019 but will almost certainly last longer. Was bottled just ahead of harvest in September 2021.  Last tasted February 2022

Despite the great diversion and division between vintages that came before and will follow, the consistency of Il Molino di Grace’s Riservas are a testament to changes made and promises kept. The team has allowed these wines to crawl from barrel and into the light. The heat and drought of ’17 was followed by a lithe freshness from ’18 though sangiovese chosen to hang well into September and even the first days of October have come about and into some heady wines. Begin with Riserva’s perfume in a Panzano bottle, Galestro and Pietraforte bled, red berry made flinty by stone. Focus and expression are right on point and while both Panzano and proximate Radda are the additional geographic thought, Il Molino di Grace is the pinpointed place. Still emitting early life freshness and vigour, lovely for ’18, forward and structured to travel onwards. Drink 2023-2028.  Tasted October 2021

Istine Chianti Classico Riserva DOCG Levigne 2018

Radda and Gaiole

Angla Fronti’s mix of vineyards results in one of the most generous and layered Chianti Classico of any and all in the oh so generous 2019 vintage. Not sure whether fruit or structure are more up front and in charge but either way the compound effects of Galestro and Alberese meeting Istine’s multiple vineyard greatness puts this in a class all of its own. Drink 2024-2031.  Tasted February 2022

Stefano di Blasi at La Sala, San Casciano

La Sala Chianti Classico Riserva DOCG 2018

San Casciano

Made with 10 per cent cabernet sauvignon. Some estates thread consistency and replicative DNA through their wines and one nose into this ’18 Riserva confirms La Sala’s situation within this ideal. Not that Riserva conforms to any sort of norm but the plush, soft and handsome beauty in such a wine can’t help but stay connected to the Annata, regardless of vintage. The aromas express more or shall we say a different sort of saltiness, more potassium graded through Galestro soil structure, from the same vineyard source yet imparted in hyperbole when it comes to Riserva. Flavours deliver more berries and balsamic, higher pH helps to soften the tannins and along with the location make them sweeter, softer and melted into the plush sofa. A gorgeous Riserva, succulent in fruit and acids, fineness of tannin and so very inviting. Ex-cellar price is 7.8 euro. Drink 2022-2026.  Tasted February 2022

L’Erta di Radda

L’Erta Di Radda Chianti Classico Riserva DOCG 2018

Radda

In Diego’s mind 2018 was quite the perfect little vintage, one of piaggio e giusto, flattery and truth. Not that it was easy but it was transparent and real. That said it was a stop and go one, with changes in weather, temperature and demand. A vintage to keep agriculturalists on their toes and make them earn their pay. L’Erta di Radda’s Riserva has now entered a great place, just now beginning to show its charm and also breadth. It’s chewy and also croccante, chiseled and generous. Freshness is encouraged by this vineyard abutting a small river giving breath to the sangiovese.  Last tasted March 2022

Riserva is of a cru in the hills più basso, in poor red soils, very rich in iron, planted in 2009 to two clones suitable to this cru, but with rootstock worth its salt in vigour. Clones that offer lower quantities, in one hectare, which produces only 25 quintali per hectare. or 2,500 hL per hectare and the average in Chianti Classico is easily at 40. Five or six small bunches per plant, tiny bunches, “molto spargolo.” Picked in the first week of October also because it’s only sangiovese with higher pH (at 3.1 or 3.2), 35 days of time on skins, ages two years, first in 2000L grandi botti, 2nd in barriques and tonneaux. Diego Finocchi likes the micro-oxygenation, but in the second year. There is a liquid peppery note but also the smoothest body and caress with grace across the palate. You simply do not feel the wood on this Riserva and that tells you everything you need to know about the winemaking and the way this represents the cru. Drink 2021-2027. Tasted November 2021.

Maurizio Brogioni Chianti Classico Riserva DOCG 2018

Greve

Very young and even reductive Riserva here from Greve with good fruit substance behind and in waiting. Needs air and time to blow off yet not having enough of that, at least not yet. A linear, high acid and even crunchy, sangiovese, especially in Riserva form. Drink 2024-2029.  Tasted February 2022

Monte Bernardi, Panzano

Monte Bernardi Chianti Classico Riserva DOCG 2018

Panzano

“In ten years this is going to look like magic.” To thank are stems (60 per cent) and the post-macerative consciousness at a time when the catalyst manifests itself in youthful aggressiveness, to see a softening that now becomes something easier to understand. “We bring out the generosity sooner without sacrificing longevity,” is how Michael Schmelzer looks at and explains the situation. The slow release of complex aromas and also flavours is extended by the long maceration, post maceration and aging in concrete plus botti grandi. Has already entered the first stage of grace, grip surely present though not overtly or overly demanding and even if a bit shy. There is a roll off the tongue, a scorrevole in this sangiovese. Smooth, sliding and scaled for slow release. Drink 2023-2033.  Tasted November 2021

Monte Bernardi Chianti Classico Riserva DOCG MB1933 2018

Panzano

One hectare of “traditional field blend” at over 500m, high (7,000 plants per hectare) density plantation, co-fermented and it makes 3,000 bottles aged in used tonneaux for 18 months. Obviously sangiovese with what could very well be canaiolo, colorino, malvasia nera, calabrese, ciliegiolo and uva di ragnana (locally named). The freshness and salinity plus what must be named as mixed pH created sapidity surely speaks to white varieties as well, including malvasia and trebbiano. The label depicts a corbezzola, delicate of fruit, high in seeds, a great representation of this traditional wine. Will express equal freshness 10 years forward and without any sacrifice to acidity. No stems here, again wanting to understand the wine before going into that kind of catalyst meets polymerization intendment. More graceful brilliance with some drying tannin this time from Monte Bernardi. The lens is completely different so wait till Michael Schmelzer really gets a handle on this one. Drink 2023-2033.  Tasted November 2021

Winemaker Tim Manning, Montecalvi, Greve

Montecalvi Chianti Classico Riserva DOCG 2018

Greve

Riserva is 100 per cent sangiovese from what is called the Montecalvi alto block (one of seven on the farm). From a particular tonneaux that winemaker Tim Manning just liked how it was so decided to keep it back extra time and bottle the estate’s first Riserva. While you feel the extra time (26 months in used wood) it is anything but a barrel driven wine. It seems it just accentuates the texture tactility and makes you feel more, including emotion. There is a suave sensibility here, silken and structured but never precious. It does feel like Riserva though the volatile acidity is just a touch elevated, not problematic and if anything reaching for another level of complexity. Drink 2023-2028.  Tasted March 2022

Montefioralle Chianti Classico Riserva DOCG 2018

Montefioralle

Imagine a vintage where cool, sometimes wet and not exactly ideal summer weather is followed by a lovely if again not exactly sunshine drenching September. Keep the reverie going and see a heat spike by day, followed by low nighttime temperatures, eventuating in late-picked, fully reasoned and ripened Montefioralle fruit. This is Lorenzo Sieni’s Riserva, liquid chalky, low and slow cooked spice threading through every stitch of sangiovese fibre. Pragmatic Riserva that also incites emotion makes for a great and winning combination. Drink 2023-2029.  Tasted February 2022

Nittardi Chianti Classico Riserva DOCG 2018

Castellina

Firm, tannic, swarthy and grippy Riserva with thickness and deeply profound fruit here from Nittardi. Chalky and edgy into handsome volatility with many unresolved parts. A big Riserva constructed for the long haul that will aim to please with ropey red Castellina fruit as impressive as any in the UGA. Drink 2024-2028.  Tasted February 2022

Podere Capaccia, Radda

Podere Capaccia Chianti Classico Riserva DOCG 2018

Radda

Capaccia farms four hectares of vineyards at 500-550m on a spectacular promontory quite proximate to Castello di Volpaia. Of the four vineyards (Il Cortaccio, Il Prato, Lo Scopiccio and Le Capanelle) it is the latter’s 2007 planted sangiovese that is used for Riserva. From 2018 the Riserva shows more wood harmony with the handsome fruit and a settled feel, complimentary while also so bloody fresh, exceptional even for the UGA and appellation. Chewy this ’18, liquorice leathery but also like persimmon hung to a dried and toothsome consistency. Some dustiness but not the vinous aspect of 2017 and really quite calming otherwise. Tannins are gritty but not coarse and very close to settling into what would be called fine. Wait another year. Drink 2023-2029.  Tasted March 2022

Podere La Cappella Querciolo Chianti Classico Riserva DOCG Unfiltered 2018

San Donato in Poggio

In Riserva form Podere La Cappella really sees a long developed through late picking sangiovese come to full fruition. Beautiful flesh and texture, fulsome fruit and sweetening acidity. Very fortifying with that blood orange to limestone bleed in great hyperbole. Drink 2025-2029.  Tasted February 2022

Fattoria Poggerino Chianti Classico Riserva DOCG Bugialla 2018

Radda

Piero Lanza has not made a small wine in Riserva from Radda for 2018. The ripest rows or rather the vines that grow in rows that find the highest level of phenolic development are chosen for a sangiovese of cool warmth, dripping grape resin and grippy tannin. Big, sumptuous, gangly at present, layered and so far from acceding to time and your palate. Wait seven years, trust the science and see this Riserva come out as bountiful and beautiful as they make them. Drink 2025-2032.  Tasted February 2022

Querciabella, Greve

Querciabella Chianti Classico Riserva DOCG 2018

Greve

Not a shock that Riserva is so very young, “and for us even as Riserva it’s still about fruit expression,” tells Manfred Ing, with only 20-25 per cent having spent time in new wood. Plenty of Botti Grandi usage but again it’s about best vineyard fruit selection. The choices are made all the way along, even if the team really knows going in what the best vineyard sections really are. Sees 18 months in barrel. The depth of fruit also shows breadth and width, a three-dimensionality for sangiovese that reaches past aromas and onto the entirety of the surface area on the palate. Aided and abetted by picking that spreads across an entire month, only adding to the layers, especially in the tannins which are not simply of one ilk or another. There lies the crux of a Querciabella Riserva, when happened upon there comes about a squad of tannic complexities that cause a raciness and early tasting chaos. It’s wildly stimulating. Stupendo. Drink 2024-2037.  Tasted November 2021

Ruffino Chianti Classico Riserva DOCG Riserva Ducale 2018

Greve

Ever since the Riserva Ducale Oro showed up in Ontario as a Gran Selezione it seems this appellative level of similar distinction as fallen by the release schedule wayside. Which really is too bad because the original Riserva is eerily similar and drinks with closely resembling distinction as the Gran Selezione. Like looking in the mirror and seeing a reflection of your father, so to speak. Good fruit from 2018, on the lithe and easy side, ripe and medium bodied. Quite middle road taken all the way through and simply classic in design. Drink 2022-2025.  Tasted February 2022

Santo Stefano Chianti Classico Riserva DOCG Drugo 2018

Greve

Quiet, even stoic Riserva, surely designed for slow release so patience and even aeration can only serve this well. Quite a compliment of barrel converges and smothers the fruit in this earliest of stages, only adding to the idea of time being a friend, not an enemy. Chewy Riserva, laden with liquorice, welling with macerations, cherries and herbals swirling in the limboed abyss. Save it for later. Drink 2024-2028.  Tasted February 2022

Greve in Chianti

Tenuta Poggio Al Mandorli Chianti Classico Riserva DOCG 2018

Greve

Traditional, rustic, old school beauty. Riserva as imagined passed on through generations taken to a present day level and situation. Riserva as Greve, of sand and clay, alluvial deposits and sunshine. Cool and slightly wet as well, a vintage ever-changing and if misunderstood then simply exercise some patience. This will reward in two to three years time once the austerity of the necessary tannin settles in. Drink 2024-2027.  Tasted February 2022

Triacca La Madonnina Chianti Classico Riserva DOCG 2018

Greve

Big punch and high acid crunch from sangiovese with deep cherry fruit and not much more than a modicum of Riserva density. An elastic one, of juicy tang and quite readily available at this early stage in time. Get at this before many others and feel the love. Drink 2022-2025.  Tasted February 2022

Villa Le Corti Principe Corsini Chianti Classico Riserva DOCG Cortevecchia 2018

San Casciano

Same cépage as Le Corti and here aged in 27hL casks. A selection in the first weeks after fermentation, tank by tank, vineyard by vineyard. The “final” decision is made after the “spezzaturra.” There is always a grounding and an earthiness (carnale as opposed to animale) to Cortavecchia that separates it from the Annata and has it move into singular territory and 2018 is a Riserva vintage indeed. Higher in acidity, vim and vigour. More elegance, elastics and elongation. Even if there was no showiness before there is now. “There is a time to taste wine and every wine has its time.” Today is a good time to taste. Drink 2022-2028.  Tasted October 2021

With Winemaker Leonardo Bellacini, San Felice, Castelnuovo Berardenga

San Felice Chianti Classico Riserva DOCG Il Grigio 2018

Castelnuovo Berardenga

Classic Leo Bellaccini styling, hung long on the vine, maximized phenolic ripenesses equal to sugars and developed berries for full on competition. Alcohol and wood move at a balanced if heavy set pace and all the necessary parts keep up with head high, esteem and quiet swagger. All in control through every stage, full on the palate, silky feel, concentrated, sophisticated, up to the minute. Resides at the top of this game, genre and idiom in Castelnuovo Berardenga. Drink 2021-2026.  Tasted October 2021

San Giusto A Rentennano Chianti Classico Riserva DOCG Le Baròncole 2018

Gaiole

San Giusto A Rentennano’s singular corner of Gaiole’s climate of 2018 was a carbon copy of 2016 (in summer) but in September the sugar ripeness was happening way too fast. Luca Martini di Cigala knew to wait. Three passages were made and in 2018 this began on September 22, concluding on October 16th. Results in a higher alcohol at 15 per cent and a really, really ripe sangiovese. Big in every respect and yet totally in balance, a San Giusto wine exactly representative of time and place. Fine tannins, really fine, no drying to speak of and the kind that will take this wine well into the next decade. True blue Riserva, stylistically as per the conceptual idiom but also for the tufo and clay of this once volcanic place. Drink 2024-2032.  Tasted November 2021 and February 2022

Tenuta Orsumella Chianti Classico Riserva DOCG Corte Rinieiri 2018

San Casciano

A true blue Riserva of San Casciano grip, wit, charisma and style, cool and savoury, granita of texture, sip-able yet age-able. Black cherry flesh and pit, amaro biters and a pinch of sangiovese’s austerity from place, vintage and ways set in eras gone by. Settle for two or three years and drink for two or three after that. Drink 2024-2027.  Tasted February 2022

Villa A Sesta Chianti Classico Riserva DOCG 2018

Castelnuovo Berardenga

Expands on the sand and clay richness found in the 2016 Castelnuovo Berardenga Riserva while finding more fruut-acid balance in this regaling example for 2018. Villa a Sesta’s is always warming, caring and silky smooth so that luxe and and piqued spice activity are always driving the Riserva style. Matters of the heart, purity and savoury intensity gather for great Riserva promise. Drink 2023-2028.  Tasted February 2022

Gnudi, Le Panzanelle, Lucarelli, Radda

Chianti Classico Riserva DOCG 2017

Cantalici Chianti Classico Riserva DOCG Baruffo 2017

Gaiole

Like much of the territory it was dry and hot, the vines shut down in August but one day of rain in the late part of the month reignited the maturation process. Here a saturated and concentrated, smouldering and spicy sangiovese, implosive and tightly wound.High tannic vintage, picked mid-September, alcohol warm and all together needing time to settle down. At least two more years. Drink 2024-2028.   Last tasted February 2022

Casa Emma Chianti Classico Riserva DOCG Vignalparco 2017

San Donato in Poggio

Despite the vintage of no rain there was very little hydric stress with thanks to the soils, heavy in Alberese, blue argiloso and northern facing slopes. Also the sub-zone San Donato in Poggio and three to four degrees cooler than most others. Similar fermentation in concrete and stainless steel but 26 days on skins and then two years in tonneaux. TA is 5.90, an impressive number for 2017 and yet the wine is muscular, big-boned and structured with no way to fully get out the vintage way. “What you see is what you get,” tells Paolo Paffi, a 100 per cent sangiovese of firm grip and forest proximate savour; of sage, rosemary and underbrush. Really shows in the herbal and spice masala at the finish. A definitive expression of vineyard. Cru as Riserva and Riserva as Cru. Drink 2024-2033.  Tasted October 2021

Fattoria Pomona Chianti Classico Riserva DOCG Bandini 2017

Castellina

Riserva comes from what can be called the “little man vineyard or il omino,” vines at Villa Pomona of 20 years where a true mix of all the rocks litter the decomposed soil. Almost unlike anywhere else where Chianti Classico is raised; Galestro, Alberese, Piteraforte, calcium carbonate and quartz. All there, all infiltrating vines, grapes and wines. In some cases all these parts are integrated into one fist sized stone. The unity is remarkable and makes Monica Raspi’s Riserva so bloody special. She has quite a bit to do with that too while her soils’ nutrients and vines’ absorption of elements allows her to nurture as only she can do. There goes that Pomona perfume in a stylish sangiovese of palate essence, succulence and an emulsification with acidity sliding into tannic fluidity. Such a lovely Riserva for ’17. Truly. Drink 2022-2028.  Tasted October 2021

Iacopo Moranti, Il Molino di Grace, Panzano

Il Molino Di Grace Chianti Classico Riserva DOCG 2017

Panzano

Fulness, richness, full throttle savour, all captured and assembled. A wien picked so late in September the rear-view mirror was filled with Chianti Classicos jammy and green. Here phenolic ripeness and swelling fruit reigns in wood, with all cracks and crevices filled. Clarity and precision prevail which can only bode well for the future.  Last tasted October 2021

Only from the upper vineyards closest to the cellar, one of the more pristine Riservas, of freshness, purity and clarity that Molino di Grace sangiovese did not used to show, but changes have led to this. You don’t think about the transitions or the structure because they just present themselves effortlessly and seamlessly. A remarkably fresh ’17 that was picked late, on time and best decisions were made in the cellar.  Last tasted February 2020

Wow ’17 Riserva could handle waiting until 2021 to be released. So grippy, such acidity, so much concentration and while quality is exceptional still the vintage quantities are so low. A number in and around 40 per cent of normal. Wooly tannins, so in control and very fine. Remember there was also a frost in May that decimated the vines, followed by three months of intense heat. Vineyard management and the most pragmatic, accepting and realistic team in place made sure to do everything right. “Corretta” to the nth degree. As is this organic and biodynamic Riserva. Drink 2021-2029.  Tasted September 2019

La Squadra Canadese at Istine, Radda

Istine Chianti Classico Riserva DOCG Levigne 2017

Radda and Gaiole

The driest and hottest of vintages, as will happen in 2021 but this year some cold weather arrived in late September. The mix of the three in Riserva form takes all the best grapes and in 2017 a great portion comes from the Istine Vineyard, “because of freshness.” This with great thanks to the forest surrounding the steep vines, something essential and very real in especially Radda and also to a solid extent in Gaiole. Istine faces north and this is the trump card in Radda, for Angela Fronti and many others. Drink 2022-2028.  Tasted October 2021

Levigne from Angela Fronti delivers a duality that talks in a vernacular made of more than a commune. The concept is Gaiole meets Radda and each has its say though their mingle and intersectionality layering clouds the distinction in the way you’d hope they would. There’s a softness and a brut strength behind the exterior that tells something conceptual and educational is happening. Forget light, bright and easy. Bring on the ambition, the execution and the swagger. Drink 2023-2032.  Tasted February 2020

Le Fonti Di Panzano Chianti Classico Riserva DOCG 2017

Panzano

Riserva 2017 is so very similar to Annata in that the extract feels heightened and the wine is just now settled after one year in bottle. The peppery spice is lessened as compared to the Annata while the density on the palate is increased. Dusty espresso and chocolate surround the classicism of Le Fonti’s particular Panzano red fruit. This is quite ready to go. Drink 2022-2026.  Tasted October 2021

Monte Bernardi Chianti Classico Riserva DOCG Sa’Etta 2017

Panzano

“I don’t think of it as a problem year. I had bigger problems in 2011 and 2015. Complaints about heat stress are all about the wrong rootstock,” insists Michael Schmelzer. “I didn’t see any hydric stress in 2017. Comparably speaking it was a walk in the park.” OK, not quite a classic vintage of coolness, cloud cover and in fact it ranks low on the challenging pole. Therce was a loss of Retromarcia (50 per cent) but the Riserva was untouched by frost in 2017. Sa’Etta is a hyperbole of transparency and also concentration as compared with the normale Riserva. What really separates these from Classico Annata is age of vines and Monte Bernardi is from Galestro while Sa’Etta is from Pietraforte. Thus the grip, circumstance, higher tonality and concentration of perfumes. Tannins are a little austere but that too is a matter of conglomerate rock co-efficient fact. Morbido is for some, Sa’Etta for others and true to a sense of place. Drink 2023-2033.  Tasted November 2021

Podere Capaccia Chianti Classico Riserva DOCG 2017

Radda

Podere Capaccia in Località Capaccia is owned by Belgian Herman de Bode with American Alyson Morgan as winemaker. The ’17 Riserva is seriously aromatic, yet unreleased and a good thing in more than one way. The herbals are powerful, vinous as with all of Capaccia’s wines, wood very much at the head, high acid as always, never lacking, the true component in charge. If ’17 Annata is chewy then Riserva is the opposite, crunchy, tart and grippy. Such a composed wine, very Riserva, seriously Radda. The mix of botti and 300L French barrel need to melt, dissipate and integrate before this really hits its stride. Drink 2024-2028.  Tasted March 2022

Val delle Corti, Radda

Val Delle Corti Chianti Classico Riserva DOCG 2017

Radda

There was a section every September night when the plants could breath, helped by the woods, Radda’s “lung,” and “so we waited and waited while September and October were refreshing,” explains Roberto Bianchi. Keep exhaling after each sip to feel the freshness.  Last tasted October 2021

The 2017 was a scorcher in Tuscany, no less demanding in the Chianti Classico territory and yet Val delle Corti’s Radda was one of the cool spots to be. No rain from January to the end of the first week of September and yet desiccation in these vineyards were not like some other low lying areas. Lower yields yes but really high quality fruit. Roberto Bianchi’s use of long macerations, as much stainless steel as oak and older (and larger) wood at that makes for one of the coolest and freshest Riserva one is ever likely to find. Indeed this may be the most openly fragrant, unencumbered and blessedly humanistic 2017 in the entirety of the Chianti Classico lot. Hyperbole perhaps but nature and nurture conjoin for breathtaking results. Taste, consider and exhale. Drink 2023-2032.  Tasted September 2021

Villa A Sesta Chianti Classico Riserva DOCG 2017

Castelnuovo Berardenga

Producers who got it right in the hot 2017 are Chianti Classico heroes and Villa a Sesta is one of that ilk. Dry conditions through adversarial times there is a will and a way with sangiovese hung well into September, even in the sun radiant wide open spaces of Castelnuovo Berardenga. Strong and dry sangiovese gets fruit-filled centre help from seven per cent cabernet sauvignon, all grown on steep slopes at good (450m) elevation for the commune. This Villa a Sesta Riserva ages for two years in Slavonian and French oak of 500L and 40 hL. Acid crunch and pH sapidity are perfectly in balance with fine grains of tannin following in ideal suit. The winemaking is on point. Five to seven year wine beginning right now. Drink 2021-2027.  Tasted November 2021

With Dario Cecchini and Fontodi’s Giovanni Manetti ar Antica Maccelleria Cecchini, Panzano

Chianti Classico Riserva DOCG 2016 (and older)

Bindi Sergardi Chianti Classico Riserva DOCG I Colli 2016

Vagliagli

Quite a ripe vintage with well-developed fruit in causation of so many days of warm but not hot and humid weather. This ’16 also carries a high level of lift and acidity working the real room of many red and blue fruit. Yes, the sensation of a blue fruit vintage, cool, salt-mineral licked and sweetly savoury. Long and linear, swirling through fruit with Vagliagli savour.  Last tasted October 2021

The second of two Riserva from Bindi Sergardi, one coming from the Mocenni estate and this from I Colli, both in Castelnuovo Berardenga. Not just the name of the estate but also the old “borgo,” the family hamlet going back 23 generations. As with Mocenni there is ample Alberese limestone in this soil and I don’t know if any other producer in the commune can craft silkier or more glycerin sangiovese from this soil type. While Mocenni may gift more textural presence it is I Colli that lifts, elevates, rises and shines. Not that lightness of being is the dominant character trait but there is an emanating radiance. Blood orange coming across the palate speaks to the estate’s location and geological mix, that and persimmon, summer savoury and rosemary. Not herbal per se but more so than Mocenni. The two worlds collide and yet stay so apart. That is the beauty of having two singular Castelnuovo Berardenga vineyards from which to develop two dissimilar and diverse Riserva. Drink 2022-2030.  Tasted April 2021

Brancaia Chianti Classico Riserva DOCG 2016

Radda

Coming upon nearly four years since first tasting Barbara Widmer’s classic and that is said in the most complimentary of ways with respect to Chianti Classico. Now as a sangiovese with bottle time under its belt this Riserva has had emerged as the kind of wine it was meant to become. Right there and right now. A great timing for local release and a terrific red for the upcoming holidays at an affordable high end price.  Last tasted November 2021

The vintage is the succulent one for Brancaia’s Riserva, an (80 per cent) sangiovese, (20) merlot Radda in Chianti beauty that saw 16 months in a combination of barriques and tonneaux. Here we feel the point where 2013 and 2014 intercede, propagate and deliver a child that is observed to grow up so fast. While so tart, it’s primary concern is to deliver pleasure with a substantive and toothsome payoff. The wood is still a bit heavy but necessary to carry the ecumenical fruit forward three to five years. Drink 2019-2023.  Tasted February 2018

Castell’In Villa, Castelnuovo Berardenga

Castell’in Villa Chianti Classico Riserva DOCG 2016

Castelnuovo Berardenga

Poured in two different glasses, one in the classic Chianti Classico consortium glass and the second in a hand-blown Grassl Liberté of Balkan origin. The aromatic launch in the latter is hyperbolic but also precise. Yes the land above is in this glass but also the iron mineral sottosuolo below. While 2016 Riserva is equipped with all the body, texture and depth anyone could be looking for (including the Principessa Coralia Leonini Pignatelli), there is more to this wine than just oomph but more to the profound point the intangible that sangiovese can deliver. “I never wanted to be a wine merchant,” so well describes the plan, ideal and what the Principesa wanted to get out of Castell’In Villa sangiovese. Complexity is the matter, some things already spoken and so many more to eventually become revealed. This 2016 has found it. “It’s nearly to what I consider very good and I don’t think I will produce anything like it anymore.” This a comment about one’s mortality and especially the climate. “You don’t know what you are going to get anymore.” Each time you taste this wine over the next 15 years something new will emerge. It will always change. Drink 2024-2036.  Tasted March 2022

Castello Di Radda Chianti Classico Riserva DOCG 2016

Radda

Riserva sees 24 months in Grandi Botti and also second passage Tonneaux, very much exactly halfway between the elévage of the Annata and the Gran Selezione. Again a professional and pragmatic methodology and by extension, result. Harmony is the ideal, to bring fruit, acidity and structure into a linear and extrapolative oeuvre. Hard not to see 2016 as a perfect example of an executed plan. There is a depth to this vintage and in its sixth year this sangiovese has entered its finest years of life. Won’t get any better than now to take full advantage of this wine. Drink 2022-2025.  Tasted March 2022

Il Palagio di Panzano

Il Palagio Di Panzano Chianti Classico Riserva DOCG 2016

Panzano

More refinement and sangiovese liqueur while maintaining a dryness and unresolved structure as found in the Annata that is caused by the older vines and their variegated fruit. Older clones that deliver a more rustic and grippy sensation in the wine. Like the Annata only bigger casks are used, no tonneaux. Chewy Riserva, gripped by real Panzano stage presence, pietraforte and arenaria soils with just a streak of calcari. Wait two more years in this.  Last tasted October 2021

A warm and fuzzy Panzano feeling felt straight away, humid, spicy, Galestro instructed. Some pretty serious tannin, weight, magnitude and a considerably deep impression. Quality with high acid notes acting as a foil to the formidable thing of it all. Bigger that ’15 in so many respects. Drink 2021-2026.  Tasted February 2020

Istine Chianti Classico Riserva DOCG Levigne 2016

Radda and Gaiole

The vintage while very good was not high in production for the Frontis due to more rain than wanted. And yet there is a fulsome sensation and really tannic thrush to ’16, far from resolved, deep and profound. A real liqueur that does not always happen in Fronti’s wines but beauty and power can co-exist. Feels like a good portion of Cavarchione from Gaiole, nearly as much as Istine with some bit parts of Casanova.  Last tasted October 2021

Losi Querciavalle Chianti Classico Riserva DOCG 2016

Vagliagli

Sangiovese from Vagliagli with five per cent canaiolo, ideal for raising the pH just enough to tame and balance the wild acidity in sangiovese’s crazy heart. Though it’s a 2016 it is yet to be released because tells Valeria Losi, “we believe it will still improve in the bottle.” Hard to argue with the logic because the tannins are not just UGA focused but so very Losi in temperament. And yet they are also sweet and suave in spite of being so forceful. Finally there is the persistence and length, qualities embraced by ’16 and especially through Riserva appellative form. Drink 2023-2029.  Tasted March 2022

Piemaggio Chianti Classico Riserva DOCG Le Fioraie 2016

Castellina

A certain and specific kind of Riserva concentration here from the Castellina rossa, direction Poggibonsi. Some beauty in tradition and rusticity, full on complement of acids and impart by the dusty track. A good interaction and integration overall where parts intersect and compliment in spite of the dry and high-toned character. Very Castellina Riserva in that regard and from an identifiable place within a place. Drink 2023-2026.  Tasted February 2022

Podere Capaccia Chianti Classico Riserva DOCG 2016

Radda

Fruit comes from the “vineyard down below,” the flysch, sandstone, marl, shale and clay 0.92 hectare old (2007 planted) vines of sangiovese block known as Le Capanelle. Not only was 2016 a vintage of promise and growth it also allowed for lengthy hang time and fully kept acidity. The ’16 has actually fleshed out since last tasted 25 months prior and yet the tannins have barely broken stride. Less new oak then ’15 (after no Riserva made in ’14) led to ’16 being a more balanced elévage (at 30 per cent). Radda is here in all its awe-inspiring vista glory, at 500m elevation, on a steep southern slope, breezy and making for seriously vinous wines.  Last tasted March 2022

The bright light and fresh face of Capaccia is something exceptional, exciting and new. So much fruit and rose petal emits from the nose and while comparing sangiovese to other important grape varieties is neither necessary or my style I have to say that the Premier Cru (Nuits-Saint-Georges) feeling of this fruit can be imagined in pinot noir terms. Rarely do I feel the need to do this but this Riserva takes me there and then comes home. Huge stride forward for the estate. Drink 2022-2032.  Tasted February 2020

Quercia al Poggio’s Michela and Vittorio Rossi, San Donato in Poggio

Quercia Al Poggio Chianti Classico Riserva DOCG 2016

San Donato in Poggio

Though 2016 is not equipped with the fruit set that 2015 surely owns there is no shortage of substance to match Quercia al Pogggio’s packed house of herbs, savour, long-chained tannins and slow release from structure. Like the difference between Annata from 2018 to 2019 there is a similar change from Riserva 2015 to 2016. Night and day in a way, from perfume to a wine of finer compaction of tannins that will take even longer to release. You can really see the refinement in the Riservas, especially in the 2016. This will live longer than the 2015, that much is clear.  Tasted November 2021

Surprising or not the ’16 Riserva from small batch Quercia al Poggio is a pretty heady and serious wine, reductive, rich and a tough nut to crack. Plenty of wood sheathing at this very stage brings texture, silken and quite creamy. A whole lot of everything that will require time. Drink 2022-2028.  Tasted February 2020

Bindi Sergard Chianti Classico Riserva DOCG I Colli 2015

Vagliagli

Holding strong and from 2015 a complexity emerging, of the I Colli earth and more elemental punch than noted in either ’16 or ’18. This is where Alessandra Casini Bindi Sergardi was born and grew up. Built in the 1400s for the family, lower in elevation (350m) as compared to Mocenni (500m), still rich in Alberese but also high in iron content as across the road in the Chianti Colli Senesi. The wood and its fortifying spice are quite notable in this glass. Perhaps a vintage push or perhaps time related. Either way Riserva ’15 is more than ready and also willing to linger for five years further. Drink 2021-2024.  Tasted October 2021

Cantalici Messer Ridolfo Chianti Classico Riserva DOCG 2015

Gaiole

A single vineyard sangiovese Riserva, from 45 year-old vines, aged two years in 20 hL barrels. Next level concentration but also movement, here from 2015 showing almost as much development as both ’11 Annata and ’10 Riserva. That is surely a matter of wood and vineyard, a soft, creamy and evolved sangiovese, chocolate and dried fruits throughout.  Last tasted February 2022

Apposite to Barrufo in that Messer Ridolfo sees 18 months in 70 per cent small 20hL French oak and the rest in stainless steel. Also 100 per cent sangiovese from soils of Alberese and Galestro though slightly lower down on the Gaiole slopes, near the 300m mark. Richness, coniferous forest resin and wood accents in tobacco and dark chocolate make for a deeper, more resonant and even barbarous Chianti Classico Riserva. One of balsamico, tartufo and a certain era’s chic islands in the stream style. This will really take you back. Drink 2020-2025.  Tasted November 2020

Castell’in Villa Chianti Classico Riserva DOCG 2015

Castelnuovo Berardenga

That sweet Castell’In Villa Castelnuovo Berardenga volatility is elevated and exceptional in 2015 Riserva, as is the fruit substance, overall extract and concentration. That feeling of growing sangiovese amongst 200 hectares of woods is palpable, like herbs, forest nuts and shrubs injected into the DNA of this singular wine. As if sun and savour were threaded through plants, vines, trees and grapes, things trampled underfoot and spices by wood making for a full and credible sangiovese. True local liqueur and years to young to even consider where this will go, or to think about current exceptionalities. Drink 2023-2029.  Tasted October 2021

Castello di Radda Riserva

Castello Di Radda Chianti Classico Riserva DOCG 2015

Radda

Riserva sees 24 months in Grandi Botti and also second passage Tonneaux, very much exactly halfway between the elévage of Annata and Gran Selezione. A bit more acetic acidity in 2015 which seems counterintuitive to the vintage but such is the singularity of the sangiovese that grows on the vines in this and neighbouring località. Dusty, plum and currant fruit, not unlike 2018 Annata, less “Riserva” than ’16 in sentiment though will age quite well. There is an affinity here with Castelnuovo Berardenga, in a way like Villa a Sesta and even Castel’InVilla. Wholly unique Chianti Classico Riserva (Radda) expression. Drink 2022-2025.  Tasted March 2022

Quercia Al Poggio Chianti Classico Riserva DOCG 2015

San Donato in Poggio

A selection of all the vineyards around al Poggio but also a true factor of all the different soils and their vines needing many passes, for picking across 25 days. Aged in tonnaeux like the Annata, longer of course and the secret lies in the custom made sorting table, slanted, vibrating and allowing to find the most perfect fruit. The wine opens incrementally with each and every moment and with these passages of time the perfume really blooms. Time and timing is everything. Drink 2022-2027.  Tasted November 2021

Castello Di Radda Chianti Classico Riserva DOCG 2014

Radda

Talk about a strange and challenging vintage. In many parts wet and cold, even here but by using more grapes from Il Corno and allowing them to hang longer, well into October, the ripeness just about made the grade. A “balsamic” vintage, really fresh and with sneaky structure. Showing well, really savoury, no departure from the Castello di Radda style and with dusty, musky and dusky tannins that still bear their teeth. Just a little crunchy. Drink 2022-2026.  Tasted March 2022

Fattoria Poggerino Chianti Classico Riserva Bugaialla 2014, Radda

Fattoria Poggerino Chianti Classico Riserva DOCG Bugialla 2014

Radda

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. A wine as a child of cappello sommerso, stylistically Piedmontazine in origin, long maceration and from a really wet and cool vintage. Always elegant, always a matter of vineyard rows that ripen just bit earlier, better and with phenolic completion as compared to the rest of Piero Lanza’s fruit. Chewy, especially for the vintage but also layered and palate caressing. This has the no lo so of Chianti Classico, the umami found in just certain wines of understanding and humility. Lanza gets it and that’s important. It means he cares. Bravo Piero.  Tasted March 2022

Monte Bernardi Chianti Classico Riserva DOCG Sa’Etta 2014

Panzano

It was my request to look back at an older version of Sa’Etta, to see how the earlier lift, animale and swarthy behaviour has either settled down or remained an integral part of a wine steeped in character as place. Things can be circumstantial and sometimes they simply are not. Now, 2014 has indeed settled but we are very aware of some beautifully feral character looking back. The newer vintages of 2017 through 2019 surely speak in more graceful tones or rather those edgy notes slide and integrate with greater subtleties. What has really come about is how the fruit and acid intertwine roll with tidal bio-endo-dynamism across the palate. That is because the extra few years of polymerized tannins have served to sweeten the once shy Pietraforte raised sangiovese. As it is said, timing is everything. Drink 2021-2023.  Tasted November 2021

With Angela Fronti, Istine, Radda

Istine Chianti Classico Riserva DOCG Levigne 2014

Radda and Gaiole

Made from the three Istine vineyards and the best grapes from each though the percentage changes each vintage because the vineyards have strong identities and show differently from year to year. “It was 2014 that made me stronger so it is my favourite vintage,” tells Angela Fronti. Rained so much, disease pressure and botrytis were in effect and so the soil needed to be repeatedly cleaned, the grapes thinned and the harvest pass three times over. Talk about the passion and the ability to age Riserva into what is now a timeless exposition and impression, a liquidity now viscous and fluid like a cold stream of fresh water you so desire to drink. Savour captured, Raddese acidity set to the future, Gaiole threaded through and time so very much on this Riserva’s side. Drink 2022-2027.  Tasted February 2022

San Giusto A Rentennano Chianti Classico Riserva DOCG Le Baròncole 2014

Gaiole

All together a different vintage for the Classico, cool, salt-licked, mineral, linear and ethereal. Not an orange or cherry one and quite frankly not one of fruit at all. “In our case the base Chianti Classico suffered a bit, but the ones picked later in October for Riserva were high quality.” Work with this 2014 in the glass for 10-15 minutes and it will flesh, silken and lengthen. No jam or concentration but elegance personified.  Last tasted February 2022

In 1957 San Giusto A Rentennano was inherited by Enrico Martini di Cigala and in 1992, by his nine children. Today Anna, Lucia, Elisabetta, Francesco, Alessandro and Luca are partners in the estate company. Riserva le Baròncole 2014 is composed from 97 per cent sangiovese plus canaiolo, the 14th Baròncole of a Riserva that was first bottled in 1975. The rains of summer did not deter this determined Chianti Classico, thanks to great farming practices, favourable weather conditions at harvest and under the circumstances, the strictest grapes selection possible. A beautiful liqueur wells in this rich and aromatic, spiced and spicy CC, quite exceptional for 2014. The top of the quality pyramid is reached with its rich constitution and age conscious ability. Chalky in fine grain and sweet tannins, no green notes, good acidity and properly rendered (20 per cent new) barriques and big (5 hl) barrels. Get with the baron. It’s a prime “esempio” for Gaiole in Chianti. Drink 2018-2024.  Tasted September 2017

Le Vigne, Istine, Radda

Istine Chianti Classico Riserva DOCG Levigne 2013

Radda and Gaiole

As for 2013 it shows so much more evolution and the blood orange juicing simply can’t be missed. Here the lovely hint of oxidation creeps in, a feeling of warmth eight years later and yet there are some refreshing moments too. The tannins persist even while the fruit is on the wane and the end of the best years is nigh. Drink this for two three more years with confidence and pleasure.  Last tasted February 2022

Levigne is considered the top wine of the estate and it is one of two assemblage-forged sangiovese. Angela Fronti produces three single-vineyard Chianti Classico, a CC that combines all three vineyards and this Riserva. Since the 2012 harvest Fronti has opted for separate vinifications of sangiovese according to each vineyard of origin. Through different wines the characteristics of each specific vineyard, as in exposure, soil and altitude, are exploited. Fronti notes “we tell our reality through the best sangiovese harvested in the Vigna Istine (between Radda and Castellina), the one collected in the Vigna Casanova dell’Aia (near Radda) and the one in the Vigna Cavarchione (in Vertine, Gaiole). Riserva is a story of assemblage and it seems to me, not the wine of Angela’s greatest passion. This CCR is chosen from her best fruit and spent 18 months in large botti. The fruit is raisin chewy and a bit stewed to be sure but with good acidity and tart, tight tannins to keep the faith. It’s disjointed and I would bet the single-vineyard CCs are more precise and focused. Should SV Riservas be the wave of Istine’s future? Only Fronti can answer that question, if adding more diversity to the portfolio is even a possibility. All that said this high quality blend will turn and morph for a more than interesting secondary CCR display of personality. Drink 2017-2022.  Tasted September 2017

Istine Chianti Classico Riserva DOCG Levigne 2012

Radda and Gaiole

Angela’s first vintage, a very dry one (similar to what would come out of 2017) and also the first from fully organic vineyards. Also a warm one (just as ’17 would also be) and the evolution is upon this very moment. The feeling of wood wells into a chocolate melt from 2012, something neither ’13 nor ’14 seem to possess or process. Full and satisfying, acidity intact and keeping the ripeness alive.  Drink 2022-2025.  Tasted February 2022

Cantalici Chianti Classico Riserva DOCG Baruffo 2010

Gaiole

In Riserva form and from a year earlier as compared to the ’11 Baruffo Annata it is this 2010 that has fully and completely entered its secondary stage of development. All umami, in porcini and tartufo but also plum pudding and tells Giovanni, “the evolution we want.” This is a very handsome wine, in a calm and relaxed state, but with acids very much intact. The wood has melted and integrated so beautifully and while its excess is a concept of time, there is no doubting how well it was used. Drink 2022-2025.  Tasted February 2022

Castell’in Villa Chianti Classico Riserva DOCG 2010

Castelnuovo Berardenga

A look back 12 years and the memories are mostly in notes for a vintage of strength but not necessarily the body of some others immediately before and also after. Expediently secondary and holding that way now for a few years, not yet truffled but plenty of wood and woods, oak and bosco, nuts mostly, with layers of chocolate. Residing in between, not a wine of real age but well past its youth. There is nothing earthy about this whatsoever, rather it’s cheery and almost sweet. Good fruit vintage and generous oak are obvious and that is why the wine has survived so well though the latter plays a starring role. Still some unresolved yet resolute tannin for a few more years. Drink 2022-2026.  Tasted March 2022

The bright perfume is elevated out of 2010 and brought to present day prominent, scintillant life. A sangiovese out of which the Principessa “feels the sense of the earth.” You somehow still feel the sweet naïveté of maceration, from a very promising now realized vintage of both fruit wealth and structure. Just a moment’s porcini breath characterizes the present, coming through to speak of a turning point and the next aromatic phase. Just a baby really. Drink 2018-2024.  Tasted November 2018

Castell’in Villa Chianti Classico Riserva DOCG Poggio delle Rose 2010

Castelnuovo Berardenga

A nearly two hectare single vineyard or if you like the Castell’In Villa cru and really just a fraction of what is made in the “other” Riserva. Similar aging profile but with more depth and also complexity, here in the 15th vintage (first in 1996) from a vineyard created by the cuttings of the best vines identified around the estate. Getting the the iron mineral in addition to the brush and herbs which make this feel younger and more alive. These tannins are impressively resolute and trenchant, trading blows with your palate but en route to their soft moment in the sun. Extraordinary really, a wine about a place within a place within a place. The proverbial enigma, wrapped, shrouded, etc., etc.  Last tasted March 2022

From the hill parcel planted in 1990 to the old selezoine massale clones, from the original property, not the current “Chianti Classico” clones. “And there is a difference,” insists Principessa Coralia. Three or four years in grandi botti and older tonneaux so no, it’s not even close to ready. Yet the fcat that you don’t explicitly notice the tonneaux is its magic. A big and complex vintage with variability in temperature and precipitation but at the crucial moments it gave what was needed. There is a special presence about this sangiovese, because of the source but also how alive, bright-eyed and expressive it is. This pulses, vibrates and reverberates with ancient seabed salinity. No loss to finesse but more time will be required, to turn back time and back pages, for the true clarity and calm disposition to settle in. Extraordinary wine of restrained power and exceptional sangiovese. Has always been Riserva and “will never be Gran Selezione.” Drink 2021-2035.  Tasted November 2018 and February 2019

San Giusto A Rentennano Chianti Classico Riserva DOCG Le Baròncole 2010

Gaiole

The 2010 is a big and concentrated wine for San Giusto, acidity running high, tannins still ruminating and spice all over the proverbial tufo map. A highly seasoned sangiovese with drying notes and sensations. This seems like a Riserva vintage that hit its stride at the 10 year mark as opposed to others where 15 is the bench. At least in terms of fruit that is. Drink 2022-2024.  Tasted February 2022

Villa Pomona Bandini 2009, Castellina

Fattoria (Villa) Pomona Chianti Classico Riserva DOCG Bandini 2009

Castellina

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. Just a baby in many ways, especially with Pomona’s particular Castellina character and specificity of acidity acting as backbone for this gently tannic wine. There is some tropical fruit on the nose, almost guava but more so persimmon and pomegranate, still very Italian but surely exotic. The wood has melted and it lingers in soft tones, not earthy but woodsy. Chocolate finish, not surprising and not overpowering.  Tasted March 2022

Val delle Cort’s Roberto Bianchi in the wilds of Radda

Val Delle Corti Chianti Classico Riserva DOCG 2009

Radda

From the upper Riserva block and now at 11-12 years of age, a wine of perfume and such porcini, tartufo and umami it is really quite amazing. From another time in Radda history and a vintage able to withstand the test of time. The acidity persists but truth is a fat year and yes, conceptualized Raddese will always be there. Lovely drop at this stage and with thanks to place. Posizione. Sempre. Always. Drink 2021-2024.  Tasted October 2021

Conti Capponi/Villa Calcinaia Chianti Classico Riserva DOCG 2008

Montefioralle

Tasted alongside the 2018 and like the 9s there is also great affinity between these 8s, if a bit less so. This previous decade gave a vintage cool and elongated if perhaps a former one as well. The once commanding tannins are done working the room and glass while the grippy acids persist and dominate the dusty plum fruit. There is some acetic meandering behaviour here and also some soy, balsamic and deep baritone notes. Imagined as once reductive the 2008 now sees its best days in the rear-view mirror. Drink 2022.  Tasted February 2022

Conte Capponi/Villa Calcinaia Chianti Classico Riserva DOCG Vigna Bastignano 2008

Montefioralle

Sebastiano Capponi’s Vigna Bastignano was the single vineyard Riserva back in 2008, now one of three Gran Selezione wines bottled at Calcinaia. The structure and grip back then must have been something formidable because while these elements of architecture and control have relented and mostly subsided the sangiovese stands like a Florentine edifice with the Capponi crest up top, front and centre. Clearly a wine of drive and design, calculated and restored each and every time. The balsamic and earthy brewed notes are most noted while fruit wanes and hangs as if in a Baroque still life painting. Drink this with confit, preferably sauced and accompanied by a side of cavolo nero and white beans. Drink 2022-2023.  Tasted February 2022

San Felice Chianti Classico Riserva DOCG Poggiorosso 2008

Castelnuovo Berardenga

Expectation dictates a much more advanced character for Poggiorosso (which predated the Gran Selezione at that time) but it is in fact a fresh and youthful example of a right and proper single vineyard wine. The tannins persist but reside in the arena of fine design with wood seasoning piquing the persistent fruit. Finishes with a meal ending shot of dusty espresso. Remarkable longevity. Should drink well easily for five more years. Drink 2022-2027.  Tasted February 2022

San Giusto A Rentennano Chianti Classico Riserva DOCG Le Baròncole 2007

Gaiole

Though the secondary notes are just now fully in emerging form the fruit quality and persistence is just a bit more in linger than the three years younger 2010. This 2007 has held up remarkably well for a wine that for all rights and purposes should have begun to wane and fade away. Some good quality tannin also persists and while more wood effect comes through in chocolate there is a lovely balance and swimmingly beautiful character in true Riserva style. Drink 2022-2025.  Tasted February 2022

Riserva Le Barōncole 2006, San Giusto a Rentennano, Gaiole

San Giusto A Rentennano Chianti Classico Riserva DOCG Le Baròncole 2006

Gaiole

2006 was a very good vintage. People were worried at the end of August but in the middle of September there was a rain of 100mm and then for the last two weeks high temperatures (27 degrees) by day and cool (10) at night. Finished harvest on the 9th of October. Like 2012 there is a faint scent of cooking animal but here the tannins are really sweet and oh so fine. This is almost perfect Chianti Classico at 15 years old, exactly secondary, industrially complex and opening up the world of possibility, imagination and mostly emotion. Wildly aromatic and a bottle that represents Le Barôncole, Riserva and the vineyards of San Giusto in the best way. Could hardly be better. Drink 2021-2027.  Tasted November 2021

Il Poggio, Castello di Monsanto, San Donato in Poggio

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 2004

San Donato in Poggio

Ideal vintage, not too hot or cold and aged in tonneaux. Clearly a sangiovese from a time when extraction and oak aging conspired not necessarily for huge wines but those of full-body, flesh and creamy flavours. If there is some chocolate and café so be it because the graceful rusticity, waning blood orange and traditional ambience are all more important than anything the wood (two thirds new) might have eventually wanted to say. A seasoned linger thanks the Galestro and acids for the drift. Drink 2022-2025.  Tasted February 2022

Castell’in Villa Chianti Classico Riserva DOCG 2000

Castelnuovo Berardenga

“With sangiovese I never get bored. I drink it in all its versions. It gives you full satisfaction.” The words are those of Principessa Coralia Leonini Pignatelli. This from 2000 is one of those unique iterations, a cool vintage as they come, especially at that time. There is a sweetness to the fruit, matched with an equal and opposing savour, the polar opposite to the 1994 tasted last night. Almost blood orange but not quite, certainly not the iron-mineral notes of that ’94 or especially 2010. There is delicacy and grace from 2000, a fineness and a precision but nothing gangly or powerful at all. Drink 2022-2025.  Tasted March 2022

Monsanto, Castell’In Villa e Brolio, I 9 Decadi

Castell’in Villa Chianti Classico Riserva DOCG 1995

Castelnuovo Berardenga

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. Quite excited to taste this ’95 Riserva from Principessa Coralia because the last time it was slightly tainted by TCA. This bottle is in much better condition, vibrant and bright, full of fruit. Full on Castelnouvo savour, brush and vineyard dirt. An older Castell’In Villa that so reminds of some older, oxidative and terrifically characterful Greek reds. Especially xinomavro from Naoussa. Yet the acids are higher and the texture more salve viscous.  Last tasted March 2022

Every memory of the summer that was 1995 in Chianti Classico is important, not the least of which are 17 days spent there and the terrible weather that followed the communes all summer long. Perhaps that is why this 23-plus year-old sangiovese has lingered into the most finessed and pleasure gathered state of grace. It’s an older bird to be sure and even not the cleanest example there is or was but its tertiary place is still marked by fine acidity and grippy tannin. Classic Castelnuovo sangiovese with dried porcini scattered amongst the leaves of autumn. Drink 2019-2020. Tasted February 2019. (The slight TCA in this example really means the wine is not rated)

Castell’in Villa Chianti Classico Riserva DOCG 1994

Castell’in Villa Chianti Classico Riserva DOCG 1994

Castelnuovo Berardenga

Looking back the style shows as a wood directed vintage and so not entirely aromatic at this 28 year point. Notable at the fore are soy, balsamic, tar and iodine. Acidity and structure are holding the fort though this really does feel like a sangiovese of a particular oak regime time. Mid-nineties IGT-ism if you will and yet the wine is showing really well. Full and having aged slowly to this point and degree, pitchy as it gets and really quite a heady wine. Pairs beautifully with cervo (deer) loin. Truly. After 30 minutes everything changes. The wood integrates and fades to the background, now spice up front and a sweetness emerges. Finally it is Castell-In Villa, intrinsic, automatic, for real. Drink 2022-2024. Tasted March 2022. Drink 2022-2024.  Tasted March 2022

Lamole di Lamole 1993

Lamole Di Lamole Chianti Classico Riserva DOCG 1993

Lamole

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. Curious to assess this with the ’93 Annata in mind from September 2018, a wine that sat in quite good standing. Both are from Andrea Daldin’s first vintage at Lamole di Lamole. The Riserva is impressive with kept freshness and spirit of life in a 1993 filled with Lamole’s profumi in pocket and more so brushy herbs, especially sage noted on the nose. The wine is in terrific shape, easily hanging in as compared to tasting the 1993 Annata three and a half years ago.  Tasted March 2022

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 1986

San Donato in Poggio

A forgotten or passed over vintage 1986, right after 1985 and vintage of the century, like 1997, but not. Cool and equipped with great longevity, of bokser pod, fennonchiona, all leading to liquorice. But most of all a very pronounced San Donato in Poggio blood orange and sanguinity, with classic Monsanto tannins that likely fully resolved about 10 years ago. In fantastic condition, drinking with love and precision, generous and comforting. Drink 2021-2024.  Tasted October 2021

Antinori 1985, San Casciano

Marchese Antinori Chianti Classico Riserva DOCG Marchese Antinori 1985

San Casciano

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. Only the second year in DOCG (Chianti) status. Fully completely tertiary Chianti Classico and quite charming at that. Really scents and tastes like chestnuts, lightly roasted, also hazelnuts, gently toasted. A wine of barriques and San Casciano herbology, of mandarin orange, vanilla and baking spice. Chocolate is all over the finish with a sense of drying tannin still very a part of the mix. As much an older expression of Toscana as it could be Chianti Classico.  Tasted March 2022

Sangioveto and Il Poggio, Castello di Monsanto, San Donato in Poggio

Castello Di Monsanto Chianti Classico Riserva Il Poggio 1969

San Donato in Poggio

From a bottle that was re-corked in 2005 and no surprise to be found in pristine condition. As much akin to a Sangioveto as to the 1968 Il Poggio due to a level of mulch and forest underfoot but also the blood orange fruit, dried nuts and high acid. You can feel the malic acid in the bottle, creamy and even more so like aged pecorino. Would have been very tight and closed for likely two decades and the three years in chestnut cask has also served to increase the longevity of this 1969. Not a big vintage, light on its 50-plus year old frame and with flavours that repeat over and over again. Drink 2021-2027.  Tasted February and March 2022

I 9 Decadi di Chianti Classico, Stazione Leopolda, Firenze

Badia A Coltibuono Chianti Classico Riserva 1958

Gaiole

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. A unique expression of a time in Chianti Classico’s history, removed from the war and yet still well ahead of the abolishment of the Mezzadrie. A deeply plum-earthy sangiovese, connected to oenologist Maurizo Castelli. The most profound and dominant sensation derived is that of toasted nuts and dried fruit, two Classico characteristics that work so well alongside antipasti of salumi in all its Tuscan iterations. No citrus or white grape feelings are gained, only fruit in a fully dehydrated, raisin stage. The finish lingers and tells much about the 60-plus years of this special wine.  Tasted March 2022

Officina Bistecca, Antica Maccelleria Cecchini, Panzano

Chianti Classico Gran Selezione DOCG 2019

Rocca Delle Macìe Gran Selezione Chianti Classico DOCG Riserva Di Fizzano Single Vineyard 2019

Castellina

Take the 2018 Riserva di Fizzano and move ahead with forward and current conditions acumen to open a new door, that being Tenuta di Fizzano. Makes great sense and so ideal to use this round, beautiful and amenable vintage for the change to make even greater sense. Sweetly concentrated fruit, good quality ’19 acids that never sear nor steal the spotlight all fall into a round and soft structural line. Even better value if not the vintage to cellar too long. Drink 2023-2026.  Tasted February 2022

With Camilla Bellini and Nadia Fournier, Enoteca Bellini, Firenze

Chianti Classico Gran Selezione DOCG 2018

Antinori Badia A Passignano Gran Selezione Chianti Classico DOCG 2018

San Casciano

From 2018 and San Casciano the Antinori winemaking team has looked to fill this bottle with great concentration and all the vintage was capable of completing. As such there is some very late picked fruit and it shows through the mature development of those grapes. Also some variegation in that fresh, dried, chewy, crisp and toasty notes are all layered through this Gran Selezione. It comes from the Passignano vines but it all blends and blurs into a smouldering example of top level Chianti Classico. Drink 2023-2027.  Tasted February 2022

Barone Ricasoli Chianti Classico Gran Selezione DOCG Colledilà 2018

Gaiole

Tasted in Rome with Francesco Ricasoli, a Colledilà picked just ante the final moments of September, ahead of the last days of heat and cold nights. And so a freshness that defines that very specific part of the vintage dictates how this Gaiole Gran Selezione will express what it means to be of itself. “For me one of the most creative times in the last ten years,” tells the Barone, “sharing decisions with the team.” Ricasoli refers to Covid-era collaboration, when members of the viticultural and vinicultural staff had more time. So perfumed, of roses and of course cherries but most of all a natural sweetness that pervades, prepares and readies the palate. Elegant, balanced and really as good as it gets for Colledilà, mimicking “the elegance of the Chianti landscape, its hills dotted with strongholds.” Drink 2022-2029.  Tasted October 2021

Casale Dello Sparviero Chianti Classico Gran Selezione DOCG Paronza 2018

Castellina

Paronza is a buoyant and almost weightless, gravity defying Gran Selezione, easy of mind, body and alcohol. Aromatically reticent and a wine so young you really have to play, swirl and agitate to get any kind of emotive response. Perfume, red fruit and fresh sanguinity do emerge, followed by a sappy, almost syrupy texture dominated by liquid Galestro-willed tannins. Very Castellina, wholly vintage related and will drink well beginning two years or so from now. Drink 2024-2028.  Tasted February 2022

Podere Castellinuzza Chianti Classico Gran Selezione DOCG Vecchie Vigne 2018

Lamole

Vines that are quite old accentuate and concentrate the Lamole perfume, that much must be obvious but it also serves to emulsify and thicken the fruit wrapped in savoury bacon for a true roasted nightshade and meaty experience. This may not be for the vegetarians in the crowd but it packs a punch of high caste complexity and takes Castellinuzza’s work to an entirely new level. Full flavoured and throttled bottle with all the herbs, wood spices and florals fully in the mix. Drink 2023-2028.  Tasted February 2022

Castello Di Bossi Chianti Classico Gran Selezione DOCG 2018

Castelnuovo Berardenga

Tasted as part of “Operatori Canadese,” in a tasting of Castelnuovo Berardenga wines for “La Squadra” from Canada. Bossi’s is knowable, highly effective and teachable Gran Selezione. The sangiovese right at the heart of the appellation and crux of the matter. Wide open, air filled, breezy, sunny and blue sky dreamy. Depth of fruit, smart, creamy and juicy as Classico summer Berardenga fruit. Concentration finds balance alongside structure. Ideal 10 year wine. Drink 2023-2028.  Tasted February 2022

Castello Di Fonterutoli Chianti Classico Gran Selezione DOCG 2018

Castellina

A blend of more than 90 per cent sangiovese, with colorino and malvasia nera on predominantly Alberese plus Galestro soils aged for 20 months in small French barrels (225 and 500L, 60 per cent of them new). Finished for four months in concrete tanks to stabilize and capture that last moment of preserving freshness. A wily and exotically wild Gran Selezione, perfumed, high acid and stimulative. Attacks the buds and the senses with ferocity and with wholly operational spice piques due to the wood. Needs four years. Drink 2025-2030.  Tasted February 2022

Castello di Vicchiomaggio Chianti Classico Gran Selezione DOCG La Prima 2018

Greve

Vicchiomaggio’s La Prima is singular and distinctive out of the potentially adverse and yet available for capture 2018 vintage. The fruit acts like sangiovese et al hung long on the vine, well-developed while in contact with roots, legumes, herbs and brush. From the savoury Greve, fully intact and in tact for a Gran Selezione that is linear, upright and long. Needs time, a whole lot of precious time. Drink 2024-2029.  Tasted February 2022

Conti Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG La Fornace 2018

Montefioralle

The Furnace made friends with 2018, heating up just enough but keeping its emotions in check to make this suave, emulsified and tempered Gran Selezione. Feeling the fully developed ripenesses is not a difficult task, nor is there any impediment to accessing what silky texture and even silkier tannin are available in full regale and display. Perhaps the least austere, demanding and grippy La Fornace ever produced at the hands of Sebastiano Capponi but the structure is indeed sneaky and built for a haul both stretched and long. Drink 2023-2029.  Tasted February 2022

Conti Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG Vigna Contessa Luisa 2018

Montefioralle

There is little doubt that of the three Calcinaia Gran Selezione it is Vigna Luisa Contessa that exhibits the most elastic, lithe and calm character. Not that it lacks in concentration and in fact it exudes the feeling of long fermentation time with great quality sangiovese skins. Despite the high and haute tripling levels of fruit substance, sweet acidities and finest tannins there is just something single and stony vineyard stretched about how all parts react to and interact with one another. Luisa is both luxe and elongated, lush and forever. A Contessa’s vintage this 2018. Drink 2024-2032.  Tasted February 2022

Fattoria Pomona Chianti Classico Gran Selezione DOCG Il Omini Vineyard 2018

Castellina

The little man was planted in 1998 and this is the first Gran Selezione for Monica Raspi. Based on the solo sangiovese and single-vineyard ideal with fruit that had previously only been sent to Riserva. As with all of Raspi’s wines there is this excitement of risk-reward, of living on the edge but with a controlled calm. They set out on their own, flying free from the nest, but always seem to find their way home. And so Gran Selezione is both rebellious and edgy in youth. Some time will be needed to clean up, dress for success, act all charming and elegant. This is surely an auspicious GS beginning, fruit picked in October, preemptive in postscript of the vintage, late arriving, playing “forza e equilibrio,” acidity running high and tannins low. Not small or simple tannins but baritone, “grave e robusto,” in other words, austere. A low and slow sangiovese braise, developing, far from ready. Drink 2024-2030.  Tasted October 2021

Vigna del Sorbo, Conca d’Oro, Fontodi, Panzano

Fontodi Chianti Classico Gran Selezione DOCG Vigna Del Sorbo 2018

Panzano

Showed a bit astringent and tannic grippy at the 20-25 day mark during fermentation, but bold and concentrated. Very thick-skinned vintage and those grains of tannin are very fine. Bottled in February and not yet closed in but that will likely follow soon. The dry extract and concentration are off the charts. More than that the alcohol (15.5) and acidity (6.5) are so elevated because at the end of September the temperature rose to 30 degrees, down to 1 at night and then back up the next day. “Something I have never seen in my life,” tells Giovanni Manetti. And so Vigna del Sorbo (and many of the top wines) that were picked later and in this case after that crazy 48 hours are no shrinking violets. If one thinks 2018s are soft and easy wines, think again. Even at this level of largesse there is balance and as always, the old vines of Vigna del Sorbo. Drink 2023-2032.  Tasted October 2021

Gran Selezione Il Margone, Il Molino di Grace, Panzano

Il Molino Di Grace Chianti Classico Gran Selezione DOCG Il Margone 2018

Panzano

Bottled in May of 2021 so for Gran Selezione a very young wine. “It’s difficult to make a wine that is so very different, between Riserva and Gran Selezione.” You simply must take fruit from the best vineyard and keep the quantity at a consistent (approximately 6,000 bottles) level. Mainly Al Sole and Jack vineyards with a small portion from Raphaela. Actually too young, guarded and unavailable but see the forest for the trees and imagine the concentration meeting at the place where structure and balance collide, or get together. This will happen in three or four years.  Last tasted February 2022

“Everyone knows it depends on when you harvest,” chimes estate director Iacopo Morganti, echoed immediately by Daniel Grace. “That is when you make the wine.” And so picking started in October, after the late September heat and crazy isolated intervals of day to night temperature fluctuations. Picking in October is essential to making Il Margone what it is. A Gran Selezione made whole and knowing where to be. Il Margone regulates itself as time passes by, of temperature and pulse. A Gran Selezione of regular heartbeat, non-plussed, vigorous and fine. Given the word, changing the scene, getting better all the time. Who could not already drink 2018 all the time? If anyone knows, remembers and appreciates the relish and longevity of 1998, they will be able to imagine this 2018 and its similar qualities. They will begin with soon to act on haste and with experience in pocket, know to keep drinking this wine for two decades time. Drink 2024-2034.  Tasted October 2021

Lamole Di Lamole Chianti Classico Gran Selezione DOCG Vigna Grospoli 2018

Lamole

Vigna Grospoli is an old vineyard and one of Chianti Classico’s true cru where Lamole’s favourite son Paolo Socci also has also produced a Gran Selezione under his Fattoria di Lamole name. So yes, vineyard specific, offering a sense of sand in Macigno del Chianti form but so much more so a matter of intensity and austerity interned or in turned by the hard limestone effect of Alberese. The Lamole perfume hides in the wings while wood seasoning and stone grip take centre stage. Here a sangiovese caught between a rock and a hard place, working through the grains and fissures to eventuate a clean break and openness of generosity. Forget about it, it’s Gran Selezione. Drink 2025-2031.   Tasted February 2022

La Sala, San Casciano

La Sala Chianti Classico Gran Selezione DOCG Il Torriano 2018

San Casciano

Il Torriano, “the tower,” enemy lookout likely destroyed during WW2. The thread and the lineage continues, here with Gran Selezione that takes all the purity of fruit, saltiness from the soils and plushness of sweet tannins to an entirely top level. A single vineyard of 1.5 hectares, tiny by any standards. Now the salinity is liquid, dissolved in water and the resulting solution is a drink well suited to receive fine acids and sweet tannins. Large non toasted casks help to stabilize the colour and further soften the tannins but virtually nothing else. The GS is the wine that truly incorporates all three soil types; Alberese, Galestro and Macigno del Chianti. The artist painted Casablanca and the sketch for this label, the four roosters and the importance speaks for itself. Just a touch unresolved so wait two years. Drink 2024-2032. Ex-cellar cost is 13.2 euro.  Tasted February 2022

Le Miccine Chianti Classico Gran Selezione DOCG 2018

Gaiole

Le Miccine is perhaps the most perfumed of all the 2018 Gaiole Gran Selezione. The aromas include those of the forest and the herb garden but they reach florals more in bloom and quite frankly they that are profound. Violets in the way of sangiovese but also roses and exotics so radiant you’d have trouble separating from nebbiolo were this poured blind. An explosive display and also a grace, integration and style that sets this so readily apart. Will eventually flesh, depart from the current state of conflagration, slowly deflate and yet always emanate with that perfume. Drink 2024-2031.  Tasted February 2022

Piccini 1882 Valiano Chianti Classico Gran Selezione DOCG “6.38” 2018

Vagliagli

By now Piccini’s Valiano in Castellina style is so consistently obvious and the hallmark red chalky flavours uncanny in their replicated design. The 6.38 Gran Selezione oeuvre is one of aromatic hyperbole mixed with textural charm. There is density and also weight but more so breadth in this volumetric appellative example. It is a sangiovese force to be reckoned with and earlier estimates wholly undervalued the structure. Wait two more years.  Last tasted February 2022

Bottled in December of 2020, expressive and knowable as a Vagliagli sangiovese, ripe and spicy on the nose. A child of late-picked, full phenolic development and very generous wood. The new label reflects the organic movement and future of the Gran Selezione category, not to mention the additional geographic unit (UGA) of Vagliagli (in the western section of Castelnuovo Berardenga) that will almost surely grace the 2019 release. High level quality, well made, full on and in, deep and long. Drink 2022-2027.  Tasted October 2021

Principe Corsini – Villa Le Corti, San Casciano

Principe Corsini Villa Le Corti Chianti Classico Gran Selezione DOCG Don Tommaso 2018

San Casciano

“Thomas” was Duccio Corsini’s grandfather, and his before him. The first vintage labeled as Don Tommaso was 2013, here in 2018 bottled under natural cork. Gran Selezione is 30 months with a few at the end in bottle before release. Like with Riserva the vintage is a boon for GS, not bust due to the acidity, amenability and vigour sensibilities. A drink earlier Selezione to be sure, accessible and saline delicious. Dark fruit yes and more wood to be sure but also the 20 per cent merlot that softens, texturizes and accentuates with the best grapes available. Shows this part of the territory in spite of or despite the amount of merlot. Drink 2022-2028.  Tasted October 2021

Zac, Principe Corsini – Villa Le Corti, San Casciano

Principe Corsini Villa Le Corti Chianti Classico Gran Selezione DOCG ZAC 2018

San Casciano

The top of the pyramid in all respects, second vintage after the inaugural 2016 with no production (across the board) in 2017, though it was first made in 2008. Varietal sangiovese from the eastern section of a Pliocene river stones vineyard just down right from the winery, away from the village of San Casciano. Labeled as San Casciano in Val di Pesa, a precursor to the new UGA initiative with sub-zones now allowed on the labels of Gran Selezione Chianti Classico. A biodynamic as well as organic vineyard split into three plots. More seasoning and spice, chalky, fine-grained texture (with thanks to the barriques) and yes more structure. Wood is a big factor but the acidity and freshness can handle it. Let this rest three years. Drink 2024-2031.  Tasted October 2021

Jacopo di Battista, Querceto di Castellina

Querceto Di Castellina Chianti Classico Gran Selezione DOCG Sei 2018

Castellina

Iacopo di Battista began this journey in 1997 with a unique high elevation vineyard at the triangular geographic confluence of three UGAs; Panzano, Radda and his Castellina. He planted new vineyards in 2003 and 2008, including cabernet franc and a small plot of viognier and marsanne on a terraced hill above the house and cantina. Sei is a selection of two sections of the main (450-510m) vineyard and they form a cru. Two parcels that shine and excel in their commonality and also complimentary sangiovese desire. From 2018 Sei doubles down on the laser Alberese cut and balsamic front. There is no mistaking the searing intensity and full throttle, high acid limestone lead. Time is a must to give these tannins their due and to request they settle down. Not sure Iacopo has fully figured out his vineyard but when he does look out. As a reminder Sei is 6.6 hectares of 6,666 plants and Iac’s mama Laura was born on June 6, 1946. Not to mention 100 litres makes 666.666 bottles. Whaaat!?! Drink 2025-2032.  Tasted February 2022

Rocca Delle Macìe Gran Selezione Chianti Classico DOCG Riserva Di Fizzano Single Vineyard 2018

Castellina

The addendum of 10 per cent colorino brings hue and sweet freshness to sangiovese that takes a clear and knowable step forward with not just concentration but also depth and open knit generosity. Constantly the most accessible and value to price winning Gran Selezione sangiovese on the market and here from a vintage that offers plenty of fullness, plush tannin and bang for the buck.  Last tasted February 2022

Hard to imagine more amenability and immediate gratification from sangiovese at the Gran Selezione level than from this single estate/vineyard Fizzano out of Castellina in Chianti. A sangiovese deeply hued with aid and abetting by 10 per cent colorino, all raised off of this (of four) Rocca delle Macìe estates on Miocene deposits with a sandy-loamy texture, deep and calcareous. Good if not obtuse elevation at 280-300m and a classic Macìe elévage of 20 months in French barrels of 30-35 hl, while a small proportion (10 per cent) is aged in 225L barriques. What is most striking is this push-pull, see-saw integration between open-knit and approachable fruit but also a sapid mouth-filling glycerol with thanks to a healthy pH versus acidity symbiosis. Can’t beat the price to offer customers an open window into the Gran Selezione category. Drink 2021-2025.  Tasted December 2021

Rocca Delle Macìe Chianti Classico Gran Selezione DOCG Sergio Zingarelli 2018

Castellina

The team at Rocca delle Macìe surely heeded the vintage call and did nothing to press the situation. The pedal is not laid down to the metal and a slow travelling grace does indeed fill the glass from this 100 per cent sangiovese. Sweet berry and plum fruit in season, ripe and juicy lead to an easy glide and these are the softest Gran Selezione tannins from any Sergio Zingarelli made so far. Drink these young while the bigger and more demanding ’16 and ’17 take their time. Drink 2023-2027.  Tasted February 2022

Tenuta Di Arceno Chianti Classico Gran Selezione DOCG Strada Al Sasso 2018

Castelnuovo Berardenga

Tenuta di Arceno may be Castelnuovo and Siena is the closest city in the province but it exists as a world of its own, despite being referred to as “the most Senese Chianti Classico.” Strada al Sasso wholly and expectedly represents the remarkable diversity of soils including clay, sandstone, basalt and hard schist. They range from sediment-based near the riverbanks to extremely rocky in the higher elevations. Here drives but also drifts a deeply resonant and yet carefree Gran Selezione, if it may be said almost as if like Napa mountain fruit stylistically speaking. Where depth and air collide, from roots digging deep into the strata and fruit coming up for air. All parts walk the road. Drink 2023-2027.  Tasted February 2022

Tolaini Chianti Classico Gran Selezione DOCG Montebello Sette 2018

Castelnuovo Berardenga

While there is some merlot in Annata, Gran Selezione is single vineyard and 100 per cent sangiovese. Lots of sun, facing south and the ability to develop wines of high everything: ripeness, acidity, alcohol and tannin. Not far from Monti within Gaiole and also the clay and tufo terroir of San Giusto a Rentennano. All in all a place where powerful wines are also made but also so well balanced. The amphitheatre-shaped vineyard is at Montebello and Francesco Rossi is the winemaker. Even more transparent, grippy, dusty and linear than previous vintages with great climbing ability. Expressly yet rung upon rung rising tannic presence and persistently traditional to represent sangiovese in the most classico way. Wait eight years from vintage to take full advantage. Drink 2026-2032.  Tasted February 2022

Coltassala and Il Puro, Volpaia, Radda

Volpaia Chianti Classico Gran Selezione DOCG Coltassala 2018

Radda

Less openly fragrant and giving then 2017, only serving to show that some ‘18s are bigger and grander than too many people think, or have given them credit for. Regardless of a year having passed or not there is no doubt about the backbone in Coltasalla 2018, in Volpaia’s highly specific Raddese acidity and a tannic structure as long as a Radda autumn. In fact this was picked on October 22nd, a full month after 2017. The chains of command run deep and the connectivity remains unbroken for a Coltasalla that will undoubtedly stand the test of time, stay relevant and stay within secondary elements well into the next decade or more. Drink 2024-2036.  Tasted October 2021

Godello and Zebarth, San Felice, Castelnuovo Berardenga

Chianti Classico Gran Selezione DOCG 2017

Barone Ricasoli Castello Di Brolio Chianti Classico Gran Selezione DOCG 2019

Gaiole

As a reminder Ricasoli makes several iterations of Gran Selezione, including Colledilà, Ceniprimo and Roncicone. That would make this Castello di Brolio the most rounded, deliverable and marketable of the four. Less profound and precise perhaps but surely the one to teach about and express the multifarious aspects of Ricasoli’s five distinctive soils. Take a little trip around the property and you will see there is in fact more earth than sea. Deposits of clay, limestone, shale, schist and silt all contribute to this fulsome, composed and concentrated example of Gran Selezione. Finding understanding and if also compromise it is simply a matter of many soil voices, hands and personalities heard and combined for great Gaiole diplomacy. Drink 2023-2027.  Tasted February 2022

Casa Emma, San Donato in Poggio

Casa Emma Chianti Classico Gran Selezione DOCG 2017

San Donato in Poggio

Casa Emma farms 25 hectares in the San Donato in Poggio UGA (unità geografiche aggiuntive) at 430-500m, with plenty of north facing vineyards. Organic practices began in 2015, certified in 2017. There was a 35 per cent loss in 2021 due to the April frosts, a vintage when even some of the higher reaches were affected. You would have to go back to 1995 to find another vintage where this happened. Gran Selezione is 100 per cent sangiovese, not of a cru but best bunches from the best places in the vineyards. Fermented in open top barrels and then spends three years in 1000L Austrian barrels, starting from 2015. First vintage was 2010, not made in ’11 and ’14 and only “when there is sense to make it.” More lightness of being, elegance and elasticizing than the single-vineyard “cru” Vignalparco. This is the persistent, complex, refined and elongated one, the Casa Emma version of Gran Selezione, a made wine and turning the appellative category on its head. Drink 2024-2033.  Tasted at Tasted October 2021

Castello Di Meleto Chianti Classico Gran Selezione DOCG 2017

Gaiole

Meleto 1256 from 2017 is a pure, openly fragrant and transparent snapshot of the vintage, especially in the context of Gaiole. Quite bright and very lifted, a veritable potpourri of reds and greens, perfumes and herbs, tart fruits, nuts and brush. If light then also balanced within the context of what was possible out of hot, arid and unpredictable 2017. Meleto made good if best work with the product available. Drink 2024-2027.  Tasted February 2022

Castello di Monsanto, San Donato in Poggio

Castello Di Monsanto Chianti Classico Gran Selezione DOCG Vigneto Il Poggio 2017

San Donato in Poggio

Two harvests for Il Poggio, one for Riserva and one for this Gran Selezione. There is a different and specific clone aboard Il Poggio, planted to two thirds of the hill, a larger type, a sangiovese grosso kind and so in drier vintages it really helps a lot. Great freshness, like it was just bottled, fruit on the darker red spectrum and savour equal, sidling, unloosing and so supportive. The defining marker of Il Poggio for Laura Bianchi is the Galestro, “terra bagnata,” wet stone and arancia. On the palate it is the grain of Il Poggio, difficult to describe but you know “grana diversa,” a tannic grain and saltiness, then a long aftertaste. Brilliant Il Poggio at the pinnacle for 2017. Drink 2023-2034.  Tasted October 2021 and February 2022

Castello di Volpaia Chianti Classico Gran Selezione DOCG Coltassala 2017

Radda

No need to go on about the challenge of the vintage with the plants dropping much of their flowers early on and the stresses continuing throughout. Small bunches with small grapes was the result and in the end the stress was quite incredible on the vines. And yet Volpaia made this Coltasalla because the quality was very high and ecco, here is the result. An openly fragrant vintage, at least at this moment, fruit well strewn across a purple spectrum, spice cupboard open with vials emitting their sweetly pungent smells and tannins upright, vocal, accounted for. Teaching moment in Gran Selezione from a challenge and coming out as roses. Drink this fully in the first 15 years after vintage. Last tasted October 2021

Volpaia’s Coltassala is a really concentrated Gran Selezione and one of the vintage’s early risers. That tells us it will go to bed equally early and slumber for quite some time. The architectural wonders of Radda heights are acclimatizing as we speak but will not open up the shutters and the doors for years it seems. A full compliment of ready and willing fruit is there but kept and suppressed. The emergence will be a vintage exceptionality and live that way for longer than the average ’17. Drink 2023-2032.  Tasted February 2020

Castello di Volpaia Chianti Classico Gran Selezione DOCG Il Puro 2017

Radda

From the vineyard (Casanova) next to Coltasalla at almost similar elevation (between 400 and 450m), here more east facing but also essentially south. A much younger vineyard, planted in 2001 and here showing more exuberance if less skeletal elements than Coltassala. Like a teenager with boundless energy and passion for life, Il Puro makes one’s nose tingle and then comes the liquid peppery pique. A wine of purity in sangiovese with a joie de vivre, zest for life and honesty. Drink 2022-2028.  Tasted October 2021

Fattoria Dell’aiola Cancello Rosso Chianti Classico Gran Selezione DOCG 2017

Vagliagli

The single vineyard of vines aged 17 years clearly put the best fruit in the bottle. Every sip offers a new challenge, tempered now and then by more pleasant distractions, namely rich sepulchral scents of raw earth.  Last tasted February 2022

Adding Gran Selezione to the mix was an easy decision for Fattoria di Aiola, first because they are a property that has gone through many changes in the 620-plus years history. Second because their Castelnuovo Berardenga terroir is some of that commune’s finest with its mix of Alberese, Galestro and Arenaria soils. One whiff of this perfume and taste of concentrated Castelnuovo fruit is all it takes to be wooed, hypnotized and captivated by what sangiovese can be. As a Gran Selezione this hits all the right buttons while dotting I’s and crossing T’s. “The red gate” shows how those who got it right are well aware that Gran Selezione holds the greatest advantage over Riserva in 2017. The concentration of fruit and acidity never allows the tannins to dry or lash out. Here they remain sweet, integrated and helpful. Cancello Rosso is indeed one of the vintage’s finer efforts. Drink 2023-2030.  Tasted July 2020

With Guido Vitali and Vicky Schmitt-Vitali, Le Fonti di Panzano

Le Fonti Di Panzano Chianti Classico Gran Selezione DOCG 2017

Panzano

Feels like Annata multiplied by Riserva and coming out as this Gran Selezione. A happy Gran Selezione at this stage even if it takes longer (being sangiovese), though has already come to near fruition. Fruit, acids and tannins drinking as they are, who they are and who they will be for the next three, possibly five years. After that the wane caused by vintage acceleration will be quicker than somewhere between a few and many. Drink 2022-2027.  Tasted October 2021

Querciabella Chianti Classico Gran Selezione DOCG 2017

Greve

Bottled two years ago, a high elevation Ruffoli interpretation of Gran Selezione. The genesis is in experimentation going back to 2010, ever since single high altitude Greve (essentially Ruffoli) wines have been aged and bottled as themselves. Radda and Gaiole as well but let’s face it Greve is the core. Along the way a textural component was noted, fruit associated at its inner sentiment and then in 2017 it was found and assessed to be something really exceptional. Not a wine of wood (and this was aged in old Grandi Botti), but a Gran Selezione about transparency. The soil is Arenaria sandstone and Galestro which can’t help at this elevation to gift a hint of orange rind and an uncanny flintiness. Only Ruffoli smells like this and with tannins so tightly wound mixed with the intense liveliness of that 2017 acidity. The vintage was warm and dry from the beginning but plant adaptation meant no true suffering and these are vines at peace. Vibrancy at peak mixed with pure fruit emotion makes this Gran Selezione a true force of place and nature. Drink 2025-2038.  Tasted November 2021

Rocca Delle Macìe Chianti Classio Gran Selezione DOCG Sergio Zingarelli 2017

Castellina

As far as Gran Selezione is concerned and especially in 100 per cent sangiovese form there are few Chianti Classico wines that show such consistency from 2016 to 2017 as this RdM Sergio Zingarelli. This from the challenge of a warm and extremely dry vintage but all three parts remain virtually the same; fruit, acids and tannin. While they work in tandem there is much work to be done. Wait two to three years for the integration to begin. Drink 2024-2028.  Tasted February 2022

Rocca di Montegrossi, Gaiole

Rocca Di Montegrossi Chianti Classico Gran Selezione DOCG Vigneto San Marcellino 2017

Gaiole

San Marcellino has been in bottle three years but is still not yet released. “It’s an example of what we can do with a warm vintage,” explains Marco Ricasoli. Fruit is very much alive, hanging casually with freshness and acidity, nary a tired moment making waves or causing distress. Even now the combined fruit of 51 plus 25 year-old vineyards of mainly sangiovese with a few points of pugnitello equip this Gran Selezione with purity and also armour. San Marcellino can withstand the new era of aridity and hot demands. Good temperament is key with help to some bunches that were removed so as not to over-stress the vines. Spent 25 months in barrique (40 per cent) and tonneaux (60). Remarkably cool, rich and a fine juggle (giocoliere) between natural sweetness and Monti savour, salt and sour, tart and smooth. Drink 2025-2032.  Tasted March 2022

San Felice Il Grigio Gran Selezione Chianti Classico DOCG 2017

Castelnuovo Berardenga

While the thread clearly runs from Annata through Il Grigio Riserva and into Gran Selezione there is the early feeling of some new (30 per cent actually) tonneaux still swirling through the consistency of this rich and creamy sangiovese. A confected citrus in a way, like pomegranate syrup or the centre of a cherry blossom. Lots of barrel feel, fine tannins and as a quotient there is a really really good potential by result. Plenty of chew in 2017. Drink 2024-2029.  Tasted February 2022

San Felice, Castelnuovo Berardenga

San Felice Il Grigio Gran Selezione Chianti Classico DOCG Poggiorosso 2017

Castelnuovo Berardenga

In the single vineyard Poggio Rosso Gran Selezione (which used to be Riserva) the inclusion of other endemic varieties (in this case pugnitello, abrusco, malvasia nera, etc.) really changes the imagery, drama and vivid personality of this ulterior wine. More depth, complexity and a vinous grapey-ness, surely a result of the inclusion of especially the pugnitello. Deep purple, rich, luxe and volupté. Nothing rustic about it and a completely different way for which the wood is used, felt and exposed. More excitement and intensity to be sure, if perhaps less structure. Drink 2023-2028.  Tasted February 2022

The Chiannna of Fontodi, Panzano

Chianti Classico Gran Selezione DOCG (older vintages)

Bindi Sergardi Chianti Classico Gran Selezione DOCG Mocenni ’89 2016

Vagliagli

A Gran Selezione from the Mocenni Estate in a wonderful state of equilibrium and almost calm suspension, of fruit at the pinnacle of vineyard selection with only two passages whereby the “lesser” grapes are taken out and the finest fruit is left until the first week of October to fully mature. Two years in large Gamba oak vats, Was an IGT from 2006, first GS vintage 2010. Sure these grapes from this vintage were some of the most consistent and non-variable of any recent vintage but the uniformity makes for a string and true set of wines, especially from Mocenni and up to this appellative level.  Last tasted October 2021

Mocenni takes all the advantage that 2016 can possibly pass its way and runs carefree into the wind. The fruit is pretty much as ripe as there can ever be in sangiovese struck by silver acidity and gold tannins, so you can imagine the result. This needs 10 years to fully unfurl, unwind and unfold. Please give it at least half that much time. Drink 2024-2034.  Tasted February 2020

Cantalici Chianti Classico Gran Selezione DOCG 2016

Gaiole

A vineyard selection, from the best vines in what is considered the best sections of Cantialici’s vineyards. Longer fermentation and stabilization to maximize the concentrated and structural effects, done up in all sorts of medium and large format casks, up to 600L for 27 months. Refined further in bottle and so 2016 is the current vintage. Big yet balanced, surely a peak vintage performance, a noble sangiovese no matter how you look at it. Freshness from fine acids and less chocolate though a few shots of espresso reign in the finish. 38 euro at the winery. Drink 2024-2029.  Tasted February 2022

Il Becco, Castello di Radda

Castello Di Radda Chianti Classico Gran Selezione Il Corno DOCG 2016

Radda

From the single vineyard just above the cantina facing the village of Radda and Vertine. Aged in tonneaux but not new, 30 months and while the expression is from one vineyard there is a real connection with Riserva, in a brother and sister way, not surprising since most of the Riserva’s fruit is Il Corno in 2016. Harmonious and agreeable Selezione is just this and this wine is just a baby. Great Raddese acidity, fine and long chained tannins, taut and yet to unfurl. The wine is far from ready and it is now easy to understand why this is the current vintage just now being released to the market. Drink 2024-2028.  Tasted March 2022

Il Molino Di Grace Chianti Classico Gran Selezione DOCG Il Margone 2016

Panzano

Pure balance. I love this wine. Not just a compromise between two bookending vintages but for all vintages. Here you feel the great grip but not brut strength or power. You really do feel the venosity and the sangiovese purity. Good but lessened acidity and austerity. You can keep this for 15 years but not 30. As mentioned, a compromise.  Last tasted February 2022

The first “true” vintage from which freshness reigns, marking a change in farming and winemaking. Evolution to focus, incisions to precision, a succulence noted as never before. Fragrant and flavourful, an intensity of spice, all coming together and into harmony.  Last tasted October 2021

Extremely youthful ’16 but the clarity of that vintage’s fruit can’t help but be up front and present. The accountability begins right here, with 2016s out of which fruit was allowed to stay fresh and yet in Gran Selezione form there has to be time. Allow for development and the accumulation of flesh, but also succulence. This sumptuous Margone comes replete without the old style of hammer on head mentality. It’s the new and elegant one. Tasting this offers a clear picture into how Iacopo Morganti has impressed his talents and his will onto the wines of this estate. Sip one here and there over the next 15 years and it will be as close as one gets to standing in these Panzano vineyards in a pair of the Grace’s shoes. Drink 2023-2036.  Tasted February 2020

With Monia Piccini, Il Palagio di Panzano

Il Palagio Di Panzano Chianti Classico Gran Selezione DOCG Le Bambole 2016

“I’m not an oenologist but I have to be critical,” tells Monia Piccini. “We are lucky to have an oenologist who is humble and took us by the hand.” Monia’s husband Franco is also from Panzano and knows every inch of this (Conca d’Oro) land. Aged in tonneaux and a smaller production than 2015. The combination of clone and soil type make for small berries that produce cimmerian ink with the most intensity of sangiovese concentration. A very argiloso and calcari block with the presence of Galestro which translates to a depth and breadth of grace but also structure. You can immediately tell that the grittiness of the old vines are not here but more importantly you feel the salinity, sapidity, minerailty and most of all the feeling of the land. It’s sand and limestone, phosphorous and magnesium, focus, precision and clarity. A true expression of place at the pinnacle for the Gran Selezione appellative category. Palagio and Panzanese. Drink 2023-2028.  Tasted October 2021

Isole e Olena, San Donato in Poggio

Isole E Olena Chianti Classico Gran Selezione DOCG 2016

San Donato in Poggio

“I did not like Gran Selezione, I did not have anything against Gran Selezione but the discussion about UGA (sub-zones) was already underway so why not wait for this next change to the appellation?” The thinking for Paolo de Marchi was more about the wines that did not qualify for the appellation becoming wines that now qualified, the issue being a new rule could not apply to only 30 or so producers. So what is needed for that to happen? “All grapes born here should be able to travel with a passport.” If it is more complicated than that then there is much more to discuss. A Chianti Classico from a long, linear and fortifying vintage delivers equally appropriate and extending tannins, gripping the composition while proposing to become elegant and fine. The seamlessness and never wavering focus keeps on keeping on, in the ways of emotion in motion. Will remain in bottle one year more before being released to the market. Drink 2023-2027.  Tasted February 2022

La Sala Chianti Classico Gran Selezione DOCG Il Torriano 2016

San Casciano

Those two years of needed resolution are on such open display in this generous and gifting 2016 Gran Selezione from the thoughtful, organic and considerate team at La Sala. Il Torrione as a reminder is from the word torre, “the tower,” a garrison/fortress term so common for the area. Great Galestro saltiness if missing an identity that has achieved a level of cult status but perhaps this team is eight years into a plan that will come to full fruition in another seven. Perhaps less or more but the incense, perfect linearity and true identity is developing and approaching the profound. “I think we are between the river crossing,” says oenologist Stefano di Blasi, somewhere between the UGA of San Casciano and the new emotion of La Sala. This ’16 may be a launching point but it’s also just one rung on the ladder. Still a bit tight and the Alberese holds firm so the best is yet to come. Drink 2023-2033. Ex-cellar cost is 19.8 euro.  Tasted February 2022

Valeria Viganò, Le Cinciole, Panzano

Le Cinciole Chianti Classico Gran Selezione DOCG Aluigi Campo Ai Peri 2016

Panzano

A first, meaning Aluigi used to be Riserva and out of 2016 becomes a Gran Selezione. The name refers to the trees that grow around the Panzano vineyard, a two hectare block for a wine that is a 100 per cent sangiovese. A selection of an already identified selected area of Le Cinciole’s vines. Valeria Viganò and Luca Orsini made the decision to bottle by choosing a small section and with no distraction by international varieties. Rich and youthful, even a bit Galestro dusty and salty, savoury overall yet with flavours that recall or will soon express as Cassis. A grand beginning for Le Cinciole’s commitment to the appellation, with great fruit and acidity, linearity, verticality and oh so very Classico. Not just another GS but one authentic and real. Veramente. Drink 2024-2032.  Tasted March 2022

Le Fonti Di Panzano

Le Fonti Di Panzano Chianti Classico Gran Selezione DOCG 2016

Panzano

Still behind, not as on a schedule but as compared to 2017 holding firm, taking control of your palate, senses and general world. A beautiful wine with grip, structure, sensory domination and circumstance.  Last tasted October 2021

Begins at a point just exactly where the Riserva ’16 takes its leave and carries the torch of purity and delicacy. Efficacy too, efficiency for sure and an effusive level of strength that belies its lightness of being. Yes it takes richness in sangiovese from Panzano and this estate to another level but never forgets the heeded understatement it demands to pay forward. Another outstanding effort and worthy of 20 plus years in the cellar. Drink 2023-2035.  Tasted February 2020

Quercia Al Poggio Chianti Classico Gran Selezione DOCG Vigna Le Cataste 2016

San Donato in Poggio

Gran Selezione comes from the small 1997 planted two hectare vineyard on argiloso soils, called Vigna Le Cataste that is the Quercia al Poggio cru. The name actually means a pile of wood, an old expression at a time when all things were given a name. A cool and savoury Gran Selezione that is clearly years away from showing the fleshiness that only the clay vineyard gives to this northern side of the estate’s promontory. Wood is a factor, mostly due time and three years will be needed to let this truly begin to breath. The first vintage was 2012 and regardless of what came before the idea here is surely not about making the biggest and most dramatic wine but one that represents a very specific sense of place, done so with confidence and for all the correct reasons. Really it’s all about the fineness of the tannins which Le Cataste surely shows. Drink 2023-2030.  Tasted November 2021

Rocca Delle Macìe Chianti Classio Gran Selezione DOCG Sergio Zingarelli 2016

Castellina

Settling in with distinction, crisp and croccante, tannins still smiling their wry smile knowing two more years are needed to get this SZ to where it wants to be. Feeling the classic liquorice chew to match and mix with the crunchy bits.  Last tasted February 2022

Sergio Zingarelli the Grand Selezione is the rock, the gentle giant, the patriarch of the company’s wines. As a Grand Selezione it allows its actions to speak for the rest of the portfolio to follow. It leads the estates; Macìe, Sant’Alphonso, Fizzano and La Tavelelle. In 2016 the sangiovese is so different and yet so Castellina in that red cherry fruit core teased by spice. Smells like roses and the feel in the mouth is swelling, rising like a tide increasing as it barrels in. In the scheme of timing it would be prudent to allow those waves in years to go out several times before looking for that window of Grand Selezione opportunity to begin. Drink 2024-2034.  Tasted February 2020

Rocca Di Castagnoli Chianti Classico Gran Selezione DOCG Stielle 2016

Gaiole

Stielle is Gaiole and Gaiole is the heart, savour, savoire-faire and soul of this Gran Selezione. Rocca di Castagnoli has captured the essence of their elevation, vintage elongated freshness and full aged in vessel personality through the appellative oeuvre and into the beyond. A tightly composed and well-structured sangiovese here but also one that is fruitful, generous and so very, very long. The real deal and idealism incarnate from a vintage that truly marks a transition to greater things for the territory. Drink 2024-2029.  Tasted January 2022

Rocca Di Montegrossi Chianti Classico Gran Selezione DOCG Vigneto San Marcellino 2016

Gaiole

From the classic to Montegrossi blend of 92 per cent sangiovese with eight per cent pugnitello, bottled in December of 2018 so now nearly three full years settled. A Gran Selezione at the peak of vintage accumulation and the longest imaginable tethering of tannin to substantial fruit. Also an acid vintage though to be honest the tannic wind and compactness of Marcellino’s power makes this wine easily two years away from the earliest stages of its softening. Drink 2024-2032.  Tasted November 2021

Castello di Radda

Castello Di Radda Chianti Classico Gran Selezione Il Corno DOCG 2015

Radda

A very different vintage for the Gran Selezione, much further along than the 2016 though still less so than many other estates. Connectable to ’15 Riserva in that (in GS) it really is a balsamic year but there is more concentration and gritty tannins in the GS. Lightning red fruit here, of currants and pomegranate with true Arenaria sandstone expressiveness. Also a liquorice tone with more texture and bite than the 2016. And yet the advancement is noted in spite of the high acidity and those grippy tannins. In the window of opportunity and again despite what strong feelings there are in this unique wine.  Last tasted March 2022

Deep toned and lifted together, fruit of many layered splendour and full throttle acidity. Big and bigger components working separately at present. Give this five years for the weight of the early ferment to aerate, re-coagulate and tie il all together. Drink 2021-2028.  Tasted September 2019

Paolo de Marchi, Isole e Olena, San Donato in Poggio

Isole E Olena Chianti Classico Gran Selezione DOCG 2015

San Donato in Poggio

Bigger and broader vintage, a bit unpredictable, perhaps a temperamental teenager, in and out of emotion but equipped with the necessary tools, ideas and nurtured parts to find balance throughout its life. Now a bit clumsy, high in tone like the flagship Cepparello, herbal and tart citrus edgy. Not a closed phase per se but also not an openly gregarious one either.  Last tasted February 2022

“Chianti is not a territory that gives minerality in wines. The low pH and high acidity are the factors that matter most. Here the back palate has bite, but it’s not salinity.” So says Paolo de Marchi as he introduces a series of Gran Selezione. In 2015 the difference between this GS and the Cepparello is not an enigmatic one, nor is it a mystery that de Marchi was not in favour of creating a new category. Still he foresaw and excepted the outcome, so  decided to make something special. “In time, after me, it will be a single-vineyard.” Barrel selected from the Cepparello selection, this is not a 100 per cent sangiovese but rather something still in transit, even moving. So tight and tannic, fine-grained, with a new fineness of acidity, but just missing something. Like cabernet franc it is quipped, but no, it wouldn’t have worked anyway. So what then? Time, that is all. Drink 2020-2029.  Tasted February 2018

Gran Selezione, Le Fonti di Panzano

Le Fonti Di Panzano Chianti Classico Gran Selezione DOCG 2015

Gaiole

The 2015 Gran Selezione is ahead of both 2016 and 2017 yet behind 2014, a big fat, far from lean sangiovese, muscular puffed up chest and square shouldered. Showing some oxidative notes, tartufo, fungi and chocolate. Way ahead of projected schedule. Drink up.  Last tasted October 2021

Thirty months in wood and a year in bottle later, this top estate wine is the pinnacle of the Le Fonti aromatic certainty. A big vintage to be sure and one that extrapolates in every which way but loose. Taut, tight, firm, grippy and every other subset of structure you can imagine. The 100 per cent sangiovese ideal is acquiesced and believe it or not it failed DOCG designation on the first try. Who might see this as light, atypical or not ready for international prime time is surely missing the point. Drink 2021-2028.  Tasted February 2019

Losi Querciavalle Chianti Classico Gran Selezione DOCG 2015

Vagliagli

“I like ’15 more because of equilibrium in the aromatics and the structure,” tells Valeria Losi and note that she’s in part comparing to ’16 Riserva and in part to ’15 Gran Selezione not yet released. The 2016s may be more aromatic but the ’15s in Vagliagli and at Querciavalle shows great balance between all its parts. The GS is found to be fuller and if not weightier its fruit surely oozes, swirls and swells. More spice as well, tart but never gratuitously sour and a liquid chalky expression just now beginning to hit stride. An Alberese to sangiovese expression like no other. Drink 2023-2030.  Tasted March 2022

Querceto di Castellina, Castellina in Chianti

Querceto Di Castellina Chianti Classico Gran Selezione DOCG Sei 2015

Castellina

Sei ’15 is still showing those sweet balsam wood notes and searing Alberese behaviour so it’s definitely still two or three years away from its opening salvo. Not a shock when you consider the character and structure of both ’17 and ’18 tasted over the last two years. Tannins still show a level of austerity, growl and bared teeth. Despite this rigidity the fruit substance swells, persists and remains the dream of the future. Wait for it. Drink 2024-2029.  Tasted February 2022

Fontodi, Panzano

Fontodi Chianti Classico Gran Selezione DOCG Vigna Del Sorbo 2014

Panzano

Vigna del Sorbo from 2014 is showing some perfectly secondary character and while that may seem forward the truth is that seven or eight years is spot on for this type of evolution. Just arriving now at this next stage, something sanguine fruity merging into salty and floral concentration.  Last tasted February 2022

As a racer the ’14 Vigna del Sorbo might as well be Giuseppe (Beppe) Saronni, winner in 1978 of three stages in the Giro d’Italia, 24 overall and champion in 1979 and 1983. In 1982 he won the world cup with Paolo Rossi. Sorbo is a global sangiovese, the people’s “campione,” beloved sprinter, collaborator and legacy definer. Today the sangiovese from Fontodi’s Conca d’Oro vineyard smells like rabarbaro (rhubarb), black cherry and cut grass. Beautiful combination.
Tasted September 2018

The older vines are between 52 and 54 years old, the first vintage being 1985 and until 2011, contained some cabernet sauvignon, vines that have since been pulled out. The now site-specific, 100 per cent sangiovese Vigna del Sorbo may have been muscular in 2012 but no such hyperbole exists in 2014. The vintage determined this and despite the deep black cherry chalkiness the true spirit and stripped down honesty of sangiovese is in display. Purity has returned, floral like an artistically-rendered natural, realist and perpetual field of flowers in bloom, in installation, of violet light and rose-scented glass. I can imagine drinking this for decades, with its albarese-galestro saltiness and effortless concentration. Sometimes sangiovese never relents and at the same time never tires. Meraviglioso. Drink 2020-2038.  Tasted September 2017

Cantalici Chianti Classico Gran Selezione DOCG 2013

Gaiole

Not a shocker considering the vintage but three years further (as compared to the current Gran Selezione release) shows quite a next level development with greater expediency. Dried fruits, woody notes, mild baking spice and plenty of chocolate, much closer to the Messer Ridolfo than the future iterations of Gran Selezione. Drink 2022-2023.  Tasted February 2022

Isole E Olena Chianti Classico Gran Selezione DOCG 2010

San Donato in Poggio

The 2010 has indeed entered a new of next phase, now into the underbrush and what vegetal magic grows underfoot. Chewy and still a matter of great blended intensity, 10 per cent other grapes bringing the fruit and the spice. Could vey well be argued that 2010 is a syrah vintage.  Last tasted February 2022

According to Paolo de Marchi Gran Selezione “has to be a wine of Super Tuscan roots, set in a Chianti Classico setting.” Just a little bit more than 80 per cent sangiovese with cabernet sauvignon and syrah. The acidity and transparency is Chianti Classico while the gentler touch is in a way, not. This turns the entire Gran Selezione idea on its head. It’s the antithetical one, in opposition to what or where the category seems to be going but at the same time fully entrenched within the ideal and the rules. It’s a rich and complex liqueur, truly red cherry and new leather, truly high-toned and truly a matter made by a master of assemblage. Truly Gran Selezione. From and for a moving target, out of vineyards and through the cellar. At least in terms of today. The enigma, the past and the future. Puts the question before the answer.  Tasted November 2018

Isole E Olena Gran Selezione 2010 graces a factor in which “the blend lifts up the quality,” a noble venture or undertaking that balances the angles and trips into light. The reductive one is, as per the firm and grippy vintage, tannic and taut, wound still in the present, with the carob and the savour. The minty one, in a way, and with graphite and creosote. Very sapid, tight and intense. The most brooding of the four (’15, ’13 this and ’06). Drink 2021-2030.   Tasted February 2018

Vinsantaia, Vin Santo del Chianti Classico, San Giusto a Rentennano, Gaiole

Vin Santo Del Chianti Classico

Castello Di Radda Vin Santo Del Chianti Classico DOCG Occhio Di Pernice 2015

Radda

Occhio di Pernice is made from red grapes, here having rested in caratelli for five years. Mainly sangiovese with 10 per cent canaiolo, keeping the pH up with acidity by slightly early picked fruit in Vin Santo terms. Only 1,000 bottles are made of the first vintage, the “lavorato do amore,” labour of love. A savoury one, built on Radda herbs and brush, Raddese acidity, with toasted nuts and roasted chestnut. Even a mild olive brininess. The flavours are centred on wild strawberry in a Vin Santo that is clearly balanced and elegant. Drink 2022-2028.  Tasted March 2022

Castello Di Volpaia Vin Santo Del Chianti Classico DOCG 2015

Radda

A warm vintage for Vin Santo, from trebbiano and malvasia, hung for three months and a definite cheese wine. Far from a thick and syrupy example, a snapshot of the vintage, warming, caressing, more than full enough to fill up and coat the palate. Once again the diversity of the appellation (even more so than the Chianti Classico reds) is evident with Volpaia’s finessed and generational wine. Like glazed nuts meeting praline halfway, as if the nuts are braised, softened and made into a gelée or curd. One of the most unique aromatic profiles and textures in Vinsanto. Drink 2021-2035.  Tasted October 2021

San Giusto A Rentennano Vin Santo Del Chianti Classico DOCG 2013

Gaiole

Very youthful, only in bottle now 18 months. A classic trebbiano and malvasia blend with just a few percentage points of sangiovese and canaiolo. A Vin Santo of 400 g/L residual sugar which is nothing short of remarkable. A glass of treacle, with just enough acidity for buoyancy. Right in the wheelhouse at 5.8-5.9 TA but truth is (confirmed by Luca Martini di Cigala) is the volatile acidity number at 1.9, more than high enough and the one that matters most. A most fragrant VS as a result and one from which the complexities are truly experienced. No chance of decline for 20 more years. Drink 2025-2042.  Tasted November 2021

In Lamole, with Michaela Morris and Giovanni Manetti

Fontodi Vin Santo Del Chianti Classico DOCG 2012

Panzano

At the top of the concentration and full throttle sweetness pyramid is this from Fontodi and the vintage does bring super purposed acidity, thanks God. Not sure it can fully keep up with the sugars but the lemon, rooibos and orange marmalata do the yeoman work to bring flavour complexity and texture to this traditional dessert wine. Poached pear in trebbiano and malvasia, caramelized and levelling in brushstroke across a creamy palette. Our palate is thankful for the finale alongside Margarita’s tiramisu. Drink 2023-2027.  Tasted February 2022

Rocca Di Montegrossi Vin Santo Del Chianti Classico DOCG 2011

Gaiole

At just about nine years of age this is Vin Santo in its infancy, likely around 320 g/L and let’s say 4.5-5.0 of total acidity, but it is so very young. Everything about it is primary, aromas of fresh fruit, just a hint of dried apricot and fig, maple syrup and not really caramelized at all. Orange fleshiness and lemon meringue, biscotti with almonds and just a hint of fennel. Great length. Drink 2024-2039.  Tasted November 2021

San Giusto A Rentennano Vin Santo Del Chianti Classico DOCG 2001

Gaiole

So resolved and yet so fresh, exciting and of acidity seemingly perched at an all time high. “The aging of Vin Santo is ten times longer than the sangiovese,” explains Luca Martini di Cigala. That means 20 years for Chianti Classico DOCG is like two for VinSanto, which puts this 2001 into infancy, one still emitting primary aromas and flavours. Orange skin, caramel, fig and dried caci (persimmon), not yet into the molasses, brown butter nor toasted nuts. Not really showing much dried fruit complexities as of yet. Hard to fathom but it can be done. Consider the lack of botrytis and caratelli that carry the wisdom of Vin Santos of Chianti Classico past. Drink 2021-2039.  Tasted November 2021

San Giusto A Rentennano Vin Santo Del Chianti Classico DOCG 1998

Gaiole

All the necessary ingredients swim engrossingly and energized together; sweet, sour, salty, nutty and tart. The acidity runs high right in the face of the honeyed and caramelized flavours of great reserve matched by intensity. The volatility is wholly in check, the maple aspect uncanny and the spice cupboard truly infiltrated throughout, within and beyond. Magnificent Vin Santo. Drink 2022-2035.  Tasted February 2022

With Michaela Morris and Sean Il Guercio O’Callaghan, Tenuta di Carleone, Radda

Sparkling, White and Rosé IGTs

Castell’in Villa Rosato Gazzara 2021, IGT Toscana

From the vineyard where the agriturismo is located and a sangiovese of a few hours of skin contact, no saignée. Grapes are picked early to preserve acidity, the wine is laden with citrus and they are many; lemon, orange and grapefruit namely and a saltiness urged on by the shells found in this vineyard. So much flavour, positive sweetness, not too dry and very complex. “The secret of this wine is that you want it again,” palate cleansing, pleasing and long. Drink 2022-2024.  Tasted March 2022

Rocca Di Montegrossi Rosato 2021, IGT Toscana

A tender Rosato, salty, dry and über fresh. Beautifully run from Monti fruit in a vintage out of which an April frost could have spelled disaster but Marco Ricasoli’s sangiovese, canaiolo, colorino and pugnitello did prevail. The Marchi di Monti, brand name varietal signatures that fashion some of the Chianti Classico territory’s most crushable Rosato. If this 2021 is any harbinger for what’s to come in the Annata and Gran Selezione of Rocca Di Montegrossi then great things are on the way. Drink 2022-2024.  Tasted March 2022

Cantalici Petali Rosato Toscana IGT 2020

Purposed grown sangiovese for Rosato and just the free-run juice as witnessed by the pale hue and subtle floral aroma. Richer and creamier to taste but suitably salty and refreshingly satisfying. High acids keep the sugars down below and freshness is never compromised. Most excellent Rosato. 11 euro at the winery. Drink 2022-2024. Tasted February 2022

Fattoria Le Masse Camporella 2020, IGT Toscana Bianco

A blend of all the trebbiano available in a year ravaged by hail (grandine) and raised in amphora (from Impruneta). Skin-contact through to January (so approximately three plus months) and a wine of ease, not to mention comfort. When you go in Camporella you take wine, a blanket and food (…”and a girl”…) into a field. Purely amphora, a wine in the end calm, restorative and elegant. Drink 2021-2024.  Tasted October 2021

Fattoria Le Masse Forasacco 2020, IGT Toscana Bianco

Forasacco, a wild rye or cereal very dangerous when dried, especially to a dog. From the word Forare, “to make a whole” and how the grain might poke a whole in a sac. The three figures on the label represent three girls from Florence who came to help with the harvest. From the 1986 planted vineyard to pinot gris (25 per cent), chardonnay and oddly two or three rows of gewürztraminer. Natural ferment, a stack of fermentation, 2,000-3,000 bottles made depending on the vintage and just now coming into its happy place, even if the white is sold out. Bloody delicious and again, a calming and restorative wine. Distinct citrus, living, breathing, of blue sky clarity and changing. Spigoloso. Drink 2021-2023.  Tasted October 2021

Luca Martini di Cigala, San Giusto a Rentennano, Gaiole

Fattoria San Giusto A Rentennano Ruori Misura Rosato 2020, IGT Toscana

“My idea is to make Rosato by not throwing away any grapes” tells Luca Martini di Cigala. A white vinification is created to establish an acid base and then mixed with a wine of salas, for a bigger room of freshness mixed with acidity. In a sense a white sangiovese base wine meeting the last green harvest in September for really spirited and sapid Rosato. Dotato di arguzia vivace, in Renoir Rosé as The Thinker, poised and determined to seek and find the truth. Drink 2021-2024.  Tasted November 2021 and February 2022

Fontodi Meriggio 2020, IGT Colli Toscana Centrale

The blend is 90 per cent sauvignon blanc with trebbiano done up in a small percentage of wood for the one the Tuscans would refer to as the one meaning “it’s time to lay down under a tree and have a siesta in the afternoon.” A rich and sunshine dripping vintage for this singular Panzano white, aromatically nutty, of pine nut and then a pour of tropical fruit. Sweet herbal finish wraps up the package in a fine savoury bow. Drink 2022-2025.  Tasted February 2022

Principe Corsini Sparkling Rosé 2020, Vino Spumante Rosato

Sangiovese 100 per cent, a green harvest done one week later than most Rosé though even that’s changing. A project with Bisol in Valdobiaddene, base wines sent up there to undergo second fermentation, 12 weeks in tank (much longer than Prosecco). Good salt and pepper seasoning, just a touch elevated in sugar but certainly within a proper threshold (8 g/L) so easily Brut in style. If only they had these San Casciano in Val di Pesa pliocenic hills rich of river stones raised grapes in Prosecco. Drink 2021-2024.  Tasted October 2021

Principe Corsini Villa Le Corti Rosato Venusio 2020, IGT Toscana

Juicy, fruity, simple Rosé, well made, could use more seasoning but yes a saltiness comes through at the end. The label is designed by Duccio Corsini’s sister. Drink 2021-2022.  Tasted October 2021

Monte Bernardi Trebbiano, IGT Toscana

A varietal trebbiano, now basically two years since harvest, fermented in barrel, zero sulphites and connected with the must of 2020. Brut sauvage essentially. The hope is to see this reach 2 g/L or less, so essentially dry and it’s likely now in a five to six g/L number at this stage. Very pear and mint, wild fennocchio, really complex and good though surely not searing or striking acidity. White peppery finish on a really fascinating wine and yes Michael Schmelzer, surely a better use of trebbiano than accenting sangiovese for Rosato. It’s like sparkling chenin in so many ways, with that washed cheese rind notation. Approximately 600 bottles and 60 magnums produced. Drink 2021-2026.  Tasted November 2021

Tenuta Marsiliana Vermentino 2020, IGT Costa Toscana

“A vermentino without contamination,” explains Villa Le Corti in San Casciano owner Duccio Corsini, meaning no chardonnay, no pinot bianco, no nothing other. No wood, only stainless and straight to bottle after approximately five months. Straightforward, salty, well seasoned and thirst quenching. Essential coastal vermentino. Drink 2021-2023.  Tasted October 2021

Castello di Monsanto, San Donato in Poggio

Castello Di Monsanto Chardonnay Collezione Dai Vigneti Di Monsanto 2020, IGT Toscana

A painting by the Tuscan impressionist Andrea Borella from the 1800s was found in the house and so Laura Bianchi’s father Fabrizio decided to use it for the chardonnay. The first vintage of the Monsanto Collezione was 1990. A full malo, nearly half in barrel, fleshy and reductively creamy chardonnay. There is a linearity however in 2020 that surely makes this a chardonnay vintage. Quite tight, taut and making demands on the mind, body and soul. Plenty of fruit to back up the attitude and confidence. Drink 2023-2027.  Tasted February 2022

Castello Di Monsanto Chardonnay Collezione Dai Vigneti Di Monsanto 2019, IGT Toscana

Reminds of chardonnay that once was, used to be and here one of comfort from a happy vintage for 30 per cent to be aged in tonneaux. The rest in stainless and then a year of further bottle aging. The vines were first planted in 1976, then again in the 1990s and finally in 2020, bringing the total hectarage up from four and a half to seven. Laura Bianchi’s father once made a traditional method sparkling wine from this fruit called Bianco di Bianchi. Yes, a happy vintage this 2019, equal, balanced, rich and vigorous, smooth and salubrious. Monsanto wants to make chardonnay that will age and to do so must be picked at precisely the right moment. As here. Drink 2021-2026.  Tasted October 2021

Querciabella Batàr 2019, IGT Toscana

Bottled at the beginning of May and to be released around Christmas time or early January. A true anteprima tasting of this chardonnay and pinot bianco joint with some but still a real decreased amount of bâtonnage. The bungs are made of silicon but also threaded so that when they are secured the seal is just about perfect, less oxygen gets in and also maintains the sulphur level. They expand as they are inserted and what this effects is a decrease for sulphur usage and so it’s a white wine easy to certify organic and keeps the natural component through the use of a tool for fine tuning. Batàr 2019 shows as much fruit substance and creamed texture as ever before while also a chiselling that’s at the top of its very special game. Fine tuning always on the move and so focus, precision and finesse are unparalleled for white wine made from this land. Drink 2023-2032.  Tasted November 2021

Cantalici Cantavento 2018, IGT Toscana 

A varietal malvasia bianca, saline, green olive briny yet in tapenade, preserved lime in sherbet and avocado. Smooth and seductively metallic, crisp enough yet also creamy and even oily, with a good level of glück. Ages for six months in older French wood, Approximately a 5,000 bottles per year production. 14 euro at the winery. Drink 2022-2024.  Tasted February 2022

Castello Di Monsanto Chardonnay Fabrizio Bianchi 2011, IGT Toscana

A fascinating look back at Tuscan chardonnay, 10 years in reverse from Fabrizio Bianchi now to Laura. A warm vintage and it shows in the ripeness and development, of fruit leathered and weathered. Of great curiosity is the riesling-like petrol nose to travel alongside lemon curd, crème brûlee and baking apples. A chardonnay custard, soft and dreamy with a faint metallic note coming through. Demure in a glossy 10 year-old IGT. Drink 2021-2023.  Tasted October 2021

Castello Di Monsanto Chardonnay Collezione Dai Vigneti Di Monsanto 2002, IGT Toscana

This would be the third older vintage of the Collezione chardonnay I have tasted in the last four years and this is one of a specific acidity that has helped the wine stand the test of time. Was not a warm vintage by any stretch of the imagination in fact it was bloody awful one here and in most of Europe, save for Champagne and perhaps Bourgogne, a.k.a. cool climate regions or with varieties suited to cool years. Amazing and emotive if ideological in its persistence, moving through its denouement with grace, class and even a thought to the tune of suspended animation. Drink 2022-2024.  Tasted February 2022

Villa Calcinaia Mauvais Chapon Rosato Metodo Classico 2016

Sebastiano Capponi’s traditional method sparkling wine receives a tirage of VinSanto, almost Canadian in a way and three-ish years on the lees. The name is a funny riff, literally the “bad capon,” a gallo nero/Capponi family dualistic pun made in reference to the French siege of Florence in 494. An offer was made, refused and the trumpets sounded. Ancestor to Sebastiano named Piero led the revolt. France is the connection, family the conduit and toasty, gingered and oxidative bubbles the modern day result. Crisp citrus, herbal tonic and a rounder, luxe and fuller wine comes from the long and generous vintage. Good fun, pleasure, times and stories shared will be had by all. Drink 2022-2025.  Tasted February 2022

Castello Di Radda Vermouth

Made from a Rosé base wine with 36 herbs for a 5,000 bottle production, “to do something different during Covid.” Mainly rosemary, sage, lavender and elderflower, typical of the area in Chianti Classico. Really quite elegant, sweet and perfumed Vermouth, pretty and floral, just mildly bitter. Getting some citrus, verbena almost into lemongrass, orange peel and even fresh peach. Really expressive and blessed with glycerin texture. Would take a Negroni to the next level.  Tasted March 2022

Fontodi’s Giovanni Manetti with Michaela Miha Morris, Lamole

Solo Sangiovese IGTs

Casa Emma Harenae 2019, IGT Colli Della Toscane Centrale

Harenae as in sand (Arenaria) and the material used to make the terra cotta from Impruneta. A 100 per cent sangiovese, vinified entirely in (three) 1000L amphora, one year spent there, stirred twice daily, around 45 says capello sommerso. This is the second vintage and total production of 2,500 bottles per year. Changes face in different vessel, now a pure syrupy distillate, glycerin and the fruit heads into the tropical, white peach perhaps but always the blood orange, especially in this vintage. Could contain five per cent malvasia nera coming soon. A wine of great presence and truth be told almost too easy to enjoy. Faboloso. Drink 2021-2024.  Tasted October 2021

Sampling 2021 tank samples with Giovanni Manetti, Fontodi, Panzano

Fontodi Dino 2019, IGT Colli Toscana Centrale

Dino is natural sangiovese aged four months in Manetti amphora, textural like no other Fontodi wines spilling over the rounded brimming edges with blood orange and liquid peppery piques of pure, unadulterated joy. Moves easily and effortlessly through pools of Amaro liqueur before exiting at cured salumi savour. Drink 2023-2027.  Tasted February 2022

Montecalvi V.V. 2019, IGT Toscana

Just bottled a few weeks ago and from the 1932 planted vineyard. Essentially sangiovese though having been planted then it’s surely a field blend with a few plants of canaiolo, trebbiano, etc., The aromas are so different, lifted aromatics that sing while the volatility remains really low. Won’t be released for years with 2016 being the current vintage available. Talk about the texture and the passion (55 euro retail so 100-120 Canadian). Incredulous wine from a very specific old vineyard. Drink 2024-2031.  Tasted March 2022

Principe Corsini Villa Le Corti Figo Sangiovese 2019, IGT Toscana

Sometimes the opposite of expectation happens between sets of wines contrasted against vintages and thus the look at Per Filo and Figo from 2018 and 2019. A matter of emotional randomness, “but what happens doesn’t really matter.” You may compare to Gren Selezione Zac if you must because it a steadier and more consistent trajectory. That is due to more control, direction and hands on actionability. There is some meatiness to Figo in ’19, a minor gaminess, “selvatica,” raw and uncultured but that’s just early fresh bleeding happening. It may disappear next year. That will become the future because of the perfume, the sweetness of the palate and also the acidity. Takes your breath away at the finish. Calls out for a second glass and bottle. 115 euro retail. Drink 2024-2029.  Tasted October 2021

Principe Corsini Villa Le Corti Per Filo 2019, IGT Toscana

Immediately less reduction than 2018 and a fresher, more forthright expression of the single Guliae vineyard. Lifted perfume, a bouquet of florals, somewhere between violet and rose. A sweetness and a layering of fruit flavours and textures somehow obstructed in 2018. It would seem very quickly that 2019 was special for Per Filo and Figo, and therefore will also be for (Gran Selezione) Zac. 50 euro retail. Drink 2022-2026.  Tasted October 2021

Il Guercio, Tenuta di Carleone, Radda

Tenuta Di Carleone Il Guercio 2019, IGT Toscana Rosso

Il Guercio means bastard, essentially, a name given to oenologist Séan O’Callaghan by a chef friend, kind of like the one-eyed Notre Dame reference. O’Callaghan was born with only one and so his brand shares the story of his life. Like Uno the wine is 100 per cent sangiovese but here from the Mello vineyard in Gaiole in Chianti at 700m. That alone will make it different, fresher than most Classico and then there is the five months of Piedmontazine maceration. Then pressed off in February, “the wine we go to the border with,” of no oak, just cement, possibly an egg, or both. Only sangiovese and the wine that is asked to take the greatest risk. The pH is raised which is something Séan does not want, the colour drops (which he does not care about), but most important is the great polymerization of the tannins. It’s a complex weave of freshness and greens swimming in their pool of the finest bloody tannin. Even though the maceration is higher the integration and the aforementioned complex weave declares that volatility negligible, at most. A toss up between Il Guercio and Uno as to which offers the most appeal but here is not a place for splitting hairs, or putting on heirs. The world holds room for both. Drink 2024-2033.  Tasted March 2022

Sean “Il Guercio” O’Callaghan, Tenuta di Carleone, Radda

Tenuta Di Carleone Uno 2019, IGT Toscana Rosso

Uno must be put into context with three sets of ingredients contributing to the final account. First is sangiovese, raised in Radda. Second is the maker, Il Guercio himself Séan O’Callaghan, the man who carries in pocket three decades of making wine in this area. Third is the concept that if pinot noir and nebbiolo had a baby it would be sangiovese. Methodology sees to minimal extraction over a very long period with one or two pump-overs early on, for just five minutes and then you basically wait. First things first. Uno has some lift and volatility but conveniently, snugly and completely held in check. “The lighter the wine the more oak you can put on it,” explains Il Guercio. And so with the lift and volatility you get spiciness, not chocolate and coffee. That’s today’s epiphany. A 100 per cent sangiovese and the lightest wine of the lot put to a small amount of new oak. “The soul of sangiovese,” one grape, one love. Sure there is a litheness of being but there is an organza fabric sheathing of barrel and such spice one may have never come across in this territory. When Bourgogne is at its best the lightest, most transparent and infinite pinot noir is elevated and lifted by just a modicum of wood. But sangiovese? It’s never done this way. Séan’s Chianti Classico may tend to nebbiolo (if a comparison needs to be made) and so Uno looks at Burgundy. But really, what is this? Drink it or age it? Which is it? Flavour and texture. Umami and Zen. Reality and freedom. What else is there? Drink 2024-2033.  Tasted March 2022

Fontodi Flaccianello Della Pieve 2018, IGT Toscana Centrale

Once again hear this. The vintage 2018 is not a small, light and easy one. If Vigna del Sorbo proved this point then Flaccianello drives it home. This is the first vintage in which some younger vineyard fruit lower down in the Conca d’Oro near Giovanni Manetti’s house was used to regulate, make fluid and more succinctly “scoverrole” the grip of this wine’s tannins. Like a river’s flow, the fruit insertion causes the grippy juice to flow across the palate in a more caressing way. The 2018 is a serious wine and needs time, plenty of precious time and you must heed this call. To understand the breadth and depth this is completely necessary. Drink 2024-2033.  Tasted October 2021

Isole E Olena Cepparello 2018, IGT Toscana

Running like the eponymous stream through Isole under a September shower. In the words of Paolo de Marchi. “I like ’18 because I’m not looking for the biggest power in this wine. It’s also a matter of balance in the extraction and I expect this is a vintage that will age very well.” Showing with that expected revelry four months later, well short of that six to eight year premonition.  Last tasted February 2022

A different and great vintage, so apposite for Chianti Classico, here bigger, 100 per cent sangiovese benevolent, as always from the friable schisty marl, grey to blue Galestro soils at the top of the Olena hill, facing southwest. Much of the fruit is from the oldest vines where they foster a naturally low yielding premonition. In 2018 the fruit darkens and of an incombustible inhalant that instead moves with perfumed rhythm. Big, beautiful, charitable, altruistic and in another six to eight years will morph into something almost completely other. That’s the window to catch and taste what will be. Wait for it, don’t miss out and revel in the glory. Drink 2024-2029.  Tasted October 2021

Principe Corsini Villa Le Corti Figo Sangiovese 2018, IGT Toscana

Figo comes from the central part of the three-sectioned single vineyard, again organic and biodynamic, non sulphured and in line with Zac Gran Selezione and more so Per Filo. Figo makes reference to a fig tree and a “nickname” dedicated to Duccio’s son Filippo, also like Per Filo. These are wines conceptualized by Duccio though his hands are off of them, “until I become intimate with them.” There is sweetness to this fruit, an absence of earthiness and “carnale,” certainly no “animale.” A gorgeous and alone wine, singular, spirited, lifted, emotional and really fine. Only 800 bottles made from three barrels. 115 euro retail. Drink 2023-2028.  Tasted October 2021

Principe Corsini Villa Le Corti Per Filo 2018, IGT Toscana

From the same vineyard as Gran Selezione “Zac,” hand-picked and a selection of one of three plots, this from the western section, raised in tonneaux. No added sulphites, a natural expression of place, one hundred per cent sangiovese, reductive, needing air time. “Natural wines are like the sunset, the heat and situation changes and the process of evolution in the glass is greater than other wines.” Here the blood orange and sanguine notes are readily apparent, the post spezzatura in full aromatic and sensory swing. There is a sweetness and a transparency to the fruit that appears in ways only these wines from this vineyard are want to show. 50 euro retail. Drink 2022-2026.  Tasted October 2021

San Giusto A Rentennano Percarlo 2018, IGT Toscana

“The season was a copy of 2016, but the wines are not the same,” explains Luca Martini di Cigala. Mid-September was the difference. In Dylan’s words, “a change in the weather was said to be extreme,” high temperatures flew in by day and the ripeness came hard and fast. “But what’s the sense in changing horses in mid-stream” and so Luca did not react but sat back and let things happen because in his words, “what can you do about it?” And yet this elegant, satiny and harmonious sangiovese elicits a swoon, of scents misty and the grace lays sapid with succulence. Feels like a glass liquid of candied roses and violets. Tannins are there but they slide and glide along. Plenty of Percarlo sangiovese blood on the tracks. Drink 2025-2032.  Tasted February 2022

Riecine, Gaiole

Riecine Di Riecine 2017, IGT Rosso Di Toscana

Clearly combs the warm and arid vintage with a 100 per cent Gaiole sangiovese made by winemaker Alessandro Campatelli. A wine taken from barrel in September 2018 yet even still (and also the well-developed vintage) so far from steadying, readying and opening for business. Spices are omnipresent, depth of fruit, acidity and earth all pervasive. The freshness is more implosive inward then outward in expression. Almost takes your breath away. Time will offer reward. Drink 2023-2028.  Tasted October 2021

San Giusto A Rentennano Percarlo 2017, IGT Toscana

A Percarlo of 100 per cent sangiovese and in Luca’s opinion an arid vintage that shows much greater acidity than previous warm and similar near equivalents like 2011 and 2012. The ability in necessity to sort and eliminate sun-burnt berries makes this 2017 fresher and also enables it to age much longer. Freshness yes but also 2017’s solar accumulation and intensity of concentration. The acids are in fact raging and sweet, the tannins pretty fine and just at that drying edge. But the wine is very long and will indeed age very well. Drink 2023-2029.  Tasted November 2021

Castello Di Monsanto Sangioveto 2016, IGT Toscana

From a single vineyard called Scanni, planted by Fabrizio Bianchi to 100 per cent sangiovese vines in 1968, well before the concept was allowed. First harvested in 1974, calling the wine sangiovese grosso because the berries were larger and the bunches as well. Bianchi wrote it on the label really big to show people that the sangiovese grown in Chianti Classico was equal at the very least to that which was growing in Montalcino. Also bottled in Bourgogne shape to equate sangioivese to pinot noir. Aged in tonneaux, one-third new. Earthier and more of a gathering by hunters and foragers; alla campania, frutta di bosco, frutta secco, gariga and game. Not so ferric or hematic but perhaps a guinea fowl or pigeon note. Works so perfectly well with Pollo alla cacciatore. A revised drinking window: Drink 2023-2030.  Last tasted February 2022

Scanni Vineyard, not labeled as such (absurdity of Italian law for IGT wines) but a wine that has been vinified this way since 1974. Made from the larger berry clone found in Il Poggio but here 100 per cent sangiovese whereas the Chianti Classico have five per cent canaiolo. Darker fruit, a south-southwest facing vineyard with Galestro and calcari-argiloso content. Smooth grain of tannin so different than Il Poggio. A real curious and cool study in proximate space sangiovese contrast. Drink earlier and often. Drink 2021-2025.  Tasted October 2021

Working farm, Val delle Corti, Radda

Val Delle Corti Extra Vino Rosso 2016, IGT Toscana

The same experiment in 2016, old clones, a selection of fruit from the Riserva block. Four years in large barrel and honestly this could very well be labeled Gran Selezione as a 100 per cent sangiovese. Also fermented in open top wood fermenters with some oxidation and in this case only three weeks on skins capello sommerso style. So really a classic Chianti Classico fermentation though no, not there (yet) but a Vino Rosso. Reasoned glycerin and softly seasoned, elegant as much as that word can mean to sangiovese or rather how it may be used to describe a luxe and silky wine. Extra, extra, read all about it. A phenom of Radda acidity and extrapolation. Drink 2022-2027.  Tasted October 2021

Isole E Olena Cepparello 2011, IGT Toscana

No it’s not Côte-Rotie, nor is there any over abundance because a little bit of creativity makes Cepparello 2018 go pop. Also hard to believe this wine is 10-plus years old because the freshness rules and reigns. Will live in infamy.  Last tasted February 2022

“Molto parfumato,” binds an aromatic agreement between myself and Paolo de Marchi upon sniffing this ’11 found on Locanda Pietracupa’s wine list. “Cepparello needs time,” says Paolo, understatement of the obvious for the evening, year, decade and history with respect to sangiovese grown in the Chianti Classico territory. Also truth succinctly spoken, roses and violets exhaling and a 100 per cent varietal (or so it seems) profile of succulence and one to fully draw you in. Mint to conifers, multiplicity by complexity value, not to mention vigorous acidity sent straight to a mouth with a full compliment of wisdoms able to think about the situation. A linear Cepparello seeing its wide open window at the 10 year mark. And now a Paolo de Marchi story. “One side of the vine’s grapes were burnt and so I called up (Consorzio Direttore Giuseppe) Liberatore and asked are we changing the name of the appellation? Liberatore said what? To Chianti Amarone replied de Marchi, or sangiovese Port? Joking aside, a stringent selection and a five per cent inclusion of trebbiano did for this ’11 Cepparello what viognier might do for syrah. Not a Chianti Classico so perfectly kosher. A secret until now but all above board. Totally cool. Drink 2021-2026.  Tasted October 2021

San Giusto A Rentennano Percarlo 2007, IGT Toscana

Also a warm summer but without extreme temperatures. Not just early budding in March but also so quick to grow and spread. A September of escursione, diurnal shifts in temperature fluctuation to preserve acidity and keep freshness in the sangiovese. Now fully into secondary territory and more advanced than 2006 but close enough in showing persistent vitality. More balsamico, soy and developing character, bigger than 2006, less elegant. Drink 2021-2024.  Tasted November 2021

Isole E Olena Cepparello 2006, IGT Toscana

Since 2005 Paolo de Marchi started bottling Cepparello as 100 per cent sangiovese and without sulphites. The 2006 surely shows evolution while maintaining precision and purity, all without the need for heavy sulphites inside. Plenitude of fruit in more ways than one, some fresh and others dried like plum and persimmon hung on strings in a cold cellar. A rare Cepparello of liquorice and 15 year-old acidity that sings, spits and shines. Clearly kept under perfect cork, almost no oxidation which means true micro-incremental development. Dangerously high toned in the most beneficial way. Drink 2022-2026.  Tasted February 2022

Flaccianello della Pieve, Fontodi, Panzano

Fontodi Flaccianello Della Pieve 2001, IGT Toscana Centrale

Youthful is the proverbial understatement, zesty and full of Panzano life the other. A sangiovese in strike of ideal accord, freshness captured in bottle and development low, easy and slow accrued. Just like the season, stress-free, never too hot, never too wet. Stellar autumn of warm days and retentive cool nights. A late harvest and full phenolic character. It all shows in this 20-plus year-old Flaccianello, singing a ballad, verse after verse, refrain post refrain. After 20 minutes a sweet porcini perfume emits and one wishes for a 50 day dry-aged Chianina Fiorentina. What fortune! Along with the special effects of smoky rosmarino and wild fennochio. Drink 2022-2029.  Tasted February 2022

Fontodi Flaccianello Della Pieve 1993, IGT Toscana Centrale

A bottle with the most subtle amount of TCA but also one that should never be sent away. Acidity and freshness are far from peak performance, waning like a gibbous moon. Accessible and ostensibly intact, a matter of integrated tactile function, a massaging of south facing Conca d’Oro vines messaging through the auspices of mighty fine evolutionary powers. Offers up a way to talk about 1993 and recall the turbulent mid-1990s in general. To say this is a sangiovese from a time when anything and everything might happen helps to soften the Brettanomyces effect and to allow microbial bygones to be bygones. Just enjoy the silk textured ride. Drink 2021-2023.  Tasted October 2021

Castello Di Monsanto Sangioveto 1986, IGT Toscana

From the 1974 planted sangiovese grosso Scanni Vineyard and at the 12 year mark this 100 per cent sangiovese would have just been hitting its territorial stride. In fact at 35-plus years it should be said that Sangioveto only hit the top of its own aged hill perhaps six to eight years ago. The fruit is in tact, the acids sharp as a tack and the tannins just recently solved and resolved. And this is the original cork. Blessed. Earthiness and dried fruit plus nuts for what Sangioveto always shows and side by side with 2016 you could hardly tell more than a decade’s worth of distance. Happy birthday, buon compleanno and auguri to all you 1986s. Drink 2022-2026.  Tasted February 2022

E buono I say to Bernardo Manetti. “Of course it’s good” he answers, eyes rolled northwards, as if he’s responding to Dad Giovanni. Flaccianello 1983 was Manetti’s third vintage, a beneficial one with great potential and 38-plus years onwards the confirmation is indeed il budino. That and the hallmark of a wine aged, developed and inveterato by a Panzano and al tempo Chianti Classico freshness on the finish. Not to mention a parochial acidity still present, accounting for the super capacity to love and age. Truth be told more wood effect comes from ’83, even if the emotion is only now a matter of shadows. This truly does scent like dry aged beef and there is no doubt 2001 will access a similar funk but with even more succulenza. Here yet another Manetti sangiovese that slides with scorrevole ease across the nerves. Drink 2022-2024.  Tasted February 2022

Morino, San Casciano

Other endemic red and blended IGTs

Losi Querciavalle Ritmo Malvasia Nera 2020, IGT Toscana

After six years of trials this (red) malvasia from Losi has come to light and my oh my what an introspective introduction. Hard to imagine why more producers do not plant and champion this endemic variety with greater love and emotion. There are only 8,400 bottles made of this varietal Chianti wine in the Classico area, a succulent red of music and tannin, heart, headiness and soul. Drink 2023-2026.  Tasted March 2022

Sri Lankan born and Brit oenologist slash winemaker Séan O’Callaghan worked for years at Riecine with founder and Englishman John Dunkley, along with Carlo Ferrini. Riecine was sold in 1996 to American Gary Bowman and in 2012 to Russian interests, which is when O’Callaghan parted ways. That was 2016, when he created Il Guercio, with the first vintage being 2015 while also working with Austrian Karl Egger, owner of Tenuta di Carleone. For Randagio long macerations are up to five months and while it varies, here the usage is approximately 40 per cent whole bunch. Fascinating, hold your breath and cross your fingers stuff it would seem but this cat has nine lives. The blend is 50 per cent cabernet franc, (40) merlot and (10) sangiovese. “For me this tastes like gamay,” tells Séan. Randagio is a mixed up dog and a mash-up of French varieties. It should be Meticcio but instead it’s Randagio, i.e. “the stray.” Meticcio 2018 was the first, Randagio the second and life is mimicked, the wine laid back, really just about fun. The adage holds true that you can make a funky label and still make nice wine. Fruit-centric, perfectly leathery and swarthy. Drink 2022-2026.  Tasted March 2022

Timeo, Fattoria Le Masse, San Donato in Poggio

Fattoria Le Masse Timeo 2019, IGT Toscana Rosso

Timeo, the 100 per cent canaiolo from 60 year-old vines (1961) and 2,300 bottles made. Claudio feels that (based on their grapes) that 2019 is the best vintage of the last six. Picked in late September but before the hottest final days and so there is a relaxed and balanced feel, purity of red fruits and truly fine acid backbone. Linear wine but without angles, certainly not round and simply seamless. More so a matter of pH waving over the palate. A blood orange moment though not sanguine, really just a fine, lightly tannic and particularly expressive canaiolo. Drink 2022-2026.  Tasted October 2021

Dedicated to Santo Spirito, the church and the artistic centre of Florence. 6,600 bottles made. Absolutely! Sacred spirit alive, an old Chianti recipe, of sangiovese (80 per cent), with canaiolo, colorino, malvasia nera, malvasia bianca and trebbiano. Was and could still be a Chianti but thankfully not. The wine is simply too good and too fine, Clarity, fruit purity, freshness and drink-ability off the charts. Glug glug, back up the truck. Drink 2021-2025.  Tasted October 2021

L’Erta di Radda, November 2021, 2021

L’Erta Di Radda 2 E 2 2019, IGT Toscana Rosso

A most amazing four-poster blend of two red plus two white varieties, first with sangiovese and canaiolo, then trebbiano and malvasia, two plus two. An ark of Chianti Classico endemic varietal covenant, walking in two by two, 70 per cent reds and 30 whites. The dominance is of course sangiovese at 60 per cent in the co-fermentation but the “traditional” 10 per cent white inclusion is tripled while also gauged in an apposite methodology, with Diego Fennochi using the Governo method on only those white grapes. Makes for an intensely aromatic wine, floral of course, though in the freshest of bouquet. Concentrating the white contributors doubles or perhaps even triples down on the effect and creates the most lifted regional experience. The first vintage was 2014, back then having employed the 10 per cent white grapes in the first two vintages, after which Diego decided to go all in. Comes out at 13.5 per cent and the wine simply pops, with rocks and minerals, elements and stones. It’s really quite beautiful. Drink 2022-2026.  Tasted March 2022

Bottled just before the Chianti Classico 2019, so just three weeks ago. A blend of sangiovese with canaiolo and colorino, as it’s its nature and privilege. The sangiovese is taken from the vineyard on top of San Francesco’s hill, adjacent the canaiolo and colorino vineyards. A limited (3-5,000 bottle) production, a wine that’s all about selection (from two vineyards) and elevating craft to the highest of Il Molino di Grace levels. Still sees some barriques but going forward the plan should be to age only in large casks. The chewiest and most textural of the wines, with sapidity and colour matching salinity, acidity and savour. Drama but one in complete control, that is Gratius. Drink 2023-2030.  Tasted February 2022

As a solo artist pugnitello is extremely vinous, so very grape juicy and pitchy as a clear Castelnuovo night. Tons of flavour, depth and charisma, uniquely varietal and you can really see why Leonardo Bellacini and San Felice have invested so much experimental time and effort in to the grape. Gains richness and fleshes as it airs.  Drink 2023-2026. Tasted February 2022

San Felice Vigorello 2018, IGT Toscana

Vigorello comes from a time when Chianti Classico producers wanted to step up and away from disciplinare restrictions and make wines of freedom and artistic expression. It was a sangiovese and cabernet blend, then fully Bordeaux styled and finally From 2011 the pugnitello became the biggest (35-40 per cent) part of the blend. The 2018 comes away cimmerian dark and balsamic luxe with dark soy, high acidity and real international styling. Nothing Classico about Vigorello, only a kinship with Poggiorosso because of the pugnitello. For lovers of rich and luxurious Tuscan wines. Drink 2024-2028.  Tasted February 2022

Il Molino Di Grace Gratius 2017, IGT Toscana

It seems to be a repeated story ad nauseum but 2017 saw a small amount of rain after the frost and then none for three months, with some 40 degree days and 30 degree nights. The lack of diurnal fluctuation might have been an issue for many but allowing grapes to fully mature right through September, downgrade their sugar and alcohol and ultimately find balance was the key to success. Gratius found it and delivers a punch of fruit, kept acidity and a swath of chocolate ganache. More wood is felt from 2017 but that was unavoidable. The only adjustment would have been to put water into the wine. And so it goes that 2017 is what it is.  Last tasted February 2022

Gratius is actually a 90 per cent sangiovese blend with (10) canaiolo and colorino. A grand Gratius, finely chalky, with the additional grapes adding sublime complexities. The wine is an authentic expression of the Classico trinity of endemic varieties. Unaggressive yet knowable and powerful. Lots of ganache at the finish, the first of which incidentally is shed of distraction and excess baggage. The new label (and all of IMdG’s) were designed by the late sommelier Valentino Monticello, this ’17 to celebrate the 20th vintage he’d been apart of the winery’s work. Frank Grace met him at Harry’s in London.  Tasted October 2021

Gratius expresses the vineyard in ways the Annata, Riserva and Gran Selezione appellative sangiovese do not. This 100 per cent sangiovese reeks of the vineyard; fennel. rosemary and gariga. From the part of the vineyard at the peak of the hill where San Francesco’s hulking sculpture towers and watches over the sangiovese. Grip, intensity, signs, wealth of fruit, knowledge and portents. So fine. Drink 2025-2038.  Last tasted September 2019

A varietal cabernet sauvignon, “a slow burner” as winemaker Tim Manning calls it and so a wine that stays in bottle for a good long time. Yet it scents directly of cabernet sauvignon but just as much Toscana and I’d go so far as to say Greve in Chianti. Youthful is the understatement, complexity the operative over and actually quite the traditional wine. Surely some volatility and Brett but with this much going on there can be many hats worn and hung up to rest. Such a rich and chalky wine that tastes like nothing else but still just seems to be from here. Drink 2023-2028.  Tasted March 2022

Castell’in Villa Santa Croce Di Castell’In Villa 2009, IGT Toscana

“Our little bastard this one,” says the Principesa, a combination of sangiovese and cabernet sauvignon, more or less. Remarkable longevity from this “little” IGT blend, not really so little and after all an important wine for the estate. Expecting more evolution is normal and so imagine the surprise when you find out how little this has actually evolved. Sees barriques (as opposed to the grandi botti for the solo sangiovese) and while chocolate is everywhere, so is freshness and energy. Good vintage, great grapes and attentive winemaking work. Drink 2022-2024.  Tasted March 2022

San Felice Vigorello 2008, IGT Toscana

At the time Vigorello was a super tuscan blend of sangiovese and cabernet sauvignon. Vigorello does not go through the same kind of transformation as is witnessed in a Poggiorosso with the same soy, balsamic and pitchy depth showing in this 2008 as would emit by a recent vintage. Also less juicy freshness and more oxidation than the sangiovese yet plenty of lush, rich and hedonistic character. Drink 2022-2024.  Tasted February 2022

Il Molino Di Grace Gratius 2005, IGT Toscana

“I don’t think it’s 100 per cent sangiovese and I do know the wine has held up very well,’ tells Iacopo Morganti. Freshness persists with porcini and plum pudding, orange zest and balsamic. Many shades of chocolate and acidity not yet (maybe never will) abating. Keeps its groove and 17 year-old dance moves gliding across the palate. A very good older vintage for Il Molino di Grace, perhaps the best of its mini era.  Last tasted February 2022.

A next look nine months later confirms what Iacopo insists. “The acidity’s finished for me. It’s ready to drink now.” At this juncture Gratius 2005 has abandoned its fantasy in concession to a drink now reality.  Tasted February 2017

The Gratius 2005 shares DNA with 2009 aromatically speaking but in texture and expression the litheness is pinot noir like, with a bit of bretty volatility as an impression that is vineyard funk derived. Just now beginning a drinking window in performance for the art of perfect timing but why not imagine the installation persisting for 10-12 more years? Here the Montefili Galestro vineyard is clearly iterated in a funk-soil-chalk-liquid rubies way. A brilliant peek back because the tart is just so right. Ask the question, “what was the old wine like?” The answer is “it was like old wine, that is to say, like all old wines.” Drink 2016-2022.  Tasted May 2016

Isole e Olena IGTs

Merlot, Cabernet Sauvignon, Syrah and Red Blend IGTs

Carpineta Fontalpino Do Ut Des 2017, IGT Toscana

Do ut des brings cabernet sauvignon, merlot and petit verdot into mix, darker of fruit, herbal and full of both currants and roasted nightshades. A veritable caponata in a glass, Mediterranean, with black olive garnish. These are grapes that had an easier time in the dryness of the vintage and so the wine is soft but full, so very ripe and really gastronomic. Merlot pick started on the 21st of August, which is incredible, and yet it is soft and ripe. This wine is delicious now, won’t last like the sangiovese, but so ideal for restaurant pours. Drink 2022-2027.  Tasted November 2021

Castello Di Volpaia Balifico 2018, IGT Toscana

A field blend of sangiovese and cabernet sauvignon, roughly two thirds to one third and yet the showy expatriate variety acts like it runs the roost. A bigger wine on the nose but soft enough on the palate. A wine of pomp and pleasure, plenty of sweet wood fluidity and made since 1985. “To make something different, for a different palate.” Balifico grows up close to Coltasalla but it truly is the cabernet that takes it down a different path. For whatever anything is worth this is a truly proficient, beautiful and special red with confidence, purpose and style. Drink 2023-2029.  Tasted October 2021

Istine Merlot 550 2018, IGT Toscana

Merlot is not used for any other wine because Angela Fronti chooses to keep her Chianti Classico as sangiovese, although some recent plantings of malvasia nera and canaiolo could change this in the future. Merlot is a small plot at lower elevation in the Radda Istine vineyard. Lots of oak here, as is the want to match merlot, allow it to flesh out and age with distinction. That it will though the lavender is extreme and the vanilla welling on through. Drink 2023-2025.  Tasted October 2021

Isole E Olena Collezione Privata Syrah 2018, IGT Toscana

According to Paolo de Marchi “this is the most elegant syrah I have made.” He attributes the success directly to the vintage. It is in fact silk tethered, smooth textured, naturally sweet and just the easiest syrah. Seductive and again sweetly endowed in phenolic terms, a perfume of calm and beauty. So yes this is an elegant varietal wine, less structured, peppery and demanding than most. Drink 2021-2025.  Tasted October 2021

Spice, chocolate, dark fruit with nominative verdancy, wood control and big, bad tannins. A wine in total control, yet relenting, made full by a late September heat thrush matched by cool acidity preserving nights. A rare instance where merlot needs as much bottle time as sangiovese to integrate, settle and play fair. Drink 2022-2027.  Tasted October 2021

Capaccia Toscana IGT 2017

Capaccia is just that, the IGT that is this place, the name of the borgo that was and will always be here. A 50 cabernet sauvignon plus 25 each franc and sangiovese. Brings in fruit from Lo Scopiccio Vineyard on the southeast facing side of the hill. The sangiovese from the other blocks is kept separate while the cabs are fermented together. Distinctly Tuscan and also Radda, here from the driest and warmest of vintages. Black fruit, warmth, texture and spice from 300L French wood, some austerity in the tannins but mostly Raddese acidity. “Vinoso” like the sangiovese but also very much a child of sandy, Macigno del Chianti soils. Well structured and will live into a balsamic and truffled future. Drink 2023-2029.  Tasted March 2022

Querciabella Camartina 2017, IGT Toscana

The most consistent Querciabella IGT, at 70 per cent cabernet sauvignon with (30) sangiovese from the Ruffoli hillside, since 2003. Ages approximately 18 months and to be honest the cabernet suffered more in this hot dry vintage. Paying attention to avoiding over extraction, dropping temperature during fermentation and tannin management were key. A wine to handle with kid gloves and looking at it now there is no loss of liveliness, nor are the tannins hard to handle. Au contraire, there is grace and there are pleasantries in round abound with a red cherry to berry fruit compendium ready and willing to receive the structural parts. Surely a beneficial location for 2017 fruit, replete with that season’s acidity and so well managed fermentative activities bring about a really age-able Camartina. Drink 2024-2036.  Tasted November 2021

Querciabella Palafreno 2017, IGT Toscana

As always (since 2004) a one hundred per cent merlot, from Ruffoli facing west, thankfully not due south and lucky because this vineyard has a higher density and compaction to retain water. Much freshness retained and perhaps a slight hyperbole in merlot’s verdancy but also if you close your eyes, “I see something blue,” notes Manfred Ing, and yes as if a petit verdot blue fruit notation, with the soil idea coming through as a compact set of tannins in dense grains. A big vintage, very different vintage than 2016. Drink 2024-2035.  Tasted November 2021

Querciabella Turpino 2017, IGT Toscana

Has emerged from its hard shell, albeit incrementally with much further to go. A first stage of rounding out, fruit happier, and still this Mediterranean feel of all the Querciabella wines. A wilder component and a marine streak, a bit rugged and a sense of the Maremma very much indeed. No it’s still quite primary, the tannins at least, so wait another 18 months or so.  Last tasted November 2021

First commercial vintage was 2010 when at the time it was 50-50 Maremma and Greve. Since 2015 it identifies as 100 per cent Tuscan coast with more barrel exercise and power than Mongrana, now a cuvée of approximately 12,000 bottles. “Turpino,” as in a character from Sebastiano Cossia Castiglioni’s favourite poem, like his son Orlando (and also for the names Mongrana and Palafreno). Frost was a major problem in 2017, followed by heat, no rain and vines that just went crazy. Small pickings were done in the first week of September and then the rain came. The vines dropped in alcohol potential by a degree but the vines were tired and so the fruit could not hang in there like it could (better so) in Ruffoli. A blend of 40 per cent each cabernet franc and syrah with (20) merlot. Spiciness but not in a traditionally Tuscan syrah (Cortona) way and so the franc is to thank for the pique, sharpness and pointed directive of this ripe wine agitative of pricks and sway. In the end this is truly Tuscan coast, carrying the dried and bushy herbs but with an extended olive branch, muscular arm and structured savour. Only 10,000 bottles were made of this succulent, strange bedfellows (for Tuscany) red wine. House wine, Querciabella style. Drink 2023-2028.  Tasted May 2021

Rocca Di Montegrossi Geremia 2017, IGT Toscana

A blend of 82 per cent merlot and 18 cabernet sauvignon from the most arid and hot vintage though with grapes that can handle the extreme truth and consequence, at least relative to sangiovese. But it also makes for a much bigger expression, heady and weighty and yet the Montegrossi terroir can’t be removed from the DNA of this wine. Extremely youthful with rigorous and grippy structure, deep purple fruit hanging in the balance and a consistency of localized acidity always on side and in sight. Big wine made bigger by the vintage. Drink 2024-2029.  Tasted November 2021

Isole E Olena Collezione De Marchi Cabernet Sauvignon 2016, IGT Toscana

Though 2017 was just released here we are tasting what is a quintessential cabernet vintage for Isole e Olena. Truth be told it is a very difficult wine to make according to Paolo de Marchi because maintaining both sugar and phenolic ripeness is a never-ending challenge. Blended in 2016 with cabernet franc (eight per cent), plus two each of petit verdot and merlot. Pure Cassis, black forest cake and waves of both black current and cherry. All the dark fruits, silken and reminiscent of Napa Valley mountain cabernet, perhaps even specifically Atlas Peak. Drink 2024-2029.  Tasted October 2021

Rocca Di Montegrossi Ridolfo 2015, IGT Toscana

A 50-50 split between cabernet sauvignon and pugnitello, the first vintage of its kind, 25 months in barriques and three years in bottle. Also the first of its ilk and newly minted idiom, not so much because the two grapes are bedfellows of another mother but because they’ve never aligned in this manner. After fermentation Marco decided, perhaps as a joke, to mix the two grapes in his glass and the best percentage was half and half. Less than 2,000 bottles are produced of a wine with no real reference point. So what to make of it? The wood is very much in the mix, the aromas are in the vanilla, lavender and graphite vein. Stylish, obviously so well put together and yet one of those polished wines that will become much more interesting after five to seven more years time. Drink 2025-2030.  Tasted November 2021

San Giusto A Rentennano La Ricolma 2018, IGT Merlot Di Toscana

The vineyards are in six different parcels, the first having been planted in 1991. Followed by 2006 and so forth. The original idea was to plant and mix small percentages into the Chianti Classico but they didn’t like the results. Now make five to six thousand bottles. First vintage was 1993 and up until 2004 the vineyards were managed like sangiovese, but this was not right and so changes were made. Used to be a more vegetal wine and by slowing down ripening through pruning the wines improved dramatically. Six buds were left and when the buds opened they cut again to delay the vine by 7-10 days. Also more turning of the soil and for green harvest this has to be when the grapes are completely red. Not the best climate here because the expediency of ripening is in such a short window. Fine and silky tannins meet dark fruit full of berries and especially raspberry. Great merlot and an ideal vintage for it to work out right. Labeled 15 per cent but could be more. Drink 2024-2030.  Tasted November 2021

Le Fonti Di Panzano Fontissimo 2017, IGT Toscana

Also high wood influence but here a glycerin IGT with finer grain of tannin and sweeter glycerin slash pectin fruit substance. You need to work and hang out with this wine for some quality time to gain intel and a feeling of its potential grace and charm. Really quite fine and without some of the drying tendencies found in the more particular tannic vein of the Chianti Classicos. Drink 2023-2027.  Tasted October 2021

Bindi Sergardi Chianti Classico 91 Cabernet Sauvignon 2016, IGT Toscana

Rich and welling with Cassis, fulsome, so beautifully ripe and of exquisitely fine, sweeter tannins. Drink 2023-2029.  Tasted October 2021

Bindi Sergardi Chianti Classico 91 Cabernet Sauvignon 2015, IGT Toscana

Sharper, higher in acidity, once offering you a slap in the face but now settling ins though the tannins are grand and nearly grainy. The tannins are present for for 2015 and 2016 so discussing structural longevity is like discussing comparative mythologies. Drink 2022-2028.  Tasted October 2021

San Giusto A Rentennano La Ricolma 2015, IGT Merlot Di Toscana

Probably as easy a vintage as it gets for merlot and Luca prefers this, as opposed to ’16 being the preferred one for sangiovese. Still a big wine and unavoidable as merlot in this San Giusto’s very specific micro-climate and location. These are really fine, sweet and elastic tannins stretching out for a lunga camminata in what really is quite a beautiful merlot. Drink 2022-2028.  Tasted November 2021 and February 2022

Capaccia 2011, IGT Toscana

The 2011 Capaccia IGT cabernet sauvignon is in a terrific place, full of energy and fruit swells, almost no drying of that fruit or tannins, acids as always in charge. Lots of wood of course but it is that swell of fennel, rosemary, lavender and elderflower that dominates, permeates and seems to propagate through this warm and strong vintage wine. Really feels like an 11 year-old wine and one from the time. Also place so that is really what Capaccia is all about. Drink 2022-2025.  Tasted March 2022

Good to go!

Godello

Gallo Nero at the Chianti Classico Collection 2022, Stazione Leopolda, Firenze

Twitter: @mgodello

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WineAlign

Twenty-one Canadian wines that rocked in 2021

Another year comes to a close, one filled with the dark moments and the light, the romantic entanglements and debacles, highs and lows. In life, love and wine, here with any reference to a gesture, gaze, smile or any other sensory reaction coming from an account of someone who witnessed it. In this particular case that would be Godello and much of what he saw and heard included odd little episodes that reveal how grapes really lived under the conditions of not only this vintage, but also the ones that came before. This ninth edition of 21 Canadian wines that rocked in 2021 comes out as a derivative, spin-off and postscript to all of this.

Godello in the Similkameen Valley

Related – Twenty Canadian wines that rocked in 2020

As a reminder, year-end lists are a matter of personal fascination and should be met with a certain level of judgement so that highly subjective descriptors such as “best” or “most” can be consumed with doubt, thoughts askance and even heated moments of disbelief. That which makes us feel moved, stirred, excited, ignited and set aflame could very well be someone else’s nothingness. Classification, indexing and charting is truly personal and as such opens up wide for criticism and hopefully, healthy debate. So keep it real but also civil, if you please.

Related – Nineteen Canadian wines that rocked in 2019

If we thought the 12 months that made up the 2020 calendar took things deep into the arena of the unfathomable and the absurd, then 2021 left the stadium and flew into the stratosphere of the preposterous. One silly year led to another but this one just seems to be concluding with some sort of level best described as fraught with “Vonnegutian violence.” Thank goodness there is Canadian wine to fall back onto and though it has been said before, this was indeed the very best year for the local stuff. A 2021 from which the highest to date level of greatness was achieved. Though these holidays are bittersweet and conditioned with some great unknowns, take solace in Canadian wine and what can be learned from their progression, evolution and continued excellence. They never give in or up but always strive forward, getting better all the time. To quote and then paraphrase from Britt Daniel and his band Spoon, “when you think your thoughts be sure that they are sweet ones. Don’t you know, love, you’re alright…don’t you know your (glass) awaits and now it’s time for (tasting).”

Related – Godello’s 24-hour Nova Scotia revival

This latest rocking roster of Canadian made wine is now the ninth annual for an exercise that first began back in 2013. When 2022 comes to a close the 10th will come to fruition in print, with 22 of Canada’s best laid to order. In 2021 Canadian wines were made available at every turn, especially at the WineAlign tasting table. In July the WineAlign critics’ crü took in Niagara for a pseudo-i4C 2021 Cool Chardonnay weekend. Godello made his own way to Nova Scotia in September to meet with and taste alongside eight of that province’s great winemaking teams. In October the WineAlign judging cartel sat through more than 2,000 entries at the National Wine Awards of Canada in the Okanagan Valley. Events such as the VQA Oyster competition, Somewhereness and Terroir Symposium were still no shows, or gos, nor walk-around tastings neither. Once again sad to miss Tony Aspler’s Ontario Wine Awards and David Lawrason’s Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates. Here’s to hoping 2022 will finally usher in a return to assessing and celebrating together.

Related – Niagara’s cool for chards

As per previous incarnations of this annual compendium, “the numbers chosen to cant, recant and decant excellence in Canadian wine continue to march ahead, as promised by the annual billing. In 2019 the list counted 19. In 2018 there were 18 and in 2017, 17 noted. In 2016 that meant 16 and 15 for 2015, just as in 2014 the filtered list showed 14, after  13 for 2013. Last year? You would be correct if you guessed 20. “Whence comes the sense of wonder we perceive when we encounter certain bottles of art?” Note that a third of the 21 most exciting Canadian wines of 2021 are in sparkling form. Does that need to be qualified? Of course not. Godello gives you twenty-one Canadian wines that rocked in 2021.

13th Street Premier Cuvée Sparkling 2015, Traditional Method, VQA Niagara Peninsula, Ontario

Racy sparkling wine of traditional ways, dry, toasty and of great vigour. Top notch autolysis, fine lees and guesses to the end would have to be in the 48-plus month arena. The real deal, richly rendered, acids in charge, instructive and carrying the fruit to the mountain’s peak. Hard to top this in Canada. Drink 2021-2027.  Tasted blind at NWAC2021, October 2021

Avondale Sky Winery Méthode Traditionelle Blanc De Noir 2013, Nova Scotia

While Ben Swetnam had wanted to dabble in sparkling going back to 2009 he can thank everyone in the Nova Scotia industry for showing him the ropes. That includes Gina Haverstock at Gaspereau, Bruce Ewart at L’Acadie, Simon Rafuse at Blomidon, Jean-Benoit Deslauriers at Benjamin Bridge and others. The 2011 would have been the first vintage of pinot noir production with the intent of making sparkling wine, of hot to cool years and all others in between. Dijon clones and a warmer edge of a ’13 season, a riper style but brought in at classic sparkling numbers, acids 11-12.5 and brix 17-19, picking in the third week of October. An early vintage. Intensity meets richness halfway there, fruit flavours are exceptional, just shy of eight years on lees, disgorged three months ago. “For the pinot I always wanted to do a minimum five years and the acidity was always there,” tells Ben. “The tertiary qualities were not out yet so the pause every six months kept the decisions at bay.” Got this apricot chanterelle fungi character, mousse and bubble are really in tact, dosage is 7.5 g/L almost fully hidden by that Nova Scotia acidity. There is something about this sight that maintains higher acidity levels while sugars rise but as an example perhaps it’s the gypsum based soil underneath the whole vineyard, or the tidal rivers and the specific diurnal fluctuations, cooler at night and “it’s something we can always rely on, in every year, that backbone of acidity.” So very Nova Scotia. Usually 500 bottles produced per year. Drink 2021-2027.  Tasted August 2021

Benjamin Bridge Méthode Classique Brut Rosé 2017, Nova Scotia

One of the first wines to come to the surface with Pascal Agrapart’s involvement with winemakers Jean-Benoit Deslauriers and Alex Morozov. When tasted the sentiment was that this particular vintage of this very particular sparkling wine was not yet there yet in terms of readiness or rather publicizing but truth be told, never have texture and acids come together as one in a BB Rosé. Crunch and chew, riff and rise, bellow and beauty, all despite the spiralling zeitgeist that underscores its urgency. Drink 2022-2027.  Tasted August 2021

Blomidon Estate Winery Méthode Traditionelle Blanc De Noirs 2016, Nova Scotia

Give or take 76 per cent pinot noir and 24 meunier, a similar vintage to 2015 (though a touch warmer) and here picked on the 17th of November. Almost all from Woodside Vineyard and some meunier off of the Blomidon estate vines, no longer here. Disgorged today, yes today and my oh my the potential here elevates to a very high ceiling. Just under 6 g/L RS so exactly extra brut, really primary but with the dosage that will arrive before you know it. The pinot delivers more fruit than the chardonnay, perhaps a counterintuitive concept but that’s Nova Scotia. And every vintage will flip the head and make you think again. Small lot, 50 cases or so. Searing succulence, a structural richness and transformative beyond the complex, curious and interesting. Assiduous if conceited blanc de noirs, pejorative to chardonnay, entangled inside enigma, mystery and riddle. Literally. Drink 2022-2027.  Tasted August 2021

Blue Mountain Blanc De Blancs R.D. 2012, VQA Okanagan Valley, British Columbia

A varietal estate grown chardonnay that spent upwards of 78 months sur lie is nothing short of dramatic, if not unconscionable. Not that no one else, anywhere else does such a thing but to do so, change so little and deliver unquestionable excellence is what dreams, expression and delivery are all about. If the Brut Reserve is Fillmore East than this Blanc de Blancs is Montreux, electric, mind-bending and so very exotique. João Gilberto, Marvin Gaye and Lou Reed wrapped into one, a sparkling wine of influence that only incidentally expands into mainstream visibility. This has stage presence and breaks fresh ground with creative sensibility, not to mention a deliciousness of flavour and mousse. That and 2012 in pocket permanently affixed to to the album cover. Drink 2021-2029.  Tasted March 2021

Henry Of Pelham Estate Winery Cuvée Catharine Centenary Estate Blanc De Blanc 2010, VQA Short Hills Bench, Ontario

As a reminder this top H of P traditional method sparkling wine is named after Catharine Smith, Henry of Pelham’s wife and this Centenary is the crème de la crème for the label. A rarity for the estate and for Canadian wine, partially (20 per cent) barrel fermented and aged for up to 100 months on the lees. All Short Hills Bench chardonnay, all in with a hyperbole of toasty development and the most brûlée of any bubble in the village. The sparkling stage presence and prescience of being so connected to grape and place make this true to itself. Not to be missed. Drink 2021-2026.  Tasted December 2021

L’Acadie Vineyards Prestige Brut Estate Méthode Traditionelle 2014, Nova Scotia

Was embargoed until September 9th after having just received the Lieutenant Governor Award. Has evolved into a seriously toasted arena, gone long with lees contact, looking for peaceful co-existence between yeast autolysis and the fruit of the wine. “You don’t want conflict, you want that harmony, tells Bruce Ewart.” Disgorged January 2021 and so spent more than the minimum five years on lees. An insignificant dosage (more than most of these wines). Bruce’s program goes at it in terms of two and five year aging and he believes that while Nova Scotia can do ten or more there is only a minor incremental increase in complexity by doing so. This at six-plus has hit such a sweet spot, still in retention of currant and white/red berry fruit but also low and slow golden, tanned and long as an August afternoon Gaspereau shadow. Drink 2021-2026.  Tasted September 2021

Two Sisters Blanc De Franc 2018, VQA Niagara River, Ontario

Stellar work here in blanc de franc, understated and effusive, lifted of black currants and sweet pepperoncini yet grounded by serious grape tannin. A sparkling wine of grape extract so full of depth and breadth. Not a wine of high autolysis but rather tart, tight and in command of all it wants to be. Last tasted blind at NWAC2021, October 2021.

The third vintage of Adam Pearce’s ground-breaking Blanc de Franc is as you would imagine a white sparkling wine made from the red cabernet franc grape. The aromas are distinct and secure, squarely wrested from the red currant and sweet peppery varietal post, expressed in a uniquely Two Sisters bubble that may once again, or rather should continue to rock one’s world. More richness and also excitement than ever before, risk taken and reward achieved. No acquiescence, no adjacent meanders but head down, goal in sight and hurdles overcome. At the end of the day this is one of the most impressive and essential wines made in Ontario. Nova Scotia is on the franc idea and others locally are beginning to follow. Autolytic and delicious, on point and regal. Drink 2021-2027.  Tasted September 2021

Malivoire Rosé Moira 2020, VQA Beamsville Bench, Niagara Escarpment, Ontario

From vines planted by proprietor Martin Malivoire “close to home” in what is the eponymous vineyard. Moira is a Beamsville Bench icon and has been for quite some time now, without question, nothing to discuss here, case closed. There is a complex and layered developed notation that Vivant does not have, not fort better or worse but Moira requires more thought and consternation. You can no longer think on it in terms of salinity, sapidity and satisfaction. Something more and other must be considered. Style. Style is what separates Moira from most other Ontario Rosé and in 2020 it exudes with prejudice and finesse. When a sip of a wine in this category stays with you for as long as Moira does, well you just know greatness is in the glass. This can saunter with the very best of Southern France. That’s the truth. Kudos to winemaker Shiraz Mottiar for this. Drink 2021-2025.  Tasted April 2021

Martin’s Lane Riesling Fritzi’s Vineyard 2018, BC VQA Okanagan Valley, British Columbia

Shane Munn’s riesling from the volcanic, clay and white quarts Fritzi’s Vineyard continues to get better, all the while with a wine he seems to do less and less to try and control. Must be the place and the fruit from this 21 year-old block (as of this 2018 vintage) seeking a 48 hour skin-contact for oxidatively handled juice. Pressed once, lightly and so softly treated, then transferred to German casks where it stays for up to eight months. Just bloody delicious, hard to not conjure a frothie for this freshest of phenolic rieslings, which incidentally was only sulphured once, four months into the trek. Walks about from grippy to lovely and back again, with silk stops along the way. Will shine brightest two years from now. Drink 2023-2029.  Tasted twice, October and December 2021

A really creative sémillon, rich, creamy and fulsome which is classic Mt. Boucherie while never abandoning the grape’s pointed and intense linearity. Hard not to be impressed by the soil intendment and how it creates a backbone in the wine, beyond acidity and into something sarsen-like, upright, timeless, forever. Plenty of grip, essential elements, minerals and metallics. Keeps the sémillon sensibility alive of an unconquerable nature, varietal invictus, solid construct but with more than ample fruit. Convincing follow-up to 2019 and really quite on par in every respect. Drink 2021-2025.  Tasted October 2021

Closson Chase South Clos Chardonnay 2019, VQA Prince Edward County, Ontario

Notable reduction marks South Clos’ youthful entry and with that first nose in the glass we are put on immediate notice that 2019 will be a structured year for winemaker Keith Tyers’ and Closson Chase’s chardonnay. This and the following vintage will trade blows for bragging rights, longevity and excellence, so pay attention to this pool of varietal estate wines. That is something CC so generously affords their customers. Here at the top level the fruit is glorious, pristine, pure and cut by diamond clarity. The reduction flies away and a nose of marzipan, lemon preserve and a fresh bitten Ida Red apple come away from the vineyard. Acids here are tight, crunchy, friable, felt from the tongue’s tip to the wisdoms. The liquidity is so finely chalky with all signs pointing to spirit and balance with that ’19 crop of South Clos fruit at the core. Does not get much better from PEC, Ontario or Canada. Anywhere. Drink 2022-2028.  Tasted October 2021

Hidden Bench Chardonnay Felseck Vineyard 2019, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

Lightfoot And Wolfville Ancienne Chardonnay 2018, Annapolis Valley, Nova Scotia

Frost year for the valley but again an escape by the vines at Lightfoot & Wolfville with thanks to the tidal influence to keep the chardonnay vines happy, healthy and secure. So much fruit and warm summer sunshine, a glade bathed in light and a luminescence rarely found in chardonnay. Consistent L & W elévage, increasingly into puncheons and away from 225L barriques. You can never forget and not remember what chardonnay has done for L & W, while now the richness and restraint work in optimized tandem. Less reductive than previous incantations, with new and improved connotations, consistencies and harmonic sway. Also a matter of vintage and cooperage. Stability is the key to being great. Drink 2022-2026.  Tasted September 2021

Westcott Reserve Chardonnay 2020, VQA Vinemount Ridge, Ontario

Almost seems redundant to say anything about the Reserve from 2020 because what more is there that was not already expounded upon from the Estate chardonnay. Same soft entry, slow developing charm, fruit neither richest nor gregarious but yet in Reserve truly ideal, less variegated and hinting at opulence. That is the crux and the key, hints, in shadows, speculations, possibilities and in Reserve form most surely probabilities. Elevates the crisp crunch and gets real trenchant with the pulverulent and tactile sensations. Seriously credible, professional and still emotive work here from Westcott at the pinnacle of Vinemount Ridge, but also Bench and Escarpment chardonnay. Drink 2022-2027.  Tasted October 2021

The Bachelder Vineyard Map

Bachelder Bai Xu Gamay Noir Niagara Cru 2019, VQA Four Mile Creek, Ontario

Bai Xu is unique within the Bachelder gamay domain encompassing whole cluster ferments and cru investigations. It reminds us all that time and patience are a must, an academic approach is not enough and one must follow their intuition, instinct and heart to deliver appreciated wine. In Niagara the philosophy has merged with gamay in ways the monk could never have known were possible. Here 20 per cent whole cluster may be less than the 22 and 52 crus, but this is a broader matter and one that fruits beyond the Wismer-Foxcroft Vineyard. In a sense, a villages-plus wine (think Côte d’Or) but as a conceptual one. The clarity and slow release of flavour in Bai Xu happens without power, grip or forceful intent. The acidity neither startles nor does it cry out, but instead acts as architect for the infrastructure and the mosaic. Bai (it is presumed) from a Chinese language, meaning “pure,” (depending on the dialect and vowel’s accent) and Xu, “slowly, calmly.” Thomas Bachelder is surely looking for the chaste gamay, unadulterated and one that rushes nowhere, takes the slow and winding path, feet securely on solid ground. More than anything else, this gamay cru won’t chase after what it thinks may make us happy or search for things that deliver one and done, immediate and short-lived excitement. As another one of nature’s mysterious constructs the captured poise and effect make cause for great delight. Drink 2021-2026.  Tasted June 2021

Cloudsley Cellars Cuesta Vineyard Pinot Noir 2018, VQA Twenty Mile Bench

Cuesta as a vineyard has more history behind it than one might have assumed, having been planted back in 2002. Adam Lowy has made 65 cases from Cuesta’s deeply resonant and soulful fruit, so as a consequence given it more new oak (28 per cent) than any of his other three single-vineyard pinot noirs. Clearly the brightest, most tonally effusive and transparent of the quadrangle, as Burgundian as it gets when it comes to mapping or contemplating the connectivity with the mothership. Just a lovely, elegant and sweet-scented pinot noir, classically arranged, scientifically opined and romantically delivered by Lowy’s prudent if so very hopeful elévage. The Côtes de Nuits notation is clearly defined, intuited and understood. Not quite but resembling Marsannay, or perhaps even something just a plot or three further south. Cuesta conduits as the “Robbinsian” one for which “the scientist keeps the romantic honest and the romantic keeps the scientist human.” Drink 2022-2027.  Tasted August 2021

Checkmate Silent Bishop Merlot 2015, BC VQA Okanagan Valley, British Columbia

One of four Checkmate merlots, regional expressions, here a blend of three benches, Osoyoos West, Oliver North and Golden Mile. A Silent Bishop and a merlot are more powerful than those who speak and their ordinations may also be called consecrations. Here the silent 2015 is one that is dedicated, coordinated, devoted and sacred to proprietors, winemaker and place. When a merlot is silent it moves in dynamic tactical effect and like the bishop moving on a position, does not capture or attack an enemy piece. Truth be told this is a stealth merlot, of fruit so dark and mysterious, of structure hidden, enigmatic and prepared to go the distance. Such an efficient wine and the kind to cause a ripple effect. Taste this and you too will want to pursue making profound Okanagan merlot, an endeavour as frustrating as it can be elusive. Drink 2022-2029.  Tasted June 2021

La Stella Maestoso “Solo Merlot” 2017, BC VQA Okanagan Valley, British Columbia

The decision whether to listen to Chopin’s Piano Concerto No.2 or Handel’s Allegro Maestoso (Water Music Suite 2) while tasting and sipping through La Stella’s “Solo” merlot is a difficult one. Less obvious than it might seem and the question is which piece best exemplifies “the highest peak in the crescendo, that moment of realizing you are in the presence of majesty.” Both, to be fair and so I find myself in good ears, and taste by the triad grace of Chopin, Handel and La Stella hands. Let’s revise to encompass all three, in decadence, rolling rhythm and Okanagan Valley merlot-defining precociousness come crashing onto a shore of strings. This is where the maestroso moment happens, in cumulative fruit substance joined by fine acid intensity, wrapped up in structural soundness. All this after a great deal of strong tempo variations which are prominent features in this Severine Pinte interpretation. The instruments are Glacio Fluvial and Fluvial Fan; Clay and Gravel mix, Alluvial deposit and Clay, playing in the orchestra of Osoyoos Lake District and Golden Mile. Support from the Okanagan’s best, written as a top merlot composition and executed flawlessly by the winemaking team. Bravissimo. Drink 2023-2032.  Tasted May 2021

Phantom Creek Phantom Creek Vineyard Cabernet Sauvignon 2017, BC VQA Okanagan Valley, British Columbia

Two weeks later than the usual norm defined the 2017 spring but hot and dry summer weather confirmed the intensity of Phantom Creek Vineyard’s southern Okanagan growing season. The cabernet sauvignon grows on the lower terrace of the Black Sage Bench’s Osoyoos sandy loam and it has been approximately 15 years that these vines have been fostering these wines. Magnanimously ripe and conspicuously copious fruit sees the unabashed generosity of (75 per cent new) French wood in a bone dry, healthy acidity endowed and elevated pH cabernet. This is essential edging up and into quintessential Okanagan varietal chattel, a wine of substance, grip and winched binding, oozing with expensive taste, fine dark chocolate and a depth of fruit that aches to be heard. That will have to wait and so should you because the structural parsimony will need three years or more to release and allow for stretching and breathing room. A prouheze as they say. Drink 2024-2032.  Tasted May 2021

Stag’s Hollow Syrah 2018, BC VQA Okanagan Valley, British Columbia

Roes floral, elegant, ethereal, really effusive and just lovely stuff. Nothing remotely over the top, no blow to the head nor a crashing upon the senses. Sweet acids and silky tannins are the finality in what is clearly generated to conclude upon the notion of a very great wine. Drink 2022-2026.  Tasted blind at NWAC2021, October 2021

Good to go!

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WineAlign

Twenty-one mind-blowing wines of 2021

The greatest wines are considered as the ones that talk to us, connect with that part of our being that elicits sensory and emotional responses, feelings of zeitgeist and great release. Throughout the course of a year I taste thousands in my glass, countless banal, innumerable competent, others correct and many exceptional. Then there are the rare and peerless capable of altering time and space, chosen ones that after listening we then speak directly to. The mind-blowing wines.

Related – Twenty mind-blowing wines of 2020

This is what I might say to such a splendid creature. “I look upon the flash of your sheen, you a wine of scientific strategies. Your aromatics sum up for me my educational studies in science and lifelong memories. Your flavours remind me of experiments in vinous physics, your textures of exercises in galactic mechanics. Your structure recalls infinite chemical reactions and architectural engineering. Your energy, though carefully controlled, threatens to ignite and destroy my laboratory and yet binds my existential life together. You blow my mind.

Related – Nineteen mind-blowing wines of 2019

Last year’s 20 for 20 was a much different list than ever before. Only 25 days of travel and while I did finally make a return to global discovery that number was even less in 2021. Two trips to Italy and one to B.C. in October and November. Once again just 25 days in total. A yearly schedule usually adds up to 100-plus but fortune also shines on the critics of WineAlign. Through quarantine, isolation and safe-distancing we still managed to taste through thousands of wines. I recorded well and above 4,000 tasting notes in 2021 so it would appear that palate discovery is still alive and well. For the first time ever there are three dessert wines on the list because well, stickies just don’t get enough love. And never before have I included a Canadian wine because I pen a separate list for local but a Thomas Bachelder chardonnay is wholly deserving of going global. These are Godello’s 21 mind-blowing wines of 2021.

Berlucchi Riserva Familia Ziliana Franciacorta DOCG 2001, Lombardy

A blend of chardonnay and pinot nero matured on lees for 218 months and a further 31 months after disgorgement. Zero dosage, tirage in June 2002. Tasting from “the stolen bottle,” and one would swear there is some sweetness in this wine, offset by twenty year-old persistent and rising acidity. The state of grace and ability this 2001 finds itself sitting royally in is quite something to behold. Stands firm and can stride with most any 20 year-old sparkling wine. A simple fact tells us that Arturo Ziliani’s father Franco and Guido Berlucchi decided to create sparkling wines in Franciacorta. They are the pioneers. Drink 2021-2024.  Tasted October 2021

Krug Vintage Brut Champagne 2002

The year 2002 dubbed as “ode to nature” marked the first Krug “vintage of the millennium” and was presented after Krug 2003, just as Krug 1988 left the cellars after Krug 1989. A clement year, relatively dry to make for a homogeneous harvest. The blend is 39 per cent pinot noir, (40) chardonnay and (21) pinot meunier. Disgorgement would have been in the autumn of 2015 after having spent at least 13 years in Krug’s cellars. All this tells us that the vintage is one treated to great respect with the acumen to age seemingly forever. This bottle shows some advancement but mostly in toasted and spiced notes while acting so expertly oxidative, in total control of its own and also our senses. Smells of orange skin, zesty and by citrus spray, then pickled ginger and wild fennel. Tasted blind it feels just exactly 20 years old but it’s not hard to be tricked into imagining even older. I admit to guessing 1995 with thanks to a presentation of at once wildly exotic and then exceptional bubbles. Just a matter of being hoked up with celebration. Drink 2021-2027.  Tasted November 2021

Kabola Malvazija Amfora 2017, Istria, Croatia

Kabola’s is malvazija istarska raised in traditional clay amphorae in combination with oak barrels. Kabola is found in Buje, not far from the coast and south of Trieste. While the combination of clay and wood seem to confuse or blur the game there is something wholly credible and intriguing about this wonderful aromatic mess. You can not only smell and sense but more deeply intuit the phenolic qualities inherent in here. Skins, pips and even a bit of herbaceous stem. Peach and orange tisane, exotic spice and high, high quality lees. Great winemaking here in the context of leaving your grapes to do the work but both timing and execution are spot on. Raises the varietal bar and shows what’s possible. Drink 2021-2026.  Tasted April 2021

Livio Felluga Rosazzo Terre Alte DOCG 1998, Friuli-Venezia-Giulia

A wine in which the switch has been flicked at least five times, at least three past the family’s preference but let’s be frank. This is a fascinating Friuli-Venezia-Giulia wine to taste. Oxidative in the most beautiful way, sapid and laden with 23 year-old tang. Very much a young adult of confidence and swagger borne out of phenolic fruit maturation. A long-hanging vintage, a note of botrytis, a late harvest sensation but truly salty, mineral and showing the biodiversity in clones and vineyards that one would expect a white blend of this ilk to display. Just a terrific example of friulano, sauvignon and pinot bianco in their arena of characterful array. Drink 2021.  Tasted October 2021

Bachelder Grimsby Hillside “North Slope, Starry Skies” Chardonnay 2019, VQA Lincoln Lakeshore

New in the pantheon for Bachelder and Niagara wines as an entity is this from Grimsby Hillside, the new frontier, next level up and future for the industry. In fact the time is already upon these precocious vines and their fruit specially formulated for the most wound and cinched kind of chardonnay, so precipitously witnessed in Thomas Bachelder’s “North Slope, Starry Skies” 2019. The vineyard was planted to vitis labrusca and used for Kaddish wine through the 30s, 40s, 50s and 60s and just less than 20 years ago re-purposed to vinifera. Just two decades later winemakers like Thomas and Ilya Senchuk have discovered the magic of possibility and greatness of probability. Tasted this first in July with Thomas though it had just gone to bottle. Now the textural level of this GH-N triple-S has hitherto arrived at the immaculate, sweetly viscous, gleefully gelid and just right there at the apex of sensory enjoyment. Tight and delicious is a good combination. Drink 2022-2028.  Tasted December 2021

Stellenbosch, Western Cape

Raats Family Wines Chenin Blanc Eden 2018, Stellenbosch, South Africa

A single vineyard chenin blanc and the first vintage to the Ontario market for a unique project celebrating the family farm called Eden. From their Stellenbosch ward of Polkadraai and high density plantings on dolomitic, granitic soils. Of a richness, an intensity of parts and a presence only a handful of South African blanc ever reach. A wine that achieves a level of status by its work underground (through root competition) and a clone called Montpellier that produces small berries and even smaller yields, not to mention the plot is just 0.6 hectares in size. Eden is the mothership and matriarch of this clone and for that variety in South Africa. All parts contribute to a wine of outrageous acidity that is never sharp, vivid or dominant. Fruit, mineral, focus, elements and precision. Wet stone is pure Polkadraai, vaporous, omnipresent, all over the wine. “The most successful winemakers (and wine projects) are ones that specialize,” says Bruwer Raats. This Eden follows the credo to a “T” and with a capital “E.” Really cerebral and also age-worthy chenin, in the upper echelon of the finest in the pantheon. If ever a chenin signified “Bringing it all Back Home,” the Raats Eden is it. “Discuss what’s real and what is not. It doesn’t matter inside the Gates of Eden.” Drink 2022-2030.  Tasted June 2021

With Sofia Ponzini and Vico

Tenute Bosco Etna Rosso Vigna Vico Pre-Phylloxera 2018, DOC Etna

Just another immediately memorable Piano dei Daini Etna Rosso Vico, Sofia Ponzini’s Cru-Vigna nerello mascalese (with 10 per cent nerello cappuccio) at 700m from the northern side of Mount Etna. Grown as alberello on a volcanic, sandy matrix with some stones from 100-plus-plus pre-phylloxera vines located in the town of Passopisciaro, Contrada Santo Spirito, parcels “Belvedere,” “Seimigliaia” and “Calata degli Angeli.” A tempest of steel and a feeling that runs with waves of acidity throughout, in many parallel and horizontal lines, at all levels. Spice cupboard, rich waves of red fruit, viscous wisdom, confidential and confident elegance, finishing at precision without recall. True value, scattered patterning, significant and relevant. A vintage of force, restraint and powerful lightness of being. Drink 2024-2036.  Tasted October 2021

Domaine De Bellene Nuits Saint Georges Premier Cru Aux Chaignots 2019, AOC Bourgogne

The limestone soil Climat of Chaignots lies in the northern part of Nuits-Saint-Georges, up the slope and edging in location but also feeling towards that of Vosne-Romanée. The affinity is much discussed, real and therefore puts the Premier Cru at the top of what is most desired out of Nuits-Saint-Georges. A tiny (0.14 hectare) plot and simply a coup for Nicolas Potel to be able to secure this fruit. Everything about the aromatic front speaks to the Bourgogne mind and Chaignots heart. Cola but from the root, a tuber underground rubbed, that and a cocoa nut crushed between fingers. An almost diesel waft but not gaseous, instead sapid, nut-based, a liqueur toasted and intoxicating. The fineness of structure is the sort of wiry winding by winch that could cut through limbs due to tension so taut. All that you know, love, don’t know and hope to experience is in this wine. Neither I nor Nicolas Potel will be around when it blows someone’s mind in 2074. Look forward to that day young Alphonse. Drink 2025-2045.  Tasted May 2021

Angela Fronti, Istine

Istine Chianti Classico DOCG Vigna Istine 2019, Radda in Chianti, Tuscany

One must have to look at, walk this and stand in awe of of this vineyard, the steepness at 30-50 per cent grade with a terrace in the middle to break it up. Heavy in Alberese inclusive of massive yellow calcareous boulders and also Galestro. In fact the medium stones removed were transferred to create terraces for olive trees on the other side of the cantina (by Angela Fronti’s father no less). The vineyard faces north so the freshness is off the charts, while the ripeness is so matter of purposeful vintage fact. The label represents the position of the vines in coordinates, echoed in the machicolations of a Fronti sangiovese that drops all the Radda stones on unsuspecting palates through fruit openings between supporting acid corbels of a projecting tannic parapet. Vigna Istine is at the forefront of Chianti Classico’s battle to win over the world. Follow this example. Drink 2023-2029.  Tasted October 2021

“Molto parfumato,” binds an aromatic agreement between myself and Paolo de Marchi upon sniffing this ’11 found on Locanda Pietracupa’s wine list. “Cepparello needs time,” says Paolo, understatement of the obvious for the evening, year, decade and history with respect to sangiovese grown in the Chianti Classico territory. Also truth succinctly spoken, roses and violets exhaling and a 100 per cent varietal (or so it seems) profile of succulence and one to fully draw you in. Mint to conifers, multiplicity by complexity value, not to mention vigorous acidity sent straight to a mouth with a full compliment of wisdoms able to think about the situation. A linear Cepparello seeing its wide open window at the 10 year mark. And now a Paolo de Marchi story. “One side of the vine’s grapes were burnt and so I called up (Consorzio Direttore Giuseppe) Liberatore and asked are we changing the name of the appellation? Liberatore said what? To Chianti Amarone replied de Marchi, or sangiovese Port? Joking aside, a stringent selection and a five per cent inclusion of trebbiano did for this ’11 Cepparello what viognier might do for syrah. Not a Chianti Classico so perfectly kosher. A secret until now but all above board. Totally cool. Drink 2021-2026.  Tasted October 2021

Querciabella Chianti Classico Riserva DOCG 1999

The 1999 was the last (original) Riserva produced until it was again resurrected in 2011 and what’s so cool about this vintage is how it was held to some early esteem, though paling in comparison to that “vintage of the century” that was 1997. Underestimated over the last 20 years, drinking so beautifully now, with frutta di bosca, tertiary tartufo and fungi. Just doesn’t strike as a fully mature adult reminiscing about the way things used to be but more like a wine with an outlook for more promise, good times and adventures still ahead. If you are still holding onto ‘99s from this part of Toscana you will be very pleased. Drink 2021-2026.  Tasted May 2021

Filo di Seta is Filippo Chia’s intuitive “transavanguardia” sangiovese of place, over the ancient beach where he and his father Sandro once painted the Montalcino sea. Mostly early picked fruit, all in tonneaux, at first thinking “croccante” but that’s too simple a way to describe what texture and sensation is combed in this reserve wine. Bottled on the 29th of June so just arriving at the ready, to look at if not to consume. Here there is a fineness of liquid chalkiness, a “fluido” or “scorrevole” to drive the way this sangiovese plays and also sings, a Riserva to move with the wind and musical sway. Somewhat unknown, finely tannic and clearly what could and should be described as “mountain” Brunello. Coming in late is the spice, almost cinnamon and such. Hate to refer to any wine as the best from an estate but too bad. That this is, beyond the avant-garde such as it is. Drink 2025-2038.  Tasted November 2021

Biondi Santi Brunello Di Montalcino Riserva DOCG Tenuta Greppo 1985

The longevity of this vintage is almost not to be believed. Has been in bottle for as many years as it would have matured in casks. The next year (2022) will se the re-release of this vintage (in 2021 that vintage was 1983) and the year 1985 is the one I entered university. A Biondi-Santi of resolved tannin but remarkably youthful. A wine that saw Grandi Botti more than before, seen in the gentlest of spice notes and the back to the future return of balsamic and pomegranate. Followed a winter of major snowfall, long and cold winter, a regular spring and uneventful summer. The acidity is just incredible, also youthful and so sweet, those lengthened tannins in liquid powdery-chalky form. The connection with 2016 may seem to be an uncanny one but so help me if the chain is not there. The bottle was opened one hour and forty five minutes earlier so grazie to Federico Radi and Biondi-Sandi for perfecting the timing. We can all learn so much from this wine, to be patient, calm, well-adjusted, confident and gracious. Style and temperament to live by. Should continue this way for at least 10 more years. Drink 2021-2033.  Tasted November 2021

Argiano Brunello Di Montalcino Riserva DOCG 1979, Tuscany

A cooler vintage, especially as compared to 1978 and truly a Piedmontese style because the cellar workers closed the tanks, went on strike and returned two months later. Resulted in some carbonic maceration and surely an increased amount of vim in freshness. That mixed with true porcini, fungi and fennochiona. The extended maceration makes this act 43 years forward like an older nebbiolo, rich and once demanding tannins now long since melted away, tar and roses still showing with earthly perfume. Fabulous mouthfeel, lingering and lively. Surely the mean steak astringency would have been in control during the first 10 to 15 years but the beast relents and gives way to charm. Patience breeds gentility and the story is now unfolding. Drink 2021-2026.  Tasted October 2021

With Stefano Cesari, Brigaldara

Brigaldara Amarone Della Valpolicella Classico DOCG 2016, Veneto

Stefano Cesari’s farm concerns itself with all things sustainable and while that may seem like a catch phrase, In Brigaldara’s case it most surely is not. The family supports its workers financially, culturally and in health. The young winemaking team is encouraged to study and stage abroad, to learn new oenological skills and languages. The other farm workers and their families are additionally supported by being given stake in the profits of the farm. How can this not reflect in the qualities of the wines, including this very special vintage 2016 Amarone. A magnificent wine and one you can easily drink beyond one glass. Not that it’s a light example but it speaks in soft tones, clearly and with a distinct, precise and honest weight, in vernacular and feeling. All things fruit lead to roads of sweet acidity and fine tannin. A rare Amarone of this ilk and one to savour. Drink 2023-2033.  Tasted October 2021

Errázuriz Don Maximiano Founder’s Reserve 2012, Aconcagua Valley, Chile

Don Maximiano 2012 is a blend of 75 per cent cabernet sauvignon, (12) carmenère, (8) petit verdot and (5) malbec. No cabernet franc back in 2012 and aside from the obvious notions ushered in by age there is a distinct lack of herbal notes as a result. This is just in a great place nearly nine years forward from vintage, now settling, acids still in charge but tannins having done most of their melting and rendering. This wine is far from done, in fact the next level notions have just begun to have their say and from a vintage as great as this there should very well be nine years nigh before true earthiness, umami and truffle set in. Pour this blind at dinners with old world counterparts and watch with awe as to the results. Drink 2021-2027.  Tasted November 2021

Château Pétrus 1993, Pomerol, AC Bordeaux

Never easy to live in the shadow of siblings clearly designated as mom and dad’s favourites but sometimes overlooked vintages left for dead show greatness later on in life. The 1993 Pétrus is definitely a late bloomer and from a year when only 200 cases were produced, where normally 4,000-plus is the standard. Softened to an almost Burgundian sense of calm but the richness and concentration multiplied by a Spring verdant freshness and sweetly herbal pesto can only indicate one thing and that is Right Bank Bordeaux. I tasted this blind and immediately thought of Pomerol and its close proximity at the eastern border with Saint-Émilion because of the “fromage à pâte molle” feeling gained, along with vestiges of once formidable black fruit supported by a push-pull posit tug of merlot-cabernet franc acidity. A good hunch indeed and a more than surprising set of excellent parameters come to this for a 1993 Bordeaux. All in all a really satisfying and come together wine to hush the naysayers and win in the end. Drink 2021-2025.  Tasted November 2021

Paul Jaboulet Aîné La Chapelle 1990, AC Hermitage, Rhône

Jaboulet’s 1990 La Chapelle is a kind of an echo of the year in history, an Hermitage of impeccable harmony, much like balance restored in relative peace and prosperity. In 1990 the Soviet Union fell, ending the decades-long Cold War. Hard to find more shiny opaque purple in a 30 year-old syrah plus a splendid floral nose of stone roses, pencil shavings and graphite. The combinative effect of heft and freshness elicit pleasantries from a bad boy able to play soft ballads to mellow a crowd. La Chapelle is a communicative, entertaining and business-like syrah, a link between the northern Rhône and the taster, an internet Hermitage that changes the way we think and feel. Things will never be the same after tasting Jaboulet’s 1990 and for good reason. Has 10 years left without worry of decline. Drink 2021-2029.  Tasted November 2021

 

Reynvaan In The Hills Syrah 2017, Walla Walla Valley, Washington

Reynvaan is a family production of Rhône-style wines from two vineyard properties in the Walla Walla Valley. “In The Rocks” is their first vineyard located in Milton-Freewater, Oregon and the second vineyard is called “In the Hills.” short for “Foothills in the Sun.” It is found at the base of the Blue Mountains on the Washington/Oregon border and is planted to syrah, viognier and a gaggle of cabernet sauvignon rows. As one of the highest elevation vineyards in Washington (at 1200ft) and in this syrah co-fermented with up to 10 per cent syrah you might get a rendering of a northern Rhône-ish picture. Sure enough the perfume is floral but more than anything a smoulder of pancetta and smoked meat. Reductive as well, different as such than any syrah, anywhere else on the planet but liquid peppery and tire on asphalt nonetheless. The credibility and accountability here is profound and while the sheer concentration and beauty of In the Rocks in captivating, this In the Hills is alternatively vivid, dramatic and powerfully restrained syrah. Which one is you? Drink 2023-2033.  Tasted January 2021

Sine Qua Non Syrah The Hated Hunter 2017, Santa Barbara County

The hated hunter is named after Austrian immigrant and Los Angeles restaurateur turned winemaker Manfred Krankl’s grandfather, depicted on the label in gear, with rifle and hound. The blend is led by 82.4 per cent syrah with (7.8) petite sirah, (5.2) mourvèdre, (2) grenache, (1.2) petit manseng and (1.4) viognier. Clocks in at 15.9 alcohol but in this regard hardly garners even one per cent of the discussion. All anyone can talk about is the infinite expanse of pretty, pretty floral capture and personally speaking it simply reeks of syrah. A game of meat juices and marbling, part smoked meat and part pancetta. The only question tasting blind is whether to imagine it as Hermitage or Central Coast California. Once the abv is disclosed the answer can only be the latter but a syrah of such reclusive exclusivity is hard to pin down. Derives from a group of prized vineyards; 32 per cent Eleven Confessions (Santa Rita Hills), (41) The Third Twin (Los Alamos), (25) Cumulus (Santa Barbara) and (2) Molly Aida (Tepusquet Canyon). Adds up to the most luxe, deluxe and ultra-fantastic instrumental of a syrah, no lyrics needed. Man, Manfred, take a bow. A hunting bow. Drink 2023-2029.  Tasted November 2021

Fèlsina Vin Santo Del Chianti Classico DOCG 2018, Tuscany

An absolutely lovely vintage for Fèlsina’s Vin Santo and for Chianti Classico Vin Santo as a rule because extract, temperament and adaptability are all in collective balance. All that you want, need and expect from this traditional and loyal dessert wine are present and accounted for. Dried and glazed fruit, low and slow developed nuttiness and a freedom of territory spoken through airiness and layering. The upside cake of life turns over to reveal a generational wine of clear standards, perfect layering and endless conversation. Nonna and Nonno would be proud. Drink 2021-2035.  Tasted June 2021

Agriturismo Hibiscus Zhabib Passito 2020, C.Da Tramontana, Sicily

From the island of Ustica in the Tyrrhenian Sea, 70 kilometres (36 nautical miles) of the coast of Sicily’s capital Palermo and the work of Margherita Longo and Vito Barbera. The vineyards for this zibibbo (moscato d’Alessandria) are grown very close to the water on volcanic soil and Hibiscus is the only winery game in town. There are other farmers that contribute grapes to this tiny production; also grillo, cataratto, inzolia to go along with the zibibbo that makes this Passito. A place where tomato, grapes and peached co-exist, in the gardens and in the wine. This carries that uncanny sweet to savoury feeling in the most specific and ethereal dessert wine both mind can conjure and emotion shall receive. Of orange, grapefruit, peach and tomato. Balanced, harmonious, silky, woollen and with a super-tonal capacity to love. Drink 2021-2032.  Tasted October 2021

Taylor Fladgate Very Old Tawny Port – Kingsman Edition, Douro, Portugal

A bottle of wine is rarely tied to a film, let alone a Douro Port but Taylor’s Very Old Tawny has been blended and bottled to coincide and be product placed in the second Kingsman film, in this case a prequel to the first, this time set in the 1920s. Head Winemaker David Guimaraens chose reserve Tawnys from 70-100 years of age, wines crafted and set aside by generational predecessors past, no stretch for the master blender because we are talking about a house with extensive stocks from which to reach back into. Guimaraens was looking for harmonic balance between concentration and elegance and just a whiff will tell you he and his team have achieved a crossing between a magical vortex and a vanishing point of complexity. Two manifest matters have developed; concentration of sweetness and in this case by association, a focus of acids as well. Together they inspissate and cling comfortably to the skeletal structure. It feels like you are nosing 100 unique aromas, with just seven of them being marzipan, red velvet hazelnut cake, candied ginger rose, rau răm, roasting banana leaf, calimyrna fig and grilled pineapple express. Step six feet away from the glass and the aromatics persist just as sharp as if the glass were in hand. As for a sip of this maraviglioso Tawny, warmth, comfort, delicadeza and forever length make just an ounce last forever. Timeless. Approximately 1000 bottles were produced and in Canada 100 will be made available next September. That is when theatre goers should likely make a return to the cinema to take in the Secret Service spy thriller and Tawny Port fantasy up on the silver screen. Drink 2021-2050.  Tasted February 2021

Good to go!

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Godello’s 24-hour Nova Scotia revival

Lightfoot & Wolfville estate vines overlooking the Minas Basin

Neither travel fatigue nor Ida on a wet and grey last day of August and first of September could hardly dampen the spirit nor get in the way of a most rewarding and highly educational visit to Nova Scotia wine country. On Thursday the skies looked like an unripe olive as photographed through gauze yet the fabric gifted a palpable feeling of optimism. As Friday progressed the resolute mood took on a confidence in airs. An exchange of ideas and a refreshed positivism rang from Newport to Wolfville, the Blomidon Peninsula, Gaspereau Valley and through permeate points dotting the Minas Basin. Looking back one month later, a persistent study in reflection wonders if the blood of Nova Scotia wines are closer to seawater than its bones are to soil. Considering the growing of grapes so proximate to the immense tidal sways of the Bay of Fundy can weaken or perhaps even profane the recurring thought, as if in fact in the whole of the Annapolis Valley there may be more earth than sea. If that is the answer then what is the question? Ponder this. Can you taste Nova Scotia terroir in the wine?

A rebirth with new blood. Caitlyn McNamara, Erin Carroll, Cat Taylor. Three new faces of Nova Scotia winemaking. Innovators, bringers of new, fresh and forward-thinking ideas to an industry well past the cusp, fully cognizant of and cementing its command of greatness. Arbiters of viticulture and viniculture who have joined the ranks of teams already entrenched and with positions of leadership occupied; Louis Coutinho, Jean-Benoit Deslauriers, Bruce Ewart, Harold Gaudy, Gina Haverstock, Josh Horton, Rachel Lightfoot, Mike Mainguy, Alex Morozov, Simon Rafuse, Jürg Stutz and Ben Swetnam. There are others of course and yet on my most recent east coast swing to the Annapolis Valley there were six visits in total plus two remarkable if isolated wine experiences and meals; first at Heather Rankin’s Obladee Wine Bar in Halifax and then at Chef Geoffrey Hopgood’s Juniper in Wolfville. Add to that an ocean submerging of 300 bottles of sparkling wine and some after the fact assessments of more Nova Scotia bottles. Funny how a 24 hour jaunty through Nova Scotia wine country is the stuff of bagatelles, dear and near to a naturalist’s heartstrings, familiar as family and yet wrought with equalizing, objective professionalism. Please read on for a 2021 update to winery profiles and tasting notes for 40 wines from Nova Scotia.

Related – Consider the Gaspereau Valley

Winemaker Ben Swetnam, Avondale Sky Winery

Avondale Sky Winery, Newport

Andrew and Mary Bennet first planted the vineyard in 1987, in one of the hotter provincial zones. It would have been an old dairy farm, with an original schoolhouse, six old dug wells and the same number of split properties/buildinAvila,gs on the farm. In 2008 they realized the 12.5 acres was a bit much so put it up for sale. They were picky about the buyer and keen to keep it going. Winemaker Ben Swetnam was at Petite Rivière on the South Shore at the time and was hired by Chef Ray Bear, then Avondale sold five months later to Lorraine Vassalo who kept Ben on. They relocated an old hay barn from down the road without water and doors but that first harvest went through beautifully. The Coutinho family bought Avondale Sky Winery and Restaurant at the tail end of November 2019. They lost 95 per cent of their crop to the 2018 frosts. As an example l’acdie’s primary, secondary and tertiary buds all come out at the same time, not exactly frost protection and all hybrids were lost. The original 12.5 acres have turned into 25 which now includes an acre of pinot noir and this coming Spring the plan is to add more, along with pinot gris (as far as cleared land) with a possible five cares uncleared that could be used in the future. Up to 5,000-5,500 total cases at this point. Vineyard manager is Pete Smits and has been at Avondale for five years. The family are all involved; Louis (vineyard), Avila (finance), Sean (hospitality), Karl (CEO) and Jamie (Social Media).

Avondale Sky Winery

Avondale Sky Winery Gamay Pet Nat 2019, Nova Scotia ($50)

From a grower (Andre Dant’emont) in Mahoney Bay who has a small amount (he sold winemaker Ben Swetnam 96 kilos) with the intention of making a red from whole cluster and a gentle mash. Swetnam instead decided to “let this happen” because it just smelled clean. An as it happens sparkling pet-nat with just the right amount of lees, and a quick three day riddle so that it wouldn’t explode as Rosé P-N is want to be a little jumpy. Bloody delicious, as juicy and forthright as could possibly be. Bottled on November 18th, 2019, only 23 bottles made, from grapes brought in November 2nd and 3rd. Showing with vigour, intendment and kept determination. Drink 2021-2023.  Tasted August 2021

Avondale Sky Winery Méthode Traditionelle Blanc De Noir 2013, Nova Scotia ($75)

While Ben Swetnam had wanted to dabble in sparkling going back to 2009 he can thank everyone in the Nova Scotia industry for showing him the ropes. That includes Gina Haverstock at Gaspereau, Bruce Ewart at L’Acadie, Simon Rafuse at Blomidon, Jean-Benoit Deslauriers at Benjamin Bridge and others. The 2011 would have been the first vintage of pinot noir production with the intent of making sparkling wine, of hot to cool years and all others in between. Dijon clones and a warmer edge of a ’13 season, a riper style but brought in at classic sparkling numbers, acids 11-12.5 and brix 17-19, picking in the third week of October. An early vintage. Intensity meets richness halfway there, fruit flavours are exceptional, just shy of eight years on lees, disgorged three months ago. “For the pinot I always wanted to do a minimum five years and the acidity was always there,” tells Ben. “The tertiary qualities were not out yet so the pause every six months kept the decisions at bay.” Got this apricot chanterelle fungi character, mousse and bubble are really in tact, dosage is 7.5 g/L almost fully hidden by that Nova Scotia acidity. There is something about this sight that maintains higher acidity levels while sugars rise but as an example perhaps it’s the gypsum based soil underneath the whole vineyard, or the tidal rivers and the specific diurnal fluctuations, cooler at night and “it’s something we can always rely on, in every year, that backbone of acidity.” So very Nova Scotia. Usually 500 bottles produced per year. Drink 2021-2027.  Tasted August 2021

Avondale Sky Winery Méthode Traditionelle L’Acadie 2015, Nova Scotia ($55)

A first attempt at l’acadie (with 86 per cent estate) and because there was no pinot noir available at the time there is instead some frontenac blanc by a grower in Truro (grown in a gravel parking lot). It lends some (lol) acidity (21 g/L) but it’s almost all tartaric, meaning you can lose much of it during cold stabilization, which incidentally may have been lacking (hard to believe) while the fruit essentially came in at 19-21 brix. L’Acadie comes in around 18-18.5 brix with acid 10-10.5, so much less bracing than what reputation may proceed it. In fact it can be flabby if harvested late and happens to act the part of texture grape for Tidal Bay. May be revelatory to think this way but it is the least of the bunch. About five years on lees, disgorged this winter, 10.5 g/L of RS, mineral push, now out of the searing and into developing secondary moments, petrol to mild caramelization. Only 300 bottles disgorged, more citrus, a touch of pith, fine bitters, botanical, orange scrape, length, striking. Hair raising though never a scare. Drink 2021-2025.  Tasted August 2021

Avondale Sky Benediction 2017, Nova Scotia ($35)

“Our cheap and cheerful bubble as you will find here,” targeting 18 months on lees, with the idea being geisenheim fruit and higher dosage (20 g/L) to balance out geisenheim’s acidity. Smells like geisenheim alright, star fruit to the edge of elderflower, picked 17-18 brix, before the cabbage and burnt orange but with the fresh citrus well intact. The bliss (stalled ferment geisenheim) is employed for more green apple and grapey notes. More dried herbs here, fennel and a touch of anise. All works really well together. Surely one of the more consistent sparkling wines and ’17 may be a more linear, shall we say “classic,” unmeshed, non messed with or plussed vintage. So drinkable with great and sweet acids. Drink 2021-2023.  Tasted August 2021

Avondale Sky Winery Riesling Small Lot NV, Nova Scotia ($25)

“A rescue wine,” blending re-fermented 2018 fruit with 2019 and “the wine is better as a blend than either one would have been on their own.” Super biased towards the Mosel (Ben Swetnam worked at St. Urbans-Hof in 2005) and so a riesling to prove that terroir does indeed exist. A child of stalled ferments, sugar kept naturally. Almost entirely Warner Vineyards fruit, down in the valley, been working with them since 2012. The sugar level is higher than imagined, upwards of 26 g/L (the ’18 fruit was at 38 and the ’19 part 40 and part fully dry). A better methodology to keep aromatics and shy away from vinous qualities. Also in avoidance of dilution, here the concentration and texture are in upright rise and uprising. Citrus prominence and at the lower end of the phenolic spectrum. Terrific work. Drink 2022-2026.  Tasted August 2021

Avondale Sky Tidal Bay 2020, Nova Scotia ($23)

A blend of l’acadie, vidal, frontenac blanc, geisenheim and muscat. The plan is “don’t screw it up, stick to your guns” and stay consistent. Even in frost destroying 2018 there was no non-Nova Scotia grapes allowed. Each winery has their own style and Avondale Sky’s is on the sweeter, stalled ferment part of the spectrum, keeping balance with the searing acids, finishing at 16-17 g/L of residual sugar, centring around fruit. So citrus, with plenty of juiced orange. Sweet and sassy, tart with a faux botrytis sauvignon character managed by riesling like acidity. Quite complex for Tidal Bay, sweet yet classy. Look beyond seafood for this, in particular hot and spicy. Hot wings and south asian dhosa, as examples. First made in 2010, first official vintage was 2011. Drink 2021-2023. Tasted August 2021

JB and Morozov, Benjamin Bridge

Related – Crush on Benjamin Bridge

Benjamin Bridge, Wolfville

From the name of the bridge that crosses the Gaspereau Valley and pays tribute to the Benjamin family who dammed up the river to become the first industrialists here. Sparkling wine specialist, unquestioned leader and now moving into uncharted territory but also deep waters. Watch these videos to learn more about the 2011 Blanc de Noirs that was “dunked into the sea to age and drift with the tides to test the effects of underwater ageing on sparkling.”

Each bottle has been carefully wrapped so as not to disturb the Bryozoa and sediments. The project was inspired by recovered Champagne on shipwrecks on the ocean floor and the fun daydreaming ways through the inquiring minds of Alex Morozov and Maxime Daigle. After a year at sea, though ice and snow, this wine is finally surfacing. But there’s more in the works at Benjamin Bridge, including newest member of the winemaking team Erin Carroll’s “Gamay Col Fondo,” a hybrid concept in ancient meets futuristic sparkling wine. The fun never ends at the Bridge, nor does the excitement.

Benjamin Bridge Méthode Classique Brut Rosé 2017, Nova Scotia ($49.95)

One of the first wines to come to the surface with Pascal Agrapart’s involvement with winemakers Jean-Benoit Deslauriers and Alex Morozov. When tasted the sentiment was that this particular vintage of this very particular sparkling wine was not yet there yet in terms of readiness or rather publicizing but truth be told, never have texture and acids come together as one in a BB Rosé. Crunch and chew, riff and rise, bellow and beauty, all despite the spiralling zeitgeist that underscores its urgency. Drink 2022-2027.  Tasted August 2021

Benjamin Bridge Gamay Col Fondo Handcrafted Small Lot 2020, Nova Scotia ($49.95)

A hybrid concept, between Ancestrale and Traditional Method sparkling wine, driven by experimentation, constant reassessment of a varietal progression and the new injection of intelligence through the focused lens of assistant winemaker Erin Carroll. Though the term is normally associated with Prosecco there is really no reference point as such, not with gamay and certainly not the way the BB team approaches their work. Such gamay-ness glaring, vivid and concentrated never graced a glass, not before nor likely any time soon. Refosco meets Lambrusco and a quasi Valpolicella rifermermentato in bottiglia futuristic sentimentality. Despite the Nova Scotia acid structure that hangs in the balance it should be considered that Carroll’s Col Fondo is not likely to allow objectivity to nudge itself off of the pillar of its own perspective. Drink 2021-2024.  Tasted August 2021

Benjamin Bridge Méthode Classique Brut 2016, Nova Scotia ($45.00)

Perfect conditions, “an Olympic year.” The most tightly wound toast, the year that acidity through the roof while in control will bring the dosage down, from 8.5 to 2.6 g/L. At the most. And so Brut Reserve will be Brut zero. The epiphany, or at least the latest epiphany is upon Alex Morozov and Jean-Benoit Deslauriers. No longer the project incarnate, defined, teachable house style. Now the realization of a prophecy from words spoken three years ago by Deslauriers, then echoing in your head, now coming to idealistic fruition. “With the possibility of absolute transcendency.” Back then it was a matter of eventuality. Today it is the truth. This may not turn out to be the finest Brut made by the team in the new era but it sets a course for a neoteric sparkling wizardry shore, where climate, acids, vines, sugars and controlled emotion all meet to advocate in realization of their necessary dynamic. Drink 2022-2027.  Tasted August 2021

Winemaker Simon Rafuse, Blomidon Estate

Blomidon Estate Winery, Canning

Blomidon Estate Winery is set on the western pastoral shelf of a shore overlooking the the Minas Basin in Nova Scotia’s Annapolis Valley. Perhaps the most intimate of all the seaside settings there is a sense of singularity in the milieu and atmospheric conditions on this side of the basin’s shores edging northerly up the Blomidon Peninsula. Surely a sparkling wine specialist but also a champion of chardonnay both in still and sparkling forms. Co-owner Tim Ramey purchased the property in 2007 and Simon Rafuse is the Winemaker alongside Harold Gaudy, the viticulturist.

Blomidon Estate Winery Crémant NV, Nova Scotia ($28)

Disgorged March of 2021, based on the 2019 harvest, bottled in early 2020. Three grapes, approx 60-20-20, seyval blanc, l’acadie and chardonnay. Moving up in pressure and therefore a new sweet spot, up to 5.5 bars of pressure, at 14-16 g/L RS, with more texture. This is the balanced spot, with seyval’s acidity equalizing into citrus and tree (peach) fruit. Tart and full on tang, fulsome and a healthy dose of fruit, so late in ripening, old school Nova Scotia. If too old school so be it because longevity and slow development is everything. Easy to drink and yet pointed, poignant even. Drink 2021-2025.  Tasted August 2021

Blomidon Estate Winery Cuvée L’Acadie Brut Méthode Traditionelle, Nova Scotia ($39.95)

A 100 per cent estate l’acadie disgorged in March 2020, approx. 65-70 per cent 2017 with 2016 and a splash of 2015, 2,500 bottles caged in August 2018. Dosage is 6 g/L, very Brut, dry as the desert and not just because of a concept in which l’acadie is an acid king, because in fact it can be quite the opposite. A phenolic sparkler, picked early (first in fact) and therefore a self-starter, enthusiastic, cranking and varietally zealous. There will be 24 cases coming to VINTAGES in mid-September. Drink 2021-2025.  Tasted August 2021

Charcuterie, Obladee Wine Bar, Halifax

Blomidon Estate Winery Brut Réserve Méthode Traditionelle 2014, Nova Scotia ($45.00)

A 100 per cent estate chardonnay picked relatively early (21st of October), having seen no malolactic fermentation and six years on the lees. Feels like this has moved into both secondary and tertiary character, that and so much deeper engagement with structure. Disgorged in the spring of 2020 then held for eight months before release. This to get new reactions past dosage (that was 6.5 g/L). The mushroom notes and other evolutionary gains are vintage driven and the lemon crème brûlée meets Nova Scotia finish is bridged by orchard fruits as creamy as they are striking. Toasty dichotomous bubbles of the extraordinary kind. Drink 2021-2025.  Tasted August 2021

Blomidon Estate Winery Méthode Traditionelle Woodside Road Vineyard 2015, Nova Scotia ($45.00)

The second iteration, disgorged on August 31st, no malo, 7 g/L dosage, picked on the 20th of October. Made from 70 per cent chardonnay, (20) pinot noir, (5) meunier and splashes of pinot gris plus blanc. Base wines were bottled late summer 2016 and so now five years and a bit of lees aging. The pinot brings much ado in small quantity. The aromatics are temporarily not quite integrated, the gas is working the room and in due course all will come back together. Complex, graphing a new Minas course, small lot, 50 cases or so. Drink 2022-2027.  Tasted August 2021

Shrimp Cocktail at Juniper, Wolfville

Blomidon Estate Winery Méthode Traditionelle Blanc De Noirs 2016, Nova Scotia ($45.00)

Give or take 76 per cent pinot noir and 24 meunier, a similar vintage to 2015 (though a touch warmer) and here picked on the 17th of November. Almost all from Woodside Vineyard and some meunier off of the Blomidon estate vines, no longer here. Disgorged today, yes today and my oh my the potential here elevates to a very high ceiling. Just under 6 g/L RS so exactly extra brut, really primary but with the dosage that will arrive before you know it. The pinot delivers more fruit than the chardonnay, perhaps a counterintuitive concept but that’s Nova Scotia. And every vintage will flip the head and make you think again. Small lot, 50 cases or so. Searing succulence, a structural richness and transformative beyond the complex, curious and interesting. Assiduous if conceited blanc de noirs, pejorative to chardonnay, entangled inside enigma, mystery and riddle. Literally. Drink 2022-2027.  Tasted August 2021

Jürg Stutz, Winemaker at Domaine de Grand Pré

Related – East coast swing 2015: Time, tides and wine

Domaine De Grand Pré, Grand Pré

Domaine De Grand Pré has recently celebrated 20 years of erudite work leading the Nova Scotia wine industry. As for riesling, well the work of Jürg Stutz speaks for itself and now in sparkling the game is on. A visit is well worth the tasting, local knowledge and great gastronomy of Chef Jason Lynch.

Domaine De Grand Pré Riesling Extra Dry Traditional Method NV, Nova Scotia ($44.50)

A blend of 2019 and (more) 2018 fruit reviewed by the traditional method and 12 months of lees aging, finishing at 18 g/L dosage of RS. Just released one month ago, the first such sparkling wine at Grand Pré. The ’18 juices at low pH and high acidity was adjusted by the ’19s, then sent back to bottle for an additional 12 months. Sometimes not acting with pragmatic immediacy turns into something special and complex. A matter of adjustments and not the ripest ’18 grapes but here the combination of autolysis and phenolics goes beyond acidity. Three thousand bottles of great energy in the wine, green apple bite and that phenolic rush. Very singular, even for Nova Scotia sparkling. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Riesling 2020, Nova Scotia ($22.50)

Harvested Oct. 23rd at 18.3 brix, a pH of 3.05, with total acidity at 10.4, no malo and 18 g/L of RS. Picking can be the first week of November but 2020 saw picking towards the later stages of October. A wine without changes, a Grand Pré way stuck to, given extra care, in vinifera extra work put in, with cluster thinning and battling all the disease pressure grapes are likely to meet in this climate. Vinous riesling, fermented through with adding back sugar in a complex, layered and Mosel like riesling. Really balanced and perfect with subtly spiced cuisine. Will improve with two to three years of age. Drink 2021-2024.  Tasted September 2021

Domaine De Grand Pré Tidal Bay 2020, Nova Scotia ($22.00)

In 2020 a blend of mainly l’acadie (44 per cent), with vidal (20), ortega (16), muscat (12) and seyval (8). TA is 8.6 g/L; RS 12 g/L; 11 per cent alc./vol. Certainly one of the most aromatic of all Tidal Bays, fruit spread across yellow, white and green spectrums, flowers too. Really pushes the appellative concept, ties the room together, bedroom, living space and community. Plums and oranges, apricots, peached and green apples. All the fruits, all in full regale and blossoms in bloom. The most fruit adjustment of all. The next (2021) will be labelled Annapolis Valley. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Chardonnay 2020, Annapolis Valley, Nova Scotia ($35.00)

Second vintage from young Melanson Vineyard vines (planted in 2017), low yielding, definitely a work in progress. Harvested Oct. 16t at 20 brix, barrel fermented in new French oak, passed through malo and remained there for nine months altogether. Only two barrels were gained of this flinty, sulphide felt, clearly reductive style but also one that is explicitly Nova Scotia. The pH is 3.11, the tA 9.4. Some of this fruit will go to sparkling and it’s really quite a special vineyard (Melanson) that sits across the river in the Gaspereau Valley across from L’Acadie Vineyards. This will morph and flesh, placate the over-cumbersome wood at present and then settle in. Work in progress as mentioned. The vineyard is also planted to some pinot noir and cabernet franc. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Millot 2017, Nova Scotia ($28.50)

One hundred per cent Leon Millot in American oak for two years. Was already planted when the Stutz family arrived, along with Marechal Foch. A lighter red here, lending itself to barrel aging, green when fresh and urged on to fleshy substance with two or three years of barrel put behind. A warm vintage and a remarkable brightness having emerged with gamay-like tang and circumstance. Very cherry, almost black but short of that darker hue-flavour profile. The least musky and foxy of hybrid reds. Really well made. Drink 2021-2024.  Tasted September 2021

Domaine De Grand Pré 20 By Domaine De Grand Pré, Nova Scotia ($28.50)

A one-off, three part blend of cabernet foch (40 per cent) with equal (30) parts marquette and marechal foch, released to celebrate the winery’s 20th anniversary. Mainly from the hot 2016 vintage (70 per cent) with some warm 2017 mixed in. Again in American oak, most for two years, some even longer. Layered with some further musk this time, skins of dark red fruits and a forest floor component. A bit of tar and so much tang. More chalky texture and chew but still good balance. Was recently pulled off the shelf because only 20 cases remained. Drink 2021-2023.  Tasted September 2021

Bruce Ewart, L’Acadie Vineyards

L’Acadie Vineyards, Wolfville

Bruce Ewart hired a viticultural manager and performed a three year terroir study on his vineyards in collaboration with three other wineries (Benjamin Bridge, Domaine de Grand Pré and Lightfoot & Wolfville). The study was assembled by the department of agriculture, or rather it was part of a program informally known as “farm extension,” services provided by Perennia on behalf of the Nova Scotia Department of Agriculture. The idea was to get a good representation of the Nova Scotia wine industry. Rodrigo Layette who is Directeur Général de trois domaines (a Bordeaux viticultural consultant) dug test holes to look at the schist and sandstone. They found roots were three feet deep and like children and if you give them everything they want (like soft clay and loam) they will stay near the surface where the water is. If they have to work for the nutrients they will dig deeper and find the trace elements and minerals. Ewart also converted to Clover and Timothy employed as ground cover, part of the organic practice and to till only occasionally. The use of compost and horsetail teas, humus, etc. Caitlin McNamara is the vineyard manager and she did her degree at the university (Acadia), of which Bruce is half the faculty. “We used to employ organic chicken manure and the study determined this was no longer necessary. L’Acadie wanted to find a non-biodynamic organization.” They found Biocyclic Vegan (from Germany) whose concept is farming without any form of animal or animal product, opposite or rather apposite to biodynamism. This year (2021) they will become certified and from 2021 onwards their bottles will wear the certification. L’Acadie Vineyards will be the first in North America to gain this status.

L’Acadie Vineyards Pétillant Naturel Méthode Ancestrale 2020, Nova Scotia ($29.00)

This is the story of Saccharomyces paradoxus. Wild yeast present in the vineyard, naturally, like pre-packaged enzymatic magic ready and prepared to give a Pétillant Naturel its head start. Bruce Ewart explains they know this from analyses of the lees and his Pet-Nat acts as a conduit for microbial terroir, with no inputs showing itself off. Whole cluster pressed with no skin contact, a light disgorgement, no residual sugar, bottled just at dryness. Subtly orange, lithely citric, a marriage of acidities, tremendous flavour development and amazingly so considering the grapes are picked at sparkling time, four weeks ahead of when the l’acadie is picked for the still bottling. Drink 2021-2024.  Tasted September 2021

L’Acadie Vineyards Prestige Brut Estate Méthode Traditionelle 2014, Nova Scotia ($50.00)

Was embargoed until September 9th after having just received the Lieutenant Governor Award. Has evolved into a seriously toasted arena, gone long with lees contact, looking for peaceful co-existence between yeast autolysis and the fruit of the wine. “You don’t want conflict, you want that harmony, tells Bruce Ewart.” Disgorged January 2021 and so spent more than the minimum five years on lees. An insignificant dosage (more than most of these wines). Bruce’s program goes at it in terms of two and five year aging and he believes that while Nova Scotia can do ten or more there is only a minor incremental increase in complexity by doing so. This at six-plus has hit such a sweet spot, still in retention of currant and white/red berry fruit but also low and slow golden, tanned and long as an August afternoon Gaspereau shadow. Drink 2021-2026.  Tasted September 2021

Tuna, Obladee Wine Bar, Halifax

L’Acadie Vineyards Joie De Vivre Charmat Method 2019, Nova Scotia ($28.00)

From a project that began three years ago, with vessels from Northern Italy, wines rested in tank during the pandemic, made from l’acadie (85 per cent) and (15) seyval blanc. “An earlier release, fruity sparkling for the market.” Held at 0-2 degrees celsius. The tanks arrived in early May and this was bottled last week. From the later picked l’acadie, fuller of tree fruit and lower in acidity. Low dosage for the style at 8 g/L and lithe at 11.1 per cent alcohol. Peach and apricot in a moscato d’asti vein, albeit higher of alcohol, mingling with yeasty col fondo, though crystal clean. Simple and satisfying. Delightful. Drink 2021-2023.  Tasted September 2021

L’Acadie Vineyards Vintage Cuvée Méthode Traditionelle 2018, Nova Scotia ($35.00)

From the frost year (June 5th), a blend of l’acadie and seyval blanc in a sparkling wine that shows the formers’s resilience, having raced out to meet bloom, veraison and harvest dates. In a 30 per cent crop but vines that bounced back the following year for a full yield out of harvest. A wine that meets the LV twain, somewhere between the fruit first sparklers and those of the longest tirage. The length of this is more than surprisingly impressive from a wine that looks for a new slate in every vintage. A wine of trials, investigations and experiments. Not at the toast ceiling but consistently malolactic and in that 8-12 g/L dosage. Truly a Brut style and middle of the road in the most complimentary way. Drink 2022-2026.  Tasted September 2021

L’Acadie Vineyards Tidal Bay 2020, Nova Scotia ($24.00)

Bruce Ewart’s first Tidal Bay, now being a part of the committee that holds a new standard to protect Nova Scotia wines from artificial carbonation. Here a combination of the two grape varieties where the hat is hung upon, they being l’acadie and seyval blanc. “My take on Tidal Bay is dry, even at five or ten g/L of RS it is not really our market.” Many are going dry and while there is stone fruit and white citrus this is truly a TB of mineral push and salty Fundy air. Just tastes like the vineyard so clearly showing off as a terroir based wine. Nova Scotia, part of a common thread but pretty specific to here. Drink 2021-2022.  Tasted September 2021

Cat Taylor, Rachel Lightfoot and Godello

Related – The future is now for Lightfoot and Wolfville Vineyards

Lightfoot & Wolfville Vineyards, Wolfville

When I first arrived on the shores of the Minas Basin in 2013 to begin a near decade long (by now) immersion into the Nova Scotia wine industry it was Mike Lightfoot that I first came to know. With thanks to consulting oenologist Peter Gamble I spent a great chunk of time with the Lightfoots and their exciting new Wolfville project. My how things have changed, evolved, progressed and come to this astonishing point.

There is the home vineyard, Raven Hill across the road and what may just be the valley’s most important knoll in a vineyard at Avonport. Along with the most precocious work being executed by winemaker Josh Horton, Rachel Lightfoot and now with the addition of Assistant Winemaker Cat Taylor. Cat came from Toronto in logistics (Unilever) for 10 years, went to New York, then to wine school in France. She staged with Zind-Humbrecht alongside Biodynamic guru Olivier Humbrecht in 2016, worked at Tawse in Ontario with Paul Pender in 2017, then arrived here to Lightfoot & Wolfville in 2018. A biodynamic journey and now she is responsible for implementing the biodynamic aspect of the farming. “Using what’s on the farm around you,” Taylor notes, “seeing what the books say and what your farm says. It took me a while to get used to Nova Scotia acidity, I’m now much more comfortable with it.” Cat also brought in foudres from Alsace with thanks to Olivier Humbrecht. If around the time Cat Taylor arrived in Wolfville coincided with The future being now for Lightfoot and Wolfville Vineyards, well then that future is now the present.

The tasting line-up at Lightfoot & Wolfville

Lightfoot & Wolfville Blanc De Blancs Extra Brut 2014, Nova Scotia ($75.00)

From a specific lower-cropped section of the home farm vineyard and an early 2019 disgorgement so an additional year on its lees, rounding it out just a hair further. Still the ripeness and added creamy character, engaging a new complexity by way of fruit fleshiness and crisp exterior crunches. This is the window, open, acclimatized and staid through a holding pattern of complex energies.  Last tasted September 2021

Disgorged just now. Looking for a late spring release. Built on 100 per cent clone 95 and 96 estate fruit, on its lees almost 50 months. This carries the most texture meeting energy piqued by pungency. The story is now beginning to truly set in with formative consistency. The lemon curd is swirled with bits of zest for a salty citrus intensity not yet known from this chardonnay. Was picked a bit riper and that’s quite obvious, plus some new play time with malo. Needs nine or ten more months of integration for the moving parts of tension and density to come together. Yet another Nova Scotia sparkling wine to inform us all. This must be the place and the sky is the limit. Drink 2019-2026.  Tasted October 2018

Lobster Gnocchi at Juniper, Wolfville

Lightfoot & Wolfville Blanc De Blanc Brut 2015, Annapolis Valley ($45.00)

From all three blocks of the home vineyard, 100 per cent chardonnay, classic line, part tank and part barrel, an extra year in barrel. Disgorged in February 2020, still only at 15 per cent malolactic, soon to become near 100 per cent in 2017. In these early-ish sparkling wine program days there was worry about how high to go with malic conversions and with so much acidity to play with these things were not yet known. Less tension, more cream, 15 g/L in RS as compared to 4 g/L in the Extra Brut. Still a toasted element and at 50-plus months of lees contact this is just shy of that perfect window. Some tropical fruit joins tree peach and pure yellow citrus, all following the brushy herbs. Drink 2021-2024.  Tasted September 2021

Lightfoot & Wolfville Brut Rosé 2019, Annapolis Valley ($45.00)

Made from 100 per cent pinot noir off of the certified organic, third year Raven Hill Vineyard fruit across the road from the winery. Full malolactic fermentation and a wine that needed a few more months of time before disgorgement. Also to step away and allow the wine to say what it wants to say. After all it’s a wine made with red fruit, of more pulp and circumstance, fruit substance in waves and surely a great season following and in spite of the challenging 2018. Who would not be wooed, pleased and gainfully satisfied by a glass of this class, craft and equanimous Rosé? Methinks no one paying any attention. A gorgeous wine that shows off the L & W ability for shortening the wait times on enjoyment for their ever maturing, evolving and appetizing sparkling wines. Drink 2021-2026.  Tasted September 2021

Lightfoot & Wolfville Small Lots Oak Island Vineyard Sparkling Chenin Blanc 2016, Annapolis Valley ($55.00)

In 2016 the one acre Oak Island Vineyard crop was split between this sparkling wine and the (still) barrel-fermented chenin blanc. The wine has progressed with slow haste, still tense and exited while in exemplary control. Driving forward with rhythmic dance step, forward and sideways but also times always gaining.  Last tasted September 2021

I tasted this unfinished wine in the Oak Island Vineyard back in November 2018 and I remember at the time Mike Lightfoot saying “out goes the muscat, in goes the chardonnay.” Truth is, in goes the chenin blanc as well. To say the grape variety is suitable to Nova Scotia sparkling would be a gross understatement. What it delivers is the expected tight and bracing local acidity but with longer hang time also the potential to accept a lees-aging development for downy to fluffy texture. Mousse without compromise to emotion and ardor. As with the L & W Blanc De Blanc Brut there is some white lightning by direct sunlight extended and mixed into weeks of cloud cover for a full east coast sparkling wine experience. Phenolics, acidities and specificity of flavours. Ideal now with a foreshadowing towards the memorable, three to four years ahead. Drink 2021-2025.  Tasted February 2021

Lightfoot & Wolfville Ancienne Oak Island Vineyard Chenin Blanc 2017, Annapolis Valley ($39.00)

In a most interesting phase, not dumb but reserved, needing some coaxing. Shows off the 2017 structure, long-lasting and ever-bearing. Or vice versa. Spent 18 months in neutral French oak (three barrels full) and a vintage meant for still wines, not necessarily for sparkling. Hung really long, picked in early November and finishing at a remarkable 23-plus brix. Tough mudder this variety (on California rootstock) set into Nova Scotia soils. An Avonport, Oak Island child, one acre in an open place to the elements and elements there almost always are. Richness, fulsome character and textural gains are possible, even if there could have been no way to know it. A beautiful fall, especially October led to the hang, develop and creation of minutia facets of this wine. A one off perhaps but also the future.  Last tasted September 2021

The Oak Island hill in Avonport is Nova Scotia’s “mini Corton,” a vineyard unlike any other in surround of The Bay of Fundy’s Minas Basin. Lightfoot & Wolfville planted many engaging varieties on that convex mound through the course of the last decade and chenin blanc is just now coming into fruition. It was October of 2018 when I last walked it with winemaker Josh Horton, Mike and Rachel Lightfoot. The purpose that day was to sample the chenin projects, still and sparkling, while also tasting grapes just a couple of weeks away from picking. While still from young vines this 2017 shows great charm, a curious varietal precociousness and calling it a quick study speaks to the land and the choice of plantation. Aromatically sits in a tirage de liqueur place, prominent and demanding. Acids are Oak Knoll special, lifted and crunchy. High ceiling relationship between varietal and place is in the books, this being just the new beginning. Drink 2021-2024.  Tasted February 2021

Lightfoot & Wolfville Gamay Noir Terroir Series 2020, Annapolis Valley ($30)

From a block just now coming into its own, on the far end of the Oak Island, Avonport Vineyard, planted in 2013 and 2014. The first vintage was 2018 though this is the fullest of the three and the question begs, is gamay perfect for Nova Scotia? Some neutral oak was incorporated because of increased ripeness, though just for a few months. Freshness of course but also a marine funk that speaks to food pairing possibilities. Lovely musk that talks of the grape and also other fruit skins. Very primary, delightful, floral and as Rachel Lightfoot says, “weirdly popular.” As it should be. Drink 2021-2023.  Tasted September 2021

Lightfoot & Wolfville Ancienne Wild Ferment Pinot Noir 2018, Annapolis Valley ($45)

Despite the early frost of 2018 (June 5th) the pinot noir was unaffected, even at the Oak Island site where other (earlier developing) varieties were hit. The rest of the season was beautiful and with today being a spice day (or earth if you prefer) the sandalwood, fenugreek, cinnamon and cardamom all come through. Such a seep of tea, red tea that is, not quite rooibos but more floral, into hibiscus without any doubt. A wine of oscillations and grooves, sensitive, emotive, ever changing. That said the mood is more than good at this stage, an intuitive and responsive, paying attention and ranging to so many edges, corners and plateaus. Already secondary, perhaps empathetic in speaking about other vines’ suffering and expressive of beauty for all. Almost as if the pinot noir is saying I’ll take all the attention right now while the rest of you get healthy. 3,000 bottles made, approximately. Drink 2022-2027.  Tasted September 2021

Lightfoot & Wolfville Kékfrankos 2018, Annapolis Valley ($30)

A near-finished product but still needing the final touches after nine months in mostly older wood. Well hello there Kék, welcome to the world. Structured like nothing that came previous and floral off the charts. Still so youthful in exuberance and yet to settle in, the richness and caky barrel notes still very much in charge. Oh my the sweetness of fruit, so ripe, full on tang, tannins a bit lowered but so much richesse. Vinous and primary, expressive and working through the gears of its journey. Drink 2022-2025.  Tasted September 2021

Rachel Lightfoot and Cat Taylor

Lightfoot & Wolfville Ancienne Chardonnay 2018, Annapolis Valley ($56.95)

Frost year for the valley but again an escape by the vines at Lightfoot & Wolfville with thanks to the tidal influence to keep the chardonnay vines happy, healthy and secure. So much fruit and warm summer sunshine, a glade bathed in light and a luminescence rarely found in chardonnay. Consistent L & W elévage, increasingly into puncheons and away from 225L barriques. You can never forget and not remember what chardonnay has done for L & W, while now the richness and restraint work in optimized tandem. Less reductive than previous incantations, with new and improved connotations, consistencies and harmonic sway. Also a matter of vintage and cooperage. Stability is the key to being great. Drink 2022-2026.  Tasted September 2021

Lightfoot & Wolfville Riesling 2020, Annapolis Valley ($30)

A not quite finished wine but so very close, raised in foudres, lighter in oak impact as compared to what might happen in smaller barrel. Hard not to imagine an Alsace-Zind Humbrecht idealistic connection, long-pressed and slowly done, a 10-12 hour cycle without compromising the pH. That’s because you get plenty before it trickles in at the end of the cycle. Full malo as well, a few grams of sugar and definitely a lemon curd, perhaps but not in a Windsbuhl manner. Just enough crunch but to be fair the texture is more emulsified than in any other way. Gonna be a stunner. Drink 2022-2027.  Tasted September 2021

Lightfoot & Wolfville Tidal Bay 2020, Annapolis Valley ($30)

Tidal Bay’s mix in 2020 is 50 per cent l’acadie with an almost equal amount of geisenheim and chardonnay. In a tree fruit moment, in apples and pears with citrus in the background. Sugar in the 12 g/L area and trying for drier, with higher toned fruit due to the pressing on l’acadie’s skins. Over time the sugars are less important, especially as compared to the wine in its extreme youth. This is the Tidal Bay for all and all will love what it brings to the appellative table. Drink 2021-2023.  Tasted September 2021

Lightfoot & Wolfville Terroir Series Scheurebe 2020, Annapolis Valley ($30)

Skipped in 2018 due to the hurricane’s fall effect and now here back in 2020. Not merely a classic varietal vintage but an exaggerated one, in harmony and open to any and all benefactors. A benevolent and philanthropic scheurebe, a touch drier than before, toned back in the range of 10-12 g/L of sugar, along with the matching decreased acidity. Stays focused and balanced throughout. So much stone orchard fruit unrelenting and with feeling. Passion fruit as well, open-knit, expressive and very giving. Drink 2022-2027.  Tasted September 2021

Luckett Vineyards, Wolfville

While I did not visit with winemaker Mike Mainguy on this trip I did have the pleasure of tasting through some of his essentials. These are three that stand out as wholly representative of Luckett’s increasingly focused varietal persona.

Luckett Vineyards Rosetta Rosé 2019 ($20)

The plan has been to get back to Nova Scotia and get a bottle of Luckett winemaker Mike Mainguy’s Rosé. Took two years to do so and Rosetta is the one, perhaps (if only in this fantasy) a reference to Lennon’s only utterance ahead of McCartney’s final crooning upon a London rooftop. Also a vidal, riesling and leon millet chorus of Nova Scotia phenolics, soft-pressed sentimentality and faintly funky-earthy Fundy salt. Consistently reeking of red berry and citrus, sweetly herbal and coaxing out (or in) stone fruit. Drinking well more than a year in. Crushable delicasse. Optimization and individuality meet upon a plain where all can enjoy this satisfying Rosé. Drink 2021-2022.  Tasted September 2021

Luckett Vineyards Tidal Bay 2020 ($20)

Confirms the billing of 100 per cent Nova Scotia, as per the Tidal Bay manifesto and in Luckett’s view (which incidentally is a spectacular one) screams local, parochial and beneficially biased. The l’acadie, seyval blanc, chardonnay and ortega all conspire to speak the language or even more so the spirited vernacular of Tidal Bay. This package may have once been a searing machine but the ripenesses reached besides maintaining early enough picked acidity is a miracle of climate change and wine-growing intelligence. This new era is coming out clean, obvious and beautiful with new phenolic frontiers gained. Yes the lemon incarnate zests, juices and zings throughout this 2020 but so do orange, jasmine, lemongrass and honeyed herbals. Dry as it seems to get for the category yet opulent in its very own light alcohol, marine breezes, oyster shell way. Hello Santorini assyrtiko and Muscadet Sèvre et Maine melon de Bourgogne. Meet the new Tidal Bay. Drink 2021-2023.  Tasted September 2021

Luckett Vineyards Chardonnay 2020 ($25)

Grapes are grown in Avonport, one of Nova Scotia’s wildcard if tiny micro zones in Kings County. The land is graced by flats, rolls of hills and well-positioned knobs or hillocks set between the mouths of the Avon and Gaspereau Rivers. No other Nova Scotia terroir offers up the kind of varietal-vinifera playground as Avonport and Luckett’s unoaked beauty takes on the marine air, silty saltiness and Fundy-proximate sway. Lean and characterful, herbaceous in an ox-eye daisy way, nearly chamomile and no woody parts denoted. Quite a precise chardonnay with snap-back green apple bite and positive energy. Drink early and on repeat. Drink 2020-2021.  Tasted September 2021

Good to go!

godello

Lightfoot & Wolfville estate vines overlooking the Minas Basin

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WineAlign

Niagara’s cool for chards

 

Niagara chardonnay, cornerstone of an industry, another one of nature’s mysterious constants, long-time member of both local and globally recognized greatness. A pandemic be damned the time had finally come to glide on down the QEW, inch by inch, to arrive in Niagara’s wine-lands and taste recently bottled vineyard bounty, plus some older surprises. At the behest, felicitations and facilitations of WMAO we the crü at WineAlign abided by the invitation. The visits included Le Clos Jordanne, On Seven Estate Winery, Stratus Vineyards, Trius Winery and Restaurant, Hidden Bench Estate Winery, Tawse Winery, Redstone Winery and Restaurant and the Bat Caves at Bachelder Wines. The next trip will take in at least seven more and after that, no less than seven again. And so on. Niagara is not conquered in a day, or a weekend.

And everybody tells me that it’s cool to be a cat
Cool for cats (cool for cats)

Related – A Chardonnay toast to Cool and the gang

The steamy and canicular July varietal sally coincided with the physical return, if only in part and to limited display, of the region’s annual i4c Cool Climate Chardonnay Celebration. Ontario’s most famous annual gathering inclusive of international winemaking stars is one that so many media, sommeliers, producers, importers, marketers and consumers have come to know, embrace and love. With a commitment for more arms to get jabbed and further progress towards community safety be made in these next 11 months, there should be every reason for optimism that i4c 2022 will return in full force next July.

Thomas Bachelder between Hanck East and West

Related – David Lawrason’s Canadian Wine Insider – Niagara’s Regeneration

In addition to chardonnay (that cool refreshing drink) there too were touring pours of sparkling wines, riesling, pinot gris, skin contact whites, rosé, pinot noir, cabernet franc and gamay. Those tasting notes are included in this report because quite frankly Niagara’s varietal diversity and inclusivity on full display should be duly noted. The festivities concluded on Sunday afternoon with not one but two Bat Cave barrel tastings with the stupefied, hyper-hypnotized and monkified winemaking tour de force himself, the other tall and thin white duke, Thomas Bachelder. No I did not make any formal notes on the dozens of chardonnay and gamay thieved from his barrels because frenetics and focus do not jive, not when Bachelder, barrels and argumentative discourse are involved. Bachelder began with some re-visits of finished “Villages” wines in the guise of Mineralité de Niagara and L’Ardoise, same same but for different markets (Ontario and Québec), both from the 2019 vintage. Then the surprise of the tasting emerged, two unmarked magnums, as of that very moment yet untasted and very special. “From the Heart Cuvée Number 1” is a project with fellow enlightened, philanthropic aiding and abetting abbot Steven Campbell. Their chardonnay crushes the concept with its dynamic and lush configuration. Why because of the very notion of being figuratively layered, blessed with a frictional vitality burnished into its collective heart and chardonnay soul. I had to stop after each sip to reassemble my nervous system and scrape my mind of the cosmos, not to mention the universe, galaxies and stars.

Crazy eyes in the throes of a four-hour Bachelder barrel tasting

The concept began as an annual Canadian Charity Wine Auction in support of the battle against climate change and then further developed into the Rescue the Grapes auction in NYC in partnership with Christie’s. Campbell and Bachelder convinced dozens of winemakers to donate small-ish lots of unfinished wines to be gathered and vinified as a single wine, an Ontario supergroup-cuvée if you will and finished by Thomas, acting as lead singer and songwriter. In Canada he and Steven are asking wineries to sponsor winemakers dinners in their home province and if they do host a dinner also support our auctions in the other two provinces. For the other province they donate a six pack of wine and will include  VIP “Passport” to the winery to promote interprovincial wine tourism. So far in Ontario Trail Estate, Malivoire, Southbrook, The Farm, Trius, Cave Spring, Pearl Morissette, Bachelder, Henry of Pehlam, Tawse and Rosehall run have all stepped up with a few more in the wings. In British Columbia Black Hills, Stag Hollow, Burrowing Owl, Okanagan Crush Pad, Tin Horn Creek, Tantalus, Quails Gate, Mission Hill and an Arterra winery are in with more to come.

The Bachelder Vineyard Map

The chardonnays were pulled from Willms Vineyard, Wismer-Wingfield est and ouest, Wismer-Foxcroft, Saunders Organic and Bio and Grimsby Hillside Escarpment Red Clay Barn Block. The gamay barrels tasted were Bator, Jackson-Bai “Bai Xu,” Wismer-Parke, Hanck est and ouest. Thomas did reveal the first ever bottle of Grimsby Hillside Chardonnay. The personal connection to that storied plot along the Lincoln Lakeshore in Winona will be investigated to the fullest extent of Godello law in a report coming soon.

Godello with Hidden Bench winemaker Jay Johnston

Has one really taken full advantage of a cool chardonnay weekend if one has not gone nose, palate, heart and mind deep into a seven year Hidden Bench Marlize Beyers to Jay Johnston Felseck Vineyard Chardonnay vertical? Methinks not. Not to mention a viticultural tour with J.J. and Joel Williams, Brut 2014, Rachis & Derma skin-contact and of course, Gamay. Thanks to proprietor Harald Thiel and congrats on being bestowed with the honour of “Champion Chardonnay of the year!” Couldn’t have happened to a more deserving and industry leading partner. 👏 👏 👏

Hidden Bench Winemaker Jay Johnston and Viticulturist Joel Williams

New to the Niagara Peninsula scene is On Seven Estate Winery, headed up by Vittorio de Stefano and with the charge in the hands of Canada’s most accomplished consulting winemaker Peter Gamble. Just as he has made giant viticultural and vinicultural strides with the likes of Stratus, Benjamin Bridge and Lightfoot & Wolfville, in typical, ambitious and big picture defining fashion it is Gamble who sees unlimited qualitative potential in the mineral-rich soils of OSEW’s Niagara-on-the-Lake soils. 

The sit-down at Stratus Vineyards titled “To lees or not to lees? That is the tasting” explained from the word go about the new direction concerns all things lees. To see two winemakers, they being J.L. Groux and Dean Stoyka existing on the same mad scientist solids page is something all Ontario wine pursuers should choose to follow. The pursuit is being played out in chardonnays and multifarious sparkling wines, in Blanc de Blancs, Brut Nature Zero Dosage and “Field Blend” Ancestral. For Ontario this means serious sparkling wine business.

Panko-Crusted Pork Rilette, poached plum & charred fennel salad, toasted hazelnuts, honey dressing, pickled mustard seeds – Executive Chef Steve Sperling, Tide and Vine Oyster House

“Lunch and Launch in Le Clos Jordanne Vineyard” moved us in many ways, first through distant Upper and immediate Lower Jordan Bench views, of Le Clos, Talon Ridge and Claystone Terrace. Tide and Vine Oyster House was responsible for feeding us to the breaking point, by oysters, yellow fin tuna tartar, cold smoked salmon, vichyssoise, pork rillete, surf & turf and olive oil cake. The chardonnay flowed, with Village and Grand Clos examples by hosts LCJ, but also international stars; Tasmania, Australia’s Dalrymple, Hemel-en-Aarde, South Africa’s Hamilton Russell and Russian River Valley, Sonoma County, California’s Gary Farrell. Here are my notes on those three wines.

Dalrymple Cave Block Chardonnay 2018, Tasmania, Australia ($70.95, Noble Estates)

A steely year with the vineyard’s hallmark acidity in a cracker Tazzy chardonnay with lip-smacking energy, intensity and drive. Soil, site and place in relentless pursuit of a focus at the head of body and game. Crunchy, crisp, indelibly fresh and piqued with the finest wisp of white peppery kicks. Nuts, complexity, bolts and length. All in. Drink 2021-2026.  Tasted July 2021

Hamilton Russel Vineyard Chardonnay 2018, Hemel-en-Aarde Valley, South Africa ($47.95, Noble Estates)

From the air-conditioned, cool breeze motivated vineyards (52 hectares) 100 miles from the ocean. Wet vintage, cool and long-hanging. Concentrated flavours in chardonnay that draws from all parcels which is more than just the Hamilton Russell way but in fact the only way. No fruit is wasted, all parts commit and contribute to the whole. A vintage like this is special, restrained, understated and one should not be misled by the shadowy depth and layering. Fruit is but a conduit for all else happening in this streamlined chardonnay. The alcohol and opulence are subtle, the pleasure calming, the capitulations promising. Methinks time will be long, slow and kind to HRV ’18. Drink 2021-2027.  Tasted July 2021

Garry Farrell Chardonnay Olivet Lane 2018, Russian River Valley, Sonoma County, California ($69.00, Noble Estates)

Pellegrini’s 1975 planted Olivet Lane Vineyard sits on 65 acres of sloping benchland in the Santa Rosa Plain, in between the warmer Westside Road region and the cooler Green Valley. If taking a step up from Gary Farrell’s estate label is even a possibility then yes Olivet Lane is just such an animal. Threefold (or ten times) more expressive, from jump started to flying ahead, in freshness, vitality and tightly wound intensity. Flesh and opulence submit to energy, motion and emotion. Captivated and caught up in a bold embrace. Forget bracing but surely feel the fineness and the purpose towards effecting satisfaction. Top, right, fine. Drink 2022-2027.  Tasted July 2021

Tres Cool Chardonnay

We’ve called on many estates over the last 10 years but truth is the visits were epic this time around, with thanks to the talent involved; Thomas Bachelder, Elsa MacDonald MW, Eugene Mlynczyk MW and the Arterra Wines Canada crew; Tide and Vine’s Mike Langley, Chef Steve Sperling and team; On Seven Estate Winery’s Vittorio de Stefano and Consulting Winemaker Peter Gamble; Stratus Vineyards Assistant Winemaker Dean Stoyka and Estate Director Suzanne Janke; Trius Winery and Restaurant’s Executive Chef Frank Dodd and team; Hidden Bench Estate Winery’s Winemaker Jay Johnston and Viticulturalist Joel Williams; Tawse Winery Winemakers Paul Pender and Jessica Otting; The Restaurant at Redstone Executive Chef Dave Sider and team; Thomas Bachelder and Mary Delaney. These are the 40 finished wines tasted over a near 30-hour period on July 24th and 25th, 2021.

Felseck Vertical

Hidden Bench Chardonnay Felseck Vineyard 2019, VQA Beamsville Bench ($42.20)

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2018, VQA Beamsville Bench

First a walk through the Felseck Vineyard and then a tasting with winemaker Jay Johnston and viticulturist Joel Williams as part of an #14c21 seven year vertical retrospective. Very warm season, much like 2016 though not quite as scorching and sun-filled. Would not call this stoic but would say that concentration, grace and all things stretched are in optimum balance this time around. Pretty quick turn around for Johnston to exact an ideal Felseck chardonnay just a year and a bit into his tenure at Hidden Bench. Just crunchy enough, more than ample and most importantly understated within the context of a great richness inherent in its varietal meets plantation DNA. There is no denying how enticing, invigorating and attractive this chardonnay is and will be to many who showed buyer’s foresight, but also those now lucky enough to come across its terroir-motivated beauty. Drink 2022-2028.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2017, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A vintage of survival, saved by a glorious September and into October. Looks like the richness made it with thanks to the fall weather and yet the elongation, length, elasticity and texture are all what matters to speak, walk, talk and tow the Felseck line. Solid, mid-weight, mid-acid and structure chardonnay that acts with perfectly middling emotion between the warm ’16 and ’18.  Last tasted July 2021

Felseck gifts what chardonnay needs with fruit equipped to start out subtle, gain traction and then commit to gliding into grace. That state of delicasse is now, with a natural orchard-stone-melon sweetness and an integration seamless, layered and eternal. Drinking this now makes great sense and the honey notes that may follow will only add to the mystique. The Ontario epitome of intelligent and refined chardonnay. Drink 2020-2025.  Tasted May 2020

Felseck Vineyard

Hidden Bench Chardonnay Felseck Vineyard 2016, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. Smoking hot season, much like 2018. No other vintage will impress and woo a more general if elevated palate than this ’16 (save perhaps the high award winning ’18) because both concentration and grace reside in the arena of the beautiful, together, side by side. Not the tightest grain in the vertical retrospective Felseck ship. Can’t say this will live as long as the ’13 and ’14 but there is plenty of life in this gorgeous and not so alone 2016. Drink 2021-2026.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2015, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year, “we got slammed,” says winemaker Jay Johnstone, “but a wine of definite concentration.” Showing evolution and age in tones, developed richesse and caramelization well beyond both that of ’13 and ’14. No corn however, despite what the initial nose might have indicated. A faux creamed presentation that ended up more peach to apricot in drupe, not niblet. Nutty too, again idiosyncratic and a unique Felseck as such.  Last tasted July 2021

Sometimes I’m “walking down the street, minding my own business” when a taste of a chardonnay makes my eyes go wide. Like this lovely thing of really compelling and nuanced aromatics, diverting, bright and effusive. Intoxicating really, “must have been the sun beating down on me.” A soulful chardonnay, Darondo luscious, strutting at you, with golden fruit, layers of slaty under-vein, a bit of ancient bivalve fossil shell, piqued and long. Gets its texture from a pinpointed cru for sure and is very cool-climate Canadian, almost certainly Bench Niagara, more than likely in Beamsville. Drink 2019-2025.  Tasted blind at NWAC18, June 2018

Hidden Bench Chardonnay Felseck Vineyard 2014, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year but a solid year. Now expressive with croccante and cracker sensibility. Aromatically touched by croissant to brioche biscuit richness, with still pulsing acids and mouthfeel second to none. This is a next era Hidden Bench Felseck and the launch point from off of the work put in through the previous five or six vintages. Tasted blind four years previous to now was a completely different experience. Drink 2021-2026.  Last tasted July 2021

Unction and creaminess, lost in a chardonnay dream because to nose it’s a sweet, floral, demure thing. Lees apparent so you can smell the work in progress and feel the texture. But it’s wound loosely tight with just enough give to make it so readily available. Beautiful little wine though I can’t help but imagine there’s more single-focus structure than a blind taste wants to give. Hope to come across this hard to get beauty again someday soon.  Tasted blind at NWAC17, June 2017

Hidden Bench Chardonnay Felseck Vineyard 2013, VQA Beamsville Bench

Tasted with incumbent winemaker Jay Johnston as part of an #14c21 seven year vertical Felseck Vineyard retrospective. The vintage may very well be considered much like 2021 is shaping up to be, wet and humid, culminating in a late season. A short crop year but surely one of the Bench’s best dating back to 2009. Persistently flinty and aromatic, holding the citrus and stone fruit line, still quite tight and yet to evolve with any considerable haste. Not one to think on as a specific Bourguignons terroir per se but definitely Hidden Bench, amphitheatric Beamsville of origin, expression and conclusion. Drink 2021-2025.  Tasted July 2021

Le Clos Jordanne Jordan Village Chardonnay 2019, VQA Niagara Peninsula ($24.95)

The first attempt and rather obvious pronouncement towards creating a Bourguignons Villages wine is this over-delivering for the price chardonnay from Thomas Bachelder and the re-invented spirit of Le Clos Jordanne. Jordan Village as in grapes gathered from the lower and upper Jordan benches. When warmed in the glass and were it drawn from a warmer vintage there might be even more fleshy opulence but with 2019 and this collection of LCJ single vineyards there is fresh magnification and edgy dance moves, shimmer and glitter, not to mention of glimmer of what this commercially viable brand will ultimately bring to the collective entity that is cool climate Ontario chardonnay. Drink 2021-2024.  Tasted July 2021

Le Clos Jordanne Le Grand Clos Chardonnay 2018, VQA Twenty Mile Bench ($44.95)

Le Grand Clos signals the return of the lower Jordan Bench and “I’m very happen it’s back in the (Escarpment) lexicon,” says winemaker Thomas Bachelder for a chardonnay of origins truly different than the upper benches in Beamsville, Vineland and Jordan. A svelte vintage, not lean by any stretch but surely tight and what some might say restrained. That may or may not include fine white caramel, liqueur glazed fennel and a mild sense of grilling. A chardonnay from vines in a season that needed not shut down to either hydric nor heat stress. Funny how both 2018 in Niagara and Hermanus produced similar results. The big “E,” fine-tuning, chiseled features and sneaky structure.  Last tasted July 2021

Thomas Bachelder’s second vintage since the reprise of Le Clos Jordanne’s chardonnay and pinot noir is perhaps the most nurtured (and nurturing) because he and team treated this varietal fruit through all the early stages; newborn, infant, toddler and child. The attention to detail, from choosing cooperage, forests, barrels and in elévage design is both mathematical and surgical. After 22 months the result is just so imperfectly perfect. Unequivocally noted as a high acid vintage and rather then fatten up this fruit the monk chose the direction of vintage seasoning and identity. Drills down into the Clos and where it fits within the Twenty Mile Bench. The exiguity and heretical transparency makes this a great ’18 Le Clos because ambiguity is the enemy of accountability and also progress. As a forward thinking chardonnay it represents itself, the maker and proffers a sense of place. Perfectly easy to drink right now and imperfectly set up for aging, but that’s just not the point. Drink 2020-2025.  Tasted November 2020

On Seven Estate Winery The Pursuit On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($45.00)

Seven acres, thus the name, in the hands of Vittorio de Stefano, “and a project paramount to wanting something sustainable that can compete at the international level and standard.” The vineyard is five acres and the property now 15.5. Planted half each to chardonnay and pinot noir, all organic. Bourgogne is the impetus, Niagara the goal. The genesis of planting decisions dates back to 2009, high vigour rootball SO4 rootstocks and clones finally acquired in 2014. Now at seven years of age the vines are ready to rock. A place of science, with oenological consultant/winemaker Peter Gamble at the fore and wines of minimalist approach starting out in reductive tendency, then finishing with longevity defining acidity. Richness and intensity meet at a general Côte d’Or vortex but in the end Niagara lake-proximate flesh and tension are the true meeting point. There is a distinct flintiness (and unlike other flinty chardonnays) but also a caramelization of high delectability and flavour. Vim and vigour, vivid and 20 per cent new oak over three years to gain such favour. Exotic too, with wood contributing to the extract, but surely essential trace elements; manganese, iron and calcium of causation allowing the minerals to make themselves heard. Intriguing wine if only at the beginning of a long story yet to be told. Only 82 cases made. The goal as the vines mature will be 800. Drink 2021-2024.  Tasted July 2021

On Seven Estate Winery The Pursuit On Seven Chardonnay 2017, VQA Niagara-on-the-Lake ($45.00)

Perhaps not the highest of knowable excellence yet clearly the most intriguing chardonnay that may never be emulated any time soon, certainly not out of 2019 or 2020. Singular stylistic wine, reductive and opulent, more Pouilly-Fuissé (with thanks to 2017) and a warmth that creates such a textural buzz. More fat in spite of that 8 g/L acidity, but such energy and considering the age at this point it almost seems the wine is going a bit backwards. That said the vanilla and caramel comes in wafts and waves, the flavours and textures in layers, long, lingering, forever. Only 108 cases made.  Last tasted July 2021

The newest Peter Gamble consulting joint is this from upstart The Pursuit of Seven. The chardonnay fruit is Niagara-on-the-Lake and the concentration suggest established vines (of at least 15 years-old it would seem) and no holds barred in terms of extraction and wood support. The density and fruit bang for buck are impressive and there is some volatility in distraction. Ambitious to be sure and the acumen employed true to form, not to mention distinctly clear. Drink 2020-2023.  Tasted March 2020

Vittorio de Stefano of @onsevenwinery with consulting oenologist Peter Gamble

On Seven Estate Winery The Devotion On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($65.00)

Imagine the minerals from these Niagara-on-the-Lake soils (manganese, iron and calcium) and the highest intensity fruit getting together in a tiny lot chardonnay case load. Then consider going against the grain with harder (elevated) turbidity in the ferments for more skin feel and purposed pulp for upfront loaded flavour intensity. That’s the direction and hyperbole of pursuit in The Devotion on Seven, an (only) 31 cases made chardonnay. Doubles (or perhaps triples) down on reduction, fulsome flesh and yet the warner vintage has as much to say as the inherent processes involved. Also a tannic chardonnay, in dramatic sensory extract as compared to the Pursuit on Seven ’18, though it can’t help but express more of everything as compared to the Pursuit of Seven. The acidity number of 8 g/L might seem extraordinary when considering the warmth and the ripeness of the vintage, however, and this matters most, ultimately it is the terroir that drives both the texture and the acidity of this special, barrel selection wine. Drink 2021-2025.  Tasted July 2021

Peller Estates Signature Series Chardonnay Sur Lie 2019, VQA Niagara-on-the-Lake

Yet another cracker 2019 chardonnay with the coolest of vintages meeting varietal bones and a karst of energy to drive the lees machine. Spent 10 months sur lie to be exact in a fully malolactic confirmed textural tang that benefits from a certain restraint only such a season can affirm. That being particularly cool and elongated for a chardonnay just crunchy enough to support the promise and extend enjoyment for a good, long and fruitful spree. Expect a future filled with a soft and creamy centre, eventuating in some creamed Niagara corn. Drink 2021-2024.  Tasted July 2021

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2019, VQA Niagara-on-the-Lake ($49.20)

“It’s not that we’re trying to change something every year,” explains assistant winemaker Dean Stoyka, which means that the R and D projects are in constant motion and take four to five years to come to fruition. The October 18-26 stretch is the latest harvest in quite some time (since 2009), fermented in various clay vessels and French oak, 76 per cent in neutral barrels and (24) in stainless steel. Great naturally developed acidity and just enough ripeness to gain favour with the fully-completely accessed, utilized and kept in the bottle lees. So lemon, so balanced and very fine. There is a combinative effect of mad scientist acumen for a wine that needs to be explained to a consumer mixed with absolute pleasure and amenability. One of the finest chardonnay peaks conquered nut just in Ontario but anywhere cool varietal mountains are meant to be climbed.  Last tasted July 2021

Tight one this 2019 chardonnay, seductively reductive and unwilling to relent this early in life. Knowable richness is optimized by being associated with green orchard fruit bite. Though so youthful and shrink wrapped at this time there are some ways to pair with potential and eek out enough charm. Boy do you feel the lees but the freshness really shines. Prosciutto comes to mind, as does mortadella, especially if it’s from Faenza. Drink 2022-2027.  Tasted October 2020

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2017, VQA Niagara-on-the-Lake

Warm and ripe vintage if only because of a gorgeous September into October, more lees than ever before, no new wood and an extended elévage nearing a year in length. Alcohol has risen, as has the pH though neither are what you might call vivid. The palate is actually tightly strung, the texture fulfilling and a cloudiness so perfect for what the winemaking team had long wanted to achieve. Hard not to see 2017 as the teaching wine where lees usage is concerned, the (after the fact) ah-hah moment whereby knowing what to do and how deep to go was learned by how 2017 turned out. In this case fulsome of stone fruit, opaque clarity, an oxymoronic ying-yang of positives in apposite attractions. A Monet vintage, modernized and so very J-L Groux. A Stratus, unlike any other. Drink 2021-2025.  Tasted July 2021

Stratus Chardonnay 2015, VQA Niagara-on-the-Lake

The 2014 vintage was essentially the first year when barrel lees would be left in the bottle and my how conservative this ’15 really was as compared to an evolution that culminates (currently) with the full on lees filed chardonnay vintage. Quite the opulent vintage mixed with aromatics still morphing, developing lees, brash and blushing by 40 per cent new oak, complimented by generous acidity. Showing with controlled drama and though the yields were low (only 88 tonnes) there is something quite special about this emotionally charged, vivid, scarce and remarkable chardonnay.  Last tasted July 2021

Stratus Chardonnay 2012, VQA Niagara-on-the-Lake

Tasting with assistant winemaker Dean Stoyka as part of a vertical exercise in “to lees or not to lees.” Neither hue nor aromatics suggest much evolution though the low-ish acidity and tropical fruit tell an emerging secondary story. Creamy and centred, gregarious of flavour, nothing left unsaid, hidden or kept hidden away. Up front and talking vintage warmth, opulence and ripeness. Was housed in only 18 per cent new wood. For a good time, drink up.  Last tasted July 2021

As per the house promulgation, in chardonnay, “still an assemblage process,” insists Groux, “no matter what we do.” Some grapes grown for Sparkling were added back in, for acidity, complexity and ultimately balance. That and though notably barrel burdened (a good, hard burden to bare) leading to a bargain, “the best I ever had.” Major key of whose who of Niagara fruit, power acoustic chords and 12-string harmonics. Drink 2015-2022.  Tasted June 2015

A change in direction is duly noted with J-L Groux’s 2012 chardonnay, from fruit picked six weeks earlier than in 2010. The program is scaled back and the wine is more “typical” of the region, in weight, in barrel effect and in alcohol. Still quite defined by natural yeasts that “sometimes go a bit wild, but I’m getting better at it,” concedes the clinician of vinous letters. Those feisty microbes are difficult to work with, like dealing with a wine that lacks natural clarity. “You have to shut down the bacteria, teach the yeast to stop stealing the lees. In 2013 I really got it.” The ’12’s altered course is welcome and encouraged and the world should wait with bated breath for what ’13 will bring. Here the complexity of aromatics is matched only by the intensity of tropical fruit. Has balance and a soft, round feel. Again, more texture and aromatics than natural acidity. Classic J-L style. “It’s not about trying to imitate anyone. It’s about making the most interesting and most complex chardonnay in Niagara.”  Tasted March 2014

Tawse Chardonnay Quarry Road 2018, VQA Vinemount Ridge ($35.95)

Definitely a warm vintage, picked on the early side, bite still clamped down, a bit of pesto and far from reductive as noted in Quarry Roads of the recent past (i.e 2011 and 2013). Pine nut pronunciation, no malic residual transformations (there will never me) and just bloody good freshness. Last tasted July 2021

No shocker that Quarry Road always finds a way to morph and change gears, meaning every so often, a year and up to two years later there will be some significant movement in this wine. Something about the Vinemount Ridge and how its players are in constant flux, adjusting sentiments and character to keep things curious, interesting and alive. Still the unencumbered and free-flowing expression it set out to be, free to be Quarry Road and as for me, I am always enamoured by how it marries personality with age. Natural (not unlike the Natural version of itself), enigmatic and very personal. Let it be. Drink 2021-2026.  Tasted May 2021

Tawse winemakers Paul Pender and Jessica Otting

Tawse Quarry Road Chardonnay 2011, VQA Vinemount Ridge

Fantastic ten years after flinty reduction from arguably the most cracking vintage of the previous decade. As it is said, “you’ve got to feed the beauty, it doth not come cheap.” And that is what Paul Pender went for in 2011. At 10 Quarry is light on its feet, fresh, spirited jumping rope and spinning in concentric chardonnay circles. It simply reeks of beautiful Vinemount Ridge stone.  Last tasted July 2021

The pinpoint accuracy and gemstone capture of the Quarry is exaggerated in ’11, amplified and fully plugged in. From my earlier, October 2013 note: “Carries that classic Paul Pender perfume; rocks and stones, flaxen, refulgent toast and the verdure Vinemount terroir. A free flying, linear, atmospheric smear of thermal fortitude and backbone. A polemic Bowie Chardonnay to make you believe “the strangest things, loving the alien.”  Tasted May 2014

Resides on the mineral, slate and lime side of the tracks. The calcareous quality imparted by its eponymous SV terroir makes it the antithesis of David. Creamy, 24-karat fruit.  Tasted March 2012 (barrel sample)

Thirty Bench Small Lot Chardonnay 2019, VQA Beamsville Bench ($34.95)

Prick, punch and torque from the conceptual vintage get-go, a classic 2019 in the making, if by so many yet to be understood standards. A chardonnay so cool it causes a brain freeze while simultaneously moving the soul. In fact put on some vinyl Gaye, get in on, or even disco foreshadowing Temptations, echoing the chardonnay law of the land. Don’t sleep on the high level fruit, not quite fleshy but surely potent and dynamic to match the season’s verve in acidity. Fine lees, better texture and all-around vitality so essential to chardonnay. Will improve with six more months in bottle. Drink 2022-2026.  Tasted July 2021

Trius Showcase Chardonnay Wild Ferment 2019, VQA Lincoln Lakeshore ($36.75)

A single-vineyard chardonnay once labelled Oliveira and then watching Tree Vineyard but no longer, though the source remains the same. Embraces a cool 2019 vintage played out through rewards in the guise of reduction, toast, flint and drive. In cool climate varietal terms this ’19 reminds of 2011 though to be clear and certain there is more focus where by the quantity and quality of ripenesses meet at the essential points of acidity and tannin. Here is a vintage to end a decade in the most poised and poignant way. Spot on, striking and graceful chardonnay. Drink 2021-2026.  Tasted July 2021

Remarkable finesse, flavours and design @triuswines and Restaurant by Chef Frank Dodd with @coolchardonnay accompaniments.

Beyond Chardonnay

Hidden Bench Blanc De Blanc Zero Dosage 2014, VQA Beamsville Bench ($48.00)

Second vintage from a tightly contested and smaller crop, initiated by then winemaker Marlize Beyers and subsequently disgorged by Jay Johnston, following five years on the lees. Moves from the practice of poetics to the anticipatory embracing of tomorrow’s science. Full disclosure this was tasted while walking the Hidden Bench chardonnay vineyards with a traditional method sparkling wine in hand first disgorged in the summer of 2019, when the yeasts were removed and the bottle was topped with the same wine. This tasting featured a January 2021 disgorgement and the term “Brut Nature Zero Dosage used when no sugar is added to the finished wine, which provides the most authentic expression of (the Hidden Bench) terroir.” Truth and synchronicity, grace, striking engagement, pure citrus and pleasure. Who could not anticipate and wait on subsequent vintages of this wine? The best is yet to come. Drink 2021-2027.  Tasted July 2021

Stratus Brut Nature Zero Dosage 2013, VQA Niagara-on-the-Lake ($100.00)

Comes across a bit cloudy, at least as compared to the B de B with thanks to the natural, lees left intact style. The citrus component is so pronounced, as is the taut, direct, lean and intense manifold destiny of what is truly a singular Sparkling wine. That being a living, breathing, inhaling and exhaling wine, slowly releasing proteins, acids and realizing its B de B Nature dream. Just amazing what lees can do for sparkling wine.  Last tasted July 2021

Released side by each with the Stratus Blanc de Blanc 2013 and while vintage and grape are the same, the similarities almost seemingly, ostensibly and allegedly end there. Yes in fact this 100 per cent chardonnay is a child of the most excellent varietal vintage and like the B de B spent six years on the lees. Comparisons cast aside it is the very fact that because much of the lees were transferred to bottle by a minimalist’s disgorging that this cloudy bubble with a Canadian artist’s series set of labels can’t help but elicit another memory. The Lilies of Monet and their clouds represent neither the horizon, nor the top or the bottom. Nor does a bottle of this Zéro Dosage Brut. The elements of water, air, sky and earth become intertwined in a composition without perspective, or so it goes in this hazy, opaque and dry as the desert sparkling wine. So many layers of lemon can be peeled, juiced and scraped away. If a Stratus wine could be a a riddle, wrapped in a mystery, inside an enigma then here it is. The texture here is palpable and the intrigue factor surely high, so it should be imagined that longevity will be this wine’s calling card. It’s more austere than the Blanc de Blanc but I think in fact it will. Drink 2022-2029.  Tasted November 2020

Stratus Blanc De Blancs 2013, VQA Niagara-on-the-Lake ($75.00)

One gram of dosage, disgorged in January 2020. Nearly six years on the lees based on the first R & D trials done in 2006 and 2007. High level autolytic entity, a toasted affair and an idea long time coming for the Stratus team. Fine tonic and bitters. With 15 minutes of air the blooming happens, floral, expressive and complex. This wine has really developed more layers, emotions and complexity.  Last tasted July 2021

The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026.  Tasted November 2020

Stratus Vineyards “Field Blend” Ancestral 2020, VQA Niagara-on-the-Lake ($35.00)

The inaugural Stratus commercially labelled release is what winemaker Dean Stoyka refers to as “in the mindset of monks.” A field blend of sémillon, chardonnay, riesling and viognier. Pressed all together, fermented dry and then re-fermented in the bottle with no sugar added. Dry enough, or so it seems, non-disgorged, under crown cap and so very fruity. Floral, allspice and spiciness overtop apricot, pear and black walnuts conceptually turning into Vin de Noix or Nocino. A natural testament to assemblage and a great use of varieties without a home. 100 cases produced. Drink 2021-2024.  Tasted July 2021

Tawse Spark Laundry Vineyard Blanc De Noirs 2013, VQA Lincoln Lakeshore

Actually quite shocked I’ve never tasted this wine before, a Spark about which winemaker Paul Pender exults by saying “2013 is my favourite vintage for all our sparklings.” Traditional method, pinot noir from Heather Laundry’s double L vineyard and a fizz that fits and sparks. Gingered and toasty, crunchy, wave cresting and fulsome by six years on the lees. The dosage was five to six g/L, in that Pender sweet spot all around, just right, so well and good. A little romanticism goes a long way where science is concerned, especially in this medium and in Spark Blanc De Noirs 2013 one is simply good for the other. Drink 2021-2025.  Tasted July 2021

Tawse David’s Block Estate Vineyard Spark 2014, VQA Twenty Mile Bench

Tasted side by side with the 2013 Blanc de Noirs, making for a striking if surprisingly antithetical contrasting contract with this Blanc de Blancs. Aged three years on the lees and finished with the same 5-6 g/L of dosage yet here so upfront, centred and personal. More immediate richness than what pinot seems to do from Laundry Vineyard and so even in sparkling it is David’s Block and chardonnay that gift quicker satisfaction. Likely vintage driven (again, even in sparkling), very pear and shortbread, a savoury dessert of a sparkling wine. Like olive oil cake, all about the simple pleasures. Drink 2021-2023.  Tasted July 2021

Trius Showcase Brut Nature NV Méthode Traditionelle, VQA Niagara Peninsula ($55.00)

The dry as the desert Brut nature initiates with a yeasty faradism of excitement from what strikes as a minimum four to five years spent sitting on those fascinating lees. While the wine does not exactly smoulder with a toasty salutation that is no matter because textural acidity and blooming aromatics also arrive to an applause of immediate gratification. There is an exceptional level of “croccante” satisfaction that parlays that “texture” into a lasting display of bits and bites. The make up is 50 per cent chardonnay and (45) pinot noir with (5) pinot meunier and 2014 being the primary vintage source, though there is some 2013 involved. Zero dosage, top tier, notch and drop. Drink 2021-2027.  Tasted July 2021

Tawse Rosé Limestone Vineyard 2020, VQA Twenty Mile Bench ($27.95)

Tawse began crafting Rosé from (Vinemount Ridge) Quarry Road Vineyard fruit in 2017 and now here they come with Twenty Mile Bench pinot noir. From Limestone Vineyard this represents a heads and tails Rosé, meaning 40 per cent is used for Spark traditional method bubbles and the bookends is destined for this salty, straight-shooting and crisp-freckled single-vineyard blush. Double-redheaded wow! Grape, place and style all on side for so many good reasons. 1000 bottles made. Drink 2021-2023.  Tasted July 2021

Tawse Pinot Gris Lawrie Vineyard 2019, VQA Niagara-on-the-Lake ($27.15)

Not to be confused with the Lowrey Vineyard on St. David’s Bench and a best varietal vintage for Paul Pender. Far from being a “Miller-Lite or Corona” pinot gris, instead creamy, fulsome, well-versed and elastic. The furthest away from metallic and/or turbid, low on phenols, no bitters, nor tonics neither.  Last tasted July 2021

Fresh and while this young is full of its original fruit, which is the biggest plus for pinot gris because dry varietal wines have a hard time after enough time has passed on by. Sulphur is not really an issue so this delivers the varietal and stylistic goods with fruit at the lead. Good acids, persistence and balance. Drink 2020-2022.  Tasted October 2020

Tawse Winery Carly’s Block Riesling 2015, VQA Twenty Mile Bench

A sleeper vintage, not necessarily exacting out of the blocks, not heavy cropped, middle of the road in so many respects. If I tasted this before memory fails to draw any retrospective conclusions) but Carly’s ’15 has already turned towards the petrol sun, “let the shadows fall behind you, don’t look back, just carry on.” This perhaps began more than a year or two ago and today acts Rihanna outspokenly so. Lime and almost cordial by now, warm and friendly as a riesling liqueur. Quite stable, animated, holding its patterning, likely to do so for an additional three or fours years. Drink before it returns home. Drink 2021-2024.  Tasted July 2021

Tawse Limestone Ridge Riesling 2012, VQA Twenty Mile Bench

Unlike the Carly’s ’15 (tasted at the same time) this Limestone ’12 has not moved forward with any vehement haste. The lack of advancing towards petrol is curious but the softening is surely comforting. Still resplendent with a particular 2012 meets Twenty Mile Bench acidity, now oscillating while integrating with waning fruit. Drinking beautifully.  Last tasted July 2021

From the newest estate vineyard, the single-vineyard Limestone Ridge exteriorizes its name in a rubric of pressed rock, struck flint and chalky density. Paul Pender has coaxed a multiplicity oft linear character, with major notes of lime zest and juice, persistent from start to finish. A mid-pause of oozing, residual sinensis is the determinant towards the wine’s matrix of longevity. A longer, leaner, meaner and mightier Riesling charged by a different sort of power. Kinetic, frenetic and electric.  Tasted twice, April and May 2014

Hidden Bench Rachis & Derma Aromatiq! Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster sauvignon blanc, viognier and riesling, layered atop one another, full on hilt in spice, a hit of gingerbread, light in talc and salve. Good-natured and textured when well chilled, oxidative for sure, drinkable, pleasurable, done in one puncheon. Simple really. Drink 2021-2023.  Tasted July 2021

Hidden Bench Rachis & Derma Chardonnay Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster chardonnay, more spirited than the Aromatiq!, crunchy even, definitely with more spice and plenty of bite. More tannin too, structurally sound to allow more secondary character and time spent developing cooler, more energetic waves of spirit. Wild ride yet just sound and subtle enough to attract the right kind of attention. Drink 2021-2024.  Tasted July 2021

Hidden Bench Gamay Unfiltered 2019, VQA Lincoln Lakeshore ($29.95)

The inaugural gamay release from Hidden Bench is eight years in the planning and making, from 2013 through planting in 2017 and with third leaf fruit for this game changing 2019. That is because the grape and the maker were made for each other so the question begs, what took so long to take the plunge? No matter because such an auspicious start can never come too late. A wine of native yeasts, a properly prolonged, 24-day maceration, an eighth of new wood and the Lincoln Lakeshore being the ideal appellation for what wants and surely needs. More than impressive for such young vine fruit, of a light smoulder lending an essence of jasmine and by argan to red, red fruit, tightly winding acids and such gamay crunch, the likes of which are attributed to expectation, hopes and dreams. When the vineyard grows up there will be further anticipations, exegeses further afield to include cru and reserve concepts. That is a countable fact based on current evidence and credible speculation.  Drink 2021-2023. Tasted April and July 2021

Hidden Bench Rachis & Derma Gamay 2019, VQA Niagara Peninsula

Naturally refined, welcoming, open-knit and my oh my, juicy as a basket of Niagara plums and peaches blended into rooibos kombucha. Rachis, “main axis or shaft, a stem of a plant, bearing flower stalks at short intervals.” Derma, or Dermis, “the inner layer of the two main layers of the skin.” In R & D the inner workings of gamay are accessed at the natural axis between light to fruity and joyful to dark, before sous serious and after vide structured. Middle ground, believable and exhibiting intrinsic purity. Drink 2021-2024.  Tasted July 2021

Tawse Pinot Noir Tintern Vineyard 2013, VQA Vinemount Ridge ($50.15)

This July 2021 tasting is my first for Pinot Noir Tintern 2013 in bottle but I did run through two different barrels with Paul Pender back in March of 2014. The vines were only three years old at the time, on a site (next door to John Howard) Pender likens to “reclaiming the swamps,” or “the Golan Heights project.” From the Vosges medium toast the wine was already showing colour, freshness and drive. From the Vosges, medium plus toast it was a bit reductive, with more tannin and more sappy wood. This look back reveals not a vintage of varietal exhilaration but a malic one with credit due the high levels of potassium in the soil. A cherry generosity a la Central Otago by way of the Vinemount Ridge. Almost a volcanic presence, but not and yes a pinot from young vines come about as a result of winemaking. Up front, in motion, drinking really well. Drink 2021-2023.  Tasted July 2021

Redstone Restaurant

Tawse Pinot Noir Cherry Avenue Vineyard 2017, VQA Twenty Mile Bench ($49.15)

Another high-toned pinot noir from an inverted vintage, in cherry spirit, a hit of fennel and enough lingering energy while there is a meld and morph towards darker black fruit. Broad shouldered, now tannic, settling in as a pretty big wine.  Last tasted July 2021

As for Cherry Avenue the twain is met, somewhere between Tintern and Quarry, in the middle of vintage and classic Tawse styling. Both firm and bright, the fruit a cherry but a darkening black one and then the grip of place though well within vintage reason. Less structured than Quarry but not as hematic and brooding as Tintern. Solid pinot noir. Drink 2021-2025.  Tasted June 2020

Tawse Cabernet Franc Growers Blend 2010, VQA Niagara Peninsula

How remarkably fresh, inviting, enticing and that is just the aromatic front. Effusive, the greater good of burgeoning, smelling like Bourgeuil in uncanny resemblance. Nothing leafy here, just the smell of youth, post-adolescence and from a notably warm vintage. A freshness that just may be a foreshadowing of what’s to come from 2021. Heat and water, humidity and rain, yet no vine stress nor disease pressure neither. A product of great agriculture and an example of 2010’s longevity. “On the riper side but not overly ripe,” tells Paul Pender with a pragmatically raised brow. Indeed. Drink 2021-2024.  Tasted July 2021

Tawse David’s Block Cabernet Franc 2013, VQA Niagara Peninsula

Whole-souled, benevolent and keyed up though that’s the vineyard, persistent and in perpetuity. Red to charcoal fruit, quite firm and tannic for the Tawse-varietal relationship and in that sense mostly related to vintage. Was not picked until November 15th and stayed in barrel for 18 months. Not showy really, not the ripest vintage after all but surely one to promote variegation, fruit/acid layers and particularities. Wait long enough (as in seven-plus years) and these things become complexities. Drink 2021-2023.  Tasted July 2021

Good to go!

godello

 

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WineAlign

Yearning for the Langhe

Godello in Cherasco

My kingdom for an Albese plate of Tajarin at Osteria dei Sognatori or a platter of Plin at Ristorante La Libera. What a wine writer would not do for a Langhe reprise, a Piedmontese redux, a tasting of any Barolo, Barbaresco, Roero, Dogliani, Alba or Langhe Barbera and Nebbiolo, Langhe Roero Arneis, Na’Scetta e Favorita. Were things normal and they most certainly are not, but were life being lived now as it was one year ago we would be convening in Alba in two weeks time. What I would not give to break bread with a winemaker, colleague or friend in Piemonte.

Related – Barolo DOCG previews and retrospectives: 2016, Riserva 2014, 2006 and Riserva 2004

Mark these words. The two specialized and specific DOCs of Nebbiolo d’Alba and Langhe Nebbiolo will gain prominence and become a two-headed beast in 2021. The world will gather to exult, raise up and drink these fine and vastly underrated examples of classified nebbiolo. Of this I became truly privy to one year ago but also throughout 2020 as more and more nebbiolo came to be assessed across my desk. Yes it was back in January 2020 when I travelled to Alba in Piemonte for Nebbiolo Prima 2020 and Grandi Langhe. I tasted more than 600 nebbiolo, dolcetto, barbera, arneis, freisa, chardonnay, pelaverga and even riesling during the eight day work staycation. Grande.

Grandi Langhe 2020

Related – Barbaresco DOCG previews and retrospectives: 2017, Riserva 2015, 2007 and 2005

Nebbiolo Prima and Grandi Langhe Trade Fair are a back-to-back cumulative by the work of many, not the least of which are organizations such as Consorzio Albeisa, a.k.a Unione Produttori Vini Albesi, Consorzio di Tutela Barolo Barbaresco Alba Langhe e Dogliani, Consorzio Tutela del Roero and Regione Piemonte. During that trip I tasted and reviewed 230 Barolo: DOCG 2016 (197), Riserva DOCG 2014 (6), DOCG 2006 (20) and Riserva DOCG 2004 (7). For Barbaresco the number was 92: DOCG 2017 (59), DOCG 2015 (15), DOCG 2015, 2007, 2009 and 2005 (18). As for Roero DOCG, 38 notes: DOCG 2017 and 2016 (33) and DOCG 2006 and 2007 (5).

Related – Roero DOCG Previews and Retrospectives: 2017, Riserva 2016, 2007 and Riserva 2006

Here’s to hoping for a return at any point in 2021, or in 2022 for the 25th Nebbiolo Prima followed by Grandi Langhe, if that’s how it will be. In the meantime here are 44 further reviews of wines tasted in and around Alba back in January, 2020. Langhe Nebbiolo DOC, Nebbiolo d’Alba DOC, Barolo DOCG, Barbaresco DOCG, Barbera d’Alba DOCG, Verduno Pelaverga DOC, Langhe Nascetta Del Comune Di Novello DOC, Langhe Favorita DOC, Roero Arneis DOC, Langhe Rosato DOC, Vino Rosso and Birbét. Care Langhe, spero di tornare presto.

Nebbiolo d’Alba DOC

Diego Morra Nebbiolo d’Alba DOC 2016

F.rom northern facing vineyards that receive no direct sun so essentially a cool Langhe climate. Nebbiolo that sees a short maceration and French wood. Not your everyday or expected nebbiolo in a really light and transparent style. Extremely fresh and refreshing, taut, high-toned and yet this creamy texture. Richer than half-and-half, perhaps like 20 per cent fat though lactose free and not enough to be whipped. So different. Drink 2020-2023.  Tasted January 2020

Malabaila Di Canale 1362 Nebbiolo d’Alba Doc Bric Merli 2017

From the vineyard directly in front of Bric Volta. A lighter, but far from unstructured nebbiolo with a new and certain grace and still unmistakeable Canale DNA. Here you can mark another reference point, not to mention the genetic and torch passing material provided by 650 years of history, information and accumulation in experience. The demeanour is confident and gracious. Who would not want a glass every night? Drink 2020-2024.  Tasted January 2020

Mauro Sebaste Nebbiolo d’Alba DOC Parigi 2017

Comes from the same type of marly soil as the barbera, here out of vineyards located in the villages of Alba and Diano d’Alba. The vines are around 20 years of age and the wine sees one year in (30 per cent new) American 40L and French 30L barrels. The idea is to draw out soft and elegant tannins, especially by the American oak. That much is true in a nebbiolo heading towards that direction though not quite yet there. A return in two to three years should do the trick. Drink 2021-2024.  Tasted January 2020

Nebbiolo Langhe DOC

Elvio Cogno Nebbiolo Langhe DOC Montegrilli’ 2018

A name taken from Valter Fissore’s grandfather’s vineyard in the Roero, not Barolo and yes this is a nebbiolo and a wine to drink. Immediately gratifying in so many ways. From vineyards on the other side of Novello, southwest exposure and very sandy soil with just a minor amount of sandstone. Fragolina di bosco and white raspberry, a juicy wine that can quench your thirst. Just a minor grip and chalk of tannin. Hardly causes any confusion and allows you to sip and sip and sip. Grill some fish and Montegrilli’s your friend. Drink 2020-2025.  Tasted January 2020

Mauro Molino Nebbiolo Langhe DOC 2018 ($27.95, Le Sommelier Inc.)

From two vineyards, one in La Morra (estate) and one in Roero. Less than a year in old, large barrels and a purposeful one, for early and often drinking enjoyment. Bright fruit, easy, forward and will surely solicit many a happy palate for dual-drawn, doubling down pleasure. Floral, well made and proper. Drink 2020-2023.  Tasted January 2020

Bollito Misto, Sinio

Azienda Agricola Taverna Langhe Nebbiolo DOC 2018

Declassified nebbiolo from Barbaresco with mildly candied fruit, slightly oxidative, but charming. Only been in bottle maximum one month. Drink 2020.  Tasted February 2020

Sottimano Langhe Nebbiolo DOC 2018 (454017, $32.95, Le Maitre de Chai)

Youngest vines in the Basarin Vineyard at 18 years old grown in sand and clay at the foot of Neive. The Langhe nebbiolo sees 20-30 days on skins (as opposed to 30-40 for the Barbaresco), ferments naturally and at low temperatures. Glaring as a vintage with a big grin on its face, unprecedented concentration, healthy extraction and completed by elevated dry extract. Incredible intensity for the appellation, something already noted in 2015 but bears repeating, like a mantra, for kicks, compliments, giggles and kudos. The Piedmontese maceration brings so much texture and chromatic accents; tangerine, vermillion, sorrel and umber. Longer maceration, less wood (four months) and no love lost for aging, not to mention waxing rhapsodically on. Drink 2021-2026.  Tasted January 2020

Osteria dei Sognotori, Alba

Barolo DOCG

Agricola Marrone Barolo DOCG Pichemej 2015

Pichmej is a combination of two vineyards, Bussia and Santa Maria, what Valentina and sister’s Serena and Denise Marrone call “our grandfather’s wine.” Who happened to be Carlo. A nebbiolo that you really can drink now but then again that’s the thing about young Marrone Barolo. They and this ’15 Pichmej display a sense of the ethereal in their youth. Nature in conjunction with nurture, a delicate touch and phenolic regulation to near perfection. If you would like to access the portal into the reality of how nebbiolo needs to be made in modern times then begin right here and know what’s what in 2020. Drink 2020-2026.  Tasted January 2020

Agricola Marrone Barolo DOCG Bussia 2015

Compared to Pichmej this nebbiolo from Bussia is a step up in concentration and also structure, the latter being in kinship with Bussia 2016. That said there is absolutely zero compromise to the stylistic execution that makes for a Marrone Barolo. Simulates the phenolic beauty of Pichmej and of ’16 but the fullest, deepest and most complete journey happens here. Enologist Donato Lanati has coaxed the fruit but not the bitters while the sisters Marrone find excellence in completing Bussia and all the rest. Lightness of being is also accrued while the wine clocks in at a hidden 15 per cent alcohol. Magic happens and success follows. Drink 2021-2029.  Tasted January 2020

Cascina Adelaide Barolo DOCG Baudana 2015

From Serralunga d’Alba and the apposite Barolo cru, forceful, grippy, demanding, always mired in posit tension tug. That alone explains no differing opinion but pay attention to the kind of “tensione” Adelaide’s creates. The numbered beats are off, out of time, or at least not understood in fours, yet orchestrated and aligned as they should be. As in five or taking the fifth, with a spoonful of notes, lines, vocalizations and structural arrangements feeling like they are unanswered. A vintage that men are dumbfounded by but girls can tell. Baudana is a hyper real get together of brushy aromas, dedicated flavours and highly functional architecture. This one stretches and creates an elastic musculature, flexible and persistent. Wouldn’t mess with Baudana. Drink 2020-2031.  Tasted January 2020

Simone Ortale and Giuliana Drocco, Cascina Adelaide

Cascina Adelaide Barolo Riserva DOCG “Per Elen” 2014

A blend of two cru and says Simone Ortale “we choose the best to make Riserva. It’s our jewel.” The same grandi botti (as per Preda and Cannubi) but here 62 months of aging time. The most mouthfeel, filling and the silkiest chalky liquidity, tannins and layering of multifarious, mille-feuille multiplicity. A nebbiolo for the decades. Drink 2022-2035.  Tasted January 2020

Cascina Boschetti Barolo DOCG Gomba 2015

A smooth, elastic, stretched and elongated nebbiolo from the Commune of Barolo and Boschetti’s estate fruit. Drawn off of the higher reaches and also some that is sold to Marchesi di Barolo. Drink 2020-2025.  Tasted January 2020

Cascina Boschetti Barolo Riserva DOCG Sernìe 2015

Sernìe is the cru inside the cru, a selection within the selection and a word in Piedmontese dialect that essentially means just that. Surely the richer, more concentrated, fully stretched, entirely elastic and truly elongated nebbiolo. Has the violets, purple fruit, foie gras and decadence. Drink 2021-2032.  Tasted January 2020

Cascina Boschetti Barolo Riserva DOCG Sernìe 2012

This older version of the cru within the cru comes from a very select parcel and as an estate flagship nebbiolo is only produced in select vintages. The formidable 2012 season made a request that winemakers (in this case Maurizio Delpero) did not try to extract too much fruit which would also mean an excess of tannin. Yet Boschetti’s Sernìe was subjected to a Piedmontese 40-day maceration (a cappello sommerso), a classic technique that eight years later establishes an exaggeration of nebbiolo riches. Was also a generous vintage that saw to healthy fruit and quantity. Serious Barolo right here. Drink 2020-2030.  Tasted January 2020

Crudo – La Libera, Alba

Diego Morra Barolo DOCG 2015

From the river between La Morra and Verduno, two plots with separate soils and expositions to combine for a double cru cause and effect. Balanced and dynamic, a nose of power meeting finesse. No winding or cinching but more a zig-zagging, ying versus yang, AC-DC, nebbiolo going both ways. Lovely spice. Drink 2021-2026.  Tasted January 2020

Diego Morra Barolo DCOG Monvigliero 2015

From four hectares in the Verduno cru and the three Ms, Mosca, La Morra and Monvigliero. The V in the middle is for Verduno. The 2015 nebbiolo is a really pretty one, floral and understated but of obvious power. Near formidable in its restraint with bursting a real possibility at any near moment. Not quite there yet but it’s coming, it’s real, leaving meaning. “In a room made of stone your future was made.” Wait for it. Drink 2022-2029.  Tasted January 2020

Elvio Cogno Barolo DOCG Bricco Pernice 2015

Ages three years in wood, one year further in barrel. One hundred per cent Lampia clone. A little bit more classic in terms of what is Barolo. The partridge is a special hill and a place that gives away these highly specialized nebbioli and 2015 is on the border between a red and a black vintage. More black then red. A vintage that will be so right and so joyous in middle age and ideal for salty (aged) cheese and meat. Splendido nebbiolo. Drink 2022-2029.  Tasted January 2020

With Valter Fissore

Elvio Cogno Barolo Ravera DOCG Vigna Elena 2014

Rosa clone of Ravera, not quite yet released (will be in three months), dedicated to daughter Elena. A registered menzione geografica named many years ago so the size on the label is set above the DOCG. More of a Bourgogne style. Rose petals and potpourri. Red fruit and red citrus so obviously a red year. Cured like salumi, bresaola maybe or at least eat some alongside. A touch vegetal and that is ’14, sun-dried vegetable and yes, like pinot noir. The first vintage was 1997. Drink 2024-2036.  Tasted January 2020

The quality of the wines gives everyone at Mauro Sebaste every reason to smile

Mauro Sebaste Barolo DOCG Cerretta 2015

Less weight and density in 2015, both in Serralunga fruit and also tannin. Much interest here in how it intimates the richesse of ’16 but not the youthful aggression of the tannin. More freshness, linearity and understanding. No hard edges, really easy to like and enjoy and enough grip to see it develop nicely over the next seven plus years. Might even last longer than imagined. Drink 2020-2027.  Tasted January 2020

Mauro Sebaste Barolo Riserva DOCG Ghè 2014

Ghè is the Riserva of Cerretta fruit but only the smallest berries are chosen. A mega clonal version per se, a Cerretta of Ceretta. Celebrates and argues the merits of a challenging vintage, spends 36 months in tonneaux and like the Cerretta there is pure and substantial fruit. Acidity and tannin too, more than you might imagine considering the wood. Tension and grace live side by side and this is just beginning to act like it will for its essential and optimum 10 year window. Drink 2020-2029.  Tasted January 2020

Palladino Barolo Del Commune Di Serralunga d’Alba DOCG 2016

A true commune Barolo drawn off of a scattering of vineyards, a Serralunga liqueur warming, comforting and reliable, plus a vintage tannin more stringent and yet to crack. Spent two years in grandi botti plus six further months in bottle. Of roses and tar, youthfulness and tension aboard a nicely balanced and upright frame. Drink 2021-2029.  Tasted January 2020

Palladino Barolo Riserva DOCG San Bernardo 2013

The “oriental plot,” from the other side of the Ornato cru and a nebbiolo to speak of extended elévage just as it should. Now into a balsamico cadence and a tartufo lilt. A matter of funghi, acciuga and back to that truffled sensibility. So much umami, the anchovy sitting like a salty and briny slice of maritime butter on toasted crostini with shavings both pencil and earthen nuggets in origin. Oh how the feeling of the block and the greater Piedmontese emanates from one glass of Barolo that only San Bernardo seems capable of gifting. The secondary nature of this nebbiolo is astonishing, if like Christmas come early but why not celebrate now? Should keep developing, morphing, giving again and again. Drink 2020-2030.  Tasted January 2020

Renato Ratti Barolo DOCG Marcenasco 2004 (713479, Halpern Enterprises)

Has quite obviously rounded into form, now beautifully rich and preserved. Poured from magnum yet showing all of its age, fruit sweetly hanging in the balance and as a whole an elegant nebbiolo worthy of the reference. Drink 2020-2024.  Last tasted January 2020

Of the famiglie Pola e Ferro is polar as compared to the non of the Burdin. AM and D nose “car exhaust.” I am tricked by its charm and think New World Syrah, but am reminded that the colour lacks gloom. Hugely muscular, girded by plastron and decades ahead of itself. “Leave it open all night and it’ll be amazing” says Dr. C.  Tasted April 2012

Cherasco

Barbaresco DOCG

Azienda Agricola Taverna Barbaresco DOCG 2017

Comes from one vineyard, the top part of the hill, Gaia Principe it’s called, one of four that make Barbaresco in the MGA. Quick maceration, only seven days, not very Piedmontese and because the house tradition is to make wines to drink and drink now. A very fresh nebbiolo, sweetly perfumed, clear, pure and precise. Drink this most days. No good reason not to. Drink 2020-2025.  Last tasted February 2020

Very ripe and organized, developed and heading forward with great haste. Acids are brighter than some so there is light streaking through the Neive vintage darkness. Another example that speaks to the great variability in 2017. Drink 2020-2024.  Barrel Sample tasted January 2020

Barbera d’Alba DOCG

Cascina Adelaide Vigna Preda Barbera d’Alba 2016

Same vineyard as the nebbiolo for the Preda Barolo but here the barbera fruit is notable deeper and darker. Spends up to 18 months in big barrel and high acidity for Alba with just the right and deft touch of necessary volatile acidity. Rich, luxurious and lovely. Drink 2020-2024.  Tasted January 2020

Cascina Adelaide Barbera D’alba Superiore Docg Amabilin 2016

Named after the creator himself Amabile Drocco who as a child was called Amabilin. The name chosen for the wine pays homage to the family’s origins. The yields are ridiculously low (half a kilo per vine) from 3,000 kg per hectare that represents half of the consorzio’s disciplanare rule. So concentrated and a true gem in the Adelaide portfolio, in fact this is truly one of the tops in all of what is labeled Superiore. Includes eight to ten per cent Barolo fruit but not that which might end up as DOC Nebbiolo. High acidity again (as with the Preda) and ultra special tannins. Only 2000-2300 bottles are produced. Drink 2021-2029.  Tasted January 2020

Diego Morra Barbera d’Alba DOCG 2016

Roddi is the source and direct sun exposure provided for a terroir-varietal relationship that is necessary when you consider acidity rates, ripeness measurements and structural assets. Here barbera gets into beneficial bitters, speaks with assuring alacrity and extolls the virtue of a mainly steely exterior. Really spirited, fresh and alive. Drink 2020-2024. Tasted January 2020

Elvio Cogno Barbera d’Alba DOC Bricco Dei Merli 2017

Single vineyard, aged for one year in wood. The hilltop of the blackbird and a wine nosing succinctly of black cherry. No way this is simply the wine of the osteria or the honky tonk bar. The maturation here is set so high on both fronts, first sugar and then phenolic. Acidity is supportive and there is no burn. There is no jam. What shows is body strength, spirit and a soft finish. Comes from elevation where the wind blows and you can feel the cool breeze running in the veins, like cool water. Picked late September and we are thankful for that. Drink 2021-2026.  Tasted January 2020

The view from Elvio Cogno

Elvio Cogno Barbera d’Alba DOC Pre Phylloxera 2018

Pre-Phylloxera because of these barbera vines’ ability to survive with thanks to sandy soil and 500m of elevation. A red soil that was not inhabitable to the louse. The vineyard is rented from Marcarini and Valter likes to farm it to to keep the history of his family’s work alive. Lower acidity, higher concentration and an affinity with northern Rhône syrah. Cool, smooth, silky, crystal clear and the pinnacle of barbera beauty. Incredible texture. Only 2,000 bottles made. Drink 2021-2029.  Barrel Sample tasted January 2020

Lucrezia Carrega Malabaila

Malabaila Di Canale 1362 Barbera d’Alba DOC Giardono 2018

From a single vineyard, eight yearsold and aged in concrete, for a reductive environment and more important a low, natural and slow ferment. A rich deep cherry barbera to be fair, sure and completely honest with a modernity of acidity that belies the reasons why barbera fell out of favour and became hard to sell. This will do the yeoman work to continue the resurrection. A spice market from a time gone by connects Giardino to a loyal and traditional wine. Drink 2020-2025.  Tasted January 2020

Malabaila Di Canale 1362 Barbera D’alba DOC Mezzavilla 2015

From 75 year-old vines in the Mezzavilla Vineyard, located between the villages of Cisterna (towards Asti) and Canale. Just a few percentage points of oak because the fruit demands it and concrete will keep freshness but doesn’t quite do enough for this fruit. Such a soothing acidity and a presence that speaks to the sand and the clay of the land from whence it came. Taste this fruit and you will understand. Drink 2020-2022.  Tasted January 2020

Mauro Molino Barbera d’Alba Doc “Legattere®”‎ 2017 ($24.95, Le Sommelier Inc.)

A selection of barbera vineyards of soils calcareous/clayey, maceration of six days, fermented in steel, aged in French oak. Just a classic, pure red fruit, high acid and smooth texture/tannins. Round flavours, big yet somehow understated. Drink 2020-2023.  Tasted January 2020

Mauro Sebaste Barbera d’Alba Superiore DOCG Centobricchi 2016

On the hill just above Alba on the way to Serralunga, of low yields that produce just about one bunch per vine. Spends one year in new French oak to gift spice, savour, silk and palate fineness. High acidity, at times too high but necessary to foil the hedonism. A piqued and plentiful barbera that in the end comes down to farming. Drink 2021-2026.  Tasted January 2020

Palladino Barbera d’Alba Superiore DOCG Bricco delle Olive 2017

Big barbera, 15 months in (50 per cent new) tonneaux with violets and spice smothering all else. Despite the enormity of it all this is barbera in a balanced varietal world and Bricco delle Viole is clearly a Superiore terroir from which to approach with great ambition. All assets are encouraged and flaunted  within the grand scale of this particular Alba spectrum. Will improve with some further wood integration. Drink 2021-2025.  Tasted January 2020

Azienda Agricola Taverna Barbera d’Alba DOC 2018

The red fruit juiciest and most succulent Barbera d’Alba with great acids. Make you wish more varietal wines like this would align, draft and glide alongside. Fresh and just lovely. Drink 2020-2023.  Tasted February 2020

Verduno Pelaverga DOC

Diego Morra Pelaverga DOC 2018

Diego Morra’s pelaverga ’18 is clear, concise and pure, lying with a varietal heart at its most effusive. Prim as is imaginable while a big expression for a light and silken grape. From a “normal,” manageable and consistent vintage. A wine executed with molecular gastronomy to an end forged by a grape-wine relationship. Social, artistic and technical pelaverga, investigating the physical and chemical transformations of ingredients that occur in farming and then, winemaking. Drink 2020-2024.  Tasted January 2020

Vino Rosso

Malabaila Di Canale 1362 Donna Costanza Cardunaj Vino Rosso 2017

A digestif wine, a Brachetto vinified dry and so curious. A dessert wine with no fizz and just a touch of sweetness. A moment’s Amaro bitters but no sense of liqueur. Odd to be sure. Drink 2020-2022.  Tasted January 2020

Método Classico Vino Spumante Di Qualita

Malabaila Di Canale 1362 Pas Dosè Método Classico Vino Spumante Di Qualita

A 50-50 nebbiolo and arneis mix, seven years on the lees, from the 2012 vintage and disgorged in October 2019. Yes you read this properly, seven years on lees. The Malabaila connection to the Esterhazy royalty in Austrian indirectly bridges two estates and you can’t help but think about the Blanc de Blancs made in the Burgenland. Zero dosage means lean, direct, sharp and energetic bubbles with remarkable precision. These are Grandi Langhe bubbles from Roero, not to be missed. First vintage was 2010. Can’t be Millesimato because it’s a blend. Drink 2020-2025.  Tasted January 2020

Langhe Rosato DOC

Malabaila Di Canale 1362 Langhe Rosato DOC 2018

From Lucrezia Carrega Malabaila with perfectly typical Rosato colour for nebbiolo taken from Roero lands. ’Tis a coppery hue, sexy rusty, mimicked in flavours with a note like lemon tisane. Steep in some currants and sweet herbs and you get the picture. Poured from magnum and good thing because a table of six would have otherwise gone very thirsty. Drink 2020-2022.  Tasted January 2020

Langhe Nascetta Del Comune Di Novello DOC

Elvio Cogno Langhe Nascetta Del Comune Di Novello DOC Anas Cëtta 2019

Cold stabilization and some wood aging but in botti, no longer in barriques. I have yet to put the nose to my glass and the aromatics are coming out. A semi-aromatic grape with here in 2019 from peach, elderflowers and high level acidity. I would imagine it’s most akin to chenin but even that is a stretch. The drinkability meeting complexity is off the charts. Once you go tactile-textile nascetta like this you may never go back. Approximately 16,000 bottles produced. One of now 30-plus producers in the Langhe. Barrel Sample tasted January 2020.  Drink 2020-2023

Le Strette Nas-cëtta Langhe DOC Pasinot 2018

Nascetta, or Nas-cëtta, as they say in the commune of Novello with fruit out of Pasinotti, Bergera, Pezzole and Tarditi at altitudes of 350 to 420m. Planted over many decades, in 1948, 1983, 2009, 2014 and 2016. The Piedmontese grape rarity likes the sandy, calcareous clay and its emission is semi-aromatic. This example sits somewhere between riesling and gewürztraminer though truth be told seems closer to friulano what with its glycerin and off-dry sentimentality. Novello is the place and the heights help bring about the oiliness and preserved citrus notes from the grape. Needs another year to fully bloom. Drink 2021-2025.  Tasted January 2020

Langhe Favorita DOC

Malabaila Di Canale 1362 Langhe Favorita DOC Donna Costanza 2018

A label made by Lucrezia’s father (who passed away in 2010) for his wife and her mother. Endemic, full of drive, a touch of a sweetness and in a way a cool, northern example that is linked to inzolia, or even zibbibo. More texture here and alloy notation. Lingers with herbs and sweet citrus. Drink 2020-2022.  Tasted January 2020

Roero Arneis DOC

Malabaila Di Canale 1362 Roero Arneis DOC Pradaj 2018

Pradaj in Piedmontese is “A valley with grass and flowers” and clearly a reference to the aromatics in the grape variety from this place. A perfectly correct and referenced arneis indeed and an ideal match to the local Plin agnolotti filled with herbs. When the arneis from Roero speaks clearly it does so like this, unadorned, floral and calm. Drink 2020-2022.  Tasted January 2020

Birbét

Malabaila Di Canale 1362 Birbét Donna Costanza 2018

Mosta d’Uva parzialmente fermentato or, grape must partially fermented to five point five per cent alcohol. Served traditionally as dessert though it could certainly be employed in aperitivo format, as Brachetrto d’Acqui often is. Very cherry, lightly carbonated and sweetly herbal. Simple pleasure. Drink 2020-2021.  Tasted January 2020

Good to go!

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Godello in Cherasco

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Twenty Canadian wines that rocked in 2020

(c) @tiny.wide.world and @winealign

Year-end lists and greatest hits have always elicited a personal introspective fascination, not any lists mind you but mostly those involving music. Always curious to find out if someone else thought the same songs or albums aligned with your own. Such lists are met with growing skepticism and so the words “top” or “best” should be taken with a grain of salt, scrutinized with impunity, viewed with subjective prejudice. Music and wine need not be considered as ranked, top or best but instead contemplated with dead reckoning, as if throwing a buoyant opinion overboard to determine the speed of the mind’s emotion relative to thought, which was assumed to be dead in the waters of judgement. The feeling of being moved, stirred up in sentiment, excited and reaching deeper into understanding, these are the reasons to tally a culminating register. Neither for enumeration nor for classification, but for the indexing, of harbingers and that which makes us feel.

(c) @tiny.wild.world and @WineAlign

What transpired over the previous 12 months has not left the arena of the unfathomable and the absurd, but with respect to Canadian wine there can be no doubt that a next level of greatness was reached. Holiday time will be somewhat solitary as 2020 winds down and while the sharing of bottles will surely mean more repeated sips for the few involved, they will be sweet ones and are not to be taken for granted. As for the exercise of creating a rocking roster of Canadian made wine, well here on Godello this so happens to be the eighth annual for an instalment that first appeared in 2013. Now adding up to seven more entries than the first and acting as natural segue, a transition and salvo towards crossing over the threshold where 2021 awaits.

Related – Nineteen Canadian wines that rocked in 2019

Twenty. Not an arbitrary number but rather an arbiter of perpetual and developmental prowess of a nation’s wine-producing ability and surely while knowing that no fewer than 20 others could of, would of, should of made the grade. The quote is a timeless one and will be employed once again. This curated list is “biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada. The winemakers in this country are in full command of their acumen, craft and future. They own it.”

Related – Eighteen Canadian wines that rocked in 2018

In 2020 Canadian wine came to my tasting table in ways no other year made it happen. There were no excursions to British Columbia, Nova Scotia or Quebec, save for a 36-hour round-trip drive to Halifax in delivery of precious human cargo. No Cuvée or i4c. No VQA Oyster competition, Somewhereness or Terroir Symposium. No walk-around tastings. Despite going nowhere the opportunities to sample Canadian wines were of a number higher than ever before. Safely distanced tastings at WineAlign headquarters, at the welcome emptiness of Barque Smokehouse and in our homes brought Canada’s finest bottles to us. Though we were unable to convene in June at the WineAlign National Wine Awards of Canada, a prodigious alternative became surrogate in the guise of the Guide to Canada’s Best Wines, a.k.a WineAlign’s GCBW. Over the course of six weeks we tasted through 860 samples and not just any mind you but truly Canada’s best. We were sad to miss Tony Aspler’s Ontario Wine Awards and David Lawrason’s Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates. Here’s to hoping 2021 will usher in a return to assessing and celebrating together.

Related – 17 Canadian wines that rocked in 2017

Aldé Rosé, Interloper and As Is

Related – 16 Canadian wines that rocked in 2016

The numbers chosen to cant, recant and decant excellence in Canadian wine continue to march ahead, as promised by the annual billing. In 2018 the list counted 18. In 2017 there were 17 and in 2016, 16 noted. In 2015 that meant 15 and 14 for 2014, just as in 2013 the filtered list showed 13. Last year? You would be correct if you guessed 19. There is no red carpet for 2020, it just doesn’t feel appropriate or right but keeping on is essential. “Whence comes the sense of wonder we perceive when we encounter certain bottles of art?” Here are 20 most exciting Canadian wines of 2020. Twenty Canadian wines that rocked.


Le Vieux Pin Ava 2018, BC VQA Okanagan Valley ($29.99)

Calculated, figured and reasoned, a 51 per cent roussanne, (36) viognier and (13) marsanne organized, Rhône motivated blend that just fits right. A kiss of new wood and a 35 per cent wood campaign, slightly more in steel and then the other freshener, that being a fifth of this exceptional vintage fruit having seen time in concrete tank. Yes the aromas are wildly fresh, far away tropical and cumulatively enticing. A white blend of rhythm and soul, actionable in every part of its drift and coil, democratic, of no accident, come up to please and at the same time, foil. Offers this and that, high tempo acids opposite fully ripened fruit and all tolled, wrapped up with a tailored bow. Drink 2020-2024.  Tasted October 2020

Cave Spring CSV Riesling 2018, VQA Beamsville Bench, Ontario ($29.95)

Cave Spring’s is Ontario riesling and along with three or four others the CSV has been the benchmark for decades. CSV is one of the reasons to believe in riesling, versatile, brutally honest, speaker of the mind, telling us like it is. As for 2018, frosts in late ’17 reduced the upcoming vintage’s yield potential. Long, hot and dry was ’18’s summer and so doubling down occurred. Less yet highly concentred fruit was pretty much assured before September turned wet and humid. CSV embraces and stands firm in its dealings with nature so while there is more flesh and flavour intensity there too is the tried and true structural backbone. Surely a highly phenolic riesling but every aspect is elevated in this game. A hyperbole of itself, gangster riesling, the jumbo package, age-worthy and stone-faced beyond compare. Best ever, perhaps no but perchance something new, riveting, magnified, extravagant and well, fine. Drink 2022-2032.  Tasted October 2020

Charles Baker Picone Vineyard Riesling 2017, VQA Vinemount Ridge, Niagara Peninsula, Ontario ($37.20, Stratus Wines)

The concept behind Baker’s single-vineyard riesling is for the top tier one to be possessive in the matters of majestic and dignified, which quite honestly it is. Funny vintage that ’17 was and yet in riesling there can be this slow melt, tide and release of intricacy and intimacy, which this Picone does. Like taking a picture with the slowest shutter speed, allowing the sensor a full allotment of time in its exposure to light. This is the dramatic and hyper-effect and how Baker captured the highest riesling resolution imaginable. The succulence in the acids over top juicy, juicy fruit and this great entanglement is majestic and dignified. My goodness Charles, I think you’ve done it. Drink 2021-2032.  Tasted April and October 2020

Martin’s Lane winemaker Shane Munn

Martin’s Lane Riesling Simes Vineyard 2016, BC VQA Okanagan Valley, British Columbia ($45.00)

First tasted at the winery in 2018 after only one year in bottle. A cooler vintage and less residual sugar (4 g/L vs. 6 in 2015) and also one reaching for its phenolics. The Alsace Clone (49) planted in 2008 is coming into the zone with this textured ’16 from one of three single vineyards on granite in East Kelowna. There is that minor number of sugar but there are acidities and reminiscences to the motherland that supersede and infiltrate the nooks and crannies of the fruit. Who in the Okanagan neighbourhood would not be envious of the clean clarity that this riesling achieves. Very focused, tightly wound and surely able to unravel ever so slowly, developing beeswax, honey and gasses as it will, over a ten year period. Drink 2020-2026.  Tasted April 2020

Tawse Chardonnay Quarry Road Vineyard 2016, VQA Twenty Mile Bench ($37.15)

Wound tight like a coil around a winch with precise threading and pinpoint spacing for chardonnay that wins the vintage. Reductive style to be sure but only truly noted because of the freshest vibes this side of Motown. Got rhythm and blues, not to mention funk and soul. Clean beats, in step, three-part backing vocals and a purity of sound. Taste relays all these things and more, of succulence and in satiation guaranteed. In other words timeless and the willingness to pour on repeat will be a continuous thing of perpetual satisfaction. Last tasted October 2020. There is no secret that 2016 can align itself with the best of them in Niagara and chardonnay is clearly right in the middle of the discussion. Knowing that, how could the iconic triad of varietal, producer and vineyard not rise like fresh summer fruit cream to the top of the discourse? The years of Pender and Bourgogne barrel studies have come to this; spot on in blending Quarry fruit from wood and associated forests, staves and toasts, here the crux of sonic, sonar, and olfactory waves are met in optimum phenolic crash. The crush of chardonnay, the cryogenic liquid wait and the ultimate goal is achieved. Balance is struck at 12.5 degrees alcohol and all the perfectly seasoned grape tannin you could want. Drink 2020-2027.  Tasted May 2020

Leaning Post Senchuk Vineyard Chardonnay 2018, VQA Lincoln Lakeshore, Ontario ($45.20, Nicholas Pearce Wines)

Set apart from the Bench wineries and while still beneath the Niagara Escarpment Senchuk Vineyard sits on more of a plain that gently slides down the Lincoln Lakeshore and into Lake Ontario. Perhaps it will become Ontario’s next sub-appellation. Sandy soil is maculated by largish stones three to four feet down. This atop a bed of grey clay so the low vigour of the sandy soil will be offer up a flip-side, a foil to the heavy clay of nearby locales like the Beamsville Bench. This third chardonnay from the home vineyard comes off of vines planted in 2011 so now this seven-year old fruit is starting to really mean something. And Ilya Senchuk is a winemaker who studies, concentrates and plans his work around clones. It’s not just about where to plant which varietals but which clone will work best and where within the greater where. Vineyard, vintage and variance. Senchuk truly believes that greatness is determined by varietal variegation, from vineyard to vineyard and from year to year. From 2018: 64 per cent Clone 548 and (36) Clone 96. Listen further. Warm season so picked on September 18. The grapes were gently whole cluster pressed (separated by Clone), allowed to settle in chilled tanks over night. The juice was then racked into barrels; Clone 548 – one puncheon and three barriques, Clone 96 – three barriques, where they underwent spontaneous alcoholic and malolactic fermentation. The lees were not stirred and it was allowed to age for 16 months. Power, body, tons of fruit, definite barrel influence, a southern Bourgogne kind of vintage, so maybe Pouilly-Fuisée or Maconnais Village with a specific Climat. For the time being we call the Village Lincoln Lakeshore and Senchuk Vineyard the geographical designation. The lemon curd and the acidity are there in a great tangle so yes, this is trés cool chardonnay. I think we can safely say already that the Pinot Noir and the Chardonnay grown in Ilya and Nadia’s home vineyard is on its own, one of a kind and makes wines that don’t taste like anywhere else. This 2018 cements the notion and opens the next stage of the discussion. Drink 2021-2027.  Tasted July 2020

Lightfoot And Wolfville Ancienne Chardonnay 2017, Annapolis Valley, Nova Scotia (462093, $56.95)

Exceptionalities worthy of hyperboles are befitting this chardonnay of concentration, textural satisfaction and immediate gratification. Apple distillate to nose, a walk through a perennial garden on Fundy shores in late summer bloom and then citrus in so many ways, incarnate and teeming with briny, zesty flavour. If your are counting at home, this Lightfoot family wine by way of Peter Gamble and in the hands of winemaker Josh Horton is now six years into its tenure. As the crow flies, qualitatively and quantitatively speaking refinement has never ceased to improve. Has arrived at its new Minas Basin tidal heights, crisp and salivating, finishing on the highest of notes. Chardonnay god of ocean tides, “all night long, writing poems to” Nova Scotia. Drink 2020-2024.  Tasted October 2020

(c) @tiny.wide.world and @winealign

Mission Hill Perpetua 2018, BC VQA Okanagan Valley, British Columbia ($60.00)

Dichotomy in chardonnay, grand and graceful, powerful and elegant. Reductive and not acting this way but rather in what is now descried as the post modern style of chardonnay, from Australia to New Zealand, Bourgogne to B.C. Huge fruit concentration, wood equalizing yet in check, acids controlling yet relenting, structured assured though not overly complicating. Orchards combed and fruit brought in to make the composition sing with flavour while the work put in shaves down the rough edges and pieces fit snugly together. Top vintage for this label. Drink 2021-2026.  Tasted October 2020

Blomidon Cuvée l’Acadie, Annapolis Valley, Nova Scotia ($35.00)

The entirety of a sparkling wine oeuvre is modified and transmogrified, designed and decreed of a new morphology where l’Acadie is concerned. It must be conceded that the Nova Scotia varietal speciality is destined to create cracker, lightning rod, back beats and bites in Nova Scotia sparkling wine. This from Blomidon adds spice, apple skin, orange zest and stony moments throughout. It’s amazing. Drink 2020-2025.  Tasted October 2020

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2015, Traditional Method, VQA Short Hills Bench, Niagara Escarpment, Ontario (315200, $49.95)

As always 100 per cent chardonnay and 2015 is perhaps the vintage of the most golden toast, as if made by agemono, with the most lemon and lees ever assembled in a Cuvée Catharine, vintage-dated Sparkling wine. An intensity of aromas swirl around in citrus centrifuge into which the gross cells don’t seem to want to go. On the palate is where they rest, layered and leesy, textured with a sense of weightlessness and wonder. Henry of Pelham channelling an inner Japanese cooking technique. Feels like some time is warranted to pull all this together. Drink 2021-2025.  Tasted October 2020

Stratus Blanc De Blancs 2013, VQA Niagara-On-The-Lake, Ontario ($75.00)

The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026.  Tasted November 2020

At a Somewhereness gathering a few years back Thomas Bachelder poured me his first gamay and while I remember the light, I could not have known what complex cru notions the maniacal monk had up his sleeve. Who knew that Twenty Mile Bench gamay would gain standing in “Villages,” “Naturaliste,” and two Wismer-Foxcroft iterations. And so here we are with the more intense of the two whole cluster siblings and the one chosen to celebrate its 52 per cent wild bunch inclusion. The fermentation technique transposed seems almost “alla vinificazione Piedmontese a cappello sommerso,” though by way of sangiovese in Chianti Classico what with a glycerin feel and a formative fabric so tactile to the mouth’s touch. Stemmy? Not a chance. Herbal? Nope. More like a Côte de Brouilly to the Wismer-22’s Brouilly, not quite Morgon but savour and structure are serious, righteous and very much here. That I did not buy cases of this stuff is a real concern. Drink 2020-2027. Tasted November 2020

Malivoire Courtney Gamay 2018, VQA Beamsville Bench, Niagara Escarpment, Ontario (524231, $29.95)

What Courtney brings to the table in gamay is what we’ve come to expect from Ontario, that is structurally contracted and age-worthy wine. Now understood to be a Cru designate, carved from a decade of research and well-defined. You could build an entire cellar by way of Malivoire’s multi-varietal work and the many tiers they fashion from drink now, through mid-term aging and up to here in a gamay that will go long. I’ve tasted a few older Malivoires lately and have been blown away by their longevity and also tasted this Courtney from barrel last winter. The whole bunch strategy has come to this, a knowable, beautifully swarthy, fruit protected and into the future protracted guarantee of fortitude and change. Reminds me of Michael Schmelzer’s Montebernardi Panzano sangiovese. Grande. Drink 2021-2028.  Tasted October 2020

Rosehall Run’s Dan Sullivan and Goode

Rosehall Run Pinot Noir JCR Rosehall Vineyard 2018, Prince Edward County, Ontario ($42.00)

Fortuitous time and place are the combined recipient of the primary assist for Rosehall’s JCR Vineyard pinot noir, a varietal stunner that seduces from the word go. A drinking vintage, early, ethereal, not lacking but easing in and out of structure, ready to please in the proverbial vein of immediate gratification. Then the County tones, reverb and static mosey on in like a Telecaster’s light jing-a-ling. Rises to an interlude crescendo and explodes into rock ‘n roll bands. In the County the poets make these things happen, then “sit back and let it all be. Tonight, in Jungleland.” Drink 2022-2026.  Tasted July and October 2020

CedarCreek Platinum Pinot Noir Block 2 2017, BC VQA Okanagan Valley ($54.90)

Block “2” is genuine and fine pinot noir, a pinpointed example multi-faceted in its origins. An exclusive block and also a dedicated clone to make this what it is; ripe stem earthy in phenolics ripe and ready plus a natural and wild fruit sweetness that can’t be replicated by anything but what happens on and from the vine. Anytime pinot noir is experienced as a wine at one with site, clone and vine you know it, feel it and intuit the connection. The forging is a bond unbreakable, as here with Block number two. Drink 2020-2025.  Tasted October 2020

Culmina Hypothesis 2014, Golden Mile Bench, BC VQA Okanagan Valley (414243, $49.95, Arterra Wines Canada Inc.)

The Triggs original, Hypothesis is an Okanagan Valley flagship red that celebrates the upper benches in what has become the great Golden Mile. This district is no longer a matter of new fashion, it is in fact a place to make serious Bordeaux-varietal red wine. Whether cabernet franc or merlot take the lead there is always cabernet sauvignon to tie the room of lit luminescence together. Culmina’s is bright-eyed on a face of dark fruit, chewy like liquorice and sweetly herbal, naturally sweetened by dessert warmth ripening. You smell, feel, sense and taste the land in this wine. That’s what makes it so special. Drink 2021-2028.  Tasted June 2020

Black Hills Nota Bene 2018, BC VQA Okanagan Valley, British Columbia ($68.99)

Methinks winemaker Ross Wise is giddy (and that’s a stretch for the stoic man of leisure) in what he must know will be the great eventuality of the Nota Bene 2018. By way of reminder this is one of Canada’s most accomplished and massive reds of great notoriety. The flagship of Black Hills in Bordeaux blend apparel, master of ceremonies and lead singer for B.C. Climat, Somewhereness and terroir. The maestro blend to speak of mystery, riddle and enigma. This ’18 is smooth and I mean smooth, ganache silky and focused. In youth you chew the mouthful, later on you’ll draw and imbibe. Further on down the road you will sip and savour. Quietly luxurious, rampantly delicious and pridefully profound. Top. Grande. Drink 2023-2031.  Tasted June 2020

(c) @tiny.wide.world and @winealign

Megalomaniac Reserve Cabernet Franc 2017, VQA Twenty Mile Bench, Ontario ($49.95)

Ah, finally! This is the aromatic profile of a reserve style Ontario cabernet franc, well, not “the” but “a” godly one. Concentrated and layered, like phyllo or puff pastry folded again and again upon itself. May seem dense and without air at this time but with time the folds will expand and stack with weightlessness. The variegated red fruit in betweens are juicy, sumptuous and so packed with flavour they will burst when bitten into, or in this case, explode in the mouth. Texture too is all pleasure, as will be the eventuality of exceptionality created by a triangle that includes complete and fine tannin. One of the finest and from a vintage that holds the cards for cabernet franc excellence. Drink 2022-2029.  Tasted October 2020

Thirty Bench Small Lot Cabernet Franc 2017, VQA Beamsville Bench, Ontario ($75.00)

Niagara’s most premium solo cabernet franc is turned upside in 2017 and does everything that needed doing to make what is quite possibly the best solo effort in that vintage. Of fruit so dark yet pure and allowed to act, move and speak as varietal in place. Walks that Beamsville Bench walk and talks that cabernet franc talk. World-beating, wholly and truly. Drink 2020-2023.  Tasted October 2020

(c) @tiny.wild.world and @WineAlign

Hidden Bench La Brunante 2016, VQA Beamsville Bench, Ontario ($85.20)

From a La Brunante year to speak of truths and there is no doubt the team was excited about the prospects of this formidable Beamsville Bench blend. The triad is merlot (43 per cent), malbec (35) and cabernet franc (22). I’d say it was the warm climate and long season that lead to then winemaker Marlize Beyer’s decisions of assemblage. You could pour this blind with red blends from Bordeaux and Australia with nary a taster being able to truly separate one from many others. And yet there is a singularity about these aromatics that are so hard to define, like spices in their simmering infancy ahead of what brand of togetherness they will assign. As for texture and length, balance is exemplary and longevity guaranteed. Drink 2022-2030.  Tasted May 2020

Good to go!

godello

(c) @tiny.wide.world and @winealign

Twitter: @mgodello

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