Journalist hard at work, Photo (c) Christine Lechner
On a glorious February afternoon in between Anteprime days I exited the car at Bibbiano and noticed this most beautiful stone wall bathed in Chianti Classico light. Castellina in Chianti light to be precise, overlooking the Elsa Valley towards the castle of Monteriggioni and I laid my body down for a quick rest. Here in Bibbiano with Montornello on the northwestern side and on the southwestern, Vigna del Capannino. A stillness filled the air. Minutes later, refreshed and ready, I sat down to taste Bibbiano’s wines.
Bibbianaccio. It means bad boy, not literally but this is what it means all the same. Cattivo Ragazzo would be the literal translation of bad boy but an avant-garde IGT from Tommaso Marocchesi Marzi called Bibbianaccio is the elucidation we are going with. A wine that breaks from current ranks by metaphrasing ancient tradition in order to dwell on the past and pour with current modernity.
Tommaso Marocchesi Marzi and his brother Federico are responsible for crafting such a devilish IGT Toscana and it’s a most unusual departure from the rest of their classic renderings of Chianti Classico. Their Annata, Riserva and Gran Selezione sangiovese are steeped in praxis and birthright, adhere to a deeply soulful, local Castellina in Chianti style and the thread run through all three DOCG levels is both obvious and uncanny. What stands further apart with glaring clarity is the determinate or indeterminate Bibbiano slope each wine draws their fruit from. In some cases one or the other and in others, a combination of the two. Montornello and Vigna del Capannino. The descending vineyards on either side of the Bibbiano plateau offer up an incredible study in contrasting Chianti Classico geology.
February? #chianticlassico has no issue with #february nor Godello neither.
“The name Bibbiano is of late Latin origin (circa 200 A.C.) and the first historical reference to the name is dated 1089, preserved in a parchment currently preserved in the Abbey of Passignano. It is a record of the deed of donation of the “curte” (court) and of the “castello de Bibiune cum ecclesia, cum casis, (…) viteis (…)” (castle of Bibbiano with church, farms, and grapevines) from Mingarda di Morando to Giovanni di Benzo.” In 1498, Bibbiano is registered in the Cadastre of the Decima Repubblicana as being owned by Matteo di Piero di Francesco Squarcialupi.”
In 1880 Antonio Marzi, son of Pietro, expanded the property of Bibbiano by adding other plots such as Gagliano, Gaglianuzzo and Padule. In November 1942, together with Giulio Gambelli, Pier Tommaso Marzi started producing Chianti Classico wines at Bibbiano. After World War Two Pier Tommaso Marzi and his son-in-law Alfredo Marrocchesi began major renovations, with the help of Gambelli. The work started in 1950 and ended in 1970 with the completion of a large wine cellar, the planting of 20 hectares of specialized vineyards. The family has been a member of the Consorzio di Vino Chianti Classico since 1948.
A study of the district of Castellina in Chianti and geomorphological Bibbiano is paradigmatic to the variety of the appellation. The estate is placed at the southwestern side of the area with altitudes varying from 250m to 600m. It’s plateau is perched on two slopes, on a late Miocene and early Pliocene seabed platform aged 5-10 million years. On one side the highest and eastern is based on primary boulder platforms; the lowest and western on silt sediments. More specifically it is broken down as calcareous silt and sediments of diverse kinds of clay mixed with round pebbles, rare sands, rare chalk veins on the NE estate side; pure gray clay with fragmented limestones, shattered schists on the SW estate side.
A river of adroit style runs through the wines of Bibbiano. They are uncluttered, ingenious, precise and successive sangiovese (and sangiovese grosso) wines of tradition and modernity. I tasted Chianti Classico Annata, Riserva, Gran Selezione and IGT. Here are the notes.
A river of adroit style runs through it @bibbianowines #ingenuity #uncluttered #succession #precision #chianticlassico #chianticlassicoriserva #granselezione #bibbianaccio #tomassomarocchezimarzi
Taken out of both the north and south vineyards (the estate sits on the ridge of Bibbiano at 310m) from the difficult, rainy vintage. Tommaso Marocchesi Marzi notes that “being organic you have to be very careful with your farming” but despite the adversity the fruit came clean. You get freshness, acidity, florals of a wide range, fennel-liquorice, mint and savour, taut sapidity, but not wound so tight you can’t gain access. The vintage solicited a careful selection, more so than usual but not so out of the ordinary. Yields were low as result. This is very sturdy, essential sangiovese of tradition, proper description of its dual terroir and what it means to be in this wine. From calcareous pebbles in variegated clay and sharp schist in red clay. Smells like the slopes and its natural growth, with just a touch of colorino, raised all in concrete and no wood. Is what it is, perfect and imperfect. Drink 2017-2021. Tasted February 2017 @bibbianowines@chianticlassico@ChiantiClassUSA
A rich liquere, weight and warmth define this sangiovese from Castellina in Chianti by Tommaso and Federico Marrocchesi Marzi. While the old school leather, cherries and steeping liquor are in line with many Brunello this is pure Chianti Classico and not Riserva. The clarity and purity of fruit make that determination even if the wine is warm to mulled in feeling. Will settle a bit and develop its mushroom, truffle and forest floor nuances sooner rather than later. For fans of bold CC and the way it can be thought as has to be. Drink 2018-2022. Tasted January 2017
Montornello is 100 per cent sangiovese grown on the eponymous northern slope, the one with the variegated soil. Montornello is the (five million years) younger of Bibbiano’s two geologies, a platform of several types of partly calcareous, loose clay; red, yellow, amber and white. As floral as the ’14 annata but more mellow, serious and of a noted confidence. Some barriques are employed but the fruit is not shrouded in any way. Scents of liquorice again, plus graphite, a toasty char, warm tar and some beneficial bitters. Finishes strong, seamless and cool. Drink 2018-2023. Tasted February 2017
Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2011, DOCG Tuscany, Italy (Agent, WineAlign)
The vineyard “Del Capannino” was planted in the 1950’s by the late great Giulio Gambelli, assistant to Tancredi Biondi-Santi. Not surprisingly and in connection to Brunello di Montalcino it is a clonal planting of sangiovese grosso, with further propagation done in the 1990s. The rich Albarese soil of Del Capannino enjoys the finest exposure and microclimate on the estate and is considered the best expression of Bibbiano’s “genius loci,” the spirit of the place. The first single vineyard vintage was 1998 and the Riserva designation switched to Gran Selezione in 2014, retroactive to the 2010 vintage. Today Bibbiano uses Botti (di rovere) Grande and Tonneaux (beginning in 2008) after barriques had been used for years. Still and always has been 100 per cent grosso, the only producer to do so in Chianti Classico. And so theirs is a liqueur that of course takes your mind to Brunello but this is purely Castellina and Chianti Classico so don’t be confused or tempted to settle for idyll comparisons. This has freshness, purity and that enticing meets teasing acidity, certainly consistent with and of no divergence to Bibbiano style. Ties to CC and CCR are blatant, necessary and so very pleasing. There is great structure but you can think about drinking this in its youth. It wont let out all its secrets but it will begin to tell its story. A story of territory. Drink 2019-2028. Tasted February 2017
Bibbianaccio comes to light in its inaugural vintage, “the bad boy of Bibbiano.” Who is this bad boy, wine or man, referring to Tommaso Marocchesi Marzi perhaps, or is it something other? The 50 per cent sangiovese, (40) colorino and mixed varietal (including malvasia bianca) blend is an ode to a time before, when Chianti Classico regional wines were blends filled with whatever grew in the fields and men were men. This (mere production of 2,000 bottles) one is forged with extended battonage, malolactic is done in tonneaux and then the blend is assembled and sent to Slavonian oak. The bad more likely refers to a departure, a break from the stylistic and the the territorial approach. His purpose is “to show that we are capable of anything,” insists Tomasso. His rebel is floral and it reminds me of a northern Rhône syrah-viognier, in a sangiovese-colorino with white grape addendum body. Colorino brings the colour, but texture is also ushered in. The punch downs, the stalks mined in, the wood and the compression all give this a vivid, fleshy reality. It’s also much more tannic than the straight-shooting sangiovese. Bibbiannacio is yet another wine tasted in Chianti Classico with no frame of reference, or certainly not one that I have ever tasted before. It is drawn fruit on down from both sides of the Bibbiano plateau but I really taste the calcaire, liquid chalky and mixed with that tannin showing that some further bottle time is needed. Drink 2019-2025. Tasted February 2017
Two sides of Bibbiano: Montornello and Vigna del Capannino
Last Thursday I flew home from Germany after attending Prowein 2017, a massive wine fair in Düsseldorf that has to be seen to be believed. Picture nine immense convention halls each the size, depth and breadth of a Canadian football field, connected to one another and circling a courtyard like hangars in surround of incoming and outgoing flights at a major airport. The sheer quantity of human power and logistical planning required to facilitate and execute such a congress is in fact not unlike what happens every day at Frankfurt International. There may not be 100,000 employed to run Prowein, but at least that many wine stems are engaged.
It’s also hard to believe that this time yesterday I was standing on the crest of the red sandstone Grand Cru Neirstein vineyards overlooking the Rhein River. In advance of my trip to Germany I had the chance to taste through next weekend’s VINTAGES April 1st release and you will be pleased to find no shortage of quality wines under $20, many of which will solve your in advance of Easter needs. A token pinot noir with an anything but token twist and two hopping chardonnays are included for classic holiday food and wine association but I dig deeper into soils, varietal diversification and terroir for holiday pairing perfection.
There is no secret that Spain and Portugal sit at or near the pinnacle of Ontario consumer go to picks in the genre occupied by bargain reds. While the two recommendations below will certainly pair well with a feast of festive proportions, they also resurrect some grape varieties you might not automatically consider. Alentejo in Portugal and Castilla Y Léon in Spain offer great opportunities to discover local, endemic, world-class red wines. This early spring Ontario cold snap will soon be a thing of 2017’s winter past so I would suggest to get that BBQ tune-up completed because these wines are perfect foils for anything you can throw on the grill.
Travelling brings us together with the leaders and pioneers of fast-tracking and emerging wine regions and it is the global nature of this industry that through their own travels, they are brought to us. In September of 2015 I had the great fortune to spend a night and better part of a day with South Africa’s Ken Forrester. You will have noticed that Western Cape chenin blanc has taken the world by value storm over the last three to four years. There are several reasons for the varietal explosion, two of which are geology and climate. The third worth mentioning is Ken Forrester himself. When I tasted with Ken in Stellenbosch we travelled through half a dozen or more blocks, plots, vineyards and stylistically framed steen. Each and every year his Old Vines Reserve passes through VINTAGES. It is perfectly consistent and sets the benchmark for inexpensive and excellent South African chenin blanc genius.
Nicolás Zapata Catena and his daughter Dr. Laura Catena have pioneered similar if even deeper industry-leading work in Mendoza, Argentina. The father-daughter dream team have crafted terroir-focused Malbec and other well suited to time and place varietal wines. Over the past few years the Catena brand has expanded their portfolio by narrowing their focus into micro-terroirs in highly specific spots all over Mendoza. It’s not just Catena that has taken this brilliant South American approach to branding and this April 1st VINTAGES release is chock full of such precise varietal wines. Though I of course would be thrilled to offer up credit to the power brokers and buyers that be I’m not sure I’d give in to the idea that the grouping was executed with any preconceived plan. The patterning, by coincidence or not is nevertheless highly welcomed and I’m pleased to share these wines with you.
The Ontario presence is strong, as it should be, on the heels of a terrific Taste Ontario that was as promising as it was not surprisingly expected. Stratus hits the riesling mark with Wildass abandon, Flat Rock plays its annual MTV chardonnay tune and Thirty Bench does a varietal two-step that may just blow your mind. We should all be thankful for our local talent and in constant awe of Ontario’s wine ability to step out of its comfort zone, consistently improve on what it already does best and find ways to re-invent the wheel.
With the incantevole @chianticlassico hills fading from view, thank you #toscana #anteprime2017 #anteprimeditoscana #chianticlassico #vinonobiledimontepulciano #brunellodimontalcino
Speaking of Ontario, David Lawrason and I are still reeling from three days spent with an impressive Canadian ambassadorship contingent stationed in Düsseldorf’s Messe Prowein centre, sent there to spread the cool climate wine gospel to the world. The enthusiastic demands on our collective time were great. We will expand on the success of Canada’s presence on this important world stage in the coming weeks. John and Sara have also been on the road, globetrotting to the far reaches of the wine diaspora. It’s getting hard to track who might be where at any given time but in the first three months of 2017 we’ve had at least California, Oregon, Uruguay, Chianti Classico, Montepulciano, Montalcino, Lazio, The Ahr Valley, The Rheinhessen and every corner of New Zealand covered.
Through the course of our travels we are granted the opportunity to meet producers and winemakers, taste their wines and we often come across exciting products not seen before in Ontario. These discoveries are becoming increasingly important because the agents in Ontario receive an assisted head start on finding new wines. With the WineAlign Exchange inching closer and closer to bringing the reality of expert curation to wine buying and purchasing in Ontario, the connections we forge to these values and gems may soon see to finding their way into your cellars and your glass.
It’s really hard to say whether Stratus Vineyards’ J.L Groux is more adept as a varietal impresario or as a master of assemblage so we’ll just call it a tie. Here into the riesling game he goes in the mere mortal affordable Wildass range and in 2015 he plays a smart varietal tune. You’ve just got to get some Wildass. @StratusWines
The record keeps playing in rotation and the string remains unbroken with yet another quality vintage for the unoaked from Flat Rock. The crunchy apple and righteous waves of pertinence make this perennial best buy a required spin without any wonder why. @Winemakersboots@brightlighter1@UnfilteredEd@wine_gems
The nomenclature is just so perfectly chosen and as you will find, this is a seamless joint between pinot and gamay noir. Double Noir performs the passe tout grains oeuvre from Ontario in combining two expatriate Burgundy grapes. I’ve long ago agreed these two make anything but strange bedfellows and the two grapes work seamlessly in Emma Garner’s new and idealistic red. Well done Thirty Bench. Pass the two grapes over, SVP. @ThirtyBench
Align with new world pioneers
Ken Forrester Chenin Blanc Old Vine Reserve 2016, WO Stellenbosch, South Africa (231282, $17.95, WineAlign)
Reserve is a funny term for wines like this because it speaks to the idea that it should be put aside fore further use. I don’t think that is Ken Forrester’s plan and here he once again raises his old vines game with the 2016 chenin blanc. Stellenbosch continues to dole out some of the planet’s most striking and finest whites with chenin blanc at the centre of it’s value universe. With major thanks to Ken Forrester. @KFwines@WOSACanada@WOSA_ZA@Noble_Estates
In Situ Reserva Carmenère 2015, Aconcagua Valley, Chile (37952, $16.95, WineAlign)
In case you were wondering too, “In Situ is crafted from grapes that ripen on steep slopes alongside mysterious rock drawings from ages past.” The only expansion on that bit of ambiguity I can share is the purity and clarity levels of carmenère are fully explained in this Reserva. Another fine BBQ wine for April flowers and showers. @InSituWine@WinesOfChile_CA@WinesofChile
Echeverria Cabernet Sauvignon Limited Edition 2011, Central Valley, Chile (389221, $24.95, WineAlign)
Though labeled as cabernet sauvignon the Limited Edition is generously supported by syrah and carmenère, resulting in a layered and grossly rich red blend. The individual varieties don’t really stake any obvious claim and while their integration is not exactly seamless, the layering back and forth over one another does work some Central Valley magic. Complexity wins points. @VinaEcheverria@LiffordON@WinesOfChile_CA@WinesofChile
Catena Malbec Appellation Paraje 2014, Mendoza, Argentina (492413, $22.95, WineAlign)
Last November Dr. Laura Catena told a small Ontario press audience “it’s a fact. Different soils give different flavours.” The WineAlign team had previously sat down with winemaker Ernesto Badja for a full-on, wide-scale investigation into a climat-precise and compendious look at the proselytism of Catena culture. Paraje Altamira was one of these such looks into single-vineyard terroir. @CatenaMalbec@LauraCatena@Noble_Estates@ArgentinaWineCA@winesofarg
Trapiche Malbec Perfiles Calcareous 2015, Mendoza, Argentina (482083, $18.95, WineAlign)
The savvy marketed Trapiche foray into soil matters with malbec divines the intention that calcaire (calcareo) brings speciality to these Uco Valley vines. It’s not a huge stretch to sense some limestone in this malbec’s make-up and I am wholly impressed by its countenance, its continuity from nose to tail and yes, its mineral feeling. So glad Trapiche is onside. @TrapicheWines@Dandurandwines@ArgentinaWineCA@winesofarg
The best of the rest
Paulo Laureano Reserve Tinto 2014, Vidigueira, DOC Alentejo, Portugal (488775, $19.95, WineAlign)
From the still somewhat unheralded and rising to stardom Alentejo the grape expectation here from vidigueira is no shrinking Reserve. This would make for a curious consumer side step into something different but at the same time so obvious and comfortable. At this price you can’t afford to do neither. #paulolaureano@winesportugalCA@wines_portugal@Nicholaspearce_
Senorio de la Antigua Mencía 2012, IGP Castilla y Léon, Spain (481549, $13.95, WineAlign)
Some solid and in some circles, very old estate vines (30-50 years) in Villafranca del Bierzo gift mencia for a pittance. Rarely does a $14 old world red give so much for so little. Great round acidity and length off the cuff of a vibrant tune. Simply great value. One of the best you will find all year. @WinesofSpainSL@Wines_fromSpain
Groth Chardonnay Hillview Vineyard 2014, Napa Valley, California (225672, $57.95, WineAlign)
From a 44-acre Yountville vineyard founded in 1982 and (mostly) re-planted in 1996. This is a perfect and prime example of all the right directions Napa Chardonnay has taken in the last 10 years, with kudos to Suzanne Groth for embracing the ideal, from restraint, for elegance and in balance. @GrothWines@suzgroth@CalifWines_CA@CalifWines_US@NapaVintners@TheVine_RobGroh
Dutschke Shiraz GHR Neigbours 2013, Lyndoch, Barossa Valley, South Australia (247296, $26.95, WineAlign)
You just have to let go and find the fun in this Gods Hill Road shiraz, a wine of deep-rooted flavour. The utter deliciousness and unctuousness of Barossa is capitulated and catapulted into Lyndoch space. To say that charred meats hot of the grill would work perfectly right now would be utterly correct. To see this age for up to 10 years and eke out more elegance is also true. I would suggest endeavouring in both. @DutschkeWines@Wine_Australia
Glaetzer Shiraz Bishop 2015, Barossa Valley, South Australia (627869, $39.95, WineAlign)
Ben Glaetzer’s incredible value Heartland cabernet sauvignon from this same release is not to be missed but I’ve chosen to focus on his flagship shiraz. From son Ben in ode to mother Judith, Bishop the maternal maiden name is the rock of the estate’s Barossa Valley reds. Bishop is a serious wine to be sure and this really leaves so much behind in the mouth long after it’s been sipped. @GlaetzerWines@Wine_Australia @TheVine_RobGroh
Louis Moreau Chablis Domaine de Biéville 2015, Burgundy, France (106161, $27.95, WineAlign)
Just last week I stood in Moreau’s booth at Prowein and I talked with Frédérique Chamoy. She noted how excited buyers are about the 2015 Chablis. If you were ever to take the kimmeridgian plunge this quintessential Moreau and this vintage are the place to start, Pure, classic mineral Chablis with more fruit than I’ve ever seen. @MoreauLouis1@vinsdechablis#ArtisanalWineImports
Brancaia goes all in to exploit sangiovese and the for broke style solicits some patience to wait out in extra time. Though 16 months in barrel is nothing to call nothing it is not the wood that dominates these gregarious 2013 grapes. With time this swirls into a grosso sangiovese like liqueur with plums, cherries and spice. Really Riserva in style but not of the recent past, more like the older ways but translated to modern times. @CasaBrancaia@chianticlassico@ChiantiClassUSA@Noble_Estates
La Lecciaia Brunello di Montalcino Riserva 2010, DOCG Tuscany, Italy (241307, $69.95, WineAlign)
From the giving 2010 vintage and so beautifully so gifted here with La Lecciaia’s 2010 Riserva. Sangiovese that rests in such an ethereal nether-land will evolve with decades long grace. Classic would be one way of looking at it, heart-warming another and it’s remarkably ready to drink. #LaLecciaia@TheWineCoaches@ConsBrunello
It’s been a whirlwind of a start to 2017 and I am personally glad to be home, for now, even if it’s only for a short time. After all, there are too many wine discoveries out there and if were to let them pass me by I would not be Godello. So before too long I will head back out on the road, join the fairs, searches, digs and bring some love back home. As for now it is the April 1st release that deserves our full attention. Sara will bring best buys and new finds next week. Looking forward to April 15th David and John will return with your first in line VINTAGES picks. Until then, good luck with the hunt, have a Happy Easter and an equally happy Passover.
Cortonesi La Mannella Brunello di Montalcino Riserva 2010
Having just recently (two weeks ago) participated in Benveunto Brunello 2017 held at the Chiostro del Museo di Montalcino from the 17th to the 20th of February, I’m feeling the sangiovese groove, in multiple clones and tones. Less than a week after my return to Canada one of the prodigal sons of Montalcino arrived in Toronto for a presentation of his wines with local omnipresent agent/négoce Nicholas Pearce. Jonathan MacCalder hosted the get together at the cozy Yorkville haunt he calls work, affectionately known as Kasa Moto.
Tommaso Crtonesi holds Brunello court at Kasa Moto
A team of over-achieving and wild bunch sommeliers gave up the better part of a morning and early afternoon to talk sangiovese, Rosso di Toscana and the Rosso-Brunello idiom with the precocious and serenely wise Tommaso, a winemaker from Montalcino with an old soul, uncanny slash conscious ability and powers of concentration to bely his youth. With Nicholas Pearce, Michelle Ratzlaff, Krystina Roman, Christopher Sealy, Ian Thresher, Madeleine Hayles, Courtney Stebbings, Lauren Hall and the aforementioned Lenny Bruce of wine, we delved deep into the heart of the Montalcino matter. Sometime soon I will publish 100-plus tasting notes from the Benvenuto tasting but for now it’s all Mannella from heaven.
The future of Montalcino is in good hands @LaMannella #cortonesi @nicholaspearce_ #tommasocortonesi #ilpoggiarelli #sangiovese #brunellodimontalcino
Lèonus is sangiovese of natural and effortless appeal. With pocketed thoughts of Rosso and Brunello di Montalcino in mind you can extrapolate with elastic, proverbial stretch and easily wind up here. It’s simple really, straightforward and noted as a gulpable mouthful of rocks tumbling in wet concrete. The great round acidity equalizer acts for mostly northern Montalcino fruit plus 20 percent from the south. Tommaso Cortonesi comes at it with a threefold selection; at harvest, in fermentation and from élevage. It’s entry level so just drink it. The fruit is darker and deprived of firm astringency, spent four months in 3000L Slavonian oak and three months in bottle. For every day, especially with antipasti. Drink 2017-2019. Tasted February 2017
Cortonesi La Mannella Rosso Di Montalcino 2015, Docg Tuscany, Italy (Agent, $29.95, WineAlign)
The advance is a young winemaker’s approach, using fruit from the youngest vines but from the same vineyards used for Brunello production. Clonal selection permits early success from the fourth to fifth leaf for precocious wines off vines so young. Others may use vineyards dedicated to Rosso, so farmed with ulterior motive and expectation, neither better nor worse, but different. The old way was simply a matter in selection of grapes, something young winemakers are abandoning for now one or the other ways of making Rosso. Tommaso Cortonesi’s is luminous and bright within a frame of ascension in reference to the darker cherry sangiovese point spectrum, with three levels of variegated hue and aromatic profile. Char, fennel and fruit. Great structure, agreeable and yes, drinkable now Rosso. Drink 2017-2021. Tasted February 2017
Cortonesi La Mannella Brunello Di Montalcino 2012, Docg Tuscany, Italy (Agent, $70.95, WineAlign)
La Mannella, meaning the manna from heaven is a five hectare, five block vineyard in surround of the winery at the centre of the Cortonesi universe. A vineyard that is used exclusively for the production of the estate’s Rosso and La Mannella Brunelli. La Mannella (as opposed to I Poggiarelli) is a single block Brunello but not a “single-vineyard,” planted in 1985 and 1998 in a relative Montalcino colder northern clime. This emits and represents the epitome for floral sangiovese, a bouquet that speaks to violets and elegant, light purple fruit. The penetrability and explicability of purlieu is an act of focus and the cynosure of assessment. Brunello should be exacting, something you get and it must define itself in clear sangiovese-speak. Large slavonian oak for 36 months maintains and celebrates the perfume. The wood shows up late, in white peppery spice and that just have to lay on your tongue and swallow with sublime delight, liquid chalky finish. Drink 2019-2027. Tasted February 2017
Cortonesi La Mannella Brunello Di Montalcino I Poggiarelli 2012, Docg Tuscany, Italy (Agent, $95.95, WineAlign)
This is Cortonesi’s single-vineyard sangiovese from the warmer, southern part of Montalcino at 420m of elevation. Expectation allows for deeper, and darker yet the display comes without the La Mannella block crimson and cimmerian variegation, perhaps instead more like the single-brushstroke, dark side of dusk angle created by a fuzzy, warm blend of fiery colours. More Galestro soil influence here as opposed to clay at La Mannella and two years in part new French tonneaux followed by stainless steel vats. A deferential élevage to the one exercised with La Mannella and one to encourage depth and structure without too much power. Classic, modern, elegant and an apple to La Mannella’s orange. Drink 2019-2025. Tasted February 2017
Cortonesi La Mannella Brunello Di Montalcino I Poggiarelli 2011, Docg Tuscany, Italy (Agent, $95.95, WineAlign)
Looking rearward into the recent past what comes into near focus is the combination of liqueur and firmness, a handful for sure and yet it seems that time (even just an extra year or two in bottle) brings out that specific Cortonesi perfume. The tang and richness of concentrated acidity really elevates at this stage so that tannin begin its resultion so young and impressively so. This is not the big, bad Brunello but the one to make enjoyment haste. The length is exceptional with pretty tonic and bitter moments that pop in and out. Drink 2018-2029. Tasted February 2017
Cortonesi La Mannella Brunello Di Montalcino I Poggiarelli 2008, Docg Tuscany, Italy (Agent, $95.95, WineAlign)
If the argument was ever made to sway in the “yes it was and is” direction, this Cortonesi example from the exceptional vintage leads the parade with aromatics that go exotic and then return domestic. A spirit of the east, of bougainvillea and hibiscus plus a Montalcino gustatory aromatic spice. Then that return to fennel, a walk through flora Montalcino brush and sweet French tonneau spice. The liquorice is one bred out of aromatic acidity, like a fine chalky dusting of red crimson and ochre to purple powder on a plate next to a perfect charred slice of beef. Elegant sangiovese cuisine in a glass, deconstructed and all obvious in their parts but when you taste you pause and it all comes together. The flavours mingle and weave, of cherries and fruit leather, more mellowed spice, still lingering fresh, persistent and remarkably bright. Southern vineyard be damned, this is a cool, elegant and lithe drop. Harkens back to a mind’s eye and nose in memory of Brunello 1998, maybe a bit of 1999, but more like 1998. Drink 2018-2030. Tasted February 2017
Cortonesi La Mannella Brunello Di Montalcino Riserva 2010, Docg Tuscany, Italy (Agent, $202.95, WineAlign)
There are few Brunello vintages afforded more attention in the last 10-plus, certainly ’04 and ’06, increasingly better even from ’08 and looking forward towards what greatness will come in 2015. Yes but not solely magnified through the lens of patience and bottle time, from 2010 La Mannella has coupled upon and layered over itself like compressed fruit and puff pastry. Though it begs for drink now attention, another seven years will be needed before it can safely be labeled as uncoiled and to reveal all that is wrapped so tight. Rich is not the operative but unmistakeable as Cortonesi it is; that natural clay soil funk of resolution and fully hydrated chalk. This is to sangiovese as Les Preuses Grand Cru Chablis or Rangen Grand Cru Alsace are to Riesling. It carries in its pocket the absolute meaning and genetic responsibility of where it comes from, with a curative and restorative ability to get you lost. Drink 2019-2031. Tasted February 2017
This may or may not have happened #raveneau #memory #monteedetonnerre
It has never been this difficult to narrow it down. This frenetic, fast and forward moving blur of a year has blistered the patterns of thought so much so that I seriously considered throwing the whole 16 in 16 down the drain and laying it all out there. “Here are the 42 mind-blowing wines of 2016…” and then this wave of clarity came over me like a cloudless afternoon in Chablis. I mean I tasted 50-plus Grand Cru Chablis this year. They could all be on this list.
I meant this just the way I wrote it. The simplicity of wine is a beautiful thing. A vine grows and produces grapes. That fruit is picked and ferments itself with help from yeast it just happens to carry in its luggage. Time passes and wine is made. No one had to invent it. The most basic example of shit happens.
As if to presumptuously bookend 2016 before it even began, that first post was apropos. New year, 16 new VINTAGES releases were not mind-blowing by any stretch of the waxing rhapsodic imagination but white space was filled. Like growing grapes in warm climates where just about anything can complete a phenolic journey, the possibilities are endless. So that I may feel comfortable quoting Godello again and again, multeity is the name of the game.
South Africa continued to occupy Godello for the early part of 2016 and that will never cease and desist. Hosting Andrea Mullineux at Barque Butcher Bar was one of the true highlights of the year. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned in previous articles, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.
A new riesling on my radar was released in February. Creekside Estate Riesling Marianne Hill Vineyard 2014, Beamsville Bench, Ontario (443572, $19.95, WineAlign) and it paired beautifully with more foreshadowing than I’d like to admit.
Such a showing of 12 from Langton’s does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory
The Langton’s Classification: Excellent, outstanding, exceptional could have, would have placed 16 wines on this best of list were the rest of the planet not so adept at making wine. Like Wynns Coonawarra Estate John Riddoch Cabernet Sauvignon Limited Release 2010, Coonawarra, South Australia (466748, $99.95, WineAlign). Such a gathering of Australian wine delivers the preponderance of form, with the incantatory capacity of narrative to bring truth to light and fulness out of pleasure. The mantra repeated with Savouring the new Australia.
The #napavalley mustard is something else @CalifWines_CA #napa #califwine
Vintage to vintage nuance and the common thread of grothiness, or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon
The most pertinent question now in my mind is this. Can European wine keep up with the fictionality of North American reality? Even these wines could not make this list, however great and exceptional they are. Anakota Helena Montana Vineyard Cabernet Sauvignon 2013, California (181131, $158.95, WineAlign), Forman Cabernet Sauvignon 2012, Napa Valley, California (143925, $160.00, WineAlign) and Groth Cabernet Sauvignon Reserve 1997, Oakville, Napa Valley, California (Agent, $179.95, WineAlign). Sometimes the answer still persists. All in the Primum Familiae Vini. And by the way, The LCBO keeps Kosher.
Much of what I taste is in a lab with no windows. That is because VINTAGES is a mimetic project, which is a few projects too many. We wine trackers and writers are akin to Cricetinae, perpetually running in a wheel or like Sisyphus, forced to roll an immense boulder up a hill, only to watch it roll back down. We read the bi-weekly catalogue, pre-taste the newest offerings, make our lists and check them twice. In every batch there are 10-15 wines that stand out, as much about bell curve positioning as absence of singularity. That is why attending varietal-centric events like The dawning of the age of Austrian wine and travelling the world is so important. Not too mention in my dining room In the Campania of Vini Alois.
To name a few excursions, I visited California in February, Vinho Verde in March, Chianti Classico in May, Chablis in July and Valpolicella in September. November in Paris I re-connected with Earth and sky. The take aways were extraordinary and flush with the relish of new discoveries and brand new days. Who can forget Ca’ La Bionda Vigneti Di Ravazzol Amarone Della Valpolicella Classico 1997? Italy in the fall reminded me that Franciacorta is the best kept sparkling secret on the planet. November is a sublime time to visit the province of Brescia and the cellars of Franciacorta. Meraviglioso! Meanwhile, Champagne has to be on the list, right? Lallier Cuvée Millésime Grand Cru Brut Champagne 2008, Champagne, France (Agent, $95.00, WineAlign) should be but again, space restrictions and there was this old bubble from the New World. Decisions, decisions.
Which brings me back to Canadian and more parochioally, Ontario wine. The Canadian wine renaissance is attributed to high-end, artisan winemakers like Norman Hardie and Thomas Bachelder. That’s the cool factor. The truth of the matter is that Canadian winemakers have realized and capitalized on the significance and exceptionality of their terroirs in regions such as Niagara, Prince Edward County and the Okanagan Valley. Journalists and buyers from around the globe know it and have begun to spread the Canadian gospel.
And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre
This 16-strong list has much to do with the beg, Drink now or save it for later? I have spent the last 30 years considering wine in some respect. The last 15 much more so. The tries, trials, errors, tricks, and tribulations have taught me one thing. I prefer and receive much more instant gratification from drinking wines young but nothing compares to the insight and the exhilaration of partaking in older wines.
You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet
The year’s greatest distraction came at the hands of Chablis and fair warning, twenty thousand words are coming soon. In 2016 I published three times, Chablis from Dauvissat to Vocoret, Looking for Chablis in Ontario?, Enlightened Chablis of Château De Béru and Paradox in Chablis. Chablis as a varietal concept, as opposed to and unlike anywhere else in the world, seemingly unrelated to chardonnay. How could these extraordinary Chablis not make the list? Domaine Laroche Chablis Grand Cru Les Blanchots Réserve De L’obédience 2014, Ac Burgundy, France (Agent, WineAlign) and Domaine William Fèvre Chablis Grand Cru Bougros Côte Bouguerots 2014, Ac Burgundy, France (Agent, WineAlign). Perhaps because I will soon publish Grand Cru hyperbole next month? That must be it.
Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello
For the first time, I think ever, I gave some love to Rosé in the Days of wine and Rosés. I also fell for new dessert wines and these two tried hard but came up just a wee bit short for the list. Domaine Cauhapé Jurançon Symphonie De Novembre 2012, Southwest, France (470344, $38.95, WineAlign), Losi Querciavalle Vin Santo Del Chianti Classico 2000, Docg Tuscany, Italy (Agent, $95.00, WineAlign).
@grahams_port insanity via @abnermallity #onceinalifetime #piratesonapicnic #piratesv4point0 #sharingiscaring #1948 #finestreserve
Singolarità, qualità, diversità. Grazie di tutto @chianticlassico
In 2016, two words. Chianti Classico. The wines have embarked upon an ascension into their contemporary golden age. Image, perception and finalmente, reality, these are the truths all who feel the soul of Chianti Classico are in search of today. Today and moving forward, explaining to the world that Chianti Classico is not what you thought or think it to be. Colle Bereto Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (Agent, $67.50, WineAlign) was a side-revelation, as were so many others in Three days, eight estates, Chianti Classico and Gran Selezione, The most important red wine from Italy. And in a year when CC is all that seems to matter, Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign) and Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent, $100.00, WineAlign) are but mere mentions in addendum.
David Pelletier, ‘Le Sommelier Fou’ and friends in Vinho Verde
200 yr old vines. 1300m above sea level @vignerietna @somesmartsomm #rosato #vinudilice 2008 #tastethelava #volcanic
I Vigneri Di Salvo Foti Vinudilice 2008, Igt Sicilia Rosè, Sicily, Italy (WineAlign)
So much about this introduction to volcanic Rosato falls under the category and melts into the realm of the impossible. Begin with Vigna Bosco planted to 10,000, (up to) 200 year-old bush-trained (Etnean alberello) vines per hectare in Bronte, Northern Etna. Consider the party goers, endemic alicante, grecanico, minnella and other minor if wholly obscure native varietals. Locate the vineyard at 1,300m above sea level. Tell me it’s not the highest in all of Europe. Go on, tell me. Tended by hand with the help of Ciccio the mule. No refrigeration, yeasts or filtration. Decanting and bottling follow the phases of the moon. Blush has never acted like this, suspended as if put into bottle yesterday, beautifully minutia funky, every detail in laser calm focus. There really is no reference point, not in the south of France or anywhere in Italy to prepare for such an intellection. Vinudilice is nestled in a wood filled with holly oak (quercus ilex or in Sicily, ilice) but in respect for its singularity I would hesitate to categorize or compartmentalize. In fact I would not use the term Rosé, or Orange or natural to realize a need for reason. I would simply taste the lava. Thank you SomeSmartSomm. Drink 2016-2018. Tasted April 2016 @ivigneri@somesmartsomm@WinesOfSicily
Not members Blasted Mechanism. With Chris Wilton and Vasco Croft, Aphros Wines, Vinho Verde
Loureiro of a fashion so rare for Portugal and this region, from a concrete pétillant-naturel style, vinified in stainless steel with wild yeasts and initially no additional sugar, then bottled with 20 grams of natural residual sugar, to alight the single fermentation conclusion. An 11 per cent contrariety of méthode ancestrale dialectic, like a lime-grapefruit cordial housing a dissolving lemon tablet. A bowie cut, boning and dressing of loureiro. This here the whole new way to take the grape, to send it sky-high and bring it down to the rustic roots of glam, sparkling funk. “Like to take a cement fix, be a standing cinema. Dress my friends up just for show, see them as they really are.” Vasco (Andy) Croft walking and his hunky dory pet-nat spinning an original tale of a time and a place, or perhaps a myth, like the rustic deity of the forest riding shotgun to Dionysus and his native war. Drink 2016-2018. Tasted March 2016 #aphroswine@LeSommelierWine
Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo
Cirillo 1850 Ancestor Sémillon 2011, Barossa Valley, South Australia (Agent, $36.00, WineAlign)
A sémillon revelation is found in this Barossa Valley ancient, a wine procured from vines dating back more than 150 years. To discount that prodigious bit of calculated fortuity would be wrong on so many levels. The Cirillo family are guardians of what may be the oldest continuously producing grenache and sémillon vineyards in Australia and by logical extension, the world. Here the combination of dry extract, mineral depth and straight-lined (unsalted) salinity is beyond special. While the Hunter Valley garners the most attention for aging immortal sémillon, this Barossan will likewise escape, somehow, to live another more complicated and mysterious life. I would wait three years for some extract meets tannic sweetness to begin its development and then take it slow for another six to 10. Incredible find here in Ontario from Marco Cirillo. Drink 2019-2029. Tasted May 2016 @Cirillo1850wine@bokkewines@BarossaDirt
Brash Higgins Nero D’avola Amphorae Project 2015, McLaren Vale, South Australia (Winery, $55.00, WineAlign)
The renegade triumvirate of coagulation denotes the shock and awe of this outlier; McLaren Vale, Nero d’Avola and Amphora. Winemaker Brad Hickey and his nickname have taken the troika and created a beautiful monster. A non-oxidative, crunchy, spicy, toasty, chewy and tannic NdA in versicolour, mottled and florid in flavour. There is black and white pepper, cinnamon, zesty orange spritz and a clay influence (plus amphora) to waft one for the ages. The palate flaunts a tapenade of painfully brilliant chalky black olive. The swirl is chocolate and vanilla, mediterranean and meganesian. There should be zero attention paid to the unusual in its concept. This is both a pleasure to taste now and will evolve into something wholly other given enough time. At least 10 years to be sure. Drink 2016-2025. Tasted May 2016 @BrashHiggins@mclaren_vale@TheLivingVine
Rockpile Zinfandel Cemetery Vineyard 2013, Rockpile AVA, Sonoma County, California (Winery, US $47, WineAlign)
Look towards the other arm of Lake Sonoma and let your mind’s eye rest 250 feet higher than Jack’s Cabin Vineyard. The Cemetery plantation is a jagged, craggy outcropping with “a face uneven as a river jag and asperous as the mullein’s flannel.” The Mauritsons are Los Campesinos of Cemetery Vineyard in Rockpile. The rocks below resemble giant headstones along the Rogers Creek fault and you just have to believe all this immensity of geology impacts the vines. It does but don’t ask how or why, just settle into the cimmerian depth of zinfandel touched by black fruit, spice and the akimbo savour of glutamate and amino acid. Three further months in barrel (85 French plus 15 American) accentuates the spice, smoulder and espresso con crema texture. Ripeness of fruit, tannin and acidity are simply stellar out of this dramatic place. “You know us by the way we crawl and you know us by our cemetery gaits.” Drink 2017-2025. Tasted February 2016 @mauritsonwinery@sonomavintners
Though it may long ago have been considered the quintessential one, there may be no other Alsatian gewürztraminer more important than Weinbach’s Cuvée Laurence. The reasons are manyfold but begin and end with memory and legacy. This was daughter and sister Laurence Faller’s prized wine, the wine she put her name to, that defined her gracious winemaking in echo of the estate she worked. Her family has carried the torch and yet her touch is all over this wine. Calm, composed, balanced and ethereal. Laurence is a clear expression of the marly limestone soil beneath the lieu-dit of Altenbourg, located at the base of the great Grand Cru Furstentum vineyard. Where else do you find gewürztraminer of such delicasse, from which classic aromas (rose petal, creamy to boozy-syrupy tropical fruit) and impossible unction combine without ukase? Nowhere. The acidity does not act with impulse. No, it rings, supports and lingers. The extract is intense but out of mind. Exceptional vintage. Drink 2018-2033. Tasted October 2016 #domaineweinbach@AlsaceWines@drinkAlsace@ACT_Alsace@VinsAlsace
Alessandro Palombo is skeptical at first, one eyebrow raised but with the look of possibility on his face. Takes me very little time to acknowledge that this ’79 is very much alive, fruit not predominant (and surely some prune) but neither cooked nor bruised. The brown nose (earth and spice) purports a full concentration of anthocyanins, acidity still full in, dried fraises de bois, black liquorice, dirty leather and worth repeating, still very good acidity. Truffle, forest floor and then black olive tapenade on the palate. This is 70-80 per cent sangiovese with colorino and canaiolo and for 1979 it’s quite incredible. It should not have lasted this long. Antonio says that up to 10 per cent could have been malvasia blanca and trebbiano because at the time it was a field blend, co-planted with the sangiovese, which could explain some of the variegation in the colour. This is a Chianti Classico to lend credence to the idea of using multiple fruit, vegetal and animale descriptors when assessing an old wine. It’s also the reason why you put them away and open them with friends who’s eyes are wide open. Thank you Alessandro for the opportunity and for the connection to your grandfather Alberto. He was a very good winemaker. Drink 2016. Tasted May 2016 @LuiLuiano@chianticlassico
Château De Béru Chablis Clos Béru Monopole 2012, Ac Burgundy, France (Agent, $87.95, WineAlign)
In 2012, less density and iodine matchstick is on display in performance for the historic, south facing vineyard beyond the Château’s walls. From this her eighth vintage in the resurrection of the family’s estate wines, Athénaïs de Béru has assembled fruit from Kimmeridgian limestone in rapport with a vintage of portent and intent towards elegance. The acidity is much more linear (than 2013) and the limestone sensations less metallic. Here the feeling is more of a liquid chalk and the balance is much improved. Also less evolved, bright and a much more amenable of a bitter pith, more citrus (lemon and lime) and not as earthy. Longer finish too. What 2013 lacks this ’12 gains and vice versa. The comparative literature and parenthetical study is duly noted as apples to oranges so the wines are exempt of one another. Neither answer all the questions asked and both express their terroir from their time spent on it. This ’12 story will become clearer in another year or two. Drink 2017-2023. Tasted July 2016 #chateaudebéru@TheLivingVine@vinsdechablis@purechablis
“What is Rioja?” asks Telmo Rodríguez. He notes that Lopez-Heredia still manages small vineyards, Grand Cru and Premier Cru plots, but most Rioja houses are industrial. Their wines age in barrels in 100-150 year old wineries but have no sense of place, of origins, of an amazing vineyard. “I want to be radical. I believe it (Rioja) can be one of the most beautiful places in the world but I told my brothers it needed to go in a very particular direction. My brothers agreed.” So costs went up 35 per cent. They bought no grapes. “If you want to work properly in Spain, you have to be a hero.” You have to work the most difficult vineyards, where production costs are five times that of Grand Vin Bordeaux but the price sells for 10 times less. And so Telmo Rodríguez produces this Gran Reserva, a wine that adheres to a Rioja systematic but does so from a blind-eye turned, high density field-blend planting of tempranillo, garnacha, graciano, muscatel, viura and malvasia. A field blend, unlike Bordeaux but a local village farmed gathering of the best fruit. The 2009 is showing no age but the difference between 2010 Reserva and 2009 Gran Reserva is night and day. This makes the ’10 seem fresh, alive, open, almost simple. Here the variegation is distilled down to laser focus, as if the varieties all become one and most people would simply say tempranillo, but who has ever tasted and been dealt such a tempranillo? This is oozing of a liqueur like no other, rich, viscous, natural and dry-extract sweet. An expression of the best microclimates and their vineyard kin. Wait another five years to allow it to remember and tell its tale. Drink 2022-2034. Tasted September 2016 #Remelluri@TelmoRodriguez_@Noble_Estates
Dominus 1998, Napa Valley, California (212381, $176.95, WineAlign)
When I tasted the 1990 in 2012, hanging on to every thread of oscillation from death to life and back again was exhausting. The 2008 tasted that same year could not have been more life affirming. This ’98 is such a zoetic Dominus beast with an embarrassment of resplendent riches. It is everything 1990 wished it could have been and yet the light-hearted George Hrab geological funk reminds me of that wine. The 1998 trips on a trebuchet and I weep at its aromatic reverie. It is hypnopompic, a state immediately preceding waking up, whiffing the most beautiful Brett there ever was or could ever imagined to be. Volatility in a bubble, circumstantial, lost in a dream. Get lost in the butcher shop, the natural cure here, there, everywhere, curative and comforting. Porcine and rapturous, fruit perfect and entitled, structure supprting every note. If 1998 was both a curious and concerning vintage this wine lays those worries to rest. The fretting may have swayed feelings and been difficult to glide fingers across but the harmonics extend with ease. Finishes with staccato calm, a palpable exhale of breath and silence. Five more years will be like this and five more without threat. Drink 2016-2026. Tasted October 2016 #dominus@rogcowines#ChristianMoueix
Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)
From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030. Tasted May 2016 @RidgeVineyards@rogcowines@CalifWines_CA
Fino, Don P.X. ’86 and ’62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain
Bodegas Toro Albalá Don P.X. Selección 1967, Do Montilla Moriles, Spain (491647, $199.95, WineAlign)
You know it’s a good month when you are afforded the opportunity to taste two Montilla-Moriles Pedro Ximenez oldies, first the Alvear Solera 1927 in Paris and now this Selección 1967 bottled in November of 2016. The vintage-dated PX are produced from sun-dried grapes fermented for two months to eight or nine per cent alcohol, at which point a distillate made from the same PX pressings is added to bring the wine up to 17 per cent. First in concrete vats and then a transfer into 50-150 year old American oak barrels. Only 630 bottles were filled in a PX of awakening and hope that finished at an indiscernible 17 per cent alcohol. Some dessert wines can be cloying Popskull but Bodegas Toro Albalá delivers yet another impossible and crazy dessert wine of heavy fuel, impeccable balance in the face of Lugduname breaching sweetness and aromas sin fronteras. The gamut glides through roasted nuts and dried fruits, from almonds and Van Gogh Museum memories of their abundant flowers plus pomegranate, apricot, peach, nectarine, damson plum and pistachio. So much pistachio!! In between there is orange marmalade, quince jelly and prune preserve. Plenty of acidity extends and narrows into a sharp, pointed tang. No matter how many times you try to empty the glass there is always more wine. Always another sip. Is it viscosity, a truco del ojo or trampantojo? Is there some kind of wizardry at play? Then finally, well, actually never, a finish with no end, or a pause in a never-ending 49 year-old (and counting) story. So where is the beginning? 1967. Drink 2016-2040. Tasted November 2016 @toroalbala@sorgatoBTA@MontillaMoriles@LeSommelierWine
Schramsberg Sparkling J. Schram 50th Anniversary Late disgorged 1999, Napa Valley, California (Winery $175 US, WineAlign)
In celebration of Schramsberg’s golden anniversary, 50 years after Jack and Jamie Davies revived the historic Schramsberg estate for the purpose of making the nation’s first chardonnay and pinot noir based, bottle-fermented sparkling wines. A North Coast (57 per cent Napa, 25 Mendocino, 15 Monterey and 13 Sonoma) blend of 74 per cent chardonnay and 26 pinot noir. Seventeen years have come to ginger, cumin, coriander and galangal in laminous, oxidative ingenuity, wholly arid in kicking up the aromatic dust. Flavours of pressed lemon, bitter brioche and then tannin, yes tannin. From a protracted year, picked as late as October 19th, disgorged in August of 2014 at a dosage of (very necessary) 11.5 g/L RS. Blessed with high natural acidity of 9.8 tA. How can I not concur with Hugh Davies. “What we’re really showing here is Napa Valley Chardonnay.” Drink 2016-2031. Tasted February 2016 @Schramsberg@TheVine_RobGroh
Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful
Domaine François Raveneau Chablis Grand Cru Blanchot 2009, Burgundy, France (WineAlign)
It would be misleading to address Raveneau’s Blanchot as chardonnay even as we know it as such because Raveneau produces wines as unique as door keys. They are so inimitable and each will only open the gate to its own unique perception. Blanchot is the southernmost of the seven Chablis Grand Cru climats and blankets the southeastern side of Les Clos. The Raveneau narration does not convey the notion of manifest feeling but instead splits the axiomatic atom of the climat. A sip and you are inside the Blanchot, gliding and passing through rock as if you are the ethereal and the wine is the solid foundation of thought, pathos and avowal. There are aromas that combine citrus and umami with a sweetness that can’t be denied or defined. The wine is just a child, complex, shy and yet unable to express both its meaning and power. But you try to get inside its head, stumbling over kimmeridgian rock replete with the smithereen-crushed shells of ancient fossils. This is a calm young Blanchot and you melt away while under its spell. Three more years should render its hidden meaning. Drink 2019-2034. Tasted July 2016
A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis
Domaine René et Vincent Dauvissat Chablis Grand Cru Les Clos 2001, Burgundy, France (WineAlign)
Tasted from a bottle opened five days prior which is nothing really for a wine that can age easily for 30 years. It resides in a perfect state. Vincent concedes “over 20 there is nothing to be gained” and yet the still terrifically raging acidity would suggest this 15 year-old specimen is only halfway there. The texture is nothing if not persuasive. In 1931 Vincent’s father began this journey. Here 70 years later is a wine so perfectly intact, the lemon-waxy aspect almost on the edge of the hive. But not quite because of the taut bracing and tight embracing. There is a chew to this and Dauvissat shrugs. “What’s to say?” Nothing but a great piece of his history and his father’s legacy. If this wine is a sentimental tribute to a childhood village, it is never uncomplicated. Drink 2016-2031. Tasted July 2016
Catena Adrianna Vineyard Mundus Bacillus Terrae Malbec 2011, Mendoza, Argentina (Agent, $325.00, WineAlign)
In this extremely specific malbec from a diagnosed block of the Adrianna Vineyard we are graced with the micro-science of wine. And if you feel that using the name of an aerobic bacteria in the nomenclature is an odd choice, consider the mind of Dr. Laura Catena and her biological approach to viticulture. If we can understand and differentiate the microbes in the soil we can make better wine. It’s as simple as that. When wine is broken down to the biological level it becomes something entirely different and this is the road travelled by the Mundus Bacillus. Catena’s usage of 70 parcel pits per hectare has unearthed this single parcel within the vineyard, again completely different and the pinpointed microbial discussion initiates right here. The soil stakes a claim for this malbec only, certainly not in any way that tends to funk but surely as an impresario of soil. Talk about eugenics in the MBT because that science is compelling and can be related to in this wine. It can offer keys towards improving genetic quality of the vinous population. Here we are faced with rich and dusty, a mean streak of malbec intensity made elegant by earthly microbes. This section draws parallels to the (chardonnay) White Bones soil from which there transfers an excess of dry extract and tannin. Patience please for a malbec that will be long lived. Drink 2019-2027. Tasted November 2016
As you all know I am one of the five principle critics for WineAlign in Ontario. This is a position I am extremely proud of and very fortunate to hold. That I am able to work alongside Ontario’s most notable experts is something I say thanks for and appreciate every single day. David Lawrason, John Szabo M.S., Sara d’Amato and Steve Thurlow are my friends and colleagues. I could not ask for association with a finer group of writers.
Which brings me to why you need to know that I am making some changes at godello.ca. Since February of 2012 I have been posting VINTAGES release recommendations and notes on this website. Though in March of 2014 I eliminated scores on Godello I have continued to publish full tasting notes. Every single one of my VINTAGES release picks has been simultaneously published on WineAlign (with scores), along with dozens more on wines that don’t make the shortlist.
I will no longer be publishing my current VINTAGES release tasting notes on Godello. You can still read them on WineAlign though there is a paywall behind which only premium paying subscribers are able to see the most recent reviews in the first 30 days. This is necessary and I hope you will all understand why I feel so strong about the time being right to effect such a change. WineAlign is the most important, comprehensive and trusted source in Ontario for critical review of VINTAGES wine releases. I fully support and endorse our protocol and hope that you will visit the website for your Ontario wine purchasing needs.
For those of you who wish to read my full tastings notes, I would highly encourage you to pay the WineAlign $35 yearly subscription fee (or $9.95 per quarter) to read the reviews and get the scores as they are published, to the second, in real time. You can still access my bi-weekly list of picks and to do so all you have to do is sign up as a non-paying member. I have a link called “Michael’s Mix” and my VINTAGES recommendations are assembled there.
As for now, here is my list for November 26th, if only as a teaser so that I don’t leave you all high and dry.
Fear not dear Ontario wine consumer. Neither advertisement nor earworm jingle will be implanted inside your head, nor a benediction to invoke the virtues of Solaia or Sassicaia neither. There will be no mention of the X-word but like it or not, it has begun. The VINTAGES machine got going this past Saturday with its first big buying time of year roll-out on October 29th. For 11 months a year the $30-$3,000 category appeals to one per cent of the wine buying population but increases to perhaps five when the bells begin to ring. By my count there are 15 (or so) October 29th release big guns now on shelves, half of which are reviewed right here.
Domaine De Pignan Châteauneuf Du Pape 2013, Ac Rhône, France (473678, $36.95, WineAlign)
In 1989 Frédéric Charvin began to work his family’s vineyard, like Louis and René Pécoul, Pécoul François and Pécoul Antoine before him. His Domain goes back 160 years and the average age of Pignan’s vines are 60 years, three of them are a hundred years old. Subtle for Châteauneuf Du Pape (if that can even be such a thing) with mineral mourvedre and soild syrah funk streaking through the grenache. The other varieties add up to 11 per cent and we should not discount their blending capabilities, for structure and for balance. Equanimity is the name of the game in this esteemed section of the southern Rhône Valley and kudos to Pignan for bringing reason and reserve to the table. The potential here is 10 plus years and yet plenty of value and pleasure will be afforded along the way. Drink 2018-2025. Tasted October 2016 #domainedepignan@terroirtoronto@VINSRHONE
Zuccardi Zeta 2012, Uco Valley, Mendoza, Argentina (163725, $39.95, WineAlign)
Zeta is a vital and conspicuous malbec-dominated bottling from careful fruit selection for Jose and Sebastian Zuccardi. The fruit is chosen from specific lots out of La Consulta and triggered by catalyst cabernet sauvignon grown in the Gualtallary Vineyards. These two locales rank with Mendoza’s best and the effects of such ripe extracted fruit in combinative if combative cohorts is one of depth, layering and extreme warmth. The alcohol and acidity on top of massive fruit extraction is beholden to nothing. This one stands firm, confident, tall and with great conceit. It is a force to be reckoned with. Drink 2016-2019. Tasted October 2016 @SebaZuccardi@ZuccardiWines@FamiliaZuccardi@winesofarg@ArgentinaWineCA
Beringer Private Reserve Chardonnay 2014, Napa Valley, California (26682, $47.95, WineAlign)
Though richly aromatic and textured this is the first Private Reserve in many years to act with this kind of beautiful reserve. The barrel aging is less engaging than the previous, lets say, 17 years and so fruit is smartly in play. A bite of crisp apple while whiffing the early baking scents of pie is the conjuring in revelrous demure. Here a minor hypnosis from a delicious Beringer that will only improve with a year or two in bottle. Drink 2018-2022. Tasted October 2016 @beringervyds@NapaVintners@CalifWines_CA
Gallo Signature Series Cabernet Sauvignon 2013, Napa Valley, California (394197, $50.95, WineAlign)
The three-R guarantee of ripe, rich and robust from winemaker Gina Gallo accompanies the Signature Series cabernet sauvignon. Hue and structure addendum are provided by a combined five per cent petit verdot and petite sirah. William Hill is the primary source of fruit from Vaca foothills, rocky, thin and nutrient-deprived Silverado benchland soils. Monte Rosso and a few bucket loads of petite sirah from the Louis Martini Thomann Station Vineyard round out the accumulation. The parched vintage is responsible for this parged cabernet, juicy by Cassis and stereotypical blackberry but managed to further warmth with dried black fig and a barque char on brisket straight from the smoker. The naturally-flavoured bovine-bresaola charcuterie crust is so very Napa Valley hillside issue so ageability is yet another Gallo guarantee. Drink 2018-2025. Tasted October 2016 @GalloFamily@Winegirl23@NapaVintners@CalifWines_CA
Fattoria Dei Barbi Brunello Di Montalcino 2010, Tuscany, Italy (928028, $53.95, WineAlign)
Quite approachable for the normally firm and hands off in its youth Barbi. Always with a foot firmly rooted in the past and yet the house seems to be slowly waltzing into the modernity of the future. This has hallmark roses and cherries under leathery hides but also a beautifully bright and dynamic luminescence. It also carries a silky texture that should have it pause less than the habitual five years to fully shine. So, a newer and earlier gifting Sangiovese and that’s quite alright. Drink 2017-2023. Tasted January 2016 @FattoriaBarbi@ConsBrunello@Noble_Estates
Though it may long ago have been considered the quintessential one, there may be no other Alsatian gewürztraminer more important than Weinbach’s Cuvée Laurence. The reasons are manyfold but begin and end with memory and legacy. This was daughter and sister Laurence Faller’s prized wine, the wine she put her name to, that defined her gracious winemaking in echo of the estate she worked. Her family has carried the torch and yet her touch is all over this wine. Calm, composed, balanced and ethereal. Laurence is a clear expression of the marly limestone soil beneath the lieu-dit of Altenbourg, located at the base of the great Grand Cru Furstentum vineyard. Where else do you find gewürztraminer of such delicasse, from which classic aromas (rose petal, creamy to boozy-syrupy tropical fruit) and impossible unction combine without ukase? Nowhere. The acidity does not act with impulse. No, it rings, supports and lingers. The extract is intense but out of mind. Exceptional vintage. Drink 2018-2033. Tasted October 2016 #domaineweinbach@AlsaceWines@drinkAlsace@ACT_Alsace@VinsAlsace
Stony Hill Chardonnay 2010, Napa Valley, California (444471, $71.00, WineAlign)
Time has been kind to this Napa Valley chardonnay, with the score drawn up in fruit and wood fully settled and into calm denoument. The hard bite into green apple crossed with butterscotch candy is no sugary afterthought and the elastic viscocity perfectly in tune with the waning acidity. If middle age is a thing for Napa Valley chardonnay then here you have it. The length has yet to find the door. Drink 2016-2019. Tasted October 2016 @StonyHillWine@NapaVintners@CalifWines_CA
The firmness of the vintage uncouples and engages the eyes open wide with a Quintarelli presented so taut and so tense. Just the thought of how long it will take for this Valpolicella to not only open up but develop into secondary life is frightening. There are aromas here I can’t or don’t presently recall. Currants, fennel, tobacco, cedar, tar, roses. Or maybe I do. The figs and dried plums are there but either so faint or conjured up from memory of how things ought to be. This Quinterelli is designed as it needs to be. Young, unapproachable, deferential and miles away from nowhere. It may become one of the longer lived. Drink 2020-2035. Tasted September 2016 #Quintarelli@LiffordON
It may just be my favourite time of day. The flurry begins at seven. It takes four hours to shake off the rust, clear the morning ill, brush away the demands piled up since the night before and effectively settle the morning score. By a quarter past the hour calm begins to set in. 11:15. And now, a bit of Torah, Bible and liturgy.
The imagery of sweet rock ‘n roll, Revelations style is synonymous with the farthing, quartern, mid-morning, all change of pace: The Seventh Trumpet. The day after the Shofar has sounded to end the holiest of holy Jewish days, a sonorous wind-blown through the ram’s horn, a call to lead a flock home and into a new year. Is there a connection between the purpose of the blowing of the Shofar on Rosh Hashanah (and Yom Kippur) and the end of satan’s authority at the Seventh Trumpet?
The seventh angel sounded his trumpet, and there were loud voices in heaven, which said:
“The kingdom of the world has become the kingdom of our Lord and of his Messiah, and he will reign for ever and ever.”
The Shofar. Old Testament instrument as central element of the Rosh Hashanah liturgy. The summoner to assemble before the Lord, a sound for battle and the announced coronation of a new king. New Testament return of Christ in the clouds to gather God’s people via rapture, sound the Lord’s wrath of battle cry and Christ’s returning as the King of the world. Seems obvious enough but where is the eschatological connection: How does the Jew’s attempt to summon God’s past and promised redemption share common ground with the Christian’s call to Satan?
A rabbinic tradition may indicate that the shofar is sounded on Rosh Hashanah to confuse Satan (or some he who shall not be named evil tempting spirit). The multiple blows and shrieks invoke the idea (and promise) that the Messiah had arrived and thus putting an end to the pernicious authority. Revelations agrees. “It is time for the dead to be judged. To reward your servants, the prophets, the saints, and all who fear your name, both unimportant and important.”
There’s an angel standing in the sun, and he’s crying with a loud voice, “This is the supper of the mighty one”, Lord of Lords, King of Kings, Has returned to lead his children home, To take them to the new Jerusalem.
Nah. It’s simply a matter of judgment and kingship. Like suggesting wines from a VINTAGES release. October 15th is but two days away. At 11:15 am you may just be arriving at your local LCBO in search of a few bottles. Here are 11 recommendations.
The grape the place come across with classic Cariñena firmness and regional culture out of the impressive Grandes Vinos e Vinedos cooperative. You may recognize Spain’s third largest cooperative as the producer of Beso de Vino garnacha. The 3c is juicy and gregarious like so many garnacha but here as cariñena, with moderate alcohol, acidity and amenable tannin. This represents very good value for the price, as well as the brusque and breviloquent Aragonese appellation. Drink 2016-2019. Tasted September 2016 @VinosCarinena@Noble_Estates
The Bench can’t help but determine the style but what winemaker Richie Roberts is able to gather and concede is what needs from the vintage. The brutal winter and subsequent mild, calm and elongated season means that acidity can be tempered, sugar should play a small role and fruit will lead the way. In this riesling it does, with help, let and place from the support staff. Really juicy, slightly tart, citrus-spiced and purely Bench styled. Proper. Drink 2016-2020. Tasted September 2016 @FieldingWinery@RichieWine
Ernie Els Big Easy 2014, Wo Western Cape, South Africa (220038, $19.95, WineAlign)
This latest Big Easy swings harder than the previous 2013, a wine that quietly emulated its founder’s approach. This 2014 displays more grit, firm grip and big dog length. This is no three-wood off the tee, lay up or fat part of the green safe play. This goes straight for the pin, over water, false fronts be damned and defiant to danger all around. It’s exciting and full-throttle, high acid and risky. But the reward is now, busily bursting with energy, not mired in tannin and ready to play. Makes for great TV. Drink 2016-2018. Tasted September 2016 @ErnieElsWinery@TheBig_Easy@VintageTrade@_AlexHamilton_@WOSACanada@WOSA_ZA
Dr. Loosen Blue Slate Riesling Kabinett 2015, Prädikatswein, Mosel, Germany (160846, $22.95, WineAlign)
Tremendous verve, vitality and energy from buoyant and round acidity brings immediate balance to sweet citrus and tart tropical fruit. This Mosel ripper has a tender side and will sooth many a savage beast. Kind of like Elvis. If you want to turn someone onto riesling this is a wonderful place to start. So good and worth protecting. “Well, you can do anything but stay off of my blue” slate riesling. Drink 2016-2024. Tasted September 2016 @drloosenwines@Select_Wines@germanwineca
Anthonij Rupert Wines Optima L’ormarins 2012, Franschhoek, South Africa (455915, $24.95, WineAlign)
Franschhoek Bordeaux stylistic defined in affordability by structure and for dark, depth of fruit. Espresso dusty and soil imparted make for the specific Anthonij Rupert departure. The headline reads: Unheralded and righteous outfit makes red blend to go the distance. Drink 2018-2024. Tasted September 2016 @AnthonijRupert@Vinexxperts@WOSACanada@WOSA_ZA
And then there were three; Barolo, Barbaresco and Langhe. Here a serious perfume and brooding emits from Manzoni’s Langhe Rosso, a back to the genesis of roots nebbiolo highly skilled and deep into the motherlode of many equally appointed Barolo. “Ah well if you knew then, just what you know today,” the divergent paths of Langhe and Barolo may have been very different. Even if some of the Bricco Manzoni’s parts may walk at large the tannin is in your face and ready to rumble. There is a sweetness about the fruit and an oaky layering but darkness never descends upon this wine. It remains bright and alive. It will live for a decade or more. Drink 2018-2030. Tasted September 2016 @RoccheManzoni
Domaine Theulot Juillot Mercurey Premier Cru La Cailloute 2014, Burgundy, France (473793, $39.95, WineAlign)
The beautiful dichotomous relationship between ripe and juicy opposite firm and sweetly tannic is met in this functional Mercurey, a premier cru of upbeat excellence. Very representative of place because of the grip but it goes light years beyond the lithe and the under-performed. You could pour this for Burgundy label chasers and they would cry sweet Nuits St. Georges. Raspberry and strawberry with plenty of umami minerality and that firm tannin up the back. Really tempurpedic acidity never reacts and always supports. This is a 10-15 year Mercurey. No fooling. Drink 2018-2029. Tasted September 2016 @vinsdebourgogne@BourgogneWines
Hamilton Russel Vineyard Chardonnay 2015, Hemel-en-Aarde Valley, South Africa (931006, $42.95, WineAlign)
The pattern repeats in HR’s 2015 chardonnay, up there with the Cape’s most elegant and wholly indicative of the Hermanus oeuvre. Ripeness, just a hint of the barrel and windy sunshine locked up in chardonnay that could not come from anywhere but the Hemel-En-Aarde Valley. The finish allows for some noted sensations indicative of yeast, warm bread, drawn butter and a golden bathed afternoon. A time to linger and make a polite request of this chardonnay to indicate best show times in the near to not-to-distant future. Though tempting to drink now this will improve and up the elegance factor. Drink 2018-2023. Tasted September 2016 @OliveHR@WOSACanada@WOSA_ZA@hermanuswine
Col D’orcia Brunello Di Montalcino 2010, Tuscany, Italy (306852, $49.95, WineAlign)
Largesse and a firmess of being as per the house style are rampant in Col D’Orcia’s 2010, a wine that reminds me of 1998 and 2000. A wine that will seem lean, mean and terrifying in its youth but will prove everyone wrong when it hits the 12-15 year stride. This is a monster bringing leather and chocolate to the table. It is nearly unapproachable at the present time but you can imagine and embrace the possibility of potential. Drink 2020-2035. Tasted September 2016 @Coldorcia@ConsBrunello@DionysusWines
Instinctive, intrinsically essential nebbiolo without any equivocation whatsover. The fruit at the core is the crux and the catalyst to aseemble the forces of Barolo entrance strategy. The floral freshness in potpourri does not concede any more quality than right here. Suave, gentle, restrained and yet so forthright, generous and inviting. The grip is right at the back, in the mouth and on the brain. Diligent, purposed and highly intelligent nebbiolo with decades of future ahead. Drink 2019-2039. Tasted September 2016 @giannigagliardo@WineLoversAgncy
Ridge Geyserville 2014, Alexander Valley, Sonoma County, California (723072, $63.95, WineAlign)
A deep and thoughtful vintage for Geyserville, from plenty of sunshine, deep aridity and top notch acidity. The fruit is wondrous, full of berries in all shades and even some black currants. Shadowing with less chocolate than some this is all about fruit with tannin to structure it for a long haul. So very Geyserville and nothing but pure pleasure in bottle. Drink 2019-2027. Tasted September 2016 @RidgeVineyards@VinoTorino@rogcowines@sonomavintners
They diverge and divulge so much @FattoriaBarbi @Noble_Estates @mrkcstr Raffaela Guidi Federzoni #brunellodimontalcino #2004 #vignadelfiore #riserva
As we head into the March break, here is a little something to think about in advance of next weekend’s VINTAGES March 19th Italian themed release. The offer is substantial and it comes on the heels of last week’s brilliant display of Sangiovese Grosso at the Art Gallery of Ontario for the recent coming of Benvenuto Brunello 2016.
Two of my favourite actors (Lee Marvin and Jeff Bridges) played pivotal roles in John Frankenheimer’s adaptation of Eugene O’Neill’s famous play. The Iceman Cometh is set in 1912 America with hard characters who live a pipe dream in their collective search for political and religious salvation. In one way or another they seek the sentimental reminiscences of their glory days and form a covenant to return to them tomorrow. The Iceman represents a sort of messiah meets grim reaper, killing the fantasy of the “tomorrow movement,” offering not salvation, but death.
So what does this have anything to do with Italian wine? Pretty much absolutely nothing, except for the plain and simple analysis about the Italians on offer for March 19. I recommend some beauties so don’t think that the death or the apocalypse of Italian wine is upon us. In fact, the greater category is booming, selling more product in Ontario and Canada as a whole then it ever has. Last month’s Vancouver International Wine Festival laid testament to the fact.
No, it’s just that so many of the reds and whites in the themed release walk a straight, boring and predictable path right down the middle of the road. Italy’s vast pool of talent would love to send us the best of the best, at $15, $50 and $150, if only the monopoly would receive. And so my friends, today I choose to consider the LCBO as the Iceman, all in good fun, of course. Who takes me seriously anyway? Certainly not me, fool as I am.
Here we have six stars from the VINTAGES release and six ethereal Brunelli still ringing in my ears and singing in my mouth. Sangiovese with the uncanny and impossible ability to linger for four days. There were many more worth mentioning because when you are holed up in a room full of Brunello, life is perfectly grand.
Where for art thou Brunello?
La Fiorita Brunello di Montalcino
La Fiorita Brunello Di Montalcino 2009, Tuscany, Italy (Agent, $65.00, WineAlign)
La Fiorita’s 2009 normale is a special bottle of Brunello from a best of all worlds vintage. It exhibits the charms and shares the gifts of a posit tug between firmness and elegance. At this seven-year stage it evidences the first signs of secondary character, with spices dissolved in mulled liqueur and a new fathom of depth perceived. The measure of intensity is not one of dank, darkness or even pitch but rather profundity. The translation reads as both Sangiovese chapter and verse. Excellent 2009 example just beginning to drink as it should. Drink 2016-2023. Tasted March 2016 @vadoapiedi
Col D’orcia Poggio Al Vento Brunello Di Montalcino Riserva 2008, Tuscany, Italy (0965525,$129.00, WineAlign)
Only 8,000 bottles were made of Col D’Orcia’s always formidable and classically structured Brunello. Elegance offers a glimpse of hopeful emergence even while its firmness is still fully intact. The added determination and epic struggles of the vintage translate to a singular Sangiovese type of funk from a vineyard, like so many other south-facing Montalcino slopes, of what may just be the greatest physical involuntariness in the world. The fruit and texture are delicate, of a veritable Tuscan gastronomy, pure vernacular and of a leathery lightness of brogan being. The youth in this Brunello is palpable, nearly awkward but certainly not backward. It is progressing as it should, lentamente, lentamente. Three more years minimum is needed to coax it out of its coriaceous hide. Drink 2019-2028. Tasted March 2016
Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent, $100.00, WineAlign)
The Riserva contains no single vineyard (Vigna del Fiore) fruit and is composed of a selection dictated by different vineyard qualities, not necessarily all on equal footing and all brought in to be vinified separately. As per the directive, an average of three years is spent in oak, followed by a transfer into stainless tank. The aim is a traditional, classic, typical, true masculine expression of Sangiovese Grosso. With the firm intent kept in mind, the 2004 is unstirring, closed, macho and fist clenched, even after all these years. An hour later it extends an outstretched finger or two of kept fruit and bred in the bone funk in your direction, but no more. This Riserva is gripped by a fine dust and even finer, senescent and patrician grains of tannin equal in quantity to the stars in the sky. If 2004 is not one of Barbi’s better to greater vintages for Riserva the constellations will have to be re-drawn. To me this represents a foregone conclusion to purchase, further cellar briefly and open when the skies are blue. Drink 2018-2029. Tasted March 2016 @FattoriaBarbi@Noble_Estates
Fattoria Dei Barbi Brunello Di Montalcino Vigna del Fiore 2004, Tuscany, Italy (Agent 93609, $100.00, WineAlign)
The Vigna del Fiore single-vineyard designate Sangiovese tells an engraved, emblematic and heraldic Montalcino story. First made in 1981, the infamous Barbi Grosso was originally crafted as a celebration for Francesca Colombini’s 50th birthday. Previous to that inaugural release the grapes from the most southeastern part of the property were used in the blend of the Brunello Riserva. Inferential importance exists within the context of familial connectivity in this Blue label Barbi. Ancestral lineage matters, as does the nurturing femininity of the undertaking. Spends its first, early developing year in older French barriques, followed by two years in traditional, regionally employed (700L) traditional Slavonian oak. If the 2004 (or subsequent vintages) are perceived as expressive of an international style, chalk that up to effete but so much vineyard and next stage, secondary through tertiary evolution agrees to confound. The ’04 lays in soft exude with the wise smell of its original, naturally curated state, of cherries, roses and earth. Today the texture floats in the optimum buoyant air above a contiguously circled round globe, begs for and speaks of aged Tuscan cheese, like Brillo Pecorino DiVino or Toscano Stagionato. The next few years will be the best. Drink 2016-2020. Tasted March 2016
La Mannella Brunello Di Montalcino 2010, Docg Tuscany, Italy (279083, $47.95, WineAlign)
Tasted alongside La Mannella’s 2010 Riserva this seems tame, elegant and baby-faced in comparison but it is no shrinking Sangiovese Grosso violet. No, sir. Assessed on its own it is in itself a wholly complex and beastly thing. The tonality is stratospheric, with a distant, amplified and magnified set of cherry to leather parameters. Very floral and blessed by holy drops of liquor. All that said, this 2010 Brunello of basic and modest means can be approached in the here and now provided a good decanting is strictly followed. Drink 2016-2022. Tasted March 2016 @LaMannella@Nicholaspearce_
Oh #brunello where art thou? You are here @PodereLeRipi listening to the vines @agotoronto #benvenutobrunello #brunellodimontalcino #50thanniversary #italiantradeagency
Podere Le Ripe Lupie Sirene Brunello Di Montalcino Riserva 2009, Tuscany, Italy
A classy and classic, traditionally-styled, pure and ripe Sangiovese. Cherries, leather, sweet liqueur and anise confer in perfume. What a revelation, with late spice and a chocolate-laced finish. Lovely and really fine. The right stuff and though on the sweet side, that should dissipate with five to eight years in bottle. Drink 2017-2024. Tasted March 2016 @PodereLeRIpi
Lovely dry, dusty, musty and prickling Sardignian, properly Grenache rustic and approaching a level of divine. Cannonau of chew, leather, carbon fruit sketch, arid and rehydrated in residual freshness endowment. Get behind all $18 of this honest weighted red and put your char on. Drink 2016-2020. Tasted March 2016 @AntichiPoderi
Terredora Di Paolo Loggia Della Serra Greco Di Tufo 2014, Docg Campania, Italy (983197, $19.95, WineAlign)
Herbal is the understatement, saline the connecting cable, texture the conduit for extreme unction. Cumulatively intellectual qualities that endow this Greco di Tufo with more sumptuousness than it had achieved in recent times. Aromatic wealth comes by way of citrus preserved, pressed and layered. The overall impression is warmth, stress without breakdown and excessive personality. Still somehow its strikes as endemic, ancient, weird and wonderful. Drink 2016-2019. Tasted March 2016 @Terredorawines@HalpernWine@Reg_Campania
Il Molino Di Grace Il Margone Chianti Classico Gran Selezione 2010, Tuscany, Italy (435115, $39.95, WineAlign)
In a VINTAGES feature of more MOR Italy then should be rolled out in one media tasting, at least here we have multiple semblance of personality. Not quite sure we’ll call to celebration $40 of dynamism but there are inherent deep invested Sangiovese characteristics nonetheless. Tight angles, rigid corners and a Brunello-Sangiovese-like liqueur. Grosso in as much as CCR can be, with some dedicated rusticity and tannins still in action. Dries out nicely on the finish. Put some away for a 2020 rainy day. Drink 2018-2024. Tasted March 2016 @Ilmolinodigrace@chianticlassico
Donatella Cinelli Colombini Brunello Di Montalcino
Donatella Cinelli Colombini Brunello Di Montalcino 2008, Brunello Di Montalcino, Tuscany, Italy (431718, $56.95, WineAlign)
A vintage perceived as tough, difficult, demanding and volatile is just now entering the zone of changing perceptions. It has taken all this time to realize its abilities. Longevity for one. Beauty behind the mask, the other. Concentration is not so much ripeness and richness but of deeper meaning than that. Nothing here sits on the surface. Peel away a layer of orange, spice bark and bulb husk to taste from the inner fruit. From the core. “There is fire, there is life, there is passion, fever and fury.” That is Brunello. The tannins persist with near nastiness but there is so much to look forward too. Wait two more years. Drink 2018-2028. Tasted March 2016 @news_donatella@ConsBrunello@LeSommelierWine
Giuseppe Quintarelli Rosso Ca’ Del Merlo 2007, Igt Veneto, Italy (722470, $99.95, WineAlign)
Rich Ca’ del Merlo from Quintarelli heeded with volatility and consumption. Veneto of war and peace, light, bracing, angular, seeping, steeping, macerated, tea leave studded and tannic for further thought. In this 2007 it is hard to not get caught up in the amalgamation’s bright sweep. Corvina, Corvinone, Rondinella, Cabernet Sauvignon, Nebbiolo, Croatina and Sangiovese, like reading Tolstoy, all together “alive, and very much so.” Will live for quite some time, but wait two years before embarking on the journey. Drink 2018-2030. Tasted March 2016 @RegioneVeneto@LiffordON
Takes the purity of 2011, furthers the integration and mimics the precision, then pumps up the volume. Takes a breath and then, with soluble efficiency it refines the intricately woven lines a few steps furtrher, if that is even possible. I will say that the tannins are a bit tougher in ’12, with a tight string wound depressively around the fruit’s long and elegant tendrils. Fruit is the determinate factor, pure, blossoming and fragrant. It adds up to a consensus of one thought, that this vintage is yet another legend in the making, a fine and linear Ornellaia that should travel 30 plus years, perhaps longer. What liqueur, such botanicals and endless valleys passing through fertile hills. Drink 2019-2045. Tasted November 2015 @Ornellaia@AuthenticWineON@AuthenticWine
Barque Butcher Bar Fried Chicken, ‘Bama Baby Back Ribs and 12-Hour Beef Brisket
The VINTAGES release program certainly lends structure and a targeted faculty of morphology to the selling and buying of courtly wine in Ontario. It’s a part of the LCBO juggernaut that deserves to be celebrated, particularly when it offers glimpses of hope and excitement. Optimism does exist and persist within the confines of an otherwise habitually oppressive system. A system that tends to function with coordinate construction, of paratactic verse that heavily promotes wines of narrative brunt.
On the other hand, VINTAGES is a mimetic project, which is a few projects too many. We wine trackers and writers are akin to Cricetinae, perpetually running in a wheel or like Sisyphus, forced to roll an immense boulder up a hill, only to watch it roll back down. We read the bi-weekly catalogue, pre-taste the newest offerings, make our lists and check them twice. In every batch there are 10-15 wines that stand out, as much about bell curve positioning as absence of singularity.
We don’t want to waste time drinking shite. There can be no good reason to swill sugar, contrived acidity or fast drink laboratory concoctions. Bring us wine of humility and humanity. Pour us truth and honesty. Separate the wheat from the chaff and don’t waste our time or insult our character. Give us wine from people, with roots and a sense of place. VINTAGES abides with a class of red shirt freshmen each and every release. That much I can concede.
From what I have tasted in advance of the VINTAGES March 5th release, what has excited me most is perhaps more a reaction to the unseasonably warm weather or maybe it’s just that I am presently satiated by tannic and acidity-molifiying white wines during winter. Last week I reported on the California stars as a follow-up to my recent Napa/Sonoma trip and in advance of April’s California wine fair. Brunello di Montalcino is in the spotlight what with Benvenuto Brunello coming next week. The Sangiovese Grosso line-up for March 5th is solid if underwhelming. My consensus pick of one is potentially polarizing. It will seem tired to some palates and precociously wise and cultured to others. The difference of critical opinion keeps the VINTAGES wheel turning and I am of sound mind to believe that’s a good thing.
Wine Country Ontario comes to the Royal Ontario Museum today for Taste Ontario in Toronto, the annual gathering of winemakers from The Niagara Peninsula, Prince Edward County and Lake Erie North Shore. On Saturday four peninsula whites will be released, three of which are typicity poster children for VQA good sportsmanship awards. Felicitous and regionally befitting Chardonnay, Riesling and Gewürztraminer that succeed as they should even while they bypass the idea that creative voices should be heard. Are we witnessing the dearth crumbling of stylistic freedom or is change coming, necessary and inevitable? The fourth white on offer is a shining example of the Ontario appellative blend, a category ever elusive, uncapitalized upon and necessary to the industry’s future success.
Superior South Africa, Vinho Verde Portugal not allowed to be labeled as such and Spanish Garnacha, white and red, grace this list. I also recommend an Ann Sperling Okanagan from the B.C. homestead and one freaking, awesome Sancerre. Here are 11 picks on March 5th in the year 2016. Enjoy.
Excelsior Sauvignon Blanc 2014, Wo Robertson, South Africa (382085, $13.95, WineAlign)
Warm climate conditions, a thunderstorm-inflicted harvest and prudent, hasty picking are what winemaker Johan Stemmet had to contend with in 2014. Kudos as a little something for the effort. Quiet and subdued aromatics are levied and bolstered by extreme fruit sensations exhibited on the palate. Crunchy green apple and green mango spritzed by lime forge a tight, angular and nearly tense relationship with linear and direct acidity. Sauvignon Blanc of meaning, unencumbered by the tenets of global style. A certain kind to be sure. Drink 2016-2019. Tasted February 2016 @Excelsior_Wines@WOSACanada@WOSA_ZA
Casa Do Arrabalde Avesso/Alvarinho/Arinto 2014, Vinho Regional Minho, Portugal (429324, $14.95, WineAlign)
Here $15 of pure Minho beauty, ripe and rich, regionally representative, if generalized in name because Alvarinho alights in the varietal mix. Smells and tastes just like a tart Mutsu apple picked post fully completed phenolics. The minor spritz on the tongue screams Vinho Verde, as does the stony eligibility. Well-chilled, warm day, grilled fish. Yes, please. Drink 2016-20218. Tasted February 2016
Talk about bottled up compression. Twist the screwcap and thwop! The cap nearly popped like a Champagne cork. This baby has energy and drive. The vintage is compressed and pile-driven as nosed by the density opposed by reticulated 9.5 per cent alcohol. This has Mosel tattooed on its being, from neck to bottom. A dead ringer for fine Kabinett, the tropical fruit in apricot and dragon reaching back to join Ontario, in apple and pear. A good flinty stone and raging acidity combine forces to exaggerate a Riesling reticulum in what is not the missive’s greatest ever vintage. Will live five to seven easy and just go for soda. Go ahead and quaff the hell out of this one, from 2015-2020, from bottles one through twelve. Tasted March 2015 and February 2016 @Winemakersboots@brightlighter1@UnfilteredEd
Henry Of Pelham Family Tree White 2013, VQA Niagara Peninsula, Ontario (251116, $17.95, WineAlign)
Very accessible and balanced white rabbet with tree fruit aromas and flavours, from yellow plum to white peach and back again. Straight up juicy circulation with a limestone tang amidst the weight of clay. Good value from the Peninsula to drink in the short term. An appellative blend to feed the category concept and perfect for sipping high in the skies. Pour this on your airplanes Air Canada. “Feed your head, feed your head.” Drink 2016-2018. Tasted February 2016 @HenryofPelham@SpeckBros
Residing on the correct side of off-dry with a waxy, lemon-honey drop secession from smell to taste. Brings proverbial lychee and rosewater into play, stirring the lees and pressing upon the palate in a faint, yeasty way. Ostensibly Fielding in conception to work with Vietnamese, Japanese and Thai. Food that is. Drink 2016-2020. Tasted February 2016 @FieldingWinery@RichieWine
Time has befriended Philip Dowell’s organic and creamery fresh-churned Chardonnay. The Kew is Bench defined and not shy in embrace of its wood. Abiding Chardonnay denuded in a healthy symbiotic relationship with ripe and recessive fruit. More mineral than before from Beamsville soil lands this somewhere along the pantheistic line featuring such stalwarts as Fielding and Hidden Bench. Will follow a casual down-to-earth grounding over the next five years. Drink 2016-2021. Tasted February 2016 @kewvineyards
Jaspi Blanc 2014, Do Terra Alta, Spain (439570, $23.95, WineAlign)
Such a culturally gregarious, aromatically generous and varietally gracious white blend from Terra Alta should be received with the most open of arms. This rare sighting in Ontario is mostly Garnatxa Blanca, with a minor (kept alive) amount of Macabeo, a grape of sweet realization and rainbow veraison. This is a classic indication of the subtlety that is derived from the soft, cuddly and rock-free panal soils in Terra Alta. A terraced white wine, cascading like lemon and bubbles, as if it were an ethereal, tart, savoury sabayon. Will be a pleasure to drink for the the next two to three years. Drink 2016-2019. Tasted February 2016 @cocaifito@doterraalta
Jardín De Lúculo 2012, Do Navarra, Spain (438655, $23.95, WineAlign)
Lovely, tidy Navarra with perfectly ripe cherries and an underlay of tension to give it real vitality. Oak (if any) bothers with nary an intrusive beat. Though there is a dried herb and drying savoury-minty ending it lingers, long after the paint has dried. Really necessary Navarra, a region portrayed in such a wine on the qui vive for exotic adventure. Drink 2017-2020. Tasted February 2016 @louisgeirnaerdt@vinosnavarra@navarrawines@navarrawine@hobbsandco@AMH_hobbsandco
Sperling Vineyards Pinot Noir 2013, BC VQA Okanagan Valley, British Columbia (382283, $27.95, WineAlign)
Here a vintage cementing a Sperling Pinot Noir into altruistic west coast territory occupied by the ripe and famous. Were I able to recall so much warmth, elevated tones and ripping aromatics while the wheels are spinning, still the memories remain in neutral. The gravelly grit and fine lined elucidation is in, but here things turn tropical, with far eastern spice and melted, oozing liquorice. Flavour coaxing is at an all time high but the question begs. Can you handle this hyperbole of efficiently convenient Okanagan truth? Drink 2016-2019. Tasted February 2016 @SperlingVyds@AnnSperling@CRUOntario@StratusWines
Jean Max Roger Cuvée Les Caillottes Sancerre 2014, Ac Loire, France (65573, $27.95, WineAlign)
Were all Sancerre this floral we might be forced to re-learn the typicity and the vernacular. Les Caillottes stands alone, if only for a few whiffs, before retreating back to the Sauvignon Blanc norm of mineral and white berry. Here Sancerre seems to take chances, steps out of the box and ventures into wild sage and thyme territory. Ends with lemon and lime, echoing the florally of tiny flowers on the tips of that thyme. I can imagine honey flowing in five years time, still gaining on the oxidative effects of time. Drink 2016-2022. Tasted February 2016 @oenophilia1@LoireValleyWine
More than a classic vintage for this seminal bottle of Sangiovese. The liqueur is so comfortably and rigorously distilled, the floral aspects fresh in their potpourri disguise. The aromatics, like eclipses, arrive early, but tend to exact themselves profoundly. Balance is everything with wine and transparently so for Brunello because if the tannins are overdone than pleasure can’t ever be truly discerned. Here they are like rhythmic, venting spasms at the end of a sentence. This offers early accessibility in spite of its ferocity. Drink 2019-2030. Tasted February 2016 @TrialtoON@ConsBrunello
Tell me you’re not looking for a January cure. A cure for what ails, a respite from depressing news, a way to get through winter’s second and third trimesters. I know you are upset at losing some of your favourite rocks stars or wholly annoyed with those who are. Regardless of which camp you’re in, look me in the eye and tell me a good, honest, proper and satisfying bottle of wine won’t help.
The simplicity of wine is a beautiful thing. A vine grows and produces grapes. That fruit is picked and ferments itself with help from yeast it just happens to carry in its luggage. Time passes and wine is made. No one had to invent it. The most basic example of shit happens.
With a little help from a farmer and a winemaker wine can become something very special. Choosing which examples pass the test is less than automatic and takes many years of trial and error, but eventually the equation reaches a tipping point. This is where probability begins to win over doubtfulness.
VINTAGES spins the wheel again this coming weekend with a list one hundred strong. I have chosen fifteen to win the hearts of the cold, the depressed, the sad, the first responder, the liberal, the conservative, the left, right and all points in between, the cultural injustice fighter, the social media troll and the curmudgeon. Whoever you are or imagine yourself to be, one of these wines may just make you feel a whole lot better. It’s alcohol, after all.
Morality for the masses from parts unknown. Macedonian Merlot plush in carpeted ease. A touch of vinicultural funk bleeds into the drupe for good constancy. Wood is a factor but only for texture. Roast pork would work. Drink 2016-2019. Tasted January 2016 @bozvenimports@WineofMacedonia
La Ferme Du Mont Première Côte Côtes Du Rhône 2013, Ap Rhône, France (251645, $15.95, WineAlign)
The berries are the lead, the middle act and the finish. Extreme in fruit, fully ripened and punching well into classes. Acidity walks along with what heals and together the impression is regionally spot on. No need to look elsewhere for CdR style. Fashioned to induce consumer approaches that occur early, often and with heavy repetition. Drink 2015-2018. Tasted January 2016 @Eurovintage@VINSRHONE@RhoneWine
Rabl Langenlois Grüner Veltliner 2013, Kamptal, Austria (377457, $16.95, WineAlign)
A rouser this Rabl, highly aromatic and filled with creamy green dressing. Langenlois mineral by quatenary rocky red outcrop chip and scrape through the herbs and the citrus. Though a touch lean at present this has the legs and the foresight to age, like Semillon, like Riesling, like good Grüner Veltliner. Really persistent wine. Drink 2017-2023. Tasted January 2016 @BirgittaSamavar@austria_in_ca@AustrianWine
Château Des Demoiselles 2010, Ac Castillon Côtes De Bordeaux, France (348755, $17.95, WineAlign)
A bit of a brooder this Castillon, dusty and all in with Merlot speaking as it should. Typically ripe, not wood shy and instantly gratifying as per the vintage so considering the cost this offers good reason to drink, but not cellar Bordeaux. The flavours add in dark chocolate with tangy angles opening windows and doors. Two to three years of simple pleasure. Drink 2015-2017. Tasted January 2016 @BordeauxWines@HalpernWine
Domaine Chatelain Les Vignes De Saint Laurent L’abbaye Pouilly Fumé 2014, Ac Loire, France (958801, $19.95, WineAlign)
Slight hyperbole of Sauvignon Blanc with epitomizing smoky flint and vegetation healthy to overgrowing. Fresh and spicy, thematic and screaming out loud. The abbeys always make the most authentic wines. This one is no exception. Classic serial killer. Drink 2016-2020. Tasted January 2016 @WoodmanWS@LoireValleyWine
Laurent Gauthier Grand Cras Vieilles Vignes Morgon 2013, Ac Beaujolais, France (279059, $19.95, WineAlign)
Lovely floral entry and good close encounter with the Morgon kind. Certainly on the ripe black cherry trellis but not over, no, by no means over. Firm, charred tight and charcoal lit with the acidity to propel and excite. Gamay as it should be with a red lactic finale. Well done. Cras, cras, not cray, cray. Drink 2016-2019. Tasted January 2016 @DiscoverBojo
Señorío De P. Peciña Crianza 2011, Doca Rioja, Spain (313726, $22.95, WineAlign)
Old school alert. Fruiting body notes of telomorph yeast and room temperature evaporations. High tones and waves of liqueurs. Big old wood barriques and a slow evolutions over decades, with knowledge ingrained and methodology followed with religious zeal. Cherries and cedar, leathers and all sorts of gamy hides. Attack one and put two away and see the past in the distant future. Drink 2016-2026. Tasted January 2016 @BodegasPecina01@LeSommelierWine@RiojaWine_ES
Blue Mountain Chardonnay 2013, Okanagan Valley, British Columbia (350108, $23.95, WineAlign)
The confident, well-delineated structure of a Blue Mountain wine furthered here, with Chardonnay you are simply and unequivocally happy to drink. Mild, mild wood. Minor, minor but present reduction. Flavours overtop flavours, like green apple dipped in mellifluous agave. Salinity, a touch of flint and just general copacetic effectualizing behaviour. Another winner. Drink 2016-2020. Tasted January 2016 @BlueMtnWinery@winebcdotcom
Eric Louis Sancerre Rouge 2013, Ap Loire, France (66613, $24.95, WineAlign)
Red Sancerre plumb, plum too and cerise. Iron strength and a cumbersome ratification to be certain, for longevity and plenty that comes before. From flavour favour savour to acidity tannin in continuum. Rolls through the numbers and the highlights. Alcohol subtlety is a friend at 12.5 per cent and playing bigger than others twice the size. You can use this terrific example from Eric Louis for just about anything your experience desires. Sip, grill fish, finish post meal. Anything really. Drink 2016-2021. Tasted January 2016 @EricLouisWinery@LoireValleyWine
Martin Ray Chardonnay 2013, Russian River Valley, Sonoma County, California (57067, $28.95, WineAlign)
A really nice, relatively inexpensive example from the RRV. The aromatics are balanced with notes ranging from melted duck fat on golden roasted potatoes to a garden with vegetables ripening under a warm morning sun. The attitude towards the barrel is well adjusted and integrated, the flavours built of viscosity and generosity. Quite impressive and persistent with a spice accent on the finish. Drink 2016-2020. Tasted January 2016 @martinraywinery@rogcowines@sonomavintners
Marchand Tawse Saint Romain 2011, Ac Burgundy, France (440206, $31.95, WineAlign)
The genesis of reduction is the man, even four plus years into its time in bottle, here on earth. What to make of this showing at this juncture? From Saint Roman, The Melodist, “Pindar of rhythmic poetry” and very restrained in wood. Who would dare to make Chardonnay this way from this place, to wait for so long. “And all this time has passed me by? It doesn’t seem to matter now.” The fixed expression, the weight gain, the lean, flinty, bony structure in change. Not yet, not yet a musical box of flesh but it will be. Patience for another year. Great acidity. Drink 2017-2022. Tasted January 2016 @MARCHANDTAWSE@Burgundy_Direct
Marchand Tawse Côtes De Nuits Villages 2011, Ac Burgundy, France (440263, $31.95, WineAlign)
Conspicuously and distinctly Pascal Marchand perfumed village Burgundy to showcase regional distinction in the vicinity of affordability. Smells like roses and the aromal water imparted by fresh petals. Tastes like ropey strawberries, a squeeze of cranberry and a crush of pomegranate. Transports to walks up and down slopes in the morning mist. Will wait for fairer weather to come and a harvest table set al fresco. Pinot Noir off grace to invite friends and co-workers to the table. Drink 2017-2020. Tasted January 2016 @MARCHANDTAWSE@Burgundy_Direct
Vincent Girardin Vieilles Vignes Santenay 2013, Ac Burgundy, France (435552, $37.95, WineAlign)
An old vines Santenay from Girardin that demarcates a line back to the way things used to be. Modernity cast aside this is a firmer and cooler Santenay and it is very young. Not yet shed its carbon fat, stemmy tannin and barrel weight. This will need three years to settle, find its strokes and to allow the fruit to be extracted from its tannic and wooden house. “Oh the heart beats in its cage.” Drink 2018-2023. Tasted January 2016
Fattoria Dei Barbi Brunello Di Montalcino 2010, Docg Tuscany, Italy (928028, $49.95, WineAlign)
Quite approachable for the normally firm and hands off in its youth Barbi. Always with a foot firmly rooted in the past and yet the house seems to be slowly waltzing into the modernity of the future. This has hallmark roses and cherries under leathery hides but also a beautifully bright and dynamic luminescence. It also carries a silky texture that should have it pause less than the habitual five years to fully shine. So, a newer and earlier gifting Sangiovese and that’s quite alright. Drink 2017-2023. Tasted January 2016 @FattoriaBarbi@ConsBrunello@Noble_Estates
Peter Franus Cabernet Sauvignon 2012, Napa Valley, California (907477, $66.95, WineAlign)
The floral aspects of this mountain Cabernet are a delight to behold. The ripeness and concentration are optimum to be sure and are mitigated by a cool, altitude-salubrious repairing factor. Cassis and a hint of what smells like juniper are noted. It’s quite botanical actually, in distillate, not fresh or dried. The Franus angles are direct and retractable. Traces steps up and down, in switch backs and with a creamy, acidity backed rise, fall and repeat. Peter elicits notes heightened “in the firmament above and in the deep.” This 2012 is a sustainer, a Parvadigar, a prayer set to music. Very musical Cabernet, scaling, of arpeggios et al. Drink 2016-2022. Tasted January 2016 @ProfileWineGrp
Godello 