Wines of Austria: The tension of opposites

Sunset over Niederösterreich

Life is a series of movements, from pillar to post and decision making often culminates in negative results. Every day there are deliberations, shuttles and bargaining for positivity, all inherently matters of the human condition, experienced through the tension of opposites, simply because choices made more often than not feel diametrically opposed to one another in some unavoidable way. This is one of Carl Jung’s foundational precepts and while it is often a source of frustration and confusion, for grapes and the wines they create it can be the source of greatest joy. A vine planted in poor soils and subjected to the tensity of elements may succeed but it must find a way to suffer through the strain and pressure. Jung noted that in fact it can be a necessary pre-condition (in the case of people) for real transformation to occur. Antithetically speaking grapevines are not human and nature is exceedingly if also impressively resourceful. Roots dig deeper in search of nutrients, the plant stretches and adapts, learns to embrace the tension of opposites and in turn grows stronger. Wine lovers know the feeling, of tasting that which was raised on terroirs where the vine struggle is real, survival is the necessity and the wine results are pure glory.

Godello in Wagram

Which brings us directly to Austria, where incidentally I visited, albeit briefly, back in late November of 2022. It was there that this theory was brought to light. Extreme climate, gradience and geology can lead and convince a vine to beat the odds, case in point examples from near and far. Places such as the Côtes d’Or, Rangen de Thann, Radda in Chianti, The Mosel, Salta, Lanzarote, Camargue, Bekka Valley, Santorini, Aosta Valley, Patagonia, Ahr Valley, Prince Edward County, Hunter Valley, Annapolis Valley, Lamole and Limarí Valley. Just to name a large handful! Let us add Austria to the list, Lower Austria that is (Niederösterreich) and more specifically the Wagram and the Traisental. Three aspects determine the viability for these two growing areas to qualify as those where the experience concerns the tension of opposites. Cool climate, poor soils and windswept ridges. Stand atop any one of these spots in late November, feel the chill drill straight down into your bones and know just what a vine must do to not only survive, but also thrive.

The Loess of Clemens Strobl

Wagram

In the Wagram the vineyards are divided between two distinct zones. The first is north of the Danube, directly to the east of the Kamptal where a vast terrace of land stretches eastwards for approximately 30 kilometres. The second zone runs south of the Danube, home to the small wine villages of the Tulln Basin, as well as the historic wine-growing town of Klosterneuburg which is just a stone’s throw away from Vienna. There are 250 wineries in the wagram, 2,459 hectares under vine and the three principal grape varieties are grüner veltliner, riesling and roter veltliner. The main viticultural villages are Feuersbrunn, Fels, Grossriedenthal, Gösing, Kirchberg, Großweikersdorf and Klosterneuburg.

Kirchberg am Wagram

It’s really all about rich, aromatic wines. The name Wagram is derived from the word Wogenrain, roughly translated as “surfside.” This is because the substratum of alluvial gravels and sedimentary marine deposits is covered by loess,  blown in during the ice ages and has since played a significant role in shaping the landscape. From the 2021 vintage onwards, regionally typical wines can be labelled as Wagram DAC. The top tier of the pyramid is represented by the region’s Riedenwein (single-vineyard wines) and here is where grüner veltliner, riesling and roter veltliner truly shine. Moving down from the Ried there are the Ortsweine or Villages wines that can also include chardonnay, weißburgunder, blauburgunder, and zweigelt. Finally there are the Gebietsweine, monovarietal, as a cuvée blend or Gemischter Satz (field blend)). The above mentiioned grape varieties are joined by frühroter veltliner, grauer burgunder, gelber muskateller, sauvignon blanc and traminer.

Schnitzel in Langenlois

Traisental

The Traisental is the youngest wine-growing region in Austria, only dating back to 1995 in the way we know it today with their corresponding DACs having been cemented in 2006. Of all the Austrian DACs it is one of the smallest with a shade over 800 hectares under vine. Nowhere does grüner veltliner lead as it does in Traisental, relatively speaking, where nearly two-thirds of all vineyards are planted to the signature Austrian white grape variety. Also riesling which holds great importance and perhaps increasingly so. The growing areas are tied to the villages and their signature taverns where these wines flow and also revered. Two such places are Traismauer and Herzogenburg, towns with windows into the past. Smallest of terraces are where vines grow on gravelly and often calcareous soils. Weather can be extreme, especially winds, of Pannonian influences along with cold air from the foothills of the Alps. The nearby Danube River balances temperature and day/night fluctuations. Wine culture dates back to the Romans and modern times place most importance on grüner veltliner and riesling thoughb there are smatterings of other varieties in white and red, namely pinot blanc and noir.

Godello and Traisental Geology

Ten million years ago the Traisen river ran through what is now the Traisental Valley, a growing area so apropos to talk about tension of opposites. The limestone conglomerate and poor soils south of the Danube house a mere 25 producers plus growers and their focus on grüner veltliner and riesling is all about making magic where vines suffer before begetting incredible fruit. The vineyards are planted up to 380m and what was once a four to five kilometre wide river is now just 100-150 metres across at its widest. The build up from 10,000 years of hummus is such that now if you screw up your soil it can takes decades to build it back up again. And so growers like Markus Huber have certified organic but are not content with just the rules, but concern themselves with always being one step ahead. Producers have to be open for things available on the markets, especially preparations, like Trichoderma and other microorganisms used against downy mildew. Huber remarks how herb extracts applied over the last five years have led to very good results.

The Art of Wine – Down to Earth

This two-part expression are but two ways to look at Austrian wine. From Styria, the Burgenland and Vienna in Lower Austria there are 17 DACs from a bit less than 45,000 hectares of planted vineyard. They speak collectively in a typically Austrian vernacular and with a connectivity as real and transparent as any wine producing nation in Europe. Draw a line through the village of Saint Pölten from the Traisental to the Wagram and a most specific association is forged, by geography, geology and climatic patterns. There are recurring characteristics in the grüner veltliner and riesling throughout these two DAC wines and in turn their relatedness to Niederösterreich as a whole is forged through the lands on either side of the Danube.

John Szabo M.S. receives the Bacchus Award from Chris Yorke, Wines of Austria

In November of 2022 our small group of four spent two and a half days wandering these two Lower Austrian wine regions with the chaperone assistance of Matthias and Wines of Austria. We also spent two evenings in Vienna, one at dinner with Zahel’s Alex Zahel and another at the Wiener Rathaus as our colleague John Szabo M.S. received Wines of Austria’s most prestigious International Bacchus Award for his two decades of commitment in writing about and educating on behalf of Austrian wines. Our visits in Wagram and Traisental took us to Domaine Ott, Weinmanufaktur Clemens Strobl, Dockner Tom, Jurtschitsch, Markus Huber, Matthias Warnung and Weinkultur Preiß. Just before flying to Europe John and Roman Horvath MW had delivered a November 9th masterclass in Toronto on Austrian wines and those notes are also included in this report. In total I share 90 tasting notes with you.

Domaine Ott – Feuersbrunn, Wagram

Bernhard Ott is a fourth generation winemaker, at the helm since 1993 for an estate dating back to 1889. Ott farms and bottles from 32 different plots, including three prized premium sites, one in Kamptal (Engabrunner Stein) and two in Wagram (Feuersbrunner Spiegel and Rosenberg). Bernhard’s initial goal was to make use of stainless steel though in 2018 he began working with varying sizes of Stockinger fuders. These traditional Mosel casks literally translate to a “wagonload, cartload; A unit of measure for wine equal to roughly 1000 litres.” In total there are 55 hectares and it was after tasting a 1933 Rosenberg GV that Ott decided to go back to his roots, to what his grandfather would have been doing and moved to basket press. The first to do so with white wine. In the early 2000s Bernhard began composting, with organic cow manure, became certified organic in 2006 and later visited the biodynamic property of Domaine La Romanée Conti in Vosne with Hans Reisetbauer. This was the impetus towards committing to biodynamic viticulture. He formed Respekt in 2007 with Johannes Hirsch, Fred Loimer and a group of like-minded producers, Respekt was formed. The oldest vines in the Rosenberg were planted in 1954 in very deep loess soil. Stein is Gföhler gneiss at the bottom, with red and white sands, a layer of chalk and a little loess on top. At Spiegel the soils are a mix of deep, chalky loess and red gravel, part Rosenberg and part Stein. Most of the production is grüner veltliner with 10 percent riesling.

Bernhard Ott Grüner Veltliner Am Berg 2021, Lower Austria

Frankly as direct and rounded as grüner veltliner will ever get, three parts gathered together, estate fruit, biodynamic growers’ and two hectares from agronomist Hans Reisetbauer’s father’s GV. The dictionary entry, easy to access, wisps of smoke and white pepper, finishing with a tincture’s drops of fine tonic and bitters. Drink 2022-2025.  Tasted November 2022

Bernhard Ott Grüner Veltliner Fass 4 2021, Wagram

The fourth barrel, named for Bernhard Ott’s father, a big brand poured in wine bars all over Europe. All estate fruit (which separates it from the Am Berg) and all the vines used are a minimum 12 years of age. More aromatic presence, fruit substantiality, single-vineyard edginess and concentration. Now some smoulder and layered vim, even into volupté territory. Drink 2022-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Spiegel Feuersbrunn 1ÖTW 2020, Wagram

Seriously smouldering out of the glass, so much so you are surprised to not see some smoke rising. From Ott’s six hectare portion, high in loess, gravel and (15-20 per cent) chalk. A very windy spot, seemingly always, a very exposed place. Almost the highest part of Hengstberg, a cool and understated wine, shy in its early stage yet blessed with grand cru vineyard DNA, beauty and tangible length. Drink 2023-2029.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Stein Engabrunn 1ÖTW 2020, Kamptal

All Kamptal fruit, from a vineyard mentioned in 1427, loess with granite, firestone, gravel and a “fruity” hummus in the top few centimetres of the soil. Bigger fruit expression as compared to Spiegel, also in slide over to Kamptal there is more generosity and up front openness. No paraffin wax or lightning strikes though the back palate is alive, layered and kicking. Though consistently at 13 per cent alcohol like the rest it is felt with more oomph in Stein, thanks to the bigger amount of flesh on the palate. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Gruner Veltliner Ried Rosenberg Feuersbrunn 1ÖTW 2020, Wagram

Ott took over this vineyard from his father in 1993 and decided at this time to focus on the white wines, trading the planted red vineyards for this Rosenberg, planted in 1956. Roots go down 30 metres in pure loess soil with 30-33 per cent free (or active) chalk. Man does this taste like chalk incarnate but with salty, smoky and elemental veins cut through carrying the lifeblood of the soil beneath. Luxe enough to imagine a wine going on with great flesh over a long period of time and more because the chalk will morph, transmigrate and develop a whole new level of smoulder, always connected to that chalk. Drink 2024-2035.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Kirchtal 2020, Wagram

On the east shoulder of Hengstberg with mainly loess but also gravel and some heavy clay. The nose delivers Rhône like or more specifically Châteauneuf-du-Pâpe heady aromas in flowers like roses in oil and a density or booziness. The vineyard was planted in 2010 and 2014 was the first vintage. Seems like a big and gorgeous wine that’s a bit funny on its feet, like a breed still as a puppy with big feet and not having yet grown into itself. Clumsy yet amazing, juicy and excitable, not as focused as the grand crus, nor finessed neither. Look for iterations from 2025 onwards to get there. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Der Ott 2021, Wagram

Combines three Erste Lage (Grand Crus) in one wine. One hundred per cent basket pressed and large cask aged. Approximately 45 percent Spiegel with equal parts Stein and Rosenberg. These pressings are separated from the single-vineyard wines, picked separately (essentially from younger vines). Exciting levels of grand cru, layers and layers to stack, unfold and peel away, perhaps not as linear, focused and precise but worthy of the ideal. Bloody delicious at a high level for the short term and offering a window into all three crus after they age well into the future. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Gmirk 2021, Wagram

Gmirk, from the German, only 500L of juice available, from 30 year-old vineyards demarcating the border to a village (Gösing) that deserves to be on its own as a high level wine. The concentration is rather remarkable, the smokiness thick like fog and the texture palpable. A delicious grüner veltliner that satisfies as much as it impresses. Drink 2023-2027.  Tasted November 2022

Bernhard Ott Grüner Veltliner Ried Brenner 2021, Wagram

Only 1000L of juice available, from a few rows in Spiegel that deserve to be bottled on their own. The intensity is palpable, a chiseled grüner veltliner of finesse, focus and linearity. Also power and drive, horsepower really, full speed ahead that can run both the sprint and the marathon. Drink 2024-2035.  Tasted November 2022

Bernhard Ott Riesling Ried Kirchthal 2021, Wagram

Youthful, stoic and reticent, not really giving away much at this very early stage. Layers of typical riesling necessity, intensity and sprit, needing time, slowly unfolding towards the greatness that awaits, Not quite what is available, possible and probable with grüner veltliner but impressively profound just the same. Drink 2024-2028.  Tasted November 2022

Bernhard Ott Riesling Kabin(O)TT 2021, Lower Austria

Made with some more residual sugar, Kabinett style (obviously) as a wink and a nod towards the Mosel. Green mango and peach, flowers as well, top quality acids and overall a proper if professional balance. Drink away though careful of how easy it disappears. Drink 2022-2024.  Tasted November 2022

Lukas Strobl and John Szabo MS

Weinmanufaktur Clemens Strobl – Kirchberg am Wagram

Clemens Strobl is a second generation family-owned winery started in 2008, led by Clemens and son Lukas. They started with one hectare, “wanting to know what is behind winemaking.” Today there are 15 hectares, mostly terraced above the winery. The 2012 vintage was the first to make use of native yeasts and the beginning of a conversation towards organics. They are self-professed “unbound to tradition” and so there are no appellations on the wines. Experimentation is key, yet also with winemaking ideas in the skin-contact, unfined, unfiltered and minimal sulphuring realm. They may be uncomfortable to be tagged as makers of natural wine but their actions speak for themsleves. For Clemens and Strobl wine is directly connected to soil and this means loess. Metres of loam and loess, tertiary gravel dating back millions of years. Their’s is “the region of the future.” Burgundian conditions, of loess and limestones, expressly Wagram.

Clemens Strobl Donauschotter Grüner Veltliner 2021

Clemens Strobl purchased the property in 2016, renovated the vineyards, built the winery over three years and opened the doors in 2019. The soils are rich loess to create a cuvée of grüner veltliner from grapes excluded from the single block labels. Natural ferment, malolactic as well, stable, round and offering easy access. Bottled in May and always sold out within six months – as in now. There are 20-25k bottles produced of this GV licked by flinty smoulder, flavours imagining a dry lime cordial, salty, light-hearted and with that classic white pepper. Über correct. Drink 2022-2025.  Tasted November 2022

Clemens Strobl Grüner Veltliner Schrek 2019

From the Schrekenberg, abutting the Kamptal, surrounded by forest, filled with wildlife. Vineyards face more east than south, a cooler spot that’s increasingly warming and this being one of those really warm years. Fermented in 100L oak vats. More concentration exaggerated in this 2019, but also that flinty smoulder and malolactic induced mouthfeel. Not a wine concerned with primary flavours and more about impression, in a way that reminds of some aged Domaine Paul Blanck, albeit in grüner veltliner clothing. The clarity is admirable, focus and purity as well. Drink 2022-2026.  Tasted November 2022

Clemens Strobl Lössling Grüner Veltliner 2019

From Weissbrün on heavy Loess soils, “one of our warmest vineyards, especially for grüner veltliner, now quite challenging with warming temperatures and yet we don’t lose acidity.” The warmth is so up front and immediately nurturing, soft and creamier than Schrek from a vintage in requiem of a quicker maceration, less than six hours, working on brown juice, unconcerned with primary fruit flavours. Keeps the pH lower and acids higher, maintaining flow and mouthfeel. The roundness and barrel effect are felt here in that Bourgogne chardonnay way. Apposite to Schrek. Drink 2023-2027.  Tasted November 2022

Lust By Lukas Strobl Lust & Laune 2021, Wagram

“Not a big fan of the term but it is natural wine,” tells Lukas Strobl, son of Clemens. His skin contact blend combines grüner veltliner with chardonnay, unfined, unfiltered and sulphured minimally at bottling. From Clemens Strobl estate fruit and as noted in his and his father’s wines you can expect this subtly orange example to be as clean and crisp as possible. This first vintage is 2,600 bottles. Orange and lemon skin, persimmon and no off-putting funk, just the Mark Ronson and Pharrell Williams kind. Just a dream. Drink 2022-2025.  Tasted November 2022

Clemens Strobl Donauschotter Riesling 2021

The Loess soils are heavy, aka Danube gravel and they can produce overly rich and fruity riesling so this is made in the driest possible style,. High in lime, acids in and around 7 g/L, a bit of boosted alcohol and more than anything a feeling of fullness in the mouth. Tart yellow plum, white peach and lemony finish. Classic dry riesling. Drink 2022-2024.  Tasted November 2022

Clemens Strobl Rosen Riesling 2019

From the Rosenberg, one of the highest (380m) in terms of elevation which is at the height of the Wagram. A place of sunny and warm days through summer plus really cold winter nights. Also one of the rockiest/stoniest vineyards, worked botrytis free, passed through several times during harvest. Again in the arena of dry though clearly elevated in viscous mouthfeel, noticeable alcohol matched by some residual sugar though far less than many counterparts. Elegant and refined, age-able to a mid-term degree. Drink 2022-2025.  Tasted November 2022

Clemens Strobl Riesling Pfaff 2019, Kremstal

From a 40-45 year-old vineyard, having been taken over in 2015, a stony, east facing block almost on a cliff. Drier, more intensity, precision and finesse. This is not about primary fruit at all and more concerned with drive, freshness and the kind of character that can accept great changes over time through the canals of elemental, mineral and gaseous shifts. Has begun and will accede to the secondary before too long. Drink 2022-2027.  Tasted November 2022

Clemens Strobl Donauschotter Rosé 2021

From pinot noir and st. laurent aged in 25 different vessels, including clay amphora. The effect felt here is as much orange as it is Rosé but also a style that is dry, pale, elegantly tart and of a tang that’s also just faintly there. Would not refer to it as serious but certainly refined, akin to the agreeable whites and of a clear, focused and distinct advantageous style. Can really see this alongside braised pork, either belly or guanciale in pasta. Drink 2022-2024.  Tasted November 2022

Clemens Strobl Pinot Noir Hengst 2019, Wagram

Not THAT Hengst but a single vineyard in the Wagram and 2011 being the first vintage. Spends nearly three years in wood and the style is one that wants flinty-smoky reduction from the natural yeasts, clearly spoken from 2019 though the warm vintage speaks right up. While it seems that this is not the past personality exhibited by this deliciously creamy pinot noir it also seems that this will be a big part of its future. Drink 2023-2027.  Tasted November 2022

Lust Lukas Strobl Etretat 2020

Of sauvignon blanc, unfined, unfiltered and nowhere near the vicinity of grassy, green nor blowsy styles. That said there is more fruit than any of the Clemems Strobl wines, and also the orange. There is an immense wealth of fruit, layering character and possibility in this singular sauvignon blanc. It’s bloody delicious. Drink 2022-2026. Tasted November 2022

Lust Lukas Strobl Elafonisi 2020

Made from grüner veltliner, eight days on the skins, 30 per cent whole bunch, approaching orange but not quite at that territory. Natural in any case, by nature of the unfined, unfiltered and minimal sulphuring (at bottling) treatment. Captures the flinty-smoky smoulder though with more viscosity and palate density. Comes away with great stage presence, here as a the second try just after working harvest in the Mosel at Clemens Busch. Drink 2023-2027.  Tasted November 2022

Lust Lukas Strobl Ureki 2019

Only 300L produced from one of the oldest cabernet sauvignon parcels in the Wagram, purchased in 2009 and becoming easier and easier to ripen the grapes. Much better adapted to this climate than it surely was when planted in the 1980s. OK so it’s still cool climate cabernet but this is the warmest of vintages from which ripeness is just about as close to phenolic fruition as it will get for the place. Just carries the feel of the Wagram, in spite of the variety, with a kind of evergreen and as with the whites, a smoky-flinty mineral feel, always present. From land and also winemaking, wanted and relished. Super refined and elegant tannins. Drink 2023-2027.  Tasted November 2022

Ground Control to Dockner Tom

Dockner Tom – Thayern

The winery dates back to 1912 while the house is 580 years old. Dockner is a producer with a large and well-rounded portfolio, bottling regional, village, single-vineyard and 1ÖTW premium vineyard classified wines. The Dockner family have been vintners in Theyern for four generations and Tom credits his father for teaching him a great deal. His pursuit of quality and sustainable cultivation is integral to the family’s estate. Ried Theyerner Berg, Pletzengraben and Hochschopf are the most important sites, especially for grüner veltliner while riesling also thrives at Parapluiberg Mountain.

Dockner Tom Grüner Veltliner Tom 2021, Traisental DAC

Quite a golden rich grüner veltliner of elevated ripeness and sapidity over salinity, über freshness and a drinkable nature that most people can really understand. A high-level entry wine with a top fruit core and no complications. Nor distractions and tangents neither. Drink 2022-2023.  Tasted November 2022

Dockner Tom Grüner Veltliner Nussdorf 2021, Traisental DAC

A village wine from Nussdorf off of loess soils and always a bit creamy yet persistently fresh. Carries the classic white pepper and here with that light buzz, not effervescence but a definite hum. Tart and sapid again, almost blanched nut but not fully and all the while equally salty, direct and again, an easy wine to understand. Clean, crisp and really well made. Drink 2022-2024.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Theyerner Berg 2021, Traisental DAC

From very chalky soil, a cool climate location, intensely taut and so very affected by the soil. Clearly, unequivocally and directly with more salinity than the regional or village examples to be frank and sure. Not an elastic texture or length but so very linear, upright and long. Drink 2023-2028.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Pletzengraben 1ÖTW 2021, Traisental DAC

The Pletzengraben is place abutting a forest and blessed by cool, fresh winds. Here a knowable tonic and cordial character, lime and botanicals, quite taut but still with some give. Work with the wine to allow the chalkiness to come through and the wine carries just a hint of residual sugar. Arrests on its own at 3.5 g/L of RS. Drink 2022-2027.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Hochschopf 1ÖTW 2021, Traisental DAC

East facing hill on terraces, very chalky, with loess and stones. Fermented in large oak casks, just like the past and the result is a creamy, softly textured and downy wine with white chalky salinity though not really intense. An billowy example that drinks with ease. Drier than the Pletzengraben. Drink 2022-2025.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Hochschopf 1ÖTW 2013, Traisental DAC

East facing hill on terraces, very chalky, with loess and stones. Fermented in large oak casks, just like the past. An older example and there is some terpene here, like apple juice, the fruit having been originally a bit bruised. Lemon preserve and decent acidity for sure so not a hot year but just some fruit that likely should have been sorted out. Drink 2022.  Tasted November 2022

Dockner Tom Grüner Veltliner Ried Hochschopf 1ÖTW 2010, Traisental DAC

East facing hill on terraces, very chalky, with loess and stones. Fermented in large oak casks, just like the past. An older example (tasted blind) from what feels like a much cooler vintage and the fruit is again apple though tart, green and with a white peppery bite. Good acid crunch here, lovely energy, so very grüner. Turns out to be 2010 and so the coolest vintage of the last 15 where picking lasted all the way into mid-November. Drink 2022-2024.  Tasted November 2022

Dockner Tom Riesling Ried Parapluiberg 2021, Traisental DAC

Parapluiberg as in the hill with the umbrella and a fresh, saline and acid led riesling. Really high acidity manages the 6-7 g/L of RS in a very Germanic style, more Rheinhessen than anything else, lime sharp, juiced and zesty. Good fruit here, vibrancy and really tart. Drink 2022-2025.  Tasted November 2022

Dockner Tom Riesling Ried Pletzengraben 1ÖTW 2021, Traisental DAC

Quite a rich and concentrated riesling, not quite the lime cordial of the Pletzengraben grüner veltliner but there is still this rich viscosity and texture that is very mouth filling. Quite an aromatic beauty and a wine that integrates its parts very well. Drink 2022-2027.  Tasted November 2022

Dockner Tom Riesling Ried Pletzengraben 1ÖTW 2017, Traisental DAC

Again, tasted blind this reminds of an older grüner veltliner, like that green apple, white pepper and sharp 2010. This one snaps and bites, with searing acids and an intensity off the proverbial charts. Drink 2022-2025.  Tasted November 2022

Dockner Tom Riesling Ried Pletzengraben 1ÖTW 2016, Traisental DAC

Really interesting vintage tasted blind, very much in line with the grüner veltliner of 2013, fruit a bit bruised and here in riesling there is saffron, banana and pineapple. Acids are good though the fruit was obviously very ripe. Secondary stage showing petrol and botanicals. Drink 2022-2023.  Tasted November 2022

Dockner Tom Traminer Konglomerat 2021, Traisental DAC

Off-dry gelber muskateller and gewürztraminer, high in sgars but also acids for balance, from a rich vintage with highly tropical fruit like guava and pineapple. Actually a matter of 12 g/L of RS but only 6.5 of acidity, high for traminer. Drink 2022-2027.  Tasted November 2022

Dockner Tom Traminer Konglomerat 20007, Traisental DAC

Off-dry gelber muskateller and gewürztraminer, much older vintage but also one of extreme ripeness because the litchi is full on, as are the roses and blanched nuts. Not quite the richness of the warmest vintage but surely sharp and older at the same time. Drink 2022-2023.  Tasted November 2022

Dockner Tom Gelber Traminer Natur 2021

A natural white from gelber muskateller meets gewürztraminer 10 months on skins. Lemon and quite sweet fruit meets acids in a lovely wine, of no salve or distraction, very clean and fresh. Drink 2022-2025.  Tasted November 2022

Dockner Tom Pinot Noir Konglomerat 2019

Sees 300L barrels for 30 months after a long skin maceration. Light and creamy, tart and with enough tension to match the soft palate. Of a cool climate style where fruit hangs long, develops good phenolics and eerily like Nova Scotia actually. Could be a Lightfoot & Wolfville Ancienne, ostensibly if truly in the way it presents itself. Drink 2022-2025.  Tasted November 2022

Dockner Tom Pinot Noir Konglomerat 2008

Older vintage tasted blind, showing plenty of age, caramel and bitters, warm vintage, a bit astringent. Quite volatile. Drink 2022.  Tasted November 2022

Alwin Jurtschitsch

Jurtschitsch – Langenlois

Alwin Jurtschitsch and Stephanie Hasselbach (formerly of Gunderloch in the Rheinhessen) have been working the vineyards since 2006 and immediately began transforming to organic back then. Their wines are a combination of old style classics and the new natural, loyal to grandparents while simultaneously focused on a new generation of wine drinkers. There are Pét-Nats and bottles made by skin-contact, unfined, unsulphured and unfiltered. There are also 1ÖTW premium site grüner veltliner and riesling in the tradition of modern day Wagram. Some wines are labeled Jurtschitsch while others carry the name of Alwin und Stefanie Jurtschitsch or Weingut Fuchs Und Hase.

Weingut Fuchs Und Hase Pet Nat Vol 3

Simply allowing sugar and yeast to make a second fermentation in the bottle but with high level and quality grüner veltliner. More than a different Pét-Nat but one that is more connected to grape variety and vineyard. How? You can just feel it. Leathery orange, candied fennel and root vegetables, toasty and sweet. Natural as far as the saying and the ideal goes. Far, far away from funkier and all the better for it. Drink 2022-2024.  Tasted November 2022

Jurtschitsch Grüner Veltliner Ried Lamm 1ÖTW 2020, Kamptal

No doubt a reductive style of Kamptal winemaking and after tasting through a half dozen barrels of 2021 and 2022s the stylistic is fully confirmed. A two weeks partial stem maceration gives this Erste Lage so much texture, a wine you can chew, for a while and on from which you can extract all the juice, flavour and tannin. Orange, a tisane, sugar cane, lemon thyme and great length in a fine, thoughtful and uplifting wine. Drink 2022-2026.  Tasted November 2022

Jurtschitsch Grüner Veltliner Ried Kaferberg 1ÖTW 2020, Kamptal

Less reduction than the Lamm though even more extract and tannin, viscosity, unctuousness and a mineral-boozy feeling. Still it is linear, focused and upright. This reduction is linked to lees only, not sulphur, it’s not stinky and in fact completely a matter of fruit. A Burgundian one if you will and very practical for freshness and also longevity. From a southeastern parcel of the Kaferberg where the old vines grow. More filigranite and not just loess, a place of pyre rock. Makes for a most amazing expression of grüner veltliner, on the lee side where prevailing winds cool and instigate this very specific type of smoulder. Drink 2022-2027.  Tasted November 2022

Jurtschitsch Grüner Veltliner Ried Loisenberg 1ÖTW 2021, Kamptal

Loisenberg is the only single-vineyard erste lage bottled ahead of the harvest simply because it had done its work, unlike the Kaferberg and Lamm which were not. In fact the Lamm had not net even gone dry. Another reductive grüner but we’re lessening as we go through the range. Herbals, sweet ones that is, tonics and Limoncello. Searing, sharp, serious tang and the most citrus of any of the grand cru. Drink 2022-2025.  Tasted November 2022

Jurtschitsch Grüner Veltliner Amour Fou Natural Wine Trocken 2020, Kamptal

Full on Ried Loisenberg fruit under Alwin and Stephanie Jurtschitsch’s natural range, skin-contact, unfined, unsulphured and unfiltered. Skin maceration was quick, sent straight to barrel from press. Clearly Kamptal, not an amphora or orange stylistic, just something to distill the place into a transparent example. Nothing crazy about it, knowable, tannins at the top, extract in line, no funk, nor salve on the palate or earthiness at all. So clean and yes like looking in a Kamptal mirror. Drink 2022-2025.  Tasted November 2022

Jurtschitsch Riesling Heligenstein 1ÖTW Alte Reben 2020, Kamptal

Alte Reben, aka old vines, and some say Heligenstein is the most unique reddish, desert sandstone soil not found anywhere else. Just this little hillside, also a very historical place. A great terroir, but not an easy one. Requires compost and hummus and if you get it right there is an entirely new kind of mineral and elemental push run through the vines and into the wines. Truly, that and a botanical density, a viscous herbology and lime intensity. My how this will develop and morph into something new, time after time. Completely dry, a result of vintage and barrel, not cru. Drink 2022-2027.  Tasted November 2022

Jurtschitsch Riesling Quelle 2019

Made from a unique spot aboard the hill that is the Heligenstein where a natural spring exists in one of the driest places in Austria. Bottled natural and unfiltered, no enzymes, yeast and certainly no botrytis. Still buzzing with a minor amount of what feels like CO2 but really just sexy energy. Super juicy, orange distillate, tisane and zest. Crunchy, salty and fine. Drink 2022-2027.  Tasted November 2022

Markus Huber – Reichersdorf, Traisental

The vineyards are cultivated according to organic guidelines and the entire winery is certified according to the “Sustainable Austria” criteria. Markus Huber tries to improve biodiversity by sowing plants that are favourable to vines, keeping bushes, trees and hedges around the vineyards and by using animals and beneficial organisms. All these measures come together to result in better soil quality and increased vine health – and, ultimately, in expressive and authentic wines typical of the region.  The vines are mainly planted on terraces – some of them quite minuscule – comprised of dry and very limy gravel soils. The Traisental valley is the only wine producing region of lower Austria where a most important limestone soil type can be found. Huber is the spearhead for the Österreichischen Traditionsweingüter, and organization of vintners from the Danube areas in Kremstal and Kamptal with the intention to identify and understand the diverse soils, the microclimate of the different vineyards and the impact of these factors on the varieties. The question posed was how do these conditions support quality and character in the wine? Thus in 2010 an attempt was made to classify the classic vineyards objectively. The awareness that great wines only thrive in great vineyards is inherent in this philosophy. The terms Klassifizierte Lage, Erste Lage and Große Erste Lage were thus defined.

Markus Huber

Markus Huber Grüner Veltliner Terassen 2021, Traisental, Niederösterreich, Austria

Esssentially the “estate” grüner veltliner, of 15 parcels from north to south separated by 10 kms harvested between 10 days and two weeks in the Traisental. As precise as it gets for grüner with a little bit of skin contact, zero botrytis, bone dry (with help from a cultured yeast). Big licensee pour so it has to be dry and consistent. White liquid peppery, taut yet not tight and notably sapid, surely an agglomerated grab of conglomerate rock from around the region. Drink 2022-2024.  Tasted November 2022

Markus Huber Grüner Veltliner Nussdorfer Obere Steigen 2021, Traisental, Niederösterreich, Austria

Essentially the “villages” grüner veltliner, from Nussdorfer, of six vineyards, vines in and around 25 years and picked on average 10 days later than the Terrassen. More weight, physiological ripeness and complexity than the Terrassen. Focus and precision as well though still an averaged out or at least layered expression to speak of a more confined sense of Traisental space. Saltier as well though hard not to notice the sapidity too. This just has that balanced posit tug between the two. Drink 2022-2025.  Tasted November 2022

Markus Huber Grùner Veltliner Ried Alte Setzen 1ÖTW 2021, Traisental, Niederösterreich, Austria

Single vineyard from the pressed rock of the name that combines limestone with sand and clay formed by the retreating Traisen River formed 10 million years ago. the soils here are very shallow and roots dig very deep to find nutrients in the water table below. Saltier, slightly lower in pH and conversely not as sapid as the Zwirch. Fermented in large traditional oak casks and the result here speaks to limestone in the most direct, fresh and high spirited way. Chiseled for grüner veltliner. Drink 2023-2028.  Tasted November 2022

Markus Huber Grùner Veltliner Ried Zwirch 1ÖTW 2021, Traisental, Niederösterreich, Austria

Single vineyard from the conglomerate rock of the name that combines limestone with small stones and clay formed by the retreating Traisen River form 10 million years ago. Fermented in large traditional chestnut casks from the 1960s of 10 years minimum for micro-oxidation. Old vines as well, some 70 years of age for a truly sapid expression of grüner veltliner with thanks to this specialized geology that is very high in pH. Power in this wine though the clarity and determinative focus is estimable. The winemaking too. Drink 2023-2027.  Tasted November 2022

Markus Huber Grüner Veltliner Ried Berg 1ÖTW 2021, Traisental, Niederösterreich, Austria

Highest and coolest vineyard of the Traisental Erste Lage because by three or four pm the forest casts shade over the vineyard. Limestone based soil as well, upwards of 380m and the only portion that has iron rich red elements in the earth. Actually finding a richness in this, surely vintage related and that is unexpected but it’s also the most savoury, minty cool, eucalyptus accented, or the like. Curious by comparison to Alte Zetsen and Zwirch, in what is assessed as almost dark, smoky, spicy volcanic-simulate stuff. Brings whole and utter meaning to grüner veltliner at the Grand Cru level. Drink 2023-2028.  Tasted November 2022

Markus Huber Grüner Veltliner Ried Berg 1ÖTW 2016, Traisental, Niederösterreich, Austria

Berg is so bloody apposite to Rotenberg even though they both come from the same geology but here the block is the highest and coolest vineyard of the Erste Lage because by three or four pm the forest casts shade over the vineyard. A cool vintage when quite a bit of selection was necessary where some unusually present botrytis did occur. Definitely moving into a savoury secondary stage though the great factor is the emerging petrol, great for grüner, the white pepper now so liquified and the texture really quite layered yet compressed. Advancing and will drink with lovely sway for another two or three years. Drink 2022-2025.  Tasted November 2022

Markus Huber Grüner Veltliner Ried Berg 1ÖTW 2017, Traisental, Niederösterreich, Austria

A warm summer and cool fall, considered as a very strong vintage, doused in lime, no real petrol and this was in fact the first year where the vines sat under the hail nets so that they received dappled light instead of direct sun. The Berg is a top site and makes grand jour, grand cru wines. This is cracker riesling. Top, top. Drink 2022-2027. Tasted November 2022

Markus Huber Riesling Ried Berg 1ÖTW 2021, Traisental, Niederösterreich, Austria

Berg is so bloody apposite to Rothenberg even though they both come from the same geology but here the block is the highest and coolest vineyard of the Erste Lage because by three or four pm the forest casts shade over the vineyard. And so the focus here is intense, the herbology present and the sapid savour almost flying off the charts. Incredible determination and what has to be as good a vintage for this Grand Cru as there as ever been. Drink 2023-2023.  Tasted November 2022

Markus Huber Getzersdorfer Riesling Engelsberg 2021, Traisental, Niederösterreich, Austria

A villages wine, from Getzersdorf, of vineyards that stretch over two crus, and an example of dry wine with all the varietal characteristics of the area. Like white flowers as opposed to peach and the limestone tightens the palate. Provides the sapidity though the wine is balanced in equanimous behaviour by salinity. Drink 2023-2027.  Tasted November 2022

Markus Huber Riesling Rotenberg 1ÖTW 2021, Traisental, Niederösterreich, Austria

From Dolomite limestone soil, as with the sister riesling Berg, and it is pretty obvious that south facing slopes make for a richer, luxe, viscous and textured style. No skin contact (as opposed to the grüners) but whole bunch pneumatic pressed. The phenols are in fact not eliminated but the precursive petrol notes are encouraged and phenols are pulled from the whole bunch breakdown. Most important the berries are protected from ultra violet light under hail nets and so dappled light improves the aromatics in the grapes while still on the vines. Yet another example of capturing what you want in the vineyard and not in the winemaking. Salty number, taut, finessed, yes rich but also so focused. Drink 2023-2028.  Tasted November 2022

Markus Huber Weissburgunder Rosenweg 2021, Traisental, Niederösterreich, Austria

From a single vineyard Hochschopf which is a grand cru for grüner veltliner and riesling only, a place to deliver high ripeness and the winemaking is a blend of the grüner veltliner and riesling in that the fermentation is done in Acacia barrels after receiving a long skin-contact maceration (69 hours). Definite phenolic presence, grip and circumstance, no botrytis or malo, cool, silky textured and yet crunchy enough to keep our attention. A really smooth drinking weissburgunder. Drink 2022-2024.  Tasted November 2022

Markus Huber Metamorphosis 2021, Traisental, Niederösterreich, Austria

A natural wine made since 2017, always changing, thus the name. Varietal grüner veltliner picked earlier to lessen alcohol, ferments for four months in concrete egg, racked off, sent back in without sulphur for six more months on the gross lees and only sulphured minimally (20 bbm) at bottling. Preserved lemon is the crux and the focus, that being how textured it presents as a varietal wine in the natural vein. Even the tisane and the poached or blanched flavours are yellow citrus with creamed pine nuts or hummus in the mix. Drink 2022-2025.  Tasted November 2022

Markus Huber Pinot Noir Rosenweg 2021, Traisental, Niederösterreich, Austria

Grown on blocks where the grüner veltliner and riesling don’t and yet this is from an Erste Lage site. Harvested on the 30th of October so the phenolic vernacular is one from a long growing season. A mix of 30 percent whole bunch and 70 from separated grapes for a minor carbonic maceration. Maximum two weeks for the whole process and racked off into 500L Bourgogne barrels, left on lees for 10 months. Vines were planted in 2004, 777 (Bourgogne) and one German clone. Waited 10 years before bottling as pinot noir. Quite round and creamy, unfiltered and low by intervention. Finishes with just a fraction of extending tension to keep interest and see the wine age just a few years. Drink 2022-2024.  Tasted November 2022

Matthias Warnung

Matthias Warnung – Kamptal

Welcome to the low intervention winemaking world of Matthias Warnung. Warnung farms 10 hectares in the Kamptal after taking over the winery from his father in 2010. Matthias has worked with other winemakers, including Craig Hawkins, the South African natural winemaker behind the brand Testalonga. He also worked alongside Tom Lubbe of Matassa in the Roussillon. Organically raised grüner veltliner and riesling rest in large old casks for several years, always after wild ferments, extended skin contact and minimal sulphuring.

Matthias Warnung Grüner Veltliner Potato Land 2021

“It is Kartoffelland around here” smiles Matthias Warnung. Potatoes are everywhere and the jest is real though Warnung is anything but a tongue and cheek comic. No, he is a dead serious vine-grower and winemaker, young, precocious and deeply rooted in the tradition of the Ernst Warnung estate. Just calling a spud a spud and this grüner veltliner is an agriculturalists’ way of keeping in touch with 10-plus hectares of vines surrounded by the Kartofel. Perhaps there is a wink-wink suggestion here from a producer who sometimes makes wines unconnected to appellation but in any case the minor skin-contact and playful nature offers plenty of good fun. A joyous and textural grüner, herbal, dry and expertly spoken in layers of loess, clay and chalk. A terrific and affordable cuvée, knowable and yet just a bit different. Cheeky even. Drink 2022-2024.  Tasted November 2022

Matthias Warnung Grüner Veltliner Espere 2020

This step up in grüner veltliner character and texture puts this minimal intervention example into a “Villages” level of expression, first from higher quality and older vines’ fruit but also with thanks to two years spend in large older casks. Tightly wound whilst in that balanced middle zone, above a regional roundness yet still shy of a rich and not quite opened single-vineyard style. In fact it seems that only this level delivers a truly authentic grüner veltliner experience, at least so far as it registers under the guidance of Matthias Warnung. Overall this smoulders lightly and finishes wholly and unequivocally sharp. Drink 2022-2026.  Tasted November 2022

Matthias Warnung Grüner Veltliner Lossling Single Vineyard (Barrel Sample) 2017

Younngest vineyards are bottled after one year. Village wines are two years. The single vineyards minimum five. Aging is done in a cold and humid cellar, barrels cleaned of the nitrates every ten odd years. The grüner veltliner is whole bunch pressed, of a wild ferment and straight to 300L barrel in the 350 year-old cellar. Will be bottled in December after five years, sulphured 15-25 mg at the end. The Jean-Pierre Frick of the Kamptal but this is incredibly clean and pure, far less oxidative and nervous. Now honeyed, paraffin waxy, of lemon preserve with great tension and energy. Acids run the show and texture is lovely. Carefully considered, slowly developed, a process and structured to last. Drink 2022-2030.  Tasted November 2022

Matthias Warnung Riesling Single Vineyard (Barrel Sample) 2017

The oldest part of the grüner veltliner vineyard houses riesling, vines around 40 years of age, made in the same way as the Lossling grüner veltliner. Whole bunch pressed, wild ferment and straight to 300L barrel in the 350 year-old cellar. Will be bottled in December after five years, sulphured 15-25 mg at the end. Noses more like older riesling than the grüner does for that variety but the tension here is greater, the fruit skin scents muskier and more intense. Some evergreen here, pencil shaving and more skin-contact feeling in a Gravner meets Fino kind of way. Green olive, almond skin and lime. Complex and fascinating.  Drink 2022-2029.  Tasted November 2022

Klaus and Viktoria, Weinkultur Preiß

Weinkultur Preiß – Thayern

Fifth generation winemaker Viktoria Preiss and partner Klaus are most concerned with nurturing balanced and healthy soils, healthy vines and grapes. It is what they call “close-to-nature cultivation, certified organic by Austria Bio Garantie and from the 2025 vintage forward they will be officially certified organic. They employ self-produced compost and most importantly diverse cover crops for the purpose of increasing biodiversity, control erosion, provide nutrition, work against soil compaction and produce humus for long term gains. To combat the grape vine moth they use pheromones instead of insecticides. Of great interest has been the decision to use the pruning method of Simonit & Sirch, to increase the overall balance of their vines and to make them more resistant against viral diseases.

Weinkultur Preiß Grüner Veltliner Kammerling 2021, Traisental DAC

From fifth generation winemaker Viktoria Preiss and partner Klaus on a Thayern farm working towards and converting to organic agriculture. A grüner veltliner right up the middle for a regional agglomeration of fruitiness, mineral and acidity – all the proverbial bests. Tart, medium-bodied, middle of the road taken, well made. Sharp value. Drink 2022-2024.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Ried Rosengarten 2021, Traisental DAC

Moving to the most northern vineyard in the valley with a grüner veltliner of notable vintage richness, warmth and clear late harvest concentration. An elevated pH for high sapidity and while the acidity is perfectly fine it is certainly not high or up front, nor centre stage. Classic ripe to ripest tonic finish. Drink 2022-2024.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Ried Rosengarten 2019, Traisental DAC

Retreating back two years and again from the most northern vineyard in the valley with here another warm, if quite a bit warmer vintage. Already showing some secondary character, petrol and saffron, likely due to a touch of botrytis in this vintage. Drink 2022.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Brunndoppel 2021, Traisental DAC

Moving from the most northern vineyard (Rosengarten) to further south where the bedrock of limestone makes it difficult for the vines to burrow down in search of nutrients. Brunndoppel refers to two water sources beneath the vineyard and is a monopole under the framing of the Preiß famly, high in elevation and approximately three hectares total. Still the richness and ripeness but this is very youthful and sharp, working through its edges, tight and stretching. Drier than the previous 2020 and 2017, more focused and well made out of a very good vintage. Drink 2022-2025.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Brunndoppel 2020, Traisental DAC

Southern reaches of the Traisental, where limestone bedrock is hard and vines must burrow to seek nutrients below. The name Brunndoppel makes reference to two water sources beneath the soil, a monopole farmed only by the family Preiß – their three hectare Grüner Veltliner grand cru if you will. Works to converse positivity, here from a very cool vintage. Lovely movement and a good balance between ripeness and tension, fruit and rock, all wrapped up in sweet acidity. Well made here. Drink 2022-2025.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Brunndoppel 2017, Traisental DAC

Showing age and a warmer vintage to create this warm, fuzzy, soft and creamy wine. What grüner veltliner was and still can be, likely some botrytis involved, certainly some residual sugar and tastes like traditional Alsace pinot gris or blanc. Drink 2022.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Berg 2021, Traisental DAC

Highest and coolest vineyard of the Cru because by three or four pm the forest casts shade over the vineyard. Limestone based soil as well, upwards of 380m and the only portion that has iron rich red in the earth. Vines are young, just about 10 years of age at this point and chardonnay was planted here before. With her third vintage in pocket is shows that Viktoria Preiß has this innate understanding of the vineyard better then the others she works with. This grüner veltliner shows more precision and finesse, clarity too. Then again this is Berg. It’s exceptionality is consistent, so long as its custodians don’t mess it up. The connection between richness and tension is justly executed. Drink 2022-2027.  Tasted November 2022

Weinkultur Preiß Grüner Veltliner Reserve Ried Berg 2020, Traisental DAC

Highest and coolest vineyard of the Cru because by three or four pm the forest casts shade over the vineyard. Limestone based soil as well, upwards of 380m and the only portion that has iron rich red in the earth. Vines are young, just about 10 years of age at this point and chardonnay was planted here before. Again Berg shows its stripes and produces a fine grüner veltliner though really at the maximum ripeness here with some, but not too much residual sugar. Luxe and soft, already moving forward. The winemaking is spot on, that much is clear. Drink 2022-2023.  Tasted November 2022

Weinkultur Preiß Riesling Kammerling 2021, Traisental DAC

Floral riesling, smelling like white roses, lilacs and white peach. Flavour profile is quite similar though with a pretty distinct orange juicing. Like fresh squeezed, a wet stony note and the name Kammer comes from chamber, as in the holes in conglomerate chalky limestone rocks where fossils fit in. Lovely wine, sugars a bit heavier than acids can withstand, but a lovely wine. Drink 2022-2024.  Tasted November 2022

Weinkultur Preiß Riesling Pletzengraben 2021, Traisental DAC

In Viktoria Preiß’s estimation her part of the Pletzengraben is close to the woods and so it benefits from the cooling effect but also from some wind coming down from the alps. That said it’s not a windy block and so hard work has to be done in the vineyard. Her harvest last four weeks, often stretching into the first week of November. Truly sapid riesling, apposite to salty, so mineral either way. Not as much tension as some of the other crus but a really fine wine. Drink 2022-2025.  Tasted November 2022

Weinkultur Preiß Riesling Pletzengraben 2020, Traisental DAC

Relatively soft fruit, mashed peaches and guava, much richer than 2021. Bright and enough freshness maintained though again almost traditionally older-schooled Alsatian, with more residual sugar and elasticity. That said the acidity is also noticed a bit higher in this particular 2020. Drink 2022-2023.  Tasted November 2022

Top, top seminar for @austrianwine with our @winealign own @johnszaboms and Roman Horvath MW of @domanewachau

Toronto Austria Tasting, Nov. 11th, 2022

Zull Grüner Veltliner 2021, Weinviertel DAC

From the first DAC, created in 2002, here made in a classic, 12.5 per cent abv style. The traditional bottle and label indicate classic birthright and heritage housing a grüner veltliner that dutifully follows the line. The grind of white pepper is right there, that influence of Rotundone unavoidable and correct. Fruit of actionability and purpose with the tonic and bitter hints consistently pushed on the palate and back end of the wine. Fennel and green herbs, crisp and fresh. It will be some time before this begins to show any maturity though it does feel as though it has already eased in to a place soft and settled. Yet the good energy persists and the wine sparks in fits and spurts, leaving behind that white pepper fuelled vapour trail. Look back at the final peak of performance in 2025 and likely say still crunchy after all these years. Drink 2023-2025.  Tasted November 2022 and January 2023

Domäne Baumgartner Grüner Veltliner Reserve Kti By Katharina Baumgartner 2021, Weinvertel DAC

In Reserve style the ripeness and by consequence the alcohol raises a point up to 13.5 per cent abv and in this Weinvertel from a winemaker who plays cellar music to her wines in tank and barrel, that being Katharina Baumgartner. The dry factor keeps this clean, fresh and precise and though the alcohol is upwards to generosity this is grüner that stays fine, focused and in balance. No wood but yes some malolactic and an elastic to ever so slightly creamy mouthfeel. Think lime cordial but one dry and satisfying. Drink 2022-2025.  Tasted November 2022

Winzer Krems Grüner Veltliner Reserve Ried Kremser Wachtberg 2021, Kremstal DAC

In Reserve the alcohol will always rise and here with just a point or point and a half of extra residual sugar the result finishes at 14 per cent abv. That said the vintage is very positive and so winemakers could play here and there, as this Krems shows. Feels a touch boozy, like a spirit and a dry mixer, botanical, herbal, green pepper to a degree and a hyperbole of white pepper, yet liquid as opposed to powdery. Quite a punch and pungent single vineyard example. Makes its presence known. Drink 2022-2025.  Tasted November 2022

Jurtschitsch Grüner Veltliner “Belle Naturelle” 2021, Österreich

Newer style, well-known producer and from their natural wine range. Some skin contract and in actuality two full weeks because you’d not really guess that. Dry as the Styrian desert (sic) and seriously taut though not a wine of texture or salve dissolve. Edgy with sound roundness at its edges, middle of the road in natural wine terms. Clean expression, in a post or neo-alternative way. Drink 2022-2024.  Tasted November 2022

Sonnemulde Riesling “Organic” 2021, Burgenland

From Burgenland where there really isn’t much planting of riesling but here from stony sites in the Danube the result is lean, simple and just lovely. Easy of residual sugar (5.3 g/L) and really well balanced, charming even, matched by (6.6) of acidity. Gains flesh and stature with time and offers peach, lime and moderate intensity. Drink 2022-2025.  Tasted November 2022

Rabl Riesling Ried Langenloiser Steinhaus “Rote Erde” 2020, Kamptal DAC Reserve

A bit more alcohol and technically a “dry” wine because under 9 g/L of residual sugar (and here just below that number) the balance is struck with even more total acidity. This is cool climate riesling and so no shock or problem with this elevated stylistic conditioning. There is no lack of tension but the stone fruit generosity is even stronger in a true nectarine meets lime doused green mango flavour profile. Fresh and full which is a really good combination. Drink 2022-2026.  Tasted November 2022

Deim Gerhard Riesling Ried Irbling 2019, Dac Kamptal

Another top site for riesling in Austria, here the intensity is matched by fruit flesh because of a warm vintage and fuller if quicker ripening. Tart in the most readily available implosive way and though there is some noted residual sugar there is also classic acid balancing and finishing tonic. Incredibly well made wine. Drink 2022-2027.  Tasted November 2022

Domäne Wachau Riesling Smaragd Ried Achleiten 2021, Wachau

One of the top sites for riesling in Austria and with the great if dry vintage on record there is a magnificent presence but also balance accorded this riesling. Certainly more phenolic with thanks to a combination of cool fermentation and also extended skin contact while aromatics are at peak because of this pitch-perfect capture. The length is just amazing. Controlled power and grace run throughout. Drink 2022-2027.  Tasted November 2022

Ziniel NV Weinland Muskatteler “Muskat”

Fun with muscat, lively, juicy, 11 per cent low, no musk or funk, just summertime beauty. Imagine certain modern beers or ciders that are just dry enough and sparked for glory. Made from the yellow muscat variety and simply glou-glou. Essentially natural but not the matter at the end of the day when you just want a quench of thirst. Drink 2022-2023.  Tasted November 2022

Zahel Wiener Gemischter Satz Grosslage Nussberg 2021, Vienna

From the category where something like 27 grape varieties are permitted and in a field blend drawn out of beneficial ecosystems, regenerative agriculture and maybe most importantly – bio-diversity. A truly flesh-centric and stone fruit notable GS, just ever so slightly sweet and a ripe example from Vienna vineyards on the north side of the city. Drink 2022-2027.  Tasted November 2022

Muster Gamlitz Sauvignon Blanc Ried Grubthal 2021, Südsteiermark DAC

Not only a dry, stoic and pragmatic example of sauvignon blanc but an intense one in the most expressive way possible. But not only this. The impression left on one’s mind and palate is both profound and imagination will go to the crazy steep Syrian slopes in this part of Austria. Hard not to notice this wine that was almost certainly a challenge to produce. Needs time to digest the 28 months of lees aging in wood. There is gravitas, density and texture in ways others would appreciate like those from Graves. Drink 2023-2026.  Tasted November 2022

George Toifl Weissburgunder Ried Seeleiten “Ge.Org” 2021, Niederösterreich

Quite amazing how pinot blanc will always express as itself, regardless of place. This could be from Alsace, southern Germany, the Okanagan Valley and also here from Austria. The fruit is all stone orchard, the texture almost glycerin, the nut notes both sweet and fleshy. Aged in new large casks which is almost incredible to believe because the assimilation is just ideal. Drink 2022-2024.  Tasted November 2022

Taferner Zweigelt Ried Bärnreiser 1ÖTW 2019, Carnuntum DAC

From a predominantly red wine area though in Carnuntum there are only 900 hectares (in total) planted. Exuberant fruitiness, soft and sweet tannins, quite Burgundian in a regional to good Villages example kind of way. Light, fresh and really elegant with good extraction, some oak influence and as you work with it the flesh from maceration becomes apparent. Dry, of healthy alcohol, ripe and ultimately serious. Drink 2022-2025.  Tasted November 2022

Johanneshof Reinisch St. Laurent Thermenregion 2019

Quite a heavy example of st. laurent from a highly emblematic producer and their look at a variety related to pinot noir. The connection feels relatable to that cooler part of Bourgogne near Vézelay where some wild, rustic, reductive and musky animale is both distinctive and knowable. Chewy, leathery and for those who don’t know or haven’t had the pleasure, surely an acquired taste. Needs a year (or preferably two) to settle and integrate. Drink 2023-2027.  Tasted November 2022

Groszer Wein Blaufränkisch “Tiroler” Österreich 2020

Clear example of a grape variety that knows how to express terroir and here from the Burgenland the case is open and shut. Chalky from clay and schist, hematic, less fruity in style, heavy but not dense, textural, just beginning to begin the slow dissolve. Leathery and savoury, a varietal soul stew of blue and red fruit with impressive structure. A hit of bretty volatility comes late and explains the need to lay this down for two years plus. Drink 2024-2028.  Tasted November 2022

MAD Blaufränkisch Ried Marienthal 2018, Leithaberg DAC

A lighter and fruitier style yet that is relative because there is also some peppery reduction, tension and structure in this blaufränkisch. Botanicals and earthy scrub plus foliage mix with the damson plum, red to black currants and really textural, wood influenced in an almost creamy palate way. Really long and less reductive but also volatile as time works wonders on the wine. Drink 2023-2027.  Tasted November 2022

Good to go!

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WineAlign

Seeing Western Cape stars: A guide to Cape Wine 2022

Hemel-en-Aarde

Regenerative and creative farming, old vines, new frontiers, 80 recommended current releases and braai brekkies

The phenomenon known as “seeing stars” is a common description for disturbances of vision, in seeing bands of light, prisms, sparks or flashing lights. The scientific name is photopsia, a fleeting state most often caused when temporary pressure is placed on the eye, like what happens when you sneeze or bump your head. Seeing stars has also become a symbol of positivity, happiness or renewal. A recent trip to South Africa’s Cape Wine 2022 brought about the literal meaning of the saying as it pertains to celebrity. Wine celebrity that is — and while most Cape personalities carry themselves in complete opposite character to that of an Afrikaans bekende persoon (famous person), their wines on the other hand might bring on that condition called photopsiaThe individual flashes of light called phosphenes may cause dreaminess, giddiness and being weak in the knees. Spend nearly two weeks in South Africa for the Cape Wine fair and you are more than likely to find yourself seeing Western Cape stars.

Related – What comes next for the wines of South Africa?

Old Vines FMC Vineyard, Stellenbosch

The Old Vine Project

In today’s Western Cape, discussions must begin with the entity known as The Old Vine Project. Over the past 20 years viticulturalist Rosa Kruger has focused on discovering, classifying, cataloguing and certifying heritage vineyards. It was a great pleasure to chat with Kruger at a Wines of South Africa ceremony and tasting at Cape Wine 2022, which celebrated her 2022 Decanter Hall of Fame Award. And also with the legend André Morgenthal, orchestrator of the tasting of old vines wines. It is remarkable to see how many estates and producers have come on board — to celebrate and show off the wines they are making from 35-year-old (and older) dry-farmed bush vines. Many vines are even pushing or exceeding the century mark.

He is in fact larger than life – André Morgenthal, The Old Vines Project

“The old method is always the best, because…how did it get so old?” The words of La Motte’s Edmund Terblanche — and yet South Africa is really all about balancing the past with the present. This is why the PIWOSA group — Premium Independent Wines of South Africa — chose the thematic “something old and something new” for their event at Klein Constantia. Old will always be new again, reiterates Andrea Mullineux when she describes the Leeu Passant Old Vine Cinsault Lötter as “a national monument — that must be ripened. Either that or it’s sauvignon blanc and apricots.” Or worse — just apricots.

Preservation is key to the South African wine industry and heritage sites are the assets and the advantage. Chris Alheit is adamant about protecting heritage sites. “I mean, how can you not see this as a Cape treasure? As an ancestral site?” Thus, Alheit’s sémillon, once called La Colline, is also worthy of “monument” status — and though it may not seem to represent the literal definition of a “memorial stone or a building erected,” it does pay homage “in remembrance of a person or event.” In this case, the farmer — and every season of sémillon attempting to seek its fruition for the past 85 or more. Francois Haasbroek of Blackwater uses the term zeitgeist and, yes, the definition is equivocated through the idea of Western Cape single-vineyard wines from off the beaten path, small-parcel sites.

John Szabo MS, Roas Kruger, Godello and the photo bomber

So why are old vines important? Simply put, they are valued for acumen and complexity. They have moved past the imbalance and gawky stage, having achieved life experience, and now possessing profound things to say. Ten years ago, the Old Vine Project considered one per cent of planted vineyards as old, but the truth is 50 percent of old vineyards can be rejuvenated. Most are set into decomposed granite soils, in some instances colluvial as well. These tracts are really old and weathered, predating microbial life. The vineyards dot a landscape occupied by granite plumes exposed above the surface; where below the surface magma cooled ever so slowly and so there is now much more diversity in the life and texture of the rock. Some will wonder how the wines grow on the granite. Physically, the decomposed granite is very friable, and the soils are sandy, two to three meters deep. Roots can dig down, resulting in a bigger canopy — and under that dappled light (as opposed to daytime/nighttime sun), the grapes are able to retain acidity.

Related – Searching for great heart in South Africa

Chenin Blanc

Chenin Blanc and decomposed granite soils

The artist formerly known as Steen, now simply “chenin,” is as complex as chardonnay, with acidity like sauvignon blanc but never searing. For a passionate winemaker like Andrea Mullineux, the grape holds nostalgic qualities. In the Western Cape there are 17,000 hectares planted, more than double that of the Loire. From the 1960s to the ’80s, Lieberstein (a mass market, kitsch wine that launched a sort of South African renaissance) was the most successful wine brand. So much so the government put out a call to plant more chenin in the 1990s.

“When you have old bush vines, you’re going to get chenin blanc that harnesses sunlight, a thickening of the skins and an accumulation of full phenolic character — a taste of sunshine,” says Mullineux with that wry and sly smile. “Granite is the only soil that can give you this super reductive style with great energy,” explains Donovan Rall, who picks his chenin blanc early. “What we learned through the drought years is you don’t have to pick things as you were traditionally taught.”

Andrea and Chris Mullineux

As for recent vintages, 2019 had warm days and cool nights, allowing vines to relax and recover acidity. Then 2020 was very temperate with little diurnal temperature fluctuation, leading to quick yet relatively even ripening. In 2021 the season was cool but dry, though not with drought-like conditions seen in 2018. Veraison only finished in the second week of — quite opposed to previous years when picking was completed by the second or third weekend of that month. Yet 2021 allowed for more precision picking and quite a relaxed harvest.

In 2021 and 2022, vineyards in the Swartland achieved that elusive ideal of full phenolic ripeness. “We say phenolic ripeness, but we call it psychological ripeness,” notes Mullineux. “At least with respect to basing on numbers.” The ripening schedule follows a path starting in Roberston (which is inland), followed by Paarl, Franschhoek and the Swartland, then the coastal regions with Stellenbosch being one of the last, just ahead of Elgin, Wellington, Hermanus and Hemel-en-Aarde.

As for the Hemel-en-Aarde and chardonnay, Chris Albrecht from Bouchard Finlayson indicates that elevation on their side of the valley where fog and humidity settle at the lower levels play a direct role in viticulture and especially the ripening seasoning. Shallow shale soils overlaid with heavy clay is also a factor in determining grape maturity. The Valley has a plateau with an underbelly delivering unique sets of tannin, structure and acidity that, when mixed with sandstone and clay soils, makes for this aspect of how chardonnay sets up for individualistic display.

Related – Memories of South Africa in 60 notes

Fynbos, Vergelegen, Stellenbosch

The venn diagram of organic, biodynamic, sustainable and regenerative farming

Soils in South Africa are ancient and varied. There are three main types along with derivatives:

  • Decomposed granites (oakleaf, tukulu, hutton and clovelly)
  • Malmesbury, bokkeveld or witteberg shale (glenrosa, swartland, klapmuts and estcourt)
  • Table Mountain sandstone (fernwood, longlands, westleigh and dundee)

Still other soils are major contributors to farming styles and the wines they beget. Alluvial, koffieklip, silica quartz, kaolinite clay, river gravels, klipheuwel conglomerates and shales, limestone and malmesbury clay are but a few. Then there are the plutons, dome-like intrusions of igneous magma into the earth’s crust which occurred at great depths and consequently cooled slowly, resulting in a coarse crystalline (granitoid) texture. These plutons have subsequently been exposed by erosion, resulting in mountains or hills such as those in Paarl and Perdeberg and the hills in Darling. In some cases, the exposed domes have been flat-topped by erosion and then covered with sandstone deposits, and have then again been eroded, resulting in sandstone on a granitic base, such as can be found in the Table and Simonsberg mountains. We must also point out the incredible Breede River Region’s characteristic calcareous loam soils and their association with bokkeveld and witteberg shales, dwyka tillite and enon conglomerate. In this part of the Cape it is Malgas that is the only South African wine area with significant alkaline soils.

Johan Reyneke, Stellenbosch

Between the 1970s and ’90s, many of the old vineyards in the fancy regions like Stellenbosch and Costantia were ripped out to plant cabernet, merlot and pinot noir. This was not the case in the “sleepy” Swartland where many old vines, especially of the bush variety, remained untouched. Today a less obtrusive pruning method is employed on “goblet,” which means smaller canopies, lower yields and less water requirements. This method reduces susceptibility to wood rot and also Esca, one of the complex of “trunk diseases” (along with Botryosphaeria dieback, Eutypa dieback, and Phomopsis dieback) caused by wood-infecting fungi.

“We’re figuring this out and it’s getting fun now,” says Callie Louw. But Louw is the anti-hero, the man who focuses on one large entity. “Working with all these little bits of grapes here and there is not sustainable,” he says, and so 90 hectares produces 850 tonnes of grapes with 85 per cent going into (Boekenhoutskloof) Chocolate Block. “We don’t need to offset climate change with varietal adaptation. We just need to farm better. The problem doesn’t go away. Cover cropping, activate your place, get things growing, the whole profile is run in the top four inches. Below is the bank, the reservoir, the thing that makes the money is on top. Stop tilling! Leave that stuff on the top of soil. It just burns. Keep the active things alive. Increase the carbon in your soil by one per cent and the water will increase by 50.”

With Callie Louw, Porseleinberg

At Vergelegen Wine Estate in Somerset West it is environmental manager Eben Olderwagen who shows how abrasive yellow vine trunk wraps are employed to repel geckos and slugs in lieu of spaying. This sustainability action is part of Vergelegen’s track record as a wine estate renowned for its biodiversity and commitment to environmental sustainability. (Vergelegen is owned by mining company Anglo American.) The recent completion of an extensive programme to rehabilitate eroded watercourses is now the stuff of Western Cape legend. Five sites saw the removal of invasive alien species like Blue Gum trees (between 2004 and 2018) and the replanting of some 15,000 indigenous plants that were housed temporarily while the programme was underway. The 12 million Rand project has saved rehabilitated wetlands and Lourensford Alluvium Fynbos vegetation, which could have been badly affected by sediment washing onto the area. In addition, it has halted sediment contamination of the Lourens River, part of which runs through the estate. Rare vegetation discovered by botanists on the property thought to be extinct has been preserved within the hills and valleys of the 2,000-hectare nature preserve. In 2009 a major fore swept through and burned much of the vegetation, but this is actually beneficial to the fynbos which needs a good burn every 12-15 years for proper rejuvenation. No municipal water is used on the property as water from the Helderberg Mountain is captured in two damns. Vergelegen lays claim to now being the most leaf-roll virus free in the Western Cape.

Johan Reyneke

“Land caring, land sharing and making quality wine” is Reyneke’s tripartite platform and both story and also that of the cows is like a tree with different branches. The animals graze in high density, moving throughout the year from block to block. They graze and return microbes back into the soil, through their waste and create humus. Vines are fed by this regenerative activity. Dandelions are planted to attract pests so they will leave the vines and roots alone. Downy mold is managed with metabolic enzymes of copper, not always successful on its own but fighting alongside the humus offers a much better chance of control. Not to mention brix levels are raised because of this type of farming. Land sparing essentially means that if you have ecologically endangered endemic plant species you must leave them to live in conjunction with your vines. Don’t reduce them. And for goodness sakes don’t till.

Chenin Blanc, Reyneke

Thankfully by this point roughly 90 percent of farmers in the Western Cape have converted to no-tillage systems to improve the efficiency of crop production. Reyneke also plants new vineyards on contoured angles to control winter water flow but also erosion so that the flow will reach the property’s two dams. There are the fynbos “corridors,” between the blocks to allow wild animals a chance to remain in nature. This all adds up to creative farming mixed with regeneration and sustainability. The first seven years of this policy have all been about renewing the soils and each year the goal is to plant between five and seven new hectares, with 30 on schedule to go in over the next five years. “It begins with organics (which is sustainable), then graduate to biodynamics (which is self-sufficiency) but there is a constant struggle between caring and common sense.”

In other words decisions have to be made, economic ones, to support family, workers and the farm. “People have different tools during different epochs to deal with reality. Science is not about being certain and sometimes it’s about being doubtful. I’m never sure 100 per cent.”

These are the words of Jolandie Fouché of Wolf and Woman Wines: “As shared custodians of the lands that house these vineyards, we also ensure that we partner with growers who farm sustainably in order to produce top-quality grapes without compromising the environment, and the vineyards themselves, in the long run.” And there is Marlise Niemann who recreates the taciturn through gestures so befitting her Momento wines. They like so many of the Western Cape endure for their balance between place and adventure, as well as remaining grounded through their maker’s independence and relationship with the tracts they choose to interpret.

Related – Around the Cape in 50 wines

Agulhas

Appellative blends in red and white

There are reasons why many Western Cape winemakers increasingly turn to accounts spoken in stacked varieties through appellative blends. Not because it can be a French thing to do in the ways of Châteauneuf-du-Pâpe but because it makes for wines possessive of immense character.

“We need these wines and to pay a lip service to them is essential,” says Adi Badenhorst. “As a winemaker or in any homestead job you are always influenced by where you grew up and who you worked with. In the Swartland these are the varieties that were there.” Badenhorst’s ideas are echoed and expanded upon by Duncan Savage. “All the wines are directly connected to their sites,” he says. “That shouldn’t change too often. The farms are big here so you can’t afford to own 50 hectares.” Thus, a winemaker and producer like Savage picks their plots and develops their relationships with their fruit over long periods of time.

After the Cape Wine trade fair, we rode over dirt and dust to what felt like The Western Cape’s version of the outback, to arrive near Malgas up above the Breede River just 15 kilometres in from the Indian Ocean at South Africa’s most southern tip. This is the remote and “insane” home of Sijnn Wines (pronounced “sane”) where visionary David Trafford saw the future a few hours away from Arniston and Cape Agulhas. The beautifully shaped and hued river stones (aka, puddings) and Bokkeveld Shale are perhaps the world’s greatest impetus for developing Rhône varieties à la Châteauneuf-du-Pâpe.

Yet this is South Africa and so chenin blanc, verdelho, touriga nacional, trincadeira and cabernet sauvignon also thrive despite the poorest of soils. Winemaking in the hands of Charla Bosman sees a prodigy and savant at one with the land so that the progression from 2015 vintage through wines resting in barrel today may as well be a decades long discovery.

Related – Welcome to South Africa’s Capelands

With Charla Bosman

Why South African producers must sell their wines abroad

There can be no begrudging people who might imagine South Africa as a growing area of sunshine, heat, and potentially high-alcohol red wines. That is why they must be shows how so many phenolically ripe red wines lock in at a low, low 11.5 to 12.5 percent alcohol that seemingly only the Western Cape can affect for grape varieties like cinsault and grenache.

“I’ve never worked with conversion rates this low,” says Donovan Rall, and his cinsault is a testament to the excellence and magic of vintage. “With no compromise to flavour, tannin, acidity and length.” The low alcohol at 11.8 is brilliant, as no push to ripeness was needed to achieve these heights. Mick and Jeanine Craven manage to create this impossibility with cabernet sauvignon, while still delivering ripeness, generosity, and peace of mind. Another bit of voodoo magic from a place and a maker that knows what’s what.

Cape Town

The need to export, to reach as many new customers in as many countries as possible is the challenge for South Africa’s producers. The Cape Winelands are oceans and continents away from most markets and that remains a serious obstacle, not to mention being situated at the southern-most tip of Africa. The isolation was devastating during Covid, compounded by governmental decisions rooted in prohibition, isolationism, and fear. But the world has re-opened to South Africa and seeking representation beyond Europe is necessary, including finding markets in Canada.

Says Eben Sadie: “There is now a healthy competition between producers. There are vineyards that I planted 10 and 15 years ago that I can now say great things about. It’s in the glass. It’s kind of our time now. We have 3,000 people in this country buying fine wine. Guys who are willing to pay $50 to $60 a bottle for wine. We are all selling locally to the same group of guys. The local market is brutal.”

Related – Once upon a time in the Western Cape

How the Western Cape was won

Cape Wine 2022 was my third trip to South Africa’s winelands between 2015 and 2022. That first congress in 2015 opened my eyes to the possibilities of a wild west experience where the planet’s most ancient soils and geography were able to host grape varieties from all over the world. It seemed like anything could ripen anywhere agriculturalists chose and winemakers wished for. Three years later it was understood that what and where you plant was the key to producing great wines of a sort being made nowhere else in this world. This last journey changed everything again and now it is the coalescence of heritage vineyards, magical conversion rates, sustainable and regenerative agriculture that separates South Africa from all the rest. The Western Cape may be an isolated wine industry and exporting the most challenging of any wine producing nation, but these wines must make it onto our shores. They are too good to miss, not just a handful but hundreds of outstanding examples. Quality has risen exponentially, virtually across all places of origin, including new frontiers. The stars are out, and they are aligned.

Braai Brekkies, Franschhoek

Godello’s 80 recommended current releases

Cap Classique

Anthonij Rupert L’Ormarins Cap Classique Blanc De Blancs 2017, WO Western Cape

Drought vintage no matter nor adversity for this 100 per cent chardonnay aged four and a half years on the lees. Palate presence and texture synthesis but also a really sharp bubble of aromatics in lemon zest, ginger and spice. Elegant and sensory, of sips drift worthy for daydreaming and calm. A blanc de blancs of sanguine personality, extroverted, social and active so that you don’t have to be. Good times when a Cap Classique can do it all, leaving you to enjoy, relieve stress and relax. Seventh iteration heaven from a program that began back in 2017. Drink 2022-2026.  Tasted October 2022

With Johnathan Grieve, Avondale Wines

Avondale Armilla Blanc De Blanc 2015, WO Paarl

From the tradition of Méthode Cap Classique Armilla is a Blanc de Blancs in 100 percent chardonnay, seven years total on the lees, 90 percent in stainless steel, (10) in big French for one year in barrel. Two of the years on the coarse lees were in tank and all is natural. First vintage was 2003. The only thing that has really changed is the extended lees aging but not the moorish acidity extending the freshness and eliciting a keen sense of brioche. The 3 g/L dosage is negligible and so from start to finish Armilla retains its aridity, is never stark but always balanced. More sugar would make it big and fat and see it lacking brightness which frankly is this B de B’s calling card. Resides at the upper echelon for Cap Classique. Cracker stuff. Drink 2022-2029.  Tasted October 2022

Jordan Wines Blanc De Blancs Special Cuvée 2017, WO Stellenbosch

A brilliant all in chardonnay Cap Classique from 22 year-old vines growing on Glenrosa and Hutton soils abutting the Stellenbosch Kloof. A Mediterranean climate here, only 24 kms from the ocean at False Bay. Breezes channel in from the West Coast’s Benguela current and it’s not just a repeated adage to say that the Atlantic winds translate into crazy open-air freshness in Jordan’s scintillant of a white sparkling wine. Spends a nurturing 54 months on lees and this bottle is from the second disgorgement, just now in October of this year. First vintage was 2015 and this is just the second for a B de B bubble that will join the ranks from MCC through to CC’s finest. Sharp yet delicate, intensely focused, precise, with citrus squalls and in the end a treat and a dream. Drink 2022-2027.  Tasted October 2022

Le Lude Brut Reserve Cap Classique NV, WO Franschhoek

I mean, just classic. Citrus juiced and a ripeness in this particular cuvée, always ahead of the curve and also the Rosé. Nothing taking for granted, sharp and superlative acids causing the chardonnay to flourish, intensity heightened as far as one could wish. Even keeled, never expressing highs to high or lows to low.  Last tasted October 2022

The blend is with pinot noir but in this sister cuvée to the Brut Rosé it’s really about what chardonnay is going to bring to the MCC table. The dosage is just slightly higher than the Rosé, here at 6.5 g/L and 24 months on its lees. Here the shift is towards more richness, almost counterintuitive when you think about blanc vs. rose but Paul Gerber is on to something big. There is a plum compote luxe note stirred into the citrus and so both ends of the fruit spectrum are involved and incredible. “You must taste the sun in the fruit,” insists Gerber, sparkling wine or not and so with verve, intensity and balance this travels to terrific and back. Drink 2018-2022.  Tasted September 2018

The Drift Estate Penelope Cap Classique 2017, WO Overberg Highlands

Penelope by Bruce Jack is 100 percent touriga nacional, first ever in existence as sparkling wine, likely not just in South Africa but anywhere in the world. Also a single vineyard Cap Classique and as crazy a perfect storm of variety and methodology as there has ever been, almost outdone by Jack’s ice bucket and Penelope story when the earth stopped. Go to the website for more details. This CC is raging though the specs are not exceptional and so some sort of Cape voodoo is happening here. The farm is too cold to really get a ripeness converting above 11.5 percent alcohol so sparkling it is and the 20 year-old vines deliver the necessary fodder for top notch sparkling Rosé. Goes all currants and ginger, rooibos and fynbos. As it must. Drink 2022-2025.  Tasted October 2022

Old Vines

Alheit Vineyards Sémillon Monument 2021, WO Franschhoek

The artist formerly known as “La Colline” received a name re-branding in the previous vintage yet the source and the song remain the same. That being the 1936 planted (and registered) heritage sémillion vineyard but the farmer passed away in 1938 so the block could actually be as much as two decades older. “Diversity is a matter of having the genetic material to do it,” explains Chris Alheit “and though there may be drifts away from the original DNA, there will always be that connection.” Oldest indeed within the quadrangle composed of Paarl, Wellington, Franschhoek and Stellenbosch. “I mean how can you not see this as a Cape treasure? As an ancestral site?” Thus the new moniker and though it may not seem to represent the true definition of a “memorial stone or a building erected” it does in fact pay homage “in remembrance of a person or event.” They being the farmer and every season of sémillon attempting to seek its fruition for the past 85+ seasons. As for 2021 the imprint just feels like a culmination, of fruit speaking in historical terms and bound to structure, of acid, tannin and extract all constructed as confidentially as ever there has been afforded the opportunity. The 2021 Monument is a rock as profound and important as any sémillon anywhere. “Yeah, people don’t you listen now? Sing along, Oh. You don’t know what you’re missing, now.” Drink 2024-2035.  Tasted October 2022

Bellevue Estate 1953 Pinotage 2017, WO Stellenbosch

A remarkable wine to have the opportunity to taste from vines aged 64 at the time of this vintage and interpreted by winemaker Wilhelm Kritzinger. Bush vines, their yields less than one tonne per hectare (in drought years, of which there are many), upwards of 1.75 in the best of times. The location is Bottelary in Stellenbosch and Bellevue seeks gradual extraction, not quite a full on délestage but the whole lot is transferred from vessel to vessel. The normal press time is seven days and this rare pinotage is always fermented fully dry. Sees 23 months in well versed and rehearsed wood for what is tops in terms of experienced and developed pinotage. Secure in character, prepped and purposed in personality, in delivery of the bloody and the iodide, part soil and part ocean water. A metabolic wonder, converter of energy, meticulously made. Total pro with a whole lotta good dark salted chocolate upon the finish. Drink 2023-2027.  Tasted October 2022

Penny Noire, Cape Town

Boekenhoutskloof Sémillon 2019, WO Franschhoek

Tasted with Lynton Kaiser of Boekenhoutskloof and this three vineyard sémillon blend out of this vintage elicits the kind of looks and gestures requiring no words. The 1936 Franschhoek planted La Colline provides half the fruit (with a good portion having mutated into sémillon gris) and the other 50 percent coming from a 1942 site set into the ancient Franschhoek Riverbed, but also including a few points of muscat out of a block planted in 1902. Concrete eggs house 30 per cent of the ferment and neutral barrels do the yeoman work to keep this cuvée in a primary state for what will likely be a minimum eight to 10 years. The bones are hard and unbreakable to indicate structural propriety and so seeing a decade pass is a near guarantee before next level complexities and brilliant complications will appear. For now there is intrigue, the promise of lemon curd, beeswax, toasted lemongrass and the sort of exotic herbs you’d tear into a bowl of aromatically charged southeast Asian broth. Top and benchmark in so many ways, easily deserving of its reputation. Drink 2026-2035.  Tasted October 2022

  

David And Nadia Wines Chenin Blanc Hoë Steen 2021, WO Swartland

Hoë-Steen is one of four single vineyard chenin blanc from a terroir in the “which one of these things is not like the rest” set of propositions. Planted in 1968 to see it recently cross the half century mark and soils are unique, especially as it pertains to chenin blanc. They are red iron oxide clay, rich and deep, location west of Malmesbury direction Darling. The label reads chenin but truth is a few other surviving vines here and there are in the yard, including discoveries of riesling (crouchen blanc), false pedro, palomino, sémillon and clairette blanche. And who does not appreciate the heritage and concept of a field blend? They’ll call them zinfandel in Sonoma but many are layered of a similar ilk, with the likes of grenache, alicante bouschet, petite sirah, mataro and others playing in the band. Hoë-Steen’s adept water retention and cool temps below the surface put this dry-farmed SV in a place of slower phenolic development and longer growing seasons. The effect on chenin is enchanting, divinatory even and never what you fully expect. Round is not the thought because the trinity of fruit, acid and tannin touch all points, in sequence and exact intervals. The wine can keep time and also plays in fills between the lines. It is symphonic, the whole package, in synch. Drink 2023-2034.  Tasted October 2022

Nicole Kilian, Keermont Wines

Nicole Kilian, Keermont Wines

Keermont Chenin Blanc Riverside 2019, WO Stellenbosch

Keermont is the Stellenbosch farm of Mark and Monica Wraith with their four children. Alex Starey takes care of the vineyards and is the winemaker. This 2019 Riverside was tasted at the Old Vines Project evening with Nicole Kilian who happens to be an American married to a Canadian and their work is purely South African. The 1971 planted single vineyard is the third oldest chenin plot in Stellenbosch. The ’19 was barrel fermented and spent a year in well seasoned oak. The result is purity incarnate, from old vine chenin that has endured nearly 50 years and it just seems like this is the kind of wine that makes itself. The barrels add subtle smoulder and bright luminescence but nothing in terms of density or maturity. A beautiful thing when chenin glides like this and one that will surely sail slowly towards the sunset. Drink 2022-2027.  Tasted October 2022

Ken Forrester

Ken Forrester The FMC Chenin Blanc 2021, WO Stellenbosch

Really different vintage as compared to 2019, here the FMC is a matter of something definably sapid which would indicate the pH being slightly higher while the acidity is just a bit levelled. The wood elicits density and as a result there is a depth to 2021 that stands apart. Fruit concentration while special is not the solo driver because pH, natural fruit sweetness and texture are what make ’21 shine. The youthfulness will confuse the situation and it would seem that eight to 10 years will be needed to settle this score, like Kabinett riesling, Hunter Valley sémillon or any number of Cape old vines chenin blanc. Drink 2024-2031.  Tasted October 2022

Cinsault is the grape planted after phylloxera, which started its devastation around 1900. The idea was essentially to replant all that was lost. The Franschhoek vineyard went in back in 1932, placed upon the mid-slopes, close to but not quite on the valley floor. The Mullineuxs started leasing the block in 2014 and are committed through 2034. This is higher up in these foothills facing west and produces some of the darker cinsaults in the Western Cape, relatively speaking, but especially in contrast to the Wellington (Basson) vineyard. Ethereal and elegant in spite of the shade, more fruit substance and also textural elements. Lötter is the one in this regard, effusive and generous, a wine of soul, soil, history and heritage. A cinsault in the prime time of its epic journey as Andrea Mullineux describes its host as “a national monument that must be ripened. Either that or it’s sauvignon blanc and apricots.” There are two hectares of really healthy and hardy plants, once nearly lost to the sands of time. Drink 2022-2028.  Tasted October 2022

Old Road Wine Company Sémillon Grand Mère 2020, WO Franschhoek

From the vineyard known as La Colline, a high density Franschhoek plot planted back in 1936. Chis Alheit also uses some of this sémillon and now calls his old vines “Monument.” The Old Road Company chooses the name “Grand Mère” which is precisely what the incredible heritage block is for vineyards that have stood the test of time. Crops at a mere three tones per hectare and delivers the most steely and flinty sémillon on the planet. La Colline is southeast facing at 350m, housing unirrigated bush vines and experienced to the effect that a winemaker must not try to dictate its direction. Grapes are left on the skins overnight and 30 percent are allowed to run through a wild ferment. Barrel maturation in mostly older French oak on the primary lees with regular stirring induces a coagulation of creamy texture to offset the striking metal sensation in the wine. On the boozy side but the vintage and the vineyard truly dictate the course. Will age really well, likely well into the next decade. Drink 2023-2032.  Tasted October 2022

Ferdie and Elizma Visser

Olifantsberg Chenin Blanc Old Vine 2022, WO Breedekloof

From Ferdie and (winemaker) Elizma Visser in the Western Cape Breedlekloof (part of the Breede River Valley) at 450m above sea level. The soils are sansdstone and shale with rich alluvials and river rocks for a complex earth from which 1982 planted (certified) old bush vines deliver this exceptional chenin blanc. Olifantsberg was established in 2003 and in just two short decades this producer has connected with their surroundings so tactfully as witnessed in this varietal wine. Now here is something you need to know about, of purity by chenin and a s much rich texture you will ever encounter. Comes equipped with all the minerals and elements of this diverse terroir darting and dodging flesh to preserve and heighten freshness. So Chablisienne in chenin blanc terms, at Premier Cru level and rising. Wow. Drink 2023-2029. Tasted October 2022

Roodekrantz Chenin Blanc Old Bush Vine 2021, WO Paarl

The 1974 vineyard is dry-land, bush vine on deep decomposed Malmesbury shale with more rocky parts than clay-based underlay. “One of the more sought after blocks,” says Marius Burger. “A fight for just a few rows.” He and winemaker Danie Morkel have been interpreting this chenin blanc fruit since 2017, to make this 2021 number five. The vineyard inclines with quite the ungraded slope so it’s hard to pick it right. “Parts of the vineyard have creaky bones in the mornings but we’ve man aged to get it right by now.” This is chenin of a brilliant tenor, bass note placed just below the treble, finding equalization. The fruit shows tempo, mixing with texture to share likeminded frequencies with rhythm and pitch. Just a focused chenin blanc handled by the drogaman wholly respectful of a vineyard’s 47 years of experience. Drink 2024-2029.  Tasted October 2022

The Sadie Family Die Ouwingerdreeks Mev. Kirsten Wyn Van Oorsprong Stellenbosch Die Sadie Familie Wyne 2021, WO Swartland

The vines that supply Mev. Kirsten Wyn are the oldest chenin blanc in the country, out of Stellenbosch and planted in 1905. In 1947 every second row was pulled out to make room for tractors and the configuration still exists this way. “If South Africa has a true apex white Grand Cru vineyard then this is it” insists Eben Sadie. Facts are facts are you just can’t accede these levels of power, concentration, extract and tannin anywhere else. The nose communicates as an intoxicant of sublime forces and these grapes bestow chenin blanc 2021 are those that transcend fruit, deliver ethereality and a heightened sense of awareness. An awakening from necessary tension, crisis and personal freedoms, existential off the charts, poetic and epic. One hundred and sixteen stanzas recorded, in the books and the finest verse written right here in the most recent vintage. If enlightenment is to be gained from chenin blanc in the Western Cape, Mev. Kirsten would provide the fodder. “The grail. End of fucking story” concludes Sadie. All hail. Long live the queen. Drink 2025-2040.  Tasted October 2022

Chenin Blanc

David And Nadia Sadie Wines Plat’Bos Chenin Blanc 2021, WO Swartland

At a tasting where everything is Old Vines Project certified there must be something extraordinary about a wine to stand out from a crowd of greats. David and Nadia Sadie are in fact turning heritage vines chenin blanc (amongst other varietal explorations) into content born of context harboured though never paraded. They are rhythmic and scientific with just enough fantasy and romanticism, but never too much. Plat’Bos stands above Skaliekop and Hoë Steen because 2021 asks it to do so, not because it is better or more important, but it is surely chenin blanc profound. The 1981 Swartland planting is in the steady zone, shed of the mercurial and in ’21 so very linear yet salty of the earth in its sombre-sepulchral tone. There is reduction here because the poor soil nutrients demand that this chenin begins this way. The levels of tension and intensity are most elevated, sufficing to say as high as any from the Western Cape. Attention is paid unwavering to detail, sequencing is in order, purity incarnate, grape and place together pristinely kept. In Plat’Bos 2021 the palate is taken down to the whipping post by a wine built to endure. Given time there will be calm, healing and reward in the end. Drink 2024-2036.  Tasted October 2022

Rascallion The Devonian 2021, WO Swartland

A small production of 100 percent Swartland chenin blanc from old vines planted between 1968 and 1982 and at this price ($32 CDN) it solicits an “are you kidding me?” reaction. Bloody rich and concentrated yet so balanced without any slide into metallic or boozy character. Expertly managed with all connective tissue tied to the decomposed granites of the Swartland, blessed of true expressive nature, pulsating and alive. The energy is buzzing and its impressive in the way it grabs, demands and keeps attention. So hard to turn away or think about anything else. Drink 2022-2026.  Tasted October 2022

Theunis Kruger

Fram Chenin Blanc 2020, WO Piekenierskloof

Theunis Kruger’s natural chenin blanc from a 1987 or 1988 planted vineyard comes away in one pick and is put to large (15 year) old foudres of 300-400L. He and we agree that this represents the most important grape (Theunis uses the word “best”) and yet they are not all created equal, including this coming from Citrusdal Mountain. Cracks the whip and works the palate like it means business, knows what wants and also what needs. The race of acidity will carry forward for quite some time. Drink 2022-2027.  Tasted October 2022

Holden Manz Chenin Blanc Reserve 2019, WO Stellenbosch

Spent nine months on lees, fruit from 43 year-old vineyard on the Simonsberg side of the Helderberg Mountain. A bit further up the valley en route to Franschhoek. Made since 2010 (by Gerard Manz) with a rich and viscous meets metallic chenin. High level of concentration in a high-caste style. No lack of barrel accentuation and well made. Drink 2023-2027.  Tasted October 2022

Kleine Zalze, Stellenbosch

Kleine Zalze Chenin Blanc Vineyard Selection 2021, WO Stellenbosch

Wouldn’t call this ulterior but there is something curiously upticking, visceral and unique as it pertains to Stellenbosch chenin blanc. Not simply a matter of richness but a varietal wine that elicits a rise of emotion, especially out of flavours and textures with barrel fermentation acting as the catalyst. Buzz of energy yes but also a buttery syrup sensation derived and you could just pour this over your morning pancakes. Not because of sweetness but instead complexity, stylish personality and as they say, deliciousness. Also looking for some fatty protein so pulled duck leg and blueberry on those flapjacks and a glass of chenin blanc will do nicely thank you very much. If you want a chardonnay alternative with less apples and brioche this is the way to go. Drink 2022-2026.  Tasted October 2022

L’Avenir Estate Chenin Blanc Single Block 2021, WO Stellenbosch

Notably concentrated by naturally sweet chenin blanc fruit inclusive of the 1971 planted Stellenbosch vineyard. As a comparison to the Far and Near chenin it’s as if everything accentuates and comes into clearer view. Feels a touch advanced and mature beyond its short time after harvest and my if this just speaks the varietal language of Stellenbosch. If you like the normal then you will come to appreciate the reserve, aka the Single Block. Drink 2022-2025.  Tasted October 2022

Miles Mossop

Miles Mossop Wines Chenin Blanc Chapter Two 2021, WO Swartland

From deep Paardeberg granite soils and a series of wines from Miles Mossop predicated as chapters; three being chenin blanc and four with sauvignon blanc, both out of Stellenbosch. This Swartland chenin is the signature for Mossop, from a 1971 planted vineyard, top section of the block, bordering and abutting the fynbos. A chenin of outspoken freshness, high yet taciturn acidity, old vine intensity, concentration and know-how. Experience quantified generates specificities quantized to beget excitement. Chapter Two is an experiential success simply because it is based on top chenin fruit from heritage vines done right. Drink 2023-2027.  Tasted October 2022

Mullineux Chenin Blanc Schist Roundstone 2021, WO Swartland

Roundstone, aka “ronde steen or rondklip” in Afrikaans but the farm is known by its English name. Another Western Cape account for struggling grapes while here the matter involves smaller canopies, clusters and grapes. The vineyard begets and raises a child of the land’s stony “dakteëls,” roof tiles where everything slides and so the tannins accentuate to procure wines of a certain toughness. This child is street smart and battle ready, got into a few fights in the early days, now able stand up for itself no matter the attack or the scene. Aromatically speaking there is a cheese rind scent in the dry comports of extreme aridity, resulting in intensity and directivity. A slightly higher pH makes this the sapid one, sliding across the palate with its über fresh scathe. This will age with the best of them, more like structured reds but so very capable as chenin blanc. Drink 2024-2034.  Tasted October 2022

Donovan Rall

Rall Wines Noa 2021, WO Swartland

The first, named after Donovan Rall’s daughter born during the pandemic. From 2.1 hectares of chenin blanc planted in the Paardeberg in the 1960s on the finest decomposed sandy granite soil. “Granite is the only soil that can give you this super reductive style with great energy,” tells Rall and he cropped to yield at three tonnes per hectare. Picked super early at high acid and low pH (3.28 in 2021, after malo) at the high point of the vitality vortex. Moving away from texture and into the business of lightning and mouth-watering succulence from a chenin so electrically plugged in. All this for only 12.0 per cent. “What we learned through the drought years is you don’t have to pick things as you were traditionally taught.” The decision made was at least two weeks as compared to 15 years ago, climate change aside. Truth. Drink 2022-2029.  Tasted October 2022

Reyneke Chenin Blanc Biodymnamic 2021, WO Stellenbosch

Biodynamic, estate farmed, from vines planted in 1974 and 1976, part of the certified Old Vines Project. Surely it is old vines at the source coupled with the principled biodynamic exercises to make for an enlightened and heightened precision in a chenin blanc of purity and trenchant estate desire. Concentration, varietal hyperbole and a reflection of what the farm wants to share are the drivers and we the passengers abide. There is no doubt that this Reyneke exists (with distinction) within the vacuum of what is working and creating haute quality chenin blanc. Success is measured by dint of hard work and respect for all things natural, including humans, animals and plants. This paints a picture and sculpts a figure of fine granite. Drink 2022-2028.  Tasted October 2022

With Adi Badenhorst

White Blends

A.A. Badenhorst Kalmoesfontein White Blend 2021, WO Swartland

There are reasons why many Western Cape winemakers increasingly turn to accounts spoken in stacked varieties through appellative white blends. Not because it can be a French thing to do in the ways of Châteauneuf-du-Pâpe but because it makes for wines possessive of immense character. Adi Badenhorst makes use of at least 10 different grapes and you’ll need to read the bottle to know what they are. But seriously chenin blanc is joined by grenache gris, grenache blanc, marsanne, clairette, verdelho, roussanne, sémillon, viognier and palomino, Stacked, layered, integrated and in a vintage as rich as ’21 also acidified just ever so slightly. Says Adi. “We need this wine and to pay a lip service to them is essential.” White Blends they are the walrus. “I am he as you are he as you are me and we are all together.” Sees one year in foudres and one in concrete. Only in South Africa and as here so very noteworthy from the Kalmoesfontein Farm at the base of the Paardeberg do these extract and alcohol conversion rates create magic. Decomposed stone infused, citrus and DNA of granite manifested as a swirl of orange, lemon and lime, tea and cordial fulfillment. Swartland grape varieties combining for brilliance in genius, epically so. Drink 2023-2030.  Tasted October 2022

Alheit Vineyards Cartology Bush Vines 2021, WO Western Cape

The question is posed to Chris Alheit but he says the lighter and lighter (including alcohol) wines are not a matter of intentional design nor aesthetic choice. Farming and the use of grand-sized blending tanks in the mid four to six months increases stability, mobility and consistency well ahead of bottling. Clarity is ensured, true clarity and more purity plus “the guarantee to present the best version of that vintage.” In the end the chenin blanc plus (20 per cent sémillon) Cartology 2021 seems to be the most effusive, sharp and translucent to date, this despite a group of on repeat parcels varying in output from vintage to vintage and quite significantly so. This is primed and ready if perhaps ready to begin peaking as early as next Spring. Drink 2023-2027.  Tasted October 2022

B Vintners Vine Exploration Company “B” Haarlem To Hope 2021, WO Stellenbosch

Cousins Bruwer Raats and Gavin Bruwer Slabbert created Bruwer Vintners Vine Exploration Company in 2014 to celebrate family and Cape heritage through a joint venture. Haarlem To Hope 2021, from the motherland to the Cape of Good Hope, a blend of nearly 70 per cent chenin blanc with just about (30) sémillon plus bits of muscat blanc and muscat d’Alexandrie. All from Polkadraai Hills where Raats’ extraordinary Eden chenin is from. All four blocks of vines are old and Bruwer had to convince a neighbour not to rip them out. The chenin is barrel fermented, the sémillon harvested early and the blend is laden with this amazing glück, a textural component indescribable using any other word. “B” is for everyone involved; Bruwer, Gavin’s mother’s maiden name and the history of the Bruwer Huguenots. Impressed by how this never drifts into oiliness or liquid metals but finds balance between all parts. The texture could be called sumptuous but in any case the two plus two varietal get together walks up and down both sides of a two-way street. Drink 2022-2026.  Tasted October 2022

With Sebastian Beaumont

Beaumont Wines New Baby 2019, WO Bot Rivier

New Baby was released in June of this year and 2015 was the first vintage of a truly Cape conceptual wine. It was launched as a way to combine the idiosyncrasies and potentially complimentary personalities of different white grape varieties on the farm. In 2019 the lead is chenin blanc at 40 per cent with (30) sauvignon blanc plus smaller amounts of chardonnay, sémillon and colombard. They were all planted by Sebastian Beaumont’s father from 1974 onwards. The style and notion follow the line established by Hope Marguerite. “My mother said every vintage was like giving birth to a new child,” explains Beaumont. “Once you do something it’s hard to shake.” Yet another brilliant white appellative blend to define the Cape’s idiomatic meets wild west psyche and only in South Africa do the interpretations emerge like this. All in barrel and the vapour trail is palpable, especially in the flint and smoulder that come from the Bordeaux grapes. New Baby pops, piques, kindles and snaps, raises the senses and is just a perfect conceptual creation. Hard not to love this bloody wine. Drink 2023-2030.  Tasted October 2022

Christa Von La Chevallerie

Huis Van Chevallerie Springhaas Vin Blanc 2019, WO Coastal Region

Springhaas is the South African hare, a medium-sized terrestrial and burrowing rodent. Despite the name, it is not a hare. Springhaas the white appellative blend is from Voor-Paardeberg, of 40 percent chenin blanc, (33) viura and (27) verdelho. Many winemakers get their “specs” from these vineyards, including Thorne & Daughters. This is Christa Von La Chevallerie’s concept wine but also a signature of who she is. The viura is also used for her Hummingbird sparkling. “It’s from the mountain and people know it,” she says and what she means is this is bloody good juice. “It’s my six dollar version of something fun. Others can play on top of it.” Well it jumps and hops so there’s that, also fine bitters, lime, a fino moment and a sweet brininess that makes you want more. What a fantastic finish, drink enough of it and it goes all refreshing and satisfying. But you’re upset when it’s gone and it makes you realize that you’re also hungry. The chenin from decomposed granite releases the acidity and is the impetus for excitement. Just enough takes the lead to establish balance. Springhaas will have you realize with relief that this is not an invitation to small Pedetidae murder but an alliterative description of an appellative deliveroo. “Here, hare, here.” Drink 2022-2026.  Tasted October 2022

Franco Lourens

Lourens Family Wines Lindi Carien 2021, WO Western Cape

The influence on and reasons are numerous for Franco Lourens to make this white appellative blend. It begins working alongside Chris Alheit and a little wine called Cartology, develops out of a need to pay for an engagement ring, solicits the assistance of old vine chenin, old for South Africa verdelho plus wisened teens named colombard, grenache blanc and palomino. Finally, it’s success and payout get the ring, marries the girl and the wine remembers it all, named after Franco’s bride, Lindi Carien Lourens. The Stellenbosch verdelho (35 per cent), Swartland chenin blanc (21) and colombard (19), Piekenierskloof grenache blanc (18) and 1972 planted palomino (7) are all expertly judged and delineated in 2021. Five days of skin-contact on the GB does just enough to solidify and texturize the entirety but otherwise it’s “lazy winemaking” says Franco for a wine first made in 2016. Oak is old while the package is just as tight and seamless as a WAB can be, especially in the WC. The layers of components really do like one another, that much is obvious and yes, “all my wines have come a long way,” says Lourens. “I try to tighten the bolts and the screws every year.” These are snug in 2021. Indeed. Drink 2022-2027.  Tasted October 2022

With André Morgenthal and Charla Bosman

Sijnn White 2020, WO Malgas

This 2020 is the first vintage to bring verdelho into the mix with chenin blanc (the OG variety planting in 2004) and roussanne. The Iberian grape takes this intrepid White to a side-stepping, new era level. The first of its ilk and a bit clumsy whilst this young and impressionable but my how this will change perception and forward thinking with respect to Malgas blending. The White iterations from 2017-2019 are stellar wines and represent peak performance for their time. But change and growth are good and necessary, otherwise things get stale, even in this crazy outpost of a wine-growing place. There is much to learn from the 2020 first kick at this new can and there can be no doubt winemaker Charla Bosman will take little time to morph this new identity into something mind-blowing. Drink 2024-2028.  Tasted October 2022

Vergelegen G.V.B. White 2021, WO Stellenbosch

A Bordeaux blend of 78 percent sémillon with (22) sauvignon blanc and likely the most dominant blend in this regard anywhere in the Western Cape. The sém portion is usually 50-60 and here from 2021 the standing firm, upright and out is on fully skeletal display. There can be no mistaking the fynbos and on a grander scale the estate farm in this wine. Peaches and cream dictate the fruit aromatics before the sémillon kicks into pedal to metal overdrive, ushering in resins, essential plant oils and strength of character acidity. This was bottled at the end of 2021 and just recently released. Subsequent vintages will be under the reigns of new winemaker Luke O’Cuinneagain whose track record includes stints at Château Fieuzal, Cave Dietrich, Château Angelus, Screaming Eagle, Rustenberg and Glenelly. Drink 2022-2026.  Tasted October 2022

Red Blends

A.A. Badenhorst Kalmoesfontein Red Blend 2021, WO Swartland

Five grape varieties and as Badenhorst is wont to do they are all co-fermented. As a winemaker or in any homestead job you are always influenced by where you grew up and who you worked with. Tells Adi, “in the Swartland these are the varieties that were there.” And so this is Saint-Éstephe meets Cornas, rustic yet pure, ripe and ripped. No make up and it preaches the Badenhorst philosophy. The elévage is 80 percent in concrete with (20) new casks. Turned out to be a pretty tannic vintage, maybe even as a surprise to Adi. “There’s oxygen here.” The most structured of all these wines and clearly one that can age, with thanks to amazing vineyards. Drink 2024-2032.  Tasted October 2022

Glenelly Estate Reserve Red Blend 2016, WO Stellenbosch

Based on Bordeaux varieties and the fruit is almost second wine styled as if Lady May the Glenelly grand vin is Paulliac and this Reserve Red is La Croix Ducru Beaucaillou. Or something along those lines. Here we receive top ecehlon Cape cabernet sauvignon with merlot and petit verdot but the side-swiping catalyst is the generous and liquid peppery splash of syrah, the energizer and impetus to really make this Meritage go. Rich and chocolaty, financed and very clever, warm and woollen. Yes it reminds of Bordeaux in Western Cape earth but that syrah changes everything. Or adds actually, activates notions and sentiments only Stellenbosch and environs are want to do. Creates a new yet old-hearted heritage. Drink 2023-2027.  Tasted October 2022

Kanonkop Paul Sauer 2019, WO Stellenbosch

Abrie Beeslaar is the winemaker of this Cape icon of a Bordeaux blend in 2019 composed of 75 percent cabernet sauvignon, (14) cabernet franc and (11) merlot. Beeslaar notes that the carry over of drought is still felt through this ’19 pulled from dryland vines aged 30 years on average and growing in decomposed granite, Hutton and Clovelly. Obviously youthful as to the point of immovable but in a modern world Paul Sauer speaks clearly and the vernacular is as understood as it has likely ever been. Tasted alongside the ’91, ’97, ’09 and ’14 you can see a shift in style over the course of nearly three decades or rather an adjustment to keep up with wants and needs. Change does indeed match the times and while this blend is about as structured as any in the Western Cape there are more handsome qualities and even a moment or two of immediacy. Not exactly gratification because the tannins are a force but things seem measurable. The middle palate is full and flavourful, giving off this cool sensation. Many years of excellence lay ahead. Drink 2025-2035.  Tasted October 2022

Meerlust Rubicon 2017, WO Stellenbosch

From a drought vintage yet there can be little doubt that in farming these Bordeaux varietal vineyards almost every bunch, however small they may have been, came out fresh and healthy. Rubicon 2017 is all perfume, of violets and berries, currants and Cassis as a by-product of distilling these varieties down. Still youthful and feeling a bit boozy though the complexities and acidities have yet to arrange, layer and align. The intensities are a bit haphazard and there are so many programming features running on overdrive. A look deep back for a comparison might be 1991 and if there is truly a connection then the future for this vintage is so very bright. Drink 2023-2033.  Tasted October 2022

Duncan Savage

Savage Wines Red 2020, WO Stellenbosch

Still called “Red” but since 2017 this artist formerly known to blend with grenache, cinsault and touriga nacional no longer seeks that meritage effect. For good reason because the syrah fruit is tops and under this command it transforms into magic. The idea of cuvée persists but the concept is that of mono-layering, single varietal stacking, syrah on syrah upon syrah. The progression come to this makes perfect sense for a signature wine to define what Savage wines is and needs to explain. This wine is unreal, fully formed and seamless, of a structural indemnity that shifts risk from one party to another, from one layer of syrah to another so that the whole is always protected. Might seem or feel like an impossibility but when one part has the back of the rest and the engineering covers the whole, then the architecture is solid. A beautifully tough and grippy syrah is the result, never gritty or swarthy but so very fine-tuned. Drink 2025-2030.  Tasted October 2022

Springfield Estate The Work Of Time 2016, WO Robertson

Based on the concept that “time is the lost element in today’s winemaking, can be so precious – yet it is free.” Time for a 1992 planted vineyard to reach a level of maturity to make a great wine and so the first vintage is 2001. Time in barrel and bottle, two plus four, then released with the work having already been done. Ready to drink? Not so fast. Time is not of the essence but for the patient. The grapes are cabernet sauvignon, cabernet franc, petit verdot and merlot for a truth be told in woollen, swarthy and sauvage personality, needing two more years to begin breathing and exhaling the true character of their gathering. Bonded together they will be one flesh and fleshy they will be, fruit and animal, of a vibrancy to speak of cape heritage through red blends. Chalky tannins and high acidity also need to cooperate but in the end this will surely become something really special. Drink 2024-2030.  Tasted October 2022

With Eben Sadie and John Szabo MS

The Sadie Family Die Ouwingerdreeks Columella Liberatus In Castro Bonae Spei Vindemia 2020, WO Swartland

Less syrah (40 per cent as opposed to what used to be 80), with grenache and mourvèdre plus more tinta barocca now in Columella. Results in an even firmer, linear, direct in your face and on the palate kind of red blend. Tannic to the bone, a karst now painted on, slowly to weather and be stripped away, eventually to dry as a charcuterie board of salumi, savoury jam and tart pickle. Eben Sadie feels this stylistic cuvée in his bones, down to his core and know this. Big extraction and heavy oak treatment is not part of the program. For the highest degree of complexity accumulated it would be best to hide this ’20 away and return in 10 years. At the very least. Check in after four or five and there will be great reward if not the kind of next level, millennia or epoch. Drink 2026-2037.  Tasted October 2022

Agulhas

Varietal Whites

Ataraxia Chardonnay Earthborn 2020, WO Hemel-En-Aarde Ridge

Snap, crackle, dried green apple skin dusted and pop with white pepper bite. Savoury-herbal by a typically endemic site where terroir is clearly the driver for this particular chardonnay. Vineyards of fruit counteracted by salinity. Drink 2022-2025.  Tasted October 2022

Bosman Family Vineyards Chardonnay 2021, WO Upper Hemel-en-Aarde

Persistently reductive, brown butter nutty and softly aromatic. The notable (13.9 per cent) alcohol accentuates the 15 per cent settled juice aged in Burgundy barrels for six months to make this feel generously wooded. Richer palate and furthered intensity. Tasted as part of a 15 chardonnay flight in perspective at L’Avenir. Drink 2022-2024.  Tasted October 2022

Bouchard Finlayson Chardonnay Missionvale 2021, WO Hemel-en-Aarde Valley

Pure citrus entry, all parts involved, juice, zest and pith. Well lees aged during its tenure with sweet fruit scents, flavours and naturally occurring caramelization. Old school, less cool and yet herbal minty through the mid stage, then ranging quite long and far. One of the more complex chards with depth and warmth provided by the valley floor. Drink 2022-2025.  Tasted October 2022

Braai Brekkies in Arniston

Cap Maritime Chardonnay 2020, WO Upper Hemel-en-Aarde

Cap Maritime is the Upper Hemel En Aarde chardonnay work of Boekenhoutskloof’s Marc Kent. A classic cool climate chardonnay, whether by place or vintage, or perhaps a combination of the two. This jumps out as one made in the most wholesome and also dedicated way, smooth and consistent, surely a factor of an estate’s terroir. Perfectly seasoned and reasoned for great effect. Cool all the way. Drink 2022-2024.  Tasted October 2022

Creation Chardonnay 2020, WO Hemel-en-Aarde Ridge

Quite buttery and rich, fully formed, styled and developed as chardonnay in a cool yet at times foggy and humid climate. A fine mix of toast and texture, energy and appeal. Drink 2022-2024.  Tasted October 2022

Zoo Crü – Cape Wine 2022

Crystallum Chardonnay Clay Shales 2021, WO Hemel-En-Aarde Ridge

Clay Shales is what Bourgogne not called Grand Cru strives for. That would be stage presence, which is a character trait that less than one per cent of the world’s chardonnay can say it displays. Andrew and Peter Allan Finlayson have mined platinum with this 2021 of a what’s in a name codex for Bokkeveld Shale meets clay soil. Single vineyard chardonnay of one hectare producing only 2,000 bottles is deserved of cru status when it takes a producer’s profound to an entirely new level. Hilltop site, windy as fuck and you can sense the breeze blowing through to mitigate and balance an unreal level of richness and concentration. Not just this but an equality by a tautness that commands respect but also relaxes to let the fruit exhale and express. Clay Shales is an important matter of a single Hemel-en-Aarde ward, a ridge supreme upwards and its makers standing two metres tall, upright and looking over the pack. Chardonnay at the pinnacle for Crystallum’s studio work, conveying much without overstatement. It is almost impossible to imagine any Western Cape chardonnay discussion without it. Drink 2024-2030.  Tasted October 2022

Megan Mullis and Sharon Parnell, Domaine des Dieux

Domaine Des Dieux Chardonnay 2019, WO Hemel-En-Aarde Ridge

The mansion of the gods and can’t help but think of a childhood cartoon memory (Asterix) but there is nothing childish or cartoonish about this splendid chardonnay. By a long shot the most reductive of the 12 thus far in this blind tasting flight. Holding back the years and tears, a chardonnay of deem, deed and demand, explaining little, not interested in giving in, clearly designed for longevity. Impressive and of secrets we wish to know. “Hoping for the arms of mater, get to me the sooner or later, oh.” Drink 2023-2027.   Tasted October 2022

Godello in Hemel-en-Aarde

Hasher Family Wines Chardonnay Marimist 2020, WO Upper Hemel-En-Aarde

Richly aromatic, emitting the perfume of fresh yellow flowers like few in a 15 strong chardonnay flight from the Hemel-en-Aarde. No let down on the palate in fact texturally this lays it all out, with more fruit and wood interaction than most in an evolved, developed and symbiotic way. Fulsome wine, ready, willing and able. Drink 2022-2024.  Tasted October 2022

Braai at La Motte

La Motte Sauvignon Blanc Pierneef 2021, WO South Coast

Pierneef, a reference to the well-known painter. Includes 10 per cent sémillon and the earliest vineyards were planted in the 90s. Pinpointed sharpness in sauvignon blanc and although there is a sense of pungency the urgency of freshness and spirit are the shit. Comes from Agulhas in the Cape’s South Coast which is the most southern vineyard in Africa, perhaps the coolest there is in the Western Cape. There is indeed a Sancerre sentiment here but stands apart, alone, of its own accord. From a growing contract of 25 years, rented, a management contract paid and grapes taken. Drink 2022-2025.  Tasted October 2022

Christo Kotzé, L’Apogée

La Vierge Chardonnay Apogée 2018, WO Upper Hemel-En-Aarde

Though a 2018 the primary notes prevail in this chardonnay from a cool marine climate. Young vines (eight years of age) on the plateau’s argillaceous Bokkeveld Shale and sea breezes are at the tops of influence. Closed, taut, yes reductive but more so a case of youth, unforgiving and ungiving while in that state. A mildly warming and nutty white caramel indicate change is coming as they carry on and over into a chardonnay expressive of great length. High caste and style though the climax or pinnacle of potential is far from realized. Drink 2022-2025.  Tasted October 2022

Natasha Williams, Bosman and Lelie Von Saron

Lelie Van Saron Chardonnay 2021, WO Upper Hemel-en-Aarde

Exceptional and artistically precocious work here at the hands of Natasha Williams, cool and linear, of less barrel than most. A bit taut and tightly wound. Piqued, liquid white peppery, no caramelization, brown butter nuttiness or toast in any shape, style or form. Not the longest finish though also never sharp – nor abrupt neither. Solid construction, plenty of citrus, proper and distinct. Drink 2022-2024.  Tasted October 2022

Lomond Wines Sémillon Seven Rows 2019, WO Cap Agulhas

Must be nice to farm and produce in a climate where you can consistently grow and then gift straight sémillon and this from Lomond is about as credible as they come. Obvious richness mixes with herbology in sweetness but most of all the effect comes from barrel fermentation in 500L tonneaux. Lean is not the operative though mineral and elemental surely are, not merely salty but marine influenced at the southern most point on the African continent. It’s something so much more, notorious even, unique, curious and all in. Intensely woven as sémillon will ever get and the real interest is to see how this ages. Great intrigue. Drink 2022-2026.  Tasted October 2022

Hemel-en-Aarde

Newton Johnson Family Vineyards Chardonnay 2021, WO Upper Hemel-En-Aarde

Newton Johnson’s is self-professed vibrant chardonnay to rival Bourgogne as well as anywhere in South Africa. Their 2021 raised in the ward of the Upper Hemel-En-Aarde shows so much more than taut mineral activity and is yet so far from anything remotely tropical. Rather it resides on the barrel fermented side of things where fruit richesse and oak fuelled beauty get together in a whirl and swirl of lees and acid, forming a cone of chardonnay in centrifuge, oily and silky at the same time. There are some juicy terpene moments upon tasting and so a disparate moment or two will happen before the warmth of this chardonnay nurtures as it trickles down upon the finish. Feels preserved in great balance and of citrus in oxygenated motion. Drink 2022-2026.  Tasted October 2022

Craig Wessels

Restless River Chardonnay Ava Marie 2020, WO Upper Hemel-En-Aarde

To meet and taste with Craig Wessels is to know him because he wears his wines on his sleeve and allows them to do the talking. They in turn speak on behalf of a breeze swept place aboard the plateau of the Upper Hemel-En-Aarde. There is a wee bit of (Tuscan) amphora addition and yet its effect is only sensed in the shadows of this understated chardonnay. Named for Wessels’ daughter with fruit hermetically contained and protected the minute it left the small, profound and single two hectare vineyard. A bit demure, pretty and classic, less ambition and need for immediate recognition but clearly confident without attitude or overt display. Almost convinces of the simple, amenable and how remarkably easy it is to get with, but that is indeed the beauty and subtlety of this wine. Fine wine. Made that much more indelible after tasting a 2015 from Magnum with Wessels over lunch at Hamilton Russell. Drink 2023-2028.  Tasted October 2022

Jessica Saurwein

Saurwein Riesling Chi 2022, WO Elgin

CHI is the riesling work of Jessica Saurwein, German-South African, naturalist and champion of both riesling (Elgin) and pinot noir (Hemel-en-Aarde Ridge). The word carries two meanings, translated as “life force” and also the first three letters of CHIUTA, an African rain god. These are spiritual connections that reflect the individualism of the producer and also her wines in the how, where and why they are of a magic produced by the garden. Saurwein’s 2022 is a beautifully balanced riesling of invisible pulse that feels akin to how mushrooms might communicate with one another using electrical impulses. You could imagine attaching a soundboard and speaker through electrodes to the vines to measure spikes in signal activity. Just as a scientist would connect to hyphae and hear them talk. But I digress and in this glass this mix of 11.5 per cent alcohol, 11.5 g/L RS, 7.5 g\L TA and less than 3.0 PH equates to a rich yet linear riesling of full flesh and healthy bones. A riesling aching to explain itself, how it is grounded while also soulful, hovering in weightlessness and ethereal. This may seem like a quiet, standalone organism of a wine but is in fact a complex weave of language transmitting soil, geology and place. It’s really quite special and Jessica Saurwein seems poised to be the Cape winemaker who will translate substrate behaviour with clarity through the language of wine. Drink 2023-2029.  Tasted October 2022

Southern Right Sauvignon Blanc 2022, WO Cape Coast

The fruit origins are threefold, as are the soil types. Walker Bay (47 percent), Hemel-en-Aarde (43) and Elgin (10) and a sauvignon blanc layering by way of clay-rich shale, decomposed granite and Table Mountain sandstone. Dry, medium to elevated acidity, low pH and moderate alcohol adds up to marine air freshness and what proprietors Anthony and Olive Hamilton Russell will say is “tensile character and a marked, saline minerality.” The Hemel-en-Aarde Valley contributes as much as any fruit source in terms of having a say, not dominant per se but leading in its confident way. A track record as solid as any of its ilk to deliver an intensity of flavour and that freshness overload, together thick as thieves, drinking at peak, right now. With four-plus years in bottle a next level flinty magic and fruiting genius will occur, like tooth fungi from mycelium when conditions run ideal. The vintage guarantees such a transition into secondary character will happen. Drink 2022-2027.  Tasted October 2022

Hemel-en-Aarde

Storm Wines Chardonnay Storm Vrede 2021, WO Hemel-en-Aarde Valley

Vrede is literally “peace,” as chardonnay so named and raised on clay-rich Bokkeveld shale soil in the valley where fog and humidity settle at the lower levels to play a direct role in viticulture and especially the ripening seasoning. The soils are shallow overlaid heavy clay and who could dispute this geology acting vehemently as a factor? Rich and golden, reductive yet apple fleshy yellow and cream textured. Protected beneath a savoury-candied shell then later accented by herbaceous rhizome spice. Continues with ever consistent persistence, unrelenting, direct, linear and perhaps while this youthful also just a bit woolly and wild. Must check this out on repeat for the first three-plus years. Tiny production of just 125 cases (of 12). Drink 2023-2026.  Tasted October 2022

Tesselaarsdal Chardonnay 2021, WO Hemel-en-Aarde Ridge

The juice is up front, the wine opening for immediate gratification, ready and willing to please. Charged though here in a first dimension without any knowable access to further ones available. Quite tart and spirited though on a one way street with a finite finish. Super high acid, early picked and a touch green. Drink 2022-2024.  Tasted October 2022

Whalehaven Chardonnay Conservation Coast 2020, WO Upper Hemel-en-Aarde

Slow to reveal, unwind and prepare itself for the great revelation, in tact and a chardonnay of firmness and useful tactility. The kind of tact is so apposite to wines that tack or are in fact tacky as this is anything but. The lees are a bit sticky and so there are some thicker glück moments. Drink 2022-2024.  Tasted October 2022

Varietal Reds

Beeslaar Wines Pinotage 2020, WO Stellenbosch

Abrie Beeslaar came from Kanonkop so the acumen with respect to pinotage is more than obvious. Beeslaar works with vines planted at the grape’s origins on the north side of Stellenbosch. There are few if any with this type of natural sweetness in the fruit, with thanks to the pinpointed location on the line of decomposed shale that runs up to Stellenbosch mountain. Passes through this pinotage with peaking fruit power and stone intensity. Despite 40 per cent new oak (and you feel the wood) there is a lovely peeking swarthiness about this pretty wine. Drink 2023-2027.  Tasted October 2022

Blackwater Wines Cinsault Zeitgeist 2019, WO Darling

Francois Haasbroek makes use of the same Darling block of fruit as Duncan Savage in his cinsault called “Follow the Line.” This used to be called “Hinterland” but Haasbroek has changed the name to “Zeitgeist” and yes, the definition is equivocated through the idea of Western Cape single-vineyard wines from off the beaten path, small-parcel sites. Recall that “the defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time” is exactly what winemakers consider and exact from these varietal blocks. Francois goes at it with 60 per cent whole cluster and 100 percent concrete fermentation. Results in notable up front fruit with age-prepared softness and a marbling nearly unrivalled in Cape cinsault. Like protein of perfect ratio turning to butter the moment it hits the heat of the pan, this is the effect that transpires when the wine slides across the palate. Cinsualt of bandwidth from dry-farmed bush vines growing on Table Mountain sandstone for indelible grace. Drink 2023-2028.  Tasted October 2022

Boschendal Pinot Noir Appellation Series 2020, WO Elgin

Taken from vines growing at 500m on a what’s what of soil types; Heavy red clays, Table Mountain sandstone, Bokkeveld shale, Tukulu and Silica quartz with underlying Kaoline clay. An extreme slope and a place where baboons take what they want and wine is made from the remainder. Serious solar radiation juxtaposed against the coolness of what lays beneath the surface to result in dichotomous pinot noir, blessed of purely Elgin-styled red fruit, richness and tension fighting for supremacy. Earthy enough, element driven, aged in mostly 500L wood, to augment and not infiltrate. Could benefit from another six months of settling. Drink 2023-2026.  Tasted October 2022

Jeanine and Mick Craven

Craven Wines Cabernet Sauvignon 2021, WO Stellenbosch

Mick and Jeanine Craven’s cabernet sauvignon grows right next to the chenin blanc site on mainly granite with some clay underneath. Fermentation includes 70 per cent whole cluster; why…why not…wait…with cabernet sauvignon? Mick shoots that mischievous look and that explains the choice because he gets it. He understands his fruit from Karibib Vineyard site planted in 1999 on these Polkadraai decomposed granites. The whole bunch number was far less in 2020 so maybe if he knew then what he knows now it would have been higher. Maybe not. Notable stem savour but one so piquant, toothsome and then a woolliness but one subtle enough to speak in just a whisper. There feels a syrah comparison but deliciousness in this cabernet comes without iron and closed fisted punches. Kind of Loire franc in its verdant character but again, there really is no reference, nor sauvignon connections neither. Clocks in at a low, low 12.5 per cent alcohol that only the Western Cape can effect for this grape variety while still delivering ripeness, generosity and peace of mind. Another bit of voodoo magic from a place and a maker that knows what’s what. The conclusion? Finesse. Drink 2023-2029.  Tasted October 2022

Gabriëlskloof Syrah Whole Bunch 2021, WO Bot Rivier

Now in the hands of Hemel-en-Aarde’s Peter Allan Finlayson of Crystallum and the third vintage of treating Bot Rivier syrah to all in, whole bunch fermentation. All the perfumes that can be pulled might just fill up a small room to do for syrah what only this place can in fact do. The carbonic maceration lasted for ten days before being pressed, taken off the lees and aged in steel tanks for eight months. Clarity, purity and aromatics flown off the charts. You can decide what they are to you but know their omnipotence will draw full attention. Creates a magically sweet, succulent and serious elixir, pretty and poetry in motion, serving up the Bot with sultry sensations. Quite something really. Drink 2023-2026.  Tasted October 2022

With Anthony Hamilton Russell and Johan Reyneke

Hamilton Russell Pinot Noir 2021, WO Hemel-En-Aarde Valley

It has come to the point where we want to distinguish stylistic differences between Ridge, Valley and Upper in the Hemel-en-Aarde and if any pinot noir is capable of creating some kind of definition than Hamilton Russell’s would be the one. From 2021 this feels like a light and ethereal kind, tight and restrained but not backward, which can always be a possibility. Valley pinot is less obvious, slower to reveal, incrementally opposite to the Ridge and apposite to the Upper, both of which are showier, less complex and quick to speak. Anthony talks about less solids being left in the tank (since the mid to late 2000s) to result in a greater ability to diversify in barrel. The great solids epiphany came in 2020, 10 years after the “malo epiphany.” When the Ridge pinots show more persistent tannic structure it can create wines of disparate character while the Upper will usually offer the most perfumed intensity. This is more aromatic than most from HR, gorgeous even, as “Burgundian” as ever there has been. Yet Hamilton Russell from the Valley seeks equanimity and slow maturation, never peaking too early or looking to deliver immediate gratification. Patience is the request, even in a “lighter” vintage. This from ’21 is no exception. Drink 2024-2029.  Tasted October 2022

 

Iona Pinot Noir Kloof Monopole 2019, WO Elgin

Andrew Gunn’s Kloof single-vineyard is the only one on the mountain and he alone makes this Elgin pinot noir from that fruit, thus the Burgundian monopole terminology. There are 12 blocks planted in 1998 and 2010 overlooking the Atlantic Ocean so the wind effect is more than imagined to create the taut tightest, finessed and saltiest on the local (and very parochial) scene. When pinot acts this alive it opens your eyes, nose and palate to a vitality capable of inducing invigoration. A fine example at elevation no doubt with great promise and eventually elegance with thanks to Iona’s focused attention and listening to the winds. Drink 2022-2026.  Tasted October 2022

Niels Verburg

Niels Verburg

Luddite Shiraz 2019, WO Bot Rivier

This is the 20th vintage for Niels Verburg’s Luddite shiraz and what he calls “a survivor.” Each time it arrives there is this newfound, newly generated freshness in revival, no matter the season. The 2019 is the last of the drought vintages from which only 5,800 bottles were made for a sku that can be as high as 30,000. Garrigue aka Fynbos, iodine, Velddrif salts, Imphepho and Nasturtium. Lively and jumps right out of the glass. “Quintessential vintage,” smiles Verburg, released a bit early “but this ’19 is really good.” Producers who do it right work this way and this one reels you in though is surely also age worthy. Drink 2023-2032.  Tasted October 2022

Kaapzicht Pinotage 2021, WO Stellenbosch

Known for a more traditional style, heavy and round, self-professed by winemaker Danie Steytler. Jokes aside this from Bottelary Road is indeed a dense and thickly consummate pinotage, liquid chalky and structured for a long, slow-cooked and extended warranty. Not that Steytler is trying to coax, extract and demand too much but place and climate do conspire anyway. The endgame is far away, for now embittered in black liquorice and taut intensity. Drink 2024-2029.  Tasted October 2022

Restaurant at Kleine Zalze

L’Avenir Wine Estate Pinotage Single Block 2020, WO Stellenbosch

From winemaker Dirk Coetzee, from a registered single vineyard planted in 1994. Smooth, refined and swelling with ample tannin. The more “Bordeaux” within the pinotage pantheon, of graphite and Ribena, a righteous greenness, modern perhaps yet earthy, already showing some soy, balsamic, fungi and truffle. Drink 2022-2025.  Tasted October 2022

With Marlise Niemann

Momento Wines Grenache Noir 2020 WO Swartland

This grenache noir is Momento’s OG because Marlise Niemann worked in Spain and in 2010 decided to put her faith in this grape. As always low yielding bush-vines in the Swartland grown on its ancient decomposed granite soil are the source and there are few Western Cape examples as beautiful as this. Any origin for that matter because Niemann and the Paardeberg have become soulmates and her choice of one-third whole bunch pressing is spot on. Creates a crust or barque on top of the ferment that carries through to the wine. Cold soak of four days and punchdowns exaggerate the sweetest fruit of sing-song temperament, a varietal Carole King, woven tapestry of longing and love. If you need a restart of your joie de vivre than this is the wine to pour. Aside from its undeniable winemaking genius, the grenache noir endures for its balance between place and adventure, as well as remaining grounded through its maker’s independence and relationship with the Swartland. Drink 2023-2028.  Tasted October 2022

Mullineux Syrah Granite Jakkalsfontein 2020, WO Swartland

Jakkalsfontein, “where the dogs spring,” perhaps eternal because granite soils are a gazillion years old and the Mullineuxs have been working with the vineyard since 2014. Whole cluster to the max, open top large vats allowing release and punchdowns keeping that elusive concept of stems working in the success side of trial and error. After that it’s all about tannin polymerization and then refinement. Grandstanding tannins indeed, a vintage of manyfold layers, of warm days and cool nights especially towards harvest, where acid will improve upon tannin . Will be most interesting to watch this one age. Should be a grand granite year. These are true Swartland tannins. Drink 2025-2033.  Tasted October 2022

With Alex Milner

Natte Valleij Cinsault 2021, WO Stellenbosch

In 2018 I tasted four different cinsault from Alex Milner and at the time the Darling stood apart. Feels like four years later he has grown to fully appreciate this 1972 Stellenbosch vineyard with deeper understanding and cinsault intuition. This site with its views of Table Mountain and False Bay is picked the latest and in 2021 finished at a mere 11.5 percent alcohol. It is the litheness of glycerol and grace in texture over the palate that makes this far from conventional cinsault tick. That is where the magic happens with thanks to concrete “barrel” aging and guaranteed freshness captured. Tannins are whispers, sweet nothings that melt in the mouth upon contact though they will linger for a few years yet. As soft spoken a cinsault as there is, even by Western Cape standards. Drink 2022-2026.  Tasted October 2022

Paul Cluver Pinot Noir Seven Flags 2015, WO Elgin

Increasingly considered a great vintage in Elgin, backed up by this showing at seven years of age. The 115 grows on shale with Koffieklip and in ’15 the whole bunch number was 50 percent. Settled now and in a most ideal drinking way, with nearly five years remaining for more expressive things to say.  Last tasted October 2022

The most floral vintage of the Seven Flags and the first with clones 115 and 667 brought into the blend. This to create new concepts and levels of complexity with vines old, new and next level involved. The intermixing leaves us with a sensation involving many layerings; fruit, acid and structural. The fruitiness and fresh flower gatherings presents an aperture of severe harmony and adds up to a bunch of aesthetic yeses. Give it a year or two to integrate. Drink 2020-2027.  Tasted September 2018

Porseleinberg Syrah 2020, WO Swartland

It begins with a right proper rant from farmer, BBQ smoker and winemaker Callie Louw. “We don’t need to offset climate change with varietal adaptation. We just need to farm better. The problem doesn’t go away. Cover cropping, activate your place, get things growing, the whole profile is run in the top four inches. Below is the bank, the reservoir. The thing that makes the money is on top. Stop tilling. Leave that stuff on the top of soil. it just burns. Keep the active things alive. Increase the carbon in your soil by one per cent and the water will increase by 50.” Then to the current release at hand. Porseleinberg syrah 2020 is aged in 90 percent foudre and (10) concrete egg. “A nice vintage,” says Louw, “still stuck in a drought but the first year with average rainfall, just about 400mm.” Healthy canopies, just right there, picking without stress. From 2020 about 70 per cent is from one site and while the soils are consistent, the aspects, gradients and all else bring minor variegation, seasoning and spice.“The success of this is a complete fluke. I literally do nothing with the grapes. I realize I do fuck all.” And yet the consistency of the process prevails; of working with syrah like this, whole bunch, no pump-overs and just a belief in the farming. Not sure many 2020s are the shit but this folks and my friends is. South African wine is not all the same. Drink 2020 sooner, the delicious factor will ride. Drink 2024-2032.  Tasted October 2022

Bruwer Raats

Raats Family Wines Pinotage Liberte 2020, WO Stellenbosch

From Polkadraai, picked early to help establish a deeply South African sentiment or even manifesto that allows pinotage to separate itself and announce its uniqueness as a wine unlike anywhere else in the world. These are the thoughts of Gavin Bruwer Slabbert. If you attempt to compare this to a Raats cabernet franc there are so few similarities and in fact here pinotage gains stature, swagger and momentum in ways the Bordeaux family of varieties can only wish for. At what cost you ask and that is a worthy query. Traditional beauty perhaps but even pinotage’s lies in the eyes of the beholder. Thick skins and fleshiness abound to announce their estimable arrival. Drink 2023-2028.  Tasted October 2022

Radford Dale Freedom Pinot Noir 2021, WO Elgin

Proprietor Alex Dale takes inspiration from Nelson Mandela’s memoir “A Long Walk to Freedom” as he sees his adopted South Africa as the place where agriculture and winemaking have given him his. The first organic pinot noir from this Elgin outpost for Stellenbosch producer Radford Dale and what winemaker Jacques de Klerk calls “a transitory vintage.” Meaning Elgin Ridge was the original owner and the farming is now fully under RD’s command. This ’21 is glaring and striking in primary freshness, so youthful it feels like bottling happened only yesterday. Chalky tannic, of a formidable density but stone cold salty, like Sonoma Coast and a wedge of Délice de Bourgogne. This is, in the parlance of our times endearingly referred to as “C’est bon, fuck!” Drink 2024-2028.  Tasted October 2022

Testalonga El Bandito Mourvedre Monkey Gone To Heaven 2021, WO Swartland

Craig and Carla Hawkins make many skus, almost all small lot from the Swartland and it feels like there is no true rhyme or reason to the portfolio. That is why Monkey Gone to Heaven is the poster for their work, a Pixies song reference Black Francis (Frank Black) has said was named because it “just sounds neat” and also “it wasn’t like we thought we’d get played on the radio.” Perhaps Craig (aka El Bandito) approaches his work in a similar way. Hawkins goes at is as natural as anyone out there but believe it when he insists he’s simply making wine from grapes. What do people think? Whatever. Are the wines niche, raw or mainstream? Don’t really know. Making a statement on environmental concerns? Probably not. We do know this varietal mourvèdre is 100 per cent whole bunch fermented for nine days in open tanks, pressed and aged in 500L foudres. Wild and full on ambient malolactic fermentation. The winking winemaking equivalent of “If man is five…Then the devil is six…Then God is seven.” Actually less intense and grippy than the Queen of Spades Tinta Amarela and also surprisingly perfumed. Even a bit pretty, of different aromatic and volatile lift, apposite in structure, soliciting an arousal of trenchant imagination. What is this? Sarcasm, Kaballah and good grapes. Drink 2023-2026.  Tasted October 2022

Waterkloof Wine Estate Pinotage Last Of The First 2021, WO Stellenbosch

“We like to make wine we like to drink,” tells Nadia Barnard-Langenegger, based in Somerset West. The block for this wine is part of the first commercial one planted in South Africa, on a cool, east-facing bush vine block planted in 1994 to clay and some decomposed granite. In conversion to organic. “I want to taste what I taste in the vineyard, stones and freshness.” The name is Last of the First because there are no others planted on the Skurfberg. Another terrific example of the new pinotage of flesh, savour, lithely bitter liquorice and high acidity. Definite quality once again. Drink 2024-2027.  Tasted October 2022

Wolf And Woman Wines Pinotage 2021, WO Swartland

From Jolandie Fouché and old vines planted in 1973 on truly sandy (meaning zero clay) Paardeberg soils. Fouché’s journey has run the gamut, from matriculating to earning her stripes in the South African industry. And one of her dogs is named cinsault. “Sometimes I’m more wolf than woman and I need to stop apologizing for my ways.” Hers is a most perfumed pinotage, thanks to bush vines with big canopies whereby the vine is mostly in the shade, that and more than ample whole bunch fermentation in a carbonic vein. Less oxygen and no new wood lengthen, extend and create a drift that so few wines of this idiom are able to achieve. WAWW is pinotage of elegance incarnate, not without inherent tannin, yet silken no doubt. Drink 2024-2028.  Tasted October 2022

Good to go!

godello

Hemel-en-Aarde

Twitter: @mgodello

Instagram: mgodello

WineAlign

What comes next for the wines of South Africa?

A deep dive into the wine regions of the Western Cape, chenin blanc, and a Buyers’ Guide to South African wines

This feature was commissioned by Wines of South Africa, as seen on WineAlign

 

Several years back I commented that “the act of intense immersion into any important wine-producing nation and its diverse regional expressions can only leave a lasting impression if the follow-up takes a long, cool sip of its meaning.”

That was just the beginning of what I hoped to be a life-lasting fascination with South African wine and, seven years later, I can safely say the journey is going very well, if still only in the early stages of deep understanding. Just about exactly two months from today I will return to the Western Cape to rekindle, reconnect and extend my relationship with South African winemakers and their fascinating wines. Curiosity, anticipation and excitement have never been greater and so the questions is worth asking: What comes next for the wines of South Africa? At current the only answer forthcoming is how Cape Wine 2022 will be the most lekker experience of the year.

In all their combined iterations, the wines of South Africa are exciting communicators of heritage, history, emotions and declarative attacks. Collectively they spread with ripples like a large rock dropped into a pool of water. They are the beneficiary of effects created by two oceans and the great ancient, preeminent, decomposed and weathered soils found anywhere on this planet. Maturity is breathed into every phrase these wines are wont to play.

Growing regions of the Western Cape

South Africa is a medium-sized country that would fit into Canada eight times. It has a diverse population of 58 million people and is affectionately known as the ‘Rainbow Nation,’ a phrase aptly coined by Archbishop Desmond Tutu. Wine growing is limited to the southwestern region of South Africa, in the Western Cape Province, which is an area roughly the size of Greece. South Africa has been making wine for more than 360 years. The first grapes were pressed in 1659. The wines reflect the best of the old and the new; they present fruit-forward styles with elegance and finesse. The South African wine industry is one of the most technically advanced in the world of wine. There is an extremely rigorous Wine of Origin Certification Scheme, introduced in 1973, which guarantees that the wine is what it is designated or described. Each bottle carries a certification seal to guarantee that the claims regarding vintage, variety and origin on the packaging are true. South Africa has more certified Fairtrade wines than any other country. That is to say their products “guarantee a minimum price to cover the costs of sustainable production, as well as a premium to invest in social and economic initiatives in their communities.”

There are five officially demarcated regions of production — they are delineated based on the massive variations in soil, climate and location. The regions are: Breede River Valley, Coastal, Klein Karoo, Olifants River and Boberg. There is a commitment to environmentally sustainable wine production and wines can be certified by Sustainable Wine South Africa, which is part of the Wine and Spirit Board. The designation refers to grapes which are produced in harmony with nature, which allows vineyards to flourish alongside their natural habitat. The Biodiversity and Wine Initiative is a unique partnership between conservation bodies and the wine industry.

Cape Floral Kingdom – A World Heritage Site

More than 95 percent of the wine is produced in the Cape Floral Kingdom, where there are more than 10,000 indigenous plant species, more than reside in the entire Northern Hemisphere. This Kingdom has been created by a diversity of soils, produced from granite, sandstone and shale; as well as a diversity of climates and geography. This, in turn, has created a treasure trove of winemaking possibilities. As a result, South African wines have a huge array of flavour and aroma profiles, which lead to wines with intriguing character and drinkability.

Chenin Blanc

Chenin Blanc

While so many grape varieties take hold with utmost promise in the Western Cape, there is but one that persists, unwavering and timeless. Yes, it is true that grape varieties such as grenache, cinsault, syrah, pinotage, sémillon and many others are apt at aligning with covenant to their old vine sources but there can be little argument against chenin blanc residing at the top of that list, Chenin is the greatest beneficiary of age, fortitude and focus as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. The grape variety has been in the country for more the 350 years, and can perform well in warm and dry conditions. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc.

Stellenbosch vines and heritage vines planted in the 1970s and before are now performing at their best. Johan Reyneke speaks of the illness that had been running through South African soils and how he sought to build immunity and disease resistance through a holistic farming approach. Things did not transform overnight, so fathers and neighbours may have doubted the long, arduous and yet understood process. But it is that organic and sustainable approach for which today’s health and prosperity can be thanked. When it comes to searching for chenin blanc plant material, vineyard sourcing can be quite broad, of multifarious soil types and elevations, 40 to 50 year blocks on average, sometimes also including old vine sémillon. The distance from the first to the last vineyard in a chenin blanc cuvée might be 200 kilometres or more but, when brought together well, magic often happens.

Windy places help in so many respects, allowing a larger canopy to remain in place and exaggerate the dappling effect which chenin blanc so dearly loves. Reyneke’s is South Africa’s oldest Demeter-certified biodynamic winery, with vineyards on the top of an ancient granite mound and on less weathered soils lower in the valley floors. The vine struggle is real, a positive one for the wines and ultimately for wine lovers. Granite soils further up the Stellenbosch hills are less colluvial, really old and weathered, predating microbial life. The vines produce lower yields and the weathered earth gives life to chenin blanc. For Mullineux Wines and a Cape chenin blanc assemblage, it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance new and “other” fruit components. A chenin blanc may be bottled the same year it was picked though that’s easier to do so in the southern hemisphere, where harvest happens in the first quarter months. The reasons are simple. Intense investigations through schist, granite and old vines floats the boat and raises the bar for more professional and accessible chenin blanc cuvées. With older heritage vines involved, as is the case for Chris and Suzaan Alheit, the concentration and density of the vines is inherent. The use of heritage material is the South African version of Atticism; that is a return to classical methods and rhythms in making really old chenin, but also the likes of sémillon.

Chardonnay vineyards in Robertson

Cap Classique

One of the sparkling wine world’s most important and impressive categories in origin is no longer called Méthode Cap Classique (MCC), but now Cap Classique. This South African term indicates a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. As it stands, Cap Classique must age on the lees for a minimum 12 months to be labelled as such, though this number will surely extend once the realization sets in that more is better. Cap Classique produces some of the finest, most complex and diverse sparkling wines in the world. In Champagne the annual production is somewhere in the vicinity of 350 million bottles so compare this to South Africa where a fraction of that amount is released to the tune of seven or eight million. Méthode Cap Classique bottles are made by 100-odd producers, 73 of which are listed on the website for the Cap Classique Producers Association (CCPA), an organization established in 1992. The name was derived from the fact that the classic art of winemaking was introduced to the Cape by the French Huguenots, and the first bottle-fermented sparkling wine produced at the Cape was called Kaapse Vonkel (Cape Sparkle).

It’s also very much a wine about terroir. In Stellenbosch the sparkling is often made from early picked, old vines chenin blanc grown on Duplex soils, colluvial decomposed granite overlapping gravelly clay. Ask Ken Forrester and he will tell you the gravels allow for good draining and the clays deliver a time release of water. All this helps during drought and the restriction of water creates texture on the palate. There are pioneers like Graham Beck’s Pieter Ferreira who are attacking with Brut Zero style “based on the philosophy of grower’s Champagne.” For others, like For Christa Von La Chevallerie, it’s a matter of “how far I can go with [the combination of] chenin and lees.”

“We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum time on lees should be raised to 15 months. As for sugar dosage, he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” Ferreira has put in the time and the research over 20-plus years to really understand the category but, more importantly, the potential. “You are always looking to express terroir,” he says. As for Gerber, he will say “sparkling wine is not a terroir wine? Please. This is completely untrue.” “For Brut we have to extend [the lees aging time] to 60 months,” explains Ferreira. “So there is no lipstick or eye shadow. ”For a deeper dive into Cap Classique please read my article post Cape Wine 2018.

Bot Rivier 

Bot Rivier lies southeast of Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10 kilometre radius of one another. Here chenin blanc might be crafted with just a hint of residual sugar (at just above 5 g/L), to balance the effects of a long, slow, ocean-proximate Bot Rivier growing season.

Paul Cluver with Ken Forrester’s Chenin Blanc

Elgin

There is so much diversity in the Capelands. There are rock n’ roll stars in the Swartland, R & B, soul & Motown in Stellenbosch, Jazz in Elgin, Classical music wherever you want to hear it. But what there is everywhere is flow. Reggae flow, soulful Stevie Wonder flow, hip-hop flow, Stan Getz, Ahmad Jamal, Dexter Gordon flow. Elgin also has layering, in riesling, pinot noir and chardonnay. The wines glide with cool climate ease of ability, with an unconscious penning of notes coming from a place that was always there from the beginning, with a creativity that comes out of effortless style.

Elgin’s Paul Cluver seems to be the first to label his chardonnay with the Bourgogne “Villages” idea. This tells us much about what we need to know — that Elgin vineyards are the fruit source if not site specific or singularly focused. But he also finds precision with his Seven Flags and Close Encounter wines. The wines of Thelema (and Sutherland) do the same, curating classic Elgin cool savour running linear like a beam through the joist of structure.

The Helderberg, Stellenbosch, Western Cape

Stellenbosch

Stellenbosch in undoubtedly South Africa’s most well-known region and home to the eponymous town that is the country’s second-oldest town. It sits a mere 50 kilometres southeast of Cape Town, capital of the Western Cape. Stellenbosch is the lushest of the Cape’s valleys, home to more than 200 wine producers and surrounded by the Drakenstein and Stellenbosch mountains. False Bay acts as the mitigator of this Mediterranean climate, creating ideal wine-growing conditions where just about any sort of grape variety can achieve ripeness. The reds of cabernet sauvignon and shiraz predominate on the granite-based soils farther west, while chenin blanc and sauvignon blanc thrive in the sandstone soils of the east.

Swartland Independents

Swartland

The Swartland is Afrikaans for “Black Land,” so named because of the dark grey endemic renosterbos (rhinoceros bush) that covers the landscape and turns black after the rains. The region of the Western Cape begins some 50 kms north of Cape Town and consists of the area between the towns of Malmesbury to the south, Darling in the west and Piketberg in the north. Home to the Cape’s greatest of wine revolutions, followed by a swinging era — and what comes next is anybody’s guess. What we do know is that the Swartland’s decomposed shales and granites provide some of the most existential and powerful growing sites in all of South Africa.

Bush vines, Groot Drakenstein Mountains, Franschhoek, South Africa

Buyers’ Guide to Wines of South Africa

Over the past two months there have been several opportunities to taste a wide range of wines from South Africa. Andrea Mullineux came through Toronto to give a seminar on chenin blanc, VINTAGES has seen releases with a dozen various examples and the WineAlign team recently tasted a box of stunning values. Just last week I taught a seminar on South Africa and poured five seminal wines. Here is a Buyers’ Guide that includes chenin blanc, Cap Classique, Bot Rivier, Elgin, Stellenbosch, Swartland and the Western Cape.

Western Cape

Boschendal The Pavillion Chenin Blanc 2021, W.O. Western Cape
$13.35, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Hard to knock the consistency but even more so the varietal representation and transparency of this perennial steal of a chenin blanc. Fruit that sings, bones that stand upright and just textural enough to make you feel like chenin can do no wrong.

Spier Signature Chardonnay 2021, W.O. Western Cape
$13.35, Sylvestre Wines & Spirits
Michael Godel – Labeled as Western Cape though kind of essentially Stellenbsoch from Spier in a chardonnay of green apple, dried herbs and lime. A hint of reduction and then bitters and while not fleshy this is surely satisfying.

Franschhoek Cellar Statue De Femme Sauvignon Blanc 2020, W.O. Western Cape
$16.99, Perigon Beverage Group
Michael Godel – Franschhoek does sauvignon very well, not as cool as say Elgin but surely (on average) more complex than Stellenbosch. Note the elongated phenols and terpenes in this most stimulating and succulent sauvignon blanc. Steal of a deal.

Alheit Vineyards Cartology Bush Vines 2019, W.O. Western Cape
$59.95, Groupe Soleil
Michael Godel –  Soil excellency layers in oscillations, waves and variegation in one of South Africa’s most curious to crafty blends in which chenin blanc is the focus to the core. You feel the sémillon, indeed you do because it streaks through the chenin, but not as a sprinter or a shooting star. Cartology is a correlated, traced and tabulated white blend that stands up to be counted.

Fairview Goats Do Roam Red 2021, W.O. Western Cape
$14.00, Univins (Ontario)
Michael Godel – Rhône blend based on syrah and the stylistic departure from the past to be über rich and dark is now more a matter of bright and effusive. Black fruit is now red, tar and tension given way to open and generous. Loving the modern acids, clarity, purity and simplicity.

Bot Rivier 

Beaumont Wines Chenin Blanc 2021, W.O. Bot Rivier
$29.95, The Small Winemakers Collection
Michael Godel – Hard to conceive and thus receive more aridity on the aromatics, surely flinty, part gun and part struck granite stone. Stretches this chenin blanc like the pull of elastics or fior di latte. Also herbal, sweetly so, with a chanterelle apricot note in the freshest of fungi specimens. Acids take over, spit and shine over this wise and elongated wine.

Elgin

Paul Cluver Village Elgin Chardonnay 2020, W.O. Elgin
$25.00, Buyers + Cellars Wine Purveyors
Michael Godel – Taut and tight, nicely reductive, orchard fruit focused with some bite and then a little bit of barrel smoulder. Not a smoky or toasty chardonnay but a balanced one with plenty of local, savour, savoir faire and flavour.

Stellenbosch

Ken Forrester Sparklehorse Cap Classique 2018, W.O. Stellenbosch
$29.95, Noble Estates Wines & Spirits Inc.
Michael Godel –  This may just be Ken’s most phenolic sparkling wine to date, emitting as a combination of blanched nuts and precious metals. Spent eight months in fermentation followed by 28 further on lees, in bottle. Creates orchard fruit flavours and textures while acidity retention keeps the groove and the balance.

Radford Dale Vinum Chenin Blanc 2020, W.O. Stellenbosch
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – There is a feeling of warmth in Radford Dale’s 2020, not boozy per se yet the feeling is like cold sake going down. Then it’s all roundness and creamy fruit, ease and utter culpability.

Reyneke Chenin Blanc 2020, W.O. Stellenbosch
$29.95, Univins (Ontario)
Michael Godel – Johan Reyneke’s chenin blanc is his and his alone, of South Africa’s first biodynamic winery and a level of say it as it is passion that can’t be touched. More like do as I do and Reyneke’s takes no liberties, asks no favours, gives and gives again. Spices and textural meanderings are concentrated and greater. An exotic notion as well, like ripe longan fruit and then a compound flavour profile going on forever.

De Morgenzon Reserve Chenin Blanc 2019, W.O. Stellenbosch
$49.00, Family Wine Merchants
Michael Godel – A barrel fermented style that shows in a flinty, caramel and pineapple way, part Burgundy plus California yet all South Africa. Heeds the Reserve moniker well with buttery brioche richness and full sun gathered consciousness. This one is all in with an effect to invite a wide ranging if specific consumer response.

Boschendal 1685 Cabernet Sauvignon 2017, W.O. Stellenbosch
$19.95, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Big, dark, brooding, as much about place as it is about grape variety.What’s special is the equally grippy and forceful fruit, exaggerated because the acidity is like a reduction of black currant syrup. Sharp and soil rich this is a serious mouthful of cabernet, firm, tannic and in charge. Roasted herbs and grilled vegetable notes, and a ferric-sanguine quality that brings the BBQ braai to mind.

Warwick Professor Black Pitch Black 2017, W.O. Stellenbosch
$19.95, NAVBEV INC
Michael Godel – Six grapes get together in Pitch Black, mostly made with cabernets with (13 per cent) cinsault, (10) merlot and then bits of malbec and petit verdot. Inky in feel if not pitch, tarry by natural nature if not by hue and also more Rhône meatiness then Bordeaux savour. A big, ferric and hematic example with strong bones and flesh all over.

Jordan Jardin The Long Fuse Cabernet Sauvignon 2019, W.O. Stellenbosch
$30.00, Kolonaki Group
Michael Godel – Straight faced and matter of fact, all things being true in a cabernet sauvignon that reeks of variety and subtlety in spite of the violence required to excavate and plant a vineyard. Don’t sleep on the tension and the structure in a wine of meaning, profound as it gets for Stellenbosch.

Aslina By Ntskiki Biyela Umsasane 2020, W.O. Stellenbosch
$35.00, Gradwell Wine Agency
Michael Godel – Ntsiki Biyela is officially recognized as South Africa’s first black female winemaker and the meaning in her Bordeaux styled Umsasane blend is local vernacular for the umbrella acacia tree. The brand is called Aslina, tribute to Ntsiki’s grandmother and one can feel the love in this richly styled, boozy in relative balance blend.

Swartland

Mullineux Kloof Street Chenin Blanc 2020, W.O. Swartland
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – Essentially chenin blanc and an example that pulls the full blessings and richness of the sun into a generous and gracious wine. Kloof Street is chenin blanc of feel, touch and “tekstuur.” The old vines concentration and density is inherent, the “frâiche, agréable and couvert de rosée” all over the palate with license and privilege.

A.A. Badenhorst Family White Blend 2018, W.O. Swartland
$57.99, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – The adage bears repeating as recited by Adi Badenhorst. “Fantastic grapes from old vineyards,” in a jazz mixtronic blend of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Yet another paradigm shift in Cape white appellative white blends that seduces with its steely veneer, vine experience and turbulent soul to deliver in every way imaginable.

Mullineux Chenin Blanc Granite 2019, W.O. Swartland
$79.00, Nicholas Pearce Wines Inc.
Michael Godel – All barrel fermented in only neutral oak, full malo and with the intention to truly experience and taste chenin blanc grown on granite soils. A wine kickstarted by natural stabilization, equally expressive of tart acidity and freshness, fully reasoned by sunshine yet also seasoned with effortless and variegate ease.  Such an experienced and robust wine without solicitation, nor swagger neither. The ability, presence and precision are tops. There’s no question.

Porcupine Ridge Syrah 2021, W.O. Swartland
$16.95, Univins (Ontario)
Michael Godel – Unmistakable syrah from the Boekenhoutskloof clan, always the meatiest and meat fats dripping example for the price. That and a profile more Swartland than what comes from say Stellenbosch syrah.

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

The five estates of Planeta earth

Welcome to Planeta Earth

The question often asked, if you could go back in time and meet just one person, who would it be? Shakespeare, Golda Meir, Beethoven, Anne Frank, Martin Luther King, Maya Angelou, Galileo, Marie Curie, Einstein, or maybe Gandhi? In the winemaking world there would be many great men and women to consider but this current fascination with Sicilia leads to the name Diego Planeta. Pioneer, visionary and a man who considered the entire island an agricultural playground where anything was possible. The Planeta family has Spanish origins and roots dating back five hundred years. Diego Planeta was the former president of the Settesoli Cooperative and founder of Planeta winery. His passing in 2020 left an irreplaceable hole but 15 cousins, including Alessio, Francesca and Santi Planeta are the beneficiaries of their uncle’s plans and legacy. Five family members run the day-to day operation and more than 200 vinicultural, viticultural, administrative and marketing artisans share in the collective vision. Today they work, farm sustainably and reap the benefits of five distinct estates but more than that they bring the fruits of these locations to the world. No other producer in Sicilia does this, not with the scope and breadth they do. This is the story of the five Sicilian estates of Planeta earth.

Godello, L’Etna

Related – Planeta’s Sicily

Un percorso non casuale, fortemente legato alla diversità dei paesaggi, dei venti, del carattere degli uomini e quindi dei loro vini. Not an accidental journey but one inextricably linked to the diversity of five landscapes, in soil, wind, climate and the relationship between the custodians and the wines they shepherd. Menfi, Vittoria, Noto, L’Etna and Capo Milazzo. No two are the same and all five contribute to the fabric of Planeta’s extant association and alliance with Sicilia. The Planeta family and head winemaker Patricia Tóth abide by their surroundings, as do the agriculturalists, guardians and caretakers, of olive groves, orchards, hinterlands and plantations. The pentamerous grouping of estates in all its micro and collective diversity is at once staggering to consider and then a thing of sensory overload. Taking in one at a time and appreciating the profundity of each place is the key to understanding. In March of 2022 I had the honour and pleasure to visit two properties and were it not for Covid-19 and later in June travel misteps I would have seen a third, quite possibly a fourth and perhaps even all five. As it is my personal and professional life have become enriched in ways that could never have been imagined.

Menfi Coast

Only came outside to watch the nightfall with the rain. I heard you making patterns rhyme

Not to be overlooked is above all else, Planeta’s production of IGP olive oil. Their’s is a painstaking process to achieve uncompromising quality borne of the trees in a landscape destined to deliver greatness. The fields of hospitality and cultural ventures integrate into their viticultural activities, all purposed to enliven the Sicilian experience. Sustainability without exception,  respect for the land and wineries completely integrated within the landscape are the values which guide the company’s activities. Winemaker Patricia Tóth was born in Hungary and received a degree in 2004 at the University of Corvinus in Budapest in Food Science specializing in wine, beer and spirits. Tóth worked at Le Vigne di Zamò Friuli, Bava in Piemonte and Vylyan in Hungary. She began her 17 year Planeta run in 2005 at Noto, then in Vittoria, later managing the setup of the estate in Capo Milazzo and on L’Etna. She now splits her time at 900m above sea level on the volcano’s north face and also nearest the beating heart control centre of operations in Menfi.

Related – All the wines of Sicily

Baglio di Ulmo

In Menfi the variety of terroir is infinite and to walk the phrygana is to stop time. The fauna ignites in the olive oil and the wines from Ulmo in a variety of styles and varietal personalities as sundry as the numbers of women and men who create them. They can be fast or slow, rich or discreet, loud or soft, hard or tender, loving or intense. They can be so packed full of notes it may feel like life speeded up. They can also be calming and interpretive. They can be anything at all.

L’Etna eruption, 1981

On L’Etna space and melody, in particular aboard the volcano’s north face (versante nord) there is a use of space so artful it enables the melodies of the original lines in the wines. Though Planeta (and so many others) use improvisations and embellishments, they do so in order to integrate the leading voice to grow together with the supporting cast. The main declarations of nerello mascalese and carricante are joined by nerello cappuccio, catarratto and grecanico, all evolving together organically, swelling and retreating as the complete pulse of the wines, the inner pulse guiding the creativity itself, as it is dictated.

The inimitable human and paradigmatic winemaker Patricia Tóth

In Vittoria, Noto and Capo Milazzo the path indicated is that of quiet intensity, of melodies so phrased that the rhythm and the space together build wines of strong driving forces. Their collective agency is power achieved without volume, tension without distortion. Some wines grab you and drive everything else from your mind. They seduce, softly engage your whole attention and lure you into the grooves they are travelling. All this without you being aware, of what is happening until it has already happened.

This is planet earth you’re looking at planet earth
Bop bop bop bop bop bop bop bop this is planet earth

Alessio Planeta

Related – Sicily in review

Paraphrasing from something Alessio Planeta said back in 2018, Planeta looks to connect the island by the phrase stato stazione delle una perfetta, meaning the union is currently situated in a perfect state, working together for the common good. Alessio and his family’s rich set of wine-producing circumstances, whether it be the individual refrains of each estate or the collaborative effect of the group, is a constantly growing and changing undertaking but never with the kind of urgency implied in some other producers’ body of work. Planeta’s is more than methodical, it is meditative, contemplative and organic. Calculated? Of course but with the future in mind and the greater good always considered. Leadership incarnate, always hospitable and most importantly positive. When I fell ill with Covid whilst visiting with Alessio and Patricia I felt safe and set up for recovery. I can never thank them enough, for their humanity and support.

Meet next gen Planeta custodian and burgeoning chef, Costante Planeta

Here are the 45 Planeta wines tasted in late March and early April in a cross-section of a portfolio interconnected and jointly illustrative of five estates. Their quality is what makes it so satisfying to taste, assess, compose, edit and finally publish the results. Working through these wines, like listening to the albums of a band’s tenure, or sitting in a club while they play their songs, well this makes for a great trip through an intensely diverse and ever-evolving viticultural terrain.

Menfi phrygana

Menfi-Ulmo

The Menfi situation is really one of Ulmo, or rather Ulmo is Menfi. Here on the island’s southwest coast beneath Palermo is where Planeta’s first winery opened in 1995 near the village of Sambuca di Sicilia, Built near an ancient 16th-century baglio, or stone farmhouse, situated above Lake Arancio and blessed with chalky limestone soils. In the middle of the 1980’s Planeta planted their first vines around the baglio which the family has always owned. The Iter Vitis museum, surrounded by a “collection meadow’” of different Sicilian and Georgian vines, “inspired by the idea of enhancing the rich Sicilian winemaking tradition.” The nature footpath called La Segreta runs from the winery, connects with those that intersect the Menfi hills and also 250 cultivated hectares of vineyard. The name adorns the quadripartite set of wine labels that are arguably Sicily’s most well-known. The crux, core and heart is Dispensa where production, administration and planning all happen.

Beach at Menfi

The Infernotto, inside the small winery, is the family caveau, one of the most calming placing to read, rest and taste through Planeta’s portfolio of wines. Ulmo, Maroccoli, Cirami, Baglio di Ulmo and the 6th century B.C. Palmento di Bosco della Resinata; places of affinity, integration and varietal kinship. Of grillo, fiano, chardonnay, grecanico, sauvignon blanc, viognier, nero d’Avola, syrah, merlot, cabernet franc and cabernet sauvignon. The chardonnay stands out as the iconic label, a super chardonnay to be sure because no other varietal example delivers the two pillars of quality and quality like this Planeta label.

Planeta Serra Ferdinandea Rosato 2021, Sicilia DOC

A joint venture between Planeta and the family Oddo from the south of France. Rosato, Bianco and Rosso made high in the hills above the sea near Menfi, closer to Sambuca. Here nero d’avola and syrah made in the airiest, salty and light tart way, quenching and satisfying. The name refers to the story of a volcanic island that suddenly rose from the sea in 1831, fought over for claim by the Italians, French and British, before disappearing back in to the water many months later. There it sits 30 to 40 metres below the surface. You can drink the town dry out of this Rosato, any day, any time. Drink 2022-2024.  Tasted March 2022

Ulmo Chardonnay

Planeta Chardonnay 2020, Sicilia DOC

Chardonnay comes from two vineyards, Storico which is the large white rock at 270m above the Menfi lake and Marrocoli, where red grapes (cabernet franc, merlot and syrah) really thrive. Here chardonnay is given roundness to mix with the stoic-stony and intense directness of what it could have been. A place of vibrations and nerves and so Marrocoli is needed to tame and soften Storico’s blunt edginess. That it does, injecting peach fleshy sunshine into the linearity of the wine. Keep in mind that 200,000 bottles a year are made and that doesn’t even keep up with the demand. Arch classic Planeta bread and butter wine, also in style. One of the planet’s great chardonnays of double Q effect. Quantity and quality. Drink 2022-2025.  Tasted March 2022

Planeta Chardonnay 2019, Sicilia DOC

The two vineyards are Storico at 270m above the Menfi lake and Marrocoli where really white calcari predominates. While there is the plump presence of chardonnay giving “morbido” roundness in apposite to the mineral Storico fruit, there is also this persistent buzz and and nervy character. For a wine for which upwards of 200,000 bottles a year are produced it really is quite incredible how vintage dictates the personality of the wine. Fresh quality bread and churned butter in the glass. Drink 2022-2024.  Tasted March 2022

Planeta Cometa 2020, Sicilia Menfi DOC

As a reminder Cometa comes from two vineyards, the important one being Dispensa right by the winery and Paso di Gura, 10 kms away. Fiano, not off of volcanics but clay soils close to the sea, well-ripened, in a place where it likes the sun, suffers and gets a bit bronzing and golden. A fiano of white and yellow flowers, chamomile and the like. While the universe busy was sending more than enough chaos to humanity, in this vintage there were only good conditions and therefore excellent to raise a proper Cometa. Feels plump and salty, full and herbal, bitters so minor and subtleties available to those who wait for it. The upward trend continues, towards greatness. Drink 2023-2028.  Tasted March 2022

Planeta Cometa 2019, Sicilia Menfi DOC

Cometa is fiano “di Ulmo” in Menfi out of two vineyards, Dispensa and Paso di Gura. Clay soils over calcium carbonate and a place for full ripeness within the context of fulfilling the promise for golden grapes. The florals sing from 2019, more white than yellow and the vintage delivers a credibly balanced affair. In this last vintage before the world went mad Cometa seems at ease, confident and secure. Not as round and plump as the following 2020 yet equally saline, herbal if sweetly so and the crunchiest Cometa ever encountered. Not a shock because “every vintage of fiano is unpredictable” explains Alessio Planeta. More vertical, linear and direct. Drink 2022-2026.  Tasted March 2022

Planeta Cometa 2018, Sicilia Menfi DOC

Experimental grape introduction of fiano to Menfi in 1994 with the first vintage being 2000. “They (Avellino) grow fiano on volcanic soil in the mountains and we grow it in clay soils by the sea,” tells Alessio Planeta. “With low yields and small bunches.” Here it can be tropical but it’s always herbal and breezy. Can’t help but be salty, after all the air is filled with marine life.  Last tasted March 2022

Cometa has changed or rather in its youthful state of ultimate reductive freshness is so straight-laced, linear, tightrope walking along a razor sharp edge. There’s a tonic injection that helps to propel it forward and the envisioning projects two years ahead to see it develop some sweeter fruit notes, straight from the orchard’s hip. Watch for this special vintage of fiano, the ancient noble variety from Campania that Planeta’s braintrust took a well-advised flyer on in the 1990s. Drink 2020-2026.  Tasted May 2019

Planeta Didacus 2019, Sicilia Menfi DOC

The name Didacus is Diego, from the Latin, a chardonnay dedicated to Alessio Planeta’s visionary uncle, the late Diego Planeta. These Storico Vineyard Menfi vines were planted in 1985 on the hillside up to 270m of elevation and below the white rock on calcareous-clay soils above the lake. As a vintage 2019 was dryer and warmer than 2018, especially in summer. Results in a richly concentrated chardonnay but one picked earlier with acids in tact and phenols well developed. Plenty of water stocks in the soil after a wet 2018 allowed the plants to ease through ’19 and take full advantage of the dry season. Full malo feel, good mineral backbone and a long sensation swept across the palate puts this in a place of Menfi specificity while also leaving an impression that next level notes will emerge over a good period of time. Drink 2023-2029.  Tasted March 2022

Planeta Didacus 2018, Sicilia Menfi DOC

The chardonnay dedicated to Diego Planeta, from the oldest Menfi vines, planted in 1985. The name Didacus is indeed Diego in Latin and the inherent plus inferred further meaning is as thought, a didactic one, which says something about many things. It speaks to the pioneer Mr. Planeta’s two-toned, ahead of its time work and to the way chardonnay takes Sicily into another realm and brings reductive freshness into buttery bites that ties two voices together. And they will speak as one. Soon. Drink 2021-2027.  Tasted May 2019 and March 2022

Planeta Ulmo tasting

Planeta Didacus Cabernet Franc 2017, Sicilia Menfi DOC

The Didacus red is a varietal cabernet franc from a very specific Ulmo block, also named for Diego Planeta, visionary and pioneer for wines in Sicily. The Piano del Sommacco (sumac) is the source, treated to whole bunch fermentation and aged in tonneaux because of the fruit’s great potential. The heat did not come until just before harvest (after a cooler season early). This is good for franc when the heat comes late for more concentration though also one picked later as it should be. The uncanny smell of carob and even bokser pod fruit, properly herbal, just the right amount of pyrazine, balsamic and spice. Long, blue and true. Drink 2023-2027.  Tasted March 2022

Didacus is Diego, from the Latin and like the chardonnay this cabernet franc is dedicated in kinship to Alessio Planeta’s uncle, pioneer and visionary, the late Diego Planeta. Storico Vineyard in Menfi was planted in 1985 on white rock-calcareous-clay soils above the lake. There is little surprise that 2016 was a serious franc vintage, long and drawn out, perfect to bring the ripeness of necessary phenols that the grape so clearly needs and dearly deserves. Shows off cabernet franc’s dreamy complexion with a side of pyrazine though depth of fruit and dearth of (including American) oak are really the pair in charge. There is something Rioja Gran Reserva about Didacus but even more so there is Sicilian depth, Moorish density and Planeta gravity. Or gravitas it should be conceded from and for a wine of many splendored seasoning and structure. Perfume flies in the air and dreams will someday come true. Drink 2024-2032.  Tasted March 2022

Fishes by Costante Planeta

Planeta Alastro 2021, Sicilia Menfi DOC

Alsatro the yellow flower that appears all over Menfi in Spring. Mainly grecanico with some sauvignon blanc, the former essentially the same grape as garganega. Similar to a Soave ideal, to add some aromatic swagger in a friendship to work with a local grape. Lean and light, like garganega in wet concrete, straight ahead citrus, neutral and refreshing with just a hint of petrol. Cool white. Drink 2022-2025. Tasted March 2022

Planeta Grillo Terebinto 2021, Sicilia Menfi DOC

Terebinto the red flower all over the hills of Menfi in spring, especially as you approach the sea. A cross between the aromatics and intensity of cataratto and the gregarious flavours of zibbibo. Made as a pure variety but only since 2016 because Alessio Planeta realized it was a beautiful beast. While the sunshine and richness are very much accumulated there is also the sea in this gently rolling and saline white. A great vintage of this wine and just what grillo should be. Drink 2022-2025.  Tasted March 2022

Planeta Plumbago Nero d’Avola 2019, Sicilia DOC

Plumbago or “Ploom-baggo” grows in Menfi and around Ulmo, coming out in Spring though not right away. In nero d’avola it is a red that manifests Menfi missives though Planeta chooses to label it not in menzione geographica terms but rather Sicilia DOC. This is because a new vineyard’s fruit is involved and so it was not requested to be Menfi, but again in 2021 will be. Always rolling deep and seasoned, a black cherry and seasoned meaty depth yet ’19 seems to have more stones, air and lightness, a relative thing but it makes a difference. This Plumbago really gets it, or maybe we get it and how it translates transparently. Less rustic than usual, a wood adjustment made and so here with a bit more sympathy and less dealing with the devil. Or more perhaps? It may say, “Pleased to meet you, hope you guess my name. But what’s puzzling you, is the nature of my game.” Drink 2023-2028.  Tasted March 2022

Planeta Maroccoli Syrah 2017, Sicilia Menfi DOC

Syrah, from a conca facing the lake in Ulmo, more calcareous than where the chardonnay grows, a sea of sediment that is more alluvial going down to the shore. This syrah grows on the white calcium carbonate which surely gives vivid florals to mitigate a hematic meatiness created by the clay, sun and varietal tendency. Not a syrah of bacon or smoked meat and also not overtly concentrated but instead quite pretty and elegant. It should be expected this direction will continue with subsequent vintages. Drink 2022-2027.  Tasted March 2022

Vineyards in Ulmo

Planeta Maroccoli Syrah 2016, Sicilia Menfi DOC

Syrah is grown above the lake in Ulmo on a “conca“ of alluvial and calcareous clay soils notably white and the purple flower aromas are surely there in this vintage. So are the meaty ones but also those that imagine roasted melanzane and other toasty vegetative scents. While there used to be so much concentration in this wine it seems that 2016 marks a turn towards restraint and that thing we like to call elegance. Still the dripping meat juices fragrance and flavour rear up in this ’16, as they have always been known to do. Ready to go now with the first hints of balsamic and flint coming through. Drink 2022-2026.  Tasted March 2022

Planeta Sito Dell’Ulmo Planeta Merlot 2016, Sicilia Menfi DOC

Pure merlot made since 1995, one of the first for Planeta and one that used to be called simply “merlot.” A style of spice and even balsamic but once again the florals, lighter activity and respect for vineyard in their sense of place is what really matters today. These were the first vineyards planted in 1985, along with chardonnay, nero d’avola and grecanico. The experimental early days. At 31 years-old these merlot vines are highly experienced, the varietal give is exactly of itself and the wine is almost OCD stringent. That is to say it knows what it is and wants to be. Not overtly rich but surely capable of aging and again a vintage of freshness meets long, cool and slow ripening. “A bit too fresh for me,” says Alessio Planeta and then “nordic style,” adds Patrica Tóth.” Beautifully chalky and like a Sicilian I will fight to the death to argue that soil has much to do with the mouthfeel of this merlot. Still needs one more year. Drink 2023-2028.  Tasted March 2022

Planeta Burdese 2016, Sicilia Menfi DOC

Burdese (Boor-dee-say) from a Sicilian dialect, as in Bordelais, looking back in time at Bordeaux, using the two cabernets from Ulmo, sauvignon and franc, 70-30 in every vintage except ’97-99, when it was only sauvignon. There is an acidity that can only be described as “Burdese,” even when the sauvignon dries out a bit, by the calcareous raised franc and most importantly the freshest of Menfi vintages. Here a fragrant and bright Bordeaux (or perhaps Ulmese?) joint, a blend that sings and raises the bar for such wines in Sicily. Tart and chalky, structured and really long. Drink 2023-2027.  Tasted March 2022

Planeta Burdese 2015, Sicilia Menfi DOC

Burdese, the Sicilian Bordeaux blend, a word brought back and employed here in Menfi as the French dispatch for cabernet sauvignon (70 per cent) and franc grown in Ulmo. Now settled into its Bordelais by way of Sicilian skin, tannins softened and acids too. Feels like a warm season created the resolve in this wine but then again it also seems like there are parts unknown and things yet revealed. After all “all great beauties withhold their deepest secrets.” Drink 2023-2027.  Tasted March 2022

Sicilia DOC

Planeta La Segreta Grillo 2021, Sicilia DOC

An extension from the original Bianco bottle, added a few years back (2016) when grillo and nero d’avola were recognized as protected varieties under the Sicilia DOC. While made in greater quantity and with less complexity than the Terebinto grillo the idea and the ideal are one in the same. Citrus and herbs, some fleshiness and sunshine though quiet and calm. Spot on balance and amenability. Drink 2022-2024.  Tasted March 2022

Planeta La Segreta Il Bianco 2021, Sicilia DOC

Il Bianco is the original La Segreta, a blend of (50 per cent) grecanico with viognier, chardonnay and sauvignon blanc. Remarkably the aromatics do tell of viognier but that changes across a palate that  s expressly grecanico with shades of the other grapes. Broader and more rounded than grillo, perhaps antithetically so but less specificity Makes Il Bianco the one to work for all. Drink 2022-2024.  Tasted March 2022

Planeta La Segreta Nero d’Avola 2021, Sicilia DOC

An extension from the original Rosso bottle, added a few years back (2016) when nero d’avola and grillo were recognized and added as protected varieties under the Sicilia DOC. Essentially Planeta’s varietal “lite,” a lithe and honest, pure and transparent entry into the Ulmo world for nero d’avola, with just a small portion from Noto. The key is all estate grapes, an entry into and sort of second set of wines for Planeta. The selection comes within the availability of 370 hectares of production. Safe, straightforward, varietally correct, tart and also too easy to knock back. Drink 2022-2024. T asted March 2022

Planeta La Segreta Il Rosso 2021, Sicilia DOC

As with Il Bianco, Il Rosso is the original red under the La Segreta label, a blend of (50 per cent) nero d’avola with merlot, syrah and splashes of cabernet franc. Deeper if not darker but certainly meatier and more ferric than the varietal nero. Herbal as well, a note of Amaro and dark chocolate shavings. As with the other three La Segreta wines the Rosso is a matter of different vineyard management as compared with the other Planeta wines, with the intendment to be less concentrated, less tannic and to drink right here and right now. That it does, especially with pasta in a sauce of eggplant and tomatoes from Vittoria. Drink 2022-2024.  Tasted March 2022

Lava flow, Feudo di Mezzo

L’Etna

The year was 2008 when Planeta settled on the north side of Etna, among the lava flows and the woods which surround the village of Passopisciaro. Vines of planted nerello and carricante were planted and then in 2012 the winery was also established. The hospitality is housed to the north at Montelaguardia, in the middle of the Sciaranuova vineyard at more than 800m above sea level. Here the Etna cru are produced, in pinot nero, nerello mascalese, riesling and carricante. To the south the Feudo di Mezzo winery and vineyard (for Etna Rosso) are right in the centre of a 15th century lava flow. Nearby at Torreguarino and Rampante the vines are also best suited to red wines. At Sciaranuova the old terraces were transformed into a “Theatre in the Vineyard,” home to the Sciaranuova Festival.

Sciaranuova, Etna

To get a true sense of geography and location there are four passeggiate that will unlock the door to Etna enlightenment. The first is through the 15th century lava flow at Feudo di Mezzo and the vineyards with their gnarly bush vines. The second is the lava flow of “L’Etna 1981,” an eruption between the 17th and 23rd of March, at which time the village of Randazzo below came this close to being swallowed whole. The third is through Parco Statella to gain a sense of how Etna’s north face integrates Alberello vineyards, woods and homes. The fourth is ambling over volcanic boulder flows, admiring all the layers of lava rock, exploring the ancient, gnarly and propitious aboard L’Etna, as seen in Passopisciaro.

Planeta Eruzione 1614 Carricante 2019, Terre Siciliane IGT

Eruzione is always picked later than the carricante for the Etna Bianco (from Monetalguardia), at least a week later, finished on the 20th of October, really early. You smell and taste the Bianco from 2019 and think it’s tight but then you do the same with the Eruzione and then realize just what tight is. In this amazingly compact ’19 there is the feeling of salts dissolving into the fine grain of the wine, volcanics in carricante disappearing with immediacy though their presence never leaves your palate. A vintage that so precisely and clearly defines what it means to grow this grape on the northern slope of the mountain between 810-900m, even though at this elevation it can’t qualify for DOC Etna. The higher you go, the tighter are the wines and the longer they live. That is a fact. Drink 2023-2028.  Tasted March 2022

Parco Statella, Etna

Planeta Eruzione 1614 Carricante 2014, Terre Siciliane IGT

This is just perfect. To re-taste Eruzione carricante five years later, almost to the day and just past the halfway point in this 1614’s expected tenure. In fact it barely feels like any time has passed save for a fumé moment of character that Tóth admits “I don’t know where it comes from,” meaning it’s not technologically possible. Which means it comes from the vineyard. Or, the original sapid part of the wine transforming into smoulder. The texture is not organza but sheer, you can feel through it. The salt has fully melted to now extend the flavour but the wine remains tight. And so the longevity abides. And the score also rises, as the sun. Drink through 2027.   Last tasted March 2022

“Not everyone can carry the weight of the world,” save perhaps Planeta’s Patricia Tóth, a winemaker who celebrates the past, the endemic varietal and in the present, the glaring truth. The name Eruzione is evocative of the estate’s Cru dell’Etna and in a mind’s eye transports history through the narrative of carricante (with 10 per cent riesling). It brings the legendary 1614 Mount Etna eruption to life, a longest ever recorded catastrophe that lasted ten years, halting just on the border of the vineyards of Sciaranuova. This is veritable mountain altitude wine, from high (790-890m) terraced, volcanic black soils delivering fresh conifer savour, saltiness and palpable mineral style. It is sharp and composed on the nose, with citrus distillate and elevated acidity. It does not matter whether you are wide awake or deep in R.E.M sleep. At all times it is a revelation for carricante. This is what it can be! There was no need for crop thinning, it was picked four to five weeks after the sparkling and it spent five months on the lees. The texture and the potential longevity are thankful for this. “Combien, combien, combien du temps?” At least seven years. Talk about the passion. Drink 2018-2025.   Tasted March 2017

Quarantine passegiata, Versante Nord, Etna

Planeta Riesling 2018, Terre Siciliane IGT

What do you compare Etna riesling to? Nothing save perhaps Eden Valley but what’s the point? Texturally this from Planeta is quite soft but no matter the texture every sip goes salty. Volcanics, or more to the lava flow point, living, breathing and current (within the last 400 years) volcanics will do that, for real. Not like other “volcanic” soils, those from mountains that erupted maybe one million years ago. But that’s only half of the matter. The other and equally important matter is elevation, at 900m, less fancy, attractive and sexy. But this is real and this is what riesling wants and needs. Not Mosel, not Trentino, not Argentina but L’Etna heights. She is present and she presents. “Elevation is not as sexy as volcanics, “ said no one ever but this is the thing. Riesling was never that or like this but it has arrived. Say hello to my little friend TS-IGT. Drink 2022-2026.  Tasted March 2022

Sciaranuova Vineyard

Planeta Eruzione 1614 Pinot Nero 2018, Terre Siciliane IGT

Super fine pinot noir from Patricia Tóth on Etna’s north slope at 820m, like well-prepared sea urchin, straccato di manzo mantecato and fegato d’oca. If not the best Etna Rosso vineyard it may as well be in the conversation because this kind of pinot noir depth is usually reserved for nerello mascalese. Something cool this way comes every morning and dry, no matter the settling of precipitation the night before. Here the fineness of varietal and block share a feeling, a commonality of place within to the third degree, mimicking gastronomy and asking for the right set of partners. There is fennel and there are dried spices, cumin perhaps in how the delicate yet forceful south asianer’s carpet really ties the wine together. Sweet meanderings in dried rags really bring the rustica and the autentica. Drink 2023-2028.  Tasted March 2022

Making friends in Parco Statella, Etna

Planeta Etna Bianco DOC 2020

Widest and most inviting smile yet from Planeta and winemaker Patricia Tóth’s 2020 Etna Bianco, generous gift of the volcano and the sun, elemental salts and even ripeness, controlled eruption and fleshy intensity. A relaxed bianco as an extension of the vineyard, 100 per cent carricante from Contrada Taccione in the village of Monetalguardia. The soil is deeply organic, nourishing, dark for Etna at 690-720m. Hard to find more direct accommodation and physical beauty than what this Bianco wants to share, without demands, strings or expecting anything in return. Drink 2022-2027.  Tasted March 2022

Etna hospitality, Planeta

Planeta Etna Bianco DOC 2019

Though the next vintage of Etna Bianco DOC will be the perfect one, for everyone and all, this from 2019 is no difficult one, it’s just more linear, laser focused and intense. There are times when 100 per cent carricante can act this way, not because of any varietally finicky reason but just because the vintage makes it so. More central, linear, severe and seeking ways to branch out but that still may not be possible at this time. Super compact and it looks as though 2021 could also be this way. The grapes came early, seemingly counterintuitive to how things turned out and the winemaker looked around, not believing the harvest was done. But forget about it Patricia. It’s Etna. Drink 2023-2028.  Tasted March 2022

Shalalingualossa

Planeta Etna Rosso DOC 2020

A 100 per cent nerello mascalese from Pietramarina and Feudo di Mezzo (where the cellar is located), two vineyards 5km between them at 600m of elevation. The nose is almost clay even though there is none on Etna making for a very clean aromatic profile. Made in the Piedmontese cappelo sommerso method, 35-40 days on skins, because nerello mascalese doesn’t like and doesn’t need oxygen, regardless of its tannic structure. The vintage is a round and gifting one for all, bianco and rosso alike, less compact than some and fleshy as a ripe plum, especially with reds. A 2020 in which recent volcanics are a matter of wringing out a basalt sponge with the resulting juices running with charismatic invitation. That said a Planeta Etna Rosso clearly needs some time, not forever mind you and in this case a depth of developed fruit and mineral swath keeps things wrapped and taut. Notable for the red citrus bite, pique and pith across the back end. Drink 2023-2028.  Tasted March 2022

Feudo di Mezzo, Etna

Planeta Eruzione 1614 Nerello Mascalese 2018, Terre Siciliane IGT

Varietal nerello mascalese grown above the DOC line is a matter of great, compact and vertical concern from out of the 2018 vintage. Was a rainy and “fragile” vintage, a matter of nature putting more stress on bunches that can result in variegate meaning. The concept of rigorous table sorting and the use of a basket press are essential tools to getting pristine fruit and then juice. Etna’s conditions are so unique to Sicily and so here in Sciaranuova it is the last of Planeta’s estates to figure out the what, why and how for making quality wine. On the whites it was in and around ’16 and for the reds probably right here with this sharp, spiced and meaningful red. While it is quite compressed there is also an expansiveness that presses to the full extent in how the palate is swarmed and covered. My goodness. Drink 2025-2032.  Tasted March 2022

Parco Statella, Versante Nord, Etna

Planeta Eruzione 1614 Nerello Mascalese 2017, Terre Siciliane IGT

Sciaranuova is the place closest to the village of Passopisciaro for nerello mascalese of a very specific style. From a warm vintage and one when there was nine per cent cappuccio mixed in with the mascalese. More of a salumi, curative and dried skins vintage, not just with an extra year affecting the wine but also because of the cappuccio influence with an increase in oxidative feel. Feels quite ready to rock and roll, more of the latter perhaps and with the right moment there will be a scorrevole of mascalese sensation running and then sliding across the palate. Drink 2022-2026.  Tasted March 2022

Capo Milazzo, Sicily

Capo Milazzo

Sicilia’s most extreme and dramatic northeast corner is home to some of Planeta’s most extreme and dramatic wines. Capo Milazzo’s soils are alluvial, deep soils, friables, born out of rivers that came from the northern mountains. The peninsula’s proximity to the sea leads to wines that are salty, with algae, black cherry and cypress. The four hectare vineyard is called La Baronia, used for the Sicilia DOCs in Nocera and Mamertino but also experimentally and for research in three ancient varieties known as varietà reliquie; vitraruolo, lucignola and catanese nera.

Planeta Nocera 2018, Nocero Sicilia DOC

Specific to Milazzo in the northeast of Sicily, in two appellations, Faro and Mamertino. Noce is “nuts,” growing in big bunches and blue-hued (much more so than cabernet sauvignon). Grows on volcanics, in a place with an active volcano (Stromboli) which is significant and in 2018 the vintage didn’t turn out the same beast of a bruiser in terms of the grape’s intensity of tannins. Forget the comparisons to sangiovese, barbera and tannat because this ’18 is a wonderfully harmonious and balanced varietal wine. Still the presence and obviousness of black cherry, peppery nocellara olive and just a kiss of orange. Drink 2023-2027.  Tasted March 2022

Planeta Mamertino 2017, Mamertino Sicilia DOC

From the dramatic land and seascape that is Capo Milazzo and a wine surely as close to winemaker Patricia Tóth’s heart as any in her Planeta dreams. Blends 60 per cent nero d’Avola, with (40) nocera while paying homage to the Mamertini who produced a version of this wine at Milazzo, described by Pliny and beloved by Julius Caesar. First vintage was 2013 and so only the fifth by this warm vintage example. Can be a bruiser and a brooder but ’17 exhibits a surprising antithetical brightness and invitation for pleasure. Even when this young, now moving, not evolving but relenting, in structure and for spirit. The two grapes work in seamless if also delicious tandem, pushing and giving a little, extending an olive branch through clear Mediterranean scents, flavours and style. Like morning dew, soulfully guitar driven, modern jazzy in pure stone groove. Unexpected and warranted at the very same time. Drink 2023-2029.  Tasted April 2022

Noto

Noto is the birthplace of nero d’Avola, graced with calcareous soils like Jerez and Champagne, not really comparable to anywhere else. Noto is close to Vittoria in how the wines come to be but it’s a mobile texture, silken and with velvety tannins. The soft hills of Buonivini are blessed by soft breezes arising from the meeting of two seas, ideal for nero d’Avola and moscato, but also almonds, carobs and olives, symbolic plants of the Mediterranean location. The three vineyards are agliastro, buonvini and zuppardo on 45 hectares, acquired piece by piece, today producing the DOC wines Santa Cecilia, Moscato di Noto and Passito di Noto.

Planeta Allemanda 2021, Sicilia Noto DOC

Allemanda, opening baroque dance, 100 per cent moscato bianco, fully, completely Noto. The concept is before the meal, a winder upper, ahead of several courses and pairings, in lieu of that wine killing sundowner, Sicilian style. Quite a tart and powerfully stinging revivalist, to wake one up and keep the spirit alive well into the night. A palate refresher, making use of the indigenous and the parochial. Crisp, clean, tightly wound, acidity high, difficulty low. Revive your energy with a glass of Allemanda, dancer in the mouth. Drink 2022-2024.  Tasted April 2022

Moscato Di Noto Dry 2021, Sicilia Noto DOC

Sister to Allemanda, 100 per cent moscato (di Noto) yet here dry as the southern Sicilian desert (proverbially speaking) and acids running jet propelled high. In the vein of riesling or say Hunter Valley sémillon, austere, intense, at present unknowable but tenable as time will surely race on by. Lime and the dream of petrol, sharp herbs and even sharper citrus, though not straightforward as such. Most curious and intense white wine, best with sea creatures now but with time, who knows, the sky just may be the limit. Age some and see what transpires. Drink 2023-2027.  Tasted April 2022

Planeta Controdanza 2018, Sicilia Noto DOC

Not quite a year has passed and while a settling seems noticeable there still pulses and vibrates a dance of sorts. The white soils have yet to leave the floor and the wines continues to slide over the sleek surface. The nero needs more time, the austerity must chill out and the integration is still somewhat far away. Keep to the program.  Last tasted April 2022

Noto’s bianci soils on the Buonivini estate are the Controdanza source at of Sicily’s furthest southeastern point. Planeta’s relationship here dates back to 1998. The hoedown,”quadrille” or square dance is 85 per cent nero d’Avola plus (15) merlot, super Sicilian by way of Noto and no matter how many vintages pass on by there is still this irony between barn dancing and post-modern blending. It takes tasting this 2018 to realize how dominant the nero d’Avola really is and while merlot is supposed to soften and add a cream centre, in 2018 that’s a big request. Now 2017 makes even more sense and is a cream puff compared to this tannic and grippy 2018. A bigger wine of greater fortitude and one that needs some time to soften. Hold off on the Controdanza for now, the wine and the dance. Drink 2023-2028.  Tasted June 2021

Planeta Santa Cecilia 2016, DOC Noto

That idea behind tertiary fungi and umami is still a dream and should be shelved for at least four to five years. That said there is some movement now into the secondary, just hints mind you but there are the plums baked into the minced meat of a sciachiatta pie. Even a note of red pepper flake, parsley and dandelion to accent the sausage. Drinking with most excellent gastronomy right now.  Last tasted April 2022

The flagship 100 per cent nero d’avola must be poured last because of the power and the fact that it’s not something so easily understood. If you were to try and taste other wines after this it would be like Eric Clapton going on after Jimi Hendrix. There’s a deep olive, blood orange, tar and ribena profile that you just know will seek out truffle, porcini, tar and roses. Welcome to the world of aging Sicilian wines and in this very specific world, nero d’avola from Noto. Drink 2022-2034.  Tasted May 2019

Planeta Santa Cecilia 2011, DOC Noto

Santa Cecilia from 2011 is a special nero d’avola, balanced in silent but sweetly deadly acquiescence of Noto’s white chalky soils. Her tannins are abundant and smooth, running in one direction and so it’s a wonder how un-evolved and yet so involved this nero d’avola is equipped to believe about and with great kindred spirit with itself. That it presents this youthful and yet to advance is a thing magical and sincere. Inner strength is one thing but outward beauty is the real deal. Or is it the other way around? Either way they combine for one of Cecilia’s greatest acuity and remainder of structure. Drink 2018-2026.  Tasted May 2018 and April 2022

Planeta Santa Cecilia 2008, DOC Noto

Having now tasted several vintages, including a few older examples of Santa Cecilia the idea of taking nothing for granted is now engrained. Something happens to this nero d’avola after several years in bottle, part chemistry and part magic. When 10 years get behind this wine it begins to dig, deep and purposefully into the Noto soil, finding minerals and elements that never seemed to before be present in this wine. Well past the fruit stage here in this 2008, now underlying, primitive and fundamental. And yet it reeks of nero, wood a thing of the past, a perfume cast with spellbound, gripping and intriguing fascination. No shortage of earth and cocoa derivations but mostly the curiosity of place. Drink 2022-2024.  Tasted April 2022

Planeta Santa Cecilia 2005, DOC Noto

Finding oneself in a state of utter disbelief upon nosing an older Santa Cecilia has just happened with thanks to this 2005 and the unthinkable aromatics it possesses. There have been some older examples like 2007, 2008 and 2011 which all showed morphological magic but this, this is something other. The state of perfumed preservation is impossible, the floral emanations and fruit continuance implausible and in suspension of belief. The 2005 is almost perfect, dark berries and red citrus alive, acids in perfect condition, wood dissolved, resolved and walked straight out the door. The life and vitality reside in the arena of the flawless, faultless and achievable. This is what nero d’avola, Santa Cecilia, Noto and Planeta can be, at its collective finest. Will drink this way (and also that) for five more years and with ease. Drink 2022-2027.  Tasted April 2022

Planeta Passito Di Noto 2019, Sicilia Noto DOC

Planeta’s Passito di Noto is a rare and singular dessert wine, now in its 17th year of production, made with moscato (di Noto) and from vines so old it may not be known just how old they are. The grapes are dried using the appassimento method and then turned into this concentrated and naturally sweet dessert wine. This is a very particular viscosity and profile with resins and vapours as tenable as are the sugars, with herbs and plants nearby mixing with their vinous qualities for a sticky of superior savour and character. Imagine pineapple soaked in rosemary and vermouth, apricots bathing in fennel and golden Amaro, hazelnuts toasted with long pepper and green vines. Not unusual but particular, spoken personality and in the end, so very fine. Drink 2024-2035. Planeta’s Passito di Noto is a rare and singular dessert wine, now in its 17th year of production, made with moscato (di Noto) and from vines so old it may not be known just how old they are. The grapes are dried using the appassimento method and then turned into this concentrated and naturally sweet dessert wine. This is a very particular viscosity and profile with resins and vapours as tenable as are the sugars, with herbs and plants nearby mixing with their vinous qualities for a sticky of superior savour and character. Imagine pineapple soaked in rosemary and vermouth, apricots bathing in fennel and golden Amaro, hazelnuts toasted with long pepper and green vines. Not unusual but particular, spoken personality and in the end, so very fine. Drink 2024-2035. Tasted April 2022.Tasted April 2022

Vittoria

Southeastern Vittoria is home to the only Sicilian DOCG called Cerasuola di Vittoria, a blend of nero d’Avola and frappato grown on red sandy soils. As winemaker Patricia Tóth likes to say, “the main actor in all these wines is the beloved nero’d’Avola,” most important variety on the island, planted across 60 per cent of vinicultural surface area. Nero is the adaptable one, like pinot noir in France, nebbiolo in Piemonte and sangiovese in Tuscany. Vittoria’s are fresher and ignite more passion as compared to what comes from Noto and parts further east on Sicilia.

Diesel

Planeta Frappato Sicilia Vittoria DOC 2020

First vintage of Planeta’s frappato was 2013 so by count this eighth is a Vittoria DOC of experiential significance, rare, low output yielding and as always, never showy. The grape and the amazing singularity it possesses makes for comparisons that are desperate but ultimately useless. That frappato in Planeta’s way can deliver this fresh strawberry and reductively earthy combination is testament to soil and sea. Think of the ripest fruit cut clear and clean by wet stoniness and sharp imagery. Crystalline vintage here for Planeta, potent, vehement and heartfelt. There is no hiding from such clarity and tempered ethos. The 2020 shows a little of that Etna Rosso feeling and from a location so far away. Drink 2023-2027.  Tasted April 2022

Planeta Frappato Sicilia Vittoria DOC 2019

An extra year effects a significant amount of change and difference, especially when that vintage was so warm and generous. In the realm of rare and dignified frappato there are moods, as if sounds, environment, beats and emotion have become involved, as if music saved my life. The strawberries are wilder and deeper, the herbals ground by pestle and the sea just a bit dark, turned up and stormy. The mid-palate on 2019 is completely filled in, the acids circulative, the finish weighty and defiant. Not the light and bright frappato of some years and yet always sharp, direct, pointed. It can’t help but be. Drink 2022-2026.  Tasted April 2022

Winemaker or dog whisperer? Both

Planeta Cerasuolo Di Vittoria DOCG 2020

From the red soils of the Dorilli estate and Sicily’s only DOCG in capture of a seriously striking vintage. The southerly location lands between the sea and the Iblean mountains, the name coming from cerasa, cherry in Sicilian dialect. Typical for Planeta’s take, blend of 60 per cent nero d’Avola with (40) frappato, coming together like Hall and Oates, a little bit 80s, funky and pretty. Cerasuola as method of modern love, in which “dreams are made of a different stuff.” Cerasuola pitting strawberry and cherry against a red citrus backdrop, remarkably well constructed and produced. Two grapes in harmony, with strong hooks and overlaying melodies. Adheres to traditional soul traditions while turning out the pop. Thus the DOCG. Drink 2024-2028.  Tasted April 2022

Dorilli Sicilia Cerasuola Di Vittoria Classico DOCG 2017

Dorilli represents the pinnacle of the eponymous estate sound and vision in a Cerasuolo more Bowie and Lennon than any duo aligned for hits. The 2017 is Planeta’s Fame, higher in nero d’Avola (70 per cent) and lesser (30) in frappato as compared to the normale. Named for the nearby river Dirillo, “landing place of brave Aeneas,” and a red blend that aches with both maturity and confidence. “Could it be the best, could it be? Really be really babe. Could it be my babe could it babe?” The answer is yes, in spite of a warm vintage with some dustiness and dried fruit. Fame can be and is had with bowie knife sharpness and young Sicilian intensity. Yes this 2017 is too youthful to call but time will be kind and this wine will be timeless. Drink 2023-2029.  Tasted April 2022

Good to go!

godello

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WineAlign

 

Wines in the Similkameen they are, sometimes they blow my mind

Ben in back, Goode standing tall

Last month the WineAlign judges spent an evening under the Similkameen Valley stars against a rugged mountain backdrop of glacial rock formation, the vineyards quiet, their fall foliage bright at dusk above stony, gravelly, and silty loam soil. The pizza oven was firing and the Similkameen growers hosted our motley crew with wines pouring all night long.

Similkameen Valley

Related – WineAlign Nationals meet the Iconic Wineries of B.C.

These are the facts. The Similkameen Valley lies west of Osoyoos with the majority of vineyards located around Cawston and Keremeos. Significant winds help naturally keep vineyards in this arid valley free of pests and disease, making this region well-suited for organic farming. Due to the steep surrounding mountains, and the reflectivity of the rock, heat remains in the valley long after the sun sets. Did I mention how beautiful a place this is?

WineAlign judges Janet Dorozynski, Michaela Morris and Michelle Bouffard

Our hosts were the owners of Crowsnest Vineyards, a Cawston property purchased by the Heinecke family in 1985 and named after the Crowsnest Highway #3. The family was an early contributor to the development of the Similkameen wine region, led by  second generation family siblings Sascha and Anna Heinecke. Here are 12 wines tasted that evening.

Clos Du Soleil Winemaker’s Series Pinot Blanc Middle Bench Vineyard 2020, BC VQA Similkameen Valley

Pointed and punchy pinot blanc, stone fruit with a verdant piquancy. Not exactly edgy but crisp, quite precise and yes, surely punchy. Early picked acids maintain freshness and this is nothing but bloody delicious. Drink 2021-2023.  Tasted October 2021

Wines in the Similkameen they are, sometimes they blow my mind

Clos Du Soleil Capella 2020, BC VQA Similkameen Valley

From the Upper Bench of the South Similkameen Valley and winemaker Michael Clarke’s signature Bordeaux-inspired white blend of sauvignon blanc and sémillon. Knowing the maker’s education and professional past one might look at this Capella as a branch of blancs that employs mathematical models and abstractions of physical objects and systems to rationalize, explain and predict natural phenomena. In other words Capella a.k.a. the brightest star in the constellation of Auriga, presents a case of two complimentary grape varieties made profound by the abstractions of soil, gently inclined land and the reflectivity of mountain rock. These building blocks of terroir and warmth may be real but it is the philosophies and methodologies of growing and winemaking that allows us to vindicate the greatness in this 2020. A virtuoso deportment of fine salinity and truffled perfume speaks in subtle Similkameen tones and a light touch is noted by both délestage and elévage restraint. This pure citrus distillate is sharp and pointed but then come the poignant flavours. Like the assyrtiko of the Similkameen with Bordeaux structure. Theoretical and physical, void of experimental tools and yes, c’est bon. Drink 2021-2025.  Tasted October 2021

Vines in the Similkameen

Corcelettes Micro Lot Series Chardonnay 2020, BC VQA Similkameen Valley

Fulsome, not bullish, cream centred and with exteriors all bite and wood spice. Almost too youthful still, previously misunderstood, not yet in full perfume bloom. Hinting at what’s coming, tree fruit part orchard and part tropical but no bloody pineapple. Chard of interest.  Last tasted October 2021

Part of the Micro Lot Series and a cool to gelid chardonnay well into the yogurt and lemon curd with finishing almond flavours. Texturally speaking there is flesh and fluidity in a Similkameen chardonnay that receives much barrel addendum. Silky and creamy, all about mouthfeel and development. Drink 2021-2023.  Tasted September 2021

Brad Royale and Crowsnest Gourd

Crowsnest Family Reserve Chardonnay Stahltank 2020, BC VQA Similkameen Valley

Stahltank as in stainless steel fermentation for full retention of freshness, which this energetic 2020 shows, but also big and substantial fruit. Crowsnest Vineyards is located near Cawston in the Similkameen Valley and chardonnay is clearly a specialty. Soft, creamy and devoted, available and amenable. Subtle spice, crafty and just crisp enough to remind of the fresh intendment and lively persistence. Drink 2021-2023.  Tasted October 2021

Hugging Tree Moonchild Merlot 2016, BC VQA Similkameen Valley

Solid merlot in many respects, rich and caky, thick and chock full of ripe fruit. Edgy as needed, split by a streak of right proper greenness and out of a quality vintage. Steeping in acids and tannins running down grain for a result that has and will continue to please for a few years yet to come.  Drink 2021-2023. Tasted October 2021

Orofino Riesling Hendsbee Vineyard 2018, BC VQA Similkameen Valley

Made from the other Alsatian Clone (as opposed to the oft employed 49) from the 2006 planted vineyard by Cheryl and Lee Hendsbee adjacent to and with great soil similarities to Orofino’s home block on the Cawston Bench. A place of rich caky soil atop gravel and river rock for 100 feet. Prudent to experience this with some but not too much age and the hope is to have an experiential moment, say one or two years forward to do so again. Just now moving into some development, a secondary dance step, trip of the tongue, coupling fruit and mineral salts. Quite dry with elevated but knowing and promising acidity. At present a true matter of delight mixed with complex notions in this time of emerging secondary emotions. The appendages work together, in rhythm and forward motion. Drink 2021-2025.  Tasted October 2021

Orofino Gamay 2020, BC VQA Similkameen Valley

So bloody primary, a fresh smack of Similkameen juice, a touch turbid and seemingly not quite at the curtain call of its final act towards being a finished wine. Still swimming in carbonic waters, openly fragrant and inviting. A squeeze of blood orange and tart edging while in full control to effect positively on the palate. You think it might turn botanical or volatile but it never does, instead staying a fruit persistent course. Can see this being underestimated when in fact it is simply a joy to drink. Drink 2021-2024.  Tasted October 2021

Orofino Wild Ferment Syrah 2014, BC VQA Similkameen Valley

A well developed smoulder, purely be variety and place, not by wood. Still persistently and openly fragrant, earth, brush, flora and fruit intertwined as one in a syrah of end game integration. What was once folds, waves and shadows is now seamlessness, inertia and assimilation. Orofino’s WFS resides in a place of great comfort and equally important regard. Drink 2021-2023.  Tasted October 2021

Robin Ridge Winery Gamay 2016, BC VQA Similkameen Valley

Has advanced well into the denouement of its life with fruit persistently black of cherry and what tannins there ever were have melted into a glass darkly. Even the acids wane, effecting little to no meaning at this stage. Drinks quite well actually if showing signs of imminence. Nothing wrong about a glass with a good slice of pizza on a cool Similkameen night. Drink 2021-2022.  Tasted October 2021

Seven Stones Speaking Rock Estate Chardonnay 2015, BC VQA Similkameen Valley

Reductive even after all this time, spicy chardonnay chai and wasabi spiced though still some juicy fruit. Showing well for its age, far from oxidative, of clotted cream and some drying to desiccating flavours. Lemon namely and a dollop of that cream. Fully developed and soon to finish all the softening. A lovely drop at this moment. Drink 2021-2022.  Tasted October 2021

Vanessa Vineyard Syrah 2018, BC VQA Similkameen Valley

Quite a big syrah expression while balanced and showing an ease with which it carries itself this way. Maintains composure and control in the face of a deep and hematic meatiness, high-toned culture, level, pulse and pace of play. Clearly a wine of site, revealing in a meaningful style because it just seems to be the kind of weighty wine it needs to be. No two ways around it. Drink 2021-2026.  Tasted October 2021

Vanessa Vineyard Cabernet Franc 2018, BC VQA Similkameen Valley

A whopping 16 per cent alcohol but truth is you’d not really fully feel or know it. The level of fruit and the flesh it expounds hangs snugly, fitted and tied to the bone. The chalky and peppery liquidity want to be about juiciness and freshness, some way, somehow. The cigarillo smoulders still and the wine finds those realistic and honest moments. Suffers and survives, delivers the varietal goods. Well perhaps there is a moment of shock and awe but ultimately the wine is the wine, for its time and place. Drink 2021-2024.  Tasted October 2021

Good to go!

godello

Ben in back, Goode standing tall

vvv

Niagara’s cool for chards

 

Niagara chardonnay, cornerstone of an industry, another one of nature’s mysterious constants, long-time member of both local and globally recognized greatness. A pandemic be damned the time had finally come to glide on down the QEW, inch by inch, to arrive in Niagara’s wine-lands and taste recently bottled vineyard bounty, plus some older surprises. At the behest, felicitations and facilitations of WMAO we the crü at WineAlign abided by the invitation. The visits included Le Clos Jordanne, On Seven Estate Winery, Stratus Vineyards, Trius Winery and Restaurant, Hidden Bench Estate Winery, Tawse Winery, Redstone Winery and Restaurant and the Bat Caves at Bachelder Wines. The next trip will take in at least seven more and after that, no less than seven again. And so on. Niagara is not conquered in a day, or a weekend.

And everybody tells me that it’s cool to be a cat
Cool for cats (cool for cats)

Related – A Chardonnay toast to Cool and the gang

The steamy and canicular July varietal sally coincided with the physical return, if only in part and to limited display, of the region’s annual i4c Cool Climate Chardonnay Celebration. Ontario’s most famous annual gathering inclusive of international winemaking stars is one that so many media, sommeliers, producers, importers, marketers and consumers have come to know, embrace and love. With a commitment for more arms to get jabbed and further progress towards community safety be made in these next 11 months, there should be every reason for optimism that i4c 2022 will return in full force next July.

Thomas Bachelder between Hanck East and West

Related – David Lawrason’s Canadian Wine Insider – Niagara’s Regeneration

In addition to chardonnay (that cool refreshing drink) there too were touring pours of sparkling wines, riesling, pinot gris, skin contact whites, rosé, pinot noir, cabernet franc and gamay. Those tasting notes are included in this report because quite frankly Niagara’s varietal diversity and inclusivity on full display should be duly noted. The festivities concluded on Sunday afternoon with not one but two Bat Cave barrel tastings with the stupefied, hyper-hypnotized and monkified winemaking tour de force himself, the other tall and thin white duke, Thomas Bachelder. No I did not make any formal notes on the dozens of chardonnay and gamay thieved from his barrels because frenetics and focus do not jive, not when Bachelder, barrels and argumentative discourse are involved. Bachelder began with some re-visits of finished “Villages” wines in the guise of Mineralité de Niagara and L’Ardoise, same same but for different markets (Ontario and Québec), both from the 2019 vintage. Then the surprise of the tasting emerged, two unmarked magnums, as of that very moment yet untasted and very special. “From the Heart Cuvée Number 1” is a project with fellow enlightened, philanthropic aiding and abetting abbot Steven Campbell. Their chardonnay crushes the concept with its dynamic and lush configuration. Why because of the very notion of being figuratively layered, blessed with a frictional vitality burnished into its collective heart and chardonnay soul. I had to stop after each sip to reassemble my nervous system and scrape my mind of the cosmos, not to mention the universe, galaxies and stars.

Crazy eyes in the throes of a four-hour Bachelder barrel tasting

The concept began as an annual Canadian Charity Wine Auction in support of the battle against climate change and then further developed into the Rescue the Grapes auction in NYC in partnership with Christie’s. Campbell and Bachelder convinced dozens of winemakers to donate small-ish lots of unfinished wines to be gathered and vinified as a single wine, an Ontario supergroup-cuvée if you will and finished by Thomas, acting as lead singer and songwriter. In Canada he and Steven are asking wineries to sponsor winemakers dinners in their home province and if they do host a dinner also support our auctions in the other two provinces. For the other province they donate a six pack of wine and will include  VIP “Passport” to the winery to promote interprovincial wine tourism. So far in Ontario Trail Estate, Malivoire, Southbrook, The Farm, Trius, Cave Spring, Pearl Morissette, Bachelder, Henry of Pehlam, Tawse and Rosehall run have all stepped up with a few more in the wings. In British Columbia Black Hills, Stag Hollow, Burrowing Owl, Okanagan Crush Pad, Tin Horn Creek, Tantalus, Quails Gate, Mission Hill and an Arterra winery are in with more to come.

The Bachelder Vineyard Map

The chardonnays were pulled from Willms Vineyard, Wismer-Wingfield est and ouest, Wismer-Foxcroft, Saunders Organic and Bio and Grimsby Hillside Escarpment Red Clay Barn Block. The gamay barrels tasted were Bator, Jackson-Bai “Bai Xu,” Wismer-Parke, Hanck est and ouest. Thomas did reveal the first ever bottle of Grimsby Hillside Chardonnay. The personal connection to that storied plot along the Lincoln Lakeshore in Winona will be investigated to the fullest extent of Godello law in a report coming soon.

Godello with Hidden Bench winemaker Jay Johnston

Has one really taken full advantage of a cool chardonnay weekend if one has not gone nose, palate, heart and mind deep into a seven year Hidden Bench Marlize Beyers to Jay Johnston Felseck Vineyard Chardonnay vertical? Methinks not. Not to mention a viticultural tour with J.J. and Joel Williams, Brut 2014, Rachis & Derma skin-contact and of course, Gamay. Thanks to proprietor Harald Thiel and congrats on being bestowed with the honour of “Champion Chardonnay of the year!” Couldn’t have happened to a more deserving and industry leading partner. 👏 👏 👏

Hidden Bench Winemaker Jay Johnston and Viticulturist Joel Williams

New to the Niagara Peninsula scene is On Seven Estate Winery, headed up by Vittorio de Stefano and with the charge in the hands of Canada’s most accomplished consulting winemaker Peter Gamble. Just as he has made giant viticultural and vinicultural strides with the likes of Stratus, Benjamin Bridge and Lightfoot & Wolfville, in typical, ambitious and big picture defining fashion it is Gamble who sees unlimited qualitative potential in the mineral-rich soils of OSEW’s Niagara-on-the-Lake soils. 

The sit-down at Stratus Vineyards titled “To lees or not to lees? That is the tasting” explained from the word go about the new direction concerns all things lees. To see two winemakers, they being J.L. Groux and Dean Stoyka existing on the same mad scientist solids page is something all Ontario wine pursuers should choose to follow. The pursuit is being played out in chardonnays and multifarious sparkling wines, in Blanc de Blancs, Brut Nature Zero Dosage and “Field Blend” Ancestral. For Ontario this means serious sparkling wine business.

Panko-Crusted Pork Rilette, poached plum & charred fennel salad, toasted hazelnuts, honey dressing, pickled mustard seeds – Executive Chef Steve Sperling, Tide and Vine Oyster House

“Lunch and Launch in Le Clos Jordanne Vineyard” moved us in many ways, first through distant Upper and immediate Lower Jordan Bench views, of Le Clos, Talon Ridge and Claystone Terrace. Tide and Vine Oyster House was responsible for feeding us to the breaking point, by oysters, yellow fin tuna tartar, cold smoked salmon, vichyssoise, pork rillete, surf & turf and olive oil cake. The chardonnay flowed, with Village and Grand Clos examples by hosts LCJ, but also international stars; Tasmania, Australia’s Dalrymple, Hemel-en-Aarde, South Africa’s Hamilton Russell and Russian River Valley, Sonoma County, California’s Gary Farrell. Here are my notes on those three wines.

Dalrymple Cave Block Chardonnay 2018, Tasmania, Australia ($70.95, Noble Estates)

A steely year with the vineyard’s hallmark acidity in a cracker Tazzy chardonnay with lip-smacking energy, intensity and drive. Soil, site and place in relentless pursuit of a focus at the head of body and game. Crunchy, crisp, indelibly fresh and piqued with the finest wisp of white peppery kicks. Nuts, complexity, bolts and length. All in. Drink 2021-2026.  Tasted July 2021

Hamilton Russel Vineyard Chardonnay 2018, Hemel-en-Aarde Valley, South Africa ($47.95, Noble Estates)

From the air-conditioned, cool breeze motivated vineyards (52 hectares) 100 miles from the ocean. Wet vintage, cool and long-hanging. Concentrated flavours in chardonnay that draws from all parcels which is more than just the Hamilton Russell way but in fact the only way. No fruit is wasted, all parts commit and contribute to the whole. A vintage like this is special, restrained, understated and one should not be misled by the shadowy depth and layering. Fruit is but a conduit for all else happening in this streamlined chardonnay. The alcohol and opulence are subtle, the pleasure calming, the capitulations promising. Methinks time will be long, slow and kind to HRV ’18. Drink 2021-2027.  Tasted July 2021

Garry Farrell Chardonnay Olivet Lane 2018, Russian River Valley, Sonoma County, California ($69.00, Noble Estates)

Pellegrini’s 1975 planted Olivet Lane Vineyard sits on 65 acres of sloping benchland in the Santa Rosa Plain, in between the warmer Westside Road region and the cooler Green Valley. If taking a step up from Gary Farrell’s estate label is even a possibility then yes Olivet Lane is just such an animal. Threefold (or ten times) more expressive, from jump started to flying ahead, in freshness, vitality and tightly wound intensity. Flesh and opulence submit to energy, motion and emotion. Captivated and caught up in a bold embrace. Forget bracing but surely feel the fineness and the purpose towards effecting satisfaction. Top, right, fine. Drink 2022-2027.  Tasted July 2021

Tres Cool Chardonnay

We’ve called on many estates over the last 10 years but truth is the visits were epic this time around, with thanks to the talent involved; Thomas Bachelder, Elsa MacDonald MW, Eugene Mlynczyk MW and the Arterra Wines Canada crew; Tide and Vine’s Mike Langley, Chef Steve Sperling and team; On Seven Estate Winery’s Vittorio de Stefano and Consulting Winemaker Peter Gamble; Stratus Vineyards Assistant Winemaker Dean Stoyka and Estate Director Suzanne Janke; Trius Winery and Restaurant’s Executive Chef Frank Dodd and team; Hidden Bench Estate Winery’s Winemaker Jay Johnston and Viticulturalist Joel Williams; Tawse Winery Winemakers Paul Pender and Jessica Otting; The Restaurant at Redstone Executive Chef Dave Sider and team; Thomas Bachelder and Mary Delaney. These are the 40 finished wines tasted over a near 30-hour period on July 24th and 25th, 2021.

Felseck Vertical

Hidden Bench Chardonnay Felseck Vineyard 2019, VQA Beamsville Bench ($42.20)

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2018, VQA Beamsville Bench

First a walk through the Felseck Vineyard and then a tasting with winemaker Jay Johnston and viticulturist Joel Williams as part of an #14c21 seven year vertical retrospective. Very warm season, much like 2016 though not quite as scorching and sun-filled. Would not call this stoic but would say that concentration, grace and all things stretched are in optimum balance this time around. Pretty quick turn around for Johnston to exact an ideal Felseck chardonnay just a year and a bit into his tenure at Hidden Bench. Just crunchy enough, more than ample and most importantly understated within the context of a great richness inherent in its varietal meets plantation DNA. There is no denying how enticing, invigorating and attractive this chardonnay is and will be to many who showed buyer’s foresight, but also those now lucky enough to come across its terroir-motivated beauty. Drink 2022-2028.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2017, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A vintage of survival, saved by a glorious September and into October. Looks like the richness made it with thanks to the fall weather and yet the elongation, length, elasticity and texture are all what matters to speak, walk, talk and tow the Felseck line. Solid, mid-weight, mid-acid and structure chardonnay that acts with perfectly middling emotion between the warm ’16 and ’18.  Last tasted July 2021

Felseck gifts what chardonnay needs with fruit equipped to start out subtle, gain traction and then commit to gliding into grace. That state of delicasse is now, with a natural orchard-stone-melon sweetness and an integration seamless, layered and eternal. Drinking this now makes great sense and the honey notes that may follow will only add to the mystique. The Ontario epitome of intelligent and refined chardonnay. Drink 2020-2025.  Tasted May 2020

Felseck Vineyard

Hidden Bench Chardonnay Felseck Vineyard 2016, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. Smoking hot season, much like 2018. No other vintage will impress and woo a more general if elevated palate than this ’16 (save perhaps the high award winning ’18) because both concentration and grace reside in the arena of the beautiful, together, side by side. Not the tightest grain in the vertical retrospective Felseck ship. Can’t say this will live as long as the ’13 and ’14 but there is plenty of life in this gorgeous and not so alone 2016. Drink 2021-2026.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2015, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year, “we got slammed,” says winemaker Jay Johnstone, “but a wine of definite concentration.” Showing evolution and age in tones, developed richesse and caramelization well beyond both that of ’13 and ’14. No corn however, despite what the initial nose might have indicated. A faux creamed presentation that ended up more peach to apricot in drupe, not niblet. Nutty too, again idiosyncratic and a unique Felseck as such.  Last tasted July 2021

Sometimes I’m “walking down the street, minding my own business” when a taste of a chardonnay makes my eyes go wide. Like this lovely thing of really compelling and nuanced aromatics, diverting, bright and effusive. Intoxicating really, “must have been the sun beating down on me.” A soulful chardonnay, Darondo luscious, strutting at you, with golden fruit, layers of slaty under-vein, a bit of ancient bivalve fossil shell, piqued and long. Gets its texture from a pinpointed cru for sure and is very cool-climate Canadian, almost certainly Bench Niagara, more than likely in Beamsville. Drink 2019-2025.  Tasted blind at NWAC18, June 2018

Hidden Bench Chardonnay Felseck Vineyard 2014, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year but a solid year. Now expressive with croccante and cracker sensibility. Aromatically touched by croissant to brioche biscuit richness, with still pulsing acids and mouthfeel second to none. This is a next era Hidden Bench Felseck and the launch point from off of the work put in through the previous five or six vintages. Tasted blind four years previous to now was a completely different experience. Drink 2021-2026.  Last tasted July 2021

Unction and creaminess, lost in a chardonnay dream because to nose it’s a sweet, floral, demure thing. Lees apparent so you can smell the work in progress and feel the texture. But it’s wound loosely tight with just enough give to make it so readily available. Beautiful little wine though I can’t help but imagine there’s more single-focus structure than a blind taste wants to give. Hope to come across this hard to get beauty again someday soon.  Tasted blind at NWAC17, June 2017

Hidden Bench Chardonnay Felseck Vineyard 2013, VQA Beamsville Bench

Tasted with incumbent winemaker Jay Johnston as part of an #14c21 seven year vertical Felseck Vineyard retrospective. The vintage may very well be considered much like 2021 is shaping up to be, wet and humid, culminating in a late season. A short crop year but surely one of the Bench’s best dating back to 2009. Persistently flinty and aromatic, holding the citrus and stone fruit line, still quite tight and yet to evolve with any considerable haste. Not one to think on as a specific Bourguignons terroir per se but definitely Hidden Bench, amphitheatric Beamsville of origin, expression and conclusion. Drink 2021-2025.  Tasted July 2021

Le Clos Jordanne Jordan Village Chardonnay 2019, VQA Niagara Peninsula ($24.95)

The first attempt and rather obvious pronouncement towards creating a Bourguignons Villages wine is this over-delivering for the price chardonnay from Thomas Bachelder and the re-invented spirit of Le Clos Jordanne. Jordan Village as in grapes gathered from the lower and upper Jordan benches. When warmed in the glass and were it drawn from a warmer vintage there might be even more fleshy opulence but with 2019 and this collection of LCJ single vineyards there is fresh magnification and edgy dance moves, shimmer and glitter, not to mention of glimmer of what this commercially viable brand will ultimately bring to the collective entity that is cool climate Ontario chardonnay. Drink 2021-2024.  Tasted July 2021

Le Clos Jordanne Le Grand Clos Chardonnay 2018, VQA Twenty Mile Bench ($44.95)

Le Grand Clos signals the return of the lower Jordan Bench and “I’m very happen it’s back in the (Escarpment) lexicon,” says winemaker Thomas Bachelder for a chardonnay of origins truly different than the upper benches in Beamsville, Vineland and Jordan. A svelte vintage, not lean by any stretch but surely tight and what some might say restrained. That may or may not include fine white caramel, liqueur glazed fennel and a mild sense of grilling. A chardonnay from vines in a season that needed not shut down to either hydric nor heat stress. Funny how both 2018 in Niagara and Hermanus produced similar results. The big “E,” fine-tuning, chiseled features and sneaky structure.  Last tasted July 2021

Thomas Bachelder’s second vintage since the reprise of Le Clos Jordanne’s chardonnay and pinot noir is perhaps the most nurtured (and nurturing) because he and team treated this varietal fruit through all the early stages; newborn, infant, toddler and child. The attention to detail, from choosing cooperage, forests, barrels and in elévage design is both mathematical and surgical. After 22 months the result is just so imperfectly perfect. Unequivocally noted as a high acid vintage and rather then fatten up this fruit the monk chose the direction of vintage seasoning and identity. Drills down into the Clos and where it fits within the Twenty Mile Bench. The exiguity and heretical transparency makes this a great ’18 Le Clos because ambiguity is the enemy of accountability and also progress. As a forward thinking chardonnay it represents itself, the maker and proffers a sense of place. Perfectly easy to drink right now and imperfectly set up for aging, but that’s just not the point. Drink 2020-2025.  Tasted November 2020

On Seven Estate Winery The Pursuit On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($45.00)

Seven acres, thus the name, in the hands of Vittorio de Stefano, “and a project paramount to wanting something sustainable that can compete at the international level and standard.” The vineyard is five acres and the property now 15.5. Planted half each to chardonnay and pinot noir, all organic. Bourgogne is the impetus, Niagara the goal. The genesis of planting decisions dates back to 2009, high vigour rootball SO4 rootstocks and clones finally acquired in 2014. Now at seven years of age the vines are ready to rock. A place of science, with oenological consultant/winemaker Peter Gamble at the fore and wines of minimalist approach starting out in reductive tendency, then finishing with longevity defining acidity. Richness and intensity meet at a general Côte d’Or vortex but in the end Niagara lake-proximate flesh and tension are the true meeting point. There is a distinct flintiness (and unlike other flinty chardonnays) but also a caramelization of high delectability and flavour. Vim and vigour, vivid and 20 per cent new oak over three years to gain such favour. Exotic too, with wood contributing to the extract, but surely essential trace elements; manganese, iron and calcium of causation allowing the minerals to make themselves heard. Intriguing wine if only at the beginning of a long story yet to be told. Only 82 cases made. The goal as the vines mature will be 800. Drink 2021-2024.  Tasted July 2021

On Seven Estate Winery The Pursuit On Seven Chardonnay 2017, VQA Niagara-on-the-Lake ($45.00)

Perhaps not the highest of knowable excellence yet clearly the most intriguing chardonnay that may never be emulated any time soon, certainly not out of 2019 or 2020. Singular stylistic wine, reductive and opulent, more Pouilly-Fuissé (with thanks to 2017) and a warmth that creates such a textural buzz. More fat in spite of that 8 g/L acidity, but such energy and considering the age at this point it almost seems the wine is going a bit backwards. That said the vanilla and caramel comes in wafts and waves, the flavours and textures in layers, long, lingering, forever. Only 108 cases made.  Last tasted July 2021

The newest Peter Gamble consulting joint is this from upstart The Pursuit of Seven. The chardonnay fruit is Niagara-on-the-Lake and the concentration suggest established vines (of at least 15 years-old it would seem) and no holds barred in terms of extraction and wood support. The density and fruit bang for buck are impressive and there is some volatility in distraction. Ambitious to be sure and the acumen employed true to form, not to mention distinctly clear. Drink 2020-2023.  Tasted March 2020

Vittorio de Stefano of @onsevenwinery with consulting oenologist Peter Gamble

On Seven Estate Winery The Devotion On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($65.00)

Imagine the minerals from these Niagara-on-the-Lake soils (manganese, iron and calcium) and the highest intensity fruit getting together in a tiny lot chardonnay case load. Then consider going against the grain with harder (elevated) turbidity in the ferments for more skin feel and purposed pulp for upfront loaded flavour intensity. That’s the direction and hyperbole of pursuit in The Devotion on Seven, an (only) 31 cases made chardonnay. Doubles (or perhaps triples) down on reduction, fulsome flesh and yet the warner vintage has as much to say as the inherent processes involved. Also a tannic chardonnay, in dramatic sensory extract as compared to the Pursuit on Seven ’18, though it can’t help but express more of everything as compared to the Pursuit of Seven. The acidity number of 8 g/L might seem extraordinary when considering the warmth and the ripeness of the vintage, however, and this matters most, ultimately it is the terroir that drives both the texture and the acidity of this special, barrel selection wine. Drink 2021-2025.  Tasted July 2021

Peller Estates Signature Series Chardonnay Sur Lie 2019, VQA Niagara-on-the-Lake

Yet another cracker 2019 chardonnay with the coolest of vintages meeting varietal bones and a karst of energy to drive the lees machine. Spent 10 months sur lie to be exact in a fully malolactic confirmed textural tang that benefits from a certain restraint only such a season can affirm. That being particularly cool and elongated for a chardonnay just crunchy enough to support the promise and extend enjoyment for a good, long and fruitful spree. Expect a future filled with a soft and creamy centre, eventuating in some creamed Niagara corn. Drink 2021-2024.  Tasted July 2021

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2019, VQA Niagara-on-the-Lake ($49.20)

“It’s not that we’re trying to change something every year,” explains assistant winemaker Dean Stoyka, which means that the R and D projects are in constant motion and take four to five years to come to fruition. The October 18-26 stretch is the latest harvest in quite some time (since 2009), fermented in various clay vessels and French oak, 76 per cent in neutral barrels and (24) in stainless steel. Great naturally developed acidity and just enough ripeness to gain favour with the fully-completely accessed, utilized and kept in the bottle lees. So lemon, so balanced and very fine. There is a combinative effect of mad scientist acumen for a wine that needs to be explained to a consumer mixed with absolute pleasure and amenability. One of the finest chardonnay peaks conquered nut just in Ontario but anywhere cool varietal mountains are meant to be climbed.  Last tasted July 2021

Tight one this 2019 chardonnay, seductively reductive and unwilling to relent this early in life. Knowable richness is optimized by being associated with green orchard fruit bite. Though so youthful and shrink wrapped at this time there are some ways to pair with potential and eek out enough charm. Boy do you feel the lees but the freshness really shines. Prosciutto comes to mind, as does mortadella, especially if it’s from Faenza. Drink 2022-2027.  Tasted October 2020

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2017, VQA Niagara-on-the-Lake

Warm and ripe vintage if only because of a gorgeous September into October, more lees than ever before, no new wood and an extended elévage nearing a year in length. Alcohol has risen, as has the pH though neither are what you might call vivid. The palate is actually tightly strung, the texture fulfilling and a cloudiness so perfect for what the winemaking team had long wanted to achieve. Hard not to see 2017 as the teaching wine where lees usage is concerned, the (after the fact) ah-hah moment whereby knowing what to do and how deep to go was learned by how 2017 turned out. In this case fulsome of stone fruit, opaque clarity, an oxymoronic ying-yang of positives in apposite attractions. A Monet vintage, modernized and so very J-L Groux. A Stratus, unlike any other. Drink 2021-2025.  Tasted July 2021

Stratus Chardonnay 2015, VQA Niagara-on-the-Lake

The 2014 vintage was essentially the first year when barrel lees would be left in the bottle and my how conservative this ’15 really was as compared to an evolution that culminates (currently) with the full on lees filed chardonnay vintage. Quite the opulent vintage mixed with aromatics still morphing, developing lees, brash and blushing by 40 per cent new oak, complimented by generous acidity. Showing with controlled drama and though the yields were low (only 88 tonnes) there is something quite special about this emotionally charged, vivid, scarce and remarkable chardonnay.  Last tasted July 2021

Stratus Chardonnay 2012, VQA Niagara-on-the-Lake

Tasting with assistant winemaker Dean Stoyka as part of a vertical exercise in “to lees or not to lees.” Neither hue nor aromatics suggest much evolution though the low-ish acidity and tropical fruit tell an emerging secondary story. Creamy and centred, gregarious of flavour, nothing left unsaid, hidden or kept hidden away. Up front and talking vintage warmth, opulence and ripeness. Was housed in only 18 per cent new wood. For a good time, drink up.  Last tasted July 2021

As per the house promulgation, in chardonnay, “still an assemblage process,” insists Groux, “no matter what we do.” Some grapes grown for Sparkling were added back in, for acidity, complexity and ultimately balance. That and though notably barrel burdened (a good, hard burden to bare) leading to a bargain, “the best I ever had.” Major key of whose who of Niagara fruit, power acoustic chords and 12-string harmonics. Drink 2015-2022.  Tasted June 2015

A change in direction is duly noted with J-L Groux’s 2012 chardonnay, from fruit picked six weeks earlier than in 2010. The program is scaled back and the wine is more “typical” of the region, in weight, in barrel effect and in alcohol. Still quite defined by natural yeasts that “sometimes go a bit wild, but I’m getting better at it,” concedes the clinician of vinous letters. Those feisty microbes are difficult to work with, like dealing with a wine that lacks natural clarity. “You have to shut down the bacteria, teach the yeast to stop stealing the lees. In 2013 I really got it.” The ’12’s altered course is welcome and encouraged and the world should wait with bated breath for what ’13 will bring. Here the complexity of aromatics is matched only by the intensity of tropical fruit. Has balance and a soft, round feel. Again, more texture and aromatics than natural acidity. Classic J-L style. “It’s not about trying to imitate anyone. It’s about making the most interesting and most complex chardonnay in Niagara.”  Tasted March 2014

Tawse Chardonnay Quarry Road 2018, VQA Vinemount Ridge ($35.95)

Definitely a warm vintage, picked on the early side, bite still clamped down, a bit of pesto and far from reductive as noted in Quarry Roads of the recent past (i.e 2011 and 2013). Pine nut pronunciation, no malic residual transformations (there will never me) and just bloody good freshness. Last tasted July 2021

No shocker that Quarry Road always finds a way to morph and change gears, meaning every so often, a year and up to two years later there will be some significant movement in this wine. Something about the Vinemount Ridge and how its players are in constant flux, adjusting sentiments and character to keep things curious, interesting and alive. Still the unencumbered and free-flowing expression it set out to be, free to be Quarry Road and as for me, I am always enamoured by how it marries personality with age. Natural (not unlike the Natural version of itself), enigmatic and very personal. Let it be. Drink 2021-2026.  Tasted May 2021

Tawse winemakers Paul Pender and Jessica Otting

Tawse Quarry Road Chardonnay 2011, VQA Vinemount Ridge

Fantastic ten years after flinty reduction from arguably the most cracking vintage of the previous decade. As it is said, “you’ve got to feed the beauty, it doth not come cheap.” And that is what Paul Pender went for in 2011. At 10 Quarry is light on its feet, fresh, spirited jumping rope and spinning in concentric chardonnay circles. It simply reeks of beautiful Vinemount Ridge stone.  Last tasted July 2021

The pinpoint accuracy and gemstone capture of the Quarry is exaggerated in ’11, amplified and fully plugged in. From my earlier, October 2013 note: “Carries that classic Paul Pender perfume; rocks and stones, flaxen, refulgent toast and the verdure Vinemount terroir. A free flying, linear, atmospheric smear of thermal fortitude and backbone. A polemic Bowie Chardonnay to make you believe “the strangest things, loving the alien.”  Tasted May 2014

Resides on the mineral, slate and lime side of the tracks. The calcareous quality imparted by its eponymous SV terroir makes it the antithesis of David. Creamy, 24-karat fruit.  Tasted March 2012 (barrel sample)

Thirty Bench Small Lot Chardonnay 2019, VQA Beamsville Bench ($34.95)

Prick, punch and torque from the conceptual vintage get-go, a classic 2019 in the making, if by so many yet to be understood standards. A chardonnay so cool it causes a brain freeze while simultaneously moving the soul. In fact put on some vinyl Gaye, get in on, or even disco foreshadowing Temptations, echoing the chardonnay law of the land. Don’t sleep on the high level fruit, not quite fleshy but surely potent and dynamic to match the season’s verve in acidity. Fine lees, better texture and all-around vitality so essential to chardonnay. Will improve with six more months in bottle. Drink 2022-2026.  Tasted July 2021

Trius Showcase Chardonnay Wild Ferment 2019, VQA Lincoln Lakeshore ($36.75)

A single-vineyard chardonnay once labelled Oliveira and then watching Tree Vineyard but no longer, though the source remains the same. Embraces a cool 2019 vintage played out through rewards in the guise of reduction, toast, flint and drive. In cool climate varietal terms this ’19 reminds of 2011 though to be clear and certain there is more focus where by the quantity and quality of ripenesses meet at the essential points of acidity and tannin. Here is a vintage to end a decade in the most poised and poignant way. Spot on, striking and graceful chardonnay. Drink 2021-2026.  Tasted July 2021

Remarkable finesse, flavours and design @triuswines and Restaurant by Chef Frank Dodd with @coolchardonnay accompaniments.

Beyond Chardonnay

Hidden Bench Blanc De Blanc Zero Dosage 2014, VQA Beamsville Bench ($48.00)

Second vintage from a tightly contested and smaller crop, initiated by then winemaker Marlize Beyers and subsequently disgorged by Jay Johnston, following five years on the lees. Moves from the practice of poetics to the anticipatory embracing of tomorrow’s science. Full disclosure this was tasted while walking the Hidden Bench chardonnay vineyards with a traditional method sparkling wine in hand first disgorged in the summer of 2019, when the yeasts were removed and the bottle was topped with the same wine. This tasting featured a January 2021 disgorgement and the term “Brut Nature Zero Dosage used when no sugar is added to the finished wine, which provides the most authentic expression of (the Hidden Bench) terroir.” Truth and synchronicity, grace, striking engagement, pure citrus and pleasure. Who could not anticipate and wait on subsequent vintages of this wine? The best is yet to come. Drink 2021-2027.  Tasted July 2021

Stratus Brut Nature Zero Dosage 2013, VQA Niagara-on-the-Lake ($100.00)

Comes across a bit cloudy, at least as compared to the B de B with thanks to the natural, lees left intact style. The citrus component is so pronounced, as is the taut, direct, lean and intense manifold destiny of what is truly a singular Sparkling wine. That being a living, breathing, inhaling and exhaling wine, slowly releasing proteins, acids and realizing its B de B Nature dream. Just amazing what lees can do for sparkling wine.  Last tasted July 2021

Released side by each with the Stratus Blanc de Blanc 2013 and while vintage and grape are the same, the similarities almost seemingly, ostensibly and allegedly end there. Yes in fact this 100 per cent chardonnay is a child of the most excellent varietal vintage and like the B de B spent six years on the lees. Comparisons cast aside it is the very fact that because much of the lees were transferred to bottle by a minimalist’s disgorging that this cloudy bubble with a Canadian artist’s series set of labels can’t help but elicit another memory. The Lilies of Monet and their clouds represent neither the horizon, nor the top or the bottom. Nor does a bottle of this Zéro Dosage Brut. The elements of water, air, sky and earth become intertwined in a composition without perspective, or so it goes in this hazy, opaque and dry as the desert sparkling wine. So many layers of lemon can be peeled, juiced and scraped away. If a Stratus wine could be a a riddle, wrapped in a mystery, inside an enigma then here it is. The texture here is palpable and the intrigue factor surely high, so it should be imagined that longevity will be this wine’s calling card. It’s more austere than the Blanc de Blanc but I think in fact it will. Drink 2022-2029.  Tasted November 2020

Stratus Blanc De Blancs 2013, VQA Niagara-on-the-Lake ($75.00)

One gram of dosage, disgorged in January 2020. Nearly six years on the lees based on the first R & D trials done in 2006 and 2007. High level autolytic entity, a toasted affair and an idea long time coming for the Stratus team. Fine tonic and bitters. With 15 minutes of air the blooming happens, floral, expressive and complex. This wine has really developed more layers, emotions and complexity.  Last tasted July 2021

The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026.  Tasted November 2020

Stratus Vineyards “Field Blend” Ancestral 2020, VQA Niagara-on-the-Lake ($35.00)

The inaugural Stratus commercially labelled release is what winemaker Dean Stoyka refers to as “in the mindset of monks.” A field blend of sémillon, chardonnay, riesling and viognier. Pressed all together, fermented dry and then re-fermented in the bottle with no sugar added. Dry enough, or so it seems, non-disgorged, under crown cap and so very fruity. Floral, allspice and spiciness overtop apricot, pear and black walnuts conceptually turning into Vin de Noix or Nocino. A natural testament to assemblage and a great use of varieties without a home. 100 cases produced. Drink 2021-2024.  Tasted July 2021

Tawse Spark Laundry Vineyard Blanc De Noirs 2013, VQA Lincoln Lakeshore

Actually quite shocked I’ve never tasted this wine before, a Spark about which winemaker Paul Pender exults by saying “2013 is my favourite vintage for all our sparklings.” Traditional method, pinot noir from Heather Laundry’s double L vineyard and a fizz that fits and sparks. Gingered and toasty, crunchy, wave cresting and fulsome by six years on the lees. The dosage was five to six g/L, in that Pender sweet spot all around, just right, so well and good. A little romanticism goes a long way where science is concerned, especially in this medium and in Spark Blanc De Noirs 2013 one is simply good for the other. Drink 2021-2025.  Tasted July 2021

Tawse David’s Block Estate Vineyard Spark 2014, VQA Twenty Mile Bench

Tasted side by side with the 2013 Blanc de Noirs, making for a striking if surprisingly antithetical contrasting contract with this Blanc de Blancs. Aged three years on the lees and finished with the same 5-6 g/L of dosage yet here so upfront, centred and personal. More immediate richness than what pinot seems to do from Laundry Vineyard and so even in sparkling it is David’s Block and chardonnay that gift quicker satisfaction. Likely vintage driven (again, even in sparkling), very pear and shortbread, a savoury dessert of a sparkling wine. Like olive oil cake, all about the simple pleasures. Drink 2021-2023.  Tasted July 2021

Trius Showcase Brut Nature NV Méthode Traditionelle, VQA Niagara Peninsula ($55.00)

The dry as the desert Brut nature initiates with a yeasty faradism of excitement from what strikes as a minimum four to five years spent sitting on those fascinating lees. While the wine does not exactly smoulder with a toasty salutation that is no matter because textural acidity and blooming aromatics also arrive to an applause of immediate gratification. There is an exceptional level of “croccante” satisfaction that parlays that “texture” into a lasting display of bits and bites. The make up is 50 per cent chardonnay and (45) pinot noir with (5) pinot meunier and 2014 being the primary vintage source, though there is some 2013 involved. Zero dosage, top tier, notch and drop. Drink 2021-2027.  Tasted July 2021

Tawse Rosé Limestone Vineyard 2020, VQA Twenty Mile Bench ($27.95)

Tawse began crafting Rosé from (Vinemount Ridge) Quarry Road Vineyard fruit in 2017 and now here they come with Twenty Mile Bench pinot noir. From Limestone Vineyard this represents a heads and tails Rosé, meaning 40 per cent is used for Spark traditional method bubbles and the bookends is destined for this salty, straight-shooting and crisp-freckled single-vineyard blush. Double-redheaded wow! Grape, place and style all on side for so many good reasons. 1000 bottles made. Drink 2021-2023.  Tasted July 2021

Tawse Pinot Gris Lawrie Vineyard 2019, VQA Niagara-on-the-Lake ($27.15)

Not to be confused with the Lowrey Vineyard on St. David’s Bench and a best varietal vintage for Paul Pender. Far from being a “Miller-Lite or Corona” pinot gris, instead creamy, fulsome, well-versed and elastic. The furthest away from metallic and/or turbid, low on phenols, no bitters, nor tonics neither.  Last tasted July 2021

Fresh and while this young is full of its original fruit, which is the biggest plus for pinot gris because dry varietal wines have a hard time after enough time has passed on by. Sulphur is not really an issue so this delivers the varietal and stylistic goods with fruit at the lead. Good acids, persistence and balance. Drink 2020-2022.  Tasted October 2020

Tawse Winery Carly’s Block Riesling 2015, VQA Twenty Mile Bench

A sleeper vintage, not necessarily exacting out of the blocks, not heavy cropped, middle of the road in so many respects. If I tasted this before memory fails to draw any retrospective conclusions) but Carly’s ’15 has already turned towards the petrol sun, “let the shadows fall behind you, don’t look back, just carry on.” This perhaps began more than a year or two ago and today acts Rihanna outspokenly so. Lime and almost cordial by now, warm and friendly as a riesling liqueur. Quite stable, animated, holding its patterning, likely to do so for an additional three or fours years. Drink before it returns home. Drink 2021-2024.  Tasted July 2021

Tawse Limestone Ridge Riesling 2012, VQA Twenty Mile Bench

Unlike the Carly’s ’15 (tasted at the same time) this Limestone ’12 has not moved forward with any vehement haste. The lack of advancing towards petrol is curious but the softening is surely comforting. Still resplendent with a particular 2012 meets Twenty Mile Bench acidity, now oscillating while integrating with waning fruit. Drinking beautifully.  Last tasted July 2021

From the newest estate vineyard, the single-vineyard Limestone Ridge exteriorizes its name in a rubric of pressed rock, struck flint and chalky density. Paul Pender has coaxed a multiplicity oft linear character, with major notes of lime zest and juice, persistent from start to finish. A mid-pause of oozing, residual sinensis is the determinant towards the wine’s matrix of longevity. A longer, leaner, meaner and mightier Riesling charged by a different sort of power. Kinetic, frenetic and electric.  Tasted twice, April and May 2014

Hidden Bench Rachis & Derma Aromatiq! Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster sauvignon blanc, viognier and riesling, layered atop one another, full on hilt in spice, a hit of gingerbread, light in talc and salve. Good-natured and textured when well chilled, oxidative for sure, drinkable, pleasurable, done in one puncheon. Simple really. Drink 2021-2023.  Tasted July 2021

Hidden Bench Rachis & Derma Chardonnay Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster chardonnay, more spirited than the Aromatiq!, crunchy even, definitely with more spice and plenty of bite. More tannin too, structurally sound to allow more secondary character and time spent developing cooler, more energetic waves of spirit. Wild ride yet just sound and subtle enough to attract the right kind of attention. Drink 2021-2024.  Tasted July 2021

Hidden Bench Gamay Unfiltered 2019, VQA Lincoln Lakeshore ($29.95)

The inaugural gamay release from Hidden Bench is eight years in the planning and making, from 2013 through planting in 2017 and with third leaf fruit for this game changing 2019. That is because the grape and the maker were made for each other so the question begs, what took so long to take the plunge? No matter because such an auspicious start can never come too late. A wine of native yeasts, a properly prolonged, 24-day maceration, an eighth of new wood and the Lincoln Lakeshore being the ideal appellation for what wants and surely needs. More than impressive for such young vine fruit, of a light smoulder lending an essence of jasmine and by argan to red, red fruit, tightly winding acids and such gamay crunch, the likes of which are attributed to expectation, hopes and dreams. When the vineyard grows up there will be further anticipations, exegeses further afield to include cru and reserve concepts. That is a countable fact based on current evidence and credible speculation.  Drink 2021-2023. Tasted April and July 2021

Hidden Bench Rachis & Derma Gamay 2019, VQA Niagara Peninsula

Naturally refined, welcoming, open-knit and my oh my, juicy as a basket of Niagara plums and peaches blended into rooibos kombucha. Rachis, “main axis or shaft, a stem of a plant, bearing flower stalks at short intervals.” Derma, or Dermis, “the inner layer of the two main layers of the skin.” In R & D the inner workings of gamay are accessed at the natural axis between light to fruity and joyful to dark, before sous serious and after vide structured. Middle ground, believable and exhibiting intrinsic purity. Drink 2021-2024.  Tasted July 2021

Tawse Pinot Noir Tintern Vineyard 2013, VQA Vinemount Ridge ($50.15)

This July 2021 tasting is my first for Pinot Noir Tintern 2013 in bottle but I did run through two different barrels with Paul Pender back in March of 2014. The vines were only three years old at the time, on a site (next door to John Howard) Pender likens to “reclaiming the swamps,” or “the Golan Heights project.” From the Vosges medium toast the wine was already showing colour, freshness and drive. From the Vosges, medium plus toast it was a bit reductive, with more tannin and more sappy wood. This look back reveals not a vintage of varietal exhilaration but a malic one with credit due the high levels of potassium in the soil. A cherry generosity a la Central Otago by way of the Vinemount Ridge. Almost a volcanic presence, but not and yes a pinot from young vines come about as a result of winemaking. Up front, in motion, drinking really well. Drink 2021-2023.  Tasted July 2021

Redstone Restaurant

Tawse Pinot Noir Cherry Avenue Vineyard 2017, VQA Twenty Mile Bench ($49.15)

Another high-toned pinot noir from an inverted vintage, in cherry spirit, a hit of fennel and enough lingering energy while there is a meld and morph towards darker black fruit. Broad shouldered, now tannic, settling in as a pretty big wine.  Last tasted July 2021

As for Cherry Avenue the twain is met, somewhere between Tintern and Quarry, in the middle of vintage and classic Tawse styling. Both firm and bright, the fruit a cherry but a darkening black one and then the grip of place though well within vintage reason. Less structured than Quarry but not as hematic and brooding as Tintern. Solid pinot noir. Drink 2021-2025.  Tasted June 2020

Tawse Cabernet Franc Growers Blend 2010, VQA Niagara Peninsula

How remarkably fresh, inviting, enticing and that is just the aromatic front. Effusive, the greater good of burgeoning, smelling like Bourgeuil in uncanny resemblance. Nothing leafy here, just the smell of youth, post-adolescence and from a notably warm vintage. A freshness that just may be a foreshadowing of what’s to come from 2021. Heat and water, humidity and rain, yet no vine stress nor disease pressure neither. A product of great agriculture and an example of 2010’s longevity. “On the riper side but not overly ripe,” tells Paul Pender with a pragmatically raised brow. Indeed. Drink 2021-2024.  Tasted July 2021

Tawse David’s Block Cabernet Franc 2013, VQA Niagara Peninsula

Whole-souled, benevolent and keyed up though that’s the vineyard, persistent and in perpetuity. Red to charcoal fruit, quite firm and tannic for the Tawse-varietal relationship and in that sense mostly related to vintage. Was not picked until November 15th and stayed in barrel for 18 months. Not showy really, not the ripest vintage after all but surely one to promote variegation, fruit/acid layers and particularities. Wait long enough (as in seven-plus years) and these things become complexities. Drink 2021-2023.  Tasted July 2021

Good to go!

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WineAlign

A Canadian summer for South African wines

Stellenbosch, Western Cape

Great heart and value from the Western Cape, alcohol bans, limited time offers and 15 reasons why you should support the wineries of South Africa 

by Michael Godel

 

as seen on WineAlign

There is an undeniable truth that South Africa is responsible for producing some of the finest wines in the world, at all price points and for every imaginable palate. A local perspective shows how fortunate Canadians are to have access to so many of the Cape’s essentials. Wines so very helpful as chaperones whilst Canada finds itself in the throes of a steamy and canicular July, still weeks ahead of the dog days when the star Sirius will first appear in the night sky. Essentials, as in chenin blanc, sauvignon blanc, chardonnay, Cap Classique, Rosé, syrah and cabernet sauvignon. The Capelands are the proviso and if there were ever a time to spend Canadian dollars on South African wine, that time is now.

Winegrowing areas of South Africa

As Canadian vaccination rates rise to a global lead and the economy continues to trend in an open and forward direction, here at home many wine consumers finally find themselves in a charmed position. Yet the story is not the same around the world. In Ontario visits to local wineries can now increase in earnest while looking ahead in anticipation for six further weeks of summer filled with touring, tasting and relaxing. South Africa’s situation is less fortunate and it’s wine industry remains in static, suppressed and uncertain limbo. The government continues to enforce a total alcohol ban while ignoring sound proposals from its very own constituents, to dire consequences. There just seems to be no consideration for South Africans who face job losses and poverty as their employers struggle to meet even the base and necessary tenets of the bottom line.

South African wine producers will tell you that the current moratorium on selling locally is the stuff of crazy town. The collective contention will express the view that the government’s decision making is rash, ill-considered and reactionary in the most peculiar ways. The President’s claim states that the ban on selling or drinking alcohol “is to ease the pressure on hospitals which are under strain,” yet anyone worth their salt in common sense and trusting medical professionals will acknowledge that keeping booze away from alcohol dependants will only add to hospital visits. The shut downs (and other restrictive government decrees) are now leading to protests, violence and bootlegging tactics. Canadians have little power to effect political will abroad but consumers can make the choice to support their friends and colleagues in the wine industry.

New development: Following the publication of this article on WineAlign the government of South Africa has since lifted the alcohol ban.

Production areas of South Africa

Related – Searching for great heart in South Africa

The LCBO is now doing their part. To make things easier and wholly accessible to an Ontario consumer, a joint “Flexspace” program between Wines of South Africa Canada and the LCBO launches July 19 and runs through August 15 with eight General List products. These LTOs (limited time offers) offer four weeks of discounted prices as incentive during down time summer holidays for people to try South Africa, if indeed they haven’t before. The LTOs coincide with the VINTAGES July 24th release inclusive of a thematic promoting the idea of young Cape winemakers.

Cape Wine 2018

Cape Wine 2021(2)

In a pandemic-free world Cape Town’s Cape Wine would be taking place just two months from now but the difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the industry has shifted preparations for a Spring 2022 “Capelands” revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. In the meantime we focus are attention here in Ontario to General List, VINTAGES Essentials and VINTAGES release wines to do our part in support of a heavily challenged, beleaguered and surely resilient community of WOSA estates, farms, winemakers, distributors, retailers, marketers and supporters.

Andrea Mullineux

The Cape’s Young Winemakers

In two visits to the Western Cape (in 2015 and 2018) I had the pleasure of meeting and tasting with some of the most impressive, erudite and promising young winemakers anywhere on the planet. The list is long and winding, the resumés noteworthy and the wines crafted nothing short of inspiring. They are the present and the future of South Africa’s wine scene; Andrea Mullineux, Duncan Rall, Nomonde Kubheka, Chris Alheit, Emul Ross, Duncan Savage, Marlise Niemann, Carmen Stevens, Sebastian Beaumont, David and Nadia Sadie, Ryan Mostert, Jacques de Klerk, Sheree Nothangel, Ntsiki Biyela, Christa Von La Chevallerie, Alex Milner, Callie Louw, Patrick Ngamane, Francois Haasbroek, Eben Sadie, Tariro Masayiti, Lukas van Loggerenberg, Mick and Jeanine Craven, Samatha O’Keefe, Ernst and Nina-Mari Bruwer. This is but a small sampling and my sincerest Canadian apologies to those I fail to mention and also to those I have not yet had the pleasure to meet.

In South African winemaking terms and schemes, as the boomers and now the next generation have grown older their collective winemaking continues to mature and become exceedingly wiser. There will and should not be any abandoning for the call to uprising, subversion and experimentation, but there is a contiguous and concerted effort to create wines that are simply pleasurable to drink. Isn’t that the point? By the time I looked at Cape wines in 2018 assessment it seems that everyone had it all figured out. Tasting through 2019, 2020 and half of 2021, albeit here in Canada causes a persistent thought pattern wherein South African wines are cleaner by ‘n landmyl, with as much precision, purity, transparency and honesty than ever before. Their recent decades long developing epiphany is now ours as together we synchronically enter this new world of next level, reinvented and deeper understanding.

Eben Sadie and Rosa Kruger

Heritage Vines

According to founder and viticulturist Rosa Kruger, “aged vines bring an intensity, a perceived freshness, a texture, and a sense of place. They show less fresh fruit and varietal character, and more terroir and soil.” No discussion of the South African landscape can be introduced without a nod to the biodiversity and heritage work associated with the Old Vine Project. With great kudos first and foremost to long time champion of the Cape’s oldest plantings and pioneer Rosa Kruger, but also winemakers Johan Reyneke, Eben Sadie and OVP Manager André Morgenthal. Kruger, along with a select few viticulturists, started scouting for South African old vines in and around 2002. Then, just beyond 2006 Sadie released his first wine under the Old Vineyard Series, a Stellenbosch wine made from the oldest chenin blanc in South Africa.

Today winemakers all over the Western Cape are seeking out these old sites of dry-farmed, (un)trained bush vine plots of gold. “Stories sell wine,” says winemaker Johan Kruger, “and what better story the tell than the old vine one.” The Old Vine Project is all about preserving vineyards 35 years and older, through trade initiatives and sustainable projects to protect South African heritage. Only South Africa offers the possibility for wine labels to ensure certification by the regulatory authority. “Members of the Old Vine Project (OVP) can put a Certified Heritage Vineyards seal on bottles of wine made from vineyards of 35 years or older, together with the planting date. This is a guarantee to the consumer of authentic wines grown according to the OVP viticultural and winemaking guidelines.”

Chenin Blanc

Chenin Blanc

While grenache, cinsault, syrah, pinotage, sémillon and many others take great promise from their old vine sources there can be little argument against chenin blanc being the greatest beneficiary of age, fortitude, focus and acumen as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. Just last month a chenin blanc day Zoom session with four Cape winemakers yielded this Polkadraai gem from Bruwer Raats.

Raats Family Wines Chenin Blanc Eden 2018

Raats Family Wines Chenin Blanc Eden 2018, WO Stellenbosch, South Africa ($80.00, Lifford Wine & Spirits)

A single vineyard chenin blanc and the first vintage to the Ontario market for a unique project celebrating the family farm called Eden. From their Stellenbosch ward of Polkadraai and high density plantings on dolomitic, granitic soils. Of a richness, an intensity of parts and a presence only a handful of South African blanc ever reach. A wine that achieves a level of status by its work underground (through root competition) and a clone called Montpellier that produces small berries and even smaller yields, not to mention the plot is just 0.6 hectares in size. Eden is the mothership and matriarch of this clone and for that variety in South Africa. All parts contribute to a wine of outrageous acidity that is never sharp, vivid or dominant. Fruit, mineral, focus, elements and precision. Wet stone is pure Polkadraai, vaporous, omnipresent, all over the wine. “The most successful winemakers (and wine projects) are ones that specialize,” says Bruwer Raats. This Eden follows the credo to a “T” and with a capital “E.” Really cerebral and also age-worthy chenin, in the upper echelon of the finest in the pantheon. If ever a chenin signified “Bringing it all Back Home,” the Raats Eden is it. “Discuss what’s real and what is not. It doesn’t matter inside the Gates of Eden.” Drink 2022-2030.  Tasted June 2021

Braai

The grape variety has been in the country for more the 350 years, can withstand warm and dry conditions and perform really well. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc. And is there a finer example that also happens to be stupidly affordable than this.

Ken Forrester Old Vine Reserve Chenin Blanc 2019

Ken Forrester Old Vine Reserve Chenin Blanc 2019, WO Stellenbosch, South Africa (23128, $17.95, Noble Estates Wines & Spirits Inc.)

Gets me every time. Not just one of the finest meets best value chenin blancs available out of South Africa but an example to hang all your hats on no matter where white wine comes from in this world. Still the knowing nod and incredulous head shake that $18 CDN can buy you fruit from six blocks that are mainly 38 years of age but could possibly include 1974 Helderberg planted vines in Stellenbosch. “Core of the business” and arrow through a chenin heart. Great ferment, like a (catherine) wheel. Layers of design, creamy with thanks to secondary lees aging but somehow still texturally chewy. Barrel notes make a point in a vanilla brûlée way and yet each sip is like taking a bite from a piece of firm, ripe fruit. “I need more texture. You need to give me more texture, texture, texture. You need to give me more texture.” Old Vine Reserve obliges every time. Drink 2020-2026.  Tasted June 2020

Bruce Jack Chenin Blanc 2020

Sometimes you just need some fun, spirit and energy in a well-priced chenin blanc that speaks to everyone. This by Bruce Jack and former Hidden Bench winemaker Marlize Beyers is just the ticket.

Bruce Jack Chenin Blanc 2020, WO Western Cape ($13.95, LCBO 13356, VINTAGES May 29th, Lifford Wine & Spirits)

There’s a whack of chenin blanc personality in the 2020 by Bruce Jack, proprietor of The Drift, literary philosopher. The vineyards are located in the Breedekloof, in the west of the Breede River Valley, an arid rift of alluvial soils with a river running through. Here from the Western Cape’s newer wine route area chenin blanc is exulted as a most important varietal component. Older barrels, the alluvial soils and a warm location are involved, which are duly noted in the platinum hue, tropical fruit and developed ripeness. Sunshine chenin blanc Superman, especially considering the price. Sharp and in flight. Drink 2021-2022.  Tasted June 2021

The Heldeberg from Stellenbosch

Buyers’ guide to South African wines from current LTOs and the July 24th VINTAGES release

Back in late June (and we will do so again next week) the WineAlign cru sits down to taste through the LCBO LTOs and July 24th VINTAGES South African releases. When asked for his four top picks my colleague and mentor David Lawrason exclaimed, “Here you go Michael!  Kinda tough to narrow down these good values.” That’s exactly what you will find from these collective picks. Great value, as well as great heart from South Africa.

Haute Cabrière Pierre Jourdan Belle Rose Brut Sparkling

Haute Cabrière Pierre Jourdan Belle Rose Brut Sparkling, Traditional Method, WO Western Cape ($19.95, LCBO 18569, VINTAGES July 24th, LUSOCAPE)

This sparkling wine is part pinot noir, part Franschhoek and part traditional method in Cap Classique form. Haute Cabrière is the work of the von Arnim family in bubbles comfortably under a Brut number by residual sugar in attack mode made wholesome and free with a great pulse of acidity. Gingery and frothy, of red apple skins and a hint of blood orange. Also tannic, like rooibos tisane while ultimately sharp dressed, soda cracker crunchy and so properly defined. Good wine. Drink 2021-2025. Tasted June 2021

Rustenberg Petit Verdot Rosé 2020

Rustenberg Petit Verdot Rosé 2020, WO Stellenbosch ($14.95, LCBO 451773, VINTAGES July 24th, Woodman Wines & Spirits)

Here is what you get when you combine Rosé (first made in the 1980s) and petit verdot (first planted in the early 2000s). The grape is no longer employed solely for the John X Merriman Bordeaux blend but it is the same varietal stuff grown on Stellenbosch decomposed granite. Not exactly dry and salty with the specs tilting more to sugar over acidity but it is certainly balanced and quenching. Tons of fruit and flavour at $15 with a lovely side-step into adult lemonade. And it tastes like petit verdot, for what it’s worth. Drink 2021-2023.  Tasted June 2021

Robertson Winery Chenin Blanc 2020

Robertson Winery Chenin Blanc 2020, WO Robertson Valley ($10.00, LCBO 495507, Univins)

Made by winemaker Rianco van Rooyen as part of the “cultivar” range, of moderate acidity and a slightly higher content of residual sugar. Soft and cuddly, fuzzy peach, pear and apple slices. Simple and effective, Expect lots of floral perfume and plan to make use of this tropical chenin at brunch. Drink 2021.  Tasted June 2021

Fleur Du Cap Essence Du Cap Chardonnay 2018

Fleur Du Cap Essence Du Cap Chardonnay 2018, WO Western Cape ($12.95, LCBO 358960, PMA Canada)

The grapes were sourced from Stellenbosch, Somerset West, Elgin and Robertson. The oldest vineyard located in Stellenbosch was planted in 1990 while the rest of the vineyards were planted between 2000 and 2006. For 20 per cent of the wine, fermentation started in tank and was completed in French (90) and American (10) oak barrels. The remaining 80 per cent fermented in tanks on French (55) and American (45) oak staves. Quite heady, spiced and developed chardonnay for the cost with a flinty smoulder and notable reduction. Lots of wood feels but well integrated and pretty well in balance. Crafted with specific intention and there is lots of wine here for $13. Drink 2021-2023.  Tasted June 2021

Spier Seaward Sauvignon Blanc 2020

Spier Seaward Sauvignon Blanc 2020, Vegan, WO Cape Town ($15.95, VINTAGES July 24th, Sylvestre Wines & Spirits)

A coastal sauvignon blanc by winemaker Jacques Erasmus with plenty of marine influence. Healthy of alcohol and weight, with some sugar but even more so acidity to blow an ocean breeze through the wine. Notably pungent and exotically perfumed, all passion and grape fruit. More texture than many, crunchy, tin cup sweet and roasted cashew salty. Lots going on in here. Drink 2021-2023.  Tasted June 2021

Boschendal 1685 Chardonnay 2019

Boschendal 1685 Chardonnay 2019, WO Coastal Region ($14.95, LTO, Select Wine Merchants)

Always worth noting Boschedal’s connection to the natural world with the estate situated in the Cape Floral Kingdom, the smallest yet richest such plant biosphere on earth, with an astounding diversity of plant and animal life. Their lands are still in inhabited by indigenous creatures such as duiker, klipspringer, porcupine, mongoose, caracal and even leopard. Michael Langenhoven is Boschendal’s white winemaker, here with sources threefold; Stellenbosch, Elgin Valley and Boschendal Farm. Just lovely and amenable coastal-influenced chardonnay, easy, somewhat soft and no obstructions in the way. Neither reduction nor barrel do anything to distract and the wine’s touch of sweetness is well managed by herbs, elastic acidity and sapidity. Very well made. Drink 2021-2023.  Tasted June 2021

Lomond Sauvignon Blanc 2021

Lomond Sauvignon Blanc 2021, WO Cape Agulhas ($19.95, United Stars Corporation Group)

This 100 per cent Cape Agulhas sauvignon blanc is crafted and delivers specs eerily similar to the SSV, from the same sites on the farm’s upper reaches perched over the sea. Same soils and as a varietal wine the elements from various blocks are employed “to ensure that the result is greater than the sum of the parts.” Perhaps on a lower tier of complexity but surely expressive and satisfying. Drink 2021-2023.  Tasted June 2021

Lomond Ssv 2021

Lomond SSV 2021, WO Cape Agulhas ($19.95, United Stars Corporation Group)

Mainly sauvignon blanc (80 per cent) with sémillon (15) and viognier (5) from the Cape Agulhas growing area. High ranking acidity and near to bone dry attitude make for a wine that shares it’s true sense of place, in this case south facing blocks on the higher reaches of the farm, as well as within views of the sea. The soils are sandy, gravelly and highly weathered with a clay substructure. If you have yet to discover these saline, sapid and spirited whites of the Cape Agulhas then it’s high time and tide you did. Drink 2021-2024.  Tasted June 2021

Big Bill Shiraz 2018

Big Bill Shiraz 2018, WO Western Cape ($13.95, LCBO 10418, Philippe Dandurand Wines Ltd.)

William “Big Bill” Millar was a boxing champ, decorated war hero and most celebrated for so many South Africans as their Springbok rugby captain. Also the first General Manager of KWV. Like the larger than life man it is the largest of barrels that houses this shiraz, a 22,000L oak stuk vat. Pretty much classic (Western) Cape shiraz of heavy set red fruit, bone density and rippling musculature. A commercially viable drop of work ethic and muscle memory exuding attitude and confidence. The Michael Jordan of South Africa. Be like Bill. Drink 2021-2023.  Tasted June 2021

The Wolftrap Syrah Mourvedre Viognier 2019

The Wolftrap Syrah Mourvèdre-Viognier 2019, WO Western Cape ($14.00, LCBO 292557, Univins)

Generally speaking the Wolftrap by Boekenhoutskloof is two-thirds syrah and one-third mourvèdre with a few points splash of viognier. Malmesbury in the Swartland is the source where the dominant soil type is the aptly named Malmesbury shale. The 2019 brings out the sweetest and most proficiently perfumed Wolftrap yet, with less grip, spice and bite. There is a warmth that is especially noted on the back end, like a hematic seep of plasmatic liquid but felt quite subtly so. Fine if not exceptional acids keep the pulse and truth be told the mourvèdre really stands out. Drink 2021-2023.  Tasted June 2021

Glenelly Glass Collection Cabernet Sauvignon 2018

Glenelly The Glass Collection Cabernet Sauvignon 2018, WO Stellenbosch ($17.95, LCBO 132992, VINTAGES July 24th, H.H.D. Imports)

Fruit is Simonsberg-Stellenbosch from a most arid vintage with all aspects of the growing season having occurred with haste. Less than normal winter rains, early bud break and harvest in the third week of February. This is 100 per cent cabernet sauvignon with thriving acidity and a minor pinch of sweetness, fully versed from Cassis to Kirsch for a truly gelid, glycol and glycerin cabernet sauvignon. While seemingly soft and fruity at first it gains speed, traction and vitality because of the well captured acidity. Still seems just a tad sweet but overall the balance is quite good. Drink 2021-2024.  Tasted June 2021

Rustenberg Buzzard Kloof Syrah 2018

Rustenberg Buzzard Kloof Syrah 2018, WO Simonsberg-Stellenbosch ($24.95, LCBO 414151, VINTAGES July 24th, Woodman Wines & Spirits)

The artist formerly known as “Rustenberg Stellenbosch Syrah” is now the “Buzzard Kloof Syrah,” aptly named for the Jackal and Steppe Buzzards that circle the thermal currents rising above the kloof. The syrah vineyard sits in the Afrikaans ravine, a cool, sun-deprived location ideal for growing meaty, savoury and sapid syrah. This is in great Stelly hyperbole, like a grilled and sliced loin of lean, sweetly gamy and iron-rich Springbok. Optimum ripeness, cool acidity and finesse take this buzzard on swift currents through breezy skies. Bloody delicious. Drink 2022-2026.  Tasted June 2021

Kuier

Good to go!

godello

Stellenbosch, Western Cape

Twitter: @mgodello

Instagram: mgodello

WineAlign

Collio sauvignon’s varietal independence 

Sentiero delle Vigne Alte, Cormòns



An immersive week spent in the small Friuli-Venezia-Giulia outpost of Collio will change you, that much is true. With bags packed exactly two years ago this coming May two-four weekend, the projected alba of Venezia’s Marco Polo (VCE) by way of Copenhagen (and one of the finest six AM coffees in any airport anywhere) lay near the final destination. A transfer to Gradisca d’Isonzo where Hotel Franz as consummate host is played in culmination of the outward bound leg, there to settle in for a week of northeast Italian white wine heaven. My report upon return to an unconcerned June in Ontario paid verbal and pictorial visit to Enjoy Collio Experience 2019 under the title Varietal artistry of Collio Bianco DOC. The primary takeaway concerned “wines of performance without obstacles, fluid achievements free of interruption, representing the vital energy and élan of their territory. Unbeknownst to many they are filled with an unfamiliar blissfulness, for how all will be realized.” Fast forward two years and the time has now come to remember DOC Collio Sauvignon. 

I’m in a Rialto state of mind


Sauvignon, varietal wines of a unique and possessive Collio take, assimilation and capture of the world’s eighth most planted grape. In the white wine realm sauvignon blanc is the third most cultivated, trailing only the great and omnipresent ubiquity of chardonnay and La Mancha Brandy supplier airén. In New Zealand the grape uses up in and around 60 per cent vineyard space and worldwide occupies more than 120,000 hectares (300,000 acres). In Collio the blanc is omitted and the commitment to brevity allows for their prized and undemocratic sauvignon to co-exist in a über particular vacuum occupied by friulano, malvasia and ribolla gialla. These Gorizia Hills so proximate to Slovenia and the Adriatic coast make for whites of the highly aromatic ilk, “unique to a shared concentration of mito and geography. They stand alone in European character from out of soils variegated by sand, clay and rock.” These thoughts and claims do justice to sauvignon with both equal and in relation to the aforementioned coveted grapes, opposing justice.



Considerations about tasting sauvignon are tempered because one is always tempted to make comparisons. We probably have our own models and it is natural to pigeonhole them so in terms of Collio we need to create a new one, of a new benchmark and one for our own memories. “The biggest variable is site,” told Richard Baudains of the Wine Scholar Guild, a consideration in astute support of his earlier prelude for Collio Bianco when he said “go inside the area and the tradition and don’t worry so much about the grapes.” Somewhere in the mechanism of Collio sauvignon there is a device that simulates the gestalt of a storm. A switch, however personal, that reacts to and perhaps assimilates after tasting to find oneself stunned, as if spun in that vacuum that forms in the immediate wake of an historic turn. Or in this case, a varietal one.


Spessa Castle, Capriva del Friuli


Enjoy Collio Experience concerns the development of Collio through different experiences; unique, particular and special, which can be done in the territory, in the vineyard, in the cellars and with the producers. Each producer can express themselves by proposing experiences conceived and created for opinion makers (trade journalists, sommeliers, operators, buyers) presenting the uniqueness of their (history, winemaking model, etc.), cellars and of the whole territory. The development of the territory is shared through the Enjoy Collio program, enriched with initiatives and events, some in partnership with local associations and organizations. Tasting experiences happen at Livon, Pascolo, Ronco Blanchis, Caronesca & Zorutti, Gradis’Ciutta and Marco Felluga Russiz Superiore.


Related – Vertical tasting of Pinot Bianco at Marco Felluga Russiz Superiore


Gardens of the Spessa Castle, Capriva del Friuli


A Picnic Collio Experience at Rocca di Monte Quarin in Cormòns in the beauty of the sunset is not to be missed. Enveloped by the atmosphere of the sun that goes down over the hills, tasting the local wines and the traditional products in a unique setting. With the musical touch of Circolo Controtempo and in collaboration with the Municipality of Cormons. Dinner at at Baronesse Tacco, San Floriano del Collio in one of the most exclusive locations of the Collio, the wines of the producers and a menu created for the occasion by Michelin-starred chef Daniele Repetti in an informal, fresh and fun setting. Music by DJ Caplan’s. Then there is dinner with chef Antonia Klugmann at Spessa Castle, Capriva del Friuli. There are places that alone express the deep historical and human value of a territory. The Spessa Castle is one of those places and Collio is that territory. Chef Klugmann’s plates allow those present to play with the different flavours and nuances of the specialities and wines. It’s much more than a dinner.


Chef Antonia Klugmann at Spessa Castle, Capriva del Friuli





A walk through Sentiero delle Vigne Alte, Cormòns, to discover the territory, enjoying the value of a leisurely stroll. In the most suggestive view points of the route, the stories of Matteo Bellotto offer an authentic interpretation of the history, the nature of the Collio and its wines.


Chef Daniele Repetti’s Ravioli di Montasio, brodo d’Asparagi e perle d’ortraggi





One of the most beautiful and suggestive walks that overlook the Gulf of Trieste is surely one not to be missed, above the sea, connecting Sistiana to Duino. The path is named after the poet R.M. Rilke, a guest at the Castle of Duino at the beginning of the last century, as Dante had done before him, composed his famous “Duino Elegies” here. At the end of the walk you will reach the immediate vicinity of the Castle of Duino, a historic residence of the princes of Torre and Tasso.


Café in Piazza Unità, Triete





Coffee in Piazza Unità d’Italia, the living room of Trieste, largest square open to the sea in Europe. Here the whole city life pulsates, enclosed in a square with the most important buildings and those which made the city great: the liberty style of the Government building, the Assicurazioni Generali and Lloyd Triestino pillars of the Emporio and, built last, the Town Hall building.












In May 2019 these 33 examples of Sauvignon Collio DOC were poured with nine neighbourhoods at their collective source; Brazzano Di Cormòns, Capriva Del Friuli, Cormòns, Dolegna Del Collio, Farra d’Isonzo, Gorizia, Mossa, Oslavia and San Floriano del Collio. You see, site does matter and these notes may just reveal what each might offer, stimulate and add to to the sauvignon story.



Ascevi Luwa Sauvignon Ronco Dei Sassi 2017, San Floriano Del Collio, Collio DOC




Another great and thriving sauvignon, this here from San Floriano del Collio, spirited and alive though also rich and fleshy. Lots of citrus with peach and white flower blossom. Good acidity and sapidity. Drink 2019-2022.  Tasted May 2019



Blazic Sauvignon 2018, Cormòns, Collio DOC




Green and reductive together, like green coffee and whole lot of green pepper. Drink 2019.  Tasted May 2019





Bolzicco Sauvignon 2017, Cormòns, Collio DOC




The first example to gift some capsicum, this from Cormòns is an aromatic stunner, with fruit, vegetal and salumi skin notes. It’s quite grassy, verdant and spiced though truth be told it’s also lean and direct. Taut and terse style with personality and intensity. Improves and fleshes a bit so due credit is given. Drink 2019-2021.  Tasted May 2019




Caccese Sauvignon 2017, Cormòns, Collio DOC




Simple, unassuming and quiet aromatics. Equally simple, fruity and low toned notes to taste. Flat without fat and kind of monotone to baritone mild ambience. A touch of wood influence makes for some creamy substance. Drink 2019.  Tasted May 2019



Ca’Ronesca Sauvignon 2017, Dolegna Del Collio, Collio DOC




Simultaneously herbal and salty from the northwest of Collio, with more lime than many and than the melon notes so prevalent from Dolegno. This has gelid texture and length to support that cooling feeling. A very composed white wine with no sharp edges, capsicum bites or peppery jolts. Very smooth. Drink 2019-2020.  Tasted May 2019




Casa Delle Rose Sauvignon 2017, Dolegna Del Collio, Collio DOC




Quieter nose, still cool, smooth and refreshing. Herbal and tart, tangy, sapid and long. A clear, honest, clean and composed sauvignon. Simple and notable for this. Drink 2019-2020.  Tasted May 2019







Castello Di Spessa Sauvignon Segrè 2018, Capriva Del Friuli, Collio DOC




From a warmer site facing the sea, this example is herbal, humid and yet quite clean. Quite a lot of energy and spirit to taste with lemon/lime flavours and plenty of persistence. Both lean and crunchy at the same time. Finishes with a sense of orange juice and lingers quite long. Drink 2019-2022.  Tasted May 2019





Colmello Di Grotta Sauvignon 2017, Farra d’Isonzo, Collio DOC


More herbology here to be sure, sweet pesto, no nuts, bolts or mineral screws. Rich and fat to taste with a minor note of sapidity beneath acidity. Accomplished and straightforward. Not the one to age though who knows. I and we have all been wrong before. Drink 2019-2021.  Tasted May 2019


Baronesse Tacco, San Floriano del Collio


Colle Duga Sauvignon 2018, Cormòns, Collio DOC




The commune of Cormòns is larger and broader so there’s a more wide-ranging, unilateral softness to this varietal wine, with a touch of faux-sugary, almost exotic aromatics. Acidity is less than true and the sugary sensations repeat. Less cane s and more whiteness sprinkled and melting over humid orchard fruit, if you were to taste such a thing. Lacking sauvignon character here. Drink 2019.  Tasted May 2019


Drius Mauro Sauvignon Cormòns 2017, Collio DOC


Back to complexity with this wide ranging aromatic layering from Cormòns. All is present on the nose; herbs, melon, pear, savour and the first true hints of gariga/brushy hillside plants. Continues with true richness and texture on the palate, high level sapidity and a Sancerre-ness that while comparisons are fruitless, it does give some quality context. Lemon verbena and lime with spirit go long and true. Lovely wine. Drink 2019-2022.  Tasted May 2019



Ferruccio Sgubin Sauvignon 2018, Dolegna Del Collio, Collio DOC




Rich and prominent proboscis, sapid and layered, multi-faceted and soliciting curiosity all the way through to temptation. Continues into the palate through an absorption of trace minerals, elements and intentions. You are led to believe that this site is different and special, then ultimately farmed and sauvignon made by an intuitive pair of Collio hands. True focus and precision here with the possibilities thought about in terms of aging. Drink 2019-2023.  Tasted May 2019











Fiegl Sauvignon 2018, Oslavia, Collio DOC




Another great and thriving sauvignon, this here from Oslavia, spirited and alive. Lots going on with the aromatic profile and there is simply no let down on the palate. A vineyard effected by La Bora, the wind that can blow down the traffic lights. A ventilated place with lean, stony soils to make for a very particularly varietal wine. Drink 2019-2022.  Tasted May 2019





Gradis’ciutta Sauvignon 2017, San Floriano Del Collio, Capriva Del Friuli, Dolegna Del Collio, Collio DOC




Quite pulsing and fresh here for 2017 with what seems like some residual CO2, like older school Vinho Verde in a way. It’s herbal and lemony and commercial. Not so hard to understand. Drink 2019-2020.  Tasted May 2019


Humar Sauvignon 2018, San Floriano Del Collio, Collio DOC




The most pungent one yet, with capsicum, tobacco and hemp all over the nose. Vivid as it gets for sauvignon from Collio. Only this one makes one think of San Antonio in Chile. From mid-slope and younger vines. Fresh and rich as it gets. Drink 2019-2021.  Tasted May 2019





Komjanc Alessio Sauvignon 2017, San Floriano Del Collio, Collio DOC




As per the excitement of aromatics from San Floriano del Collio this too jumps from the glass though easier to assimilate and comprehend because the capsicum is set to a much lower threshold. Impressive extract and grape spirit to taste and feel the flits and spurts about the mouth. This is fun, moving and balanced sauvignon with purity and purposed intensity. Drink 2019-2022.  Tasted May 2019



Kurtin Sauvignon 2017, Cormòns, Collio DOC




Simple, salty, linear, fine undefined citrus sauvignon, thirst quenching and long. Not much herbal savour or rich melon meets vegetal flavours but it will work well on a hot day. Drink 2019-2020.  Tasted May 2019





La Ginestra Sauvignon 2017, Mossa, Collio DOC




Faux sugary nose in serious richness from this warm vintage Mossa sauvignon blanc. Some verdant notes but also a bit of chèvre and guava. Curious wine here though also a bit reserved spirit wise. Quite spirited palate, however, citrus and linearity. Tart, tang and direct. Drink 2019-2021.  Tasted May 2019



La Ponca Sauvignon 2017, Dolegna Del Collio, Collio DOC




Really herbal, especially for Dolegno so it would seem the site delivers less sapidity and more pesto. In some ways this is the one that does have a reference point, like Touraine, especially. Simple and effective sauvignon. Drink 2019.  Tasted May 2019





La Rajade Sauvignon 2017, Dolegna Del Collio, Collio DOC




Deeper still, more extraction and what seems like maceration, even a bit of skin time. There’s a vegetal/fruit/salumi skin earthiness to the aromatics, even a touch of allium and potpourri. Quite the complex entry which solicits both curiosity and trepidation. The palate fulfills some expectations, notably the preserved lemon idea but not so much in terms of crunchy saltiness developed by sapidity. This is really close to being top notch. Drink 2019-2021.  Tasted May 2019





Livon Sauvignon 2018, Dolegna Del Collio, Collio DOC




Cooler, savoury and salty sauvignon from the northwest corner of the territory. Lime sorbet and dissolving citrus tablet. High acidity and while simple, strikes as could only be an example of Collio. Lean and linear. There’s really no other reference point. That’s that about that. Drink 2019-2020.  Tasted May 2019




Marco Felluga Sauvignon Villa Russiz 2017, Capriva Del Friuli, Collio DOC




The warmth is felt again from a place where ripening comes easier and so that generosity of fruit and spirit comes with a quick burst to nose. Faux sugary and rich that keeps coming in waves on the palate. Fruit sweet and nearly like as from a tin so ultimately singular in dimension. That said it’s quite ripe with apricot, namely, of note. Drink 2019-2020.  Tasted May 2019



Marco Felluga Russiz Superiore Riserva Sauvignon Blanc Capriva Del Friuli 2013, Collio DOC


Increased interest now with more mineral-salty-metallic pushes on the nose mixed with citrus spirit and a fineness not often noted. Taut and rich at the same time, their is focus, presence and length here, admirable and nearly exciting. Delicious sauvignon that should age quite well. Proves that it’s a wine that comes out in time. Drink 2019-2022.  Tasted May 2019











Marco Scolaris Sauvignon 2018, Collio DOC




Herbal and verdant sauvignon without a doubt, very reminiscent of Touraine and filled with lime. There’s a bit of an earthy, nearly microbial note that distracts, followed by dissolving citrus and salts. Very salty wine. Négociant wine, not from a single estate. Quality wine while not site specific. Drink 2019-2021.  Tasted May 2019



Muzic Sauvignon Collio DOC Valeris San Floriano Del Collio 2018, Collio DOC


Perhaps the most curious aromatics thus far, here from San Floriano del Collio and a smell that’s so much more floral than the previous 20+ examples. Rich to the point of luxurious as well, with more substance and flesh than most. Sweetness of fruit, spice and accumulation. This should find its way to age for a half decade or more. From really old vineyards (perhaps up to 80 years) and at the highest of elevations. Drink 2019-2024.  Tasted May 2019



Pascolo Sauvignon 2018, Dolegna Del Collio, Collio DOC




Same northwest location and similar saline locution though up another notch in texture and stage presence. Greener in a fresh verdant way, very fresh in Spring, morning dew and a bit of gelée. Melon flavour and quick to the juicy point. Drink 2019-2020.  Tasted May 2019




Pascolo Sauvignon 2017, Dolegna Del Collio, Collio DOC




Really herbal again, pesto with a nuttiness included so truly pesto in style. Fine salinity, acidity and sapidity with green apple, lime and melon notes. Quite amenable though would have been better six months ago, meaning fresher, but it is still drinking quite well. Just a touch of residual sugar is felt on the finish. Drink 2019-2020.  Tasted May 2019




Primosic Sauvignon Gmajne 2017, Oslavia, Collio DOC


Oslavia in the northeastern corner of Collio is a ventilated place of wind and so there is a particular freshness in this sauvignon blanc. The energy and drive here is quite impressive, with a ripe fleshy exterior pushed forward by sapidity and salinity. Lots of pulse and layering here. Drink 2019-2023.  Tasted May 2019



Ronco Blanchis Sauvignon 2016, Mossa, Collio DOC




From the bottom of the Collio amphitheatre in Mossa where the woods are prevalent around the vineyards. There may be a touch of botrytis here, then again there may be not. Sweet basil, herbal pesto and sweet cheese notes. Lovely citrus, melon and yellow fruit flavours but also like salt sprinkled over green mango. Drink 2019-2021.  Tasted May 2019



Schiopetto Sauvignon 2017, Capriva Del Friuli, Collio DOC


Quite gregarious is this sauvignon, from warmth and a marine proximate site. Salty and tart, tangy and sea crunchy. Lingers long and is another example of the big fleshy wines of the place. Benchmark really. Drink 2019-2021.  Tasted May 2019





Tenuta Borgo Conventi Sauvignon 2018, Mossa And Gorizia, Collio DOC


Mossa and Gorizia sites combine for a layered sauvignon effect and in this case it’s quite the citrus tablet dissolution. Feels lean as a result, as if the layers don’t quite mesh and the lack of substance is noted. That said it’s tart and fresh so perfectly serviceable. Drink 2019-2020.  Tasted May 2019


Tenuta Villanova Sauvignon 2015, Farra d’Isonzo, Collio DOC




Age apparent with immediate oxidation and bruised apple fruit straight off the top. Not much better on the palate though there still is some good acidity. If it were five years older it may have more interest and appeal. No real lingering varietal interest per se. Drink 2019.  Tasted May 2019



Venica Sauvignon Ronco Delle Mele 2018, Dolegna Del Collio, Collio DOC




Cuts the twain with one part northwest locale savour meeting sapidity and then fleshy, melon meets avocado verdancy. Much more palate presence in terms of vivid vivacity and acidity. Best of two worlds coming together for a gathered and layered effect. Best length of the three thus far. Drink 2019-2021.  Tasted May 2019





Zorzon Sauvignon 2018, Brazzano Di Cormòns, Collio DOC




From a specific corner of the larger commune Cormòns, there’s a lemon verbena meets lime zest nose and also the smell of tonic. Tones are low but surely interesting and the sauvignon makes the journey up and down the sides of your mouth for full effect. A bit tangy and faux sugary so perhaps just a note of botrytis though all in all it’s quite amenable stuff. Drink 2019-2020.  Tasted May 2019


Good to go,


Godello


Sentiero delle Vigne Alte, Cormòns




Twitter: @mgodello


Instagram: mgodello


WineAlign







Memories of South Africa in 60 notes

Water hole, South Africa

As this passage through weltschmerz marches on, the defining feeling of melancholy and world-weariness continues, no doubt magnified in the hearts and minds of the wanderlusts accustomed to consistent world travel. So the question begs, as it has for 12 months, how to summon thoughts that will keep a deep sadness about the inadequacy or imperfection of the world at bay? Speaking from a personal place, a simple and distracting way is to compose retroactive wine reviews, unearthing and editing nuggets of meaningful playfulness, tasting notes created in the past but never having found their way to the light of day. Recent thoughts about South Africa are the impetus for this story.

Related – Searching for great heart in South Africa

In a pandemic-free world Cape Town’s Cape Wine would be taking place six months from now but a difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the time has arrived for the industry to launch preparations for a Spring 2022 Capelands revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic, lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Fly me back to South Africa

Related – Spotlight on South Africa in VINTAGES August 6th

Wine trips afford tasting hundreds of wines in a week’s time and while all bottles poured by every producer are given full attention and solicit a hundred or so scribbled words on history, tradition, agriculture, winemaking, varietal and regional relativity, many remain in raw form, relegated to computer folders and on the pages of moleskin journals. Pulling them out months, if not years later can induce that elusive feeling of relief and in some extraordinary occasions, epiphany. This to the creator of course, not necessarily to the producer, wine prose seeker, consumer, regional administrator or marketer. Notwithstanding who may be watching or reading, the exercise is a satisfying one and stands on its own merit, if only to be soothed and take refuge in a safe prosaic haven, free from the savage talon grip of a world gone mad.

“What happens in Cape Town stays in Cape Town” carries a three year statute of limitation. With the inimitable Ken Forrester

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. During the last edition in 2018 I published several articles and many notes but these are the fruits of unfinished business left unsaid, scattered and streaming bits of consciousness having patiently waited it out for this moment in the sun. With thanks to all these erudite producers who shared a few ounces, engaged in conversation and offered up their time. These are the 60 wines tasted 30 months ago, assessed, critiqued, enjoyed and until now, unpublished.

A.A. Badenhorst Family White Blend 2016, WO Swartland

Simply a case of “fantastic grapes from old vineyards,” small parcels from Adi Badenhorst’s Kalmoesfontein farm, around the Swartland and the greater Paardeberg Mountain. A tienvoudig veldversnit of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Hard to imagine that ten grapes could be so tactful and get together for such a discreet nose, but they are and they do. Secretive and seductive, full of mystery and enigma, ferments in 3000L vessels and then concrete, of a co-existence executing balance and a dedicated focus on texture. A ten-fold paradigm shift as part of the pioneering, Western Cape appellative white blend parade. Those who know it get lost in the varietal party and just like the makers the soirée will go on forever. Drink 2018-2022.  Tasted September 2018

A.A. Badenhorst Pinot Noir Bokkeveld 2017, WO Swartland

Grown further afield of the great old white grape vineyards, higher into mountainous terrain on the famed Bokkeveld shales. Makes for transitory, lifted pinot noir, “rain-slick’d, rubbed-cool, ethereal,” a little pastiche in a glass. Provides a cool flush of red berries, a note of allspice and truth is the fruit is really quite naturally sweet. Clean, characterful and only an afterthought of subtle savour. More than anything this pinot noir drifts and rises, kind of like reciting poetry. Drink 2018-2022.  Tasted September 2018

Hanneke Krüger, A.A. Badenhorst

A.A. Badenhorst Secateurs Cinsault 2018, WO Swartland

Of the Badenhorst second tier of wines, a red blend though mainly cinsault (82 per cent) with (10) syrah and (8) grenache. Though this is technically a tank sample it will be bottled next week so essentially across the finish line. There will be 130,000 bottles of this unfiltered wine. Red fruit incarnate Cape style, sweet baking spices and from a band knowing what is needed for playing live in concert, lekker balance seekers capable of working with any instrumentation, including 4,500 and 7,200L blending tanks. Badass sound, fury and energy, dry rocket fuel, pure, raw emotion and precision. Drink 2018-2025.  Tasted September 2018

A.A. Badenhorst Grenache Raaigras 2017, WO Swartland

From the home farm at Kalmoesfontein, a scant 1268 vines by lowest of low yields and considered to be the oldest (1951) grenache vines in South Africa. The Raaigras (ryegrass) is a vineyard choker so without human intervention it would literally strangle a vineyard. One of those wonderful whole bunch ferments though a portion is de-stemmed and well if this is not the right stuff from the right place, transparent, curative, a gastronomy of ancient meatiness and spice. Tannic yet elastic and one of those wines ready to go from creation but won’t likely change anytime soon. For now, long and wide. Feel free to think “see you in 15 years on the other side.” Drink 2019-2029.  Tasted September 2018

Springbock Burger anyone?

David And Nadia Sadie Wines Chenin Blanc 2017, WO Swartland

A chenin blanc blend of 35-65 year-old 1960s, 70s and early 80s, mainly Paardeberg dry-farmed bush vine vineyards in the Swartland. Some shale and clay soils mix in for a top end chenin meritage with a faint if feigned salty vanilla sweetness. High and dry extract and grape tannin conspire in their conscription and into a stretched intensity requiring some patience for the opening up. Lingers forever thereafter. Drink 2018-2026.  Tasted September 2018

David And Nadia Skaliekop 2017, WO Swartland

Skaliekop, “hill of shale,” a curious dale of fine-grained, clastic sedimentary rock amongst the Paardeberg granite. For David and Nadia Sadie a chance to make a chenin blanc with both prescient soils lending their presence and tutelage. The people here speak of the Skaliekop, knowing well the wisdom and aridity, the windswept open space, exposed and warm. They recognize and tell of the difference it makes, how a wine such as this can act so implosive, salty, targeted and fervent. The vintage only serves to magnify a sentiment already assured, that fruitful and mineral will align, swell and expand as one from these first grapes to be harvested in the wider Paardeberg zone. Drink 2019-2029.  Tasted September 2018

David and Nadia Aristargos 2017, WO Swartland

In 2017 a Swartland appellative white blend of chenin blanc (58 per cent), viognier (14), clairette blanche (13), sémillon (7), roussanne (5) and marsanne (3). David and Nadia’s only white that sees enough skin-contact to inch it up to but not quite breaching the natural-orange-amber stereotype so moving along now. A free-form, stacked blanc of multifarious juxtaposition, a Cape sensation that does this thing better and more interesting than anywhere else on the planet. Complex because florals and salinity get together and express the Swartland without a care in the world. What really comes across the palate is texture, downy and coddling with a finishing pesto of sweetly herbal fynbos and renosterveld. A perfectly broad expression overall though please don’t typecast or compartmentalize the Sadies’ white blend. Let it be. Drink 2018-2024.  Tasted September 2018

David and Nadia Sadie Wines Elpidios 2016, WO Swartland

An ever evolving or rather moving target, Rhône motivated but at this point in South Africa’s modern tenure just better to say Cape inspired. Has had many lead singers in its time; syrah, carignan and based on David Sadie’s language, who knows, perhaps grenache will take a turn at the microphone. Here in ’16 carignan (39 per cent) is centre stage with syrah (31), pinotage (16), cinsault (9) and grenache (5) rounding out the players. Elpidios means hope, as in “Cape of Good” and like the place itself there are so many layers to peel away from this heady foreland of a red wine. The berry aspect is magnified by the pinotage and you should know that David and Nadia treat this grape with utmost respect. A mix of styles and inspirations make this both muddled and brilliant as it stretches into breadth and potential. A nexus of varietal and micro-terroirs caught up in a whirlwind of extracts, flavours, liqueurs and expression. Still fresh, spirited and alive so drink this well over a ten year span. Drink 2018-2026.  Tasted September 2018

De Kleine Wijn Koöp Kreatuur Die Synachin 2017, WO Coastal Region

“A collaboration between a bunch of young blokes, making of-the-moment wines from little-known vineyards around the Cape,” and under monikers that refer to “pushmi-pullyu animals.” Also with the winemaking help of Alexander Milner from Natte Valleij. Really quite the drinkable Rhône-ish blend of 56 per cent syrah, (26) grenache and (18) cinsault. Iron in multifarious soils (mainly granitic) make this hematic and deeply plum but still, not so difficult to knock back. Drink 2018-2021.  Tasted September 2018

De Kleine Wijn Kop Ou Treffer Cinsault 2017, WO Stellenbosch

Ou Treffer, as in the ‘old hit’ in Afrikaans, also the old workhorse, in reference to cinsault of the Western Cape. Or if you will, like a hit song as the grape just seems to be the it one in South Africa these days. Or perhaps Traffic, by the Stereophonics. Beautifully aromatic, rich fruit and a soild funk from the particularities in these Stellenbosch vineyards. Half the ferment is de-stemmed, meaning the other half is whole bunch and old vines surely concentrate the fruit, stem funk and spun feeling all-around. Besides, “is anyone going anywhere? Everyone’s gotta be somewhere.” Drink 2018-2022.  Tasted September 2018

De Kleine Wijn Koöp Knapsekêrel 2016, WO Stellenbosch

The second cabernet franc release of the De Kleine Wijn Koöp boys’ Knapsekêrel (a.k.a the spiky little black Cape plant) comes from the Polkadraai Hills. Not just any vineyard mind you but one planted in 2000 and biodynamically farmed by Old Vines Project pioneer Rosa Kruger and current Stellenbosch guru Johan Reyneke. The winemaking hands of Lukas van Loggerenberg are to thank and while this shows the sultry smoky smoulder that often emits from Cape franc it is a challenge and work in project to find the varietal sweet spot. That’s because cool temps and long growing seasons are best but look out for this breadth of a team’s members to find what works. In the meantime the tobacco, dusty plum and pushed to the raisin precipice make up a tasty if humid treat in a glass. Drink 2018-2019.  Tasted September 2018

De Kleine Wijn Koöp Heimwee 2015, WO Stellenbosch

As with the Knapsekêrel cabernet franc, the Polkadraai west of Stellenbosch is the fruit source, a biodynamic vineyard farmed by Rosa Kruger and Johan Reyneke. The boys at the Koöp are back in varietal town and refer to this all-around floral spiced cabernet sauvignon as running “with tannins as smooth as your grandmother’s polished imbuia coffee table.” No doubt and you can almost hear them singing in Phil Lynott workingman’s poetry. That said, this cab is no thin Lizzy, more like thick as a brick. Hung long and well-developed, of a liqueur that oozes of red, red fruit. Or perhaps, “man when I tell you she was cool, she was red hot. I mean, she was steamin’…” Drink 2018-2020.  Tasted September 2018

Johannes de Wet in Robertson

De Wetshof Riesling 2017, WO Robertson

A known fact that riesling and limestone make a great couple so this look at de Wetshof’s Robertson ’17 is met with great mineral anticipation. Yes the finest calcareous blocks are dedicated to chardonnay because Bourgogne is the de Wet inspiration but anyone who has learned a thing about riesling around the world will know that limestone can work wonders. Alsace of course, as in Clos Windsbul but also The Niagara Escarpment’s dolomitic limestone and Germany’s Muschelkalk (especially in the Rheinhessen, Pfalz and Franconia). And so Robertson joins the list as witnessed by this linguistically aromatic example, working the glass with a pure lime distillate notion. A nod to Alsace more than anything else with acidity that doesn’t need to scream and shout but it’s truly there. The potential to pioneer the movement is here, along with Elgin as Cape riesling standard bearers. Drink 2018-2022.  Tasted September 2018

De Wetshof Chardonnay Limestone Hll 2018, WO Robertson

Youth and drought make for the most naked and transparent of the past few Limestone Hill chardonnays. Absolute cool Kelvin freshness and a 270 degree vineyard scope to gather de Wetshof’s Robertson fruit from an amphitheatre of slope and aspect so subtle yet so meaningful. A fulsome regional DNA creates varietal layers gathered to make this cuvée a true spokes-wine for the limestone-based estate. Set foot on these soils, spin around, take it in. Then feel and intuit the truth in chardonnay that speaks to a place. Drink 2018-2020.  Tasted September 2018

De Wetshof Chardonnay Bataleur 2016, WO Robertson

Bataleur, as in a battalion of chardonnay soldiers, fruit up front, reduction and wood falling in, acids taking up the flanks and structure in support by land, air and sea. Or so it seems because this just marches like a military exercise in chardonnay. Flinty, biting back, yet buttered and toasted on the mid-palate with Roberston’s unique limestone felt from start to finish. Vanilla then white caramel with soft French cream fill and then the snap of lime acidity. Biting and downy, one and then the other, all tied up in robes and pearls, equalling out in the end. Fine work from 2016. Drink 2019-2023.  Tasted September 2018

Hamilton Russell Pinot Noir 2000, WO Hemel-en-Aarde Valley, Walker Bay

By this time 2000 is the 15th vintage of Hamilton Russell’s pinot noir and tasting both the 1986 and 1997 ahead of this only serves to heighten anticipation knowing full well longevity is by now a solid guarantee. The vintage seems like it must have been a demanding one because there is more hard grip, aridity and austerity here but it really has aged gracefully and beautifully. The posit tug between fruit and earth notes is performed like a string instrument’s bow, bending and angling with dexterity in balanced, fluid motion. Brings in the herbs and spices, wholly and truly of Hemel-en-Aarde origin, on hillsides and between rows of sagacious pinot vines. This is a treat and opens a portal into the future, beginning with the 2012 vintage that will usher in a string of sequentially impressive HR pinot noir. Drink 2018.  Tasted September 2018

Huis Van Chevallerie Circa Rosecco NV, WO Swartland

From a 32 year-old pinotage vineyard, great old vines that received some TLC from Old Vines Project pioneer Rosa Kruger. Secondary bottle fermented with a little help from “a special blend of liqueur de triage,” so unlike Prosecco in that regard. Early picked which is a given considering the granitic soil and therefore a “Rosecco” of low pH and severely high acidity. ‘Twas just a slight dosage and therefore comes across arid like the Swartland desert. A well cultured sparkling Rosé, crushable and easy like Sunday morning. Drink it for breakfast, lunch and dinner. Drink 2018-2021.  Tasted September 2018

Jan Harmsgat Chardonnay 2015, WO Robertson

True reduction yet to dissipate as noted by the smoky smoulder with a healthy compliment of wood still needing to melt in and away. Looking to settle over the next six months or so and allow the combination of vanilla extract and green apple purée to integrate, compliment and go forward in agreement. Though creamy there is a bite back at the finish so while this is good now it still shows promise for improvement down the road. Drink 2019-2021.  Tasted September 2018

Klein Constantia Sauvignon Blanc 2009, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 1994. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. A 100 per cent varietal wine, built by the soil and so bloody mineral as a result. Oak texture but really that’s the end of wood talk, a salty streak, so direct and so personal. The kind of sauvignon blanc that invades your airspace and a vintage more Bordeaux than the rest. Or, if you will Sancerre but not so much this time around. Drink 2019-2023.  Tasted September 2018

Klein Constantia Sauvignon Blanc 1994, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 2009. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. The ’94 vintage was another story altogether, apposite, far away from developing noble rot. Not the baller and perhaps even a bit “weak” with less weight but a saltiness that is more than intriguing. Perhaps more Sancerre-esque as a result but certainly lends longevity credibility to those passed over cool vintages neither celebrated nor considered to carry much staying power. May not be fleshy but is surely a curious and electric surprise. Drink 2018-2020.  Tasted September 2018

Leeu Passant Chardonnay 2016, WO Stellenbosch

Andrea Mullineux continues to foster the Leeu Passant line of heritage vines wines with work from Rosa KrMuger alongside. The “post (leaf-roll) virus vineyard,” of smuggled in clean material planted in Stellenbosch in the 1980s. The site is home to loam-rich soils of the Helderberg and the wine stylistically modelled after the oxidative approach to chardonnay. “Death and resurrection,” as Andrea puts it, meaning after the fermentation you allow the must to oxidize again, literally to the colour of cola. Risk reward actionable take and one that requires some shall we say, cojones. This chardonnay is not about luck and the methodology can’t help but connect you to the vineyard. You end up with this unctuous, astonishingly rich chardonnay that bears a resemblance to the vines and the place from whence it came. Unlike the Mullineux chenins or Swartland and so say hello to Meursault. Drink 2018-2025.  Tasted September 2018

Leeu Passant Dry Red Wine 2016, WO Western Cape

The throwback, ode and homage to South African reds made in the 50s, 60s, 70s, rustic, tannic, structured and reeking of the ancient soils that gave them life. Three locales are in the mix; Wellington, Franschhoek and Stellenbosch. The vineyards are the first pro-Phylloxera planted sites, a willy-nilly varietal scattering, blocks of two cinsault, a cabernet sauvignon and a cabernet franc. “It’s a deconstructed reconstruction,” says Andrea Mullineux, “where you break down what you love and build it back up again.” First thing is to show utmost submissive respect to 95 and 117 year-olds, the oldest registered red wine vineyards in South Africa. So you hand harvest their low yields and keep a minimum half of the bunches intact for to ferment these wise and experienced grapes. They spend 20 months in barrel then emerge structured and fit for 20 years of longevity. As with those post mid-20th century wines the profile is rich, tart, spicy, robust and layered with serious grounding. Revivalist red, keeper of faith and a lost style, uniquely South African. Today that translates to vogue. Boom. Drink 2020-2032.  Tasted September 2018

Lismore Sauvignon Blanc 2016, WO Greyton

The Cape’s south coast work of Samantha O’Keefe, a (500L) barrel fermented sauvignon blanc made in an oxidative way, or rather a wine of early introductions made with oxygen. Flinty no doubt then rich and full on the palate, of throttling grape tannin who’s antidote is a sense of settled calm. Late spice, Bordeaux in temperament but cooler still, an almost northern Sancerre-ish dexterity and layering. Composed and so very genteel. Drink 2018-2024.  Tasted September 2018

Lismore Chardonnay Estate 2016, WO Greyton

From the Cape’s south coast and Samantha O’Keefe’s original Greyton Farm, in re-build for a promising future. This ’16 is 90 per cent estate fruit, a natural ferment and all done up in neutral (300L) barrels, 11 months on lees. No malo except when a great vintage comes along. Simply an orchard and gingered and delight, a woven tapestry of backroads eccentricities and southern exposures, with a kick and twist of finishing spice. Drink 2019-2024. Tasted September 2018

Lismore The Age Of Grace 2017, WO Elgin

From rose-quartz soil in cool Elgin, a 100 per cent viognier, so apposite relative to the achromatic shades of Greyton sauvignon blanc and chardonnay. High demeanour and a sense of vivid colour in the aromatic wonder but more so in the levels of palate, front through middle to back. They come like a rainbow, rolling, over stones, in “colours in the air, oh, everywhere.” Orange, peach, nectarine and fine, fine Elgin acidity. They are wrapped in sour spice yet sit cross-legged, in complete control. An aristocratic flower child, surely full of and situated in an age of grace. Drink 2018-2023.  Tasted September 2018

Lismore Pinot Noir 2017, WO Western Cape

Fruit from both Walker Bay and Elgin and 30 per cent whole bunch (the first vintage was 15). So very herbal, savoury, stemmy and honest. A beacon in pinot noir you want to drink that comes equipped with an edginess about it. Full purity on display, grip, intensity and packed with provisions for the picnic. Marks the early beginnings of a varietal journey with some naïveté and dreams but look out. Drink 2019-2024.  Tasted September 2018

Alette de Boer, Lowerland

Lowerland Tolbos Tannat 2016, WO Prieksa, Noord Kap

From South Africa’s furthest northern wine-growing area, a joint effort between grower Bertie Coetzee and winemaker Lukas van Loggerenberg. Wow does this ever smell like tannat with its depth of earthy fruit and suspension of oxidative animation. High acidity reminds of the really cool climate, more Niagara per se than southwest France. There really is something special here, as with Lowerland’s stellar whites, something singular, yet undefined, in enigma and mystery. Drink 2018-2021.  Tasted September 2018

Lowerland Witgat Viognier 2017, WO Prieska Noord Kaap

The viognier may scent of exotic flowers and tropical fruits but as with most of Alette de Beer and Bertie Coetzee’s range this is surely a cool climate wine. Subtly so and yet of a tension and a demand that accrue a sense of northerly South African wine-growing sense. The wine was made by JD Pretorius at the Constantia property Steenberg and it comes about quite normal, varietally speaking but also beautiful. There is a liquid chalky feel, a product no doubt of quality dry extract mixed with Prieksa soil of desert sand and silty clay. Lean and structured, a lanky viognier that in the end delivers quite the delight. Drink 2018-2021.  Tasted September 2018

Lowerland Die Verlore Bokooi 2016, WO Prieska Noord Kaap

Literally “easy drinking blend,” spoken through an indigenous vernacular from “the place of the lost goat.” At the time a blend of merlot, shiraz and tannat but like the Herd Sire Reserve that too will change over time. A racy and ripe red, earthy and parochial though fruitful in its red, black and blue mixed berry basket. There really is nothing to compare this too, neither old world origin or varietal mash up so assess it on its own terms. Just knock it back. Drink 2018-2019.  Tasted September 2018

Lowerland Herd Sire Reserve 2015, WO Prieska Noord Kaap

A red blend that will evolve (varietally speaking) but in 2015 it is based on cabernet sauvignon with petit verdot and a small amount of merlot. Bordeaux being the message but that too will change because the north of South Africa may actually share more affinity with the southwestern French wine-growing than anywhere else. This unique Noord Kaap Wyn van Oorsprong’s cool climate makes for early drinking reds and the 13 year-old vines here follow the party line for a red blend ripe enough to do what needs. There is more liqueur and spice here than what is noted in the merlot/shirtaz/tannat and also increased acid intensity. Somewhat oxidative but holding well and doling pleasure. Drink 2018-2019.  Tasted September 2018

Nina Mari and Ernst Bruwer, Mont Blois

Mont Blois Estate Chardonnay Kweekkamp 2016, WO Robertson

After 28 of not bottling their own wines the husband and wife team of Ernst and Nina-Mari Bruwer began again in 2017. This is one of the first, a single vineyard chardonnay off of 12 year-old vines, barrel fermented and aged 11 months. Speaks of Robertson, not specifically by limestone but with that WO’s orchard fruit and realism, by passing spice that’s merely a thought. Lovely snap, crack and bite which is truly Robertson while in delivery of everyday texture and mellow disposition. The kind of chardonnay to stay quiet and simply sip. Drink 2018-2021.  Tasted September 2018

Mont Blois Chardonnay Hoog en Laag 2016, WO Robertson

“High And low,” in reference to the vineyard being a terraced block on clay. Heavy clay that is, a Robertson specialty and the Hoog En Laag receives the same elévage as the Kweekkamp chardonnay. Certainly a richer and fruit fulsome expression, less snap and bite. No subtle spice either and yet the barrel notes are equally noted. What this has is full-fledged texture, creamy and smooth, all day long. Drink 2018-2020.  Tasted September 2018

Mont Blois Chenin Blanc Groot Steen 2016, WO Robertson

The “big” chenin blanc because of the dense clay that gives nutrient life to the 32 year-old block of vines. Quite the steen intensity, ripping with fruit and a mineral streak for layer upon layer of Robertson quality. Naturally sweet pears, ripe and dripping, plus an unusual or unaccustomed to herbology. Perhaps it’s the famous local Rooibos talking. Really persistent chenin with loads of potential. Likely some flint and smoulder in its future. Drink 2018-2024.  Tasted September 2018

Mullineux Kloof Street Chenin Blanc 2018, WO Western Cape

A true Cape chenin blanc assemblage, in fact it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance to new and “other” fruit components. A chenin blanc that is bottled the same year it was picked though that’s easier to do in the southern hemisphere where harvest happens in the first quarter months. Expectation always dictates value from the Kloof Street and 2018 does not disappoint with an attractive spiciness that speaks to the preservation of freshness in a chenin blanc possessive of no boundaries. One of the most versatile wines on the planet. Sheet pan sausages and fennel would be just ideal. Drink 2018-2022.  Tasted September 2018

Mullineux Chenin Blanc Quartz 2017, WO Swartland

Soil is the single matter, catalyst and difference maker to dictate the peculiarities, idiosyncrasies and unique sets of behaviours in the Mullineux single-terroir wines. The chenin develops “freckles” in the sun, tells winemaker Andrea Mullineux and the warmth of the high presence of quartz retains and returns warmth, translating to a conduit of concentrated ripeness passing through the vines. Not a direct heat, otherwise the berries would burn but a reflected back-beat of light and one that is slowly transmitted with naturally occurring temperature control for how and when the plants are in need. The greatest positive is in the maturation of phenolics in the skins and not by a hasty overload in developed sugars. From out of the silica oxide comes vegetative growth that promotes and preserves a physiological process in retention of acid freshness. The result? A phenolic journey unique to chenin blanc as here with a striking 2017, dry as drought yet fresh as a daisy. Though there is some creamy texture there too is hyper intense clarity, a variegate of dappled aromatics and brindled flavours, all bound up in animated acid bounces. Drink 2019-2029.  Tasted September 2018

Mullineux Chenin Blanc Granite 2017, WO Swartland

In chenin blanc the Mullineuxs engage in this single-terroir comparison, first by Quartz and now through Granite. The reference is to the predominant mineral presence in the soil and in how it influences the chameleon varietal. In 2017 Quartz is a major concern but switching to sandy, decomposed rocky soil and everything changes. Berries leave the world of mottled and piebald to one of demure and decor with thanks to the diffused light set upon them. That and a place where roots must burrow, digging deeper through hunks of rock into the sub-strata. This is where trace elements and minerals are to be found in the water table below and while limestone and silex is not the tablet there is some ideological affinity here with the Loire. As such it is this Granite that speaks in a leaner, thoroughly mineral, less spice and increased sharpness vernacular. Precision cut, flint struck, metallic, a song of science and silence. Body and flesh are ambient, less “creamy” than in Quartz, linear in travels, long and of an aging potential surely cast forward. Focused all the way through, unrelenting but always in layers of overlap and subtlety. Drink 2020-2033.  Tasted September 2018

Mullineux Kloof Street Red 2017, WO Swartland

Kloof Street is a “heritage blend,” says Andrea Mullineux, “it’s a wine about the love for making wine, but having preferences.” From vintage to vintage maybe check the bottle for varieties because there is no steadfast formula. Heritage, as opposed to Rhône means playfulness, choices and the inclusion of a structure fortifying grape like tinta barocca, truly integral to the Western Cape meritage experience. Here in 2017 there are some notable added layers of flesh, drying tannin and largesse. An early extracted wine in fast stages of maceration to coax out the fruit and deter astringency. Comes away rich and robust, rocking the free and new world. Drink 2018-2022.  Tasted September 2018

Mullineux Syrah 2016, WO Swartland

“I still consider it a blend,” insists Andrea Mullineux,”because it comes from seven vineyards on three soils.” Spends up to six weeks on skins, depending on how big the tannins are. Big equals patience. Burly early with spice and elongation but that heft and girth will slowly melt away. An invisible friend called acidity will usher the transformation, those gnomes of silent structure. The next stage will celebrate the leathery cherry fruit and cumulative Swartland savour.  Last tasted September 2018

The first drought vintage for the Swartland syrah and so the extract, concentration and density are all in compression mode. The change is felt with palpable impression, meatier, more char, even tar, and a little bit of dogma was necessary to bring in more granite-raised syrah to keep things swimmingly cool and savoury along. It’s a hematic one in 2016. To some this would be the bomb, the massive reason to believe and to others it might seem an impossible wall to scale. With a combination of love and patience the ’16 will please them all. Drink 2020-2028.  Tasted May 2018

Mullineux Syrah Schist 2016, WO Swartland

As with the two chenin blanc Quartz and Granite introspections there too is a Mullineux terroir combing of Swartland soils through the lens of syrah, there by Iron and here through Schist. The style or rather the result is befitting the monikers because Schist is the tamer one of the two and it is interesting to note that the syrah “blend” as Andrea Mullineux calls it is more like Iron than this elegant one. A huge January heat wave could have led this into the raisin danger zone because ripening under the shotgun is no way to approach harvest. Cooler heads and temperatures prevailed to allow for an unfurling, a plumping and a perking up. Schist comes out regal, aromatically civil and demure, but also juicier than a nosing might indicate. Acid retention is strong, sweet and quite friendly to work in cohorts with the cane and Baleni based spice. Dark in complexion, yes brooding yet sneakily serene, salty and so comfortable in its own skin. Drink 2020-2032.  Tasted September 2018

Mullineux Syrah Iron 2016, WO Swartland

The second of two Mullineux soil investigations for syrah is this dramatic and hematic nonpareil exemplar. Cultivar meets terroir, raised off of a heavy, gravelly clay, rich in iron, impressive and hallowed as antediluvian viticultural ground. That may not be completely Cape uncommon but this is clearly a paradigm shifter for drilled down South African syrah in attack meets beast mode, cimmerian, ferric and intense. Modish though, while inexorable character oozes from every pore and a mid-palate wells of extraordinary fill. Sharpens its wits on bullish tannin and expresses Northwest of Malmesbury iron with raw emotion and power, though without rusticity. What it may lack in elegance is made up by sheer force in reckoning, at first engaging and then gripping the palate by all means necessary. The velvet glove future lies somewhere in the next decade, likely latter first half. Drink 2022-2034.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2013, WO Elgin

Just a hint of evolution is showing in this five year-old pinot noir which is something because you had to work to find any in the just tasted 2009. The sweetest fruit comes from 2013, on of the riper, purest and most pristine vintages to express what Elgin has to offer. Ethereal actually, not loosely but effortlessly structured with a seamless bond forged between fruit and acids. Tannins are already subsiding in this elegant, balanced and slightly spiced pinot. Drink 2018-2026.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2011, WO Elgin

Such a composed vintage, cool, calm and collected. A Beaune Villages feel here, perhaps Aloxe-Corton with darker pinot noir fruit, almost black cherry but less obvious, more complex, full of baking spice. A genial and genteel Seven Flags nonetheless, elastic, pliable, amenable but not without undeniable and underlying composure. That backbone may bend with curvature ease but will not break. Provides the basis to see this Cluver from Elgin live easily up to and likely beyond its 12th birthday. Drink 2018-2023.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2009, WO Elgin

Harkens back to a time when the 1987 planted 113 clone was no longer the sole provider for the Seven Flags family after 115 and 667 had been planted in 2001. From 2009 it seems quite obvious the vintage was one to create big, robust, ripe and warm pinot noir. Even as it approaches its ninth birthday the evolution equation remains in early steps computation, perhaps just now moving to the next stage. Secondary development is still around the bend or on the next page, noted by the persistence of a cool climate, liquid but still grainy chalk. Also acts just a bit reductive which seems almost impossible but stranger things have happened out of South African vineyards. Just imagine the futuristic possibilities when these vines soon achieve heritage age. Remind me to ask Paul Cluver for a look at vintages from 2022 onward at Cape Wine 2039. Drink 2018-2023.  Tasted September 2018

Callie Louw, Porseleinberg

Porseleinberg Syrah 2016, WO Swartland

Poured by Callie Louw at Cape Wine 2018, this Riebeek Kasteel, Porcelain Mountain syrah somehow sits at a pantheon’s peak vintage after vintage, as if each one is a once in a lifetime effort. This must have been the epitome of such a consideration because Louw calls it “a fucking hard vintage, eh.” Strong talking words from the stoic and pragmatic BBQ smoker, winemaker and cricket master. Callie may have experienced a craftsman’s pain but the 70 per cent foudres and 30 concrete elévage not only tamed the savage beast, it helped to turn heads and remind of where greatness comes from. Tasted side by each with 2012 and 2013 only magnifies the massive structure in this ’16, a reductively bouncy, glycerin and impenetrable syrah in need of getting lost in the cellar. Will also need an epic song, “into the blue again, after the money’s gone.” Through the next decade and well into the following one this syrah will remain in light. “Same as it ever was.” Drink 2022-2040.  Tasted September 2018

Callie Louw’s smoker hard at work in Malmesbury

The Sadie Family Palladius 2014, WO Swartland

If you Google “South African white appellative blend” the number one result should surely be Eben Sadie’s Palladius and these are the 11 reasons why; chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. Eleven blocks, all on granites, some from the Riebeek-Kasteel side. If looking forward to the brilliant ’16 and seeing it as a wine of mixed tenses, then this ’14 speaks in the imperfect because it strikes as the one to talk about the past and to say what used to happen. As in language, love, war and the past continuous, all is fair when it comes to assessing the verticals of wine, especially in descriptions. The 2014 Palladius is the back to the future vintage, of warmth and spice when things were picked overripe and new beginnings are constantly forged. But the citrus preserve and sheer electric lemon-lime energy looks ahead to the intensity of a youthful 2016, leaving a taster confounded, satisfied and awake all at the same time. This may go forward before it retreats once again. Drink 2018-2028.  Tasted September 2018

The Sadie Family Palladius 2009, WO Swartland

When talking about the 2009 vintage Eben Sadie talks of the decision to add sémillon, clairette blanche and palomino to his appellative white blend that already held chenin blanc, colmbard, grenache blanc and viognier. “To up the acidity,” aid and abet the tendencies of fleshy fruit to fatten in overripe behaviour. More than just acidity mind you, Sadie also looked to heighten the “acoustics” in a wine that was quickly becoming a major Swartland concern. Tasting this is September 2018 it can’t help but be noted how development and evolution have nearly caught up to 2005, a vintage cause and effect action no doubt. Here is the spiciest, sauciest and flat out nasty attitude Palladius, unabashed and already having done most of its living. That said the track record of these wines tells us to stay put, be patient and continue to relish the sapid, saline and ever-changing paths carved out. Drink 2018-2023.  Tasted September 2018

The Sadie Family Pofadder 2017, WO Swartland

Part of Eben Sadie and family’s “Die Ouwingerdreeks,” the old vine series and a reference to either or both puff adder snakes and the small “bushman’s land” town in the Northern Cape. Can be 100 per cent cinsault though the percentage is 85 in 2017, aged in old but not Jurassic wood. The ideal, epitome and exemplar bench-land varietal wine, not to mention a pioneer in the South African paradigm shift to conscious exultation of a plan in collective commitment for varietal, heritage vine and whole cluster ferments. From granite shales (not the decomposed kind) and yet another red fruit incarnate, freshest of the fresh precision wines. Pure Cape cinsault is this, with tannin but the kind that is sweet and stretched. No bullshit here. Drink 2019-2025.  Tasted September 2018

The Sadie Family Treinspoor 2017, WO Swartland

Afrikaans for “railroad,” perhaps a reference to the method of transportation that brought these European grapes to the Cape, depending on how far back tinta barocca arrived in the Swartland. In fact it was in the 1920’s and now just a bit more than 200 ha’s of this hardy, rustic, dark-skinned, early ripening and versatile red lay scattered about, accounting for two one hundredth’s of a per cent for vineyard area in South Africa. Sadie’s is a single-vineyard line running through the Darling side of Malmesbury, a cimmerian blackish red reeking of Renosterbos which is ironic because animal activists have always believed that the railroads threaten Rhino habitat. Digressions aside this is a prime example of why some might consider tinta barocca to be the future grape of Swartland. Sweetly floral and in 2017 both ways perfectly ripe. Botanicals abound, bosplante in bloom while flowers await the bees. Where this shares affinities with cinsault and grenache is in the curative and salumi aromas leading to sweet yet elastic tannins. The finish and length are expressly Swartland in nature. Drink 2020-2028.  Tasted September 2018

The Sadie Family Columella 2016, WO Swartland

Red counterpart to the Sadie white signature Palladius and residing in the upper echelon of Western Cape appellative blends. Ontario lays claim to the Stratus White and Red while the Cape knows these. Allowing for some levity there is a kinship to be considered between Eben Sadie and J-L Groulx, two of the more unlikely mad scientists able to capture the lit and woke disposition of mastered assemblage. Imagine Groulx also pouring varietal shots of many different farmed varieties from the back of his pick up truck during a lawn bowl in Niagara-on-the-Lake. The full name is Columella Liberatus in Castro Bonae Spei, Latin for “liberated in the Cape of Good Hope” and as a pillar of strength Columella’s syrah, grenache, mourvèdre, cinsault and tinta barroca ascend to dramatic expression. Variegated in every respect; hue, perfume, flavour and structure, at once layered and then stratified with doric strength, able to bear the most concentrated weight. Relative acidity, fluted or grooved, wider in youth to help support and lengthen. Intensely fortified with help from the barocca, naturally and of itself, intuitively wild yet controlled. Such a focused wine one rarely comes upon. Drink 2019-2030.  Tasted September 2018

The Sadie Family ‘T Voetpad 2017, WO Swartland

The “footpath” from both the Dutch (het Voedpad) and Afrikaans, also the name of Dirk Brand’s rooibos and wheat farm next to this oldest vineyard in the Kapteinskloof near Piketberg. Some say the oldest in South Africa, planted between 1920 an 1928, but others will say the first vines went in around the 1890’s through to the early 1900’s. Takes the Sadie Family “Die Ouwingerdreeks” to the farthest, most extreme reaches of the old vineyards idea. “The vines have seen it all,” tells Eben Sadie, “don’t fuck with us” is their message. “Don’t mess this up.” And so Eben co-ferments in an as is format but more importantly works at the agriculture to a point of obsession. Newer inter-plantings will go in, of sémillon, sémillon gris and palomino from massal selected material. To deal with drought cover crops will also be added between rows, all of course through an organic approach. The blend is sémillon, sémillon gris, palomino, chenin blanc and muscat d’Alexandrie, all processed together, but this is not about extreme winemaking. More like extreme farming, finding ways to keep these twisted kurktrekker and cavatappi bending vines alive for to produce their magic. The wine that emerges is all about tendencies and multiplicities of texture. The dry extract here is off the charts making it seem forcefully and fiercely tannic. Fantasy and zeitgeist just happens and the results are right there in the bottle. A remarkable wine and vintage from an isolated vineyard where drought is always a factor. Drink 2019-2033.  Tasted September 2018

Abrie Bruwer, Springfield Estate

Springfield Estate Chardonnay Méthode Ancienne 2016, WO Robertson

Burgundian ode, ancient method of making chardonnay, a rare approach these days, with wild yeasts and no fining or filtration. No surprise that Springfield Estate is willing to give it a go because that’s how they roll. The plan is for deep longevity by a method akin to anti-aging serum, though 15 to 20 years would be astonishing in any case. Ground control to major tang, circuits wired tohu vavohu and a lemon custard to curd constitution that is simply merveilleux. Yes it is true that a hint of orange could turn into Cointreau after a half decade or more and the mid-palate cloud cover will continue to deliver warmth and appeal. Curious methodology plus romantic acumen equates to one of a kind. We’ll see where this goes. Drink 2019-2024.  Tasted September 2018

Van Loggerenberg Wines Break A Leg Blanc De Noirs 2017, WO Paarl

Often referred to as a pink wine but to choose this term to call Lukas van Loggerenberg’s 100 per cent cinsault grown on Helderberg granite would not tell the right story. Blanc de noirs is more apt but even then more detail is necessary to do it justice. Sees nine months of lees time, “to remove the tutti frutti,” snarks van Loggerenberg, without jest but can you really know when he’s being serious? Leaves the arena of the Rosé absurd and settles at a hue of proper B de N colour, as if that really matters. Saltiness is the thing, the granite kind, the sort to set your eyes ablaze and your heart to rest. Not really a wine about texture, though there is plenty, but that’s not the goal. Anything but sweet and a wresting away from norms into a matter of reckoning. And all about five knee surgeries, something the winemaker and the critic know all about. Drink 2018-2021.  Tasted September 2018

Van Loggerenberg Wines Chenin Blanc Trust Your Gut 2017, WO Western Cape

While there are wines in Lukas van Loggerenberg’s world that travel down the kamikaze viaduct, Trust Your Gut is not one of them. In fact there is a normalcy, a recognizable structure and an older Euro soul to the way this chenin blanc acts and feels. Sees 10 months sur lie in old French oak but no bâttonage, nor malo neither. Three zones bring the fruit; 45 per cent each Stellenbosch and Swartland plus 10 from Paarl. Take chenin blanc and treat it like a Villages wine by imagining Loire aromatics merging with Chablis texture. This my friends is a classic example of amalgamated Western Cape chenin style. There is irony in the name and no shocker there. Drink 2018-2022.  Tasted September 2018

Early springtime in Cape Town

Van Loggerenberg Wines Cinsault Geronimo 2017, WO Western Cape

Geronimo is 100 per cent cinsault, 60 per cent from Stellenbosch and 40 “Break a Leg” Paarl. The get together finds energy that one without the other would not find “because cinsault doesn’t have high natural acidity,” explains Lukas van Loggerenberg, “it is a very good indicator of vintage.” The 2017 is, wait for it, 80 per cent whole bunch and while that is a factor of the Western Cape’s ripen anything, anywhere, anytime great advantage, it’s still an impressive strategy no matter where you are making wine. Spends nine months in barrel and comes out smelling like roses, candied petals mainly but other florals, hibiscus and such. A handsome cinsault to be sure and one that will take precious time to unwind, great acidity or not. Like the red Cape equivalent of white friulano in Collio, sneaky long and structured. Drink 2018-2024.  Tasted September 2018

Van Loggerenberg Cabernet Franc Breton 2017, WO Stellenbosch

A more than obvious ode to the Loire Valley, 100 per cent cabernet franc bearing the old world varietal name. Fruit drawn from Stellenbosch’s decomposed granite soils gets the 60 per cent whole bunch treatment, followed by 11 months in barrel. Transparent as cabernet franc is the understatement, open wide, ease of alcohol at 12.8 per cent and in delivery for the rapture of being alive. Lots of verdant tones but nary a green tannic moment. Seems like the beginning of a beautiful friendship so the future too is wide open. Drink 2018-2020.  Tasted September 2018

Sheree Nothnagel

Wildehurst Velo White 2016, WO Swartland

A testament to non-pareil, Cape appellative white blend equanimity, of colombard, grenache blanc and viognier, 33 of each, give or take one per cent. Only the viognier is barrel fermented though the equilibrium os never compromised. Intensely herbal, of a nose uncanny in its fynbos reek, lovely glycerin texture, again balanced and knowing the place it wants to be. Acid structure travels though in a pas trop travaillé, no trouble way. Drink 2018-2021.  Tasted September 2018

Wildehurst Chenin Blanc 2017, WO Swartland

Barrel fermented and six months matured, 100 per cent chenin blanc, acting as if freshly spiced and in Cape terms, a really chewy white wine. Counterbalanced by a leanness in vintage while wound tight, just now perhaps beginning to unwind in repeat of its specific refrain. Acid structure makes up the lyrical couplets, sung again and again, as a reminder that fruit and wood will always align and submit to the citrus rhyme. Almost feels like still perlage and chenin blanc like this is very much a string of pearls, inclusive of tannins in long chains. Helps to explain the success of Wildehurst’s Méthode Cap Classique. Drink 2019-2024.  Tasted September 2018

Wildehurst Red 2014, WO Swartland

A blend of shiraz, grenache, mourvèdre, viognier and cinsault, aged in old French barrels for 18 months. Like the solo cinsault but an even more held back and hard to crack the savoury and sweet candied shell. Both elements emerge with good agitation, first the sweet variegate of red fruit and then the brushy and dusty fynbos bushiness, here acting as an energizer for equal opportunity. Spills over with that Wildehurst acid-tannin continuum as all the wines take their time to ready, pivot in the glass and then speak of their age ability going forward. Big bursts are all power and no cake. Rich yet elastic and surely capable of going deep. Drink 2019-2025.  Tasted September 2018

Wildehurst Cinsault 2017, WO Swartland

Just two barrels were found to be extraordinary and thus pulled by Sheree Nothnagel, away from the red blend and into this solo album. Quite the richly emulsified and ropey red fruit cinsault and while it follows along the varietal Swartland thread the differences are as great as they are to the party’s similarities. That is due in respect to the Wildehurst style, tighter and more acid-structure intense, higher-toned and less in the meaty-salumi-curative vein. Still possessive of that red as red can be fruit but here more akin to barbera or sangiovese from high altitudes and limestone soils. There must be something about Koringberg and the other Swartland sites that bring a special je ne sais quoi to Joanne Hurst’s wines. Maybe in thanks to Swartland shale, granite, silcrete and alluvium Renosterveld. Who does not love the smell of Renosterveld in the morning? Drink 2019-2027. Tasted September 2018

The Wine Thief Costa Del Swart Viura 2017, WO Voor Paardeberg

From the Western Cape’s chameleon of a region where anything goes and all things are considered. Case in point this viura of Spanish roots as part of the single barrel series. Surely Swartland specific (as opposed to Paarl), 100 per cent viura and only 180 bottles produced. Less alchemy and more herbology, but flinty, sharp and exciting. Direct, full of fun and even a bit waxy, with a riesling or sémillon feel that can only mean some petrol in its future. So much citrus gets ya in the end. Drink 2018-2022.  Tasted September 2018

Good to go!

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50 California blasts from the past

Godello in the Napa Valley mustard

As each calendar year counts down I set out on a long December inward journey, sifting through thousands of tasting notes, looking for reminders to trigger emotion. The purpose is a honing, a zeroing in process, first to create a shortlist and then a numbered final register to match the century’s yearly suffix. The latest was Godello’s Twenty mind-blowing wines of 2020. A bit painstaking to agglomerate while simultaneously offering a grouping of days in recollection of the year’s finest sips though rumination over the previous 365. On this the first of March 2021 there is a looming and gloaming of a particular sort, forced upon us by circumstance as the auspicious anniversary approaches. Thus it seems like a reasonably credible idea to act upon the concept of creating more top lists, or rather further “gathered reminiscences,” blasts from the past. These are 50 California wines tasted years ago, assessments that up until now remained raw and unfinished, just now committed to public record.

Carneros, Napa Valley

Chardonnay

Patz & Hall Chardonnay Alder Springs Vineyard 2014, Mendocino County

A vineyard of altitude and cool seven miles from the ocean at 1200 ft with fruit also sold to Kosta Browne. Her for banana, lemon and intense dry extract. Crisp as possible, freshness, balance, length, carries it all. No butter, no oil, no gratuitous aromas or flavours. Exceptional. Donald Patz has now retired having sold to Chateau Ste. Michelle. Buy it up. May never be this exceptional again. Wild ferment, full malolactic, 70 per cent new French wood. $60-70 US. Drink 2018-2025.  Tasted August 2016

Grgich Hills Estate Chardonnay 2012, Napa Valley

In the zone, reduction blowing off to the edges of the compound. The liberally spread butter fully absorbed, the wood subsidy subsided, now all laid out in retrospect. Ripeness from that beautiful vintage has settled into a cool, lemon curd tart and nectarous nectarine delectation. All tolled the cumulative is an effect of elegance, though in this case not necessarily richesse. Drink 2016-2019.  Tasted April 2016

Kutch Chardonnay Santa Cruz Mountains 2014

Santa Mateo County, really reductive, very mineral, the most thus far in a line-up of 13 California chardonnays , from what is surely the coolest spot from the Santa Cruz Mountains. Great rocks, stones and bones. Yes bones, by karst and the sea air reaching out to make this seriously cool. The great mountain tang and natural acidity, intense, snappy, snapping back and long. From Jamie Kutch, “Burgundian to a fault,” this being his first effort with chardonnay. An “abandoned” chardonnay vineyard, 12 per cent abv, pH to give you lemon juice but when you get lemons you know just what to do. $40 US. Drink 2018-2024.  Tasted April 2016

Keller Estate Chardonnay Oro De Plata 2014, Sonoma Coast, Sonoma County

This makes the previous wine (RS) seem oxidative. Reductive is at the fore for the Keller, freshness locked in, really wound on the coastal spindle, intense fruit and even more so, acidity, circular, reeling, wild. A Petaluma Gap leader to be sure, chardonnay of heritage with a winemaking tie to Hansell. No malolactic and all neutral oak. This is so very Chablis, Côte de Lechet and so, wow. $35 US, 800 cases. Drink 2018-2025.  Tasted August 2016

Benovia Chardonnay Fort Ross Seaview 2014, Sonoma County

A coastal vineyard (and fruit that is also employed by Flowers) and many will rank this as the coolest spot in California for growing grapes. Mike Sullivan is the winemaker, with fruit that used to go to Marquesan. This done in a richer, expressive, layered style. Some tropical notes, deeply hued, mango, nectarine, creamsicle. Fresh, tart depth, Champagne like with toast and brioche. Luscious custard, 40 per cent new wood, 400 cases made. $55-60 US. Drink 2017-2022.  Tasted August 2016

Melville Verna’s Estate Chardonnay 2014, Santa Barbara County

Both rich and really reductive, deeply hued, fully sun-worshipped and deftly but intently extracted fruit. A bite into a barrel, a Mutsu apple and the inside of a platinum pipe. Big, unabashed style with never ending mineral, tart, ripping and wisely no real malolactic. Plenty of lees though and the oldest of the oak. It’s all fruit, lemon curd and so dessert-like chardonnay but of savour and spicy sapidity. Saline finish. $40-50 US. Drink 2018-2022.  Tasted April 2016

Migration Chardonnay 2014, Russian River Valley, Sonoma County

The richest and most “old-school” California of the lucky 13 tasting, fruit orchard apple and pear albeit folded and blended through ripe and creamy custard. Or at least the renderings thereof. Likely able to attribute that opaque, cloudy, clotted cream sensation from the fog injection. $40-45 US. Drink 2017-2020.  Tasted April 2016

Presqu’ile Chardonnay 2014, Santa Maria Valley, Santa Barbara County

Nice reserve on this nose, teasing some tropical fruit but keeping it calm, cool and collected. The calcareous aromas are quite fine, delineated like a chalky streak though less so on the palate follow through. Quite tart and nicely dry extract turn to creamy texture but not so thick in fluidity. Like barrel fermented chenin blanc so a unique expression. Listed at 13.9 abv, low pH, neutral oak and stainless, half and half. Matt Murphy is winemaker and co-owner. $35-40 US. Drink 2017-2021.  Tasted April 2016

Ramey Chardonnay 2014, Russian River Valley

Some reduction and quite a corpulent, sweet herbology, genovese basil, pine nut and quality olive oil. Pesto of herb, glade, lemon and fine acidity. Always perfectly Russian River Valley, with a warm steal but ultimately cool. Drink 2017-2021.  Tasted August 2016

Ramey Chardonnay 2008, Russian River Valley

Really showing some age from not the top of the top vintage, holding up but in display of its new barrels, nose oxidized and flavours still buoyed by acidity. So the corrective structure seems out of balance now while the wine marches on. Musty and microbial at this point with a fading sweetness on the finish. Drink 2016-2017.  Tasted August 2016

Sonoma County vines
Photo (c): https://www.facebook.com/SonomaCountyVintners

Beringer Chardonnay 2014, Napa Valley

Continues along the Beringer scaling line of wood retreat, cool climate clarity and as a result a wider commercial appeal. Who would have predicted the success but it’s really working. There would never be a mistaking and the shining is always in play but the admiral work and practicum really does what is base, necessary and appreciated. Drink 2017-2020.  Tasted April 2016

Martin Ray Chardonnay 2015, Green Valley Of Russian River Valley, Sonoma County

A greener understanding, like the smell of algae on rock in a pretty little creek. Carries some unction and creamy sherbet texture on the palate. Listed at 13.7 abv, toasty by 40 per cent new french oak, full malolactic. It leans delicious but also verdant and commercial. Drink 2017-2019.  Tasted April 2016

Rodney Strong Sonoma Coast Chardonnay 2015, Sonoma Coast

Classic taut and reductive chardonnay with Petaluma Wine Gap scream, in suffragette of creamy, rich fruit. Early harvest, compressed vintage. The fruit is caught in the wine’s vacuum, a wine tunnel creating this centrifuge of richness and acidity. Commercial, composed and so very effective. $25 US Drink 2017-2020.  Tasted August 2016

Mer Soleil Reserve Chardonnay 2014, Santa Lucia Highlands

A Wagner Family of Wines property, a fine restraint and a shine to cooler thoughts come from this highland chardonnay, with more than enough orchard pressed fruit to fill a trough for the quiet and the masses. Really ramps up and fleshes on the palate with some wild biters late. Good length. Drink 2017-2020.  Tasted April 2016

Chamisal Stainless Chardonnay 2015, Central Coast

San Luis Obispo County, ocean proximate, cool spot, from the oldest producer in Edna Valley. Nicely lean, briny, saline, good acidity. Add some fish or seafood flesh and it will sing. Fresh and crisp. $18 US. Drink 2017-2019.  Tasted April 2016

Menage A Trois Gold Chardonnay 2015

From the Trinchero Family Estates stable, classic buttery rich and slightly toasty broad California style. Barrel rendered middle road taken, wax polish, enamel-oleaginous spray. Intensely inward and uni-dimensional for commercial lobster fishing, crack a shell and pour into red plastic cup enjoyment. You know what’s it’s good for. Drink 2017-2018.  Tasted April 2016

Scheid Chardonnay Escolle Road Vineyard 2014, Santa Lucia Highlands, Monterey County

The aromatics here are off the charts in the 13 strong grouping of this tasting. Waxy, caramel, smoky, flinty, butterscotch in gobs. Really odd conclusive nose and even stranger to taste, with a pencil lead and rubber tipped pencil flavour that reminds of childhood class boredom chewing mistakes. Inoculated, 7 per cent new oak, some of it “European.” Drink 2017-2019.  Tasted April 2016

Sonoma Coast
Photo (c): http://www.sonomawine.com/

Other White

Long Meadow Ranch Sauvignon Blanc 2015, Napa Valley

Ripe and creamy aromas take this sauvignon blanc into fresh and exotic territory but it’s one of those wines that really improves on the palate, carrying weighty and energy together, expanding and elevating the status in so many ways. A gregarious and resourceful sauvignon blanc with more upside than many peers. Drink 2017-2020.  Tasted April 2016

St. Supéry Sauvignon Blanc 2015, Napa Valley

The high stirred SS, SB style, from high and dry extract effect, fine acidity and faux sugary spell. Full fleshy mouthfeel and terrific 2015 tang. Lays out the green carpet for the vintage, the varietal and what’s to come. Drink 2017-2020.  Tasted April 2016

J Vineyards Pinot Gris 2015, California

J Vineyards Pinot Gris 2015, which strikes as pinot grigio in style, dry extract to aromatic sweetness, warm and inviting. Tart and citrus intense, very appealing commercial style and a buttery finish which tells some barrel is involved. Drink 2017-2018.  Tasted April 2016

Treana Blanc 2015, Central Coast

A blend of 45 each marsanne and roussanne plus viognier, a bit of aromatic reserve, quite rich and dense on the palate. Flavours of very ripe pear and even riper apple. A bit into the sauce and the purée. Could use a more purposed shot of acidity and courage. Drink 2017-2018.  Tasted April 2016

Cabernet Sauvignon

Heitz Martha’s Vineyard Cabernet Sauvignon 2012, Napa Valley

As only Heitz can do this provides the combination of elegance and structure and what may just be the finest tannins available from Napa Valley for cabernet sauvignon. That this is so understated speaks volumes about the essence and the incredulity of a Martha’s and with the dry backdrop of a perfect Napa growing season this clambers through its reps with effortless ease, muscular tension and satisfying performance. More ballerina than gymnast and certainly more statesman than warrior. Drink 2020-2033.  Tasted April 2016

Groth Cabernet Sauvignon 2013, Oakville, Napa Valley

Continues the thread of dry, dusty, beautifully savoury and fruit fleshy cabernet sauvignon from the Groth team. It’s like biting into that perfectly ripe and juicy plum, in texture, not sweetness or even specific to the fruit, but that texture, its unmistakeable. Seamless, tender, age worthy and so friendly (but at the same time serious) cabernet sauvignon. Grothiness refined and defined. Drink 2019-2027.  Tasted April 2016

Spottswoode Estate Cabernet Sauvignon 2013, Napa Valley

A different world here, very floral, historic site with vines that go back as far as 1972, organic since the mid-1980’s. With a slice of reduction to grant forward structure where candied roses will always be there. Classic 1990’s Napa style, rich and full but focused, pure and detailed. Complex, 20 months in French wood, 60 per cent new, 88 per cent cabernet sauvignon 88 plus (8) cabernet franc and some petit verdot. The potential is great. This will become picture perfect. $185 US. Drink 2019-2032.  Tasted September 2016

Etude Cabernet Sauvignon 2012, Napa Valley

The combination of fruit (could it be any riper or improved upon), acumen and no expense spared makes this the cabernet sauvignon of great esteem in that echelon where few reside. Berries in many forms; fresh, puréed and in clafouti are fully engaged. What will this not do for you, for 20 years and more? Everything. The most refined and sophisticated such a wine can be. Drink 2019-2033.  Tasted April 2016

J. Davies Cabernet Sauvignon 2014, Napa Valley

From Schramsberg Vineyards, a Napa Valley aromatic beauty, the most floral of any on this table and in so many ways the most Bordelais, or perhaps more specifically Margaux with such perfume only a scant few know or understand. So pretty and powerful, lovely, structured and intense. This will age for two decades easily and tasting this really puts it all into perspective. The palate brings more of the divine, silky, fleshy and with some spicy bite and chew. Really fine. Really, really fine. Drink 2020-2035.  Tasted May 2016

 

Gallica Wines Cabernet Sauvignon 2013, St. Helena, Napa Valley

Oakville valley floor Napa fruit gravelly soil, from Rosemary Cakebread. First wine in this haute line-up to amalgamate the blue, red and black fruit, with some volcanic aromatics. Acidity works in and all around and so this has it all going on with a chocolate finish more refined. Mainly (75 per cent cabernet sauvignon plus (25) cabernet franc, suave from blueberry to red currant to black berry. The corporeal tone is elegant and muscular. Has some real elegance and is is simply excellent. 249 cases. Drink 2019-2031.  Tasted September 2016

Young Inglewood Estate Cabernet Sauvignon 2012, St. Helena, Napa Valley

Deep, low, bench land gravelly soils, extended maceration, rich concentrated depth, amazingly void of chalk and grain though the tannin is intense. Very refined, spicy and great acidity. It’s all in napa, all in from Josh. Wow, so long. $157 US. Drink 2018-2028.  Tasted September 2016

Signorello Cabernet Sauvignon 2013, Napa Valley, Unfiltered

From 1990 planted hillside, bench site vineyards, gravelly with good drainage, young but structured, just east of the Silverado Trail. Rich, black fruit, chalky, fine-grained and very sweet tannin. All natural yeasts, 22 months in 65 per cent new oak. All in but because the fruit is so rich and pure there is balance. Rich, spicy and focused, tempered chocolate finish, a prime example of today’s Bordelais in the retro-modern world. $156 US. Drink 2018-2026.  Tasted September 2016

Silverado Estate Grown Cabernet Sauvignon 2013, Napa Valley

Also high-toned but the level of serious, depth and bad-ass intent is on the table. From steep shale soils, there is a mountain herb aroma that is distinct, ahead of the chocolate curve,. All in 100 per cent cabernet sauvignon, 45 per cent new wood, heat factor notably reduced. There is a cool-menthol note but the flavour is a change of pace, into cool, thin mountain air and the tannins are a beast. Tart and grainy finish. Needs five to seven years to integrate. Exceptional wine. $150 US. Drink 2019-2028.  Tasted September 2016

Y Rousseau Cabernet Sauvignon 2013, Napa Valley

Yannick’s work, in reduction and Mount Veeder depth. Further south with fog-maritime coverage so here winemaking is in, Bordelais for sure, reminds of St. Éstephe. Dark, pitchy, cimmerian, with a steep remoteness about it. Volcanic, serious at 2000 ft, so great acidity that just seems natural and raging. Candied flowers and this is just simply intense, gorgeous and alone. Eastern exposure, naturally fermented, 18 months in 75 per cent in new oak. The structure here is second to none with focus, determination and very aggressive tannins. Quite hot on the finish being the only detractor. 150 cases made. Drink 2017-2024.  Tasted September 2016

Daou Vineyards & Winery Cabernet Sauvignon Soul Of A Lion 2013, Paso Robles

Carries a cool, Mediterranean savour on the nose, with spirit, vitality and a black olive tapenade. Seamless, ripe in acidity and intensely naked but never wavering from its energy. This is a massively structured wine and no doubt will last 25 years but touched anytime in the first 10 will require hours of aeration and a more than obvious, double-digit ounce weighed, protein fleshy sidekick. It may be big and high octane on the nose, carry a truck load of architectural bones on its corpulent frame but it never loses sight of finesse and dare it be said, elegance. Well, maybe not elegance but it is charming, handsome and fine, even in the face of massive extraction. Drink 2020-2030.  Tasted April 2016

Honig Cabernet Sauvignon 2013, Napa Valley

Going deeper and darker on the floor, ripe and tart black raspberries, dusty Rutherford fruit, 87 cabernet with a long splash of petit verdot, with some merlot. Aged in 100 per cent American oak (30 new). Good valley floor fruit absorption, some exotic black and white fruit, pod and kernel. Acidity is low profile, tannin slightly more but this is quite easy to get at for a Honig. A wine of good volatility. $78 US. Drink 2016-2018.  Tasted September 2016

Terra Valentine Spring Mountain District Estate Grown Cabernet Sauvignon 2013, Napa Valley

High Mediterranean-savoury component, in black olive and caper volatility. So much ripe but tang-tart-sour raspberry, a product of high sun hours at elevation with the need for canopy management. Old vines, erosion hills, fog-influence, history and repetition. Very savoury and another wine with its very own kind of funk. Oak and spice with grainy tannins all over the finish. Wild, disparate and complex wine. A bit early to get to know and then it carries a bit of an advanced character or a natural cure to it that may always be there as it ages over a good long period of time. $175 US. Drink 2017-2025.  Tasted September 2016

Trefethen Family Vineyards Cabernet Sauvignon 2013, Oak Knoll District, Napa Valley

Valley floor fruit where healthy ground cover leads for major florals and minor Mediterranean scents, namely black olive. Gravelly, Oak Knoll natural acidity giving rise to the AVA nature, that ripe and round acidity for a cool feel. Aridity, pinch of salinity, rises and lingers. Minor pitches from malbec, petit verdot and merlot. Overall epitome of red fruit. Better value than most. $60 US. Drink 2017-2021.  Tasted September 2016

Rocca Family Vineyards 2013, Napa Valley

Single vineyard on a 21-acre farm, high toned, dark fruit from a warm bench land site, alluvial soil, organic. Sees 20 months in 75 per cent French oak and in this case it is necessary because the fruit and the acidity are ravers and ragers. Such a cooling back side, minty, chocolate mint, rubbed between the fingers, yes, like malbec. Oak is huge. $108 US. Drink 2018-2023.  Tasted September 2016

Darioush Napa Signature Cabernet Sauvignon 2013, Napa Valley

More of a proprietary red, 75 cabernet with some merlot and a minor amount of cabernet franc, plus malbec and petit verdot. More acetic tendency, tart and direct, even stark at first. High octane over bullish concentration, not so subtle, aromatically closed but the acidity and the overall structure is gritty. This needs time to settle, for the composed acidity to get together and layer into the fruit. The finish while hot is more composed. There is some dried fruit advanced character. Multifarious, both by varietal and picking times, or so it would seem. $95 US. Drink 2016-2019.  Tasted September 2016

Farella Cabernet Sauvignon 2012, Napa Valley

The tones are on the rise, up in the air, quite the herb influence, whiff of pipe tobacco, seems like a higher percent of malbec and/or petit verdot. From the most recently designated AVA, volcanic meets foxy, dried fruit with spice, fig, cherry, apricot, peach and plum. Chewy dried fruit, you need to work a while (it’s actually 100 per cent cabernet) some grainy, chalky tannin and really good length. New oak is well-integrated. Not as cultured and understood in fact perhaps a bit disjointed but so much potential and expectation runs high for what will come next. Oak is an imbalance factor. Simple finish. $65 US. Drink 2016-2019.  Tasted September 2016

Sara d’Amato, ROM September 2016

Pinot Noir

Etude Grace Benoist Ranch Pinot Noir 2012, Carneros

The fullest of fruit, with spice and San Pablo Bay influenced tension. The combination of ripe and ripping, rich and ricocheting. Has found the right place. Typically atypical for Carneros or rather as Carneros within a Napa to Sonoma connectivity. Holds an ability to age like few varietal sistren or brethren in either AVA. Drink 2016-2022.  Tasted April 2016

Longoria Wines Pinot Noir Lovely Rita 2015, Sta. Rita Hills

“Nothing can come between us.” A wine with a song in its title, offering up the lowest hanging fruit and ready for lyrical association. Fine and elegant pinot fruit, with slender, long fingers and legs, plenty of confidence and so perfectly Sta. Rita Hills representative of place. Restrained, elegant, beautiful and ethereal. That’s a really fine pinot noir with a shot of garrigue. Drink early, If for no other reason that there is no way to resist temptation. Drink 202017-2020.  Tasted April 2016

Patz & Hall Sonoma Coast Pinot Noir 2014, Sonoma County

Now under the ownership of Chateau St. Michelle Wine Estates, this is one of Donald Patz’s swan songs, a wine that has swept into a new price stratosphere, 50 per cent increase in the last what seems like five years (but is probably more like ten). Sweet pinot fruit in such a refined, elegant and classically secure Sonoma Coast style, with altitude, diurnal temperature changes and the maritime air all influencing the style. Drink 2018-2022.  Tasted April 2016

Marimar Estate Mas Cavalls Pinot Noir 2013, Doña Margarita Vineyard, Sonoma Coast

Marimar Estate’s Mas Cavalis 2013 pinot noir shows great tension as always, acts nominally rustic and engaging. A turnkey pinot noir, expertly ripe and accented with sweet if spicy oak, tart but never lactic. Just terrific varietal wine noting vineyard and AVA with alternating slash double entendre distinction. Drink 2016-2021.  Tasted April 2016

Reata Pinot Noir Rosella’s Vineyard 2014, Santa Lucia Highlands

From out of the Santa Lucia Highlands and a property owned by Jamieson Ranch Vineyards. Rich and velvety, slightly spicy but certainly spiced, very consumer friendly at the higher end of the scale, interesting in that it hits all the right notes and lingers nicely but it’s almost too vivid and appealing. Drink 2017-2021.  Tasted April 2016

Benovia Pinot Noir Cohn 2013, Russian River Valley, Sonoma County

Sweet tension, red berry emotion, tar and roses, not as intense as perhaps expected. Great example however of Russian River Valley fruit, though low acidity, easy to like, hard to keep around. Drink 2016-2017.  Tasted April 2016

Other Red

Chateau St. Jean Cinq Cépages 2013, Sonoma County

Full on deep, dark, arid and ranging wide trodding a silk road. Extensively far reaching red blend and with great formidable tannin and structure so perhaps the best of its ilk in many a moon. Top quality from Margo Van Staaveren through the looking glass of vivid transparency and vibrancy. Best I’ve tasted. Drink 2018-2023.  Tasted April 2016

Duckhorn Three Palms Merlot 2012, Napa Valley

Duckhorn’s Three Palms ranks amongst the finest in Napa merlot and from 2012 I could paint my plate with this reduction. Thick, beautifully chocolatey and yet chalky, tart, angled and nearly bradding. It could pass for Masseto. Really Italianate and intense. So much chocolate and spice, clove, nutmeg, purple flowers. Not sure just anyone can handle its vivid truth but it’s a very intense and stylish merlot. Drink 2017-2022.  Tasted April 2016

Twomey Merlot 2012, Napa Valley

From Silver Oak Cellars, just now coming into its window with the formidable barrel continuing its slow melt, now in a calm and gelid stage. Coconut and plum combine and then there is this chocolate smooth consistency and always the dusty feel of merlot. Still pulsing with energy but this is such a full on expression. All chocolate and espresso on the finish. So much oak. Silver oak. Drink 2017-2022.  Tasted April 2016

C.G. Di Arie Vineyard & Winery Syrah 2012, Sierra Foothills

From the Sierra Foothills, this is deep mahogany red pitchy, meaty and cured syrah, full aromatic fleshy and mouth coating/filling with terrific silky addendum. A seamless syrah from start to finish. Turns into something firm (feels like granite) and even porcine at the finish. There’s a lot of fun complexity and ever-changing personality, from its roots to the Rhône and back again. Fascinating. approx. $40 CAN. Drink 2018-2022.  Tasted April 2016

Cline Big Break Zinfandel 2013, Contra Costa County

Cline’s Big Break zinfandel 2013 is rich, brambly and so full of dark berry fruit, though also a bit of oxidation. Chalky, lactic, not overtly tart and I like the fennel, tar and roses aspect. Complex and really big. Drink 2016-2017.  Tasted April 2016

Good to go!

godello

Godello in the Napa Valley mustard

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