Local best buys ahead of Taste Ontario and Cuvée, Kosher for Passover and searching for common ground
In advance of the fourth VINTAGES release of 2017 and just a shade post Valentine’s Day we find ourselves in anticipatory times. Here at the crossroads of February and depending on which overfed rodent’s shadow you align with, we may yet be faced with four more potential weeks of winter. Concerning ourselves with more important things, we turn to the Ontario wine industry’s lead in anticipation of Wine Country Ontario’s big month of March. Two seminal events lie in wait just around the corner, ahead of and into spring.
Taste Ontario! Toronto Trade and Media Tasting 2017 comes to the Royal Ontario Museum on March 6th and the 29th edition of Cuvée will happen in Niagara Falls. Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI) will host more than 800 guests at the Scotiabank Convention Centre for the Cuvée Grand Tasting on Friday March 24th.
After tasting at Cuvée in 2016 I noted how riesling and chardonnay have not relinquished any stronghold on their domination, nor should they anytime soon. I can’t help but feel and notice that winemakers continue to reach for the big red machine and wish upon an intangible Bordeaux star when they should be concentrating on fresh, gulpable cabernet franc and gamay. They should also take some risk-reward chances with these necessary, best Ontario option red varieties. Press less, reveal freshness and let natural ferments find low-alcohol impressions of impossible, ethereal beauty.
It’s not just a matter of what, but where. By sifting through leads in geography, in the orientation of escarpments, benches and lakeshore flats, in the gestalt of the archaeology of tomorrow, in the vineyard landscape of today we can perchance unlock the riddle of the what and the why for varietal planting. The end game is to unlock the mystery within the puzzle of terroir, to figure out what grapes will thrive and where they can be given the best shot at success. It is not just about what happens beneath the soil, but also what happens above, around, beyond and in the minds of growers and winemakers.
Passover is sill nearly two months away but ever the proactive agency, VINTAGES lays out the usual Kosher for Passover suspects in the February 18th release, some Mevushal (cooked or, flash pasteurized), some not. Let us first examine the concept and then, the cuisine. An understanding of the rules and laws that govern wine on Passover is on a need to know basis. There are really just three key variants of information essential to purchasing and consuming on Pesach. This applies to Jews and non-Jews alike.
Number one. Passover wine is specific to a Jew’s level of Kosher. From Reform, to Conservative, to Orthodox, all Jews have different variances of belief. A Reform Jew will likely drink any wine on Passover and then again, may not. But, he or she will almost certainly not require the bottle to be Mevushal. A Conservative may only drink Mevushal but in more cases than not, Kosher is good enough. An Orthodox Jew goes it only one way or the highway. Strictly Mevushal KFP, do not pass go, do not collect the Afikoman (the broken Matzah) money. Most Jews who appreciate a glass of good wine with dinner, and especially those who double as wine geeks avoid Mevushal wine at all costs, thought being, consuming heat-damaged wine is no way to go through life. That said, a good deal of the Kosher for Passover wines in our market are Mevushal (KPM) and some are really quite agreeable.
It’s quite simple, really. All wines labelled “Kosher for Passover” are kosher, but not all kosher wines are kosher for Passover. Further to that, wine does not become kosher by being blessed. It can be considered kosher (from the Hebrew; pure, proper) once it has complied with strict rabbinic criteria that render it acceptable for Orthodox Jews.
Few holidays put food under as much duress as Passover. The cooking is a science and an art unto itself, having to make use of Matzo, eggs and oil for eight days. It is a form of penitence, a tortuous walk through a culinary desert, at times horrific like a Fear Factor episode. Charred eggs, Haroseth, Chopped Liver, Kugel, Farfel Stuffing and desserts made with cake meal and Matzo Meal. Believe me, this chef has had nightmares.
Up until a year or two ago I noticed that Kosher wines seemed to have migrated bigger and bigger with each passing Lunisolar calendar year. Israel continued to race towards big, lush, often high alcohol reds. This trend could be seen as a masking or a compensating/mitigating strategy to oppose the rigours and past failings of making Kosher wine. It can also be viewed as a stylistic choice, to mirror what has taken place in Bordeaux, in California and in Australia for the past 20 years. For the first time, the reds on this VINTAGES release seem to collectively take an extraction and alcohol step back.
The Kosher contingent on the VINTAGES February 18th release continues to be Israel-focused, which is not a bad thing, but if you really want a better selection, head to one of three LCBO kosher boutique locations; 675 Wilson Ave., 180 Promenade Circle, Promenade Mall and 502 Lawrence Ave. W. It is here that the LCBO has stepped up their Kosher game.
As for scouring the best of the rest, WineAlign’s John Szabo laid down the low-down on Australia’s impressive showing in this release and found great value in a hodge-podge of VINTAGES value releases. I am searching for common ground and was quite impressed with two iconic southern French producers and their stellar-valued, pull no punches red and white. One hails from arid Côtes du Roussillon, the other off of old vines in Costières de Nîmes. Magic and lithe Oregon, endemic Greece and a most pleasurable drop of Sagrantino round out my shortlist. David and Sara shore up the global list with much needed and appreciated support with pertinent finds of their own.
While I sip and taste through Chianti Classico, Vino Nobile di Montepulciano and Brunello di Montalcino at Antiprime Toscane I hope you all find your gems from the February 18th release. See you in March for a taste of Ontario.
Familiar and not so familiar Europe, always cool chardonnay, seeing South African red (and a white)
These past two weeks have been difficult, bizarre and disturbing to say the least. No one is immune to thinking about the twists, turns and horrors of recent world events. With no disrespect to activism, especially on a personal level, at WineAlign our job as critics is to find ways to keep the machine running, in other words, to focus on wine. In 1975 Saturday Night Live did a skit in which Paul Simon played one-on-one basketball against one-time Harlem Globetrotter and NBA legend Connie Hawkins. Just before the game sports reporter Marv Albert asks Simon about his strategy in going up against The Hawk. “Uh, but I’ll just have to play my game, as I usually play it,” says Simon. “I mean, I’m not gonna change anything, I’ve gotta stay with my strengths… basically, singing and songwriting.” At WineAlign we’ll simply do the same.
Wines across the Mediterranean are a primary focus of the VINTAGES February 4th release. A great number of them will coax a feeling of familiarity and there are others that may not ring a bell. In any particular wine purchasing scheme it is always best to strike a balance between the poles of available options so best approached by looking to one and then the other. While France, Spain and Italy will always deliver the tried and true, a gem of a geeky or otherwise deferential varietal can be unearthed if your mind and your heart are open. Get into the corners and alleys of habituated Europe but also a place like Greece. You will marvel at how it can change your outlook to usher in the most interesting of times, in life and in wine.
A view through Vouraikos Canyon from Mega Spileo Vineyard
Don’t worry. I’m not going to run off and wax rhapsodic about wines found “off the beaten path,” argue on the semantics of what exactly that means or how it should be defined. But I will tell you a little story. In July of 2016 I visited one of Europe’s most extraordinary vineyards, found in Achaia, located in the northern Peloponnese. At the top of this incredible canyon you stand at the foot of another even more imposing and massive rock face that is home to the 11th century Mega Spileo monastery. Gazing north through the cracks in the mountain cragges you can see the azure blue waters of the Gulf of Corinth. Looking straight down you see the greenery of the healthy Mega Spileo vineyard. The entire footage leaves an indelible mark. What’s the point? The point is to get out there and make discoveries. This also applies to what can be found in the VINTAGES catalogue.
Chardonnay is always in the spotlight so why should February 4th be any different? This past summer at Niagara’s Cool Chardonnay conference I found out that we have to look at organoleptics and ask a very important question. Is your expectation of a Chablis going to be the same as chardonnay made from anywhere else? More important, who are we putting this wine in front of? Ian D’agata’s take struck a Canadian chord. He talked of “a welcome astringency characterized by piercing flavours. These are cool-climate wines. Cool climate chardonnay is not about a long litany of fruit descriptors. If you have a cool-climate viticultural area it behooves you to give the people what they are looking for.” More cool chardonnay examples available on this release are worthy of your time and your dollars.
Bush vines, Groot Drakenstein Mountains @AnthonijRupert Wyne @WOSACanada #lormarins #franschhoek #southafrica #winesofsouthafrica #mesmerizing
South Africa is a geographical and geological land of wonder, of ancient soils and picturesque intrusions. Extreme examples include the shale and schist of Swartland that turns into dust and the granite domes of Paarl, which are 30 million years old. We are talking about beginning of time stuff, but how does it impart into wine? Taste more than just a few South African reds and you will get a sense.
I’ve said it before and will repeat myself. South African wine is not what we thought it was. This mantra can’t be repeated often enough. Ventures into the Cape wine lands, tastings and zealous immersion into Stellenbosch, Paarl, Franschhoek, Swartland and Hemel-En-Aarde see to that. If you’ve not visited you can’t possibly know what revelations lurk but you can get a glimpse by drinking South African wines here in Ontario.
I would like to wish you all great February release wine hunting and gathering. The WineAlign team is in travel mode these days but rest assured the reviews from upcoming VINTAGES releases will be dutifully covered. I’m off to Antiprime Toscane next week and will be back in time for everything March. The February 18th release will find a focus on Australia and March 4th, well, it’s anyone’s guess!
This may or may not have happened #raveneau #memory #monteedetonnerre
It has never been this difficult to narrow it down. This frenetic, fast and forward moving blur of a year has blistered the patterns of thought so much so that I seriously considered throwing the whole 16 in 16 down the drain and laying it all out there. “Here are the 42 mind-blowing wines of 2016…” and then this wave of clarity came over me like a cloudless afternoon in Chablis. I mean I tasted 50-plus Grand Cru Chablis this year. They could all be on this list.
I meant this just the way I wrote it. The simplicity of wine is a beautiful thing. A vine grows and produces grapes. That fruit is picked and ferments itself with help from yeast it just happens to carry in its luggage. Time passes and wine is made. No one had to invent it. The most basic example of shit happens.
As if to presumptuously bookend 2016 before it even began, that first post was apropos. New year, 16 new VINTAGES releases were not mind-blowing by any stretch of the waxing rhapsodic imagination but white space was filled. Like growing grapes in warm climates where just about anything can complete a phenolic journey, the possibilities are endless. So that I may feel comfortable quoting Godello again and again, multeity is the name of the game.
South Africa continued to occupy Godello for the early part of 2016 and that will never cease and desist. Hosting Andrea Mullineux at Barque Butcher Bar was one of the true highlights of the year. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned in previous articles, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.
A new riesling on my radar was released in February. Creekside Estate Riesling Marianne Hill Vineyard 2014, Beamsville Bench, Ontario (443572, $19.95, WineAlign) and it paired beautifully with more foreshadowing than I’d like to admit.
Such a showing of 12 from Langton’s does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory
The Langton’s Classification: Excellent, outstanding, exceptional could have, would have placed 16 wines on this best of list were the rest of the planet not so adept at making wine. Like Wynns Coonawarra Estate John Riddoch Cabernet Sauvignon Limited Release 2010, Coonawarra, South Australia (466748, $99.95, WineAlign). Such a gathering of Australian wine delivers the preponderance of form, with the incantatory capacity of narrative to bring truth to light and fulness out of pleasure. The mantra repeated with Savouring the new Australia.
The #napavalley mustard is something else @CalifWines_CA #napa #califwine
Vintage to vintage nuance and the common thread of grothiness, or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon
The most pertinent question now in my mind is this. Can European wine keep up with the fictionality of North American reality? Even these wines could not make this list, however great and exceptional they are. Anakota Helena Montana Vineyard Cabernet Sauvignon 2013, California (181131, $158.95, WineAlign), Forman Cabernet Sauvignon 2012, Napa Valley, California (143925, $160.00, WineAlign) and Groth Cabernet Sauvignon Reserve 1997, Oakville, Napa Valley, California (Agent, $179.95, WineAlign). Sometimes the answer still persists. All in the Primum Familiae Vini. And by the way, The LCBO keeps Kosher.
Much of what I taste is in a lab with no windows. That is because VINTAGES is a mimetic project, which is a few projects too many. We wine trackers and writers are akin to Cricetinae, perpetually running in a wheel or like Sisyphus, forced to roll an immense boulder up a hill, only to watch it roll back down. We read the bi-weekly catalogue, pre-taste the newest offerings, make our lists and check them twice. In every batch there are 10-15 wines that stand out, as much about bell curve positioning as absence of singularity. That is why attending varietal-centric events like The dawning of the age of Austrian wine and travelling the world is so important. Not too mention in my dining room In the Campania of Vini Alois.
To name a few excursions, I visited California in February, Vinho Verde in March, Chianti Classico in May, Chablis in July and Valpolicella in September. November in Paris I re-connected with Earth and sky. The take aways were extraordinary and flush with the relish of new discoveries and brand new days. Who can forget Ca’ La Bionda Vigneti Di Ravazzol Amarone Della Valpolicella Classico 1997? Italy in the fall reminded me that Franciacorta is the best kept sparkling secret on the planet. November is a sublime time to visit the province of Brescia and the cellars of Franciacorta. Meraviglioso! Meanwhile, Champagne has to be on the list, right? Lallier Cuvée Millésime Grand Cru Brut Champagne 2008, Champagne, France (Agent, $95.00, WineAlign) should be but again, space restrictions and there was this old bubble from the New World. Decisions, decisions.
Which brings me back to Canadian and more parochioally, Ontario wine. The Canadian wine renaissance is attributed to high-end, artisan winemakers like Norman Hardie and Thomas Bachelder. That’s the cool factor. The truth of the matter is that Canadian winemakers have realized and capitalized on the significance and exceptionality of their terroirs in regions such as Niagara, Prince Edward County and the Okanagan Valley. Journalists and buyers from around the globe know it and have begun to spread the Canadian gospel.
And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre
This 16-strong list has much to do with the beg, Drink now or save it for later? I have spent the last 30 years considering wine in some respect. The last 15 much more so. The tries, trials, errors, tricks, and tribulations have taught me one thing. I prefer and receive much more instant gratification from drinking wines young but nothing compares to the insight and the exhilaration of partaking in older wines.
You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet
The year’s greatest distraction came at the hands of Chablis and fair warning, twenty thousand words are coming soon. In 2016 I published three times, Chablis from Dauvissat to Vocoret, Looking for Chablis in Ontario?, Enlightened Chablis of Château De Béru and Paradox in Chablis. Chablis as a varietal concept, as opposed to and unlike anywhere else in the world, seemingly unrelated to chardonnay. How could these extraordinary Chablis not make the list? Domaine Laroche Chablis Grand Cru Les Blanchots Réserve De L’obédience 2014, Ac Burgundy, France (Agent, WineAlign) and Domaine William Fèvre Chablis Grand Cru Bougros Côte Bouguerots 2014, Ac Burgundy, France (Agent, WineAlign). Perhaps because I will soon publish Grand Cru hyperbole next month? That must be it.
Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello
For the first time, I think ever, I gave some love to Rosé in the Days of wine and Rosés. I also fell for new dessert wines and these two tried hard but came up just a wee bit short for the list. Domaine Cauhapé Jurançon Symphonie De Novembre 2012, Southwest, France (470344, $38.95, WineAlign), Losi Querciavalle Vin Santo Del Chianti Classico 2000, Docg Tuscany, Italy (Agent, $95.00, WineAlign).
@grahams_port insanity via @abnermallity #onceinalifetime #piratesonapicnic #piratesv4point0 #sharingiscaring #1948 #finestreserve
Singolarità, qualità, diversità. Grazie di tutto @chianticlassico
In 2016, two words. Chianti Classico. The wines have embarked upon an ascension into their contemporary golden age. Image, perception and finalmente, reality, these are the truths all who feel the soul of Chianti Classico are in search of today. Today and moving forward, explaining to the world that Chianti Classico is not what you thought or think it to be. Colle Bereto Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (Agent, $67.50, WineAlign) was a side-revelation, as were so many others in Three days, eight estates, Chianti Classico and Gran Selezione, The most important red wine from Italy. And in a year when CC is all that seems to matter, Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign) and Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent, $100.00, WineAlign) are but mere mentions in addendum.
David Pelletier, ‘Le Sommelier Fou’ and friends in Vinho Verde
200 yr old vines. 1300m above sea level @vignerietna @somesmartsomm #rosato #vinudilice 2008 #tastethelava #volcanic
I Vigneri Di Salvo Foti Vinudilice 2008, Igt Sicilia Rosè, Sicily, Italy (WineAlign)
So much about this introduction to volcanic Rosato falls under the category and melts into the realm of the impossible. Begin with Vigna Bosco planted to 10,000, (up to) 200 year-old bush-trained (Etnean alberello) vines per hectare in Bronte, Northern Etna. Consider the party goers, endemic alicante, grecanico, minnella and other minor if wholly obscure native varietals. Locate the vineyard at 1,300m above sea level. Tell me it’s not the highest in all of Europe. Go on, tell me. Tended by hand with the help of Ciccio the mule. No refrigeration, yeasts or filtration. Decanting and bottling follow the phases of the moon. Blush has never acted like this, suspended as if put into bottle yesterday, beautifully minutia funky, every detail in laser calm focus. There really is no reference point, not in the south of France or anywhere in Italy to prepare for such an intellection. Vinudilice is nestled in a wood filled with holly oak (quercus ilex or in Sicily, ilice) but in respect for its singularity I would hesitate to categorize or compartmentalize. In fact I would not use the term Rosé, or Orange or natural to realize a need for reason. I would simply taste the lava. Thank you SomeSmartSomm. Drink 2016-2018. Tasted April 2016 @ivigneri@somesmartsomm@WinesOfSicily
Not members Blasted Mechanism. With Chris Wilton and Vasco Croft, Aphros Wines, Vinho Verde
Loureiro of a fashion so rare for Portugal and this region, from a concrete pétillant-naturel style, vinified in stainless steel with wild yeasts and initially no additional sugar, then bottled with 20 grams of natural residual sugar, to alight the single fermentation conclusion. An 11 per cent contrariety of méthode ancestrale dialectic, like a lime-grapefruit cordial housing a dissolving lemon tablet. A bowie cut, boning and dressing of loureiro. This here the whole new way to take the grape, to send it sky-high and bring it down to the rustic roots of glam, sparkling funk. “Like to take a cement fix, be a standing cinema. Dress my friends up just for show, see them as they really are.” Vasco (Andy) Croft walking and his hunky dory pet-nat spinning an original tale of a time and a place, or perhaps a myth, like the rustic deity of the forest riding shotgun to Dionysus and his native war. Drink 2016-2018. Tasted March 2016 #aphroswine@LeSommelierWine
Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo
Cirillo 1850 Ancestor Sémillon 2011, Barossa Valley, South Australia (Agent, $36.00, WineAlign)
A sémillon revelation is found in this Barossa Valley ancient, a wine procured from vines dating back more than 150 years. To discount that prodigious bit of calculated fortuity would be wrong on so many levels. The Cirillo family are guardians of what may be the oldest continuously producing grenache and sémillon vineyards in Australia and by logical extension, the world. Here the combination of dry extract, mineral depth and straight-lined (unsalted) salinity is beyond special. While the Hunter Valley garners the most attention for aging immortal sémillon, this Barossan will likewise escape, somehow, to live another more complicated and mysterious life. I would wait three years for some extract meets tannic sweetness to begin its development and then take it slow for another six to 10. Incredible find here in Ontario from Marco Cirillo. Drink 2019-2029. Tasted May 2016 @Cirillo1850wine@bokkewines@BarossaDirt
Brash Higgins Nero D’avola Amphorae Project 2015, McLaren Vale, South Australia (Winery, $55.00, WineAlign)
The renegade triumvirate of coagulation denotes the shock and awe of this outlier; McLaren Vale, Nero d’Avola and Amphora. Winemaker Brad Hickey and his nickname have taken the troika and created a beautiful monster. A non-oxidative, crunchy, spicy, toasty, chewy and tannic NdA in versicolour, mottled and florid in flavour. There is black and white pepper, cinnamon, zesty orange spritz and a clay influence (plus amphora) to waft one for the ages. The palate flaunts a tapenade of painfully brilliant chalky black olive. The swirl is chocolate and vanilla, mediterranean and meganesian. There should be zero attention paid to the unusual in its concept. This is both a pleasure to taste now and will evolve into something wholly other given enough time. At least 10 years to be sure. Drink 2016-2025. Tasted May 2016 @BrashHiggins@mclaren_vale@TheLivingVine
Rockpile Zinfandel Cemetery Vineyard 2013, Rockpile AVA, Sonoma County, California (Winery, US $47, WineAlign)
Look towards the other arm of Lake Sonoma and let your mind’s eye rest 250 feet higher than Jack’s Cabin Vineyard. The Cemetery plantation is a jagged, craggy outcropping with “a face uneven as a river jag and asperous as the mullein’s flannel.” The Mauritsons are Los Campesinos of Cemetery Vineyard in Rockpile. The rocks below resemble giant headstones along the Rogers Creek fault and you just have to believe all this immensity of geology impacts the vines. It does but don’t ask how or why, just settle into the cimmerian depth of zinfandel touched by black fruit, spice and the akimbo savour of glutamate and amino acid. Three further months in barrel (85 French plus 15 American) accentuates the spice, smoulder and espresso con crema texture. Ripeness of fruit, tannin and acidity are simply stellar out of this dramatic place. “You know us by the way we crawl and you know us by our cemetery gaits.” Drink 2017-2025. Tasted February 2016 @mauritsonwinery@sonomavintners
Though it may long ago have been considered the quintessential one, there may be no other Alsatian gewürztraminer more important than Weinbach’s Cuvée Laurence. The reasons are manyfold but begin and end with memory and legacy. This was daughter and sister Laurence Faller’s prized wine, the wine she put her name to, that defined her gracious winemaking in echo of the estate she worked. Her family has carried the torch and yet her touch is all over this wine. Calm, composed, balanced and ethereal. Laurence is a clear expression of the marly limestone soil beneath the lieu-dit of Altenbourg, located at the base of the great Grand Cru Furstentum vineyard. Where else do you find gewürztraminer of such delicasse, from which classic aromas (rose petal, creamy to boozy-syrupy tropical fruit) and impossible unction combine without ukase? Nowhere. The acidity does not act with impulse. No, it rings, supports and lingers. The extract is intense but out of mind. Exceptional vintage. Drink 2018-2033. Tasted October 2016 #domaineweinbach@AlsaceWines@drinkAlsace@ACT_Alsace@VinsAlsace
Alessandro Palombo is skeptical at first, one eyebrow raised but with the look of possibility on his face. Takes me very little time to acknowledge that this ’79 is very much alive, fruit not predominant (and surely some prune) but neither cooked nor bruised. The brown nose (earth and spice) purports a full concentration of anthocyanins, acidity still full in, dried fraises de bois, black liquorice, dirty leather and worth repeating, still very good acidity. Truffle, forest floor and then black olive tapenade on the palate. This is 70-80 per cent sangiovese with colorino and canaiolo and for 1979 it’s quite incredible. It should not have lasted this long. Antonio says that up to 10 per cent could have been malvasia blanca and trebbiano because at the time it was a field blend, co-planted with the sangiovese, which could explain some of the variegation in the colour. This is a Chianti Classico to lend credence to the idea of using multiple fruit, vegetal and animale descriptors when assessing an old wine. It’s also the reason why you put them away and open them with friends who’s eyes are wide open. Thank you Alessandro for the opportunity and for the connection to your grandfather Alberto. He was a very good winemaker. Drink 2016. Tasted May 2016 @LuiLuiano@chianticlassico
Château De Béru Chablis Clos Béru Monopole 2012, Ac Burgundy, France (Agent, $87.95, WineAlign)
In 2012, less density and iodine matchstick is on display in performance for the historic, south facing vineyard beyond the Château’s walls. From this her eighth vintage in the resurrection of the family’s estate wines, Athénaïs de Béru has assembled fruit from Kimmeridgian limestone in rapport with a vintage of portent and intent towards elegance. The acidity is much more linear (than 2013) and the limestone sensations less metallic. Here the feeling is more of a liquid chalk and the balance is much improved. Also less evolved, bright and a much more amenable of a bitter pith, more citrus (lemon and lime) and not as earthy. Longer finish too. What 2013 lacks this ’12 gains and vice versa. The comparative literature and parenthetical study is duly noted as apples to oranges so the wines are exempt of one another. Neither answer all the questions asked and both express their terroir from their time spent on it. This ’12 story will become clearer in another year or two. Drink 2017-2023. Tasted July 2016 #chateaudebéru@TheLivingVine@vinsdechablis@purechablis
“What is Rioja?” asks Telmo Rodríguez. He notes that Lopez-Heredia still manages small vineyards, Grand Cru and Premier Cru plots, but most Rioja houses are industrial. Their wines age in barrels in 100-150 year old wineries but have no sense of place, of origins, of an amazing vineyard. “I want to be radical. I believe it (Rioja) can be one of the most beautiful places in the world but I told my brothers it needed to go in a very particular direction. My brothers agreed.” So costs went up 35 per cent. They bought no grapes. “If you want to work properly in Spain, you have to be a hero.” You have to work the most difficult vineyards, where production costs are five times that of Grand Vin Bordeaux but the price sells for 10 times less. And so Telmo Rodríguez produces this Gran Reserva, a wine that adheres to a Rioja systematic but does so from a blind-eye turned, high density field-blend planting of tempranillo, garnacha, graciano, muscatel, viura and malvasia. A field blend, unlike Bordeaux but a local village farmed gathering of the best fruit. The 2009 is showing no age but the difference between 2010 Reserva and 2009 Gran Reserva is night and day. This makes the ’10 seem fresh, alive, open, almost simple. Here the variegation is distilled down to laser focus, as if the varieties all become one and most people would simply say tempranillo, but who has ever tasted and been dealt such a tempranillo? This is oozing of a liqueur like no other, rich, viscous, natural and dry-extract sweet. An expression of the best microclimates and their vineyard kin. Wait another five years to allow it to remember and tell its tale. Drink 2022-2034. Tasted September 2016 #Remelluri@TelmoRodriguez_@Noble_Estates
Dominus 1998, Napa Valley, California (212381, $176.95, WineAlign)
When I tasted the 1990 in 2012, hanging on to every thread of oscillation from death to life and back again was exhausting. The 2008 tasted that same year could not have been more life affirming. This ’98 is such a zoetic Dominus beast with an embarrassment of resplendent riches. It is everything 1990 wished it could have been and yet the light-hearted George Hrab geological funk reminds me of that wine. The 1998 trips on a trebuchet and I weep at its aromatic reverie. It is hypnopompic, a state immediately preceding waking up, whiffing the most beautiful Brett there ever was or could ever imagined to be. Volatility in a bubble, circumstantial, lost in a dream. Get lost in the butcher shop, the natural cure here, there, everywhere, curative and comforting. Porcine and rapturous, fruit perfect and entitled, structure supprting every note. If 1998 was both a curious and concerning vintage this wine lays those worries to rest. The fretting may have swayed feelings and been difficult to glide fingers across but the harmonics extend with ease. Finishes with staccato calm, a palpable exhale of breath and silence. Five more years will be like this and five more without threat. Drink 2016-2026. Tasted October 2016 #dominus@rogcowines#ChristianMoueix
Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)
From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030. Tasted May 2016 @RidgeVineyards@rogcowines@CalifWines_CA
Fino, Don P.X. ’86 and ’62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain
Bodegas Toro Albalá Don P.X. Selección 1967, Do Montilla Moriles, Spain (491647, $199.95, WineAlign)
You know it’s a good month when you are afforded the opportunity to taste two Montilla-Moriles Pedro Ximenez oldies, first the Alvear Solera 1927 in Paris and now this Selección 1967 bottled in November of 2016. The vintage-dated PX are produced from sun-dried grapes fermented for two months to eight or nine per cent alcohol, at which point a distillate made from the same PX pressings is added to bring the wine up to 17 per cent. First in concrete vats and then a transfer into 50-150 year old American oak barrels. Only 630 bottles were filled in a PX of awakening and hope that finished at an indiscernible 17 per cent alcohol. Some dessert wines can be cloying Popskull but Bodegas Toro Albalá delivers yet another impossible and crazy dessert wine of heavy fuel, impeccable balance in the face of Lugduname breaching sweetness and aromas sin fronteras. The gamut glides through roasted nuts and dried fruits, from almonds and Van Gogh Museum memories of their abundant flowers plus pomegranate, apricot, peach, nectarine, damson plum and pistachio. So much pistachio!! In between there is orange marmalade, quince jelly and prune preserve. Plenty of acidity extends and narrows into a sharp, pointed tang. No matter how many times you try to empty the glass there is always more wine. Always another sip. Is it viscosity, a truco del ojo or trampantojo? Is there some kind of wizardry at play? Then finally, well, actually never, a finish with no end, or a pause in a never-ending 49 year-old (and counting) story. So where is the beginning? 1967. Drink 2016-2040. Tasted November 2016 @toroalbala@sorgatoBTA@MontillaMoriles@LeSommelierWine
Schramsberg Sparkling J. Schram 50th Anniversary Late disgorged 1999, Napa Valley, California (Winery $175 US, WineAlign)
In celebration of Schramsberg’s golden anniversary, 50 years after Jack and Jamie Davies revived the historic Schramsberg estate for the purpose of making the nation’s first chardonnay and pinot noir based, bottle-fermented sparkling wines. A North Coast (57 per cent Napa, 25 Mendocino, 15 Monterey and 13 Sonoma) blend of 74 per cent chardonnay and 26 pinot noir. Seventeen years have come to ginger, cumin, coriander and galangal in laminous, oxidative ingenuity, wholly arid in kicking up the aromatic dust. Flavours of pressed lemon, bitter brioche and then tannin, yes tannin. From a protracted year, picked as late as October 19th, disgorged in August of 2014 at a dosage of (very necessary) 11.5 g/L RS. Blessed with high natural acidity of 9.8 tA. How can I not concur with Hugh Davies. “What we’re really showing here is Napa Valley Chardonnay.” Drink 2016-2031. Tasted February 2016 @Schramsberg@TheVine_RobGroh
Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful
Domaine François Raveneau Chablis Grand Cru Blanchot 2009, Burgundy, France (WineAlign)
It would be misleading to address Raveneau’s Blanchot as chardonnay even as we know it as such because Raveneau produces wines as unique as door keys. They are so inimitable and each will only open the gate to its own unique perception. Blanchot is the southernmost of the seven Chablis Grand Cru climats and blankets the southeastern side of Les Clos. The Raveneau narration does not convey the notion of manifest feeling but instead splits the axiomatic atom of the climat. A sip and you are inside the Blanchot, gliding and passing through rock as if you are the ethereal and the wine is the solid foundation of thought, pathos and avowal. There are aromas that combine citrus and umami with a sweetness that can’t be denied or defined. The wine is just a child, complex, shy and yet unable to express both its meaning and power. But you try to get inside its head, stumbling over kimmeridgian rock replete with the smithereen-crushed shells of ancient fossils. This is a calm young Blanchot and you melt away while under its spell. Three more years should render its hidden meaning. Drink 2019-2034. Tasted July 2016
A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis
Domaine René et Vincent Dauvissat Chablis Grand Cru Les Clos 2001, Burgundy, France (WineAlign)
Tasted from a bottle opened five days prior which is nothing really for a wine that can age easily for 30 years. It resides in a perfect state. Vincent concedes “over 20 there is nothing to be gained” and yet the still terrifically raging acidity would suggest this 15 year-old specimen is only halfway there. The texture is nothing if not persuasive. In 1931 Vincent’s father began this journey. Here 70 years later is a wine so perfectly intact, the lemon-waxy aspect almost on the edge of the hive. But not quite because of the taut bracing and tight embracing. There is a chew to this and Dauvissat shrugs. “What’s to say?” Nothing but a great piece of his history and his father’s legacy. If this wine is a sentimental tribute to a childhood village, it is never uncomplicated. Drink 2016-2031. Tasted July 2016
Catena Adrianna Vineyard Mundus Bacillus Terrae Malbec 2011, Mendoza, Argentina (Agent, $325.00, WineAlign)
In this extremely specific malbec from a diagnosed block of the Adrianna Vineyard we are graced with the micro-science of wine. And if you feel that using the name of an aerobic bacteria in the nomenclature is an odd choice, consider the mind of Dr. Laura Catena and her biological approach to viticulture. If we can understand and differentiate the microbes in the soil we can make better wine. It’s as simple as that. When wine is broken down to the biological level it becomes something entirely different and this is the road travelled by the Mundus Bacillus. Catena’s usage of 70 parcel pits per hectare has unearthed this single parcel within the vineyard, again completely different and the pinpointed microbial discussion initiates right here. The soil stakes a claim for this malbec only, certainly not in any way that tends to funk but surely as an impresario of soil. Talk about eugenics in the MBT because that science is compelling and can be related to in this wine. It can offer keys towards improving genetic quality of the vinous population. Here we are faced with rich and dusty, a mean streak of malbec intensity made elegant by earthly microbes. This section draws parallels to the (chardonnay) White Bones soil from which there transfers an excess of dry extract and tannin. Patience please for a malbec that will be long lived. Drink 2019-2027. Tasted November 2016
He has always distracted me so that I thought of nothing else while listening to the words. And the sound of his voice.
Compiling a best of wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances.
I do my best to taste wines twice before passing judgement. Too often I can’t fulfill this prophecy, especially when plodding through 100-plus on a VINTAGES release. In 2016 I made a great effort to visit these 16 wines three times before penning a review. It was not always possible but I tried. When it comes to Canadian wines and even more so with wines from Ontario, there are often second and third chances. And so I feel very confident in sharing this definitive list with you.
Hallelujah
It must be said that 2016 was a most difficult year. Too many special people were taken from us far too early. I lost two friends this fall as I’m sure some of you did as well. Many of us dwell on favourite celebrity deaths and especially the loss of musicians, some of us more than others. If you are one who takes to social media to mock the romantic who shares grief with others at the loss of a musical icon, well just skip past this and go straight to the wines. Or please refrain from comment and respectfully remain quiet.
David Bowie. Prince. Leonard Cohen. Sir George Martin. Glenn Frey. Paul Kantner. Leon Russell. Keith Emerson. Greg Lake. Alan Vega. Mose Allison. Bernie Worrell. Muhammad Ali. Gene Wilder. Arnold Palmer. Craig Sager. David Huddleston. Ken Howard. George Kennedy. Abe Vigoda. Ron Glass. Florence Henderson. Fuck 2016. And this tree fell on my house.
How’s your Sunday going so far?
On a much brighter note 2016 was a banner year for tasting Canadian wines. It also provided a vintage of quantity meets quality and one that was desperately needed, especially here in Ontario. My tasting regimen saw no quit or slow down in 2016. I’m not sure how many Canadian wines I tasted but if it was less than a thousand I’d be shocked. I tasted more at home, assessed a greater number in the LCBO’s sensory lab, delved deeper at the WineAlign office and spread the web wider at events in Ontario. I judged with Tony Aspler at the Ontario Wine Awards, in Penticton at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.
In 2015 I counted 15 on the filtered list. In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth will lead to 17 in 2017.
Welcome @muller_brent to team RED! with nazlanmak captain @treve_ring #nwac16 @winealign
And again, I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.” In 2017, trust in Canadian wine.
Return Syrah engagement @CreeksideWine pouring on tap @barquebbq and @barquebutchers #freshtap #wineontap
My wine on tap program at Barque Smokehouse and Barque Butcher Bar added some new wines in 2016 to follow those poured from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. Between the Lines, Coyote’s Run, Vineland Estates and new offerings from Creekside continue to fill your glasses.
The year began with great excitement at Niagara’s Icewine Festival in January. In February I returned for Cuvée Weekend. In June we convened the WineAlign Canadian Wine Awards in the Okanagan Valley and a confession I need to make is that I wanted to publish with the title “Why you don’t know shit about B.C. wine” but chickened out at the last second and instead came out with Why you don’t know jack about B.C. wine. Before judging we paid a visit with The Wines of British Columbia for the Judgement of B.C. The second annual cage match was hosted by the B.C. Wine Institute and took place on Tuesday, June 21, pitting 12 B.C. Wines against 12 acknowledged global benchmarks. Riesling and Pinot Noir squared off, curated by DJ Kearney and judged by a who’s who of Canadian wine writers, critics and educators, along with international WineAlign Awards judges Dr. Jamie Goode and Elaine Chukan Brown.
How lucky we all were to have her back in the captain’s chair. Happy Canada Day @djwines #nwac16
As the week progressed, the WineAlign judges paid visits to Okanagan Crush Pad Winery in Summerland, Culmina Family Estate Winery in Oliver, Tantalus Vineyards in Kelowna, Rustic Roots Winery with the Similkameen Wineries Association and Deep Roots Winery on the Naramata Bench. I tasted more than 100 wines over the course of the five days from the appellations of Okanagan Valley, Okanagan Falls, Oliver-Osoyoos, Golden Mile, Similkameen Valley and Naramata Bench. At the awards I tasted more than 500 Canadian wines.
Of greatest importance was my return to the International Chardonnay Cool Climate conference that took place between July 22nd and July 24th in Niagara. Before attending for a fourth straight year I penned The democracy of Cool Chardonnay. It was there I wrote that “plus has joined the i4c, an ideogram of addendum, a character of diversity for the fluently persuasive and forceful congress. This gathering will open its arms for colour and to allow its constituents to regale with what they do best. For an event-driven pure as single-varietal snow and formerly known exclusively as chardonnay, is this really a shocker? This is the reality of democracy.”
People bitched and moaned. How can a chardonnay conference include other grape varieties? Sacrilege and foul play they (secretly and not so secretly) complained. In the end the inclusion of red varietals confused nothing and no one. Chardonnay remained the focus and the star. No chardonnay were harmed.
We broke cool climate bread and spread chardonnay gospel with Ian D’Agata (Decanter, Vinous.com), John Szabo M.S. (Volcanic Wines: Salt, Grit and Power), Jean-François Bordet and Françoise Roure from Wines of Chablis. We tasted with sixty winemakers at the School of Cool, “Flights of Chardonnay” at Niagara District Airport and the Cool Chardonnay World Tour Tasting & Dinner at Ridley College in St. Catharines, Ontario. Red wines were poured after dinner!
Only American presidential candidates carry babies at #i4c @coolchardonnay
We welcomed writer Kurtis Kolt from Vancouver, sommeliers Carl Villeneuve-Lepage and Elyse Lambert from Quebec. Four Seasons Hotels and Resorts and Tex-Somm Director James Tidwell made the long trip north and a second Canadian courting immersion in as many months was performed by visionary wine raconteur Elaine Brown.
So what did Godello learn from Cool Chardonnay in 2016? Well, he found out that we have to look at organoleptics and ask a very important question. Is your expectation of a Chablis going to be the same as chardonnay made from anywhere else? More important, who are we putting this wine in front of? Ian D’agata’s take struck a Canadian chord. He talked of “a welcome astringency characterized by piercing flavours. These are cool-climate wines. Cool climate chardonnay is not about a long litany of fruit descriptors. If you have a cool-climate viticultural area it behooves you to give the people what they are looking for.”
Potential is the past @Somewhereness
After i4c16 I took part in an Impromptu tasting at Ravine. Four months later the intrepid sophist Scott Zebarth and I tasted with winemaker Marty Werner for a second time. That same day we visited with J-L Groux at Stratus and with Paul Pender at Tawse. Our focus was cabernet franc. That report is coming soon and I can promise this. The 17 in 2017 and 18 in 2018 will be graced by cabernet franc. Fall events were led by the constitutive Somewhereness, as fundamental and essential as any agminate Ontario tasting can and will ever be. Then there was the Great Canadian Oysters and Wine Experience at Rodney’s Oyster House. The event was hosted by Wine Country Ontario and paired a curated who’s who of Ontario VQA wines with the local iconic fare. Exceptional all around.
“I’ll do what I can so you can be what you do.” @rodneystoronto #coasttocoast #oysters #winecountryontario #dukes #peioysters #bcoysters #elliotsmith #greatcanadianoystersandwineexperience
Where are we now?
Despite all the talk of rules, regulations and governing boards that restrict movement, labelling and profits, the Canadian landscape is evolving in a beneficent direction. Though the move to loosen monopoly control and increase competition has backfired in the short term, corrections to British Columbia’s wine trade will happen, sort itself out and right the ship. Decades of bureaucracy don’t dismantle and do right by the consumer overnight. Things always get worse before they get better. The move to supermarkets in Ontario is indeed one of smoke and mirrors but it opens the door to gaining advantage through loopholes and creative minds kickstarting new business ventures. The wave to privatization can no longer be averted or snuffed out. Momentum will gain traction and open the flood gates to wine trade nirvana.
The man, the chardonnay @normhardie #princeedwardcounty ’14 #vqa #winecountryontario “As sure as fire will burn There’s one thing you will learn Is things you have cherished Are things that you have earned.” #tomwaits #littleman
Canadian wines run more or less of their own accord, not so much thanks to the winemakers or the condition of the current culture, as in spite of them. And certainly not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and often powerful Canadian wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. The embracing of cool climate idiosyncrasy and unique-somewhereness make Canada the envy of the developing wine world.
Now this. VQA is expected to pass regulatory approval and introduce a new category of wines called “skin contact whites.” While Orange wines are the most notable example of skin contact whites, who’s to say the ambiguity of the designation could not impel the inclusion of other cabalistic and achromatic specimens? Let’s look at Riesling as a perfect example.
Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft
Leaning Post’s The Geek, Trail Estate’s Skin Contact Foxcroft and Pearl Morissette’s Blackball are all atypical, mad scientist outtakes. Will the new category allow these wines to pass easily through the borders of VQA? Will the wall regarding place of origin on labelling be the next to crumble? Let’s hope reason in the name of progress born out of trust for altruistic and dedicated producers will carry through to a new frontier. Right Bruno and Jens?
You might notice that all 16 wines I have chosen are from very established producers. The next wave of young winemakers and wineries is taking shape in Ontario, British Columbia, Quebec and especially in Nova Scotia. I would expect new kids on the list in the coming years. I want you all to know that I traveled through great pains, algorithmic calculations and much unavoidable emotion to arrive at this rocking list. For every wine that made the grade there were three more that narrowly missed. They are all important but these 16 combine lyricism with melody. They write the songs.
Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula Photo: Brian Barton – Guelph, Ontario
Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (1552, $24.95, WineAlign)
It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025. Tasted June 2016 @Winemakersboots@UnfilteredEd@brightlighter1
Sometimes there comes a wine, of the impossible, at the frontier. This by @SynchromeshWine #riesling #stormhavenvineyard #okanaganfalls #8.9%
Synchromesh Riesling Storm Haven Vineyard 2015, BC VQA Okanagan Valley, British Columbia (Winery, $31.90, WineAlign)
If this riesling is sweet I couldn’t say. That is the first thought that comes to mind. From Alan Dickinson’s home property, this is his baby, an Okanagan Falls derived riesling that lives an entirely holistic existence. No spraying, none, nada, niente. Not ever. The wine could not get any cleaner. Purity is its cognomen. The vineyard is subject to the highest diurnal temperature swing than just about anywhere in the valley. That might explain the risk-reward probability factor. The technical specs are a triumvirate of implausibility; 46 g/L RS, 11.5 g/L TA and pH below three. What? This is the most impossible wine made in B.C. In its concentrated velocity it wheezes like something ancient. We could almost be drinking Greek debina or 20 year-old Alsatian auxerrois. Dickinson makes three passes over each of the two blocks so even if the hands are off, the meticulous picking breeds asepsis. Citrus such as found in the Storm Haven fruit does not happen very often, if rarely. It’s like citrus soma. Citrus unknowable out of determination unthinkable. Direct misunderstanding by indirect whimsy. And so the vintage offers good fun but not greatness. Imagine the possibilities. Drink 2018-2027. Tasted June 2015 @SynchromeshWine
Leaning Post Riesling “The Geek” 2014, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)
Senchuk and swot-out cohort Ryan de Witte pulled 350 litres of riesling aside, accoutred with all readily available lees and shacked the whole gross mess in tank together, Vinification was completed at nine grams (RS) nearly-dry, in what can only be described as a reductive, cloudy, super-geeky riesling. Acquires an increased resonance from its designation stowed at a way station on what really is a longer, personal journey. The 2015 will be bone dry and like this ’14 will sit for 18 months in encouragement of a truly experimental, waiting for something to happen riesling. Time will act to fill in the gaps and increase its already developed texture. If you have ever had the pleasure you will see this as Jean-Pierre Frick-ish to be sure. When asked the question, he ‘The Geek’ will repeatedly reply, “I am not ready.” Drink 2018-2022. Tasted March 2016 @LeaningPostWine@Witte_Wine
If the establishment wants what you got give it to them. Blackball ’14 #riesling by @PearlMorissette
Pearl Morissette Cuvée Black Ball Riesling 2014, Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)
One whiff and you are hep to what can only be Pearl Morissette, but with a neoteric twist. Riesling that flaunts full-frontal, of furthered acidity, vitality and multi-tined nuance. Farther too of age advanced but without any quirky or funky naturalist intrusion. Already chill, relaxed and with thanks to the vintage, almost round. The precise weave is tapestry fine and deceptively simple, what François Morissette likes to call a “crystallized cream of texture.” The oversized 2012 still digests itself, ’13 is organoleptically structured, long and cool. But ’14? A ‘no foudres’ vintage, from 100 per cent concrete fermentation, wild through malolactic and with zero grams of residual sugar. Bone dry. Concrete was chosen for must intricacy, palate texture, flavour and necessary balance. Riesling borne of crunchy, concrete desire, bright, with preserved lemon across the palate, gentle, feminine and beautiful. This is the focused consistency in loyalty to ’12 and ’13. Try and stereotype this Black Ball to Vin Nature funk. I dare you. Pour it in an expansive Ontario riesling flight and it will stand out like a solar flare in a fulmination of fireworks. There will be no mid-life, black hole of disappearance crisis. It will always be fine and pristine, drink well, like an impossibly dry version of a Coulée de Serrant. Only 186 cases were made so yes, the Blackball is a wine of very small production. Establishes yet another reference point and just wait for ’15. That vintage will deliver the greatest of bones. The new age will really launch then. Drink 2016-2022. Tasted November 2016 @PearlMorissette@lassvet
Sincerity @CulminaWinery from Elaine & Don Triggs and a superfluity of @WineBCdotcom pours #ohwhatanight #hospitality #nwac16
Maverick Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)
Winemaker Bertus Albertyn bottled a meagre 200 cases of this Golden Mile Bench sourced syrah after 18 months in three to four year-old French Oak. If you are a fan of fresh, well-spoken, confident and blessedly transparent syrah then look for the next vintage of this sold out beauty. So gauzy gossamer textured, peppery but of scant bite and driven by a northern, smoky beat. The cure and depth in its make-up nearly adds up to beefy but its form of athleticism is built upon the quiet politesse of its maker’s execution. The comparison must be made to septentrional Rhône and the lack of new oak is so appreciated. This is a wine to watch for. Drink 2016-2020. Tasted June 2016 @MaverickWinery
There was this intuitive moment with Picone 2013 as if it was waiting on me. Not doting or soliciting, but waiting. I will admit to have been wondering, reeling and speculating. To peer or peek into what Mark Picone’s Vinemount Ridge vineyard would adjudge and then bestow Charles Baker’s riesling in 2013? Would it be a case of weight, hyperbole, a hang in the balance out of misjudged necessity? Nah. Picone is no longer a mature 20 year-old vineyard but now a wise old thirty year-old one. Picone 2013 is in fact a fun park mirrored image of itself, with haughty, aerified aromas and variegated, leaning to tropical fruit flavours, taut like a flock in line with the vintage. The riesling berries just seem to have imploded and the results that have followed are nothing if not intense. Imagine a Yogyakarta market and a two-wheeled, glass-cased push cart stacked with a pyramid of tart mangoes. The fruit had been picked just as the sugars had begun to run like sap and bleed sticky on the cracking skin. A mango is sliced and doused with the intensity of Java lime juice and then sprinkled with Laut Jawa salt. The flavours are searing, sweetly saline and quenching. Only this tart is this, where tart and acidity meet, intertwine and connect on an emotional level. Picone 2013. The first non-inoculated riesling at first and then touched up near the end. “The best vintage you could ask for in riesling,” notes Baker, “cloud-covered, a meeting of the minds, vibrant.” The arid, cranky one will live without fret for 15 years. Drink 2018-2028. First tasted in March of 2015, then twice, October 2016 @cbriesling@StratusWines
Cave Spring Cellars
Cave Spring Csv Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (Winery, $39.95, WineAlign)
As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario. Tasted February 2016 @CaveSpring@TheVine_RobGroh
Nuit Blanche is one of Canada’s most unique commodities, a White Meritage (of sauvignon blanc and sémillon) blended from exceptional and aromatically delicate Rosomel Vineyard fruit. As part of Hidden Bench’s “Terroir Series” it righteously expresses white Bordeaux varietal purity from the southern blocks of the Beamsville Bench vineyard. Expectation runs high because 2014 seems a perfect Fumé Blanc vintage if ever there will be one for (40 year-old) vineyards tucked snugly in abutment to the Niagara Escarpment. A struck flint nosing entry is followed by taut strung acidity and palate tension eased by a fictionalized adult cotton candy, wisps of smoke, honey and lanolin. The grace of it all is hidden beneath a filigree of molecular green apple caviar gastronomy. In 2014 Nuit Blanche reflects propriety, elegance and genteel balance, caressed from the hands of winemaker Marlize Beyers. It is as if Beyers let this ferment slip away as a parent would encourage a child who is ready to leave the home. After tasting it at Gold Medal Plates in Toronto I spent a sleepless night, not from restlessness or over-indulgent behaviour but because I wished to pull an all-nighter with the best ever sauvignon blanc bled and led Ontario white. I would suggest leaving this be for two years for the subtle though generous barrel to melt into fruit but time will gather for up to two decades before the sun sets on the 2014 Nuit Blanche. Drink 2018-2029. Tasted November 2016 @HiddenBench@BenchVigneron@ImportWineMAFWM@MarkAnthonyWine
Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16
Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)
Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024. Tasted July 2016 @RavineVineyard@marty_werner
The wines of Creekside Estates at Barque Smokehouse, March 2015
Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024. Tasted March 2016 @CreeksideWine@AMH_hobbsandco@hobbsandco
J.L. Groux, Winemaker, Stratus Vineyards Photo: Michael Godel
Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)
The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024. Tasted April and June 2015 @StratusWines
Thomas Bachelder has never had a problem with timing. His first pinot noir from the specific Wismer Parke Vineyard (labeled as such) comes from a veritable cracking jackpot of a great varietal vintage. If you need some geographical placement here, The Parke is contiguous to the Foxcroft and Wingfield sections of Wismer in the eight farm-strong holdings on and around the Twenty Mile Bench. It is here that Bachelder concentrates the microscope on a sectional-cordoned off Wismer micro-terroir and its precision-apportioned mineralogy mined for sidetracked and step out of the box focus. What The Parke delivers in 2014 is a sweeter extract than Wismer proper and one that is stationary, static and accessible. The overall grasp is a mouthful easy on the spice or rather subtle in attack after it has climbed in and out of its barrels. Most polls would place Lowrey at the pinnacle of Ontario’s pinot noir vineyards but Thomas Bachelder’s 2014 work with Wismer Parke establishes a new player on the shortlist. This is an exciting entry point and the future will be bright. Drink 2018-2024. Tasted October 2016 @Bachelder_wines@LiffordON
Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014
Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)
A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027. Last tasted August 2016
In Prince Edward County and for pinot noir there is no substitute and no comparison. Quixotically sweet pinot noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm pinot noir, brought to life and with red citrus that only a Hardie low alcohol pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most. Tasted April 2016 @normhardie
A back pages #cabernetfranc moment with Paul Pender @Tawse_Winery @wismervineyards #everythingfranc #2007 #vanbers
Tawse Cabernet Franc Van Bers Vineyard 2007, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $49.95, WineAlign)
The state of freshness is static, a sameness that is mostly impossible but the perfume is settled and obvious, of violets and blackberries, closer to ’12 than ’10. Hot and dry but still, balanced. Tasted blind there would be no way of knowing where or from when this was. Sure Bordeaux could be imagined but Niagara, Beamsville Bench, Lincoln Lakeshore, Creek Shoes, or the confluence of the three? How could you know. Two years ago this opening began and now the invitation reads with utter clarity, the door widely agape. There seemingly is not a single moment of aromatic evolution and the acidity rages with great vibrancy. The longevity factor is in my friends. Paul Pender knew then what he knows now, at least with respect to cabernet franc. It’s like this. Just like this. Drink 2016-2019. Tasted October 2016 @Tawse_Winery@DanielatTawse@Paul_Pender
Benjamin Bridge Wines
Benjamin Bridge Brut 2011, Gaspereau Valley, Nova Scotia (381533, $49.00, WineAlign)
First sips were blind at #i4c16 with ripeness and yeasty lees so apparent early and smouldering, flinty and then turned to citrus, freshness and acidity. Burgundian-Champagne dichotomous directional pull, certainly, though with eyes shut tight imagination travels and falls on a far east Canadian clime, though likely from an early ripening site. As in October. The reveal presents the first Blanc de Blancs in Benjamin Bridge Brut form, taking the cue from an exemplary vintage for chardonnay to go it alone, leaving seyval blanc and l’acadie behind as Nova Scotian relics of a bygone era. Winemaker Jean-Benoit Deslauriers cants with insightful eloquence. “It’s in our collective consciousness to say that white wines will rely on acidity while reds are determined by phenolics. (The science of) pH will help to locate electrons between reduction and oxidation. It’s a very eccentric proposition, being on the edge of the Bay of Fundy in Nova Scotia. Lodi harvested pinot noir yesterday. We are harvesting in November. The beauty of moderation is that it’s a step away from the model of extremes. Our ability to ripen fruit and preserve the Titratable Acidity at unspoiled levels is going to translate into tension and ageability.” This Brut 2011 is far too young, extremely bright and blessed with so much citrus. The level of lemon is extraordinary. Just as recent past tastes of the Brut Reserve 2004 spoke of its remarkable youth, this ’11 is full of orchard fruit but it’s hard to fathom the extreme level of tightly wound strength that yet persists. Drink 2016-2020. Tasted July 2016 @Benjamin_Bridge@jbdeslauriers
CedarCreek Amphora Wine Project Desert Ridge Meritage 2014, Okanagan Valley, British Columbia (Winery, $60.00, WineAlign)
Winemaker Alexis Moore inherited the (Chianti sourced) clay amphora from former winemaker Daryl Brooker and this (second vintage) meritage is her first kick at the urn. The co-fermented, all natural, don’t even think about peeking and sneaking a taste blend is cabernet sauvignon (54 per cent), cabernet franc (35) and malbec (11). The hallmark desert notes of rich, caky and dusty are necessarily present but it is the preservation of red earth savour that gives this formidable flagon of magic juice its inimitable personality. Mature rows of fruit are to blame and thank for the just desert reward. Transferred to amphora the fruit is preserved in such a way no B.C. reds have ever really seen and the new territory is not so simple for making quick, on the spot judgements. I have thought about this wine for quite some time and the conclusion is positive for two important reasons. Spice and tannin. Together they combine for an infinite finish. Here is the crux of the vessel’s power, to preserve fruit and slowly release its charms within the structure provided. Drink 2018-2024. Tasted June 2016 @CedarCreekWine
I’m splitting up the teaser for the VINTAGES December 10th release into three sections; Canada, New World and Old World, if only for the old-school, nostalgic and compartmentalized way of things. First up are wines that stretch across the great Canadian divide, from all the way west to east, by way of Ontario, of course. Eight up, right now.
As you all know I am one of the five principle critics for WineAlign in Ontario. This is a position I am extremely proud of and very fortunate to hold. That I am able to work alongside Ontario’s most notable experts is something I say thanks for and appreciate every single day. David Lawrason, John Szabo M.S., Sara d’Amato and Steve Thurlow are my friends and colleagues. I could not ask for association with a finer group of writers.
Which brings me to why you need to know that I am making some changes at godello.ca. Since February of 2012 I have been posting VINTAGES release recommendations and notes on this website. Though in March of 2014 I eliminated scores on Godello I have continued to publish full tasting notes. Every single one of my VINTAGES release picks has been simultaneously published on WineAlign (with scores), along with dozens more on wines that don’t make the shortlist.
I will no longer be publishing my current VINTAGES release tasting notes on Godello. You can still read them on WineAlign though there is a paywall behind which only premium paying subscribers are able to see the most recent reviews in the first 30 days. This is necessary and I hope you will all understand why I feel so strong about the time being right to effect such a change. WineAlign is the most important, comprehensive and trusted source in Ontario for critical review of VINTAGES wine releases. I fully support and endorse our protocol and hope that you will visit the website for your Ontario wine purchasing needs.
For those of you who wish to read my full tastings notes, I would highly encourage you to pay the WineAlign $35 yearly subscription fee (or $9.95 per quarter) to read the reviews and get the scores as they are published, to the second, in real time. You can still access my bi-weekly list of picks and to do so all you have to do is sign up as a non-paying member. I have a link called “Michael’s Mix” and my VINTAGES recommendations are assembled there.
As for now, here is my list for November 26th, if only as a teaser so that I don’t leave you all high and dry.
Can somebody get the pin? The ninth green at Summit Golf & Country Club
This will be the last weekend of play for most southern Ontario golf courses, or at least the ones who are smart enough to lock down and protect their precious 7,000 yards of turf from irreparable 2017 damage. For many players there are two seasons, golf and wine buying. Now that the exceptional 2016 year of 50-plus, sunshine-blessed rounds of 18 are done, the time has flipped over to loading up for the holidays and stocking the cellar.
My outward and inward nine recommendations from the VINTAGES November 12th release cover one and then the other. The front is marked by balance relative to par; wines of value, amiability, varietal purity and regional respectability. Just have a look at some of these iconic names: Delas, Catena, Trimbach, Gabbiano, Hedges and Cave Spring. The back takes swings into under and over par territory. Some are choices that polarize with buyers, critics and geeks. Are they worth the cash? Only you can be the judge. Along with some of Niagara’s greats are selections that include Chablis, Gran Selezione, Veneto and Napa Valley.
So put away the sticks and hit the stores. Here are my top 18 recommendations coming to VINTAGES this weekend.
Front Nine
Delas Viognier 2015, Vins De Pays D’oc Rhone, France (462465, $13.95, WineAlign)
Pretty darn textbook viognier in the broadest sense of the varietal word, aromatically waxy, tropical and medicinal. The low alcohol, high flavour and commercially managed acidity is balanced by cream and citrus. No more, no less, precise and managed with utmost professionalism. Drink 2016-2019. Tasted October 2016 #Delas@VINSRHONE@UNIVINS
Karavitakis Winery The Little Prince White 2015, Crete, Greece (465930, $14.95, WineAlign)
Here an interesting bit of local vernacular, Cretan style, with vilana (65 per cent) and vidiano (35) dishing up a distinctly and singularly endemic mineral impression by way of subtle hints from tropical fruit. The palate is rich, broad and marzipan creamy. The acidity is round and rambling, tying the whole kit and Crete kaboodle together. A worthy side venture into the Greek Aegean hinterland. Drink 2016-2018. Tasted October 2016 @karavitakiswine@VictoryWine@winesofcrete@DrinkGreekWine
The Young Vines is an orange to the Earth and Sky’s apple, of a change of fruit and a pace that is hot off the press. Yet it is not without some ancient wisdom. In some new world sites vines up to 15 years of age would be considered old growth adults. In a Greek vineyard like that of a Naoussan like Thymiopoulos, they are babies of the sun. The Xinomavro here is fresh, momentarily acts strikingly brazen, bracing and ultimately, blatantly beatific. With a glass of the young vines in hand to it I say, “it’s not the pale moon that excites me, that thrills and delights me. Oh no, it’s just the nearness of you.” Like Norah Jones in a glass, sultry, contemporary, lightly smoky, of a jazz aesthetic and a pop sensibility. And wild berries. So fresh, so good. Drink 2015-2019. Tasted May 2015
Parker Coonawarra Series Cabernet Sauvignon 2013, Coonawarra, Limestone Coast, South Australia, Australia (467571, $19.95, WineAlign)
The Coonawarra Series cabernet sauvignon is predominantly sourced from the Williams family vineyard (like that of the chardonnay) in Southern Coonawarra. There can be no separating Terra Rossa soil from what happens with (especially) cabernet sauvignon anywhere in the Coonawarra. Very cool and savoury cabernet with tart cranberry, currant and black raspberry aromas. Really crunchy, chewy and gritty wine with focus and grip. Drink 2017-2020. Tasted October 2016 @parkerwine@CoonawarraWine@Select_Wines@Wine_Australia
Catena Malbec 2014, Mendoza, Argentina (468066, 1500ml – $39.95, WineAlign)
High mountain vines bring more than altitude to Catena’s most commercially visible and successful malbec. In magnum format it accentuates the herbs and the dry, dusty qualities. In here there is sweetness but from tannin and extract. Acidity is the catalyst to make this sing a mountain hymn. Such proper winemaking brings rain. Love the format. Drink 2017-2020. Tasted October 2016 @LauraCatena@CatenaWines@ArgentinaWineCA@winesofarg@Noble_Estates
First and foremost it is the wood, or the lack of wood that stands out in the CCR 2013. It may be observed as a different kind of wood, less polished and more natural but what really wins out is the fruit. The cherries are surfeited by impressed tannin and linger with good tonic for a good length of time. Great restraint shown by winemaker Federico Cerelli. Drink 2018-2024. Tasted June 2016 @castgabbiano@chianticlassico#TreasuryWineEstates
Trimbach Riesling 2013, Ac Alsace, France (734517, $23.95, WineAlign)
What pray tell might you ask more than this from Alsace riesling? Could you, would you demand more immediate gratification? Might you request more purity and clarity of soil, rock and regional understanding? Is there a need to better define citrus and dry extract in any finer way? Trimbach has it down and few can pinpoint with fewer words and more direct impression. How things ought to be. A tight vintage though, so wait 18 months before embarking on chapter one. Imagine the Cuvée Frédéric Emile possibilities. Drink 2018-2023. Tasted October 2016 @trimbach@annetrimbach@WoodmanWS@AlsaceWines@ACT_Alsace@VinsAlsace @drinkAlsace
Hedges C.M.S. Cabernet Sauvignon / Merlot / Syrah 2014, Columbia Valley, Washington (948992, $23.95, WineAlign)
Copacetic and well-amalgamated vintage here for the Hedges CMS, a wine of deep singer-songwriter meets jazzy flavour and sensible grip. Though there are bitters and a display of fine if sweet tannic structure, this CMS hits not over the head or below the belt. Just a few jabs and a loving embrace. A blackstar Columbia Valley blend that flies past, like “seven tracks in 40 minutes and it’s musically distinct.” In this way it reminds me of Ben Greenman’s New Yorker piece, “The Beautiful Meaninglessness of David Bowie.” Or it makes me think of Bowie as so many Hedges wines do. It’s not that this wine offers no clear meaning but it dishes ambiguity in ways only it can do. Like the late glam star, it “can’t give everything. Away.” Or, as Greenman concludes, “unless, of course, that isn’t what it means at all.” Drink 2017-2020. Tasted October 2016 @hedgeswine@Noble_Estates@WINESofWA
Cave Spring CSV Riesling 2014, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Escarpment, Ontario (566026, $29.95, WineAlign)
The vintage brings a concentration and a compression and the most fruit imaginable for the Beamsville bench and the CSV. How this iconic riesling solicits immediate attention and fruit-juicy love is really something and hasn’t been seen in a few years. The citrus is all flesh and juice, the mineral aspect full of tang. Unction and viscosity define the texture and the palate. Drink early and enjoy the hell out of this forward CSV riesling. Drink 2016-2021. Tasted October 2016 @CaveSpring@TheVine_RobGroh
There was this intuitive moment with Picone 2013 as if it was waiting on me. Not doting or soliciting, but waiting. I will admit to have been wondering, reeling and speculating. To peer or peek into what Mark Picone’s Vinemount Ridge vineyard would adjudge and then bestow Charles Baker’s riesling in 2013? Would it be a case of weight, hyperbole, a hang in the balance out of misjudged necessity? Nah. Picone is no longer a mature 20 year-old vineyard but now a wise old thirty year-old one. Picone 2013 is in fact a fun park mirrored image of itself, with haughty, aerified aromas and variegated, leaning to tropical fruit flavours, taut like a flock in line with the vintage. The riesling berries just seem to have imploded and the results that have followed are nothing if not intense. Imagine a Yogyakarta market and a two-wheeled, glass-cased push cart stacked with a pyramid of tart mangoes. The fruit had been picked just as the sugars had begun to run like sap and bleed sticky on the cracking skin. A mango is sliced and doused with the intensity of Java lime juice and then sprinkled with Laut Jawa salt. The flavours are searing, sweetly saline and quenching. Only this tart is this, where tart and acidity meet, intertwine and connect on an emotional level. Picone 2013. The first non-inoculated riesling at first and then touched up near the end. “The best vintage you could ask for in riesling,” notes Baker, “cloud-covered, a meeting of the minds, vibrant.” The arid, cranky one will live without fret for 15 years. Drink 2018-2028. Tasted twice, October 2016 @cbriesling@StratusWines
Louis Moreau Chablis Vaulignot Premier Cru 2014, Burgundy, France (525386, $36.95, WineAlign)
Vaulignot was created in 1976, one of the last Premier Crus to gain such status within the association. Note that Moreau’s nomenclature is Vaulignot instead of Vau Ligneau, but the meaning is exactly the same. Really round and rich Chablis with a relative and realistic purity specific to place. This alights as a sun-drenched and lemon waxy chardonnay with enough (thank you very much 2014) tension to keep it rolling right along. What Vaulignot brings to the Chablis table is stick to your tongue, mouth and ribs persistence and vitamin water mineral enhancement. In a way it is caught in the Chablis netherland between up front gregariously fruity and strikingly mineral/acidity piercing. Great length in this vintage. Drink 2016-2020. Tasted October 2016 @MoreauLouis1@vinsdechablis@purechablis@BourgogneWines@vinsdebourgogne
I would not have thought it possible but the ’12 TC Meritage is open for business. The fruit is near-perfect for what these parts of the Beamsville Bench can offer and the normal gnashing is frozen as if suspended, which it likely is. In its current state it is all berries and dusty tannins, ripe, ripe acidity and plenty of outright happiness. A wisely structured Terroir Caché from Marlize Byers as only she could coax and extend. Drink now (not) or wait five years. Points in between may be confounding. Drink 2020-2030. Tasted October 2016 @HiddenBench@BenchVigneron@MarkAnthonyON
Coyote’s Run Rare Vintage Pinot Noir 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (296863, $39.95, WineAlign)
A tart and robust vintage for the rare pinot noir, deeply ingrained into earth, sun and savour. This is distinctly varietal to Four Mile Creek with haute sapidity and exceptional length. The rusty accents inject piercing citric life into strawberry rhubarb pie. The tannins gnash their terrible teeth and the fruit hides for dear life. I’m not sure any Rare Vintage David Sheppard-ed pinot noir has ever delivered such mean structure. The next Niagara growing season should contribute to an ever more impressive showing because the fruit will almost certainly be up to the tyrannical task. Not to mention the coincidental crossroads 30th Sheppard vintage of making wines in Ontario. Meanwhile, from the cloudy, windy 2013 vintage his pinot noir will live long and prosper. Drink 2018-2025. Tasted October 2016 @coyotesrun
Henry Of Pelham Cuvée Catharine Carte Blanche Blanc De Blanc 2011, Méthode Traditionelle, VQA Short Hills Bench, Niagara Escarpment, Ontario (315200, $44.95, WineAlign)
t’s always a highly anticipated taste when a vintage dated Cuvée Catherine is on the table sidled and promoted with the bar raised to epic heights from a striking chardonnay vintage like 2011. With acidity a given as the elephant in the room the formidably elegant Blanc de Blanc glides ethereally to press upon the olfactory nerve major and then grace the palate with fine mousse, citrus and biscuits. This is a benchmark for Ontario and Canada with only Benjamin Bridge’s B de B styled Gaspereau Valley gemstone sparkler in the same elite league. Enjoy this now and for 15-20 blissful, fizz-friendly years. Drink 2016-2032. Tasted October 2016 @HenryofPelham@SpeckBros
Barone Ricasoli Castello Di Brolio Chianti Classico Gran Selezione 2012, Docg Tuscany, Italy (942607, $59.95, WineAlign)
A Chianti Classcio first borne in 1997 with the plan to create a maximum quality blend as an expression of the estate’s diverse terroir. A meticulous selection is combed from the estate’s vineyards, spread over 230 hectares of land. Though early on the fruit may have emerged out of good but not yet exceptional vineyards, nearly 20 years later the sangiovese (90 per cent) with cabernet Sauvignon and merlot (or perhaps petit verdot) adheres to grand vin excellence. The wood regimen is 18 months in tonneau followed by 18 in bottle. Perhaps you will not find a more accomplished, perfectly judged, matter of factly expressed Gran Selezione. Sangiovese in equality of spicing with fruit, acidity and tannin, perfectly integrated toast, wood impact and textural drive. Stefano Capurso admits this about the transition from Chianti Classico to Gran Selezione.”It’s a matter of compromise between what is needed for the small producers and the need to express through crus for the large ones.” Drink 2018-2025. Tasted May 2016 @barone_ricasoli@imbibersreport@chianticlassico
Only and distinctly Quintarelli, of that Negrar perfume and the kind of salumi cure no other producer can seem to procure. Though an infant and a baby to more mature vineyard selection Quintarelli adult bottlings, the Primofiore is full of exotics, of clove, cardamom, liquorice and meaty char. There is a sweetness to Quintarelli fruit and a remarkable resistance to astringency. This particular 2012 IGT is smooth and soothing. It is dangerously easy to consume. Drink 2017-2027. Tasted October 2016 #quintarelli@LiffordON
Stags’ Leap The Leap Cabernet Sauvignon 2012, Napa Valley, California (142844, $89.95, WineAlign)
Signature cabernet sauvignon from Stag’s Leap from the first of the dry Napa vintages is dusty and high-toned to a high degree. Pure berry distillate and a savoury linger lead off and yet the closemindedness is still a youthful issue. There is a beautiful sense of florality behind the veil of aridity and big room tannin and yet the fruit is so very ethereal when it comes to tasting. Yes the dinging acidity and dastardly tannin will be a constant reminder of structure but without over compensation from the barrel the DJ Kylo driving beat will always be helpful. Gorgeous wine from Christophe Paubert. Put it in the time machine. I’ll take that leap in the dark. Drink 2019-2027. Tasted October 2016 @stagsleapwines@SLDistrict#TreasuryWineEstates
Forman Cabernet Sauvignon 2012, Napa Valley, California (143925, $160.00, WineAlign)
Forman’s 2012 is a big, vibrant, robust and dusty expression, full of fruit, more fruit and nothing but fruit. Though the price is exceptional, the combined stylistic and level of honesty is formidably forman-ible. It is a rare opportunity and execution indeed when sweetness is culled from extract without the necessities of manipulated winemaking, oak usage included. The naked purity of this wine from an exceptionally dry, ripe and efficiently evolved vintage leads this cabernet sauvignon down a long, purposed and grandiloquent road. Drink 2018-2030. Tasted October 2016 @rogcowines@NapaVintners#formanwines
dews and redos with @lassvet from @PearlMorissette
This much is clear to me and at least two friends of mine. Just because you think you’ve been there, done that and have tasted everything there is to taste you may need to pause and recalibrate the idea of assessment. Though your convictions are strong and your beliefs unwavering, you may not know all there is to know. If you feel one taste is enough to etch a life in stone then maybe its time to open up and allow a wine to blow your mind.
I sat down at Barque Smokehouse last month with Pearl Morissette’s Svetlana Atcheva, John Szabo M.S. and Gerardo Diaz to taste some things new and to re-visit some of Francois Morissette’s most iconic if controversial wines. We travelled from the Blackball Society through evo-revo-chardonnay-volution to atypical, outside the box skin ferments. Such a journey is not suggested for the faint of heart or the stubborn of mind. And as much as tasting with the winemaker himself is the shit, with or without necessary shotgun enlightenment from man Friday Brent (anomyces) Rowland, who would not avail to taste these wines alone with Svet?
In the house of Pearl Morissette there is no dogma and there are no demagogues. There is nature, DNA, terroir, “no premeditated outcome,” and the “obstinate pursuit of truth.” The deferential and antithetical ways of Pearl Morissette’s wines are well-known and documented. Even more reason to taste them again, and again. That they change is not what separates them from other wines, but how they change. Structure dictates that wine will both evolve and deteriorate with time in bottle. Francois Morissette’s wines don’t so much develop secondary and tertiary character this way but rather read like the lines on an EKG. The tenets of rhyme and reason do not apply. You can’t know them or think you have them figured out. Don’t even try, just go along for the ride. Seven wines were tasted with Svet that day. Here are the notes.
Pearl Morissette Cuvée Black Ball Riesling 2013, VQA Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)
The only vintage to pass VQA (the subsequent 2014 failed), 100 per cent fermentation in foudres, full malo and not a moment of residual sugar, nada, niente, zero. It’s not oxidative nor does it offer up an electric shock as it may once have done. This milks texture, short of creamy and without oil. Has gained fruit if that is possible or moreso the fruit has now risen to the surface. The texture the catalyst has facilitated the rising. I really get Alsace, but the extended aging on the lees, without batonnage has caused an Alsace timing, post dumb, now rich, phenolic and out of hibernation. There has been no reabsorption of diffcicult properties and so the lushness of the vintage’s organoleptic fruit is all that remains. Well, not all but certainly the strongest aspect. Wonderful evolution. Drink 2016-2021. Tasted October 2016.
Let’s get something immediately out of the way. The wines of François Morissette are not meant to please curmudgeons, skeptics, contrarians or members of the wine media. This Riesling has no desire to kiss ass. This will not appeal to late harvest lovers, from Kabinett to Auslese. Is it ripe? Not quite. Is it different? Absolutely. This compares to almost nothing. Like a Champagne ginger, lime and bronze filings cocktail, the Blackball ’13 is so very developed and despite the colour, is a hyperbole in primary existentialism. That it has essentially no residual sugar and an achieved 11.5 per cent alcohol is a complication only the clinical doyenne has the answers to. Riesling in between dreams, “never knowing shocking but we’re nothing.” The Blackball has struck, is not yet stricken and will offer remote pleasure for another six months. Then it will deconstruct, dissolve and devolve into darkness and funk. Five years later it may emerge like a phoenix, jack up like a Rangen Riesling, into the ethereal. Will it happen. I couldn’t possibly tell you. We may never know. But I can say that then, and only then, will it truly tell its story. Tasted March 2015
A blend of 50 per cent chardonnay from the high density home vineyard and 50 per cent from the Lincoln Lakeshore Redfoot (Kocsis) Vineyard aged in demi-muids neutral oak. And yet I’m surprised, even stupefied by the guts and glory of wood on the nose, followed by the blanched nut, creamy palate. No new oak. None. From a Pearl Morissette category of wines not 100 per cent blue-blood pure and for wines that are purposed and destined to texture. This is more recognizeable as chardonnay than the Dix-Neuvième in that it is approached with less risk, hyperbole and umami. The aromas and flavours are supermarket fruit diagnostic, specific and open to put a finger on. I could actually sniff out grapefruit, apple and banana. I can sense a drop or two of honey. I can taste almonds and cashews. It all ends up in a recipe, albeit of the Francois Morissette variety. Think of this as the school of Pearl Morissette. Antithetical and impossible. Consumer-friendly. Really friendly. Welcome to the invitation of the diversification of Pearl Morissette. Drink 2016-2019. Tasted October 2016
The unidentified one, stoic, umami-laden, dangerous, in and out of reachable zones. Right now it’s hiding, slumbering, developing another gear and level of complexity. That will be a wine in the future without the aid of new oak (there was only 10 per cent in this stellar vintage) but will come about as a result of idealistic organoleptics. Last tasted October 2016
The greatest surprise is a skeptic’s dream, that is, no surprise. The vintage was a gift for chardonnay as we all know and so Francois Morissette does what a wise winemaker does. He lets the fruit from such conditioning speak on its own behalf. The less is more approach allows his fruit to do more than most, to condense into pure elixir of terroir, to inflate with airy, philosophical heir and to exhale a perfume so very, very Cuvée Dix-Neuvieme. Like marzipan but more umami and like stone fruit but crossed with the orchard. The palate and the texture speak of resolution after the revolution and the level of calm post chaos is quietly dramatic. Hypnotizing clarity is what it is. Drink 2017-2027. Tasted June 2016
Has this ’12 come around, come back to the land of high living, where the Jura meets the edge of life, polarizing, unidentified, and here me out, deal with it. Great compressed citrus, hard to opine curd and gelling ministrations. A machine of churning creamery and tense orchard fruit. A bit of buzzing, pulsing movement now, into the next honey territory. Wild sauvage. Amazing. Score increased as a result. Last tasted October 2016
The style has changed for this Chardonnay though it is now more in line with other Pearl Morissette varietal wines. The oxidative, natural bent has increased with anti-furor, succour and sublimity of a sordid sort. It remains to be seen what will happen because 10 years will be needed to fully denote the PM evolution, but what remains from the larder is true blue lemon that will turn, curdle and hold honey tight in five to six years time. Could be earlier considering the vintage. The flint and natural yeast are big on the nose while the palate is softer than most years. More like ’10, nothing like ’09 and yet full bodied to the maximum density it can be. So much flavour and yet at present the acidity plays anything but a vibrant tune. Story to unfold. Drink 2017-2022. Tasted June 2015
The Cuvée Blu is not about colour, it’s about working with the skins, from fully de-stemmed 50 per cent viognier and 50 riesling. A five week introduction for those partaking mate skins, pressed and racked straight away and aged in qvevri. Here as a Pearl Morissette engagement, highly phenolic, floral and terpenic. The aromatics are pretty and muddy, the texture fleshing as the star, acidity fully intact in surround of tang, compression and tactility. Very long linger of lemon curd, wax above the honey pot and a chew of the fermenting vessel itself, as if concrete wed adobe. An earthiness hard to define. Quite a bit of chalk, lime and thyme. Wild thyme and honey. Volatile acidity? No way. Simple wine expression in the amber-orange-natural compendium? Yes. No need for labels or sterotypes. Outside the box, round and sound, the fun found on the palate. 1100 bottles made. Drink 2017-2021. Tasted October 2016
Pearl Morissette Gamay Cuvée Mon Unique 2014, Lincoln Lakeshore, Ontario (Winery, $35.00, WineAlign)
Still reductive from a whole cluster fermentation in concrete followed by neutral demi-muid barrels. Pulsing and vibrating, firm and vibrant, with unreal ripe cherries, a consistency recognized and lauded, the wine having developed a second cru gear. The climb to another phenolic level is a pretty result of less funky fermentation and reduction lingering without air, on the nose, not the palate. The next go to gamay outpost. Must see gamay TV. There will be no ’15 but will return in ’16. Tasted October 2016
From my previous note:
In December of 2014 I counted the ’13 CMU Gamay as one of my mind-blowing wines of the year. Once again we are witness to the authentic, raw and natural impossibility of the wine, from 100 per cent whole clusters sent to cement fermenters. The hue is just impossible, the wine sulphur-free. That ’13 Gamay did not last. I tasted again this winter and it failed me. It may return. This ’14 will never leave. It is natural to the 14th degree and yet its rich, smokey chocolate centre and structure of pure physical stature will not let it slide, into a dumb phase or oblivion. This Gamay will strut. It already does. Drink 2015-2020. Tasted June 2015
Pearl Morissette Cuvée Madeline Cabernet Franc 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)
In a word, striking, not for subtlety but out of sheer natural complexion. A concerted effort is needed to define the antithetical, whole cluster fermentation juxtaposed with Twenty Mile Bench varietal ripeness. Such an intense cabernet franc with a palpable sense of the earth from out of a 60 per cent (up 20 points from 2012) natural fermentation (in concrete open top fermenters plus 10 per cent new wood aging). The ripeness of fruit in cohorts is simply all in. No holes, ommissions or emissions. Very big right now at 12.2 per cent alcohol, of impossibilities and ambiguities, understatements and over necessitous demands. Specific and reeling. Cooler than most peers, spiced and linear. Taut and bracing, grippy, fine-grained, with tributary branches and brambles. Amazing. Needs three years. Drink 2019-2027. Tasted October 2016
It may just be my favourite time of day. The flurry begins at seven. It takes four hours to shake off the rust, clear the morning ill, brush away the demands piled up since the night before and effectively settle the morning score. By a quarter past the hour calm begins to set in. 11:15. And now, a bit of Torah, Bible and liturgy.
The imagery of sweet rock ‘n roll, Revelations style is synonymous with the farthing, quartern, mid-morning, all change of pace: The Seventh Trumpet. The day after the Shofar has sounded to end the holiest of holy Jewish days, a sonorous wind-blown through the ram’s horn, a call to lead a flock home and into a new year. Is there a connection between the purpose of the blowing of the Shofar on Rosh Hashanah (and Yom Kippur) and the end of satan’s authority at the Seventh Trumpet?
The seventh angel sounded his trumpet, and there were loud voices in heaven, which said:
“The kingdom of the world has become the kingdom of our Lord and of his Messiah, and he will reign for ever and ever.”
The Shofar. Old Testament instrument as central element of the Rosh Hashanah liturgy. The summoner to assemble before the Lord, a sound for battle and the announced coronation of a new king. New Testament return of Christ in the clouds to gather God’s people via rapture, sound the Lord’s wrath of battle cry and Christ’s returning as the King of the world. Seems obvious enough but where is the eschatological connection: How does the Jew’s attempt to summon God’s past and promised redemption share common ground with the Christian’s call to Satan?
A rabbinic tradition may indicate that the shofar is sounded on Rosh Hashanah to confuse Satan (or some he who shall not be named evil tempting spirit). The multiple blows and shrieks invoke the idea (and promise) that the Messiah had arrived and thus putting an end to the pernicious authority. Revelations agrees. “It is time for the dead to be judged. To reward your servants, the prophets, the saints, and all who fear your name, both unimportant and important.”
There’s an angel standing in the sun, and he’s crying with a loud voice, “This is the supper of the mighty one”, Lord of Lords, King of Kings, Has returned to lead his children home, To take them to the new Jerusalem.
Nah. It’s simply a matter of judgment and kingship. Like suggesting wines from a VINTAGES release. October 15th is but two days away. At 11:15 am you may just be arriving at your local LCBO in search of a few bottles. Here are 11 recommendations.
The grape the place come across with classic Cariñena firmness and regional culture out of the impressive Grandes Vinos e Vinedos cooperative. You may recognize Spain’s third largest cooperative as the producer of Beso de Vino garnacha. The 3c is juicy and gregarious like so many garnacha but here as cariñena, with moderate alcohol, acidity and amenable tannin. This represents very good value for the price, as well as the brusque and breviloquent Aragonese appellation. Drink 2016-2019. Tasted September 2016 @VinosCarinena@Noble_Estates
The Bench can’t help but determine the style but what winemaker Richie Roberts is able to gather and concede is what needs from the vintage. The brutal winter and subsequent mild, calm and elongated season means that acidity can be tempered, sugar should play a small role and fruit will lead the way. In this riesling it does, with help, let and place from the support staff. Really juicy, slightly tart, citrus-spiced and purely Bench styled. Proper. Drink 2016-2020. Tasted September 2016 @FieldingWinery@RichieWine
Ernie Els Big Easy 2014, Wo Western Cape, South Africa (220038, $19.95, WineAlign)
This latest Big Easy swings harder than the previous 2013, a wine that quietly emulated its founder’s approach. This 2014 displays more grit, firm grip and big dog length. This is no three-wood off the tee, lay up or fat part of the green safe play. This goes straight for the pin, over water, false fronts be damned and defiant to danger all around. It’s exciting and full-throttle, high acid and risky. But the reward is now, busily bursting with energy, not mired in tannin and ready to play. Makes for great TV. Drink 2016-2018. Tasted September 2016 @ErnieElsWinery@TheBig_Easy@VintageTrade@_AlexHamilton_@WOSACanada@WOSA_ZA
Dr. Loosen Blue Slate Riesling Kabinett 2015, Prädikatswein, Mosel, Germany (160846, $22.95, WineAlign)
Tremendous verve, vitality and energy from buoyant and round acidity brings immediate balance to sweet citrus and tart tropical fruit. This Mosel ripper has a tender side and will sooth many a savage beast. Kind of like Elvis. If you want to turn someone onto riesling this is a wonderful place to start. So good and worth protecting. “Well, you can do anything but stay off of my blue” slate riesling. Drink 2016-2024. Tasted September 2016 @drloosenwines@Select_Wines@germanwineca
Anthonij Rupert Wines Optima L’ormarins 2012, Franschhoek, South Africa (455915, $24.95, WineAlign)
Franschhoek Bordeaux stylistic defined in affordability by structure and for dark, depth of fruit. Espresso dusty and soil imparted make for the specific Anthonij Rupert departure. The headline reads: Unheralded and righteous outfit makes red blend to go the distance. Drink 2018-2024. Tasted September 2016 @AnthonijRupert@Vinexxperts@WOSACanada@WOSA_ZA
And then there were three; Barolo, Barbaresco and Langhe. Here a serious perfume and brooding emits from Manzoni’s Langhe Rosso, a back to the genesis of roots nebbiolo highly skilled and deep into the motherlode of many equally appointed Barolo. “Ah well if you knew then, just what you know today,” the divergent paths of Langhe and Barolo may have been very different. Even if some of the Bricco Manzoni’s parts may walk at large the tannin is in your face and ready to rumble. There is a sweetness about the fruit and an oaky layering but darkness never descends upon this wine. It remains bright and alive. It will live for a decade or more. Drink 2018-2030. Tasted September 2016 @RoccheManzoni
Domaine Theulot Juillot Mercurey Premier Cru La Cailloute 2014, Burgundy, France (473793, $39.95, WineAlign)
The beautiful dichotomous relationship between ripe and juicy opposite firm and sweetly tannic is met in this functional Mercurey, a premier cru of upbeat excellence. Very representative of place because of the grip but it goes light years beyond the lithe and the under-performed. You could pour this for Burgundy label chasers and they would cry sweet Nuits St. Georges. Raspberry and strawberry with plenty of umami minerality and that firm tannin up the back. Really tempurpedic acidity never reacts and always supports. This is a 10-15 year Mercurey. No fooling. Drink 2018-2029. Tasted September 2016 @vinsdebourgogne@BourgogneWines
Hamilton Russel Vineyard Chardonnay 2015, Hemel-en-Aarde Valley, South Africa (931006, $42.95, WineAlign)
The pattern repeats in HR’s 2015 chardonnay, up there with the Cape’s most elegant and wholly indicative of the Hermanus oeuvre. Ripeness, just a hint of the barrel and windy sunshine locked up in chardonnay that could not come from anywhere but the Hemel-En-Aarde Valley. The finish allows for some noted sensations indicative of yeast, warm bread, drawn butter and a golden bathed afternoon. A time to linger and make a polite request of this chardonnay to indicate best show times in the near to not-to-distant future. Though tempting to drink now this will improve and up the elegance factor. Drink 2018-2023. Tasted September 2016 @OliveHR@WOSACanada@WOSA_ZA@hermanuswine
Col D’orcia Brunello Di Montalcino 2010, Tuscany, Italy (306852, $49.95, WineAlign)
Largesse and a firmess of being as per the house style are rampant in Col D’Orcia’s 2010, a wine that reminds me of 1998 and 2000. A wine that will seem lean, mean and terrifying in its youth but will prove everyone wrong when it hits the 12-15 year stride. This is a monster bringing leather and chocolate to the table. It is nearly unapproachable at the present time but you can imagine and embrace the possibility of potential. Drink 2020-2035. Tasted September 2016 @Coldorcia@ConsBrunello@DionysusWines
Instinctive, intrinsically essential nebbiolo without any equivocation whatsover. The fruit at the core is the crux and the catalyst to aseemble the forces of Barolo entrance strategy. The floral freshness in potpourri does not concede any more quality than right here. Suave, gentle, restrained and yet so forthright, generous and inviting. The grip is right at the back, in the mouth and on the brain. Diligent, purposed and highly intelligent nebbiolo with decades of future ahead. Drink 2019-2039. Tasted September 2016 @giannigagliardo@WineLoversAgncy
Ridge Geyserville 2014, Alexander Valley, Sonoma County, California (723072, $63.95, WineAlign)
A deep and thoughtful vintage for Geyserville, from plenty of sunshine, deep aridity and top notch acidity. The fruit is wondrous, full of berries in all shades and even some black currants. Shadowing with less chocolate than some this is all about fruit with tannin to structure it for a long haul. So very Geyserville and nothing but pure pleasure in bottle. Drink 2019-2027. Tasted September 2016 @RidgeVineyards@VinoTorino@rogcowines@sonomavintners
Over at WineAlign we recently introduced a new feature in our already comprehensive coverage of the bi-weekly VINTAGES releases. If I Could Buy Only One offers subscribers a first in line, get inside the minds of four Ontario critics. As part of the overall recap on each release David Lawrason, John Szabo M.S., Sara d’Amato and I are asked the question: “If you could buy only one wine from this release – which one would it be and why?”
When it comes to tasting, assessing and scoring VINTAGES wines there is simply no equal to what WineAlign covers in Ontario. As a group we four are sure to collectively provide at least one tasting note and score for 100 or more wines per release. In most cases there are two and sometimes three or even all four. Where else in print or online can you access such a synoptic scope of sweeping current information?
We are not alone but we are at the head of the game. Our colleague Michael Vaughan is the only critic who tastes every wine on every VINTAGES release. His nearly three decades of utter dedication and encyclopedic memory is nothing short of incredible. Tony Aspler covers the releases and contributes to Vaughan’s newsletter. Tony’s decades of experience are invaluable to both his and Michael’s readership. Beppi Crosariol offers a handful of concise and epigrammatic weekly recommendations in the Globe and Mail, Carolyn Hammond in a Toronto Star nutshell and Rod Phillips meaty and marrowy in the Ottawa Sun.
The LCBO media tasting lab is frequented by many Ontario writers. Most notable is Tim Appelt. Tim sounds off extensively on the releases. Eric Vellend publishes recos in his column “Bottle Shop” for Billy, the Toronto Island Airport’s magazine. André Proulx brings his own ignited take to his website, Andre Wine Review and Michael Pinkus publishes his broad brushstroke on his Wine Review. Erin Henderson does so on The Wine Sister’s website and Dean Tudor at Gothic Epicures World Wine Watch. If you follow what comes through VINTAGES and sequester help and ideas, who do you turn to? The answer is simply WineAlign.
When asked to single out just one I chose another Chablis from the current September 17th release. Look for the stellar Simonnet Febvre & Fils Côte De Lechet Chablis 1er Cru 2013 review in my upcoming report on Chablis in Ontario. Today I’ve got 13 other solid recommendations from a wide range of places.
Man Family Warrelwind Sauvignon Blanc 2015, Rocca Delle Macìe Chianti Classico 2014, Dominio Dos Tares Estay Prieto Picudo 2012, Les Darons 2014, Pazo Das Bruxas Albariño 2014, Talley Vineyards Bishop’s Peak Chardonnay 2014
Man Family Warrelwind Sauvignon Blanc 2015, Wo Western Cape, South Africa (461004, $13.95, WineAlign)
Man’s upper reaches sauvignon blanc whirls and winds around open-affable, semi-pungent fruit and churns like citrus juice through a windmill. This multi-purpose white speaks with great acidity and deep tart flavours. Just a touch of sweet peach with lime zest and a spritz keeps it spinning. Lots of bang for just a few bucks. Drink 2016-2019. Tasted September 2016 @MANVintners@vonterrabev@WOSACanada@WOSA_ZA
Tasted from a half bottle, The Zingarelli Chianti Classico 2014 is as expected, classic. Hits all the appropriate and life-affirming sangiovese notes; cherries, fresh leather, dried figs, old wood walls, bright acidity and fine-grained tannin. When commercial, protective and attention to detail get together in Chianti Classico, this is what comes out. Expectations met and dinner accompanied. Ready to drink now and should be so because of the freshness afforded. Drink 2016-2019. Tasted September 2016 @roccadellemacie@chianticlassico@ProfileWineGrp
Dominio Dos Tares Estay Prieto Picudo 2012, Vino De La Tierra De Castilla Y León, Spain (393140, $15.95, WineAlign)
Flat out juicy prieto picudo if you must know is 100 per cent employed out of Castilla Y Leon. Drinkable and gulpable don’t get much better than this, like spicy gamay but with more weight. You can put the truck in reverse and open the back doors wide for this and its sultry sway from French and American oak. The oak does not intrude mind you but it certainly adds texture and punch. Utterly delectable. Drink 2016-2018. Tasted September 2016 @DominiodeTares@oenophilia1
Les Darons 2014, Ap Languedoc, France, Languedoc-Roussillon, France (448464, $17.95, WineAlign)
Fresh and dramatic Languedoc with amazing floraility, namely violets but also rose bushes in a mid-summer swelter. Vitality is ensured by the top notch acidity and the tempering here has nothing to do with chocolate. Tart just right and back bite. While some from the warm region seem “toujours le cup entre demux chaises,” this Jeff Carrel red is right where it needs to be, comfortable in its own skin. No Ogres des Barback. Simply Les Darons. Drink 2016-2019. Tasted September 2016 @LanguedocWines
Pazo Das Bruxas Albariño 2014, Do Rias Baixas, Spain (417667, $19.95, WineAlign)
This is a fine example of Albarino bringing miles of rich, ripe fruit into a brew of ripping acidity. Very mineral motive as as well, so with so much stewing in the pot you can expect a whole lot of vigor, revelry and magic. The citrus on the back side is nothing short of scintillant-spurred from lemon and lime. Miles from balmy, this is quite electric Galicia. Witches’ Brew, Bitches Brew in a Spanish Key. May not be a revolutionary bottle but it’s as close to jazz-rock fusion Albarino as you are likely to find. Drink 2016-2020. Tasted September 2016 @TorresWines@RiasBaixasWines
Talley Vineyards Bishop’s Peak Chardonnay 2014, Edna Valley, Central Coast, California (318360, $27.95, WineAlign)
Another well-managed, keep it in the cool-climate family entry-level chardonnay from Brian Talley, keeping the faith and the successful streak alive for the idea behind Edna Valley as an important haven for chardonnay. It’s nearly unoaked, with just some neutral barrels to keep it leesy and creamy but acidity and umami are clear to lead the way. Excellent effort if on the lean and mean side. Good length. Drink 2016-2019. Tasted September 2016 @TalleyVineyards@TheVine_RobGroh
From left to right: Roger & Didier Raimbault Sancerre Rouge 2013, Schiopetto Sauvignon 2013, Thirty Bench Sparkling Riesling, Emile Beyer L’hostellerie Gewürztraminer 2012, La Crema Chardonnay 2014, Château La Nerthe Châteauneuf Du Pape Blanc 2014 and Pascal Marchand Gevrey Chambertin 2013
Roger & Didier Raimbault Sancerre Rouge 2013, Ac Loire, France (446401, $28.95, WineAlign)
Cured, natural, direct and experiential red Sancerre. A case of hands-off winemaking if there ever was, leaving exceptional fruit to walk the road and find its own way. Red berries, currants and just a hint of natural smoke. Savoury not even on its radar. Very fresh and alive. Freedom in red Sancerre. Drink 2016-2019. Tasted September 2016 @LoireValleyWine
Ripe, pungent and forthright Collio sauvignon blanc from the regional leader Schiopetto, culled from top level terroir and exercised with great intent. No Aqualung here, no “start away uneasy.” Dives into stony, flinty and mineral tangy waters then emerges to tell a tale of richness and mille-feuille layering. Top level sauvignon blanc for anywhere but from a very specific, agriculturist place. Finishes with a creamy lemon curd and a shot of adrenaline. If any sauvignon blanc could help solve the answer to the distinction between religion and God, Schiopetto’s could very well be the one. Drink 2016-2022. Tasted September 2016 @schiopetto@LeSommelierWine
I will stand to be corrected but this first such sparkler from Thirty Bench (it’s my first) and its dry riesling stoicism is a first in its singular way for Ontario. Using a small dosage from Steel Post Vineyard riesling fruit, the quality level in this non-vintage bubble (but I would think that the primary vintage fruit is 2014) is elevated with that world-class juice and yet aridity is not compromised. The subtle, rich, elongated and amalgamated orchard fruit aromatics are pure Beamsville, Thirty Bench and Emma Garner with well-rounded Niagara Peninsula Sparkling couverture. One, Garner wouldn’t waste a thimble-full of her riesling to make less than stellar sparkling wine and two, it’s really good. Drink 2016-2022. Tasted September 2016 @ThirtyBench@PellerVQA
Emile Beyer L’hostellerie Gewürztraminer 2012, Ac Alsace, France (462556, $39.95, WineAlign)
The tense and focused aromatics lead the way in this very generous gewürztraminer, classically styled to be off-dry but the sweetness is the furthest thing from your mind. Seeping rose petals and pure lychee syrup are graced with lemon zest, fennel frond and a curious note of rooibos tea. An exemplary vintage for an elixir that never cloys but just touches on something spicy and thinks about the bitterness of nuts though never really goes there. Subtle, refined and Eguisheim cultured from Emile Beyer. So impressive and a steal to drink in its first 10 years. Drink 2016-2022. Tasted September 2016 @EmileBeyer@AlsaceWines@drinkAlsace@VinsAlsace
La Crema Chardonnay 2014, Los Carneros, Sonoma County, California (184929, $39.95, WineAlign)
Experience, vintage and location will conspire to deliver profundity when the winemaker is attuned to available excellence and in tune with the vines. La Crema’s Elizabeth Grant-Douglas has a large, who’s who and what’s what portfolio to plate. She does so with broad, brushstroke ability and triads. In 2014 she has simply dialled into Los Carneros. The cool, temperature mitigated rolling hills, wind and aspect/exposure of this largest appellation straddling Napa and Sonoma does wonders for Chardonnay. Here in ’14 the third of the drought vintages is cradled with zest, vitality and pure energy. If you like nougat then have a chew of this one. If rich and unctuous Champagne with a bit of age is your thing you may just sit back and sigh. This wine was fatter previously, vegetal and just too easy. Here it sings “cause it fits in well with the chords” its playing. Right in tune. “Getting in tune with the straight and narrow.” The line that runs through Carneros with chardonnay the voice and La Crema the orchestra. Drink 2016-2020. Tasted September 2016 @LaCremaWines@bwwines@sonomavintners@thesirengroup
Château La Nerthe Châteauneuf Du Pape Blanc 2014, Ac Rhone, France (704429, $56.95, WineAlign)
This is quite closed for white Châteauneuf-du-Pape, remarkable that way and dramatically caught between the rocks and stones of its upbringing. There is nothing yet fleshy or flashy about it but considering how tightly wound it is you just have to know that revelry is up around the bend. So many stone fruits will reveal during the unravel. At this rigid dry extract and carpeted stage something microbial stands out but this too shall pass. The grip is firm and the focus leering. A structurally imposing La Nerthe with the will to live 15-20 years. Drink 2018-2029. Tasted September 2016 #ChateauLaNerthe@WoodmanWS@VINSRHONE
Pascal Marchand Gevrey Chambertin 2013, Burgundy, France (286450, $59.95, WineAlign)
Sweet, expertly extracted and gently pressed fruit provides the bassinet for a subtle, charming and effluent pinot noir from Pascal Marchand. This falls on the lithe and graceful side of pinot noir with well-managed oak and an inherent structure that speaks as softly as the fruit but that does not mean its not capable of stretching this into a second decade. This is really pretty stuff. Would love to see its secondary stage and later fruition next decade. Drink 2019-2025. Tasted September 2016 @pasmarchand@Burgundy_Direct@BourgogneWines@vinsdebourgogne
Godello 